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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:04,000 ♪ ♪ 2 00:00:04,680 --> 00:00:11,560 NARRATOR: A WORLD LIKE ANOTHER PLANET--THE ISLANDS OF NEW ZEALAND AND NEW CALEDONIA. 3 00:00:14,840 --> 00:00:19,080 HERE, THE BIRDS RULED SINCE TIME IMMEMORIAL. 4 00:00:19,640 --> 00:00:24,280 THERE WERE NO MAMMALS UNTIL HUMANS INTRODUCED THEM. 5 00:00:24,360 --> 00:00:30,040 IT IS NO WONDER THAT THE BIRDS SCALED NEW HEIGHTS WITH UNIQUE CAPABILITIES. 6 00:00:30,080 --> 00:00:35,080 THIS IS WHERE CROWS LIVE WHO CAN USE TOOLS LIKE NO OTHER CREATURE IN ANIMAL KINGDOM. 7 00:00:39,320 --> 00:00:41,800 AND THIS IS WHERE KEAS LIVE, 8 00:00:41,840 --> 00:00:47,320 PARROTS WHO EXPLORE THE WORLD AND SOMETIMES ALSO DECONSTRUCT IT. 9 00:00:50,400 --> 00:00:54,240 WHAT IS IT THAT MAKES THESE BIRDS SO INTELLIGENT, 10 00:00:54,840 --> 00:00:59,360 AND HOW HIGH DOES THEIR FLIGHT OF THE INTELLECT SOAR? 11 00:01:19,880 --> 00:01:24,360 AT LAST, IT'S STARTED SNOWING IN THE MOUNTAINS OF NEW ZEALAND. 12 00:01:24,400 --> 00:01:29,840 THIS SUITS THE KEAS DOWN TO THE GROUND. THEY ARE THE ONLY PARROTS WHO ACTUALLY LIKE SNOW, 13 00:01:29,880 --> 00:01:33,280 ICE, AND COLD. 14 00:01:33,320 --> 00:01:38,000 BUT ONE THING THEY DON'T LIKE IS BEING ALONE. 15 00:01:38,560 --> 00:01:40,640 THEY ENJOY COMPANY AND, LIKE US, 16 00:01:40,680 --> 00:01:46,440 THEY OFTEN GO VISITING FRIENDS AND RELATIVES, AND THEY CALL IN ADVANCE TO ANNOUNCE THEIR VISIT. 17 00:01:46,520 --> 00:01:49,120 [KEA SQUAWKING] 18 00:01:49,160 --> 00:01:53,800 BUT THERE'S NO RUSH; THE LAST FEW METERS CAN BE DONE ON FOOT. 19 00:01:56,840 --> 00:02:02,920 THAT WAY, YOU CAN CHECK WHETHER YOU'RE WELCOME AND MAKE YOUR OWN GOOD INTENTIONS CLEAR. 20 00:02:06,200 --> 00:02:10,840 THE TACTIC PAYS OFF; THE GREETING IS NICE AND FRIENDLY. 21 00:02:15,000 --> 00:02:16,840 BUT THESE TWO ARE STILL YOUNG, 22 00:02:16,880 --> 00:02:20,640 AS ONE CAN TELL FROM THE YELLOW CIRCLES AROUND THEIR EYES, 23 00:02:20,680 --> 00:02:25,080 AND VERY SOON, THE CUDDLES BECOME RATHER LESS GENTLE. 24 00:02:25,160 --> 00:02:27,200 AN UNAMBIGUOUS GESTURE. 25 00:02:27,240 --> 00:02:28,720 ENOUGH IS ENOUGH. 26 00:02:28,760 --> 00:02:33,040 [KEA SQUAWKS LOUDLY] 27 00:02:33,480 --> 00:02:38,920 NO PROBLEM. ONE CAN GO LET OFF STEAM SOMEWHERE ELSE AND LOOK FOR ADVENTURE. 28 00:02:38,960 --> 00:02:41,560 [LOUD ROCK MUSIC PLAYING] 29 00:02:41,600 --> 00:02:43,600 THE MORE BUSTLE, THE MERRIER. 30 00:02:43,640 --> 00:02:47,120 THE SKI CIRCUIT TURNS INTO AN AMUSEMENT PARK. 31 00:02:47,160 --> 00:02:49,640 "COME ON, LET'S GO." 32 00:03:01,360 --> 00:03:03,640 IT'S ALWAYS THE SAME GAME WITH THE BAGS. 33 00:03:03,680 --> 00:03:06,560 AS SOON AS YOU RUN TO GET IT, THE KEA RUNS AWAY. 34 00:03:15,560 --> 00:03:20,800 IN THE MEANTIME, REAL WINTER SPORTS--THE CAMPER ROOF AT A TOBOGGAN RUN. 35 00:03:20,840 --> 00:03:23,200 [SLIDE WHISTLE SOUND EFFECT] 36 00:03:26,840 --> 00:03:31,800 NOT BAD, BUT TODAY THERE'S AN EXTRA-SPECIAL ATTRACTION. 37 00:03:32,520 --> 00:03:34,240 WHAT A STRANGE DEVICE. 38 00:03:34,280 --> 00:03:37,640 MUST TAKE A LOOK AT THAT. 39 00:03:37,680 --> 00:03:41,160 AMANDA GREER BUILT THIS THING IN THE SNOW. 40 00:03:41,200 --> 00:03:43,800 SHE IS CONDUCTING RESEARCH INTO WHAT KEAS EAT, 41 00:03:43,840 --> 00:03:47,880 AND SO SHE MUST KNOW AS ACCURATELY AS POSSIBLE WHAT THEY WEIGH. 42 00:03:47,920 --> 00:03:49,680 [AMANDA WHISTLES] 43 00:03:49,720 --> 00:03:51,680 NARRATOR: THE WHOLE CABOODLE IS A SCALE, 44 00:03:51,720 --> 00:03:54,720 ESPECIALLY MADE FOR KEAS, AS EYE-CATCHING AS 45 00:03:54,760 --> 00:04:01,000 POSSIBLE TO AROUSE THEIR CURIOSITY, BUT ALSO AS STABLE AS POSSIBLE. 46 00:04:01,040 --> 00:04:03,200 WELL, WHO'D HAVE THOUGHT IT? 47 00:04:03,240 --> 00:04:05,360 JUST UNDER A KILO. 48 00:04:08,400 --> 00:04:12,200 WE'LL RETURN TO AMANDA'S KEA RESEARCH LATER. RIGHT NOW, 49 00:04:12,240 --> 00:04:16,640 THE BIRDS ARE CONDUCTING THEIR OWN RESEARCH. 50 00:04:17,680 --> 00:04:20,200 "WHAT HOLDS THE WORLD TOGETHER? 51 00:04:20,240 --> 00:04:25,000 BUT MORE IMPORTANTLY, HOW CAN I TAKE IT APART?" 52 00:04:28,080 --> 00:04:32,960 GANGS OF YOUNG KEAS ARE THE SCOURGE OF THE SKI RESORTS. 53 00:04:42,840 --> 00:04:47,400 THEIR BEAK IS AS VERSATILE AS A SWISS ARMY KNIFE. IT CAN CUT, 54 00:04:48,440 --> 00:04:54,240 PRESS, PRY OPEN, AND IT BEARS FRUIT. 55 00:04:54,280 --> 00:05:00,040 A KEA BEAK IS THE IDEAL TOOL TO TAP INTO NEW SOURCES OF FOOD. 56 00:05:05,120 --> 00:05:09,120 BUT THAT'S NOT THE ONLY WAY TO DO IT. 57 00:05:09,640 --> 00:05:16,640 1,000 MILES AWAY IN THE CLOUD FORESTS OF NEW CALEDONIA LIVES A UNIQUE SPECIES OF CROW. 58 00:05:20,240 --> 00:05:23,640 THESE BIRDS DO NOT RELY ON THEIR BEAKS AS A TOOL, RATHER THEY 59 00:05:23,680 --> 00:05:29,160 MAKE TOOLS TO GET TO HIDDEN FOOD. 60 00:05:30,200 --> 00:05:36,480 LIKE OTHER CROWS, THEY ARE OMNIVOROUS, ON THE LOOKOUT FOR FRUIT, NUTS, OR INSECTS. 61 00:05:37,520 --> 00:05:44,320 INDEED, THEY WOULDN'T TURN UP THEIR BEAKS AT THIS HEFTY LONGHORN BEETLE... 62 00:05:45,360 --> 00:05:47,360 IF ONLY THEY COULD CATCH THE CRITTER. 63 00:05:52,160 --> 00:05:55,040 FOR TWO FULL YEARS, HE HAS GNAWED HIS WAY AS A LARVA 64 00:05:55,080 --> 00:06:01,120 THROUGH THE WOOD, AND THERE ARE MORE LIKE HIM GNAWING AWAY... 65 00:06:01,160 --> 00:06:05,840 IN THE OLD, HALF-ROTTEN TRUNK. 66 00:06:06,880 --> 00:06:10,960 LONGHORN BEETLE LARVAE ARE RICH IN FAT AND PROTEIN. 67 00:06:11,000 --> 00:06:15,240 JUST A COUPLE ARE ENOUGH TO SATISFY THE CROW'S ENTIRE DAILY NUTRITION 68 00:06:15,280 --> 00:06:21,120 REQUIREMENT, SO THAT MAKES THE EXERTION WORTH THE WHILE. 69 00:06:22,160 --> 00:06:25,520 UNFORTUNATELY, THEY ARE MOSTLY HIDDEN DEEP IN THE WOOD, 70 00:06:25,560 --> 00:06:29,600 MUCH TOO DEEP FOR THE BEAK OF THE CROW-- VERY VISIBLE, 71 00:06:29,640 --> 00:06:32,320 BUT WAY OUT OF REACH. 72 00:06:33,200 --> 00:06:35,360 WHAT WE NEED HERE IS A TOOL; 73 00:06:35,400 --> 00:06:38,040 FOR EXAMPLE, A STRONG LEAF STALK. 