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00:00:02,102 --> 00:00:07,207
Narrator: WORLDWIDE, 6 BILLION
CAMERAS ARE WATCHING US
2
00:00:07,273 --> 00:00:12,612
ON OUR STREETS,
AT WORK, AND IN OUR HOMES.
3
00:00:12,679 --> 00:00:15,715
THEY CAPTURE THINGS
THAT SEEM IMPOSSIBLE.
4
00:00:15,782 --> 00:00:18,852
IT DEFINES THE LAWS OF PHYSICS.
5
00:00:18,918 --> 00:00:20,520
Man: WHAT IS THIS?
UNBELIEVABLE, MAN.
6
00:00:20,587 --> 00:00:22,789
Narrator: EXPERTS CARRY OUT
FORENSIC ANALYSIS
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00:00:22,856 --> 00:00:24,991
OF THESE UNUSUAL EVENTS.
8
00:00:28,628 --> 00:00:29,596
[ SCREAMING ]
9
00:00:29,662 --> 00:00:32,332
I WANT TO KNOW
WHAT I'M LOOKING AT.
10
00:00:32,399 --> 00:00:34,467
THERE HAS TO BE
SOME SORT OF EXPLANATION.
11
00:00:34,534 --> 00:00:36,269
WHAT ELSE IS GOING ON HERE?
12
00:00:37,804 --> 00:00:42,108
Narrator: WEIRD, SPOOKY LIGHTS
ADVANCE ON PANICKY PARTYGOERS.
13
00:00:42,175 --> 00:00:43,777
[ SCREAMING ]
14
00:00:43,843 --> 00:00:45,211
Orzel: IT'S MYSTERIOUS
SORT OF BEHAVIOR,
15
00:00:45,278 --> 00:00:48,148
THE KIND OF THING THAT
DEFINITELY LEADS PEOPLE TO THINK
16
00:00:48,214 --> 00:00:50,083
THAT THEY'VE SEEN A UFO.
17
00:00:50,150 --> 00:00:53,420
Narrator:
A FISHING BOAT EXPLODES...
18
00:00:53,486 --> 00:00:54,854
BUT WHAT'S THE CAUSE?
19
00:00:54,921 --> 00:00:58,591
THESE WATERS ARE LIKE A POWDER
KEG JUST WAITING TO EXPLODE.
20
00:00:58,658 --> 00:01:01,194
Narrator: AND A MAN SEEMS
TO TURN INTO A BEAST
21
00:01:01,261 --> 00:01:03,997
ON A NATIVE AMERICAN
RESERVATION.
22
00:01:04,064 --> 00:01:07,801
I'VE NEVER SEEN FOOTAGE OF
A CREATURE THAT LOOKS LIKE THIS.
23
00:01:07,867 --> 00:01:10,070
MISSING CHILDREN,
UNEXPLAINED MURDERS,
24
00:01:10,136 --> 00:01:11,771
THERE'S YOUR CULPRIT.
25
00:01:14,107 --> 00:01:15,608
Narrator: BIZARRE PHENOMENA...
26
00:01:15,675 --> 00:01:16,843
WHOA.
27
00:01:16,910 --> 00:01:18,611
Narrator:
...MYSTERIES CAUGHT ON CAMERA.
28
00:01:18,678 --> 00:01:19,946
NOW, THAT'S AN EXPLOSION.
29
00:01:20,013 --> 00:01:24,150
WHAT'S THE TRUTH BEHIND
THIS STRANGE EVIDENCE?
30
00:01:24,217 --> 00:01:27,153
{\an8}-- Captions by VITAC --
www.vitac.com
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00:01:27,220 --> 00:01:30,156
{\an8}CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
32
00:01:30,223 --> 00:01:33,059
{\an8}♪♪
33
00:01:33,126 --> 00:01:36,262
NOW, A QUIET PORT IS ROCKED...
34
00:01:36,329 --> 00:01:38,865
McCourt:
BOOM, BOOM, BOOM, BOOM, BOOM.
35
00:01:41,601 --> 00:01:44,037
...BY A HUGE EXPLOSION.
36
00:01:44,104 --> 00:01:46,639
OH, LOOK AT THAT.
37
00:01:46,706 --> 00:01:48,875
Narrator: A MAN
MOMENTS FROM DEATH...
38
00:01:48,942 --> 00:01:50,743
GOT OUT OF THERE
RIGHT IN THE NICK OF TIME.
39
00:01:50,810 --> 00:01:53,713
THAT LOOKS LIKE A SCENE
FROM A MOVIE.
40
00:01:53,780 --> 00:01:55,915
Narrator: ...IN A REGION
THREATENED BY WAR,
41
00:01:55,982 --> 00:01:59,686
A SIMPLE FISHING BOAT
APPEARS TO BE UNDER ATTACK.
42
00:01:59,752 --> 00:02:03,189
THESE WATERS ARE A POWDER KEG OF
TENSIONS JUST WAITING TO BLOW.
43
00:02:03,256 --> 00:02:07,026
Narrator: OR IS THERE SOMETHING
HORRIFIC HIDING INSIDE?
44
00:02:07,093 --> 00:02:08,895
WHAT ARE THESE GUYS
TRANSPORTING?
45
00:02:08,962 --> 00:02:10,930
WHAT'S GONE HORRIBLY WRONG HERE?
46
00:02:16,102 --> 00:02:19,472
Narrator: DECEMBER 31, 2016,
47
00:02:19,539 --> 00:02:23,309
IN THE FISHING BOAT
OF CHENGGONG, TAIWAN,
48
00:02:23,376 --> 00:02:25,345
SAILORS ARE UNLOADING
THEIR CATCH
49
00:02:25,411 --> 00:02:28,414
AND REFUELING THEIR BOATS
AFTER A NIGHT AT SEA.
50
00:02:32,051 --> 00:02:34,821
WATCHED BY A HARBOR
SURVEILLANCE CAMERA...
51
00:02:38,992 --> 00:02:42,662
...IN AN INSTANT,
A HUGE FLASH...
52
00:02:45,165 --> 00:02:47,834
...THE BOAT IS LIFTED
RIGHT OUT OF THE WATER.
53
00:02:51,571 --> 00:02:55,975
THIS IS NOT AN INDUSTRIAL VESSEL
LOADED WITH DANGEROUS CHEMICALS.
54
00:02:57,810 --> 00:02:59,846
IT'S A NORMAL FISHING BOAT.
55
00:02:59,913 --> 00:03:02,081
{\an8}THIS IS NO ORDINARY EXPLOSION.
56
00:03:02,148 --> 00:03:03,716
{\an8}WHATEVER CAUSED IT
57
00:03:03,783 --> 00:03:07,420
{\an8}PUSHED THE BOAT UP 6 FEET
OUT OF THE WATER.
58
00:03:07,487 --> 00:03:09,255
{\an8}WHATEVER CAUSED IT WAS BIG.
59
00:03:09,322 --> 00:03:10,590
{\an8}IT'S INCREDIBLE.
60
00:03:10,657 --> 00:03:12,659
{\an8}THE BOAT IS JUST SITTING THERE,
AND ALL OF A SUDDEN,
61
00:03:12,725 --> 00:03:14,661
{\an8}IT RISES OUT OF THE WATER,
62
00:03:14,727 --> 00:03:18,231
EXPLODES AND SETTLES
BACK DOWN.
63
00:03:18,298 --> 00:03:19,532
UNBELIEVABLE.
64
00:03:19,599 --> 00:03:22,235
I WANT TO KNOW WHERE
THE EXPLOSION ORIENTATES FROM.
65
00:03:22,302 --> 00:03:24,070
IT HAS TO BE COMING
FROM SOMEWHERE.
66
00:03:28,975 --> 00:03:31,344
Narrator:
MILITARY ANALYST CARLO MUNOZ
67
00:03:31,411 --> 00:03:34,681
CONSIDERS THE LOCATION
OF THE FOOTAGE.
68
00:03:34,747 --> 00:03:37,483
THE STRATEGICALLY IMPORTANT
SEAS AROUND TAIWAN
69
00:03:37,550 --> 00:03:42,088
HAVE BECOME A HOT BED
OF INTERNATIONAL ESPIONAGE.
70
00:03:42,155 --> 00:03:44,791
{\an8}THESE ARE LIKE TWO KIDS
FIGHTING OVER A CANDY BAR.
71
00:03:44,857 --> 00:03:47,894
Narrator: SPY SHIPS DISGUISED
AS FISHING BOATS ARE SO COMMON
72
00:03:47,961 --> 00:03:51,831
IN THIS AREA, THEY HAVE
A NICKNAME -- SEA PHANTOMS.
73
00:03:54,033 --> 00:03:56,536
COULD THIS FOOTAGE SHOW
A TAIWANESE SEA PHANTOM
74
00:03:56,603 --> 00:03:58,238
BEING ATTACKED?
75
00:04:02,642 --> 00:04:04,677
THERE'S A LONG HISTORY
OF SPY VESSELS
76
00:04:04,744 --> 00:04:06,546
DISGUISED AS FISHING BOATS.
77
00:04:06,613 --> 00:04:08,881
NAPOLEON IS SAID
TO HAVE USED ONE TO SURVEY
78
00:04:08,948 --> 00:04:12,385
THE BRITISH DEFENSES
IN THE EARLY 19th CENTURY,
79
00:04:12,452 --> 00:04:15,855
AND IN THE LATE 1980s,
THE SOVIET FISHERY'S FLEET
80
00:04:15,922 --> 00:04:18,124
EQUIPPED THOUSANDS OF
THEIR BOATS WITH ELECTRONIC
81
00:04:18,191 --> 00:04:22,161
SPY EQUIPMENT, ALLOWING THEM
TO TRACK WESTERN NAVAL VESSELS'
82
00:04:22,228 --> 00:04:25,265
COMMUNICATIONS
WHILE CONTINUING TO FISH.
83
00:04:25,331 --> 00:04:27,600
BUT EVEN IF THIS IS A SPY SHIP,
84
00:04:27,667 --> 00:04:31,437
AN ATTACK GOES AGAINST ALL
THE RULES OF INTERNATIONAL LAW.
85
00:04:35,808 --> 00:04:38,444
MATT KUTCHER IS
A PYROTECHNICS EXPERT.
86
00:04:38,511 --> 00:04:42,749
HE ADVISES THE U.S. MILITARY
AND POLICE ON BOMB DISPOSAL
87
00:04:42,815 --> 00:04:46,252
AND HAS WORKED ON OVER
100 HOLLYWOOD PRODUCTIONS.
88
00:04:49,222 --> 00:04:52,091
Kutcher: WHAT WE NEED TO
UNDERSTAND IS, WAS THE EXPLOSION
89
00:04:52,158 --> 00:04:53,993
IN THE WATER
PUSHING ON THE BOAT,
90
00:04:54,060 --> 00:04:55,962
{\an8}OR WAS THE EXPLOSION
INSIDE THE BOAT
91
00:04:56,029 --> 00:04:58,398
{\an8}EXPANDING OUTWARDS
THAT CAUSES THE DAMAGE?
92
00:05:00,333 --> 00:05:02,035
Narrator: MATT HAS BROUGHT
A BOAT TO TEST
93
00:05:02,101 --> 00:05:04,637
IF THE DAMAGE
TO THE SHIP IN THE FOOTAGE
94
00:05:04,704 --> 00:05:06,606
IS CAUSED BY SOMETHING
EXPLOSIVE
95
00:05:06,673 --> 00:05:09,876
STRIKING THE VESSEL
FROM THE OUTSIDE
96
00:05:09,942 --> 00:05:13,646
OR WHETHER IT WAS CAUSED
BY A BLAST FROM INSIDE.
97
00:05:14,080 --> 00:05:16,082
Kutcher: THE CHARGE WE'RE GOING
TO USE TODAY FOR THE EXPERIMENT
98
00:05:16,149 --> 00:05:19,452
IS GUNPOWDER,
FINELY GROUND 3F-TYPE GUNPOWDER.
99
00:05:19,519 --> 00:05:21,321
IT'S GOING TO TRAVEL SOMEWHERE
BETWEEN 8,000 AND 9,000
100
00:05:21,387 --> 00:05:23,823
FEET PER SECOND, DEPENDING ON
OUR CONTAINMENT RATIO.
101
00:05:23,890 --> 00:05:25,591
THIS IS PRETTY TIGHT.
102
00:05:25,658 --> 00:05:27,360
WE'RE GOING TO PLACE IT
OUTSIDE THE BOAT.
103
00:05:27,427 --> 00:05:29,662
WE'RE GOING TO USE THE SAME
CHARGE INSIDE THE BOAT.
104
00:05:29,729 --> 00:05:33,132
I THINK THE DIFFERENCE BETWEEN
THE TWO IS GOING TO BE HUGE.
