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1
00:00:07,267 --> 00:00:08,599
YES, YOU ARE.
2
00:00:08,600 --> 00:00:10,799
YES, YOU ARE.
3
00:00:27,100 --> 00:00:28,266
YES?
4
00:00:28,267 --> 00:00:29,666
ARE YOU MRS. ALLEN?
5
00:00:29,667 --> 00:00:31,999
- YES, I AM.
- IS YOUR HUSBAND HOME?
6
00:00:32,000 --> 00:00:33,666
NO, HE'S NOT HERE
RIGHT NOW.
7
00:00:33,667 --> 00:00:35,132
GEE,
THAT'S TOO BAD.
8
00:00:35,133 --> 00:00:37,066
I THOUGHT HE SAID HE'D BE
OFF EARLY BECAUSE ON MONDAYS,
9
00:00:37,067 --> 00:00:38,632
THE OFFICE DOES INVENTORY.
10
00:00:38,633 --> 00:00:40,099
PERHAPS I'LL COME
BACK LATER TONIGHT,
11
00:00:40,100 --> 00:00:42,499
SEE IF I CAN CATCH HIM.
- I'M SORRY.
12
00:00:42,500 --> 00:00:45,232
HE SHOULD BE HOME
LATER ON AFTER 5 P.M.
13
00:00:45,233 --> 00:00:46,599
THE THING IS, HE --
HE HAD LENT ME
14
00:00:46,600 --> 00:00:48,899
A LITTLE BIT OF MONEY
AFTER MY SISTER'S CAR ACCIDENT.
15
00:00:48,900 --> 00:00:50,132
HE WAS JUST GIVIN' ME
A HELPIN' HAND.
16
00:00:50,133 --> 00:00:51,666
I'VE BEEN MAKIN'
MY WAY UP FROM BOYS TOWN.
17
00:00:51,667 --> 00:00:53,166
THAT -- THAT --
THAT'S WHERE I GREW UP IN.
18
00:00:53,167 --> 00:00:55,899
- I'M SO SORRY YOU MISSED HIM.
- THAT'S A SHAME.
19
00:00:55,900 --> 00:00:57,299
SAY, I COULDN'T TROUBLE
20
00:00:57,300 --> 00:00:59,199
YOU FOR A GLASS OF WATER
AND A COUPLE OF ASPIRIN?
21
00:00:59,200 --> 00:01:01,132
I -- I GOT A DOOZY
OF A HEADACHE.
22
00:01:01,133 --> 00:01:02,532
OF COURSE.
23
00:01:02,533 --> 00:01:04,633
JUST WAIT HERE A MOMENT.
24
00:01:25,233 --> 00:01:28,899
- HERE YOU GO.
- THANKS.
25
00:01:50,067 --> 00:01:52,133
I'LL TELL MY HUSBAND
TO EXPECT YOU.
26
00:01:58,067 --> 00:02:00,100
NO!
27
00:02:19,600 --> 00:02:23,066
THE BRONX IN 1941,
PRE-WORLD WAR II,
28
00:02:23,067 --> 00:02:25,966
JUST AS THE COUNTRY'S COMING OUT
OF THE GREAT DEPRESSION,
29
00:02:25,967 --> 00:02:29,366
WE HAD VERY STRONG
NEIGHBORHOODS.
30
00:02:29,367 --> 00:02:32,366
MOST PEOPLE GREW UP,
MARRIED,
31
00:02:32,367 --> 00:02:35,699
WORKED, AND REMAINED
IN THE NEIGHBORHOOD.
32
00:02:35,700 --> 00:02:37,966
THE PARKCHESTER
APARTMENTS, IN THE BRONX,
33
00:02:37,967 --> 00:02:40,066
IS A MIDDLE-CLASS COMMUNITY.
34
00:02:40,067 --> 00:02:41,466
THIS IS THE NEW DEAL ERA.
35
00:02:41,467 --> 00:02:43,199
AND THE GOVERNMENT
IS BUILDING
36
00:02:43,200 --> 00:02:46,067
HOUSING COMMUNITIES
ALL OVER THE CITY.
37
00:02:51,567 --> 00:02:54,566
ON THE AFTERNOON
OF JANUARY 13, 1941,
38
00:02:54,567 --> 00:02:57,399
NEW YORK POLICE
DETECTIVE ED BURNS
39
00:02:57,400 --> 00:03:00,066
IS CALLED TO THE PARKCHESTER
40
00:03:00,067 --> 00:03:04,866
TO THE HOME OF ELIZABETH
AND TOM ALLEN.
41
00:03:04,867 --> 00:03:07,966
WHEN I SAW ALL THAT
COMMOTION ACROSS THE HALL,
42
00:03:07,967 --> 00:03:10,066
I FIGURED I BETTER
MAKE MYSELF USEFUL
43
00:03:10,067 --> 00:03:11,932
AND KEEP AN EYE ON THE BABY.
44
00:03:11,933 --> 00:03:15,066
NEIGHBORS BACK THEN, WE MUDDLED
THROUGH TOGETHER, YOU KNOW?
45
00:03:15,067 --> 00:03:17,366
WE HELPED WHEN WE COULD
WITH A CUP OF SUGAR
46
00:03:17,367 --> 00:03:19,766
OR A FEW BUCKS 'TIL PAYDAY.
47
00:03:19,767 --> 00:03:22,366
BUT THERE WASN'T A THING
WE COULD DO TO FIX
48
00:03:22,367 --> 00:03:24,467
WHAT HAD HAPPENED
TO BETTY ALLEN.
49
00:03:29,200 --> 00:03:30,899
THE APARTMENT
IS CLEARLY RANSACKED.
50
00:03:30,900 --> 00:03:34,699
THINGS ARE OUT OF PLACE.
51
00:03:34,700 --> 00:03:39,067
HE SEES ON THE TABLE A
GLASS OF WATER AND AN ASPIRIN BOTTLE.
52
00:03:47,700 --> 00:03:49,400
MR. ALLEN.
53
00:03:51,067 --> 00:03:52,767
MRS. ALLEN, COULD YOU
TELL ME WHAT HAPPENED?
54
00:04:01,800 --> 00:04:07,699
IT WAS, MUST'VE BEEN
ABOUT QUARTER TO 3.
55
00:04:07,700 --> 00:04:11,766
AND, I --
I JUST FINISHED MY DUSTING.
56
00:04:11,767 --> 00:04:15,632
AND THERE WAS A --
A MAN AT THE DOOR.
57
00:04:15,633 --> 00:04:17,499
HE SAID HE KNEW MY HUSBAND
58
00:04:17,500 --> 00:04:19,732
FROM THE BAKERY ROUTE
UP IN CONNECTICUT.
59
00:04:19,733 --> 00:04:24,132
AND I BELIEVED HIM.
HE KNEW DETAILS.
60
00:04:24,133 --> 00:04:27,766
THE MAN SAID HE WAS
FROM BOYS TOWN.
61
00:04:27,767 --> 00:04:31,099
BOYS TOWN,
SPENCER TRACY BOYS TOWN?
62
00:04:31,100 --> 00:04:33,466
THAT'S RIGHT.
63
00:04:33,467 --> 00:04:37,132
SO I FELT SORRY FOR HIM.
64
00:04:37,133 --> 00:04:38,499
BOYS TOWN IS A FAMOUS HOME
65
00:04:38,500 --> 00:04:40,532
FOR BOYS STARTED
BY FATHER FLANAGAN
66
00:04:40,533 --> 00:04:42,932
IN NEBRASKA IN 1917.
67
00:04:42,933 --> 00:04:45,966
IT WAS A PIONEER
IN REHABILITATION.
68
00:04:45,967 --> 00:04:49,299
HE SAID THAT MR. ALLEN HAD
LENT HIM MONEY LAST WEEK
69
00:04:49,300 --> 00:04:51,866
AND HE WANTED TO
THANK HIM.
70
00:04:51,867 --> 00:04:56,132
AND THEN, HE ASKED ME
FOR WATER AND AN ASPIRIN.
71
00:04:56,133 --> 00:04:58,133
AND I WENT TO
GET IT FOR HIM.
72
00:05:03,200 --> 00:05:05,733
AND THEN...
73
00:05:08,333 --> 00:05:11,632
HE TAKES HER TO
THE BACK BEDROOM.
74
00:05:11,633 --> 00:05:14,532
HE TIES HER HANDS
WITH A NECKTIE,
75
00:05:14,533 --> 00:05:17,332
TIES HER FEET WITH TOWELS.
76
00:05:17,333 --> 00:05:20,966
THE SUBJECT ASKED,
"WHERE ARE ANY VALUABLES?"
77
00:05:20,967 --> 00:05:25,332
HE STUFFS A HANDKERCHIEF
IN HER MOUTH.
78
00:05:25,333 --> 00:05:28,533
I COULD HEAR HIM
GOING THROUGH THE HOUSE.
79
00:05:30,700 --> 00:05:32,900
AND PENNY WAS CRYING.
80
00:05:38,367 --> 00:05:41,067
HE CAME BACK
INTO THE BEDROOM.
81
00:05:43,667 --> 00:05:46,233
HE WAS TAKING OFF
HIS CLOTHES.
82
00:05:51,467 --> 00:05:54,067
HE'S ABOUT TO RAPE HER.
83
00:05:57,667 --> 00:05:59,599
AND THEN THE PHONE RANG.
84
00:05:59,600 --> 00:06:02,066
IT SEEMED TO SPOOK HIM.
85
00:06:02,067 --> 00:06:04,067
AND THEN HE JUST LEFT.
86
00:06:06,867 --> 00:06:08,666
CAN YOU DESCRIBE HIM TO ME?
87
00:06:08,667 --> 00:06:12,532
HE WAS ABOUT 5'10"
OR 5'11".
88
00:06:12,533 --> 00:06:14,432
MRS. ALLEN WAS ABLE TO COME UP
89
00:06:14,433 --> 00:06:17,966
WITH A FAIRLY COMPLETE
DESCRIPTION OF THE ATTACKER --
90
00:06:17,967 --> 00:06:20,632
OLIVE COMPLEXION, IN HIS 20S.
