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1
00:00:04,000 --> 00:00:06,399
POLICE.
2
00:00:06,400 --> 00:00:08,332
ANYBODY HOME?
3
00:00:08,333 --> 00:00:09,633
HELLO?
4
00:00:15,233 --> 00:00:19,532
LOS ANGELES,
CITY OF BROKEN DREAMS.
5
00:00:19,533 --> 00:00:21,699
YOU GOTTA LOOK OUT
FOR YOURSELF IN THIS TOWN.
6
00:00:21,700 --> 00:00:23,767
NOTHING HERE
IS A SURE BET.
7
00:00:28,167 --> 00:00:30,700
CRIMINY.
8
00:00:32,867 --> 00:00:34,333
DAMN.
9
00:00:38,867 --> 00:00:41,666
FRED!
10
00:00:41,667 --> 00:00:43,566
WHAT THE HELL
WAS THAT?
11
00:00:43,567 --> 00:00:45,000
FRED!
12
00:00:47,500 --> 00:00:48,967
FRED!
13
00:00:50,300 --> 00:00:51,632
IT'S COMING FROM
THE CLOSET.
14
00:00:51,633 --> 00:00:53,932
FRED!
BUT THE ONE THING
15
00:00:53,933 --> 00:00:56,032
YOU CAN ALWAYS COUNT ON
IN HOLLYWOOD...
16
00:00:56,033 --> 00:00:59,599
HERE!
...IS A SURPRISE ENDING.
17
00:00:59,600 --> 00:01:01,699
BUT YOU CAN BET
ON THIS --
18
00:01:01,700 --> 00:01:04,067
NO ONE SAW THIS ONE COMING.
19
00:01:34,233 --> 00:01:36,767
WHENEVER YOU'RE READY.
20
00:01:38,167 --> 00:01:43,099
WE CAME HOME FROM A PARTY
ABOUT 2 HOURS AGO.
21
00:01:43,100 --> 00:01:45,066
THE OFFICERS LEARN THE WOMAN
22
00:01:45,067 --> 00:01:49,066
THAT WAS TRAPPED IN THE CLOSET
IS WALBURGA OESTERREICH,
23
00:01:49,067 --> 00:01:50,499
THE WIFE OF THE MURDER VICTIM.
24
00:01:50,500 --> 00:01:53,066
WALBURGA GOES BY THE NAME DOLLY.
25
00:01:53,067 --> 00:01:56,267
WHEN I WENT TO HANG UP
MY FUR STOLE IN THE CLOSET...
26
00:02:06,900 --> 00:02:10,366
FRED.
27
00:02:10,367 --> 00:02:12,267
FRED, IT'S NOT FUNNY!
28
00:02:14,867 --> 00:02:18,366
I THOUGHT
IT WAS FRED.
29
00:02:18,367 --> 00:02:20,566
THE DOOR
WAS LOCKED.
30
00:02:20,567 --> 00:02:22,600
THEN I HEARD
GUNSHOTS.
31
00:02:29,067 --> 00:02:32,466
MA'AM, AN OFFICER
IS GONNA SIT WITH YOU.
32
00:02:32,467 --> 00:02:34,833
YOU -- YOU CAN
CALL ME DOLLY.
33
00:02:46,300 --> 00:02:48,132
BACK DOWNSTAIRS, DETECTIVE CLINE
34
00:02:48,133 --> 00:02:53,099
IS TAKING IN THE ENTIRETY
OF THE CRIME SCENE.
35
00:02:53,100 --> 00:02:55,966
THE FRONT ROOM
WHERE FRED'S BODY IS,
36
00:02:55,967 --> 00:02:57,466
EVERYTHING'S KNOCKED OVER.
37
00:02:57,467 --> 00:02:58,866
IT'S A TOTAL MESS.
38
00:02:58,867 --> 00:03:00,900
THE BULLET HIT
RIGHT THERE, BOSS.
39
00:03:04,767 --> 00:03:06,766
FRED'S A MIDDLE-AGED MAN.
40
00:03:06,767 --> 00:03:10,432
AND HE'S BEEN SHOT TWICE
IN THE CHEST, ONCE IN THE HEAD.
41
00:03:10,433 --> 00:03:13,400
AND THERE'S ALSO A BULLET
THAT THEY FOUND IN THE CEILING.
42
00:03:16,067 --> 00:03:20,432
THEY FIND TWO CASINGS
FOR A .25-CALIBER HANDGUN.
43
00:03:20,433 --> 00:03:23,967
HOWEVER, A GUN WAS NOT
RECOVERED FROM THE SCENE.
44
00:03:28,600 --> 00:03:31,432
TAKE A LOOK AT THAT.
45
00:03:31,433 --> 00:03:33,866
LOOKS LIKE
SOMETHING'S MISSING.
46
00:03:33,867 --> 00:03:37,266
THEY NOTICE THAT HE'S
BEEN WEARING A POCKET WATCH.
47
00:03:37,267 --> 00:03:39,399
BROKE OFF DURING
THE STRUGGLE?
48
00:03:39,400 --> 00:03:41,366
YEAH, OR TORN OFF.
49
00:03:41,367 --> 00:03:42,966
BUT THE CHAIN'S BROKEN.
50
00:03:42,967 --> 00:03:46,332
AND THERE'S NO ACTUAL
WATCH CONNECTED TO IT.
51
00:03:46,333 --> 00:03:47,733
I DON'T SEE IT.
52
00:03:50,433 --> 00:03:53,633
SOMEONE REALLY
WANTED THAT WATCH?
53
00:03:55,667 --> 00:03:58,532
IT WAS,
54
00:03:58,533 --> 00:04:03,432
UNUSUAL...
55
00:04:03,433 --> 00:04:07,833
OCTAGONAL
AND DIAMONDS AROUND.
56
00:04:10,100 --> 00:04:13,432
DOLLY TOLD POLICE THAT IT WAS
A VERY DISTINCTIVE WATCH
57
00:04:13,433 --> 00:04:14,632
THAT WAS DIAMOND-STUDDED
58
00:04:14,633 --> 00:04:16,399
THAT SHE GAVE HIM
AS A GIFT
59
00:04:16,400 --> 00:04:18,332
BACK WHEN THEY LIVED IN
MILWAUKEE.
60
00:04:18,333 --> 00:04:20,632
YOU'RE FROM
WISCONSIN.
61
00:04:27,400 --> 00:04:33,066
WE MOVED HERE
FOUR YEARS AGO
62
00:04:33,067 --> 00:04:35,866
WHEN FRED
OPENED A FACTORY
63
00:04:35,867 --> 00:04:39,966
LIKE WE HAD
IN MILWAUKEE.
64
00:04:39,967 --> 00:04:41,767
WE MAKE APRONS.
65
00:04:44,500 --> 00:04:46,266
BEFORE THEY MOVED
TO LOS ANGELES,
66
00:04:46,267 --> 00:04:49,832
FRED AND DOLLY RAN A BIG
GARMENT FACTORY IN MILWAUKEE.
67
00:04:49,833 --> 00:04:51,966
THAT'S HOW I CAME
TO KNOW THE OESTERREICHS.
68
00:04:51,967 --> 00:04:53,932
FRED WAS MY BOSS.
69
00:04:53,933 --> 00:04:56,299
AS A WORKING GIRL
IN THE NINETEEN-TEENS,
70
00:04:56,300 --> 00:04:58,599
I WAS NO STRANGER TO ADVENTURE.
71
00:04:58,600 --> 00:05:01,499
I FIGURED I MIGHT AS WELL
MOVE WITH THE JOB.
72
00:05:01,500 --> 00:05:04,132
DOLLY TELLS THE INVESTIGATORS
THAT SHE AND FRED
73
00:05:04,133 --> 00:05:06,200
HAVE BEEN MARRIED
FOR OVER 20 YEARS.
74
00:05:09,167 --> 00:05:11,532
THEY MOVED OUT
FROM WISCONSIN
75
00:05:11,533 --> 00:05:15,399
FOUR YEARS PRIOR TO EXPAND
THEIR GARMENT BUSINESS.
76
00:05:15,400 --> 00:05:16,599
FRED OESTERREICH,
77
00:05:16,600 --> 00:05:19,199
HE HAD AMASSED A FORTUNE
OF ABOUT $500,000.
78
00:05:19,200 --> 00:05:21,566
IN TODAY'S DOLLARS,
IT'S SEVEN MILLION BUCKS.
79
00:05:21,567 --> 00:05:24,733
THAT'S A LOT OF REASONS TO
DO SOMETHING EVIL TO THE MAN.
80
00:05:30,133 --> 00:05:34,732
HAS ANYONE EVER BROKEN
INTO YOUR HOME?
81
00:05:34,733 --> 00:05:37,132
YES.
82
00:05:37,133 --> 00:05:39,066
DOLLY SAID THERE
ACTUALLY HAD BEEN
83
00:05:39,067 --> 00:05:41,066
TWO ATTEMPTED BURGLARIES.
84
00:05:41,067 --> 00:05:44,600
MY HUSBAND, HE WOULD
HEAR THINGS IN THE NIGHT.
85
00:05:48,900 --> 00:05:52,399
FRED REPORTED THAT HE
HAD HEARD SOME ODD NOISES.
86
00:05:52,400 --> 00:05:55,466
THERE WAS SOME MISSING MONEY,
SOME MISSING FOOD.
87
00:05:55,467 --> 00:05:58,232
DOLLY!
88
00:05:58,233 --> 00:06:00,799
DID YOU EAT
THE STEAK?
89
00:06:00,800 --> 00:06:06,233
STEAKS WOULD BE MISSING
FROM THE ICE BOX.
90
00:06:14,900 --> 00:06:16,332
WHEN THE COPS
LOOK AROUND THE HOUSE,
91
00:06:16,333 --> 00:06:17,799
THEY REALIZE NOTHING ELSE
92
00:06:17,800 --> 00:06:21,166
HAS BEEN TAKEN,
INCLUDING FRED'S WALLET,
93
00:06:21,167 --> 00:06:25,266
WHICH IS INCHES AWAY
FROM THE WATCH THAT WAS STOLEN.
94
00:06:25,267 --> 00:06:27,399
WHY JUST THE WATCH?
95
00:06:29,533 --> 00:06:33,332
WELL, I'M THINKING ONE,
TWO PEOPLE MAX.
96
00:06:34,334 --> 00:06:36,232
THEY'RE IN
THE LIVING ROOM.
