All language subtitles for Moonstruck EN

* In Napoli

* Where love is king

* When boy meets girl

* Here's what they say

* When the moon
hits your eye

* Like a big pizza pie

* That's amore

* When the world
seems to shine

* Like you've had
too much wine

* That's amore

* Bells will ring

* Ting-a-ling-a-ling,
ting-a-ling-a-ling

* And you'll sing
"Vita bella"

* Hearts will play

* Tippy-tippy-tay,
tippy-tippy-tay

* Like a gay tarantella

* When the stars
make you drool

* Just a like pasta fazool

* That's amore

* When you dance
down the street

* With a cloud
at your feet

* You're in love

* When you walk
in a dream

* But you know
you're not dreaming, signore

* 'Scusa me, but you see

* Back in old Napoli

* That's amore

CHORUS: * When the moon
hits your eye

* Like a big pizza pie

* That's amore

* And you'll sing
"Vita bella"

* Hearts will play

* Tippy-tippy-tay,
tippy-tippy-tay

* Like a gay tarantella

* Lucky fella

* When the stars
make you drool

* Just like pasta fazool

* That's amore

* That's amore

* When you dance
down the street

* With a cloud
at your feet

* You're in love

* When you walk

* In a dream

* But you know

* You're not
dreaming, signore

* 'Scusa me, but you see

* Back in old Napoli

* That's amore

WOMAN 1: He looks great.

WOMAN 2: That Al Conti
is a genius.

(INDISTINCT CHATTERING)

I am a genius.

I am a genius!

If you're
such a genius,

how come
you can't keep track
of your receipts?

Al, how am I supposed
to do your income tax
with this mess you got here?

Numbers, taxes,
receipts.

I make them look better
than they did in real life.

I'm an artistic genius!

Then how come
you got butter
on your tie?

Oh!

(GRUNTING)
Give it here.

You know what?
I give you this,

you make good coffee.

You're a slob,
but you make
good coffee.

Red roses. Hmm!

Very romantic. Ah!

Ah, the guy
that sends these

really knows
what he's doing.

The guy
who sends those
spends a lot of money

on something that could
end up in the garbage.

I'm glad everybody
ain't like you, Loretta,

I'd be out of business.

What are you talking?
I love flowers.

Thanks, Carmine.

You ready?

Hello, Bobo.
How are you tonight?
Hi.

Very good, Mr. Johnny.

We will both have
the Ticino salad...

Si.

...and I'll
have special fish.
Good.

No, you don't want the fish.
No?

No, it's
oily fish tonight.
Not before the plane ride.

Well, maybe you're right.
Okay, Bobo.

We'll have
the manicotti, Bobo.
Si, Miss Loretta.

That'll give you a base
for your stomach.

You know, you
eat that oily fish,
you go up in the air,

halfway to Sicily,
you'll be green.

And your hands
will be sweaty.

You look after me.

WOMAN:
Would you just
let me say something?

I'm really bored
with this.

I don't understand.
Don't ruin
the whole evening...

Now, Patricia,
please don't leave.

Just what do you think
I am, some sort of
talking dog?

I was
just making a point
about the way you said,

the way you stated
your aspirations.
Yeah, well,

you can kiss my
aspirations, professor!

"Kiss my aspirations?"
Oh, very clever.
Yeah.

Yeah, the height
of cleverness.

(MAN LAUGHING)

Waiter.

Yes.

Would you
do away with her dinner
and any evidence of her,

and bring me
a big glass of vodka.

Absolutely.

A man who can't
control his woman

is funny.

(LAUGHING)

She was too young
for him.

What's the matter,
Uncle Bobo?

Tonight, Mr. Johnny is
gonna propose marriage.

How do you know that?

He arranged it with me.

When he asks,
he's gonna wave,

and then I serve
the champagne.

(SIGHING)

Good bachelor customer
for 20 years.

Mille grazie.

How's things, eh?

Fine, Bobo.
We'll have the check.

There you go.
No, no. I, uh...

I want to see
the dessert cart.

Very good.

You never have dessert.

Well, never
is a long time.

(GRUNTING)

What's the matter with you?

My scalp
is not getting
enough blood sometimes.

Have some dessert.

No, I shouldn't.

Will you marry me?

What?
Huh?

Will you marry me?

Bobo, take the cart away.

Very good,
Miss Loretta.

Are you proposing
marriage to me?

Yes.

All right,
you know I was married
and that my husband died.

But, what you don't know is
I think he and I had bad luck.

What do you mean?

Well, we got married
down at the city hall.

I think
it gave bad luck
to the whole marriage.

I don't understand.

Right from the start,
we didn't do it
right, okay?

Could you kneel down?

On the floor?
Yeah, on the floor.

This is a good suit!

I know that.
I helped you pick it out.

It came with
two pairs of pants.
Johnny, it's for luck.

I mean, a man proposes
marriage to a woman,
he should kneel down.

She's got him on his knees.
He's ruining his suit.

Is that man praying?

So...
Where's the ring?

The ring!
A ring.

That's right.

I would've
sprung for the ring
if it was me, capisce?

You could use
your pinkie ring.

I like this ring.

You propose marriage
to a woman,

you should offer her
a ring of engagement.

Shh.

Loretta.

Loretta Castorini Clark,

on my knees,

in front of
all of these people,

will you marry me?

Yes, Johnny.

Yes, John Anthony Cammareri,
I will marry you.

I will be your wife.

Bravo!
Bravissimo!

Salute, paisano!

Bobo! The check!

Right away, Mr. Johnny.

What about
the wedding?

My mother is dying.

When she's dead, I'll come
back, and we'll get married.

How near death is she?

A week.
Two weeks. No more.

Well, now, how about we
set a date. How about
a month?

Must it be so definite?

Can't we just say we'll
be married when I get back?

Where?
At the City Hall? No!

My mother is dying.

And I want
a whole wedding, or
we'll have bad luck.

And for a whole wedding
to be planned you gotta
set a date.

All right. All right.
All right. A month.

A month from today.

In a month.
A month from today?

Yes, a month from today.

Okay, okay.

Okay, okay. All right.
Right today.

I'll take care of it, Johnny.
I'll take care of the
whole thing.

All you got
to do is show up.

MAN ON PA:
700 departure for Paris.

Please proceed
to gate number 29.

Call me when you get in.

I'll call you when
I get to Mama's house.

Okay. You made me very happy.

There's one thing
about this wedding
I want you to do.

I want you to call...
I want you to call
this number.

It's a business number.

You ask for Ronny.
Invite him to
the wedding.

Okay. Who is he?

It's my younger brother.

You got a brother?

We haven't spoken
in five years.

There was
some bad blood.

I want you to call him
and invite him to the
wedding.