91
00:06:20,633 --> 00:06:22,732
MAY I HAVE A WORD
WITH YOU OUTSIDE?
92
00:06:22,733 --> 00:06:25,267
BE RIGHT BACK.
93
00:06:32,933 --> 00:06:34,399
THIS SOUND LIKE
ANYONE YOU KNOW?
94
00:06:34,400 --> 00:06:36,466
- NO.
- YOU'RE SURE?
95
00:06:36,467 --> 00:06:39,067
YEAH, I'M SURE.
96
00:06:44,800 --> 00:06:46,666
ONLY A SMALL AMOUNT
OF THEIR VALUABLES
97
00:06:46,667 --> 00:06:49,599
AND THEIR CASH
WAS ACTUALLY TAKEN.
98
00:06:49,600 --> 00:06:51,699
THE GLASS DOES NOT HAVE
A FINGERPRINT ON IT.
99
00:06:51,700 --> 00:06:53,932
SO IT POSSIBLY
COULD'VE BEEN WIPED.
100
00:06:53,933 --> 00:06:56,066
THIS IS SOMEBODY WITH A PLAN.
101
00:06:56,067 --> 00:06:58,900
THIS IS SOMEBODY WHO
HAS COMMITTED A CRIME BEFORE.
102
00:07:01,567 --> 00:07:05,732
DETECTIVES FIND ABOUT
50 PHOTOGRAPHS OF MEN
103
00:07:05,733 --> 00:07:08,232
WHO WOULD MATCH
ROUGHLY THE DESCRIPTION
104
00:07:08,233 --> 00:07:12,100
AND HAVE A HISTORY
OF SEXUAL ASSAULT OR ROBBERY.
105
00:07:15,067 --> 00:07:16,932
THE NEXT DAY,
MRS. ALLEN IS
106
00:07:16,933 --> 00:07:20,200
BROUGHT IN TO LOOK
AT THIS PHOTO ARRAY.
107
00:07:31,500 --> 00:07:33,832
THAT'S HIM.
108
00:07:33,833 --> 00:07:35,666
THAT'S THE MAN.
109
00:07:35,667 --> 00:07:38,299
AND ANTHONY LITZY IS
THE PERSON SHE IDENTIFIES.
110
00:07:38,300 --> 00:07:40,066
AND SHE IS ADAMANT.
111
00:07:40,067 --> 00:07:42,899
HE HAS A HISTORY
OF ARMED ROBBERY.
112
00:07:42,900 --> 00:07:46,066
HE'S DONE TIME.
113
00:07:46,067 --> 00:07:49,066
OUT OF JAIL, ANTHONY LITZY
WORKS CONSTRUCTION.
114
00:07:49,067 --> 00:07:50,767
HE'S A PLASTERER'S APPRENTICE.
115
00:07:53,133 --> 00:07:54,967
THEY REACH OUT TO THE EMPLOYER.
116
00:08:00,733 --> 00:08:03,732
ANTHONY LITZY WAS ACTUALLY
AT THE PARKCHESTER APARTMENTS
117
00:08:03,733 --> 00:08:06,299
THE DAY BEFORE ON A JOB.
118
00:08:06,300 --> 00:08:09,100
THAT IS QUITE
THE COINCIDENCE.
119
00:08:11,367 --> 00:08:13,699
ANTHONY LITZY IS BROUGHT
INTO THE STATION
120
00:08:13,700 --> 00:08:16,066
TO BE QUESTIONED
BY DETECTIVE BURNS
121
00:08:16,067 --> 00:08:19,066
AND ASSISTANT DA
MARTIN FRANK.
122
00:08:19,067 --> 00:08:20,732
YOU WERE AT THE
PARKCHESTER 2 DAYS AGO.
123
00:08:20,733 --> 00:08:23,399
IS THAT RIGHT?
124
00:08:23,400 --> 00:08:25,699
ON THE JOB, YEAH.
125
00:08:25,700 --> 00:08:27,099
A MAN WITH YOUR RECORD
WORKIN' RIGHT WHERE
126
00:08:27,100 --> 00:08:28,766
A WOMAN GETS ATTACKED.
127
00:08:28,767 --> 00:08:30,899
I'M A MARRIED MAN,
WORKING STEADY,
128
00:08:30,900 --> 00:08:32,499
WHICH IS MORE THAN
A LOT CAN SAY.
129
00:08:32,500 --> 00:08:35,599
CAN ANYONE VOUCH FOR YOUR
WHEREABOUTS AROUND 3 P.M.?
130
00:08:35,600 --> 00:08:37,366
ASK THE PLASTERER.
ASK THE FOREMAN.
131
00:08:37,367 --> 00:08:38,866
THEY'LL BOTH TELL YOU.
132
00:08:38,867 --> 00:08:41,066
- HAVE THEY ANY RELATION TO YOU?
- YEAH.
133
00:08:41,067 --> 00:08:43,399
THE PLASTERER,
HE'S -- HE'S MY COUSIN.
134
00:08:43,400 --> 00:08:45,933
AND THE FOREMAN?
135
00:08:49,267 --> 00:08:52,399
YEAH,
HE'S MY FATHER-IN-LAW.
136
00:08:52,400 --> 00:08:54,933
BOOK HIM.
137
00:08:57,667 --> 00:09:02,632
ASSISTANT DA FRANK
ARRESTS ANTHONY LITZY.
138
00:09:02,633 --> 00:09:05,333
THAT WOULD'VE BEEN
A NICE, TIDY ENDING.
139
00:09:11,067 --> 00:09:13,567
BUT WE HAD NO SUCH LUCK.
140
00:09:18,500 --> 00:09:20,599
THREE WEEKS LATER,
141
00:09:20,600 --> 00:09:21,966
THE COPS FOUND A DEAD WOMAN
142
00:09:21,967 --> 00:09:25,599
IN AN APARTMENT ACROSS TOWN.
143
00:09:25,600 --> 00:09:29,300
AND IN THE DINING ROOM
WAS A FAMILIAR SIGHT.
144
00:09:40,900 --> 00:09:44,199
FEBRUARY 4, 1941,
3 WEEKS AFTER THE ATTACK
145
00:09:44,200 --> 00:09:45,532
ON MRS. ALLEN,
146
00:09:45,533 --> 00:09:47,399
DETECTIVE ED BURNS ARRIVES
147
00:09:47,400 --> 00:09:50,699
AT THE APARTMENT
OF JOHN AND CATHERINE PAPPAS.
148
00:09:50,700 --> 00:09:53,766
JOHN HAS MOVED OUT
OF THE APARTMENT AT THIS POINT,
149
00:09:53,767 --> 00:09:55,233
WHICH IS STANDARD.
150
00:09:57,367 --> 00:10:00,599
AND IT'S DEJA VU.
APARTMENT'S RANSACKED.
151
00:10:00,600 --> 00:10:03,132
JOHN PAPPAS TOLD HIM
THAT A NECKLACE,
152
00:10:03,133 --> 00:10:04,532
A DIAMOND ENGAGEMENT RING
153
00:10:04,533 --> 00:10:09,032
AND A LIMITED AMOUNT
OF CASH HAD BEEN TAKEN.
154
00:10:09,033 --> 00:10:11,899
ON THE COFFEE TABLE,
THERE'S CUPS OF COFFEE,
155
00:10:11,900 --> 00:10:16,799
CIGARETTES AND AN OPEN
BOTTLE OF ASPIRIN.
156
00:10:16,800 --> 00:10:19,766
THE VICTIM AND THE PERPETRATOR
SPENT TIME TOGETHER.
157
00:10:19,767 --> 00:10:22,199
SHE SERVED HIM COFFEE.
158
00:10:22,200 --> 00:10:26,599
AND THEN THE STRUGGLE ENSUES.
159
00:10:26,600 --> 00:10:30,533
CATHERINE PAPPAS IS
A 29-YEAR-OLD BEAUTIFUL WOMAN.
160
00:10:33,067 --> 00:10:35,966
THERE IS A NECKTIE
WRAPPED AROUND HER HANDS.
161
00:10:35,967 --> 00:10:37,399
HER BRA IS RIPPED.
162
00:10:37,400 --> 00:10:40,100
AND HER CLOTHES HAVE BEEN
HIKED UP A LITTLE BIT.
163
00:10:43,700 --> 00:10:45,966
THERE ARE SCRATCHES ON HER FACE.
164
00:10:45,967 --> 00:10:47,199
HE DIDN'T RAPE HER.
165
00:10:47,200 --> 00:10:50,699
- BUT HER PANTIES ARE STILL ON.
- SHE FOUGHT HIM.
166
00:10:50,700 --> 00:10:53,099
THERE WAS SOME SORT OF
DEFENSIVE STRUGGLE.
167
00:10:53,100 --> 00:10:54,532
HE CHOKED HER TO DEATH.
168
00:10:54,533 --> 00:10:57,732
AND SMALL BONES
HAVE BROKEN IN HER NECK.
169
00:10:57,733 --> 00:11:02,233
DETECTIVE BURNS ALSO NOTICES
A HANDKERCHIEF ON THE BED.
170
00:11:09,967 --> 00:11:12,299
ORIGINALLY
FROM ALEXANDRIA, EGYPT,
171
00:11:12,300 --> 00:11:15,699
SHE'S MARRIED LESS THAN 2 YEARS
TO JOHN PAPPAS,
172
00:11:15,700 --> 00:11:20,699
WHO IS A WELL-TO-DO
COFFEE MERCHANT.
173
00:11:20,700 --> 00:11:24,399
LIKE MANY WOMEN AT THE TIME,
SHE DOESN'T WORK.
174
00:11:24,400 --> 00:11:27,299
SHE IS 20 YEARS
YOUNGER THAN HER HUSBAND.
175
00:11:27,300 --> 00:11:29,566
HER LIFE REVOLVES
AROUND THE CHURCH
176
00:11:29,567 --> 00:11:32,633
WHERE SHE'S A SUNDAY SCHOOL
TEACHER AND HER HOUSE.
177
00:11:35,767 --> 00:11:38,266
HE HAS SEEN THIS BEFORE.
