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Narrator:
WORLDWIDE, 6 BILLION CAMERAS
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ARE WATCHING US...
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ON OUR STREETS...
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AT WORK...
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00:00:10,677 --> 00:00:12,712
AND IN OUR HOMES.
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00:00:12,779 --> 00:00:15,849
THEY CAPTURE THINGS
THAT SEEM IMPOSSIBLE.
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00:00:15,915 --> 00:00:18,918
IT DEFIES THE LAWS OF PHYSICS.
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00:00:18,985 --> 00:00:20,754
Man:
THIS IS UNBELIEVABLE, MAN.
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00:00:20,820 --> 00:00:23,023
Narrator: EXPERTS CARRY OUT
FORENSIC ANALYSIS
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00:00:23,089 --> 00:00:25,091
OF THESE UNUSUAL EVENTS.
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{\an8}♪♪
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00:00:29,629 --> 00:00:32,432
I WANT TO KNOW
WHAT I'M LOOKING AT.
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00:00:32,499 --> 00:00:34,567
THERE HAS TO BE
SOME SORT OF EXPLANATION.
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00:00:34,634 --> 00:00:37,470
WHAT ELSE IS GOING ON HERE?
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Narrator: COMING UP,
AFTER 65 MILLION YEARS,
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00:00:40,673 --> 00:00:43,910
THE DINOSAURS ARE BACK...
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00:00:43,977 --> 00:00:46,312
THIS DOES LOOK LIKE
THE REMAINS OF A T-REX --
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00:00:46,379 --> 00:00:47,547
A BABY T-REX.
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00:00:47,614 --> 00:00:49,249
NUMEROUS EXPEDITIONS
HAVE BEEN LAUNCHED
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00:00:49,315 --> 00:00:52,986
TO TRY AND FIND THIS CREATURE.
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00:00:53,053 --> 00:00:54,888
Narrator:
...AN AWESOME VISION OF GOD
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00:00:54,954 --> 00:00:58,658
SEEN AND FILMED
WALKING ACROSS THE SKY...
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00:00:58,725 --> 00:01:02,328
LITERALLY, IT'S O-M-G --
OH, MY GOD.
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00:01:02,395 --> 00:01:05,565
Narrator: ...AND EXPLOSIVES
EXPERT MATT KUTCHER
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00:01:05,632 --> 00:01:07,934
TRIES TO MAKE A SHED FLY.
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00:01:08,001 --> 00:01:09,769
Kutcher: WE'RE READY TO GO!
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{\an8}♪♪
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Narrator:
BIZARRE PHENOMENA...
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WHOA.
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...MYSTERIES
CAUGHT ON CAMERA...
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NOW, THAT'S AN EXPLOSION.
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WHAT'S THE TRUTH
BEHIND THIS STRANGE EVIDENCE?
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{\an8}-- Captions by VITAC --
www.vitac.com
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{\an8}CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
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{\an8}♪♪
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[ ROARS ]
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Narrator:
DINOSAURS -- GIANT MONSTERS
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WHO ONCE RULED THE EARTH.
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TENS OF MILLIONS OF YEARS AGO,
THEY DISAPPEARED,
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BUT NOW IT SEEMS THEY'RE BACK.
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NOVEMBER 2017.
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AUTHORITIES RELEASE
THIS FOOTAGE OF A DEAD BODY --
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THE BODY, IT APPEARS,
OF A SMALL DINOSAUR.
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IT'S JUST FREAKY.
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IT LOOKS LIKE THE DESICCATED
REMAINS OF A T-REX,
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00:02:03,356 --> 00:02:05,291
EXCEPT THAT IT'S A LOT SMALLER.
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00:02:05,358 --> 00:02:07,494
Narrator:
THIS IS NO JURASSIC FOSSIL.
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THIS CREATURE RECENTLY DIED.
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00:02:09,896 --> 00:02:13,466
AND WHERE THERE IS ONE,
THERE ARE BOUND TO BE OTHERS.
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MAYBE WE'RE SEEING A LEFTOVER
FROM THE AGE OF DINOSAURS.
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COULD DINOSAURS BE HIDING OUT
IN THE JUNGLES OF INDIA?
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{\an8}♪♪
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Narrator: NOVEMBER 2017.
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THE INDIAN HIMALAYAS.
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IN THIS VAST, FORBIDDING,
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230,000-SQUARE-MILE
MOUNTAIN WILDERNESS,
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ALL KINDS OF CREATURES ROAM
UNNOTICED AND UNMOLESTED...
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FROM ASIAN BLACK BEARS
AND RED PANDAS
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TO SNOW LEOPARDS.
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00:02:49,335 --> 00:02:51,538
BUT WHEN THE AUTHORITIES
DECIDED TO REOPEN
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AN ABANDONED POWER STATION
IN THE MOUNTAIN FOOTHILLS,
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THEY DISCOVERED SOMETHING
TRULY INCREDIBLE.
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Hyde:
IN THE VIDEO, YOU'RE SEEING
A COUPLE OF INDIAN OFFICIALS,
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AND ON THE DESK
IS WHAT LOOKS LIKE
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THE DESICCATED REMAINS
OF A T-REX,
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EXCEPT THAT IT'S A LOT SMALLER.
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{\an8}THIS THING SHOULD HAVE BEEN
EXTINCT FOR 65 MILLION YEARS,
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00:03:36,583 --> 00:03:39,185
{\an8}BUT IT LOOKS LIKE IT JUST DIED.
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{\an8}I'M NO STRANGER
TO SEEING DINOSAUR REMAINS
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{\an8}OR DINOSAUR FOSSILS,
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{\an8}BUT IT'S STILL GOT
ITS SKIN ON IT.
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{\an8}♪♪
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Narrator: DINOSAURS LIKE THIS
WERE WIPED OUT
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65 MILLION YEARS AGO
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WHEN A MASSIVE ASTEROID STRUCK
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00:03:57,470 --> 00:04:00,473
IN WHAT IS TODAY
YUCATáN, MEXICO.
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BUT SCIENTISTS NOW KNOW
THAT THE DINOSAURS
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WERE NOT COMPLETELY KILLED OFF.
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{\an8}WHEN WE THINK OF DINOSAURS,
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00:04:06,713 --> 00:04:09,015
{\an8}WE THINK OF A BRONTOSAURUS,
TYRANNOSAURUS REX,
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00:04:09,082 --> 00:04:10,984
{\an8}THESE CREATURES
THAT WERE MASSIVE
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00:04:11,050 --> 00:04:13,720
AND RULED THE EARTH
AND ARE NOW EXTINCT.
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00:04:13,786 --> 00:04:17,423
HOWEVER, THE DINOSAURS
DID NOT GO EXTINCT.
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IN FACT, THEY HAVE CONTINUED
AS A VERY SUCCESSFUL GROUP
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IN THE FORM OF BIRDS.
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BIRDS ARE FLAT-OUT,
STRAIGHT-UP DINOSAURS.
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Narrator: BUT THE DISCOVERY
OF WHAT APPEARS TO BE
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A RECENTLY LIVING
DINOSAUR BABY WITH SKIN
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SUGGESTS THAT BIRDS
AREN'T THE ONLY DINOSAURS
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TO HAVE ESCAPED EXTINCTION.
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00:04:38,811 --> 00:04:41,381
WE ARE TO CONSIDER
THE POSSIBILITY
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THAT THIS IS SOMEHOW A RELIC
OF THE DINOSAUR AGE
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THAT MANAGED TO SURVIVE
TO MODERN TIMES.
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Narrator: A VALLEY NEAR
WHERE THIS BODY WAS FOUND
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IS KNOWN AS INDIA'S
BERMUDA TRIANGLE
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BECAUSE SO MANY TOURISTS
GO MISSING HERE WITHOUT TRACE.
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COULD SOMETHING
UNKNOWN TO SCIENCE
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00:04:58,131 --> 00:05:00,600
BE BEHIND THESE DISAPPEARANCES?
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{\an8}♪♪
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SCIENCE WRITER JAYDE LOVELL
LOOKS INTO ACCOUNTS
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OF OTHER MODERN-DAY
DINOSAUR-LIKE CREATURES
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ACROSS THE GLOBE.
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Lovell: THERE HAVE BEEN REPORTED
SIGHTINGS OF DINOSAURS
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ALL THE WAY UP
UNTIL PRESENT DAY.
105
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RECORDS SHOW THAT EVEN RECENTLY,
THERE WAS A REPORTED
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DINOSAUR SIGHTING IN THE
CONGO RIVER BASIN IN AFRICA.
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REPORTS OF A LARGE SAUROPOD,
WHICH IS LIKE A BRONTOSAURUS,
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HAVE BEEN COMING OUT
OF THIS REMOTE REGION
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00:05:31,331 --> 00:05:33,433
SINCE THE EARLY 20th CENTURY.
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00:05:33,499 --> 00:05:36,569
BUT UNLIKE THE BRONTOSAURUS,
IT DOESN'T EAT JUST PLANTS.
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THIS ONE ALSO EATS ANIMALS
AND EVEN PEOPLE, THEY SAY.
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Narrator: BIOLOGISTS CONSIDER
THESE REPORTS SO CREDIBLE
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THAT EXPEDITIONS
HAVE BEEN LAUNCHED
114
00:05:44,977 --> 00:05:48,314
IN AN EFFORT TO FIND
AND CAPTURE THE BEAST.
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00:05:48,381 --> 00:05:50,516
EVEN THOUGH EXPLORERS SAY
THEY'VE SEEN IT,
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00:05:50,583 --> 00:05:52,852
THEY'VE NEVER BEEN ABLE
TO BRING BACK PROOF.
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00:05:52,919 --> 00:05:56,489
EVEN SWEEPS OF SATELLITE
IMAGING HAVE FOUND NO EVIDENCE
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THAT A CREATURE LIKE THIS
EXISTS.
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Narrator:
REPORTED SIGHTINGS OF DINOSAURS
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00:06:00,827 --> 00:06:02,228
IN THE CONGO RIVER BASIN'S
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1.5 MILLION SQUARE MILES
OF JUNGLE
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REMAIN UNSUBSTANTIATED.
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00:06:08,634 --> 00:06:10,937
BUT IN THE FOOTHILLS
OF THE HIMALAYAS,
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THE EXISTENCE
OF THIS DINOSAUR-LIKE CREATURE
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00:06:13,740 --> 00:06:16,175
IS BEYOND DISPUTE.
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00:06:16,242 --> 00:06:18,244
IT'S ABOUT THE SIZE
OF A HOUSE CAT,
127
00:06:18,311 --> 00:06:20,313
SO IT'S POSSIBLE
THAT A CREATURE OF THIS SIZE
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00:06:20,380 --> 00:06:23,282
COULD HAVE BEEN HIDING OUT
WITHOUT BEING DISCOVERED,
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00:06:23,349 --> 00:06:25,985
BUT THE QUESTION IS --
WHAT IS IT?
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{\an8}♪♪
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00:06:31,724 --> 00:06:34,494
Narrator: LOVELL HAS DIFFICULTY
IDENTIFYING WHAT SPECIES
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OF DINOSAUR THIS MIGHT BE.
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00:06:36,829 --> 00:06:39,031
BUT THAT'S NO SURPRISE.
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00:06:39,098 --> 00:06:41,167
DINOSAURS IN THIS PART
OF THE WORLD
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DID NOT RESEMBLE THE TYPES
WE KNOW FROM BOOKS AND MOVIES.
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THAT'S BECAUSE
120 MILLION YEARS AGO,
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00:06:48,808 --> 00:06:51,277
THE INDIA AND MADAGASCAR
LANDMASS
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SPLIT FROM PLANET EARTH'S
MAIN CONTINENT, GONDWANA,
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00:06:54,714 --> 00:06:57,383
AND BECAME EFFECTIVELY
SEALED OFF.
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00:06:57,450 --> 00:07:00,119
BECAUSE INDIA AND MADAGASCAR
WERE ISOLATED
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FROM THE REST OF THE WORLD
DURING THAT ERA,
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THE DINOSAURS THAT LIVED THERE
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EVOLVED IN DIFFERENT WAYS
FROM OTHER DINOSAURS.
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00:07:07,059 --> 00:07:08,761
Narrator:
DIFFERENT KINDS OF DINOSAURS
145
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EVOLVED WITH DIFFERENT
SURVIVAL STRATEGIES
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AND DIFFERENT-LOOKING BABIES.
147
00:07:14,300 --> 00:07:16,202
THE KING OF THE JUNGLE
WASN'T T-REX.
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00:07:16,269 --> 00:07:18,538
IT WAS THE RAJASAURUS,
WHICH WAS FATTER
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00:07:18,604 --> 00:07:20,540
AND A LITTLE BIT
WEIRDER-LOOKING THAN T-REX.
150
00:07:20,606 --> 00:07:23,543
AND IT GOT UP TO 6,000 POUNDS.