97
00:06:36,233 --> 00:06:39,132
THEN DOLLY AND FRED
COME HOME.
98
00:06:39,133 --> 00:06:41,532
THE POLICE ARE THINKING
FRED AND DOLLY
99
00:06:41,533 --> 00:06:43,866
INTERRUPTED A BURGLARY
IN PROGRESS.
100
00:06:43,867 --> 00:06:46,866
DOLLY GOES
STRAIGHT UPSTAIRS.
101
00:06:46,867 --> 00:06:50,566
BUT FRED SURPRISES THEM
IN THE LIVING ROOM.
102
00:06:50,567 --> 00:06:54,399
ONE OF THEM SHOVES
DOLLY IN THE CLOSET.
103
00:06:54,400 --> 00:06:55,799
BUT FRED, MEANWHILE,
104
00:06:55,800 --> 00:06:58,832
IS DOWN HERE STRUGGLING
WITH THE OTHER ONE FOR THE GUN.
105
00:06:58,833 --> 00:07:01,266
THEN THESE CLOWNS,
THEY GET SCARED.
106
00:07:01,267 --> 00:07:04,333
THEY GRAB THE WATCH.
AND THEY RUN.
107
00:07:10,733 --> 00:07:13,799
POLICE ASKED THE NEIGHBORS
OF THE OESTERREICHS
108
00:07:13,800 --> 00:07:17,266
ABOUT THE ATTEMPTS
TO BURGLE THE HOUSE.
109
00:07:17,267 --> 00:07:19,066
MA'AM, DID YOU NOTICE
ANYTHING STRANGE GOING ON
110
00:07:19,067 --> 00:07:21,232
IN THE NEIGHBORHOOD?
111
00:07:21,233 --> 00:07:24,532
THERE HAVE BEEN SOME
STRANGE THINGS HAPPENING.
112
00:07:24,533 --> 00:07:27,266
THE NEIGHBORS CONFIRMED
THAT THERE WAS MULTIPLE
113
00:07:27,267 --> 00:07:30,366
ATTEMPTED BREAK-INS
IN THE LAST YEAR.
114
00:07:30,367 --> 00:07:33,632
ONE NEIGHBOR TOLD
POLICE THAT SHE HEARD GUNSHOTS.
115
00:07:33,633 --> 00:07:35,432
AND THEN SHE HEARD
A WOMAN'S VOICE YELLING,
116
00:07:35,433 --> 00:07:36,799
"FRED! FRED!"
117
00:07:36,800 --> 00:07:40,732
DID YOU SEE A PERSON
OR PERSONS LEAVING THE HOUSE?
118
00:07:40,733 --> 00:07:43,732
I SAW SOMETHING,
A SHADOW.
119
00:07:43,733 --> 00:07:48,499
SHE SAW A SHADOW CROSSING
TOWARD THE BACK OF THE HOUSE.
120
00:07:48,500 --> 00:07:50,732
AND 15 TO 20 MINUTES LATER,
121
00:07:50,733 --> 00:07:52,500
ALL THE LIGHTS
IN THE HOUSE WENT OUT.
122
00:07:56,667 --> 00:07:59,166
WHAT ARE BURGLARS DOING
STAYING ON THE SCENE OF A CRIME
123
00:07:59,167 --> 00:08:02,167
15 OR 20 MINUTES
AFTER THE MURDER?
124
00:08:13,500 --> 00:08:15,566
**
125
00:08:15,567 --> 00:08:18,599
IN 1922,
L.A. WAS AN EXCITING PLACE
126
00:08:18,600 --> 00:08:20,632
FOR A MIDWESTERN GIRL LIKE ME.
127
00:08:20,633 --> 00:08:22,799
THE HOLLYWOOD SIGN
WAS ABOUT TO BE PUT UP.
128
00:08:22,800 --> 00:08:26,067
AND THE PICTURES KEPT
GETTING MORE OUTRAGEOUS.
129
00:08:31,400 --> 00:08:32,966
BUT NOTHING WAS
AS OVER-THE-TOP
130
00:08:32,967 --> 00:08:37,466
AS WHAT I WAS STARTING TO HEAR
ABOUT THE OESTERREICHS.
131
00:08:38,767 --> 00:08:41,466
SOMETHING'S
NOT RIGHT.
132
00:08:44,700 --> 00:08:48,599
I THINK IT'S TIME WE TOOK
A CLOSER LOOK AT THE WIFE.
133
00:08:48,600 --> 00:08:51,866
THE WIFE WHO WAS LOCKED
IN THE CLOSET?
134
00:08:51,867 --> 00:08:55,366
JUST SEEMS LIKE SHE WAS READY
TO INHERIT A BUNCH OF DOUGH.
135
00:08:55,367 --> 00:08:57,232
I CHECKED A HUNDRED TIMES.
136
00:08:57,233 --> 00:08:58,932
NO GETTING OUT OF THERE
FROM THE INSIDE.
137
00:08:58,933 --> 00:09:01,333
YEAH, I GRANT YOU
IT'S A HELL OF AN ALIBI.
138
00:09:04,867 --> 00:09:07,099
MAYBE SHE HAD ANOTHER FELLA
HELPING HER OUT, THOUGH.
139
00:09:09,867 --> 00:09:11,199
DOLLY'S NOT A SUSPECT
140
00:09:11,200 --> 00:09:13,732
UNLESS THERE'S
A CO-CONSPIRATOR.
141
00:09:13,733 --> 00:09:18,132
AND THAT BREEDS THE QUESTION,
DID SHE HAVE A LOVER?
142
00:09:18,133 --> 00:09:20,832
SO, THIS WAS
FRED'S OFFICE?
143
00:09:20,833 --> 00:09:21,866
YEAH.
144
00:09:21,867 --> 00:09:23,266
DID YOU EVER SEE
MRS. OESTERREICH
145
00:09:23,267 --> 00:09:24,866
WITH A MAN
OTHER THAN HER HUSBAND?
146
00:09:24,867 --> 00:09:28,199
NO, SIR, NOBODY BUT
MR. OESTERREICH.
147
00:09:28,200 --> 00:09:30,199
ALL THE NEIGHBORS
AND ASSOCIATES SAID,
148
00:09:30,200 --> 00:09:34,232
"NO, DOLLY'S NEVER BEEN
WITH ANOTHER MAN."
149
00:09:34,233 --> 00:09:36,666
WE HAVE TO ASK YOU THIS --
150
00:09:36,667 --> 00:09:39,099
DID FRED EVER
STEP OUT ON DOLLY?
151
00:09:39,100 --> 00:09:40,532
N-- NO.
152
00:09:40,533 --> 00:09:41,666
NO, NO.
153
00:09:41,667 --> 00:09:44,200
HE WAS WORKING
ALL THE TIME.
154
00:09:48,433 --> 00:09:49,799
FRED DIDN'T HAVE
MUCH TIME FOR DOLLY,
155
00:09:49,800 --> 00:09:52,199
MUCH LESS ANOTHER WOMAN
IN HIS LIFE.
156
00:09:52,200 --> 00:09:53,599
GOOD TO HIS EMPLOYEES?
157
00:09:53,600 --> 00:09:56,399
HE HAD A TEMPER,
GOT A LITTLE ANXIOUS,
158
00:09:56,400 --> 00:09:58,299
LOOKING-OVER-YOUR-SHOULDER
KIND OF TYPE.
159
00:09:58,300 --> 00:10:00,666
BUT...
160
00:10:00,667 --> 00:10:02,332
FRED'S A REALLY RICH GUY.
161
00:10:02,333 --> 00:10:03,799
AND DID HE MAKE
A LOT OF ENEMIES
162
00:10:03,800 --> 00:10:06,332
DURING THE COURSE
OF HIS BUSINESS?
163
00:10:06,333 --> 00:10:08,433
YOU'RE BEHIND,
MISS.
164
00:10:10,900 --> 00:10:12,532
I'LL CATCH UP,
MR. OESTERREICH.
165
00:10:12,533 --> 00:10:15,067
THAT'S RIGHT,
YOU WILL!
166
00:10:17,533 --> 00:10:20,632
BUT I DON'T
BLAME HIM.
167
00:10:20,633 --> 00:10:24,032
HE HAD MONEY.
168
00:10:24,033 --> 00:10:26,832
INVESTIGATORS SATISFY
THEMSELVES ABOUT THE, PERHAPS,
169
00:10:26,833 --> 00:10:29,032
COMPETING LOVE INTERESTS
AND RULED THAT OUT.
170
00:10:29,033 --> 00:10:31,832
SO NOW THEY'VE MOVED
TO FRED HIMSELF
171
00:10:31,833 --> 00:10:34,500
AND, IN PARTICULAR,
FRED'S BUSINESS LIFE.
172
00:10:37,367 --> 00:10:40,799
THE POLICE WANTED TO EXAMINE
FRED'S PERSONAL PAPERS.
173
00:10:40,800 --> 00:10:42,099
YOU'LL SEE ALL
THE NUMBERS ARE HERE.
174
00:10:42,100 --> 00:10:44,132
FRED WAS METICULOUS.
175
00:10:44,133 --> 00:10:47,032
DOLLY HIRES AN ATTORNEY
BY THE NAME OF HERMAN SHAPIRO.
176
00:10:47,033 --> 00:10:48,266
SHE COOPERATED AND TURNED
177
00:10:48,267 --> 00:10:50,266
THE PERSONAL PAPERS
OVER TO THE OFFICERS.
178
00:10:50,267 --> 00:10:54,366
NOW, EVERYTHING
SEEMS TO BE IN ORDER.
179
00:10:54,367 --> 00:10:57,733
BUT NOTHING OF ANY MEANING
WAS FOUND IN THE PAPERS.
180
00:11:00,600 --> 00:11:02,366
POLICE BRING HIS
OLD PLANT MANAGER
181
00:11:02,367 --> 00:11:04,199
FROM MILWAUKEE TO LOS ANGELES
182
00:11:04,200 --> 00:11:05,766
TO ANSWER SOME QUESTIONS.
183
00:11:05,767 --> 00:11:07,499
WHAT WE NEED FROM YOU
184
00:11:07,500 --> 00:11:10,532
IS A TRUTHFUL DEPICTION
OF YOUR BOSS.
185
00:11:10,533 --> 00:11:11,933
I UNDERSTAND.
186
00:11:16,133 --> 00:11:18,532
HE DRANK.
