All language subtitles for A Crime to Remember S04E05 The Gentleman Killer

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:07,267 --> 00:00:08,599 YES, YOU ARE. 2 00:00:08,600 --> 00:00:10,799 YES, YOU ARE. 3 00:00:27,100 --> 00:00:28,266 YES? 4 00:00:28,267 --> 00:00:29,666 ARE YOU MRS. ALLEN? 5 00:00:29,667 --> 00:00:31,999 - YES, I AM. - IS YOUR HUSBAND HOME? 6 00:00:32,000 --> 00:00:33,666 NO, HE'S NOT HERE RIGHT NOW. 7 00:00:33,667 --> 00:00:35,132 GEE, THAT'S TOO BAD. 8 00:00:35,133 --> 00:00:37,066 I THOUGHT HE SAID HE'D BE OFF EARLY BECAUSE ON MONDAYS, 9 00:00:37,067 --> 00:00:38,632 THE OFFICE DOES INVENTORY. 10 00:00:38,633 --> 00:00:40,099 PERHAPS I'LL COME BACK LATER TONIGHT, 11 00:00:40,100 --> 00:00:42,499 SEE IF I CAN CATCH HIM. - I'M SORRY. 12 00:00:42,500 --> 00:00:45,232 HE SHOULD BE HOME LATER ON AFTER 5 P.M. 13 00:00:45,233 --> 00:00:46,599 THE THING IS, HE -- HE HAD LENT ME 14 00:00:46,600 --> 00:00:48,899 A LITTLE BIT OF MONEY AFTER MY SISTER'S CAR ACCIDENT. 15 00:00:48,900 --> 00:00:50,132 HE WAS JUST GIVIN' ME A HELPIN' HAND. 16 00:00:50,133 --> 00:00:51,666 I'VE BEEN MAKIN' MY WAY UP FROM BOYS TOWN. 17 00:00:51,667 --> 00:00:53,166 THAT -- THAT -- THAT'S WHERE I GREW UP IN. 18 00:00:53,167 --> 00:00:55,899 - I'M SO SORRY YOU MISSED HIM. - THAT'S A SHAME. 19 00:00:55,900 --> 00:00:57,299 SAY, I COULDN'T TROUBLE 20 00:00:57,300 --> 00:00:59,199 YOU FOR A GLASS OF WATER AND A COUPLE OF ASPIRIN? 21 00:00:59,200 --> 00:01:01,132 I -- I GOT A DOOZY OF A HEADACHE. 22 00:01:01,133 --> 00:01:02,532 OF COURSE. 23 00:01:02,533 --> 00:01:04,633 JUST WAIT HERE A MOMENT. 24 00:01:25,233 --> 00:01:28,899 - HERE YOU GO. - THANKS. 25 00:01:50,067 --> 00:01:52,133 I'LL TELL MY HUSBAND TO EXPECT YOU. 26 00:01:58,067 --> 00:02:00,100 NO! 27 00:02:19,600 --> 00:02:23,066 THE BRONX IN 1941, PRE-WORLD WAR II, 28 00:02:23,067 --> 00:02:25,966 JUST AS THE COUNTRY'S COMING OUT OF THE GREAT DEPRESSION, 29 00:02:25,967 --> 00:02:29,366 WE HAD VERY STRONG NEIGHBORHOODS. 30 00:02:29,367 --> 00:02:32,366 MOST PEOPLE GREW UP, MARRIED, 31 00:02:32,367 --> 00:02:35,699 WORKED, AND REMAINED IN THE NEIGHBORHOOD. 32 00:02:35,700 --> 00:02:37,966 THE PARKCHESTER APARTMENTS, IN THE BRONX, 33 00:02:37,967 --> 00:02:40,066 IS A MIDDLE-CLASS COMMUNITY. 34 00:02:40,067 --> 00:02:41,466 THIS IS THE NEW DEAL ERA. 35 00:02:41,467 --> 00:02:43,199 AND THE GOVERNMENT IS BUILDING 36 00:02:43,200 --> 00:02:46,067 HOUSING COMMUNITIES ALL OVER THE CITY. 37 00:02:51,567 --> 00:02:54,566 ON THE AFTERNOON OF JANUARY 13, 1941, 38 00:02:54,567 --> 00:02:57,399 NEW YORK POLICE DETECTIVE ED BURNS 39 00:02:57,400 --> 00:03:00,066 IS CALLED TO THE PARKCHESTER 40 00:03:00,067 --> 00:03:04,866 TO THE HOME OF ELIZABETH AND TOM ALLEN. 41 00:03:04,867 --> 00:03:07,966 WHEN I SAW ALL THAT COMMOTION ACROSS THE HALL, 42 00:03:07,967 --> 00:03:10,066 I FIGURED I BETTER MAKE MYSELF USEFUL 43 00:03:10,067 --> 00:03:11,932 AND KEEP AN EYE ON THE BABY. 44 00:03:11,933 --> 00:03:15,066 NEIGHBORS BACK THEN, WE MUDDLED THROUGH TOGETHER, YOU KNOW? 45 00:03:15,067 --> 00:03:17,366 WE HELPED WHEN WE COULD WITH A CUP OF SUGAR 46 00:03:17,367 --> 00:03:19,766 OR A FEW BUCKS 'TIL PAYDAY. 47 00:03:19,767 --> 00:03:22,366 BUT THERE WASN'T A THING WE COULD DO TO FIX 48 00:03:22,367 --> 00:03:24,467 WHAT HAD HAPPENED TO BETTY ALLEN. 49 00:03:29,200 --> 00:03:30,899 THE APARTMENT IS CLEARLY RANSACKED. 50 00:03:30,900 --> 00:03:34,699 THINGS ARE OUT OF PLACE. 51 00:03:34,700 --> 00:03:39,067 HE SEES ON THE TABLE A GLASS OF WATER AND AN ASPIRIN BOTTLE. 52 00:03:47,700 --> 00:03:49,400 MR. ALLEN. 53 00:03:51,067 --> 00:03:52,767 MRS. ALLEN, COULD YOU TELL ME WHAT HAPPENED? 54 00:04:01,800 --> 00:04:07,699 IT WAS, MUST'VE BEEN ABOUT QUARTER TO 3. 55 00:04:07,700 --> 00:04:11,766 AND, I -- I JUST FINISHED MY DUSTING. 56 00:04:11,767 --> 00:04:15,632 AND THERE WAS A -- A MAN AT THE DOOR. 57 00:04:15,633 --> 00:04:17,499 HE SAID HE KNEW MY HUSBAND 58 00:04:17,500 --> 00:04:19,732 FROM THE BAKERY ROUTE UP IN CONNECTICUT. 59 00:04:19,733 --> 00:04:24,132 AND I BELIEVED HIM. HE KNEW DETAILS. 60 00:04:24,133 --> 00:04:27,766 THE MAN SAID HE WAS FROM BOYS TOWN. 61 00:04:27,767 --> 00:04:31,099 BOYS TOWN, SPENCER TRACY BOYS TOWN? 62 00:04:31,100 --> 00:04:33,466 THAT'S RIGHT. 63 00:04:33,467 --> 00:04:37,132 SO I FELT SORRY FOR HIM. 64 00:04:37,133 --> 00:04:38,499 BOYS TOWN IS A FAMOUS HOME 65 00:04:38,500 --> 00:04:40,532 FOR BOYS STARTED BY FATHER FLANAGAN 66 00:04:40,533 --> 00:04:42,932 IN NEBRASKA IN 1917. 67 00:04:42,933 --> 00:04:45,966 IT WAS A PIONEER IN REHABILITATION. 68 00:04:45,967 --> 00:04:49,299 HE SAID THAT MR. ALLEN HAD LENT HIM MONEY LAST WEEK 69 00:04:49,300 --> 00:04:51,866 AND HE WANTED TO THANK HIM. 70 00:04:51,867 --> 00:04:56,132 AND THEN, HE ASKED ME FOR WATER AND AN ASPIRIN. 71 00:04:56,133 --> 00:04:58,133 AND I WENT TO GET IT FOR HIM. 72 00:05:03,200 --> 00:05:05,733 AND THEN... 73 00:05:08,333 --> 00:05:11,632 HE TAKES HER TO THE BACK BEDROOM. 74 00:05:11,633 --> 00:05:14,532 HE TIES HER HANDS WITH A NECKTIE, 75 00:05:14,533 --> 00:05:17,332 TIES HER FEET WITH TOWELS. 76 00:05:17,333 --> 00:05:20,966 THE SUBJECT ASKED, "WHERE ARE ANY VALUABLES?" 77 00:05:20,967 --> 00:05:25,332 HE STUFFS A HANDKERCHIEF IN HER MOUTH. 78 00:05:25,333 --> 00:05:28,533 I COULD HEAR HIM GOING THROUGH THE HOUSE. 79 00:05:30,700 --> 00:05:32,900 AND PENNY WAS CRYING. 80 00:05:38,367 --> 00:05:41,067 HE CAME BACK INTO THE BEDROOM. 81 00:05:43,667 --> 00:05:46,233 HE WAS TAKING OFF HIS CLOTHES. 82 00:05:51,467 --> 00:05:54,067 HE'S ABOUT TO RAPE HER. 83 00:05:57,667 --> 00:05:59,599 AND THEN THE PHONE RANG. 84 00:05:59,600 --> 00:06:02,066 IT SEEMED TO SPOOK HIM. 85 00:06:02,067 --> 00:06:04,067 AND THEN HE JUST LEFT. 86 00:06:06,867 --> 00:06:08,666 CAN YOU DESCRIBE HIM TO ME? 87 00:06:08,667 --> 00:06:12,532 HE WAS ABOUT 5'10" OR 5'11". 88 00:06:12,533 --> 00:06:14,432 MRS. ALLEN WAS ABLE TO COME UP 89 00:06:14,433 --> 00:06:17,966 WITH A FAIRLY COMPLETE DESCRIPTION OF THE ATTACKER -- 90 00:06:17,967 --> 00:06:20,632 OLIVE COMPLEXION, IN HIS 20S. 91 00:06:20,633 --> 00:06:22,732 MAY I HAVE A WORD WITH YOU OUTSIDE? 