Will you do it?
Sure.

MAN ON PA:
International flight
number 604 for Rome

with connections to Palermo
is now boarding at gate 43.

I got to go.

You got your ticket?

Okay, here.
I got you these
gum and cough drops.

Gum opens your ears
while you chew.
Yeah.

Okay, I gotta go.

MAN ON PA:
This is the last call

for international
flight number 604
for Rome now...

You have someone
on that plane?

Yeah, my fiance.

I put a curse
on that plane.

My sister
is on that plane.

I put a curse
on that plane

that it's going to
explode.

Burn on fire
and fall into the sea.

Fifty years ago,
she stole a man
from me.

(SPEAKING ITALIAN)

Today she tells me
that she never loved him,

that she took him
to be strong on me.

Now she's going back
to Sicily.

(SPEAKING ITALIAN)

I cursed her.

That the
green Atlantic water
should swallow her up!

I don't believe in curses.

Neither do I.

Mr. Johnny's, right?
Yeah.

Good night.
Good night.

The key's in it.

(MUSIC PLAYING)

WOMAN: I've heard
that song before.

What are you
talking about?

I've seen the way
you look at her,
and it isn't right!

How do I look at her?
Can I help you?

A split of Mumm's.

So, how do
I look at her?

Like a wolf.

Like a wolf, huh?

Aha, like a wolf.

You've never seen
a wolf in your life.

That's $11.99.

I seen the wolf
in everybody
I ever met,

and I see a wolf
in you.

Mmm-hmm.

That makes 20.

Thanks.
Have a nice night.

You, too.

You know what
I see in you?

What?

The girl I married.

Oh, come on.

Good night.
Good night.

Good night.

(WOMAN SINGING ON RADIO)
* Let it please be him

* Oh, dear God,
it must be him

* It must be him

* Or I shall die

* Or I shall die

* Oh, hello, hello,
my dear God... *

(BARKING)

Hi, guys!

Ooh, sweethearts!
How are you? How are you?

Guess what happened
to me today?

Ciao, bello.

Ciao. Bueno notte.

(DOG BARKS)
Hey!

(SPEAKING ITALIAN)

Hey! How long must I wait?

Come here.

(SPEAKING ITALIAN)

Hi, Pop.
Oh, hi.

Where's Ma?

In bed.
You're not sleepy?

I can't sleep anymore.
It's too much like death.

Pop, I got news.

All right.

Let's go into the kitchen.

* I start to pray

(HUMMING ALONG)

* Let it please be him

* Oh, dear God

* It must be him

* It must be him

* Or else I shall die
* Or else I shall die

(CORK POPPING)

* Or I shall die
* Or I shall die

Okay.

* Hello, hello,
my dear God

* It must be him

Ti amo.

Ti amo.

You look tired, Pop.

So what's your news?

I'm getting married.

Again?
Yeah.

You did
this one before,
it didn't work out.

But the guy died.
And what killed him?

He got hit by a bus.

No. Bad luck.

You're mother and I were
married 52 years.
Nobody died.

You were married, what,
two years? Somebody's dead.

Don't get married again,
Loretta, it don't work
out for you.

Who's the man?
Johnny Cammareri.

John... Johnny Cammareri.

He's a big baby.

And why isn't he here
with you telling me this?

Because he's
flying to Sicily.
His mother is dying.

More bad luck.

I don' t like
his face, Loretta,
don't like his lips.

When he smiles,
I can't see his teeth.
What is he hiding?

When you gonna do it?
In a month.

I won't come.
You gotta come.

You gotta give me away!

I didn't give you away
the first time.

And I had bad luck!

You know, maybe
if you gave me away,

and if I got married in
a church, in a wedding dress,

instead of down
at the City Hall,

with strangers standing
outside the door,

then maybe,
I wouldn't have
had the bad luck I had.

Maybe.

You know, Pop,
I had no reception,

no wedding cake,
no nothing.

Johnny got down on his knees
and proposed to me at the
Grand Ticino.

He did?
Yes.

That don't sound like Johnny.

Well...

Where's the ring?
Here.

It looks stupid.
It's a pinkie ring.

It's a baby,
it's a man's ring.

It's temporary!

Everything is temporary!
That don't excuse nothing.

You're coming?

Let's go tell your mother.

Rose.

Rose.

Rose.

Rose!

Who's dead?

Nobody.
Loretta's getting married.

Again?

Yeah.

Johnny Cammareri.
I don't like him.

You're not gonna
marry him, Cosmo.

Do you love him,
Loretta?

No.
Good.

When you love them,
they drive you crazy
because they know they can.

But you like him?
Oh, yeah.

You know,
he's a sweet man, Ma.

And this time I'm gonna
get married in a church
and have a big reception.

And who's gonna
pay for that?

Pop.
What?

The father
of the bride pays.

I have no money.

You're rich
as Roosevelt.

You're just cheap, Cosmo.

I won't pay
for nothing.

You know, it's your duty
as my father to pay for
the wedding.

COSMO: I won't
pay for nothing.

He didn't
used to be cheap.

He thinks
if he holds
onto his money,

he will never die.

* What's done is done

(SIGHING)

Now he's going
to play that damn
Vikki Carr record,

and when he comes to bed,
he won't touch me.

* Have a lot of fun

* It's easy
when you play it cool *

(SPEAKING ITALIAN)

BOY 1: Look at that old man.

BOY 2: I can't believe
how many dogs he's got.

(BOTH LAUGHING)

BOY 1: Hey, keep
your dogs off
my lawn.

(BOY 1 LAUGHING)

Come on.

(SPEAKING ITALIAN)

(BELL TOLLING)

Come on.

Don't do that.
She's asleep.

OLD MAN: Look all
the flowers on Foncica.

My brother sent her
a blue flower.

I can only see
things in my house.

And things in my house
are very bad.

I don't know
what to advise my son.

I think he should
pay for the wedding.

But it's important that
he don't look ridiculous.

Well, why don't you
talk to him?

I will.

But I must find
the right moment.

See la bella luna
last night?

Ah, si.

Ah, si, la luna.
La bella luna.

The moon brings
the woman to the man.

Capisce?
Capisce.

(SPEAKING ITALIAN)

(DOG BARKS)

Andiamo.

(MEN CHATTERING IN ITALIAN)

(SPEAKING ITALIAN)

Ciao.
Ciao.

(SPEAKING ITALIAN)

(DOG BARKS)

Andiamo, andiamo.

Come va?
Bene, bene.

Upstairs.
Everybody upstairs.

Bene, bene!

Come on. Bendiamo.

(SPEAKING ITALIAN)

LORETTA: Ciao, bello.

OLD MAN: Ciao, ciao.

