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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,000 --> 00:00:06,966 WELL, DON'T WAIT. I'LL GROW UP, AND I'LL NEVER GO. 2 00:00:06,967 --> 00:00:09,566 YOU HAVE TO MAKE DECISIONS AND STICK TO THEM. 3 00:00:09,567 --> 00:00:10,932 IF YOU DON'T, YOU NEVER GET ANYPLACE. 4 00:00:10,933 --> 00:00:13,399 MY GOSH, GRETCHEN. HE IS SO DREAMY. 5 00:00:13,400 --> 00:00:14,999 SO DREAMY. 6 00:00:15,000 --> 00:00:17,032 I WANT TO GO ON A DATE WITH HIM SO BAD. 7 00:00:17,033 --> 00:00:18,932 WELL, YOU KNOW WHAT? 8 00:00:18,933 --> 00:00:21,132 I BET HE'S A GREAT LAY. 9 00:00:23,033 --> 00:00:24,332 HOW WOULD YOU KNOW? 10 00:00:24,333 --> 00:00:25,766 HOW WOULD I KNOW? 11 00:00:25,767 --> 00:00:27,732 IT'S NOT FOR YOUR LITTLE EARS. 12 00:00:29,133 --> 00:00:32,466 I ALWAYS THOUGHT GRETCHEN FRITZ WAS LUCKY. 13 00:00:32,467 --> 00:00:35,232 SHE WAS BEAUTIFUL, HER PARENTS HAD MONEY, 14 00:00:35,233 --> 00:00:38,266 AND EVEN HER KID SISTER WAS SWEET. 15 00:00:38,267 --> 00:00:39,866 HEY, I HEARD THERE'S ANOTHER PARTY TONIGHT. 16 00:00:39,867 --> 00:00:41,333 YOU COMING? 17 00:00:43,700 --> 00:00:45,666 SO IF I WAS KIND OF SNOTTY AROUND HER, 18 00:00:45,667 --> 00:00:47,532 I GUESS IT'S BECAUSE I WAS JEALOUS. 19 00:00:47,533 --> 00:00:49,232 MAYBE WE ALL WERE. 20 00:00:49,233 --> 00:00:50,699 YEAH, I'M COMING. 21 00:00:50,700 --> 00:00:52,667 WE'RE GOING. 22 00:00:56,833 --> 00:01:00,466 READY TO GO TO A PARTY? 23 00:01:00,467 --> 00:01:04,266 BUT I FEEL AWFUL THINKING ABOUT IT NOW... 24 00:01:06,933 --> 00:01:09,966 ...BECAUSE THAT NIGHT, AT THE CACTUS DRIVE-IN, 25 00:01:09,967 --> 00:01:13,232 WHEN GRETCHEN DROVE OFF INTO THE DARK, THAT WAS IT. 26 00:01:13,233 --> 00:01:16,267 NONE OF US EVER SAW THE FRITZ SISTERS ALIVE AGAIN. 27 00:01:33,067 --> 00:01:35,832 TUCSON, ARIZONA, IN 1965, 28 00:01:35,833 --> 00:01:37,866 WAS A STRANGE COMBINATION OF A BOOMTOWN, 29 00:01:37,867 --> 00:01:41,732 THE OLD WILD WEST, AND NOWHERESVILLE. 30 00:01:41,733 --> 00:01:45,266 IT'S A BEAUTIFUL, BEAUTIFUL SPOT BETWEEN TWO MOUNTAINS, 31 00:01:45,267 --> 00:01:47,833 BUT IT IS STARK. 32 00:01:50,067 --> 00:01:52,299 LIKE A LOT OF OTHER PARTS OF THE COUNTRY, 33 00:01:52,300 --> 00:01:54,266 TUCSON AND THE AREA HAD 34 00:01:54,267 --> 00:01:56,132 THIS BOOMING POPULATION OF ADOLESCENTS. 35 00:01:56,133 --> 00:01:58,666 A REALLY BIG NUMBER OF KIDS WOULD CONGREGATE 36 00:01:58,667 --> 00:02:00,300 WITH ALMOST NO SUPERVISION. 37 00:02:02,333 --> 00:02:04,499 THE PLACE TO GO WITHOUT PARENTS AND TEACHERS 38 00:02:04,500 --> 00:02:06,399 BREATHING DOWN YOUR NECK WAS SPEEDWAY. 39 00:02:06,400 --> 00:02:08,832 IT WAS JUST A BUNCH OF GAS STATIONS, 40 00:02:08,833 --> 00:02:11,133 CAR WASHES, BOWLING ALLEYS, LIKE THAT. 41 00:02:16,533 --> 00:02:17,832 BUT IT WAS BETTER 42 00:02:17,833 --> 00:02:19,200 THAN BEING BORED OUT OF YOUR SKULL AT HOME. 43 00:02:23,100 --> 00:02:25,199 I BECAME A COP IN 1958, 44 00:02:25,200 --> 00:02:26,532 WITH THE TUCSON POLICE DEPARTMENT, 45 00:02:26,533 --> 00:02:32,200 AND BY 1965, THE CULTURE HAD CHANGED SUBSTANTIALLY. 46 00:02:33,933 --> 00:02:35,467 THESE TEENS WERE GOING NUTS. 47 00:02:39,867 --> 00:02:42,099 MY GOD, GUYS! 48 00:02:42,100 --> 00:02:43,766 NOT IN MY BACKSEAT! 49 00:02:43,767 --> 00:02:46,866 BOOZE, STAYING OUT ALL NIGHT, AND SEX. 50 00:02:48,567 --> 00:02:50,300 THERE WASN'T REALLY ANYTHING ELSE TO DO. 51 00:02:53,833 --> 00:02:56,799 OUT OF MY FACE! 52 00:02:56,800 --> 00:02:59,132 ONE OF THE THINGS THAT WE REALLY KNOW ABOUT ADOLESCENTS 53 00:02:59,133 --> 00:03:02,132 IS HOW MUCH MORE PRONE THEY ARE TO ENGAGING IN BAD BEHAVIOR 54 00:03:02,133 --> 00:03:03,300 WHEN THEY ARE AROUND EACH OTHER. 55 00:03:07,433 --> 00:03:10,399 WAS THERE ANYTHING UNUSUAL 56 00:03:10,400 --> 00:03:12,300 GOING ON LATELY HERE AT HOME? 57 00:03:14,600 --> 00:03:17,167 WERE THE GIRLS FIGHTING? 58 00:03:18,467 --> 00:03:20,499 ANY OTHER PROBLEMS? NO. 59 00:03:20,500 --> 00:03:24,599 NO, WE'D JUST GOTTEN BACK FORM CALIFORNIA THIS WEEK. 60 00:03:24,600 --> 00:03:28,232 EVERYTHING SEEMED NORMAL, AND THEN... 61 00:03:28,233 --> 00:03:31,066 WE HAD AN EVENT TO ATTEND LAST NIGHT, 62 00:03:31,067 --> 00:03:32,899 AND THE GIRLS WANTED TO GO TO A MOVIE. 63 00:03:32,900 --> 00:03:36,199 THE LAST TIME THE FRITZES SAW THEIR DAUGHTERS 64 00:03:36,200 --> 00:03:37,732 WAS 7:30 THE NIGHT BEFORE, 65 00:03:37,733 --> 00:03:40,299 AND THEY WERE GOING TO THE CACTUS DRIVE-IN. 66 00:03:40,300 --> 00:03:43,466 IF IT WAS -- IF IT WAS JUST GRETCHEN, 67 00:03:43,467 --> 00:03:45,399 WE WOULDN'T BE WORRIED. 68 00:03:45,400 --> 00:03:47,366 BUT WENDY DOES NOT BEHAVE LIKE THIS. 69 00:03:47,367 --> 00:03:50,133 WHY DO YOU SAY THAT, "JUST GRETCHEN"? 70 00:03:57,867 --> 00:03:59,866 HI, THERE. WHAT'S UP? 71 00:03:59,867 --> 00:04:01,666 IS THAT CIGARETTE FOR ME? 72 00:04:01,667 --> 00:04:03,599 BUT GRETCHEN WASN'T JUST PRETTY AND RICH. 73 00:04:03,600 --> 00:04:05,066 SHE HAD AN EDGE. 74 00:04:05,067 --> 00:04:08,866 SHE WAS ALWAYS LOOKING FOR SOME EXCITEMENT, A THRILL. 75 00:04:08,867 --> 00:04:11,732 THEY HAD HAD PROBLEMS WITH GRETCHEN BEFORE, 76 00:04:11,733 --> 00:04:15,467 SNEAKING OUT AND HAVING BOYS SNEAK IN. 77 00:04:17,067 --> 00:04:18,966 - HEY. - HEY. HOW'S IT GOING? 78 00:04:18,967 --> 00:04:20,166 GOOD. 79 00:04:20,167 --> 00:04:23,132 SEE THAT TALL GUY OVER THERE? 80 00:04:23,133 --> 00:04:25,466 WELL, HE WAS TELLING ME 81 00:04:25,467 --> 00:04:27,300 THAT HE COULD BEAT THE TWO OF YOU UP. 82 00:04:28,533 --> 00:04:32,632 GRETCHEN HAD ALWAYS BEEN A PROBLEM. 83 00:04:32,633 --> 00:04:36,499 SHE LIKED TO BE THE FOCUS OF ATTENTION. 84 00:04:36,500 --> 00:04:39,466 GET OFF, FELLAS! HEY! 85 00:04:39,467 --> 00:04:41,666 THE POLICE HAD A BIT OF A HISTORY WITH GRETCHEN 86 00:04:41,667 --> 00:04:44,132 FROM SOME JUVENILE INCIDENTS. 87 00:04:44,133 --> 00:04:47,066 GRETCHEN WANTED TO DO WHAT GRETCHEN WANTED TO DO. 88 00:04:47,067 --> 00:04:52,199 BUT THEY WERE TWO TOTALLY DIFFERENT CHILDREN. 89 00:04:52,200 --> 00:04:55,632 WENDY, THE YOUNGER ONE, WAS A MODEL CHILD 90 00:04:55,633 --> 00:04:57,699 AND WOULD NEVER STAY OUT ALL NIGHT. 91 00:04:57,700 --> 00:04:59,799 SO IF ANY OF US HAD TO GUESS 92 00:04:59,800 --> 00:05:02,566 HOW THE FRITZ GIRLS GOT INTO TROUBLE, 93 00:05:02,567 --> 00:05:05,799 IT WAS PROBABLY SOMETHING TO DO WITH GRETCHEN. 94 00:05:05,800 --> 00:05:10,732 DO YOU REMEMBER SEEING EITHER OF THESE TWO GIRLS? 95 00:05:10,733 --> 00:05:12,199 SURE, YEAH. 96 00:05:12,200 --> 00:05:15,966 THE POLICE WENT TO THAT DRIVE-IN. 97 00:05:15,967 --> 00:05:18,066 IT WAS CONFIRMED THAT THEY HAD BEEN THERE, 98 00:05:18,067 --> 00:05:19,132 HAD SEEN THE MOVIE. 