92 00:06:22,733 --> 00:06:25,267 BE RIGHT BACK. 93 00:06:32,933 --> 00:06:34,399 THIS SOUND LIKE ANYONE YOU KNOW? 94 00:06:34,400 --> 00:06:36,466 - NO. - YOU'RE SURE? 95 00:06:36,467 --> 00:06:39,067 YEAH, I'M SURE. 96 00:06:44,800 --> 00:06:46,666 ONLY A SMALL AMOUNT OF THEIR VALUABLES 97 00:06:46,667 --> 00:06:49,599 AND THEIR CASH WAS ACTUALLY TAKEN. 98 00:06:49,600 --> 00:06:51,699 THE GLASS DOES NOT HAVE A FINGERPRINT ON IT. 99 00:06:51,700 --> 00:06:53,932 SO IT POSSIBLY COULD'VE BEEN WIPED. 100 00:06:53,933 --> 00:06:56,066 THIS IS SOMEBODY WITH A PLAN. 101 00:06:56,067 --> 00:06:58,900 THIS IS SOMEBODY WHO HAS COMMITTED A CRIME BEFORE. 102 00:07:01,567 --> 00:07:05,732 DETECTIVES FIND ABOUT 50 PHOTOGRAPHS OF MEN 103 00:07:05,733 --> 00:07:08,232 WHO WOULD MATCH ROUGHLY THE DESCRIPTION 104 00:07:08,233 --> 00:07:12,100 AND HAVE A HISTORY OF SEXUAL ASSAULT OR ROBBERY. 105 00:07:15,067 --> 00:07:16,932 THE NEXT DAY, MRS. ALLEN IS 106 00:07:16,933 --> 00:07:20,200 BROUGHT IN TO LOOK AT THIS PHOTO ARRAY. 107 00:07:31,500 --> 00:07:33,832 THAT'S HIM. 108 00:07:33,833 --> 00:07:35,666 THAT'S THE MAN. 109 00:07:35,667 --> 00:07:38,299 AND ANTHONY LITZY IS THE PERSON SHE IDENTIFIES. 110 00:07:38,300 --> 00:07:40,066 AND SHE IS ADAMANT. 111 00:07:40,067 --> 00:07:42,899 HE HAS A HISTORY OF ARMED ROBBERY. 112 00:07:42,900 --> 00:07:46,066 HE'S DONE TIME. 113 00:07:46,067 --> 00:07:49,066 OUT OF JAIL, ANTHONY LITZY WORKS CONSTRUCTION. 114 00:07:49,067 --> 00:07:50,767 HE'S A PLASTERER'S APPRENTICE. 115 00:07:53,133 --> 00:07:54,967 THEY REACH OUT TO THE EMPLOYER. 116 00:08:00,733 --> 00:08:03,732 ANTHONY LITZY WAS ACTUALLY AT THE PARKCHESTER APARTMENTS 117 00:08:03,733 --> 00:08:06,299 THE DAY BEFORE ON A JOB. 118 00:08:06,300 --> 00:08:09,100 THAT IS QUITE THE COINCIDENCE. 119 00:08:11,367 --> 00:08:13,699 ANTHONY LITZY IS BROUGHT INTO THE STATION 120 00:08:13,700 --> 00:08:16,066 TO BE QUESTIONED BY DETECTIVE BURNS 121 00:08:16,067 --> 00:08:19,066 AND ASSISTANT DA MARTIN FRANK. 122 00:08:19,067 --> 00:08:20,732 YOU WERE AT THE PARKCHESTER 2 DAYS AGO. 123 00:08:20,733 --> 00:08:23,399 IS THAT RIGHT? 124 00:08:23,400 --> 00:08:25,699 ON THE JOB, YEAH. 125 00:08:25,700 --> 00:08:27,099 A MAN WITH YOUR RECORD WORKIN' RIGHT WHERE 126 00:08:27,100 --> 00:08:28,766 A WOMAN GETS ATTACKED. 127 00:08:28,767 --> 00:08:30,899 I'M A MARRIED MAN, WORKING STEADY, 128 00:08:30,900 --> 00:08:32,499 WHICH IS MORE THAN A LOT CAN SAY. 129 00:08:32,500 --> 00:08:35,599 CAN ANYONE VOUCH FOR YOUR WHEREABOUTS AROUND 3 P.M.? 130 00:08:35,600 --> 00:08:37,366 ASK THE PLASTERER. ASK THE FOREMAN. 131 00:08:37,367 --> 00:08:38,866 THEY'LL BOTH TELL YOU. 132 00:08:38,867 --> 00:08:41,066 - HAVE THEY ANY RELATION TO YOU? - YEAH. 133 00:08:41,067 --> 00:08:43,399 THE PLASTERER, HE'S -- HE'S MY COUSIN. 134 00:08:43,400 --> 00:08:45,933 AND THE FOREMAN? 135 00:08:49,267 --> 00:08:52,399 YEAH, HE'S MY FATHER-IN-LAW. 136 00:08:52,400 --> 00:08:54,933 BOOK HIM. 137 00:08:57,667 --> 00:09:02,632 ASSISTANT DA FRANK ARRESTS ANTHONY LITZY. 138 00:09:02,633 --> 00:09:05,333 THAT WOULD'VE BEEN A NICE, TIDY ENDING. 139 00:09:11,067 --> 00:09:13,567 BUT WE HAD NO SUCH LUCK. 140 00:09:18,500 --> 00:09:20,599 THREE WEEKS LATER, 141 00:09:20,600 --> 00:09:21,966 THE COPS FOUND A DEAD WOMAN 142 00:09:21,967 --> 00:09:25,599 IN AN APARTMENT ACROSS TOWN. 143 00:09:25,600 --> 00:09:29,300 AND IN THE DINING ROOM WAS A FAMILIAR SIGHT. 144 00:09:40,900 --> 00:09:44,199 FEBRUARY 4, 1941, 3 WEEKS AFTER THE ATTACK 145 00:09:44,200 --> 00:09:45,532 ON MRS. ALLEN, 146 00:09:45,533 --> 00:09:47,399 DETECTIVE ED BURNS ARRIVES 147 00:09:47,400 --> 00:09:50,699 AT THE APARTMENT OF JOHN AND CATHERINE PAPPAS. 148 00:09:50,700 --> 00:09:53,766 JOHN HAS MOVED OUT OF THE APARTMENT AT THIS POINT, 149 00:09:53,767 --> 00:09:55,233 WHICH IS STANDARD. 150 00:09:57,367 --> 00:10:00,599 AND IT'S DEJA VU. APARTMENT'S RANSACKED. 151 00:10:00,600 --> 00:10:03,132 JOHN PAPPAS TOLD HIM THAT A NECKLACE, 152 00:10:03,133 --> 00:10:04,532 A DIAMOND ENGAGEMENT RING 153 00:10:04,533 --> 00:10:09,032 AND A LIMITED AMOUNT OF CASH HAD BEEN TAKEN. 154 00:10:09,033 --> 00:10:11,899 ON THE COFFEE TABLE, THERE'S CUPS OF COFFEE, 155 00:10:11,900 --> 00:10:16,799 CIGARETTES AND AN OPEN BOTTLE OF ASPIRIN. 156 00:10:16,800 --> 00:10:19,766 THE VICTIM AND THE PERPETRATOR SPENT TIME TOGETHER. 157 00:10:19,767 --> 00:10:22,199 SHE SERVED HIM COFFEE. 158 00:10:22,200 --> 00:10:26,599 AND THEN THE STRUGGLE ENSUES. 159 00:10:26,600 --> 00:10:30,533 CATHERINE PAPPAS IS A 29-YEAR-OLD BEAUTIFUL WOMAN. 160 00:10:33,067 --> 00:10:35,966 THERE IS A NECKTIE WRAPPED AROUND HER HANDS. 161 00:10:35,967 --> 00:10:37,399 HER BRA IS RIPPED. 162 00:10:37,400 --> 00:10:40,100 AND HER CLOTHES HAVE BEEN HIKED UP A LITTLE BIT. 163 00:10:43,700 --> 00:10:45,966 THERE ARE SCRATCHES ON HER FACE. 164 00:10:45,967 --> 00:10:47,199 HE DIDN'T RAPE HER. 165 00:10:47,200 --> 00:10:50,699 - BUT HER PANTIES ARE STILL ON. - SHE FOUGHT HIM. 166 00:10:50,700 --> 00:10:53,099 THERE WAS SOME SORT OF DEFENSIVE STRUGGLE. 167 00:10:53,100 --> 00:10:54,532 HE CHOKED HER TO DEATH. 168 00:10:54,533 --> 00:10:57,732 AND SMALL BONES HAVE BROKEN IN HER NECK. 169 00:10:57,733 --> 00:11:02,233 DETECTIVE BURNS ALSO NOTICES A HANDKERCHIEF ON THE BED. 170 00:11:09,967 --> 00:11:12,299 ORIGINALLY FROM ALEXANDRIA, EGYPT, 171 00:11:12,300 --> 00:11:15,699 SHE'S MARRIED LESS THAN 2 YEARS TO JOHN PAPPAS, 172 00:11:15,700 --> 00:11:20,699 WHO IS A WELL-TO-DO COFFEE MERCHANT. 173 00:11:20,700 --> 00:11:24,399 LIKE MANY WOMEN AT THE TIME, SHE DOESN'T WORK. 174 00:11:24,400 --> 00:11:27,299 SHE IS 20 YEARS YOUNGER THAN HER HUSBAND. 175 00:11:27,300 --> 00:11:29,566 HER LIFE REVOLVES AROUND THE CHURCH 176 00:11:29,567 --> 00:11:32,633 WHERE SHE'S A SUNDAY SCHOOL TEACHER AND HER HOUSE. 177 00:11:35,767 --> 00:11:38,266 HE HAS SEEN THIS BEFORE. 178 00:11:38,267 --> 00:11:41,732 THIS PERPETRATOR IS MOST LIKELY THE SAME ONE 179 00:11:41,733 --> 00:11:44,967 WHO, 3 WEEKS EARLIER, ATTACKED MRS. ALLEN. 