So, will you live here?

No.

Why not?

Pop don't like Johnny.

Hmm. We'll sell the house.

I got married before,
you didn't sell.

Grandma
was still alive.

Chiro was still home
going to school.

Now he's married,
gone to Florida.

If you and Johnny moved in,
had a baby...

Ma, I'm 37 years old.

What's 37?
I didn't have Chiro
till after I was 37.

It ain't over
till it's over.

Johnny's got
a big apartment.

You know,
we'll move in there.

So we'll sell the house.

You know what?

I want to live here,
I love the house.

Pop don't like Johnny.

No, he don't.

(SIGHING)

(TELEPHONE RINGS)

I'll get it.
I'll get it.

(TELEPHONE RINGING)

Hello?

(WOMAN SPEAKING ITALIAN)

Yeah, yeah.
This is Loretta Castorini.

(SPEAKING ITALIAN)

Johnny!

Johnny?

JOHNNY: Operator?

Op, op...

Loretta?
Yeah!

Yes.

(SHUSHING)

It's me.

I'm calling from the
deathbed of my mother.

Yeah, well, how was
your plane ride?

The waitresses
were very nice.

My mother
is slipping away!

How long do I have to wait?

(SPEAKING ITALIAN)

(PRAYING IN ITALIAN)

I can't talk long.

Did you tell her
we're getting married?

Oh, no, no. Not yet.

I'm waiting until a moment
when she's peaceful.

Well, don't wait till
she's dead.

Have you called my brother?

No, I'm sorry. No.
Not yet. I forgot.

Will you do it today?

Yes. Yes.

Make sure
he comes to the wedding.

Five years is too long for
bad blood between brothers.

Nothing can replace
the family, Loretta.

I can see that now.

Loretta?
Loretta, are you there?

Loretta!

Okay, I'm sorry.
I'll do it.
I'll do it today.

And, listen, Johnny, you know,
call me after you tell her,
okay?

All right. All right.

And don't stand
directly under
the sun.

You got a hat, use your hat.

I got my hat. All right.
All right. All right. Bye.

All right. Bye-bye.

Now what did I
do with that card?

How's the mother?

She's dying.
But I could still
hear her big mouth.

(PRAYING IN ITALIAN)

(SOBBING)

(BLOWS NOSE LOUDLY)

He didn't tell her!

You know,
the woman makes him crazy.

Now who are you calling?

(RINGING)

Cammareri's.

Yeah, is Ronny Cammareri
there, please?

Hold on.
Ronny, the phone!

Ronny!

Yeah, this is Ronny.

Yeah.

I'm calling for your brother.

And he's getting married.
And he would like it if
you would come.

Why didn't
he call himself?

He's in Palermo.

What's wrong can
never be made right!

Look, let me
just come and talk...

Talk to you!

Animal!

What an animal!

Thanks, Mrs. Fugocci.
Here you go.

Okay, bye.
See you tomorrow.

Goodbye.
Come on, honey.

Is Ronny Cammareri here?

He's down at the ovens.
What do you want?

I want to talk to him.

This way.

Ronny?
MAN: What?

Somebody here to see Ronny.

Ronny!

Ronny, somebody
wants to see you!

Have you come
from my brother Johnny?

Yeah.
Why?

Well, we're going to
get married.

You're going to
marry my brother Johnny?

Yeah. Would you like to go
someplace where we could...

I have no life.

Excuse me?

I have no life.

My brother Johnny
took my life from me.

I don't understand you.

And now
he's getting married.

He has his.

He's getting his,

and he wants me to come.

What is life?

You know,
I didn't come
here to upset you.

They said bread is life.

And I bake bread,
bread, bread.

And I sweat, and shovel
this stinking dough

in and out of this
hot hole in the wall

and I should be so happy.

Huh, sweetie?

You want me to
come to the wedding
of my brother Johnny?

Where's my wedding?

Chrissy,
over by the wall.
Bring me the big knife.

CHRISSY: No, Ronny!

Bring me the big knife.
I'm going to cut my throat!

Maybe I should
come back another time.

No, I want you to see this.
I want you to watch me
kill myself

so you can tell
my brother Johnny
on his wedding day.

Okay?

Chrissy, bring me the
big knife!

I tell you,
I won't do it!

She won't do it.

Do you know about me?
Oh, Mr. Cammareri...

What?

Do you know about me?

Uh-uh.

Okay.

Nothing is anybody's fault,
but things happen.

Look.

This wood is fake.

Five years ago, I was
engaged to be married.

And Johnny came in here
and he ordered bread
from me.

I said,
"Oh, okay,
some bread."

And I put my hand
in the slicer,
and it got caught,

'cause I wasn't
paying attention.

The slicer
chewed off my hand.

And it's funny.

'Cause when my fiance
found out about it,

when she found out
that I'd been maimed,
she left me for another man.

That's the bad blood
between you and Johnny?

Yes, that's it.

Yeah, but I...
That's not Johnny's fault.

I don't care!
I ain't no frickin'
monument to justice!

I lost my hand!
I lost my bride!

Johnny has his hand!
Johnny has his bride!

You want me
to take my heartbreak,
put it away and forget?

Is it just
a matter of time

before a man
opens his eyes

and gives up his one

dream?

His one dream of happiness?

Maybe.

Maybe.

CHRISSY: This is
the most tormented
man I have ever known.

I'm in love with this man,
but he doesn't know that.

'Cause I never told him
because he could never
love anybody

since he lost his hand
and his girl.

Where do you live?

Upstairs.

Can't we just talk?

What are we painting here,
the Sistine chapel?

(CHUCKLING)

We should've
been plumbers
like Castorini.

(SIGHS)

(CLICKING TONGUE)

Well, Mr. Castorini,
what do you think?

$10,800.

That seems like a lot.

Look, there are
three kinds of pipe.

There's the kind of pipe
you have, which is garbage.

And you can see
what that's gotten you.

Then there's bronze.
Which is pretty good.

Unless something goes wrong.

And something
always goes wrong.

And then, there's copper.

Which is the only pipe I use.

It costs money.

It costs money
because it saves money.

(SIGHS)

I think we should follow
Mr. Castorini's advice, heart.

And then, there's copper.

Which is the only pipe I use.

It costs money.

It costs money
because it saves money.

And what did they say?

Well, the man
understood me.

The woman
wanted to be cheap,

but the man saw
it was right.

You have such
a head for knowing.
You know everything.

I brought you something.

It's a present.

Oh, Cosmo!

(GASPING)

Oh, my God!

They're little birds
and stars.

Birds flying to the stars,
I guess, huh?

(ARIA PLAYING FROM LA BOHEME)

What's that smell?

I'm making you a steak.

I don't want it.

