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These are the user uploaded subtitles that are being translated: 1 00:00:00,667 --> 00:00:02,268 [ CAMERA WHIRS ] 2 00:00:02,335 --> 00:00:07,307 Narrator: WORLDWIDE, 6 BILLION CAMERAS ARE WATCHING US -- 3 00:00:07,374 --> 00:00:12,579 ON OUR STREET, AT WORK, AND IN OUR HOMES. 4 00:00:12,645 --> 00:00:15,949 THEY CAPTURE THINGS THAT SEEM IMPOSSIBLE. 5 00:00:16,016 --> 00:00:18,952 IT DEFIES THE LAWS OF PHYSICS. 6 00:00:19,019 --> 00:00:21,187 Man: THIS IS UNBELIEVABLE, MAN. 7 00:00:21,254 --> 00:00:22,989 Narrator: EXPERTS CARRY OUT FORENSIC ANALYSIS 8 00:00:23,056 --> 00:00:25,291 OF THESE UNUSUAL EVENTS. 9 00:00:29,729 --> 00:00:32,432 I WANT TO KNOW WHAT I'M LOOKING AT. 10 00:00:32,499 --> 00:00:34,601 THERE HAS TO BE SOME SORT OF EXPLANATION. 11 00:00:34,667 --> 00:00:36,369 WHAT ELSE IS GOING ON HERE? 12 00:00:36,436 --> 00:00:37,937 [ CAMERA WHIRS ] 13 00:00:38,004 --> 00:00:39,339 Narrator: COMING UP, 14 00:00:39,406 --> 00:00:43,510 A MAN WITH THE INDESTRUCTIBILITY OF A ROBOT... 15 00:00:43,576 --> 00:00:47,747 HE RUNS INTO THE BACK OF THIS CAR, BASICALLY LIKE A MACHINE. 16 00:00:47,814 --> 00:00:51,518 Narrator: ...A MYSTERIOUS FORCE ATTACKS PASSENGERS AT SEA... 17 00:00:51,584 --> 00:00:53,520 [ SCREAMING ] 18 00:00:53,586 --> 00:01:00,260 THE PEOPLE ON THIS BOAT WERE NOT EXPECTING TO GET WHAT THEY GOT. 19 00:01:00,326 --> 00:01:02,662 Narrator: ...AND A GLOWING GHOUL BRINGS TERROR 20 00:01:02,729 --> 00:01:04,230 TO A DESERT HIGHWAY. 21 00:01:04,297 --> 00:01:07,033 Wise: IT IS USING THAT LIGHT FOR ILLUMINATION, 22 00:01:07,100 --> 00:01:10,003 OR IS IT LURING ITS PREY? 23 00:01:10,070 --> 00:01:11,404 Narrator: BIZARRE PHENOMENON. 24 00:01:11,471 --> 00:01:12,672 WHOA. 25 00:01:12,739 --> 00:01:14,674 Narrator: MYSTERIES CAUGHT ON CAMERA. 26 00:01:14,741 --> 00:01:16,576 NOW, THAT'S AN EXPLOSION. 27 00:01:16,643 --> 00:01:20,847 WHAT IS THE TRUTH BEHIND THIS STRANGE EVIDENCE? 28 00:01:20,914 --> 00:01:23,850 {\an8}-- Captions by VITAC -- www.vitac.com 29 00:01:23,917 --> 00:01:26,953 {\an8}CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 30 00:01:28,521 --> 00:01:32,125 NOW, CAMERAS CAPTURE A NAKED HUMANOID FIGURE 31 00:01:32,192 --> 00:01:36,596 WITH DURABILITY BEYOND THAT OF ANY NORMAL MAN. 32 00:01:36,663 --> 00:01:39,866 HE RAN FULL-ON BODY MASS AIRBORNE INTO THAT WINDOW. 33 00:01:39,933 --> 00:01:42,168 I WOULD THINK THAT WOULD LEAVE A NORMAL PERSON DEAD. 34 00:01:42,235 --> 00:01:44,437 Narrator: IMPERVIOUS TO PAIN, HE SEEMS TO BE 35 00:01:44,504 --> 00:01:48,108 ON AN OBSESSIVE RAMPAGE OF DESTRUCTION. 36 00:01:48,174 --> 00:01:51,277 THIS GUY IS DOING THINGS THAT ARE PRACTICALLY SUICIDAL. 37 00:01:51,344 --> 00:01:53,780 HE'S THE TERMINATOR, MAN. HE JUST KEEPS GOING. 38 00:01:53,847 --> 00:01:55,882 [ CAMERA WHIRS ] 39 00:01:58,351 --> 00:02:03,423 Narrator: MARCH 7, 2015, LOS ANGELES, CALIFORNIA, 40 00:02:03,490 --> 00:02:06,459 A CITY FAMOUS FOR YEAR-ROUND SUNSHINE 41 00:02:06,526 --> 00:02:10,430 AND THE GLITZ AND GLAMOUR OF THE MOVIES, 42 00:02:10,497 --> 00:02:12,699 BUT AS THE SUN SETS ON THE CITY, 43 00:02:12,765 --> 00:02:16,102 ONE SLEEPY SUBURB IS ABOUT TO EXPERIENCE AN EVENT 44 00:02:16,169 --> 00:02:20,540 STRAIGHT FROM A HOLLYWOOD ACTION BLOCKBUSTER. 45 00:02:20,607 --> 00:02:22,542 WE'VE BEEN HERE FOR ABOUT 20 YEARS. 46 00:02:22,609 --> 00:02:24,277 I MEAN, LITTLE THINGS HAPPEN HERE AND THERE, 47 00:02:24,344 --> 00:02:26,880 BUT NOTHING LIKE THIS. 48 00:02:26,946 --> 00:02:28,181 Narrator: LATE IN THE EVENING, 49 00:02:28,248 --> 00:02:30,850 LOCAL RESIDENT CHARLIE BARNES AND HIS WIFE 50 00:02:30,917 --> 00:02:34,387 ARE DRIVING BACK FROM A FRIEND'S PARTY. 51 00:02:34,454 --> 00:02:36,990 SO WE GOT HOME EXACTLY AROUND 11 O'CLOCK. 52 00:02:37,056 --> 00:02:39,058 WE WERE READY TO GO TO BED. 53 00:02:39,125 --> 00:02:40,994 {\an8}FIVE MINUTES LATER, SOMEONE KNOCKS ON OUR DOOR 54 00:02:41,060 --> 00:02:43,263 {\an8}LETTING US KNOW SOMEONE HIT OUR CAR. 55 00:02:43,329 --> 00:02:45,198 WELL, THE FIRST THING I SAW WAS MY NEIGHBOR. 56 00:02:45,265 --> 00:02:46,599 SHE LOOKED LIKE SHE WAS PRETTY SHOOK UP. 57 00:02:46,666 --> 00:02:49,068 SO I ASKED HER, "HEY, DID YOU HIT MY CAR?" 58 00:02:49,135 --> 00:02:50,470 THE FIRST THING THAT CAME OUT OF HER MOUTH WAS, 59 00:02:50,537 --> 00:02:53,873 "NO, I DIDN'T. SOME NAKED GUY DID." 60 00:02:53,940 --> 00:02:55,241 I DIDN'T BELIEVE HER AT FIRST. 61 00:02:55,308 --> 00:02:57,744 I HAD TO GET THE EVIDENCE, AND I KNOW WE HAVE CAMERAS HERE. 62 00:02:57,810 --> 00:03:01,848 Narrator: BARNES IS STAGGERED BY WHAT HE SEES ON THE SECURITY VIDEO. 63 00:03:01,915 --> 00:03:06,186 A NAKED MAN LAUNCHES HIMSELF THROUGH BARNES' BACK WINDOW. 64 00:03:08,988 --> 00:03:10,390 WE WERE JUST DUMBFOUNDED. 65 00:03:10,456 --> 00:03:15,862 {\an8}HE RUNS INTO THE BACK OF THIS CAR, BASICALLY LIKE A MACHINE. 66 00:03:15,929 --> 00:03:19,132 {\an8}Narrator: THE MAN REBOUNDS ONTO THE GROUND AFTER RECEIVING A BLOW 67 00:03:19,199 --> 00:03:23,536 {\an8}THAT SHOULD KNOCK HIM OUT, BUT HE DOESN'T STAY DOWN. 68 00:03:23,603 --> 00:03:25,905 {\an8}IT'S LIKE NOTHING ELSE SEEMS TO BOTHER THIS GUY. 69 00:03:25,972 --> 00:03:28,608 Narrator: BARNES' NEIGHBOR TRIES DESPERATELY TO ESCAPE 70 00:03:28,675 --> 00:03:30,076 FROM THE MADMAN, 71 00:03:30,143 --> 00:03:33,780 BUT THE MYSTERIOUS ASSAILANT NOW TURNS HIS ATTENTION ON HER. 72 00:03:33,846 --> 00:03:36,649 THEN HE JUMPS ON THE CAR LIKE HE HAS NOT HAD ENOUGH. 73 00:03:36,716 --> 00:03:38,785 MY NEIGHBOR FREAKED OUT, PUTS IT IN DRIVING, 74 00:03:38,851 --> 00:03:41,020 GUNS IT, HITS MY VAN... 75 00:03:41,087 --> 00:03:44,224 Narrator: THE NAKED MAN IS FLUNG TO THE GROUND AT HIGH SPEED 76 00:03:44,290 --> 00:03:47,060 WITH WHAT LOOKS LIKE A BONE-CRUNCHING IMPACT. 77 00:03:47,126 --> 00:03:48,561 HOW DO YOU GET UP FROM THAT? 78 00:03:48,628 --> 00:03:49,896 AFTER THIS WHOLE THING, 79 00:03:49,963 --> 00:03:52,398 HE CAN STILL RUN FIVE BLOCKS DOWN AND NOT BE PHASED. 80 00:03:52,465 --> 00:03:54,300 Muñoz: THIS JUST DOESN'T SEEM LIKE SOMETHING 81 00:03:54,367 --> 00:03:57,003 AN ORDINARY HUMAN WOULD BE ABLE TO DO. 82 00:03:59,606 --> 00:04:01,174 Narrator: GREG SZULGIT IS AN EXPERT 83 00:04:01,241 --> 00:04:04,577 IN PHYSIOLOGY AND BIOMEDICAL SCIENCE. 84 00:04:04,644 --> 00:04:06,646 HE'S BUILT AN EXPERIMENT TO FIND OUT 85 00:04:06,713 --> 00:04:10,083 IF A HUMAN COULD WALK AWAY FROM THIS TYPE OF EVENT 86 00:04:10,149 --> 00:04:12,919 WITHOUT SERIOUS INJURIES. 87 00:04:12,986 --> 00:04:16,522 {\an8}THE QUESTION IS, HOW TYPICAL IS HE AS A HUMAN BEING? 88 00:04:16,589 --> 00:04:18,191 THAT'S WHAT I WANT TO FIND OUT. 89 00:04:18,258 --> 00:04:21,160 Narrator: SZULGIT ISN'T GOING TO LAUNCH HIMSELF AT THE CAR. 90 00:04:21,227 --> 00:04:23,162 HE'S BROUGHT ALONG A STUNT DOUBLE. 91 00:04:23,229 --> 00:04:25,198 NEWTON HERE IS ABOUT THE SAME WEIGHT AND BUILD 92 00:04:25,265 --> 00:04:27,400 AS THE GUY WHO WENT THROUGH THE WINDOW. 93 00:04:27,467 --> 00:04:30,069 I'M GONNA HOOK HIM UP TO A ROPE SWING ON A HARNESS, 94 00:04:30,136 --> 00:04:31,904 SWING HIM INTO THE BACK OF THE WINDOW, 95 00:04:31,971 --> 00:04:33,339 AND SEE HOW HE FARES. 96 00:04:33,406 --> 00:04:36,609 RIG YOU RIGHT UP. 97 00:04:36,676 --> 00:04:39,612 Narrator: SZULGIT HAS CALCULATED THE IMPACT FORCE SEEN 98 00:04:39,679 --> 00:04:41,681 IN THE SECURITY FOOTAGE. 99 00:04:41,748 --> 00:04:44,384 THE MAN IS RUNNING AT JUST OVER 11 MILES PER HOUR 100 00:04:44,450 --> 00:04:46,753 WHEN HE STRIKES THE CAR. 101 00:04:46,819 --> 00:04:50,290 THAT SHOULD BE ABOUT THE EQUIVALENT OF NEWTON 102 00:04:50,356 --> 00:04:55,828 ON A 5-METER ROPE SWING FALLING AT 45 DEGREES, 103 00:04:55,895 --> 00:04:57,964 WHICH IS AROUND THERE. 104 00:04:58,031 --> 00:05:00,667 I'M EXPECTING HE'S GONNA GO THROUGH THE WINDOW 105 00:05:00,733 --> 00:05:04,837 BUT ONLY BECAUSE HE'S GOT A HARD HEAD AND A STIFF NECK AND BACK. 106 00:05:04,904 --> 00:05:07,073 Narrator: NEWTON SHOULD SMASH THROUGH THE BACK WINDOW 107 00:05:07,140 --> 00:05:08,775 LIKE A SLEDGEHAMMER. 108 00:05:08,841 --> 00:05:12,211 THE QUESTION IS, HOW MUCH DAMAGE WILL THE DUMMY SUFFER? 