74 00:06:39,840 --> 00:06:44,280 BUT THIS ONE IS TOO LONG, AND ABOVE ALL, TOO BENT. 75 00:06:51,560 --> 00:06:54,840 LOOKS LIKE ALL IT NEEDS IS A BIT OF POKING AROUND, 76 00:06:54,880 --> 00:06:57,360 BUT THAT WOULD ONLY PUSH THE LARVA DEEPER INTO THE TRUNK. 77 00:06:57,400 --> 00:07:03,720 NO, ONE NEEDS TO IRRITATE AND ANNOY IT UNTIL IT BITES. 78 00:07:05,400 --> 00:07:07,360 THAT'S THE TRICK. 79 00:07:08,400 --> 00:07:12,800 WELL, IT WOULD HAVE WORKED IF THE CROW HAD BEEN MORE CAREFUL. 80 00:07:12,840 --> 00:07:14,520 [OTHER BIRD SQUAWKING] 81 00:07:14,560 --> 00:07:21,240 AND IT MAKES ITS OWNERSHIP CLAIM QUITE CLEAR: "MY LARVA." 82 00:07:21,920 --> 00:07:24,640 KEEP FISHING UNTIL IT BITES. 83 00:07:31,600 --> 00:07:38,280 A MAGNIFICENT CATCH. THE CROW KNOWS EXACTLY HOW TO DO IT AND WHAT TO USE. 84 00:07:39,320 --> 00:07:42,000 [HELICOPTER BLADES WHIRRING] 85 00:07:43,040 --> 00:07:46,440 IN NEW ZEALAND, THE SAME GAME LOOKS VERY DIFFERENT. 86 00:07:46,520 --> 00:07:51,160 THE KEAS DON'T NEED TOOLS; THEIR BEAK IS TOOL ENOUGH. 87 00:07:54,360 --> 00:07:59,080 THEY BREAK EVERYTHING DOWN INTO SMALL PIECES... 88 00:08:02,360 --> 00:08:05,840 AND THEY'RE NOT ABOUT TO MAKE ANYONE ELSE A PRESENT... 89 00:08:05,880 --> 00:08:08,480 [KEAS SQUAWKING LOUDLY] 90 00:08:13,600 --> 00:08:17,840 APART FROM THEIR LIFELONG PARTNER. 91 00:08:17,880 --> 00:08:24,360 WITH THEM, THINGS ARE SHARED, ALMOST TENDERLY. 92 00:08:24,440 --> 00:08:28,400 "HALF FOR YOU, HALF FOR ME"... 93 00:08:31,800 --> 00:08:34,720 UNLESS ONE IS JUST PRETENDING. 94 00:08:40,320 --> 00:08:46,160 WHAT A SUPER WAY TO PASS THE TIME, EVEN IF THE LARVAE HAVE LONG SINCE BEEN GOBBLED UP. 95 00:08:46,840 --> 00:08:50,960 NOW THE WOOD HAS COMPLETELY DISINTEGRATED, THE FUN IS OVER. 96 00:08:51,000 --> 00:08:54,000 LUCKILY, A NEW ADVENTURE FLOATS IN-- 97 00:08:54,400 --> 00:08:56,800 MIST, 98 00:08:56,840 --> 00:09:01,880 FLYING EXERCISES IN HIGH WINDS WITH BAD VISIBILITY CONDITIONS. 99 00:09:01,920 --> 00:09:04,680 [WIND HOWLING] 100 00:09:04,760 --> 00:09:10,440 AT THE SAME TIME, AN APPRENTICESHIP FOR YOUNG KEAS IN AERODYNAMICS. 101 00:09:14,360 --> 00:09:16,680 WIND-SURFING... 102 00:09:16,720 --> 00:09:20,520 [WIND CONTINUES HOWLING] 103 00:09:20,560 --> 00:09:25,240 LANDING BACKWARDS... 104 00:09:25,280 --> 00:09:30,400 BUT THIS HERE IS EVEN MORE ATTRACTIVE. TINTED GLASSES ARE MEANT TO BE GOOD IN MIST, 105 00:09:30,440 --> 00:09:33,200 AREN'T THEY? 106 00:09:36,360 --> 00:09:39,760 AND APPARENTLY HIGHLY DESIRABLE. 107 00:09:43,400 --> 00:09:47,680 BACK TO NEW CALEDONIA, WHERE NEW THINGS ARE AFOOT. 108 00:09:52,000 --> 00:09:55,800 THE ORNITHOLOGIST GAVIN HUNT IS WELL-ACQUAINTED WITH THE CLOUD 109 00:09:55,840 --> 00:09:59,760 FORESTS. FOR YEARS, HE HAS BEEN OBSERVING BIRDS HERE. 110 00:09:59,800 --> 00:10:05,880 EVERYTHING SEEMS NORMAL UNTIL HE MAKES A SURPRISING DISCOVERY... 111 00:10:05,920 --> 00:10:10,960 STRANGE INCISIONS IN THE LEAVES OF THE PANDANUS TREE. 112 00:10:11,600 --> 00:10:16,000 ALWAYS THE SAME PATTERN, ALWAYS THE SAME DEPTH. 113 00:10:19,000 --> 00:10:21,520 GAVIN HAS A HUNCH. FOR DAYS, 114 00:10:21,560 --> 00:10:27,600 HE EXAMINES THE GROUND WITH A KEENER EYE UNTIL HE FINDS IT-- 115 00:10:28,680 --> 00:10:30,680 THE MATCHING PART. 116 00:10:32,640 --> 00:10:35,280 LOOKS LIKE SOME KIND OF TOOL. 117 00:10:35,320 --> 00:10:40,320 AT THE BOTTOM, A WIDE HANDLE, AT THE TOP, A SHARP TIP WITH BARBS 118 00:10:40,360 --> 00:10:43,560 ALONG THE EDGE... 119 00:10:43,600 --> 00:10:49,920 WITH THE SPINES OF THE PANDANUS LEAF--AN EXACT FIT. 120 00:10:52,960 --> 00:10:55,040 GAVIN BETS IT'S THE CROWS. 121 00:10:55,080 --> 00:10:58,800 SURELY THEY CREATED THIS, BUT HOW CAN HE PROVE IT? 122 00:10:58,840 --> 00:11:04,080 HE DECIDES TO OPEN A RESTAURANT FOR CROWS IN THE FOREST. 123 00:11:06,160 --> 00:11:10,320 WOOD TRUNKS WITH PRE-DRILLED HOLES, IN WHICH HE STOWS 124 00:11:10,360 --> 00:11:15,560 TEMPTING PORTIONS OF MEAT, BUT TOO DEEP FOR A CROW'S BEAK. 125 00:11:21,080 --> 00:11:25,760 CONCEALED IN THE CAMOUFLAGED TENT, HE HAS A BIRD'S-EYE VIEW. 126 00:11:25,800 --> 00:11:32,080 HE HOPES THE CLEVER CROWS WILL USE THEIR TOOLS AGAIN IN FRONT OF HIS VERY EYES. 127 00:11:33,000 --> 00:11:36,440 BUT THE GUESTS ARE A LONG TIME COMING. 128 00:11:38,560 --> 00:11:40,080 [THUNDER] 129 00:11:40,120 --> 00:11:46,680 ARE THEY SUSPICIOUS, OR IS IT BECAUSE THE WEATHER IS RAPIDLY DETERIORATING? 130 00:11:46,760 --> 00:11:52,520 LOOKS LIKE GAVIN'S FOREST RESTAURANT IS A FLOP. 131 00:11:52,560 --> 00:11:56,080 THE KEAS IN NEW ZEALAND ARE ON ANOTHER WAVELENGTH. 132 00:11:56,120 --> 00:12:00,320 THEY ARE NOT AT ALL DISINCLINED TO EATING OUT, NOT EVEN AT NIGHT... 133 00:12:00,360 --> 00:12:02,200 [KEAS SCREECHING] 134 00:12:02,240 --> 00:12:06,080 AND THAT CAUSES SOME CONFUSION IN THE FAMOUS WOBBLY KEA. 135 00:12:06,120 --> 00:12:08,320 [OVERLAPPING CHATTER] 136 00:12:09,040 --> 00:12:12,320 GLENN IS THE BOSS HERE, AND THE BOSS TAKES CARE OF THE COOKING HIMSELF. 137 00:12:14,360 --> 00:12:16,360 BUT NOW IT'S CLOSING TIME. 138 00:12:17,200 --> 00:12:22,160 ONLY ONE THING STILL TO DO-- SHUT EVERYTHING UP FOR THE NIGHT, A DAILY RITUAL. 139 00:12:22,200 --> 00:12:24,680 [CAT MEOWS] 140 00:12:24,720 --> 00:12:27,600 TURNS OFF ALL THE LIGHTS... 141 00:12:27,680 --> 00:12:29,880 [DOOR LOCKS] 142 00:12:33,560 --> 00:12:38,720 AND CLOSES THE SLIDING DOOR TO THE KITCHEN. SO FAR, SO GOOD. 143 00:12:38,760 --> 00:12:40,080 [DISTANT ANIMAL HOOTING] 144 00:12:40,120 --> 00:12:44,600 BUT DURING THE NIGHT, STRANGE THINGS HAPPEN IN THE WOBBLY KEA. 145 00:12:47,640 --> 00:12:50,000 [CLATTERING] 146 00:12:53,440 --> 00:12:57,720 AND THE NEXT MORNING, THE CLUES ARE HIGHLY CONSPICUOUS. 147 00:12:57,760 --> 00:13:00,040 A LID IS LYING ON THE KITCHEN FLOOR, 148 00:13:00,080 --> 00:13:02,080 AND SOMEONE'S BEEN AT THE MARGARINE. 149 00:13:03,400 --> 00:13:05,520 GLENN SETS UP A SURVEILLANCE CAMERA. 150 00:13:05,560 --> 00:13:09,080 HE HAS HIS SUSPICIONS, BUT TWO LOCKED DOORS? 