180 00:11:51,700 --> 00:11:53,499 THE MEDICAL EXAMINER WOULD PLACE 181 00:11:53,500 --> 00:11:55,299 THE TIME OF DEATH BETWEEN 11 A.M. 182 00:11:55,300 --> 00:11:57,533 AND 3 P.M. THAT DAY. 183 00:12:02,067 --> 00:12:07,066 THE DETECTIVES THEN START TO QUESTION THEIR NEIGHBORS. 184 00:12:07,067 --> 00:12:09,399 WHAT TIME DID MR. PAPPAS RETURN THIS EVENING? 185 00:12:09,400 --> 00:12:12,232 MR. PAPPAS GOT HOME AROUND 10 P.M., 186 00:12:12,233 --> 00:12:14,200 AS I RECALL, GIVE OR TAKE. 187 00:12:16,200 --> 00:12:17,699 THAT TAKES JOHN PAPPAS 188 00:12:17,700 --> 00:12:20,599 AS A POSSIBLE SUSPECT OUT OF THE MIX. 189 00:12:20,600 --> 00:12:26,199 DID YOU NOTICE ANYTHING UNUSUAL, ANYBODY UNUSUAL? 190 00:12:26,200 --> 00:12:30,332 - THERE WAS A YOUNG MAN, THOUGH. - A YOUNG MAN? 191 00:12:30,333 --> 00:12:35,232 YEAH. HE WAS LEAVING JUST AS I CAME IN AROUND 2. 192 00:12:35,233 --> 00:12:37,767 I NEVER SAW HIM BEFORE. 193 00:12:40,067 --> 00:12:42,132 HE HAD DARK HAIR AND OLIVE SKIN, 194 00:12:42,133 --> 00:12:43,599 JUST LIKE MR. PAPPAS. 195 00:12:43,600 --> 00:12:45,432 HE WAS IN A HURRY. 196 00:12:45,433 --> 00:12:47,967 - THANK YOU. - YEAH. 197 00:12:50,867 --> 00:12:55,433 DETECTIVE BURNS GOES TO SPEAK WITH JOHN PAPPAS. 198 00:12:58,633 --> 00:13:01,699 I -- I RANG THE BELL, AS I ALWAYS DO. 199 00:13:01,700 --> 00:13:03,266 YOU RING YOUR OWN DOORBELL? 200 00:13:03,267 --> 00:13:06,599 CATHERINE IS NEW TO AMERICA, 201 00:13:06,600 --> 00:13:09,499 CONCERNED OF STRANGERS. 202 00:13:09,500 --> 00:13:11,666 HE WILL ACTUALLY RING THE DOORBELL 203 00:13:11,667 --> 00:13:13,632 JUST SO THAT SHE WILL NOT BECOME SCARED 204 00:13:13,633 --> 00:13:16,066 WHEN HE STARTS TURNING THE KEY. 205 00:13:16,067 --> 00:13:20,066 - BUT THE DOOR WAS NOT LOCKED. - SHE OPENED IT FOR SOMEONE? 206 00:13:20,067 --> 00:13:21,299 NO. 207 00:13:21,300 --> 00:13:23,132 SHE WOULD NEVER INVITE A STRANGER IN. 208 00:13:23,133 --> 00:13:25,866 THIS IS NOT HER WAY. 209 00:13:25,867 --> 00:13:29,399 THIS DOES NOT MAKE ANY SENSE TO HIM. 210 00:13:29,400 --> 00:13:30,832 LOOK. YOUNGER WOMAN, 211 00:13:30,833 --> 00:13:33,766 ONLY BEEN HERE A FEW YEARS AND YOU WORK LONG HOURS. 212 00:13:33,767 --> 00:13:37,732 MAYBE SHE MADE A FRIEND. - SHE IS AN HONORABLE WOMAN. 213 00:13:37,733 --> 00:13:41,566 HE VEHEMENTLY DENIES THAT THEY KNEW THE PERSON. 214 00:13:41,567 --> 00:13:45,732 HE INSISTS THAT SHE WAS KILLED NOT 215 00:13:45,733 --> 00:13:47,132 BECAUSE OF HER RELATIONSHIP 216 00:13:47,133 --> 00:13:50,499 BUT THAT SHE WAS TRYING TO DEFEND HER HONOR. 217 00:13:50,500 --> 00:13:52,232 SHE FOUGHT HIM. 218 00:13:52,233 --> 00:13:55,366 HE BELIEVES THAT SOMEBODY WAS ATTEMPTING TO RAPE HER 219 00:13:55,367 --> 00:13:57,232 AND THAT SHE FOUGHT BACK SO MUCH 220 00:13:57,233 --> 00:13:59,200 THAT THE PERSON HAD TO KILL HER. 221 00:14:07,500 --> 00:14:09,733 DETECTIVES ARE WORKING ALL NIGHT. 222 00:14:14,733 --> 00:14:16,066 AT 4 A.M., 223 00:14:16,067 --> 00:14:18,067 THEY FINALLY CATCH A BREAK. 224 00:14:24,067 --> 00:14:28,067 THERE'S A FINGERPRINT ON ONE OF THE WATER GLASSES. 225 00:14:31,267 --> 00:14:33,066 EVEN THOUGH IT'S 1941, 226 00:14:33,067 --> 00:14:36,199 THE NEW YORK POLICE DEPARTMENT ALREADY HAS A PORTABLE LAB. 227 00:14:36,200 --> 00:14:38,732 SO THEY IMMEDIATELY THEN START PRINTING EVERYONE. 228 00:14:38,733 --> 00:14:40,399 THEY'RE CALLED ELIMINATION PRINTS. 229 00:14:40,400 --> 00:14:42,267 ALL THE COPS, THE DETECTIVES... 230 00:14:44,800 --> 00:14:48,199 THE PRINT DOES NOT MATCH ANYBODY ELSE 231 00:14:48,200 --> 00:14:51,966 THAT COULD WELL BE THE KILLER. 232 00:14:51,967 --> 00:14:54,532 THE DETECTIVES TAKE THAT PRINT AND THEY SHIP IT 233 00:14:54,533 --> 00:14:57,232 TO THE NEW YORK POLICE HEADQUARTERS ON CENTER STREET. 234 00:14:57,233 --> 00:14:59,766 THEY SEND IT UP TO ALBANY WHERE ALL THE RECORDS 235 00:14:59,767 --> 00:15:01,332 ARE KEPT FOR EVERY PERSON 236 00:15:01,333 --> 00:15:03,899 WHO HAS A GOOD FINGERPRINT ON FILE IN NEW YORK STATE. 237 00:15:03,900 --> 00:15:06,500 AND THEY SENT IT TO THE FBI IN WASHINGTON. 238 00:15:08,733 --> 00:15:10,332 THE HEADQUARTERS OF THE CASE 239 00:15:10,333 --> 00:15:13,200 IS THE 42ND PRECINCT IN THE BRONX, THE 42. 240 00:15:18,533 --> 00:15:19,932 WITH MR. LITZY IN JAIL, 241 00:15:19,933 --> 00:15:23,066 THERE'S NO WAY HE COULD HAVE COMMITTED THE PAPPAS MURDER. 242 00:15:23,067 --> 00:15:26,399 LITZY HAD TO BE RELEASED. 243 00:15:26,400 --> 00:15:29,432 AS A DETECTIVE, YOU'RE ON A MISSION 244 00:15:29,433 --> 00:15:31,066 BECAUSE YOU HAVE TO SAVE 245 00:15:31,067 --> 00:15:33,832 THE NEXT WOMAN FROM BEIN' ATTACKED. 246 00:15:33,833 --> 00:15:35,799 POLICE GO TO PAWN SHOPS, 247 00:15:35,800 --> 00:15:37,932 ANYWHERE SOMEBODY MIGHT HAVE TRIED TO FENCE 248 00:15:37,933 --> 00:15:40,599 MRS. PAPPAS' JEWELRY FOR MONEY. 249 00:15:40,600 --> 00:15:41,932 NO LUCK. 250 00:15:41,933 --> 00:15:46,132 WITH AMAZING SPEED FOR 1941, 251 00:15:46,133 --> 00:15:47,966 DETECTIVES DISCOVER THAT THE PRINT 252 00:15:47,967 --> 00:15:51,067 DOES NOT MATCH ANY RECORD ON FILE. 253 00:15:55,600 --> 00:15:57,599 DETECTIVES KNOW THEY NEED 254 00:15:57,600 --> 00:16:01,066 TO GO BACK OVER THE ALLEN CASE. 255 00:16:01,067 --> 00:16:05,432 IS THERE A CONNECTION THAT SOMEHOW WAS MISSED? 256 00:16:05,433 --> 00:16:07,399 I'M LOOKING FOR A THREAD TO FOLLOW. 257 00:16:07,400 --> 00:16:09,432 YOU SAID THE STRANGER KNEW YOUR ADDRESS, 258 00:16:09,433 --> 00:16:11,766 SPECIFIC INFORMATION ABOUT YOUR HUSBAND. 259 00:16:11,767 --> 00:16:13,299 HAVE EITHER OF YOU DISCUSSED YOUR LIVES 260 00:16:13,300 --> 00:16:16,499 WITH A STRANGER THE LAST FEW MONTHS? 261 00:16:16,500 --> 00:16:19,400 I'VE BEEN TRYING TO RECALL, BUT... 262 00:16:23,800 --> 00:16:26,333 I DID. 263 00:16:33,067 --> 00:16:34,833 I KNOW WHO ATTACKED MY WIFE. 264 00:16:47,067 --> 00:16:50,599 I KNOW WHO ATTACKED MY WIFE. 265 00:16:50,600 --> 00:16:53,199 YOU KNOW WHO DID THIS? 266 00:16:53,200 --> 00:16:56,732 IT WAS A FEW WEEKS AGO. 267 00:16:56,733 --> 00:16:59,466 I WAS DRIVING MY ROUTE IN CONNECTICUT. 