109 00:05:12,278 --> 00:05:13,446 ALL RIGHT. 110 00:05:13,513 --> 00:05:16,983 3, 2, 1 -- LET'S SEE WHAT YOU GOT. 111 00:05:20,486 --> 00:05:22,021 Narrator: THE DUMMY'S HEAD HITS THE WINDOW 112 00:05:22,088 --> 00:05:26,092 WITH A BLUNT FORCE OF 2,187 NEWTONS, 113 00:05:26,159 --> 00:05:29,362 WHICH IS THE EQUIVALENT OF AN ADULT MALE SILVERBACK GORILLA 114 00:05:29,429 --> 00:05:31,197 STANDING ON YOUR HEAD. 115 00:05:31,264 --> 00:05:33,099 IT'S ALSO ABOUT THE SAME BLUNT FORCE 116 00:05:33,166 --> 00:05:36,903 REQUIRED TO CRUSH AN ADULT HUMAN SKULL. 117 00:05:36,969 --> 00:05:38,237 BUT INCREDIBLY, 118 00:05:38,304 --> 00:05:41,007 THIS ISN'T ENOUGH FORCE TO BREAK THE WINDOW. 119 00:05:41,074 --> 00:05:44,043 THE MAN IN THE FOOTAGE MUST HAVE HIT CHARLIE BARNES' CAR 120 00:05:44,110 --> 00:05:47,313 WITH EVEN MORE FORCE THAN THIS, WHICH LEAVES 121 00:05:47,380 --> 00:05:50,883 SZULGIT UNABLE TO EXPLAIN THE SEEMINGLY IMPOSSIBLE. 122 00:05:50,950 --> 00:05:52,485 THE GUY IN THE VIDEO, 123 00:05:52,552 --> 00:05:54,354 I DON'T KNOW HOW HE WALKED AWAY FROM IT. 124 00:05:54,420 --> 00:05:57,657 Narrator: THE NAKED MAN MAY LOOK LIKE A NEWLY ARRIVED TERMINATOR, 125 00:05:57,724 --> 00:06:00,360 AN ANDROID SENT FROM THE FUTURE, 126 00:06:00,426 --> 00:06:04,430 BUT BARNES FINDS EVIDENCE THAT HE'S NO INDESTRUCTIBLE MACHINE. 127 00:06:04,497 --> 00:06:07,567 THERE WAS ACTUALLY SKIN AND BLOOD ON THE ACTUAL GLASS. 128 00:06:07,633 --> 00:06:10,269 NOT ONLY THAT, HE LEFT A FINGERTIP. 129 00:06:12,505 --> 00:06:15,241 [ CAMERA WHIRS ] 130 00:06:15,308 --> 00:06:18,978 Narrator: AUTHOR HEIDI HOLLIS EXAMINES THE FOOTAGE FOR CLUES. 131 00:06:19,045 --> 00:06:22,415 SHE WONDERS IF THE MAN SURVIVED THIS CRIPPLING IMPACT 132 00:06:22,482 --> 00:06:25,952 BECAUSE HE WASN'T ENTIRELY CONSCIOUS TO BEGIN WITH. 133 00:06:26,018 --> 00:06:28,421 {\an8}WHEN I SAW THIS CLIP OF THIS GUY 134 00:06:28,488 --> 00:06:31,023 RUNNING FULL FORCE, NAKED, AT THE CAR, 135 00:06:31,090 --> 00:06:34,160 IT MAKES YOU WONDER, IS THAT A ZOMBIE MENTALITY? 136 00:06:34,227 --> 00:06:36,929 [ ZOMBIES GROANING ] 137 00:06:36,996 --> 00:06:38,731 Narrator: THE LIVING DEAD HAVE BEEN INVADING 138 00:06:38,798 --> 00:06:41,067 HOLLYWOOD MOVIES FOR DECADES, 139 00:06:41,134 --> 00:06:44,971 BUT THE ORIGIN OF THE ZOMBIE COMES FROM THE VODOU RELIGION. 140 00:06:45,037 --> 00:06:51,010 IN A LOT OF CULTURES WHERE VODOU IS DOMINATING, IT'S VERY REAL. 141 00:06:51,077 --> 00:06:54,180 Narrator: WORSHIPERS BELIEVE THAT PRIESTS OF THE VODOU RELIGION, 142 00:06:54,247 --> 00:06:57,383 USING A POTENT COCKTAIL OF POISONS AND DRUGS, 143 00:06:57,450 --> 00:07:00,887 CAN PLACE SOMEONE IN A ZOMBIE-LIKE STATE. 144 00:07:00,953 --> 00:07:03,055 A ZOMBIE UNDER THE CONTROL OF THE DRUGS 145 00:07:03,122 --> 00:07:06,559 IS UNABLE TO RESIST ANY INSTRUCTIONS GIVEN TO THEM. 146 00:07:06,626 --> 00:07:10,329 ZOMBIES MAY ATTACK YOU BECAUSE IF THE MASTER SAYS, 147 00:07:10,396 --> 00:07:11,898 "GET THAT PERSON," 148 00:07:11,964 --> 00:07:14,300 THEY MAY DO WHATEVER IT TAKES TO TAKE YOU DOWN, 149 00:07:14,367 --> 00:07:19,439 AND THEY WON'T STOP UNTIL THEIR MASTER SAYS TO STOP. 150 00:07:19,505 --> 00:07:22,875 Narrator: PHYSICIST MICHIO KAKU CONSIDERS IF IT'S POSSIBLE 151 00:07:22,942 --> 00:07:26,579 TO USE SCIENCE TO MAKE A TECHNOLOGICAL ZOMBIE. 152 00:07:26,646 --> 00:07:29,148 {\an8}IS IT POSSIBLE TO HACK INTO HIS SPINAL CORD 153 00:07:29,215 --> 00:07:30,650 AND HACK INTO HIS BODY 154 00:07:30,716 --> 00:07:34,387 SO THAT THESE MOTIONS CAN BE DONE BY PUSHING A BUTTON? 155 00:07:34,454 --> 00:07:37,657 AND THE ANSWER IS, IN PRINCIPLE, YES. 156 00:07:37,723 --> 00:07:42,195 Narrator: IN THE 1960s, JUAN DELGADO, A YALE UNIVERSITY PROFESSOR, 157 00:07:42,261 --> 00:07:45,164 CREATED A REMOTE-CONTROLLED BULL 158 00:07:45,231 --> 00:07:48,100 BY IMPLANTING ELECTRODES IN THE BULL'S BRAIN. 159 00:07:48,167 --> 00:07:52,371 HE COULD MAKE IT CHARGE OR HALT WITH THE TOUCH OF A BUTTON. 160 00:07:52,438 --> 00:07:54,640 NOW, THE IMPLICATION OF THIS WAS SO ENORMOUS 161 00:07:54,707 --> 00:07:57,477 THAT THAT LINE OF RESEARCH WAS ABANDONED. 162 00:07:57,543 --> 00:07:59,145 Narrator: BUT OTHER LINES OF RESEARCH 163 00:07:59,212 --> 00:08:02,215 HAVE LED TO EXTRAORDINARY ADVANCES IN BODY HACKING 164 00:08:02,281 --> 00:08:06,118 BY SENDING ELECTRIC PULSES DIRECTLY INTO MUSCLES. 165 00:08:06,185 --> 00:08:08,154 {\an8}NOW, IF YOU THINK ABOUT HOW MUSCLES ARE CONTROLLED, 166 00:08:08,221 --> 00:08:10,156 {\an8}IT'S BASICALLY ELECTRICAL SIGNALS 167 00:08:10,223 --> 00:08:12,458 {\an8}THAT ARE USUALLY COMING FROM THE BRAIN 168 00:08:12,525 --> 00:08:13,893 THAT ARE CONTROLLING THE MUSCLES. 169 00:08:13,960 --> 00:08:17,063 BUT THE BEAUTY IS, YOU CAN ACTUALLY BYPASS THE BRAIN. 170 00:08:17,129 --> 00:08:19,665 WHAT HAPPENS IF SOMEBODY GETS THIS TECHNOLOGY 171 00:08:19,732 --> 00:08:21,367 WITHOUT YOUR PERMISSION? 172 00:08:21,434 --> 00:08:25,771 THEN ALL OF A SUDDEN, YOU ARE A PUPPET INSIDE YOUR OWN BODY. 173 00:08:25,838 --> 00:08:27,507 NOW, THAT'S A FREAKY IDEA, RIGHT? 174 00:08:27,573 --> 00:08:30,376 SOMEONE CAN ACTUALLY TAKE OVER YOUR BODY, 175 00:08:30,443 --> 00:08:32,411 AND YOU COULD HAVE NO CONTROL OF IT. 176 00:08:32,478 --> 00:08:34,747 Narrator: COULD THE MAN IN THE FOOTAGE BE THE VICTIM 177 00:08:34,814 --> 00:08:38,551 OF A BODY HACK LIKE THIS, A TECHNOLOGICAL ZOMBIE 178 00:08:38,618 --> 00:08:41,254 CONTROLLED BY A MALIGN PUPPET MASTER, 179 00:08:41,320 --> 00:08:45,791 HELPLESS TO STOP HIS BODY FROM BEING PULVERIZED? 180 00:08:45,858 --> 00:08:48,561 FORENSIC IMAGE ANALYST CONOR McCOURT 181 00:08:48,628 --> 00:08:51,597 EXAMINES THE FOOTAGE FOR ANY TELLTALE CLUES 182 00:08:51,664 --> 00:08:54,767 THAT THIS TYPE OF TECHNOLOGY MIGHT BE BEING USED. 183 00:08:54,834 --> 00:08:57,737 {\an8}THERE'S BEEN A SUGGESTION THAT THIS IS BODY HACKING. 184 00:08:57,803 --> 00:09:00,907 SO WE CAPTURED IMAGES FROM THE RAMPAGE, 185 00:09:00,973 --> 00:09:03,209 AND WE LINED THEM UP ON A CHART. 186 00:09:03,276 --> 00:09:05,411 WHAT DO WE HAVE HERE? HE'S NAKED. 187 00:09:05,478 --> 00:09:07,346 WE WOULD SEE THOSE ELECTRODES. 188 00:09:07,413 --> 00:09:09,515 THERE'S NOWHERE TO HIDE THAT TECHNOLOGY, 189 00:09:09,582 --> 00:09:11,884 SO THAT'S NOT WHAT'S GOING ON HERE. 190 00:09:14,086 --> 00:09:17,690 Narrator: PROFESSOR OF BIOLOGY LESLIE SAMUEL INVESTIGATES 191 00:09:17,757 --> 00:09:21,527 IF A SINISTER BIOLOGICAL AGENT COULD EXPLAIN THE CARNAGE 192 00:09:21,594 --> 00:09:23,362 HE'S WITNESSING IN THE FOOTAGE. 193 00:09:23,429 --> 00:09:26,699 COULD THIS GUY BE INFECTED BY A PARASITE, 194 00:09:26,766 --> 00:09:30,269 AND COULD THAT BE CAUSING THE BEHAVIOR THAT WE'RE SEEING HERE? 195 00:09:30,336 --> 00:09:32,672 Narrator: ONE WIDESPREAD PARASITE THAT IS KNOWN 196 00:09:32,738 --> 00:09:37,543 TO CONTROL THE BEHAVIOR OF ITS HOST IS TOXOPLASMA GONDII, 197 00:09:37,610 --> 00:09:39,612 A SINGLE-CELL PROTOZOA 198 00:09:39,679 --> 00:09:42,782 THAT CAUSES THE DISEASE TOXOPLASMOSIS. 199 00:09:42,848 --> 00:09:47,386 WHEN IT COMES TO TOXOPLASMOSIS CAUSING RISKY BEHAVIOR, 200 00:09:47,453 --> 00:09:48,988 THIS HAPPENS BECAUSE IT'S EVOLVED 201 00:09:49,055 --> 00:09:51,557 IN LITERALLY A CAT-AND-MOUSE GAME. 202 00:09:51,624 --> 00:09:53,659 Narrator: THE PARASITE LIVES IN CATS 203 00:09:53,726 --> 00:09:55,962 AND IS SPREAD THROUGH THEIR FECES, 204 00:09:56,028 --> 00:09:59,632 BUT IT HAS EVOLVED TO SPECIFICALLY TARGET CATS' PREY 205 00:09:59,699 --> 00:10:02,401 LIKE MICE AND RATS. 206 00:09:59,699 --> 00:10:02,401 [ MICE SQUEAKING ] 207 00:10:02,468 --> 00:10:05,738 WHAT THE PARASITE IS ACTUALLY DOING IS INFECTING THE RATS 208 00:10:05,805 --> 00:10:07,640 IN A WAY THAT MAKES THEM FEARLESS, 209 00:10:07,707 --> 00:10:11,410 AND NOT JUST FEARLESS -- RECKLESS. 210 00:10:11,477 --> 00:10:14,246 Narrator: INFECTED RODENTS LOSE ALL FEAR OF CATS 211 00:10:14,313 --> 00:10:17,750 AND WILL ACTUALLY SEEK OUT THE SCENT OF CAT URINE. 212 00:10:17,817 --> 00:10:20,553 THE HOST PUTS ITSELF IN A SUICIDAL POSITION 213 00:10:20,620 --> 00:10:23,022 OF BEING AVAILABLE TO BE EATEN. 214 00:10:23,089 --> 00:10:26,926 Narrator: AND THIS IS EXACTLY WHAT TOXOPLASMA GONDII WANTS. 