151 00:13:10,840 --> 00:13:13,240 THE CAMERA LIES IN WAIT. 152 00:13:13,280 --> 00:13:15,880 [CAMERA BEEPING] 153 00:13:15,920 --> 00:13:18,840 [BIRDS CHIRPING] 154 00:13:18,880 --> 00:13:22,160 IN THE MEANTIME, IT'S WORTH JUMPING BACK TO NEW CALEDONIA 155 00:13:22,200 --> 00:13:26,680 BECAUSE THERE IS SOMETHING AFOOT IN THE CLOUD FOREST OF THE TOOLED CROWS. 156 00:13:29,720 --> 00:13:34,760 THE WORD ABOUT THE OPENING OF GAVIN'S RESTAURANT HAS EVIDENTLY GOTTEN AROUND. 157 00:13:34,800 --> 00:13:36,800 THE FIRST GUESTS ARRIVE. 158 00:13:38,120 --> 00:13:43,240 WHAT'S ON THE MENU TODAY? HMM. NOT BAD. 159 00:13:45,960 --> 00:13:49,200 ONLY THE CUTLERY'S MISSING, BUT IN THAT DEPARTMENT, 160 00:13:49,240 --> 00:13:55,000 THE CROWS ARE IN THEIR ELEMENT. A FRESH TREE SHOOT. 161 00:13:59,160 --> 00:14:03,400 CUT OFF THE GREEN BIT. 162 00:14:03,440 --> 00:14:05,680 THAT SHOULD DO THE TRICK. 163 00:14:05,720 --> 00:14:08,520 QUICK, BACK TO THE TABLE. 164 00:14:14,240 --> 00:14:18,920 BUT AT THE FIRST ATTEMPT, IT'S ABUNDANTLY CLEAR THE STICK IS TOO SHORT. 165 00:14:22,320 --> 00:14:26,960 JUST AN OVERSIGHT, OR IS IT LACK OF EXPERIENCE? 166 00:14:27,040 --> 00:14:32,360 IN ANY CASE, GAVIN'S NEXT GUEST OPTS FOR A LONGER DEVICE. 167 00:14:32,400 --> 00:14:37,840 CAREFULLY PRY OUT THE MEAT, USE THE FOOT TO PUSH AGAINST THE EDGE OF THE HOLE. 168 00:14:37,880 --> 00:14:40,680 SEEMS THE FIRST BITE IS TASTY. 169 00:14:44,240 --> 00:14:47,360 OK, NOW FOR THE WHOLE PIECE. 170 00:14:52,040 --> 00:14:55,960 BUT WATCH OUT. THE TRUNK IS ROUND, AND IT'S ROLLING AWAY. 171 00:14:57,320 --> 00:15:00,680 THAT'S THE WAY THE COOKIE CRUMBLES. 172 00:15:01,360 --> 00:15:05,920 THE PERFECT PROBING TOOL NEEDS A HOOK AT THE TIP. 173 00:15:10,520 --> 00:15:13,720 AHA! THAT'S THE WAY TO DO IT. 174 00:15:13,760 --> 00:15:15,280 IT WORKS! 175 00:15:15,560 --> 00:15:20,920 EXPERIENCED CROWS KNOW THIS, OF COURSE, AND THEY SEEM TO KNOW OTHER THINGS, TOO. 176 00:15:20,960 --> 00:15:22,600 GAVIN HOLDS HIS BREATH; 177 00:15:22,640 --> 00:15:26,760 HIS SUPER TOOL IS ALSO BEING PUT TO USE. 178 00:15:26,800 --> 00:15:28,600 THERE'S NO DOUBT ABOUT IT; 179 00:15:28,640 --> 00:15:33,600 THESE CROWS ARE NO FOOLS WHEN IT COMES TO TOOLS, BUT DO THEY REALLY UNDERSTAND TECHNOLOGY, 180 00:15:33,640 --> 00:15:37,000 AND CAUSE AND EFFECT? 181 00:15:37,040 --> 00:15:39,880 THE QUESTION LEADS US TO SOUTH GERMANY. 182 00:15:39,920 --> 00:15:44,200 THERE ARE NEW CALEDONIAN CROWS THERE, TOO. 183 00:15:44,240 --> 00:15:47,440 THEY BELONG TO AUGUSTE VON BAYERN'S RESEARCH STATION, 184 00:15:47,520 --> 00:15:51,720 WHERE THE GOAL IS TO PROVIDE EXAMPLES OF THEIR INTELLIGENCE. 185 00:15:52,760 --> 00:15:56,120 DO THEY THINK LIKE US WHEN IT COMES TO TECHNICAL THINGS? 186 00:15:57,160 --> 00:16:00,920 SOMEWHAT FORMALLY, AUGUSTE OFFERS US A CHOCOLATE. 187 00:16:00,960 --> 00:16:03,640 WE MUST TAKE IT WITHOUT LIFTING THE APPARATUS. 188 00:16:08,160 --> 00:16:09,640 NO CHANCE. 189 00:16:11,160 --> 00:16:13,080 [CROWS CAWING] 190 00:16:13,120 --> 00:16:14,600 BUT HER CROWS COULD DO IT, 191 00:16:14,640 --> 00:16:19,000 AUGUSTE CLAIMS, AND SHE SETS THEM THE SAME TASK. 192 00:16:19,600 --> 00:16:21,320 HERE YOU GO. 193 00:16:21,360 --> 00:16:23,240 [CAWING CONTINUES] 194 00:16:23,280 --> 00:16:24,760 MIGHTY EXCITING... 195 00:16:27,800 --> 00:16:30,440 ESPECIALLY BECAUSE, AT THE BOTTOM OF THE TUBE, 196 00:16:30,480 --> 00:16:33,520 INSTEAD OF A CHOCOLATE, IS AN ENTICING MEALWORM. 197 00:16:36,000 --> 00:16:38,000 BUT HOW CAN ONE GET AT IT? 198 00:16:38,480 --> 00:16:43,000 AT THE BOTTOM, EVERYTHING IS SEALED. 199 00:16:43,480 --> 00:16:46,800 HOW ABOUT FROM THE TOP? 200 00:16:47,480 --> 00:16:50,000 THE BOTTOM IS MUCH TOO DEEP. 201 00:16:54,800 --> 00:17:00,480 THE BIRD SEEMS JUST AS BAFFLED AS US, SOMEHOW A RELIEF FOR US. 202 00:17:01,440 --> 00:17:06,000 AUGUSTE NOW GIVES A HINT-- THE BOTTOM IS ACTUALLY A TRAP DOOR. 203 00:17:06,480 --> 00:17:11,160 USING A WIRE AS A LEVER, YOU CAN TRIGGER IT OPEN. 204 00:17:12,240 --> 00:17:15,119 ALTHOUGH YOU CAN'T TELL THE CROW THAT IN SO MANY WORDS, 205 00:17:15,160 --> 00:17:20,839 IT DOESN'T TAKE LONG BEFORE IT FINDS OUT FOR ITSELF. 206 00:17:20,880 --> 00:17:25,440 A SLIGHT PRESSURE, AND THE TRAP DOOR DROPS OPEN, AND THE CROW 207 00:17:25,480 --> 00:17:28,600 GETS THE WORM. BUT DOES IT UNDERSTAND THE TECHNICAL 208 00:17:28,640 --> 00:17:33,040 PRINCIPLE, THAT WHEN YOU EXERT PRESSURE ONTO THE BOTTOM, IT FALLS OPEN? 209 00:17:38,040 --> 00:17:43,320 LET'S SEE. AUGUSTE REMOVES THE LEVER. NOW EVERYTHING IS AS IT 210 00:17:43,360 --> 00:17:46,360 WAS BEFORE, EXCEPT THAT THE CROW IS A BIT WISER. 211 00:17:48,240 --> 00:17:51,040 THE WORM IS LYING READY. 212 00:17:51,080 --> 00:17:55,120 THE WIRE IS GONE, BUT IT SEEMS TO HAVE AN IDEA. 213 00:18:06,520 --> 00:18:12,480 IT HAS NEVER HANDLED STONES BEFORE, A BRILLIANT TECHNICAL IDEA. 214 00:18:15,720 --> 00:18:18,920 HEY, THANKS FOR THE ADVICE. 215 00:18:26,040 --> 00:18:29,960 QUICKLY, BACK TO THE MOUNTAINS OF NEW ZEALAND. 216 00:18:33,720 --> 00:18:35,840 AT THE WOBBLY KEA RESTAURANT, 217 00:18:35,880 --> 00:18:40,920 IN GLENN'S KITCHEN, THE NIGHT PHANTOM IS ON THE VERGE OF BEING EXPLAINED. 218 00:18:44,040 --> 00:18:47,840 THE SURVEILLANCE CAMERA THROWS LIGHT ON THE SUBJECT. 219 00:18:47,880 --> 00:18:50,840 [CAMERA BEEPING] 220 00:18:57,720 --> 00:19:03,440 PUSH IT OPEN AND SQUEEZE THROUGH. 221 00:19:03,480 --> 00:19:08,520 BUT TOMCAT BENNY CERTAINLY DOESN'T LIKE MARGARINE. 222 00:19:11,560 --> 00:19:16,560 NO, HE'S MORE INTERESTED IN HUNTING MICE OUTSIDE. 223 00:19:20,480 --> 00:19:25,120 AND SO THE CAT FLAP BECOMES A KEA FLAP, 224 00:19:25,160 --> 00:19:28,640 AS IF THAT'S WHAT HE'D BEEN EXPECTING ALL ALONG. 225 00:19:28,680 --> 00:19:31,560 THERE'S NOTHING STANDING IN HIS WAY. 226 00:19:31,600 --> 00:19:36,280 OPEN THE SLIDING DOOR, AND JUST LIKE A REGULAR CUSTOMER, 227 00:19:36,320 --> 00:19:40,000 HE MARCHES DIRECTLY UP TO THE BAR WHERE THE MARGARINE BOX IS SITTING. 228 00:19:45,360 --> 00:19:50,480 OPEN THE LID? NO-BRAINER WITH THE ALL-PURPOSE BEAK. 229 00:19:51,560 --> 00:19:53,760 [LID CLATTERS] 230 00:19:53,800 --> 00:19:57,920 AND FOR KEAS, FAT IS A FEAST. 