105
00:05:34,300 --> 00:05:36,069
WE USE A STEEL PLATE
TO PROTECT THE GROUND.
106
00:05:36,135 --> 00:05:37,670
IT GIVES US A NICE,
SOLID SURFACE
107
00:05:37,737 --> 00:05:41,174
TO PRESS AGAINST TO GET
A GOOD LIFT OUT OF IT.
108
00:05:41,240 --> 00:05:43,242
Narrator: FIRST, THE CHARGE
IS SET TO SIMULATE
109
00:05:43,309 --> 00:05:46,879
A TORPEDO STRIKE TO THE OUTSIDE
OF THE BOAT.
110
00:05:46,946 --> 00:05:48,314
SO, CHRIS, WE HOT?
111
00:05:48,381 --> 00:05:49,449
HERE WE GO.
112
00:05:49,515 --> 00:05:50,616
OKAY. WE'RE ON.
113
00:05:49,515 --> 00:05:50,616
ALL RIGHT.
114
00:05:50,683 --> 00:05:51,818
SIR, GO ON HOT.
115
00:05:51,884 --> 00:05:55,288
AND IN THREE,
TWO, ONE, HIT IT.
116
00:06:01,494 --> 00:06:05,231
{\an8}♪♪
117
00:06:05,298 --> 00:06:08,267
Narrator: THE BLACK POWDER
EXPANDS MORE THAN 900 FEET
118
00:06:08,334 --> 00:06:11,804
A SECOND AS THE EXPLOSIVE
HITS THE SIDE OF THE BOAT
119
00:06:11,871 --> 00:06:13,506
LIKE A MISSILE.
120
00:06:13,573 --> 00:06:14,874
-NOT BAD, NOT BAD.
-NOT BAD.
121
00:06:14,941 --> 00:06:16,309
ABOUT WHAT
WE EXPECTED, YEAH?
122
00:06:16,376 --> 00:06:17,543
LET'S GO TAKE A LOOK.
123
00:06:17,610 --> 00:06:19,345
Kutcher: SO THAT WAS IMPRESSIVE
AND FUN TO WATCH,
124
00:06:19,412 --> 00:06:21,414
BUT THE BOAT
IS CLEARLY STILL INTACT.
125
00:06:21,481 --> 00:06:23,549
THE ONLY DAMAGE THAT WE COULD
ACTUALLY SEE ON THE BOAT
126
00:06:23,616 --> 00:06:25,385
IS A BIT OF BUBBLING
ON THE FIBERGLASS
127
00:06:25,451 --> 00:06:27,954
AND A DISCOLORIZATION
WHERE IT'S BEEN SINGED.
128
00:06:28,020 --> 00:06:30,723
Narrator: THIS SUGGESTS THAT
THE BOAT WAS NOT DESTROYED
129
00:06:30,790 --> 00:06:35,661
FROM THE INSIDE, BUT SUPPOSE THE
SAME EXPLOSION CAME FROM WITHIN.
130
00:06:35,728 --> 00:06:38,898
WHAT KIND OF DIFFERENCE
WOULD THAT MAKE?
131
00:06:38,965 --> 00:06:41,033
Kutcher: WE'RE GOING TO TAKE
THE SAME BASIC KIND OF CHARGE.
132
00:06:41,100 --> 00:06:42,602
WE'RE GOING TO PLACE IT
INSIDE THE BOAT
133
00:06:42,668 --> 00:06:44,070
SO IT'S MORE COMPRESSED.
134
00:06:44,137 --> 00:06:46,406
WHEN THE GAS GOES,
IT'S GOING TO HOLD ITSELF
135
00:06:46,472 --> 00:06:50,009
TOGETHER FOR AN EXTRA SECOND
AND CREATE QUITE A BIG BANG.
136
00:06:50,076 --> 00:06:52,111
COME ON, CHRIS.
LET'S GET OUT OF HERE.
137
00:06:52,178 --> 00:06:54,514
ALL RIGHT.
HERE WE GO ON THE COUNTDOWN.
138
00:06:54,580 --> 00:06:57,650
THREE, TWO, ONE, HIT IT.
139
00:07:18,171 --> 00:07:20,540
THAT TEST PROVED PRETTY WELL,
DIDN'T IT?
140
00:07:20,606 --> 00:07:23,009
WE CERTAINLY HAD
SOME EXPANSION THERE.
141
00:07:23,075 --> 00:07:24,844
IN THIS EXPLOSION,
THERE'S A CLEAR DIFFERENCE.
142
00:07:24,911 --> 00:07:28,181
WITH A SIMILAR CHARGE, THE ONE
THAT'S INSIDE THE BOAT
143
00:07:28,247 --> 00:07:29,715
BLEW IT COMPLETELY APART.
144
00:07:29,782 --> 00:07:32,318
CLEARLY, THE ROOF HAS GONE
EVERY BIT OF 40 OR 50 FEET
145
00:07:32,385 --> 00:07:33,786
FROM THE BOAT.
146
00:07:33,853 --> 00:07:36,722
WHAT WE SAW ON THE VIDEO,
THERE'S NO DOUBT IN MY MIND
147
00:07:36,789 --> 00:07:39,659
THAT THE EXPLOSION TOOK PLACE
INSIDE THE BOAT.
148
00:07:43,629 --> 00:07:45,965
Narrator: THE FOOTAGE COMES
TO THE ATTENTION OF SCIENTIST
149
00:07:46,032 --> 00:07:47,567
DAVE FARINA.
150
00:07:47,633 --> 00:07:50,770
HE CONSIDERS THAT THE EXPLOSION
COULD HAVE BEEN A FREAK ACCIDENT
151
00:07:50,837 --> 00:07:54,874
CAUSED BY AN UNEXPECTED
LETHAL PAYLOAD ON THE BOAT.
152
00:07:54,941 --> 00:07:56,609
{\an8}IF THIS SHIP
IS A FISHING VESSEL,
153
00:07:56,676 --> 00:07:58,177
{\an8}IT WOULD BE REASONABLE
TO CONCLUDE
154
00:07:58,244 --> 00:07:59,779
{\an8}THAT IT IS FULL OF FISH.
155
00:07:59,846 --> 00:08:01,314
FISH SEEM LIKE THEY
WOULD BE PRETTY INERT.
156
00:08:01,380 --> 00:08:02,949
IT'S ACTUALLY THE CASE
THAT ROTTING FISH
157
00:08:03,015 --> 00:08:04,851
CAN EXUDE NOXIOUS MATERIALS
158
00:08:04,917 --> 00:08:08,488
INCLUDING FLAMMABLE GASES
LIKE HYDROGEN SULFIDE.
159
00:08:08,554 --> 00:08:10,857
Narrator: A SPOILED CATCH
COULD BE THE CATALYST
160
00:08:10,923 --> 00:08:12,458
FOR A DEADLY BLAST.
161
00:08:12,525 --> 00:08:14,060
Farina: HYDROGEN SULFIDE
IS A COLORLESS,
162
00:08:14,126 --> 00:08:16,496
FLAMMABLE,
EXTREMELY HAZARDOUS GAS
163
00:08:16,562 --> 00:08:19,665
THAT HAS A SMELL OF ROTTEN EGGS,
AND IT'S HEAVIER THAN AIR,
164
00:08:19,732 --> 00:08:21,667
SO IT'S ABLE TO COLLECT
IN ENCLOSED SPACES
165
00:08:21,734 --> 00:08:23,369
LIKE THE HULL OF A SHIP.
166
00:08:24,871 --> 00:08:27,406
Sanford: IT'S PRETTY INCREDIBLE
TO THINK THAT SOMETHING
167
00:08:27,473 --> 00:08:32,211
AS BENIGN AS DEAD FISH
COULD BE THIS DESTRUCTIVE.
168
00:08:33,946 --> 00:08:37,717
Narrator: DECOMPOSING MARINE
LIFE CAN GO OFF WITH A BANG.
169
00:08:37,783 --> 00:08:40,586
BEACHED WHALES
ARE KNOWN TO EXPLODE.
170
00:08:40,653 --> 00:08:44,557
WHEN THEY GET BEACHED, THEY SIT
IN THE SUN AND DECOMPOSE,
171
00:08:44,624 --> 00:08:47,093
AND THE GASES
BUILD UP INSIDE THEM.
172
00:08:47,159 --> 00:08:50,463
IF ANYTHING PUNCTURES
THEIR SKIN,
173
00:08:50,530 --> 00:08:54,033
THAT CAN BE A SOURCE
OF A MASSIVE EXPLOSION.
174
00:08:54,100 --> 00:08:56,669
{\an8}WHEN A WHALE EXPLODES, WELL,
YOU'VE GOT AN AMAZING
175
00:08:56,736 --> 00:09:00,172
{\an8}FIREWORKS SHOW
OF BLOOD AND GUTS.
176
00:09:00,239 --> 00:09:02,308
IN THE FOOTAGE, WE CAN SEE THAT
THERE'S FLAMES
177
00:09:02,375 --> 00:09:03,910
ASSOCIATED WITH THIS EXPLOSION.
178
00:09:03,976 --> 00:09:06,512
YOU DON'T SEE FLAMES
WHEN YOU SEE A WHALE EXPLODE.
179
00:09:10,850 --> 00:09:11,884
Narrator: COMING UP...
180
00:09:11,951 --> 00:09:13,519
WHAT THE HELL
COULD THIS BE?
181
00:09:13,586 --> 00:09:16,856
...SPACE SLIME SPATTERS
OVER WASHINGTON STATE.
182
00:09:16,923 --> 00:09:19,659
IF I FOUND THIS IN MY YARD,
I'D FREAK OUT.
183
00:09:19,725 --> 00:09:22,395
Narrator: A MAN SEEMS TO
TRANSFORM INTO A BEAST
184
00:09:22,461 --> 00:09:24,897
ON A NATIVE AMERICAN
RESERVATION...
185
00:09:24,964 --> 00:09:27,934
OH, MY GOD. WHAT?
186
00:09:29,168 --> 00:09:33,105
Narrator: ...AND A DEADLY
PAYLOAD THAT DOOMED A BOAT.
187
00:09:33,172 --> 00:09:36,075
I'M LOOKING AT THE SIZE
AND SHAPE OF THAT CARGO.
188
00:09:36,142 --> 00:09:37,877
IS THAT A CLUE?
189
00:09:45,351 --> 00:09:47,954
Narrator: EXPERTS STRUGGLE
TO EXPLAIN SECURITY FOOTAGE
190
00:09:48,020 --> 00:09:50,456
OF AN ORDINARY-LOOKING
FISHING BOAT
191
00:09:50,523 --> 00:09:53,793
RIPPED TO PIECES
BY AN ENORMOUS EXPLOSION.
192
00:09:53,859 --> 00:09:58,064
{\an8}WHEN THAT BLOWS, IT TAKES
EVERYTHING AROUND IT WITH IT.
193
00:10:02,435 --> 00:10:04,604
Narrator: IMAGE ANALYST
CONOR McCOURT EXAMINES
194
00:10:04,670 --> 00:10:07,006
THE MOMENTS BEFORE THE BLAST.
195
00:10:07,073 --> 00:10:11,043
I'M NOTICING THAT THERE'S CARGO
BEING OFFLOADED FROM THE BOAT.
196
00:10:11,110 --> 00:10:14,647
I'M LOOKING AT THE SIZE
AND SHAPE OF THAT CARGO.
197
00:10:14,714 --> 00:10:16,415
IS THAT A CLUE?
198
00:10:16,482 --> 00:10:19,518
THAT CARGO INDICATES
THAT IT COULD BE A CYLINDER.
199
00:10:19,585 --> 00:10:21,487
CYLINDERS CONTAIN GAS.
200
00:10:21,554 --> 00:10:23,255
GAS IS EXPLOSIVE.
201
00:10:23,322 --> 00:10:25,691
COULD THIS BE THE CAUSE
OF THE EXPLOSION?
202
00:10:25,758 --> 00:10:27,860
Narrator: FRAME-BY-FRAME
ANALYSIS BRINGS
203
00:10:27,927 --> 00:10:30,029
FURTHER EVIDENCE TO LIGHT.
204
00:10:30,096 --> 00:10:34,266
{\an8}WE GET UP TO THE MOMENT WHERE
THERE'S THE FIRST FIREBALL,
205
00:10:34,333 --> 00:10:37,370
AND THAT FIREBALL
IS IN AN UPWARD PROJECTION.
206
00:10:37,436 --> 00:10:40,172
THIS COULD INDICATE
A PROPANE CYLINDER
207
00:10:40,239 --> 00:10:43,109
OR OTHER TYPE
OF CYLINDER EXPLOSION.