187
00:11:18,533 --> 00:11:22,932
AND MOST OF THE TIME,
HE WAS A HOLY TERROR.
188
00:11:22,933 --> 00:11:24,466
PERRY VOSE TELLS CLINE
189
00:11:24,467 --> 00:11:27,066
THAT FRED WAS A HARD DRINKER.
190
00:11:27,067 --> 00:11:28,599
THAT HE WAS DIFFICULT
TO WORK FOR.
191
00:11:28,600 --> 00:11:31,732
AND NOT A WHOLE LOTTA
PEOPLE LIKED FRED.
192
00:11:31,733 --> 00:11:34,700
AFTER RAYMOND DIED,
IT GOT WORSE.
193
00:11:38,467 --> 00:11:40,832
Kilgariff FRED AND DOLLY DID
HAVE A SON, RAYMOND.
194
00:11:40,833 --> 00:11:45,332
HE DIED
OVER 10 YEARS BEFORE.
195
00:11:45,333 --> 00:11:46,899
LOSING A CHILD,
196
00:11:46,900 --> 00:11:50,066
I THINK, IS EVERY PARENT'S
GREATEST FEAR.
197
00:11:50,067 --> 00:11:54,132
AND FRED COPES
WITH HIS LOSS OF HIS SON
198
00:11:54,133 --> 00:11:57,300
BY WORKING MORE,
BY DRINKING MORE.
199
00:12:02,467 --> 00:12:05,399
I COULDN'T HOLD FRED'S
TEMPER AGAINST HIM.
200
00:12:05,400 --> 00:12:06,932
ANY GOOD EMPLOYEE KNOWS
201
00:12:06,933 --> 00:12:08,799
THAT IT'S PART OF
THE JOB DESCRIPTION
202
00:12:08,800 --> 00:12:10,632
TO MANAGE THE MANAGER.
203
00:12:10,633 --> 00:12:13,966
HOW WOULD YOU FEEL
IF YOU LOST YOUR KID?
204
00:12:13,967 --> 00:12:18,232
ANYWAY, DOLLY MORE
THAN MADE UP FOR IT.
205
00:12:18,233 --> 00:12:19,432
WHAT ABOUT THE WIFE?
206
00:12:21,333 --> 00:12:22,767
SHE TOOK CARE
OF US.
207
00:12:25,567 --> 00:12:27,099
AFTER LITTLE RAYMOND DIED,
208
00:12:27,100 --> 00:12:30,632
DOLLY TREATED US ALL LIKE
THE CHILDREN SHE DIDN'T HAVE.
209
00:12:30,633 --> 00:12:33,932
I THINK SHE LIKED HAVING
SOMEONE TO TAKE CARE OF.
210
00:12:33,933 --> 00:12:36,599
DOLLY WAS THE PERSON
THAT SOOTHED THINGS,
211
00:12:36,600 --> 00:12:38,566
ESPECIALLY AFTER
THEY LOST THEIR SON.
212
00:12:38,567 --> 00:12:42,066
DOLLY BECAME THE MOTHER
OF THE BUSINESS.
213
00:12:42,067 --> 00:12:44,199
AND FRED WAS
THE HARD DAD.
214
00:12:44,200 --> 00:12:46,632
DID MR. OESTERREICH
HAVE ANY ENEMIES?
215
00:12:46,633 --> 00:12:49,932
MAYBE SOMEBODY HATED HIM
BUT WANTED TO SPARE DOLLY.
216
00:12:49,933 --> 00:12:51,699
HE WAS
A DIFFICULT MAN,
217
00:12:51,700 --> 00:12:54,666
BUT...
218
00:12:54,667 --> 00:12:56,067
WAIT.
219
00:12:57,800 --> 00:13:00,466
I JUST THOUGHT OF
SOMEONE --
220
00:13:00,467 --> 00:13:02,466
EDWARD FLUDE.
221
00:13:02,467 --> 00:13:06,099
FRED HAD SOME REAL
TROUBLE WITH THAT GUY.
222
00:13:06,100 --> 00:13:08,066
THEY FIND OUT
THAT FRED DID, INDEED,
223
00:13:08,067 --> 00:13:09,932
HAVE AN ENEMY IN MILWAUKEE.
224
00:13:09,933 --> 00:13:12,599
AND THAT PERSON'S NAME
WAS EDWARD FLUDE.
225
00:13:12,600 --> 00:13:16,066
FRED HAD A TEMPER,
BUT HIS HEART WAS GOOD.
226
00:13:16,067 --> 00:13:19,066
HE USED TO HIRE EX-CONS
OUT ON PAROLE TO HELP THEM
227
00:13:19,067 --> 00:13:20,466
GET BACK ON THEIR FEET
228
00:13:20,467 --> 00:13:23,333
AND BECOME PRODUCTIVE MEMBERS
OF SOCIETY AGAIN.
229
00:13:26,567 --> 00:13:28,199
BUT PERSONALLY,
230
00:13:28,200 --> 00:13:31,066
ED FLUDE ALWAYS GAVE ME
THE CREEPS.
231
00:13:31,067 --> 00:13:33,632
FRED AND DOLLY EVEN LET HIM
STAY AT THEIR HOME.
232
00:13:33,633 --> 00:13:37,299
IN MY OPINION,
THAT WAS A BRIDGE TOO FAR.
233
00:13:37,300 --> 00:13:39,266
FLUDE WINDS UP
BACK IN PRISON.
234
00:13:39,267 --> 00:13:41,432
AND ACCORDING TO FRED,
FROM HIS PRISON CELL,
235
00:13:41,433 --> 00:13:43,900
HE STARTS SENDING
THREATENING LETTERS.
236
00:13:51,833 --> 00:13:56,799
AND NOW ANY IDEA AS TO
MR. FLUDE'S WHEREABOUTS?
237
00:13:59,900 --> 00:14:01,499
WELL, THANK YOU
VERY MUCH.
238
00:14:04,367 --> 00:14:06,066
NO LUCK.
239
00:14:06,067 --> 00:14:08,966
AFTER A FEW YEARS,
FLUDE WAS RELEASED FROM PRISON
240
00:14:08,967 --> 00:14:10,700
AND THEN DISAPPEARED.
241
00:14:12,567 --> 00:14:14,367
FLUDE'S WHEREABOUTS
ARE UNKNOWN.
242
00:14:22,367 --> 00:14:24,366
**
243
00:14:24,367 --> 00:14:26,932
THE 1920s WERE
A VERY DIFFERENT TIME.
244
00:14:26,933 --> 00:14:30,099
THERE WERE NO CELLPHONE TOWERS
TRACKING OUR MOVEMENTS.
245
00:14:30,100 --> 00:14:32,799
HELL, WE DIDN'T EVEN
HAVE PICTURE IDs.
246
00:14:32,800 --> 00:14:34,699
IF YOU WANTED TO GET LOST,
247
00:14:34,700 --> 00:14:36,467
IT WAS EASY.
248
00:14:38,967 --> 00:14:42,932
IT'S JULY 1923.
249
00:14:42,933 --> 00:14:45,332
THEY'RE LOOKING
FOR FLUDE.
250
00:14:45,333 --> 00:14:48,699
BUT IT'S AS IF HE DROPPED OFF
THE FACE OF THE PLANET.
251
00:14:48,700 --> 00:14:50,966
BACK THEN,
IT'S A DIFFICULT UNDERTAKING
252
00:14:50,967 --> 00:14:53,666
TO FIND SOMEBODY
THAT DOESN'T WANNA BE FOUND.
253
00:14:53,667 --> 00:14:55,832
BUT THOSE WERE
THE BREAKS.
254
00:14:55,833 --> 00:14:57,366
WE STARTED TO FIGURE
255
00:14:57,367 --> 00:15:00,132
WE WOULDN'T EVER KNOW
WHAT HAPPENED TO FRED.
256
00:15:00,133 --> 00:15:03,399
BUT, LIKE I SAID, NOTHING
IN THIS TOWN IS A SURE BET,
257
00:15:03,400 --> 00:15:05,567
EXCEPT FOR A GOOD PLOT TWIST.
258
00:15:07,667 --> 00:15:09,099
WHILE THE SEARCH
FOR FLUDE'S GOING ON,
259
00:15:09,100 --> 00:15:12,067
THERE'S AN INTERESTING
INVESTIGATIVE DISCOVERY.
260
00:15:14,633 --> 00:15:17,066
A DIAMOND-STUDDED
POCKET WATCH
261
00:15:17,067 --> 00:15:18,966
THAT MATCHES THE DESCRIPTION
OF THE WATCH
262
00:15:18,967 --> 00:15:21,367
MISSING FROM THE OESTERREICH
CRIME SCENE...
263
00:15:23,700 --> 00:15:27,700
...WHICH DOLLY'S ATTORNEY,
MR. SHAPIRO, NOW HAS.
264
00:15:32,800 --> 00:15:34,066
HELLO THERE, COUNSELOR.
HELLO.
265
00:15:34,067 --> 00:15:35,832
HOW YOU DOING?
I'M SORRY TO INTERRUPT.
266
00:15:35,833 --> 00:15:38,466
LISTEN, WOULD YOU MIND
STOPPING BY THE OFFICE IN A BIT?
267
00:15:38,467 --> 00:15:40,899
I JUST HAD A COUPLE
QUESTIONS I WANTED TO ASK.
268
00:15:40,900 --> 00:15:42,532
ALL RIGHT.
269
00:15:42,533 --> 00:15:43,533
THANK YOU.
270
00:15:43,534 --> 00:15:45,766
SHAPIRO, IN HIS
LEGAL CAPACITY,
271
00:15:45,767 --> 00:15:49,532
STANDS TO BENEFIT FROM HIS ROLE
IN THIS CASE, AS WELL.
272
00:15:49,533 --> 00:15:52,132
SO IS HIS ROLE MORE
THAN JUST ATTORNEY HERE?
273
00:15:52,133 --> 00:15:54,899
IS HE A CO-CONSPIRATOR?
274
00:15:54,900 --> 00:15:56,632
HEY.
275
00:15:56,633 --> 00:15:57,932
GOOD MORNING,
DETECTIVE.
276
00:15:57,933 --> 00:15:59,832
MORNING.
HOW ARE YOU?
277
00:15:59,833 --> 00:16:01,300
GOOD.
278
00:16:04,267 --> 00:16:05,732
I -- I COULDN'T
HELP NOTICING
279
00:16:05,733 --> 00:16:09,732
THAT FANCY PIECE OF JEWELRY
YOU GOT THERE, COUNSELOR.