231 00:19:58,960 --> 00:20:03,120 AFTER THE GLUTTONY, HE CAN BARELY SQUEEZE BACK THROUGH THE DOOR. 232 00:20:06,840 --> 00:20:13,040 INDEED, A MORE FITTING NAME FOR THE WOBBLY KEA WOULD BE THE CLEVER KEA. 233 00:20:14,360 --> 00:20:17,880 AND IN NATURE, THE KEAS ALSO NEED THIS CLEVERNESS TO GET 234 00:20:17,920 --> 00:20:21,280 ENOUGH TO EAT, NOT EASY IN THESE BLEAK MOUNTAINS. 235 00:20:25,000 --> 00:20:30,720 WE HAVE ARRANGED TO MEET UP WITH AMANDA TO ACCOMPANY HER ON A RESEARCH TOUR. 236 00:20:33,560 --> 00:20:34,800 TOGETHER WITH HER COLLEAGUE, 237 00:20:34,840 --> 00:20:38,760 RAOUL SCHWING, SHE WANTS TO DOCUMENT HOW AND WHAT KEAS EAT 238 00:20:39,560 --> 00:20:43,160 IN THE WILDERNESS, FAR AWAY FROM RESTAURANTS OR SKI CIRCUITS. 239 00:20:47,200 --> 00:20:51,160 BUT SO FAR, NOT A SINGLE ONE HAS SHOWED THEIR FACE, AND TO 240 00:20:51,200 --> 00:20:55,600 TOP IT ALL, IT STARTS RAINING CATS AND DOGS, 241 00:20:55,880 --> 00:20:58,320 AND NOBODY LIKES RAIN. 242 00:20:58,360 --> 00:21:02,160 [THUNDER] 243 00:21:02,720 --> 00:21:07,880 AMANDA'S OBJECTS OF RESEARCH HAVE RETREATED FAR OFF INTO THE DISTANCE. 244 00:21:07,920 --> 00:21:09,400 [KEA SQUAWKS] 245 00:21:09,920 --> 00:21:14,680 NEVERTHELESS, CAMERAMAN BRIAN HAS DISCOVERED TWO KEAS ON A STEEP SLOPE. 246 00:21:16,720 --> 00:21:18,920 IT'S WET AND SLIPPERY THERE, 247 00:21:18,960 --> 00:21:21,880 BUT YOU CAN'T KEEP A GOOD CAMERAMAN DOWN. 248 00:21:21,920 --> 00:21:25,720 BRIAN: I'M PROBABLY NOT GOING TO GET THAT BIRD. HE'S DEFINITELY NOT WANTING US TO FOLLOW HIM. 249 00:21:25,760 --> 00:21:29,600 NARRATOR: BRIAN WANTS TO GET CLOSE-UPS OF THE KEAS... 250 00:21:29,920 --> 00:21:33,040 AND THEY SEEK OUT A PLACE IN THE FRONT ROW... 251 00:21:33,080 --> 00:21:34,840 [KEA SQUAWKS] 252 00:21:34,880 --> 00:21:37,320 AND GET THEIR ACTION SHOW... 253 00:21:37,360 --> 00:21:41,240 [BRIAN GRUNTING] 254 00:21:41,280 --> 00:21:44,040 [EQUIPMENT CLATTERING] 255 00:21:44,080 --> 00:21:46,040 BRIAN: DAMN! 256 00:21:46,080 --> 00:21:48,120 OH, FUCK! 257 00:21:48,160 --> 00:21:50,160 [KEAS SQUAWKING] 258 00:21:53,240 --> 00:21:58,680 NARRATOR: AS IF THEY WANTED TO DEMONSTRATE THAT YOU CAN ALSO TAKE GRAVITY MORE LIGHTLY. 259 00:22:09,320 --> 00:22:12,280 IN THE EVENING, ALL'S RIGHT WITH THE WORLD AGAIN. 260 00:22:12,320 --> 00:22:18,800 CAMERA AND CAMERAMAN ONLY SUFFERED MINOR SCRATCHES. 261 00:22:18,840 --> 00:22:22,960 AND BECAUSE THE REAL KEAS HAVE MADE THEMSELVES SCARCE, AMANDA 262 00:22:23,000 --> 00:22:26,760 AND RAOUL CONJURE UP THEIR OWN ON THE TENT WALL. 263 00:22:26,800 --> 00:22:28,840 [AMANDA IMITATES SQUAWKING] 264 00:22:28,880 --> 00:22:33,640 [RAOUL IMITATES SQUAWKING] 265 00:22:33,720 --> 00:22:38,000 [KEAS SQUAWKING] 266 00:22:38,680 --> 00:22:39,600 AMANDA: HERE, LOOK AT THIS ONE. 267 00:22:39,640 --> 00:22:43,520 NARRATOR: THE MAIN FOCUS OF RAOUL'S RESEARCH ARE THE CALLS OF THE KEA. 268 00:22:43,560 --> 00:22:46,520 AMANDA, AS WE ALREADY KNOW, IS INTERESTED IN THEIR DIET. 269 00:22:46,560 --> 00:22:49,120 AMANDA: I'VE DISCOVERED THAT THEY USE A GREAT DEAL OF 270 00:22:49,160 --> 00:22:52,920 DIFFERENT TYPES OF FOOD, SO THEY'RE EXTREMELY SELECTIVE 271 00:22:52,960 --> 00:22:56,760 ON WHAT THEY TAKE. THEY DON'T JUST EAT PLANTS, FOR EXAMPLE. 272 00:22:56,800 --> 00:23:00,600 THEY EAT THE POLLEN OF A PARTICULAR TYPE OF PLANT, AND THEN THEY 273 00:23:00,640 --> 00:23:03,480 MIGHT MOVE ON AND EAT THE ROOTS OF ANOTHER. 274 00:23:03,520 --> 00:23:08,920 THEY ALSO EAT INVERTEBRATES, SO THEY HAVE A HUGE VARIETY OF DIET. 275 00:23:08,960 --> 00:23:13,680 NARRATOR: AND THEY WANT TO EXPERIENCE AS MUCH OF IT AS POSSIBLE THE NEXT MORNING. 276 00:23:13,760 --> 00:23:15,440 CAMOUFLAGE IS NOT NECESSARY; 277 00:23:15,480 --> 00:23:20,200 KEAS LIKE COLORFUL THINGS, GARISH AND EYE-CATCHING. 278 00:23:23,200 --> 00:23:29,360 RAOUL DOES HIS BIT. HE PLAYS SPECIAL KEA CALLS. 279 00:23:29,400 --> 00:23:32,480 HEY, THE ACTION'S OVER HERE. COME ON OVER. 280 00:23:32,520 --> 00:23:36,760 [KEA SQUAWKING] 281 00:23:36,800 --> 00:23:40,280 [MORE KEAS SQUAWKING] 282 00:23:40,320 --> 00:23:47,120 THE KEAS' BREAKFAST RIGHT IN FRONT OF AMANDA'S EYES... 283 00:23:48,160 --> 00:23:51,560 SUGAR FOOD, IMPORTANT FOR THEIR LARGE BRAINS. 284 00:23:51,600 --> 00:23:56,520 THEY HAVE LEARNED WHEN WHICH BERRIES ARE FULLY RIPE. 285 00:24:00,880 --> 00:24:06,040 ANIMAL PROTEIN IS UNDERGROUND, IF YOU'VE GOT A NOSE FOR IT. 286 00:24:09,760 --> 00:24:12,240 AND GIVE IT A RINSE. 287 00:24:17,920 --> 00:24:22,920 OVER 100 VEGETARIAN INGREDIENTS ENRICH THE KEA CUISINE. 288 00:24:22,960 --> 00:24:27,360 HERE, GRASS SEED PASTRIES. 289 00:24:27,760 --> 00:24:31,200 ALMOST EVERY DAY, THEY TRY OUT SOMETHING NEW OR REFINE WHAT 290 00:24:31,280 --> 00:24:34,640 THEY ALREADY KNOW. THE ONLY WAY TO FIND NOURISHING FOOD IN 291 00:24:34,680 --> 00:24:38,680 THESE BARREN SURROUNDINGS IS THROUGH INTELLIGENCE AND THE JOY OF TASTING. 292 00:24:42,320 --> 00:24:45,680 RAOUL GETS TO SEE IT WITH HIS VERY OWN EYES, 293 00:24:45,720 --> 00:24:48,920 HOW A KEA PICKS FLOWERS--STRICTLY SPEAKING, 294 00:24:48,960 --> 00:24:53,440 ONLY THE BLOSSOM-- AND HOW IT LICKS THE POLLEN OUT, 295 00:24:53,480 --> 00:24:57,920 AS IF IT HAD BEEN LISTENING TO AMANDA YESTERDAY EVENING. 296 00:25:03,200 --> 00:25:07,400 NOW RAOUL GETS DOWN TO WORK. 297 00:25:07,800 --> 00:25:10,440 "STRANGE. WHAT'S THAT MAN UP TO? 298 00:25:10,480 --> 00:25:13,480 LET'S TAKE A CLOSER LOOK." 299 00:25:17,560 --> 00:25:20,120 WHITE LOOP... 300 00:25:20,160 --> 00:25:23,160 BLUE RIBBON. 301 00:25:23,200 --> 00:25:26,760 ONE FINAL STEP... 302 00:25:30,000 --> 00:25:34,640 AND THE YOUNG KEA IS IN GOOD HANDS AND CAN BE RINGED. 303 00:25:38,720 --> 00:25:44,440 HE DOESN'T WRIGGLE OR FIGHT, JUST SEEMS SLIGHTLY PUZZLED. 304 00:25:48,720 --> 00:25:53,720 THE PLUMAGE IS HEALTHY AND LOOKS FINE. 305 00:25:53,800 --> 00:25:59,320 BLOOD SAMPLE FOR THE GENETIC TEST, AND THE SERVICE TO SCIENCE IS OVER IN A JIFFY. 