268 00:16:59,467 --> 00:17:03,666 I SAW A YOUNG FELLA ON THE SIDE OF THE ROAD WITH HIS THUMB OUT. 269 00:17:03,667 --> 00:17:06,066 MR. ALLEN SAID HE PICKED UP A HITCHHIKER 270 00:17:06,067 --> 00:17:07,932 JUST A FEW DAYS BEFORE THE ATTACK 271 00:17:07,933 --> 00:17:09,399 ON MRS. ALLEN. 272 00:17:09,400 --> 00:17:12,066 HE WAS ON HIS WAY INTO NEW YORK 273 00:17:12,067 --> 00:17:14,866 BECAUSE HE HAD TO GO HELP HIS SICK SISTER. 274 00:17:14,867 --> 00:17:18,932 HE HAD A REAL HARD-KNOCK LIFE, 275 00:17:18,933 --> 00:17:23,267 ORPHAN, RAISED IN BOYS TOWN. 276 00:17:27,400 --> 00:17:31,966 HE SAID HIS NAME WAS JERRY MITCHELL. 277 00:17:31,967 --> 00:17:34,966 I FELT SORRY FOR HIS TOUGH LUCK, SO I GAVE HIM A FEW BUCKS. 278 00:17:34,967 --> 00:17:38,767 HE ASKED WHERE I LIVED, TO SEND US A CARD. 279 00:17:42,433 --> 00:17:45,166 WHY DIDN'T YOU TELL US THIS BEFORE? 280 00:17:45,167 --> 00:17:47,467 MY WIFE PICKED OUT A DIFFERENT MAN. 281 00:17:49,700 --> 00:17:51,966 A WOMAN'S DEAD BECAUSE I LOCKED UP THE WRONG MAN. 282 00:17:51,967 --> 00:17:55,199 I WAS PRAYIN' IT WASN'T THIS FELLA. 283 00:17:55,200 --> 00:17:58,399 I GAVE HIM OUR ADDRESS. 284 00:17:58,400 --> 00:18:02,399 THIS WAS A BOLT OF LIGHTNING FOR DETECTIVE BURNS. 285 00:18:02,400 --> 00:18:04,066 HE COULD HAVE POTENTIALLY 286 00:18:04,067 --> 00:18:06,232 HELPED DETECTIVES SOLVE THIS CRIME 287 00:18:06,233 --> 00:18:11,266 BEFORE KITTY PAPPAS GOT KILLED. 288 00:18:11,267 --> 00:18:13,099 THEY SEND OUT A TELETYPE 289 00:18:13,100 --> 00:18:14,732 TO EVERY NEW YORK CITY POLICE 290 00:18:14,733 --> 00:18:16,632 PRECINCT IN THE FIVE BOROUGHS 291 00:18:16,633 --> 00:18:20,066 TO SEE IF THERE MIGHT BE SIMILAR CASES. 292 00:18:20,067 --> 00:18:23,199 IT'S NOT EVEN A FULL DAY LATER, FEBRUARY 6TH, 293 00:18:23,200 --> 00:18:24,732 A DETECTIVE FROM MANHATTAN 294 00:18:24,733 --> 00:18:28,299 BRINGS THIS COUPLE OVER TO THE 42 IN THE BRONX. 295 00:18:28,300 --> 00:18:32,299 THIS CASE SOUNDS REMARKABLY SIMILAR. 296 00:18:32,300 --> 00:18:34,499 AND THERE THEY MEET WITH THE ASSISTANT DA 297 00:18:34,500 --> 00:18:36,699 AND WITH DETECTIVE BURNS. 298 00:18:36,700 --> 00:18:39,232 I GAVE THE GUY A LIFT. 299 00:18:39,233 --> 00:18:41,799 HE SAID HE WAS COMING ALL THE WAY UP FROM BOYS TOWN, 300 00:18:41,800 --> 00:18:45,099 REALLY WORRIED ABOUT HIS SISTER WHO BROKE A LEG IN A CAR CRASH. 301 00:18:45,100 --> 00:18:47,566 IT ALL SOUNDS LIKE IT'S THE SAME PERSON. 302 00:18:47,567 --> 00:18:50,066 - HIS NAME WAS JERRY. - JERRY MITCHELL? 303 00:18:50,067 --> 00:18:54,399 NO, SCHOFFNER, JERRY SCHOFFNER. 304 00:18:54,400 --> 00:18:56,132 THIS GUY IS PRACTICED. 305 00:18:56,133 --> 00:19:00,066 THIS IS SOMEBODY WHO'S DONE THIS BEFORE. 306 00:19:00,067 --> 00:19:02,066 WHAT HAPPENED WHEN HE CAME OVER? 307 00:19:02,067 --> 00:19:05,499 HE SAID HE WAS, UM, AN ACQUAINTANCE OF BOB'S. 308 00:19:05,500 --> 00:19:07,466 HE KNEW DETAILS. 309 00:19:07,467 --> 00:19:09,499 HE ASKED FOR A BITE TO EAT. 310 00:19:09,500 --> 00:19:12,799 I DIDN'T WANT TO BE RUDE, SO I GAVE HIM A SANDWICH. 311 00:19:12,800 --> 00:19:15,866 AND WE ATE AT THE TABLE IN THE KITCHEN. 312 00:19:15,867 --> 00:19:19,132 HE HAD A HEADACHE. 313 00:19:19,133 --> 00:19:22,100 I GOT HIM A GLASS OF WATER AND AN ASPIRIN. 314 00:19:26,133 --> 00:19:30,166 AND HE CAME AT ME. 315 00:19:30,167 --> 00:19:35,400 HE USED HIS NECKTIE TO TIE MY HANDS BEHIND MY BACK. 316 00:19:37,633 --> 00:19:43,300 AND, HE FORCED HIMSELF UPON ME. 317 00:19:49,633 --> 00:19:51,466 AFTER THIS, IT'S FLOODGATES 318 00:19:51,467 --> 00:19:54,866 AT THE 42ND PRECINCT IN THE BRONX 319 00:19:54,867 --> 00:19:56,466 FORTY-SECOND. 320 00:19:56,467 --> 00:20:01,232 DETECTIVES EVERYWHERE IN THE CITY BRINGING IN CASES. 321 00:20:01,233 --> 00:20:02,532 CAN YOU TELL ME WHAT HAPPENED? 322 00:20:02,533 --> 00:20:04,866 I WAS IN CONNECTICUT FOR A JOB INTERVIEW. 323 00:20:04,867 --> 00:20:06,732 AND I MET A YOUNG MAN. 324 00:20:06,733 --> 00:20:07,966 HE WAS HITCHHIKING. 325 00:20:07,967 --> 00:20:09,999 HE SAID HE WAS GOING TO SEE HIS -- HIS SISTER. 326 00:20:10,000 --> 00:20:12,832 HE SAID HOW HE GREW UP IN BOYS TOWN AND 327 00:20:12,833 --> 00:20:15,132 HOW HE'S ON HIS WAY UP TO NEW YORK. 328 00:20:15,133 --> 00:20:16,632 I BEEN DOWN ON MY LUCK FOR A WHILE, 329 00:20:16,633 --> 00:20:18,299 SO I FIGURED I'D HELP HIM OUT. 330 00:20:18,300 --> 00:20:20,332 GAVE HIM A COUPLE BUCKS, 331 00:20:20,333 --> 00:20:22,999 AND THAT'S WHEN HE ASKED ME FOR MY ADDRESS 332 00:20:23,000 --> 00:20:24,899 TO SEND A THANK-YOU CARD. 333 00:20:24,900 --> 00:20:28,066 ONE AFTER ANOTHER SEEMS TO TELL THE SAME STORY. 334 00:20:28,067 --> 00:20:30,899 HE -- HE SHOWED UP AT MY DOOR UNANNOUNCED. 335 00:20:30,900 --> 00:20:35,366 HE SAID HE HAD A -- A THANK YOU FOR DAVID. 336 00:20:35,367 --> 00:20:37,899 AND HE SEEMED TO KNOW HIM. 337 00:20:37,900 --> 00:20:40,366 HE'S INVITED IN. HE'LL HAVE SOMETHING TO EAT. 338 00:20:40,367 --> 00:20:43,332 HE SAID HE HAD A HEADACHE AND HE WANTED ASPIRIN AND SOME WATER. 339 00:20:43,333 --> 00:20:45,632 HE TIED MY HANDS BEHIND MY BACK WITH 340 00:20:45,633 --> 00:20:46,999 CORBATA. 341 00:20:47,000 --> 00:20:48,666 NECKTIE. 342 00:20:48,667 --> 00:20:51,532 AND THEN, AFTER THE ASPIRIN, TIES HER HANDS WITH A NECKTIE. 343 00:20:51,533 --> 00:20:53,566 AND THEN AFTER STEALING 344 00:20:53,567 --> 00:20:56,166 WHAT HE CAN FROM AROUND THE HOUSE, 345 00:20:56,167 --> 00:20:59,866 RAPES HER VIOLENTLY ON HER OWN BED. 346 00:20:59,867 --> 00:21:01,766 DESCRIBE HIM TO ME. 347 00:21:01,767 --> 00:21:03,466 HE WAS ABOUT 5'10". 348 00:21:03,467 --> 00:21:06,066 - OLIVE SKIN. - DARK HAIR. 349 00:21:06,067 --> 00:21:08,199 OFTEN WOULD WEAR A GREEN JACKET, 350 00:21:08,200 --> 00:21:11,566 YELLOW SHOES AND BROWN PANTS. 351 00:21:11,567 --> 00:21:13,666 COPS ALSO LEARN ABOUT HIS ALIASES -- 352 00:21:13,667 --> 00:21:15,599 - JERRY MITCHELL... - JERRY SCHOFFNER... 353 00:21:15,600 --> 00:21:18,066 - GEORGE MUNDY... - GEORGE MITCHELL... 354 00:21:18,067 --> 00:21:19,932 - BILL SHNY... - GEORGE BLAKE. 