280
00:16:09,733 --> 00:16:11,066
WHERE'D YOU GET
A WATCH LIKE THAT?
281
00:16:11,067 --> 00:16:12,199
IT WAS A GIFT
282
00:16:12,200 --> 00:16:13,499
FOR MY BIRTHDAY.
283
00:16:13,500 --> 00:16:15,699
FROM WHO?
284
00:16:15,700 --> 00:16:18,599
MRS. OESTERREICH.
285
00:16:19,933 --> 00:16:22,666
DIAMOND-STUDDED WATCH
IS A VERY NICE BIRTHDAY GIFT.
286
00:16:22,667 --> 00:16:25,399
CLINE'S GOTTA BE WONDERING
WHAT ELSE IS GOING ON HERE.
287
00:16:25,400 --> 00:16:29,066
SHE MORE THAN
JUST A CLIENT?
288
00:16:29,067 --> 00:16:30,933
WE'VE BEEN SPENDING
SOME TIME TOGETHER.
289
00:16:36,667 --> 00:16:38,466
HERMAN SHAPIRO
OPENLY ADMITS
290
00:16:38,467 --> 00:16:39,766
THAT HE WAS ALSO
291
00:16:39,767 --> 00:16:43,232
ROMANTICALLY INVOLVED
WITH DOLLY.
292
00:16:43,233 --> 00:16:44,866
WHAT'S THIS ABOUT?
293
00:16:44,867 --> 00:16:46,632
WELL, IT'S ABOUT
A TIMEPIECE
294
00:16:46,633 --> 00:16:49,732
THAT FITS THE DESCRIPTION
OF YOUR WATCH,
295
00:16:49,733 --> 00:16:52,066
THE ONLY THING STOLEN
FROM THE SCENE
296
00:16:52,067 --> 00:16:55,066
THE NIGHT OF
FRED OESTERREICH'S MURDER.
297
00:16:55,067 --> 00:16:57,432
YOU GOTTA ADMIT,
COUNSELOR, IT'S,
298
00:16:57,433 --> 00:16:59,699
IT'S A LITTLE BIT FUNNY.
299
00:16:59,700 --> 00:17:04,599
YOU SEE, I DID NOT KNOW
ANYTHING ABOUT THAT.
300
00:17:04,600 --> 00:17:07,066
WHAT'S TRUE
301
00:17:07,067 --> 00:17:08,833
IS THAT I RECEIVED THIS
AS A GIFT.
302
00:17:13,967 --> 00:17:17,500
CLINE WANTS TO TALK TO DOLLY
ABOUT WHERE THE WATCH CAME FROM.
303
00:17:24,933 --> 00:17:28,867
I HAVE TO SAY, WIDOW'S WEEDS
LOOKED GOOD ON DOLLY.
304
00:17:34,533 --> 00:17:35,832
GOOD AFTERNOON.
305
00:17:35,833 --> 00:17:38,066
GOOD AFTERNOON.
306
00:17:38,067 --> 00:17:41,066
MRS. OESTERREICH,
COULD YOU PLEASE EXPLAIN
307
00:17:41,067 --> 00:17:43,899
HOW MR. SHAPIRO
GOT THAT WATCH?
308
00:17:43,900 --> 00:17:46,899
IT'S ACTUALLY
ALL VERY ORDINARY.
309
00:17:46,900 --> 00:17:49,399
I WAS STRAIGHTENING
MY SOFA PILLOWS.
310
00:17:49,400 --> 00:17:51,533
WELL, IT MUST HAVE
FALLEN DOWN THAT NIGHT.
311
00:17:53,733 --> 00:17:56,266
DOLLY SAID,
"YEAH, WELL, I THOUGHT IT WAS
312
00:17:56,267 --> 00:17:58,066
STOLEN THE NIGHT
THAT FRED WAS MURDERED.
313
00:17:58,067 --> 00:18:00,232
BUT I FOUND IT UNDER
SOME CUSHIONS."
314
00:18:00,233 --> 00:18:02,899
YOU DIDN'T THINK
TO NOTIFY US
315
00:18:02,900 --> 00:18:07,166
THAT IT WAS,
IN FACT, NOT STOLEN?
316
00:18:07,167 --> 00:18:10,432
NO.
317
00:18:10,433 --> 00:18:12,899
AND IT SEEMED WRONG
TO HAVE AN OBJECT
318
00:18:12,900 --> 00:18:16,067
OF SUCH BEAUTY
SIT IN A BOX.
319
00:18:22,600 --> 00:18:24,532
DOLLY SAID SHE THOUGHT
IT WAS STOLEN.
320
00:18:24,533 --> 00:18:27,899
IT WASN'T STOLEN,
WASN'T A BIG DEAL.
321
00:18:27,900 --> 00:18:30,899
HEY, CHARLIE. I'M LOOKING FOR
INFORMATION ON AN ATTORNEY,
322
00:18:30,900 --> 00:18:32,332
HERMAN SHAPIRO.
323
00:18:32,333 --> 00:18:34,867
WHAT DO YOU KNOW
ABOUT THIS FELLA?
324
00:18:38,100 --> 00:18:43,732
POLICE LOOK MORE CLOSELY
AT SHAPIRO AS A SUSPECT.
325
00:18:43,733 --> 00:18:46,932
YEAH, NO MEETINGS
BEFORE NOVEMBER.
326
00:18:46,933 --> 00:18:50,166
LOOKS LIKE THEY REALLY
DIDN'T KNOW EACH OTHER.
327
00:18:50,167 --> 00:18:53,666
TURNED OUT SHAPIRO DID
NOT COME INTO CONTACT WITH DOLLY
328
00:18:53,667 --> 00:18:55,666
UNTIL A COUPLE OF MONTHS
AFTER THE MURDER.
329
00:18:55,667 --> 00:18:58,266
THEY HADN'T KNOWN
EACH OTHER.
330
00:18:58,267 --> 00:19:02,166
YOU KNOW, MAYBE
HE'S NOT HIDING ANYTHING.
331
00:19:02,167 --> 00:19:04,566
MAYBE SHE IS.
332
00:19:05,800 --> 00:19:07,099
THEY DIG
A LITTLE DEEPER
333
00:19:07,100 --> 00:19:09,499
INTO WHAT SHE'S BEEN DOING
334
00:19:09,500 --> 00:19:11,099
SINCE THE TIME OF THE MURDER.
335
00:19:11,100 --> 00:19:14,699
AND THEY FIND OUT THAT DOLLY HAD
BEEN DATING A MOVIE PRODUCER...
336
00:19:14,700 --> 00:19:16,600
MR. KLUM,
THANK YOU FOR COMING IN.
337
00:19:18,633 --> 00:19:20,732
...NAMED RAY KLUM.
338
00:19:20,733 --> 00:19:22,199
RAY'S A PRODUCER
IN HOLLYWOOD.
339
00:19:22,200 --> 00:19:23,966
BUT HE WAS A FRIEND
OF THE OESTERREICHS
340
00:19:23,967 --> 00:19:25,632
FROM THEIR TIME IN MILWAUKEE.
341
00:19:25,633 --> 00:19:28,966
HE WAS, IN FACT, CLOSE WITH
BOTH FRED AND DOLLY.
342
00:19:28,967 --> 00:19:32,266
THE OESTERREICHS EVEN
LOANED MONEY TO RAY.
343
00:19:32,267 --> 00:19:33,899
SO YOUR FRIENDS,
FRED AND DOLLY,
344
00:19:33,900 --> 00:19:37,132
THEY GAVE YOU
SOME NICE, EASY CASH.
345
00:19:37,133 --> 00:19:38,432
HOW'D YOU PAY IT BACK?
346
00:19:40,500 --> 00:19:42,566
DETECTIVE,
THIS,
347
00:19:42,567 --> 00:19:43,966
THIS IS AWFUL.
348
00:19:43,967 --> 00:19:47,099
I, UM, I'M NOT PROUD
OF THIS.
349
00:19:47,100 --> 00:19:48,966
RAY OPENLY ADMITS
THAT HE HAD DONE
350
00:19:48,967 --> 00:19:51,332
SOMETHING THAT HE NOW REGRETS.
351
00:19:51,333 --> 00:19:54,132
I DID HER
A LITTLE FAVOR.
352
00:19:54,133 --> 00:19:56,199
KLUM TELLS
THE POLICE THAT,
353
00:19:56,200 --> 00:19:58,400
A FEW DAYS AFTER THE MURDER...
354
00:20:01,333 --> 00:20:03,500
...DOLLY HAD GIVEN HIM
A PACKAGE.
355
00:20:06,833 --> 00:20:09,467
IT FELT LIKE
THE OUTLINE OF A GUN.
356
00:20:14,000 --> 00:20:16,967
AND TOLD HIM THAT HE NEEDED
TO GET RID OF IT FOR HER.
357
00:20:27,367 --> 00:20:30,132
RAY KLUM WAS
FROM WISCONSIN, LIKE ME.
358
00:20:30,133 --> 00:20:32,432
BUT THE STORY HE TOLD
THE POLICE
359
00:20:32,433 --> 00:20:33,966
ABOUT HOW DOLLY ASKED HIM
360
00:20:33,967 --> 00:20:35,799
TO GET RID OF
A MYSTERIOUS PACKAGE
361
00:20:35,800 --> 00:20:40,532
AFTER FRED WAS MURDERED
WAS PURE HOLLYWOOD NOIR.
362
00:20:40,533 --> 00:20:43,032
YOU DIDN'T THINK TO ASK
WHAT THIS WAS ALL ABOUT?
363
00:20:43,033 --> 00:20:44,932
NO, I DIDN'T ASK HER
ANY QUESTIONS.
364
00:20:44,933 --> 00:20:47,299
I WANTED TO MAKE
HER HAPPY.
365
00:20:47,300 --> 00:20:49,399
RAY KLUM HAS TOLD POLICE
366
00:20:49,400 --> 00:20:51,699
HE RECEIVED THIS PACKAGE
367
00:20:51,700 --> 00:20:55,366
FROM DOLLY TO DISPOSE OF
IN THE LA BREA TAR PITS.
368
00:20:56,633 --> 00:20:59,167
SHE'S VERY
PERSUASIVE.