99 00:05:19,133 --> 00:05:20,666 DID YOU SEE WHO SHE LEFT WITH? 100 00:05:20,667 --> 00:05:23,632 NO, NOT AT ALL. 101 00:05:23,633 --> 00:05:26,866 SO THEY PUT AN APB ON GRETCHEN'S CAR. 102 00:05:26,867 --> 00:05:29,399 SHE HAD A BRAND-NEW PONTIAC, 103 00:05:29,400 --> 00:05:32,399 AND IF SHE DIDN'T WANT TO GO TO SCHOOL THIS WEEK, 104 00:05:32,400 --> 00:05:33,899 SHE DIDN'T GO THIS WEEK. 105 00:05:33,900 --> 00:05:36,532 GRETCHEN'S NEW PONTIAC 106 00:05:36,533 --> 00:05:39,566 MEANT SHE COULD JUST TAKE OFF ON HER OWN, 107 00:05:39,567 --> 00:05:41,666 SO THE POLICE PROBABLY THOUGHT 108 00:05:41,667 --> 00:05:44,866 IF YOU FOUND GRETCHEN'S CAR, YOU'D FIND HER. 109 00:05:46,800 --> 00:05:49,732 YOU ARE AWARE IT'S NOT UNUSUAL 110 00:05:49,733 --> 00:05:52,433 FOR GIRLS AT THIS AGE TO RUN AWAY? 111 00:05:56,267 --> 00:05:59,332 IN 1965, 112 00:05:59,333 --> 00:06:02,599 TEENAGERS OUTNUMBERED GROWN-UPS JUST ABOUT EVERYWHERE. 113 00:06:02,600 --> 00:06:03,932 IT WAS BOUND TO HAPPEN. 114 00:06:03,933 --> 00:06:06,066 ALL THOSE BABIES BORN RIGHT AFTER WORLD WAR II 115 00:06:06,067 --> 00:06:08,199 HAD TO GROW UP SOMEDAY. 116 00:06:08,200 --> 00:06:11,832 ABOUT A YEAR BEFORE THE FRITZ GIRLS DISAPPEARED... 117 00:06:11,833 --> 00:06:15,067 SHE'S A BEAUTIFUL GIRL. 118 00:06:22,533 --> 00:06:26,732 ...THERE WAS ANOTHER GIRL WHO WAS 15, 119 00:06:26,733 --> 00:06:30,799 AND HER NAME WAS ALLEEN ROWE. 120 00:06:30,800 --> 00:06:32,732 ALLEEN ROWE DISAPPEARED 121 00:06:32,733 --> 00:06:35,466 WHILE THE MOTHER WAS AT WORK, AT NIGHT. 122 00:06:35,467 --> 00:06:37,599 SO POLICE GOT REPORTS ALL THE TIME 123 00:06:37,600 --> 00:06:39,399 ABOUT TEENS WHO RAN AWAY, 124 00:06:39,400 --> 00:06:42,699 AND MOST OF THE TIME, THEY CAME BACK AGAIN JUST FINE. 125 00:06:42,700 --> 00:06:45,066 SHE'S NOT A RUNAWAY. 126 00:06:45,067 --> 00:06:46,799 SHE'S MISSING. 127 00:06:46,800 --> 00:06:48,900 MOST OF THE TIME. 128 00:06:51,133 --> 00:06:54,799 AND IT WOULD HAVE BEEN THE FRITZ'S WORST NIGHTMARE 129 00:06:54,800 --> 00:06:58,132 TO HAVE THEIR DAUGHTERS STAY LOST, LIKE ALLEEN. 130 00:07:08,167 --> 00:07:11,566 THE FRITZ FAMILY BECAME SO FRUSTRATED 131 00:07:11,567 --> 00:07:14,499 WITH LAW ENFORCEMENT'S INABILITY TO FIND THE KIDS 132 00:07:14,500 --> 00:07:17,799 THAT THEY WENT OUT AND HIRED A PRIVATE DETECTIVE. 133 00:07:20,200 --> 00:07:23,266 FOUR DAYS AFTER THE GIRLS GO MISSING, 134 00:07:23,267 --> 00:07:25,232 HEILIG FINDS GRETCHEN'S PONTIAC 135 00:07:25,233 --> 00:07:27,766 IN THE PARKING LOT OF THE FLAMINGO HOTEL, 136 00:07:27,767 --> 00:07:29,899 WHICH IS RIGHT NEAR THE SPEEDWAY. 137 00:07:32,533 --> 00:07:35,366 SHERIFF'S DEPARTMENT. 138 00:07:35,367 --> 00:07:38,366 DETECTIVE, YOU GOT TO COME SEE THIS. 139 00:07:38,367 --> 00:07:40,833 SO HEILIG CALLS IN THE POLICE. 140 00:07:44,200 --> 00:07:46,867 AND THEY EXAMINE THE CAR. 141 00:07:48,533 --> 00:07:50,732 GRETCHEN'S PURSE IS STILL IN THERE. 142 00:07:50,733 --> 00:07:53,099 THERE'S A $20 BILL IN THERE. 143 00:07:53,100 --> 00:07:55,732 WHEN THEY DO A CANVASS, 144 00:07:55,733 --> 00:07:58,332 NO ONE CAN TELL THEM, YOU KNOW, ANYTHING -- 145 00:07:58,333 --> 00:08:00,467 WHO DROPPED IT OFF, WHO DROVE IT THERE. 146 00:08:05,867 --> 00:08:09,432 BUT, EERILY, THE ODOMETER IS DISCONNECTED, 147 00:08:09,433 --> 00:08:12,099 WHICH SUGGESTS THAT MAYBE SOMEONE 148 00:08:12,100 --> 00:08:15,099 WAS TRYING TO MASK MILEAGE ON THE CAR. 149 00:08:15,100 --> 00:08:17,866 WHEN THEY FOUND GRETCHEN'S CAR, 150 00:08:17,867 --> 00:08:21,399 THEY KNEW SHE HADN'T JUST TAKEN OFF ON HER OWN. 151 00:08:21,400 --> 00:08:25,532 IT LOOKED LIKE SOMEONE HAD TAKEN HER... 152 00:08:25,533 --> 00:08:28,733 AND WAS TRYING TO COVER THEIR TRACKS. 153 00:08:36,133 --> 00:08:39,599 THE FRITZ SISTERS HAD VANISHED, 154 00:08:39,600 --> 00:08:43,067 LAST SEEN AT THE CACTUS DRIVE-IN IN TUCSON. 155 00:08:45,733 --> 00:08:50,466 THEIR CAR HAD BEEN FOUND IN A MOTEL PARKING LOT... 156 00:08:50,467 --> 00:08:53,300 BUT THERE WAS NO TRACE OF THE GIRLS. 157 00:08:58,667 --> 00:09:01,666 GRETCHEN, THE OLDER ONE, WAS BEAUTIFUL 158 00:09:01,667 --> 00:09:05,432 AND HAD ALWAYS GOTTEN A LOT OF ATTENTION, 159 00:09:05,433 --> 00:09:08,199 SO IT MADE SENSE WHEN THE POLICE GOT WIND 160 00:09:08,200 --> 00:09:11,067 OF A BOY THAT COULD HAVE TAKEN HER AWAY... 161 00:09:12,667 --> 00:09:15,332 ...SOMEONE FROM OUT OF STATE. 162 00:09:15,333 --> 00:09:18,532 GRETCHEN WAS BRAGGING ABOUT SOME GUY 163 00:09:18,533 --> 00:09:20,367 THAT SHE GOT INVOLVED WITH OVER IN SAN DIEGO. 164 00:09:22,667 --> 00:09:25,599 BUT SHE HADN'T SAID THE NAME, 165 00:09:25,600 --> 00:09:27,166 AND SHE COULD HAVE MET SOMEONE AT THE BEACH, 166 00:09:27,167 --> 00:09:28,632 SHE COULD HAVE MET SOMEONE AT THE HOTEL. 167 00:09:28,633 --> 00:09:32,066 THE SAN DIEGO POLICE DEPARTMENT HAD A PICTURE, 168 00:09:32,067 --> 00:09:33,799 OF COURSE, OF THE FRITZ GIRLS, 169 00:09:33,800 --> 00:09:37,699 AND THEY, IN FACT, INTERROGATED DIFFERENT PEOPLE, 170 00:09:37,700 --> 00:09:39,899 BUT THEY WERE NEVER ABLE TO COME UP 171 00:09:39,900 --> 00:09:41,667 WITH ANY SPECIFIC INFORMATION. 172 00:09:48,200 --> 00:09:51,466 TO OUR UNDERSTANDING, YOU USED TO DATE GRETCHEN FRITZ. 173 00:09:51,467 --> 00:09:55,066 YES, AT ONE POINT, YEAH, WE WERE KIND OF A THING. 174 00:09:55,067 --> 00:09:57,299 SO THE SEARCH FOR GRETCHEN CAME BACK HOME 175 00:09:57,300 --> 00:09:58,599 TO OUR GROUP IN TUCSON, 176 00:09:58,600 --> 00:10:00,832 AND THE COPS WANTED TO TALK TO ANY GUYS 177 00:10:00,833 --> 00:10:03,266 GRETCHEN HAD BEEN INVOLVED WITH AROUND HERE. 178 00:10:03,267 --> 00:10:05,599 IS THERE ANYTHING YOU COULD TELL US 179 00:10:05,600 --> 00:10:07,199 ABOUT GRETCHEN'S WHEREABOUTS? 180 00:10:07,200 --> 00:10:09,399 MY GUESS IS THAT SHE RAN AWAY. 181 00:10:09,400 --> 00:10:11,299 THAT'S SOMETHING GRETCHEN WOULD DO. 182 00:10:11,300 --> 00:10:13,267 SHE DIDN'T HAVE AN EASY FAMILY LIFE. 183 00:10:15,233 --> 00:10:17,932 CHARLES SCHMID LIVED IN A SMALL HOUSE 184 00:10:17,933 --> 00:10:19,633 NEXT TO HIS PARENTS. 185 00:10:27,200 --> 00:10:30,766 CHARLIE SCHMID WAS A PRETTY GOOD-LOOKING GUY -- 186 00:10:30,767 --> 00:10:32,466 WELL-BUILT, GOOD ATHLETE. 187 00:10:32,467 --> 00:10:34,132 HE WAS ALSO 23. 188 00:10:34,133 --> 00:10:36,399 HE LOVED TO THROW PARTIES. 189 00:10:36,400 --> 00:10:38,999 AND EVERYBODY WANTED TO GO TO THOSE PARTIES. 190 00:10:39,000 --> 00:10:41,766 HE WAS SOMEBODY WHO DREW PEOPLE TO HIM. 191 00:10:41,767 --> 00:10:44,700 AND GRETCHEN WAS ONE OF THEM. 192 00:10:46,800 --> 00:10:50,332 SMITTY WAS BITCHIN', AS WE USED TO SAY. 193 00:10:50,333 --> 00:10:52,366 WE ALL THOUGHT SO. 194 00:10:52,367 --> 00:10:54,399 WHEN HE LAID EYES ON YOU, 195 00:10:54,400 --> 00:10:56,700 IT FELT LIKE YOU WERE THE ONLY GIRL IN THE ROOM. 196 00:10:59,667 --> 00:11:01,732 BUT THE THING WAS, 197 00:11:01,733 --> 00:11:05,167 SMITTY LAID EYES ON A LOT OF GIRLS. 