355 00:21:19,933 --> 00:21:21,566 COPS IN THE FIVE BOROUGHS 356 00:21:21,567 --> 00:21:26,367 HAVING NO IDEA THEY WERE LOOKING FOR THE SAME PERSON. 357 00:21:29,567 --> 00:21:31,333 NO ONE WAS COMMUNICATING. 358 00:21:41,067 --> 00:21:42,566 THEY DO AN EXHAUSTIVE INVESTIGATION 359 00:21:42,567 --> 00:21:44,132 OF ALL THE CASE FILES 360 00:21:44,133 --> 00:21:45,832 FOR SEXUAL ASSAULTS IN NEW YORK CITY. 361 00:21:45,833 --> 00:21:48,633 THEY KEPT FILES METICULOUSLY. 362 00:21:55,267 --> 00:21:59,066 GREEN IS WHERE HE GOT PICKED UP HITCHHIKING. 363 00:21:59,067 --> 00:22:04,432 BLUE IS WHERE HE ONLY ROBBED SOMEONE. 364 00:22:04,433 --> 00:22:07,199 YELLOW -- ROBBERY AND RAPE. 365 00:22:07,200 --> 00:22:09,066 AND RED IS MURDER. 366 00:22:09,067 --> 00:22:10,799 THERE'S ONLY ONE OF THOSE SO FAR -- 367 00:22:10,800 --> 00:22:13,132 PAPPAS. 368 00:22:13,133 --> 00:22:15,667 YOU GOT IT? 369 00:22:24,700 --> 00:22:28,399 THEY CAN PINPOINT 31 SEPARATE CASES 370 00:22:28,400 --> 00:22:30,466 THAT GO BACK 9 MONTHS 371 00:22:30,467 --> 00:22:34,166 TO MAY OF 1940 WITH THE SAME MO. 372 00:22:34,167 --> 00:22:36,599 THEY HAVE A PREDATOR WHO HAS BEEN MARCHING 373 00:22:36,600 --> 00:22:39,332 THROUGH NEW YORK CITY, RAPING WOMEN. 374 00:22:39,333 --> 00:22:42,299 DRIVERS HAVE REPORTED PICKING HIM UP ON THE ROADS IN 375 00:22:42,300 --> 00:22:44,432 AND OUT OF NEW YORK, NEW JERSEY, 376 00:22:44,433 --> 00:22:47,666 CONNECTICUT, MASSACHUSETTS. 377 00:22:47,667 --> 00:22:49,066 THEY WERE STARTIN' TO SEE A PATTERN. 378 00:22:49,067 --> 00:22:51,066 HE WOULD BE OUTSIDE THE STATE 379 00:22:51,067 --> 00:22:52,566 AND THEN COME BACK INSIDE 380 00:22:52,567 --> 00:22:55,333 AND COMMIT SEVERAL ATTACKS IN NEW YORK CITY. 381 00:22:58,100 --> 00:23:00,632 SO WHAT DOES BURNS DO? HE SAYS, "YOU KNOW WHAT? 382 00:23:00,633 --> 00:23:03,400 LET'S JUST KEEP EXPANDING THE NET." 383 00:23:08,200 --> 00:23:09,766 HE SENDS OUT AN EIGHT-STATE 384 00:23:09,767 --> 00:23:11,799 ALARM BROADCAST TO POLICE DEPARTMENTS 385 00:23:11,800 --> 00:23:14,299 ALL UP AND DOWN THE EAST COAST. 386 00:23:14,300 --> 00:23:16,632 FORTY-SECOND, PLEASE HOLD. 387 00:23:16,633 --> 00:23:18,566 DETECTIVE GILLAN. 388 00:23:18,567 --> 00:23:22,066 OVER THE NEXT FEW WEEKS, POLICE DEPARTMENTS LARGE 389 00:23:22,067 --> 00:23:24,899 AND SMALL FROM MAINE TO NEW ORLEANS 390 00:23:24,900 --> 00:23:27,066 FIND 50 CASES, 391 00:23:27,067 --> 00:23:28,866 81 TOTAL CASES, 392 00:23:28,867 --> 00:23:33,099 OF RAPE OR ATTEMPTED RAPE IN 9 MONTHS. 393 00:23:33,100 --> 00:23:36,066 THE DETECTIVES BELIEVE THAT THIS PERSON 394 00:23:36,067 --> 00:23:38,933 HAS BEEN RAPING SOMEBODY ONCE EVERY 3 DAYS. 395 00:23:46,067 --> 00:23:48,899 THEY WERE ALL DIFFERENT SORTS, 396 00:23:48,900 --> 00:23:52,066 COMING FROM ALL DIFFERENT PLACES. 397 00:23:52,067 --> 00:23:54,799 THE ATTACKS WERE ALL THE SAME. 398 00:23:54,800 --> 00:23:56,132 BUT IT HAD TO HAVE HURT 399 00:23:56,133 --> 00:23:58,133 DIFFERENTLY FOR EACH ONE OF THEM. 400 00:24:01,633 --> 00:24:05,632 UM, HE'S -- HE GRABBED ME ALL OF A SUDDEN 401 00:24:05,633 --> 00:24:08,267 AND TIED MY... 402 00:24:11,267 --> 00:24:15,799 HE SAID IF I MOVE, HE'D KILL ME. 403 00:24:15,800 --> 00:24:19,832 SO I LISTENED. 404 00:24:19,833 --> 00:24:25,366 IT WAS HARD TO BREATHE. 405 00:24:25,367 --> 00:24:31,632 HE RAPED ME MORE THAN ONCE. 406 00:24:31,633 --> 00:24:35,732 AND THEN HE WAS GONE. 407 00:24:35,733 --> 00:24:37,966 THE AFTEREFFECTS CAN BE 408 00:24:37,967 --> 00:24:41,232 JUST AS CATASTROPHIC AS THE ACT ITSELF, 409 00:24:41,233 --> 00:24:43,699 WHICH IS WHY SO MANY VICTIMS OF RAPE 410 00:24:43,700 --> 00:24:47,632 ARE VULNERABLE TO DEVELOPING POST-TRAUMATIC STRESS DISORDER. 411 00:24:47,633 --> 00:24:50,166 SOME OF THESE WOMEN, THEY'RE MONOTONE. 412 00:24:50,167 --> 00:24:53,566 THEY'RE STARING OFF INTO SPACE. 413 00:24:53,567 --> 00:24:55,099 IT SEEMS THAT ALL OF THESE HUSBANDS 414 00:24:55,100 --> 00:24:57,866 GAVE THE ADDRESS TO THE ATTACKER. 415 00:24:57,867 --> 00:25:00,166 THERE'S GONNA BE SOME SHAME IN THAT. 416 00:25:00,167 --> 00:25:01,966 YOU KNOW, WHY LET HIM IN? 417 00:25:01,967 --> 00:25:03,866 THAT'S WHAT I DON'T UNDERSTAND. 418 00:25:03,867 --> 00:25:06,766 FIX HER HAIR, FIXING LUNCH, 419 00:25:06,767 --> 00:25:10,666 IT SENDS THE WRONG SIGNAL. 420 00:25:10,667 --> 00:25:13,432 MANY OF THE HUSBANDS WERE ANGRY AT THEMSELVES, 421 00:25:13,433 --> 00:25:16,599 BUT THEY WERE PROJECTING IT ONTO THEIR WIVES. 422 00:25:16,600 --> 00:25:18,899 IN THE 1940S, IF A WOMAN IS RAPED, 423 00:25:18,900 --> 00:25:20,332 MANY PEOPLE THOUGHT 424 00:25:20,333 --> 00:25:22,199 THAT SHE HAD LED SOMEBODY ON 425 00:25:22,200 --> 00:25:25,699 OR THAT SHE DID NOT FIGHT BACK ENOUGH. 426 00:25:25,700 --> 00:25:27,666 IT'S THE CATCH-22 FOR WOMEN. 427 00:25:27,667 --> 00:25:29,632 IF YOU TRY TO FIGHT OFF THE ATTACK, 428 00:25:29,633 --> 00:25:31,499 YOU COULD END UP STRANGLED AND MURDERED THE WAY 429 00:25:31,500 --> 00:25:33,099 THAT MRS. PAPPAS WAS. 430 00:25:33,100 --> 00:25:35,432 IF YOU DON'T FIGHT HARD ENOUGH, 431 00:25:35,433 --> 00:25:38,199 THEN OFTENTIMES YOU'RE BLAMED AFTERWARDS, 432 00:25:38,200 --> 00:25:40,466 EVEN THOUGH THEY JUST WANT TO SURVIVE THE ATTACK. 433 00:25:40,467 --> 00:25:43,067 THAT'S A TYPE OF RETRAUMATIZING. 434 00:25:49,233 --> 00:25:52,399 HE'S LIKE A GREAT WHITE SHARK. 435 00:25:52,400 --> 00:25:56,366 HE LEAVES A PATH OF DESTRUCTION IN THESE LIVES. 436 00:25:56,367 --> 00:26:01,099 AND THEY KNOW HE'S NOT GOING TO STOP TILL HE'S CAUGHT. 437 00:26:01,100 --> 00:26:03,633 AND THAT'S IT. 438 00:26:12,933 --> 00:26:14,899 I WAS TERRIFIED FOR THE WHOLE MONTH 439 00:26:14,900 --> 00:26:17,066 AFTER BETTY ALLEN WAS ATTACKED. 440 00:26:17,067 --> 00:26:19,532 AND THEN KITTY PAPPAS WAS KILLED. 441 00:26:19,533 --> 00:26:23,066 IT WAS SO STRANGE WALKING THE CROWDED STREETS OF THE CITY 442 00:26:23,067 --> 00:26:24,699 AND NONE OF THOSE PEOPLE KNEW 443 00:26:24,700 --> 00:26:27,132 THAT A MONSTER WAS ON THE LOOSE. 