208
00:10:43,175 --> 00:10:44,443
WHEN YOU HAVE A GAS CYLINDER
209
00:10:44,510 --> 00:10:47,313
THAT HAS A BREACH
IN IT LIKE A HULL,
210
00:10:47,380 --> 00:10:52,118
AND THAT IGNITES,
THE FLAME IS VERY DIRECTIONAL.
211
00:10:52,184 --> 00:10:55,187
Narrator: THIS EXPERT'S BEST
GUESS IS THAT THIS EXPLOSION
212
00:10:55,254 --> 00:10:57,990
WAS CAUSED
BY A FAULTY GAS CYLINDER,
213
00:10:58,057 --> 00:11:00,359
BUT THE EXTRAORDINARY SCALE
OF THE BLAST
214
00:11:00,426 --> 00:11:02,728
IN THE WORLD'S
MOST CONTESTED SEA
215
00:11:02,795 --> 00:11:06,565
MAKES SOME STILL SUSPECT
DARK FORCES AT WORK.
216
00:11:08,634 --> 00:11:12,238
{\an8}THESE WATERS ARE LIKE A POWDER
KEG JUST WAITING TO EXPLODE.
217
00:11:16,475 --> 00:11:20,446
Narrator: NOW WEIRD NIGHTTIME
FLASHES RECORDED
218
00:11:20,513 --> 00:11:23,482
IN AN AMERICAN BACKYARD.
219
00:11:23,549 --> 00:11:24,817
NEXT MORNING...
220
00:11:24,884 --> 00:11:26,318
Honkanen:
WHAT THE HELL IS IT?
221
00:11:26,385 --> 00:11:29,488
...AN INVASION
OF MYSTERIOUS BLOBS.
222
00:11:29,555 --> 00:11:31,991
IF I FOUND THIS IN MY YARD,
I'D FREAK OUT.
223
00:11:32,058 --> 00:11:34,427
WHERE ON EARTH DOES THIS STUFF
COME FROM?
224
00:11:34,493 --> 00:11:36,529
IS IT EVEN FROM EARTH?
225
00:11:36,595 --> 00:11:39,598
Narrator: WHATEVER THIS IS,
IT COULD BE LETHAL.
226
00:11:39,665 --> 00:11:43,002
IS THIS STUFF TOXIC?
I WOULDN'T WANT TO TOUCH IT.
227
00:11:43,069 --> 00:11:45,938
[ CAMERA WHIRS ]
228
00:11:48,507 --> 00:11:51,110
Narrator: SNOHOMISH,
WASHINGTON STATE,
229
00:11:51,177 --> 00:11:54,213
A SMALL TOWN FAMOUS FOR ITS
HISTORIC DOWNTOWN
230
00:11:54,280 --> 00:11:56,549
AND ANTIQUE SHOPS.
231
00:11:56,615 --> 00:12:02,655
APRIL 4, 2015, A BIZARRE
VISITOR COMES FROM ABOVE.
232
00:12:04,023 --> 00:12:07,193
SECURITY CAMERAS AROUND
CAROL HONKANEN'S HOUSE
233
00:12:07,259 --> 00:12:11,697
RECORD WEIRD FLASHES THAT SEEM
TO BE FALLING FROM THE SKY.
234
00:12:11,764 --> 00:12:16,035
{\an8}MY PROPERTY HAS PROBABLY
AT LEAST 15 VIDEO CAMERAS.
235
00:12:16,102 --> 00:12:17,970
IN THE NIGHTTIME,
ONE OF THE CAMERAS
236
00:12:18,037 --> 00:12:21,774
WAS ABLE TO VIDEO
THE STREAKS COMING DOWN.
237
00:12:21,841 --> 00:12:25,511
Narrator: AS DAWN BREAKS,
CAROL IS AWOKEN BY HER GARDENER.
238
00:12:25,578 --> 00:12:29,815
HE ALERTS HER TO THE SUBSTANCE
THAT'S APPEARED OVERNIGHT.
239
00:12:29,882 --> 00:12:31,283
WHAT IS THIS?
240
00:12:31,350 --> 00:12:33,085
THIS LOOKS LIKE ICE?
241
00:12:33,152 --> 00:12:34,687
IT'S LIKE A JELLY.
242
00:12:34,754 --> 00:12:37,656
-MM-HMM. I DON'T KNOW.
-WHAT THE HELL IS IT?
243
00:12:39,158 --> 00:12:45,631
WHAT THE HELL COULD BE, LIKE,
ALL OVER OUR GRASS?
244
00:12:45,698 --> 00:12:48,234
Narrator: AT FIRST, HONKANEN
THINKS IT MIGHT BE FUEL
245
00:12:48,300 --> 00:12:49,635
FROM AN AIRCRAFT.
246
00:12:49,702 --> 00:12:52,972
Honkanen: I PUT IT RIGHT HERE
IN THIS SPOT AND THOUGHT,
247
00:12:53,038 --> 00:12:55,074
"OKAY, I'M GOING
TO TRY TO LIGHT IT."
248
00:12:55,141 --> 00:12:59,245
Narrator: BUT THE BLOB DID NOT
REACT AS EXPECTED.
249
00:12:59,311 --> 00:13:00,846
-NOT.
-NO, IT DOESN'T SEEM
250
00:13:00,913 --> 00:13:01,814
TO CATCH FIRE.
251
00:13:01,881 --> 00:13:03,582
IT DOESN'T DO ANYTHING TO IT.
252
00:13:03,649 --> 00:13:05,417
WHAT THE HELL COULD THIS BE?
253
00:13:05,484 --> 00:13:06,952
I WAS THINKING IT WOULD
CATCH FIRE
254
00:13:07,019 --> 00:13:10,556
BECAUSE I REALLY THOUGHT IT WAS
PROBABLY A FUEL, BUT IT DIDN'T.
255
00:13:10,623 --> 00:13:12,391
IT DIDN'T REALLY DO ANYTHING.
256
00:13:12,458 --> 00:13:14,426
IT'S LIKE AN ALIEN DROPPED IT.
257
00:13:17,830 --> 00:13:20,332
Narrator:
CAROL POSTS THE FOOTAGE ONLINE.
258
00:13:20,399 --> 00:13:23,569
{\an8}IF THIS STUFF SUDDENLY APPEARED
IN MY OWN GARDEN,
259
00:13:23,636 --> 00:13:25,704
{\an8}I WOULD WANT TO KNOW
WHAT IT IS.
260
00:13:25,771 --> 00:13:29,642
I PERSONALLY HAVE NEVER SEEN
ANYTHING LIKE THIS BEFORE.
261
00:13:29,708 --> 00:13:31,477
THIS SEEMS REALLY WEIRD.
262
00:13:31,544 --> 00:13:33,946
GEL ISN'T SOMETHING
THAT JUST APPEARS.
263
00:13:36,649 --> 00:13:39,218
Narrator: WEIRD JELLY APPEARING
FROM OUT OF NOWHERE
264
00:13:39,285 --> 00:13:42,221
HAS BEEN REPORTED
FOR CENTURIES.
265
00:13:42,288 --> 00:13:43,856
Sanford:
BLOBS FOUND ON THE GROUND
266
00:13:43,923 --> 00:13:47,459
HAS BEEN HISTORICALLY CORRELATED
WITH METEOR SHOWERS,
267
00:13:47,526 --> 00:13:48,861
LEADING SOME PEOPLE TO THINK
268
00:13:48,928 --> 00:13:52,031
THAT THEY HAVE
EXTRATERRESTRIAL ORIGINS.
269
00:13:52,097 --> 00:13:55,501
THERE ARE REPORTS FROM AS FAR
BACK AS THE 14th CENTURY
270
00:13:55,568 --> 00:13:59,138
ABOUT GELATINOUS SUBSTANCES
APPEARING ON THE GROUND,
271
00:13:59,205 --> 00:14:00,706
ON THE LIMBS OF TREES,
272
00:14:00,773 --> 00:14:04,710
SO THEY GOT THE NAME
OF STAR JELLIES.
273
00:14:05,711 --> 00:14:08,347
IT MAKES SENSE THAT WE WOULD BE
AFRAID OF THINGS
274
00:14:08,414 --> 00:14:11,550
FALLING FROM THE SKIES,
AND THROUGHOUT HISTORY,
275
00:14:11,617 --> 00:14:15,321
JUST THE HINT OF SOMETHING
LIKE A COMET OR A METEOR
276
00:14:15,387 --> 00:14:19,425
HAS PUT FEAR AND SUSPICION
INTO THE HEARTS OF MAN.
277
00:14:19,491 --> 00:14:21,927
Narrator: A COMET PASSING CLOSE
TO EARTH CAUSED
278
00:14:21,994 --> 00:14:25,331
WIDESPREAD PANIC IN 1910.
279
00:14:25,397 --> 00:14:27,967
WHEN HALLEY'S COMET PASSED,
NUMEROUS PEOPLE,
280
00:14:28,033 --> 00:14:32,371
INCLUDING ASTRONOMERS, WERE
FEARFUL THAT US PASSING NEARBY
281
00:14:32,438 --> 00:14:36,108
WAS GOING TO RESULT IN MILLIONS
OF THINGS FALLING FROM THE SKY,
282
00:14:36,175 --> 00:14:39,144
EVEN NOXIOUS CHEMICALS
THAT WOULD KILL US ALL.
283
00:14:39,211 --> 00:14:41,914
{\an8}PEOPLE WERE SO INCREDIBLY
CONCERNED THAT THEY
284
00:14:41,981 --> 00:14:43,682
{\an8}LOCKED THEMSELVES
IN THEIR HOUSES
285
00:14:43,749 --> 00:14:46,285
AND SEALED UP
ALL OF THEIR WINDOWS.
286
00:14:46,352 --> 00:14:50,789
Narrator: BUT THE COMET FLEW BY
WITHOUT INCIDENT.
287
00:14:50,856 --> 00:14:53,826
LIVING ORGANISMS COMING
TO EARTH FROM SPACE
288
00:14:53,893 --> 00:14:57,796
IS AN IDEA THAT MODERN
SCIENTISTS SERIOUSLY CONSIDER.
289
00:14:57,863 --> 00:14:59,899
{\an8}WE KNOW THAT THERE ARE STILL
COMETS AND ASTEROIDS
290
00:14:59,965 --> 00:15:01,867
{\an8}THAT DO COME IN THAT
HIT THE EARTH.
291
00:15:01,934 --> 00:15:03,869
MAYBE SOME OF THOSE THINGS
COULD BE HOSTING LIFE
292
00:15:03,936 --> 00:15:07,039
FROM OUTER SPACE,
LITTLE BACTERIA.
293
00:15:07,106 --> 00:15:09,208
IT IS POSSIBLE.
294
00:15:09,275 --> 00:15:11,543
Narrator: THIS BACTERIA
COULD EVEN BE THE BASIS
295
00:15:11,610 --> 00:15:14,113
OF ALL LIFE ON EARTH.
296
00:15:14,179 --> 00:15:18,550
THERE'S A CONCEPT CALLED
PANSPERMIA THAT LIFE ON EARTH
297
00:15:18,617 --> 00:15:21,720
TODAY, ALL OF THE LIFE AROUND
US, CAME FROM SOMEWHERE ELSE,
298
00:15:21,787 --> 00:15:22,988
THAT IT CAME
FROM ANOTHER PLANET.
299
00:15:23,055 --> 00:15:24,223
IT CAME FROM MARS,
300
00:15:24,290 --> 00:15:27,326
OR IT CAME FROM SOMEWHERE ELSE
IN OUTER SPACE.
301
00:15:27,393 --> 00:15:30,462
Narrator: BUT PHYSICIST
CHAD ORZEL DOUBTS THE JELLY
302
00:15:30,529 --> 00:15:33,899
IN THE FOOTAGE FELL FROM SPACE.
303
00:15:33,966 --> 00:15:35,601
{\an8}FOR SOMETHING TO COME DOWN
FROM ORBIT,
304
00:15:35,668 --> 00:15:37,603
{\an8}IT HAS TO PASS
THROUGH THE ATMOSPHERE,
305
00:15:37,670 --> 00:15:40,039
AND IT WOULD BE COMING IN
MOVING VERY RAPIDLY.
306
00:15:40,105 --> 00:15:43,175
THESE DE-ORBITING OBJECTS
GENERALLY GET VERY, VERY HOT
307
00:15:43,242 --> 00:15:45,210
ON THE WAY, AND THEY TEND
TO BURN UP BEFORE
308
00:15:45,277 --> 00:15:46,912
THEY REACH THE GROUND.
309
00:15:49,615 --> 00:15:52,751
Narrator: COMING UP, SOME
NATIVE AMERICANS BELIEVE
310
00:15:52,818 --> 00:15:56,555
THIS FILM IS PROOF
A WEREWOLF WALKS AMONG THEM.