306 00:26:02,720 --> 00:26:08,440 WITHOUT HASTE, LET ALONE PANIC, THE BIRD HOPS AWAY. 307 00:26:11,560 --> 00:26:13,800 KEAS SEEM TO ENJOY VARIETY, 308 00:26:13,840 --> 00:26:18,920 PASSING THE TIME WHEREVER THEY ARE FOOLING AROUND AND TEASING EACH OTHER. 309 00:26:18,960 --> 00:26:22,640 [KEAS SQUEAKING] 310 00:26:23,680 --> 00:26:29,080 AND IN THE ABSENCE OF A PARTNER, THEN THEY PLAY WITH TOYS. 311 00:26:29,120 --> 00:26:31,400 THIS TAKES STRENGTH AND ENERGY, 312 00:26:31,480 --> 00:26:35,640 BUT HERE, THEIR NUTRITIOUS DIET PAYS OFF. 313 00:26:35,680 --> 00:26:39,600 WONDERFULLY TRICKY STOPPERS, AND THAT'S HOW YOU GET THEM OPEN. 314 00:26:41,600 --> 00:26:45,000 PURE COINCIDENCE OR TECHNICAL TALENT? 315 00:26:47,000 --> 00:26:51,560 AT THE UNIVERSITY OF VIENNA, THEY ARE ASKING EXACTLY THIS QUESTION. 316 00:26:51,600 --> 00:26:55,240 HOW MUCH TECHNICAL UNDERSTANDING DOES THE KEA POSSESS? 317 00:26:57,600 --> 00:27:03,400 GYULA GAJDON PUTS THE FINISHING TOUCHES TO THE LARGE NEW AVIARY. 318 00:27:04,240 --> 00:27:08,680 IT GOES WITHOUT SAYING THAT HIS KEAS FIND IT EXTREMELY EXCITING. 319 00:27:08,720 --> 00:27:11,800 THEY LEND A HAND WHERE THEY CAN. 320 00:27:11,880 --> 00:27:14,360 [KEAS SQUAWKING] 321 00:27:14,400 --> 00:27:19,120 AND THEY HOLD ON FIRMLY TO THEIR RIGHTS, VERY FIRMLY. 322 00:27:19,160 --> 00:27:21,840 [GYULA SPEAKING GERMAN] 323 00:27:37,640 --> 00:27:42,280 NARRATOR: THEY HAVE RUNNING WATER AND A SWIMMING POOL... 324 00:27:44,280 --> 00:27:48,640 WHERE THEY CAN DO THE BACKSTROKE. 325 00:27:48,680 --> 00:27:51,360 [KEA SQUAWKS] 326 00:27:51,400 --> 00:27:57,240 AND THEY EVEN HAVE THEIR VERY OWN RUBBER DUCK... 327 00:27:58,160 --> 00:28:02,920 BUT THEY IMMEDIATELY LOSE INTEREST IN ALL THIS WHEN TULIA COMES INTO THE AVIARY. 328 00:28:03,680 --> 00:28:08,520 GYULA'S WIFE SEEMS TO EXERT A MAGICAL ATTRACTION ON THE KEAS. 329 00:28:08,560 --> 00:28:12,880 KERMIT IS BEWITCHED BY THE SCENT OF HER SKIN. 330 00:28:16,960 --> 00:28:21,320 HE SNIFFS AT HER HAIR. 331 00:28:21,360 --> 00:28:25,800 AGAIN AND AGAIN, THEY RUB HER SCENT INTO THEIR OWN FEATHERS, 332 00:28:25,840 --> 00:28:30,440 AS IF THEY WANTED TO SMELL LIKE TULIA. 333 00:28:30,480 --> 00:28:34,000 BUT LET'S NOT GET TOO CARRIED AWAY. THIS IS A RESEARCH STATION, 334 00:28:34,040 --> 00:28:38,600 AFTER ALL, AND TODAY BOWLING WILL BE INVESTIGATED. 335 00:28:38,640 --> 00:28:42,080 8 CROOKED LANES AND THE PEANUT AS THE GOAL. 336 00:28:42,120 --> 00:28:45,120 IT IS OUT OF REACH UNDERNEATH THE PANE OF GLASS. 337 00:28:51,200 --> 00:28:55,480 NOT EVEN RAKU CAN GET AT THE NUT, HOWEVER HARD HE STRETCHES. 338 00:28:57,520 --> 00:29:02,320 ONLY THE BOWLING BALLS ARE MISSING. 339 00:29:02,360 --> 00:29:07,160 SOMEWHAT SLAPDASH AT FIRST, BUT THEN... 340 00:29:12,920 --> 00:29:14,960 THERE'S NO DOUBT ABOUT IT. 341 00:29:15,000 --> 00:29:19,800 RAKU AIMS, THROWS, AND HITS THE TARGET. 342 00:29:22,400 --> 00:29:24,240 BUT NOW IT GETS MORE DIFFICULT. 343 00:29:24,920 --> 00:29:27,360 GYULA BUILDS A PIT TRAP. 344 00:29:32,880 --> 00:29:34,840 THE BALLS LAND IN THE PIT. 345 00:29:34,880 --> 00:29:39,160 CAN RAKU DRAW CONCLUSIONS FROM THIS? 346 00:29:44,200 --> 00:29:48,360 WHICH OF THE TWO NUTS WILL HE TARGET? 347 00:29:52,240 --> 00:29:55,880 RIGHT CHOICE, BUT A NARROW MISS. 348 00:30:01,800 --> 00:30:06,360 HE HAS PASSED THE TEST WITHOUT ANY PRACTICE OR TRAINING. 349 00:30:06,400 --> 00:30:12,360 KEAS UNDERSTAND MORE ABOUT TECHNOLOGY THAN WAS LONG CONSIDERED POSSIBLE... 350 00:30:15,400 --> 00:30:21,280 AND YET, DESPITE THEIR INTELLIGENCE, THE SPECIES IS ENDANGERED IN NEW ZEALAND. 351 00:30:22,120 --> 00:30:26,080 THERE MAY STILL BE A COUPLE OF THOUSAND OF THEM. NO ONE KNOWS EXACTLY. 352 00:30:26,120 --> 00:30:28,400 THEY CHANGE THEIR TERRITORY TOO OFTEN, 353 00:30:28,440 --> 00:30:32,440 AND THEIR BREEDING CAVES BECOME INACCESSIBLE. 354 00:30:34,520 --> 00:30:39,320 COREY MOSEN IS A RANGER, AND CONSTANTLY ON THE MOVE THROUGH THE WILDERNESS. 355 00:30:42,360 --> 00:30:45,440 ON BEHALF OF THE DEPARTMENT OF CONSERVATION, 356 00:30:45,480 --> 00:30:47,800 HE UNDERTAKES A KIND OF KEA COUNT. 357 00:30:47,840 --> 00:30:50,640 HE CHECKS IN THEIR BREEDING CAVES HOW MANY CHICKS THEY HAVE. 358 00:30:54,840 --> 00:30:59,320 HE IS NOT CLAUSTROPHOBIC; THE NARROWER THE BETTER. 359 00:31:02,840 --> 00:31:07,800 CAVES LIKE THIS WERE ONCE COMPLETELY SAFE FOR KEAS; THERE WERE NO PREDATORS ON THE GROUND. 360 00:31:07,840 --> 00:31:11,600 TODAY IS DIFFERENT, AS COREY IS ABOUT TO FIND OUT. 361 00:31:11,640 --> 00:31:15,760 NOW HE HOLDS BACK; HE HAS HEARD SOMETHING. 362 00:31:15,840 --> 00:31:18,480 [KEA SQUAWKING] 363 00:31:21,720 --> 00:31:25,600 A KEA MOTHER WITH TWO CHICKS. 364 00:31:26,640 --> 00:31:28,680 THEY ARE TEN DAYS OLD... 365 00:31:28,720 --> 00:31:31,280 FEEDING FROM BEAK TO BEAK. 366 00:31:35,680 --> 00:31:39,520 NOW THE OTHER ONE, SO THAT NEITHER MISSES OUT. 367 00:31:42,560 --> 00:31:47,320 BUT WHAT GOES IN MUST COME OUT. 368 00:31:48,360 --> 00:31:51,320 THEY ARE RAISED FOR 3 MONTHS, 369 00:31:51,360 --> 00:31:55,280 COMPLETELY CUT OFF FROM THE OUTSIDE WORLD. 370 00:31:59,560 --> 00:32:03,360 THERE'S STILL TIME FOR ANOTHER DETOUR TO NEW CALEDONIA AT LAST, 371 00:32:03,720 --> 00:32:05,520 TO THE WISE CROWS. 372 00:32:05,560 --> 00:32:11,200 THEY ARE ALSO SOCIAL ANIMALS, AND EVERYONE IN THE GROUP KNOWS THE VALUE OF A GOOD TOOL. 373 00:32:11,240 --> 00:32:15,920 YOU DON'T JUST GO GIVING IT AWAY, EVEN UNDER PRESSURE. 374 00:32:22,120 --> 00:32:23,800 [CROW SQUAWKS 375 00:32:23,840 --> 00:32:30,320 IF YOU WANT TO FISH, IT'S BEST TO MAKE YOUR OWN ROD, EVEN IF IT TAKES A BIT OF EFFORT. 376 00:32:35,640 --> 00:32:38,920 AND EVERYONE SHOULD HAVE LEARNED HOW TO USE IT. 377 00:32:38,960 --> 00:32:41,600 ANNOY THE MAGGOT UNTIL IT BITES. 378 00:32:46,760 --> 00:32:51,440 BUT TO REACH GAVIN'S FODDER RATIONS, BARBS ARE REQUIRED... 379 00:32:56,600 --> 00:33:01,240 UNTIL THE MEAT IS HANGING ON A HOOK. 380 00:33:02,280 --> 00:33:04,880 A HANDMADE POKING DEVICE. 381 00:33:04,920 --> 00:33:07,240 BUT THERE WAS MORE IN THEIR TOOLBOX. 