444 00:26:27,133 --> 00:26:31,532 THANK GOD THAT DIDN'T LAST LONG. 445 00:26:31,533 --> 00:26:33,333 YOU SEEN THIS? 446 00:26:35,900 --> 00:26:37,566 THERE'S AN EIGHT-STATE ALARM 447 00:26:37,567 --> 00:26:41,899 THAT IS LITERALLY TOO LOUD TO KEEP OUT OF THE NEWS MEDIA. 448 00:26:41,900 --> 00:26:43,266 AND SO A VETERAN REPORTER NAMED 449 00:26:43,267 --> 00:26:47,366 MAURICE KASNER PRINTS THE STORY ABOUT THE ASPIRIN BANDIT. 450 00:26:47,367 --> 00:26:50,166 HE PIECES TOGETHER THE ALLEN CASE 451 00:26:50,167 --> 00:26:51,566 AND THE PAPPAS CASE. 452 00:26:51,567 --> 00:26:52,732 IT'S GOOD FOR KASNER. 453 00:26:52,733 --> 00:26:54,366 NOW MORE WOMEN WILL BE WISE TO HIS TRICKS. 454 00:26:54,367 --> 00:26:56,199 AND HE LEFT THE RAPE OUT. 455 00:26:56,200 --> 00:26:58,766 IF HE READS THIS, HE'LL HAVE NO IDEA HOW MUCH WE KNOW. 456 00:26:58,767 --> 00:27:01,632 THE DETECTIVES AND THE DISTRICT ATTORNEY 457 00:27:01,633 --> 00:27:03,132 ARE ALWAYS JUDICIOUS 458 00:27:03,133 --> 00:27:07,232 IN WHAT INFORMATION THEY GIVE OUT. 459 00:27:07,233 --> 00:27:08,899 LAW ENFORCEMENT IN THE 1940S 460 00:27:08,900 --> 00:27:11,632 IS NOT BUILT FOR A MULTI-STATE CRIME. 461 00:27:11,633 --> 00:27:14,099 THE PROBLEM IS THE LACK OF TECHNOLOGY. 462 00:27:14,100 --> 00:27:18,733 THE POLICE NEEDED TO CREATE A COMMUNICATION NETWORK. 463 00:27:22,600 --> 00:27:23,932 BRONX POLICE CHIEF AT THE TIME -- 464 00:27:23,933 --> 00:27:26,066 JOHN J. O'CONNOR -- CANCELS LEAVES. 465 00:27:26,067 --> 00:27:27,732 THERE'S NO DAYS OFF. 466 00:27:27,733 --> 00:27:29,799 ALL THE POLICE OFFICERS IN THE BRONX 467 00:27:29,800 --> 00:27:31,432 CALL IN EVERY NIGHT. 468 00:27:31,433 --> 00:27:35,699 THE BEAT COP WOULD GO TO THE CALL BOX ON HIS POST 469 00:27:35,700 --> 00:27:39,632 AND RING IN TO THE SWITCHBOARD OPERATOR. 470 00:27:39,633 --> 00:27:41,566 AND THEY'VE GOT TO LET THE COMMAND POST KNOW 471 00:27:41,567 --> 00:27:44,199 WHAT THEY'VE LEARNED ABOUT THIS CASE. 472 00:27:44,200 --> 00:27:46,599 AND SO THAT STARTS MUCH MORE COMMUNICATION 473 00:27:46,600 --> 00:27:48,432 BETWEEN THE PRECINCTS. 474 00:27:48,433 --> 00:27:51,232 ALSO, POLICE DEPARTMENTS THROUGHOUT THE REGION, 475 00:27:51,233 --> 00:27:53,699 THEY ARE TOLD TO LOOK FOR ANYONE 476 00:27:53,700 --> 00:27:55,299 THAT MATCHES A DESCRIPTION 477 00:27:55,300 --> 00:27:59,532 AND THEN CONTACT THE 42ND PRECINCT IN THE BRONX. 478 00:27:59,533 --> 00:28:03,300 FEBRUARY 14TH, 10 DAYS AFTER CATHERINE PAPPAS IS KILLED, 479 00:28:05,433 --> 00:28:09,132 DETECTIVES GET A BREAK IN THE CASE. 480 00:28:09,133 --> 00:28:13,232 THEY GET A CALL FROM HIGHTSTOWN, NEW JERSEY. 481 00:28:13,233 --> 00:28:16,066 SO HOW DID HE COME TO STAY WITH YOU? 482 00:28:16,067 --> 00:28:18,899 WE LET HIM STAY HERE OVER THE HOLIDAYS. 483 00:28:18,900 --> 00:28:20,066 AND HE ROBBED US. 484 00:28:20,067 --> 00:28:21,532 THE IDES, A HUSBAND AND WIFE... 485 00:28:21,533 --> 00:28:25,066 BUT HE DIDN'T FATHOM THE EYE OF AN ARTIST. 486 00:28:25,067 --> 00:28:27,499 HER PORTRAITS ARE EXQUISITE. 487 00:28:27,500 --> 00:28:29,132 ...THE WOMAN IS AN ARTIST. 488 00:28:29,133 --> 00:28:34,066 AND SHE SAYS, "YOU WANT ME TO MAKE A SKETCH OF THIS GUY?" 489 00:28:34,067 --> 00:28:38,132 THIS SUBJECT DID TALK ABOUT BOYS TOWN WITH THEM. 490 00:28:38,133 --> 00:28:41,667 YEAH, THAT'S THE DIRTY LITTLE SCAMP. 491 00:28:48,533 --> 00:28:51,066 THEY THEN BRING THE PICTURE BACK TO THE BRONX. 492 00:28:51,067 --> 00:28:53,066 AND SEVERAL OF THE FAMILIES LOOK AT THE PICTURE. 493 00:28:53,067 --> 00:28:56,066 AND THEY SAY, "THAT IS HIM." 494 00:28:56,067 --> 00:28:57,799 BURNS WORKS THE STREET. 495 00:28:57,800 --> 00:28:59,632 HE SWEATS HIS SAUCES. 496 00:28:59,633 --> 00:29:02,832 HE'S NOT KNOWN TO THE PROSTITUTES OF BORDELLOS. 497 00:29:02,833 --> 00:29:05,932 HE'S NOT KNOWN TO THE SHAPE-UP GUYS ON THE DOCK. 498 00:29:05,933 --> 00:29:10,066 THE GUY'S NOT A REGULAR NEW YORKER. 499 00:29:10,067 --> 00:29:11,699 HOWEVER, FEBRUARY 19TH, 500 00:29:11,700 --> 00:29:15,166 2 WEEKS AFTER THE PAPPAS HOMICIDE, THEY GET A LEAD. 501 00:29:15,167 --> 00:29:17,199 THE POLICE IN WASHINGTON, D.C., 502 00:29:17,200 --> 00:29:19,966 GET A CALL OF A SUSPICIOUS PERSON 503 00:29:19,967 --> 00:29:22,599 IN AN APARTMENT BUILDING. 504 00:29:22,600 --> 00:29:24,799 SOMEBODY TRIED TO GET INTO AN APARTMENT. 505 00:29:24,800 --> 00:29:27,066 AND THE FEMALE, THINKING THIS DID NOT 506 00:29:27,067 --> 00:29:28,666 SOUND RIGHT, STOPPED HIM. 507 00:29:28,667 --> 00:29:31,066 THE SUPER IMMEDIATELY CALLS THE POLICE. 508 00:29:31,067 --> 00:29:33,666 AND THE POLICE, BECAUSE OF ALL THE GREAT COMMUNICATION, 509 00:29:33,667 --> 00:29:36,766 KNOWS THAT THIS COULD BE THE SAME PERSON 510 00:29:36,767 --> 00:29:38,866 THAT HAS COMMITTED THE ACTS IN NEW YORK CITY. 511 00:29:38,867 --> 00:29:42,500 SUPER SAYS THAT HE CHASED THE GUY UP TO THE ROOF. 512 00:29:48,200 --> 00:29:50,699 BUT HE'S NOT THERE, 513 00:29:50,700 --> 00:29:54,199 MUST'VE GOTTEN DOWN OFF THE FIRE ESCAPE. 514 00:29:54,200 --> 00:29:56,233 HE WAS ABLE TO GET AWAY AT THAT POINT. 515 00:30:03,000 --> 00:30:04,466 FIVE DAYS GO BY. 516 00:30:04,467 --> 00:30:05,799 THEY DON'T HEAR ANYTHING. 517 00:30:05,800 --> 00:30:07,299 HE MAY HAVE REALIZED 518 00:30:07,300 --> 00:30:09,932 THEY'RE ON TO HIM NOW AND VANISHED. 519 00:30:18,500 --> 00:30:21,032 DURANT. 520 00:30:21,033 --> 00:30:24,899 WHERE? ALL RIGHT. 521 00:30:24,900 --> 00:30:27,033 WE GOT ANOTHER ONE IN NEWARK. 522 00:30:32,067 --> 00:30:35,299 FEBRUARY 25TH, THE PHONE RINGS -- NEWARK, NEW JERSEY, 523 00:30:35,300 --> 00:30:39,699 A WOMAN HAS BEEN RAPED TWICE VIOLENTLY. 524 00:30:39,700 --> 00:30:42,632 THEN THERE ARE REPORTS OF ATTACKS IN PASSAIC, 525 00:30:42,633 --> 00:30:45,666 FORT LEE, ALL TOWNS IN NORTH JERSEY. 526 00:30:45,667 --> 00:30:49,467 THEY'RE PLOTTING HIM OUT ALMOST IN REAL TIME. 527 00:30:54,600 --> 00:30:57,099 HE'S GOT A PATTERN. HE HITCHHIKES. 528 00:30:57,100 --> 00:30:59,066 EVENTUALLY, HE COMES BACK TO NEW YORK. 529 00:30:59,067 --> 00:31:00,966 WE GET A HIT IN NEWARK 530 00:31:00,967 --> 00:31:03,667 AND JUST NORTH OF PASSAIC AND FORT LEE. 531 00:31:05,933 --> 00:31:07,632 HE'S COMING TO THE CITY RIGHT NOW. 532 00:31:07,633 --> 00:31:10,532 WE NEED MEN ON THE BRIDGE AND EVERY TUNNEL CROSSING NOW. 533 00:31:10,533 --> 00:31:14,366 I WANT EVERY CAR STOPPED COMING FROM NEW JERSEY. 