215 00:10:26,993 --> 00:10:29,495 WHEN THE RATS GET EATEN BY THE CAT, 216 00:10:29,562 --> 00:10:33,799 THE PARASITE GETS BACK WHERE IT WANTS TO BE, INSIDE THE CAT. 217 00:10:33,866 --> 00:10:37,737 NOW, IF YOU THINK THAT'S CRAZY, THAT'S NOT THE TERRIFYING THING. 218 00:10:37,803 --> 00:10:40,106 IT DOESN'T JUST INFECT RATS. 219 00:10:40,172 --> 00:10:42,675 IT ACTUALLY INFECTS HUMANS, TOO. 220 00:10:44,744 --> 00:10:49,615 Narrator: COMING UP, A TERRIFYING OBJECT MENACES A TOWN... 221 00:10:49,682 --> 00:10:54,553 THERE ARE THINGS IN THE SKY THAT CAN KILL US AT ANY MOMENT. 222 00:10:54,620 --> 00:10:58,457 Narrator: ...A CAR IS PULLED UP AND DOWN A HILL BY A MYSTERIOUS POWER... 223 00:10:58,524 --> 00:10:59,792 Wise: IT'S ESSENTIALLY 224 00:10:59,859 --> 00:11:03,129 ONE OF THE DEADLIEST FORCES ONE CAN IMAGINE. 225 00:11:03,195 --> 00:11:05,698 Narrator: ...AND IS THIS MAN BEING CONTROLLED 226 00:11:05,765 --> 00:11:08,401 BY A PARASITE THAT'S TAKEN OVER HIS BODY? 227 00:11:08,467 --> 00:11:12,238 IT GIVES YOU AN INCREDIBLE NUMBNESS TO KILLING, VIOLENCE. 228 00:11:12,304 --> 00:11:15,574 {\an8}♪♪ 229 00:11:16,709 --> 00:11:19,378 {\an8}♪♪ 230 00:11:19,445 --> 00:11:24,517 Narrator: A NAKED MAN ON A VIOLENT RAMPAGE IN AN L.A. SUBURB -- 231 00:11:24,583 --> 00:11:26,786 EXPERTS INVESTIGATE IF HE'S BEEN INFECTED 232 00:11:26,852 --> 00:11:30,189 BY A PARASITE THAT CAUSES TOXOPLASMOSIS, 233 00:11:30,256 --> 00:11:33,259 A DISEASE THAT CAN TRIGGER SELF-DESTRUCTIVE BEHAVIOR. 234 00:11:33,325 --> 00:11:37,329 {\an8}RESEARCH HAS SHOWN THAT ABOUT 1/4 OF THE POPULATION 235 00:11:37,396 --> 00:11:39,098 IS ACTUALLY INFECTED. 236 00:11:39,165 --> 00:11:43,903 Narrator: TOXOPLASMOSIS CAUSES CYSTS TO DEVELOP IN HUMAN BRAINS. 237 00:11:43,969 --> 00:11:47,973 THESE CYSTS CAN PERMANENTLY ALTER SOMEONE'S PERSONALITY, 238 00:11:48,040 --> 00:11:50,576 MAKING THE INDIVIDUAL MORE LIKELY TO ENGAGE 239 00:11:50,643 --> 00:11:52,611 IN HIGH-RISK BEHAVIOR. 240 00:11:52,678 --> 00:11:56,882 IT CAN TRIGGER AGGRESSION, SCHIZOPHRENIA, OR SUICIDE. 241 00:11:56,949 --> 00:11:58,617 {\an8}A LOT OF PEOPLE ARE WALKING AROUND WITH THIS 242 00:11:58,684 --> 00:12:00,219 {\an8}AND DON'T EVEN KNOW IT. 243 00:12:00,286 --> 00:12:03,723 {\an8}Narrator: BUT SCIENCE JOURNALIST JEFF WISE THINKS THIS BEHAVIOR 244 00:12:03,789 --> 00:12:08,928 {\an8}IS TOO CRAZY EVEN FOR SOMEONE SUFFERING FROM TOXOPLASMOSIS. 245 00:12:08,994 --> 00:12:10,863 {\an8}PARASITES THAT AFFECT BEHAVIOR, 246 00:12:10,930 --> 00:12:13,766 {\an8}THEY DO SO IN ORDER TO BENEFIT THEMSELVES. 247 00:12:13,833 --> 00:12:15,668 THIS DOESN'T SEEM LIKE THAT'S HAPPENING. 248 00:12:15,735 --> 00:12:19,405 HERE YOU HAVE A HOST THAT'S JUST KIND OF DESTROYING HIMSELF. 249 00:12:19,472 --> 00:12:21,307 IF THIS IS A PARASITE, 250 00:12:21,373 --> 00:12:25,311 IT'S NOT REALLY GETTING ANYTHING OUT OF IT. 251 00:12:25,377 --> 00:12:29,982 Narrator: MILITARY ANALYST CARLO MUÑOZ ANALYZES THE FOOTAGE. 252 00:12:30,049 --> 00:12:32,017 THE BEHAVIOR OF THE MAN ON THE RAMPAGE 253 00:12:32,084 --> 00:12:36,422 REMINDS HIM OF WHAT HE'S LEARNED ABOUT SUPER-SOLDIER PROGRAMS. 254 00:12:36,489 --> 00:12:39,458 {\an8}MILITARIES ALL ACROSS THE WORLD SPEND BILLIONS OF DOLLARS 255 00:12:39,525 --> 00:12:42,128 {\an8}TRYING TO IMPROVE EVERY PIECE OF THEIR ARSENAL, 256 00:12:42,194 --> 00:12:43,729 AND THAT INCLUDES SOLDIERS. 257 00:12:43,796 --> 00:12:46,565 ONE OF THE WAYS THEY DO THAT IS DRUGGING THEM. 258 00:12:46,632 --> 00:12:49,702 Narrator: A COCKTAIL OF POWERFUL DRUGS CAN ALLOW COMBATANTS 259 00:12:49,769 --> 00:12:52,505 TO PUSH PAST NORMAL HUMAN BOUNDARIES, 260 00:12:52,571 --> 00:12:57,209 LIKE SMASHING THROUGH A CAR WINDOW WITH THEIR HEAD. 261 00:12:57,276 --> 00:13:00,846 A LOT OF WORK IN THIS FIELD WAS PIONEERED IN NAZI GERMANY. 262 00:13:00,913 --> 00:13:02,381 ONE OF THE DRUGS GERMAN COMMANDERS 263 00:13:02,448 --> 00:13:04,116 WOULD GIVE THEIR MEN IN WORLD WAR II 264 00:13:04,183 --> 00:13:06,218 WAS SOMETHING CALLED D-IX, 265 00:13:06,285 --> 00:13:08,154 WHICH WOULD GIVE THEM SUPERHUMAN STRENGTH 266 00:13:08,220 --> 00:13:11,223 AND IN A WAY, TURN THEM INTO SOME SORT OF SUPER SOLDIER. 267 00:13:11,290 --> 00:13:14,059 Narrator: IN RECENT DECADES, THE DRUGS-ARMS RACE 268 00:13:14,126 --> 00:13:17,329 HAS CONTINUED WITH TERROR GROUPS DOSING THEIR FIGHTERS 269 00:13:17,396 --> 00:13:20,065 WITH UNREGULATED BLACK-MARKET DRUGS. 270 00:13:20,132 --> 00:13:22,635 THEY'VE TAKEN TO USING SOMETHING CALLED CAPTAGON, 271 00:13:22,701 --> 00:13:25,704 WHICH BASICALLY TURNS THEM INTO KILLING MACHINES. 272 00:13:25,771 --> 00:13:28,841 Narrator: EASILY MANUFACTURED AND HIGHLY ADDICTIVE, 273 00:13:28,908 --> 00:13:31,443 THIS DRUG HAS FUELED THE SYRIAN CIVIL WAR 274 00:13:31,510 --> 00:13:35,181 WITH GROUPS LIKE ISIS USING IT TO ENSURE SUICIDE BOMBERS 275 00:13:35,247 --> 00:13:36,582 COMPLETE THEIR MISSIONS. 276 00:13:36,649 --> 00:13:39,051 Muñoz: THE THING WITH CAPTAGON IS, ONCE YOU TAKE IT, 277 00:13:39,118 --> 00:13:41,387 IT GIVES YOU THIS INCREDIBLE SENSE OF EUPHORIA. 278 00:13:41,453 --> 00:13:45,124 IT ALSO GIVES YOU AN INCREDIBLE NUMBNESS TO KILLING, VIOLENCE. 279 00:13:45,191 --> 00:13:46,926 THE SCARIEST THING ABOUT THIS IS, 280 00:13:46,992 --> 00:13:49,028 THIS GUY IS IN THE UNITED STATES, 281 00:13:49,094 --> 00:13:51,897 AND HE'S DOING THIS STUFF IN SOMEONE'S BACKYARD. 282 00:13:51,964 --> 00:13:55,334 Narrator: AND AS ANYONE WHO HAS FACED THESE DRUG-FUELED SUPER SOLDIERS 283 00:13:55,401 --> 00:13:58,504 IN COMBAT KNOWS, THEY ARE ALMOST UNSTOPPABLE. 284 00:13:58,571 --> 00:14:00,973 Muñoz: IF THIS IS A DRUG-INDUCED RAMPAGE, 285 00:14:01,040 --> 00:14:03,776 THIS GUY IS BASICALLY A BIOLOGICAL TERMINATOR. 286 00:14:03,843 --> 00:14:06,478 Narrator: THE MAN WAS EVENTUALLY ARRESTED BY POLICE, 287 00:14:06,545 --> 00:14:08,981 AND IT IS BELIEVED THAT AN UNKNOWN NARCOTIC 288 00:14:09,048 --> 00:14:11,984 DID FUEL HIS DESTRUCTIVE RAMPAGE. 289 00:14:12,051 --> 00:14:14,253 Barnes: ON THAT ONE INCIDENT, THERE'S A LOT OF CARNAGE. 290 00:14:14,320 --> 00:14:16,288 WHO KNOWS IF HE'LL BE BACK OR NOT. 291 00:14:19,625 --> 00:14:22,294 Narrator: NOW IN A MICHIGAN CEMETERY, 292 00:14:22,361 --> 00:14:25,798 A CAR IS PUSHED BACKWARDS UP A HILL. 293 00:14:25,865 --> 00:14:27,666 WHAT THE HECK'S GOING ON HERE? 294 00:14:27,733 --> 00:14:29,268 Man: IT'S THE WEIRDEST DARNED THING. 295 00:14:29,335 --> 00:14:31,537 Narrator: EXPERTS ARE BAFFLED BY WHAT OR WHO 296 00:14:31,604 --> 00:14:34,240 HAS TAKEN CONTROL OF THE VEHICLE. 297 00:14:34,306 --> 00:14:37,076 HAVE THE RULES OF GRAVITY SOMEHOW CHANGED? 298 00:14:37,142 --> 00:14:39,945 Narrator: OR IS THIS AN ATTEMPT AT COMMUNICATION? 299 00:14:42,181 --> 00:14:44,483 THIS COULD BE A HAUNTING FROM BEYOND THE GRAVE. 300 00:14:44,550 --> 00:14:46,585 [ CAMERA WHIRS ] 301 00:14:48,954 --> 00:14:53,492 Narrator: JUNE 2013, DETROIT, MICHIGAN -- 302 00:14:53,559 --> 00:14:56,095 NOWHERE IN THE QUIET SUBURB OF FARMINGTON 303 00:14:56,161 --> 00:14:59,899 IS QUIETER THAN FARMINGTON'S OAKWOOD CEMETERY. 304 00:14:59,965 --> 00:15:03,202 LONNIE WILLIAMS IS VISITING THE GRAVEYARD. 305 00:15:03,269 --> 00:15:05,604 HE STOPS HIS CAR AT THE BOTTOM OF A HILL 306 00:15:05,671 --> 00:15:07,740 AND PUTS IT IN NEUTRAL. 307 00:15:07,806 --> 00:15:10,609 THEN THE IMPOSSIBLE HAPPENS. 308 00:15:10,676 --> 00:15:13,612 Williams: ROLLING BACKWARDS, UP THE HILL. 309 00:15:13,679 --> 00:15:15,915 Narrator: SOMETHING SEEMS TO BE PULLING IT. 310 00:15:15,981 --> 00:15:17,483 Williams: I HAVE NO IDEA. 311 00:15:17,549 --> 00:15:21,887 Narrator: AND THEN EVEN STRANGER, IT SEEMS TO BE PUSHED BACK DOWN. 312 00:15:21,954 --> 00:15:24,556 Williams: IT LOOKS LIKE BY THIS TREE, WE STOP, 313 00:15:24,623 --> 00:15:26,992 AND WE START GOING FORWARD AGAIN. 314 00:15:27,059 --> 00:15:31,130 Narrator: AND THEN UP AGAIN, AS IF MOVED BY AN INVISIBLE HAND. 315 00:15:31,196 --> 00:15:32,765 Williams: YES, MY FEET ARE OFF THE PEDAL, 316 00:15:32,831 --> 00:15:34,433 CAR IS STILL IN NEUTRAL. 317 00:15:37,603 --> 00:15:40,773 IT'S THE WEIRDEST DARNED THING. 