151
00:07:23,609 --> 00:07:26,179
AND IT'S POSSIBLE
THAT THIS REMOTE AREA OF INDIA
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00:07:26,245 --> 00:07:27,980
HAS CAUSED A CREATURE
TO EVOLVE
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00:07:28,047 --> 00:07:31,484
THAT'S UNLIKE ANYTHING
WE'VE EVER SEEN.
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00:07:31,551 --> 00:07:33,453
Narrator:
WHEN BIOLOGIST DANNI WASHINGTON
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CHECKS DINOSAUR FOSSIL RECORDS
FOR INDIA AND MADAGASCAR,
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00:07:37,223 --> 00:07:39,392
SHE FINDS A POSSIBLE MATCH
157
00:07:39,459 --> 00:07:42,895
FOR THE CREATURE FOUND RECENTLY
IN THE HIMALAYAS.
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00:07:42,962 --> 00:07:45,865
THERE WAS ONE SMALL DINOSAUR
THAT WAS UNEARTHED IN MADAGASCAR
159
00:07:45,932 --> 00:07:47,733
CALLED A MASIAKASAURUS.
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00:07:47,800 --> 00:07:50,336
IT'S A SMALL CARNIVORE
SIMILAR TO A VELOCIRAPTOR,
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00:07:50,403 --> 00:07:52,538
WITH SIMILAR SKULL AND BODY.
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00:07:52,605 --> 00:07:56,175
Narrator:
ITS NAME, MASIAKASAURUS,
MEANS "VICIOUS LIZARD,"
163
00:07:56,242 --> 00:08:01,380
AND IT'S KNOWN TO HAVE ROAMED
MADAGASCAR 80 MILLION YEARS AGO.
164
00:08:01,447 --> 00:08:03,783
BIOLOGISTS KNOW
THAT IT WAS A HUNTER-KILLER
165
00:08:03,850 --> 00:08:06,819
BECAUSE OF ITS
FORWARD-PROJECTING FRONT TEETH,
166
00:08:06,886 --> 00:08:09,088
BUT IN THE CORPSE
RECENTLY DISCOVERED,
167
00:08:09,155 --> 00:08:10,790
THE FANGS ARE MISSING.
168
00:08:10,857 --> 00:08:12,258
THE ONLY SIGNIFICANT DIFFERENCE
169
00:08:12,325 --> 00:08:15,194
IS THE MASIAKASAURUS
HAD HETERODONT TEETH,
170
00:08:15,261 --> 00:08:16,596
MEANING VAMPIRE FANGS.
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00:08:16,662 --> 00:08:19,699
Narrator: SOME BIOLOGISTS,
LIKE STACY RAMKISSOON,
172
00:08:19,765 --> 00:08:24,270
REFUSE TO BELIEVE THAT THIS
COULD BE A MASIAKASAURUS.
173
00:08:24,337 --> 00:08:26,506
MASIAKASAURUS DISAPPEARED
FROM THE FOSSIL RECORD
174
00:08:26,572 --> 00:08:30,076
70 MILLION YEARS AGO,
SO IF THEY WERE STILL ALIVE,
175
00:08:30,142 --> 00:08:32,144
WE WOULD HAVE SEEN
A SKELETON BY NOW.
176
00:08:32,211 --> 00:08:34,313
{\an8}SO THIS DEFINITELY
CAN'T BE THEM.
177
00:08:34,380 --> 00:08:37,950
{\an8}♪♪
178
00:08:38,017 --> 00:08:41,153
Narrator: AND YET, THE CREATURE
IS UNDENIABLY HERE.
179
00:08:41,220 --> 00:08:43,956
LOVELL CONSIDERS IF THIS
CREATURE COULD BE THE PRODUCT
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00:08:44,023 --> 00:08:48,528
OF A SO-CALLED DE-EXTINCTION
GENETIC EXPERIMENT.
181
00:08:48,594 --> 00:08:50,196
DE-EXTINCTION IS THE PROCESS
182
00:08:50,263 --> 00:08:54,767
OF TRYING TO CLONE
EXTINCT ANIMALS BACK INTO LIFE.
183
00:08:54,834 --> 00:08:57,403
SO, THEORETICALLY,
WE CAN BRING BACK CREATURES
184
00:08:57,470 --> 00:08:58,905
THAT HAVE GONE EXTINCT.
185
00:08:58,971 --> 00:09:01,807
IF WE HAVE THEIR DNA,
WE CAN THEN SPLICE THAT
186
00:09:01,874 --> 00:09:04,277
INTO AN ANIMAL
THAT'S A NEAR RELATIVE
187
00:09:04,343 --> 00:09:08,047
{\an8}AND BRING THAT SPECIES,
AS IT WERE, BACK TO LIFE.
188
00:09:08,114 --> 00:09:09,849
SO OUR GREATEST HOPE
IS THAT AT SOME POINT,
189
00:09:09,916 --> 00:09:13,019
WE WILL BE ABLE TO BRING BACK
THE WOOLLY MAMMOTH.
190
00:09:13,085 --> 00:09:14,820
Narrator: SCIENTISTS BELIEVE
THEY WILL BRING
191
00:09:14,887 --> 00:09:18,190
THE WOOLLY MAMMOTH
BACK TO LIFE BY 2020.
192
00:09:18,257 --> 00:09:19,692
THEY'RE ALSO CURRENTLY WORKING
193
00:09:19,759 --> 00:09:23,229
ON THE DE-EXTINCTION
OF A GIANT TORTOISE.
194
00:09:23,296 --> 00:09:25,164
BUT THE DE-EXTINCTION
OF DINOSAURS
195
00:09:25,231 --> 00:09:29,569
REMAINS A CONTROVERSIAL AREA,
WITH NO REPORTED SUCCESS.
196
00:09:29,635 --> 00:09:33,906
PEOPLE HAVE BEEN TRYING
TO CLONE DINOSAURS FOR DECADES.
197
00:09:33,973 --> 00:09:36,475
Narrator: THE MAIN CHALLENGE
IN CLONING A DINOSAUR
198
00:09:36,542 --> 00:09:39,879
IS TO FIND DNA
OF SUFFICIENTLY HIGH QUALITY.
199
00:09:39,946 --> 00:09:42,548
AS DEAD DINOSAURS
TURN INTO FOSSILS,
200
00:09:42,615 --> 00:09:45,017
ORGANIC MATTER
TURNS INTO MINERALS,
201
00:09:45,084 --> 00:09:47,753
DESTROYING MOST DNA AS IT DOES.
202
00:09:47,820 --> 00:09:50,523
BUT SOME DNA CAN SURVIVE.
203
00:09:50,590 --> 00:09:52,792
IN SEPTEMBER 2014,
204
00:09:52,858 --> 00:09:56,329
SCIENTISTS IN MONTANA
MADE A DRAMATIC BREAKTHROUGH
205
00:09:56,395 --> 00:10:00,099
WHEN THEY UNEARTHED A T-REX
THAT WAS PREGNANT WHEN SHE DIED.
206
00:10:00,166 --> 00:10:03,336
THE REMAINS INCLUDE
A WELL-PRESERVED MEDULLARY BONE,
207
00:10:03,402 --> 00:10:06,973
WHICH APPEARS ONLY IN PREGNANT
CREATURES THAT LAY EGGS.
208
00:10:07,039 --> 00:10:10,509
SO, IF A MEDULLARY BONE IS FOUND
IN A PREGNANT FEMALE DINOSAUR,
209
00:10:10,576 --> 00:10:12,578
THIS IS A GREAT SOURCE OF DNA.
210
00:10:12,645 --> 00:10:14,981
Narrator: THE MEDULLARY BONE
CONTAINS A RESERVOIR
211
00:10:15,047 --> 00:10:17,350
FULL OF DNA-RICH CALCIUM,
212
00:10:17,416 --> 00:10:20,286
USED IN THE PRODUCTION
OF EGG SHELLS.
213
00:10:20,353 --> 00:10:23,389
MANY SCIENTISTS ARE CONVINCED
THAT IT'S NOT IF,
214
00:10:23,456 --> 00:10:27,460
BUT WHEN DINOSAURS ARE
BROUGHT BACK FROM EXTINCTION.
215
00:10:27,526 --> 00:10:29,762
THE AREA WHERE THIS CREATURE
WAS FOUND
216
00:10:29,829 --> 00:10:34,000
WAS ONCE HEAVILY POPULATED
BY GIANT DINOSAURS.
217
00:10:34,066 --> 00:10:36,769
THERE ARE PLENTY OF
PLACES TO FIND DINOSAUR
FOSSILS IN INDIA.
218
00:10:36,836 --> 00:10:40,806
THE STATE OF GUJARAT IS KNOWN
AS INDIA'S JURASSIC PARK.
219
00:10:40,873 --> 00:10:43,876
SO IF INDIAN SCIENTISTS FOUND
A PREGNANT DEAD DINOSAUR,
220
00:10:43,943 --> 00:10:45,778
WOULD THEY BE ABLE
TO CLONE THE SAME DINOSAUR
221
00:10:45,845 --> 00:10:48,080
WE SEE IN THIS FOOTAGE?
222
00:10:48,147 --> 00:10:51,684
{\an8}♪♪
223
00:10:51,751 --> 00:10:54,987
Narrator: COMING UP, A WEIRD
AND DEADLY UNDERSEA MONSTER
224
00:10:55,054 --> 00:10:58,591
IS SIGHTED, AND IT'S STARTING
TO EMERGE FROM THE WATER.
225
00:10:58,658 --> 00:11:01,827
IT'S THE SELF-FULFILLING
PROPHECY. THE NAME GODZILLA.
226
00:11:01,894 --> 00:11:04,630
{\an8}♪♪
227
00:11:04,697 --> 00:11:06,399
Narrator:
THE GHOSTLY FIGURE OF A WOMAN
228
00:11:06,465 --> 00:11:08,501
APPEARS ON A SECURITY MONITOR,
229
00:11:08,567 --> 00:11:12,271
BUT THE GUARDS WHO GO OUT
TO CONFRONT HER CAN'T SEE HER.
230
00:11:12,338 --> 00:11:15,641
THEY ARE WALKING RIGHT PAST HER,
OR, ACTUALLY, THROUGH HER.
231
00:11:15,708 --> 00:11:17,410
{\an8}♪♪
232
00:11:17,476 --> 00:11:21,847
Narrator: AND HAS THIS CREATURE
BEEN CLONED FROM DINOSAUR DNA?
233
00:11:21,914 --> 00:11:23,649
IF THIS HAS BEEN ALIVE RECENTLY,
234
00:11:23,716 --> 00:11:25,951
IT EITHER SURVIVED
FOR 65 MILLION YEARS
235
00:11:26,018 --> 00:11:28,921
OR IT ESCAPED SOME TYPE
OF LAB OR COMPOUND.
236
00:11:35,961 --> 00:11:38,431
Narrator: IN THE HIMALAYAS,
LOCALS FIND A CREATURE
237
00:11:38,497 --> 00:11:40,933
THAT LOOKS LIKE A BABY T-REX.
238
00:11:41,000 --> 00:11:46,072
EXPERTS WANT TO KNOW IF IT'S
239
00:11:46,138 --> 00:11:49,275
AUTHOR TONY McMAHON
CROSS-REFERENCES THE CREATURE
240
00:11:49,341 --> 00:11:51,544
WITH THE DINO FOSSIL RECORDS
241
00:11:51,610 --> 00:11:54,213
AND ASKS IF IT WAS CREATED
IN A LAB.
242
00:11:54,280 --> 00:11:56,482
McMahon: SO, COULD WE LOOK
AT "JURASSIC PARK"
243
00:11:56,549 --> 00:11:57,783
BECOMING A REALITY?
244
00:11:57,850 --> 00:12:00,553
{\an8}WE'RE IN THE EARLY DAYS
OF DNA SPLICING,
245
00:12:00,619 --> 00:12:04,290
{\an8}SO COULD IT BE THAT A DINOSAUR
HAS BEEN REVERSE ENGINEERED
246
00:12:04,356 --> 00:12:06,292
IN A SECRET LABORATORY
SOMEWHERE?
247
00:12:06,358 --> 00:12:09,161
Narrator: AS BIOLOGIST
DANNI WASHINGTON POINTS OUT,
248
00:12:09,228 --> 00:12:12,865
THE CHALLENGES FACING SCIENTISTS
IN THIS AREA ARE FORMIDABLE.
249
00:12:12,932 --> 00:12:16,335
{\an8}WE DON'T HAVE ENOUGH DINO DNA
TO RE-CREATE A DINOSAUR,
250
00:12:16,402 --> 00:12:21,307
AND WE DON'T HAVE THE COMPUTER
TECHNOLOGY TO SEQUENCE THAT DNA.
251
00:12:21,373 --> 00:12:24,110
Narrator: WASHINGTON EXAMINES
THE CREATURE'S SKULL.
252
00:12:24,176 --> 00:12:28,581
UNLIKE A DINOSAUR, IT DOES NOT
HAVE MULTIPLE BONES IN ITS JAW.
253
00:12:28,647 --> 00:12:31,884
IT MIGHT INDEED BE TRACEABLE
BACK TO THE JURASSIC PERIOD,
254
00:12:31,951 --> 00:12:35,187
BUT IT HAS SINCE FOLLOWED
A DIFFERENT EVOLUTIONARY PATH.
