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These are the user uploaded subtitles that are being translated: 1 00:00:02,202 --> 00:00:05,071 Narrator: WORLDWIDE, 6 BILLION CAMERAS 2 00:00:05,138 --> 00:00:07,340 ARE WATCHING US... 3 00:00:07,407 --> 00:00:08,775 ON OUR STREETS... 4 00:00:08,842 --> 00:00:10,610 AT WORK... 5 00:00:10,677 --> 00:00:12,712 AND IN OUR HOMES. 6 00:00:12,779 --> 00:00:15,849 THEY CAPTURE THINGS THAT SEEM IMPOSSIBLE. 7 00:00:15,915 --> 00:00:18,918 IT DEFIES THE LAWS OF PHYSICS. 8 00:00:18,985 --> 00:00:20,754 Man: THIS IS UNBELIEVABLE, MAN. 9 00:00:20,820 --> 00:00:23,023 Narrator: EXPERTS CARRY OUT FORENSIC ANALYSIS 10 00:00:23,089 --> 00:00:25,091 OF THESE UNUSUAL EVENTS. 11 00:00:25,158 --> 00:00:29,562 {\an8}♪♪ 12 00:00:29,629 --> 00:00:32,432 I WANT TO KNOW WHAT I'M LOOKING AT. 13 00:00:32,499 --> 00:00:34,567 THERE HAS TO BE SOME SORT OF EXPLANATION. 14 00:00:34,634 --> 00:00:37,470 WHAT ELSE IS GOING ON HERE? 15 00:00:37,537 --> 00:00:40,607 Narrator: COMING UP, AFTER 65 MILLION YEARS, 16 00:00:40,673 --> 00:00:43,910 THE DINOSAURS ARE BACK... 17 00:00:43,977 --> 00:00:46,312 THIS DOES LOOK LIKE THE REMAINS OF A T-REX -- 18 00:00:46,379 --> 00:00:47,547 A BABY T-REX. 19 00:00:47,614 --> 00:00:49,249 NUMEROUS EXPEDITIONS HAVE BEEN LAUNCHED 20 00:00:49,315 --> 00:00:52,986 TO TRY AND FIND THIS CREATURE. 21 00:00:53,053 --> 00:00:54,888 Narrator: ...AN AWESOME VISION OF GOD 22 00:00:54,954 --> 00:00:58,658 SEEN AND FILMED WALKING ACROSS THE SKY... 23 00:00:58,725 --> 00:01:02,328 LITERALLY, IT'S O-M-G -- OH, MY GOD. 24 00:01:02,395 --> 00:01:05,565 Narrator: ...AND EXPLOSIVES EXPERT MATT KUTCHER 25 00:01:05,632 --> 00:01:07,934 TRIES TO MAKE A SHED FLY. 26 00:01:08,001 --> 00:01:09,769 Kutcher: WE'RE READY TO GO! 27 00:01:09,836 --> 00:01:12,439 {\an8}♪♪ 28 00:01:12,505 --> 00:01:13,706 Narrator: BIZARRE PHENOMENA... 29 00:01:13,773 --> 00:01:14,974 WHOA. 30 00:01:15,041 --> 00:01:16,709 ...MYSTERIES CAUGHT ON CAMERA... 31 00:01:16,776 --> 00:01:18,078 NOW, THAT'S AN EXPLOSION. 32 00:01:18,144 --> 00:01:22,182 WHAT'S THE TRUTH BEHIND THIS STRANGE EVIDENCE? 33 00:01:22,248 --> 00:01:25,185 {\an8}-- Captions by VITAC -- www.vitac.com 34 00:01:25,251 --> 00:01:28,188 {\an8}CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 35 00:01:28,254 --> 00:01:30,857 {\an8}♪♪ 36 00:01:36,563 --> 00:01:38,098 [ ROARS ] 37 00:01:38,164 --> 00:01:40,200 Narrator: DINOSAURS -- GIANT MONSTERS 38 00:01:40,266 --> 00:01:42,735 WHO ONCE RULED THE EARTH. 39 00:01:42,802 --> 00:01:45,839 TENS OF MILLIONS OF YEARS AGO, THEY DISAPPEARED, 40 00:01:45,905 --> 00:01:49,175 BUT NOW IT SEEMS THEY'RE BACK. 41 00:01:49,242 --> 00:01:51,578 NOVEMBER 2017. 42 00:01:51,644 --> 00:01:54,981 AUTHORITIES RELEASE THIS FOOTAGE OF A DEAD BODY -- 43 00:01:55,048 --> 00:01:58,651 THE BODY, IT APPEARS, OF A SMALL DINOSAUR. 44 00:01:58,718 --> 00:02:00,220 IT'S JUST FREAKY. 45 00:02:00,286 --> 00:02:03,289 IT LOOKS LIKE THE DESICCATED REMAINS OF A T-REX, 46 00:02:03,356 --> 00:02:05,291 EXCEPT THAT IT'S A LOT SMALLER. 47 00:02:05,358 --> 00:02:07,494 Narrator: THIS IS NO JURASSIC FOSSIL. 48 00:02:07,560 --> 00:02:09,829 THIS CREATURE RECENTLY DIED. 49 00:02:09,896 --> 00:02:13,466 AND WHERE THERE IS ONE, THERE ARE BOUND TO BE OTHERS. 50 00:02:13,533 --> 00:02:18,938 MAYBE WE'RE SEEING A LEFTOVER FROM THE AGE OF DINOSAURS. 51 00:02:19,005 --> 00:02:22,442 COULD DINOSAURS BE HIDING OUT IN THE JUNGLES OF INDIA? 52 00:02:22,509 --> 00:02:29,349 {\an8}♪♪ 53 00:02:29,415 --> 00:02:31,918 Narrator: NOVEMBER 2017. 54 00:02:31,985 --> 00:02:34,487 THE INDIAN HIMALAYAS. 55 00:02:34,554 --> 00:02:35,922 IN THIS VAST, FORBIDDING, 56 00:02:35,989 --> 00:02:39,726 230,000-SQUARE-MILE MOUNTAIN WILDERNESS, 57 00:02:39,792 --> 00:02:44,097 ALL KINDS OF CREATURES ROAM UNNOTICED AND UNMOLESTED... 58 00:02:44,164 --> 00:02:46,699 FROM ASIAN BLACK BEARS AND RED PANDAS 59 00:02:46,766 --> 00:02:49,269 TO SNOW LEOPARDS. 60 00:02:49,335 --> 00:02:51,538 BUT WHEN THE AUTHORITIES DECIDED TO REOPEN 61 00:02:51,604 --> 00:02:55,074 AN ABANDONED POWER STATION IN THE MOUNTAIN FOOTHILLS, 62 00:02:55,141 --> 00:02:58,144 THEY DISCOVERED SOMETHING TRULY INCREDIBLE. 63 00:03:11,691 --> 00:03:14,527 Hyde: IN THE VIDEO, YOU'RE SEEING A COUPLE OF INDIAN OFFICIALS, 64 00:03:14,594 --> 00:03:17,397 AND ON THE DESK IS WHAT LOOKS LIKE 65 00:03:17,463 --> 00:03:19,432 THE DESICCATED REMAINS OF A T-REX, 66 00:03:19,499 --> 00:03:21,301 EXCEPT THAT IT'S A LOT SMALLER. 67 00:03:33,446 --> 00:03:36,516 {\an8}THIS THING SHOULD HAVE BEEN EXTINCT FOR 65 MILLION YEARS, 68 00:03:36,583 --> 00:03:39,185 {\an8}BUT IT LOOKS LIKE IT JUST DIED. 69 00:03:39,252 --> 00:03:41,854 {\an8}I'M NO STRANGER TO SEEING DINOSAUR REMAINS 70 00:03:41,921 --> 00:03:43,289 {\an8}OR DINOSAUR FOSSILS, 71 00:03:43,356 --> 00:03:45,992 {\an8}BUT IT'S STILL GOT ITS SKIN ON IT. 72 00:03:46,059 --> 00:03:50,797 {\an8}♪♪ 73 00:03:50,863 --> 00:03:52,999 Narrator: DINOSAURS LIKE THIS WERE WIPED OUT 74 00:03:53,066 --> 00:03:55,501 65 MILLION YEARS AGO 75 00:03:55,568 --> 00:03:57,403 WHEN A MASSIVE ASTEROID STRUCK 76 00:03:57,470 --> 00:04:00,473 IN WHAT IS TODAY YUCATáN, MEXICO. 77 00:04:00,540 --> 00:04:02,976 BUT SCIENTISTS NOW KNOW THAT THE DINOSAURS 78 00:04:03,042 --> 00:04:05,311 WERE NOT COMPLETELY KILLED OFF. 79 00:04:05,378 --> 00:04:06,646 {\an8}WHEN WE THINK OF DINOSAURS, 80 00:04:06,713 --> 00:04:09,015 {\an8}WE THINK OF A BRONTOSAURUS, TYRANNOSAURUS REX, 81 00:04:09,082 --> 00:04:10,984 {\an8}THESE CREATURES THAT WERE MASSIVE 82 00:04:11,050 --> 00:04:13,720 AND RULED THE EARTH AND ARE NOW EXTINCT. 83 00:04:13,786 --> 00:04:17,423 HOWEVER, THE DINOSAURS DID NOT GO EXTINCT. 84 00:04:17,490 --> 00:04:20,627 IN FACT, THEY HAVE CONTINUED AS A VERY SUCCESSFUL GROUP 85 00:04:20,693 --> 00:04:22,195 IN THE FORM OF BIRDS. 86 00:04:22,262 --> 00:04:27,100 BIRDS ARE FLAT-OUT, STRAIGHT-UP DINOSAURS. 87 00:04:27,166 --> 00:04:29,235 Narrator: BUT THE DISCOVERY OF WHAT APPEARS TO BE 88 00:04:29,302 --> 00:04:32,972 A RECENTLY LIVING DINOSAUR BABY WITH SKIN 89 00:04:33,039 --> 00:04:35,775 SUGGESTS THAT BIRDS AREN'T THE ONLY DINOSAURS 90 00:04:35,842 --> 00:04:38,745 TO HAVE ESCAPED EXTINCTION. 91 00:04:38,811 --> 00:04:41,381 WE ARE TO CONSIDER THE POSSIBILITY 92 00:04:41,447 --> 00:04:44,784 THAT THIS IS SOMEHOW A RELIC OF THE DINOSAUR AGE 93 00:04:44,851 --> 00:04:47,954 THAT MANAGED TO SURVIVE TO MODERN TIMES. 94 00:04:48,021 --> 00:04:50,256 Narrator: A VALLEY NEAR WHERE THIS BODY WAS FOUND 95 00:04:50,323 --> 00:04:52,792 IS KNOWN AS INDIA'S BERMUDA TRIANGLE 96 00:04:52,859 --> 00:04:56,262 BECAUSE SO MANY TOURISTS GO MISSING HERE WITHOUT TRACE. 97 00:04:56,329 --> 00:04:58,064 COULD SOMETHING UNKNOWN TO SCIENCE 98 00:04:58,131 --> 00:05:00,600 BE BEHIND THESE DISAPPEARANCES? 99 00:05:00,667 --> 00:05:04,570 {\an8}♪♪ 100 00:05:04,637 --> 00:05:07,473 SCIENCE WRITER JAYDE LOVELL LOOKS INTO ACCOUNTS 101 00:05:07,540 --> 00:05:09,876 OF OTHER MODERN-DAY DINOSAUR-LIKE CREATURES 102 00:05:09,942 --> 00:05:12,945 ACROSS THE GLOBE. 103 00:05:13,012 --> 00:05:15,548 Lovell: THERE HAVE BEEN REPORTED SIGHTINGS OF DINOSAURS 104 00:05:15,615 --> 00:05:17,250 ALL THE WAY UP UNTIL PRESENT DAY. 105 00:05:17,317 --> 00:05:21,020 RECORDS SHOW THAT EVEN RECENTLY, THERE WAS A REPORTED 106 00:05:21,087 --> 00:05:25,158 DINOSAUR SIGHTING IN THE CONGO RIVER BASIN IN AFRICA. 107 00:05:25,224 --> 00:05:29,429 REPORTS OF A LARGE SAUROPOD, WHICH IS LIKE A BRONTOSAURUS, 108 00:05:29,495 --> 00:05:31,264 HAVE BEEN COMING OUT OF THIS REMOTE REGION 109 00:05:31,331 --> 00:05:33,433 SINCE THE EARLY 20th CENTURY. 110 00:05:33,499 --> 00:05:36,569 BUT UNLIKE THE BRONTOSAURUS, IT DOESN'T EAT JUST PLANTS. 111 00:05:36,636 --> 00:05:40,039 THIS ONE ALSO EATS ANIMALS AND EVEN PEOPLE, THEY SAY. 112 00:05:40,106 --> 00:05:43,009 Narrator: BIOLOGISTS CONSIDER THESE REPORTS SO CREDIBLE 113 00:05:43,076 --> 00:05:44,911 THAT EXPEDITIONS HAVE BEEN LAUNCHED 114 00:05:44,977 --> 00:05:48,314 IN AN EFFORT TO FIND AND CAPTURE THE BEAST. 115 00:05:48,381 --> 00:05:50,516 EVEN THOUGH EXPLORERS SAY THEY'VE SEEN IT, 116 00:05:50,583 --> 00:05:52,852 THEY'VE NEVER BEEN ABLE TO BRING BACK PROOF. 