You'll eat it.

I like it well-done.

You'll eat this one bloody
to feed your blood.

(SIGHING)

This is good.

Loretta.

Where did Johnny
find you?

He knew my husband,
who died.

How'd he die?
A bus hit him.

Fast?
Instantaneous.

When you get engaged?

Yesterday.

So, five years ago
you got your hand cut off

and your woman left you,
no woman since then?

No.

Stupid.

When did your husband
get hit by the bus?

Seven years ago.

How many men since then?

Just Johnny.

Stupid yourself.

No, unlucky!
I have not been lucky.

I don't care about luck.
You understand me?

It ain't that.

What's the matter
with you?

I mean, you think
you're the only one
who ever shed a tear?

Why are you talking to me?

You got any whiskey?
How about you give me
a glass of whiskey?

(VEHICLES HONKING)

I'll call you later.

(HONKING)

(LORETTA SIGHING)

She was right to leave me.

You think so?

Yeah.

You really are stupid,
you know that?

You don't know
nothing about it.

Look,

you know,
I was raised that
a girl gets married young.

I held out for love.

I got married
when I was 28.

I met a man.
I loved him,
I married him.

And then he wanted
to have a baby
right away

and I said no,
that we should wait.

And then
he gets hit by a bus!

So what do I got? I got
no man, no baby, no nothing.

You know, how
did I know that that man
was a gift I couldn't keep?

My one chance of happiness.

You tell me this story
and you act like
you know what it means.

But I can see what the
true story is and
you can't.

That woman didn't
leave you, okay?

You can't see what you are
and I see everything.
You're a wolf.

I'm a wolf?
Yeah.

(STUTTERING)
The big part of
you has no words

and it's a wolf.

You know,
the woman was
a trap for you.

She caught you and
you couldn't get away

so you chewed off
your own foot.

That was
the price you had
to pay for your freedom.

You know, Johnny
had nothing to
do with it.

You did
what you had to do
between you and you.

(SCOFFING)
And now,

now you're afraid because
you know the big part
of you

is a wolf
that has the courage
to bite off its own hand

to save itself from
the trap of the
wrong love.

That's why
there's been no woman
since that wrong woman.

Okay?

You're scared to death
of what the wolf will do

if you try and
make that mistake again.

What are you doing?

I'm telling you your life.
Stop it!

No!

Why are you marrying
Johnny, he's a fool!

Because I have no luck.

He made me
look the wrong way,
and I cut off my hand.

He could make you
look the wrong way.

You could lose
your whole head!

I'm looking
where I have to
to become a bride.

A bride without a head.

A wolf without a foot!

(GRUNTING)

Wait a minute!
Wait a minute!

(MOANING)

What are you doing?

Son of a bitch!

Where are you taking me?

To the bed.

Oh, God!
Okay, I don't care!
I don't care!

Take me!
Take me to the bed.

I don't care
about anything.

I don't believe
this is happening.

I was dead.
Me, too.

(SIGHING)

What about Johnny?

You're mad at him.

Take it out on me.
Take your revenge
out on me!

Leave nothing left
for him to marry,

leave nothing but
the skin over my bones!

All right. All right.

There will be nothing left!

(BOTH MOANING)

ROSE: Come on,
let's eat
while it's hot.

COSMO: Where's Loretta, huh?
We're going to eat
without her?

Well, she must be
eating out.

She sure don't know
what she's missing.

It's not like her
not to call.

Well, she's got
a lot on her mind.

We can talk about it,
right, Rose?

I mean everybody knows
she's getting married again.

I don't want
to talk about it.

Johnny Cammareri. I think
it's a great idea and
about time.

What's she going to do
with the rest of her life,
if she don't get married?

COSMO:
I don't want
to talk about it!

My father
needs another plate.

RAYMOND: Cosmo.

Many years ago
when they told me

you were marrying
my sister, I was happy.

When I told Rose that I was
marrying Rita, she was happy.

Well, marriage is
happy news, right?

(ALL CHUCKLING)

Rose, pass the wine.

RAYMOND: I've never seen
anybody so in love
like Cosmo was back then.

He'd stand outside the house
all day looking in
the windows.

I never told you this
'cause it's not
really a story.

One time I woke up in
the middle of the night

'cause of this bright light
in my face, like a flashlight,

I couldn't think of
what it was.

I looked out the window,

and it was the moon,

as big as a house.

I never seen the moon
so big before or since.

I was almost scared, like it
was going to crush the house.

And then
I looked down,

and standing there,
in the street,

was Cosmo looking up
at the windows.

(LAUGHING)
This is the funny part.

I got mad at you, Cosmo.

I thought
you had brought that
big moon over to my house,

because you
were so in love
and woke me up with it.

I was half asleep, I guess.
I didn't know anything.

You were altogether asleep.
You were dreaming.

No.

You were there.

I don't want
to talk about it.

Well, what do you
want to talk about?

Why are you drinking
so much?

(DOG WHIMPERS)

Old Man,
you give those dogs
another piece of my food,

I'm going to kick you
till you're dead!

Cosmo?

Cosmo?

You drank too much.

Now you'll sleep
too hard,

and later you'll be up
when you should be down.

RONNY: What's the matter?

Nothing.
I'm looking at the moon.

It's perfect.

I never seen
a moon like that before.

It makes you
look like an angel.

It looks like
a giant snowball.

Rita.
What?

Rita, dear.
What?

Wake up.

What?

Look.

Oh.

Hmm.

It's Cosmo's moon.

What are you
talking about?

Cosmo can't
own the moon.

It's that moon
I was talking about.

At dinner.

Is he down there?

Is who down there?

Cosmo.

Well, what would
he be doing down there?

I don't know.

You know something?

In that light,

with that expression
on your face,

you look about 25 years old.

What do you want?

Rita.

What do you want?

(LAUGHING)

Get out! Get out!

Rita.
No!

(INDISTINCT CHATTERING)

(SPEAKING ITALIAN)

(SPEAKING ITALIAN)

Why do you make me wait?

Come on! Come on, eh!

Howl! Howl!

(HOWLING)

(DOGS BARKING)

(HOWLING)

(LAUGHING)

Howl!

La luna.

Oh, my God!

What?

What!

Take it easy.

This time,
I was trying to
do everything right.

Don't just
become excited.

I thought
if I stayed away
from the City Hall,

I wouldn't have the
bad luck I've had again.

You're making me
feel guilty.

I'm marrying
your brother!

All right,
I'm guilty, I confess.

The wedding's
in a couple of weeks.
You're invited, okay?

How come you didn't be like
him and be with your mother
in Palermo?

She don't like me.

You don't get along
with anybody, do you?

What did you do?

What did I do?

You've ruined my life.

