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These are the user uploaded subtitles that are being translated: 1 00:00:13,533 --> 00:00:16,799 I REMEMBER THAT NIGHT LIKE IT WAS YESTERDAY. 2 00:00:18,533 --> 00:00:21,932 THOSE SCREAMS STILL ECHO THROUGH MY NIGHTMARES. 3 00:00:23,533 --> 00:00:25,999 AND I'M NOT THE ONLY ONE. 4 00:00:26,000 --> 00:00:29,232 A LOT OF US HEARD THOSE SCREAMS THAT NIGHT, 5 00:00:29,233 --> 00:00:32,133 AND A FEW SAW THE HORROR, TOO. 6 00:00:35,567 --> 00:00:39,299 THERE WERE HUNDREDS OF MURDERS THAT YEAR IN THE CITY, 7 00:00:39,300 --> 00:00:43,666 BUT ONLY THIS ONE BECAME FAMOUS ALL THE WORLD OVER. 8 00:00:43,667 --> 00:00:46,299 NOT BECAUSE OF THE VICTIM. 9 00:00:46,300 --> 00:00:49,499 NOT BECAUSE OF THE KILLER. 10 00:00:49,500 --> 00:00:51,600 BUT BECAUSE OF THE WITNESSES. 11 00:00:53,400 --> 00:00:56,067 BECAUSE OF PEOPLE LIKE ME. 12 00:01:10,800 --> 00:01:13,699 YOU KNOW THE KITTY GENOVESE CASE, RIGHT? 13 00:01:17,300 --> 00:01:19,699 OF COURSE YOU DO. 14 00:01:19,700 --> 00:01:22,066 38 OF HER NEIGHBORS WATCHED A WOMAN DIE. 15 00:01:22,067 --> 00:01:25,399 SHE RECOGNIZED ONE OF THEM AND CALLED TO HIM FOR HELP 16 00:01:25,400 --> 00:01:27,532 WHILE SHE WAS BEING STABBED TO DEATH. 17 00:01:27,533 --> 00:01:28,966 BUT HE NEVER ANSWERED HER. 18 00:01:28,967 --> 00:01:31,966 40 PERSONS HEARD HER SCREAM, BUT NO ONE ACTED. 19 00:01:31,967 --> 00:01:34,866 PEOPLE UP THERE WERE SITTING RIGHT ON TOP OF THE CRIME. 20 00:01:34,867 --> 00:01:37,666 WHEN IT WAS OVER, THEY ALL WENT BACK TO BED. 21 00:01:37,667 --> 00:01:40,199 KITTY WAS THE GIRL IN NEW YORK CITY 22 00:01:40,200 --> 00:01:43,532 WHO WAS STABBED TO DEATH BY A MANIAC IN FRONT OF HER HOUSE 23 00:01:43,533 --> 00:01:47,832 WHILE ALL OF HER NEIGHBORS STOOD AROUND AND DID NOTHING. 24 00:01:47,833 --> 00:01:49,832 KITTY GENOVESE REVEALED TO THE WORLD 25 00:01:49,833 --> 00:01:53,366 HOW APATHETIC SOCIETY HAD BECOME. 26 00:01:53,367 --> 00:01:55,366 KITTY GENOVESE SHOWED US 27 00:01:55,367 --> 00:01:59,066 HOW LIVING IN CITIES TURNED US INTO ANIMALS. 28 00:01:59,067 --> 00:02:02,333 KITTY GENOVESE WAS A MODERN MARTYR. 29 00:02:03,633 --> 00:02:07,599 THAT'S THE KITTY GENOVESE CASE, RIGHT? 30 00:02:07,600 --> 00:02:09,566 WRONG. 31 00:02:16,400 --> 00:02:19,766 AT 3:50 A.M. ON MARCH 13th, 32 00:02:19,767 --> 00:02:22,066 THE 102nd PRECINCT RECEIVED A CALL 33 00:02:22,067 --> 00:02:23,266 FROM A MAN WHO SAYS 34 00:02:23,267 --> 00:02:25,899 THAT A WOMAN HAS BEEN ATTACKED IN HIS HALLWAY. 35 00:02:28,100 --> 00:02:30,099 TWO MINUTES LATER, 36 00:02:30,100 --> 00:02:34,633 PATROLMAN ARRIVES ON SCENE AT A TUDOR-STYLE BUILDING. 37 00:02:36,067 --> 00:02:39,066 IS AN AMBULANCE COMING? 38 00:02:39,067 --> 00:02:40,067 HELP IS ON THE WAY. 39 00:02:40,068 --> 00:02:41,866 SHOULD BE HERE IN JUST A FEW MINUTES. 40 00:02:41,867 --> 00:02:44,066 DO YOU KNOW THIS WOMAN? CATHERINE GENOVESE. 41 00:02:44,067 --> 00:02:47,266 BUT SHE GOES BY "KITTY." STAY WITH US, KITTY. 42 00:02:47,267 --> 00:02:49,199 KITTY'S CLOTHES ARE CUT AND TORN. 43 00:02:49,200 --> 00:02:52,066 SHE HAS MULTIPLE STAB WOUNDS IN HER CHEST AND STOMACH, 44 00:02:52,067 --> 00:02:53,932 AND HER THROAT IS SLASHED. 45 00:02:53,933 --> 00:02:56,299 HOW DO YOU KNOW HER? SHE LIVES ACROSS FROM ME. 46 00:02:56,300 --> 00:03:00,099 THE HALLWAY WAS ABSOLUTELY DRENCHED IN BLOOD. 47 00:03:00,100 --> 00:03:02,499 HANG IN THERE, KITTY. 48 00:03:02,500 --> 00:03:05,932 IT'S A VERY SMALL, CONFINED HALLWAY, 49 00:03:05,933 --> 00:03:09,432 AND A STAIRCASE THAT GOES UP TO TWO MORE APARTMENTS. 