117 00:05:52,919 --> 00:05:56,489 EVEN SWEEPS OF SATELLITE IMAGING HAVE FOUND NO EVIDENCE 118 00:05:56,556 --> 00:05:58,591 THAT A CREATURE LIKE THIS EXISTS. 119 00:05:58,658 --> 00:06:00,760 Narrator: REPORTED SIGHTINGS OF DINOSAURS 120 00:06:00,827 --> 00:06:02,228 IN THE CONGO RIVER BASIN'S 121 00:06:02,295 --> 00:06:05,164 1.5 MILLION SQUARE MILES OF JUNGLE 122 00:06:05,231 --> 00:06:08,568 REMAIN UNSUBSTANTIATED. 123 00:06:08,634 --> 00:06:10,937 BUT IN THE FOOTHILLS OF THE HIMALAYAS, 124 00:06:11,003 --> 00:06:13,673 THE EXISTENCE OF THIS DINOSAUR-LIKE CREATURE 125 00:06:13,740 --> 00:06:16,175 IS BEYOND DISPUTE. 126 00:06:16,242 --> 00:06:18,244 IT'S ABOUT THE SIZE OF A HOUSE CAT, 127 00:06:18,311 --> 00:06:20,313 SO IT'S POSSIBLE THAT A CREATURE OF THIS SIZE 128 00:06:20,380 --> 00:06:23,282 COULD HAVE BEEN HIDING OUT WITHOUT BEING DISCOVERED, 129 00:06:23,349 --> 00:06:25,985 BUT THE QUESTION IS -- WHAT IS IT? 130 00:06:26,052 --> 00:06:31,657 {\an8}♪♪ 131 00:06:31,724 --> 00:06:34,494 Narrator: LOVELL HAS DIFFICULTY IDENTIFYING WHAT SPECIES 132 00:06:34,560 --> 00:06:36,763 OF DINOSAUR THIS MIGHT BE. 133 00:06:36,829 --> 00:06:39,031 BUT THAT'S NO SURPRISE. 134 00:06:39,098 --> 00:06:41,167 DINOSAURS IN THIS PART OF THE WORLD 135 00:06:41,234 --> 00:06:45,938 DID NOT RESEMBLE THE TYPES WE KNOW FROM BOOKS AND MOVIES. 136 00:06:46,005 --> 00:06:48,741 THAT'S BECAUSE 120 MILLION YEARS AGO, 137 00:06:48,808 --> 00:06:51,277 THE INDIA AND MADAGASCAR LANDMASS 138 00:06:51,344 --> 00:06:54,647 SPLIT FROM PLANET EARTH'S MAIN CONTINENT, GONDWANA, 139 00:06:54,714 --> 00:06:57,383 AND BECAME EFFECTIVELY SEALED OFF. 140 00:06:57,450 --> 00:07:00,119 BECAUSE INDIA AND MADAGASCAR WERE ISOLATED 141 00:07:00,186 --> 00:07:02,255 FROM THE REST OF THE WORLD DURING THAT ERA, 142 00:07:02,321 --> 00:07:03,790 THE DINOSAURS THAT LIVED THERE 143 00:07:03,856 --> 00:07:06,993 EVOLVED IN DIFFERENT WAYS FROM OTHER DINOSAURS. 144 00:07:07,059 --> 00:07:08,761 Narrator: DIFFERENT KINDS OF DINOSAURS 145 00:07:08,828 --> 00:07:11,731 EVOLVED WITH DIFFERENT SURVIVAL STRATEGIES 146 00:07:11,798 --> 00:07:14,233 AND DIFFERENT-LOOKING BABIES. 147 00:07:14,300 --> 00:07:16,202 THE KING OF THE JUNGLE WASN'T T-REX. 148 00:07:16,269 --> 00:07:18,538 IT WAS THE RAJASAURUS, WHICH WAS FATTER 149 00:07:18,604 --> 00:07:20,540 AND A LITTLE BIT WEIRDER-LOOKING THAN T-REX. 150 00:07:20,606 --> 00:07:23,543 AND IT GOT UP TO 6,000 POUNDS. 151 00:07:23,609 --> 00:07:26,179 AND IT'S POSSIBLE THAT THIS REMOTE AREA OF INDIA 152 00:07:26,245 --> 00:07:27,980 HAS CAUSED A CREATURE TO EVOLVE 153 00:07:28,047 --> 00:07:31,484 THAT'S UNLIKE ANYTHING WE'VE EVER SEEN. 154 00:07:31,551 --> 00:07:33,453 Narrator: WHEN BIOLOGIST DANNI WASHINGTON 155 00:07:33,519 --> 00:07:37,156 CHECKS DINOSAUR FOSSIL RECORDS FOR INDIA AND MADAGASCAR, 156 00:07:37,223 --> 00:07:39,392 SHE FINDS A POSSIBLE MATCH 157 00:07:39,459 --> 00:07:42,895 FOR THE CREATURE FOUND RECENTLY IN THE HIMALAYAS. 158 00:07:42,962 --> 00:07:45,865 THERE WAS ONE SMALL DINOSAUR THAT WAS UNEARTHED IN MADAGASCAR 159 00:07:45,932 --> 00:07:47,733 CALLED A MASIAKASAURUS. 160 00:07:47,800 --> 00:07:50,336 IT'S A SMALL CARNIVORE SIMILAR TO A VELOCIRAPTOR, 161 00:07:50,403 --> 00:07:52,538 WITH SIMILAR SKULL AND BODY. 162 00:07:52,605 --> 00:07:56,175 Narrator: ITS NAME, MASIAKASAURUS, MEANS "VICIOUS LIZARD," 163 00:07:56,242 --> 00:08:01,380 AND IT'S KNOWN TO HAVE ROAMED MADAGASCAR 80 MILLION YEARS AGO. 164 00:08:01,447 --> 00:08:03,783 BIOLOGISTS KNOW THAT IT WAS A HUNTER-KILLER 165 00:08:03,850 --> 00:08:06,819 BECAUSE OF ITS FORWARD-PROJECTING FRONT TEETH, 166 00:08:06,886 --> 00:08:09,088 BUT IN THE CORPSE RECENTLY DISCOVERED, 167 00:08:09,155 --> 00:08:10,790 THE FANGS ARE MISSING. 168 00:08:10,857 --> 00:08:12,258 THE ONLY SIGNIFICANT DIFFERENCE 169 00:08:12,325 --> 00:08:15,194 IS THE MASIAKASAURUS HAD HETERODONT TEETH, 170 00:08:15,261 --> 00:08:16,596 MEANING VAMPIRE FANGS. 171 00:08:16,662 --> 00:08:19,699 Narrator: SOME BIOLOGISTS, LIKE STACY RAMKISSOON, 172 00:08:19,765 --> 00:08:24,270 REFUSE TO BELIEVE THAT THIS COULD BE A MASIAKASAURUS. 173 00:08:24,337 --> 00:08:26,506 MASIAKASAURUS DISAPPEARED FROM THE FOSSIL RECORD 174 00:08:26,572 --> 00:08:30,076 70 MILLION YEARS AGO, SO IF THEY WERE STILL ALIVE, 175 00:08:30,142 --> 00:08:32,144 WE WOULD HAVE SEEN A SKELETON BY NOW. 176 00:08:32,211 --> 00:08:34,313 {\an8}SO THIS DEFINITELY CAN'T BE THEM. 177 00:08:34,380 --> 00:08:37,950 {\an8}♪♪ 178 00:08:38,017 --> 00:08:41,153 Narrator: AND YET, THE CREATURE IS UNDENIABLY HERE. 179 00:08:41,220 --> 00:08:43,956 LOVELL CONSIDERS IF THIS CREATURE COULD BE THE PRODUCT 180 00:08:44,023 --> 00:08:48,528 OF A SO-CALLED DE-EXTINCTION GENETIC EXPERIMENT. 181 00:08:48,594 --> 00:08:50,196 DE-EXTINCTION IS THE PROCESS 182 00:08:50,263 --> 00:08:54,767 OF TRYING TO CLONE EXTINCT ANIMALS BACK INTO LIFE. 183 00:08:54,834 --> 00:08:57,403 SO, THEORETICALLY, WE CAN BRING BACK CREATURES 184 00:08:57,470 --> 00:08:58,905 THAT HAVE GONE EXTINCT. 185 00:08:58,971 --> 00:09:01,807 IF WE HAVE THEIR DNA, WE CAN THEN SPLICE THAT 186 00:09:01,874 --> 00:09:04,277 INTO AN ANIMAL THAT'S A NEAR RELATIVE 187 00:09:04,343 --> 00:09:08,047 {\an8}AND BRING THAT SPECIES, AS IT WERE, BACK TO LIFE. 188 00:09:08,114 --> 00:09:09,849 SO OUR GREATEST HOPE IS THAT AT SOME POINT, 189 00:09:09,916 --> 00:09:13,019 WE WILL BE ABLE TO BRING BACK THE WOOLLY MAMMOTH. 190 00:09:13,085 --> 00:09:14,820 Narrator: SCIENTISTS BELIEVE THEY WILL BRING 191 00:09:14,887 --> 00:09:18,190 THE WOOLLY MAMMOTH BACK TO LIFE BY 2020. 192 00:09:18,257 --> 00:09:19,692 THEY'RE ALSO CURRENTLY WORKING 193 00:09:19,759 --> 00:09:23,229 ON THE DE-EXTINCTION OF A GIANT TORTOISE. 194 00:09:23,296 --> 00:09:25,164 BUT THE DE-EXTINCTION OF DINOSAURS 195 00:09:25,231 --> 00:09:29,569 REMAINS A CONTROVERSIAL AREA, WITH NO REPORTED SUCCESS. 196 00:09:29,635 --> 00:09:33,906 PEOPLE HAVE BEEN TRYING TO CLONE DINOSAURS FOR DECADES. 197 00:09:33,973 --> 00:09:36,475 Narrator: THE MAIN CHALLENGE IN CLONING A DINOSAUR 198 00:09:36,542 --> 00:09:39,879 IS TO FIND DNA OF SUFFICIENTLY HIGH QUALITY. 199 00:09:39,946 --> 00:09:42,548 AS DEAD DINOSAURS TURN INTO FOSSILS, 200 00:09:42,615 --> 00:09:45,017 ORGANIC MATTER TURNS INTO MINERALS, 201 00:09:45,084 --> 00:09:47,753 DESTROYING MOST DNA AS IT DOES. 202 00:09:47,820 --> 00:09:50,523 BUT SOME DNA CAN SURVIVE. 203 00:09:50,590 --> 00:09:52,792 IN SEPTEMBER 2014, 204 00:09:52,858 --> 00:09:56,329 SCIENTISTS IN MONTANA MADE A DRAMATIC BREAKTHROUGH 205 00:09:56,395 --> 00:10:00,099 WHEN THEY UNEARTHED A T-REX THAT WAS PREGNANT WHEN SHE DIED. 206 00:10:00,166 --> 00:10:03,336 THE REMAINS INCLUDE A WELL-PRESERVED MEDULLARY BONE, 207 00:10:03,402 --> 00:10:06,973 WHICH APPEARS ONLY IN PREGNANT CREATURES THAT LAY EGGS. 208 00:10:07,039 --> 00:10:10,509 SO, IF A MEDULLARY BONE IS FOUND IN A PREGNANT FEMALE DINOSAUR, 209 00:10:10,576 --> 00:10:12,578 THIS IS A GREAT SOURCE OF DNA. 210 00:10:12,645 --> 00:10:14,981 Narrator: THE MEDULLARY BONE CONTAINS A RESERVOIR 211 00:10:15,047 --> 00:10:17,350 FULL OF DNA-RICH CALCIUM, 212 00:10:17,416 --> 00:10:20,286 USED IN THE PRODUCTION OF EGG SHELLS. 213 00:10:20,353 --> 00:10:23,389 MANY SCIENTISTS ARE CONVINCED THAT IT'S NOT IF, 214 00:10:23,456 --> 00:10:27,460 BUT WHEN DINOSAURS ARE BROUGHT BACK FROM EXTINCTION. 215 00:10:27,526 --> 00:10:29,762 THE AREA WHERE THIS CREATURE WAS FOUND 216 00:10:29,829 --> 00:10:34,000 WAS ONCE HEAVILY POPULATED BY GIANT DINOSAURS. 217 00:10:34,066 --> 00:10:36,769 THERE ARE PLENTY OF PLACES TO FIND DINOSAUR FOSSILS IN INDIA. 218 00:10:36,836 --> 00:10:40,806 THE STATE OF GUJARAT IS KNOWN AS INDIA'S JURASSIC PARK. 219 00:10:40,873 --> 00:10:43,876 SO IF INDIAN SCIENTISTS FOUND A PREGNANT DEAD DINOSAUR, 220 00:10:43,943 --> 00:10:45,778 WOULD THEY BE ABLE TO CLONE THE SAME DINOSAUR 221 00:10:45,845 --> 00:10:48,080 WE SEE IN THIS FOOTAGE? 222 00:10:48,147 --> 00:10:51,684 {\an8}♪♪ 223 00:10:51,751 --> 00:10:54,987 Narrator: COMING UP, A WEIRD AND DEADLY UNDERSEA MONSTER 224 00:10:55,054 --> 00:10:58,591 IS SIGHTED, AND IT'S STARTING TO EMERGE FROM THE WATER. 225 00:10:58,658 --> 00:11:01,827 IT'S THE SELF-FULFILLING PROPHECY. THE NAME GODZILLA. 