311
00:15:56,622 --> 00:15:59,425
THEIR SOULS ARE DARK.
THEIR INTENTIONS ARE EVIL.
312
00:15:59,491 --> 00:16:01,293
Narrator:
A TORRENT OF WEIRD SLUDGE
313
00:16:01,360 --> 00:16:03,495
TEARS THROUGH AN ARID DESERT.
314
00:16:03,562 --> 00:16:06,231
THIS IS CLEARLY
A FREAK OF NATURE.
315
00:16:06,298 --> 00:16:10,269
Narrator: AND DO THE BLOBS HAVE
A WEIRD CONNECTION TO HUMAN DNA?
316
00:16:10,336 --> 00:16:12,705
Price: IF HUMAN WHITE BLOOD
CELLS WERE TO BE RAINING
317
00:16:12,771 --> 00:16:14,640
FROM THE SKIES
OF WASHINGTON STATE,
318
00:16:14,707 --> 00:16:17,509
SOMETHING VERY STRANGE INDEED
WOULD HAVE TO BE GOING ON.
319
00:16:24,583 --> 00:16:26,752
Narrator: SECURITY CAMERAS
CAPTURE STRANGE
320
00:16:26,819 --> 00:16:30,689
NIGHTTIME FLASHES
IN A WASHINGTON STATE BACKYARD.
321
00:16:30,756 --> 00:16:33,459
THE NEXT MORNING,
HOMEOWNER CAROL HONKANEN
322
00:16:33,525 --> 00:16:36,428
FINDS WEIRD BLOBS
LYING ON THE GROUND.
323
00:16:39,631 --> 00:16:43,202
NEUROPHYSIOLOGIST
DR. KIKI SANFORD DISCOVERS
324
00:16:43,268 --> 00:16:46,005
SIMILAR EVENTS RECORDED NEARBY
325
00:16:46,071 --> 00:16:50,242
WHICH COULD HOLD AN ANSWER
TO THE ORIGIN OF THE ODD BLOBS.
326
00:16:50,309 --> 00:16:53,045
{\an8}BACK IN AUGUST OF 1994,
327
00:16:53,112 --> 00:16:56,615
{\an8}RESIDENTS OF OAKVILLE
NEAR THE WASHINGTON COAST
328
00:16:56,682 --> 00:17:00,819
REPORTED SEEING LITTLE
GELATINOUS BLOBS ON THE GROUND
329
00:17:00,886 --> 00:17:03,122
THAT WERE ABOUT
THE SIZE OF RICE.
330
00:17:03,188 --> 00:17:05,724
Narrator: LOCAL RESIDENT
SUNNY BARCLIFT REPORTED
331
00:17:05,791 --> 00:17:09,194
TO DOCTORS THAT AFTER COMING
INTO CONTACT WITH THE SUBSTANCE,
332
00:17:09,261 --> 00:17:13,232
HER MOTHER BECAME ILL
AND HER PET CAT HAD DIED.
333
00:17:13,298 --> 00:17:16,301
SHE SENT SAMPLES OF THESE BLOBS
FOR ANALYSIS.
334
00:17:16,368 --> 00:17:18,804
Sanford: WHEN THEY LOOKED AT THE
SUBSTANCE UNDER A MICROSCOPE,
335
00:17:18,871 --> 00:17:21,240
THEY FIRST THOUGHT
THAT IT CONTAINED HUMAN
336
00:17:21,306 --> 00:17:25,210
WHITE BLOOD CELLS, WHICH ARE
THE IMMUNE CELLS OF OUR BODY.
337
00:17:25,277 --> 00:17:27,613
Price: IF HUMAN WHITE BLOOD
CELLS WERE TO BE RAINING
338
00:17:27,679 --> 00:17:29,348
FROM THE SKIES
OF WASHINGTON STATE,
339
00:17:29,415 --> 00:17:31,984
{\an8}SOMETHING VERY STRANGE INDEED
WOULD HAVE TO BE GOING ON.
340
00:17:32,051 --> 00:17:33,919
Narrator:
AND UNDER FURTHER ANALYSIS,
341
00:17:33,986 --> 00:17:36,822
THESE BLOBS GOT EVEN WEIRDER.
342
00:17:36,889 --> 00:17:38,857
THEY DIDN'T CONTAIN A NUCLEUS.
343
00:17:38,924 --> 00:17:40,492
THERE WAS NO DNA.
344
00:17:40,559 --> 00:17:43,429
Narrator: BUT BEFORE SCIENTISTS
COULD DO ANY FURTHER TESTING
345
00:17:43,495 --> 00:17:45,097
ON THIS WEIRD JELLY,
346
00:17:45,164 --> 00:17:48,300
THE SAMPLES DISAPPEARED
FROM THE LABORATORY.
347
00:17:52,104 --> 00:17:55,274
AND AS HONKANEN PREPARED
TO TAKE SAMPLES OF HER BLOBS
348
00:17:55,340 --> 00:17:59,645
FOR SCIENTIFIC TESTING,
HISTORY SEEMED TO REPEAT ITSELF.
349
00:17:59,711 --> 00:18:02,081
I WAS THINKING, "WELL, MAYBE
I SHOULD COLLECT THE STUFF
350
00:18:02,147 --> 00:18:04,950
AND FIGURE OUT WHAT IT IS."
351
00:18:05,017 --> 00:18:06,885
AND THEN I NOTICED
IT WASN'T AS ABUNDANT
352
00:18:06,952 --> 00:18:08,854
AS WHEN WE FIRST SAW IT.
353
00:18:08,921 --> 00:18:12,424
IT JUST KIND OF DISSIPATED
OR EVAPORATED.
354
00:18:12,491 --> 00:18:14,860
Narrator: JUST LIKE THE SINISTER
BLOBS THAT FELL
355
00:18:14,927 --> 00:18:18,197
ON WASHINGTON BEFORE,
THE MYSTERIOUS JELLY VANISHED
356
00:18:18,263 --> 00:18:22,367
INTO THIN AIR, LEAVING
THEIR IDENTITY A MYSTERY.
357
00:18:22,434 --> 00:18:25,170
{\an8}STRANGE AS IT IS THAT THIS STUFF
SHOWED UP IN THE FIRST PLACE,
358
00:18:25,237 --> 00:18:28,607
{\an8}THE WEIRDEST PART IS THAT
IT DISAPPEARED WITHOUT A TRACE.
359
00:18:32,411 --> 00:18:36,081
Narrator: NOW, ON
A NATIVE AMERICAN RESERVATION...
360
00:18:36,148 --> 00:18:38,750
IT'S ALMOST AS IF IT'S PART
HUMAN, PART ANIMAL,
361
00:18:38,817 --> 00:18:40,285
SOME SORT OF HYBRID.
362
00:18:40,352 --> 00:18:43,655
ARE WE DEALING WITH SOME
SUPERNATURAL CREATURES HERE?
363
00:18:43,722 --> 00:18:45,791
Narrator: ...THE THING
SEEMS TO BE A HUMAN
364
00:18:45,858 --> 00:18:47,659
TURNING INTO AN ANIMAL.
365
00:18:47,726 --> 00:18:50,762
MISSING CHILDREN, UNEXPLAINED
MURDERS, THERE'S YOUR CULPRIT.
366
00:18:50,829 --> 00:18:52,464
Narrator:
A LEGENDARY SHAPE-SHIFTER
367
00:18:52,531 --> 00:18:54,733
WITH A TASTE FOR HUMAN BLOOD...
368
00:18:54,800 --> 00:18:57,769
THIS COULD BE AN EXAMPLE
OF A SKIN-WALKER.
369
00:18:57,836 --> 00:18:59,638
Sands: THEY WANT TO HURT YOU,
THEY'RE GOING TO HURT YOU.
370
00:18:59,705 --> 00:19:01,573
THEY'RE NOT THERE
TO DO GOOD THINGS.
371
00:19:01,640 --> 00:19:04,042
[ CAMERA WHIRS ]
372
00:19:06,612 --> 00:19:10,449
Narrator: THE NAVAJO NATION
RESERVATION, UTAH,
373
00:19:10,516 --> 00:19:12,918
HOME TO THE LARGEST
NATIVE AMERICAN TRIBE
374
00:19:12,985 --> 00:19:15,454
IN THE UNITED STATES.
375
00:19:17,990 --> 00:19:22,094
THE NAVAJO'S CONNECTION WITH THE
LAND HERE GOES BACK CENTURIES.
376
00:19:24,429 --> 00:19:29,101
JANUARY 2017, A MAN DRIVING
IN THE RESERVATION FILMS
377
00:19:29,168 --> 00:19:35,507
A STRANGE MOVEMENT IN THE ROCKS,
ITS SHAPE HUMANOID AND PRONE.
378
00:19:36,608 --> 00:19:38,477
LEANING AGAINST THE CLIFF FACE,
379
00:19:38,544 --> 00:19:41,180
IT APPEARS TO HAVE
TWO POWERFUL LEGS,
380
00:19:41,246 --> 00:19:44,316
A LONG, STRAIGHT BACK
AND SLENDER ARMS.
381
00:19:48,754 --> 00:19:52,658
EXPERTS STRUGGLE TO INTERPRET
THE THING IN THE FOOTAGE.
382
00:19:54,193 --> 00:19:58,764
I'VE NEVER SEEN FOOTAGE OF
A CREATURE THAT LOOKS LIKE THIS.
383
00:19:58,830 --> 00:20:01,800
{\an8}WHEN YOU WATCH THIS VIDEO,
YOU THINK YOU'RE LOOKING
384
00:20:01,867 --> 00:20:05,470
{\an8}AT SOMETHING SOLID,
AND IT JUST BEGINS TO MOVE,
385
00:20:05,537 --> 00:20:08,907
AND IT DOES LOOK,
FOR ALL APPEARANCES,
386
00:20:08,974 --> 00:20:13,045
LIKE IT IS CHANGING
FROM ONE SHAPE TO ANOTHER.
387
00:20:13,111 --> 00:20:14,980
IS IT A BIPED?
IS IT A QUADRUPED?
388
00:20:15,047 --> 00:20:17,816
QUESTION IS, WELL,
WHAT THE HELL IS IT?
389
00:20:17,883 --> 00:20:21,353
Narrator: FINALLY, IT SEEMS TO
FORM INTO A FOUR-LEGGED ANIMAL
390
00:20:21,420 --> 00:20:22,854
AND RUNS AWAY.
391
00:20:22,921 --> 00:20:26,391
OH, MY GOD. OH, MY GOD.
392
00:20:26,458 --> 00:20:28,694
WHAT?
393
00:20:28,760 --> 00:20:30,195
WAIT A MINUTE.
394
00:20:30,262 --> 00:20:33,398
{\an8}IT REALLY FEELS LIKE IT KNOWS
THAT THE CAMERA IS WATCHING IT.
395
00:20:33,465 --> 00:20:40,472
{\an8}♪♪
396
00:20:40,739 --> 00:20:43,575
Narrator: LOCAL NAVAJO
PETE SANDS AGREES TO EXAMINE
397
00:20:43,642 --> 00:20:46,144
THE FOOTAGE NEAR WHERE
IT WAS SHOT.
398
00:20:48,614 --> 00:20:52,384
Sands: SEEMS TO HAVE
VERY UNNATURAL-LOOKING LEGS.
399
00:20:52,451 --> 00:20:55,821
{\an8}IT SEEMS TO BE ALMOST LIKE
THE BACK LEGS OF A DEER
400
00:20:55,887 --> 00:20:58,323
{\an8}BUT HAS PAWS OF SOME SORT.
401
00:20:58,390 --> 00:20:59,691
IT HAS HUMAN QUALITIES,
402
00:20:59,758 --> 00:21:04,663
BUT THIS IS DEFINITELY
SOMETHING ABNORMAL.
403
00:21:05,731 --> 00:21:09,768
SHAPE-SHIFTERS, OR BETTER
KNOWN AS SKIN-WALKERS,
404
00:21:09,835 --> 00:21:11,103
YOU KNOW, A LOT OF PEOPLE
405
00:21:11,169 --> 00:21:15,807
ALWAYS CONFUSE SHAPE-SHIFTERS
AND SHAMANS.
406
00:21:15,874 --> 00:21:18,377
SHAMANS ARE NOT SHAPE-SHIFTERS.
407
00:21:18,443 --> 00:21:20,479
THEY ARE TWO DIFFERENT THINGS.
408
00:21:20,545 --> 00:21:24,116
BECAUSE A SHAMAN IS WORKING
FOR YOUR SPIRIT,
409
00:21:24,182 --> 00:21:27,753
AND A SKIN-WALKER IS WORKING
TO HURT YOUR SPIRIT.
410
00:21:27,819 --> 00:21:29,054
THEIR SOULS ARE DARK.