That's impossible!

It was ruined
when I got here.

You ruined my life!

No, I didn't.

Oh, yes, you did!
Oh, yes, you did!

You know, you got them
bad eyes like a gypsy.

And I don't know why
I didn't see it yesterday.

Bad luck! That's it!

Is that all
I'm ever going to have?

I should have taken a rock
and killed myself years ago.

I'm going to marry him.
Do you hear me?

Last night never happened
and I'm going to marry him.

And you and I
are going to take
this to our coffins.

I can't do that.
Why not?

I'm in love with you.

Snap out of it!

I can't.

All right, well then,
I must never see you again,

and the bad blood will
just have to stay there

between you
and Johnny forever.

And you won't come
to the wedding.

I'll come to the wedding.

I'm telling you,
you can't come!

He wants me to come.

That's because
he don't know, okay?

Now, wait a minute.
Honey!

Listen, all right.

I won't come
to the wedding
provided one thing.

What?

That you come with me
tonight to the opera.

What are you talking about?

I love two things, I love you
and I love the opera.

Now, if I can have the
two things that I love
together for one night,

I would be satisfied
to give up...

Oh, Christ!

To give up
the rest of my life.

All right, all right.

All right.
All right!

Meet me at The Met.
All right, all right.

Where's The Met?

Well, you got to...

Bless me, Father,
for I have sinned.

It's been two months
since my last confession.

What sins
have you to confess?

Twice I took the name
of the Lord in vain,

once I slept with
the brother of my fiance,

and once
I bounced a check
at the liquor store,

but that was
really an accident.

Then it's not a sin.

But,

what was that second
thing you said, Loretta?

You mean the one
about once I slept with
the brother of my fiance?

That's a pretty big sin.

I know.

You should
think about this.

I know.

All right.
For your penance,
say two rosaries.

Be careful, Loretta.

Reflect on your life.

All right.

(PRAYING IN LATIN)

Amen.

Hi.

Where you been?

I don't want
to talk about it.

Just like your father.

I lied to him.

He thinks you came home
last night.

Thanks.

(SIGHING)

What's the matter
with you?

Cosmo's cheating on me.

What?
How do you know this?

A wife knows.

You don't even know.
You're just imagining it.

He's too old.

I won't be home for dinner.

Oh.

(SCATTING)

I feel great!

I got no sleep, but
I feel like Orlando furioso.

You were a tiger last night.

And you were a lamb.

As soft as...

Hey!
...milk.

(SHUSHING)
Lower your voice.
They'll hear you.

So what?

The pleasure
of marriage is,
you sleep with the woman,

you don't
worry about nothing!

Quiet, Raymond!

Hey, how about a date
tonight, Rita, huh?

What's the matter
with you? Shut up!

Oh! We'll eat some pasta.
Please!

We'll fool around a little.
What's gotten into you?

I don't know.
I really don't know.

That moon,
that crazy moon
Cosmo sent over.

Hi, Aunt Rita.
Hi, Uncle Raymond.

Hey there!

* You with the stars
in your eyes *

What's the matter with him?

You got me.

RAYMOND: See that moon
last night?

(STUTTERING) What moon?

Did you see it?
No.

Oh.

Listen, I got to go, okay?
I'll take the deposit
to the bank,

but then
I got to come back
tomorrow and do the books.

Well, sure.
You got a date?

What are you talking about,
you fool!

Her fiance's in Palermo!
Date! What date?

Oh, right.

I just got
a lot of things to do.

Yeah, you got all
that wedding stuff, huh?

Yeah.

Hey, that's romantic, too!

* Isn't it romantic?

Hey, Frankie!
Make me a bowl of minestrone.

(WOMEN LAUGHING)

What's the matter with you?
You look crazy.

I got a lot on my mind.

What?
I got a lot on...

What? Don't tell me
you got a lot on
your mind!

What's the matter with you?

I don't want to
talk about it, okay?

I don't want
to talk about it.

LORETTA: Take out the gray.

I have been wanting to
do this for three years!

Listen, let me show you
some magazines, huh?

And you're going to
need a manicure, yes.

All right,
you take her, Batina.

She's gonna
take out the gray.

(SPEAKING ITALIAN)
Oh, yeah, your eyebrows.

Someone's gonna have
to do your eyebrows.

What are you... Wait.
Something very nice.

Wait a minute!

Has anybody here
ever been to the opera?

WOMAN: Not me.

(WOMAN CHUCKLING)

Bellissima without
those ugly grays.

WOMAN 1:
Oh, it is fantastic.

You ever been
to the opera?

No, have you?

Ow! No.

Batina, you ever
been to the opera?

Ooh!

WOMAN: La traviata? La boheme?

LORETTA: I never been there.

WOMAN: You going to The Met?
Yeah.

(WOMEN CHATTERING)

WOMAN 2: ...she came in.
And when she turned 40
and her husband left her.

All right.
Bye-bye.

Okay, okay. Okay.

(MAN WHISTLES)

Wow!

Look at that.

Oh! Careful!

Hi. I'm home!

Don't everybody
answer at the same time.

Hello!

(SWITCHES ON RADIO)

(TUNING)

(INSTRUMENTAL MUSIC PLAYING)

(INDISTINCT CHATTERING)

Hi.

Hi.

You look beautiful.

Your hair.

Yeah, I had it done.

You look, uh,
beautiful, too.

Thank you.

No.

I said I'd go to
the opera with you,
but that's all.

Come on, let's go in.

Good evening.

There's your stubs.

Oh, look at that.

It's something,
isn't it?

Wow!

Thank you.

For what?

I don't know.

For your hair.

For your beautiful dress.

I don't know,
it's been a long time
since I've been to the opera.

So, where are
we sitting?

Come on.

(INAUDIBLE)

(ALL APPLAUDING)

Here we go.

(ORCHESTRA PLAYING)

So, who's coming?

Just me,
I want to eat.

Okay, I got a table
for you right now.

This all right?
Fine.

Enjoy your meal,
Mrs. Castorini.
Thanks.

Signora Castorini,
you're dining alone tonight?

Hello, Bobo, yeah.
Let me have a martini,
no ice, two olives.

Ah, very good!

SHEILA: I'm trying
to explain to you
how I feel.

Every time
I tell you how I feel,
you tell me how you feel.

That doesn't seem like
much of a response to me.

Well, it's the only
response I've got.

BOBO:
Signora, you want
something to eat?

Not now, I'll wait.

Very good.

SHEILA: I really hate it
when you use that tone
with me,

like you're above it all
and isn't it so amusing.

But it is,
isn't it?

Not to me!

This is my life, no matter
how comical it may seem
to you.

I don't need
some man standing
above the struggle

while I'm rolling
around in the mud.