226 00:11:01,894 --> 00:11:04,630 {\an8}♪♪ 227 00:11:04,697 --> 00:11:06,399 Narrator: THE GHOSTLY FIGURE OF A WOMAN 228 00:11:06,465 --> 00:11:08,501 APPEARS ON A SECURITY MONITOR, 229 00:11:08,567 --> 00:11:12,271 BUT THE GUARDS WHO GO OUT TO CONFRONT HER CAN'T SEE HER. 230 00:11:12,338 --> 00:11:15,641 THEY ARE WALKING RIGHT PAST HER, OR, ACTUALLY, THROUGH HER. 231 00:11:15,708 --> 00:11:17,410 {\an8}♪♪ 232 00:11:17,476 --> 00:11:21,847 Narrator: AND HAS THIS CREATURE BEEN CLONED FROM DINOSAUR DNA? 233 00:11:21,914 --> 00:11:23,649 IF THIS HAS BEEN ALIVE RECENTLY, 234 00:11:23,716 --> 00:11:25,951 IT EITHER SURVIVED FOR 65 MILLION YEARS 235 00:11:26,018 --> 00:11:28,921 OR IT ESCAPED SOME TYPE OF LAB OR COMPOUND. 236 00:11:35,961 --> 00:11:38,431 Narrator: IN THE HIMALAYAS, LOCALS FIND A CREATURE 237 00:11:38,497 --> 00:11:40,933 THAT LOOKS LIKE A BABY T-REX. 238 00:11:41,000 --> 00:11:46,072 EXPERTS WANT TO KNOW IF IT'S 239 00:11:46,138 --> 00:11:49,275 AUTHOR TONY McMAHON CROSS-REFERENCES THE CREATURE 240 00:11:49,341 --> 00:11:51,544 WITH THE DINO FOSSIL RECORDS 241 00:11:51,610 --> 00:11:54,213 AND ASKS IF IT WAS CREATED IN A LAB. 242 00:11:54,280 --> 00:11:56,482 McMahon: SO, COULD WE LOOK AT "JURASSIC PARK" 243 00:11:56,549 --> 00:11:57,783 BECOMING A REALITY? 244 00:11:57,850 --> 00:12:00,553 {\an8}WE'RE IN THE EARLY DAYS OF DNA SPLICING, 245 00:12:00,619 --> 00:12:04,290 {\an8}SO COULD IT BE THAT A DINOSAUR HAS BEEN REVERSE ENGINEERED 246 00:12:04,356 --> 00:12:06,292 IN A SECRET LABORATORY SOMEWHERE? 247 00:12:06,358 --> 00:12:09,161 Narrator: AS BIOLOGIST DANNI WASHINGTON POINTS OUT, 248 00:12:09,228 --> 00:12:12,865 THE CHALLENGES FACING SCIENTISTS IN THIS AREA ARE FORMIDABLE. 249 00:12:12,932 --> 00:12:16,335 {\an8}WE DON'T HAVE ENOUGH DINO DNA TO RE-CREATE A DINOSAUR, 250 00:12:16,402 --> 00:12:21,307 AND WE DON'T HAVE THE COMPUTER TECHNOLOGY TO SEQUENCE THAT DNA. 251 00:12:21,373 --> 00:12:24,110 Narrator: WASHINGTON EXAMINES THE CREATURE'S SKULL. 252 00:12:24,176 --> 00:12:28,581 UNLIKE A DINOSAUR, IT DOES NOT HAVE MULTIPLE BONES IN ITS JAW. 253 00:12:28,647 --> 00:12:31,884 IT MIGHT INDEED BE TRACEABLE BACK TO THE JURASSIC PERIOD, 254 00:12:31,951 --> 00:12:35,187 BUT IT HAS SINCE FOLLOWED A DIFFERENT EVOLUTIONARY PATH. 255 00:12:35,254 --> 00:12:38,991 THIS INDICATES THAT THIS IS NOT A DINOSAUR. IT'S A MAMMAL. 256 00:12:39,058 --> 00:12:40,526 Narrator: BUT SCIENTISTS HAVE STRUGGLED 257 00:12:40,593 --> 00:12:43,629 TO FIND A MAMMALIAN CREATURE THAT LOOKS LIKE THIS. 258 00:12:43,696 --> 00:12:47,133 SOME HAVE SUGGESTED THESE MIGHT BE THE REMAINS OF A MUSTELID, 259 00:12:47,199 --> 00:12:49,735 BUT THERE IS NO OBVIOUS RESEMBLANCE. 260 00:12:49,802 --> 00:12:51,704 BUT WHATEVER THIS CREATURE IS, 261 00:12:51,771 --> 00:12:56,041 A NEW AGE OF THE DINOSAURS MAY SOON BE UPON US. 262 00:12:56,108 --> 00:12:59,812 Washington: WE DON'T HAVE ENOUGH DNA YET TO RE-CREATE A DINOSAUR, 263 00:12:59,879 --> 00:13:01,981 BUT WATCH THIS SPACE BECAUSE WE COULD DEVELOP 264 00:13:02,047 --> 00:13:03,949 SOMETHING REALLY COOL. 265 00:13:04,016 --> 00:13:11,023 {\an8}♪♪ 266 00:13:11,824 --> 00:13:15,494 Narrator: THE SKY OVER ALABAMA AND A SIGHTING AND RECORDING 267 00:13:15,561 --> 00:13:19,165 OF WHAT THE WITNESS FIRMLY BELIEVES IS GOD. 268 00:13:19,231 --> 00:13:21,100 WHAT THE HECK IS THAT? 269 00:13:21,167 --> 00:13:26,338 THERE'S ACTUALLY A PERSON WALKING ACROSS THE CLOUDS. 270 00:13:26,405 --> 00:13:29,575 HOLY MOLY. THIS IS IMPOSSIBLE. 271 00:13:29,642 --> 00:13:33,612 {\an8}IT LOOKS ALMOST MYSTICAL AND VERY UNREAL. 272 00:13:33,679 --> 00:13:36,081 {\an8}Narrator: A GIGANTIC FIGURE IN HUMAN FORM 273 00:13:36,148 --> 00:13:38,284 {\an8}MAYBE 100 FEET IN HEIGHT 274 00:13:38,350 --> 00:13:42,021 {\an8}APPEARS TO BE WALKING ON CLOUDS ACROSS THE SKY. 275 00:13:42,087 --> 00:13:45,825 LITERALLY, IT'S O-M-G -- OH, MY GOD. 276 00:13:45,891 --> 00:13:48,627 I FEEL LIKE I'M WITNESSING SOME KIND OF A MIRACLE. 277 00:13:48,694 --> 00:13:50,462 WHAT'S GOING ON HERE? 278 00:13:50,529 --> 00:13:55,668 {\an8}♪♪ 279 00:13:55,734 --> 00:14:00,906 Narrator: TUSCALOOSA, ALABAMA. JUNE 2018. 280 00:14:00,973 --> 00:14:05,744 WILD WEATHER KNOCKS OUT POWER ACROSS A WIDE AREA OF TOWN. 281 00:14:05,811 --> 00:14:10,015 KRYSTAL WASHINGTON STEPS OUT TO WATCH THE APPROACHING STORM. 282 00:14:10,082 --> 00:14:13,519 SHE POINTS HER CELLPHONE CAMERA AT THE TURBULENT SKY, 283 00:14:13,586 --> 00:14:16,388 AND AT THAT MOMENT, THE CLOUDS PART, 284 00:14:16,455 --> 00:14:19,124 AND SHE SEES SOMETHING SHE CANNOT EXPLAIN 285 00:14:19,191 --> 00:14:21,026 AND WILL NEVER FORGET. 286 00:14:21,093 --> 00:14:23,896 Krystal: TO ME, IT LOOKED LIKE TWO FIGURES WALKING IN THE CLOUDS. 287 00:14:23,963 --> 00:14:26,432 THE FIRST TIME THEY WALK, YOU SPIN OVER IN THE CORNER, 288 00:14:26,498 --> 00:14:29,602 AND THE SHADOW KIND OF FADES AS HE WALKS OFF. 289 00:14:29,668 --> 00:14:33,005 AND THEN RIGHT AFTER, THERE IS ANOTHER SHADOW. 290 00:14:33,072 --> 00:14:36,642 THEY'RE STANDING STRAIGHT UP. WHO WALKS RIGHT BEHIND. 291 00:14:36,709 --> 00:14:41,113 I DO BELIEVE IT TO BE SOME SPIRITUAL SIGN. 292 00:14:41,180 --> 00:14:44,783 I FELT OVERWHELMED. ALL I COULD DO WAS SCREAM. 293 00:14:44,850 --> 00:14:47,286 {\an8}♪♪ 294 00:14:47,353 --> 00:14:49,255 Narrator: THIS IMAGE OF A HUMANOID FIGURE 295 00:14:49,321 --> 00:14:53,025 WALKING THROUGH THE CLOUDS LEAVES EXPERTS STUNNED. 296 00:14:53,092 --> 00:14:54,793 {\an8}THIS IS TRULY MYSTERIOUS. 297 00:14:54,860 --> 00:14:56,695 {\an8}I AM AN EXPERT ON CLOUDS, 298 00:14:56,762 --> 00:14:58,998 AND WHEN I LOOK AT THIS, I'M RACKING MY BRAIN. 299 00:14:59,064 --> 00:15:02,234 I'M LOOKING AT THE VIDEO, AND IT LOOKS LIKE A STORM. 300 00:15:02,301 --> 00:15:05,971 THERE'S A CLEAR KIND OF LIGHT-PATCH AREA, 301 00:15:06,038 --> 00:15:08,073 {\an8}AND THEN ALL OF A SUDDEN -- BOOP, BOOP, BOOP -- 302 00:15:08,140 --> 00:15:11,243 {\an8}THERE'S A FIGURE WALKING ACROSS THE CLOUD. 303 00:15:11,310 --> 00:15:14,914 {\an8}♪♪ 304 00:15:14,980 --> 00:15:16,749 Narrator: SINCE HUMANS COULD THINK, 305 00:15:16,815 --> 00:15:21,053 THEY HAVE GIVEN THE SKIES AND THE COSMOS DIVINE MEANING. 306 00:15:21,120 --> 00:15:25,157 WE DESCEND INTO HELL, BUT OUR SOULS RISE UP INTO HEAVEN. 307 00:15:25,224 --> 00:15:26,792 AT THE END OF DAYS, 308 00:15:26,859 --> 00:15:30,195 THERE HAS BEEN PROPHESIZED A FINAL RISING UP. 309 00:15:30,262 --> 00:15:33,265 THEOLOGIANS CALL THIS THE RAPTURE. 310 00:15:33,332 --> 00:15:34,900 IF YOU'RE A RELIGIOUS PERSON, 311 00:15:34,967 --> 00:15:37,303 I THINK YOU'RE THINKING, "THIS IS THE END." 312 00:15:37,369 --> 00:15:40,506 THE RAPTURE IS COMING. O-M-G -- RIGHT THERE. 313 00:15:40,572 --> 00:15:43,676 {\an8}♪♪ 314 00:15:43,742 --> 00:15:46,512 Narrator: COMING UP, A REAL-LIFE CREATURE FROM THE DEEP 315 00:15:46,578 --> 00:15:48,781 CAPTURED OFF AMERICA'S WEST COAST. 316 00:15:48,847 --> 00:15:51,350 I'VE SEEN LOTS OF OTHER ANIMALS, SHARKS AND DIFFERENT THINGS 317 00:15:51,417 --> 00:15:53,953 AND WHALES, WASH UP, BUT I'VE NEVER SEEN A -- 318 00:15:54,019 --> 00:15:55,988 WHATEVER THIS THING WAS. 319 00:15:56,055 --> 00:15:58,290 {\an8}♪♪ 320 00:15:58,357 --> 00:16:01,393 Narrator: WHEN SHEDS GO BAD... 321 00:16:01,460 --> 00:16:03,662 {\an8}IT ALMOST LOOKS LIKE THERE'S SOME INVISIBLE FORCE 322 00:16:03,729 --> 00:16:07,232 {\an8}THAT'S LIFTED THIS SHED. 323 00:16:07,299 --> 00:16:12,371 Narrator: AND A VISION OF GOD OR A TERRIBLE PREMONITION? 324 00:16:12,438 --> 00:16:15,107 WE COULD BE LOOKING AT THE ONSET OF A TYRANNY 325 00:16:15,174 --> 00:16:17,576 THAT HUMANITY HAS NEVER SEEN BEFORE. 326 00:16:23,482 --> 00:16:25,951 {\an8}♪♪ 327 00:16:26,018 --> 00:16:27,886 Narrator: IN THE SKIES OVER ALABAMA, 328 00:16:27,953 --> 00:16:31,757 A GIANT FIGURE IS SEEN WALKING ACROSS THE CLOUDS. 329 00:16:31,824 --> 00:16:34,893 SUCH VISIONS HAVE BEEN RECORDED THROUGHOUT HISTORY 330 00:16:34,960 --> 00:16:37,129 BUT NEVER CAPTURED ON CAMERA. 331 00:16:37,196 --> 00:16:40,799 {\an8}♪♪ 332 00:16:40,866 --> 00:16:43,502 INVESTIGATORS LOOK FOR SOME OTHER EXPLANATION 333 00:16:43,569 --> 00:16:44,903 FOR THIS SIGHTING. 