369
00:21:05,067 --> 00:21:07,466
THE LA BREA TAR PITS
WOULD BE THE PERFECT PLACE
370
00:21:07,467 --> 00:21:09,099
TO TOSS A MURDER WEAPON.
371
00:21:09,100 --> 00:21:12,399
ONCE SOMETHING WENT IN,
IT WASN'T EVER COMING OUT.
372
00:21:12,400 --> 00:21:15,699
THE LA BREA TAR PITS
ARE BASICALLY A POND FILLED
373
00:21:15,700 --> 00:21:17,799
WITH HOT TAR THAT BUBBLES.
374
00:21:17,800 --> 00:21:23,799
AND ANYTHING YOU THROW IN THERE
IS GOING TO DISAPPEAR.
375
00:21:23,800 --> 00:21:26,266
THE POLICE ARE COMPELLED
TO TRY AND SEARCH THE TAR PITS
376
00:21:26,267 --> 00:21:28,632
AS BEST THEY CAN.
377
00:21:28,633 --> 00:21:31,167
DO YOU SEE THAT?
378
00:21:38,067 --> 00:21:41,566
IT WAS SITTING ON THE EDGE
OF THE LA BREA TAR PITS.
379
00:21:41,567 --> 00:21:43,866
RAY DIDN'T THROW IT FAR ENOUGH.
380
00:21:43,867 --> 00:21:46,732
IT TURNS OUT TO BE
A 25-CALIBER GUN,
381
00:21:46,733 --> 00:21:50,132
THE SAME CALIBER
THAT KILLED FRED OESTERREICH.
382
00:21:50,133 --> 00:21:53,699
11 MONTHS AFTER
THE MURDER OF FRED,
383
00:21:53,700 --> 00:21:55,866
DOLLY IS ARRESTED.
384
00:21:55,867 --> 00:21:57,332
DOLLY TELLS THE OFFICERS
385
00:21:57,333 --> 00:21:59,399
THAT SHE FOUND THIS GUN
AROUND THE HOUSE
386
00:21:59,400 --> 00:22:01,599
JUST A FEW DAYS
AFTER FRED HAD DIED
387
00:22:01,600 --> 00:22:04,066
AND THAT SHE WANTED
TO GET RID OF THE GUN
388
00:22:04,067 --> 00:22:07,632
BECAUSE SHE KNEW SHE WOULD BE
THE PRIMARY SUSPECT.
389
00:22:07,633 --> 00:22:09,632
BUT THERE'S NO
FORENSIC EVIDENCE
390
00:22:09,633 --> 00:22:10,832
OR WITNESS EVIDENCE
391
00:22:10,833 --> 00:22:14,432
TO CONVICT DOLLY OF A CRIME.
392
00:22:14,433 --> 00:22:16,066
THE LOS ANGELES
DISTRICT ATTORNEY
393
00:22:16,067 --> 00:22:19,066
IS HOPING THAT MORE
EVIDENCE IS PRODUCED.
394
00:22:19,067 --> 00:22:21,066
IT'S JUST HARD TO GET OVER
THE FACT THAT SHE'S LOCKED
395
00:22:21,067 --> 00:22:22,700
IN THE CLOSET.
396
00:22:41,867 --> 00:22:43,766
CLINE KEPT TRYING TO SHOW THAT
397
00:22:43,767 --> 00:22:46,500
SHE HAD THE ABILITY
TO LOCK HERSELF IN THE CLOSET.
398
00:22:56,367 --> 00:22:58,366
BUT IT WASN'T POSSIBLE.
399
00:22:58,367 --> 00:23:01,767
SOMEONE ELSE HAD TO LOCK
THE CLOSET FROM THE OUTSIDE.
400
00:23:07,067 --> 00:23:11,066
SO THE D.A. ANNOUNCES
IN JANUARY OF 1925
401
00:23:11,067 --> 00:23:12,599
THAT HE DOESN'T HAVE
ENOUGH EVIDENCE
402
00:23:12,600 --> 00:23:15,132
TO TAKE DOLLY TO TRIAL.
403
00:23:15,133 --> 00:23:18,067
SO DOLLY IS RELEASED
FROM POLICE CUSTODY.
404
00:23:29,833 --> 00:23:33,466
EVEN I HAD TO ADMIT THAT
DOLLY LOOKED GUILTY AS SIN,
405
00:23:33,467 --> 00:23:36,299
EVEN IF NO ONE COULD FIGURE OUT
HOW SHE'D DONE IT.
406
00:23:36,300 --> 00:23:40,066
SOME MEN SEEMED WILLING
TO DO ANYTHING FOR HER.
407
00:23:40,067 --> 00:23:44,199
SHE WAS A REAL-LIFE
FEMME FATALE.
408
00:23:44,200 --> 00:23:46,599
BUT WE WERE GOING
TO HAVE TO WAIT FOR THE SEQUEL
409
00:23:46,600 --> 00:23:48,533
TO FIND OUT
WHAT HAD HAPPENED.
410
00:24:05,600 --> 00:24:08,166
YOU KNOW WHAT THEY SAY
ABOUT SECRETS --
411
00:24:08,167 --> 00:24:10,166
THREE PEOPLE CAN KEEP A SECRET
412
00:24:10,167 --> 00:24:12,499
IF TWO OF THEM ARE DEAD.
413
00:24:12,500 --> 00:24:16,066
FRED HAD TAKEN HIS
SECRETS TO THE GRAVE.
414
00:24:16,067 --> 00:24:17,732
I'D LIKE TO MAKE
AN OFFICIAL STATEMENT
415
00:24:17,733 --> 00:24:21,232
ABOUT THE MURDER
OF FRED OESTERREICH.
416
00:24:21,233 --> 00:24:23,232
IT ONLY TOOK FIVE YEARS,
417
00:24:23,233 --> 00:24:26,332
BUT, BOY, WAS IT
WORTH THE WAIT.
418
00:24:26,333 --> 00:24:29,599
AND, WELL,
419
00:24:29,600 --> 00:24:32,799
IT'S A LITTLE HARD
TO BELIEVE.
420
00:24:32,800 --> 00:24:34,199
ALL RIGHT.
421
00:24:34,200 --> 00:24:36,599
SHAPIRO PAYS A VISIT
TO THE D.A.
422
00:24:36,600 --> 00:24:38,799
IT'S FEBRUARY OF 1930.
423
00:24:38,800 --> 00:24:43,199
BY THIS TIME, SHAPIRO
AND DOLLY WERE BROKEN UP.
424
00:24:43,200 --> 00:24:45,132
SHAPIRO TELLS
AUTHORITIES THAT,
425
00:24:45,133 --> 00:24:47,466
WHEN DOLLY GOT
ARRESTED IN 1923,
426
00:24:47,467 --> 00:24:50,166
SHE ASKED HIM
A VERY STRANGE FAVOR.
427
00:24:50,167 --> 00:24:52,499
I VISITED DOLLY REGULARLY
IN JAIL.
428
00:24:53,933 --> 00:24:56,066
WELL, ONE DAY,
429
00:24:56,067 --> 00:24:59,499
SHE ASKS ME TO GET
SOME ITEMS AT THE STORE.
430
00:24:59,500 --> 00:25:01,832
AND THAT KINDA
PUZZLED SHAPIRO.
431
00:25:01,833 --> 00:25:04,466
WHY BRING OVER GROCERIES
TO AN EMPTY HOUSE?
432
00:25:04,467 --> 00:25:06,732
I SAID, "FOR WHAT?"
433
00:25:06,733 --> 00:25:10,299
AND SHE SAYS FOR HER
HALF-BROTHER.
434
00:25:10,300 --> 00:25:12,932
SO SHAPIRO GOES
AND GETS GROCERIES.
435
00:25:12,933 --> 00:25:14,332
HE DROPS THEM OFF
AT THE HOUSE.
436
00:25:14,333 --> 00:25:17,066
HE DOESN'T SEE ANYBODY,
SO HE JUST LEAVES.
437
00:25:17,067 --> 00:25:19,666
SEVERAL DAYS LATER,
SHE'S IN A PANIC.
438
00:25:19,667 --> 00:25:21,132
SHE'S WORRIED.
439
00:25:21,133 --> 00:25:22,532
HER,
440
00:25:22,533 --> 00:25:26,932
HALF-BROTHER
IS A BIT OF A RECLUSE.
441
00:25:26,933 --> 00:25:30,599
THIS IS WHERE IT
GETS A LITTLE...
442
00:25:30,600 --> 00:25:32,299
HE --
443
00:25:32,300 --> 00:25:34,133
HE'S BEEN LIVING
IN THE ATTIC.
444
00:25:36,833 --> 00:25:38,866
NOW, THIS ONE DETAIL,
IT'S A LITTLE BIZARRE --
445
00:25:38,867 --> 00:25:41,932
SHE WANTS ME TO SCRATCH
THREE TIMES ON THE ATTIC DOOR
446
00:25:41,933 --> 00:25:43,832
TO LET HIM KNOW
THAT I'M THERE.
447
00:25:43,833 --> 00:25:47,599
AND,
DID YOU DO IT?
448
00:25:47,600 --> 00:25:50,133
I DID.
449
00:26:01,067 --> 00:26:03,567
WELL?
450
00:26:11,900 --> 00:26:13,867
WHY, HELLO.
451
00:26:21,900 --> 00:26:23,366
SO YOU'RE TELLING ME
THERE WAS A LITTLE MAN LIVING
452
00:26:23,367 --> 00:26:26,166
IN YOUR OLD LADY'S ATTIC,
AND YOU DIDN'T KNOW?
453
00:26:26,167 --> 00:26:28,466
THAT'S WHAT
I'M SAYING.
454
00:26:28,467 --> 00:26:30,399
AND HE WASN'T
A VAGRANT AT ALL.
455
00:26:30,400 --> 00:26:32,299
THE NAME'S OTTO.
456
00:26:32,300 --> 00:26:34,132
YOU'RE THE LAWYER --
SHAPIRO, RIGHT?
457
00:26:34,133 --> 00:26:35,399
RIGHT.
458
00:26:35,400 --> 00:26:38,732
DOLLY'S TOLD ME ABOUT YOU.
459
00:26:38,733 --> 00:26:39,733
MAY I?
460
00:26:39,734 --> 00:26:41,332
YEAH, PLEASE.
461
00:26:41,333 --> 00:26:43,666
THE MAN IS WHITE AND SMALL
462
00:26:43,667 --> 00:26:45,799
AND LOOKS LIKE HE'S IN HIS 30s.