Well, I think you like to
roll around in the mud
and I don't.

That's fair, isn't it?
Now why...

(PEOPLE GASPING)

(PEOPLE LAUGHING)

Sorry about that, folks.
She's a very pretty
mental patient.

(ALL LAUGHING)

No, don't.
No, no, no, no.
Please, don't mind me.

Just do me a favor
and clear her place.

Get rid of all
evidence of her,

and bring me
a big glass of vodka.

Absolutely.

I'm sorry
if we disturbed you.

I'm not disturbed by you.

My lady friend has
a personality disorder.

She's just too young for you.

Ah, thanks, comrade.

WAITER: It's nothing.

Too young?

I just got that. You know
how to hurt a guy, don't you?

How old are you?
None of your business.

I'm sorry,
that was rude.

Would you like to
join me for dinner?

Are you sure?

I'd be delighted.

I hate to eat alone.
It's amazing how often
I end up doing just that.

Signora Castorini.

Your minestrone.
Oh, thanks, Bobo.

Prego.

What do you do?

I'm a professor. I teach
communication, NYU.

That woman was
a student of yours?

Sheila?
Yeah, she was.

Is.

Was.

Old saying
my mother told me,
you wanna hear it?

Sure.

Don't shit where you eat.

Ha! Okay,
I'll remember that.

What do you do?
I'm a housewife.

How come
you're eating alone?

I'm not eating alone.

May I ask you a question?

Yeah, go ahead.

Why do men chase women?

Nerves.

I think
it's because
they fear death.

Well, maybe.

Listen, you want to know
why I chase women?

I find women charming.

I teach these
classes I taught
for a million years.

The spontaneity went
out of it for me
a long time ago.

You know, it started out
I was excited about something,
I wanted to share it.

Now it's rote.

Multiplication table.

Except, sometimes...

Sometimes
I'll be droning along,

and I'll look up
and I see a fresh,

beautiful young face,

and it's all new to her.

And I'm just this great guy
who's brilliant and thinks
out loud.

And when that happens,
when I look out there
among those chairs

and see a young woman's face,

I see me in her eyes.
Me, the way I always
wanted to be.

Maybe once was.

I ask her out for a date.

It doesn't last long.

A few weeks,

a couple of
precious months,

then she catches
on that I'm just this
burned-out old gasbag,

and she's as
fresh and bright

and full of promise
as moonlight in
a martini.

(SIGHS)

And at that moment,
she stands up and throws
a glass of water in my face,

or some action
to that effect.

(PERRY CHUCKLES)

What you don't know
about women is a lot.

Well, that's not what I hear.

(CHUCKLES)

Two white wines.

Yes, sir.

(WOMEN CHATTERING)

Yes, I'd like two
glasses of champagne.

Canadian club and ginger ale,
and Dubonnet on the rocks,
please.

LORETTA: What's that?

RONNY: This was
done by Marc Chagall.

And as you can see,
he was a very
great artist.

It's kind of gaudy.

Well, he was
having some fun.

They get some turnout
for this stuff, huh?

It's the best thing
there is.

Yeah, well, you know,
I like parts of it, but
I just don't really get it.

You haven't once said
you like my dress.

I like your dress.

It's very bright.

Uh-huh.

Will you hold this?

Thanks.

May I walk
with you a ways?

Sure.

Thanks.

You live far from here?
Just up there.

(OLD MAN SPEAKING ITALIAN)

(CAT MEOWS)

(DOGS BARKING)

(GASPS)

(DOGS WHIMPER)

(SPEAKING ITALIAN)

You knew that man?

Yes.

(CLASSICAL MUSIC PLAYING)

(SINGING IN ITALIAN)

(MAN SINGING IN ITALIAN)

LORETTA:
That was so awful.

Awful?

Beautiful, sad.

She died.
Yes.

I couldn't believe it.
You know, I didn't think
she was gonna die.

I knew she was sick,
but...

She had TB.

I know. I mean,
she was coughing
her brains out, right?

And still
she had to keep singing.

Where should we go now?

Pop?

Pop, what are
you doing here?

Wait for me
by the doors, Mona.

Mona?

Excuse me.

What'd you do
to your hair?

I had it done.

What are
you doing here?

What are you doing here?

Who's that guy?
You're engaged.

And you're married.

You're my daughter. I won't
have you act like a puttana.

And you're my father.
All right.

I didn't see you here.

I don't know if
I saw you here or what.

Let's get out of here.
I'll buy you a drink.

That woman was
not my mother, okay?

That's my house.

You mean
the whole house?

Yes.

My God,
it's a mansion!

It's a house.

I live in
a one-bedroom apartment.

What exactly
does your husband do?

He's a plumber.

Well, that explains it.

(SIGHS)

Temperature's dropping.

I guess
you can't invite me in.

No.
People home.

No, I think
the house is empty.

I can't invite you in
because I'm married,

because I know who I am.

You're shivering.

I'm a little cold.

You're a little boy,
and you like to be bad.

(WHISPERING) We could go
to my apartment.

You could see
how the other half lives.

I'm too old for you.

I'm too old for me.
That's my predicament.

Good night.

Good night.

Can I kiss you
on the cheek, too?

Sure.

I'm freezing.

Good night.

Good night.

(JAZZ MUSIC PLAYING)

AL: Anything else, folks?

Loretta?
No.

I think that's it, Al.

CARMINE: See you, Al.
See you, Carmine.

What do you
want to do now?

I want to go home.

Good night, Al.
Take it easy, Ronny.

God, it's cold.

It smells
like snow.

You know, my mother
guessed that my father
was seeing somebody.

That Mona, I mean,
she's some piece
of cheap goods.

Who am I to talk?

What's the matter?

How can you ask me that?

You're making me
feel guilty again.

You are guilty,
I'm guilty.

Of what?

Only God can point
the finger, Loretta.

Yeah, well,
I know what I know.

And what do you know?

Okay, you tell me my life,
I'll tell you yours.

I'm a wolf.
You run to the wolf in me.
That don't make you no lamb.

You're gonna
marry my brother.

(SCOFFS)

Why you want to
sell your life short?

Playing it safe's just about
the most dangerous thing
a woman like you could do.

I mean, you waited
for the right man
the first time.

Why didn't you wait
for the right man again?

Because he didn't come.

I'm here!
You're late.

This is your place.
That's right.

So this is
where we were going.

Yeah.

You know, we had a deal.

You told me
if I came with you
to the opera, then...

Then you'd leave
me alone forever.

And I came with you.

Now, I'm gonna
marry your brother,

and you're gonna leave
me alone forever, right?

A person can see where
they've messed up in
their life,

and they can change
the way they do things.

And they can even
change their luck.