382 00:33:07,280 --> 00:33:10,560 THE TOP TOOL THAT GAVIN ENCOUNTERED WAS... 383 00:33:15,600 --> 00:33:20,800 WILL HE FINALLY SEE WHAT IT CAN BE USED FOR AND HOW IT IS MADE? 384 00:33:25,360 --> 00:33:28,800 THE CROW IN THE PANDANUS TREE IS OBVIOUSLY LOOKING FOR FOOD. 385 00:33:28,840 --> 00:33:32,400 QUITE UNSPECTACULAR. 386 00:33:32,440 --> 00:33:36,080 BUT THEN, AS IF IT WERE THE MOST OBVIOUS THING IN THE WORLD, 387 00:33:36,120 --> 00:33:41,720 IT CHOOSES A LEAF AND SETS ABOUT PRODUCING OUR MYSTERIOUS TOOL. 388 00:33:41,760 --> 00:33:43,960 [BIRD SQUAWKS] 389 00:33:44,000 --> 00:33:46,600 FIRST, IT RIPS OFF A THIN STRIP. 390 00:33:46,640 --> 00:33:49,360 THIS IS THE TIP. 391 00:33:49,400 --> 00:33:53,160 SLIGHTLY WIDER, THE MIDDLE PIECE. 392 00:33:56,520 --> 00:34:01,280 AND NOW THE WIDE, COMFORTABLE HANDLE. PERFECT. 393 00:34:05,800 --> 00:34:08,880 A TOOL TAILOR-MADE TO GET IN BETWEEN THE DENSE PANDANUS 394 00:34:08,920 --> 00:34:13,800 LEAVES TO WHEEDLE OUT SMALL SNAILS OR WORMS. 395 00:34:23,159 --> 00:34:26,000 GAVIN CAN HARDLY BELIEVE HIS EYES. 396 00:34:26,040 --> 00:34:29,760 IT'S AS IF THE CROW WANTED TO PUT ON A SPECIAL SHOW FOR HIM, 397 00:34:29,800 --> 00:34:31,800 CONFIDENT AND WELL THOUGHT OUT. 398 00:34:33,840 --> 00:34:39,360 BUT DOES IT REALLY UNDERSTAND HOW A TOOL WORKS? 399 00:34:39,400 --> 00:34:46,159 THE CROWS IN BAVARIA IN EXILE DELIVER A CONVINCING ANSWER. 400 00:34:46,880 --> 00:34:52,320 THIS LOG AROUSES THEIR INTEREST BECAUSE AUGUSTE HAS PLACED SPECIAL SANDWICHES IN IT... 401 00:34:53,400 --> 00:34:57,840 MEALWORMS IN PISTACHIO SHELLS. 402 00:34:57,880 --> 00:35:01,640 COULD PAY OFF. 403 00:35:01,680 --> 00:35:07,560 THERE ARE ALSO TOOLS-- SKEWERS WITH FLEXIBLE ENDS, LIKE PIPE CLEANERS. 404 00:35:09,600 --> 00:35:15,840 HOW MEAN. IT IS THE WRONG TOOL, COMPLETELY UNSUITABLE... 405 00:35:16,920 --> 00:35:22,720 EVEN THOUGH AIGAIOS MANAGES TO MANEUVER THE NUT UPWARDS WITH GREAT SKILL. 406 00:35:28,120 --> 00:35:31,960 THERE'S NO WAY IT WILL MAKE IT PAST THIS CORNER. 407 00:35:35,520 --> 00:35:40,120 NO CHANCE...OR IS THERE? 408 00:35:53,360 --> 00:35:56,120 IT MIGHT WORK LIKE THIS. 409 00:36:05,560 --> 00:36:09,120 BRILLIANT! TWO AT ONCE! 410 00:36:10,160 --> 00:36:12,720 OOPS. BACK DOWN TO ONE AGAIN, 411 00:36:13,160 --> 00:36:16,520 BUT HE DEFINITELY UNDERSTANDS TOOLS. 412 00:36:17,160 --> 00:36:20,840 BACK TO THE WILDERNESS, TO THE KEAS AND THEIR PROBLEMS. 413 00:36:20,880 --> 00:36:22,840 [HELICOPTER BLADES WHIRRING] 414 00:36:25,880 --> 00:36:31,320 COREY IS STILL GOING FROM CAVE TO CAVE, BUT TODAY IS NOT A GOOD DAY. 415 00:36:33,800 --> 00:36:37,160 MAN INTRODUCED PREDATORS, SUCH AS WEASELS OR POSSUMS, 416 00:36:37,240 --> 00:36:41,320 TO NEW ZEALAND. THEY TURNED THIS ROOT CAVE INTO A DEADLY TRAP. 417 00:36:44,360 --> 00:36:49,400 A DEAD FEMALE KIA. COREY WILL EXAMINE IT LATER FOR BITES AND 418 00:36:49,440 --> 00:36:54,240 BLOOD TRACES. THE BROOD WAS KILLED. 419 00:36:59,200 --> 00:37:04,800 NO ONE KNOWS WHAT DRAMA PLAYED OUT HERE... 420 00:37:05,800 --> 00:37:11,080 OR DO THEY? A SECURITY CAMERA WAS MOUNTED ON THE CAVE WALL. 421 00:37:11,120 --> 00:37:13,040 [CAMERA BEEPING] 422 00:37:13,080 --> 00:37:15,480 ONE CAN'T MAKE MUCH OUT. 423 00:37:15,520 --> 00:37:19,520 SHADOWY OUTLINES OF THE CHICKS. 424 00:37:20,240 --> 00:37:22,120 THEN, FROM BELOW, A PREDATOR-- 425 00:37:22,160 --> 00:37:24,240 A STOAT. 426 00:37:25,280 --> 00:37:27,520 PANIC IN THE DARK CAVE. 427 00:37:28,560 --> 00:37:32,600 THE PREDATOR BITES INTO THE THROATS OF THE CHICKS. 428 00:37:37,880 --> 00:37:43,960 MARTENS WERE INTRODUCED FROM ENGLAND BECAUSE OF THE RABBIT PLAGUE... 429 00:37:44,000 --> 00:37:47,400 AUSTRALIAN POSSUMS FOR THEIR SOFT HIDE. 430 00:37:47,440 --> 00:37:52,840 NOW THEY THREATEN TO EXTERMINATE THE KEAS. WHAT CAN BE DONE? 431 00:37:52,880 --> 00:37:56,880 [HELICOPTER BLADES WHIRRING] 432 00:37:57,600 --> 00:38:02,240 MARTIN JENNETT WORKS FOR THE GOVERNMENT, FOR THE DEPARTMENT OF CONSERVATION. 433 00:38:02,280 --> 00:38:05,400 HE IS PART OF A KIND OF KEA RESCUE SQUAD. 434 00:38:08,720 --> 00:38:11,360 HE GETS DROPPED OFF IN THE MIDDLE OF THE WILDERNESS. 435 00:38:11,400 --> 00:38:16,120 NOW HE'S ALONE WITH HIMSELF AND HIS MISSION. 436 00:38:16,160 --> 00:38:17,640 [KEA SQUAWKS] 437 00:38:17,680 --> 00:38:22,280 HIS GOAL IS TO HELP THE KEAS AND DEPLETE THEIR ENEMIES, 438 00:38:22,760 --> 00:38:28,920 WITH THE HELP OF EGG CARTONS AND THE MARTEN TRAPS WHICH HE SETS ALL AROUND. 439 00:38:30,760 --> 00:38:36,920 THESE TRAPS WORK LIKE A MOUSE TRAP--A NARROW ENTRANCE FOR THE PREDATORS... 440 00:38:37,000 --> 00:38:38,400 AND INSIDE, 441 00:38:38,440 --> 00:38:42,720 A TEMPTING CHICKEN EGG. 442 00:38:42,760 --> 00:38:44,960 BUT GETTING TO IT IS FATAL; 443 00:38:45,000 --> 00:38:49,560 THE ANIMAL MUST CROSS A METAL PLATE... 444 00:38:49,600 --> 00:38:52,280 AND THAT RELEASES THE COCKED CLAMP. 445 00:38:57,800 --> 00:39:02,320 IN ONE FELL SWOOP, THE PREDATORS PERISH WITHOUT SUFFERING. 446 00:39:04,320 --> 00:39:07,320 [HELICOPTER BLADES WHIRRING] 447 00:39:11,640 --> 00:39:17,200 MARTIN CHECKS AND REPLACES THE BAIT EGGS. 448 00:39:17,280 --> 00:39:21,280 HE HAS BEEN DOING THE JOB FOR A LONG TIME, AND INITIALLY IT WAS 449 00:39:21,320 --> 00:39:25,200 THE KEAS THEMSELVES WHICH THWARTED HIS SUCCESS. 450 00:39:25,240 --> 00:39:28,320 OUT OF PURE PLEASURE AND EXPERIMENTATION, THEY MANAGED 451 00:39:28,360 --> 00:39:30,760 TIME AND AGAIN TO DISARM THE TRAPS... 452 00:39:34,480 --> 00:39:38,640 EVEN THOUGH THE TRAPS WEIGH MORE THAN 9 KILOS. 453 00:39:43,560 --> 00:39:47,840 AND THAT'S HOW THEY GOT THEIR PURE PROTEIN FOOD. 454 00:39:48,680 --> 00:39:51,480 THE TRAPS HAD TO BE ANCHORED OR MADE HEAVIER. 455 00:39:51,520 --> 00:39:55,520 THICKER WOOD WAS NECESSARY, LONGER SCREWS, AND THE METAL GRID HAD TO BE 456 00:39:55,560 --> 00:40:00,840 REINFORCED UNTIL THE TRAPS WERE FINALLY KEA-PROOF. 457 00:40:10,200 --> 00:40:13,640 BUT NOW MARTIN CAN'T BELIEVE HIS EYES. 458 00:40:13,680 --> 00:40:17,360 THIS TRAP IS UNTOUCHED, OR SO IT SEEMS. 