463
00:26:45,800 --> 00:26:47,699
HIS NAME IS OTTO SANHUBER.
464
00:26:47,700 --> 00:26:50,832
SO IF YOU'RE SHAPIRO,
THE MAN WHO WAS DOLLY'S LOVER,
465
00:26:50,833 --> 00:26:52,266
HE HAD BEEN IN HER HOUSE.
466
00:26:52,267 --> 00:26:54,932
HE'S GOTTA BE THINKING,
"WHERE DID THIS GUY COME FROM?"
467
00:26:54,933 --> 00:26:57,266
AND SHE NEVER ONCE
MENTIONED THIS SIBLING?
468
00:26:57,267 --> 00:26:59,832
NO. BECAUSE HE WASN'T
HER SIBLING.
469
00:26:59,833 --> 00:27:01,399
SO YOU'RE
HER HALF-BROTHER.
470
00:27:01,400 --> 00:27:02,866
NO.
471
00:27:02,867 --> 00:27:05,899
WHO ARE YOU, THEN?
472
00:27:08,833 --> 00:27:10,299
I'M HER LOVER.
473
00:27:10,300 --> 00:27:11,300
COME AGAIN?
474
00:27:11,300 --> 00:27:12,300
COME AGAIN?
475
00:27:12,301 --> 00:27:14,332
IT'S THE TRUTH.
476
00:27:14,333 --> 00:27:18,566
AND IT STARTED
IN MILWAUKEE.
477
00:27:18,567 --> 00:27:20,866
OTTO TOLD HIM THAT HE GREW UP
478
00:27:20,867 --> 00:27:25,232
AS AN ORPHAN AND MET
DOLLY IN 1911.
479
00:27:25,233 --> 00:27:28,199
AT THAT TIME, HE WAS A TEENAGER
AND HE WAS WORKING
480
00:27:28,200 --> 00:27:31,333
AS A SEWING-MACHINE
REPAIRMAN AT FRED'S FACTORY.
481
00:27:34,767 --> 00:27:37,632
YOU LOOK LIKE YOU
KNOW SEWING MACHINES.
482
00:27:37,633 --> 00:27:40,532
OTTO SAYS SHE WAS
VERY FRIENDLY WITH HIM.
483
00:27:40,533 --> 00:27:42,832
THEY KNEW EACH OTHER
AT THE FACTORY.
484
00:27:42,833 --> 00:27:44,366
DOLLY LIKED TO SEW
AT HOME.
485
00:27:44,367 --> 00:27:46,767
SO OTTO WAS SENT
TO REPAIR THE MACHINE.
486
00:27:48,700 --> 00:27:50,367
**
487
00:27:54,900 --> 00:27:57,632
DOLLY ANSWERED THE DOOR
IN A SILK ROBE,
488
00:27:57,633 --> 00:28:00,333
BLACK STOCKINGS,
AND NOTHING ELSE.
489
00:28:12,633 --> 00:28:15,600
YOUR, TREADLE
IS LOOSE, MA'AM?
490
00:29:06,467 --> 00:29:08,632
AFTER THAT,
DOLLY'S SEWING MACHINE
491
00:29:08,633 --> 00:29:10,700
WOULD "BREAK DOWN" A LOT.
492
00:29:13,833 --> 00:29:16,566
OTTO SAYS DOLLY
WAS INSATIABLE.
493
00:29:16,567 --> 00:29:21,399
THEY HAD SEX 8 TO 10
TIMES A DAY ON THESE VISITS.
494
00:29:21,400 --> 00:29:23,699
AND THAT PROBABLY HAD
SOMETHING TO DO WITH THE FACT
495
00:29:23,700 --> 00:29:24,899
THAT FRED ESSENTIALLY
496
00:29:24,900 --> 00:29:26,967
DIDN'T REALLY PAY
ATTENTION TO HER.
497
00:29:29,700 --> 00:29:31,599
DOLLY WAS VERY WORRIED
THAT THE NEIGHBORS
498
00:29:31,600 --> 00:29:33,399
WERE GOING TO SEE
OTTO COMING TO HER HOUSE
499
00:29:33,400 --> 00:29:34,966
OVER AND OVER AGAIN
500
00:29:34,967 --> 00:29:36,932
AND THAT HER AFFAIR
WAS GOING TO BE FOUND OUT.
501
00:29:36,933 --> 00:29:39,266
SO DOLLY STARTS THINKING
ABOUT THE ATTIC.
502
00:29:39,267 --> 00:29:41,532
I MEAN, FRED SIMPLY
DIDN'T GO TO THE ATTIC.
503
00:29:41,533 --> 00:29:44,966
HE WON'T KNOW,
HONESTLY.
504
00:29:44,967 --> 00:29:47,266
SHE COMES UP
WITH THIS PLAN
505
00:29:47,267 --> 00:29:51,299
FOR OTTO TO QUIT HIS JOB
AND MOVE INTO HER ATTIC.
506
00:29:51,300 --> 00:29:53,466
CAN YOU IMAGINE THE CONVERSATION
507
00:29:53,467 --> 00:29:54,699
THAT DOLLY HAD WITH OTTO?
508
00:29:54,700 --> 00:29:57,066
"I NEED YOU TO LIVE
IN MY ATTIC SO THAT,
509
00:29:57,067 --> 00:30:02,232
WHEN I NEED TO HAVE SEX
WITH YOU, YOU'RE AVAILABLE."
510
00:30:02,233 --> 00:30:05,432
THIS ARRANGEMENT
WORKED OUT GREAT FOR OTTO.
511
00:30:05,433 --> 00:30:08,632
HE LIVED THERE RENT-FREE.
512
00:30:08,633 --> 00:30:10,299
WHEN FRED LEFT FOR WORK
IN THE MORNING,
513
00:30:10,300 --> 00:30:13,499
HE WOULD COME DOWNSTAIRS.
514
00:30:13,500 --> 00:30:17,866
AND FOR DOLLY, SHE DOESN'T
ONLY GET A LOVER ALL DAY LONG,
515
00:30:17,867 --> 00:30:22,732
BUT FRED WAS TOO CHEAP
TO HIRE A MAID.
516
00:30:22,733 --> 00:30:26,299
DOLLY WOULD HAVE OTTO MOP,
DO THE DISHES,
517
00:30:26,300 --> 00:30:28,633
CLEAN THE SHEETS,
DO THE LAUNDRY.
518
00:30:31,933 --> 00:30:33,499
WHEN FRED WOULD COME HOME,
519
00:30:33,500 --> 00:30:38,666
DOLLY SNUCK FOOD UP TO OTTO
AND BROUGHT HIM BOOKS.
520
00:30:38,667 --> 00:30:43,632
HE SPENT THIS TIME READING AND
THEN WRITING HIS OWN STORIES.
521
00:30:47,133 --> 00:30:48,532
WHEN FRED AND DOLLY
WENT OUT AT NIGHT,
522
00:30:48,533 --> 00:30:50,432
HE WOULD SOMETIMES
LEAVE THE HOUSE
523
00:30:50,433 --> 00:30:54,299
AND WALK AROUND
THE NEIGHBORHOOD.
524
00:30:54,300 --> 00:30:56,166
AND THIS CONTINUES
FOR THE NEXT SIX YEARS.
525
00:30:56,167 --> 00:30:57,666
SIX YEARS?
526
00:30:57,667 --> 00:31:00,799
HE SAID HE LIKED
THE ARRANGEMENT.
527
00:31:00,800 --> 00:31:05,133
WHY WOULD A PERSON WANT
TO LIVE IN SOMEONE'S ATTIC?
528
00:31:09,867 --> 00:31:12,499
OTTO HAS LIVED
A PRETTY IMPOVERISHED LIFE.
529
00:31:12,500 --> 00:31:16,899
HE WAS A FOUNDLING,
FOUND ON A DOORSTEP AT BIRTH.
530
00:31:16,900 --> 00:31:20,199
HE NEVER KNEW
HIS BIRTH PARENTS.
531
00:31:20,200 --> 00:31:23,932
HE PROBABLY DOESN'T HAVE
A LOT OF EXPECTATIONS IN LIFE.
532
00:31:23,933 --> 00:31:25,266
AND WHEN DOLLY SHOWED HIM
533
00:31:25,267 --> 00:31:27,566
SOME AFFECTION
AND SOME ATTENTION,
534
00:31:27,567 --> 00:31:29,533
HE MUST HAVE FELT
LIKE HE WON THE LOTTERY.
535
00:31:35,533 --> 00:31:37,832
MEANWHILE,
YOU HAVE DOLLY,
536
00:31:37,833 --> 00:31:39,366
WHO'S LOST A SON,
537
00:31:39,367 --> 00:31:42,166
WHO OBVIOUSLY HAS
A PRETTY HEALTHY LIBIDO.
538
00:31:42,167 --> 00:31:45,066
AND SHE MEETS SOMEBODY
WHO'S NEVER HAD A MOTHER,
539
00:31:45,067 --> 00:31:46,866
WHO IS AT A TIME IN HIS LIFE
540
00:31:46,867 --> 00:31:50,399
WHEN HE'S VERY
INTERESTED IN SEX.
541
00:31:50,400 --> 00:31:52,332
INITIALLY,
OTTO AND DOLLY
542
00:31:52,333 --> 00:31:56,932
WERE THESE TWO MISSING PIECES
IN EACH OTHER'S PUZZLES.
543
00:31:56,933 --> 00:31:58,332
BUT THIS WAS
MILWAUKEE.
544
00:31:58,333 --> 00:31:59,599
WHAT'S THIS GOT TO DO
WITH FRED'S MURDER?
545
00:31:59,600 --> 00:32:01,699
WELL,
I'M GETTING THERE.
546
00:32:01,700 --> 00:32:04,966
FRED OPENS HIS NEW FACTORY
ON THE WEST COAST.
547
00:32:04,967 --> 00:32:08,733
SO DOLLY ARRANGES
FOR OTTO TO MOVE, TOO.
548
00:32:13,200 --> 00:32:16,966
THEN, SEVEN YEARS
INTO DOLLY AND OTTO'S ROMANCE,
549
00:32:16,967 --> 00:32:19,366
FRED DECIDES HE NEEDS
TO MOVE TO LOS ANGELES
550
00:32:19,367 --> 00:32:22,099
TO EXPAND HIS BUSINESS.
551
00:32:22,100 --> 00:32:25,599
DOLLY DECIDES,
"OTTO'S GONNA MOVE WITH US."