334 00:16:44,970 --> 00:16:47,639 GEOSCIENTIST SIAN PROCTOR WONDERS 335 00:16:47,706 --> 00:16:49,908 IF IT'S A RARELY SEEN PHENOMENON 336 00:16:49,975 --> 00:16:52,411 KNOWN AS THE SPECTRE OF THE BROCKEN. 337 00:16:52,478 --> 00:16:56,682 {\an8}SPECTRE OF THE BROCKEN OCCURS WHEN YOU HAVE A PERSON 338 00:16:56,749 --> 00:16:58,751 {\an8}THAT'S ON, LIKE, LET'S SAY A MOUNTAINTOP, 339 00:16:58,817 --> 00:17:01,320 AND THE SUN IS AT A LOW ANGLE BEHIND THEM. 340 00:17:01,387 --> 00:17:04,923 WELL, THE SUN'S RAYS IS GOING TO PRODUCE AN OUTLINE 341 00:17:04,990 --> 00:17:09,395 OR A SHADOW FIGURE OF THEM THAT WE SEE IN THE CLOUDS. 342 00:17:09,461 --> 00:17:11,630 Narrator: THE SPECTRE OF THE BROCKEN TAKES ITS NAME 343 00:17:11,697 --> 00:17:14,199 FROM THE BROCKEN PEAK IN CENTRAL GERMANY, 344 00:17:14,266 --> 00:17:18,504 WHERE THIS PHENOMENON WAS FIRST OBSERVED IN 1780. 345 00:17:18,570 --> 00:17:21,273 THE MOST FAMOUS EXAMPLE OF THE SPECTRE EFFECT 346 00:17:21,340 --> 00:17:24,443 IS ON ONE OF THE CAIRNGORMS MOUNTAINS IN SCOTLAND. 347 00:17:24,510 --> 00:17:28,280 WALKERS HAVE BEEN SO SCARED BY THEIR OWN SHADOW ON THE CLOUDS, 348 00:17:28,347 --> 00:17:31,984 THEY HAVE NAMED IT THE BIG GREY MAN OF BEN MacDHUI. 349 00:17:32,051 --> 00:17:35,554 PEOPLE ALSO REPORT SEEING THE SPECTRE WHEN FLYING. 350 00:17:35,621 --> 00:17:38,490 Proctor: YOU CAN SEE THE LITTLE IMAGE OF THE PLANE 351 00:17:38,557 --> 00:17:40,926 CAST ON THE CLOUDS BELOW YOU. 352 00:17:40,993 --> 00:17:43,362 AND A LOT OF TIMES, THE AIRPLANE IS SURROUNDED 353 00:17:43,429 --> 00:17:45,130 BY, LIKE, A HALO OF LIGHT. 354 00:17:45,197 --> 00:17:46,865 WELL, THAT'S A BROCKEN SPECTRE. 355 00:17:46,932 --> 00:17:49,635 Narrator: BUT WHEN ATMOSPHERIC SCIENTIST CHRIS WALCEK 356 00:17:49,701 --> 00:17:52,738 STUDIES THE FOOTAGE, HE DISMISSES THE IDEA 357 00:17:52,805 --> 00:17:55,541 THAT THIS IS A "SPECTRE OF THE BROCKEN" ILLUSION. 358 00:17:55,607 --> 00:17:56,942 Walcek: THIS VIDEO THAT WE'RE SEEING, 359 00:17:57,009 --> 00:17:58,744 IT'S VERY CLEAR THAT THE SUN 360 00:17:58,811 --> 00:18:01,280 {\an8}IS NOT BEHIND THE VIDEOGRAPHER'S BACK 361 00:18:01,346 --> 00:18:03,782 {\an8}AND YOU'RE NOT LOOKING AT THE SHADOW OF THE PERSON 362 00:18:03,849 --> 00:18:06,351 {\an8}TAKING THE VIDEO IN THE CLOUDY FIELD. 363 00:18:06,418 --> 00:18:09,421 SO THERE HAS TO BE SOME OTHER EXPLANATION OF THE OPTICS 364 00:18:09,488 --> 00:18:11,723 OF WHAT WE'RE SEEING GOING ON HERE. 365 00:18:11,790 --> 00:18:13,759 {\an8}♪♪ 366 00:18:13,826 --> 00:18:16,295 Narrator: WALCEK BELIEVES HE HAS A POSSIBLE EXPLANATION 367 00:18:16,361 --> 00:18:18,230 FOR THE DIVINE APPARITION. 368 00:18:18,297 --> 00:18:20,199 IN THIS PARTICULAR VIDEO, WHAT YOU'RE SEEING 369 00:18:20,265 --> 00:18:22,868 IS A LOWER-LEVEL CLOUD DECK THAT DON'T APPEAR TO BE MOVING 370 00:18:22,935 --> 00:18:24,903 TOO RAPIDLY, BUT HAS HOLES IN IT, 371 00:18:24,970 --> 00:18:28,073 AND THROUGH ONE OF THOSE OPEN AREAS IN THE LOWER CLOUD DECK, 372 00:18:28,140 --> 00:18:30,442 YOU CAN SEE HIGHER LEVELS OF CLOUDS 373 00:18:30,509 --> 00:18:32,678 THAT ARE MOVING IN A DIFFERENT DIRECTION. 374 00:18:32,744 --> 00:18:34,847 THIS IS AN INCREDIBLE COINCIDENCE 375 00:18:34,913 --> 00:18:37,149 OF TWO OR EVEN THREE LAYERS OF CLOUDS 376 00:18:37,216 --> 00:18:39,084 PROJECTING AN IMAGE THAT LOOKS LIKE 377 00:18:39,151 --> 00:18:41,320 THERE'S SOMETHING WALKING IN THE SKY. 378 00:18:41,386 --> 00:18:44,423 Narrator: BUT THE WOMAN WHO SHOT THE FOOTAGE, KRYSTAL WASHINGTON, 379 00:18:44,490 --> 00:18:46,959 REMAINS CONVINCED THAT THE FIGURE SHE SAW 380 00:18:47,025 --> 00:18:49,528 AND FILMED STRIDING ACROSS THE SKY 381 00:18:49,595 --> 00:18:51,563 IS MORE THAN A TRICK OF THE LIGHT. 382 00:18:51,630 --> 00:18:54,666 A LOT OF PEOPLE THINK THAT IT WAS SHOWN TO ME AS A SIGN. 383 00:18:54,733 --> 00:18:59,371 {\an8}♪♪ 384 00:18:59,438 --> 00:19:02,875 Narrator: NOW, BIZARRE KILLER CREATURES FROM THE DEEP 385 00:19:02,941 --> 00:19:05,944 COMING OUT OF THE SEA ONTO LAND. 386 00:19:06,011 --> 00:19:08,614 THERE'S SOME OF THEM THAT GET 40, 50 FEET LONG. 387 00:19:08,680 --> 00:19:11,350 Thurlow: EVERY PLACE WE SEEN THOSE CUCUMBER THINGS, 388 00:19:11,416 --> 00:19:15,187 THERE WASN'T NO FISH LEFT IN THE AREA, OR CRAB EVEN. 389 00:19:15,254 --> 00:19:16,989 SO NOBODY'S SEEN THESE THINGS BEFORE. 390 00:19:17,055 --> 00:19:19,992 WHAT ARE THEY? WHERE DO THEY COME FROM? 391 00:19:20,058 --> 00:19:21,793 Narrator: THE MYSTERIOUS GIANT BEAST 392 00:19:21,860 --> 00:19:24,396 NOW SEEMS TO BE REPLICATING ITSELF. 393 00:19:24,463 --> 00:19:26,098 SMALL CLONES OF THE CREATURE 394 00:19:26,165 --> 00:19:28,934 ARE STARTING TO APPEAR ON AMERICA'S BEACHES. 395 00:19:29,001 --> 00:19:31,103 Washington: IT'S ALMOST LIKE A SWARM OR AN INVASION. 396 00:19:31,170 --> 00:19:34,173 SO WE HAVE TO FIGURE OUT IF THEY'RE DANGEROUS TO HUMANS. 397 00:19:34,239 --> 00:19:35,574 Hovland: THIS IS CRAZY. 398 00:19:35,641 --> 00:19:38,510 THEY'RE COMING, AND I DON'T THINK WE'RE GONNA STOP THEM. 399 00:19:38,577 --> 00:19:43,782 {\an8}♪♪ 400 00:19:43,849 --> 00:19:45,284 Narrator: NEWPORT, OREGON. 401 00:19:45,350 --> 00:19:48,687 MOST LOCALS HERE DEPEND ON THE SEA FOR A LIVING. 402 00:19:48,754 --> 00:19:50,889 {\an8}♪♪ 403 00:19:50,956 --> 00:19:53,192 Gibson: I THINK THIS IS ONE OF THE MOST BEAUTIFUL COASTLINES 404 00:19:53,258 --> 00:19:54,693 IN THE WHOLE UNITED STATES. 405 00:19:54,760 --> 00:19:58,197 YOU CAN SEE WHALES FROM SOME OF THE HEADLANDS THIS TIME OF YEAR. 406 00:19:58,263 --> 00:20:00,799 IT'S A PRETTY NICE PLACE TO LIVE. 407 00:20:00,866 --> 00:20:03,402 {\an8}♪♪ 408 00:20:03,468 --> 00:20:05,737 Narrator: MAY 2017. 409 00:20:05,804 --> 00:20:07,372 LOCALS WALKING BY THE SEA 410 00:20:07,439 --> 00:20:10,876 FIND THOUSANDS OF TRANSLUCENT SINISTER-LOOKING PODS 411 00:20:10,943 --> 00:20:12,978 {\an8}ON THE BEACH. 412 00:20:13,045 --> 00:20:16,515 {\an8}THEY SEEM TO RUN FOR MILES ALONG THE SHORELINE. 413 00:20:16,582 --> 00:20:18,850 {\an8}THEY'RE ROUND, KIND OF LIKE CUCUMBERS. 414 00:20:18,917 --> 00:20:21,053 {\an8}SOME OF THEM ARE ONLY AS BIG AROUND AS MY LITTLE FINGER, 415 00:20:21,119 --> 00:20:24,122 {\an8}BUT OTHER ONES ARE, I MEAN, PRETTY BIG 416 00:20:24,189 --> 00:20:26,491 {\an8}AND A FOOT, FOOT AND A HALF LONG. 417 00:20:26,558 --> 00:20:29,061 AND THEY KIND OF GOT LITTLE BUMPS ON THEM. 418 00:20:29,127 --> 00:20:30,762 AND THEY'RE PINKISH-COLORED. 419 00:20:30,829 --> 00:20:32,831 THEY LOOK LIKE A PICKLE. 420 00:20:32,898 --> 00:20:34,900 AND THEY WERE REALLY KIND OF SQUISHY, 421 00:20:34,967 --> 00:20:36,134 AND IT FELT KIND OF WEIRD. 422 00:20:36,201 --> 00:20:37,636 {\an8}I SEEN LOTS OF OTHER ANIMALS, 423 00:20:37,703 --> 00:20:39,705 {\an8}SHARKS AND DIFFERENT THINGS, AND WHALES, WASH UP, 424 00:20:39,771 --> 00:20:42,708 {\an8}BUT I'VE NEVER SEEN A -- WHATEVER THIS THING WAS. 425 00:20:42,774 --> 00:20:44,676 Narrator: THE IDENTITY OF THESE CONE-SHAPED 426 00:20:44,743 --> 00:20:47,879 TRANSLUCENT OBJECTS CONFOUNDS EXPERTS, 427 00:20:47,946 --> 00:20:51,717 WHO CAN AGREE ON JUST ONE DETAIL -- THEY'RE ALIVE. 428 00:20:51,783 --> 00:20:54,386 IT'S DEFINITELY MORE ANIMAL THAN PLANT. 429 00:20:54,453 --> 00:20:56,622 JUST THE GELATINOUS QUALITY OF IT -- 430 00:20:56,688 --> 00:20:57,923 WHAT I WOULDN'T SEE IN A PLANT 431 00:20:57,990 --> 00:21:00,292 BUT I HAVE SEEN IN AQUATIC ORGANISMS. 432 00:21:00,359 --> 00:21:01,793 THIS IS AN ANIMAL. 433 00:21:01,860 --> 00:21:05,330 SO NOBODY'S SEEN THESE THINGS BEFORE, AND NOW ALL OF A SUDDEN, 434 00:21:05,397 --> 00:21:08,300 THEY'RE HERE IN SORT OF INVASION-FORCE NUMBERS. 435 00:21:08,367 --> 00:21:10,202 WHAT'S GOING ON? 436 00:21:10,269 --> 00:21:13,605 {\an8}♪♪ 437 00:21:13,672 --> 00:21:17,075 Narrator: DIVERS SET OUT TO TRACE THE ORIGIN OF THESE PODS. 438 00:21:17,142 --> 00:21:19,478 {\an8}WHAT THEY FIND LURKING IN THE SEA 439 00:21:19,544 --> 00:21:23,382 {\an8}IS LIKE SOMETHING FROM ANOTHER PLANET -- 440 00:21:23,448 --> 00:21:25,317 {\an8}A WRITHING, GLOWING CREATURE 441 00:21:25,384 --> 00:21:28,787 {\an8}STRETCHING INTO THE INKY BLACKNESS OF THE OCEAN. 442 00:21:28,854 --> 00:21:30,322 {\an8}♪♪ 443 00:21:30,389 --> 00:21:33,692 {\an8}A GAPING MOUTH, OR OPENING, AT ONE END. 444 00:21:33,759 --> 00:21:39,264 {\an8}A CREATURE WITH NO HEAD, NO EYES, NO DISCERNABLE ORGANS. 