255
00:12:35,254 --> 00:12:38,991
THIS INDICATES THAT THIS IS NOT
A DINOSAUR. IT'S A MAMMAL.
256
00:12:39,058 --> 00:12:40,526
Narrator:
BUT SCIENTISTS HAVE STRUGGLED
257
00:12:40,593 --> 00:12:43,629
TO FIND A MAMMALIAN CREATURE
THAT LOOKS LIKE THIS.
258
00:12:43,696 --> 00:12:47,133
SOME HAVE SUGGESTED THESE MIGHT
BE THE REMAINS OF A MUSTELID,
259
00:12:47,199 --> 00:12:49,735
BUT THERE IS NO OBVIOUS
RESEMBLANCE.
260
00:12:49,802 --> 00:12:51,704
BUT WHATEVER THIS CREATURE IS,
261
00:12:51,771 --> 00:12:56,041
A NEW AGE OF THE DINOSAURS
MAY SOON BE UPON US.
262
00:12:56,108 --> 00:12:59,812
Washington:
WE DON'T HAVE ENOUGH DNA YET
TO RE-CREATE A DINOSAUR,
263
00:12:59,879 --> 00:13:01,981
BUT WATCH THIS SPACE
BECAUSE WE COULD DEVELOP
264
00:13:02,047 --> 00:13:03,949
SOMETHING REALLY COOL.
265
00:13:04,016 --> 00:13:11,023
{\an8}♪♪
266
00:13:11,824 --> 00:13:15,494
Narrator: THE SKY OVER ALABAMA
AND A SIGHTING AND RECORDING
267
00:13:15,561 --> 00:13:19,165
OF WHAT THE WITNESS
FIRMLY BELIEVES IS GOD.
268
00:13:19,231 --> 00:13:21,100
WHAT THE HECK IS THAT?
269
00:13:21,167 --> 00:13:26,338
THERE'S ACTUALLY A PERSON
WALKING ACROSS THE CLOUDS.
270
00:13:26,405 --> 00:13:29,575
HOLY MOLY. THIS IS IMPOSSIBLE.
271
00:13:29,642 --> 00:13:33,612
{\an8}IT LOOKS ALMOST MYSTICAL
AND VERY UNREAL.
272
00:13:33,679 --> 00:13:36,081
{\an8}Narrator:
A GIGANTIC FIGURE IN HUMAN FORM
273
00:13:36,148 --> 00:13:38,284
{\an8}MAYBE 100 FEET IN HEIGHT
274
00:13:38,350 --> 00:13:42,021
{\an8}APPEARS TO BE WALKING ON CLOUDS
ACROSS THE SKY.
275
00:13:42,087 --> 00:13:45,825
LITERALLY, IT'S O-M-G --
OH, MY GOD.
276
00:13:45,891 --> 00:13:48,627
I FEEL LIKE I'M WITNESSING
SOME KIND OF A MIRACLE.
277
00:13:48,694 --> 00:13:50,462
WHAT'S GOING ON HERE?
278
00:13:50,529 --> 00:13:55,668
{\an8}♪♪
279
00:13:55,734 --> 00:14:00,906
Narrator: TUSCALOOSA, ALABAMA.
JUNE 2018.
280
00:14:00,973 --> 00:14:05,744
WILD WEATHER KNOCKS OUT POWER
ACROSS A WIDE AREA OF TOWN.
281
00:14:05,811 --> 00:14:10,015
KRYSTAL WASHINGTON STEPS OUT
TO WATCH THE APPROACHING STORM.
282
00:14:10,082 --> 00:14:13,519
SHE POINTS HER CELLPHONE CAMERA
AT THE TURBULENT SKY,
283
00:14:13,586 --> 00:14:16,388
AND AT THAT MOMENT,
THE CLOUDS PART,
284
00:14:16,455 --> 00:14:19,124
AND SHE SEES SOMETHING
SHE CANNOT EXPLAIN
285
00:14:19,191 --> 00:14:21,026
AND WILL NEVER FORGET.
286
00:14:21,093 --> 00:14:23,896
Krystal:
TO ME, IT LOOKED LIKE TWO
FIGURES WALKING IN THE CLOUDS.
287
00:14:23,963 --> 00:14:26,432
THE FIRST TIME THEY WALK,
YOU SPIN OVER IN THE CORNER,
288
00:14:26,498 --> 00:14:29,602
AND THE SHADOW KIND OF FADES
AS HE WALKS OFF.
289
00:14:29,668 --> 00:14:33,005
AND THEN RIGHT AFTER,
THERE IS ANOTHER SHADOW.
290
00:14:33,072 --> 00:14:36,642
THEY'RE STANDING STRAIGHT UP.
WHO WALKS RIGHT BEHIND.
291
00:14:36,709 --> 00:14:41,113
I DO BELIEVE IT TO BE
SOME SPIRITUAL SIGN.
292
00:14:41,180 --> 00:14:44,783
I FELT OVERWHELMED.
ALL I COULD DO WAS SCREAM.
293
00:14:44,850 --> 00:14:47,286
{\an8}♪♪
294
00:14:47,353 --> 00:14:49,255
Narrator: THIS IMAGE
OF A HUMANOID FIGURE
295
00:14:49,321 --> 00:14:53,025
WALKING THROUGH THE CLOUDS
LEAVES EXPERTS STUNNED.
296
00:14:53,092 --> 00:14:54,793
{\an8}THIS IS TRULY MYSTERIOUS.
297
00:14:54,860 --> 00:14:56,695
{\an8}I AM AN EXPERT ON CLOUDS,
298
00:14:56,762 --> 00:14:58,998
AND WHEN I LOOK AT THIS,
I'M RACKING MY BRAIN.
299
00:14:59,064 --> 00:15:02,234
I'M LOOKING AT THE VIDEO,
AND IT LOOKS LIKE A STORM.
300
00:15:02,301 --> 00:15:05,971
THERE'S A CLEAR KIND OF
LIGHT-PATCH AREA,
301
00:15:06,038 --> 00:15:08,073
{\an8}AND THEN ALL OF A SUDDEN --
BOOP, BOOP, BOOP --
302
00:15:08,140 --> 00:15:11,243
{\an8}THERE'S A FIGURE
WALKING ACROSS THE CLOUD.
303
00:15:11,310 --> 00:15:14,914
{\an8}♪♪
304
00:15:14,980 --> 00:15:16,749
Narrator:
SINCE HUMANS COULD THINK,
305
00:15:16,815 --> 00:15:21,053
THEY HAVE GIVEN THE SKIES
AND THE COSMOS DIVINE MEANING.
306
00:15:21,120 --> 00:15:25,157
WE DESCEND INTO HELL, BUT OUR
SOULS RISE UP INTO HEAVEN.
307
00:15:25,224 --> 00:15:26,792
AT THE END OF DAYS,
308
00:15:26,859 --> 00:15:30,195
THERE HAS BEEN PROPHESIZED
A FINAL RISING UP.
309
00:15:30,262 --> 00:15:33,265
THEOLOGIANS CALL THIS
THE RAPTURE.
310
00:15:33,332 --> 00:15:34,900
IF YOU'RE A RELIGIOUS PERSON,
311
00:15:34,967 --> 00:15:37,303
I THINK YOU'RE THINKING,
"THIS IS THE END."
312
00:15:37,369 --> 00:15:40,506
THE RAPTURE IS COMING.
O-M-G -- RIGHT THERE.
313
00:15:40,572 --> 00:15:43,676
{\an8}♪♪
314
00:15:43,742 --> 00:15:46,512
Narrator: COMING UP, A REAL-LIFE
CREATURE FROM THE DEEP
315
00:15:46,578 --> 00:15:48,781
CAPTURED OFF
AMERICA'S WEST COAST.
316
00:15:48,847 --> 00:15:51,350
I'VE SEEN LOTS OF OTHER ANIMALS,
SHARKS AND DIFFERENT THINGS
317
00:15:51,417 --> 00:15:53,953
AND WHALES, WASH UP,
BUT I'VE NEVER SEEN A --
318
00:15:54,019 --> 00:15:55,988
WHATEVER THIS THING WAS.
319
00:15:56,055 --> 00:15:58,290
{\an8}♪♪
320
00:15:58,357 --> 00:16:01,393
Narrator:
WHEN SHEDS GO BAD...
321
00:16:01,460 --> 00:16:03,662
{\an8}IT ALMOST LOOKS LIKE
THERE'S SOME INVISIBLE FORCE
322
00:16:03,729 --> 00:16:07,232
{\an8}THAT'S LIFTED THIS SHED.
323
00:16:07,299 --> 00:16:12,371
Narrator: AND A VISION OF GOD
OR A TERRIBLE PREMONITION?
324
00:16:12,438 --> 00:16:15,107
WE COULD BE LOOKING
AT THE ONSET OF A TYRANNY
325
00:16:15,174 --> 00:16:17,576
THAT HUMANITY
HAS NEVER SEEN BEFORE.
326
00:16:23,482 --> 00:16:25,951
{\an8}♪♪
327
00:16:26,018 --> 00:16:27,886
Narrator:
IN THE SKIES OVER ALABAMA,
328
00:16:27,953 --> 00:16:31,757
A GIANT FIGURE IS SEEN
WALKING ACROSS THE CLOUDS.
329
00:16:31,824 --> 00:16:34,893
SUCH VISIONS HAVE BEEN RECORDED
THROUGHOUT HISTORY
330
00:16:34,960 --> 00:16:37,129
BUT NEVER CAPTURED ON CAMERA.
331
00:16:37,196 --> 00:16:40,799
{\an8}♪♪
332
00:16:40,866 --> 00:16:43,502
INVESTIGATORS LOOK
FOR SOME OTHER EXPLANATION
333
00:16:43,569 --> 00:16:44,903
FOR THIS SIGHTING.
334
00:16:44,970 --> 00:16:47,639
GEOSCIENTIST
SIAN PROCTOR WONDERS
335
00:16:47,706 --> 00:16:49,908
IF IT'S A RARELY SEEN PHENOMENON
336
00:16:49,975 --> 00:16:52,411
KNOWN AS
THE SPECTRE OF THE BROCKEN.
337
00:16:52,478 --> 00:16:56,682
{\an8}SPECTRE OF THE BROCKEN OCCURS
WHEN YOU HAVE A PERSON
338
00:16:56,749 --> 00:16:58,751
{\an8}THAT'S ON, LIKE,
LET'S SAY A MOUNTAINTOP,
339
00:16:58,817 --> 00:17:01,320
AND THE SUN IS AT
A LOW ANGLE BEHIND THEM.
340
00:17:01,387 --> 00:17:04,923
WELL, THE SUN'S RAYS
IS GOING TO PRODUCE AN OUTLINE
341
00:17:04,990 --> 00:17:09,395
OR A SHADOW FIGURE OF THEM
THAT WE SEE IN THE CLOUDS.
342
00:17:09,461 --> 00:17:11,630
Narrator: THE SPECTRE OF
THE BROCKEN TAKES ITS NAME
343
00:17:11,697 --> 00:17:14,199
FROM THE BROCKEN PEAK
IN CENTRAL GERMANY,
344
00:17:14,266 --> 00:17:18,504
WHERE THIS PHENOMENON
WAS FIRST OBSERVED IN 1780.
345
00:17:18,570 --> 00:17:21,273
THE MOST FAMOUS EXAMPLE
OF THE SPECTRE EFFECT
346
00:17:21,340 --> 00:17:24,443
IS ON ONE OF THE CAIRNGORMS
MOUNTAINS IN SCOTLAND.
347
00:17:24,510 --> 00:17:28,280
WALKERS HAVE BEEN SO SCARED BY
THEIR OWN SHADOW ON THE CLOUDS,
348
00:17:28,347 --> 00:17:31,984
THEY HAVE NAMED IT
THE BIG GREY MAN OF BEN MacDHUI.
349
00:17:32,051 --> 00:17:35,554
PEOPLE ALSO REPORT SEEING
THE SPECTRE WHEN FLYING.
350
00:17:35,621 --> 00:17:38,490
Proctor: YOU CAN SEE
THE LITTLE IMAGE OF THE PLANE
351
00:17:38,557 --> 00:17:40,926
CAST ON THE CLOUDS BELOW YOU.
352
00:17:40,993 --> 00:17:43,362
AND A LOT OF TIMES,
THE AIRPLANE IS SURROUNDED
353
00:17:43,429 --> 00:17:45,130
BY, LIKE, A HALO OF LIGHT.
354
00:17:45,197 --> 00:17:46,865
WELL, THAT'S A BROCKEN SPECTRE.
355
00:17:46,932 --> 00:17:49,635
Narrator: BUT WHEN ATMOSPHERIC
SCIENTIST CHRIS WALCEK
356
00:17:49,701 --> 00:17:52,738
STUDIES THE FOOTAGE,
HE DISMISSES THE IDEA
357
00:17:52,805 --> 00:17:55,541
THAT THIS IS A "SPECTRE
OF THE BROCKEN" ILLUSION.