552
00:32:25,600 --> 00:32:29,232
SO OTTO MOVES FROM AN ATTIC
IN MILWAUKEE
553
00:32:29,233 --> 00:32:31,932
TO AN ATTIC
IN LOS ANGELES.
554
00:32:31,933 --> 00:32:34,532
AND LIVED THERE FOR FOUR YEARS.
555
00:32:34,533 --> 00:32:35,966
WHERE'D HE GO TO THE BATHROOM?
556
00:32:35,967 --> 00:32:38,533
WHAT IF HE SNORED?
WHEN DID HE BATHE?
557
00:32:41,167 --> 00:32:43,432
IT ALMOST REMINDS ME
OF SOMEBODY WHO WAS IN A CULT,
558
00:32:43,433 --> 00:32:46,066
WHO, PHYSICALLY,
THEY'RE ABLE TO LEAVE.
559
00:32:46,067 --> 00:32:49,599
BUT THEY HAVE SO MUCH
INVESTED IN THAT RELATIONSHIP
560
00:32:49,600 --> 00:32:52,567
THAT THEY DON'T FEEL
LIKE THEY CAN LEAVE.
561
00:32:55,833 --> 00:32:57,466
AND YOU'RE TELLING ME
FRED OESTERREICH
562
00:32:57,467 --> 00:32:58,632
NEVER HAD A CLUE?
563
00:32:58,633 --> 00:33:01,066
AFTER A WHILE, HE STARTED
NOTICING BIZARRE THINGS
564
00:33:01,067 --> 00:33:02,599
AT HOME, YEAH.
565
00:33:05,467 --> 00:33:07,732
* EVERYBODY LOVES A BABY *
566
00:33:07,733 --> 00:33:09,266
* THAT'S WHY I'M IN LOVE
WITH YOU *
567
00:33:09,267 --> 00:33:12,166
DID YOU HEAR THAT?
568
00:33:12,167 --> 00:33:15,566
YOU SHOULD REALLY
GO LIE DOWN, DEAR.
569
00:33:15,567 --> 00:33:17,766
YOU'RE TIRED.
570
00:33:17,767 --> 00:33:20,432
SHAPIRO SAYS OTTO TOLD HIM
571
00:33:20,433 --> 00:33:23,132
THAT FRED STARTED
TO HAVE SOME SUSPICIONS
572
00:33:23,133 --> 00:33:28,066
THAT SOMETHING STRANGE
WAS HAPPENING IN HIS HOUSE.
573
00:33:28,067 --> 00:33:30,266
HE WOULD HEAR MOVEMENT.
574
00:33:30,267 --> 00:33:32,967
THE LEFTOVERS
WILL BE GONE.
575
00:33:38,933 --> 00:33:42,299
DOLLY TOLD FRED THAT
HE WAS WORKING TOO HARD,
576
00:33:42,300 --> 00:33:43,699
THAT HE WAS DRINKING TOO MUCH,
577
00:33:43,700 --> 00:33:45,066
ESSENTIALLY TRYING
TO CONVINCE HIM
578
00:33:45,067 --> 00:33:47,066
HE WAS A LITTLE BIT CRAZY
579
00:33:47,067 --> 00:33:50,632
SO THAT SHE COULD
KEEP THIS HIDDEN LOVER
580
00:33:50,633 --> 00:33:53,167
RIGHT UNDER HIS NOSE.
581
00:33:58,133 --> 00:33:59,732
OKAY.
582
00:33:59,733 --> 00:34:02,299
NOW, THIS IS A HELL OF A TALE.
BUT I GOTTA ASK HERE.
583
00:34:02,300 --> 00:34:04,766
THIS GUY WAS UPSTAIRS
584
00:34:04,767 --> 00:34:09,066
WHILE YOU WERE, UM...
585
00:34:09,067 --> 00:34:11,866
REGULARLY VISITING
MRS. OESTERREICH?
586
00:34:11,867 --> 00:34:15,799
THAT IS THE CASE.
587
00:34:15,800 --> 00:34:18,833
I CAN'T REALLY HEAR MUCH
UP THERE.
588
00:34:22,967 --> 00:34:26,399
SO HE TOLD YOU
A LOT?
589
00:34:26,400 --> 00:34:27,932
DID HE TELL YOU WHAT HE
REMEMBERED ABOUT
590
00:34:27,933 --> 00:34:29,932
THE SUMMER OF 1922?
591
00:34:29,933 --> 00:34:31,799
YES.
UM...
592
00:34:31,800 --> 00:34:35,232
I'M A MEMBER
OF THIS HOUSEHOLD.
593
00:34:35,233 --> 00:34:39,832
AND I DO FEEL A SENSE
OF RESPONSIBILITY.
594
00:34:39,833 --> 00:34:41,099
OTTO TOLD SHAPIRO THAT,
595
00:34:41,100 --> 00:34:43,066
IN THE MONTHS LEADING UP
TO FRED'S DEATH,
596
00:34:43,067 --> 00:34:45,966
THERE HAD BEEN
MULTIPLE ATTEMPTS
597
00:34:45,967 --> 00:34:47,332
AT BREAK-INS.
598
00:34:47,333 --> 00:34:49,299
I FELT I SHOULD
HAVE DONE SOMETHING.
599
00:34:49,300 --> 00:34:50,932
BUT WHAT COULD YOU
HAVE DONE?
600
00:34:50,933 --> 00:34:55,532
I DECIDED THAT, WHEN FRED
AND DOLLY WENT OUT AT NIGHT,
601
00:34:55,533 --> 00:34:59,166
I WOULD BE
A GUARD OF SORTS.
602
00:34:59,167 --> 00:35:01,300
BACK THEN,
I OWNED A GUN.
603
00:35:03,833 --> 00:35:08,832
OTTO TOLD ME A GREAT DEAL
WHEN WE REALLY STARTED TALKING.
604
00:35:08,833 --> 00:35:10,799
WHAT HAPPENED BEFORE
FRED DIED?
605
00:35:10,800 --> 00:35:15,432
THAT NIGHT,
I HEARD A TERRIBLE FIGHT.
606
00:35:15,433 --> 00:35:19,199
ON AUGUST 22, 1922,
607
00:35:19,200 --> 00:35:22,132
FRED AND DOLLY
CAME HOME FROM A PARTY.
608
00:35:22,133 --> 00:35:23,466
YOU'RE SO DRUNK.
609
00:35:23,467 --> 00:35:25,332
DON'T YOU TELL ME
WHAT TO DO.
610
00:35:25,333 --> 00:35:26,432
IT'S DISGUSTING.
611
00:35:26,433 --> 00:35:27,499
Kilgariff
FRED AND DOLLY WERE FIGHTING.
612
00:35:27,500 --> 00:35:28,599
STOP IT!
613
00:35:30,067 --> 00:35:32,732
HE WAS AWFUL.
614
00:35:32,733 --> 00:35:34,532
OTTO SAYS THAT
HE WAS AFRAID
615
00:35:34,533 --> 00:35:36,832
THAT FRED WAS HURTING DOLLY.
616
00:35:36,833 --> 00:35:38,699
THIS TRUE?
I WASN'T THERE.
617
00:35:38,700 --> 00:35:40,500
I MEAN,
THIS IS WHAT HE TOLD ME.
618
00:35:42,967 --> 00:35:48,266
OTTO SAYS THAT HE RAN
DOWNSTAIRS TO CONFRONT FRED
619
00:35:48,267 --> 00:35:50,100
AND SAW DOLLY ON THE GROUND.
620
00:35:55,567 --> 00:35:58,199
WHAT DID FRED DO?
YOU WORKED FOR HIM 15 YEARS AGO.
621
00:35:58,200 --> 00:36:00,066
AND NOW YOU'RE STANDING
IN HIS LIVING ROOM.
622
00:36:00,067 --> 00:36:03,466
DID -- DID HE
RECOGNIZE YOU?
623
00:36:03,467 --> 00:36:04,633
I DON'T KNOW.
624
00:36:08,533 --> 00:36:11,232
OTTO SAYS THAT FRED
STARTED TO MOVE TOWARDS HIM.
625
00:36:11,233 --> 00:36:15,432
AND HE THOUGHT THAT FRED WAS
GOING TO BEAT OR KILL HIM.
626
00:36:15,433 --> 00:36:16,866
PLEASE.
627
00:36:21,667 --> 00:36:22,933
GOD.
628
00:36:28,900 --> 00:36:31,399
I HAD NO OTHER CHOICE.
629
00:36:31,400 --> 00:36:32,732
OTTO TOLD SHAPIRO THAT
630
00:36:32,733 --> 00:36:35,400
HE HAD TO SHOOT HIM
IN SELF-DEFENSE.
631
00:36:38,500 --> 00:36:41,066
IF I WAS FRED
IN THOSE LAST MOMENTS,
632
00:36:41,067 --> 00:36:44,132
HOW SURREAL WOULD THAT BE?
633
00:36:44,133 --> 00:36:46,599
"THIS IS THE KID THAT USED
TO FIX SEWING MACHINES
634
00:36:46,600 --> 00:36:51,699
FROM MY FACTORY IN MILWAUKEE."
635
00:36:51,700 --> 00:36:54,432
DID FRED FINALLY
PIECE IT TOGETHER THAT,
636
00:36:54,433 --> 00:36:59,199
"THIS PERSON'S
LIVING IN MY HOUSE"?
637
00:36:59,200 --> 00:37:00,933
SON OF A...
638
00:37:09,800 --> 00:37:13,699
GOD.
639
00:37:13,700 --> 00:37:15,099
WHAT HAPPENED NEXT?
640
00:37:15,100 --> 00:37:16,899
THEY, THEY HAD
TO FIND AN EXPLANATION
641
00:37:16,900 --> 00:37:21,066
FOR DOLLY TO GIVE
THE POLICE.
642
00:37:21,067 --> 00:37:23,732
SHAPIRO SAYS THAT
OTTO TOLD HIM...
643
00:37:23,733 --> 00:37:26,066
THERE WAS A --
A BREAK-IN.
644
00:37:26,067 --> 00:37:32,499
...THAT IT WAS HIS IDEA
TO MAKE IT LOOK LIKE A ROBBERY.
645
00:37:32,500 --> 00:37:38,232
"I'LL PUT YOU IN THE CLOSET.
I'LL LOCK IT FROM OUTSIDE."