318 00:15:40,839 --> 00:15:44,777 Narrator: BAFFLED, WILLIAMS RETURNS TO THE GRAVEYARD TIME AND TIME AGAIN. 319 00:15:44,843 --> 00:15:46,245 Williams: THIS IS ABOUT THE SPOT. 320 00:15:46,312 --> 00:15:49,715 AND THE SAME MYSTERIOUS PHENOMENON OCCURS EACH TIME. 321 00:15:49,782 --> 00:15:53,218 {\an8}I'M NOT SURE WHY IT'S WORKING, BUT IT ALWAYS DOES. 322 00:15:53,285 --> 00:15:56,221 {\an8}Wise: WHAT WE SEE HERE IS SOME KIND OF FORCE 323 00:15:56,288 --> 00:16:00,092 {\an8}THAT'S MOVING THE CAR FIRST ONE WAY AND THEN THE OTHER WAY. 324 00:16:00,159 --> 00:16:02,294 THAT'S THE REALLY STRANGE THING ABOUT IT. 325 00:16:02,361 --> 00:16:03,429 I DON'T GET IT. 326 00:16:03,495 --> 00:16:06,098 AS IF IT HAS SOME KIND OF A WILL OF ITS OWN. 327 00:16:07,599 --> 00:16:10,903 Narrator: JOURNALIST MALLIE FOX STUDIES THE AUDIO IN THE FOOTAGE 328 00:16:10,970 --> 00:16:12,671 AND HEARS SOMETHING SINISTER. 329 00:16:12,738 --> 00:16:14,907 IF YOU LISTEN TO THE CLIP CAREFULLY, 330 00:16:14,974 --> 00:16:17,242 IT SOUNDS LIKE SOMEONE IS SAYING THE NAME SARAH. 331 00:16:17,309 --> 00:16:19,244 [ INDISTINCT WHISPER ] 332 00:16:19,311 --> 00:16:22,381 THAT'S GONNA SEND A CHILL UP YOUR SPINE. IT'S SO FREAKY. 333 00:16:22,448 --> 00:16:24,083 [ INDISTINCT WHISPER ] 334 00:16:24,149 --> 00:16:27,619 I DID WALK AROUND HERE AND FOUND A COUPLE OF GRAVESTONES 335 00:16:27,686 --> 00:16:29,621 WITH THE NAME SARAH ON THEM. 336 00:16:29,688 --> 00:16:31,857 [ INDISTINCT WHISPER ] 337 00:16:31,924 --> 00:16:33,225 I THINK IT'S REALLY WEIRD. 338 00:16:33,292 --> 00:16:34,927 Fox: SOME PEOPLE BELIEVE THAT SPIRITS OR GHOSTS 339 00:16:34,994 --> 00:16:37,396 CAN ACTUALLY MOVE OBJECTS WITHOUT TOUCHING THEM, 340 00:16:37,463 --> 00:16:39,164 AND IT'S CALLED PSYCHOKINESIS. 341 00:16:39,231 --> 00:16:41,867 COULD IT BE A SPIRIT PUSHING THE CAR TO GET IT 342 00:16:41,934 --> 00:16:43,469 MAYBE OUT OF THE CEMETERY? 343 00:16:43,535 --> 00:16:45,671 MAYBE THEY DON'T WANT YOU IN THERE. 344 00:16:47,139 --> 00:16:49,441 Narrator: COMING UP, A GLOWING CREATURE 345 00:16:49,508 --> 00:16:53,078 UNKNOWN TO SCIENCE STALKS THE PAN-AMERICAN HIGHWAY... 346 00:16:53,145 --> 00:16:54,546 Washington: ONE OF THE WAYS THESE ORGANISMS 347 00:16:54,613 --> 00:16:58,017 WILL USE THIS LIGHT IS TO ATTRACT PREY. 348 00:16:58,083 --> 00:17:00,152 Narrator: ...PASSENGERS ON A BOAT ARE ATTACKED 349 00:17:00,219 --> 00:17:02,488 BY A VIOLENT FORCE FROM THE DEEP... 350 00:17:02,554 --> 00:17:03,822 [ EXPLOSION ] 351 00:17:03,889 --> 00:17:05,157 [ SCREAMING ] 352 00:17:05,224 --> 00:17:07,426 THESE PEOPLE ARE IN TERRIBLE DANGER. 353 00:17:07,493 --> 00:17:09,828 Narrator: ...AND IN THE PLACE OF THE DEAD, 354 00:17:09,895 --> 00:17:13,098 A CREEPY EFFECT THAT WARPS THE MINDS OF THE LIVING... 355 00:17:13,165 --> 00:17:14,867 Proctor: YOU THINK YOU'RE DOING ONE THING, 356 00:17:14,933 --> 00:17:17,970 AND YET, SOMETHING ELSE IS HAPPENING. 357 00:17:19,104 --> 00:17:22,408 {\an8}♪♪ 358 00:17:22,474 --> 00:17:27,112 Narrator: IN A DETROIT CEMETERY, A CAR IS POSSESSED BY A MYSTERIOUS FORCE 359 00:17:27,179 --> 00:17:30,516 THAT PUSHES IT UP AND THEN DOWN A HILL. 360 00:17:30,582 --> 00:17:33,318 I DON'T GET IT. 361 00:17:33,385 --> 00:17:36,855 Narrator: PLANETARY SCIENTIST SIAN PROCTOR INVESTIGATES 362 00:17:36,922 --> 00:17:40,959 IF THE FOOTAGE SHOWS AN OMINOUS GLITCH IN THE FORCES OF PHYSICS. 363 00:17:41,026 --> 00:17:44,163 {\an8}NORMALLY, WHAT GOES DOWN, STAYS DOWN, 364 00:17:44,229 --> 00:17:48,801 {\an8}BUT IN THIS CASE, IT GOES DOWN AND THEN COMES BACK UP. 365 00:17:48,867 --> 00:17:50,402 THAT'S NOT RIGHT. 366 00:17:50,469 --> 00:17:53,739 Narrator: EVER SINCE NEWTON SAW AN APPLE FALLING FROM A TREE, 367 00:17:53,806 --> 00:17:57,342 HUMANS HAVE BELIEVED THEY UNDERSTAND HOW GRAVITY WORKS. 368 00:17:57,409 --> 00:18:00,679 IT'S THE FORCE THAT ANCHORS EVERYTHING TO THE PLANET, 369 00:18:00,746 --> 00:18:06,218 BUT A RECENT NASA MISSION HAS UNCOVERED SOMETHING DISTURBING. 370 00:18:06,285 --> 00:18:08,120 ONE OF THE INTERESTING THINGS THAT WE FOUND OUT 371 00:18:08,187 --> 00:18:11,256 IS THAT THE HUDSON BAY AREA IN CANADA, 372 00:18:11,323 --> 00:18:13,725 WELL, THE GRAVITY IS -- IT'S LESS. 373 00:18:13,792 --> 00:18:16,829 Narrator: WE THINK OF GRAVITY AS A CONSTANT FORCE. 374 00:18:16,895 --> 00:18:21,867 THE IDEA THAT IT'S WEAKER IN PLACES IS AN ALARMING THOUGHT. 375 00:18:21,934 --> 00:18:25,704 THAT DOESN'T MEAN THAT PEOPLE ARE FLOATING UP IN THE AIR 376 00:18:25,771 --> 00:18:27,473 OVER THAT PART OF CANADA. 377 00:18:27,539 --> 00:18:32,177 GRAVITY IS STILL WORKING. IT'S JUST SLIGHTLY LESS STRONG. 378 00:18:32,244 --> 00:18:34,847 Narrator: SCIENCE JOURNALIST JEFF WISE INVESTIGATES 379 00:18:34,913 --> 00:18:37,850 WHAT PHENOMENON COULD HAVE SUCH A POWERFUL EFFECT 380 00:18:37,916 --> 00:18:40,219 ON THE GRAVITY IN THE CEMETERY. 381 00:18:40,285 --> 00:18:43,689 SOMETHING TO PACK THAT MUCH GRAVITATIONAL PUNCH 382 00:18:43,755 --> 00:18:44,990 WOULD HAVE TO BE ENORMOUSLY DENSE. 383 00:18:45,057 --> 00:18:46,225 IT WOULD HAVE TO ESSENTIALLY BE 384 00:18:46,291 --> 00:18:50,629 SOME KIND OF MICROSCOPIC BLACK HOLE. 385 00:18:50,696 --> 00:18:53,799 Narrator: THE IDEA OF A MICROSCOPIC BLACK HOLE IN A CEMETERY 386 00:18:53,866 --> 00:18:56,001 MIGHT SOUND UTTERLY CRAZY, 387 00:18:56,068 --> 00:18:59,138 BUT IT'S NOT BEYOND THE LAWS OF PHYSICS. 388 00:18:59,204 --> 00:19:02,908 TINY VERSIONS OF NORMAL BLACK HOLES ARE SO DENSE 389 00:19:02,975 --> 00:19:06,345 NOTHING CAN ESCAPE THEM, NOT EVEN LIGHT. 390 00:19:06,411 --> 00:19:10,249 {\an8}THE IDEA OF A MICRO BLACK HOLE IS FAIRLY TERRIFYING. 391 00:19:10,315 --> 00:19:14,086 IT'S ESSENTIALLY ONE OF THE DEADLIEST FORCES 392 00:19:14,153 --> 00:19:15,687 ONE CAN IMAGINE. 393 00:19:15,754 --> 00:19:18,257 Narrator: THEORETICAL PHYSICIST MICHIO KAKU 394 00:19:18,323 --> 00:19:20,826 HAS BEEN FOLLOWING THE WORK OF SCIENTISTS 395 00:19:20,893 --> 00:19:22,528 WHO ARE CURRENTLY EXPERIMENTING 396 00:19:22,594 --> 00:19:26,431 WITH MICROSCOPIC BLACK HOLES RIGHT HERE ON EARTH. 397 00:19:26,498 --> 00:19:29,801 IN GENEVA, SWITZERLAND, WE HAVE THE LARGE HADRON COLLIDER, 398 00:19:29,868 --> 00:19:33,505 THE MOST POWERFUL ATOM SMASHER ON THE PLANET EARTH. 399 00:19:33,572 --> 00:19:37,576 {\an8}ONE SET OF EXPERIMENTS IS TO CREATE MINI BLACK HOLES. 400 00:19:37,643 --> 00:19:40,078 Narrator: THE BLACK HOLES THAT THE LARGE HADRON COLLIDER 401 00:19:40,145 --> 00:19:43,148 CREATES ARE UNSTABLE AND EXIST FOR LESS THAN 402 00:19:43,215 --> 00:19:45,317 A FRACTION OF A SECOND, 403 00:19:45,384 --> 00:19:48,120 BUT NATURALLY OCCURRING MICROSCOPIC BLACK HOLES 404 00:19:48,187 --> 00:19:49,588 OUT IN THE GALAXY 405 00:19:49,655 --> 00:19:52,824 ARE MUCH MORE STABLE AND FAR MORE DESTRUCTIVE. 406 00:19:54,860 --> 00:19:57,796 BUT WHEN KAKU DOES THE MATH, HE CALCULATES 407 00:19:57,863 --> 00:20:01,333 THAT A STABLE MICROSCOPIC BLACK HOLE IN THIS CEMETERY 408 00:20:01,400 --> 00:20:03,869 WOULD SEND US ALL TO THE GRAVE. 409 00:20:03,936 --> 00:20:07,306 Kaku: A MINI BLACK HOLE WILL ALLOW YOU TO YANK A CAR, 410 00:20:07,372 --> 00:20:09,908 BUT REALIZE THAT EVEN A MINI BLACK HOLE 411 00:20:09,975 --> 00:20:12,177 WOULD BE SUFFICIENT TO EAT UP THE EARTH. 412 00:20:12,244 --> 00:20:14,179 [ WIND WHISTLING ] 413 00:20:16,381 --> 00:20:19,651 Narrator: KAKU RE-WATCHES THE FOOTAGE. 414 00:20:19,718 --> 00:20:22,888 HE WONDERS OF THE SHAPE OF THE HILL ITSELF COULD BE MESSING 415 00:20:22,955 --> 00:20:25,958 WITH THE PERCEPTIONS OF EYEWITNESS LONNIE WILLIAMS. 416 00:20:26,024 --> 00:20:28,860 HOW DOES THE BRAIN KNOW WHAT IS UP, DOWN, LEFT, RIGHT? 417 00:20:28,927 --> 00:20:31,263 IT LOOKS AT THE HORIZON. IT LOOKS FOR GUIDEPOSTS. 418 00:20:31,330 --> 00:20:32,965 IT LOOKS FOR REFERENCE POINTS, 419 00:20:33,031 --> 00:20:38,403 AND IF YOU SHIFT THOSE REFERENCE POINTS, YOU CAN FOOL THE BRAIN. 420 00:20:38,470 --> 00:20:43,075 Narrator: FOR INSTANCE, IS THIS YOUNG BOY AS TALL AS A GROWN MAN? 421 00:20:46,411 --> 00:20:48,947 HOW MANY DOGS ARE BEING GROOMED? 422 00:20:51,383 --> 00:20:55,887 AND HOW CAN THIS HILL NOT BE WHAT IT SEEMS? 