50 00:03:09,433 --> 00:03:10,932 THIS WOMAN WAS TRAPPED. 51 00:03:10,933 --> 00:03:12,967 BREATHE, KITTY. 52 00:03:15,367 --> 00:03:20,632 IN 1964, YOU DIDN'T CALL 911. IT DID NOT EXIST. 53 00:03:20,633 --> 00:03:24,132 WHAT YOU DID WAS DIAL THE POLICE PRECINCT DIRECTLY. 54 00:03:24,133 --> 00:03:28,432 SO IT WAS QUITE SOME TIME BEFORE THE AMBULANCE ARRIVES. 55 00:03:33,633 --> 00:03:37,466 THEY TOLD US SHE DIED ON THE WAY TO THE HOSPITAL. 56 00:03:37,467 --> 00:03:40,066 SHE NEVER WOKE UP. 57 00:03:40,067 --> 00:03:43,099 AND NOW OUR LITTLE BLOCK IN QUEENS 58 00:03:43,100 --> 00:03:45,699 WAS THE SCENE OF A MURDER. 59 00:03:51,733 --> 00:03:55,333 THERE WAS A TRAIL OF BLOOD ON AUSTIN STREET. 60 00:03:57,867 --> 00:04:01,066 SO, THEY FIGURED OUT THAT KITTY GENOVESE WAS ATTACKED 61 00:04:01,067 --> 00:04:04,532 FIRST IN FRONT OF HER OWN APARTMENT BUILDING. 62 00:04:04,533 --> 00:04:06,566 SO, THERE ARE TWO ATTACKS. 63 00:04:06,567 --> 00:04:08,166 THE POLICE TRIED TO KEEP US AWAY, 64 00:04:08,167 --> 00:04:11,733 BUT IT WAS ALL RIGHT THERE FOR US TO SEE. 65 00:04:13,100 --> 00:04:15,699 AND AS IT GOT LATER AND THE SUN CAME UP, 66 00:04:15,700 --> 00:04:19,299 IT WAS ALL THE MORE VIVID AND HORRIBLE. 67 00:04:19,300 --> 00:04:22,066 THIS WAS DIRECTLY ACROSS FROM A 10-STORY BUILDING, 68 00:04:22,067 --> 00:04:24,266 THE MOWBRAY APARTMENT HOUSE. 69 00:04:25,700 --> 00:04:29,599 AND SO THERE POSSIBLY COULD HAVE BEEN A WHOLE AUDIENCE 70 00:04:29,600 --> 00:04:32,399 LOOKING DOWN AT WHERE SHE WAS ATTACKED. 71 00:04:32,400 --> 00:04:36,300 ALL RIGHT. YOU TAKE THE RIGHT. TAKE THE LEFT. 72 00:04:43,300 --> 00:04:45,067 CAN I HELP YOU? EXCUSE ME, MA'AM... 73 00:04:46,433 --> 00:04:49,333 3:20. THAT'S WHEN I HEARD THE FIRST SCREAM. 74 00:04:52,267 --> 00:04:54,732 THE POLICE WERE ABLE TO FIND PEOPLE 75 00:04:54,733 --> 00:04:56,732 WHO TOLD THEM THAT THEY HEARD THESE SCREAMS. 76 00:04:56,733 --> 00:04:59,132 AT FIRST WE COULDN'T SEE HER. 77 00:04:59,133 --> 00:05:01,433 WE JUST HEARD HER YELLING. 78 00:05:03,467 --> 00:05:05,466 SAMUEL KOSHKIN AND HIS WIFE 79 00:05:05,467 --> 00:05:08,166 LIVE IN AN APARTMENT BUILDING CALLED THE WEST VIRGINIA 80 00:05:08,167 --> 00:05:09,832 ON THE SAME SIDE OF THE STREET AS THE TUDOR BUILDING 81 00:05:09,833 --> 00:05:11,799 IN A CORNER APARTMENT. 82 00:05:11,800 --> 00:05:13,699 SAMUEL KOSHKIN HEARD THE SCREAMS, 83 00:05:13,700 --> 00:05:16,567 AND HE HEARD THE WOMAN SAY THAT SHE HAD BEEN STABBED. 84 00:05:18,067 --> 00:05:20,199 YOU HEAR SCREAMS? 85 00:05:20,200 --> 00:05:22,566 UM... I GET UP, PEEK, 86 00:05:22,567 --> 00:05:29,467 AND LOOK THROUGH MY WINDOW AND SAW A MAN BEATING A GIRL. 87 00:05:32,567 --> 00:05:35,766 ANDRE PICQ, A WOMAN WHO LIVED IN THE MOWBRAY, 88 00:05:35,767 --> 00:05:39,766 SAW A MAN STANDING OVER A WOMAN -- STANDING OVER KITTY -- 89 00:05:39,767 --> 00:05:43,066 AND CLEARLY SOMETHING BAD WAS OCCURRING. 90 00:05:43,067 --> 00:05:45,699 SHE DID REACH FOR THE TELEPHONE. 91 00:05:45,700 --> 00:05:47,332 ROBERT MOZER AND HIS WIFE 92 00:05:47,333 --> 00:05:50,099 LIVED ON THE SEVENTH FLOOR OF THE MOWBRAY APARTMENT HOUSE, 93 00:05:50,100 --> 00:05:52,432 DIRECTLY ACROSS FROM WHERE KITTY WAS ATTACKED. 94 00:05:52,433 --> 00:05:56,066 STOP IT! STOP IT! 95 00:05:58,467 --> 00:06:00,967 I THOUGHT MAYBE IT WAS A DOMESTIC SPAT. 96 00:06:03,533 --> 00:06:07,332 HEY! YOU LEAVE THAT GIRL ALONE! 97 00:06:07,333 --> 00:06:09,199 NOW, YOU YELLED FROM WHERE? 98 00:06:09,200 --> 00:06:11,199 FROM OUR APARTMENT, UP THERE. 