411
00:21:29,121 --> 00:21:33,759
THEIR INTENTIONS ARE EVIL,
AND THEY ARE PEOPLE,
412
00:21:33,825 --> 00:21:36,762
CREATURES OR PEOPLE,
WHICHEVER YOU WANT TO SEE THEM.
413
00:21:36,828 --> 00:21:38,363
THEY SHOULD NOT BE
MESSED WITH IN ANY WAY
414
00:21:38,430 --> 00:21:42,167
BECAUSE THEY WILL HURT YOU
PHYSICALLY AND SPIRITUALLY,
415
00:21:42,234 --> 00:21:47,406
AND THEY WILL NOT HESITATE
TO DO EITHER OF THOSE.
416
00:21:47,472 --> 00:21:53,211
{\an8}♪♪
417
00:21:53,278 --> 00:21:56,248
{\an8}SKIN-WALKERS ARE BEST KNOWN
IN TERMS OF THEIR ABILITIES
418
00:21:56,315 --> 00:21:58,350
{\an8}IS TO DON THE SKIN
OF AN ANIMAL
419
00:21:58,417 --> 00:22:02,654
AND SOMEHOW BE ABLE TO TRANSFORM
ONESELF INTO THAT ANIMAL.
420
00:22:02,721 --> 00:22:06,091
Narrator: MANY STILL FEAR
THESE LEGENDS TODAY.
421
00:22:06,158 --> 00:22:09,161
A WOMAN DRIVING NEAR SEDONA
CLAIMS A HALF-MAN,
422
00:22:09,227 --> 00:22:12,564
HALF-BEAST SKIN-WALKER
RAN ALONGSIDE HER CAR
423
00:22:12,631 --> 00:22:16,868
AT 60 MILES PER HOUR
AND EVEN TAPPED ON THE WINDOW.
424
00:22:16,935 --> 00:22:18,337
TRUCK DRIVERS IN ARIZONA
425
00:22:18,403 --> 00:22:22,908
HAVE REPORTED SIMILAR
ROADSIDE ENCOUNTERS.
426
00:22:22,974 --> 00:22:26,878
IF THIS THING IS A SKIN-WALKER,
THAT'S PROBABLY NOT A PLACE
427
00:22:26,945 --> 00:22:28,680
YOU WANT TO BE AROUND.
428
00:22:28,747 --> 00:22:31,950
{\an8}♪♪
429
00:22:32,017 --> 00:22:34,252
[ CAMERA WHIRS ]
430
00:22:34,319 --> 00:22:36,555
Narrator: IMAGE ANALYST
BEN RADFORD INSPECTS
431
00:22:36,621 --> 00:22:38,657
THE FOOTAGE TO DETERMINE
432
00:22:38,724 --> 00:22:41,927
IF THE PICTURE
HAS BEEN MANIPULATED.
433
00:22:41,993 --> 00:22:43,628
{\an8}WHEN YOU SEE A VIDEO LIKE THIS,
434
00:22:43,695 --> 00:22:46,164
{\an8}ONE OF THE FIRST QUESTIONS IS,
IS IT REAL, RIGHT?
435
00:22:46,231 --> 00:22:47,499
{\an8}IS IT A HOAX?
IS IT A FAKE?
436
00:22:47,566 --> 00:22:49,634
IS IT MISIDENTIFICATION?
437
00:22:49,701 --> 00:22:52,838
IN THIS CASE, I DON'T THINK
THIS IS A HOAX OR A FAKE.
438
00:22:52,904 --> 00:22:55,440
I THINK THIS IS SOME ANIMAL
ACTUALLY RECORDED
439
00:22:55,507 --> 00:22:57,342
PROBABLY WHERE
IT WAS CLAIMED TO BE.
440
00:22:57,409 --> 00:22:59,444
IS IT BIPEDAL?
IS IT A QUADRUPED?
441
00:22:59,511 --> 00:23:02,080
YOU CAN SORT OF SEE
THERE'S CLEARLY A BACK,
442
00:23:02,147 --> 00:23:04,516
WHAT APPEARS TO BE
A HINDQUARTER HERE,
443
00:23:04,583 --> 00:23:06,885
AND MAYBE PART OF A TAIL.
444
00:23:06,952 --> 00:23:09,287
THEN THE QUESTION IS,
WHAT THE HELL IS IT?
445
00:23:10,889 --> 00:23:12,023
[ HORN HONKS ]
446
00:23:14,025 --> 00:23:17,329
Narrator: COMING UP,
FREEZING MUSH SUDDENLY APPEARS
447
00:23:17,396 --> 00:23:18,830
IN A BAKING DESERT...
448
00:23:18,897 --> 00:23:21,500
WHATEVER IT IS THAT'S FLOWING
ALONG THROUGH THIS RIVER
449
00:23:21,566 --> 00:23:25,103
ISN'T SOMETHING THAT'S BEHAVING
LIKE NORMAL MATERIAL.
450
00:23:25,170 --> 00:23:27,472
Narrator: ...TERROR FROM ABOVE
IN MILWAUKEE...
451
00:23:27,539 --> 00:23:30,542
IT'S LIKE THE SKY OPENED UP
AND JUST RAINED FIRE DOWN
452
00:23:30,609 --> 00:23:32,911
ON WHOEVER IS BELOW.
453
00:23:32,978 --> 00:23:34,880
Narrator:
...AND THE TRUE IDENTITY
454
00:23:34,946 --> 00:23:37,783
OF THE NAVAJO SHAPE-SHIFTER.
455
00:23:37,849 --> 00:23:40,218
THEY'RE THE STUFF
OF MY CHILDHOOD NIGHTMARES.
456
00:23:48,260 --> 00:23:50,562
Narrator:
ON NATIVE AMERICAN LAND IN UTAH,
457
00:23:50,629 --> 00:23:54,099
A TRAVELER FILMS WHAT APPEARS
TO BE A SKIN-WALKER
458
00:23:54,166 --> 00:23:57,903
TRANSFORMING FROM A MAN
INTO AN ANIMAL.
459
00:23:57,969 --> 00:23:59,604
HOW IS IT SO ELONGATED?
460
00:23:59,671 --> 00:24:02,574
HOW DOES IT HAVE SUCH
LONG ARMS AND LEGS?
461
00:24:02,641 --> 00:24:05,243
IT'S ALMOST AS IF IT'S PART
HUMAN, PART ANIMAL,
462
00:24:05,310 --> 00:24:06,311
SOME SORT OF HYBRID.
463
00:24:06,378 --> 00:24:08,013
IT'S REALLY WEIRD.
464
00:24:10,182 --> 00:24:12,384
Narrator:
BIOLOGIST KELLY PRICE BELIEVES
465
00:24:12,451 --> 00:24:14,920
THE MYSTERIOUS CREATURE'S
HUMANOID APPEARANCE
466
00:24:14,986 --> 00:24:17,456
AT THE START OF THE FOOTAGE
CAN BE EXPLAINED
467
00:24:17,522 --> 00:24:20,992
BY A DEADLY ANIMAL
THAT'S NATIVE TO UTAH.
468
00:24:21,059 --> 00:24:23,895
{\an8}BASED ON THE PHYSIOLOGY
THAT WE CAN SEE IN THE VIDEO,
469
00:24:23,962 --> 00:24:26,631
{\an8}MY BEST GUESS WOULD BE
THAT IT'S A BEAR.
470
00:24:26,698 --> 00:24:30,769
IT HAS KIND OF STOCKY HIND LEGS,
THE BLACK COLORING,
471
00:24:30,836 --> 00:24:33,872
AND BEARS ARE KNOWN TO STAND
ON THEIR HIND LEGS.
472
00:24:33,939 --> 00:24:36,675
{\an8}WITH A POPULATION DENSITY
OF OVER 15 BEARS
473
00:24:36,741 --> 00:24:38,276
{\an8}PER 38 SQUARE MILES,
474
00:24:38,343 --> 00:24:41,913
{\an8}ENCOUNTERS WITH DANGEROUS BEARS
ARE ON THE RISE.
475
00:24:41,980 --> 00:24:46,218
{\an8}Narrator: STACY RAMKISOON SPOTS
A PROBLEM WITH THE BEAR THEORY.
476
00:24:46,284 --> 00:24:47,786
{\an8}Ramkisoon: THIS FOOTAGE WAS
TAKEN IN JANUARY,
477
00:24:47,853 --> 00:24:50,155
{\an8}AND THAT'S PRIME
HIBERNATION TIME,
478
00:24:50,222 --> 00:24:52,157
{\an8}SO IT'S UNLIKELY
THAT IT'S A BEAR.
479
00:24:52,224 --> 00:24:56,528
{\an8}♪♪
480
00:24:56,595 --> 00:24:58,296
[ CAMERA WHIRS ]
481
00:24:59,264 --> 00:25:02,033
Narrator: BEN RADFORD ANALYZES
THE FINAL FRAMES
482
00:25:02,100 --> 00:25:04,603
OF THE CREATURE'S
APPEARANCE IN THE FOOTAGE.
483
00:25:04,669 --> 00:25:08,073
IN THAT SPLIT SECOND WE SEE IT
GOING OVER A SMALL HILL THERE,
484
00:25:08,139 --> 00:25:09,307
AND THE MOTION IS FLUID.
485
00:25:09,374 --> 00:25:10,909
IT'S WALKING ON ALL FOURS.
486
00:25:10,976 --> 00:25:12,511
THAT'S HOW IT NORMALLY MOVES.
487
00:25:12,577 --> 00:25:14,513
THEREFORE, IT'S CLEARLY
A QUADRUPED.
488
00:25:14,579 --> 00:25:16,715
THIS ANIMAL,
AS FAR AS WE CAN TELL,
489
00:25:16,781 --> 00:25:19,351
IS APPROXIMATELY 6 FEET LONG.
490
00:25:19,417 --> 00:25:22,921
BASED ON ALL OF THE CRITERIA
THAT I'VE LOOKED AT,
491
00:25:22,988 --> 00:25:24,556
I THINK IT'S A CAT.
492
00:25:24,623 --> 00:25:27,292
Narrator: MOUNTAIN LIONS ARE ONE
OF THE MOST DEADLY PREDATORS
493
00:25:27,359 --> 00:25:28,727
IN THE UNITED STATES.
494
00:25:28,793 --> 00:25:31,530
THESE CREATURES CAN REACH
UP TO 8 FEET.
495
00:25:31,596 --> 00:25:33,899
THEY HAVE A REPUTATION
FOR KILLING HUMANS
496
00:25:33,965 --> 00:25:36,868
THAT HAS CARRIED ON
INTO THE PRESENT DAY.
497
00:25:36,935 --> 00:25:41,573
THEY WERE RESPONSIBLE FOR
TWO DEATHS IN AMERICA IN 2018.
498
00:25:41,640 --> 00:25:44,009
IN ONE LETHAL ATTACK
NEAR SEATTLE,
499
00:25:44,075 --> 00:25:46,645
A MOUNTAIN LION POUNCED
ON A CYCLIST
500
00:25:46,711 --> 00:25:49,948
AND FEASTED ON HER IN ITS DEN.
501
00:25:50,015 --> 00:25:52,450
Price: THEY'RE THE STUFF OF
MY CHILDHOOD NIGHTMARES.
502
00:25:52,517 --> 00:25:53,852
THEY ARE DEADLY.
503
00:25:53,919 --> 00:25:56,321
Narrator: EXPERTS AGREE
THE FOOTAGE MOST LIKELY SHOWS
504
00:25:56,388 --> 00:25:59,524
A MOUNTAIN LION,
A CREATURE WHOSE DEADLY EXPLOITS
505
00:25:59,591 --> 00:26:02,994
MAY HAVE GIVEN RISE TO
THE LEGEND OF THE SKIN-WALKER.
506
00:26:03,061 --> 00:26:05,497
THOUGH THE STRANGE CHANGE
IN THE CREATURE'S SHAPE
507
00:26:05,564 --> 00:26:10,001
MAKES SOME WONDER IF THESE
STORIES ARE MORE THAN A MYTH.
508
00:26:10,835 --> 00:26:12,637
THERE ARE MANY STORIES
ABOUT BEASTS
509
00:26:12,704 --> 00:26:15,574
WHO ROAM THIS LAND
THAT ARE UNNATURAL.
510
00:26:15,640 --> 00:26:17,676
THERE'S A SAYING IN THE NAVAJO
CULTURE WHERE IT SAYS,
511
00:26:17,742 --> 00:26:21,179
"THE DESERT WILL BRING OUT
THE TRUE ESSENCE OF YOUR SOUL,"
512
00:26:21,246 --> 00:26:23,848
AND I BELIEVE THAT TO BE TRUE.