423 00:20:55,954 --> 00:20:58,457 PROCTOR BELIEVES THAT THIS COULD BE A PHENOMENON 424 00:20:58,523 --> 00:21:00,225 KNOWN AS A GRAVITY HILL. 425 00:21:00,292 --> 00:21:03,028 WHEN YOU LOOK AT THE VIDEO AND NOTICE THE GRAVESTONES 426 00:21:03,095 --> 00:21:05,631 AND THE TREES, WHAT'S HAPPENING IS THAT THEY'RE LEANING 427 00:21:05,697 --> 00:21:08,166 A CERTAIN WAY THAT THEY THROW OUR SENSES OFF. 428 00:21:08,233 --> 00:21:11,336 Narrator: WHEN WE'RE ON A GRAVITY HILL, THE SCENERY AROUND US 429 00:21:11,403 --> 00:21:15,240 TRICKS US INTO BELIEVING WERE ON A DOWNWARD SLOPE, 430 00:21:15,307 --> 00:21:16,908 BUT IF WE WERE ABLE TO LOOK AT THE HILL 431 00:21:16,975 --> 00:21:18,744 FROM A DIFFERENT PERSPECTIVE, 432 00:21:18,810 --> 00:21:22,447 WE WOULD SEE THAT WE ARE ACTUALLY ON AN UPHILL SLOPE. 433 00:21:22,514 --> 00:21:24,216 YOU THINK YOU'RE DOING ONE THING, 434 00:21:24,283 --> 00:21:26,985 AND YET, SOMETHING ELSE IS HAPPENING. 435 00:21:27,052 --> 00:21:31,490 AND ALL OF A SUDDEN, YOU ARE DEFYING THE LAWS OF GRAVITY. 436 00:21:31,556 --> 00:21:33,825 Narrator: BUT IF THIS IS A GRAVITY HILL, 437 00:21:33,892 --> 00:21:37,362 WHY DOES THE CAR MOVE IN TWO DIRECTIONS? 438 00:21:37,429 --> 00:21:39,731 Williams: AND WE START GOING FORWARD AGAIN. 439 00:21:39,798 --> 00:21:42,668 Narrator: AND WHAT'S THE ORIGIN OF THE VOICE IN THE CAR? 440 00:21:42,734 --> 00:21:45,037 [ INDISTINCT WHISPER ] 441 00:21:45,103 --> 00:21:47,039 WITNESS LONNIE WILLIAMS DOESN'T BELIEVE 442 00:21:47,105 --> 00:21:50,409 THAT ANY NATURAL FORCE IS SCRAMBLING HIS SENSES. 443 00:21:50,475 --> 00:21:52,477 Williams: AN OPTICAL ILLUSION? 444 00:21:52,544 --> 00:21:54,279 I DON'T KNOW THAT THAT'S REALLY THE ANSWER. 445 00:21:54,346 --> 00:21:56,281 THE MYSTERY IS STILL STRANGE TO ME. 446 00:21:56,348 --> 00:21:57,983 IT IS STILL A MYSTERY TO ME. 447 00:22:00,485 --> 00:22:01,987 [ WOMAN SPEAKING SPANISH ] 448 00:22:02,054 --> 00:22:07,326 Narrator: NOW ON THE PAN-AMERICAN HIGHWAY, A MYSTERIOUS JAYWALKER. 449 00:22:07,392 --> 00:22:11,096 I DON'T KNOW WHAT THAT IS, BUT I WOULD NOT WANT TO GET NEAR IT. 450 00:22:11,163 --> 00:22:15,367 Narrator: ONE BRAVE MAN WITH A SMARTPHONE APPROACHES THIS MENACING BEING. 451 00:22:15,434 --> 00:22:18,170 THE CREATURE IS GLOWING, AND IT LOOKS REALLY WEIRD. 452 00:22:18,236 --> 00:22:22,040 Narrator: COULD THIS BE SOME KIND OF UNKNOWN BIOLUMINESCENT CREATURE? 453 00:22:22,107 --> 00:22:24,810 Wise: IS IT USING THAT LIGHT FOR ILLUMINATION, 454 00:22:24,876 --> 00:22:27,612 OR IS IT LURING ITS PREY? 455 00:22:27,679 --> 00:22:29,748 {\an8}♪♪ 456 00:22:29,815 --> 00:22:31,750 [ CAMERA WHIRS ] 457 00:22:31,817 --> 00:22:34,219 {\an8}♪♪ 458 00:22:34,286 --> 00:22:39,591 Narrator: AUGUST, 2016, THE PAN-AMERICAN HIGHWAY. 459 00:22:39,658 --> 00:22:44,629 STRETCHING FROM ALASKA TO ARGENTINA AT OVER 19,000 MILES, 460 00:22:44,696 --> 00:22:47,132 IT IS THE LONGEST ROAD IN THE WORLD. 461 00:22:47,199 --> 00:22:52,137 {\an8}♪♪ 462 00:22:52,204 --> 00:22:56,641 LATE AT NIGHT ON A REMOTE STRETCH OF THE HIGHWAY IN PERU, 463 00:22:56,708 --> 00:22:59,311 A GROUP OF FRIENDS ENCOUNTER A STRANGE FIGURE 464 00:22:59,378 --> 00:23:01,046 AT THE SIDE OF THE ROAD. 465 00:23:01,113 --> 00:23:03,148 [ CONVERSATION IN SPANISH ] 466 00:23:06,885 --> 00:23:10,122 THE GROUP NERVOUSLY FILMS THE SINISTER ENTITY. 467 00:23:10,188 --> 00:23:11,857 {\an8}YOU KIND OF HOPE IT ISN'T DANGEROUS. 468 00:23:11,923 --> 00:23:13,692 {\an8}Narrator: THE BEING APPEARS TO GLARE AT THEM 469 00:23:13,759 --> 00:23:16,161 {\an8}WITH GLOWING INTERNAL EYES... 470 00:23:16,228 --> 00:23:18,430 {\an8}IT LOOKS LIKE A WALKING JELLYFISH. 471 00:23:20,298 --> 00:23:23,135 {\an8}Narrator: ...BEFORE GLIDING OFF INTO THE NIGHT. 472 00:23:27,272 --> 00:23:30,909 {\an8}EXPERTS ARE DUMBFOUNDED BY WHAT THE FRIENDS ENCOUNTERED. 473 00:23:30,976 --> 00:23:33,078 {\an8}WHAT IS IT, AND WHAT IS CAPABLE OF? 474 00:23:33,145 --> 00:23:37,749 {\an8}I SURE WOULDN'T WANT TO BE FOLLOWING THAT WITH A CAMERA. 475 00:23:37,816 --> 00:23:41,686 {\an8}Narrator: FORENSIC IMAGE ANALYST BEN RADFORD EXAMINES THE FOOTAGE 476 00:23:41,753 --> 00:23:46,158 {\an8}FOR CLUES TO HELP IDENTIFY THIS MYSTERIOUS APPARITION. 477 00:23:46,224 --> 00:23:47,826 {\an8}Radford: THE FORM KEEPS CHANGING. 478 00:23:47,893 --> 00:23:49,461 {\an8}SOMETIMES IT LOOKS LIKE IT HAS LEGS. 479 00:23:49,528 --> 00:23:51,163 {\an8}SOMETIMES IT LOOKS LIKE IT HAS TENTACLES. 480 00:23:51,229 --> 00:23:52,764 {\an8}SOMETIMES IT'S JUST FLOATING UP IN THE AIR. 481 00:23:52,831 --> 00:23:54,833 SOMETIMES IT SEEMS TO BE WALKING. 482 00:23:54,900 --> 00:23:57,569 IT DOES ALL THESE WEIRD, DIFFERENT THINGS, 483 00:23:57,636 --> 00:23:59,304 AND THAT MAKES TRYING TO SOLVE THE MYSTERY 484 00:23:59,371 --> 00:24:02,073 ALL THE MORE DIFFICULT. 485 00:24:02,140 --> 00:24:04,276 [ CAMERA WHIRS ] 486 00:24:04,342 --> 00:24:06,044 Narrator: COMING UP, 487 00:24:06,111 --> 00:24:10,115 SOMETHING TERRIFYING IN THE SKIES OVER SIBERIA... 488 00:24:10,182 --> 00:24:12,250 IT'S ALARMING BECAUSE THIS IS SOMETHING YOU'D SEE 489 00:24:12,317 --> 00:24:15,253 AT THE ONSET OF WORLD WAR III. 490 00:24:15,320 --> 00:24:18,657 Narrator: ...THRILL SEEKERS GET TOO CLOSE TO A TERROR FROM THE DEEP... 491 00:24:18,723 --> 00:24:19,991 [ EXPLOSION ] 492 00:24:20,058 --> 00:24:21,326 [ SCREAMING ] 493 00:24:21,393 --> 00:24:27,466 TURNS DEADLY, THEN IT BECOMES A SURVIVOR SITUATION. 494 00:24:27,532 --> 00:24:31,837 Narrator: ...AND IS AN UNKNOWN PREDATOR STALKING THE HIGHWAYS OF PERU? 495 00:24:31,903 --> 00:24:34,239 IF IT IS, THOSE PEOPLE SHOULD BE SCARED. 496 00:24:34,306 --> 00:24:37,943 {\an8}♪♪ 497 00:24:39,077 --> 00:24:42,914 {\an8}♪♪ 498 00:24:42,981 --> 00:24:45,851 Narrator: A GROUP OF FRIENDS APPROACH A STRANGE ENTITY 499 00:24:45,917 --> 00:24:50,088 BY A PERUVIAN HIGHWAY, A SINISTER SHAPE-SHIFTER 500 00:24:50,155 --> 00:24:54,125 THAT APPEARS TO DEFY EXPLANATION. 501 00:24:54,192 --> 00:24:57,762 BIOLOGIST DANNI WASHINGTON EXAMINES THE FOOTAGE. 502 00:24:57,829 --> 00:25:00,765 SHE BELIEVES THAT THE BLUE LIGHT COULD BE A CLUE 503 00:25:00,832 --> 00:25:03,969 THAT THE THING IN THE FOOTAGE IS A TYPE OF ANIMAL. 504 00:25:04,035 --> 00:25:06,104 {\an8}THE THING THAT'S MOST NOTICEABLE ABOUT THIS FOOTAGE 505 00:25:06,171 --> 00:25:07,539 {\an8}IS THE CREATURE IS GLOWING, 506 00:25:07,606 --> 00:25:11,510 {\an8}WHICH REMINDS ME OF BIOLUMINESCENCE. 507 00:25:11,576 --> 00:25:15,447 Narrator: THE GHOSTLY LIGHT EMITTED BY BIOLUMINESCENT ORGANISMS 508 00:25:15,514 --> 00:25:19,217 IS TRIGGERED BY TWO NATURALLY PRODUCED CHEMICAL COMPOUNDS. 509 00:25:19,284 --> 00:25:22,187 ONE IS CALLED LUCIFERASE, AND ONE IS CALLED LUCIFERIN, 510 00:25:22,254 --> 00:25:27,392 AND ONCE THOSE TWO COMBINE, THE REACTION PRODUCES LIGHT. 511 00:25:27,459 --> 00:25:29,995 BIOLUMINESCENCE IS MOST COMMONLY FOUND IN THE OCEAN, 512 00:25:30,061 --> 00:25:34,633 WHETHER IN SQUID, FISH, TINY WORMS, AND DINOFLAGELLATES, 513 00:25:34,699 --> 00:25:37,135 SINGLE-CELLED ORGANISMS THAT LIVE NEAR SHORE, 514 00:25:37,202 --> 00:25:42,073 BUT BIOLUMINESCENCE CAN ALSO BE OBSERVED ON LAND. 515 00:25:42,140 --> 00:25:43,808 Wise: FOR MOST PEOPLE IN NORTH AMERICA, 516 00:25:43,875 --> 00:25:45,810 {\an8}THE MOST FAMILIAR EXAMPLE OF BIOLUMINESCENCE 517 00:25:45,877 --> 00:25:47,979 {\an8}WOULD BE FIREFLIES. 518 00:25:48,046 --> 00:25:51,416 Narrator: FIREFLIES USE THEIR GLOW TO ATTRACT A MATE, 519 00:25:51,483 --> 00:25:54,986 BUT ANOTHER BIOLUMINESCENT LAND CREATURE, THE GLOWWORM, 520 00:25:55,053 --> 00:25:59,891 USES ITS LIGHT FOR MORE SINISTER PURPOSES. 521 00:25:59,958 --> 00:26:02,294 ONE OF THE WAYS THESE ORGANISMS WILL USE THIS LIGHT 522 00:26:02,360 --> 00:26:04,696 IS TO ATTRACT PREY. 523 00:26:04,763 --> 00:26:07,499 Wise: IT'S COVERED IN THIS KIND OF STICKY MUCUS. 524 00:26:07,566 --> 00:26:10,969 THE INSECTS DRAW CLOSE, TOUCH IT, 525 00:26:11,036 --> 00:26:13,405 GET STUCK, CAN'T BREAK FREE, 526 00:26:13,471 --> 00:26:15,774 AND THERE, THE GLOWWORM HAS ITS DINNER. 527 00:26:15,840 --> 00:26:18,343 Narrator: EVERY DAY, AN AVERAGE OF TWO PEOPLE IN PERU 528 00:26:18,410 --> 00:26:20,211 VANISH WITHOUT A TRACE. 