99 00:06:11,200 --> 00:06:13,399 OKAY. NOW, YOU DIDN'T HEAR HER SCREAMING 100 00:06:13,400 --> 00:06:15,532 THAT SHE'D BEEN STABBED AT ALL? NO. NO. 101 00:06:15,533 --> 00:06:17,067 WHAT DID SHE DO AFTER THAT? 102 00:06:20,067 --> 00:06:22,066 THE MOZERS REMAIN AT THE WINDOW, 103 00:06:22,067 --> 00:06:24,066 AND THEY WATCHED HER WALK BACK DOWN THE STREET. 104 00:06:24,067 --> 00:06:28,399 SHE'S SLOWLY ZIG-ZAGGING AND WALKING -- 105 00:06:28,400 --> 00:06:30,499 THEY THINK SHE MIGHT BE DRUNK -- 106 00:06:30,500 --> 00:06:33,600 AND SHE DISAPPEARS BEHIND THE TUDOR BUILDING. 107 00:06:35,200 --> 00:06:37,432 YOU KNOW THIS WOMAN'S BEING HURT. 108 00:06:37,433 --> 00:06:39,532 WHY DIDN'T YOU CALL THE POLICE? 109 00:06:39,533 --> 00:06:41,066 WELL, I DID. 110 00:06:47,067 --> 00:06:50,067 ANDRE CALLS THE POLICE. 111 00:06:51,333 --> 00:06:52,667 102nd. 112 00:06:54,067 --> 00:06:56,366 Hello? 102nd. 113 00:06:56,367 --> 00:06:58,966 AS THE PHONE IS BEING PICKED UP, SHE PANICS. 114 00:06:58,967 --> 00:07:01,399 I don't have time for this. 115 00:07:01,400 --> 00:07:04,732 AND, TO HER GREAT SADNESS AFTERWARD, 116 00:07:04,733 --> 00:07:06,233 PUT THE PHONE BACK DOWN. 117 00:07:09,300 --> 00:07:12,399 SO, WHAT DO YOU DO AFTER THAT? 118 00:07:12,400 --> 00:07:15,367 I SAW A MAN RUNNING TO HIS CAR. 119 00:07:18,533 --> 00:07:22,399 SAMUEL KOSHKIN SEES A MAN RUN BACK TO A CAR, 120 00:07:22,400 --> 00:07:26,100 WHICH HE DESCRIBED AS A WHITE COMPACT CAR... 121 00:07:28,100 --> 00:07:31,067 ...AND HE BACKS OUT OF VIEW. 122 00:07:32,300 --> 00:07:35,067 AND THEN THE MAN CAME BACK... 123 00:07:37,267 --> 00:07:40,732 ...BUT THIS TIME WEARING A FEDORA. 124 00:07:40,733 --> 00:07:43,099 I'M CALLING THE POLICE. 125 00:07:43,100 --> 00:07:44,799 YOU CALLED THE POLICE? 126 00:07:44,800 --> 00:07:46,466 I TOLD HIM NOT TO. 127 00:07:46,467 --> 00:07:49,932 I THOUGHT FOR SURE AT LEAST 30 PEOPLE HAD CALLED BEFORE THEN. 128 00:07:49,933 --> 00:07:52,666 I'M GONNA GO OUT. 129 00:07:52,667 --> 00:07:54,299 I PUT MY COAT ON, 130 00:07:54,300 --> 00:07:57,332 AND I'M GONNA LOOK FOR THE CAR TO GET THE LICENSE. 131 00:07:57,333 --> 00:07:59,432 BUT SHE WOULDN'T ALLOW IT. 132 00:07:59,433 --> 00:08:01,066 I WAS SCARED FOR HIS LIFE. 133 00:08:01,067 --> 00:08:03,366 I TOLD HIM TO -- TO STAY OUT OF IT 134 00:08:03,367 --> 00:08:05,699 AND JUST WAIT FOR THE POLICE. 135 00:08:07,633 --> 00:08:09,567 CAN YOU IDENTIFY THE MAN? 136 00:08:10,800 --> 00:08:13,499 SOME OF THE DESCRIPTIONS, IT'S A BLACK MAN. 137 00:08:13,500 --> 00:08:15,466 SOME OF THE DESCRIPTIONS, IT'S A WHITE MAN. 138 00:08:15,467 --> 00:08:17,832 SOME OF THE DESCRIPTIONS, IT'S TALLER OR SHORTER. 139 00:08:17,833 --> 00:08:20,466 THERE WERE A COUPLE PEOPLE WHO THOUGHT THAT IT MIGHT BE A WOMAN, 140 00:08:20,467 --> 00:08:22,432 BUT EVERYONE HAD SAID THAT THE ASSAILANT SEEMED TO BE 141 00:08:22,433 --> 00:08:26,132 A SLENDER PERSON WEARING DARK PANTS. 142 00:08:27,700 --> 00:08:29,466 THERE WERE A LOT OF US, 143 00:08:29,467 --> 00:08:32,632 BUT WHEN YOU GOT RIGHT DOWN TO IT, WE HADN'T SEEN THAT MUCH -- 144 00:08:32,633 --> 00:08:34,966 AT LEAST NOT ENOUGH TO GET THE GUY. 145 00:08:34,967 --> 00:08:38,366 BUT EVERYBODY ON THE BLOCK KNEW THAT THERE WERE TWO PEOPLE 146 00:08:38,367 --> 00:08:41,099 WHO PROBABLY WERE IN A POSITION TO KNOW MORE. 147 00:08:41,100 --> 00:08:43,266 SIR, HOW YOU DOING TODAY? 148 00:08:43,267 --> 00:08:46,899 JOSEPH FINK, WHO'S THE DOORMAN AT THE MOWBRAY APARTMENT HOUSE. 149 00:08:46,900 --> 00:08:49,766 AT ANY POINT, DID YOU SEE OR HEAR A WOMAN SCREAMING? 150 00:08:52,067 --> 00:08:55,432 MR. FINK WAS ON DUTY THAT NIGHT. 