513
00:26:26,318 --> 00:26:29,254
[ CAMERA WHIRS ]
514
00:26:31,022 --> 00:26:33,959
Narrator: NOW,
AN AMERICAN FAMILY BARBECUE
515
00:26:34,025 --> 00:26:36,895
GETS UNINVITED GUESTS.
516
00:26:36,962 --> 00:26:38,530
IT'S MOVING VERY RAPIDLY.
517
00:26:38,597 --> 00:26:41,466
Narrator: A CLOSE ENCOUNTER
OF THE TERRIFYING KIND
518
00:26:41,533 --> 00:26:45,637
AS THE BALL SPLITS
INTO A SERIES OF FIERY ORBS.
519
00:26:45,704 --> 00:26:47,005
IT'S LIKE THE SKY OPENED UP
520
00:26:47,072 --> 00:26:50,942
AND IS JUST RAINING FIRE DOWN
ON WHOEVER IS BELOW.
521
00:26:51,009 --> 00:26:53,178
Narrator: AND THEY ADVANCE
TOWARDS THE PARTYGOERS
522
00:26:53,244 --> 00:26:55,513
WITH A SINISTER INTELLIGENCE.
523
00:26:55,580 --> 00:26:58,183
[ SCREAMING ]
524
00:26:58,249 --> 00:27:00,919
YOU HEAR ALL KINDS OF SCREAMS
AND EXCLAMATIONS
525
00:27:00,986 --> 00:27:03,021
AS PEOPLE SEEM TO WONDER,
"WHAT THE HECK IS GOING ON?
526
00:27:03,088 --> 00:27:05,023
IS THIS THE END OF THE WORLD,
OR WHAT?"
527
00:27:05,423 --> 00:27:07,058
[ CAMERA WHIRS ]
528
00:27:07,125 --> 00:27:12,197
{\an8}♪♪
529
00:27:12,263 --> 00:27:16,901
MILWAUKEE, WISCONSIN, A CITY
BUILT BY GERMAN SETTLERS.
530
00:27:16,968 --> 00:27:21,072
IT'S HOME TO MORE THAN TWO DOZEN
BREWERIES, THE BIGGEST OF WHICH
531
00:27:21,139 --> 00:27:25,944
PRODUCES OVER 10 MILLION BARRELS
OF BEAR EVERY YEAR.
532
00:27:26,011 --> 00:27:30,582
JUNE 2015, A BACKYARD PARTY
IS IN FULL SWING
533
00:27:30,649 --> 00:27:36,254
WHEN PARTYGOERS PANIC
AS THE FLAMING LIGHTS HURDLE
534
00:27:36,321 --> 00:27:38,056
TOWARDS THE CITY.
535
00:27:39,658 --> 00:27:42,894
THEN THE OBJECT SPLITS.
536
00:27:47,165 --> 00:27:52,137
THEY CHANGE DIRECTION AS THOUGH
UNDER INTELLIGENT CONTROL.
537
00:27:53,238 --> 00:27:56,241
ONE PARTYGOER KEEPS FILMING
EVEN AS THE CROWD
538
00:27:56,307 --> 00:27:58,510
AROUND THEM MELTS INTO PANIC.
539
00:27:59,944 --> 00:28:03,314
[ SCREAMING ]
540
00:28:03,381 --> 00:28:06,051
EXPERTS ARE DISTURBED
BY THE FOOTAGE.
541
00:28:06,117 --> 00:28:08,687
{\an8}YOU DON'T SEE SOMETHING
LIKE THIS IN YOUR BACKYARD.
542
00:28:08,753 --> 00:28:10,555
{\an8}IT LOOKS LIKE
A DANGEROUS SITUATION.
543
00:28:10,622 --> 00:28:11,923
{\an8}IT'S VERY EERIE.
544
00:28:11,990 --> 00:28:13,391
{\an8}Orzel: IT'S MYSTERIOUS
SORT OF BEHAVIOR,
545
00:28:13,458 --> 00:28:16,528
{\an8}THE KIND OF THING THAT
DEFINITELY LEADS PEOPLE TO THINK
546
00:28:16,594 --> 00:28:19,097
{\an8}THAT THEY'VE SEEN A UFO.
547
00:28:19,164 --> 00:28:22,000
Narrator: THIS ISN'T THE FIRST
TIME WISCONSIN HAS BEEN GRIPPED
548
00:28:22,067 --> 00:28:25,637
BY FEAR OF UNIDENTIFIED
AERIAL PHENOMENON.
549
00:28:25,704 --> 00:28:29,307
1976, POLICE OFFICER
GEORGE WHEELER
550
00:28:29,374 --> 00:28:32,944
SEES A STRANGE LIGHT
AND DRIVES TO INVESTIGATE.
551
00:28:33,011 --> 00:28:35,213
HE RADIOS INTO THE STATION.
552
00:28:35,280 --> 00:28:39,250
THEN HE IS HIT BY A FLASH
FROM THE SKY.
553
00:28:39,317 --> 00:28:42,454
HE IS FOUND HOURS LATER
BARELY CONSCIOUS,
554
00:28:42,520 --> 00:28:44,989
CLAIMING HE'S BEEN STRUCK
BY A BEAM FIRED
555
00:28:45,056 --> 00:28:47,692
FROM A MYSTERIOUS CRAFT.
556
00:28:49,027 --> 00:28:51,062
THE STATE IS CONSIDERED
A HOT SPOT
557
00:28:51,129 --> 00:28:53,665
FOR STRANGE AERIAL ACTIVITY.
558
00:28:56,634 --> 00:29:00,105
VIDEO ANALYST CONOR McCOURT
INSPECTS THE FOOTAGE FOR SIGNS
559
00:29:00,171 --> 00:29:03,274
OF MANIPULATION BY A HOAXER.
560
00:29:03,341 --> 00:29:07,712
{\an8}SOMETHING LIKE THIS IS VERY HARD
TO REPLICATE IN POST-PRODUCTION.
561
00:29:07,779 --> 00:29:11,149
{\an8}IT'S A HANDHELD VIDEO,
SO VERY HARD TO DO.
562
00:29:11,216 --> 00:29:14,686
THIS INDICATES TO ME
THAT IT'S PROBABLY AUTHENTIC.
563
00:29:14,753 --> 00:29:16,588
THIS ISN'T A PURE
OPTICAL ILLUSION
564
00:29:16,654 --> 00:29:18,423
OR SOMETHING THAT'S CAUGHT
ON AN ISOLATED CAMERA.
565
00:29:18,490 --> 00:29:20,258
YOU CAN HEAR FROM THE REACTIONS
566
00:29:20,325 --> 00:29:23,361
THAT THE PEOPLE
ARE NEAR THE CAMERA.
567
00:29:23,428 --> 00:29:25,396
Narrator:
PHYSICIST CHAD ORZEL CONSIDERS
568
00:29:25,463 --> 00:29:28,700
IF THIS COULD BE AN OBJECT
FALLING FROM SPACE.
569
00:29:28,767 --> 00:29:31,970
THIS IS THE KIND OF THAT
YOU WOULD EXPECT INITIALLY
570
00:29:32,036 --> 00:29:34,939
FROM SOMETHING
FALLING DOWN TO EARTH.
571
00:29:35,006 --> 00:29:37,509
IT'S MOVING VERY RAPIDLY.
IT'S VERY BRIGHT.
572
00:29:37,575 --> 00:29:41,012
THIS IS WHAT YOU GET FOR THINGS
COMING IN FROM ORBIT HEATING UP
573
00:29:41,079 --> 00:29:43,782
VERY DRAMATICALLY AS THEY
ENCOUNTER THE EARTH'S ATMOSPHERE
574
00:29:43,848 --> 00:29:46,251
AND EMITTING A LOT OF LIGHT.
575
00:29:46,317 --> 00:29:49,788
Narrator: BUT SCIENCE JOURNALIST
JEFF WISE IS UNCONVINCED.
576
00:29:49,854 --> 00:29:54,159
{\an8}WHEN A METEORITE REENTERS,
IT TENDS TO BREAK UP
577
00:29:54,225 --> 00:29:57,162
IN KIND OF A CHAOTIC WAY
INTO MULTIPLE PIECES
578
00:29:57,228 --> 00:29:58,830
OF DIFFERENT SIZE
AND HEADING IN
579
00:29:58,897 --> 00:30:00,799
DIFFERENT DIRECTIONS
AND DIFFERENT SPEEDS.
580
00:30:00,865 --> 00:30:02,934
WHAT WE HAVE HERE LOOKS
MUCH MORE ORGANIZED THAN THAT.
581
00:30:03,001 --> 00:30:06,538
IT LOOKS LIKE SOMETHING THAT WAS
PLANNED TO COME APART LIKE THAT.
582
00:30:07,906 --> 00:30:10,208
[ CAMERA WHIRS ]
583
00:30:10,275 --> 00:30:12,510
Narrator: COMING UP,
A WEIRD SUBSTANCE
584
00:30:12,577 --> 00:30:15,079
RUSHES ACROSS THE IRAQI DESERT.
585
00:30:15,146 --> 00:30:18,249
IF YOU JUMPED INTO IT, YOU WOULD
JUST BE IMMEDIATELY DROWNED.
586
00:30:18,316 --> 00:30:20,885
Narrator: AND A SINISTER
INTELLIGENCE SEEMS TO BE
587
00:30:20,952 --> 00:30:23,988
CONTROLLING THE MYSTERIOUS
LIGHTS OVER MILWAUKEE.
588
00:30:24,055 --> 00:30:27,392
IT HAS ALL THE INDICATIONS
OF A POTENTIAL CLUSTER BOMB.
589
00:30:36,401 --> 00:30:40,071
Narrator: IN WISCONSIN, A WEIRD
LIGHT APPEARS IN THE SKY.
590
00:30:40,138 --> 00:30:41,472
IT SPLITS INTO PIECES,
591
00:30:41,539 --> 00:30:44,642
THEN ADVANCES TOWARDS
THE CITY OF MILWAUKEE,
592
00:30:44,709 --> 00:30:47,111
CAUSING PANIC AND FEAR
ON THE GROUND.
593
00:30:47,178 --> 00:30:48,413
[ SCREAMING ]
594
00:30:48,479 --> 00:30:50,548
MILITARY JOURNALIST CARLO MUNOZ
595
00:30:50,615 --> 00:30:53,218
INVESTIGATES THE LOCATION
OF THE FOOTAGE.
596
00:30:53,284 --> 00:30:56,454
HE DISCOVERS IT WAS SHOT
NEAR A MILITARY BASE.
597
00:30:56,521 --> 00:30:59,257
{\an8}FORT McCOY IS ONE OF THE PRIMARY
TRAINING GROUNDS
598
00:30:59,324 --> 00:31:00,758
{\an8}FOR THE U.S. MILITARY.
599
00:31:00,825 --> 00:31:03,294
Narrator: THE FORT IS NEARLY
AS BIG IN LAND AREA
600
00:31:03,361 --> 00:31:05,129
AS MILWAUKEE ITSELF.
601
00:31:05,196 --> 00:31:09,601
OVER 100,000 SOLDIERS A YEAR
PASS THROUGH ITS GATES.
602
00:31:09,667 --> 00:31:12,003
Munoz:
SPANNING OVER 240 KILOMETERS,
603
00:31:12,070 --> 00:31:15,573
IT COULD MAKE A TANTALIZING
TARGET FOR ANY ATTACK.
604
00:31:15,640 --> 00:31:16,908
[ GUNSHOTS ]
605
00:31:16,975 --> 00:31:20,011
HAS ALL THE INDICATIONS
OF A POTENTIAL CLUSTER BOMB.
606
00:31:20,078 --> 00:31:23,114
THE OBJECT SPLITS INTO
SEVERAL DIFFERENT PIECES
607
00:31:23,181 --> 00:31:25,183
AS IT COMES
CRASHING TO THE GROUND.
608
00:31:25,250 --> 00:31:28,586
NOW, THESE WEAPONS, WHICH ARE
BANNED UNDER INTERNATIONAL LAW,
609
00:31:28,653 --> 00:31:30,154
IS BASICALLY ONE BIG BOMB
610
00:31:30,221 --> 00:31:33,491
THAT HOLDS A BUNCH
OF DIFFERENT BOMBS INSIDE.
611
00:31:33,558 --> 00:31:36,661
Narrator: THE SCATTERED BOMBLETS
CAUSE WIDESPREAD DESTRUCTION
612
00:31:36,728 --> 00:31:38,429
AS THEY HIT THE GROUND.
613
00:31:40,231 --> 00:31:44,068
JEFF WISE DOUBTS THE FOOTAGE
SHOWS THIS KIND OF EXPLOSIVE.