646
00:37:38,233 --> 00:37:40,532
HE LEAVES THE KEY
647
00:37:40,533 --> 00:37:43,466
RIGHT WHERE AUTHORITIES
COULD FIND IT.
648
00:37:43,467 --> 00:37:46,366
AND THEN HE GOES BACK UP
INTO THE ATTIC
649
00:37:46,367 --> 00:37:49,199
AND WAITS TO SEE WHAT HAPPENS.
650
00:37:49,200 --> 00:37:52,899
OTTO WAS STILL THERE WHEN THE
COPS ARRIVED AT THE SCENE?
651
00:37:52,900 --> 00:37:54,132
YEAH.
652
00:37:54,133 --> 00:37:56,632
AND LIVING IN THE ATTIC
EVEN AFTER FRED DIED?
653
00:37:56,633 --> 00:37:59,632
YES. HE SAID HE DIDN'T KNOW
WHERE ELSE TO GO.
654
00:37:59,633 --> 00:38:03,066
AND DOLLY DIDN'T WANT HIM
LIVING DOWNSTAIRS.
655
00:38:03,067 --> 00:38:05,533
PEOPLE WOULD TALK.
656
00:38:08,233 --> 00:38:10,532
EVEN AFTER FRED DIES,
657
00:38:10,533 --> 00:38:13,066
I DON'T THINK,
AT ANY POINT IN TIME,
658
00:38:13,067 --> 00:38:15,166
DID DOLLY EVER EVEN FANTASIZE
659
00:38:15,167 --> 00:38:17,432
ABOUT MOVING OTTO DOWNSTAIRS
660
00:38:17,433 --> 00:38:19,432
AND THEM UNITING AS A COUPLE
661
00:38:19,433 --> 00:38:21,866
AND GOING OUT IN PUBLIC.
662
00:38:21,867 --> 00:38:26,432
DOLLY IS OTTO'S COMPLETE
AND TOTAL WORLD.
663
00:38:26,433 --> 00:38:31,266
OTTO, ON THE OTHER HAND,
IS NOT DOLLY'S WORLD.
664
00:38:31,267 --> 00:38:34,699
IN MID-1923,
DOLLY'S ARRESTED.
665
00:38:34,700 --> 00:38:38,966
THE GIG IS UP,
AT THAT POINT, FOR OTTO.
666
00:38:38,967 --> 00:38:40,866
SHAPIRO ACTUALLY HELPED HIM
667
00:38:40,867 --> 00:38:42,532
MOVE OUT OF THE HOUSE.
668
00:38:42,533 --> 00:38:48,699
AND THEN HE EVENTUALLY MOVED
TO CANADA AND GOT MARRIED.
669
00:38:48,700 --> 00:38:50,266
WHAT CAN I SAY?
670
00:38:50,267 --> 00:38:53,132
SHAPIRO'S STORY STILL
LEAVES ME SPEECHLESS.
671
00:38:53,133 --> 00:38:56,599
TO THINK THIS WAS GOING ON
UNDER OUR NOSES ALL THIS TIME.
672
00:38:56,600 --> 00:38:58,832
WELL, YOU CAN BET
THE POLICE TRACKED OTTO DOWN
673
00:38:58,833 --> 00:39:01,832
AND BROUGHT HIM
IN LICKETY-SPLIT.
674
00:39:01,833 --> 00:39:04,966
HE'S LIVING WHAT APPEARS
TO BE A NORMAL LIFE.
675
00:39:04,967 --> 00:39:06,432
FOR DETECTIVE CLINE,
676
00:39:06,433 --> 00:39:09,399
THIS WAS THE STRANGEST THING
HE HAD EVER HEARD.
677
00:39:09,400 --> 00:39:13,466
HOWEVER, IT ANSWERS
ALL THE QUESTIONS.
678
00:39:13,467 --> 00:39:17,499
WHEN THE STORY HITS
THE PRESS, IT'S SENSATIONAL.
679
00:39:17,500 --> 00:39:19,466
THEY WERE CALLING HIM
ATTIC LOVER,
680
00:39:19,467 --> 00:39:22,132
THE GHOST IN THE GARRET,
THE PHANTOM.
681
00:39:22,133 --> 00:39:25,499
THE NICKNAME THAT REALLY
STUCK WAS BAT MAN
682
00:39:25,500 --> 00:39:30,132
BECAUSE OTTO WAS LIKE
A BAT IN HER ATTIC.
683
00:39:30,133 --> 00:39:32,066
OTTO WAS CONVICTED
OF MANSLAUGHTER.
684
00:39:32,067 --> 00:39:34,799
BUT THE STATUTE OF LIMITATIONS
ON MANSLAUGHTER
685
00:39:34,800 --> 00:39:37,366
IN CALIFORNIA
AT THE TIME WAS THREE YEARS.
686
00:39:37,367 --> 00:39:40,232
WE ARE NOW EIGHT YEARS
PAST THE MURDER.
687
00:39:40,233 --> 00:39:44,366
BECAUSE OF THAT,
OTTO WALKED AWAY.
688
00:39:44,367 --> 00:39:45,566
DOLLY GOES ON TRIAL.
689
00:39:45,567 --> 00:39:47,166
AND HER LAWYER SAYS
690
00:39:47,167 --> 00:39:49,266
THAT THE MOST THAT
SHE'S RESPONSIBLE FOR
691
00:39:49,267 --> 00:39:50,332
IS HAVING AN AFFAIR,
692
00:39:50,333 --> 00:39:51,932
THAT WHATEVER HAPPENED BETWEEN
693
00:39:51,933 --> 00:39:55,066
OTTO AND FRED HAD
NOTHING TO DO WITH HER.
694
00:39:55,067 --> 00:39:57,066
THE CASE ENDED
IN A HUNG JURY.
695
00:39:57,067 --> 00:39:59,066
THE D.A.
AT THE TIME SAID,
696
00:39:59,067 --> 00:40:00,732
"NO, WE DON'T WANNA
DO THIS ANYMORE."
697
00:40:00,733 --> 00:40:03,233
AND DOLLY WALKED FREE.
698
00:40:06,867 --> 00:40:11,432
WE HAVE TO REMEMBER THAT DOLLY
IS LIVING IN A DIFFICULT TIME.
699
00:40:11,433 --> 00:40:14,666
WOMEN DON'T HAVE
A LOTTA LEGAL RIGHTS.
700
00:40:14,667 --> 00:40:16,666
AND THEY ONLY JUST GOT
THE RIGHT TO VOTE.
701
00:40:16,667 --> 00:40:20,466
IT WAS THEIR ABILITY TO
INFLUENCE THE MEN IN THEIR LIVES
702
00:40:20,467 --> 00:40:23,666
THAT GAVE THEM ANY POWER
THAT THEY HAD.
703
00:40:23,667 --> 00:40:26,966
AND DOLLY WAS PRETTY GOOD AT IT.
704
00:40:26,967 --> 00:40:29,032
I THINK I AM JEALOUS
OF HER A LITTLE BIT.
705
00:40:29,033 --> 00:40:31,799
DOLLY WASN'T
A BEAUTY QUEEN.
706
00:40:31,800 --> 00:40:33,899
AND YET
SHE HAS MANIPULATED
707
00:40:33,900 --> 00:40:37,499
ALL THESE MEN
TO KIND OF DO HER BIDDING.
708
00:40:37,500 --> 00:40:42,232
SHE GOT A WEALTHY MAN
TO MARRY HER.
709
00:40:42,233 --> 00:40:47,532
SHE GOT OTTO TO STAY
IN HER ATTIC FOR 14 YEARS.
710
00:40:47,533 --> 00:40:52,599
SHE GOT KLUM TO THROW AWAY
THE GUN FOR HER.
711
00:40:52,600 --> 00:40:55,366
SHE GOT SHAPIRO
TO KEEP HER SECRETS.
712
00:40:55,367 --> 00:40:59,866
DOLLY CERTAINLY HAD A --
A POWER OVER MEN.
713
00:40:59,867 --> 00:41:02,466
HOW ABOUT A DAME LIKE THAT?
714
00:41:02,467 --> 00:41:05,966
BUT YOU CAN'T SAY
DOLLY WAS GOOD.
715
00:41:05,967 --> 00:41:07,732
SHE SAW SOMETHING SHE WANTED
716
00:41:07,733 --> 00:41:11,299
AND SHE TOOK IT,
CONSEQUENCES BE DAMNED.
717
00:41:11,300 --> 00:41:14,432
NOW THAT'S A REAL TWIST.
718
00:41:14,433 --> 00:41:20,666
BUT I SURE WOULDN'T
CALL THIS A HAPPY ENDING.
719
00:41:20,667 --> 00:41:22,199
IT'S IMPORTANT TO REMEMBER
720
00:41:22,200 --> 00:41:26,832
THAT THESE ARE
THREE UNHAPPY PEOPLE.
721
00:41:26,833 --> 00:41:30,166
AND THE SITUATION
IS PRETTY TRAGIC.
722
00:41:30,167 --> 00:41:32,066
DOLLY LOST HER SON.
723
00:41:32,067 --> 00:41:34,666
FRED LOSES HIS LIFE.
724
00:41:34,667 --> 00:41:38,100
OTTO LOSES 20 YEARS
LIVING IN AN ATTIC.
725
00:41:40,800 --> 00:41:43,566
SO NOBODY REALLY WINS HERE.
726
00:41:43,567 --> 00:41:47,532
* AND I'D LIKE TO BE
YOUR SISTER, BROTHER, DAD *
727
00:41:47,533 --> 00:41:49,366
* AND MOTHER TOO *
728
00:41:49,367 --> 00:41:52,232
* PRETTY BABY *
729
00:41:52,233 --> 00:41:54,532
* PRETTY BABY *
730
00:41:54,533 --> 00:41:57,666
* WON'T YOU COME
AND LET ME ROCK YOU *
731
00:41:57,667 --> 00:42:00,966
* IN MY CRADLE OF LOVE *
732
00:42:00,967 --> 00:42:05,966
* WE'LL CUDDLE ALL THE TIME *
733
00:42:05,967 --> 00:42:09,066
* I WANT A LOVING BABY *
734
00:42:09,067 --> 00:42:13,266
* AND IT MIGHT AS WELL BE YOU *
735
00:42:13,267 --> 00:42:18,332
* PRETTY BABY OF MINE *
736
00:42:18,333 --> 00:42:23,067
* PRETTY BABY OF MINE *
53836
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