151 00:08:55,433 --> 00:08:57,632 HE'S STABBING ME! 152 00:08:57,633 --> 00:09:00,199 I DIDN'T SEE ANYTHING. 153 00:09:00,200 --> 00:09:03,266 HE REFUSED TO GIVE THEM ANY INFORMATION. 154 00:09:03,267 --> 00:09:06,066 ALL RIGHT, BUDDY. LOOKS LIKE YOU'RE COMING WITH US. 155 00:09:06,067 --> 00:09:08,932 WELL, THE POLICE WEREN'T GONNA PUT UP WITH THAT. 156 00:09:08,933 --> 00:09:11,899 SO THEY TOOK MR. FINK DOWN TO THE STATION HOUSE. 157 00:09:11,900 --> 00:09:15,132 AND THE OTHER PERSON WE ALL THOUGHT 158 00:09:15,133 --> 00:09:19,099 MIGHT HAVE SEEN SOMETHING MORE WAS KARL ROSS. 159 00:09:19,100 --> 00:09:24,266 IT WAS HIS STAIRWELL THAT KITTY WOUND UP IN. 160 00:09:24,267 --> 00:09:26,566 IT WAS KARL ROSS WHO CALLED THE POLICE. 161 00:09:26,567 --> 00:09:29,332 THE DETECTIVE HAD VERY STRONG SUSPICIONS 162 00:09:29,333 --> 00:09:32,166 THAT KARL ROSS HAD SEEN AND HEARD MORE OF THE ATTACK 163 00:09:32,167 --> 00:09:35,167 THAN HE WAS LETTING ON. 164 00:09:36,733 --> 00:09:41,499 IT HAD BEEN JUST HOURS AGO THAT THOSE SCREAMS HAD WOKEN ME UP, 165 00:09:41,500 --> 00:09:44,932 BUT IT SEEMED LIKE YEARS. 166 00:09:44,933 --> 00:09:47,799 WE ALL WENT OVER IT AGAIN AND AGAIN, 167 00:09:47,800 --> 00:09:50,066 WHAT WE'D HEARD, WHAT WE'D SEEN. 168 00:09:50,067 --> 00:09:51,832 IT WAS A NIGHTMARE. 169 00:09:51,833 --> 00:09:53,732 HOW WERE ANY OF US TO KNOW 170 00:09:53,733 --> 00:09:57,167 THAT THE NIGHTMARE WAS ONLY BEGINNING? 171 00:10:05,200 --> 00:10:09,400 KITTY GENOVESE, OUR NEIGHBOR, OUR KITTY, WAS DEAD. 172 00:10:10,367 --> 00:10:13,166 MURDERED RIGHT OUTSIDE OF OUR BUILDING. 173 00:10:13,167 --> 00:10:15,832 LOTS OF US HEARD A SHOUT, ME INCLUDED, 174 00:10:15,833 --> 00:10:17,399 AND SOME SAW A SCUFFLE, 175 00:10:17,400 --> 00:10:20,932 BUT NONE OF US EVER IMAGINED WE WERE HEARING A MURDER. 176 00:10:20,933 --> 00:10:23,366 AND, ALSO, WHO WOULD WANT TO KILL KITTY? 177 00:10:23,367 --> 00:10:27,099 EVERYONE LOVED KITTY. SHE WAS A DOLL. 178 00:10:27,100 --> 00:10:30,332 * WA-OOH * 179 00:10:30,333 --> 00:10:32,099 MY DREAM JOB IN LIKE FIVE YEARS 180 00:10:32,100 --> 00:10:34,766 IS TO MAYBE OPEN UP A LITTLE RESTAURANT, LA GATTINA, 181 00:10:34,767 --> 00:10:37,066 WITH MY DAD. THAT WOULD BE LOVELY. 182 00:10:37,067 --> 00:10:39,099 YEAH. I DON'T KNOW. 183 00:10:39,100 --> 00:10:40,866 IT'S JUST A LITTLE BIT OF A DREAM. 184 00:10:40,867 --> 00:10:44,366 I LOVE THIS SONG. COME ON, MIKEY. I NEED A DANCE PARTNER. 185 00:10:44,367 --> 00:10:49,532 SHE WAS A VERY, VERY UPBEAT AND VIVACIOUS PERSON. 186 00:10:49,533 --> 00:10:51,199 YEAH. 187 00:10:51,200 --> 00:10:53,066 SHE WAS EXTREMELY WELL-READ. 188 00:10:53,067 --> 00:10:55,833 KNEW A LOT ABOUT HISTORY, KEPT UP WITH THE NEWS AND POLITICS. 189 00:10:59,133 --> 00:11:01,333 SHE COMES FROM A FAMILY IN BROOKLYN. 190 00:11:02,567 --> 00:11:05,432 KITTY TRIED CONNECTICUT FOR A WHILE, 191 00:11:05,433 --> 00:11:08,199 BUT SHE REALLY PREFERRED LIVING IN THE CITY. 192 00:11:08,200 --> 00:11:12,432 WELL, WHEN I WAS 12 YEARS OLD, IT WAS A TWO-FAMILY WALKUP, 193 00:11:12,433 --> 00:11:16,666 AND ONE DOOR WAS OUR FAMILY, AND NEXT DOOR WAS KITTY'S APARTMENT. 194 00:11:16,667 --> 00:11:19,499 THANK YOU, SOPHIE. 195 00:11:19,500 --> 00:11:21,832 HOW'S MIKEY? 196 00:11:21,833 --> 00:11:23,266 GETTING DRESSED, I HOPE. 197 00:11:23,267 --> 00:11:26,232 SHE WAS A VERY GENEROUS AND NICE PERSON. 198 00:11:26,233 --> 00:11:29,766 I REMEMBER, I WOULD SHOVEL THE SNOW DURING THE WINTER, 199 00:11:29,767 --> 00:11:31,866 AND SHE WOULD GIVE ME LIKE FIVE BUCKS. 