So, maybe my nature
does draw me to you,

that don't mean
I have to go with it.

I can take hold of myself
and I can say yes to
some things

and no to other things that
are gonna ruin everything.
I can do that.

Otherwise,
you know what?

(SIGHS)

What good is this stupid
life that God gave us?
I mean, for what?

Are you listening to me?

Yeah.

Everything seems like
nothing to me now against
that I want you in my bed.

I don't care
if I burn in hell.

I don't care
if you burn in hell.

The past
and the future
is a joke to me now.

I see
that they're nothing.
I see they ain't here.

The only thing that's here

is you

and me.

I want to go home.
No.

I'm gonna go home.
No!

I'm freezing to death.

Come upstairs.
I don't care why you come.

No, that's not what I mean.

Loretta,

I love you.

Not like
they told you love is.

And I didn't
know this either,

but love don't
make things nice.

It ruins everything.

It breaks your heart.

It makes things a mess.
We aren't here to make
things perfect.

The snowflakes
are perfect.

(SIGHS)

The stars are perfect.

Not us, not us.

We are here to
ruin ourselves, and...

And to break our hearts and
love the wrong people
and... And die!

I mean, the storybooks
are bullshit!

Now, I want you to come
upstairs with me and...
And get in my bed!

Come on.

Come on.

Come on.

(AIRPLANE ENGINE ROARING)

19 Cranberry Street,
Brooklyn.

Got it.

JOHNNY: Hold it!

(TIRES SCREECHING)

How much?
$25.

$25?

Yeah.

Hold it.

(TIRES SCREECH)

(SPEAKING ITALIAN)

(DOORBELL BUZZES)

(IT MUST BE HIM
PLAYING ON RADIO)

(SIGHS)

Oh, hi. Hi, I'm sorry
to call so late.

Moving in?

Oh, no, I came right
from the airport.

Come on in.

* As I grab the phone,
I pray

Look, can you
wake up Loretta?
I need to talk her.

She's not home yet.
Take off your coat and
come in the living room.

I'll make you a drink.

I want to talk to you.

* Or I shall die

* Or I shall die

Oh, thank you.
Where is she?

Out.
I don't know where.

(MUSIC STOPS)

So, what are
you doing here?

You're supposed
to be in Palermo.

That's what I came
to tell Loretta.

There's been a miracle.

A miracle.
Well, that's news.

My mother's recovered!

You're kidding.
No, no.

The breath had almost
totally left her body.

She was as white as snow.

And then,
she completely
pulled back from death,

and stood up

and put on her clothes

and began to cook for
everyone in the house.

The mourners and me
and herself.

She ate a meal
that could choke a pig.

(DOOR OPENING)

That's incredible.
Yes.

(DOOR CLOSES)

(DOGS BARKING)

Hi, Pop.

(EXCLAIMS IN DISGUST)

Oh, my God.

Is he all right?
(SCOFFS)

My father-in-law's got
this wrong idea in his head.

Oh.

Listen, Johnny,

there's a question
I want to ask.

I want you to tell me
the truth, if you can.

Why do men chase women?

Well, uh...

There's the Bible story.

God...

God took a rib from Adam
and made Eve.

Now, maybe men chase women
to get the rib back.

When God took the rib,

he left a big hole there,

a place where there
used to be something,
and the women have that.

Now, maybe,

just maybe, a man
isn't complete as
a man

without a woman.

Why would a man need
more than one woman?

I don't know.

Maybe because
he fears death.

That's it.

That's the reason.

I don't know!

No! That's it!

No, thank you.

Thank you for
answering my question.

(DOOR CLOSES)

Hi.

Hello, Mr. Castorini.

Oh.

Hi.

Where you been?

I don't know, Rose.

I don't know where I've been,
and I don't know where
I'm going, all right?

You should have your
eyes open here, my friend.

I have my eyes open.

Oh, yeah?
Well, stick around.
Don't go on any long trips.

I don't know
what you mean.

I know you don't.
That's the point.
I'll say no more.

You haven't
said anything!

And that's all I'm saying.

Cosmo.
What?

I just
want you to know,
no matter what you do,

you're gonna die,
just like everybody else.

Thank you, Rose.

You're welcome.

I'm going to bed now.

I'm going.

COSMO: Good.

He doesn't like you,

but thank you
for answering
my question.

You don't know
where Loretta is?

No, no idea.

Mrs. Castorini,
will you tell Loretta that
I'll come by in the morning?

We... We need to talk.

Okay, I'll tell her.

Okay. Thank you.

(CHUCKLES)

Watch it, the house.

(LA BOHEME PLAYING)

(INCREASING VOLUME)

What the hell
happened to you?

I really don't know
where to start.

Your hair's different.

Ma, everything is different.

Are you drunk?
No, are you drunk?

No, but I have a hangover.

Where's Pop?

Upstairs.

Johnny Cammareri
showed up last night.

What?

He's in Sicily.

No more he's not.

But he's with his
dying mother in Sicily.

She recovered.
She was dying!

It was a miracle.
A miracle?

This is modern times,
there ain't supposed
to be miracles no more!

Ah, I guess it ain't
modern times in Sicily.

He came
right from the airport.
He wanted to talk to you.

You got a love bite
on your neck!

He's coming
back this morning!
What's the matter with you?

Your life's going down
the toilet!

Cover up that damn thing!
Come on, put some makeup
on it!

All right, all right!

Okay, fine,
but you got to help me!

(DOORBELL BUZZES)
Hurry up! What...

Oh, my God.

You get it.

Answer the door!

Mother!
Mmm-mmm.

Hi, is Loretta home?

Come on in.

(GROANS)

It's not Johnny!

Ronny!

Is Johnny here?
No, but he's coming.

Good. We can get
this out on the table.

Hi. I'm Ronny,
Johnny's brother.

I'm Rose Castorini.

It's nice to meet you.

It's nice to meet you.

You got a love bite
on your neck.

Your mother's
recovered from death.

Oh, good.

We're not close, I'm not
really moved, but...

You got to
get out of here.

I'm here to
meet the family.

No, really, you got
to get out of here.

Anyone want
some oatmeal?

No, Ma.
Yes, Mrs. Castorini,

I would love some oatmeal.

No, we don't
want any oatmeal!

ROSE: Take your plate.
Sit down.

Ma, what... That was...
This is... Oh, Ma!

Thanks, Ma.
You're welcome.

Hi.

LORETTA: Hi.

ROSE: Cosmo,
this is Ronny,
Johnny's brother.

It's very good to meet you,
Mr. Castorini.

I have a feeling this is
going to be just delicious.

You're Johnny's brother?

Yeah.

Don't look at me
like that, okay?

(OLD MAN COUGHING)
ROSE: Hi, Pop!