178
00:11:38,267 --> 00:11:41,732
THIS PERPETRATOR
IS MOST LIKELY THE SAME ONE
179
00:11:41,733 --> 00:11:44,967
WHO, 3 WEEKS EARLIER,
ATTACKED MRS. ALLEN.
180
00:11:51,700 --> 00:11:53,499
THE MEDICAL EXAMINER
WOULD PLACE
181
00:11:53,500 --> 00:11:55,299
THE TIME OF DEATH
BETWEEN 11 A.M.
182
00:11:55,300 --> 00:11:57,533
AND 3 P.M. THAT DAY.
183
00:12:02,067 --> 00:12:07,066
THE DETECTIVES THEN START
TO QUESTION THEIR NEIGHBORS.
184
00:12:07,067 --> 00:12:09,399
WHAT TIME DID MR. PAPPAS
RETURN THIS EVENING?
185
00:12:09,400 --> 00:12:12,232
MR. PAPPAS GOT HOME
AROUND 10 P.M.,
186
00:12:12,233 --> 00:12:14,200
AS I RECALL,
GIVE OR TAKE.
187
00:12:16,200 --> 00:12:17,699
THAT TAKES JOHN PAPPAS
188
00:12:17,700 --> 00:12:20,599
AS A POSSIBLE SUSPECT
OUT OF THE MIX.
189
00:12:20,600 --> 00:12:26,199
DID YOU NOTICE ANYTHING
UNUSUAL, ANYBODY UNUSUAL?
190
00:12:26,200 --> 00:12:30,332
- THERE WAS A YOUNG MAN, THOUGH.
- A YOUNG MAN?
191
00:12:30,333 --> 00:12:35,232
YEAH. HE WAS LEAVING JUST
AS I CAME IN AROUND 2.
192
00:12:35,233 --> 00:12:37,767
I NEVER SAW HIM BEFORE.
193
00:12:40,067 --> 00:12:42,132
HE HAD DARK HAIR
AND OLIVE SKIN,
194
00:12:42,133 --> 00:12:43,599
JUST LIKE MR. PAPPAS.
195
00:12:43,600 --> 00:12:45,432
HE WAS IN A HURRY.
196
00:12:45,433 --> 00:12:47,967
- THANK YOU.
- YEAH.
197
00:12:50,867 --> 00:12:55,433
DETECTIVE BURNS GOES
TO SPEAK WITH JOHN PAPPAS.
198
00:12:58,633 --> 00:13:01,699
I -- I RANG THE BELL,
AS I ALWAYS DO.
199
00:13:01,700 --> 00:13:03,266
YOU RING YOUR OWN DOORBELL?
200
00:13:03,267 --> 00:13:06,599
CATHERINE IS NEW
TO AMERICA,
201
00:13:06,600 --> 00:13:09,499
CONCERNED OF STRANGERS.
202
00:13:09,500 --> 00:13:11,666
HE WILL ACTUALLY
RING THE DOORBELL
203
00:13:11,667 --> 00:13:13,632
JUST SO THAT SHE WILL
NOT BECOME SCARED
204
00:13:13,633 --> 00:13:16,066
WHEN HE STARTS
TURNING THE KEY.
205
00:13:16,067 --> 00:13:20,066
- BUT THE DOOR WAS NOT LOCKED.
- SHE OPENED IT FOR SOMEONE?
206
00:13:20,067 --> 00:13:21,299
NO.
207
00:13:21,300 --> 00:13:23,132
SHE WOULD NEVER
INVITE A STRANGER IN.
208
00:13:23,133 --> 00:13:25,866
THIS IS NOT HER WAY.
209
00:13:25,867 --> 00:13:29,399
THIS DOES NOT MAKE
ANY SENSE TO HIM.
210
00:13:29,400 --> 00:13:30,832
LOOK.
YOUNGER WOMAN,
211
00:13:30,833 --> 00:13:33,766
ONLY BEEN HERE A FEW YEARS
AND YOU WORK LONG HOURS.
212
00:13:33,767 --> 00:13:37,732
MAYBE SHE MADE A FRIEND.
- SHE IS AN HONORABLE WOMAN.
213
00:13:37,733 --> 00:13:41,566
HE VEHEMENTLY DENIES
THAT THEY KNEW THE PERSON.
214
00:13:41,567 --> 00:13:45,732
HE INSISTS THAT
SHE WAS KILLED NOT
215
00:13:45,733 --> 00:13:47,132
BECAUSE OF HER RELATIONSHIP
216
00:13:47,133 --> 00:13:50,499
BUT THAT SHE WAS TRYING
TO DEFEND HER HONOR.
217
00:13:50,500 --> 00:13:52,232
SHE FOUGHT HIM.
218
00:13:52,233 --> 00:13:55,366
HE BELIEVES THAT SOMEBODY
WAS ATTEMPTING TO RAPE HER
219
00:13:55,367 --> 00:13:57,232
AND THAT SHE FOUGHT BACK SO MUCH
220
00:13:57,233 --> 00:13:59,200
THAT THE PERSON HAD TO KILL HER.
221
00:14:07,500 --> 00:14:09,733
DETECTIVES
ARE WORKING ALL NIGHT.
222
00:14:14,733 --> 00:14:16,066
AT 4 A.M.,
223
00:14:16,067 --> 00:14:18,067
THEY FINALLY CATCH A BREAK.
224
00:14:24,067 --> 00:14:28,067
THERE'S A FINGERPRINT
ON ONE OF THE WATER GLASSES.
225
00:14:31,267 --> 00:14:33,066
EVEN THOUGH IT'S 1941,
226
00:14:33,067 --> 00:14:36,199
THE NEW YORK POLICE DEPARTMENT
ALREADY HAS A PORTABLE LAB.
227
00:14:36,200 --> 00:14:38,732
SO THEY IMMEDIATELY THEN
START PRINTING EVERYONE.
228
00:14:38,733 --> 00:14:40,399
THEY'RE CALLED
ELIMINATION PRINTS.
229
00:14:40,400 --> 00:14:42,267
ALL THE COPS,
THE DETECTIVES...
230
00:14:44,800 --> 00:14:48,199
THE PRINT DOES NOT
MATCH ANYBODY ELSE
231
00:14:48,200 --> 00:14:51,966
THAT COULD WELL BE THE KILLER.
232
00:14:51,967 --> 00:14:54,532
THE DETECTIVES TAKE THAT PRINT
AND THEY SHIP IT
233
00:14:54,533 --> 00:14:57,232
TO THE NEW YORK POLICE
HEADQUARTERS ON CENTER STREET.
234
00:14:57,233 --> 00:14:59,766
THEY SEND IT UP TO ALBANY
WHERE ALL THE RECORDS
235
00:14:59,767 --> 00:15:01,332
ARE KEPT FOR EVERY PERSON
236
00:15:01,333 --> 00:15:03,899
WHO HAS A GOOD FINGERPRINT
ON FILE IN NEW YORK STATE.
237
00:15:03,900 --> 00:15:06,500
AND THEY SENT IT
TO THE FBI IN WASHINGTON.
238
00:15:08,733 --> 00:15:10,332
THE HEADQUARTERS OF THE CASE
239
00:15:10,333 --> 00:15:13,200
IS THE 42ND PRECINCT
IN THE BRONX, THE 42.
240
00:15:18,533 --> 00:15:19,932
WITH MR. LITZY IN JAIL,
241
00:15:19,933 --> 00:15:23,066
THERE'S NO WAY HE COULD HAVE
COMMITTED THE PAPPAS MURDER.
242
00:15:23,067 --> 00:15:26,399
LITZY HAD TO BE RELEASED.
243
00:15:26,400 --> 00:15:29,432
AS A DETECTIVE,
YOU'RE ON A MISSION
244
00:15:29,433 --> 00:15:31,066
BECAUSE YOU HAVE TO SAVE
245
00:15:31,067 --> 00:15:33,832
THE NEXT WOMAN
FROM BEIN' ATTACKED.
246
00:15:33,833 --> 00:15:35,799
POLICE GO TO PAWN SHOPS,
247
00:15:35,800 --> 00:15:37,932
ANYWHERE SOMEBODY
MIGHT HAVE TRIED TO FENCE
248
00:15:37,933 --> 00:15:40,599
MRS. PAPPAS' JEWELRY FOR MONEY.
249
00:15:40,600 --> 00:15:41,932
NO LUCK.
250
00:15:41,933 --> 00:15:46,132
WITH AMAZING SPEED
FOR 1941,
251
00:15:46,133 --> 00:15:47,966
DETECTIVES DISCOVER
THAT THE PRINT
252
00:15:47,967 --> 00:15:51,067
DOES NOT MATCH
ANY RECORD ON FILE.
253
00:15:55,600 --> 00:15:57,599
DETECTIVES KNOW THEY NEED
254
00:15:57,600 --> 00:16:01,066
TO GO BACK OVER THE ALLEN CASE.
255
00:16:01,067 --> 00:16:05,432
IS THERE A CONNECTION
THAT SOMEHOW WAS MISSED?
256
00:16:05,433 --> 00:16:07,399
I'M LOOKING
FOR A THREAD TO FOLLOW.
257
00:16:07,400 --> 00:16:09,432
YOU SAID THE STRANGER
KNEW YOUR ADDRESS,
258
00:16:09,433 --> 00:16:11,766
SPECIFIC INFORMATION
ABOUT YOUR HUSBAND.
259
00:16:11,767 --> 00:16:13,299
HAVE EITHER OF YOU
DISCUSSED YOUR LIVES
260
00:16:13,300 --> 00:16:16,499
WITH A STRANGER
THE LAST FEW MONTHS?
261
00:16:16,500 --> 00:16:19,400
I'VE BEEN TRYING
TO RECALL, BUT...
262
00:16:23,800 --> 00:16:26,333
I DID.
263
00:16:33,067 --> 00:16:34,833
I KNOW
WHO ATTACKED MY WIFE.
264
00:16:47,067 --> 00:16:50,599
I KNOW
WHO ATTACKED MY WIFE.
265
00:16:50,600 --> 00:16:53,199
YOU KNOW WHO DID THIS?
266
00:16:53,200 --> 00:16:56,732
IT WAS A FEW WEEKS AGO.