459 00:40:17,400 --> 00:40:19,080 NEVERTHELESS, IT HAS GONE OFF, 460 00:40:19,120 --> 00:40:24,040 AND BETWEEN THE EGGSHELLS ARE TWIGS. DID THE KEAS DO THIS, TOO? 461 00:40:24,080 --> 00:40:27,880 DID THEY DELIBERATELY STICK TWIGS THROUGH THE MESH TO SET THE TRAP OFF? 462 00:40:32,400 --> 00:40:37,400 HARDLY LIKELY. THEIR BEAKS ARE FAR TOO CROOKED. 463 00:40:37,440 --> 00:40:40,040 BUT THERE IS CIRCUMSTANTIAL EVIDENCE. 464 00:40:40,080 --> 00:40:43,080 HERE, TWIGS HAVE BEEN BROKEN OFF. 465 00:40:44,560 --> 00:40:50,560 NEARBY, MARTIN FINDS A KEA FEATHER AND, MOST IMPORTANTLY, 466 00:40:50,600 --> 00:40:55,040 HE FINDS MORE TRAPS WITH STICKS. 467 00:40:56,440 --> 00:41:01,720 DO KEAS ALSO USE TOOLS, LIKE NEW CALEDONIAN CROWS? 468 00:41:01,760 --> 00:41:04,440 IT WOULD BE A SCIENTIFIC SENSATION. 469 00:41:07,600 --> 00:41:11,720 PERHAPS THE KEAS IN VIENNA MAY SHED SOME LIGHT ON THE SUBJECT. 470 00:41:11,760 --> 00:41:15,320 HOWEVER, RIGHT NOW, THEY ARE BUSY DOING THE GARDENING FOR 471 00:41:15,360 --> 00:41:20,280 THEIR AVIARY, BUT THAT DOESN'T STOP THEM PLAYING THEIR GAMES. 472 00:41:20,360 --> 00:41:23,840 BUT NOW THE TIME HAS COME FOR THEM TO PARTICIPATE IN A NEW 473 00:41:23,880 --> 00:41:28,040 COMPARISON TEST-- KEAS VERSUS CROWS. 474 00:41:31,080 --> 00:41:34,480 THE RULES ARE SIMPLE. IN THE CUBE IS A PEANUT. 475 00:41:34,520 --> 00:41:36,880 ALL YOU'VE GOT TO DO IS GET IT OUT OF THERE. 476 00:41:37,800 --> 00:41:41,760 THIS CAN BE DONE FROM ANY SIDE OF THE CUBE, BUT FOR EACH SIDE, 477 00:41:41,800 --> 00:41:44,880 ONE NEEDS A DIFFERENT TRICK. 478 00:41:44,920 --> 00:41:49,840 ON THIS SIDE, YOU HAVE TO OPEN A LITTLE DOOR. 479 00:41:49,880 --> 00:41:52,640 ON THE NEXT SIDE, THERE IS A HOLE THROUGH WHICH YOU CAN POKE, 480 00:41:52,680 --> 00:41:57,720 AND SO ON. EACH BIRD CAN CHOOSE WHERE IT WANTS TO START. 481 00:42:07,160 --> 00:42:10,960 THIS SIDE SEEMS THE EASIEST BECAUSE THE NUT IS SIMPLY 482 00:42:11,000 --> 00:42:14,080 ATTACHED TO A STRING WHICH ONE CAN GRAB FROM THE OUTSIDE 483 00:42:14,520 --> 00:42:20,120 AND PULL THE NUT OUT. IT'S TIME TO START. ALICE AUERSPERG WILL 484 00:42:20,160 --> 00:42:23,600 CARRY OUT THE TEST... 485 00:42:23,640 --> 00:42:28,240 AND SHE SENDS THE CLEVER KERMIT INTO THE COMPETITION. 486 00:42:31,280 --> 00:42:37,680 AS EXPECTED, HE CHOOSES THE STRING FIRST AND PULLS. 487 00:42:37,720 --> 00:42:41,720 500 KILOMETERS AWAY, AUGUSTE VON BAYERN CARRIES OUT THE SAME 488 00:42:41,800 --> 00:42:46,320 TEST WITH HER CROWS, A KIND OF LONG-DISTANCE DUEL. 489 00:42:46,360 --> 00:42:50,760 THE ONLY DIFFERENCE-- INSTEAD OF A NUT, THERE'S A MEALWORM. 490 00:42:54,960 --> 00:43:00,440 JUNGLE THE CROW ALSO OPTS FOR THE STRING; THAT SEEMS THE EASIEST FOR JUNGLE. 491 00:43:02,600 --> 00:43:04,000 [CANNED CHEERING AND APPLAUSE] 492 00:43:04,040 --> 00:43:09,720 ONE ALL. CHILD'S PLAY FOR BOTH OF THEM. THE NEXT ROUND WILL BE 493 00:43:10,000 --> 00:43:13,920 MORE DIFFICULT. THE STRING HAS BEEN REMOVED. ANOTHER SOLUTION 494 00:43:13,960 --> 00:43:18,360 MUST BE FOUND. KERMIT TAKES A LOOK. 495 00:43:18,760 --> 00:43:22,160 THEN HE DISCOVERS THE DOOR ON ONE SIDE. 496 00:43:22,200 --> 00:43:25,280 [KERMIT SQUAWKS] 497 00:43:25,320 --> 00:43:31,600 HE MUST BE BRAVE TO STICK HIS HEAD INSIDE. JUST OPEN IT A BIT WIDER. 498 00:43:32,600 --> 00:43:34,600 HEY, PRESTO. 499 00:43:36,920 --> 00:43:38,360 KERMIT GOES INTO THE LEAD. 500 00:43:38,400 --> 00:43:40,760 [CANNED CHEERING AND APPLAUSE] 501 00:43:41,800 --> 00:43:44,400 AND BECAUSE HE IS ON A RUN, HE LOOKS FOR THE NEXT SOLUTION 502 00:43:44,440 --> 00:43:51,200 STRAIGHTAWAY--KNOCK THE PEANUT DOWN WITH THE BALL. 503 00:43:52,200 --> 00:43:54,320 WOULDN'T THAT BE FANTASTIC? 504 00:43:54,600 --> 00:43:57,800 UNFORTUNATELY, THIS IS THE WRONG HOLE... 505 00:43:57,840 --> 00:43:59,440 [KERMIT SQUAWKS] 506 00:43:59,520 --> 00:44:01,520 AND OUT OF SHEER FRUSTRATION, 507 00:44:01,560 --> 00:44:07,440 HE STARTS TO PUSH THE WHOLE APPARATUS AND GIVES IT A REALLY GOOD SHAKING. 508 00:44:08,120 --> 00:44:10,360 THIS OBVIOUSLY BREAKS THE RULES, 509 00:44:10,800 --> 00:44:14,680 ALTHOUGH IT DID ACTUALLY ACHIEVE THE GOAL. 510 00:44:17,680 --> 00:44:19,400 BUT THE POINT IS NOT AWARDED, 511 00:44:19,800 --> 00:44:24,120 AND ANOTHER ATTEMPT IS RULED OUT. 512 00:44:27,960 --> 00:44:34,320 STRAIGHT BACK TO JUNGLE THE CROW BECAUSE HE HAS ALSO DISCOVERED THE HOLE IN THE SIDE WALL. 513 00:44:34,360 --> 00:44:36,000 [JUNGLE CAWS] 514 00:44:36,040 --> 00:44:41,000 AND THIS TOOL CROW KNOWS EXACTLY WHAT TO DO. 515 00:44:42,080 --> 00:44:45,360 A STICK WILL DO THE TRICK. 516 00:44:45,400 --> 00:44:46,520 [CANNED CHEERING AND APPLAUSE] 517 00:44:46,560 --> 00:44:51,480 BOTH HAVE TWICE FOUND THE RIGHT SOLUTION. ALL SQUARE. 518 00:44:52,520 --> 00:44:55,960 BUT NOW KERMIT LOCATES THE CORRECT INLET FOR THE BALL. 519 00:44:56,000 --> 00:44:59,400 THE SPOUT LEADS TO THE NUT. 520 00:45:00,440 --> 00:45:05,040 JUST HAVE TO SHOVE THE DARNED THING IN. 521 00:45:05,080 --> 00:45:08,440 A NUDGE WITH HIS TONGUE... 522 00:45:08,480 --> 00:45:10,400 AND HE GOES BACK INTO THE LEAD, 523 00:45:10,440 --> 00:45:13,160 3-2. KERMIT SENSES VICTORY. 524 00:45:13,200 --> 00:45:15,040 [CANNED CHEERING AND APPLAUSE] 525 00:45:15,080 --> 00:45:18,880 HE ONLY NEEDS TO MANAGE TO DO WHAT THE CROW FOUND SO EASY-- 526 00:45:18,920 --> 00:45:23,120 PUSH THE STICK THROUGH THE HOLE. 527 00:45:24,200 --> 00:45:29,720 HIS BEAK MAY BE BENT, BUT HIS FOOTWORK IS DAZZLING--THE FIRST 528 00:45:29,760 --> 00:45:35,520 EVIDENCE THAT KEAS CAN ALSO SYSTEMATICALLY HANDLE STICKS. 529 00:45:36,200 --> 00:45:38,520 PITY THAT THIS HOLE IS BLOCKED. 530 00:45:38,560 --> 00:45:40,320 ONLY THE STRING WORKS HERE. 531 00:45:40,360 --> 00:45:45,960 TRY AS YOU MIGHT, NOTHING ELSE WILL CRACK IT. 532 00:45:47,000 --> 00:45:49,920 SWIFTLY, BACK TO JUNGLE THE CROW, WHO HAS ALSO NOW 533 00:45:49,960 --> 00:45:54,880 DISCOVERED THE SPOUT WHICH LEADS DIRECTLY TO THE WORMS. 534 00:45:54,920 --> 00:45:58,320 THE BALL'S JUST THE RIGHT THING. 