198 00:11:09,167 --> 00:11:11,699 WHEN YOU'RE YOUNG, YOU NEVER BELIEVE 199 00:11:11,700 --> 00:11:14,266 THE GUYS YOU DATE COULD BE DANGEROUS. 200 00:11:14,267 --> 00:11:16,067 [ "HOUSE OF THE RISING SUN" PLAYS ] 201 00:11:19,267 --> 00:11:24,732 * THERE IS A HOUSE IN NEW ORLEANS * 202 00:11:24,733 --> 00:11:29,332 * THEY CALL THE RISING SUN * 203 00:11:29,333 --> 00:11:34,799 * IT'S BEEN THE RUIN OF MANY A POOR BOY * 204 00:11:34,800 --> 00:11:39,532 * ME, GOD, FOR ONE * 205 00:11:39,533 --> 00:11:41,299 HE COULD PLAY THE GUITAR AND SING A LITTLE BIT. 206 00:11:41,300 --> 00:11:44,466 THE KIDS REALLY LOOKED UP TO HIM. 207 00:11:44,467 --> 00:11:46,132 HE WAS SMART. 208 00:11:46,133 --> 00:11:48,832 HE WAS A MUSICIAN. 209 00:11:48,833 --> 00:11:53,467 AND KIDS WERE SORT OF FREE OVER THERE TO DO WHAT THEY WANT. 210 00:11:56,833 --> 00:11:58,532 SO WHEN GRETCHEN FRITZ WENT MISSING... 211 00:11:58,533 --> 00:12:00,866 THANK YOU. THANK YOU. 212 00:12:00,867 --> 00:12:03,900 ...OF COURSE THE COPS LOOKED AT HER EX-BOYFRIEND. 213 00:12:06,067 --> 00:12:09,866 THIS IS A CHEVY MALIBU. YOU KNOW WHAT'S UNDER THAT? 214 00:12:09,867 --> 00:12:11,866 YEAH. CHECK IT OUT. 215 00:12:11,867 --> 00:12:14,866 BUT THEY FOUND OUT THAT CHARLIE SPENT 216 00:12:14,867 --> 00:12:18,066 MOST OF HIS TIME WORKING ON CARS AND HANGING OUT. 217 00:12:18,067 --> 00:12:21,166 CHARLIE SCHMID HAD NO CRIMINAL HISTORY AT ALL. 218 00:12:21,167 --> 00:12:25,900 CHARLIE SCHMID WAS KIND OF A MODEL CHILD. 219 00:12:34,167 --> 00:12:37,599 WELL, THERE WAS ANOTHER INDIVIDUAL THAT HUNG AROUND 220 00:12:37,600 --> 00:12:39,832 WHO WAS EXTREMELY INTERESTING TO THE POLICE. 221 00:12:39,833 --> 00:12:42,932 EVERYONE KNEW RICHIE BRUNS. 222 00:12:42,933 --> 00:12:46,766 HE WAS A CREEP AND A LONER. 223 00:12:46,767 --> 00:12:51,367 AND THE RUMOR WAS HE'D BEEN CAUGHT UP IN A MURDER BEFORE. 224 00:13:03,900 --> 00:13:07,066 SO, DO YOU KNOW WHY YOU'RE HERE? 225 00:13:07,067 --> 00:13:09,667 NO, I DON'T. 226 00:13:13,967 --> 00:13:16,966 WHY AM I HERE? 227 00:13:16,967 --> 00:13:19,400 GRETCHEN FRITZ. 228 00:13:23,167 --> 00:13:24,832 I DON'T KNOW ANYTHING ABOUT THAT. 229 00:13:24,833 --> 00:13:25,833 I'M SORRY. 230 00:13:25,834 --> 00:13:28,099 WHAT WE HEARD WAS 231 00:13:28,100 --> 00:13:30,799 THE POLICE DIDN'T HAVE ANY REAL SUSPECTS AT ALL. 232 00:13:30,800 --> 00:13:33,732 BUT GRETCHEN DID HANG AROUND THE SPEEDWAY CROWD, 233 00:13:33,733 --> 00:13:36,166 AND A LOT OF KIDS THERE HAD RECORDS. 234 00:13:36,167 --> 00:13:38,899 RICHIE BRUNS -- HE HAD DONE A LOT OF PETTY CRIMES. 235 00:13:38,900 --> 00:13:41,232 HE WAS CHRONICALLY SUSPENDED FROM SCHOOL. 236 00:13:41,233 --> 00:13:43,632 AND DIDN'T SEEM TO GIVE A DAMN. 237 00:13:43,633 --> 00:13:47,532 AND HE WAS RUMORED TO HAVE BEEN INVOLVED IN A MURDER. 238 00:13:47,533 --> 00:13:51,066 THE STORY WENT THAT A COUPLE YEARS BACK, 239 00:13:51,067 --> 00:13:52,932 RICHIE BRUNS HAD BEEN AT WORK 240 00:13:52,933 --> 00:13:55,832 WHEN HE GOT APPROACHED BY SOME OLDER GUY. 241 00:13:55,833 --> 00:13:57,566 YOU MIGHT WANT TO GET YOUR SPARKS 242 00:13:57,567 --> 00:13:58,799 AND YOUR PLUGS FIXED, TOO. 243 00:13:58,800 --> 00:14:00,766 THANK YOU. 244 00:14:00,767 --> 00:14:03,532 SOME OLDER GUY WANTED TO BUY HIM BEER, 245 00:14:03,533 --> 00:14:05,266 AND, OF COURSE, RICHIE, YOU KNOW, 246 00:14:05,267 --> 00:14:06,566 ANYBODY GONNA BUY HIM BEER, 247 00:14:06,567 --> 00:14:08,632 HE'S GONNA SIT AND TALK TO YOU FOR A WHILE. 248 00:14:08,633 --> 00:14:11,299 I DID RUN AWAY ONCE, YOU KNOW. 249 00:14:11,300 --> 00:14:13,900 YOU WANT TO RUN AWAY? 250 00:14:18,633 --> 00:14:21,899 HE SHOWED HIM THIS GUN. 251 00:14:23,067 --> 00:14:25,066 .38. 252 00:14:25,067 --> 00:14:28,366 AND RICHIE SAID, "MAN, THAT'S SO COOL." 253 00:14:28,367 --> 00:14:31,632 WHY DON'T WE GO ON IN? 254 00:14:31,633 --> 00:14:35,866 AND THE GUY PROPOSITIONED HIM. 255 00:14:35,867 --> 00:14:38,166 AND RICHE DECIDED HE DIDN'T WANT TO BE INVOLVED 256 00:14:38,167 --> 00:14:39,966 WITH THIS GUY ANYMORE, AND HE LEFT. 257 00:14:39,967 --> 00:14:42,166 ABOUT A DAY LATER, 258 00:14:42,167 --> 00:14:45,532 THE MAN IS FOUND SHOT DEAD IN A DITCH. 259 00:14:45,533 --> 00:14:46,932 HE SAID HE WANTED TO BUY ME BEER. 260 00:14:46,933 --> 00:14:48,566 I GOT IN HIS CAR. HE'S A QUEER, THOUGH. 261 00:14:48,567 --> 00:14:49,599 I'M NOT HIS FRIEND. 262 00:14:49,600 --> 00:14:51,699 I DON'T KNOW ANYTHING ABOUT THAT. 263 00:14:51,700 --> 00:14:53,399 RICHIE'S FINGERPRINTS WERE ON THE GUN. 264 00:14:53,400 --> 00:14:57,266 IT TURNS OUT, SOME GUY IN PHOENIX 265 00:14:57,267 --> 00:14:59,866 ACTUALLY KILLED THE MAN, BUT THAT DIDN'T MATTER. 266 00:14:59,867 --> 00:15:01,932 THIS WAS GRADE-A GOSSIP, 267 00:15:01,933 --> 00:15:05,366 AND STORIES ABOUT RICHIE BRUNS TOOK OFF. 268 00:15:05,367 --> 00:15:07,732 AND AFTER THE FRITZ GIRLS WENT MISSING, 269 00:15:07,733 --> 00:15:11,166 THE POLICE WANTED TO HEAR ABOUT ANYONE WE THOUGHT WAS SHADY... 270 00:15:11,167 --> 00:15:12,899 HOW YOU DOING? 271 00:15:12,900 --> 00:15:15,066 ...AND WHETHER THEY'D EVER CROSSED PATHS WITH GRETCHEN. 272 00:15:15,067 --> 00:15:18,166 WE HEARD YOU KNOW SOMETHING ABOUT RICHIE BRUNS. 273 00:15:18,167 --> 00:15:20,232 RICHIE BRUNS IS A CREEP. 274 00:15:20,233 --> 00:15:25,066 RICHIE WAS YOUR CLASSIC OUTSIDER. 275 00:15:25,067 --> 00:15:27,299 NONE OF THE KIDS LIKED HIM. 276 00:15:27,300 --> 00:15:31,566 HE DIDN'T CARE ABOUT ANYTHING EXCEPT LOOKING COOL, 277 00:15:31,567 --> 00:15:33,832 BUT HE WAS NOT VERY GOOD AT THAT. 278 00:15:33,833 --> 00:15:36,066 HE SHOWED UP, AND THEY, LIKE, LOOK AT ALL OF US 279 00:15:36,067 --> 00:15:38,132 AND SAY, LIKE -- THEY START... 280 00:15:38,133 --> 00:15:40,132 HEY. SORRY, EXCUSE ME. YEAH. 281 00:15:40,133 --> 00:15:42,799 UM... HEY. 282 00:15:42,800 --> 00:15:44,699 I DON'T MEAN TO INTERRUPT OR ANYTHING, BUT I WAS -- 283 00:15:44,700 --> 00:15:48,099 I WAS AT THE, I WAS AT THE SHOP THE OTHER DAY... 284 00:15:48,100 --> 00:15:51,166 RICHIE HAD A REALLY DIFFICULT TIME 285 00:15:51,167 --> 00:15:52,799 TRYING TO FIND GIRLS THAT HE COULD DATE. 286 00:15:52,800 --> 00:15:54,499 HE THOUGHT THEY WERE SHUNNING HIM. 287 00:15:54,500 --> 00:15:55,699 THEY WOULDN'T COME NEAR HIM. 288 00:15:55,700 --> 00:15:56,932 THEY WOULDN'T DO ANYTHING WITH HIM. 289 00:15:56,933 --> 00:15:58,532 I THOUGHT IT WOULD LOOK REALLY PRETTY ON YOU. 290 00:15:58,533 --> 00:15:59,666 SEE, IT'S A HEART... FOR YOU. 291 00:15:59,667 --> 00:16:01,232 WHY DON'T WE GRAB A COKE OR SOMETHING? 292 00:16:01,233 --> 00:16:02,432 YEAH. 293 00:16:02,433 --> 00:16:03,966 HANG ON A MINUTE. 