529 00:26:20,278 --> 00:26:24,182 LOCALS BELIEVE THAT LUZ MALA, A MALEVOLENT GLOWING ENTITY, 530 00:26:24,249 --> 00:26:26,785 COULD BE BEHIND SUCH DISAPPEARANCES. 531 00:26:26,851 --> 00:26:30,689 Wise: SEEING THIS WEIRD CREATURE WITH THIS BLUE GLOW, 532 00:26:30,755 --> 00:26:32,724 YOU KIND OF HAVE TO ASK YOURSELF, 533 00:26:32,791 --> 00:26:35,527 IS IT USING THAT LIGHT FOR ILLUMINATION, 534 00:26:35,594 --> 00:26:38,563 OR IS IT LURING ITS PREY? 535 00:26:40,966 --> 00:26:44,869 Narrator: IMAGE ANALYST BEN RADFORD ANALYZES THE GLOW. 536 00:26:44,936 --> 00:26:47,005 HE SPOTS A DETAIL THAT THROWS DOUBT 537 00:26:47,072 --> 00:26:49,174 ON THE BIOLUMINESCENCE THEORY. 538 00:26:49,240 --> 00:26:51,209 IN THE FOOTAGE, IT LOOKS LIKE IT'S EMITTING 539 00:26:51,276 --> 00:26:55,680 THIS WEIRD, EERIE BLUE COLOR, BUT IS IT REALLY? 540 00:26:55,747 --> 00:26:58,950 IS IT, FOR EXAMPLE, ILLUMINATING THE GROUND OR TREES NEARBY, 541 00:26:59,017 --> 00:27:01,219 AND THE ANSWER IS NO, IT'S NOT. 542 00:27:01,286 --> 00:27:03,154 THIS TELLS US THAT IT'S REFLECTING LIGHT, 543 00:27:03,221 --> 00:27:04,489 NOT GIVING OFF LIGHT, 544 00:27:04,556 --> 00:27:08,126 AND THAT MEANS THAT THE SURFACE OF IT IS SHINY. 545 00:27:08,193 --> 00:27:10,428 IT HAS TO BE. 546 00:27:10,495 --> 00:27:13,465 Narrator: PHYSICIST GRANT DENN EXAMINES THE FOOTAGE. 547 00:27:13,531 --> 00:27:15,233 HE HAS A THEORY THAT COULD EXPLAIN 548 00:27:15,300 --> 00:27:19,170 THE SHINY, REFLECTIVE NATURE OF THIS SINISTER ENTITY. 549 00:27:19,237 --> 00:27:22,240 {\an8}THIS COULD BE A ROBOT OR A DRONE OF SOME SORT. 550 00:27:22,307 --> 00:27:25,977 IT SEEMS TO BE HOVERING ABOVE THE GROUND AS IT MOVES SLOWLY, 551 00:27:26,044 --> 00:27:28,680 AND THERE ARE PLENTY OF DRONES THAT DO THAT. 552 00:27:28,747 --> 00:27:31,449 Narrator: SCIENCE JOURNALIST BRIAN MALOW EXAMINES 553 00:27:31,516 --> 00:27:34,686 THE LATEST ADVANCES IN ROBOT TECHNOLOGY 554 00:27:34,753 --> 00:27:37,122 AND BELIEVES THEY COULD EXPLAIN THE BIZARRE 555 00:27:37,188 --> 00:27:40,492 TENTACLED APPEARANCE OF THE OBJECT IN THE FOOTAGE. 556 00:27:40,558 --> 00:27:45,096 {\an8}BIO-MIMICRY IS VERY POPULAR IN THE DESIGN OF ROBOTS, 557 00:27:45,163 --> 00:27:49,334 MAKING ROBOTS THAT MIMIC REAL CREATURES. 558 00:27:49,401 --> 00:27:53,405 WE HAVE ROBOTS LIKE THE BIG DOG THAT WALK ON FOUR LEGS, 559 00:27:53,471 --> 00:27:57,575 AND WE'VE HAD SOME THAT TRY TO FLY LIKE A HUMMINGBIRD 560 00:27:57,642 --> 00:27:59,644 OR CRAWL LIKE A SNAKE, 561 00:27:59,711 --> 00:28:01,680 AND THERE ARE DEFINITELY FISH ROBOTS 562 00:28:01,746 --> 00:28:04,649 AND EVEN JELLYFISH-SHAPED ROBOTS, 563 00:28:04,716 --> 00:28:07,552 AND THIS LOOKS KIND OF LIKE A JELLYFISH. 564 00:28:07,619 --> 00:28:12,123 IN 2017, THE U.S. NAVY ANNOUNCED THAT IT WAS WORKING WITH MIT 565 00:28:12,190 --> 00:28:16,127 TO DEVELOP A SWIMMING ROBOT SHAPED LIKE A JELLYFISH. 566 00:28:16,194 --> 00:28:19,764 IT WASN'T DRIVEN LIKE MOST ROBOTS BY MOTORS AND ACTUATORS. 567 00:28:19,831 --> 00:28:22,767 IT WAS ACTUALLY MADE OF THIS KIND OF JELLY-LIKE SUBSTANCE 568 00:28:22,834 --> 00:28:24,469 THAT FLEXED AND MOVED ITS ARMS. 569 00:28:24,536 --> 00:28:27,305 THESE THINGS WERE TESTED CATCHING FISH 570 00:28:27,372 --> 00:28:29,574 WITH THEIR ROBOTIC TENTACLE ARMS. 571 00:28:29,641 --> 00:28:31,509 Lazareck-Asunta: YOU COULD IMAGINE THAT IT COULD BE SCALED UP 572 00:28:31,576 --> 00:28:34,479 SO THAT YOU COULD PICK UP SOMETHING THE SIZE OF A HUMAN. 573 00:28:34,546 --> 00:28:36,715 Narrator: THE JELLYFISH ROBOTIC DESIGN 574 00:28:36,781 --> 00:28:39,684 ISN'T JUST CONFINED TO AQUATIC ENVIRONMENTS. 575 00:28:39,751 --> 00:28:41,553 A PROTOTYPE HAS BEEN DEVELOPED 576 00:28:41,619 --> 00:28:44,089 THAT CAN HOVER AND MOVE AROUND IN THE AIR. 577 00:28:44,155 --> 00:28:46,191 Lazareck-Asunta: THESE KINDS OF ROBOTIC JELLYFISH ACTUALLY 578 00:28:46,257 --> 00:28:50,995 {\an8}MOVE IN A REALLY SIMILAR WAY TO WHAT WE SEE ON THE VIDEO. 579 00:28:51,062 --> 00:28:54,466 Narrator: MILITARY TECH EXPERT CARLO MUÑOZ QUESTIONS 580 00:28:54,532 --> 00:28:56,901 HOW SUCH A SEEMINGLY ADVANCED MACHINE 581 00:28:56,968 --> 00:29:00,004 COULD HAVE APPEARED ON THIS LONELY HIGHWAY. 582 00:29:00,071 --> 00:29:03,041 Muñoz: IS THIS SOME SORT OF NEW DRONE THAT'S JUST LOST ITS WAY? 583 00:29:03,108 --> 00:29:06,611 IT'S SOME SORT OF PROTOTYPE SYSTEM GONE AWRY. 584 00:29:06,678 --> 00:29:09,080 Narrator: A DAMAGED OR MALFUNCTIONING ROBOT 585 00:29:09,147 --> 00:29:12,917 COULD BEHAVE IN AN UNPREDICTABLE OR EVEN DANGEROUS MANNER. 586 00:29:12,984 --> 00:29:17,021 IF IT IS, THOSE PEOPLE SHOULD BE SCARED. 587 00:29:17,088 --> 00:29:20,558 Narrator: BUT ELECTRICAL ENGINEER LISA LAZARECK-ASUNTA NOTICES 588 00:29:20,625 --> 00:29:25,296 SOMETHING IN THE FOOTAGE THAT MAKES THE ROBOT THEORY UNLIKELY. 589 00:29:25,363 --> 00:29:28,199 IN THE VIDEO, IT LOOKS LIKE WHATEVER THIS THING IS 590 00:29:28,266 --> 00:29:30,235 GETS HIT BY A TRUCK. 591 00:29:30,301 --> 00:29:32,237 NOW, IT SHOULD HAVE BEEN SMASHED TO PIECES, 592 00:29:32,303 --> 00:29:35,340 BUT IT APPEARS COMPLETELY UNHARMED. 593 00:29:35,406 --> 00:29:39,377 Narrator: EXPERTS ARE UNABLE TO SAY FOR CERTAIN WHAT THE EERIE ENTITY WAS 594 00:29:39,444 --> 00:29:42,847 THAT THE FRIENDS ENCOUNTERED ON THE PAN-AMERICAN HIGHWAY. 595 00:29:42,914 --> 00:29:45,316 Wise: WHAT IS IT? WHAT DOES IT WANT? 596 00:29:45,383 --> 00:29:46,918 I MEAN, YOUR IMPULSE HAS GOT TO BE 597 00:29:46,985 --> 00:29:48,853 TO GET THE HECK OUT OF THERE. 598 00:29:51,389 --> 00:29:56,294 Narrator: NOW, A SINISTER ORB APPEARS IN THE SIBERIAN SKIES. 599 00:29:56,361 --> 00:29:58,496 WHAT IS HAPPENING OVER RUSSIA? 600 00:29:58,563 --> 00:30:01,499 Narrator: A BEAM OF ENERGY APPEARS TO POINT TOWARDS EARTH. 601 00:30:01,566 --> 00:30:05,203 IT ALMOST LOOKS LIKE IT'S SOME SORT OF WEAPON SHOOTING DOWN. 602 00:30:05,270 --> 00:30:07,172 Narrator: LOCALS FEAR THEY'RE ABOUT TO BE HIT 603 00:30:07,238 --> 00:30:10,375 BY A DEVASTATING ATTACK FROM ABOVE. 604 00:30:10,441 --> 00:30:12,377 [ MAN SPEAKING RUSSIAN ] 605 00:30:12,443 --> 00:30:17,015 THERE ARE THINGS IN THE SKY THAT CAN KILL US AT ANY MOMENT. 606 00:30:17,081 --> 00:30:19,117 [ CAMERA WHIRS ] 607 00:30:20,585 --> 00:30:25,990 Narrator: NOVEMBER 17, 2015, OMSK, RUSSIA. 608 00:30:26,057 --> 00:30:27,625 RUSSIA'S SEVENTH LARGEST CITY 609 00:30:27,692 --> 00:30:30,929 HAS BEEN CALLED THE CHICAGO OF SIBERIA. 610 00:30:30,995 --> 00:30:34,499 IN RECENT YEARS, THE BIGGEST THREAT TO THE CITY'S RESIDENTS 611 00:30:34,566 --> 00:30:37,602 HAS BEEN THE DEEP COLD OF THE SIBERIAN WINTER, 612 00:30:37,669 --> 00:30:42,307 WHERE TEMPERATURES CAN PLUMMET TO A BONE-CHILLING 31-BELOW, 613 00:30:42,373 --> 00:30:46,277 UNTIL A TERRIFYING EVENT 614 00:30:46,344 --> 00:30:49,113 SHATTERS THE PEACE OF AN ORDINARY NIGHT. 615 00:30:49,180 --> 00:30:51,015 [ MAN SPEAKING RUSSIAN ] 616 00:30:51,082 --> 00:30:53,151 Narrator: A LARGE, CIRCULAR, CLOUD-LIKE SHAPE 617 00:30:53,218 --> 00:30:56,254 APPEARS WITH A SINISTER DARK ORB AT ITS CENTER. 618 00:30:56,321 --> 00:30:58,456 A BRIGHT BEAM POINTS TOWARDS EARTH. 619 00:30:58,523 --> 00:31:00,558 [ MAN SPEAKING RUSSIAN ] 620 00:31:02,694 --> 00:31:05,029 THEN SUDDENLY, THE BRIGHT OBJECT DISBURSES 621 00:31:05,096 --> 00:31:09,400 IN AN EXPANDING BALL OF VAPOR, AS THOUGH VIOLENTLY DESTROYED. 622 00:31:09,467 --> 00:31:11,402 [ MAN SPEAKING RUSSIAN ] 623 00:31:11,469 --> 00:31:14,239 MULTIPLE CAMERAS CAPTURE THE UNNERVING PHENOMENON 624 00:31:14,305 --> 00:31:16,941 THAT LEAVES LOCALS CONFUSED AND FRIGHTENED 625 00:31:17,008 --> 00:31:19,177 AND EXPERTS DUMBFOUNDED. 626 00:31:19,244 --> 00:31:21,746 HOW COULD YOU POSSIBLY KNOW WHAT THAT IS? 627 00:31:21,813 --> 00:31:24,983 Narrator: AND THE LOCATION OF THE EVENT LEADS TO DARK CONCLUSIONS 628 00:31:25,049 --> 00:31:26,751 AS TO WHAT THIS MIGHT BE. 629 00:31:26,818 --> 00:31:30,622 {\an8}IS THIS SOME SECRET RUSSIAN WEAPONS PROGRAM? 630 00:31:30,688 --> 00:31:32,891 Narrator: INVESTIGATIVE JOURNALIST LINDA ZIMMERMAN 631 00:31:32,957 --> 00:31:34,592 EXAMINES THE FOOTAGE. 