358
00:17:55,607 --> 00:17:56,942
Walcek:
THIS VIDEO THAT WE'RE SEEING,
359
00:17:57,009 --> 00:17:58,744
IT'S VERY CLEAR THAT THE SUN
360
00:17:58,811 --> 00:18:01,280
{\an8}IS NOT BEHIND
THE VIDEOGRAPHER'S BACK
361
00:18:01,346 --> 00:18:03,782
{\an8}AND YOU'RE NOT LOOKING
AT THE SHADOW OF THE PERSON
362
00:18:03,849 --> 00:18:06,351
{\an8}TAKING THE VIDEO
IN THE CLOUDY FIELD.
363
00:18:06,418 --> 00:18:09,421
SO THERE HAS TO BE SOME OTHER
EXPLANATION OF THE OPTICS
364
00:18:09,488 --> 00:18:11,723
OF WHAT WE'RE SEEING
GOING ON HERE.
365
00:18:11,790 --> 00:18:13,759
{\an8}♪♪
366
00:18:13,826 --> 00:18:16,295
Narrator: WALCEK BELIEVES
HE HAS A POSSIBLE EXPLANATION
367
00:18:16,361 --> 00:18:18,230
FOR THE DIVINE APPARITION.
368
00:18:18,297 --> 00:18:20,199
IN THIS PARTICULAR VIDEO,
WHAT YOU'RE SEEING
369
00:18:20,265 --> 00:18:22,868
IS A LOWER-LEVEL CLOUD DECK
THAT DON'T APPEAR TO BE MOVING
370
00:18:22,935 --> 00:18:24,903
TOO RAPIDLY,
BUT HAS HOLES IN IT,
371
00:18:24,970 --> 00:18:28,073
AND THROUGH ONE OF THOSE OPEN
AREAS IN THE LOWER CLOUD DECK,
372
00:18:28,140 --> 00:18:30,442
YOU CAN SEE HIGHER LEVELS
OF CLOUDS
373
00:18:30,509 --> 00:18:32,678
THAT ARE MOVING
IN A DIFFERENT DIRECTION.
374
00:18:32,744 --> 00:18:34,847
THIS IS AN INCREDIBLE
COINCIDENCE
375
00:18:34,913 --> 00:18:37,149
OF TWO OR EVEN THREE LAYERS
OF CLOUDS
376
00:18:37,216 --> 00:18:39,084
PROJECTING AN IMAGE
THAT LOOKS LIKE
377
00:18:39,151 --> 00:18:41,320
THERE'S SOMETHING
WALKING IN THE SKY.
378
00:18:41,386 --> 00:18:44,423
Narrator: BUT THE WOMAN WHO SHOT
THE FOOTAGE, KRYSTAL WASHINGTON,
379
00:18:44,490 --> 00:18:46,959
REMAINS CONVINCED
THAT THE FIGURE SHE SAW
380
00:18:47,025 --> 00:18:49,528
AND FILMED
STRIDING ACROSS THE SKY
381
00:18:49,595 --> 00:18:51,563
IS MORE THAN
A TRICK OF THE LIGHT.
382
00:18:51,630 --> 00:18:54,666
A LOT OF PEOPLE THINK THAT
IT WAS SHOWN TO ME AS A SIGN.
383
00:18:54,733 --> 00:18:59,371
{\an8}♪♪
384
00:18:59,438 --> 00:19:02,875
Narrator: NOW, BIZARRE
KILLER CREATURES FROM THE DEEP
385
00:19:02,941 --> 00:19:05,944
COMING OUT OF THE SEA ONTO LAND.
386
00:19:06,011 --> 00:19:08,614
THERE'S SOME OF THEM
THAT GET 40, 50 FEET LONG.
387
00:19:08,680 --> 00:19:11,350
Thurlow: EVERY PLACE WE SEEN
THOSE CUCUMBER THINGS,
388
00:19:11,416 --> 00:19:15,187
THERE WASN'T NO FISH LEFT
IN THE AREA, OR CRAB EVEN.
389
00:19:15,254 --> 00:19:16,989
SO NOBODY'S SEEN
THESE THINGS BEFORE.
390
00:19:17,055 --> 00:19:19,992
WHAT ARE THEY?
WHERE DO THEY COME FROM?
391
00:19:20,058 --> 00:19:21,793
Narrator:
THE MYSTERIOUS GIANT BEAST
392
00:19:21,860 --> 00:19:24,396
NOW SEEMS TO BE
REPLICATING ITSELF.
393
00:19:24,463 --> 00:19:26,098
SMALL CLONES OF THE CREATURE
394
00:19:26,165 --> 00:19:28,934
ARE STARTING TO APPEAR
ON AMERICA'S BEACHES.
395
00:19:29,001 --> 00:19:31,103
Washington: IT'S ALMOST LIKE
A SWARM OR AN INVASION.
396
00:19:31,170 --> 00:19:34,173
SO WE HAVE TO FIGURE OUT
IF THEY'RE DANGEROUS TO HUMANS.
397
00:19:34,239 --> 00:19:35,574
Hovland: THIS IS CRAZY.
398
00:19:35,641 --> 00:19:38,510
THEY'RE COMING, AND I DON'T
THINK WE'RE GONNA STOP THEM.
399
00:19:38,577 --> 00:19:43,782
{\an8}♪♪
400
00:19:43,849 --> 00:19:45,284
Narrator: NEWPORT, OREGON.
401
00:19:45,350 --> 00:19:48,687
MOST LOCALS HERE DEPEND
ON THE SEA FOR A LIVING.
402
00:19:48,754 --> 00:19:50,889
{\an8}♪♪
403
00:19:50,956 --> 00:19:53,192
Gibson: I THINK THIS IS ONE OF
THE MOST BEAUTIFUL COASTLINES
404
00:19:53,258 --> 00:19:54,693
IN THE WHOLE UNITED STATES.
405
00:19:54,760 --> 00:19:58,197
YOU CAN SEE WHALES FROM SOME OF
THE HEADLANDS THIS TIME OF YEAR.
406
00:19:58,263 --> 00:20:00,799
IT'S A PRETTY NICE PLACE
TO LIVE.
407
00:20:00,866 --> 00:20:03,402
{\an8}♪♪
408
00:20:03,468 --> 00:20:05,737
Narrator: MAY 2017.
409
00:20:05,804 --> 00:20:07,372
LOCALS WALKING BY THE SEA
410
00:20:07,439 --> 00:20:10,876
FIND THOUSANDS OF TRANSLUCENT
SINISTER-LOOKING PODS
411
00:20:10,943 --> 00:20:12,978
{\an8}ON THE BEACH.
412
00:20:13,045 --> 00:20:16,515
{\an8}THEY SEEM TO RUN FOR MILES
ALONG THE SHORELINE.
413
00:20:16,582 --> 00:20:18,850
{\an8}THEY'RE ROUND,
KIND OF LIKE CUCUMBERS.
414
00:20:18,917 --> 00:20:21,053
{\an8}SOME OF THEM ARE ONLY AS BIG
AROUND AS MY LITTLE FINGER,
415
00:20:21,119 --> 00:20:24,122
{\an8}BUT OTHER ONES ARE,
I MEAN, PRETTY BIG
416
00:20:24,189 --> 00:20:26,491
{\an8}AND A FOOT,
FOOT AND A HALF LONG.
417
00:20:26,558 --> 00:20:29,061
AND THEY KIND OF GOT
LITTLE BUMPS ON THEM.
418
00:20:29,127 --> 00:20:30,762
AND THEY'RE PINKISH-COLORED.
419
00:20:30,829 --> 00:20:32,831
THEY LOOK LIKE A PICKLE.
420
00:20:32,898 --> 00:20:34,900
AND THEY WERE
REALLY KIND OF SQUISHY,
421
00:20:34,967 --> 00:20:36,134
AND IT FELT KIND OF WEIRD.
422
00:20:36,201 --> 00:20:37,636
{\an8}I SEEN LOTS OF OTHER ANIMALS,
423
00:20:37,703 --> 00:20:39,705
{\an8}SHARKS AND DIFFERENT THINGS,
AND WHALES, WASH UP,
424
00:20:39,771 --> 00:20:42,708
{\an8}BUT I'VE NEVER SEEN A --
WHATEVER THIS THING WAS.
425
00:20:42,774 --> 00:20:44,676
Narrator: THE IDENTITY
OF THESE CONE-SHAPED
426
00:20:44,743 --> 00:20:47,879
TRANSLUCENT OBJECTS
CONFOUNDS EXPERTS,
427
00:20:47,946 --> 00:20:51,717
WHO CAN AGREE ON JUST ONE
DETAIL -- THEY'RE ALIVE.
428
00:20:51,783 --> 00:20:54,386
IT'S DEFINITELY
MORE ANIMAL THAN PLANT.
429
00:20:54,453 --> 00:20:56,622
JUST THE GELATINOUS
QUALITY OF IT --
430
00:20:56,688 --> 00:20:57,923
WHAT I WOULDN'T SEE IN A PLANT
431
00:20:57,990 --> 00:21:00,292
BUT I HAVE SEEN
IN AQUATIC ORGANISMS.
432
00:21:00,359 --> 00:21:01,793
THIS IS AN ANIMAL.
433
00:21:01,860 --> 00:21:05,330
SO NOBODY'S SEEN THESE THINGS
BEFORE, AND NOW ALL OF A SUDDEN,
434
00:21:05,397 --> 00:21:08,300
THEY'RE HERE IN SORT OF
INVASION-FORCE NUMBERS.
435
00:21:08,367 --> 00:21:10,202
WHAT'S GOING ON?
436
00:21:10,269 --> 00:21:13,605
{\an8}♪♪
437
00:21:13,672 --> 00:21:17,075
Narrator: DIVERS SET OUT TO
TRACE THE ORIGIN OF THESE PODS.
438
00:21:17,142 --> 00:21:19,478
{\an8}WHAT THEY FIND
LURKING IN THE SEA
439
00:21:19,544 --> 00:21:23,382
{\an8}IS LIKE SOMETHING
FROM ANOTHER PLANET --
440
00:21:23,448 --> 00:21:25,317
{\an8}A WRITHING, GLOWING CREATURE
441
00:21:25,384 --> 00:21:28,787
{\an8}STRETCHING INTO THE INKY
BLACKNESS OF THE OCEAN.
442
00:21:28,854 --> 00:21:30,322
{\an8}♪♪
443
00:21:30,389 --> 00:21:33,692
{\an8}A GAPING MOUTH, OR OPENING,
AT ONE END.
444
00:21:33,759 --> 00:21:39,264
{\an8}A CREATURE WITH NO HEAD,
NO EYES, NO DISCERNABLE ORGANS.
445
00:21:39,331 --> 00:21:42,167
{\an8}NOT ONE OF THEM, BUT MANY.
446
00:21:42,234 --> 00:21:44,703
{\an8}SOME OF THEM,
THEY GET 40, 50 FEET LONG.
447
00:21:44,770 --> 00:21:47,939
{\an8}Narrator: THEY LOOK BENIGN
AND HARMLESS, EVEN BEAUTIFUL,
448
00:21:48,006 --> 00:21:50,242
{\an8}BUT THESE WEIRD THINGS
ARE DANGEROUS,
449
00:21:50,309 --> 00:21:53,412
{\an8}DESTROYING OTHER LIFE
EVERYWHERE THEY APPEAR.
450
00:21:53,478 --> 00:21:56,148
{\an8}Thurlow: EVERY PLACE WE SEEN
THOSE CUCUMBER THINGS,
451
00:21:56,214 --> 00:22:00,118
{\an8}THERE WASN'T NO FISH LEFT
IN THE AREA, OR CRAB EVEN.
452
00:22:00,185 --> 00:22:02,487
{\an8}AS SOON AS YOU GOT INTO THE AREA
WHERE THEY WAS,
453
00:22:02,554 --> 00:22:04,456
{\an8}IT WAS PRETTY MUCH A DEAD ZONE.
454
00:22:04,523 --> 00:22:06,091
{\an8}♪♪
455
00:22:06,158 --> 00:22:07,492
{\an8}Narrator:
THIS CREATURE FROM THE DEEP
456
00:22:07,559 --> 00:22:10,329
{\an8}IS SOMETHING MARINE BIOLOGIST
DANNI WASHINGTON
457
00:22:10,395 --> 00:22:12,631
{\an8}HAS NEVER COME ACROSS
IN ALL THE YEARS
458
00:22:12,698 --> 00:22:15,500
{\an8}SHE'S SPENT STUDYING
OCEAN CREATURES.
459
00:22:15,567 --> 00:22:18,303
{\an8}MAYBE WHAT WE'RE SEEING ON
THE WEST COAST IS A NEW SPECIES
460
00:22:18,370 --> 00:22:20,305
{\an8}THAT'S MUTATED
FROM ANOTHER OCEAN DWELLER.