294 00:16:03,967 --> 00:16:07,066 RICHIE WAS OBSESSIVE WITH GIRLS. 295 00:16:07,067 --> 00:16:09,199 HE WOULD TURN PEOPLE OFF 296 00:16:09,200 --> 00:16:11,499 BY HIS OVERLY INTENSE WAY OF APPROACHING THEM. 297 00:16:11,500 --> 00:16:14,066 KATHY, I SPENT A LOT OF MONEY -- DON'T TOUCH ME, MAN. 298 00:16:14,067 --> 00:16:15,332 DON'T TOUCH ME, ALL RIGHT? 299 00:16:15,333 --> 00:16:18,499 HE WOULD, YOU KNOW, NOT TAKE NO FOR AN ANSWER, 300 00:16:18,500 --> 00:16:21,432 JUST APPEAR AT THE HOUSE, FOLLOW THEM AROUND, 301 00:16:21,433 --> 00:16:24,899 INCLUDING STALKING ONE OF HIS EX-GIRLFRIENDS. 302 00:16:24,900 --> 00:16:27,299 TO THE POINT WHERE THE FATHER 303 00:16:27,300 --> 00:16:29,667 CALLED THE POLICE A COUPLE TIMES. 304 00:16:38,733 --> 00:16:40,566 PLEASURE MEETING YOU. YOU, TOO. 305 00:16:40,567 --> 00:16:42,533 SEE YOU LATER. 306 00:16:44,500 --> 00:16:46,467 NEED A LIGHT? 307 00:16:47,833 --> 00:16:49,800 YEAH. 308 00:16:55,267 --> 00:16:56,566 WHAT DO YOU THINK ABOUT KATHY? 309 00:16:56,567 --> 00:16:58,066 PRETTY CUTE. 310 00:16:58,067 --> 00:16:59,532 I DON'T KNOW. 311 00:16:59,533 --> 00:17:03,299 BUT CHARLIE SCHMID WAS WILLING TO GIVE RICHIE A CHANCE, 312 00:17:03,300 --> 00:17:07,132 AND EVERYONE WANTED TO GET TO HANG OUT WITH SMITTY. 313 00:17:07,133 --> 00:17:08,366 YOU WANT A BEER? 314 00:17:08,367 --> 00:17:10,299 HELL, YEAH, I'LL TAKE A BEER. 315 00:17:10,300 --> 00:17:12,132 AND ONE OF THE ONLY PEOPLE THAT WOULD KIND OF PAL AROUND 316 00:17:12,133 --> 00:17:13,632 WITH HIM WAS CHARLIE. 317 00:17:13,633 --> 00:17:15,932 BEING AROUND SOMEBODY LIKE CHARLIE SCHMID, 318 00:17:15,933 --> 00:17:19,099 YOU WOULD GET TO FEEL LIKE YOU WERE ALSO ONE OF THE COOL GUYS. 319 00:17:19,100 --> 00:17:22,366 CHARLIE TRIED TO HELP RICHIE BY TAKING HIM ON DOUBLE DATES. 320 00:17:22,367 --> 00:17:24,467 TRYING TO SOCIALIZE HIM, I GUESS. 321 00:17:26,567 --> 00:17:28,466 AND THE COPS PUT TOGETHER 322 00:17:28,467 --> 00:17:32,432 THAT IF CHARLIE WAS BRINGING RICHIE ALONG ON DATES... 323 00:17:32,433 --> 00:17:35,566 HE MUST HAVE KNOWN GRETCHEN PRETTY WELL. 324 00:17:35,567 --> 00:17:39,099 BRUNS HAD A HORRIBLE PERSONALITY. 325 00:17:39,100 --> 00:17:42,432 AND WAS NOT EXACTLY CHARMING. 326 00:17:42,433 --> 00:17:43,799 YOU'RE A DEEP-FREEZE BITCH! 327 00:17:43,800 --> 00:17:45,966 DO NOT SPEAK TO ME THAT WAY. DO YOU HAVE ANY MANNERS?! 328 00:17:45,967 --> 00:17:47,299 DO YOU HAVE ANY MANNERS?! 329 00:17:47,300 --> 00:17:50,066 AND JUST ROYALLY PISSED OFF GRETCHEN. 330 00:17:50,067 --> 00:17:51,499 PIECE OF SCUM! 331 00:17:51,500 --> 00:17:54,132 GRETCHEN HAD A REALLY VOLATILE PERSONALITY. 332 00:17:54,133 --> 00:17:55,766 JUST LEAVE! JUST DON'T TALK, OKAY? 333 00:17:55,767 --> 00:17:57,432 DO NOT TALK TO US. SHUT UP. SHUT UP. 334 00:17:57,433 --> 00:18:03,966 AND, ACTUALLY, SHE ALSO HAD A HUGE TEMPER. 335 00:18:03,967 --> 00:18:06,699 LET'S JUST GO. 336 00:18:06,700 --> 00:18:08,299 AND FROM THAT DAY ON, 337 00:18:08,300 --> 00:18:10,832 RICHIE AND GRETCHEN HATED EACH OTHER 338 00:18:10,833 --> 00:18:12,899 AND GOT INTO A LOT OF ARGUMENTS. 339 00:18:12,900 --> 00:18:16,099 STOP LOOKING THIS WAY, OKAY? PLEASE, IT'S VERY CREEPY. 340 00:18:16,100 --> 00:18:17,632 SHUT UP. 341 00:18:17,633 --> 00:18:19,732 IT'S SO RUDE. IT'S SO RUDE. 342 00:18:19,733 --> 00:18:21,632 I CAN HEAR YOU. I CAN HEAR YOU, YOU KNOW. 343 00:18:21,633 --> 00:18:24,332 OKAY, SO THEN DON'T LISTEN TO US. 344 00:18:24,333 --> 00:18:26,866 SHE ENJOYED TORMENTING PEOPLE. 345 00:18:26,867 --> 00:18:29,632 SHE ENJOYED CONFRONTATION. 346 00:18:29,633 --> 00:18:30,899 AND SHE USUALLY WON. 347 00:18:30,900 --> 00:18:33,366 YES, I AM TALKING ABOUT YOU. 348 00:18:33,367 --> 00:18:38,466 AND FOR A SOCIALLY AWKWARD GUY, THAT MADE THINGS EVEN WORSE. 349 00:18:38,467 --> 00:18:41,366 GO AWAY! WE DON'T WANT YOU HERE. 350 00:18:41,367 --> 00:18:43,932 THAT GRETCHEN'S EVIL, MAN. 351 00:18:43,933 --> 00:18:46,067 SHE DESERVES TO DIE. 352 00:18:47,233 --> 00:18:50,399 DISGUSTING, MAN. SHE'S A LITTLE RICH GIRL. 353 00:18:50,400 --> 00:18:52,433 MAYBE I SHOULD TAKE CARE OF IT MYSELF, YEAH? 354 00:18:57,967 --> 00:18:59,832 HE JUST REALLY, REALLY HATED HER. 355 00:18:59,833 --> 00:19:01,799 HE WOULD NOT MIND SEEING HER DEAD. 356 00:19:01,800 --> 00:19:04,066 IF YOU LOOK AT IT LIKE WE ALL DID, 357 00:19:04,067 --> 00:19:07,466 RICHIE WAS BARELY HANGING ONTO HIS SOCIAL LIFE AS IT WAS, 358 00:19:07,467 --> 00:19:09,366 AND THEN GRETCHEN TRIED TO MAKE ALL THE GIRLS 359 00:19:09,367 --> 00:19:10,832 SHUT HIM OUT FOR GOOD. 360 00:19:10,833 --> 00:19:12,899 THAT WAS ABOUT AS BAD AS IT GOT. 361 00:19:12,900 --> 00:19:16,967 SO IT STOOD TO REASON RICHIE WOULD WANT REVENGE. 362 00:19:24,200 --> 00:19:27,466 NO ONE HAD SEEN GRETCHEN AND WENDY FRITZ FOR WEEKS, 363 00:19:27,467 --> 00:19:30,732 AND THEN TUCSON POLICE HEARD THAT RICHIE BRUNS SAID 364 00:19:30,733 --> 00:19:34,432 THAT HE THOUGHT GRETCHEN DESERVED TO DIE. 365 00:19:34,433 --> 00:19:36,299 SO THEY CAME AROUND, TRYING TO FIND OUT 366 00:19:36,300 --> 00:19:38,866 IF THEY COULD CONNECT RICHIE TO THE GIRLS' DISAPPEARANCE. 367 00:19:38,867 --> 00:19:40,666 WE HAVE IT ON GOOD ACCOUNTS 368 00:19:40,667 --> 00:19:43,066 THAT YOU REALLY DIDN'T LIKE GRETCHEN. 369 00:19:43,067 --> 00:19:45,699 I... I MEAN, YEAH, I DIDN'T LIKE HER. 370 00:19:45,700 --> 00:19:47,799 YEAH. EVERYONE KNOWS THAT. 371 00:19:47,800 --> 00:19:49,532 SHE DIDN'T LIKE ME, EITHER. 372 00:19:49,533 --> 00:19:51,966 BUT I DON'T KNOW ANYTHING ABOUT THIS. SORRY. 373 00:19:51,967 --> 00:19:54,866 EVEN THOUGH RICHIE HAD A LONG RAP SHEET 374 00:19:54,867 --> 00:19:57,699 AND TOLD ANYONE WHO'D LISTEN HOW MUCH HE HATED GRETCHEN, 375 00:19:57,700 --> 00:19:59,699 THE POLICE DIDN'T HAVE ANYTHING SOLID 376 00:19:59,700 --> 00:20:02,066 TO CONNECT HIM TO WHATEVER ACTUALLY HAPPENED. 377 00:20:02,067 --> 00:20:04,599 THEY DON'T HAVE A BODY. 378 00:20:04,600 --> 00:20:07,599 THEY DON'T HAVE ANY BLOOD. THEY DON'T HAVE A TRAIL. 379 00:20:07,600 --> 00:20:09,699 SO REALLY, THEY'RE AT A DEAD END. 380 00:20:09,700 --> 00:20:11,866 IF I WERE YOU, I'D WATCH YOUR STEP. 381 00:20:11,867 --> 00:20:14,000 OKAY. 382 00:20:26,200 --> 00:20:29,932 SO THE POLICE KEPT PUSHING EVERYONE IN OUR CROWD, 383 00:20:29,933 --> 00:20:33,732 TRYING TO GET SOMETHING, ANYTHING, TO SHAKE LOOSE. 384 00:20:33,733 --> 00:20:36,067 STILL ASKING ABOUT THOSE TWO SISTERS. 385 00:20:39,633 --> 00:20:42,932 POLICE CONTINUED TO TALK TO THIS TEEN SPEEDWAY CROWD. 386 00:20:42,933 --> 00:20:46,032 GRETCHEN FRITZ -- DO YOU KNOW ANYTHING? 387 00:20:46,033 --> 00:20:47,966 NO. 388 00:20:47,967 --> 00:20:50,600 I KNOW GRETCHEN. 389 00:20:52,033 --> 00:20:55,200 SHE'S A SNOTTY, LITTLE BITCH. 