200 00:11:31,867 --> 00:11:33,832 BACK THEN, THAT WAS A LOT OF MONEY. 201 00:11:33,833 --> 00:11:36,232 SHE WAS A GOOD FRIEND OF MY MOM. 202 00:11:36,233 --> 00:11:38,332 SO, HOW ARE YOUR PARENTS? THEY GOOD? 203 00:11:38,333 --> 00:11:39,399 YEAH, THEY'RE GOOD. 204 00:11:40,867 --> 00:11:43,199 HEY, YOU READY FOR LIFTOFF, PARTNER? 205 00:11:43,200 --> 00:11:44,399 YEAH. YEAH? 206 00:11:44,400 --> 00:11:46,832 SHE USED TO DRIVE MYSELF AND MY SISTER TO SCHOOL 207 00:11:46,833 --> 00:11:48,366 ONCE IN A WHILE. 208 00:11:48,367 --> 00:11:51,666 ALL RIGHT. HAVE A GOOD DAY, YOU TWO. 209 00:11:51,667 --> 00:11:52,966 BYE. 210 00:11:52,967 --> 00:11:54,732 MY MOM REALLY DID LIKE HER. 211 00:11:54,733 --> 00:11:57,332 BUT SHE WAS A TOUGHIE. MY MOM SAID THAT. 212 00:11:57,333 --> 00:12:00,899 SHE SAYS, "NOBODY GOT AWAY WITH ANYTHING WITH KITTY." 213 00:12:00,900 --> 00:12:02,733 SHE COULD TAKE CARE OF HERSELF. 214 00:12:11,500 --> 00:12:13,166 YOU SIT WHERE YOU SIT, 215 00:12:13,167 --> 00:12:15,599 AND YOU'RE GONNA TELL ME THAT YOU DIDN'T SEE A THING? 216 00:12:15,600 --> 00:12:17,967 I SAW NOTHING. 217 00:12:20,133 --> 00:12:23,232 JOSEPH FINK INSISTS THAT HE DIDN'T SEE ANYTHING 218 00:12:23,233 --> 00:12:25,632 BECAUSE HE WAS DOWN IN THE BASEMENT ON A COFFEE BREAK. 219 00:12:25,633 --> 00:12:31,267 COME ON, FINK. JUST COME CLEAN. MAKE IT EASY ON YOURSELF. 220 00:12:40,067 --> 00:12:42,599 YEAH, OKAY. YES, I-I SAW IT. 221 00:12:42,600 --> 00:12:44,733 WHAT DID YOU SEE? 222 00:12:50,500 --> 00:12:54,732 HELP! HE'S STABBING ME! 223 00:12:59,633 --> 00:13:02,899 WHAT'D HE LOOK LIKE? 224 00:13:02,900 --> 00:13:06,632 HE WAS -- HE WAS SLENDER. 225 00:13:06,633 --> 00:13:09,732 HE DESCRIBES HIM AS A MAN WHO WAS ABOUT 5'8". 226 00:13:09,733 --> 00:13:12,499 YOU LEAVE THAT GIRL ALONE! 227 00:13:12,500 --> 00:13:15,899 SAW THE KILLER GET UP AND RUN. 228 00:13:17,500 --> 00:13:20,066 AND HE SEES KITTY GET UP AND WALK BACK 229 00:13:20,067 --> 00:13:22,667 TOWARDS THE END OF THE TUDOR BUILDING. 230 00:13:27,333 --> 00:13:30,066 JOE FINK SAYS, "WELL, EVERYTHING MUST BE FINE." 231 00:13:30,067 --> 00:13:32,799 AND NOW HE GOES DOWNSTAIRS, AND NOW HE TAKES A NAP. 232 00:13:32,800 --> 00:13:36,366 WHY DIDN'T YOU CALL THE POLICE? 233 00:13:36,367 --> 00:13:37,832 FOR WHATEVER REASON, 234 00:13:37,833 --> 00:13:40,332 HE JUST DID NOT WANT TO GET INVOLVED IN THIS CASE AT ALL. 235 00:13:40,333 --> 00:13:42,366 THERE'S GOT TO BE SOMETHING WE CAN CHARGE HIM WITH. 236 00:13:42,367 --> 00:13:44,832 WHAT? FOR BEING A SON OF A BITCH? 237 00:13:44,833 --> 00:13:46,866 WE'D HAVE TO BOOK THE WHOLE CITY. 238 00:13:46,867 --> 00:13:48,232 THERE'S NO LAW IN THE BOOK 239 00:13:48,233 --> 00:13:50,800 SAYING THAT A CITIZEN MUST COME TO THE AID OF ANOTHER. 240 00:14:01,067 --> 00:14:03,732 AND THEN THEY TALKED TO KARL ROSS. 241 00:14:03,733 --> 00:14:05,799 NOW, HE WAS A PIECE OF WORK. 242 00:14:05,800 --> 00:14:08,599 WHAT TIME DID YOU HEAR THE SCREAMS? 243 00:14:08,600 --> 00:14:11,199 WELL... I'D -- I'D BEEN DRINKING. 244 00:14:11,200 --> 00:14:14,099 SO I-I DON'T RECALL HEARING ANYTHING. 245 00:14:14,100 --> 00:14:15,732 NO. NO, I-I-I DON'T. 246 00:14:15,733 --> 00:14:18,199 COME ON, KARL. SHE RAN RIGHT UNDER YOUR WINDOW SCREAMING. 247 00:14:18,200 --> 00:14:19,866 YOU HEARD HER, DIDN'T YOU? 248 00:14:19,867 --> 00:14:21,366 I DIDN'T KNOW THAT WAS KITTY OUT THERE. 249 00:14:21,367 --> 00:14:24,132 I SWEAR I DIDN'T KNOW THAT WAS HER. 250 00:14:24,133 --> 00:14:26,299 HIS STORY KEPT CHANGING. 251 00:14:26,300 --> 00:14:28,766 SO, YOU HEAR THE SCREAMS. 