461
00:22:20,372 --> 00:22:22,441
{\an8}WHEN YOU SEE
SOMETHING THIS WEIRD
462
00:22:22,507 --> 00:22:25,477
{\an8}THAT EVEN A LOT OF OCEAN
BIOLOGISTS CAN'T IDENTIFY,
463
00:22:25,544 --> 00:22:29,047
{\an8}YOU HAVE TO ASK,
IS THIS A NEW SPECIES?
464
00:22:29,114 --> 00:22:32,351
Narrator: BUT NEW SPECIES DON'T
JUST APPEAR OUT OF NOWHERE.
465
00:22:32,417 --> 00:22:34,019
WHERE HAS IT COME FROM?
466
00:22:34,086 --> 00:22:36,288
INVESTIGATIVE JOURNALIST
CHRIS O'BRIEN
467
00:22:36,355 --> 00:22:38,657
LOOKS TO SEE
IF THIS DEADLY MONSTER
468
00:22:38,724 --> 00:22:41,059
IS THE RESULT
OF SOME NUCLEAR ACCIDENT
469
00:22:41,126 --> 00:22:43,962
ON THE OTHER SIDE OF THE WORLD.
470
00:22:44,029 --> 00:22:46,698
O'Brien: ONE THEORY THAT
YOU CANNOT ESCAPE IS THE FACT
471
00:22:46,765 --> 00:22:51,002
THAT FUKUSHIMA,
THE ENVIRONMENTAL DISASTER
472
00:22:51,069 --> 00:22:53,939
THAT'S STILL GOING ON
AFTER SEVEN YEARS IN JAPAN,
473
00:22:54,005 --> 00:22:59,911
MAY BE IMPACTING THE AQUATIC
SEA LIFE IN THE PACIFIC OCEAN.
474
00:22:59,978 --> 00:23:03,582
Narrator: ON MARCH 11, 2011,
A TSUNAMI STRIKES
475
00:23:03,648 --> 00:23:06,952
THE FUKUSHIMA NUCLEAR PLANT
IN NORTHEASTERN JAPAN,
476
00:23:07,018 --> 00:23:10,355
CAUSING THREE REACTORS
TO MELT DOWN.
477
00:23:10,422 --> 00:23:12,724
THIS EVENT RELEASES
INTO THE PACIFIC OCEAN
478
00:23:12,791 --> 00:23:15,727
OVER 1,000 TIMES THE RADIATION
THAT ESCAPED
479
00:23:15,794 --> 00:23:19,030
DURING THE NUCLEAR DISASTER
AT CHERNOBYL.
480
00:23:19,097 --> 00:23:21,466
O'Brien: IT IS THE WORST
ENVIRONMENTAL DISASTER
481
00:23:21,533 --> 00:23:24,469
IN THE HISTORY OF HUMANKIND.
482
00:23:24,536 --> 00:23:28,206
150 TONS OF
HIGHLY RADIOACTIVE WATER
483
00:23:28,273 --> 00:23:30,175
{\an8}IS ESCAPING THE SITE
484
00:23:30,242 --> 00:23:34,112
{\an8}AND FLOWING INTO
THE PACIFIC OCEAN EVERY DAY.
485
00:23:34,179 --> 00:23:37,482
Narrator: THE DISASTER RELEASES
HIGH-ENERGY GAMMA RADIATION
486
00:23:37,549 --> 00:23:41,319
THAT CAN CAUSE SEVERE
GENETIC MUTATIONS AND CANCER.
487
00:23:41,386 --> 00:23:44,322
IN MAY 2015, LOCALS PHOTOGRAPHED
488
00:23:44,389 --> 00:23:47,592
MUTATED DAISIES GROWING
AS FAR AS 100 MILES
489
00:23:47,659 --> 00:23:50,362
FROM THE FUKUSHIMA PLANT.
490
00:23:50,429 --> 00:23:51,863
ACCORDING TO REPORTS,
491
00:23:51,930 --> 00:23:54,266
SEA LIFE HAS ALSO BEEN
GENETICALLY ALTERED
492
00:23:54,332 --> 00:23:57,202
BY THE NUCLEAR RADIATION.
493
00:23:57,269 --> 00:24:01,706
WE'RE SEEING INCREDIBLE
GENETIC DEFECTS IN SEA LIFE NOW.
494
00:24:01,773 --> 00:24:04,409
TWO-HEADED ORCAS
ARE BEING REPORTED.
495
00:24:04,476 --> 00:24:07,913
WHALES AND SALMON
WITH HUGE TUMORS.
496
00:24:07,979 --> 00:24:11,283
STARFISH WITH THEIR ARMS
FALLING OFF.
497
00:24:11,349 --> 00:24:13,318
Narrator: COULD THESE
SNAKE-LIKE SEA CREATURES
498
00:24:13,385 --> 00:24:17,355
SENDING THEIR SPAWN ONTO BEACHES
BE MUTANT MONSTERS?
499
00:24:17,422 --> 00:24:23,328
{\an8}♪♪
500
00:24:23,395 --> 00:24:26,164
COMING UP,
SHE'S THERE BUT SHE ISN'T.
501
00:24:26,231 --> 00:24:28,366
CAMERAS CAPTURE
A SPECTRAL ENCOUNTER
502
00:24:28,433 --> 00:24:30,335
AS SECURITY GUARDS' FLASHLIGHTS
503
00:24:30,402 --> 00:24:33,305
PASS RIGHT THROUGH
THE GHOSTLY FIGURE OF A WOMAN.
504
00:24:33,371 --> 00:24:35,240
Fox: THEY SAY
THAT SHE KILLED HER CHILDREN
505
00:24:35,307 --> 00:24:38,577
AND NOW SHE HAUNTS AND LOOKS
FOR OTHER CHILDREN TO KILL.
506
00:24:40,212 --> 00:24:42,347
Narrator:
HOLY FLYING SHEDS.
507
00:24:42,414 --> 00:24:44,716
A BUILDING MOVES
FOR NO APPARENT REASON,
508
00:24:44,783 --> 00:24:46,551
ALMOST KILLING TWO MEN.
509
00:24:46,618 --> 00:24:47,886
IF I HAD BEEN ONE OF THOSE GUYS,
510
00:24:47,953 --> 00:24:51,857
I WOULD BE THANKING
MY LUCKY STARS.
511
00:24:51,923 --> 00:24:53,992
Narrator:
AND SCIENTISTS ASSESS THE THREAT
512
00:24:54,059 --> 00:24:56,595
POSED BY THE ALIEN SEA CREATURE.
513
00:24:56,661 --> 00:24:59,498
WE HAVE TO FIGURE OUT
IF THEY'RE DANGEROUS TO HUMANS.
514
00:24:59,564 --> 00:25:02,400
SHOULD YOU TOUCH IT?
SHOULD IT TOUCH YOU?
515
00:25:11,543 --> 00:25:13,712
Narrator: INVESTIGATIVE
JOURNALIST CHRIS O'BRIEN
516
00:25:13,778 --> 00:25:16,181
SUSPECTS THE ALIEN SEA CREATURE
517
00:25:16,248 --> 00:25:18,617
KILLING SEA LIFE
OFF THE COAST OF OREGON
518
00:25:18,683 --> 00:25:20,619
IS A TERRIFYING MUTANT
519
00:25:20,685 --> 00:25:23,788
CAUSED BY THE
FUKUSHIMA NUCLEAR DISASTER.
520
00:25:23,855 --> 00:25:25,156
O'Brien:
I THINK THIS IS THE BEGINNING
521
00:25:25,223 --> 00:25:29,060
{\an8}OF A VERY, VERY STARTLING
AND TROUBLING PERIOD
522
00:25:29,127 --> 00:25:32,330
{\an8}FOR SEA LIFE ON THE PLANET,
523
00:25:32,397 --> 00:25:35,867
AND WE'RE GONNA BE SEEING
MORE AND MORE OF THIS.
524
00:25:35,934 --> 00:25:38,103
Narrator: BUT WHEN MARINE
BIOLOGIST DANNI WASHINGTON
525
00:25:38,169 --> 00:25:39,905
CHECKS OFFICIAL RECORDS,
526
00:25:39,971 --> 00:25:42,374
SHE'S NOT CONVINCED
THAT THIS BIZARRE CREATURE
527
00:25:42,440 --> 00:25:44,776
IS A REAL-LIFE MUTANT SEA WORM.
528
00:25:44,843 --> 00:25:46,845
{\an8}♪♪
529
00:25:46,912 --> 00:25:48,747
{\an8}Washington: IF THESE CREATES
ARE CONTAMINATED
530
00:25:48,813 --> 00:25:50,448
{\an8}WITH NUCLEAR FALLOUT,
THEN WE WOULD SEE
531
00:25:50,515 --> 00:25:53,118
{\an8}ELEVATED RADIATION LEVELS
ALONG THE COAST.
532
00:25:53,184 --> 00:25:54,753
BUT THE MONITORING STATIONS
533
00:25:54,819 --> 00:25:57,722
SHOW THAT THE RADIATION LEVELS
ARE WELL WITHIN SAFE LIMITS,
534
00:25:57,789 --> 00:25:59,624
WHICH LEADS ME TO BELIEVE
THAT WE MIGHT BE LOOKING
535
00:25:59,691 --> 00:26:02,794
AT SOMETHING
ALTOGETHER DIFFERENT.
536
00:26:02,861 --> 00:26:05,530
Narrator: WASHINGTON REVIEWS
THE TESTIMONY OF FISHERMEN
537
00:26:05,597 --> 00:26:08,099
WHO HAVE SEEN THESE MONSTERS
CLOSE UP.
538
00:26:08,166 --> 00:26:12,137
SHE NOTICES THAT THE CREATURE
IS REPORTED TO GLOW.
539
00:26:12,203 --> 00:26:14,105
IT WAS REPORTED THAT THESE
ORGANISMS GLOW BLUE
540
00:26:14,172 --> 00:26:15,574
WHEN THEY'RE DISTURBED.
541
00:26:15,640 --> 00:26:17,609
IN THE VIDEO,
BECAUSE IT WAS DAYTIME
542
00:26:17,676 --> 00:26:19,477
AND STRAIGHT SUNLIGHT
WAS SHINING,
543
00:26:19,544 --> 00:26:20,812
IT WAS HARD TO TELL.
544
00:26:20,879 --> 00:26:22,414
SO THEIR UNUSUAL SHAPE,
545
00:26:22,480 --> 00:26:24,950
THEIR HOLLOW BODY,
THEIR BLUE GLOW,
546
00:26:25,016 --> 00:26:28,687
AND LACK OF ORGANS
ALL INDICATE THIS IS A PYROSOME.
547
00:26:28,753 --> 00:26:29,955
{\an8}♪♪
548
00:26:30,021 --> 00:26:32,157
Narrator: "PYROSOME"
IS AN ANCIENT GREEK WORD
549
00:26:32,223 --> 00:26:34,059
MEANING "FIRE BODY."
550
00:26:34,125 --> 00:26:36,561
THIS CREATURE
LIGHTS UP LIKE A TORCH,
551
00:26:36,628 --> 00:26:38,163
BUT WEIRDER THAN THAT,
552
00:26:38,229 --> 00:26:41,900
WASHINGTON BELIEVES THIS SEA
MONSTER IS NOT ONE CREATURE,
553
00:26:41,967 --> 00:26:43,268
BUT MANY --
554
00:26:43,335 --> 00:26:47,272
TINY CREATURES WHO COMBINE
TO FORM ONE ENORMOUS BEAST.
555
00:26:47,339 --> 00:26:49,174
Washington: THEY CAN GROW
TO BE EXTREMELY LARGE,
556
00:26:49,240 --> 00:26:50,842
UP TO 60 FEET LONG,
557
00:26:50,909 --> 00:26:54,846
WHICH IS ABOUT THE SAME SIZE
AS A JUVENILE BLUE WHALE.
558
00:26:54,913 --> 00:26:56,114
THEY'RE JET-PROPELLED.
559
00:26:56,181 --> 00:26:57,882
THEY PULL WATER IN
THROUGH THE SURFACE
560
00:26:57,949 --> 00:26:59,684
AND THEN SQUIRT IT
OUT THE APERTURE
561
00:26:59,751 --> 00:27:02,053
AND MOVE THEMSELVES
THROUGH THE WATER.
562
00:27:02,120 --> 00:27:04,422
Narrator: PYROSOMES
ARE NORMALLY ONLY FOUND
563
00:27:04,489 --> 00:27:06,758
IN WARM, TROPICAL WATERS,
564
00:27:06,825 --> 00:27:10,128
BUT AN UNUSUAL WARM PATCH
OF WATER IN THE PACIFIC,
565
00:27:10,195 --> 00:27:12,764
COUPLED WITH A STRONG
EL NIÑO EVENT,
566
00:27:12,831 --> 00:27:14,065
ALLOWED THESE INVADERS
567
00:27:14,132 --> 00:27:17,736
TO MOVE FAR UP NORTH
AND ONTO THE AMERICAN COAST,
568
00:27:17,802 --> 00:27:21,506
THREATENING TO CREATE HORRIFIC
DEAD ZONES IN THE OCEAN.