390 00:20:57,600 --> 00:21:00,466 THEN THEY GET TO MARY FRENCH. 391 00:21:00,467 --> 00:21:03,066 SHE WAS NOT SHY ABOUT HER DISLIKE FOR GRETCHEN EITHER. 392 00:21:03,067 --> 00:21:08,232 MARY FRENCH WAS A GIRL WHO MOST PEOPLE WHO KNEW HER 393 00:21:08,233 --> 00:21:11,966 DESCRIBED AS NOT BRIGHT INTELLECTUALLY, 394 00:21:11,967 --> 00:21:13,866 AND WHO ALSO TENDED TO GET IN A LOT OF TROUBLE. 395 00:21:13,867 --> 00:21:17,732 SHE DROPPED OUT OF SCHOOL, AND SHE WAS A PRETTY HEAVY DRINKER. 396 00:21:17,733 --> 00:21:20,800 SHE CAROUSED WITH THE GROUP AND DID WHAT THE GROUP DID. 397 00:21:44,767 --> 00:21:49,166 MARY FRENCH WAS ONE OF CHARLIE SCHMID'S GIRLFRIENDS. 398 00:21:49,167 --> 00:21:52,099 MARY FRENCH WAS VERY JEALOUS 399 00:21:52,100 --> 00:21:55,932 WHEN HE STARTED FOOLING AROUND SO MUCH WITH GRETCHEN FRITZ. 400 00:21:55,933 --> 00:22:00,299 I DON'T THINK GRETCHEN GAVE AS MUCH A DAMN AS MARY DID, 401 00:22:00,300 --> 00:22:03,066 BECAUSE GRETCHEN HAD OTHER BOYS, TOO. 402 00:22:03,067 --> 00:22:08,166 WE DON'T KNOW ANY OTHER BOYS THAT MARY HAD. 403 00:22:08,167 --> 00:22:10,499 SHE WAS VERY MUCH AGAINST SCHMID GOING WITH ANYBODY, 404 00:22:10,500 --> 00:22:11,932 BUT ESPECIALLY GRETCHEN. 405 00:22:11,933 --> 00:22:15,700 YOU COULD TELL THAT SHE KNEW THAT HE REALLY LIKED GRETCHEN. 406 00:22:19,533 --> 00:22:22,732 BUT MARY WASN'T JUST JEALOUS OF GRETCHEN. 407 00:22:22,733 --> 00:22:26,266 SHE WAS READY TO FIGHT TO GET CHARLIE FOR KEEPS, 408 00:22:26,267 --> 00:22:30,066 AND SHE HAD ONE HELL OF A CARD TO PLAY. 409 00:22:30,067 --> 00:22:31,833 IT WAS THE NIGHT BEFORE GRETCHEN WENT MISSING. 410 00:22:34,933 --> 00:22:38,266 THERE WAS A BIG PARTY AT CHARLIE'S HOUSE. 411 00:22:38,267 --> 00:22:41,199 MARY FRENCH WAS NOT A NICE PERSON. 412 00:22:41,200 --> 00:22:43,833 SHE HAD AN EVIL, DARK SIDE TO HER. 413 00:22:46,933 --> 00:22:48,432 EXCUSE ME, GRETCHEN. 414 00:22:48,433 --> 00:22:49,599 COULD YOU PLEASE HAVE SOME RESPECT? 415 00:22:49,600 --> 00:22:51,566 HE'S WITH ME, OKAY? NO. 416 00:22:51,567 --> 00:22:52,799 NO, I KNOW YOU CAN'T, 'CAUSE YOU'RE SUCH A BITCH. 417 00:22:52,800 --> 00:22:54,099 THERE'S NO DISCUSSION, OKAY? 418 00:22:54,100 --> 00:22:55,332 HE IS WITH ME. STOP! 419 00:22:55,333 --> 00:22:56,732 YEAH? YEAH? HE'S WITH ME. 420 00:22:56,733 --> 00:23:00,232 HOW MANY GUYS ARE YOU WITH?! 421 00:23:00,233 --> 00:23:06,066 AND THAT CULMINATED IN THIS HUGE, DRAMATIC FIGHT. 422 00:23:06,067 --> 00:23:08,666 MARY BLURTED OUT, "I'M PREGNANT." 423 00:23:08,667 --> 00:23:12,432 BUT GRETCHEN WASN'T GONNA WALK AWAY FROM THE TABLE. 424 00:23:12,433 --> 00:23:14,332 SHE ALWAYS WANTED TO WIN. 425 00:23:14,333 --> 00:23:16,666 AND THEN GRETCHEN -- "I'M PREGNANT, TOO!" 426 00:23:16,667 --> 00:23:19,066 EVERYONE WAS WITNESS TO THIS. 427 00:23:19,067 --> 00:23:20,466 YEAH?! 428 00:23:20,467 --> 00:23:23,666 HOW MANY OTHER BOYS HAVE YOU BEEN WITH, GRETCHEN?! 429 00:23:23,667 --> 00:23:26,399 GRETCHEN WAS PROBABLY JUST FAKING, 430 00:23:26,400 --> 00:23:28,399 FOR FUN OR CONTROL OR WHATEVER, 431 00:23:28,400 --> 00:23:30,732 BUT I HEARD MARY REALLY WAS PREGNANT, 432 00:23:30,733 --> 00:23:34,332 SO NOW SHE NEEDED SMITTY ALL TO HERSELF. 433 00:23:34,333 --> 00:23:36,832 ACCORDING TO HER, 434 00:23:36,833 --> 00:23:39,732 SHE WAS GOING TO MAKE SURE THAT HE WOULD MARRY HER. 435 00:23:39,733 --> 00:23:42,700 SO, MARY, HOW DO YOU FEEL ABOUT GRETCHEN? 436 00:23:49,067 --> 00:23:52,066 SHE WAS A RICH GIRL... 437 00:23:52,067 --> 00:23:56,199 THE KIND OF GIRL WHO COULD TAKE WHATEVER SHE WANTED, 438 00:23:56,200 --> 00:24:01,100 GET... WHATEVER SHE WANTED. 439 00:24:04,400 --> 00:24:06,200 YOU DIDN'T LIKE THAT, DID YOU? 440 00:24:08,133 --> 00:24:10,233 NO. 441 00:24:11,667 --> 00:24:18,132 SHE WAS A KID, BUT SHE HAD A STARE LIKE NOBODY ELSE. 442 00:24:18,133 --> 00:24:22,066 HER EYES -- I MEAN, SHE COULD GET ONTO YOURS, 443 00:24:22,067 --> 00:24:24,332 AND SHE'D STAY RIGHT THERE. 444 00:24:24,333 --> 00:24:27,566 DETECTIVE ROBLES -- SHE REALLY BOTHERED HIM. 445 00:24:27,567 --> 00:24:29,466 AND HE WAS AN OLD VETERAN. 446 00:24:29,467 --> 00:24:32,266 EVERYONE KNEW HOW SPOOKY MARY WAS, 447 00:24:32,267 --> 00:24:35,199 BUT IT WAS SOMETHING ELSE THAT MADE THE POLICE THINK 448 00:24:35,200 --> 00:24:38,332 SHE COULD ME MIXED UP IN THE FRITZ GIRLS' DISAPPEARANCE. 449 00:24:38,333 --> 00:24:40,932 THEY'D ACTUALLY QUESTIONED MARY BEFORE 450 00:24:40,933 --> 00:24:44,067 ABOUT ANOTHER MISSING GIRL. 451 00:24:45,667 --> 00:24:49,532 THEY INTERVIEWED HER A YEAR AGO, 452 00:24:49,533 --> 00:24:52,266 WHEN ALLEEN ROWE WENT MISSING. 453 00:24:52,267 --> 00:24:54,232 REMEMBER ALLEEN ROWE? 454 00:24:54,233 --> 00:24:56,332 WE DID. 455 00:24:56,333 --> 00:24:59,499 THE COPS HAD CHALKED HER UP AS JUST ANOTHER TEEN RUNAWAY, 456 00:24:59,500 --> 00:25:01,066 BUT WE ALL KNEW DIFFERENT. 457 00:25:01,067 --> 00:25:03,332 ALLEEN WASN'T LIKE GRETCHEN AND MARY. 458 00:25:03,333 --> 00:25:05,666 SHE WASN'T PART OF THE SPEEDWAY SCENE. 459 00:25:05,667 --> 00:25:10,132 ALLEEN ROWE WAS A MODEL KID -- GOOD STUDENT 460 00:25:10,133 --> 00:25:12,532 AND NEVER WAS A PROBLEM TO HER MOTHER OR TO ANYBODY. 461 00:25:12,533 --> 00:25:15,900 BUT WHAT SHE DID HAVE WAS A NEIGHBOR NAMED MARY FRENCH. 462 00:25:19,633 --> 00:25:24,399 ALLEEN. COME ON IN. 463 00:25:24,400 --> 00:25:29,466 HER MOTHER NEVER FELT COMFORTABLE WITH MARY, 464 00:25:29,467 --> 00:25:32,967 SO MRS. ROWE DIRECTED THE POLICE TO MARY FRENCH. 465 00:25:35,200 --> 00:25:39,132 AND FOR THE FIRST TIME, THE COPS PUT TOGETHER 466 00:25:39,133 --> 00:25:41,866 WHAT US KIDS ON SPEEDWAY HAD KNOWN ALL ALONG -- 467 00:25:41,867 --> 00:25:44,366 THERE WAS A CONNECTION BETWEEN ALLEEN ROWE 468 00:25:44,367 --> 00:25:45,666 AND THE FRITZ SISTERS. 469 00:25:45,667 --> 00:25:47,632 BUT MARY DIDN'T FLINCH. 470 00:25:47,633 --> 00:25:49,166 IF SHE KNEW MORE, 471 00:25:49,167 --> 00:25:53,500 THERE WAS NOTHING THE POLICE COULD DO TO GET HER TO TALK. 472 00:26:01,667 --> 00:26:03,799 WEREN'T THESE FRIENDS OF YOURS? NO. 473 00:26:03,800 --> 00:26:05,266 AND YOU DON'T HAVE ANYTHING TO SAY? 474 00:26:05,267 --> 00:26:07,467 NO. 475 00:26:09,467 --> 00:26:11,532 IS THERE ANYTHING AT ALL YOU'D LIKE TO TELL US? 476 00:26:11,533 --> 00:26:12,966 THERE'S NOTHING FOR ME TO TELL. 477 00:26:12,967 --> 00:26:14,932 DO YOU KNOW GRETCHEN? I DON'T KNOW. 478 00:26:14,933 --> 00:26:17,366 THE POLICE ARE SO CONVINCED 479 00:26:17,367 --> 00:26:20,866 THAT THE ANSWERS ARE WITH THIS TEEN SPEEDWAY CROWD 480 00:26:20,867 --> 00:26:23,567 THAT THEY JUST, YOU KNOW, KEEP GOING BACK TO THEM. 481 00:26:24,767 --> 00:26:27,799 THERE HAD TO BE SOMETHING THERE THAT THE KIDS KNEW. 482 00:26:27,800 --> 00:26:29,699 IS THERE ANYTHING THAT YOU'D LIKE TO TELL? 483 00:26:29,700 --> 00:26:30,700 I DON'T KNOW ANYTHING. 