445 00:21:39,331 --> 00:21:42,167 {\an8}NOT ONE OF THEM, BUT MANY. 446 00:21:42,234 --> 00:21:44,703 {\an8}SOME OF THEM, THEY GET 40, 50 FEET LONG. 447 00:21:44,770 --> 00:21:47,939 {\an8}Narrator: THEY LOOK BENIGN AND HARMLESS, EVEN BEAUTIFUL, 448 00:21:48,006 --> 00:21:50,242 {\an8}BUT THESE WEIRD THINGS ARE DANGEROUS, 449 00:21:50,309 --> 00:21:53,412 {\an8}DESTROYING OTHER LIFE EVERYWHERE THEY APPEAR. 450 00:21:53,478 --> 00:21:56,148 {\an8}Thurlow: EVERY PLACE WE SEEN THOSE CUCUMBER THINGS, 451 00:21:56,214 --> 00:22:00,118 {\an8}THERE WASN'T NO FISH LEFT IN THE AREA, OR CRAB EVEN. 452 00:22:00,185 --> 00:22:02,487 {\an8}AS SOON AS YOU GOT INTO THE AREA WHERE THEY WAS, 453 00:22:02,554 --> 00:22:04,456 {\an8}IT WAS PRETTY MUCH A DEAD ZONE. 454 00:22:04,523 --> 00:22:06,091 {\an8}♪♪ 455 00:22:06,158 --> 00:22:07,492 {\an8}Narrator: THIS CREATURE FROM THE DEEP 456 00:22:07,559 --> 00:22:10,329 {\an8}IS SOMETHING MARINE BIOLOGIST DANNI WASHINGTON 457 00:22:10,395 --> 00:22:12,631 {\an8}HAS NEVER COME ACROSS IN ALL THE YEARS 458 00:22:12,698 --> 00:22:15,500 {\an8}SHE'S SPENT STUDYING OCEAN CREATURES. 459 00:22:15,567 --> 00:22:18,303 {\an8}MAYBE WHAT WE'RE SEEING ON THE WEST COAST IS A NEW SPECIES 460 00:22:18,370 --> 00:22:20,305 {\an8}THAT'S MUTATED FROM ANOTHER OCEAN DWELLER. 461 00:22:20,372 --> 00:22:22,441 {\an8}WHEN YOU SEE SOMETHING THIS WEIRD 462 00:22:22,507 --> 00:22:25,477 {\an8}THAT EVEN A LOT OF OCEAN BIOLOGISTS CAN'T IDENTIFY, 463 00:22:25,544 --> 00:22:29,047 {\an8}YOU HAVE TO ASK, IS THIS A NEW SPECIES? 464 00:22:29,114 --> 00:22:32,351 Narrator: BUT NEW SPECIES DON'T JUST APPEAR OUT OF NOWHERE. 465 00:22:32,417 --> 00:22:34,019 WHERE HAS IT COME FROM? 466 00:22:34,086 --> 00:22:36,288 INVESTIGATIVE JOURNALIST CHRIS O'BRIEN 467 00:22:36,355 --> 00:22:38,657 LOOKS TO SEE IF THIS DEADLY MONSTER 468 00:22:38,724 --> 00:22:41,059 IS THE RESULT OF SOME NUCLEAR ACCIDENT 469 00:22:41,126 --> 00:22:43,962 ON THE OTHER SIDE OF THE WORLD. 470 00:22:44,029 --> 00:22:46,698 O'Brien: ONE THEORY THAT YOU CANNOT ESCAPE IS THE FACT 471 00:22:46,765 --> 00:22:51,002 THAT FUKUSHIMA, THE ENVIRONMENTAL DISASTER 472 00:22:51,069 --> 00:22:53,939 THAT'S STILL GOING ON AFTER SEVEN YEARS IN JAPAN, 473 00:22:54,005 --> 00:22:59,911 MAY BE IMPACTING THE AQUATIC SEA LIFE IN THE PACIFIC OCEAN. 474 00:22:59,978 --> 00:23:03,582 Narrator: ON MARCH 11, 2011, A TSUNAMI STRIKES 475 00:23:03,648 --> 00:23:06,952 THE FUKUSHIMA NUCLEAR PLANT IN NORTHEASTERN JAPAN, 476 00:23:07,018 --> 00:23:10,355 CAUSING THREE REACTORS TO MELT DOWN. 477 00:23:10,422 --> 00:23:12,724 THIS EVENT RELEASES INTO THE PACIFIC OCEAN 478 00:23:12,791 --> 00:23:15,727 OVER 1,000 TIMES THE RADIATION THAT ESCAPED 479 00:23:15,794 --> 00:23:19,030 DURING THE NUCLEAR DISASTER AT CHERNOBYL. 480 00:23:19,097 --> 00:23:21,466 O'Brien: IT IS THE WORST ENVIRONMENTAL DISASTER 481 00:23:21,533 --> 00:23:24,469 IN THE HISTORY OF HUMANKIND. 482 00:23:24,536 --> 00:23:28,206 150 TONS OF HIGHLY RADIOACTIVE WATER 483 00:23:28,273 --> 00:23:30,175 {\an8}IS ESCAPING THE SITE 484 00:23:30,242 --> 00:23:34,112 {\an8}AND FLOWING INTO THE PACIFIC OCEAN EVERY DAY. 485 00:23:34,179 --> 00:23:37,482 Narrator: THE DISASTER RELEASES HIGH-ENERGY GAMMA RADIATION 486 00:23:37,549 --> 00:23:41,319 THAT CAN CAUSE SEVERE GENETIC MUTATIONS AND CANCER. 487 00:23:41,386 --> 00:23:44,322 IN MAY 2015, LOCALS PHOTOGRAPHED 488 00:23:44,389 --> 00:23:47,592 MUTATED DAISIES GROWING AS FAR AS 100 MILES 489 00:23:47,659 --> 00:23:50,362 FROM THE FUKUSHIMA PLANT. 490 00:23:50,429 --> 00:23:51,863 ACCORDING TO REPORTS, 491 00:23:51,930 --> 00:23:54,266 SEA LIFE HAS ALSO BEEN GENETICALLY ALTERED 492 00:23:54,332 --> 00:23:57,202 BY THE NUCLEAR RADIATION. 493 00:23:57,269 --> 00:24:01,706 WE'RE SEEING INCREDIBLE GENETIC DEFECTS IN SEA LIFE NOW. 494 00:24:01,773 --> 00:24:04,409 TWO-HEADED ORCAS ARE BEING REPORTED. 495 00:24:04,476 --> 00:24:07,913 WHALES AND SALMON WITH HUGE TUMORS. 496 00:24:07,979 --> 00:24:11,283 STARFISH WITH THEIR ARMS FALLING OFF. 497 00:24:11,349 --> 00:24:13,318 Narrator: COULD THESE SNAKE-LIKE SEA CREATURES 498 00:24:13,385 --> 00:24:17,355 SENDING THEIR SPAWN ONTO BEACHES BE MUTANT MONSTERS? 499 00:24:17,422 --> 00:24:23,328 {\an8}♪♪ 500 00:24:23,395 --> 00:24:26,164 COMING UP, SHE'S THERE BUT SHE ISN'T. 501 00:24:26,231 --> 00:24:28,366 CAMERAS CAPTURE A SPECTRAL ENCOUNTER 502 00:24:28,433 --> 00:24:30,335 AS SECURITY GUARDS' FLASHLIGHTS 503 00:24:30,402 --> 00:24:33,305 PASS RIGHT THROUGH THE GHOSTLY FIGURE OF A WOMAN. 504 00:24:33,371 --> 00:24:35,240 Fox: THEY SAY THAT SHE KILLED HER CHILDREN 505 00:24:35,307 --> 00:24:38,577 AND NOW SHE HAUNTS AND LOOKS FOR OTHER CHILDREN TO KILL. 506 00:24:40,212 --> 00:24:42,347 Narrator: HOLY FLYING SHEDS. 507 00:24:42,414 --> 00:24:44,716 A BUILDING MOVES FOR NO APPARENT REASON, 508 00:24:44,783 --> 00:24:46,551 ALMOST KILLING TWO MEN. 509 00:24:46,618 --> 00:24:47,886 IF I HAD BEEN ONE OF THOSE GUYS, 510 00:24:47,953 --> 00:24:51,857 I WOULD BE THANKING MY LUCKY STARS. 511 00:24:51,923 --> 00:24:53,992 Narrator: AND SCIENTISTS ASSESS THE THREAT 512 00:24:54,059 --> 00:24:56,595 POSED BY THE ALIEN SEA CREATURE. 513 00:24:56,661 --> 00:24:59,498 WE HAVE TO FIGURE OUT IF THEY'RE DANGEROUS TO HUMANS. 514 00:24:59,564 --> 00:25:02,400 SHOULD YOU TOUCH IT? SHOULD IT TOUCH YOU? 515 00:25:11,543 --> 00:25:13,712 Narrator: INVESTIGATIVE JOURNALIST CHRIS O'BRIEN 516 00:25:13,778 --> 00:25:16,181 SUSPECTS THE ALIEN SEA CREATURE 517 00:25:16,248 --> 00:25:18,617 KILLING SEA LIFE OFF THE COAST OF OREGON 518 00:25:18,683 --> 00:25:20,619 IS A TERRIFYING MUTANT 519 00:25:20,685 --> 00:25:23,788 CAUSED BY THE FUKUSHIMA NUCLEAR DISASTER. 520 00:25:23,855 --> 00:25:25,156 O'Brien: I THINK THIS IS THE BEGINNING 521 00:25:25,223 --> 00:25:29,060 {\an8}OF A VERY, VERY STARTLING AND TROUBLING PERIOD 522 00:25:29,127 --> 00:25:32,330 {\an8}FOR SEA LIFE ON THE PLANET, 523 00:25:32,397 --> 00:25:35,867 AND WE'RE GONNA BE SEEING MORE AND MORE OF THIS. 524 00:25:35,934 --> 00:25:38,103 Narrator: BUT WHEN MARINE BIOLOGIST DANNI WASHINGTON 525 00:25:38,169 --> 00:25:39,905 CHECKS OFFICIAL RECORDS, 526 00:25:39,971 --> 00:25:42,374 SHE'S NOT CONVINCED THAT THIS BIZARRE CREATURE 527 00:25:42,440 --> 00:25:44,776 IS A REAL-LIFE MUTANT SEA WORM. 528 00:25:44,843 --> 00:25:46,845 {\an8}♪♪ 529 00:25:46,912 --> 00:25:48,747 {\an8}Washington: IF THESE CREATES ARE CONTAMINATED 530 00:25:48,813 --> 00:25:50,448 {\an8}WITH NUCLEAR FALLOUT, THEN WE WOULD SEE 531 00:25:50,515 --> 00:25:53,118 {\an8}ELEVATED RADIATION LEVELS ALONG THE COAST. 532 00:25:53,184 --> 00:25:54,753 BUT THE MONITORING STATIONS 533 00:25:54,819 --> 00:25:57,722 SHOW THAT THE RADIATION LEVELS ARE WELL WITHIN SAFE LIMITS, 534 00:25:57,789 --> 00:25:59,624 WHICH LEADS ME TO BELIEVE THAT WE MIGHT BE LOOKING 535 00:25:59,691 --> 00:26:02,794 AT SOMETHING ALTOGETHER DIFFERENT. 536 00:26:02,861 --> 00:26:05,530 Narrator: WASHINGTON REVIEWS THE TESTIMONY OF FISHERMEN 537 00:26:05,597 --> 00:26:08,099 WHO HAVE SEEN THESE MONSTERS CLOSE UP. 538 00:26:08,166 --> 00:26:12,137 SHE NOTICES THAT THE CREATURE IS REPORTED TO GLOW. 539 00:26:12,203 --> 00:26:14,105 IT WAS REPORTED THAT THESE ORGANISMS GLOW BLUE 540 00:26:14,172 --> 00:26:15,574 WHEN THEY'RE DISTURBED. 541 00:26:15,640 --> 00:26:17,609 IN THE VIDEO, BECAUSE IT WAS DAYTIME 542 00:26:17,676 --> 00:26:19,477 AND STRAIGHT SUNLIGHT WAS SHINING, 543 00:26:19,544 --> 00:26:20,812 IT WAS HARD TO TELL. 544 00:26:20,879 --> 00:26:22,414 SO THEIR UNUSUAL SHAPE, 545 00:26:22,480 --> 00:26:24,950 THEIR HOLLOW BODY, THEIR BLUE GLOW, 546 00:26:25,016 --> 00:26:28,687 AND LACK OF ORGANS ALL INDICATE THIS IS A PYROSOME. 547 00:26:28,753 --> 00:26:29,955 {\an8}♪♪ 548 00:26:30,021 --> 00:26:32,157 Narrator: "PYROSOME" IS AN ANCIENT GREEK WORD 549 00:26:32,223 --> 00:26:34,059 MEANING "FIRE BODY." 550 00:26:34,125 --> 00:26:36,561 THIS CREATURE LIGHTS UP LIKE A TORCH, 551 00:26:36,628 --> 00:26:38,163 BUT WEIRDER THAN THAT, 552 00:26:38,229 --> 00:26:41,900 WASHINGTON BELIEVES THIS SEA MONSTER IS NOT ONE CREATURE, 553 00:26:41,967 --> 00:26:43,268 BUT MANY -- 554 00:26:43,335 --> 00:26:47,272 TINY CREATURES WHO COMBINE TO FORM ONE ENORMOUS BEAST. 