569
00:27:21,573 --> 00:27:25,143
{\an8}PYROSOMES EAT THE FISH FRY.
THE PLANKTON, THE LARVAL FISH.
570
00:27:25,210 --> 00:27:28,246
THEN THAT COULD REALLY DEVASTATE
THE FISHING COMMUNITY.
571
00:27:28,313 --> 00:27:31,850
{\an8}♪♪
572
00:27:31,916 --> 00:27:35,286
Narrator: NOW,
IT'S A DEAD-CALM SUNNY DAY,
573
00:27:35,353 --> 00:27:39,057
AND TWO UNSUSPECTING WORKMEN
STROLL PAST A BUILDING.
574
00:27:39,124 --> 00:27:40,925
SECONDS LATER...
575
00:27:43,595 --> 00:27:45,864
SHEDS DON'T FLY.
576
00:27:45,930 --> 00:27:48,466
FLIES THROUGH THE AIR
AND CRASHES.
577
00:27:48,533 --> 00:27:52,871
THIS IS COMPLETELY CRAZY.
IT'S TOTALLY UNEXPECTED.
578
00:27:52,937 --> 00:27:55,440
IT'S FORTUNATE THE SHED
DIDN'T TAKE ANYBODY WITH IT.
579
00:27:55,507 --> 00:27:58,343
Narrator: THERE ARE NO STORMS
OR HURRICANES IN THE AREA,
580
00:27:58,410 --> 00:28:00,245
SO WHAT LEVITATED THIS SHED
581
00:28:00,311 --> 00:28:02,914
AND DUMPED IT IN FRONT
OF A SECURITY CAMERA?
582
00:28:02,981 --> 00:28:04,416
IT TAKES A LOT OF ENERGY TO LIFT
583
00:28:04,482 --> 00:28:06,551
A SEVERAL-HUNDRED-POUND
SHED OFF THE GROUND.
584
00:28:06,618 --> 00:28:09,054
WHAT'S HAPPENING HERE
THAT COULD ACTUALLY DO THAT?
585
00:28:09,120 --> 00:28:12,457
THIS REMINDS ME A LITTLE BIT
OF DOROTHY IN "THE WIZARD OF OZ"
586
00:28:12,524 --> 00:28:16,961
STANDING THERE AND WATCHING
EVERYTHING HOPELESSLY DISAPPEAR
587
00:28:17,028 --> 00:28:19,364
INTO THE SKY AROUND HER.
588
00:28:19,431 --> 00:28:24,235
{\an8}♪♪
589
00:28:24,302 --> 00:28:27,238
Narrator: APRIL 27, 2013.
590
00:28:27,305 --> 00:28:31,042
A CALM SUNNY MORNING
ON AN INDUSTRIAL SITE IN CHINA.
591
00:28:31,109 --> 00:28:34,212
{\an8}WE SEE A COUPLE OF GUYS
WANDER THROUGH THE FRAME.
592
00:28:34,279 --> 00:28:38,450
{\an8}♪♪
593
00:28:38,516 --> 00:28:42,220
AND THEN ALL OF A SUDDEN,
A SHED IS LIFTED UP,
594
00:28:42,287 --> 00:28:46,691
FLIES THROUGH THE AIR,
AND SMASHES INTO THE CAMERA.
595
00:28:46,758 --> 00:28:48,693
THOSE GUYS ARE SO LUCKY.
596
00:28:48,760 --> 00:28:51,262
{\an8}IT WOULD HAVE KILLED SOMEBODY,
WITHOUT A DOUBT.
597
00:28:51,329 --> 00:28:53,498
{\an8}Durda: IT ALMOST LOOKS LIKE
THERE'S SOME INVISIBLE FORCE
598
00:28:53,565 --> 00:28:56,000
{\an8}THAT'S LIFTING THIS SHED.
599
00:28:57,635 --> 00:28:59,838
{\an8}SO, THE TWO MAIN QUESTIONS ARE,
NUMBER ONE,
600
00:28:59,904 --> 00:29:01,906
{\an8}WHAT COULD BE LIFTING
THE SHED OFF THE GROUND?
601
00:29:01,973 --> 00:29:04,976
{\an8}AND, NUMBER TWO, WHY ISN'T IT
DOING IT TO ANYTHING ELSE?
602
00:29:05,043 --> 00:29:07,846
{\an8}♪♪
603
00:29:07,912 --> 00:29:09,914
Narrator: SCIENCE JOURNALIST
DAVE FARINA
604
00:29:09,981 --> 00:29:11,716
STUDIES THE FOOTAGE FOR CLUES
605
00:29:11,783 --> 00:29:15,220
AS TO WHAT MIGHT HAVE SLUNG
THIS SHED ACROSS A YARD...
606
00:29:15,286 --> 00:29:18,089
AND SPOTS A CRUCIAL DETAIL.
607
00:29:18,156 --> 00:29:21,059
LOOKING AROUND THE FRAME,
WE DO SEE OBJECTS THAT LOOK LIKE
608
00:29:21,126 --> 00:29:25,196
THEY MIGHT BE, SAY,
TANKS OF COMPRESSED GAS.
609
00:29:25,263 --> 00:29:28,266
AND THAT COULD HAVE SOMETHING
TO DO WITH IT.
610
00:29:31,035 --> 00:29:32,937
Narrator:
A RAPID LOSS OF PRESSURE
611
00:29:33,004 --> 00:29:36,975
CAN TURN A CYLINDER
INTO A LETHAL WEAPON.
612
00:29:37,041 --> 00:29:39,344
IF YOU HAVE A SYSTEM
OF HIGHLY PRESSURIZED GAS,
613
00:29:39,410 --> 00:29:42,147
THE HIGH PRESSURE IS THE RESULT
OF PARTICLES OF GAS
614
00:29:42,213 --> 00:29:44,716
BEING PRESSED
VERY, VERY CLOSE TOGETHER.
615
00:29:44,783 --> 00:29:46,551
AND IF THAT GAS IS RELEASED,
616
00:29:46,618 --> 00:29:49,354
SUCH THAT THE PARTICLES
CAN SPREAD OUT VERY QUICKLY,
617
00:29:49,420 --> 00:29:53,591
THERE WILL BE A TREMENDOUS FORCE
ASSOCIATED WITH THAT.
618
00:29:53,658 --> 00:29:56,494
Narrator: FARINA BELIEVES
A SUDDEN EXPLOSIVE RELEASE
619
00:29:56,561 --> 00:30:00,865
OF A NON-FLAMMABLE GAS
LIKE CARBON DIOXIDE OR NITROGEN
620
00:30:00,932 --> 00:30:03,368
THREW THE SHED
ACROSS THIS PARKING LOT.
621
00:30:03,434 --> 00:30:05,837
Farina: A CANNISTER
OF HIGHLY PRESSURIZED GAS
622
00:30:05,904 --> 00:30:08,840
EITHER VENTED GAS VERY QUICKLY
TOWARDS THE ROOF OF THE SHED
623
00:30:08,907 --> 00:30:12,277
OR ITSELF BECAME A PROJECTILE,
STRIKING THE ROOF OF THE SHED,
624
00:30:12,343 --> 00:30:14,345
CAUSING IT TO LIFT OFF.
625
00:30:14,412 --> 00:30:18,283
{\an8}♪♪
626
00:30:18,349 --> 00:30:19,951
Narrator: THE FOOTAGE
COMES TO THE ATTENTION
627
00:30:20,018 --> 00:30:23,221
OF ENGINEER AND EXPLOSIVES
EXPERT MATT KUTCHER.
628
00:30:23,288 --> 00:30:24,923
HE HAS 20 YEARS' EXPERIENCE
629
00:30:24,989 --> 00:30:28,326
OF PYROTECHNICS
ON MAJOR HOLLYWOOD MOVIES.
630
00:30:28,393 --> 00:30:31,663
HE DISPUTES THE
"RUPTURING GAS BOTTLE" THEORY.
631
00:30:31,729 --> 00:30:35,767
CLEARLY, IN THE VIDEO, WE DON'T
SEE ANY REMNANTS OF A CANNISTER.
632
00:30:35,834 --> 00:30:37,435
THERE'S JUST NO CANNISTER
FLYING THROUGH THE VIDEO,
633
00:30:37,502 --> 00:30:39,404
NOTHING SPINNING AROUND.
634
00:30:39,470 --> 00:30:40,939
I THINK WHAT THIS TELLS US
635
00:30:41,005 --> 00:30:43,107
IS, CLEARLY,
IT WASN'T A GAS CANNISTER.
636
00:30:43,174 --> 00:30:46,077
{\an8}♪♪
637
00:30:46,144 --> 00:30:47,946
Narrator:
IMAGE ANALYST CONOR McCOURT
638
00:30:48,012 --> 00:30:49,480
STUDIES THE FOOTAGE
639
00:30:49,547 --> 00:30:52,517
AND SEIZES UPON A DETAIL
THAT MAY SOLVE THE MYSTERY
640
00:30:52,584 --> 00:30:55,286
OF WHAT LAUNCHED A SHED
ACROSS A YARD.
641
00:30:55,353 --> 00:30:56,688
McCourt:
ONE THING THAT WE NOTICE
642
00:30:56,754 --> 00:30:58,556
{\an8}JUST BEFORE THE SHED
LIFTS INTO THE AIR
643
00:30:58,623 --> 00:31:01,526
{\an8}IS THAT THERE'S A SMOKY MIST
THAT GOES ACROSS THE YARD.
644
00:31:01,593 --> 00:31:03,595
{\an8}WHAT IS IT?
645
00:31:09,467 --> 00:31:12,403
Narrator: COMING UP,
A CCTV CONTROL ROOM
646
00:31:12,470 --> 00:31:15,540
PICKS UP A WOMAN
STANDING IN A FACTORY YARD,
647
00:31:15,607 --> 00:31:19,043
BUT THE GUARDS SENT OUT
TO INVESTIGATE CAN'T SEE HER.
648
00:31:19,110 --> 00:31:21,079
IT'S LIKE A VERY PECULIAR
VERSION OF A GHOST
649
00:31:21,145 --> 00:31:24,115
PLAYING HIDE-AND-SEEK.
650
00:31:24,182 --> 00:31:26,150
Narrator: AND MATT KUTCHER
FINDS OUT WHAT HAPPENS
651
00:31:26,217 --> 00:31:28,553
WHEN YOU MIX GAS AND A SHED.
652
00:31:28,620 --> 00:31:30,855
WE'VE DEVISED A SMALL LITTLE
ELECTRIC-MATCH SYSTEM
653
00:31:30,922 --> 00:31:32,924
SO THAT WE KNOW EXACTLY
WHEN IT'LL GO OFF.
654
00:31:32,991 --> 00:31:35,994
WHEN WE ACTIVATE IT, IT'LL LIGHT
THE PROPANE, AND OFF WE GO.
655
00:31:40,265 --> 00:31:44,802
{\an8}♪♪
656
00:31:44,869 --> 00:31:48,106
Narrator: A SHED IN CHINA
MYSTERIOUSLY LIFTS INTO THE AIR
657
00:31:48,172 --> 00:31:50,174
BEFORE SMASHING DOWN.
658
00:31:50,241 --> 00:31:53,811
EXPLOSIVES EXPERT MATT KUTCHER
BELIEVES THAT A SLOW GAS LEAK
659
00:31:53,878 --> 00:31:56,281
CAUSED THE SHED
TO BECOME AIRBORNE.
660
00:31:56,347 --> 00:31:59,717
TO TEST HIS THEORY,
HE SETS UP AN EXPERIMENT.
661
00:31:59,784 --> 00:32:01,586
Kutcher: IT COULD BE
AN INDUSTRIAL TYPE OF YARD,
662
00:32:01,653 --> 00:32:04,155
SOMEPLACE PROPANE OR
NATURAL GAS COULD BE ESCAPING.
663
00:32:04,222 --> 00:32:06,057
SO WHAT WE'RE LOOKING
TO FIND OUT --
664
00:32:06,124 --> 00:32:08,459
{\an8}COULD IT BE A BUILDUP OF SOME
KIND OF NATURAL GAS OR PROPANE
665
00:32:08,526 --> 00:32:10,929
{\an8}THAT SLOWLY IGNITED
OR WENT IN SUCH A WAY
666
00:32:10,995 --> 00:32:13,298
{\an8}THAT THE SHED JUST LEVITATED?
667
00:32:13,364 --> 00:32:15,033
SO, THE EXPERIMENT
WE DESIGNED HERE TODAY
668
00:32:15,099 --> 00:32:18,770
IS A RELEASE OF PROPANE FILLING
UP THE CHAMBER OF THE SHED
669
00:32:18,836 --> 00:32:21,472
AND THEN IGNITING IT, AND
SEEING IF WE CAN GET IT TO LIFT
670
00:32:21,539 --> 00:32:24,575
SIMILAR TO WHAT WE SEE
IN THE VIDEO.
671
00:32:24,642 --> 00:32:27,412
TO MOST PEOPLE, PROPANE IS GONNA
SEEM LIKE IT BURNS REALLY FAST,
672
00:32:27,478 --> 00:32:29,347
LIKE IT EXPLODES QUICKLY.