614
00:31:44,135 --> 00:31:46,004
Wise: THE PROBLEM WITH
THE CLUSTER BOMB THEORY
615
00:31:46,070 --> 00:31:47,972
{\an8}IS THAT CLUSTER BOMBS
DON'T REALLY EMIT LIGHT
616
00:31:48,039 --> 00:31:50,208
{\an8}UNTIL THEY EXPLODE ON IMPACT.
617
00:31:50,275 --> 00:31:52,410
{\an8}THIS ISN'T WHAT A CLUSTER BOMB
LOOKS LIKE.
618
00:31:53,344 --> 00:31:55,880
{\an8}[ CAMERA WHIRS ]
619
00:31:55,947 --> 00:31:58,750
{\an8}Narrator: CHAD ORZEL REEXAMINES
THE FOOTAGE AND TRACKS
620
00:31:58,816 --> 00:32:01,085
{\an8}THE EERIE MOVEMENTS
OF THE FIVE LIGHTS
621
00:32:01,152 --> 00:32:03,955
{\an8}AFTER THEY HAVE SEPARATED
FROM THE INITIAL ORB.
622
00:32:04,022 --> 00:32:05,990
{\an8}AFTER IT BREAKS UP INTO PIECES,
623
00:32:06,057 --> 00:32:08,893
{\an8}THESE PIECES DECELERATE
VERY RAPIDLY.
624
00:32:08,960 --> 00:32:10,428
THEY SEEM TO FREEZE IN PLACE
625
00:32:10,495 --> 00:32:14,232
AND THEN MOVE MUCH MORE SLOWLY
IN A CHANGING PATTERN.
626
00:32:14,299 --> 00:32:17,936
THIS ISN'T JUST AN UNPOWERED
OBJECT THAT'S FALLING.
627
00:32:18,002 --> 00:32:20,905
INSTEAD, THEY SORT OF REARRANGE
INTO A DIFFERENT CONFIGURATION,
628
00:32:20,972 --> 00:32:23,775
WHICH SUGGESTS THERE MAY BE SOME
SORT OF CONTROL GOING ON HERE,
629
00:32:23,841 --> 00:32:26,744
THAT THEY'RE BEING MANIPULATED
IN SOME WAY.
630
00:32:26,811 --> 00:32:29,347
Narrator: JEFF WISE CONSIDERS
IF THESE LIGHTS COULD BE
631
00:32:29,414 --> 00:32:33,584
UNDER HUMAN CONTROL ATTACHED
TO PEOPLE WHO ARE IN THE AIR.
632
00:32:33,651 --> 00:32:37,522
WHAT WE'RE WITNESSING HERE
COULD BE A TEAM OF SKYDIVERS.
633
00:32:37,588 --> 00:32:40,591
WHAT WE MIGHT BE SEEING
IS ALL OF THE JUMPERS SORT OF
634
00:32:40,658 --> 00:32:42,527
LEAPING OUT OF
THE PLANE TOGETHER
635
00:32:42,593 --> 00:32:45,897
AND THEN SPLITTING APART
AS THEIR CHUTES OPEN.
636
00:32:47,298 --> 00:32:49,067
Narrator: THE DATE
ON THE FOOTAGE CONFIRMS
637
00:32:49,133 --> 00:32:50,568
WISE'S SUSPICION.
638
00:32:50,635 --> 00:32:52,036
IT'S GERMAN FEST.
639
00:32:52,103 --> 00:32:55,473
THE STREETS DOWNTOWN
ARE FULL OF PARTYGOERS,
640
00:32:55,540 --> 00:32:58,443
AND IN THE SKIES ABOVE,
THE GOLDEN KNIGHTS,
641
00:32:58,509 --> 00:33:02,347
A CRACK U.S. MILITARY
DISPLAY TEAM, DESCEND.
642
00:33:02,413 --> 00:33:04,482
Wise: SOMETIMES WHEN THEY'RE
PERFORMING AT FAIRS
643
00:33:04,549 --> 00:33:07,018
OR WHAT HAVE YOU,
SKYDIVERS WILL JUMP FROM A PLANE
644
00:33:07,085 --> 00:33:10,054
WEARING FLARES TO CREATE
KIND OF A LIGHT SHOW.
645
00:33:10,121 --> 00:33:13,057
Narrator: WHILE THE SKYDIVERS
CAUSED EXCITEMENT FOR MANY,
646
00:33:13,124 --> 00:33:16,861
THEY DROVE SOME INTO
A TERRIFIED PANIC.
647
00:33:16,928 --> 00:33:20,164
IF YOU'RE GOING TO DO A LIGHT
DISPLAY IN A UFO HOT SPOT,
648
00:33:20,231 --> 00:33:21,799
YOU'RE ASKING FOR TROUBLE.
649
00:33:21,866 --> 00:33:24,469
[ CAMERA WHIRS ]
650
00:33:26,004 --> 00:33:30,441
Narrator: NOW, IN A PARCHED
DESERT, A WEIRD TORRENT OF
651
00:33:30,508 --> 00:33:33,911
A MYSTERIOUS SUBSTANCE
APPEARS OUT OF NOWHERE.
652
00:33:35,747 --> 00:33:37,115
WHY IS THIS STUFF
653
00:33:37,181 --> 00:33:38,883
FLOWING THROUGH
THE MIDDLE OF THE DESERT?
654
00:33:38,950 --> 00:33:41,285
THIS IS CLEARLY
A FREAK OF NATURE.
655
00:33:41,352 --> 00:33:44,789
Narrator: WHERE HAS IT COME
FROM, AND WHAT IS IT MADE OF?
656
00:33:44,856 --> 00:33:49,093
WE'VE GOT THIS ALMOST IMPOSSIBLE
TO EXPLAIN PHENOMENON.
657
00:33:49,160 --> 00:33:50,928
Narrator:
COULD THIS BE BEHIND A SERIES
658
00:33:50,995 --> 00:33:53,631
OF MYSTERIOUS DISAPPEARANCES?
659
00:33:53,698 --> 00:33:54,932
ONE THING IS FOR SURE --
660
00:33:54,999 --> 00:33:57,769
I WOULDN'T WANT TO TRY
SWIMMING OUT OF THAT.
661
00:33:58,503 --> 00:34:00,872
[ CAMERA WHIRS ]
662
00:34:03,908 --> 00:34:07,478
Narrator:
THE ARABIAN DESERT, IRAQ,
663
00:34:07,545 --> 00:34:11,649
AN AREA MORE THAN THREE TIMES
THE SIZE OF TEXAS,
664
00:34:11,716 --> 00:34:13,818
ONE OF THE WORLD'S
GREAT WILDERNESSES,
665
00:34:13,885 --> 00:34:18,823
TEMPERATURES HERE SOAR
TO OVER 159 DEGREES.
666
00:34:18,890 --> 00:34:22,493
NOVEMBER 16, 2015,
667
00:34:22,560 --> 00:34:27,231
A GROUP IS DRIVING THROUGH
THIS INHOSPITABLE TERRAIN.
668
00:34:27,298 --> 00:34:32,236
THEIR PATH IS BLOCKED
BY A VERY STRANGE SIGHT,
669
00:34:32,303 --> 00:34:37,041
A TORRENT OF MYSTERIOUS SLUDGE
RUSHING THROUGH THE LANDSCAPE.
670
00:34:37,108 --> 00:34:39,310
Orzel: THERE'S THIS RIVER
FLOWING THROUGH THE MIDDLE
671
00:34:39,377 --> 00:34:43,614
OF THIS DESERT, BUT THE RIVER
SEEMS TO BE MADE OF SAND.
672
00:34:43,681 --> 00:34:48,419
SO, YOU KNOW, WHAT IS MAKING
A BIG CHUNK OF SAND FLOW
673
00:34:48,486 --> 00:34:50,154
AS IF IT WERE A LIQUID?
674
00:34:50,221 --> 00:34:51,489
Wise: IT SEEMS
LIKE WE'VE GOT THIS
675
00:34:51,556 --> 00:34:55,159
ALMOST IMPOSSIBLE TO EXPLAIN
PHENOMENON.
676
00:34:59,297 --> 00:35:00,965
Narrator:
AS STRANGE AS IT MIGHT SEEM,
677
00:35:01,032 --> 00:35:04,235
YOU CAN DROWN IN A DESERT.
678
00:35:04,302 --> 00:35:07,004
FROM OUT OF NOWHERE,
A BONE-DRY VALLEY
679
00:35:07,071 --> 00:35:10,908
CAN UNEXPECTEDLY FILL
WITH A RAGING DELUGE.
680
00:35:10,975 --> 00:35:15,580
{\an8}FLASH FLOODS OCCUR IN THE DESERT
WHEN YOU HAVE A HEAVY RAINSTORM.
681
00:35:15,646 --> 00:35:18,082
THE GROUND CAN ONLY ABSORB
SO MUCH WATER,
682
00:35:18,149 --> 00:35:20,384
SO THAT EXCESS WATER
IS GOING TO RUN OFF
683
00:35:20,451 --> 00:35:22,420
IN STREAMS AND TRIBUTARIES,
684
00:35:22,487 --> 00:35:27,225
AND DRY RIVERBEDS WILL SOON
BECOME A RAGING WALL OF WATER.
685
00:35:28,726 --> 00:35:30,928
Narrator: BUT PHYSICIST
CHAD ORZEL IS CONVINCED
686
00:35:30,995 --> 00:35:32,730
THIS IS NO NORMAL FLOOD.
687
00:35:32,797 --> 00:35:34,832
Orzel:
THIS DOESN'T SEEM TO BE WATER.
688
00:35:34,899 --> 00:35:38,669
IT SEEMS TO BE PARTICLES
THAT ARE MOVING ALONG.
689
00:35:38,736 --> 00:35:41,539
Narrator: ANALYZING THE FOOTAGE,
ORZEL SUSPECTS
690
00:35:41,606 --> 00:35:45,009
THIS MYSTERIOUS TORRENT
COULD BE AN EXTREME EXAMPLE
691
00:35:45,076 --> 00:35:49,213
OF ONE OF THE MOST
NOTORIOUS DEATH TRAPS IN NATURE.
692
00:35:49,280 --> 00:35:51,983
WHATEVER IT IS THAT'S FLOWING
ALONG THROUGH THIS RIVER
693
00:35:52,049 --> 00:35:55,086
ISN'T SOMETHING THAT'S BEHAVING
LIKE NORMAL MATERIAL.
694
00:35:55,153 --> 00:35:57,922
Narrator: THE DESERT ITSELF
COULD ACTUALLY BE LIQUEFYING
695
00:35:57,989 --> 00:36:00,691
INTO A DEADLY NEW FORM.
696
00:36:00,758 --> 00:36:05,796
THE CLASSIC EXAMPLE IS
QUICKSAND, WHICH IS FINE SAND
697
00:36:05,863 --> 00:36:11,435
MIXED WITH WATER IN A WAY
THAT MAKES IT FLOW VERY EASILY.
698
00:36:11,502 --> 00:36:14,572
SO IF YOU STEP ON IT,
YOU SINK INTO IT VERY RAPIDLY.
699
00:36:14,639 --> 00:36:16,541
Narrator:
QUICKSAND CAN BE LETHAL,
700
00:36:16,607 --> 00:36:18,776
TRAPPING UNWITTING INDIVIDUALS,
701
00:36:18,843 --> 00:36:21,445
SUCKING THEM DOWN INTO HEAVY,
WET SAND.
702
00:36:21,512 --> 00:36:24,916
THE MORE THEY STRUGGLE
TO ESCAPE, THE DEEPER THEY SINK.
703
00:36:24,982 --> 00:36:28,219
ITS VICTIMS
ARE HOPELESSLY STUCK.
704
00:36:28,286 --> 00:36:30,922
AUGUST 2012, ANTIGUA,
705
00:36:30,988 --> 00:36:34,425
VACATIONER NICOLA RAYBONE
VANISHES ON A BEACH.
706
00:36:34,492 --> 00:36:37,428
POLICE ARE ALERTED
TO CRIES FOR HELP.
707
00:36:37,495 --> 00:36:39,664
HER BODY IS SUCKED INTO
THE WET QUICKSAND
708
00:36:39,730 --> 00:36:44,635
UNTIL THE CRIES STOP,
A TRULY HORRIFIC WAY TO DIE.
709
00:36:46,237 --> 00:36:49,106
IF THIS IS A FAST-MOVING RIVER
OF QUICKSAND,
710
00:36:49,173 --> 00:36:53,377
THESE MEN ARE INCHES FROM BEING
SUCKED DOWN TO A CERTAIN DEATH.
711
00:36:55,079 --> 00:36:56,948
Wise: IF YOU JUMPED INTO IT,
YOU WOULD JUST BE
712
00:36:57,014 --> 00:36:59,317
IMMEDIATELY DROWNED
AND PROBABLY PUMMELED TO DEATH
713
00:36:59,383 --> 00:37:01,152
AS WELL BY THE CHURNING
DEBRIS AND ROCKS
714
00:37:01,219 --> 00:37:03,721
AND WHATEVER WAS IN THERE.