(GREETING IN ITALIAN)

What's the matter, Pop?

I am old.

The old are not wanted.

And if they say it,
they have no weight.

But, my son,
I must speak.

You must
pay for the wedding
of your only daughter.

You break your house
through pride.

There.

I... I've said it.

Okay, Pop.

If she gets married,
I'll pay for the
whole thing.

OLD MAN: Bravo, bravo.

(OLD MAN SPEAKING ITALIAN)

Bravo.
Now you're talking. Bravo.

(SPEAKING ITALIAN)

Bravo!

Let's eat.

Have I been
a good wife?

Yeah.

I want you to
stop seeing her.

Okay.

And go to confession.

(SIGHS)

A man
understands one day that
his life is built on nothing.

And that's a bad, crazy day.

(CHUCKLES)

Your life is not
built on nothing.

Yeah.

(SPEAKING ITALIAN)

(SPEAKING ITALIAN)

(DOORBELL BUZZES)

It's Johnny. I'll get it.
I'll get it.

LORETTA: No, I'll get it.
I think that I
should tell him.

I'll tell him.

What am I gonna tell him?

Tell him the truth,
Loretta.

They find out anyway.

You're right, Papa.

(SPEAKING ITALIAN)

Oh, Papa.

RITA: Hi, Loretta.
Hi.

Hi, Loretta.
Hi.

Why aren't you two
at the store?

Do you have something
you want to tell us, honey?

No.

We just come
from the bank.

Yeah.

Oh, my God, the bank!
I forgot to make the
deposit!

RITA: Oh, she's got it!

Oh, my God!
I knew she had it!

We didn't
know what to think.
You were so weird yesterday.

I know, I'm sorry.
And then we went to the bank

this morning, and no bag.

We never suspected you.

ROSE: Listen, would
anyone like some coffee?

Yes, coffee, coffee.

That's a good idea.

Oh, my God,
I'm telling you...

What's with this...
This bank?

I'll tell you later.
I forgot to make
their deposit.

Here, sit down.
Have some coffee.

(SIGHS)

So, what
are we doing?

Waiting for
Johnny Cammareri.

My name's Ronny.

Johnny's brother.

Oh, nice to meet you.
I'm Rita Cappomaggi.

Hi.

Raymond Cappomaggi,
Rose's brother.

Hi.

Someone tell a joke.

(CHUCKLES)

(DOORBELL BUZZING)

I'll get it.

(SIGHS)

I thought
Johnny was in Palermo.

(CHUCKLES)

It's Johnny Cammareri.

(INHALES DEEPLY)

Loretta?

Ronny!

Have you come
to make peace
with me?

Yes.

But

you may not want to.

Oh, Ronny,
of course I want to.

But, Johnny, I mean,
your mother was dying.
How did she recover?

I told my mother
we were to be married,
and she got well right away.

I'm sure she did.

It was a miracle.

Oh, that's wonderful.
Yeah, yeah.

Johnny, I...
I have something
that I have to tell you.

And I have something
to tell you.

But I must
talk to you alone.

No, I... I need my
family around me now.

Loretta,

I can't marry you.

What?

If I marry you,
my mother will die.

What the hell are
you talking about?
We're engaged!

Loretta, what are
you talking about?

I'm talking about
a promise, okay?
He proposed!

Because my
mother was dying
and now she's not!

Oh, Johnny,
you're 42 years old.

She's still
running your life.

And you're a son who
doesn't love his mother!

You are a big liar, okay,
because I have a ring
right here!

Oh, I must ask for that back.

(STAMMERING)
You know, all right,
the engagement is off!

In time,
you will see that
this is the best thing.

In time, you'll
drop dead and I'll come to
your funeral in a red dress!

RONNY: Loretta?
What?

(SIGHS)

Will you marry me?

What?

Where's the ring?

Johnny,

can I borrow that ring?

Thanks.

Loretta Castorini,

will you marry me?

Yes, Ronny, in front of all
these people, I'll marry you.

ROSE: Do you love him,
Loretta?

Ma, I love him awful.

Oh, God,
that's too bad.

She loves me.

What's the matter, Pop?

I'm confused.

(CHAMPAGNE CORK POPS)
COSMO: Hey, nice and
easy there.

That's beautiful!

ROSE: What happens is
you get so much carbon

and then you don't get
any bubbles.

COSMO:
All right, listen up!
To Loretta and Ronny!

May you be lucky...

(ALL CHATTERING)
Lucky sure.

All right, Rosie.
Come on. Here we are.

Thank you,
thank you.

Come on.
There we are.

All right, darling.
Come on, Raymond!

(SPEAKING ITALIAN)
Huh?

Come, come.

Your brother is here
and you're...

No, no, I don't
want any. I don't...

You're the part
of the family.
Don't you realize?

Come on, bere.

(SPEAKING ITALIAN)

(ALL CHATTERING)

No. It's the lucky one!

Plus, it's from Naples.

Everybody, come on,
glass in hand.

(TOASTING IN ITALIAN)

(ALL TOASTING IN ITALIAN)

To family!

ALL: To family!

To Ronny and Loretta!

ROSE: To Ronny and Loretta!

(ALL CHATTERING)

(COSMO TOASTING IN ITALIAN)

* When the moon hits your eye
like a big pizza pie

* That's amore

* When the world
seems to shine

* Like you've had
too much wine

* That's amore

* Bells will ring

* Ting-a-ling-a-ling,
ting-a-ling-a-ling

* And you'll sing,
"Vita bella"

* Hearts will play

* Tippy-tippy-tay,
tippy-tippy-tay

* Like a gay tarantella

* When the stars
make you drool

* Just a like pasta fazool

* That's amore

* When you dance
down the street

* With a cloud
at your feet

* You're in love

* When you walk in a dream

* But you know you're
not dreaming, signore

* 'Scusa me, but you see,
back in old Napoli

* That's amore

CHORUS: * When the moon
hits your eye
like a big pizza pie

* That's amore

* That's amore

* When the world
seems to shine

* Like you've had
too much wine

* That's amore

* That's amore

* Bells will ring

* Ting-a-ling-a-ling

* Ting-a-ling-a-ling

* And you'll sing,
"Vita bella"

* Vita bella,
Vita bella

* Hearts will play

* Tippy-tippy-tay,
tippy-tippy-tay

* Like a gay tarantella

* Lucky fella

* When the stars
make you drool

* Just like pasta fazool

* That's amore

* That's amore

* When you dance
down the street

* With a cloud
at your feet

* You're in love

* When you walk
in a dream

* But you know

* You're not
dreaming, signore

* 'Scusa me, but you see,
back in old Napoli

* That's amore

* Amore

* That's amore