673
00:32:29,414 --> 00:32:32,450
IT DOESN'T. HERE, THE GAS
IS NOT UNDER PRESSURE.
674
00:32:32,517 --> 00:32:33,851
WE'RE JUST FILLING THE VESSEL,
675
00:32:33,918 --> 00:32:35,853
TRYING TO GET IT TO LIFT
MORE LIKE A ROCKET --
676
00:32:35,920 --> 00:32:38,189
NOT CONTAINING IT
AND EXPLODING IT.
677
00:32:38,256 --> 00:32:39,724
SO WE WENT WITH THE PROPANE
678
00:32:39,791 --> 00:32:43,394
BECAUSE IT HAS THE GREATEST
CHANCE OF LIFTING THE SHED.
679
00:32:43,461 --> 00:32:46,097
Narrator: KUTCHER AND HIS TEAM
PUMP PROPANE INTO BAGS
680
00:32:46,164 --> 00:32:50,001
TO MIMIC THE EFFECT OF THE SHED
SLOWLY FILLING WITH THE GAS.
681
00:32:50,068 --> 00:32:52,170
Kutcher: WE'RE NOT GONNA HAVE IT
COMPLETELY COMPRESSED,
682
00:32:52,236 --> 00:32:53,972
BUT WE'RE GONNA REQUIRE
SOME KIND OF TRIGGER
683
00:32:54,038 --> 00:32:55,974
SO THAT WE KNOW EXACTLY
WHEN IT'LL GO OFF.
684
00:32:56,040 --> 00:32:58,476
SO WE'VE DEVISED A SMALL LITTLE
ELECTRIC-MATCH SYSTEM.
685
00:32:58,543 --> 00:33:01,946
WHEN WE ACTIVATE IT, IT'LL LIGHT
THE PROPANE, AND OFF WE GO.
686
00:33:02,013 --> 00:33:04,415
{\an8}♪♪
687
00:33:04,482 --> 00:33:06,417
WE'RE READY TO GO!
688
00:33:06,484 --> 00:33:08,019
{\an8}♪♪
689
00:33:08,086 --> 00:33:10,254
[ HISSING ]
690
00:33:10,321 --> 00:33:16,761
{\an8}♪♪
691
00:33:16,828 --> 00:33:23,234
{\an8}♪♪
692
00:33:23,301 --> 00:33:29,741
{\an8}♪♪
693
00:33:29,807 --> 00:33:32,276
THE STRUCTURE IS NOT TOUGH
ENOUGH TO STAY TOGETHER
694
00:33:32,343 --> 00:33:35,046
AND LAUNCH LIKE A ROCKET.
695
00:33:35,113 --> 00:33:38,082
I THINK IT'S A NEGATIVE THAT
THIS WAS A PROPANE EXPLOSION.
696
00:33:38,149 --> 00:33:40,918
IT HAD TO BE SOMETHING ELSE THAT
CAUSED IT TO LIFT INTO THE AIR.
697
00:33:40,985 --> 00:33:47,992
{\an8}♪♪
698
00:33:49,527 --> 00:33:51,362
Narrator:
SCIENCE WRITER KIKI SANFORD
699
00:33:51,429 --> 00:33:53,998
WONDERS IF THE SHED
HAD BEEN DELIBERATELY LIFTED
700
00:33:54,065 --> 00:33:56,267
BEFORE BEING DROPPED FROM ABOVE.
701
00:33:56,334 --> 00:33:59,971
{\an8}MAYBE THE SHED IS BEING LIFTED
FROM ABOVE, LIKE WITH A CRANE,
702
00:34:00,038 --> 00:34:02,306
{\an8}BUT SOMETHING HAS GONE
HORRIBLY WRONG.
703
00:34:02,373 --> 00:34:05,410
WE CAN'T SEE THE TOP OF THE SHED
IN THE VIDEO FRAME,
704
00:34:05,476 --> 00:34:08,913
SO IT'S POSSIBLE THAT IT COULD
BE ATTACHED TO SOMETHING,
705
00:34:08,980 --> 00:34:11,282
LIKE A CRANE OR A CABLE.
706
00:34:11,349 --> 00:34:13,551
CHINA'S RECENT
INDUSTRIAL EXPANSION
707
00:34:13,618 --> 00:34:16,521
HAS LED TO MORE
INDUSTRIAL ACCIDENTS.
708
00:34:16,587 --> 00:34:19,023
Narrator: CHINA RANKS AS ONE
OF THE MOST DANGEROUS PLACES
709
00:34:19,090 --> 00:34:20,491
ON EARTH TO WORK,
710
00:34:20,558 --> 00:34:25,630
WITH ALMOST 40,000 PEOPLE KILLED
IN WORKPLACE ACCIDENTS IN 2017.
711
00:34:25,696 --> 00:34:26,898
COMPARED TO THE WEST,
712
00:34:26,964 --> 00:34:29,667
CRANE COLLAPSES
ARE MORE COMMON IN CHINA.
713
00:34:29,734 --> 00:34:31,636
Sanford:
CRANES CAN BE VERY DANGEROUS.
714
00:34:31,702 --> 00:34:33,004
THEY'RE BIG MACHINERY.
715
00:34:33,071 --> 00:34:37,075
AND YOU HAVE A POOR BALANCE
ANYWHERE IN THE SITUATION,
716
00:34:37,141 --> 00:34:39,210
AN ACCIDENT CAN HAPPEN.
717
00:34:39,277 --> 00:34:43,214
IN 2017, A CRANE COLLAPSED,
CRUSHING A VAN,
718
00:34:43,281 --> 00:34:47,385
KILLING SEVEN
AND INJURING TWO OTHERS.
719
00:34:47,452 --> 00:34:50,154
Narrator: CONOR McCOURT WORKED
AS A VIDEO IMAGE ANALYST
720
00:34:50,221 --> 00:34:51,989
FOR THE NEW YORK
POLICE DEPARTMENT
721
00:34:52,056 --> 00:34:55,793
AND HAS OVER 20 YEARS'
EXPERIENCE IN THE FIELD.
722
00:34:55,860 --> 00:34:57,829
IF THE CRANE THEORY IS TRUE,
723
00:34:57,895 --> 00:35:01,232
HE EXPECTS TO SEE ITS SHADOW
CROSSING THE YARD.
724
00:35:01,299 --> 00:35:03,935
{\an8}WHEN I ZOOM IN
ON THE YARD AREA HERE,
725
00:35:04,001 --> 00:35:07,839
{\an8}I'M NOT SEEING ANY INDICATION OF
A SHADOW OF A BOOM FROM A CRANE.
726
00:35:07,905 --> 00:35:10,274
SOMETHING LIKE THAT,
WE WOULD PROBABLY BE ABLE
727
00:35:10,341 --> 00:35:12,143
TO SEE IT IN THIS VIDEO.
728
00:35:12,210 --> 00:35:14,545
{\an8}♪♪
729
00:35:14,612 --> 00:35:17,148
Narrator: COMING UP,
HAVE SECURITY CAMERAS
730
00:35:17,215 --> 00:35:19,317
CAPTURED AN AZTEC GHOST?
731
00:35:19,383 --> 00:35:22,420
WHEN YOU KNOW THE STORY
BEHIND THE WEEPING WOMAN,
732
00:35:22,487 --> 00:35:23,654
IT'S TERRIFYING THINKING
733
00:35:23,721 --> 00:35:26,124
THAT YOU COULD ACTUALLY BE
RIGHT NEXT TO HER.
734
00:35:26,190 --> 00:35:29,594
Narrator: AND WHAT HAS CAUSED
THIS SHED TO FLY?
735
00:35:29,660 --> 00:35:31,829
IS IT A DUST DEVIL?
736
00:35:38,169 --> 00:35:40,438
Narrator: EXPERTS ARE TRYING
TO WORK OUT THE MYSTERY
737
00:35:40,505 --> 00:35:43,307
BEHIND THE FLYING SHED IN CHINA.
738
00:35:43,374 --> 00:35:47,545
PLANETARY SCIENTIST DAN DURDA
LOOKS AGAIN AT THE STRANGE MIST
739
00:35:47,612 --> 00:35:51,215
THAT ROLLS OVER THE GROUND
BEFORE THE SHED GOES AIRBORNE.
740
00:35:51,282 --> 00:35:53,384
Durda: THERE LOOKS TO BE
SOME SORT OF A WEIRD SHIMMER.
741
00:35:53,451 --> 00:35:54,886
{\an8}IS IT LOOSE MATERIAL
ON THE GROUND
742
00:35:54,952 --> 00:35:58,055
{\an8}THAT'S BEING STIRRED UP
BY A DUST DEVIL?
743
00:35:58,122 --> 00:36:01,459
{\an8}Narrator: DUST DEVILS OCCUR
IN BARREN DESERT ENVIRONMENTS.
744
00:36:01,526 --> 00:36:04,962
THESE WHIRLWINDS REACH WIDTHS
OF SEVERAL HUNDRED FEET
745
00:36:05,029 --> 00:36:08,299
AND SPEEDS OF
UP TO 75 MILES PER HOUR,
746
00:36:08,366 --> 00:36:11,035
THE EQUIVALENT OF A TORNADO.
747
00:36:11,102 --> 00:36:13,137
Durda: THEY'RE SOLAR-POWERED,
BASICALLY.
748
00:36:13,204 --> 00:36:17,041
IT'S THE LOCALIZED HEATING OF
THE GROUND THAT CAUSES UPDRAFTS.
749
00:36:17,108 --> 00:36:19,744
UPDRAFTS WILL DRAW IN AIR.
750
00:36:19,810 --> 00:36:21,379
THAT AIR, AS IT DRAWS IN,
751
00:36:21,445 --> 00:36:26,250
WILL CYCLE AND BEGIN
A ROTATIONAL MOTION,
752
00:36:26,317 --> 00:36:29,153
ALMOST LIKE
A LITTLE MINI TORNADO.
753
00:36:29,220 --> 00:36:31,355
Narrator:
ACCORDING TO AVIATION REPORTS,
754
00:36:31,422 --> 00:36:32,924
DUST DEVILS HAVE BEEN CITED
755
00:36:32,990 --> 00:36:36,060
IN OVER 100 U.S.
AIRCRAFT INCIDENTS,
756
00:36:36,127 --> 00:36:38,596
FIVE OF WHICH WERE FATAL.
757
00:36:38,663 --> 00:36:42,233
A VERY POWERFUL DUST DEVIL WOULD
HAVE ENOUGH AERODYNAMIC FORCE
758
00:36:42,300 --> 00:36:43,801
TO LIFT THAT SHED
OFF INTO THE AIR.
759
00:36:43,868 --> 00:36:45,603
IT'S, YOU KNOW, THE SHED VERSION
760
00:36:45,670 --> 00:36:49,040
OF DOROTHY'S HOUSE IN KANSAS,
I SUPPOSE.
761
00:36:49,106 --> 00:36:51,375
Farina: SO, WHILE DUST DEVILS
ARE PRETTY COMMON,
762
00:36:51,442 --> 00:36:53,110
{\an8}IT SEEMS THAT THIS FOOTAGE
HAS CAPTURED
763
00:36:53,177 --> 00:36:54,779
{\an8}AN ESPECIALLY POWERFUL ONE,
764
00:36:54,845 --> 00:36:58,015
{\an8}WHICH JUST GOES TO SHOW YOU THAT
NATURE CAN ALWAYS SURPRISE YOU.
765
00:36:58,082 --> 00:37:01,686
{\an8}♪♪
766
00:37:01,752 --> 00:37:03,821
Narrator:
NOW, A SECURITY CAMERA
767
00:37:03,888 --> 00:37:06,624
SPOTS A WOMAN STANDING
IN A FACTORY YARD.
768
00:37:06,691 --> 00:37:08,492
GUARDS GO TO CONFRONT HER.
769
00:37:08,559 --> 00:37:10,561
[ SPEAKING INDISTINCTLY ]
770
00:37:10,628 --> 00:37:14,565
ON THE CAMERA, THE GUARDS AND
THE WOMAN ARE CLEARLY VISIBLE,
771
00:37:14,632 --> 00:37:17,368
BUT THE GUARDS ON THE GROUND
CANNOT SEE THE WOMAN
772
00:37:17,435 --> 00:37:20,571
WHO STANDS
RIGHT IN FRONT OF THEM.
773
00:37:20,638 --> 00:37:22,373
Fox:
WHEN I FIRST SAW THIS VIDEO,
774
00:37:22,440 --> 00:37:25,276
I ACTUALLY HAD
THE HEEBIE-JEEBIES.
775
00:37:25,343 --> 00:37:27,345
Orzel: IT'S LIKE
A VERY PECULIAR VERSION
776
00:37:27,411 --> 00:37:29,213
OF A GHOST
PLAYING HIDE-AND-SEEK.