484 00:26:30,701 --> 00:26:32,332 WHAT DO YOU KNOW ABOUT GRETCHEN? 485 00:26:32,333 --> 00:26:33,732 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 486 00:26:33,733 --> 00:26:35,867 BUT THE KIDS WEREN'T TALKING. 487 00:26:37,067 --> 00:26:39,499 THE QUESTIONING WENT ON FOR MONTHS, 488 00:26:39,500 --> 00:26:41,866 AND IT WENT ON VERY INTENSELY. 489 00:26:41,867 --> 00:26:45,066 YOU KNOW WITHHOLDING INFORMATION IS PUNISHABLE BY JAIL TIME?! 490 00:26:45,067 --> 00:26:46,866 DON'T TALK TO MY SON THAT WAY. LET'S GO. 491 00:26:46,867 --> 00:26:49,066 THE PARENTS ACTUALLY GOT A COURT ORDER 492 00:26:49,067 --> 00:26:51,467 TO STOP THE POLICE FROM QUESTIONING THEIR KIDS. 493 00:26:57,433 --> 00:27:00,199 THE POLICE GOT VERY HEAVILY EMOTIONALLY INVOLVED 494 00:27:00,200 --> 00:27:03,666 IN THIS CASE BECAUSE THEY WERE SO FRUSTRATED. 495 00:27:03,667 --> 00:27:07,132 THERE JUST AREN'T ANY MORE LEADS TO FOLLOW. 496 00:27:07,133 --> 00:27:11,766 YOU KNOW, SOMETIMES, CASES ARE BROKEN JUST BY A LUCKY BREAK... 497 00:27:13,067 --> 00:27:15,199 ...A LUCKY PHONE CALL. 498 00:27:21,567 --> 00:27:24,399 THE PHONE RANG, AND IT WAS RICHIE BRUNS. 499 00:27:24,400 --> 00:27:27,266 RICHIE BRUNS -- 500 00:27:27,267 --> 00:27:30,266 REMEMBER THAT GIRL HE WAS OBSESSED WITH? 501 00:27:30,267 --> 00:27:33,332 WELL, THAT SITUATION HAD GOTTEN WAY OUT OF CONTROL. 502 00:27:33,333 --> 00:27:37,366 DUE TO RICHIE'S CONTINUAL HARASSMENT... 503 00:27:37,367 --> 00:27:41,866 HE WAS SENT BY THE LOCAL MUNICIPAL COURT 504 00:27:41,867 --> 00:27:43,932 TO OHIO ON PROBATION. 505 00:27:43,933 --> 00:27:46,133 WHERE HIS GRANDMOTHER LIVED. 506 00:27:48,800 --> 00:27:52,932 BUT HE HAD LASTED ONLY, I THINK, A COUPLE OF DAYS. 507 00:27:52,933 --> 00:27:57,199 HE WAS AFRAID THAT THE GIRL THAT HE LIKED 508 00:27:57,200 --> 00:27:58,766 WAS GONNA BE KILLED OR RAPED. 509 00:27:58,767 --> 00:28:00,566 I THINK HE WAS GENUINE ABOUT THAT. 510 00:28:00,567 --> 00:28:05,066 CAN YOU CONNECT ME TO THE TUCSON POLICE DEPARTMENT, PLEASE? 511 00:28:05,067 --> 00:28:08,199 YEAH, THIS IS, THIS IS RICHIE BRUNS. 512 00:28:08,200 --> 00:28:11,167 I HAVE SOME INFORMATION ABOUT THE FRITZ GIRLS. 513 00:28:13,133 --> 00:28:16,699 YEAH, I'LL, I'LL TELL YOU EVERYTHING YOU NEED TO KNOW. 514 00:28:16,700 --> 00:28:19,900 CAN YOU JUST GET ME BACK TO TUCSON, PLEASE? 515 00:28:28,533 --> 00:28:30,599 YOU'RE GONNA WANT TO TURN LEFT UP HERE. 516 00:28:30,600 --> 00:28:33,432 UP HERE? YEAH. 517 00:28:33,433 --> 00:28:36,199 IT HAD BEEN OVER TWO MONTHS 518 00:28:36,200 --> 00:28:40,332 OF THE POLICE QUESTIONING US AND HUNTING DOWN DEAD ENDS, 519 00:28:40,333 --> 00:28:43,332 AND THEN, OUT OF THE BLUE, A CALL FROM RICHIE BRUNS 520 00:28:43,333 --> 00:28:45,600 FINALLY BROKE THE WHOLE STORY OPEN. 521 00:28:48,767 --> 00:28:51,132 HE KNOWS WHAT HAPPENED, 522 00:28:51,133 --> 00:28:53,299 AND THE ONLY WAY TO GET BACK TO TUCSON 523 00:28:53,300 --> 00:28:56,133 WAS TO TELL THE STORY TO THE POLICE. 524 00:28:57,533 --> 00:29:02,199 IT ALL STARTED WITH THE ALLEEN GIRL. 525 00:29:02,200 --> 00:29:07,133 SHE WAS BLOND AND PRETTY IN THE FACE. 526 00:29:24,400 --> 00:29:27,699 RICHIE BRUNS TELLS POLICE 527 00:29:27,700 --> 00:29:31,333 CHARLIE GOT IT INTO HIS HEAD THAT HE WANTED TO KILL A GIRL. 528 00:29:38,700 --> 00:29:42,166 HE WANTED TO SEE WHAT IT FELT LIKE. 529 00:29:42,167 --> 00:29:44,700 HE THOUGHT THAT WOULD BE EXCITING, A BIT OF A THRILL. 530 00:30:04,067 --> 00:30:07,166 AND MARY HELPED HIM DO IT. 531 00:30:07,167 --> 00:30:09,732 SHE'S GOT SCHOOL TOMORROW. 532 00:30:09,733 --> 00:30:12,132 THIS WAS YOUR JOB. 533 00:30:12,133 --> 00:30:14,732 I'LL CALL HER. 534 00:30:14,733 --> 00:30:17,266 GET HER TO GO OUT ON A DOUBLE DATE WITH JOHN. 535 00:30:17,267 --> 00:30:20,066 I'LL COME PICK YOU UP. I'LL HAVE JOHN WITH ME. 536 00:30:20,067 --> 00:30:21,799 I WANT TO DO IT TONIGHT. 537 00:30:21,800 --> 00:30:23,666 I WANT HER. 538 00:30:23,667 --> 00:30:26,799 I LOVE YOU. 539 00:30:26,800 --> 00:30:29,599 WE NEED TO DO THIS. 540 00:30:29,600 --> 00:30:31,266 YOU PROMISED ME. 541 00:30:31,267 --> 00:30:33,400 OKAY. 542 00:30:43,267 --> 00:30:46,099 THEY LURED ALLEEN OUT BY INSISTING 543 00:30:46,100 --> 00:30:50,499 THAT SHE GO ON A DOUBLE DATE WITH THIS GUY, JOHN SAUNDERS, 544 00:30:50,500 --> 00:30:52,200 WHO WAS A FRIEND OF CHARLIE'S. 545 00:30:59,133 --> 00:31:00,832 IT'S A BEAUTIFUL NIGHT. 546 00:31:00,833 --> 00:31:04,066 ALLEEN, YOU LIKE THIS PART OF THE DESERT? 547 00:31:04,067 --> 00:31:05,799 YEAH, IT'S REALLY BEAUTIFUL. 548 00:31:05,800 --> 00:31:07,767 WHAT DO YOU LIKE ABOUT IT? 549 00:31:09,400 --> 00:31:13,466 IT'S... THE CALMNESS. 550 00:31:13,467 --> 00:31:16,099 ALLEEN WAS A NICE GIRL, AND SHE TRUSTED MARY. 551 00:31:16,100 --> 00:31:18,632 THEY WERE NEIGHBORS, AND THEY WERE FRIENDS. 552 00:31:18,633 --> 00:31:21,599 IT'S THE FARTHEST EDGE OF INSANE, 553 00:31:21,600 --> 00:31:25,732 BUT SOMEHOW CHARLIE SCHMID HAD CONVINCED TWO OTHER KIDS 554 00:31:25,733 --> 00:31:28,399 TO LURE A GIRL TO HER MURDER -- 555 00:31:28,400 --> 00:31:33,132 MARY FRENCH AND JOHN SAUNDERS. 556 00:31:33,133 --> 00:31:35,332 THE POLICE WERE HUNTING FOR A KILLER 557 00:31:35,333 --> 00:31:37,599 IN THE SPEEDWAY CROWD, 558 00:31:37,600 --> 00:31:42,299 BUT FINDING A GROUP OF THEM -- THAT WAS TOUCHING EVIL. 559 00:31:42,300 --> 00:31:46,499 CHARLIE WAS ABLE TO MANIPULATE TROUBLED TEENS 560 00:31:46,500 --> 00:31:48,199 BECAUSE THEY BELIEVED 561 00:31:48,200 --> 00:31:51,332 THAT HE THOUGHT THAT THEY WERE SPECIAL. 562 00:31:51,333 --> 00:31:55,066 THEY'D DO WHATEVER HE WANTED THEM TO, 563 00:31:55,067 --> 00:31:56,766 AND BRUNS SAID THAT. 564 00:31:56,767 --> 00:31:58,899 I MEAN, THAT'S AS COLD AS THE DEVIL, 565 00:31:58,900 --> 00:32:00,199 WHEN YOU THINK OF IT. 566 00:32:00,200 --> 00:32:04,366 I KNOW A GREAT SPOT, DOWN A LITTLE BIT. 567 00:32:04,367 --> 00:32:05,966 WOULD YOU LIKE TO SEE IT? 568 00:32:05,967 --> 00:32:07,199 YEAH, SURE. JOHN? 569 00:32:07,200 --> 00:32:09,132 - YEAH. - I'LL HANG HERE. 570 00:32:09,133 --> 00:32:12,066 I WANT TO LISTEN TO THE RADIO. 571 00:32:12,067 --> 00:32:14,367 SUIT YOURSELF. 572 00:32:25,133 --> 00:32:28,466 SCHMID SAID, "RAPE HER." 573 00:32:28,467 --> 00:32:31,199 JOHN SAUNDERS COULDN'T DO IT, 574 00:32:31,200 --> 00:32:34,599 AND SCHMID SAID, "ALL RIGHT, I'LL DO IT." 575 00:32:34,600 --> 00:32:36,633 AND HE RAPED HER. 576 00:32:46,200 --> 00:32:51,599 IN THE CAR, MARY CAN HEAR THE SCREAMS. 577 00:32:53,533 --> 00:32:57,567 IT'S POSSIBLE THAT MARY WAS SOMEWHAT CONFLICTED. 