632 00:31:34,659 --> 00:31:37,095 SHE INVESTIGATES IF THIS STRANGE ANOMALY 633 00:31:37,161 --> 00:31:40,398 COULD BE EVIDENCE OF A CONFLICT HAPPENING FAR ABOVE US. 634 00:31:40,465 --> 00:31:43,868 IT CERTAINLY LOOKS LIKE SOME SPACE-BASED WEAPON 635 00:31:43,935 --> 00:31:46,738 AND THEN SOMETHING DEFENDING AGAINST IT. 636 00:31:46,804 --> 00:31:47,972 Narrator: COULD THIS STRANGE EVENT 637 00:31:48,039 --> 00:31:50,875 BE EVIDENCE OF A SPACECRAFT'S DEFENSES, 638 00:31:50,942 --> 00:31:53,978 POSSIBLY AN IMPACT ON SOME KIND OF ENERGY SHIELD? 639 00:31:54,045 --> 00:31:57,148 Zimmerman: YOU WANT TO STAY COMPETITIVE, DEFENSIVE. 640 00:31:57,215 --> 00:31:58,917 {\an8}WE'RE OFFENSIVE. 641 00:31:58,983 --> 00:32:00,752 {\an8}YOU NEED TO GO TO THE NEXT LEVEL, 642 00:32:00,818 --> 00:32:04,522 {\an8}AND THE NEXT LEVEL NOW IS SPACE. 643 00:32:04,589 --> 00:32:07,458 Narrator: IT MIGHT SEEM LIKE SOMETHING FROM SCIENCE FICTION, 644 00:32:07,525 --> 00:32:11,229 BUT SPACE IS NOW THE NEW FRONTIER IN GLOBAL CONFLICT. 645 00:32:11,296 --> 00:32:13,998 WHEN IT COMES TO DEFENDING AMERICA, 646 00:32:14,065 --> 00:32:18,569 IT IS NOT ENOUGH TO MERELY HAVE AN AMERICAN PRESENCE IN SPACE. 647 00:32:18,636 --> 00:32:23,975 WE MUST HAVE AMERICAN DOMINANCE IN SPACE, 648 00:32:24,042 --> 00:32:27,111 TO ESTABLISH A SPACE FORCE 649 00:32:27,178 --> 00:32:31,182 AS THE SIXTH BRANCH OF THE ARMED FORCES. 650 00:32:31,249 --> 00:32:34,719 Narrator: THE PRESIDENT'S ANNOUNCEMENT INCREASES THE POSSIBILITY 651 00:32:34,786 --> 00:32:40,091 OF AN ORBITAL SKIRMISH BETWEEN THE U.S., RUSSIA, OR CHINA. 652 00:32:40,158 --> 00:32:41,826 {\an8}SPACE IS THE ULTIMATE HIGH GROUND. 653 00:32:41,893 --> 00:32:43,394 WORLD SUPERPOWERS ARE GOING TO WANT 654 00:32:43,461 --> 00:32:48,599 TO HAVE ASSETS OPERATIONAL IN A SPACE ENVIRONMENT. 655 00:32:48,666 --> 00:32:51,636 Narrator: AEROSPACE EXPERT MARNA KAGELE SEARCHES 656 00:32:51,703 --> 00:32:55,707 FOR EVIDENCE OF SPACE VEHICLES THAT COULD BE MADE COMBAT-READY. 657 00:32:55,773 --> 00:32:59,544 {\an8}THE X-37B IS AN UNMANNED AIRCRAFT. 658 00:32:59,610 --> 00:33:02,146 {\an8}IT LOOKS LIKE A SMALL SPACE SHUTTLE. 659 00:33:02,213 --> 00:33:04,949 Narrator: THE X-37B IS A REVOLUTIONARY 660 00:33:05,016 --> 00:33:08,886 AUTONOMOUS SPACE DRONE DEVELOPED BY THE U.S. AIR FORCE. 661 00:33:08,953 --> 00:33:13,024 IT HAS THE ABILITY TO LIE AND WAIT IN ORBIT FOR LONG PERIODS. 662 00:33:13,091 --> 00:33:15,593 Durda: WE KNOW IT'S OPERATING IN SPACE, WE SEE THE PHOTOS OF IT, 663 00:33:15,660 --> 00:33:17,128 BUT WE DON'T KNOW WHAT IT'S DOING THERE. 664 00:33:17,195 --> 00:33:20,598 Kagele: IN THEORY, IT CAN HOLD ANY KIND OF PAYLOAD 665 00:33:20,665 --> 00:33:22,266 THAT YOU WANT IT TO SEND, 666 00:33:22,333 --> 00:33:25,803 WHATEVER THE MILITARY SEES AS THEIR GOAL. 667 00:33:25,870 --> 00:33:29,273 PLANETARY SCIENTIST DAN DURDA BELIEVES THE RUSSIANS 668 00:33:29,340 --> 00:33:32,210 ARE PROBABLY DEVELOPING THEIR OWN SPACE WEAPONS. 669 00:33:32,276 --> 00:33:34,579 WE KNOW THERE MUST BE VEHICLES THAT ARE BEING TESTED 670 00:33:34,645 --> 00:33:37,548 THAT ARE BEING HELD PRETTY CLOSELY SECRET 671 00:33:37,615 --> 00:33:39,450 BECAUSE YOU DON'T WANT TO ADVERTISE THOSE CAPABILITIES 672 00:33:39,517 --> 00:33:41,185 TO YOUR POTENTIAL ENEMIES. 673 00:33:41,252 --> 00:33:43,588 Narrator: OMSK IS HOME TO ONE OF RUSSIA'S SECRETIVE 674 00:33:43,654 --> 00:33:46,691 SPACE RESEARCH AND DEVELOPMENT CENTERS. 675 00:33:46,758 --> 00:33:49,060 IT'S ALSO ONE OF THE CLOSEST RUSSIAN CITIES 676 00:33:49,127 --> 00:33:53,898 TO THE SOYUZ ROCKET LAUNCH SITES IN KAZAKHSTAN. 677 00:33:53,965 --> 00:33:55,833 THE IDEA OF AN ORBITAL SKIRMISH 678 00:33:55,900 --> 00:33:58,236 BETWEEN U.S. AND RUSSIAN SPACECRAFT 679 00:33:58,302 --> 00:34:01,506 HAS POTENTIALLY FRIGHTENING IMPLICATIONS. 680 00:34:01,572 --> 00:34:03,641 {\an8}IT'S ALARMING BECAUSE THIS IS SOMETHING YOU'D SEE 681 00:34:03,708 --> 00:34:06,711 {\an8}AT THE ONSET OF WORLD WAR III. 682 00:34:06,778 --> 00:34:10,114 Narrator: COMING UP, THE TOURIST TRIP FROM HELL... 683 00:34:10,181 --> 00:34:12,116 [ SCREAMING ] 684 00:34:12,183 --> 00:34:15,086 THESE PEOPLE CLEARLY DON'T THINK THEY'RE IN DANGER. 685 00:34:15,153 --> 00:34:17,855 Narrator: ....AND SIBERIAN TOWNSFOLK SWEAR 686 00:34:17,922 --> 00:34:20,024 THEY'RE WITNESSING A SPACE BATTLE. 687 00:34:20,091 --> 00:34:21,626 Zimmerman: IF THIS IS SOMETHING MILITARY, 688 00:34:21,692 --> 00:34:24,595 IT POSES A GREAT DANGER TO THE POPULATION. 689 00:34:24,662 --> 00:34:28,032 {\an8}♪♪ 690 00:34:29,033 --> 00:34:31,502 {\an8}♪♪ 691 00:34:31,569 --> 00:34:34,505 Narrator: RESIDENTS IN THE SIBERIAN CITY OF OMSK FEAR 692 00:34:34,572 --> 00:34:37,842 THAT THEY ARE WITNESSING A CONFLICT WAGING IN SPACE. 693 00:34:37,909 --> 00:34:39,911 [ MAN SPEAKING RUSSIAN ] 694 00:34:39,977 --> 00:34:44,215 AEROSPACE EXPERT MARNA KAGELE ANALYZES THE FOOTAGE. 695 00:34:44,282 --> 00:34:48,152 SHE THINKS THE SIZE OF THIS STRANGE PHENOMENON OVER OMSK 696 00:34:48,219 --> 00:34:51,856 MAKES THE PROSPECT OF AN ORBITAL BATTLE UNLIKELY. 697 00:34:51,923 --> 00:34:54,258 Kagele: EVEN THINKING ABOUT THESE KINDS OF SPACECRAFT 698 00:34:54,325 --> 00:34:56,127 ENCOUNTERING EACH OTHER, 699 00:34:56,194 --> 00:34:59,097 IT DOESN'T SEEM TO ME THAT IT WOULD EXPLAIN WHAT WE'RE SEEING. 700 00:34:59,163 --> 00:35:01,399 THIS AMOUNT OF LIGHT SEEMS TO ME LIKE IT 701 00:35:01,466 --> 00:35:02,667 WOULD BE IN THE ATMOSPHERE. 702 00:35:02,733 --> 00:35:04,969 IT WOULDN'T BE IN ORBIT, SO IT DOESN'T SEEM LIKE 703 00:35:05,036 --> 00:35:07,939 THAT'S THE EXPLANATION THAT WE'RE LOOKING FOR. 704 00:35:09,440 --> 00:35:12,610 Narrator: DURDA BELIEVES THAT A DIFFERENT TYPE OF SPACE TECHNOLOGY 705 00:35:12,677 --> 00:35:14,178 COULD HOLD THE EXPLANATION 706 00:35:14,245 --> 00:35:17,148 FOR THIS MYSTERIOUS ATMOSPHERIC EVENT. 707 00:35:17,215 --> 00:35:19,083 IT LOOKS LIKE A ROCKET LAUNCH, 708 00:35:19,150 --> 00:35:22,086 WHERE AS ONE STAGE OF THE ROCKET SEPARATES FROM ANOTHER, 709 00:35:22,153 --> 00:35:25,156 VERY OFTEN THE REMNANT FUEL IN THE TANKS 710 00:35:25,223 --> 00:35:27,024 WILL BE VENTED THROUGH THE ENGINE VALVES, 711 00:35:27,091 --> 00:35:30,394 {\an8}AND IT CAN LEAD TO SOME RATHER INTERESTING VISUAL PHENOMENA. 712 00:35:30,461 --> 00:35:34,632 {\an8}Narrator: ANALYZING THE FOOTAGE THE MOMENT OF SEPARATION IS CLEAR. 713 00:35:34,699 --> 00:35:38,970 {\an8}THE BRIGHT AREA DISAPPEARS AS THE ROCKET'S ENGINES EXTINGUISH, 714 00:35:39,036 --> 00:35:40,972 {\an8}AND THE EXPANDING CIRCLE OF VAPOR 715 00:35:41,038 --> 00:35:47,612 {\an8}IS THE FUEL REMNANT BEING VENTED AS THE NEXT STAGE IS JETTISONED. 716 00:35:47,678 --> 00:35:50,715 {\an8}BUT ZIMMERMAN NOTICES THE TRAJECTORY OF THE PHENOMENON 717 00:35:50,781 --> 00:35:53,284 {\an8}APPEARS TO BE THE OPPOSITE OF WHAT SHE WOULD EXPECT 718 00:35:53,351 --> 00:35:56,020 {\an8}TO SEE IN A ROCKET LAUNCH. 719 00:35:56,087 --> 00:35:59,891 {\an8}I WOULD SAY IT WAS A LAUNCH, EXCEPT IT'S NOT GOING UP. 720 00:35:59,957 --> 00:36:03,361 {\an8}IT IS COMING DOWN, AND IT IS HEADED TOWARD THE SURFACE. 721 00:36:03,427 --> 00:36:07,798 {\an8}Narrator: IT DOES APPEAR THAT THE OBJECT'S TRAJECTORY IS POINTED DOWNWARDS, 722 00:36:07,865 --> 00:36:10,801 {\an8}WHICH MEANS THAT WHATEVER PAYLOAD IT IS CARRYING 723 00:36:10,868 --> 00:36:13,971 {\an8}IS BEING LAUNCHED TOWARDS THE GROUND. 724 00:36:14,038 --> 00:36:15,540 {\an8}IF THIS IS SOMETHING MILITARY, 725 00:36:15,606 --> 00:36:18,609 IT POSES A GREAT DANGER TO THE POPULATION. 726 00:36:21,078 --> 00:36:24,048 INTERCONTINENTAL BALLISTIC MISSILES DO GET TESTED, 727 00:36:24,115 --> 00:36:27,552 AND IT'S SOMETHING WE'D SEE A PATTERN IN THE SKY, 728 00:36:27,618 --> 00:36:30,955 BUT IN THIS CASE, THIS IS NOT A PATTERN THAT WE WOULD EXPECT. 729 00:36:31,022 --> 00:36:32,123 IT LOOKS DIFFERENT. 