555 00:26:47,339 --> 00:26:49,174 Washington: THEY CAN GROW TO BE EXTREMELY LARGE, 556 00:26:49,240 --> 00:26:50,842 UP TO 60 FEET LONG, 557 00:26:50,909 --> 00:26:54,846 WHICH IS ABOUT THE SAME SIZE AS A JUVENILE BLUE WHALE. 558 00:26:54,913 --> 00:26:56,114 THEY'RE JET-PROPELLED. 559 00:26:56,181 --> 00:26:57,882 THEY PULL WATER IN THROUGH THE SURFACE 560 00:26:57,949 --> 00:26:59,684 AND THEN SQUIRT IT OUT THE APERTURE 561 00:26:59,751 --> 00:27:02,053 AND MOVE THEMSELVES THROUGH THE WATER. 562 00:27:02,120 --> 00:27:04,422 Narrator: PYROSOMES ARE NORMALLY ONLY FOUND 563 00:27:04,489 --> 00:27:06,758 IN WARM, TROPICAL WATERS, 564 00:27:06,825 --> 00:27:10,128 BUT AN UNUSUAL WARM PATCH OF WATER IN THE PACIFIC, 565 00:27:10,195 --> 00:27:12,764 COUPLED WITH A STRONG EL NIÑO EVENT, 566 00:27:12,831 --> 00:27:14,065 ALLOWED THESE INVADERS 567 00:27:14,132 --> 00:27:17,736 TO MOVE FAR UP NORTH AND ONTO THE AMERICAN COAST, 568 00:27:17,802 --> 00:27:21,506 THREATENING TO CREATE HORRIFIC DEAD ZONES IN THE OCEAN. 569 00:27:21,573 --> 00:27:25,143 {\an8}PYROSOMES EAT THE FISH FRY. THE PLANKTON, THE LARVAL FISH. 570 00:27:25,210 --> 00:27:28,246 THEN THAT COULD REALLY DEVASTATE THE FISHING COMMUNITY. 571 00:27:28,313 --> 00:27:31,850 {\an8}♪♪ 572 00:27:31,916 --> 00:27:35,286 Narrator: NOW, IT'S A DEAD-CALM SUNNY DAY, 573 00:27:35,353 --> 00:27:39,057 AND TWO UNSUSPECTING WORKMEN STROLL PAST A BUILDING. 574 00:27:39,124 --> 00:27:40,925 SECONDS LATER... 575 00:27:43,595 --> 00:27:45,864 SHEDS DON'T FLY. 576 00:27:45,930 --> 00:27:48,466 FLIES THROUGH THE AIR AND CRASHES. 577 00:27:48,533 --> 00:27:52,871 THIS IS COMPLETELY CRAZY. IT'S TOTALLY UNEXPECTED. 578 00:27:52,937 --> 00:27:55,440 IT'S FORTUNATE THE SHED DIDN'T TAKE ANYBODY WITH IT. 579 00:27:55,507 --> 00:27:58,343 Narrator: THERE ARE NO STORMS OR HURRICANES IN THE AREA, 580 00:27:58,410 --> 00:28:00,245 SO WHAT LEVITATED THIS SHED 581 00:28:00,311 --> 00:28:02,914 AND DUMPED IT IN FRONT OF A SECURITY CAMERA? 582 00:28:02,981 --> 00:28:04,416 IT TAKES A LOT OF ENERGY TO LIFT 583 00:28:04,482 --> 00:28:06,551 A SEVERAL-HUNDRED-POUND SHED OFF THE GROUND. 584 00:28:06,618 --> 00:28:09,054 WHAT'S HAPPENING HERE THAT COULD ACTUALLY DO THAT? 585 00:28:09,120 --> 00:28:12,457 THIS REMINDS ME A LITTLE BIT OF DOROTHY IN "THE WIZARD OF OZ" 586 00:28:12,524 --> 00:28:16,961 STANDING THERE AND WATCHING EVERYTHING HOPELESSLY DISAPPEAR 587 00:28:17,028 --> 00:28:19,364 INTO THE SKY AROUND HER. 588 00:28:19,431 --> 00:28:24,235 {\an8}♪♪ 589 00:28:24,302 --> 00:28:27,238 Narrator: APRIL 27, 2013. 590 00:28:27,305 --> 00:28:31,042 A CALM SUNNY MORNING ON AN INDUSTRIAL SITE IN CHINA. 591 00:28:31,109 --> 00:28:34,212 {\an8}WE SEE A COUPLE OF GUYS WANDER THROUGH THE FRAME. 592 00:28:34,279 --> 00:28:38,450 {\an8}♪♪ 593 00:28:38,516 --> 00:28:42,220 AND THEN ALL OF A SUDDEN, A SHED IS LIFTED UP, 594 00:28:42,287 --> 00:28:46,691 FLIES THROUGH THE AIR, AND SMASHES INTO THE CAMERA. 595 00:28:46,758 --> 00:28:48,693 THOSE GUYS ARE SO LUCKY. 596 00:28:48,760 --> 00:28:51,262 {\an8}IT WOULD HAVE KILLED SOMEBODY, WITHOUT A DOUBT. 597 00:28:51,329 --> 00:28:53,498 {\an8}Durda: IT ALMOST LOOKS LIKE THERE'S SOME INVISIBLE FORCE 598 00:28:53,565 --> 00:28:56,000 {\an8}THAT'S LIFTING THIS SHED. 599 00:28:57,635 --> 00:28:59,838 {\an8}SO, THE TWO MAIN QUESTIONS ARE, NUMBER ONE, 600 00:28:59,904 --> 00:29:01,906 {\an8}WHAT COULD BE LIFTING THE SHED OFF THE GROUND? 601 00:29:01,973 --> 00:29:04,976 {\an8}AND, NUMBER TWO, WHY ISN'T IT DOING IT TO ANYTHING ELSE? 602 00:29:05,043 --> 00:29:07,846 {\an8}♪♪ 603 00:29:07,912 --> 00:29:09,914 Narrator: SCIENCE JOURNALIST DAVE FARINA 604 00:29:09,981 --> 00:29:11,716 STUDIES THE FOOTAGE FOR CLUES 605 00:29:11,783 --> 00:29:15,220 AS TO WHAT MIGHT HAVE SLUNG THIS SHED ACROSS A YARD... 606 00:29:15,286 --> 00:29:18,089 AND SPOTS A CRUCIAL DETAIL. 607 00:29:18,156 --> 00:29:21,059 LOOKING AROUND THE FRAME, WE DO SEE OBJECTS THAT LOOK LIKE 608 00:29:21,126 --> 00:29:25,196 THEY MIGHT BE, SAY, TANKS OF COMPRESSED GAS. 609 00:29:25,263 --> 00:29:28,266 AND THAT COULD HAVE SOMETHING TO DO WITH IT. 610 00:29:31,035 --> 00:29:32,937 Narrator: A RAPID LOSS OF PRESSURE 611 00:29:33,004 --> 00:29:36,975 CAN TURN A CYLINDER INTO A LETHAL WEAPON. 612 00:29:37,041 --> 00:29:39,344 IF YOU HAVE A SYSTEM OF HIGHLY PRESSURIZED GAS, 613 00:29:39,410 --> 00:29:42,147 THE HIGH PRESSURE IS THE RESULT OF PARTICLES OF GAS 614 00:29:42,213 --> 00:29:44,716 BEING PRESSED VERY, VERY CLOSE TOGETHER. 615 00:29:44,783 --> 00:29:46,551 AND IF THAT GAS IS RELEASED, 616 00:29:46,618 --> 00:29:49,354 SUCH THAT THE PARTICLES CAN SPREAD OUT VERY QUICKLY, 617 00:29:49,420 --> 00:29:53,591 THERE WILL BE A TREMENDOUS FORCE ASSOCIATED WITH THAT. 618 00:29:53,658 --> 00:29:56,494 Narrator: FARINA BELIEVES A SUDDEN EXPLOSIVE RELEASE 619 00:29:56,561 --> 00:30:00,865 OF A NON-FLAMMABLE GAS LIKE CARBON DIOXIDE OR NITROGEN 620 00:30:00,932 --> 00:30:03,368 THREW THE SHED ACROSS THIS PARKING LOT. 621 00:30:03,434 --> 00:30:05,837 Farina: A CANNISTER OF HIGHLY PRESSURIZED GAS 622 00:30:05,904 --> 00:30:08,840 EITHER VENTED GAS VERY QUICKLY TOWARDS THE ROOF OF THE SHED 623 00:30:08,907 --> 00:30:12,277 OR ITSELF BECAME A PROJECTILE, STRIKING THE ROOF OF THE SHED, 624 00:30:12,343 --> 00:30:14,345 CAUSING IT TO LIFT OFF. 625 00:30:14,412 --> 00:30:18,283 {\an8}♪♪ 626 00:30:18,349 --> 00:30:19,951 Narrator: THE FOOTAGE COMES TO THE ATTENTION 627 00:30:20,018 --> 00:30:23,221 OF ENGINEER AND EXPLOSIVES EXPERT MATT KUTCHER. 628 00:30:23,288 --> 00:30:24,923 HE HAS 20 YEARS' EXPERIENCE 629 00:30:24,989 --> 00:30:28,326 OF PYROTECHNICS ON MAJOR HOLLYWOOD MOVIES. 630 00:30:28,393 --> 00:30:31,663 HE DISPUTES THE "RUPTURING GAS BOTTLE" THEORY. 631 00:30:31,729 --> 00:30:35,767 CLEARLY, IN THE VIDEO, WE DON'T SEE ANY REMNANTS OF A CANNISTER. 632 00:30:35,834 --> 00:30:37,435 THERE'S JUST NO CANNISTER FLYING THROUGH THE VIDEO, 633 00:30:37,502 --> 00:30:39,404 NOTHING SPINNING AROUND. 634 00:30:39,470 --> 00:30:40,939 I THINK WHAT THIS TELLS US 635 00:30:41,005 --> 00:30:43,107 IS, CLEARLY, IT WASN'T A GAS CANNISTER. 636 00:30:43,174 --> 00:30:46,077 {\an8}♪♪ 637 00:30:46,144 --> 00:30:47,946 Narrator: IMAGE ANALYST CONOR McCOURT 638 00:30:48,012 --> 00:30:49,480 STUDIES THE FOOTAGE 639 00:30:49,547 --> 00:30:52,517 AND SEIZES UPON A DETAIL THAT MAY SOLVE THE MYSTERY 640 00:30:52,584 --> 00:30:55,286 OF WHAT LAUNCHED A SHED ACROSS A YARD. 641 00:30:55,353 --> 00:30:56,688 McCourt: ONE THING THAT WE NOTICE 642 00:30:56,754 --> 00:30:58,556 {\an8}JUST BEFORE THE SHED LIFTS INTO THE AIR 643 00:30:58,623 --> 00:31:01,526 {\an8}IS THAT THERE'S A SMOKY MIST THAT GOES ACROSS THE YARD. 644 00:31:01,593 --> 00:31:03,595 {\an8}WHAT IS IT? 645 00:31:09,467 --> 00:31:12,403 Narrator: COMING UP, A CCTV CONTROL ROOM 646 00:31:12,470 --> 00:31:15,540 PICKS UP A WOMAN STANDING IN A FACTORY YARD, 647 00:31:15,607 --> 00:31:19,043 BUT THE GUARDS SENT OUT TO INVESTIGATE CAN'T SEE HER. 648 00:31:19,110 --> 00:31:21,079 IT'S LIKE A VERY PECULIAR VERSION OF A GHOST 649 00:31:21,145 --> 00:31:24,115 PLAYING HIDE-AND-SEEK. 650 00:31:24,182 --> 00:31:26,150 Narrator: AND MATT KUTCHER FINDS OUT WHAT HAPPENS 651 00:31:26,217 --> 00:31:28,553 WHEN YOU MIX GAS AND A SHED. 652 00:31:28,620 --> 00:31:30,855 WE'VE DEVISED A SMALL LITTLE ELECTRIC-MATCH SYSTEM 653 00:31:30,922 --> 00:31:32,924 SO THAT WE KNOW EXACTLY WHEN IT'LL GO OFF. 654 00:31:32,991 --> 00:31:35,994 WHEN WE ACTIVATE IT, IT'LL LIGHT THE PROPANE, AND OFF WE GO. 655 00:31:40,265 --> 00:31:44,802 {\an8}♪♪ 656 00:31:44,869 --> 00:31:48,106 Narrator: A SHED IN CHINA MYSTERIOUSLY LIFTS INTO THE AIR 657 00:31:48,172 --> 00:31:50,174 BEFORE SMASHING DOWN. 658 00:31:50,241 --> 00:31:53,811 EXPLOSIVES EXPERT MATT KUTCHER BELIEVES THAT A SLOW GAS LEAK 659 00:31:53,878 --> 00:31:56,281 CAUSED THE SHED TO BECOME AIRBORNE. 660 00:31:56,347 --> 00:31:59,717 TO TEST HIS THEORY, HE SETS UP AN EXPERIMENT. 661 00:31:59,784 --> 00:32:01,586 Kutcher: IT COULD BE AN INDUSTRIAL TYPE OF YARD, 662 00:32:01,653 --> 00:32:04,155 SOMEPLACE PROPANE OR NATURAL GAS COULD BE ESCAPING. 