252 00:14:28,767 --> 00:14:31,067 WHAT DID YOU DO THEN? 253 00:14:41,767 --> 00:14:43,633 HELP! 254 00:14:44,800 --> 00:14:47,466 KARL, IT'S KITTY! 255 00:14:47,467 --> 00:14:49,600 KITTY? 256 00:14:53,533 --> 00:14:56,266 KARL ROSS DITHERED. 257 00:14:56,267 --> 00:14:59,132 HE WAS AFRAID. HE WAS DRUNK. 258 00:14:59,133 --> 00:15:01,966 HE SPENT PRECIOUS MINUTES WONDERING WHAT TO DO. 259 00:15:10,067 --> 00:15:13,166 THEY ASK HIM, "WELL, WHY DIDN'T YOU CALL US RIGHT AWAY?" 260 00:15:13,167 --> 00:15:15,266 I-I DON'T KNOW. I... 261 00:15:15,267 --> 00:15:18,467 I DIDN'T WANT TO GET INVOLVED. I WAS SCARED. 262 00:15:20,800 --> 00:15:23,766 I'LL BET YOU KARL ROSS REGRETTED SAYING THOSE WORDS 263 00:15:23,767 --> 00:15:25,699 THE MINUTE THEY WERE OUT OF HIS MOUTH. 264 00:15:25,700 --> 00:15:28,700 AND IF HE DIDN'T, HE SHOULD HAVE. 265 00:15:35,200 --> 00:15:39,099 LATER THAT DAY, DETECTIVES CAME BACK TO THE NEIGHBORHOOD 266 00:15:39,100 --> 00:15:41,332 TO TALK TO KITTY'S ROOMMATE, MARY ANN. 267 00:15:41,333 --> 00:15:43,732 SHE WAS THE ONE WHO HAD TO GO TO THE MORGUE 268 00:15:43,733 --> 00:15:46,099 TO IDENTIFY KITTY'S BODY, POOR THING. 269 00:15:46,100 --> 00:15:48,666 THE DETECTIVES THOUGHT THAT, BEING KITTY'S ROOMMATE AND ALL, 270 00:15:48,667 --> 00:15:51,867 SHE MIGHT KNOW SOMETHING THAT COULD HELP. 271 00:15:53,067 --> 00:15:55,932 WHERE WERE YOU LAST NIGHT? 272 00:15:55,933 --> 00:15:59,432 I W-- I WAS OUT BOWLING WITH SOME FRIENDS. 273 00:15:59,433 --> 00:16:02,299 BUT MARY ANN KNEW THE LEAST OF ANYONE. 274 00:16:02,300 --> 00:16:05,666 SHE'D SLEPT RIGHT THROUGH THE WHOLE THING. 275 00:16:05,667 --> 00:16:10,867 THE LAST TIME SHE SAW KITTY, SHE WAS LEAVING FOR WORK. 276 00:16:15,533 --> 00:16:18,099 HEY, KITTY. HOW ARE YOU? GOOD. HOW ARE YOU? 277 00:16:18,100 --> 00:16:20,732 KITTY WAS WORKING AT A PLACE CALLED EV's 11th HOUR, 278 00:16:20,733 --> 00:16:22,532 AND SHE WAS THE MANAGER THERE. 279 00:16:22,533 --> 00:16:24,566 SHE WAS EXTREMELY WELL-LIKED THERE. 280 00:16:24,567 --> 00:16:25,599 COME ON. YEP. 281 00:16:25,600 --> 00:16:27,266 SOMEONE HAD HAD TOO MUCH TO DRINK, 282 00:16:27,267 --> 00:16:30,266 SHE KNEW HOW TO TELL SOMEONE THAT THEY WERE CUT OFF. 283 00:16:30,267 --> 00:16:32,533 HI. 284 00:16:34,400 --> 00:16:36,599 I HAVE A FEW QUESTIONS FOR YOU, IF THAT'S ALL RIGHT. 285 00:16:36,600 --> 00:16:38,432 OF COURSE. ANYTHING I CAN DO TO HELP. 286 00:16:38,433 --> 00:16:40,499 WHAT EXACTLY DID MISS GENOVESE HAVE PLANNED 287 00:16:40,500 --> 00:16:43,066 THE NIGHT OF HER MURDER? 288 00:16:44,367 --> 00:16:46,567 KITTY, YOUR DATE'S HERE. 289 00:16:48,400 --> 00:16:49,666 HEY, JACK. 290 00:16:49,667 --> 00:16:51,699 YOU ALMOST READY? ONE MORE MINUTE. 291 00:16:51,700 --> 00:16:53,366 ALL RIGHT. TAKE YOUR TIME. 292 00:16:53,367 --> 00:16:55,599 ON THE NIGHT OF THURSDAY, MARCH 12th, 293 00:16:55,600 --> 00:16:58,132 KITTY HAD A DATE WITH A MAN NAMED JACK TIMMINS, 294 00:16:58,133 --> 00:16:59,499 WHO WAS A PATRON AT EV's. 295 00:16:59,500 --> 00:17:02,066 AND THIS WAS A FIRST DATE FOR THEM. 296 00:17:02,067 --> 00:17:03,067 THANK YOU. GOOD NIGHT. 297 00:17:03,068 --> 00:17:05,633 TAKE CARE OF HER, NOW. I WILL. 298 00:17:11,800 --> 00:17:15,132 THE POLICE GO AND THEY PICK JACK TIMMINS UP 299 00:17:15,133 --> 00:17:18,432 AND THEY TAKE HIM TO THE PRECINCT HOUSE FOR QUESTIONING. 300 00:17:18,433 --> 00:17:21,166 WHAT EXACTLY DID YOU AND THE VICTIM DO? 301 00:17:21,167 --> 00:17:23,399 I PICKED KITTY UP AROUND 6:00. 302 00:17:23,400 --> 00:17:25,766 AND THEY WERE GOING TO HIS BROTHER'S HOUSE FOR DINNER. 