267
00:16:56,733 --> 00:16:59,466
I WAS DRIVING MY ROUTE
IN CONNECTICUT.
268
00:16:59,467 --> 00:17:03,666
I SAW A YOUNG FELLA ON THE SIDE
OF THE ROAD WITH HIS THUMB OUT.
269
00:17:03,667 --> 00:17:06,066
MR. ALLEN SAID
HE PICKED UP A HITCHHIKER
270
00:17:06,067 --> 00:17:07,932
JUST A FEW DAYS
BEFORE THE ATTACK
271
00:17:07,933 --> 00:17:09,399
ON MRS. ALLEN.
272
00:17:09,400 --> 00:17:12,066
HE WAS ON HIS WAY
INTO NEW YORK
273
00:17:12,067 --> 00:17:14,866
BECAUSE HE HAD TO GO
HELP HIS SICK SISTER.
274
00:17:14,867 --> 00:17:18,932
HE HAD A REAL
HARD-KNOCK LIFE,
275
00:17:18,933 --> 00:17:23,267
ORPHAN,
RAISED IN BOYS TOWN.
276
00:17:27,400 --> 00:17:31,966
HE SAID HIS NAME
WAS JERRY MITCHELL.
277
00:17:31,967 --> 00:17:34,966
I FELT SORRY FOR HIS TOUGH LUCK,
SO I GAVE HIM A FEW BUCKS.
278
00:17:34,967 --> 00:17:38,767
HE ASKED WHERE I LIVED,
TO SEND US A CARD.
279
00:17:42,433 --> 00:17:45,166
WHY DIDN'T YOU
TELL US THIS BEFORE?
280
00:17:45,167 --> 00:17:47,467
MY WIFE PICKED OUT
A DIFFERENT MAN.
281
00:17:49,700 --> 00:17:51,966
A WOMAN'S DEAD BECAUSE
I LOCKED UP THE WRONG MAN.
282
00:17:51,967 --> 00:17:55,199
I WAS PRAYIN'
IT WASN'T THIS FELLA.
283
00:17:55,200 --> 00:17:58,399
I GAVE HIM OUR ADDRESS.
284
00:17:58,400 --> 00:18:02,399
THIS WAS A BOLT OF
LIGHTNING FOR DETECTIVE BURNS.
285
00:18:02,400 --> 00:18:04,066
HE COULD HAVE POTENTIALLY
286
00:18:04,067 --> 00:18:06,232
HELPED DETECTIVES SOLVE
THIS CRIME
287
00:18:06,233 --> 00:18:11,266
BEFORE KITTY PAPPAS GOT KILLED.
288
00:18:11,267 --> 00:18:13,099
THEY SEND OUT A TELETYPE
289
00:18:13,100 --> 00:18:14,732
TO EVERY NEW YORK CITY POLICE
290
00:18:14,733 --> 00:18:16,632
PRECINCT IN THE FIVE BOROUGHS
291
00:18:16,633 --> 00:18:20,066
TO SEE IF THERE
MIGHT BE SIMILAR CASES.
292
00:18:20,067 --> 00:18:23,199
IT'S NOT EVEN A FULL DAY LATER,
FEBRUARY 6TH,
293
00:18:23,200 --> 00:18:24,732
A DETECTIVE FROM MANHATTAN
294
00:18:24,733 --> 00:18:28,299
BRINGS THIS COUPLE OVER
TO THE 42 IN THE BRONX.
295
00:18:28,300 --> 00:18:32,299
THIS CASE SOUNDS
REMARKABLY SIMILAR.
296
00:18:32,300 --> 00:18:34,499
AND THERE THEY MEET
WITH THE ASSISTANT DA
297
00:18:34,500 --> 00:18:36,699
AND WITH DETECTIVE BURNS.
298
00:18:36,700 --> 00:18:39,232
I GAVE THE GUY A LIFT.
299
00:18:39,233 --> 00:18:41,799
HE SAID HE WAS COMING
ALL THE WAY UP FROM BOYS TOWN,
300
00:18:41,800 --> 00:18:45,099
REALLY WORRIED ABOUT HIS SISTER
WHO BROKE A LEG IN A CAR CRASH.
301
00:18:45,100 --> 00:18:47,566
IT ALL SOUNDS LIKE
IT'S THE SAME PERSON.
302
00:18:47,567 --> 00:18:50,066
- HIS NAME WAS JERRY.
- JERRY MITCHELL?
303
00:18:50,067 --> 00:18:54,399
NO, SCHOFFNER,
JERRY SCHOFFNER.
304
00:18:54,400 --> 00:18:56,132
THIS GUY IS PRACTICED.
305
00:18:56,133 --> 00:19:00,066
THIS IS SOMEBODY
WHO'S DONE THIS BEFORE.
306
00:19:00,067 --> 00:19:02,066
WHAT HAPPENED
WHEN HE CAME OVER?
307
00:19:02,067 --> 00:19:05,499
HE SAID HE WAS, UM,
AN ACQUAINTANCE OF BOB'S.
308
00:19:05,500 --> 00:19:07,466
HE KNEW DETAILS.
309
00:19:07,467 --> 00:19:09,499
HE ASKED FOR
A BITE TO EAT.
310
00:19:09,500 --> 00:19:12,799
I DIDN'T WANT TO BE RUDE,
SO I GAVE HIM A SANDWICH.
311
00:19:12,800 --> 00:19:15,866
AND WE ATE AT THE TABLE
IN THE KITCHEN.
312
00:19:15,867 --> 00:19:19,132
HE HAD A HEADACHE.
313
00:19:19,133 --> 00:19:22,100
I GOT HIM A GLASS OF WATER
AND AN ASPIRIN.
314
00:19:26,133 --> 00:19:30,166
AND HE CAME AT ME.
315
00:19:30,167 --> 00:19:35,400
HE USED HIS NECKTIE TO TIE
MY HANDS BEHIND MY BACK.
316
00:19:37,633 --> 00:19:43,300
AND, HE FORCED
HIMSELF UPON ME.
317
00:19:49,633 --> 00:19:51,466
AFTER THIS, IT'S FLOODGATES
318
00:19:51,467 --> 00:19:54,866
AT THE 42ND PRECINCT
IN THE BRONX
319
00:19:54,867 --> 00:19:56,466
FORTY-SECOND.
320
00:19:56,467 --> 00:20:01,232
DETECTIVES EVERYWHERE
IN THE CITY BRINGING IN CASES.
321
00:20:01,233 --> 00:20:02,532
CAN YOU TELL ME
WHAT HAPPENED?
322
00:20:02,533 --> 00:20:04,866
I WAS IN CONNECTICUT
FOR A JOB INTERVIEW.
323
00:20:04,867 --> 00:20:06,732
AND I MET A YOUNG MAN.
324
00:20:06,733 --> 00:20:07,966
HE WAS HITCHHIKING.
325
00:20:07,967 --> 00:20:09,999
HE SAID HE WAS GOING
TO SEE HIS -- HIS SISTER.
326
00:20:10,000 --> 00:20:12,832
HE SAID HOW HE GREW UP
IN BOYS TOWN AND
327
00:20:12,833 --> 00:20:15,132
HOW HE'S ON
HIS WAY UP TO NEW YORK.
328
00:20:15,133 --> 00:20:16,632
I BEEN DOWN ON MY LUCK
FOR A WHILE,
329
00:20:16,633 --> 00:20:18,299
SO I FIGURED
I'D HELP HIM OUT.
330
00:20:18,300 --> 00:20:20,332
GAVE HIM A COUPLE BUCKS,
331
00:20:20,333 --> 00:20:22,999
AND THAT'S WHEN HE ASKED ME
FOR MY ADDRESS
332
00:20:23,000 --> 00:20:24,899
TO SEND A THANK-YOU CARD.
333
00:20:24,900 --> 00:20:28,066
ONE AFTER ANOTHER SEEMS
TO TELL THE SAME STORY.
334
00:20:28,067 --> 00:20:30,899
HE -- HE SHOWED UP
AT MY DOOR UNANNOUNCED.
335
00:20:30,900 --> 00:20:35,366
HE SAID HE HAD A --
A THANK YOU FOR DAVID.
336
00:20:35,367 --> 00:20:37,899
AND HE SEEMED
TO KNOW HIM.
337
00:20:37,900 --> 00:20:40,366
HE'S INVITED IN.
HE'LL HAVE SOMETHING TO EAT.
338
00:20:40,367 --> 00:20:43,332
HE SAID HE HAD A HEADACHE AND HE
WANTED ASPIRIN AND SOME WATER.
339
00:20:43,333 --> 00:20:45,632
HE TIED MY HANDS
BEHIND MY BACK WITH
340
00:20:45,633 --> 00:20:46,999
CORBATA.
341
00:20:47,000 --> 00:20:48,666
NECKTIE.
342
00:20:48,667 --> 00:20:51,532
AND THEN, AFTER THE ASPIRIN,
TIES HER HANDS WITH A NECKTIE.
343
00:20:51,533 --> 00:20:53,566
AND THEN AFTER STEALING
344
00:20:53,567 --> 00:20:56,166
WHAT HE CAN FROM
AROUND THE HOUSE,
345
00:20:56,167 --> 00:20:59,866
RAPES HER VIOLENTLY
ON HER OWN BED.
346
00:20:59,867 --> 00:21:01,766
DESCRIBE HIM TO ME.
347
00:21:01,767 --> 00:21:03,466
HE WAS ABOUT 5'10".
348
00:21:03,467 --> 00:21:06,066
- OLIVE SKIN.
- DARK HAIR.
349
00:21:06,067 --> 00:21:08,199
OFTEN WOULD WEAR
A GREEN JACKET,
350
00:21:08,200 --> 00:21:11,566
YELLOW SHOES AND BROWN PANTS.
351
00:21:11,567 --> 00:21:13,666
COPS ALSO LEARN
ABOUT HIS ALIASES --
352
00:21:13,667 --> 00:21:15,599
- JERRY MITCHELL...
- JERRY SCHOFFNER...
353
00:21:15,600 --> 00:21:18,066
- GEORGE MUNDY...
- GEORGE MITCHELL...
354
00:21:18,067 --> 00:21:19,932
- BILL SHNY...