715
00:37:03,788 --> 00:37:05,923
Narrator: BUT HOW CAN THERE BE
QUICKSAND IN A DESERT
716
00:37:05,990 --> 00:37:07,525
WITHOUT WATER?
717
00:37:07,592 --> 00:37:10,695
INCREDIBLE AS IT SEEMS,
SCIENTISTS KNOW OF
718
00:37:10,761 --> 00:37:14,498
A LETHAL PHENOMENON
KNOWN AS DRY QUICKSAND.
719
00:37:14,565 --> 00:37:16,834
WITHOUT A DROP OF WATER
ANYWHERE,
720
00:37:16,901 --> 00:37:19,437
THESE MEN COULD STILL DROWN.
721
00:37:19,503 --> 00:37:21,239
IT COULD BE THAT
WE'RE WITNESSING SOMEHOW
722
00:37:21,305 --> 00:37:24,275
SOME KIND OF MANIFESTATION
OF THIS PHENOMENON.
723
00:37:24,342 --> 00:37:28,613
Narrator: DRY QUICKSAND ISN'T
CREATED BY WATER, BUT BY GAS.
724
00:37:30,181 --> 00:37:32,149
[ CAMERA WHIRS ]
725
00:37:32,216 --> 00:37:35,653
COMING UP, SIAN PROCTOR
EXPERIMENTS WITH SAND
726
00:37:35,720 --> 00:37:39,223
TO TRY TO RECREATE THE
MYSTERIOUS SLUDGE IN THE LAB.
727
00:37:39,290 --> 00:37:43,694
SOMETHING LIKE THIS, NOT NORMAL.
I WANT TO KNOW WHAT'S GOING ON.
728
00:37:52,737 --> 00:37:55,539
Narrator: A BIZARRE FLOW OF
A MYSTERIOUS MATERIAL
729
00:37:55,606 --> 00:37:58,876
IS FILMED TEARING ACROSS
A DESERT.
730
00:37:58,943 --> 00:38:01,646
IT MAY BE A RARE
AND TERRIFYING SUBSTANCE
731
00:38:01,712 --> 00:38:04,882
KNOWN AS DRY QUICKSAND.
732
00:38:04,949 --> 00:38:08,219
GEOSCIENTIST SIAN PROCTOR
WANTS TO INVESTIGATE
733
00:38:08,286 --> 00:38:11,756
IF SAND MIXED WITH GAS COMING UP
FROM BELOW THE DESERT
734
00:38:11,822 --> 00:38:13,824
CAN ACT LIKE THE LIQUID
IN THE FOOTAGE.
735
00:38:13,891 --> 00:38:17,495
{\an8}THIS VIDEO FASCINATES ME
BECAUSE AS A GEOSCIENTIST,
736
00:38:17,561 --> 00:38:19,730
{\an8}I'M INTERESTED
IN EARTH PROCESSES,
737
00:38:19,797 --> 00:38:23,200
SO SOMETHING LIKE THIS,
NOT NORMAL,
738
00:38:23,267 --> 00:38:25,036
I WANT TO KNOW
WHAT'S GOING ON.
739
00:38:25,102 --> 00:38:27,371
ALL RIGHT.
LET'S DO THIS.
740
00:38:27,438 --> 00:38:30,708
Narrator: PROCTOR IS USING
A PROCESS KNOWN AS LIQUEFACTION,
741
00:38:30,775 --> 00:38:33,210
WHICH IS WHEN A SOIL'S STRENGTH
IS REDUCED
742
00:38:33,277 --> 00:38:36,580
SO THAT IT CAN NO LONGER SUPPORT
STRUCTURES ON ITS SURFACE.
743
00:38:36,647 --> 00:38:38,015
Proctor: LIQUEFACTION OCCURS
744
00:38:38,082 --> 00:38:40,318
WHEN THE SOIL PARTICLES
SEPARATE.
745
00:38:40,384 --> 00:38:43,287
Narrator: PROCTOR WILL PLACE
SMALL BALLS INTO THE SAND.
746
00:38:43,354 --> 00:38:45,323
THEN SHE'LL ATTEMPT
TO LIQUEFY IT,
747
00:38:45,389 --> 00:38:47,658
NOT WITH WATER, BUT WITH GAS.
748
00:38:47,725 --> 00:38:50,594
IF THE GAS-AERATED SAND
DOES ACT LIKE A LIQUID,
749
00:38:50,661 --> 00:38:53,064
THE BALL SHOULD FLOAT
TO THE SURFACE.
750
00:38:53,130 --> 00:38:55,700
SO AS A RESULT OF LIQUEFACTION,
751
00:38:55,766 --> 00:38:59,036
ANYTHING THAT'S TRAPPED
IN THE SOIL CAN BE RELEASED.
752
00:38:59,103 --> 00:39:01,706
BUILDING THOSE MUSCLES.
753
00:39:01,772 --> 00:39:04,208
Narrator: PROCTOR IS GOING TO
PUMP COMPRESSED GAS
754
00:39:04,275 --> 00:39:06,310
INTO THE SAND PIT.
755
00:39:06,377 --> 00:39:09,547
THE AIR IS GOING TO CAUSE
THOSE SAND GRAINS TO SEPARATE
756
00:39:09,613 --> 00:39:13,050
AND CAUSE THE SAND'S STRUCTURE
TO BEGIN TO ACT MORE LIKE
757
00:39:13,117 --> 00:39:16,320
A FLUID, THE SAME THING THAT
YOU WOULD GET IN A LIQUEFACTION.
758
00:39:16,387 --> 00:39:18,022
LET'S GIVE IT A GO.
759
00:39:22,226 --> 00:39:24,061
OH, OOH, OH!
760
00:39:24,128 --> 00:39:27,064
[ LAUGHS ]
THAT WAS GREAT.
761
00:39:27,131 --> 00:39:30,167
BOTH OF MY AIR BUBBLES
POPPED RIGHT UP TO THE SURFACE,
762
00:39:30,234 --> 00:39:33,637
AND WE CAN SEE MY SAND
IS ACTING LIKE A FLUID.
763
00:39:33,704 --> 00:39:37,174
BASED ON THIS,
LIQUEFACTION COULD BE INVOLVED
764
00:39:37,241 --> 00:39:39,410
WITH WHAT WE'RE SEEING
IN THE VIDEO.
765
00:39:39,477 --> 00:39:41,846
Narrator: THE TEST PROVES THAT
IN THE RIGHT CONDITIONS,
766
00:39:41,912 --> 00:39:45,549
SAND CAN ACT AND KILL
JUST LIKE A LIQUID.
767
00:39:45,616 --> 00:39:49,220
BUT CHAD ORZEL ANALYZES
THE GEOLOGY OF THE AREA
768
00:39:49,286 --> 00:39:52,056
AND FINDS NO EVIDENCE
OF GAS DEPOSITS,
769
00:39:52,123 --> 00:39:54,759
PUNCTURING
THE DRY QUICKSAND THEORY.
770
00:39:54,825 --> 00:39:59,296
Orzel: TO GET AIR CONTENT
INTO A BIG RIVER OF SAND,
771
00:39:59,363 --> 00:40:02,967
{\an8}YOU'D NEED SOME SOURCE OF GAS
UNDERNEATH THE SAND
772
00:40:03,033 --> 00:40:05,870
{\an8}TO PUSH GAS UP
IN BETWEEN THE GRAINS
773
00:40:05,936 --> 00:40:08,439
AND LUBRICATE THEIR FLOW
IN THAT WAY,
774
00:40:08,506 --> 00:40:11,742
WHICH SEEMS LIKE A VERY
UNUSUAL THING TO HAVE HAPPEN.
775
00:40:13,177 --> 00:40:15,446
[ CAMERA WHIRS ]
776
00:40:15,513 --> 00:40:18,849
Narrator: SCIENCE WRITER
KEVIN FOLTA ANALYZES THE FOOTAGE
777
00:40:18,916 --> 00:40:22,820
AND NOTICES A STRANGE DETAIL
IN THE SIDES OF THE TORRENT.
778
00:40:22,887 --> 00:40:24,789
Folta: IF YOU LOOK TOWARDS
THE EDGE OF THE RIVER,
779
00:40:24,855 --> 00:40:27,925
YOU START TO SEE THAT THERE'S
SOMETHING KIND OF PELLETED THERE
780
00:40:27,992 --> 00:40:29,994
AND SOMETHING THAT LOOKS
VERY CLEAR AS PELLETS,
781
00:40:30,060 --> 00:40:31,729
AND HE PICKS IT UP IN HIS HAND,
782
00:40:31,796 --> 00:40:35,966
AND YOU CAN SEE THAT IT'S
ACTUALLY SMALL SPHERES OF ICE.
783
00:40:36,033 --> 00:40:37,835
Narrator: FOLTA STUDIES
THE WEATHER RECORDS
784
00:40:37,902 --> 00:40:39,904
FOR THE DAY
THE FOOTAGE WAS SHOT.
785
00:40:39,970 --> 00:40:42,206
Folta:
THIS IS IN NOVEMBER OF 2015,
786
00:40:42,273 --> 00:40:45,009
{\an8}AND IN THIS PARTICULAR AREA
DURING THIS TIME FRAME,
787
00:40:45,075 --> 00:40:50,247
{\an8}8 YEARS WORTH OF RAIN
FELL INSIDE THE TIME OF 2 DAYS.
788
00:40:50,314 --> 00:40:53,350
Narrator: WEATHER REPORTS REVEAL
A ONCE-IN-A-LIFETIME EVENT
789
00:40:53,417 --> 00:40:56,520
FOR THIS HOT, DRY REGION.
790
00:40:56,587 --> 00:40:59,757
WITH NO CHANNELS OR DRAINS
TO SWALLOW THE DELUGE,
791
00:40:59,824 --> 00:41:01,992
IT SMASHES THROUGH EVERYTHING.
792
00:41:02,059 --> 00:41:03,794
THE RAIN CAME DOWN IN THE DESERT
793
00:41:03,861 --> 00:41:06,330
AND BROUGHT SUBSTANTIAL HAIL
TO THE AREA.
794
00:41:06,397 --> 00:41:09,633
YOU COULD SEE THAT HAIL
START TO FLOW OVER THE SAND,
795
00:41:09,700 --> 00:41:11,368
TAKING THE SAND WITH IT.
796
00:41:11,435 --> 00:41:14,371
Narrator: A STATE OF EMERGENCY
IS CALLED AS THE ICE STORM
797
00:41:14,438 --> 00:41:17,875
INUNDATES SCHOOLS,
HOSPITALS, AND TRANSPORT.
798
00:41:17,942 --> 00:41:21,212
THE HAIL AND WATER THAT WOULD
COME DOWN IN A COLD AREA
799
00:41:21,278 --> 00:41:24,381
MAY EVEN NUCLEATE AROUND
INDIVIDUAL PIECES OF SAND
800
00:41:24,448 --> 00:41:27,351
TO FORM ICE CRYSTALS
THAT THEN WOULD FLOW
801
00:41:27,418 --> 00:41:30,621
AS PART OF THAT LARGE SEA
OF ICE AND SAND
802
00:41:30,688 --> 00:41:33,090
{\an8}THAT THESE GENTLEMEN
ARE LOOKING AT.
803
00:41:33,157 --> 00:41:35,159
{\an8}Narrator: THE SOURCE OF THIS
BIZARRE TORRENT
804
00:41:35,226 --> 00:41:37,394
{\an8}IS EVEN STRANGER THAN IT LOOKS,
805
00:41:37,461 --> 00:41:41,232
{\an8}AN IMPOSSIBLE RIVER OF ICE
IN A BAKING DESERT,
806
00:41:41,298 --> 00:41:44,969
{\an8}EVIDENCE OF JUST
HOW WEIRD NATURE CAN BE.
807
00:41:45,035 --> 00:41:49,240
{\an8}THIS INITIALLY SEEMS TO BE
A RIVER OF SAND FLOWING,
808
00:41:49,306 --> 00:41:52,810
{\an8}WHICH WOULD BE WEIRD BUT MAYBE
LESS OUT OF PLACE IN A DESERT.
809
00:41:52,877 --> 00:41:55,746
{\an8}BUT IN FACT WHAT WE'VE GOT
IS A RIVER OF ICE.
810
00:41:55,813 --> 00:41:58,949
{\an8}SO IT'S AN AMAZING EXAMPLE
OF MANY THINGS COMING TOGETHER
811
00:41:59,016 --> 00:42:01,685
{\an8}TO MAKE THIS
BIZARRE LOOKING PHENOMENON.
66181
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