663 00:32:04,222 --> 00:32:06,057 SO WHAT WE'RE LOOKING TO FIND OUT -- 664 00:32:06,124 --> 00:32:08,459 {\an8}COULD IT BE A BUILDUP OF SOME KIND OF NATURAL GAS OR PROPANE 665 00:32:08,526 --> 00:32:10,929 {\an8}THAT SLOWLY IGNITED OR WENT IN SUCH A WAY 666 00:32:10,995 --> 00:32:13,298 {\an8}THAT THE SHED JUST LEVITATED? 667 00:32:13,364 --> 00:32:15,033 SO, THE EXPERIMENT WE DESIGNED HERE TODAY 668 00:32:15,099 --> 00:32:18,770 IS A RELEASE OF PROPANE FILLING UP THE CHAMBER OF THE SHED 669 00:32:18,836 --> 00:32:21,472 AND THEN IGNITING IT, AND SEEING IF WE CAN GET IT TO LIFT 670 00:32:21,539 --> 00:32:24,575 SIMILAR TO WHAT WE SEE IN THE VIDEO. 671 00:32:24,642 --> 00:32:27,412 TO MOST PEOPLE, PROPANE IS GONNA SEEM LIKE IT BURNS REALLY FAST, 672 00:32:27,478 --> 00:32:29,347 LIKE IT EXPLODES QUICKLY. 673 00:32:29,414 --> 00:32:32,450 IT DOESN'T. HERE, THE GAS IS NOT UNDER PRESSURE. 674 00:32:32,517 --> 00:32:33,851 WE'RE JUST FILLING THE VESSEL, 675 00:32:33,918 --> 00:32:35,853 TRYING TO GET IT TO LIFT MORE LIKE A ROCKET -- 676 00:32:35,920 --> 00:32:38,189 NOT CONTAINING IT AND EXPLODING IT. 677 00:32:38,256 --> 00:32:39,724 SO WE WENT WITH THE PROPANE 678 00:32:39,791 --> 00:32:43,394 BECAUSE IT HAS THE GREATEST CHANCE OF LIFTING THE SHED. 679 00:32:43,461 --> 00:32:46,097 Narrator: KUTCHER AND HIS TEAM PUMP PROPANE INTO BAGS 680 00:32:46,164 --> 00:32:50,001 TO MIMIC THE EFFECT OF THE SHED SLOWLY FILLING WITH THE GAS. 681 00:32:50,068 --> 00:32:52,170 Kutcher: WE'RE NOT GONNA HAVE IT COMPLETELY COMPRESSED, 682 00:32:52,236 --> 00:32:53,972 BUT WE'RE GONNA REQUIRE SOME KIND OF TRIGGER 683 00:32:54,038 --> 00:32:55,974 SO THAT WE KNOW EXACTLY WHEN IT'LL GO OFF. 684 00:32:56,040 --> 00:32:58,476 SO WE'VE DEVISED A SMALL LITTLE ELECTRIC-MATCH SYSTEM. 685 00:32:58,543 --> 00:33:01,946 WHEN WE ACTIVATE IT, IT'LL LIGHT THE PROPANE, AND OFF WE GO. 686 00:33:02,013 --> 00:33:04,415 {\an8}♪♪ 687 00:33:04,482 --> 00:33:06,417 WE'RE READY TO GO! 688 00:33:06,484 --> 00:33:08,019 {\an8}♪♪ 689 00:33:08,086 --> 00:33:10,254 [ HISSING ] 690 00:33:10,321 --> 00:33:16,761 {\an8}♪♪ 691 00:33:16,828 --> 00:33:23,234 {\an8}♪♪ 692 00:33:23,301 --> 00:33:29,741 {\an8}♪♪ 693 00:33:29,807 --> 00:33:32,276 THE STRUCTURE IS NOT TOUGH ENOUGH TO STAY TOGETHER 694 00:33:32,343 --> 00:33:35,046 AND LAUNCH LIKE A ROCKET. 695 00:33:35,113 --> 00:33:38,082 I THINK IT'S A NEGATIVE THAT THIS WAS A PROPANE EXPLOSION. 696 00:33:38,149 --> 00:33:40,918 IT HAD TO BE SOMETHING ELSE THAT CAUSED IT TO LIFT INTO THE AIR. 697 00:33:40,985 --> 00:33:47,992 {\an8}♪♪ 698 00:33:49,527 --> 00:33:51,362 Narrator: SCIENCE WRITER KIKI SANFORD 699 00:33:51,429 --> 00:33:53,998 WONDERS IF THE SHED HAD BEEN DELIBERATELY LIFTED 700 00:33:54,065 --> 00:33:56,267 BEFORE BEING DROPPED FROM ABOVE. 701 00:33:56,334 --> 00:33:59,971 {\an8}MAYBE THE SHED IS BEING LIFTED FROM ABOVE, LIKE WITH A CRANE, 702 00:34:00,038 --> 00:34:02,306 {\an8}BUT SOMETHING HAS GONE HORRIBLY WRONG. 703 00:34:02,373 --> 00:34:05,410 WE CAN'T SEE THE TOP OF THE SHED IN THE VIDEO FRAME, 704 00:34:05,476 --> 00:34:08,913 SO IT'S POSSIBLE THAT IT COULD BE ATTACHED TO SOMETHING, 705 00:34:08,980 --> 00:34:11,282 LIKE A CRANE OR A CABLE. 706 00:34:11,349 --> 00:34:13,551 CHINA'S RECENT INDUSTRIAL EXPANSION 707 00:34:13,618 --> 00:34:16,521 HAS LED TO MORE INDUSTRIAL ACCIDENTS. 708 00:34:16,587 --> 00:34:19,023 Narrator: CHINA RANKS AS ONE OF THE MOST DANGEROUS PLACES 709 00:34:19,090 --> 00:34:20,491 ON EARTH TO WORK, 710 00:34:20,558 --> 00:34:25,630 WITH ALMOST 40,000 PEOPLE KILLED IN WORKPLACE ACCIDENTS IN 2017. 711 00:34:25,696 --> 00:34:26,898 COMPARED TO THE WEST, 712 00:34:26,964 --> 00:34:29,667 CRANE COLLAPSES ARE MORE COMMON IN CHINA. 713 00:34:29,734 --> 00:34:31,636 Sanford: CRANES CAN BE VERY DANGEROUS. 714 00:34:31,702 --> 00:34:33,004 THEY'RE BIG MACHINERY. 715 00:34:33,071 --> 00:34:37,075 AND YOU HAVE A POOR BALANCE ANYWHERE IN THE SITUATION, 716 00:34:37,141 --> 00:34:39,210 AN ACCIDENT CAN HAPPEN. 717 00:34:39,277 --> 00:34:43,214 IN 2017, A CRANE COLLAPSED, CRUSHING A VAN, 718 00:34:43,281 --> 00:34:47,385 KILLING SEVEN AND INJURING TWO OTHERS. 719 00:34:47,452 --> 00:34:50,154 Narrator: CONOR McCOURT WORKED AS A VIDEO IMAGE ANALYST 720 00:34:50,221 --> 00:34:51,989 FOR THE NEW YORK POLICE DEPARTMENT 721 00:34:52,056 --> 00:34:55,793 AND HAS OVER 20 YEARS' EXPERIENCE IN THE FIELD. 722 00:34:55,860 --> 00:34:57,829 IF THE CRANE THEORY IS TRUE, 723 00:34:57,895 --> 00:35:01,232 HE EXPECTS TO SEE ITS SHADOW CROSSING THE YARD. 724 00:35:01,299 --> 00:35:03,935 {\an8}WHEN I ZOOM IN ON THE YARD AREA HERE, 725 00:35:04,001 --> 00:35:07,839 {\an8}I'M NOT SEEING ANY INDICATION OF A SHADOW OF A BOOM FROM A CRANE. 726 00:35:07,905 --> 00:35:10,274 SOMETHING LIKE THAT, WE WOULD PROBABLY BE ABLE 727 00:35:10,341 --> 00:35:12,143 TO SEE IT IN THIS VIDEO. 728 00:35:12,210 --> 00:35:14,545 {\an8}♪♪ 729 00:35:14,612 --> 00:35:17,148 Narrator: COMING UP, HAVE SECURITY CAMERAS 730 00:35:17,215 --> 00:35:19,317 CAPTURED AN AZTEC GHOST? 731 00:35:19,383 --> 00:35:22,420 WHEN YOU KNOW THE STORY BEHIND THE WEEPING WOMAN, 732 00:35:22,487 --> 00:35:23,654 IT'S TERRIFYING THINKING 733 00:35:23,721 --> 00:35:26,124 THAT YOU COULD ACTUALLY BE RIGHT NEXT TO HER. 734 00:35:26,190 --> 00:35:29,594 Narrator: AND WHAT HAS CAUSED THIS SHED TO FLY? 735 00:35:29,660 --> 00:35:31,829 IS IT A DUST DEVIL? 736 00:35:38,169 --> 00:35:40,438 Narrator: EXPERTS ARE TRYING TO WORK OUT THE MYSTERY 737 00:35:40,505 --> 00:35:43,307 BEHIND THE FLYING SHED IN CHINA. 738 00:35:43,374 --> 00:35:47,545 PLANETARY SCIENTIST DAN DURDA LOOKS AGAIN AT THE STRANGE MIST 739 00:35:47,612 --> 00:35:51,215 THAT ROLLS OVER THE GROUND BEFORE THE SHED GOES AIRBORNE. 740 00:35:51,282 --> 00:35:53,384 Durda: THERE LOOKS TO BE SOME SORT OF A WEIRD SHIMMER. 741 00:35:53,451 --> 00:35:54,886 {\an8}IS IT LOOSE MATERIAL ON THE GROUND 742 00:35:54,952 --> 00:35:58,055 {\an8}THAT'S BEING STIRRED UP BY A DUST DEVIL? 743 00:35:58,122 --> 00:36:01,459 {\an8}Narrator: DUST DEVILS OCCUR IN BARREN DESERT ENVIRONMENTS. 744 00:36:01,526 --> 00:36:04,962 THESE WHIRLWINDS REACH WIDTHS OF SEVERAL HUNDRED FEET 745 00:36:05,029 --> 00:36:08,299 AND SPEEDS OF UP TO 75 MILES PER HOUR, 746 00:36:08,366 --> 00:36:11,035 THE EQUIVALENT OF A TORNADO. 747 00:36:11,102 --> 00:36:13,137 Durda: THEY'RE SOLAR-POWERED, BASICALLY. 748 00:36:13,204 --> 00:36:17,041 IT'S THE LOCALIZED HEATING OF THE GROUND THAT CAUSES UPDRAFTS. 749 00:36:17,108 --> 00:36:19,744 UPDRAFTS WILL DRAW IN AIR. 750 00:36:19,810 --> 00:36:21,379 THAT AIR, AS IT DRAWS IN, 751 00:36:21,445 --> 00:36:26,250 WILL CYCLE AND BEGIN A ROTATIONAL MOTION, 752 00:36:26,317 --> 00:36:29,153 ALMOST LIKE A LITTLE MINI TORNADO. 753 00:36:29,220 --> 00:36:31,355 Narrator: ACCORDING TO AVIATION REPORTS, 754 00:36:31,422 --> 00:36:32,924 DUST DEVILS HAVE BEEN CITED 755 00:36:32,990 --> 00:36:36,060 IN OVER 100 U.S. AIRCRAFT INCIDENTS, 756 00:36:36,127 --> 00:36:38,596 FIVE OF WHICH WERE FATAL. 757 00:36:38,663 --> 00:36:42,233 A VERY POWERFUL DUST DEVIL WOULD HAVE ENOUGH AERODYNAMIC FORCE 758 00:36:42,300 --> 00:36:43,801 TO LIFT THAT SHED OFF INTO THE AIR. 759 00:36:43,868 --> 00:36:45,603 IT'S, YOU KNOW, THE SHED VERSION 760 00:36:45,670 --> 00:36:49,040 OF DOROTHY'S HOUSE IN KANSAS, I SUPPOSE. 761 00:36:49,106 --> 00:36:51,375 Farina: SO, WHILE DUST DEVILS ARE PRETTY COMMON, 762 00:36:51,442 --> 00:36:53,110 {\an8}IT SEEMS THAT THIS FOOTAGE HAS CAPTURED 763 00:36:53,177 --> 00:36:54,779 {\an8}AN ESPECIALLY POWERFUL ONE, 764 00:36:54,845 --> 00:36:58,015 {\an8}WHICH JUST GOES TO SHOW YOU THAT NATURE CAN ALWAYS SURPRISE YOU. 765 00:36:58,082 --> 00:37:01,686 {\an8}♪♪ 766 00:37:01,752 --> 00:37:03,821 Narrator: NOW, A SECURITY CAMERA 767 00:37:03,888 --> 00:37:06,624 SPOTS A WOMAN STANDING IN A FACTORY YARD. 768 00:37:06,691 --> 00:37:08,492 GUARDS GO TO CONFRONT HER. 769 00:37:08,559 --> 00:37:10,561 [ SPEAKING INDISTINCTLY ] 770 00:37:10,628 --> 00:37:14,565 ON THE CAMERA, THE GUARDS AND THE WOMAN ARE CLEARLY VISIBLE, 771 00:37:14,632 --> 00:37:17,368 BUT THE GUARDS ON THE GROUND CANNOT SEE THE WOMAN 772 00:37:17,435 --> 00:37:20,571 WHO STANDS RIGHT IN FRONT OF THEM. 773 00:37:20,638 --> 00:37:22,373 Fox: WHEN I FIRST SAW THIS VIDEO, 774 00:37:22,440 --> 00:37:25,276 I ACTUALLY HAD THE HEEBIE-JEEBIES. 