578 00:32:59,667 --> 00:33:05,132 HE TOOK A ROCK AND HIT HER IN THE HEAD TWICE, 579 00:33:05,133 --> 00:33:06,900 AND THAT'S WHAT KILLED HER. 580 00:33:11,300 --> 00:33:14,399 I LOVE YOU SO MUCH. I LOVE YOU SO MUCH. 581 00:33:14,400 --> 00:33:16,066 I LOVE YOU SO MUCH. 582 00:33:16,067 --> 00:33:18,299 WE GOT TO GET THE SHOVEL. WE GOT WORK TO DO, BABY, OKAY? 583 00:33:18,300 --> 00:33:20,332 YEAH. 584 00:33:22,733 --> 00:33:26,633 TOGETHER, THE THREE OF THEM BURY HER IN THE DESERT. 585 00:33:33,567 --> 00:33:36,766 HE WAS TELLING EVERYBODY ABOUT WHAT HE DID TO HER. 586 00:33:36,767 --> 00:33:38,900 HE WAS EVEN BRAGGING ABOUT IT. 587 00:33:41,067 --> 00:33:45,100 HE BRAGGED ABOUT KILLING ALLEEN TO A NUMBER OF KIDS. 588 00:33:47,400 --> 00:33:53,532 CHARLIE LOVED THE ADORATION FROM THIS TEEN CROWD. 589 00:33:53,533 --> 00:33:57,332 HE LIKED TO INSTILL FEAR IN PEOPLE, TOO, 590 00:33:57,333 --> 00:34:00,167 AND PEOPLE WERE AFRAID OF HIM. 591 00:34:01,633 --> 00:34:05,066 BUT NOT EVERYONE WAS AFRAID, 592 00:34:05,067 --> 00:34:08,132 EVEN WHEN THEY SHOULD HAVE BEEN. 593 00:34:08,133 --> 00:34:12,399 GRETCHEN WAS, HERSELF, PRETTY MENTALLY UNSTABLE. 594 00:34:12,400 --> 00:34:15,199 HER APPROACH TO THAT DISCOVERY 595 00:34:15,200 --> 00:34:18,199 WAS NOT THE NORMAL FEAR AND RUNNING FOR THE POLICE. 596 00:34:18,200 --> 00:34:23,199 BRUNS CLAIMED THAT GRETCHEN HELD IT OVER HIS HEAD 597 00:34:23,200 --> 00:34:26,499 TO EXTORT WHATEVER SHE WANTED OUT OF CHARLIE SCHMID. 598 00:34:26,500 --> 00:34:31,199 IF CHARLIE THOUGHT GRETCHEN WAS GONNA BE INTIMIDATED 599 00:34:31,200 --> 00:34:34,266 BY THE ALLEEN STORY, HE THOUGHT WRONG. 600 00:34:34,267 --> 00:34:36,466 GRETCHEN WASN'T THAT KIND OF GIRL. 601 00:34:36,467 --> 00:34:40,266 FOR HER, IT WAS LEVERAGE -- THE PERFECT THREAT 602 00:34:40,267 --> 00:34:42,966 FOR WHENEVER CHARLIE STEPPED OUT OF LINE. 603 00:34:42,967 --> 00:34:45,366 THAT WAS THE WAY SHE WANTED TO MAKE USE 604 00:34:45,367 --> 00:34:48,132 OF THIS REALLY IMPORTANT PIECE OF INFORMATION, 605 00:34:48,133 --> 00:34:49,733 WAS TO USE IT AS A WEAPON. 606 00:34:53,533 --> 00:34:57,866 AND THEN THE FRITZ FAMILY TOOK THEIR VACATION TO SAN DIEGO. 607 00:34:57,867 --> 00:35:00,199 BUT INSTEAD OF DISTANCE COOLING THINGS OFF, 608 00:35:00,200 --> 00:35:02,233 IT ONLY MADE THEM WORSE. 609 00:35:04,200 --> 00:35:05,599 WHILE SHE WAS AWAY, 610 00:35:05,600 --> 00:35:09,066 CHARLIE WAS LIVING IT UP AND HAVING THESE PARTIES, 611 00:35:09,067 --> 00:35:11,699 AND WHEN GRETCHEN GOT WIND OF THIS, SHE WAS REALLY UPSET. 612 00:35:15,133 --> 00:35:17,832 WELL, DON'T WAIT. I'LL GROW UP, AND I'LL NEVER GO. 613 00:35:17,833 --> 00:35:20,266 YOU HAVE TO MAKE DECISIONS AND STICK TO THEM. 614 00:35:20,267 --> 00:35:22,066 IF YOU DON'T, YOU NEVER GET ANYPLACE. 615 00:35:22,067 --> 00:35:25,166 HEY. 616 00:35:25,167 --> 00:35:26,932 I HEARD THERE'S ANOTHER PARTY TONIGHT. 617 00:35:26,933 --> 00:35:29,066 YOU COMING? 618 00:35:29,067 --> 00:35:33,066 RICHIE BRUNS TELLS POLICE THAT GRETCHEN WAS AT THE MOVIE. 619 00:35:33,067 --> 00:35:35,066 WE'RE GOING. 620 00:35:35,067 --> 00:35:36,532 I'LL SEE YOU AT SMITTY'S. 621 00:35:36,533 --> 00:35:38,866 YEAH, I'LL SEE YOU AT SMITTY'S. 622 00:35:38,867 --> 00:35:42,932 AND SHE HEARS THAT CHARLIE'S HAVING A PARTY, 623 00:35:42,933 --> 00:35:44,666 WHICH JUST MAKES HER REALLY ANGRY. 624 00:35:44,667 --> 00:35:47,066 I JUST TOLD GRETCHEN WHAT I'D HEARD 625 00:35:47,067 --> 00:35:48,566 THAT NIGHT AT THE DRIVE-IN. 626 00:35:48,567 --> 00:35:50,599 "THERE'S A PARTY. EVERYONE'S GONNA BE AT SMITTY'S." 627 00:35:53,067 --> 00:35:55,166 I HAD NO IDEA IT WASN'T TRUE, 628 00:35:55,167 --> 00:35:58,799 OR THAT SOME STUPID WORDS COMING OUT OF MY MOUTH 629 00:35:58,800 --> 00:36:00,500 COULD TURN SO AWFUL. 630 00:36:02,400 --> 00:36:06,266 WHAT GIVES YOU THE IDEA THAT YOU CAN DO WHAT YOU WANT TO DO? 631 00:36:06,267 --> 00:36:08,866 MAYBE ALL THE GUYS YOU SCREWED. 632 00:36:08,867 --> 00:36:11,466 NO, THAT IS EXACTLY NOT WHAT WE'RE TALKING ABOUT. 633 00:36:11,467 --> 00:36:12,632 YOU DIDN'T CONTACT ME, 634 00:36:12,633 --> 00:36:14,266 AND YOU'VE BEEN CONTACTING OTHER GIRLS. 635 00:36:14,267 --> 00:36:16,199 WHAT IS -- WHAT IS THE PROBLEM THERE? 636 00:36:16,200 --> 00:36:17,799 DO YOU SEE THE PROBLEM THERE? 637 00:36:17,800 --> 00:36:19,932 I DON'T SEE ANYTHING. 638 00:36:19,933 --> 00:36:21,966 INSTANTLY, THEY JUST START FIGHTING. 639 00:36:21,967 --> 00:36:23,932 TELL ME WHAT YOU'RE DOING WITH THESE OTHER GIRLS... 640 00:36:23,933 --> 00:36:25,266 TELL ME WHAT YOU'RE -- ...INVITING THEM 641 00:36:25,267 --> 00:36:28,666 TO OTHER PARTIES AND NOT TELLING ME ABOUT IT AT ALL? 642 00:36:28,667 --> 00:36:29,932 YOU ARE NOTHING! 643 00:36:29,933 --> 00:36:31,666 YOU ARE NOTHING, OKAY?! 644 00:36:31,667 --> 00:36:33,066 YOU'RE SUCH A PIECE OF SCUM! 645 00:36:33,067 --> 00:36:36,666 WHY ARE YOU DOING THIS TO ME?! IT'S NOT OKAY! 646 00:36:36,667 --> 00:36:41,266 GRETCHEN WAS IMPULSIVE AND AGGRESSIVE AND WILD. 647 00:36:41,267 --> 00:36:46,267 SHE LOVED LASHING OUT, GETTING HER WAY. 648 00:36:48,067 --> 00:36:49,499 BUT SHE COULDN'T HAVE KNOWN 649 00:36:49,500 --> 00:36:51,932 THAT WHEN SHE TANGLED WITH CHARLIE SCHMID, 650 00:36:51,933 --> 00:36:55,700 SHE WAS RUNNING INTO A DARKNESS SHE'D NEVER ESCAPE. 651 00:36:58,333 --> 00:37:00,466 YOU KNOW WHO MY FATHER IS. 652 00:37:00,467 --> 00:37:05,666 YOU KNOW THAT IF I TOLD HIM WHAT I KNOW ABOUT YOU... 653 00:37:05,667 --> 00:37:09,132 I COULD GET YOU IN SO MUCH TROUBLE. 654 00:37:09,133 --> 00:37:12,399 WHAT DO YOU MEAN? TELL HIM WHAT? 655 00:37:12,400 --> 00:37:13,933 YOU KNOW WHAT. 656 00:37:17,367 --> 00:37:20,433 CHARLIE FELT LIKE HE HAD TO ELIMINATE HER. 657 00:37:31,367 --> 00:37:37,066 HE ALLEGEDLY GOT THE GUITAR STRING FROM HIS GUITAR 658 00:37:37,067 --> 00:37:40,332 AND USED IT TO CHOKE HER TO DEATH... 659 00:37:40,333 --> 00:37:45,332 AND THEN HE WENT AND GOT WENDY AND DID THE SAME THING TO HER. 660 00:37:45,333 --> 00:37:50,332 AND POOR WENDY -- SHE WAS ONLY 13. 661 00:37:50,333 --> 00:37:53,766 SHE JUST HAPPENED TO BE WITH HER BIG SISTER THAT NIGHT, 662 00:37:53,767 --> 00:37:56,199 WHEN THAT LAST AWFUL FIGHT HAPPENED. 663 00:37:56,200 --> 00:38:00,599 HE THEN PUT THEM IN THE TRUNK OF HIS AUTOMOBILE 664 00:38:00,600 --> 00:38:03,232 AND TOOK THEM OUT TO THIS DESERT AREA 665 00:38:03,233 --> 00:38:05,066 IN THE FOOTHILLS OF TUCSON. 666 00:38:05,067 --> 00:38:09,732 AND THEN HE CAME BACK, AND HE DROVE GRETCHEN'S CAR 667 00:38:09,733 --> 00:38:12,667 AND LEFT IT AT THE FLAMINGO HOTEL. 668 00:38:20,733 --> 00:38:23,067 YEAH, THAT'S HER, RIGHT THERE. 669 00:38:25,200 --> 00:38:28,866 SMITTY TOOK ME UP HERE, 670 00:38:28,867 --> 00:38:31,132 SAID WE HAD TO MOVE THE BODIES. 