- GEORGE BLAKE.
355
00:21:19,933 --> 00:21:21,566
COPS IN THE FIVE BOROUGHS
356
00:21:21,567 --> 00:21:26,367
HAVING NO IDEA THEY WERE LOOKING
FOR THE SAME PERSON.
357
00:21:29,567 --> 00:21:31,333
NO ONE WAS COMMUNICATING.
358
00:21:41,067 --> 00:21:42,566
THEY DO AN EXHAUSTIVE
INVESTIGATION
359
00:21:42,567 --> 00:21:44,132
OF ALL THE CASE FILES
360
00:21:44,133 --> 00:21:45,832
FOR SEXUAL ASSAULTS
IN NEW YORK CITY.
361
00:21:45,833 --> 00:21:48,633
THEY KEPT FILES METICULOUSLY.
362
00:21:55,267 --> 00:21:59,066
GREEN IS WHERE HE GOT
PICKED UP HITCHHIKING.
363
00:21:59,067 --> 00:22:04,432
BLUE IS WHERE
HE ONLY ROBBED SOMEONE.
364
00:22:04,433 --> 00:22:07,199
YELLOW -- ROBBERY AND RAPE.
365
00:22:07,200 --> 00:22:09,066
AND RED IS MURDER.
366
00:22:09,067 --> 00:22:10,799
THERE'S ONLY ONE
OF THOSE SO FAR --
367
00:22:10,800 --> 00:22:13,132
PAPPAS.
368
00:22:13,133 --> 00:22:15,667
YOU GOT IT?
369
00:22:24,700 --> 00:22:28,399
THEY CAN PINPOINT
31 SEPARATE CASES
370
00:22:28,400 --> 00:22:30,466
THAT GO BACK 9 MONTHS
371
00:22:30,467 --> 00:22:34,166
TO MAY OF 1940
WITH THE SAME MO.
372
00:22:34,167 --> 00:22:36,599
THEY HAVE A PREDATOR
WHO HAS BEEN MARCHING
373
00:22:36,600 --> 00:22:39,332
THROUGH NEW YORK CITY,
RAPING WOMEN.
374
00:22:39,333 --> 00:22:42,299
DRIVERS HAVE REPORTED
PICKING HIM UP ON THE ROADS IN
375
00:22:42,300 --> 00:22:44,432
AND OUT OF NEW YORK, NEW JERSEY,
376
00:22:44,433 --> 00:22:47,666
CONNECTICUT, MASSACHUSETTS.
377
00:22:47,667 --> 00:22:49,066
THEY WERE STARTIN'
TO SEE A PATTERN.
378
00:22:49,067 --> 00:22:51,066
HE WOULD BE OUTSIDE THE STATE
379
00:22:51,067 --> 00:22:52,566
AND THEN COME BACK INSIDE
380
00:22:52,567 --> 00:22:55,333
AND COMMIT SEVERAL ATTACKS
IN NEW YORK CITY.
381
00:22:58,100 --> 00:23:00,632
SO WHAT DOES BURNS DO?
HE SAYS, "YOU KNOW WHAT?
382
00:23:00,633 --> 00:23:03,400
LET'S JUST KEEP
EXPANDING THE NET."
383
00:23:08,200 --> 00:23:09,766
HE SENDS OUT
AN EIGHT-STATE
384
00:23:09,767 --> 00:23:11,799
ALARM BROADCAST
TO POLICE DEPARTMENTS
385
00:23:11,800 --> 00:23:14,299
ALL UP AND DOWN
THE EAST COAST.
386
00:23:14,300 --> 00:23:16,632
FORTY-SECOND, PLEASE HOLD.
387
00:23:16,633 --> 00:23:18,566
DETECTIVE GILLAN.
388
00:23:18,567 --> 00:23:22,066
OVER THE NEXT FEW
WEEKS, POLICE DEPARTMENTS LARGE
389
00:23:22,067 --> 00:23:24,899
AND SMALL FROM MAINE
TO NEW ORLEANS
390
00:23:24,900 --> 00:23:27,066
FIND 50 CASES,
391
00:23:27,067 --> 00:23:28,866
81 TOTAL CASES,
392
00:23:28,867 --> 00:23:33,099
OF RAPE OR ATTEMPTED
RAPE IN 9 MONTHS.
393
00:23:33,100 --> 00:23:36,066
THE DETECTIVES BELIEVE
THAT THIS PERSON
394
00:23:36,067 --> 00:23:38,933
HAS BEEN RAPING SOMEBODY
ONCE EVERY 3 DAYS.
395
00:23:46,067 --> 00:23:48,899
THEY WERE ALL
DIFFERENT SORTS,
396
00:23:48,900 --> 00:23:52,066
COMING FROM ALL
DIFFERENT PLACES.
397
00:23:52,067 --> 00:23:54,799
THE ATTACKS WERE ALL THE SAME.
398
00:23:54,800 --> 00:23:56,132
BUT IT HAD TO HAVE HURT
399
00:23:56,133 --> 00:23:58,133
DIFFERENTLY
FOR EACH ONE OF THEM.
400
00:24:01,633 --> 00:24:05,632
UM, HE'S -- HE GRABBED ME
ALL OF A SUDDEN
401
00:24:05,633 --> 00:24:08,267
AND TIED MY...
402
00:24:11,267 --> 00:24:15,799
HE SAID IF I MOVE,
HE'D KILL ME.
403
00:24:15,800 --> 00:24:19,832
SO I LISTENED.
404
00:24:19,833 --> 00:24:25,366
IT WAS HARD TO BREATHE.
405
00:24:25,367 --> 00:24:31,632
HE RAPED ME MORE THAN ONCE.
406
00:24:31,633 --> 00:24:35,732
AND THEN HE WAS GONE.
407
00:24:35,733 --> 00:24:37,966
THE AFTEREFFECTS CAN BE
408
00:24:37,967 --> 00:24:41,232
JUST AS CATASTROPHIC
AS THE ACT ITSELF,
409
00:24:41,233 --> 00:24:43,699
WHICH IS WHY SO MANY
VICTIMS OF RAPE
410
00:24:43,700 --> 00:24:47,632
ARE VULNERABLE TO DEVELOPING
POST-TRAUMATIC STRESS DISORDER.
411
00:24:47,633 --> 00:24:50,166
SOME OF THESE WOMEN,
THEY'RE MONOTONE.
412
00:24:50,167 --> 00:24:53,566
THEY'RE STARING OFF INTO SPACE.
413
00:24:53,567 --> 00:24:55,099
IT SEEMS THAT
ALL OF THESE HUSBANDS
414
00:24:55,100 --> 00:24:57,866
GAVE THE ADDRESS
TO THE ATTACKER.
415
00:24:57,867 --> 00:25:00,166
THERE'S GONNA BE
SOME SHAME IN THAT.
416
00:25:00,167 --> 00:25:01,966
YOU KNOW, WHY LET HIM IN?
417
00:25:01,967 --> 00:25:03,866
THAT'S WHAT I DON'T UNDERSTAND.
418
00:25:03,867 --> 00:25:06,766
FIX HER HAIR,
FIXING LUNCH,
419
00:25:06,767 --> 00:25:10,666
IT SENDS THE WRONG SIGNAL.
420
00:25:10,667 --> 00:25:13,432
MANY OF THE HUSBANDS
WERE ANGRY AT THEMSELVES,
421
00:25:13,433 --> 00:25:16,599
BUT THEY WERE PROJECTING
IT ONTO THEIR WIVES.
422
00:25:16,600 --> 00:25:18,899
IN THE 1940S,
IF A WOMAN IS RAPED,
423
00:25:18,900 --> 00:25:20,332
MANY PEOPLE THOUGHT
424
00:25:20,333 --> 00:25:22,199
THAT SHE HAD LED SOMEBODY ON
425
00:25:22,200 --> 00:25:25,699
OR THAT SHE DID NOT
FIGHT BACK ENOUGH.
426
00:25:25,700 --> 00:25:27,666
IT'S THE CATCH-22
FOR WOMEN.
427
00:25:27,667 --> 00:25:29,632
IF YOU TRY TO FIGHT
OFF THE ATTACK,
428
00:25:29,633 --> 00:25:31,499
YOU COULD END UP STRANGLED
AND MURDERED THE WAY
429
00:25:31,500 --> 00:25:33,099
THAT MRS. PAPPAS WAS.
430
00:25:33,100 --> 00:25:35,432
IF YOU DON'T FIGHT
HARD ENOUGH,
431
00:25:35,433 --> 00:25:38,199
THEN OFTENTIMES YOU'RE
BLAMED AFTERWARDS,
432
00:25:38,200 --> 00:25:40,466
EVEN THOUGH THEY JUST
WANT TO SURVIVE THE ATTACK.
433
00:25:40,467 --> 00:25:43,067
THAT'S A TYPE
OF RETRAUMATIZING.
434
00:25:49,233 --> 00:25:52,399
HE'S LIKE A GREAT
WHITE SHARK.
435
00:25:52,400 --> 00:25:56,366
HE LEAVES A PATH OF DESTRUCTION
IN THESE LIVES.
436
00:25:56,367 --> 00:26:01,099
AND THEY KNOW HE'S NOT
GOING TO STOP TILL HE'S CAUGHT.
437
00:26:01,100 --> 00:26:03,633
AND THAT'S IT.
438
00:26:12,933 --> 00:26:14,899
I WAS TERRIFIED FOR
THE WHOLE MONTH
439
00:26:14,900 --> 00:26:17,066
AFTER BETTY ALLEN WAS ATTACKED.
440
00:26:17,067 --> 00:26:19,532
AND THEN KITTY PAPPAS
WAS KILLED.
441
00:26:19,533 --> 00:26:23,066
IT WAS SO STRANGE WALKING
THE CROWDED STREETS OF THE CITY
442
00:26:23,067 --> 00:26:24,699
AND NONE OF THOSE PEOPLE KNEW
443
00:26:24,700 --> 00:26:27,132
THAT A MONSTER WAS ON THE
LOOSE.
444
00:26:27,133 --> 00:26:31,532
THANK GOD THAT
DIDN'T LAST LONG.