730 00:36:32,190 --> 00:36:35,226 PERHAPS WE ARE SEEING A NEW KIND OF CAPABILITY 731 00:36:35,293 --> 00:36:38,729 OR EVIDENCE OF SOMETHING NEW THAT'S GOING ON. 732 00:36:38,796 --> 00:36:40,898 [ EXPLOSION ] 733 00:36:40,965 --> 00:36:43,568 Narrator: THE PROSPECT OF A NEW KIND OF NUCLEAR MISSILE 734 00:36:43,634 --> 00:36:47,538 BEING TESTED RAISES THE SPECTER OF EVER-GROWING TENSIONS 735 00:36:47,605 --> 00:36:49,574 BETWEEN RUSSIA AND THE WEST. 736 00:36:49,640 --> 00:36:52,476 Zimmerman: IT CERTAINLY HAS RUSSIAN MILITARY WRITTEN ALL OVER IT, 737 00:36:52,543 --> 00:36:55,146 SO I'M NOT SURPRISED THAT PEOPLE ARE STILL IN THE DARK 738 00:36:55,213 --> 00:36:58,049 AND ARE STILL WORRIED ABOUT IT. 739 00:36:58,115 --> 00:37:01,052 Narrator: COMING UP, PASSENGERS ON A BOAT ARE ATTACKED 740 00:37:01,118 --> 00:37:03,387 BY SOMETHING DEADLY FROM THE DEEP. 741 00:37:03,454 --> 00:37:05,756 [ SCREAMING ] 742 00:37:05,823 --> 00:37:09,994 DOESN'T HAPPEN OFTEN, BUT WHEN IT DOES, IT CAN BE FATAL. 743 00:37:10,061 --> 00:37:13,297 {\an8}♪♪ 744 00:37:14,332 --> 00:37:17,168 {\an8}♪♪ 745 00:37:17,235 --> 00:37:21,839 Narrator: NOW A BOAT FULL OF PEOPLE ARE DRAWN TO A STRANGE VISION. 746 00:37:21,906 --> 00:37:24,475 THESE PEOPLE CLEARLY DON'T THINK THEY'RE IN DANGER. 747 00:37:24,542 --> 00:37:28,012 Narrator: AN OTHERWORLDLY GLOW SPLINTERS THE DARKNESS. 748 00:37:28,079 --> 00:37:29,747 YOU HAVE NO IDEA WHAT'S HAPPENING HERE. 749 00:37:29,814 --> 00:37:32,583 AND THEN ALL OF A SUDDEN, BAM! 750 00:37:32,650 --> 00:37:34,051 [ EXPLOSION ] 751 00:37:34,118 --> 00:37:36,020 [ SCREAMING ] 752 00:37:36,087 --> 00:37:41,692 THE PEOPLE ON THIS BOAT WERE NOT EXPECTING TO GET WHAT THEY GOT. 753 00:37:43,995 --> 00:37:46,030 [ CAMERA WHIRS ] 754 00:37:48,065 --> 00:37:52,003 Narrator: THE PACIFIC OCEAN -- 12,000 MILES WIDE 755 00:37:52,069 --> 00:37:56,140 AND PLUNGING IN PLACES TO OVER 35,000 FEET DEEP. 756 00:37:56,207 --> 00:38:00,811 ITS FLOOR IS ONE OF THE MOST UNEXPLORED PLACED ON EARTH. 757 00:38:00,878 --> 00:38:05,516 JULY 16, 2018, PASSENGERS ONBOARD A SHIP 758 00:38:05,583 --> 00:38:08,886 ARE TRANSFIXED BY AN UNEARTHLY DISPLAY. 759 00:38:08,953 --> 00:38:10,755 IT'S CRAZY YET BEAUTIFUL. 760 00:38:10,821 --> 00:38:12,890 Narrator: THICK CLOUDS BOIL ON THE WATER, 761 00:38:12,957 --> 00:38:16,360 LIT FROM BENEATH BY AN EERIE RED GLOW. 762 00:38:16,427 --> 00:38:17,862 THE SEA IS ON FIRE. 763 00:38:17,928 --> 00:38:19,463 Narrator: AND THEN... 764 00:38:19,530 --> 00:38:20,665 [ EXPLOSION ] 765 00:38:20,731 --> 00:38:23,801 [ SCREAMING ] 766 00:38:23,868 --> 00:38:28,472 {\an8}TURNS DEADLY, THEN IT BECOMES A SURVIVOR SITUATION. 767 00:38:28,539 --> 00:38:29,640 [ EXPLOSION ] 768 00:38:29,707 --> 00:38:30,908 [ SCREAMING ] 769 00:38:33,878 --> 00:38:37,381 Narrator: SCIENTIST GREG SZULGIT INVESTIGATES IF THE VIDEO 770 00:38:37,448 --> 00:38:40,584 COULD BE CONNECTED TO A MYSTERIOUS GRAVEYARD OF SHIPS 771 00:38:40,651 --> 00:38:42,420 IN THE PACIFIC. 772 00:38:42,486 --> 00:38:44,322 {\an8}YOU'VE PROBABLY HEARD OF THE BERMUDA TRIANGLE, 773 00:38:44,388 --> 00:38:47,358 {\an8}BUT THERE'S AN EQUIVALENT OUT IN THE WESTERN PACIFIC 774 00:38:47,425 --> 00:38:50,728 WHERE SHIPS ARE MORE LIKELY TO GO DOWN FOR SOME REASON, 775 00:38:50,795 --> 00:38:53,064 WHICH MANY SAILORS FEAR. 776 00:38:53,130 --> 00:38:56,667 Narrator: KNOWN AS BOTH THE DEVIL'S SEA AND THE DRAGON TRIANGLE, 777 00:38:56,734 --> 00:38:59,503 IT'S A STRETCH OF OCEAN WITH A GRIM REPUTATION 778 00:38:59,570 --> 00:39:03,040 THAT GOES BACK CENTURIES. 779 00:39:03,107 --> 00:39:07,912 IN 2016, 34 SHIPS SANK IN THE DRAGON TRIANGLE, 780 00:39:07,978 --> 00:39:10,014 AROUND 40 PERCENT OF ALL THE BOATS 781 00:39:10,081 --> 00:39:13,718 LOST AROUND THE WORLD IN THAT YEAR. 782 00:39:13,784 --> 00:39:16,153 SZULGIT THAT BELIEVES THAT A RARE AND DESTRUCTIVE 783 00:39:16,220 --> 00:39:17,722 OCEANIC PHENOMENON 784 00:39:17,788 --> 00:39:21,025 COULD EXPLAIN THESE MYSTERIOUS DISAPPEARANCES. 785 00:39:21,092 --> 00:39:23,594 YOU CAN OFTEN HAVE METHANE GASES THAT COME UP FROM 786 00:39:23,661 --> 00:39:26,163 THE BOTTOM OF THE SEABED, AND THESE BUBBLES COME RISING UP. 787 00:39:26,230 --> 00:39:27,865 BY THE TIME THEY REACH THE SURFACE, 788 00:39:27,932 --> 00:39:29,500 THE SEA IS JUST BOILING. 789 00:39:29,567 --> 00:39:31,235 IF THE SHIP IS SITTING ON TOP OF THAT, 790 00:39:31,302 --> 00:39:34,472 IT NO LONGER HAS THE BUOYANCY, AND IT JUST GOES RIGHT DOWN, 791 00:39:34,538 --> 00:39:36,307 AND IT CAN BE SWAMPED WITHIN A SECOND. 792 00:39:36,374 --> 00:39:37,842 IF THAT'S WHAT'S HAPPENING HERE, 793 00:39:37,908 --> 00:39:39,810 THESE PEOPLE ARE IN TERRIBLE DANGER. 794 00:39:39,877 --> 00:39:42,980 Narrator: ENGINEER LISA LAZARECK-ASUNTA EXAMINES 795 00:39:43,047 --> 00:39:45,716 WHERE THE FOOTAGE WAS RECORDED AND NOTICES 796 00:39:45,783 --> 00:39:47,852 A PROBLEM WITH THE DEVIL'S SEA THEORY. 797 00:39:47,918 --> 00:39:49,887 [ EXPLOSION, SCREAMING ] 798 00:39:49,954 --> 00:39:53,424 THE DEVIL'S SEA BY DEFINITION IS THE 750-MILE STRETCH 799 00:39:53,491 --> 00:39:57,027 BETWEEN THE COAST OF JAPAN AND THE ISLAND OF IWO JIMA, 800 00:39:57,094 --> 00:39:59,263 BUT THIS FOOTAGE WAS TAKEN ON THE OTHER SIDE 801 00:39:59,330 --> 00:40:02,767 OF THE PACIFIC NEAR HAWAII, SO IT MUST BE SOMETHING ELSE. 802 00:40:04,802 --> 00:40:07,505 Narrator: PLANETARY SCIENTIST SIAN PROCTOR THINKS 803 00:40:07,571 --> 00:40:10,841 THE STRANGE RED GLOW LOOKS FAMILIAR. 804 00:40:10,908 --> 00:40:13,577 ALL OF THAT STEAM THAT'S BEING GENERATED 805 00:40:13,644 --> 00:40:15,646 AND THEN THE GLOWING RED COLOR, 806 00:40:15,713 --> 00:40:20,117 I IMMEDIATELY THINK LAVA FLOW FLOWING INTO THE OCEAN. 807 00:40:20,184 --> 00:40:23,954 Narrator: THE LOCATION OF THIS FOOTAGE TIES IN WITH THAT THEORY. 808 00:40:24,021 --> 00:40:27,525 THE HAWAIIAN ISLANDS ARE AN EXCELLENT EXAMPLE OF 809 00:40:27,591 --> 00:40:30,361 LAND THAT WAS BORN FROM FIRE. 810 00:40:30,428 --> 00:40:32,563 Narrator: THE BIG ISLAND IS STILL FORMING 811 00:40:32,630 --> 00:40:37,368 AND IS HOME TO THE WORLD'S MOST ACTIVE VOLCANO, KILAUEA. 812 00:40:37,435 --> 00:40:40,704 KILAUEA HAS BEEN ERUPTING FOR ABOUT 30 YEARS, OFF AND ON. 813 00:40:40,771 --> 00:40:43,007 SOMETIMES THE LAVA FLOWS HAVE ACTUALLY COME DOWN 814 00:40:43,073 --> 00:40:44,475 AND TOUCHED THE OCEAN, 815 00:40:44,542 --> 00:40:47,645 AND IT'S A SPECTACULAR THING TO WATCH WHEN IT HAPPENED. 816 00:40:47,711 --> 00:40:51,215 Narrator: AND KILAUEA HAS BEEN PRODUCING STRANGE PHENOMENA. 817 00:40:51,282 --> 00:40:54,251 THE VIOLENCE OF THE CURRENT ERUPTION HAS BEEN BRINGING UP 818 00:40:54,318 --> 00:40:58,656 THOUSANDS OF SEMI-PRECIOUS GREEN GEMSTONES CALLED OLIVINES. 819 00:40:58,722 --> 00:41:01,025 HARDER THAN GLASS, THESE BEAUTIFUL STONES 820 00:41:01,091 --> 00:41:02,793 HAVE BEEN SHOWERING THE ISLAND, 821 00:41:02,860 --> 00:41:06,764 AND LARGER STONES PRESENT A HAZARD TO ANYONE STRUCK BY THEM. 822 00:41:06,831 --> 00:41:08,833 {\an8}BUT THAT DOESN'T EXPLAIN THIS VERY RAPID -- 823 00:41:08,899 --> 00:41:10,901 {\an8}SUDDENLY, EVERYTHING GOING BLACK 824 00:41:10,968 --> 00:41:13,137 AND APPARENTLY AN EXPLOSION OF SOME KIND. 825 00:41:13,204 --> 00:41:14,305 [ EXPLOSION ] 826 00:41:14,371 --> 00:41:15,806 [ SCREAMING ] 827 00:41:15,873 --> 00:41:18,642 Narrator: PROCTOR BELIEVES THAT WHAT WAS CAPTURED IN THE VIDEO 828 00:41:18,709 --> 00:41:22,112 WAS A RARE AND HIGHLY DESTRUCTIVE VOLCANIC EVENT. 829 00:41:22,179 --> 00:41:25,282 YOU GET A SITUATION WHERE THE GAS CAN BUILD UP, 830 00:41:25,349 --> 00:41:29,153 AND THAT'S WHAT WE SEE, A LITERAL VOLCANIC BOMB 831 00:41:29,220 --> 00:41:30,955 EXPLODING IN FRONT OF THESE PEOPLE. 832 00:41:31,021 --> 00:41:35,626 {\an8}DOESN'T HAPPEN OFTEN, BUT WHEN IT DOES, IT CAN BE FATAL. 833 00:41:35,693 --> 00:41:38,696 {\an8}Narrator: THE LAVA BOMB EXPLODED RIGHT NEXT THE BOAT, 834 00:41:38,762 --> 00:41:41,932 {\an8}BLASTING IT WITH STEAM AND HOT ROCKS. 835 00:41:41,999 --> 00:41:43,534 {\an8}TWENTY-THREE PEOPLE WERE INJURED, 836 00:41:43,601 --> 00:41:46,537 {\an8}INCLUDING ONE WITH A BROKEN THIGH. 837 00:41:46,604 --> 00:41:48,572 {\an8}IMAGINE IF THEY'D BEEN JUST A LITTLE CLOSER, 838 00:41:48,639 --> 00:41:51,542 {\an8}OR IF THE LAVA HAD PUNCTURED THE SHIP'S HULL. 839 00:41:51,609 --> 00:41:53,744 {\an8}THEY WOULD HAVE SUNK INTO BOILING WATER. 840 00:41:53,811 --> 00:41:55,746 {\an8}[ SCREAMING ] 841 00:41:55,813 --> 00:41:58,816 {\an8}THE PASSENGERS ARE LUCKY TO HAVE EVEN SURVIVED AT ALL. 842 00:41:58,883 --> 00:42:01,151 {\an8}[ SCREAMING, CLATTER ] 70195

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