535 00:46:01,760 --> 00:46:05,320 AWESOME. NECK AND NECK, 3 ALL. 536 00:46:05,360 --> 00:46:09,080 THEY BOTH HAVE JUST ONE MORE TASK. 537 00:46:12,120 --> 00:46:14,240 THE CROW MUST OPEN THE DOOR, 538 00:46:14,560 --> 00:46:20,120 SWIVEL IT TO THE SIDE. NO MEAN FEAT IF YOU'VE NEVER OPENED A DOOR BEFORE. 539 00:46:23,160 --> 00:46:27,720 THE DOOR IS OPEN. BUT PUT MY HEAD IN THERE? ME? 540 00:46:27,760 --> 00:46:29,760 YOU'VE GOT TO BE KIDDING. 541 00:46:32,160 --> 00:46:34,760 KERMIT IS STILL WRESTLING WITH HIS STICK. 542 00:46:34,800 --> 00:46:37,160 FOR HIM, THIS IS THE GREATEST CHALLENGE OF THEM ALL. 543 00:46:42,200 --> 00:46:47,360 IT'S THE RIGHT OPENING... BUT NOW THE STICK IS JAMMED. 544 00:46:47,400 --> 00:46:52,720 DRAT! ALICE FEELS FOR HIM. 545 00:46:53,280 --> 00:46:57,280 KERMIT'S BAD LUCK GIVES JUNGLE THE CHANCE TO PREVAIL, AND SURE 546 00:46:57,320 --> 00:47:03,520 ENOUGH, HE PULLS IT OFF WITHOUT EVEN PUTTING HIS HEAD AT RISK. 547 00:47:08,600 --> 00:47:12,560 BUT RIGHT AT THAT MOMENT, KERMIT ALSO FINALLY SUCCEEDS. 548 00:47:12,600 --> 00:47:14,840 NEITHER OF THEM GAVE AN INCH, 549 00:47:14,880 --> 00:47:17,520 EINSTEINS OF THE BIRD POPULATION. 550 00:47:17,560 --> 00:47:20,400 [KERMIT AND JUNGLE SQUAWK] 551 00:47:22,480 --> 00:47:26,120 WHERE DOES THIS AMAZING INTELLIGENCE COME FROM? 552 00:47:26,160 --> 00:47:31,480 WHY ARE KEAS SO SMART, NOT TO MENTION NEW CALEDONIAN CROWS? 553 00:47:33,840 --> 00:47:37,600 FOR A START, THEY ARE SOCIAL ANIMALS. THEY LIVE LIKE US, 554 00:47:37,640 --> 00:47:40,440 IN GROUPS AND FAMILIES. 555 00:47:41,480 --> 00:47:44,480 AND FOR THAT, INTELLIGENCE IS REQUIRED. 556 00:47:45,000 --> 00:47:47,960 ONE MUST CONSTANTLY RECKON WITH THE OTHERS. 557 00:47:50,960 --> 00:47:54,080 ONE MUST MAINTAIN ONE'S POSITION. 558 00:47:54,120 --> 00:47:57,000 [CROWS SQUAWKING] 559 00:47:57,040 --> 00:48:02,040 ONE MUST KEEP ON ONE'S TOES AND BE READY FOR SURPRISE ATTACKS. 560 00:48:05,600 --> 00:48:07,200 [KEAS SQUAWKING] 561 00:48:07,240 --> 00:48:09,600 KEAS CAN BE QUITE RAMBUNCTIOUS, 562 00:48:09,640 --> 00:48:13,800 BUT SOCIAL INTELLIGENCE IS ALSO ESSENTIAL HERE. 563 00:48:13,840 --> 00:48:18,560 IT'S ABOUT MAKING THE RIGHT FRIENDS AND NURTURING FRIENDSHIPS. 564 00:48:18,600 --> 00:48:20,520 [KEA SQUEAKS] 565 00:48:21,560 --> 00:48:25,680 ONE NEEDS TO FIND PARTNERS TO PLAY WITH, ENJOY A BIT OF ROUGH 566 00:48:25,720 --> 00:48:30,320 AND TUMBLE, WITHOUT HURTING EACH OTHER... 567 00:48:30,880 --> 00:48:35,480 NOW AND THEN, INVENT NEW ALTERNATIVES... 568 00:48:36,520 --> 00:48:39,840 AND ALWAYS GO ALONG WITH WHAT THE PARTNER WANTS. 569 00:48:39,880 --> 00:48:44,200 WITHOUT INTELLIGENCE, THAT WOULD HARDLY BE POSSIBLE. 570 00:48:44,280 --> 00:48:46,880 BUT THERE'S ANOTHER CRUCIAL ELEMENT. 571 00:48:46,920 --> 00:48:50,880 JUST LIKE US, THESE BIRDS HAVE AN UNUSUALLY LONG CHILDHOOD, 572 00:48:50,920 --> 00:48:55,560 AND THAT MEANS TIME TO LEARN TO TRAIN THE MIND AND TO DEVELOP... 573 00:48:57,600 --> 00:48:59,360 RIGHT FROM THE OUTSET, 574 00:49:00,400 --> 00:49:03,880 FROM THEIR TIME IN THE CAVE. 575 00:49:04,920 --> 00:49:08,160 GAMES WITH STICKS. 576 00:49:08,200 --> 00:49:11,800 IT'S NO DIFFERENT FOR THE YOUNG CROWS IN THE CLOUD FOREST. 577 00:49:11,840 --> 00:49:14,520 THEY LEARN AND PRACTICE FOR AN UNUSUALLY LONG TIME, 578 00:49:14,560 --> 00:49:18,720 ALMOST TWO YEARS, TO DO THINGS LIKE THE OLD CROW DOES. 579 00:49:20,120 --> 00:49:21,880 FIRST, WATCH HOW MOTHER DOES IT. 580 00:49:21,920 --> 00:49:25,200 SHE WILLINGLY LEAVES THEM THE POKING STICK. 581 00:49:26,200 --> 00:49:31,840 A PROBING LOOK. THE NEXT GENERATION SEEMS INTERESTED AND EAGER TO LEARN... 582 00:49:33,880 --> 00:49:38,560 ONLY THEIR STAMINA LEAVES SOMETHING TO BE DESIRED. 583 00:49:38,600 --> 00:49:41,280 HARDLY HAS THE MOTHER FLOWN AWAY... 584 00:49:42,600 --> 00:49:45,000 THAN THE STICK IS DISCARDED. 585 00:49:49,440 --> 00:49:52,920 THIS YOUNG BIRD HAS FOUND A PANDANUS TOOL. 586 00:49:52,960 --> 00:49:56,360 HOWEVER, IF YOU HOLD IT THE WRONG WAY ROUND, WITH THE WIDE HANDLE DOWN, 587 00:49:56,400 --> 00:49:59,000 IT WON'T GET YOU VERY FAR. 588 00:49:59,440 --> 00:50:04,680 ON THE CONTRARY, THE TIP CAUSES PROBLEMS, SO THINGS CAN ALSO GO 589 00:50:04,760 --> 00:50:10,080 WRONG FOR YOUNG CROWS. THIS ONE HAS YET TO LEARN, FOR EXAMPLE, 590 00:50:10,120 --> 00:50:14,720 THAT NOT EVERYTHING THAT FITS IN THE BEAK IS ALSO GOOD FOR POKING. 591 00:50:14,760 --> 00:50:20,640 NO, THAT'S NOT THE WAY TO DO IT. 592 00:50:21,680 --> 00:50:25,960 YOUNG KEAS ALSO HAVE TO LEARN FROM SCRATCH; 593 00:50:26,000 --> 00:50:27,840 WHAT YOU CAN EAT AND WHAT NOT, 594 00:50:29,640 --> 00:50:32,880 WHAT DRINKS TASTE GOOD AND WHICH ONES DO NOT... 595 00:50:35,880 --> 00:50:41,160 HOW SNOW FEELS AND WHAT YOU CAN DO WITH IT, AND SO ON. 596 00:50:41,200 --> 00:50:47,800 THEY ARE CRAZY ABOUT ANYTHING NEW, AND EVERY EXPERIENCE TRAINS THEIR MIND. 597 00:50:52,840 --> 00:50:56,080 THEY EVEN TEST OUR MINI-CAMERA. 598 00:50:56,120 --> 00:50:58,240 [KEAS SQUEAKING] 599 00:50:59,040 --> 00:51:04,600 AMANDA: THEY MAKE ME LAUGH ALL THE TIME, BUT MOSTLY I'M JUST FASCINATED BY WATCHING THEM. 600 00:51:04,640 --> 00:51:06,480 THEY ARE ALWAYS DOING SOMETHING DIFFERENT. 601 00:51:06,520 --> 00:51:10,800 THEY'RE ALWAYS EXPLORING AND TRYING TO SEE WHAT HAPPENS IF THEY DO THIS, 602 00:51:10,840 --> 00:51:14,280 AND IN SOME WAY THAT'S INSPIRING. 603 00:51:14,320 --> 00:51:16,880 THEY'RE LIKE LITTLE SCIENTISTS WHEN THEY'RE EXPLORING AND DOING ALL THEIR 604 00:51:16,920 --> 00:51:21,320 DIFFERENT EXPERIMENTS, IF YOU LIKE. HEH! 605 00:51:25,400 --> 00:51:30,040 NARRATOR: THEIR AMAZING DESIRE TO LEARN AND EXPLORE IS THE KEY TO THEIR INTELLIGENCE. 606 00:51:30,080 --> 00:51:34,600 THEY WANT TO FIND OUT HOW THINGS ARE CONNECTED AND INTERACT WITH EACH OTHER, 607 00:51:34,640 --> 00:51:37,520 AND HOW THEY CAN USE THIS FOR THEIR OWN BENEFIT. 608 00:51:37,560 --> 00:51:42,080 IN THAT RESPECT, THEY ARE ALMOST IRRITATINGLY SIMILAR TO US-- 609 00:51:42,120 --> 00:51:46,120 THE HIGH FLYERS FROM THE OTHER SIDE OF THE WORLD. 49433

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