445
00:26:31,533 --> 00:26:33,333
YOU SEEN THIS?
446
00:26:35,900 --> 00:26:37,566
THERE'S AN EIGHT-STATE ALARM
447
00:26:37,567 --> 00:26:41,899
THAT IS LITERALLY TOO LOUD
TO KEEP OUT OF THE NEWS MEDIA.
448
00:26:41,900 --> 00:26:43,266
AND SO A VETERAN REPORTER NAMED
449
00:26:43,267 --> 00:26:47,366
MAURICE KASNER PRINTS THE STORY
ABOUT THE ASPIRIN BANDIT.
450
00:26:47,367 --> 00:26:50,166
HE PIECES TOGETHER
THE ALLEN CASE
451
00:26:50,167 --> 00:26:51,566
AND THE PAPPAS CASE.
452
00:26:51,567 --> 00:26:52,732
IT'S GOOD FOR KASNER.
453
00:26:52,733 --> 00:26:54,366
NOW MORE WOMEN
WILL BE WISE TO HIS TRICKS.
454
00:26:54,367 --> 00:26:56,199
AND HE LEFT THE RAPE OUT.
455
00:26:56,200 --> 00:26:58,766
IF HE READS THIS, HE'LL HAVE
NO IDEA HOW MUCH WE KNOW.
456
00:26:58,767 --> 00:27:01,632
THE DETECTIVES
AND THE DISTRICT ATTORNEY
457
00:27:01,633 --> 00:27:03,132
ARE ALWAYS JUDICIOUS
458
00:27:03,133 --> 00:27:07,232
IN WHAT INFORMATION
THEY GIVE OUT.
459
00:27:07,233 --> 00:27:08,899
LAW ENFORCEMENT IN THE
1940S
460
00:27:08,900 --> 00:27:11,632
IS NOT BUILT
FOR A MULTI-STATE CRIME.
461
00:27:11,633 --> 00:27:14,099
THE PROBLEM IS THE LACK
OF TECHNOLOGY.
462
00:27:14,100 --> 00:27:18,733
THE POLICE NEEDED TO CREATE
A COMMUNICATION NETWORK.
463
00:27:22,600 --> 00:27:23,932
BRONX POLICE CHIEF
AT THE TIME --
464
00:27:23,933 --> 00:27:26,066
JOHN J. O'CONNOR --
CANCELS LEAVES.
465
00:27:26,067 --> 00:27:27,732
THERE'S NO DAYS OFF.
466
00:27:27,733 --> 00:27:29,799
ALL THE POLICE OFFICERS
IN THE BRONX
467
00:27:29,800 --> 00:27:31,432
CALL IN EVERY NIGHT.
468
00:27:31,433 --> 00:27:35,699
THE BEAT COP WOULD GO
TO THE CALL BOX ON HIS POST
469
00:27:35,700 --> 00:27:39,632
AND RING IN TO
THE SWITCHBOARD OPERATOR.
470
00:27:39,633 --> 00:27:41,566
AND THEY'VE GOT TO LET
THE COMMAND POST KNOW
471
00:27:41,567 --> 00:27:44,199
WHAT THEY'VE LEARNED
ABOUT THIS CASE.
472
00:27:44,200 --> 00:27:46,599
AND SO THAT STARTS
MUCH MORE COMMUNICATION
473
00:27:46,600 --> 00:27:48,432
BETWEEN THE PRECINCTS.
474
00:27:48,433 --> 00:27:51,232
ALSO, POLICE DEPARTMENTS
THROUGHOUT THE REGION,
475
00:27:51,233 --> 00:27:53,699
THEY ARE TOLD TO LOOK FOR ANYONE
476
00:27:53,700 --> 00:27:55,299
THAT MATCHES A DESCRIPTION
477
00:27:55,300 --> 00:27:59,532
AND THEN CONTACT
THE 42ND PRECINCT IN THE BRONX.
478
00:27:59,533 --> 00:28:03,300
FEBRUARY 14TH, 10 DAYS AFTER
CATHERINE PAPPAS IS KILLED,
479
00:28:05,433 --> 00:28:09,132
DETECTIVES GET
A BREAK IN THE CASE.
480
00:28:09,133 --> 00:28:13,232
THEY GET A CALL
FROM HIGHTSTOWN, NEW JERSEY.
481
00:28:13,233 --> 00:28:16,066
SO HOW DID HE COME
TO STAY WITH YOU?
482
00:28:16,067 --> 00:28:18,899
WE LET HIM STAY HERE
OVER THE HOLIDAYS.
483
00:28:18,900 --> 00:28:20,066
AND HE ROBBED US.
484
00:28:20,067 --> 00:28:21,532
THE IDES,
A HUSBAND AND WIFE...
485
00:28:21,533 --> 00:28:25,066
BUT HE DIDN'T FATHOM
THE EYE OF AN ARTIST.
486
00:28:25,067 --> 00:28:27,499
HER PORTRAITS
ARE EXQUISITE.
487
00:28:27,500 --> 00:28:29,132
...THE WOMAN IS AN ARTIST.
488
00:28:29,133 --> 00:28:34,066
AND SHE SAYS, "YOU WANT ME
TO MAKE A SKETCH OF THIS GUY?"
489
00:28:34,067 --> 00:28:38,132
THIS SUBJECT DID TALK ABOUT
BOYS TOWN WITH THEM.
490
00:28:38,133 --> 00:28:41,667
YEAH, THAT'S THE DIRTY
LITTLE SCAMP.
491
00:28:48,533 --> 00:28:51,066
THEY THEN BRING THE
PICTURE BACK TO THE BRONX.
492
00:28:51,067 --> 00:28:53,066
AND SEVERAL OF THE FAMILIES
LOOK AT THE PICTURE.
493
00:28:53,067 --> 00:28:56,066
AND THEY SAY,
"THAT IS HIM."
494
00:28:56,067 --> 00:28:57,799
BURNS WORKS THE STREET.
495
00:28:57,800 --> 00:28:59,632
HE SWEATS HIS SAUCES.
496
00:28:59,633 --> 00:29:02,832
HE'S NOT KNOWN TO
THE PROSTITUTES OF BORDELLOS.
497
00:29:02,833 --> 00:29:05,932
HE'S NOT KNOWN TO THE
SHAPE-UP GUYS ON THE DOCK.
498
00:29:05,933 --> 00:29:10,066
THE GUY'S NOT
A REGULAR NEW YORKER.
499
00:29:10,067 --> 00:29:11,699
HOWEVER, FEBRUARY 19TH,
500
00:29:11,700 --> 00:29:15,166
2 WEEKS AFTER THE PAPPAS
HOMICIDE, THEY GET A LEAD.
501
00:29:15,167 --> 00:29:17,199
THE POLICE IN WASHINGTON, D.C.,
502
00:29:17,200 --> 00:29:19,966
GET A CALL OF
A SUSPICIOUS PERSON
503
00:29:19,967 --> 00:29:22,599
IN AN APARTMENT BUILDING.
504
00:29:22,600 --> 00:29:24,799
SOMEBODY TRIED TO GET
INTO AN APARTMENT.
505
00:29:24,800 --> 00:29:27,066
AND THE FEMALE,
THINKING THIS DID NOT
506
00:29:27,067 --> 00:29:28,666
SOUND RIGHT, STOPPED HIM.
507
00:29:28,667 --> 00:29:31,066
THE SUPER IMMEDIATELY
CALLS THE POLICE.
508
00:29:31,067 --> 00:29:33,666
AND THE POLICE, BECAUSE OF ALL
THE GREAT COMMUNICATION,
509
00:29:33,667 --> 00:29:36,766
KNOWS THAT THIS COULD
BE THE SAME PERSON
510
00:29:36,767 --> 00:29:38,866
THAT HAS COMMITTED THE ACTS
IN NEW YORK CITY.
511
00:29:38,867 --> 00:29:42,500
SUPER SAYS THAT HE CHASED
THE GUY UP TO THE ROOF.
512
00:29:48,200 --> 00:29:50,699
BUT HE'S NOT THERE,
513
00:29:50,700 --> 00:29:54,199
MUST'VE GOTTEN DOWN OFF
THE FIRE ESCAPE.
514
00:29:54,200 --> 00:29:56,233
HE WAS ABLE TO GET AWAY
AT THAT POINT.
515
00:30:03,000 --> 00:30:04,466
FIVE DAYS GO BY.
516
00:30:04,467 --> 00:30:05,799
THEY DON'T HEAR ANYTHING.
517
00:30:05,800 --> 00:30:07,299
HE MAY HAVE REALIZED
518
00:30:07,300 --> 00:30:09,932
THEY'RE ON TO HIM NOW
AND VANISHED.
519
00:30:18,500 --> 00:30:21,032
DURANT.
520
00:30:21,033 --> 00:30:24,899
WHERE?
ALL RIGHT.
521
00:30:24,900 --> 00:30:27,033
WE GOT ANOTHER ONE IN NEWARK.
522
00:30:32,067 --> 00:30:35,299
FEBRUARY 25TH, THE PHONE
RINGS -- NEWARK, NEW JERSEY,
523
00:30:35,300 --> 00:30:39,699
A WOMAN HAS BEEN
RAPED TWICE VIOLENTLY.
524
00:30:39,700 --> 00:30:42,632
THEN THERE ARE REPORTS
OF ATTACKS IN PASSAIC,
525
00:30:42,633 --> 00:30:45,666
FORT LEE,
ALL TOWNS IN NORTH JERSEY.
526
00:30:45,667 --> 00:30:49,467
THEY'RE PLOTTING HIM
OUT ALMOST IN REAL TIME.
527
00:30:54,600 --> 00:30:57,099
HE'S GOT A PATTERN.
HE HITCHHIKES.
528
00:30:57,100 --> 00:30:59,066
EVENTUALLY, HE COMES
BACK TO NEW YORK.
529
00:30:59,067 --> 00:31:00,966
WE GET A HIT IN NEWARK
530
00:31:00,967 --> 00:31:03,667
AND JUST NORTH OF PASSAIC
AND FORT LEE.
531
00:31:05,933 --> 00:31:07,632
HE'S COMING TO
THE CITY RIGHT NOW.