671 00:38:31,133 --> 00:38:34,266 RICHIE EXPLAINS TO THE POLICE THAT ABOUT THREE WEEKS 672 00:38:34,267 --> 00:38:35,833 AFTER THE FRITZ GIRLS WENT MISSING... 673 00:38:37,800 --> 00:38:39,866 RIGHT HERE. RIGHT HERE. 674 00:38:39,867 --> 00:38:42,466 ...CHARLIE TOOK HIM OUT TO THE DESERT 675 00:38:42,467 --> 00:38:44,167 TO SHOW HIM WHERE THE BODIES WERE. 676 00:38:47,067 --> 00:38:49,932 THAT'S GRETCHEN? 677 00:38:49,933 --> 00:38:51,932 YEAH. 678 00:38:51,933 --> 00:38:55,267 HE HELPED SCHMID DRAG THEM OUT TO THE BURIAL SPOT. 679 00:38:57,133 --> 00:39:00,066 YOU KNOW, RICH... 680 00:39:00,067 --> 00:39:03,066 IT'S BETWEEN YOU AND ME NOW. 681 00:39:03,067 --> 00:39:05,700 YOU CAN'T SAY ANYTHING. 682 00:39:07,133 --> 00:39:09,266 HE WAS QUITE AFRAID OF SCHMID. 683 00:39:09,267 --> 00:39:13,532 POLICE HAD MADE A DEAL WITH RICHIE 684 00:39:13,533 --> 00:39:15,666 THAT IN EXCHANGE FOR THIS INFORMATION, 685 00:39:15,667 --> 00:39:19,166 HE WILL NOT BE CHARGED. 686 00:39:19,167 --> 00:39:23,066 CHARLIE WANTED ME TO CALL ALLEEN, SO I DID. 687 00:39:23,067 --> 00:39:26,332 IT WAS ALL CHARLIE'S IDEA. 688 00:39:26,333 --> 00:39:29,366 IN EXCHANGE FOR REDUCED SENTENCING, 689 00:39:29,367 --> 00:39:31,266 MARY FRENCH AND JOHN SAUNDERS 690 00:39:31,267 --> 00:39:33,733 AGREE TO TESTIFY AGAINST CHARLIE SCHMID. 691 00:39:36,467 --> 00:39:38,632 ON THE 10th OF NOVEMBER, 692 00:39:38,633 --> 00:39:41,666 LIEUTENANT ROBLES AND I PLACED HIM UNDER ARREST. 693 00:39:41,667 --> 00:39:47,199 AT THAT POINT, HE WAS A DIFFERENT CHARLIE SCHMID. 694 00:39:47,200 --> 00:39:49,832 HIS BEHAVIOR IS VERY BIZARRE. 695 00:39:49,833 --> 00:39:51,832 HE STUNK. HE WAS FILTHY. 696 00:39:51,833 --> 00:39:53,732 HE WORE PANCAKE MAKEUP. 697 00:39:53,733 --> 00:39:56,766 HE WORE REALLY HEAVY COATS OF CHAP STICK ON HIS LIPS. 698 00:39:56,767 --> 00:39:58,866 HE WORE A BANDAGE ACROSS HIS NOSE, 699 00:39:58,867 --> 00:40:01,266 AS IF HE HAD BEEN IN SOME SORT OF FIGHT. 700 00:40:01,267 --> 00:40:04,866 AND HE HAD A BEAUTY MARK ON HIS FACE 701 00:40:04,867 --> 00:40:08,332 THAT HE ACCENTUATED WITH THIS BLACK, GREASY STUFF. 702 00:40:08,333 --> 00:40:11,933 HE SEEMED TO BELIEVE THAT HE LOOKED LIKE ELVIS PRESLEY. 703 00:40:14,467 --> 00:40:18,266 HE JUST WOULDN'T TALK TO US. 704 00:40:18,267 --> 00:40:21,332 HE WAS IN ALMOST LIKE A TRANCE. 705 00:40:21,333 --> 00:40:24,766 AT THAT POINT, HE WAS PROBABLY ON THE VERGE OF CRACKING UP. 706 00:40:24,767 --> 00:40:26,866 CHARLIE HAD JUST BEEN PLAYING 707 00:40:26,867 --> 00:40:29,532 AT THE "BITCHIN' SMITTY" CHARACTER ALL ALONG, 708 00:40:29,533 --> 00:40:30,866 BUT NOW IT WAS OVER. 709 00:40:30,867 --> 00:40:33,799 HE LOOKED LIKE SOME KIND OF GROTESQUE CLOWN. 710 00:40:33,800 --> 00:40:36,299 BUT IT WASN'T FUNNY FOR ANY OF US. 711 00:40:36,300 --> 00:40:40,266 IT FELT MORE LIKE WE'D BEEN DANCING WITH THE DEVIL. 712 00:40:40,267 --> 00:40:42,999 HE WAS SO GOOD AT BEING PHONY. 713 00:40:43,000 --> 00:40:45,466 HE HAD RECORDINGS 714 00:40:45,467 --> 00:40:48,132 OF ONE OF THE GOOD GUITAR PLAYERS IN TOWN. 715 00:40:48,133 --> 00:40:50,399 AND THEN HE PUT THE TAPE RECORDER 716 00:40:50,400 --> 00:40:52,466 UNDER A CABINET THAT HE HAD MADE. 717 00:40:52,467 --> 00:40:54,599 BUT HE WASN'T PLAYING AT ALL. 718 00:40:54,600 --> 00:40:56,832 ALL THE THINGS THAT CHARLIE DID, 719 00:40:56,833 --> 00:40:59,566 WHEN YOU STEP BACK AND LOOK AT THEM TODAY, 720 00:40:59,567 --> 00:41:01,332 WE'D CALL HIM A PSYCHOPATH. 721 00:41:01,333 --> 00:41:03,266 BUT IN 1965, 722 00:41:03,267 --> 00:41:06,066 THAT WASN'T THE KIND OF MONSTER ANYBODY KNEW ABOUT YET. 723 00:41:06,067 --> 00:41:08,266 PEOPLE WHO ARE PSYCHOPATHIC, IN MANY CASES, 724 00:41:08,267 --> 00:41:09,766 SEEM MORE ALIVE, 725 00:41:09,767 --> 00:41:11,432 MORE CHARISMATIC, MORE INTERESTING. 726 00:41:11,433 --> 00:41:17,066 BUT THAT MASK CONCEALS A REAL INNER DEADNESS, 727 00:41:17,067 --> 00:41:19,099 WHERE HE WAS A GRANDIOSE NARCISSIST 728 00:41:19,100 --> 00:41:21,932 AT THE CENTER OF THINGS WHO WAS ABLE TO MANIPULATE 729 00:41:21,933 --> 00:41:24,799 TEENAGERS WHO WERE LOOKING FOR GUIDANCE. 730 00:41:24,800 --> 00:41:29,266 THAT WAS THE MOST AMAZING PART OF IT ALL, THAT THIS GUY -- 731 00:41:29,267 --> 00:41:34,399 CHARMING, YES, EXCITING, SURE, BUT STILL JUST A GUY -- 732 00:41:34,400 --> 00:41:37,766 GOT A GROUP OF KIDS TO STAND BY 733 00:41:37,767 --> 00:41:41,732 WHILE HE KILLED THREE PEOPLE AND GOT AWAY WITH IT. 734 00:41:41,733 --> 00:41:47,399 HE EVEN HAD THE NICKNAME "THE PIED PIPER OF TUCSON." 735 00:41:47,400 --> 00:41:49,732 YOU EXPECT AT SOME POINT, 736 00:41:49,733 --> 00:41:52,132 SOMEBODY'S CONSCIENCE IS GONNA SAY, 737 00:41:52,133 --> 00:41:54,532 "NO, I'VE GOT TO TELL WHAT I KNOW." 738 00:41:54,533 --> 00:41:57,067 NOBODY SAID ANYTHING, NOTHING. 739 00:41:59,067 --> 00:42:02,332 IT'S A BETTER STORY TO SAY THERE WAS SOMETHING TERRIBLE 740 00:42:02,333 --> 00:42:03,832 ABOUT OUR CROWD OUT ON SPEEDWAY, 741 00:42:03,833 --> 00:42:05,966 THAT WE WERE BAD KIDS, 742 00:42:05,967 --> 00:42:07,632 BUT THE TRUTH MIGHT BE SCARIER. 743 00:42:07,633 --> 00:42:09,766 THERE WAS NOTHING GOING ON IN TUCSON 744 00:42:09,767 --> 00:42:11,399 THAT COULDN'T HAPPEN ANYWHERE. 745 00:42:11,400 --> 00:42:14,866 ADOLESCENCE IS THE TIME PERIOD THE PARTS OF YOUR BRAIN 746 00:42:14,867 --> 00:42:19,632 THAT GOVERN REWARD SEEKING AND CURIOUSLY ARE REALLY ACTIVE. 747 00:42:19,633 --> 00:42:22,599 HOWEVER, THE PREFRONTAL PARTS OF THE BRAIN 748 00:42:22,600 --> 00:42:25,332 THAT GOVERN IMPULSE CONTROL ARE UNDERDEVELOPED, 749 00:42:25,333 --> 00:42:27,066 AND THAT CREATES TROUBLE. 750 00:42:27,067 --> 00:42:29,232 THE PARTS OF THE WORLD 751 00:42:29,233 --> 00:42:30,799 THAT HAVE THE HIGHEST RATES OF VIOLENCE ARE OFTEN THOSE 752 00:42:30,800 --> 00:42:32,466 THAT HAVE THE HIGHEST PROPORTION OF ADOLESCENTS. 753 00:42:32,467 --> 00:42:35,899 WE ALL DO CRAZY THINGS GROWING UP. 754 00:42:35,900 --> 00:42:37,832 I BET YOU DID, TOO. 755 00:42:37,833 --> 00:42:40,399 GRETCHEN FRITZ WAS JUST DATING BOYS 756 00:42:40,400 --> 00:42:42,932 AND HAVING DRAMAS WITH HER FRIENDS. 757 00:42:42,933 --> 00:42:44,932 FOR TEENAGERS, CRAZY IS NORMAL, 758 00:42:44,933 --> 00:42:47,466 AND THAT'S ALL IT WOULD HAVE BEEN... 759 00:42:47,467 --> 00:42:49,332 IF A PIED PIPER HADN'T COME 760 00:42:49,333 --> 00:42:51,666 AND PLAYED HIS SONG IN OUR TOWN. 761 00:42:51,667 --> 00:42:53,700 [ "HOUSE OF THE RISING SUN" PLAYS ] 762 00:42:55,233 --> 00:43:02,199 * THERE IS A HOUSE IN NEW ORLEANS * 763 00:43:02,200 --> 00:43:07,666 * THEY CALL THE RISING SUN * 764 00:43:07,667 --> 00:43:14,332 * AND IT'S BEEN THE RUIN OF MANY A POOR BOY * 765 00:43:14,333 --> 00:43:19,167 * AND ME, GOD, I'M ONE * 57946

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