534 00:31:14,367 --> 00:31:15,666 ON MARCH 3, 1941, 535 00:31:15,667 --> 00:31:18,666 THEY ARE AT EVERY CROSSING INTO NEW YORK. 536 00:31:18,667 --> 00:31:22,066 THEY'RE STOPPING CARS. THEY'RE STOPPING PEOPLE. 537 00:31:22,067 --> 00:31:25,966 DETECTIVE BURNS BELIEVES THAT HE'S LIVING ATTACK TO ATTACK. 538 00:31:25,967 --> 00:31:28,066 COME HERE. 539 00:31:28,067 --> 00:31:30,833 I NEED DETECTIVES AT EVERY CHEAP HOTEL ON THE WEST SIDE. 540 00:31:32,933 --> 00:31:35,433 THEY FLOOD THE WEST SIDE OF MANHATTAN. 541 00:31:37,800 --> 00:31:39,932 THE MILLS HOTEL IS 1,800 ROOMS 542 00:31:39,933 --> 00:31:41,699 FOR DAY LABORERS WHO ARE IN NEW YORK 543 00:31:41,700 --> 00:31:45,799 WHO NEEDED SOMEWHERE TO LIVE THAT WAS NICE ENOUGH. 544 00:31:45,800 --> 00:31:48,866 BRONX DETECTIVES GILLAN, MAYHEN AND DURANT, 545 00:31:48,867 --> 00:31:50,566 THEY'RE STATIONED THERE. 546 00:31:50,567 --> 00:31:52,333 PEOPLE ARE COMING AND GOING. 547 00:32:01,667 --> 00:32:04,866 DETECTIVE DURANT SEES OUT OF THE CORNER OF HIS EYE A GUY 548 00:32:04,867 --> 00:32:07,400 IN A GREEN JACKET WALK IN. 549 00:32:15,467 --> 00:32:18,067 THEY'VE GOT A SKETCH OF THIS GUY IN THEIR POCKET. 550 00:32:27,567 --> 00:32:29,066 WELCOME BACK, SIR. 551 00:32:29,067 --> 00:32:31,366 SAME ROOM? - YEAH, ONE NIGHT. 552 00:32:31,367 --> 00:32:32,832 REMIND ME YOUR NAME AGAIN? 553 00:32:32,833 --> 00:32:35,366 KOZLOWSKI, GEORGE KOZLOWSKI. 554 00:32:35,367 --> 00:32:36,566 OF COURSE. 555 00:32:36,567 --> 00:32:39,467 JUST A MOMENT. 556 00:32:43,500 --> 00:32:45,966 YOU KNOW WHAT? I FORGOT SOMETHIN'. I... 557 00:32:45,967 --> 00:32:48,532 IF YOU DON'T MIND, I'LL -- I'LL BE RIGHT BACK. 558 00:32:48,533 --> 00:32:51,100 PLEASE, GO AHEAD. 559 00:32:52,700 --> 00:32:53,899 WELCOME TO THE MILLS HOTEL. 560 00:32:53,900 --> 00:32:55,199 YEAH, WHAT DO YOU GET FOR A ROOM NOW? 561 00:32:55,200 --> 00:32:59,067 WELL, SIR, FOR JUST A NIGHT... 562 00:33:08,200 --> 00:33:11,399 GILLAN AND MAYHEN ARE ABLE TO GRAB HIM RIGHT 563 00:33:11,400 --> 00:33:12,799 BEFORE HE MAKES IT OUT THE DOOR. 564 00:33:12,800 --> 00:33:14,166 WHAT GIVES? 565 00:33:14,167 --> 00:33:17,166 POLICE. WHAT'S YOUR NAME? 566 00:33:17,167 --> 00:33:18,932 GEORGE JOSEPH CVEK. 567 00:33:18,933 --> 00:33:21,467 NOT KOZLOWSKI? 568 00:33:24,167 --> 00:33:26,366 YEAH, THAT'S WHAT I THOUGHT. 569 00:33:26,367 --> 00:33:28,866 LET'S TAKE A RIDE, PAL. 570 00:33:28,867 --> 00:33:32,099 HIS NAME IS GEORGE JOSEPH CVEK. 571 00:33:32,100 --> 00:33:33,599 IN THE PRECINCT, THE LEADING 572 00:33:33,600 --> 00:33:35,832 PRINT DETECTIVE FINGERPRINTS HIM. 573 00:33:35,833 --> 00:33:39,466 HE COMPARES IT TO THE FINGERPRINT PHOTO REMOVED 574 00:33:39,467 --> 00:33:43,133 FROM THE GLASS IN PAPPAS' APARTMENT. 575 00:33:47,400 --> 00:33:49,933 WE HAVE A MATCH. 576 00:33:54,867 --> 00:33:56,899 CVEK WAS BORN IN HARRISBURG, PENNSYLVANIA. 577 00:33:56,900 --> 00:33:58,666 HIS PARENTS WERE IMMIGRANTS. 578 00:33:58,667 --> 00:34:00,832 FATHER FROM WHAT BECAME YUGOSLAVIA, 579 00:34:00,833 --> 00:34:02,699 MOTHER IS FROM HUNGARY. 580 00:34:02,700 --> 00:34:04,766 HE HAD A VERY TROUBLED YOUTH. 581 00:34:04,767 --> 00:34:07,066 AGE 10 WAS HIS FIRST RUN-IN WITH THE LAW. 582 00:34:07,067 --> 00:34:10,799 AT ONE POINT, GEORGE STARTED ROBBING THE HOUSE. 583 00:34:10,800 --> 00:34:14,532 HIS MOTHER GOES TO STOP HIM AND HE BEATS HER. 584 00:34:14,533 --> 00:34:16,966 HE WAS THEN SENT NOT TO BOYS TOWN, 585 00:34:16,967 --> 00:34:19,932 BUT TO A REFORMATORY FOR 5 YEARS. 586 00:34:19,933 --> 00:34:23,066 AND THEN HE'S ARRESTED FOR STEALING CARS. 587 00:34:23,067 --> 00:34:26,133 DURING NONE OF THESE TIMES WAS HE EVER FINGERPRINTED. 588 00:34:29,733 --> 00:34:31,599 WELL, CRY ME A RIVER. 589 00:34:31,600 --> 00:34:33,532 PLENTY OF PEOPLE HAVE ROUGH CHILDHOODS 590 00:34:33,533 --> 00:34:36,166 AND DON'T WIND UP KILLIN' PEOPLE. 591 00:34:36,167 --> 00:34:37,832 ALL I CARED ABOUT WAS THAT THE POLICE 592 00:34:37,833 --> 00:34:40,932 WERE GONNA LOCK HIM UP AND THROW AWAY THE KEY. 593 00:34:40,933 --> 00:34:42,399 THAT WAS CALLED COMFORT 594 00:34:42,400 --> 00:34:45,533 FOR ALL OF THOSE WOMEN THE POLICE BELIEVED HE RAPED. 595 00:34:47,567 --> 00:34:51,532 WE GOT YOU FOR THE MURDER OF CATHERINE PAPPAS. 596 00:34:51,533 --> 00:34:54,067 IT'S OVER, CVEK. YOU'RE GONNA PAY. 597 00:34:57,333 --> 00:35:02,932 BUT IT'S NOT ENOUGH, NOT BY A LONG SHOT, BOY. 598 00:35:02,933 --> 00:35:04,866 - HOW'S THAT? - HOW'S ABOUT YOU TELL ME 599 00:35:04,867 --> 00:35:07,066 ABOUT THOSE OTHER WOMEN. 600 00:35:07,067 --> 00:35:08,932 - WHAT WOMEN? - YOU KNOW EXACTLY 601 00:35:08,933 --> 00:35:11,467 WHO I'M TALKIN' ABOUT, 602 00:35:13,633 --> 00:35:19,266 THE ONES YOU TIED UP AND VIOLATED IN THEIR OWN BEDS. 603 00:35:19,267 --> 00:35:20,932 WELL, I DON'T CARE THAT 604 00:35:20,933 --> 00:35:22,166 YOU'RE ALREADY GOIN' TO THE BIG HOUSE 605 00:35:22,167 --> 00:35:23,632 FOR THE MURDER OF CATHERINE PAPPAS. 606 00:35:23,633 --> 00:35:27,132 THOSE WOMEN, THEIR HUSBANDS, THEY DESERVE TO KNOW THE TRUTH. 607 00:35:27,133 --> 00:35:28,299 I'M TELLING THE TRUTH. 608 00:35:28,300 --> 00:35:29,932 YOU'RE A NO-GOOD, TWO-BIT CON ARTIST. 609 00:35:29,933 --> 00:35:33,899 YOU'RE LIAR. AND YOU'RE A RAPIST. 610 00:35:33,900 --> 00:35:35,799 BOY, I SURE DO HAVE A DOOZY OF A HEADACHE. 611 00:35:35,800 --> 00:35:38,233 YOU COULDN'T SPARE ANY ASPIRIN, COULD YOU? 612 00:35:42,800 --> 00:35:46,832 WE'LL SEE. 613 00:35:46,833 --> 00:35:50,766 THEY'RE GOING TO CONDUCT A LINEUP. 614 00:35:50,767 --> 00:35:52,466 CVEK IS SURROUNDED BY A BUNCH OF COPS 615 00:35:52,467 --> 00:35:54,967 WHO LOOK SIMILAR TO HIM. 616 00:35:58,600 --> 00:36:00,299 THEY'RE BRINGING ALL OF THESE VICTIMS 617 00:36:00,300 --> 00:36:03,499 AND THEIR FAMILIES INTO THE PRECINCT. 618 00:36:03,500 --> 00:36:08,266 JOHN PAPPAS IS EVEN THERE WITH HIS DOORMAN. 619 00:36:08,267 --> 00:36:11,699 IN 1941, YOU DON'T HAVE TWO-WAY MIRRORS. 