303 00:17:25,767 --> 00:17:28,432 THEY LEAVE ABOUT 12:30. 304 00:17:28,433 --> 00:17:30,599 THEY STOPPED AT A BAR, HAD A COUPLE DRINKS, 305 00:17:30,600 --> 00:17:33,132 AND THEN JACK TIMMINS DROPPED KITTY OFF BACK AT EV's 306 00:17:33,133 --> 00:17:34,566 ABOUT 2:00 A.M. 307 00:17:34,567 --> 00:17:36,966 THEN, I HAD ANOTHER DATE, SO... 308 00:17:36,967 --> 00:17:40,266 POLICE QUESTIONED TIMMINS' OTHER DATE, 309 00:17:40,267 --> 00:17:42,432 AND SHE VERIFIED THAT HE HAD BEEN AT HER APARTMENT 310 00:17:42,433 --> 00:17:46,066 TILL ABOUT 4:45 A.M., AND THEN HE HAD GONE HOME. 311 00:17:46,067 --> 00:17:47,499 TWO DATES IN ONE NIGHT? 312 00:17:47,500 --> 00:17:50,500 GOT OURSELVES A REAL ROMEO HERE. 313 00:17:52,433 --> 00:17:54,367 I DON'T THINK YOU UNDERSTAND. 314 00:17:55,833 --> 00:17:58,200 KITTY DIDN'T LIKE MEN. 315 00:18:06,900 --> 00:18:09,466 OF COURSE, WE'RE TALKING THE MID-'60s, 316 00:18:09,467 --> 00:18:14,066 AND KITTY AND MARY ANN WERE CLOSETED. 317 00:18:14,067 --> 00:18:17,066 WHAT IS THAT? 318 00:18:17,067 --> 00:18:18,466 HAPPY VALENTINE'S DAY. 319 00:18:18,467 --> 00:18:21,832 KITTY LOVED FOLK MUSIC. SHE LOVED COFFEE HOUSES. 320 00:18:21,833 --> 00:18:25,199 IN 1963, SHE MEETS MARY ANN ZIELONKO IN GREENWICH VILLAGE. 321 00:18:25,200 --> 00:18:27,366 THEY HIT IT OFF IMMEDIATELY. 322 00:18:27,367 --> 00:18:29,599 ARE YOU SERIOUS? 323 00:18:29,600 --> 00:18:31,399 MY GOSH. 324 00:18:31,400 --> 00:18:34,232 YOU GOT IT SIGNED?! ARE YOU KIDDING ME? 325 00:18:35,367 --> 00:18:38,066 THANK YOU. THANK YOU. HAPPY VALENTINE'S DAY. 326 00:18:38,067 --> 00:18:42,666 MARY ANN CALLS HERSELF SOMEWHAT RESERVED, BASHFUL, AN AGNOSTIC, 327 00:18:42,667 --> 00:18:47,500 WHILE KITTY WAS MORE EBULLIENT, AND VERY CATHOLIC AT THE TIME. 328 00:18:53,633 --> 00:19:01,332 * HE WAS A FRIEND OF MINE * 329 00:19:01,333 --> 00:19:03,799 THEY WERE SOON LOVERS 330 00:19:03,800 --> 00:19:08,132 AND FOUND A PLACE TO LIVE TOGETHER THERE IN KEW GARDENS. 331 00:19:08,133 --> 00:19:12,266 MY MOTHER KNEW THAT THEY WERE LESBIANS. 332 00:19:12,267 --> 00:19:16,432 AND MY MOTHER NEVER MENTIONED TO HER THAT SHE KNEW. 333 00:19:16,433 --> 00:19:19,099 THEY BOTH RESPECTED EACH OTHER. 334 00:19:19,100 --> 00:19:27,166 * HE WAS A FRIEND OF MINE * 335 00:19:27,167 --> 00:19:29,832 AND WHEN THE POLICE FOUND OUT ABOUT THIS, 336 00:19:29,833 --> 00:19:33,267 THEY HAD A FEW MORE QUESTIONS FOR MARY ANN. 337 00:19:37,367 --> 00:19:42,766 IT SEEMS ODD TO ME THAT TWO WOMEN ARE SHARING ONE BED. 338 00:19:42,767 --> 00:19:44,532 WELL, THAT'S ALL WE COULD AFFORD. 339 00:19:44,533 --> 00:19:46,466 LOOK, I DON'T SEE WHAT THE PROBLEM IS. 340 00:19:46,467 --> 00:19:49,266 THE PROBLEM IS IS THAT THERE WAS SOMETHING ELSE GOING ON 341 00:19:49,267 --> 00:19:50,932 THAT YOU'RE NOT TELLING ME ABOUT. 342 00:19:50,933 --> 00:19:54,566 NOTHING WAS GOING ON. REALLY? 343 00:19:54,567 --> 00:19:56,632 'CAUSE THE NEIGHBORS ARE ALL SAYING THAT YOU AND KITTY 344 00:19:56,633 --> 00:19:58,132 WERE A LOT MORE THAN JUST ROOMMATES. 345 00:19:58,133 --> 00:20:01,299 OBVIOUSLY SOMEONE'S JUST TRYING TO CAUSE A LITTLE BIT OF TROUBLE. 346 00:20:01,300 --> 00:20:04,167 YOU'RE GONNA FIND YOURSELF IN A LOT OF TROUBLE IF YOU KEEP LYING TO US. 347 00:20:06,233 --> 00:20:08,166 DID YOU HAVE A LESBIAN RELATIONSHIP 348 00:20:08,167 --> 00:20:09,967 WITH KITTY GENOVESE? 349 00:20:11,133 --> 00:20:13,233 DID YOU? 350 00:20:21,033 --> 00:20:26,099 THE DETECTIVES INTERROGATED MARY ANN ZIELONKO FOR SIX HOURS. 