777
00:37:29,280 --> 00:37:31,749
IT'S VISIBLE ON THE CAMERA
BUT NOT TO THE GUARDS
778
00:37:31,816 --> 00:37:34,652
WHO ARE WALKING AROUND
IN THE CLIP.
779
00:37:34,719 --> 00:37:37,622
Narrator: SOME LOCALS BELIEVE
THIS IS INDEED A GHOST --
780
00:37:37,688 --> 00:37:40,291
A GHOST THEY CALL
THE WEEPING WOMAN.
781
00:37:40,358 --> 00:37:41,692
{\an8}AFTER SHE LOST HER LOVER,
782
00:37:41,759 --> 00:37:43,227
{\an8}THEY SAY THAT SHE KILLED
HER CHILDREN
783
00:37:43,294 --> 00:37:46,697
{\an8}AND NOW SHE HAUNTS AND LOOKS
FOR OTHER CHILDREN TO KILL.
784
00:37:46,764 --> 00:37:50,868
{\an8}♪♪
785
00:37:50,935 --> 00:37:53,037
Narrator:
IN MEXICO, SURVEILLANCE CAMERAS
786
00:37:53,104 --> 00:37:57,074
KEEP A WATCHFUL EYE
ON A FACTORY YARD.
787
00:37:57,141 --> 00:38:00,144
ONE CAMERA PICKS UP
A FEMALE FIGURE.
788
00:38:00,211 --> 00:38:02,546
THE FACTORY SENDS OUT
TWO SECURITY WORKERS
789
00:38:02,613 --> 00:38:04,749
TO ASK HER WHAT SHE'S DOING.
790
00:38:04,815 --> 00:38:06,417
Fox: IT ACTUALLY
GAVE ME THE CHILLS,
791
00:38:06,484 --> 00:38:08,819
BECAUSE WE'RE WATCHING
THIS WOMAN --
792
00:38:08,886 --> 00:38:13,024
YOU CAN SEE HER LEGS AND HER
DRESS, AND SHE'S KIND OF HOODED.
793
00:38:13,090 --> 00:38:15,259
Narrator: THE SECURITY TEAM
WATCHING THE LIVE FEED
794
00:38:15,326 --> 00:38:17,061
CAN SEE THIS FIGURE,
795
00:38:17,128 --> 00:38:20,197
BUT THE GUARDS OUT IN THE YARD
CLEARLY CAN'T.
796
00:38:20,264 --> 00:38:23,134
Orzel: THESE GUYS ARE WALKING
AROUND, LOOKING FOR A PERSON.
797
00:38:23,200 --> 00:38:24,735
THEY DON'T SEE ANYTHING.
798
00:38:24,802 --> 00:38:27,738
{\an8}YOU CAN SEE THEM BACKING UP
AND SHINING FLASHLIGHTS AROUND
799
00:38:27,805 --> 00:38:30,141
{\an8}AND LOOKING TO SEE ANYTHING,
800
00:38:30,207 --> 00:38:32,343
{\an8}AND THEY DON'T FIND
ANYTHING THERE,
801
00:38:32,410 --> 00:38:34,378
{\an8}EVEN THOUGH THIS SHADOWY FIGURE
802
00:38:34,445 --> 00:38:36,547
IS VERY CLEARLY VISIBLE
IN THE VIDEO.
803
00:38:36,614 --> 00:38:38,549
Narrator:
COLLEAGUES WATCH IN AMAZEMENT
804
00:38:38,616 --> 00:38:40,618
AS THE TWO WORKERS
SHINE A BEAM OF LIGHT
805
00:38:40,685 --> 00:38:42,620
THROUGH THE MYSTERIOUS FIGURE.
806
00:38:42,687 --> 00:38:45,656
AND THEN THINGS TAKE
AN EVEN STRANGER TURN.
807
00:38:45,723 --> 00:38:49,126
THEY ARE WALKING RIGHT PAST HER,
OR, ACTUALLY, THROUGH HER.
808
00:38:49,193 --> 00:38:51,929
Narrator: COULD THIS CCTV CAMERA
BE PICKING UP SOMETHING
809
00:38:51,996 --> 00:38:55,099
THAT'S NOT VISIBLE
TO THE NAKED EYE?
810
00:38:55,166 --> 00:38:58,336
Orzel: HOW CAN THE CAMERA
BE SEEING THIS PERSON THERE
811
00:38:58,402 --> 00:39:00,871
WITHOUT THESE PEOPLE
WHO ARE ON SCENE,
812
00:39:00,938 --> 00:39:03,607
RIGHT ON TOP OF HER,
BEING ABLE TO SEE HER, AS WELL?
813
00:39:03,674 --> 00:39:06,811
WHAT COULD THE VIDEO
POSSIBLY BE LOOKING AT?
814
00:39:06,877 --> 00:39:09,880
{\an8}♪♪
815
00:39:09,947 --> 00:39:11,615
Narrator:
FOLKLORIST MAILLE FOX
816
00:39:11,682 --> 00:39:15,820
UNDERSTANDS WHY LOCALS FIND
THIS FOOTAGE SO TERRIFYING.
817
00:39:15,886 --> 00:39:17,822
IT GAVE ME THE CREEPS,
THE WAY THAT THEY WERE
818
00:39:17,888 --> 00:39:21,092
WALKING THROUGH HER,
AND THE WOMAN JUST STOOD THERE.
819
00:39:21,158 --> 00:39:23,794
IT KIND OF MAKES YOU THINK
THAT MAYBE IT WAS A GHOST.
820
00:39:23,861 --> 00:39:26,364
LA LLORONA,
OR THE WEEPING WOMAN,
821
00:39:26,430 --> 00:39:29,266
IS ONE OF THE MOST FAMOUS
GHOSTS IN MEXICO,
822
00:39:29,333 --> 00:39:32,103
AND IT'S REPORTED
ALL OVER THE COUNTRY.
823
00:39:32,169 --> 00:39:34,972
SOME SAY SHE'S
THE SPURNED AZTEC MISTRESS
824
00:39:35,039 --> 00:39:39,176
OF CONQUISTADOR CORTéS
WHO HE LEFT FOR A SPANISH WOMAN.
825
00:39:39,243 --> 00:39:40,411
{\an8}♪♪
826
00:39:40,478 --> 00:39:41,746
Fox:
AFTER SHE LOST HER LOVER,
827
00:39:41,812 --> 00:39:43,447
THEY SAY THAT SHE KILLED
HER CHILDREN,
828
00:39:43,514 --> 00:39:47,151
AND NOW SHE HAUNTS AND LOOKS
FOR OTHER CHILDREN TO KILL.
829
00:39:47,218 --> 00:39:49,420
WHEN YOU SEE THE WOMAN
JUST STANDING THERE
830
00:39:49,487 --> 00:39:52,556
AND YOU KNOW THE STORY
BEHIND THE WEEPING WOMAN,
831
00:39:52,623 --> 00:39:54,492
IT'S TERRIFYING THINKING
832
00:39:54,558 --> 00:39:56,894
THAT YOU COULD ACTUALLY BE
RIGHT NEXT TO HER.
833
00:39:56,961 --> 00:40:00,698
Narrator: LA LLORONA HAS EVEN
BEEN SPOTTED IN THE U.S.A.
834
00:40:00,765 --> 00:40:03,501
RECENT SIGHTINGS HAVE BEEN
REPORTED OF A WAILING WOMAN
835
00:40:03,567 --> 00:40:06,971
BY A CANAL SITE
IN PHOENIX, ARIZONA,
836
00:40:07,037 --> 00:40:10,374
AND ON A ROAD NEAR
FRESNO, CALIFORNIA.
837
00:40:10,441 --> 00:40:13,778
BUT IS THIS THE FIRST TIME
SHE'S APPEARED ON FILM?
838
00:40:13,844 --> 00:40:17,748
{\an8}♪♪
839
00:40:17,815 --> 00:40:20,518
PHYSICIST CHAD ORZEL
RETURNS TO THE FOOTAGE
840
00:40:20,584 --> 00:40:22,953
TO TRY AND FIND
SOME OTHER EXPLANATION
841
00:40:23,020 --> 00:40:24,388
FOR WHAT'S HAPPENING.
842
00:40:24,455 --> 00:40:26,624
WHEN THE GUARDS WALK
IN FRONT OF THE FIGURE,
843
00:40:26,690 --> 00:40:30,027
THEY BLOCK IT
FROM THE CAMERA'S VISION.
844
00:40:30,094 --> 00:40:31,996
Orzel:
SO WHATEVER'S GOING ON HERE,
845
00:40:32,062 --> 00:40:35,166
IT SEEMS LIKE THE FIGURE
IS ACTUALLY IN THE SCENE
846
00:40:35,232 --> 00:40:37,334
AND IT'S NOT SOMETHING
CLOSER TO THE CAMERA.
847
00:40:37,401 --> 00:40:39,703
IT'S GOT TO BE SOMETHING
DOWN WHERE THEY ARE.
848
00:40:39,770 --> 00:40:41,572
BUT THEN YOU WOULD THINK
THAT THEY WOULD SEE IT,
849
00:40:41,639 --> 00:40:43,040
WHICH IS VERY ODD.
850
00:40:43,107 --> 00:40:46,243
Narrator: ORZEL EXAMINES
THE FOOTAGE MORE CLOSELY.
851
00:40:46,310 --> 00:40:48,045
{\an8}♪♪
852
00:40:48,112 --> 00:40:51,415
WHEN THE FIRST SECURITY GUARD
FLASHES HIS LIGHT,
853
00:40:51,482 --> 00:40:55,686
IT ILLUMINATES HIS COLLEAGUE'S
FACE BUT NOT THE BLACK FIGURE.
854
00:40:55,753 --> 00:40:57,521
Orzel: THAT SUGGESTS
THAT THERE'S SOMETHING THERE
855
00:40:57,588 --> 00:41:01,992
ON THE GROUND BEHIND THEM
THAT THE CAMERA IS PICKING UP.
856
00:41:02,059 --> 00:41:03,794
WHAT WOULD BE
ON THE GROUND THERE
857
00:41:03,861 --> 00:41:05,529
THAT IS VISIBLE TO THE CAMERA
858
00:41:05,596 --> 00:41:08,432
AND NOT TO THE GUARDS
WALKING AROUND?
859
00:41:08,499 --> 00:41:10,234
MY BEST GUESS ON THIS --
860
00:41:10,301 --> 00:41:12,503
IT COULD BE SOME
SORT OF TROMPE L'OEIL
861
00:41:12,570 --> 00:41:14,138
PAINTED ON THE GROUND.
862
00:41:14,205 --> 00:41:15,940
Narrator:
THE FRENCH TERM "TROMPE L'OEIL"
863
00:41:16,006 --> 00:41:18,375
TRANSLATES AS "DECEIVE THE EYE"
864
00:41:18,442 --> 00:41:20,444
AND DESCRIBES OPTICAL ILLUSIONS
865
00:41:20,511 --> 00:41:24,048
PAINTED TO IMITATE REAL OBJECTS
OR REAL LANDSCAPE
866
00:41:24,114 --> 00:41:26,617
WHEN SEEN FROM A CERTAIN ANGLE.
867
00:41:26,684 --> 00:41:29,053
ORZEL WONDERS
IF THE FIGURE IN THE FOOTAGE
868
00:41:29,119 --> 00:41:31,489
HAS SOMEHOW BEEN CLEVERLY PLACED
ON THE FLOOR
869
00:41:31,555 --> 00:41:33,724
{\an8}BEHIND THE SECURITY GUARDS.
870
00:41:33,791 --> 00:41:36,060
{\an8}Orzel: PEOPLE HAVE PAINTED
SOMETHING ON THE GROUND
871
00:41:36,126 --> 00:41:37,761
{\an8}THAT HAPPENS
TO ADDRESS THE CAMERA
872
00:41:37,828 --> 00:41:39,997
{\an8}BUT NOT FROM
WHERE THE PEOPLE ARE
873
00:41:40,064 --> 00:41:43,367
{\an8}WHO ARE MOVING AROUND
IN THE SCENE.
874
00:41:43,434 --> 00:41:44,935
{\an8}Narrator:
BUT THERE IS NO EVIDENCE
875
00:41:45,002 --> 00:41:46,303
{\an8}THAT TROMPE L'OEIL ARTISTS
876
00:41:46,370 --> 00:41:48,706
{\an8}HAVE SOMEHOW SNEAKED
INTO THIS FACTORY YARD
877
00:41:48,772 --> 00:41:50,574
{\an8}TO CREATE THIS EFFECT.
878
00:41:50,641 --> 00:41:53,511
{\an8}THERE IS NO OBVIOUS
SCIENTIFIC EXPLANATION
879
00:41:53,577 --> 00:41:55,646
{\an8}FOR THIS STRANGE ENCOUNTER
CAUGHT ON CAMERA.
880
00:41:55,713 --> 00:41:57,915
{\an8}Fox: MAYBE THERE ARE MORE GHOSTS
SURROUNDING US,
881
00:41:57,982 --> 00:42:00,918
{\an8}AND WE JUST DON'T SEE THEM
WITH THE NAKED EYE.
70928
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