532
00:31:07,633 --> 00:31:10,532
WE NEED MEN ON THE BRIDGE
AND EVERY TUNNEL CROSSING NOW.
533
00:31:10,533 --> 00:31:14,366
I WANT EVERY CAR STOPPED
COMING FROM NEW JERSEY.
534
00:31:14,367 --> 00:31:15,666
ON MARCH 3, 1941,
535
00:31:15,667 --> 00:31:18,666
THEY ARE AT EVERY
CROSSING INTO NEW YORK.
536
00:31:18,667 --> 00:31:22,066
THEY'RE STOPPING CARS.
THEY'RE STOPPING PEOPLE.
537
00:31:22,067 --> 00:31:25,966
DETECTIVE BURNS BELIEVES
THAT HE'S LIVING ATTACK TO ATTACK.
538
00:31:25,967 --> 00:31:28,066
COME HERE.
539
00:31:28,067 --> 00:31:30,833
I NEED DETECTIVES AT EVERY
CHEAP HOTEL ON THE WEST SIDE.
540
00:31:32,933 --> 00:31:35,433
THEY FLOOD THE WEST
SIDE OF MANHATTAN.
541
00:31:37,800 --> 00:31:39,932
THE MILLS HOTEL IS 1,800 ROOMS
542
00:31:39,933 --> 00:31:41,699
FOR DAY LABORERS
WHO ARE IN NEW YORK
543
00:31:41,700 --> 00:31:45,799
WHO NEEDED SOMEWHERE TO LIVE
THAT WAS NICE ENOUGH.
544
00:31:45,800 --> 00:31:48,866
BRONX DETECTIVES GILLAN,
MAYHEN AND DURANT,
545
00:31:48,867 --> 00:31:50,566
THEY'RE STATIONED THERE.
546
00:31:50,567 --> 00:31:52,333
PEOPLE ARE COMING AND GOING.
547
00:32:01,667 --> 00:32:04,866
DETECTIVE DURANT SEES OUT
OF THE CORNER OF HIS EYE A GUY
548
00:32:04,867 --> 00:32:07,400
IN A GREEN JACKET WALK IN.
549
00:32:15,467 --> 00:32:18,067
THEY'VE GOT A SKETCH
OF THIS GUY IN THEIR POCKET.
550
00:32:27,567 --> 00:32:29,066
WELCOME BACK, SIR.
551
00:32:29,067 --> 00:32:31,366
SAME ROOM?
- YEAH, ONE NIGHT.
552
00:32:31,367 --> 00:32:32,832
REMIND ME YOUR NAME AGAIN?
553
00:32:32,833 --> 00:32:35,366
KOZLOWSKI,
GEORGE KOZLOWSKI.
554
00:32:35,367 --> 00:32:36,566
OF COURSE.
555
00:32:36,567 --> 00:32:39,467
JUST A MOMENT.
556
00:32:43,500 --> 00:32:45,966
YOU KNOW WHAT? I FORGOT
SOMETHIN'. I...
557
00:32:45,967 --> 00:32:48,532
IF YOU DON'T MIND, I'LL --
I'LL BE RIGHT BACK.
558
00:32:48,533 --> 00:32:51,100
PLEASE, GO AHEAD.
559
00:32:52,700 --> 00:32:53,899
WELCOME TO THE MILLS HOTEL.
560
00:32:53,900 --> 00:32:55,199
YEAH, WHAT DO YOU
GET FOR A ROOM NOW?
561
00:32:55,200 --> 00:32:59,067
WELL, SIR,
FOR JUST A NIGHT...
562
00:33:08,200 --> 00:33:11,399
GILLAN AND MAYHEN ARE ABLE
TO GRAB HIM RIGHT
563
00:33:11,400 --> 00:33:12,799
BEFORE HE MAKES IT OUT THE DOOR.
564
00:33:12,800 --> 00:33:14,166
WHAT GIVES?
565
00:33:14,167 --> 00:33:17,166
POLICE.
WHAT'S YOUR NAME?
566
00:33:17,167 --> 00:33:18,932
GEORGE JOSEPH CVEK.
567
00:33:18,933 --> 00:33:21,467
NOT KOZLOWSKI?
568
00:33:24,167 --> 00:33:26,366
YEAH,
THAT'S WHAT I THOUGHT.
569
00:33:26,367 --> 00:33:28,866
LET'S TAKE A RIDE, PAL.
570
00:33:28,867 --> 00:33:32,099
HIS NAME IS
GEORGE JOSEPH CVEK.
571
00:33:32,100 --> 00:33:33,599
IN THE PRECINCT, THE LEADING
572
00:33:33,600 --> 00:33:35,832
PRINT DETECTIVE
FINGERPRINTS HIM.
573
00:33:35,833 --> 00:33:39,466
HE COMPARES IT TO
THE FINGERPRINT PHOTO REMOVED
574
00:33:39,467 --> 00:33:43,133
FROM THE GLASS
IN PAPPAS' APARTMENT.
575
00:33:47,400 --> 00:33:49,933
WE HAVE A MATCH.
576
00:33:54,867 --> 00:33:56,899
CVEK WAS BORN IN
HARRISBURG, PENNSYLVANIA.
577
00:33:56,900 --> 00:33:58,666
HIS PARENTS WERE IMMIGRANTS.
578
00:33:58,667 --> 00:34:00,832
FATHER FROM WHAT
BECAME YUGOSLAVIA,
579
00:34:00,833 --> 00:34:02,699
MOTHER IS FROM HUNGARY.
580
00:34:02,700 --> 00:34:04,766
HE HAD A VERY TROUBLED YOUTH.
581
00:34:04,767 --> 00:34:07,066
AGE 10 WAS HIS FIRST
RUN-IN WITH THE LAW.
582
00:34:07,067 --> 00:34:10,799
AT ONE POINT, GEORGE STARTED
ROBBING THE HOUSE.
583
00:34:10,800 --> 00:34:14,532
HIS MOTHER GOES TO STOP HIM
AND HE BEATS HER.
584
00:34:14,533 --> 00:34:16,966
HE WAS THEN SENT NOT
TO BOYS TOWN,
585
00:34:16,967 --> 00:34:19,932
BUT TO A REFORMATORY
FOR 5 YEARS.
586
00:34:19,933 --> 00:34:23,066
AND THEN HE'S ARRESTED
FOR STEALING CARS.
587
00:34:23,067 --> 00:34:26,133
DURING NONE OF THESE TIMES
WAS HE EVER FINGERPRINTED.
588
00:34:29,733 --> 00:34:31,599
WELL, CRY ME A RIVER.
589
00:34:31,600 --> 00:34:33,532
PLENTY OF PEOPLE
HAVE ROUGH CHILDHOODS
590
00:34:33,533 --> 00:34:36,166
AND DON'T WIND UP
KILLIN' PEOPLE.
591
00:34:36,167 --> 00:34:37,832
ALL I CARED ABOUT
WAS THAT THE POLICE
592
00:34:37,833 --> 00:34:40,932
WERE GONNA LOCK HIM UP
AND THROW AWAY THE KEY.
593
00:34:40,933 --> 00:34:42,399
THAT WAS CALLED COMFORT
594
00:34:42,400 --> 00:34:45,533
FOR ALL OF THOSE WOMEN
THE POLICE BELIEVED HE RAPED.
595
00:34:47,567 --> 00:34:51,532
WE GOT YOU FOR THE MURDER
OF CATHERINE PAPPAS.
596
00:34:51,533 --> 00:34:54,067
IT'S OVER, CVEK.
YOU'RE GONNA PAY.
597
00:34:57,333 --> 00:35:02,932
BUT IT'S NOT ENOUGH,
NOT BY A LONG SHOT, BOY.
598
00:35:02,933 --> 00:35:04,866
- HOW'S THAT?
- HOW'S ABOUT YOU TELL ME
599
00:35:04,867 --> 00:35:07,066
ABOUT THOSE OTHER WOMEN.
600
00:35:07,067 --> 00:35:08,932
- WHAT WOMEN?
- YOU KNOW EXACTLY
601
00:35:08,933 --> 00:35:11,467
WHO I'M TALKIN' ABOUT,
602
00:35:13,633 --> 00:35:19,266
THE ONES YOU TIED UP AND
VIOLATED IN THEIR OWN BEDS.
603
00:35:19,267 --> 00:35:20,932
WELL, I DON'T CARE THAT
604
00:35:20,933 --> 00:35:22,166
YOU'RE ALREADY GOIN' TO
THE BIG HOUSE
605
00:35:22,167 --> 00:35:23,632
FOR THE MURDER
OF CATHERINE PAPPAS.
606
00:35:23,633 --> 00:35:27,132
THOSE WOMEN, THEIR HUSBANDS,
THEY DESERVE TO KNOW THE TRUTH.
607
00:35:27,133 --> 00:35:28,299
I'M TELLING THE TRUTH.
608
00:35:28,300 --> 00:35:29,932
YOU'RE A NO-GOOD,
TWO-BIT CON ARTIST.
609
00:35:29,933 --> 00:35:33,899
YOU'RE LIAR.
AND YOU'RE A RAPIST.
610
00:35:33,900 --> 00:35:35,799
BOY, I SURE DO HAVE
A DOOZY OF A HEADACHE.
611
00:35:35,800 --> 00:35:38,233
YOU COULDN'T SPARE
ANY ASPIRIN, COULD YOU?
612
00:35:42,800 --> 00:35:46,832
WE'LL SEE.
613
00:35:46,833 --> 00:35:50,766
THEY'RE GOING TO
CONDUCT A LINEUP.
614
00:35:50,767 --> 00:35:52,466
CVEK IS SURROUNDED
BY A BUNCH OF COPS
615
00:35:52,467 --> 00:35:54,967
WHO LOOK SIMILAR TO HIM.
616
00:35:58,600 --> 00:36:00,299
THEY'RE BRINGING
ALL OF THESE VICTIMS
617
00:36:00,300 --> 00:36:03,499
AND THEIR FAMILIES
INTO THE PRECINCT.
618
00:36:03,500 --> 00:36:08,266
JOHN PAPPAS IS EVEN
THERE WITH HIS DOORMAN.