620 00:36:11,700 --> 00:36:13,667 YOU DON'T HAVE ANY GLASS PARTITION. 621 00:36:22,800 --> 00:36:24,600 CAN THIS MAN STEP FORWARD? 622 00:36:32,800 --> 00:36:34,832 IT'S HIM. 623 00:36:34,833 --> 00:36:39,066 THIS IS THE MAN. 624 00:36:39,067 --> 00:36:42,632 ONE BY ONE, THEY'RE BROUGHT. AND THEY GO PAST THE LINEUP. 625 00:36:42,633 --> 00:36:43,966 THIS IS THE MAN. 626 00:36:43,967 --> 00:36:48,066 THEY IDENTIFY HIM. 627 00:36:48,067 --> 00:36:50,367 SOME DON'T SAY ANYTHING. 628 00:36:53,400 --> 00:36:55,533 AND HIS DEMEANOR STARTS TO CHANGE. 629 00:36:58,167 --> 00:37:00,200 THAT MAN, 630 00:37:02,767 --> 00:37:04,700 HE'S LOOKING DOWN. 631 00:37:09,467 --> 00:37:11,533 THE COCKINESS HAS MELTED AWAY. 632 00:37:20,067 --> 00:37:22,632 - HIM. - I'LL KILL YOU! 633 00:37:22,633 --> 00:37:23,866 I'LL KILL YOU, YOU BASTARD! 634 00:37:23,867 --> 00:37:26,399 I'LL KILL YOU! 635 00:37:26,400 --> 00:37:29,166 ONE OF THE VICTIMS' HUSBANDS GOES AT HIM. 636 00:37:29,167 --> 00:37:30,967 AND HE HAS TO BE HELD BACK. 637 00:37:35,167 --> 00:37:38,367 CVEK IS NOW DEMORALIZED. 638 00:37:40,967 --> 00:37:43,966 HE GAVE EVERYTHING UP AT THAT POINT. 639 00:37:43,967 --> 00:37:47,166 AND HE IMMEDIATELY CONFESSES TO SEVERAL RAPES 640 00:37:47,167 --> 00:37:50,333 AND TO THE MURDER OF CATHERINE PAPPAS. 641 00:37:52,467 --> 00:37:54,366 HE INTRODUCED HIMSELF. 642 00:37:54,367 --> 00:37:55,932 HE SAID HOW HE WANTED TO SAY, 643 00:37:55,933 --> 00:37:58,332 "THANK YOU," TO JOHN PAPPAS. 644 00:37:58,333 --> 00:38:00,832 CATHERINE PAPPAS IS POLITE. 645 00:38:00,833 --> 00:38:03,166 AND SHE INVITES HIM IN. 646 00:38:03,167 --> 00:38:05,133 SHE BRINGS OUT HER BEST CHINA. 647 00:38:17,067 --> 00:38:18,799 AND THEN HE ATTACKS HER. 648 00:38:18,800 --> 00:38:20,932 BECAUSE SHE'S STRUGGLING SO MUCH, 649 00:38:20,933 --> 00:38:24,732 HE CLAMPS HIS HANDS AROUND HER THROAT, 650 00:38:24,733 --> 00:38:28,333 TIGHTENING HARDER AND HARDER UNTIL SHE STOPS MOVING. 651 00:38:31,800 --> 00:38:33,599 THE FACT THAT THERE HAD ONLY BEEN 652 00:38:33,600 --> 00:38:36,132 ONE DOCUMENTED MURDER SUGGESTS 653 00:38:36,133 --> 00:38:39,899 THAT IT WAS SOMETHING THAT WENT WRONG. 654 00:38:39,900 --> 00:38:42,066 HE QUICKLY GRABS A COUPLE OF ITEMS 655 00:38:42,067 --> 00:38:44,400 AND HE RUNS OUT AS FAST AS HE CAN. 656 00:38:46,500 --> 00:38:51,199 AND HE DOESN'T WIPE THE GLASS. 657 00:38:51,200 --> 00:38:53,966 HE LATER SAYS THAT HE HAD NEVER MET JOHN PAPPAS. 658 00:38:53,967 --> 00:38:56,066 HE JUST WAS DOWNSTAIRS. HE SAW THAT NAME. 659 00:38:56,067 --> 00:38:58,067 AND HE DECIDED TO GIVE THAT A TRY. 660 00:39:03,367 --> 00:39:07,299 ALL THESE VICTIMS, THESE WERE ALL GOOD PEOPLE. 661 00:39:07,300 --> 00:39:09,732 THEY WERE KIND. 662 00:39:09,733 --> 00:39:11,532 THEY TRUSTED HIM. 663 00:39:11,533 --> 00:39:14,533 AND HE TOOK THEIR KINDNESS AND HE USED IT AGAINST THEM. 664 00:39:16,833 --> 00:39:21,432 ULTIMATELY, THE ROOT OF RAPE IS NOT SEX-BASED. 665 00:39:21,433 --> 00:39:27,899 IT'S POWER-BASED, OVERPOWERING OR CONTROLLING SOMEBODY ELSE. 666 00:39:27,900 --> 00:39:31,932 CVEK, PERHAPS, FELT POWERLESS OR RESENTFUL TOWARDS WOMEN. 667 00:39:31,933 --> 00:39:36,699 AND SO HE EXPRESSED THAT THROUGH VIOLATING THEM. 668 00:39:36,700 --> 00:39:38,432 THE AMOUNT OF HARM THAT THIS PERSON 669 00:39:38,433 --> 00:39:42,232 DID IS ALMOST UNIMAGINABLE. 670 00:39:42,233 --> 00:39:45,166 RESEARCHERS PREDICT ANYWHERE FROM WITHIN 50 671 00:39:45,167 --> 00:39:47,966 TO 70 PERCENT OF SEXUAL ASSAULTS 672 00:39:47,967 --> 00:39:50,466 AND RAPES GO UNREPORTED. 673 00:39:50,467 --> 00:39:53,532 BASED ON THAT FACT, THE NUMBER OF VICTIMS 674 00:39:53,533 --> 00:39:55,066 OF GEORGE JOSEPH CVEK 675 00:39:55,067 --> 00:39:57,800 COULD TOTAL WELL OVER 200. 676 00:40:00,567 --> 00:40:04,366 GEORGE CVEK'S STRENGTH WAS THAT HE WAS A LONER. 677 00:40:04,367 --> 00:40:08,032 HE WAS ABLE TO USE THE SEAMS, 678 00:40:08,033 --> 00:40:10,099 THE BOUNDARIES BETWEEN NEIGHBORHOODS, 679 00:40:10,100 --> 00:40:12,732 BETWEEN LAW ENFORCEMENT. 680 00:40:12,733 --> 00:40:15,132 ULTIMATELY, WHAT ENDS UP LEADING 681 00:40:15,133 --> 00:40:19,266 TO HIS DEMISE IS COMMUNITY. 682 00:40:19,267 --> 00:40:22,566 THEY WOULD NOT HAVE BEEN ABLE TO FIND HIM 683 00:40:22,567 --> 00:40:26,332 WITHOUT THE COOPERATION OF THE VICTIMS. 684 00:40:26,333 --> 00:40:29,199 IT'S HARD IN 2016 TO COME FORWARD. 685 00:40:29,200 --> 00:40:31,832 I CAN'T EVEN IMAGINE IN THE 1940S 686 00:40:31,833 --> 00:40:34,399 HOW MUCH HARDER EVERY SINGLE PART OF YOU 687 00:40:34,400 --> 00:40:36,166 IS GONNA TELL YOU TO BE SILENT. 688 00:40:36,167 --> 00:40:37,966 AND YOU MIGHT EXPLICITLY BE 689 00:40:37,967 --> 00:40:41,566 GETTING THOSE MESSAGES FROM YOUR SPOUSE. 690 00:40:41,567 --> 00:40:44,899 TO OVERCOME THOSE BARRIERS AND TO SPEAK UP, 691 00:40:44,900 --> 00:40:48,332 THAT'S AN ACT OF HEROISM. 692 00:40:48,333 --> 00:40:51,132 I'LL KILL YOU! I'LL KILL YOU, YOU BASTARD! 693 00:40:51,133 --> 00:40:53,667 I'LL KILL YOU! 694 00:40:57,333 --> 00:41:01,866 THE HURT THAT GEORGE CVEK INFLICTED KNEW NO BOUNDS. 695 00:41:01,867 --> 00:41:04,600 HE DIDN'T JUST FORCE HIMSELF ON THEM. 696 00:41:09,933 --> 00:41:12,666 HE FORCED HIS WAY INSIDE THEIR MARRIAGES. 697 00:41:12,667 --> 00:41:16,466 HE FORCED HIS WAY INSIDE THEIR HEADS. 698 00:41:16,467 --> 00:41:28,466 BUT IF THERE'S ANYTHING 699 00:41:28,467 --> 00:41:30,766 GOOD TO COME OUT OF THIS STORY, 700 00:41:30,767 --> 00:41:33,066 AND SOMETIMES IT'S HARD TO SEE IT AT ALL, 701 00:41:33,067 --> 00:41:36,366 MAYBE IT'S THIS. 702 00:41:36,367 --> 00:41:38,232 YOU MIGHT BE HURTING. 703 00:41:38,233 --> 00:41:40,232 YOU MIGHT NEVER STOP HURTING. 704 00:41:40,233 --> 00:41:43,067 BUT YOU DON'T HAVE TO HURT ALONE. 705 00:41:52,833 --> 00:41:59,732 * WHISPERING HOPE * 706 00:41:59,733 --> 00:42:08,699 * HOW WELCOME THY VOICE * 707 00:42:08,700 --> 00:42:15,832 * MAKING MY HEART * 708 00:42:15,833 --> 00:42:25,499 * IN ITS SORROW REJOICE * 709 00:42:25,500 --> 00:42:30,333 * OOH * 52488

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