775 00:37:25,343 --> 00:37:27,345 Orzel: IT'S LIKE A VERY PECULIAR VERSION 776 00:37:27,411 --> 00:37:29,213 OF A GHOST PLAYING HIDE-AND-SEEK. 777 00:37:29,280 --> 00:37:31,749 IT'S VISIBLE ON THE CAMERA BUT NOT TO THE GUARDS 778 00:37:31,816 --> 00:37:34,652 WHO ARE WALKING AROUND IN THE CLIP. 779 00:37:34,719 --> 00:37:37,622 Narrator: SOME LOCALS BELIEVE THIS IS INDEED A GHOST -- 780 00:37:37,688 --> 00:37:40,291 A GHOST THEY CALL THE WEEPING WOMAN. 781 00:37:40,358 --> 00:37:41,692 {\an8}AFTER SHE LOST HER LOVER, 782 00:37:41,759 --> 00:37:43,227 {\an8}THEY SAY THAT SHE KILLED HER CHILDREN 783 00:37:43,294 --> 00:37:46,697 {\an8}AND NOW SHE HAUNTS AND LOOKS FOR OTHER CHILDREN TO KILL. 784 00:37:46,764 --> 00:37:50,868 {\an8}♪♪ 785 00:37:50,935 --> 00:37:53,037 Narrator: IN MEXICO, SURVEILLANCE CAMERAS 786 00:37:53,104 --> 00:37:57,074 KEEP A WATCHFUL EYE ON A FACTORY YARD. 787 00:37:57,141 --> 00:38:00,144 ONE CAMERA PICKS UP A FEMALE FIGURE. 788 00:38:00,211 --> 00:38:02,546 THE FACTORY SENDS OUT TWO SECURITY WORKERS 789 00:38:02,613 --> 00:38:04,749 TO ASK HER WHAT SHE'S DOING. 790 00:38:04,815 --> 00:38:06,417 Fox: IT ACTUALLY GAVE ME THE CHILLS, 791 00:38:06,484 --> 00:38:08,819 BECAUSE WE'RE WATCHING THIS WOMAN -- 792 00:38:08,886 --> 00:38:13,024 YOU CAN SEE HER LEGS AND HER DRESS, AND SHE'S KIND OF HOODED. 793 00:38:13,090 --> 00:38:15,259 Narrator: THE SECURITY TEAM WATCHING THE LIVE FEED 794 00:38:15,326 --> 00:38:17,061 CAN SEE THIS FIGURE, 795 00:38:17,128 --> 00:38:20,197 BUT THE GUARDS OUT IN THE YARD CLEARLY CAN'T. 796 00:38:20,264 --> 00:38:23,134 Orzel: THESE GUYS ARE WALKING AROUND, LOOKING FOR A PERSON. 797 00:38:23,200 --> 00:38:24,735 THEY DON'T SEE ANYTHING. 798 00:38:24,802 --> 00:38:27,738 {\an8}YOU CAN SEE THEM BACKING UP AND SHINING FLASHLIGHTS AROUND 799 00:38:27,805 --> 00:38:30,141 {\an8}AND LOOKING TO SEE ANYTHING, 800 00:38:30,207 --> 00:38:32,343 {\an8}AND THEY DON'T FIND ANYTHING THERE, 801 00:38:32,410 --> 00:38:34,378 {\an8}EVEN THOUGH THIS SHADOWY FIGURE 802 00:38:34,445 --> 00:38:36,547 IS VERY CLEARLY VISIBLE IN THE VIDEO. 803 00:38:36,614 --> 00:38:38,549 Narrator: COLLEAGUES WATCH IN AMAZEMENT 804 00:38:38,616 --> 00:38:40,618 AS THE TWO WORKERS SHINE A BEAM OF LIGHT 805 00:38:40,685 --> 00:38:42,620 THROUGH THE MYSTERIOUS FIGURE. 806 00:38:42,687 --> 00:38:45,656 AND THEN THINGS TAKE AN EVEN STRANGER TURN. 807 00:38:45,723 --> 00:38:49,126 THEY ARE WALKING RIGHT PAST HER, OR, ACTUALLY, THROUGH HER. 808 00:38:49,193 --> 00:38:51,929 Narrator: COULD THIS CCTV CAMERA BE PICKING UP SOMETHING 809 00:38:51,996 --> 00:38:55,099 THAT'S NOT VISIBLE TO THE NAKED EYE? 810 00:38:55,166 --> 00:38:58,336 Orzel: HOW CAN THE CAMERA BE SEEING THIS PERSON THERE 811 00:38:58,402 --> 00:39:00,871 WITHOUT THESE PEOPLE WHO ARE ON SCENE, 812 00:39:00,938 --> 00:39:03,607 RIGHT ON TOP OF HER, BEING ABLE TO SEE HER, AS WELL? 813 00:39:03,674 --> 00:39:06,811 WHAT COULD THE VIDEO POSSIBLY BE LOOKING AT? 814 00:39:06,877 --> 00:39:09,880 {\an8}♪♪ 815 00:39:09,947 --> 00:39:11,615 Narrator: FOLKLORIST MAILLE FOX 816 00:39:11,682 --> 00:39:15,820 UNDERSTANDS WHY LOCALS FIND THIS FOOTAGE SO TERRIFYING. 817 00:39:15,886 --> 00:39:17,822 IT GAVE ME THE CREEPS, THE WAY THAT THEY WERE 818 00:39:17,888 --> 00:39:21,092 WALKING THROUGH HER, AND THE WOMAN JUST STOOD THERE. 819 00:39:21,158 --> 00:39:23,794 IT KIND OF MAKES YOU THINK THAT MAYBE IT WAS A GHOST. 820 00:39:23,861 --> 00:39:26,364 LA LLORONA, OR THE WEEPING WOMAN, 821 00:39:26,430 --> 00:39:29,266 IS ONE OF THE MOST FAMOUS GHOSTS IN MEXICO, 822 00:39:29,333 --> 00:39:32,103 AND IT'S REPORTED ALL OVER THE COUNTRY. 823 00:39:32,169 --> 00:39:34,972 SOME SAY SHE'S THE SPURNED AZTEC MISTRESS 824 00:39:35,039 --> 00:39:39,176 OF CONQUISTADOR CORTéS WHO HE LEFT FOR A SPANISH WOMAN. 825 00:39:39,243 --> 00:39:40,411 {\an8}♪♪ 826 00:39:40,478 --> 00:39:41,746 Fox: AFTER SHE LOST HER LOVER, 827 00:39:41,812 --> 00:39:43,447 THEY SAY THAT SHE KILLED HER CHILDREN, 828 00:39:43,514 --> 00:39:47,151 AND NOW SHE HAUNTS AND LOOKS FOR OTHER CHILDREN TO KILL. 829 00:39:47,218 --> 00:39:49,420 WHEN YOU SEE THE WOMAN JUST STANDING THERE 830 00:39:49,487 --> 00:39:52,556 AND YOU KNOW THE STORY BEHIND THE WEEPING WOMAN, 831 00:39:52,623 --> 00:39:54,492 IT'S TERRIFYING THINKING 832 00:39:54,558 --> 00:39:56,894 THAT YOU COULD ACTUALLY BE RIGHT NEXT TO HER. 833 00:39:56,961 --> 00:40:00,698 Narrator: LA LLORONA HAS EVEN BEEN SPOTTED IN THE U.S.A. 834 00:40:00,765 --> 00:40:03,501 RECENT SIGHTINGS HAVE BEEN REPORTED OF A WAILING WOMAN 835 00:40:03,567 --> 00:40:06,971 BY A CANAL SITE IN PHOENIX, ARIZONA, 836 00:40:07,037 --> 00:40:10,374 AND ON A ROAD NEAR FRESNO, CALIFORNIA. 837 00:40:10,441 --> 00:40:13,778 BUT IS THIS THE FIRST TIME SHE'S APPEARED ON FILM? 838 00:40:13,844 --> 00:40:17,748 {\an8}♪♪ 839 00:40:17,815 --> 00:40:20,518 PHYSICIST CHAD ORZEL RETURNS TO THE FOOTAGE 840 00:40:20,584 --> 00:40:22,953 TO TRY AND FIND SOME OTHER EXPLANATION 841 00:40:23,020 --> 00:40:24,388 FOR WHAT'S HAPPENING. 842 00:40:24,455 --> 00:40:26,624 WHEN THE GUARDS WALK IN FRONT OF THE FIGURE, 843 00:40:26,690 --> 00:40:30,027 THEY BLOCK IT FROM THE CAMERA'S VISION. 844 00:40:30,094 --> 00:40:31,996 Orzel: SO WHATEVER'S GOING ON HERE, 845 00:40:32,062 --> 00:40:35,166 IT SEEMS LIKE THE FIGURE IS ACTUALLY IN THE SCENE 846 00:40:35,232 --> 00:40:37,334 AND IT'S NOT SOMETHING CLOSER TO THE CAMERA. 847 00:40:37,401 --> 00:40:39,703 IT'S GOT TO BE SOMETHING DOWN WHERE THEY ARE. 848 00:40:39,770 --> 00:40:41,572 BUT THEN YOU WOULD THINK THAT THEY WOULD SEE IT, 849 00:40:41,639 --> 00:40:43,040 WHICH IS VERY ODD. 850 00:40:43,107 --> 00:40:46,243 Narrator: ORZEL EXAMINES THE FOOTAGE MORE CLOSELY. 851 00:40:46,310 --> 00:40:48,045 {\an8}♪♪ 852 00:40:48,112 --> 00:40:51,415 WHEN THE FIRST SECURITY GUARD FLASHES HIS LIGHT, 853 00:40:51,482 --> 00:40:55,686 IT ILLUMINATES HIS COLLEAGUE'S FACE BUT NOT THE BLACK FIGURE. 854 00:40:55,753 --> 00:40:57,521 Orzel: THAT SUGGESTS THAT THERE'S SOMETHING THERE 855 00:40:57,588 --> 00:41:01,992 ON THE GROUND BEHIND THEM THAT THE CAMERA IS PICKING UP. 856 00:41:02,059 --> 00:41:03,794 WHAT WOULD BE ON THE GROUND THERE 857 00:41:03,861 --> 00:41:05,529 THAT IS VISIBLE TO THE CAMERA 858 00:41:05,596 --> 00:41:08,432 AND NOT TO THE GUARDS WALKING AROUND? 859 00:41:08,499 --> 00:41:10,234 MY BEST GUESS ON THIS -- 860 00:41:10,301 --> 00:41:12,503 IT COULD BE SOME SORT OF TROMPE L'OEIL 861 00:41:12,570 --> 00:41:14,138 PAINTED ON THE GROUND. 862 00:41:14,205 --> 00:41:15,940 Narrator: THE FRENCH TERM "TROMPE L'OEIL" 863 00:41:16,006 --> 00:41:18,375 TRANSLATES AS "DECEIVE THE EYE" 864 00:41:18,442 --> 00:41:20,444 AND DESCRIBES OPTICAL ILLUSIONS 865 00:41:20,511 --> 00:41:24,048 PAINTED TO IMITATE REAL OBJECTS OR REAL LANDSCAPE 866 00:41:24,114 --> 00:41:26,617 WHEN SEEN FROM A CERTAIN ANGLE. 867 00:41:26,684 --> 00:41:29,053 ORZEL WONDERS IF THE FIGURE IN THE FOOTAGE 868 00:41:29,119 --> 00:41:31,489 HAS SOMEHOW BEEN CLEVERLY PLACED ON THE FLOOR 869 00:41:31,555 --> 00:41:33,724 {\an8}BEHIND THE SECURITY GUARDS. 870 00:41:33,791 --> 00:41:36,060 {\an8}Orzel: PEOPLE HAVE PAINTED SOMETHING ON THE GROUND 871 00:41:36,126 --> 00:41:37,761 {\an8}THAT HAPPENS TO ADDRESS THE CAMERA 872 00:41:37,828 --> 00:41:39,997 {\an8}BUT NOT FROM WHERE THE PEOPLE ARE 873 00:41:40,064 --> 00:41:43,367 {\an8}WHO ARE MOVING AROUND IN THE SCENE. 874 00:41:43,434 --> 00:41:44,935 {\an8}Narrator: BUT THERE IS NO EVIDENCE 875 00:41:45,002 --> 00:41:46,303 {\an8}THAT TROMPE L'OEIL ARTISTS 876 00:41:46,370 --> 00:41:48,706 {\an8}HAVE SOMEHOW SNEAKED INTO THIS FACTORY YARD 877 00:41:48,772 --> 00:41:50,574 {\an8}TO CREATE THIS EFFECT. 878 00:41:50,641 --> 00:41:53,511 {\an8}THERE IS NO OBVIOUS SCIENTIFIC EXPLANATION 879 00:41:53,577 --> 00:41:55,646 {\an8}FOR THIS STRANGE ENCOUNTER CAUGHT ON CAMERA. 880 00:41:55,713 --> 00:41:57,915 {\an8}Fox: MAYBE THERE ARE MORE GHOSTS SURROUNDING US, 881 00:41:57,982 --> 00:42:00,918 {\an8}AND WE JUST DON'T SEE THEM WITH THE NAKED EYE. 70928

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