619
00:36:08,267 --> 00:36:11,699
IN 1941, YOU DON'T
HAVE TWO-WAY MIRRORS.
620
00:36:11,700 --> 00:36:13,667
YOU DON'T HAVE
ANY GLASS PARTITION.
621
00:36:22,800 --> 00:36:24,600
CAN THIS MAN STEP FORWARD?
622
00:36:32,800 --> 00:36:34,832
IT'S HIM.
623
00:36:34,833 --> 00:36:39,066
THIS IS THE MAN.
624
00:36:39,067 --> 00:36:42,632
ONE BY ONE, THEY'RE BROUGHT.
AND THEY GO PAST THE LINEUP.
625
00:36:42,633 --> 00:36:43,966
THIS IS THE MAN.
626
00:36:43,967 --> 00:36:48,066
THEY IDENTIFY HIM.
627
00:36:48,067 --> 00:36:50,367
SOME DON'T SAY ANYTHING.
628
00:36:53,400 --> 00:36:55,533
AND HIS DEMEANOR
STARTS TO CHANGE.
629
00:36:58,167 --> 00:37:00,200
THAT MAN,
630
00:37:02,767 --> 00:37:04,700
HE'S LOOKING DOWN.
631
00:37:09,467 --> 00:37:11,533
THE COCKINESS HAS MELTED AWAY.
632
00:37:20,067 --> 00:37:22,632
- HIM.
- I'LL KILL YOU!
633
00:37:22,633 --> 00:37:23,866
I'LL KILL YOU, YOU BASTARD!
634
00:37:23,867 --> 00:37:26,399
I'LL KILL YOU!
635
00:37:26,400 --> 00:37:29,166
ONE OF THE VICTIMS'
HUSBANDS GOES AT HIM.
636
00:37:29,167 --> 00:37:30,967
AND HE HAS TO BE HELD BACK.
637
00:37:35,167 --> 00:37:38,367
CVEK IS NOW DEMORALIZED.
638
00:37:40,967 --> 00:37:43,966
HE GAVE EVERYTHING
UP AT THAT POINT.
639
00:37:43,967 --> 00:37:47,166
AND HE IMMEDIATELY CONFESSES
TO SEVERAL RAPES
640
00:37:47,167 --> 00:37:50,333
AND TO THE MURDER
OF CATHERINE PAPPAS.
641
00:37:52,467 --> 00:37:54,366
HE INTRODUCED HIMSELF.
642
00:37:54,367 --> 00:37:55,932
HE SAID HOW HE WANTED TO SAY,
643
00:37:55,933 --> 00:37:58,332
"THANK YOU," TO JOHN PAPPAS.
644
00:37:58,333 --> 00:38:00,832
CATHERINE PAPPAS IS POLITE.
645
00:38:00,833 --> 00:38:03,166
AND SHE INVITES HIM IN.
646
00:38:03,167 --> 00:38:05,133
SHE BRINGS OUT HER
BEST CHINA.
647
00:38:17,067 --> 00:38:18,799
AND THEN HE ATTACKS HER.
648
00:38:18,800 --> 00:38:20,932
BECAUSE SHE'S STRUGGLING
SO MUCH,
649
00:38:20,933 --> 00:38:24,732
HE CLAMPS HIS HANDS
AROUND HER THROAT,
650
00:38:24,733 --> 00:38:28,333
TIGHTENING HARDER AND HARDER
UNTIL SHE STOPS MOVING.
651
00:38:31,800 --> 00:38:33,599
THE FACT THAT THERE
HAD ONLY BEEN
652
00:38:33,600 --> 00:38:36,132
ONE DOCUMENTED MURDER SUGGESTS
653
00:38:36,133 --> 00:38:39,899
THAT IT WAS SOMETHING
THAT WENT WRONG.
654
00:38:39,900 --> 00:38:42,066
HE QUICKLY GRABS
A COUPLE OF ITEMS
655
00:38:42,067 --> 00:38:44,400
AND HE RUNS OUT
AS FAST AS HE CAN.
656
00:38:46,500 --> 00:38:51,199
AND HE DOESN'T
WIPE THE GLASS.
657
00:38:51,200 --> 00:38:53,966
HE LATER SAYS THAT HE HAD
NEVER MET JOHN PAPPAS.
658
00:38:53,967 --> 00:38:56,066
HE JUST WAS DOWNSTAIRS.
HE SAW THAT NAME.
659
00:38:56,067 --> 00:38:58,067
AND HE DECIDED
TO GIVE THAT A TRY.
660
00:39:03,367 --> 00:39:07,299
ALL THESE VICTIMS,
THESE WERE ALL GOOD PEOPLE.
661
00:39:07,300 --> 00:39:09,732
THEY WERE KIND.
662
00:39:09,733 --> 00:39:11,532
THEY TRUSTED HIM.
663
00:39:11,533 --> 00:39:14,533
AND HE TOOK THEIR KINDNESS
AND HE USED IT AGAINST THEM.
664
00:39:16,833 --> 00:39:21,432
ULTIMATELY, THE ROOT OF
RAPE IS NOT SEX-BASED.
665
00:39:21,433 --> 00:39:27,899
IT'S POWER-BASED, OVERPOWERING
OR CONTROLLING SOMEBODY ELSE.
666
00:39:27,900 --> 00:39:31,932
CVEK, PERHAPS, FELT POWERLESS
OR RESENTFUL TOWARDS WOMEN.
667
00:39:31,933 --> 00:39:36,699
AND SO HE EXPRESSED
THAT THROUGH VIOLATING THEM.
668
00:39:36,700 --> 00:39:38,432
THE AMOUNT OF HARM
THAT THIS PERSON
669
00:39:38,433 --> 00:39:42,232
DID IS ALMOST UNIMAGINABLE.
670
00:39:42,233 --> 00:39:45,166
RESEARCHERS PREDICT ANYWHERE
FROM WITHIN 50
671
00:39:45,167 --> 00:39:47,966
TO 70 PERCENT OF SEXUAL ASSAULTS
672
00:39:47,967 --> 00:39:50,466
AND RAPES GO UNREPORTED.
673
00:39:50,467 --> 00:39:53,532
BASED ON THAT FACT,
THE NUMBER OF VICTIMS
674
00:39:53,533 --> 00:39:55,066
OF GEORGE JOSEPH CVEK
675
00:39:55,067 --> 00:39:57,800
COULD TOTAL WELL OVER 200.
676
00:40:00,567 --> 00:40:04,366
GEORGE CVEK'S STRENGTH
WAS THAT HE WAS A LONER.
677
00:40:04,367 --> 00:40:08,032
HE WAS ABLE TO USE THE
SEAMS,
678
00:40:08,033 --> 00:40:10,099
THE BOUNDARIES
BETWEEN NEIGHBORHOODS,
679
00:40:10,100 --> 00:40:12,732
BETWEEN LAW ENFORCEMENT.
680
00:40:12,733 --> 00:40:15,132
ULTIMATELY, WHAT ENDS UP LEADING
681
00:40:15,133 --> 00:40:19,266
TO HIS DEMISE IS COMMUNITY.
682
00:40:19,267 --> 00:40:22,566
THEY WOULD NOT HAVE
BEEN ABLE TO FIND HIM
683
00:40:22,567 --> 00:40:26,332
WITHOUT THE COOPERATION
OF THE VICTIMS.
684
00:40:26,333 --> 00:40:29,199
IT'S HARD IN 2016
TO COME FORWARD.
685
00:40:29,200 --> 00:40:31,832
I CAN'T EVEN IMAGINE
IN THE 1940S
686
00:40:31,833 --> 00:40:34,399
HOW MUCH HARDER
EVERY SINGLE PART OF YOU
687
00:40:34,400 --> 00:40:36,166
IS GONNA TELL YOU TO BE SILENT.
688
00:40:36,167 --> 00:40:37,966
AND YOU MIGHT EXPLICITLY BE
689
00:40:37,967 --> 00:40:41,566
GETTING THOSE MESSAGES
FROM YOUR SPOUSE.
690
00:40:41,567 --> 00:40:44,899
TO OVERCOME THOSE BARRIERS
AND TO SPEAK UP,
691
00:40:44,900 --> 00:40:48,332
THAT'S AN ACT OF HEROISM.
692
00:40:48,333 --> 00:40:51,132
I'LL KILL YOU!
I'LL KILL YOU, YOU BASTARD!
693
00:40:51,133 --> 00:40:53,667
I'LL KILL YOU!
694
00:40:57,333 --> 00:41:01,866
THE HURT THAT GEORGE CVEK
INFLICTED KNEW NO BOUNDS.
695
00:41:01,867 --> 00:41:04,600
HE DIDN'T JUST
FORCE HIMSELF ON THEM.
696
00:41:09,933 --> 00:41:12,666
HE FORCED HIS WAY
INSIDE THEIR MARRIAGES.
697
00:41:12,667 --> 00:41:16,466
HE FORCED HIS WAY
INSIDE THEIR HEADS.
698
00:41:16,467 --> 00:41:28,466
BUT IF THERE'S ANYTHING
699
00:41:28,467 --> 00:41:30,766
GOOD TO COME OUT
OF THIS STORY,
700
00:41:30,767 --> 00:41:33,066
AND SOMETIMES IT'S HARD
TO SEE IT AT ALL,
701
00:41:33,067 --> 00:41:36,366
MAYBE IT'S THIS.
702
00:41:36,367 --> 00:41:38,232
YOU MIGHT BE HURTING.
703
00:41:38,233 --> 00:41:40,232
YOU MIGHT NEVER STOP HURTING.
704
00:41:40,233 --> 00:41:43,067
BUT YOU DON'T HAVE
TO HURT ALONE.
705
00:41:52,833 --> 00:41:59,732
* WHISPERING HOPE *
706
00:41:59,733 --> 00:42:08,699
* HOW WELCOME THY VOICE *
707
00:42:08,700 --> 00:42:15,832
* MAKING MY HEART *
708
00:42:15,833 --> 00:42:25,499
* IN ITS SORROW REJOICE *
709
00:42:25,500 --> 00:42:30,333
* OOH *
52488
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