351 00:20:26,100 --> 00:20:28,632 IT WAS PERFECTLY LEGAL AT THIS TIME 352 00:20:28,633 --> 00:20:30,632 FOR POLICE TO HARASS HOMOSEXUALS. 353 00:20:30,633 --> 00:20:32,766 THIS IS NOT THE NYPD's FINEST HOUR. 354 00:20:32,767 --> 00:20:37,066 MARY ANN LEFT, LIKE, A WEEK LATER. 355 00:20:37,067 --> 00:20:39,867 IT WAS A SAD THING. 356 00:20:43,733 --> 00:20:45,867 NEXT. 357 00:20:47,233 --> 00:20:48,432 NEXT. 358 00:20:48,433 --> 00:20:50,499 THERE WERE A LOT OF WITNESSES, 359 00:20:50,500 --> 00:20:52,499 BUT ALL THE POLICE REALLY KNEW 360 00:20:52,500 --> 00:20:55,366 WAS THAT THE KILLER WAS A SLENDER MAN WEARING A FEDORA 361 00:20:55,367 --> 00:20:58,032 WHO WAS BRAZEN ENOUGH TO COME BACK FOR KITTY 362 00:20:58,033 --> 00:20:59,867 EVEN AFTER HE WAS SPOTTED ONCE. 363 00:21:01,933 --> 00:21:04,066 IT WAS STRANGE ALL RIGHT, 364 00:21:04,067 --> 00:21:06,767 BUT IT WASN'T ANY WAY TO CATCH SOMEONE. 365 00:21:08,067 --> 00:21:10,366 WAIT A MINUTE. WAIT A MINUTE. WAIT A MINUTE. 366 00:21:10,367 --> 00:21:12,399 DOING WHAT GOOD DETECTIVES DO, 367 00:21:12,400 --> 00:21:15,366 THEY FIND OUT WHO WOULD BE IN THE AREA 368 00:21:15,367 --> 00:21:17,499 BETWEEN 3:00 A.M. AND 4:00 A.M... 369 00:21:17,500 --> 00:21:20,532 SO, SIR, FOR THE RECORD, WHAT IS YOUR NAME? 370 00:21:20,533 --> 00:21:22,266 EDWARD FIESLER. 371 00:21:22,267 --> 00:21:23,766 ...AND THEY MANAGED TO FIND A MILKMAN. 372 00:21:23,767 --> 00:21:27,667 DID YOU HAPPEN TO SEE ANYBODY OUT AT THAT HOUR? 373 00:21:31,400 --> 00:21:34,100 AS HE'S CARRYING HIS MILK TO THIS DOOR... 374 00:21:35,433 --> 00:21:39,499 ...A YOUNG GUY PASSES RIGHT BY HIM. 375 00:21:39,500 --> 00:21:42,800 WELL, CAN YOU DESCRIBE HIM? 376 00:21:46,300 --> 00:21:49,233 YEAH, I KNOW EXACTLY WHAT HE LOOKS LIKE. 377 00:21:50,767 --> 00:21:53,299 ALL RIGHT, EDWARD, WHAT ELSE CAN YOU TELL US? 378 00:21:53,300 --> 00:21:57,132 THE MILKMAN SAYS HE'S GOT A FEDORA, HE'S GOT A TRENCH COAT, 379 00:21:57,133 --> 00:22:02,166 HE'S ABOUT 5'8", MAYBE 140 POUNDS. 380 00:22:02,167 --> 00:22:06,133 AND HE'S A LIGHT-SKINNED BLACK MAN. 381 00:22:08,100 --> 00:22:10,532 YEAH, THAT'S HIM. 382 00:22:10,533 --> 00:22:13,499 BUT AS GOOD AS THIS DESCRIPTION WAS, 383 00:22:13,500 --> 00:22:15,299 IT COULD HAVE MATCHED THOUSANDS OF PEOPLE. 384 00:22:15,300 --> 00:22:17,932 THIS WAS NEW YORK CITY, AFTER ALL. 385 00:22:17,933 --> 00:22:20,732 THE DETECTIVES WERE GONNA HAVE TO WAIT 386 00:22:20,733 --> 00:22:22,467 UNTIL THIS GUY SLIPPED UP SOMEHOW. 387 00:22:24,400 --> 00:22:27,232 LIKE I SAID BEFORE, YOU PROBABLY THINK YOU KNOW 388 00:22:27,233 --> 00:22:30,832 ALL THERE IS TO KNOW ABOUT THE KITTY GENOVESE MURDER. 389 00:22:30,833 --> 00:22:33,633 HEARD IT DOZENS OF TIMES, RIGHT? 390 00:22:38,600 --> 00:22:43,667 BUT I GOT NEWS FOR YOU -- YOU DON'T KNOW THE HALF OF IT. 391 00:22:54,700 --> 00:22:57,466 KITTY GENOVESE HAD BEEN STABBED TO DEATH 392 00:22:57,467 --> 00:23:00,199 OUTSIDE HER APARTMENT IN QUEENS, 393 00:23:00,200 --> 00:23:02,666 AND THE MANIAC WHO KILLED HER HAD GOTTEN AWAY. 394 00:23:02,667 --> 00:23:04,732 IT REALLY WASN'T THAT SURPRISING. 395 00:23:04,733 --> 00:23:07,499 THE SAD TRUTH WAS LOTS OF MURDERS WENT UNSOLVED 396 00:23:07,500 --> 00:23:08,866 IN NEW YORK EVERY YEAR. 397 00:23:08,867 --> 00:23:13,667 WHAT WAS SURPRISING WAS WHAT HAPPENED NEXT. 398 00:23:17,967 --> 00:23:19,566 FIVE DAYS LATER. 399 00:23:19,567 --> 00:23:22,899 WORKING-CLASS COMMUNITY -- JACKSON HEIGHTS, QUEENS. 400 00:23:22,900 --> 00:23:25,266 THIS ONE GUY SEES 401 00:23:25,267 --> 00:23:27,432 WHAT APPEARS TO BE A BURGLARY IN BROAD DAYLIGHT. 402 00:23:27,433 --> 00:23:29,299 HEY, THERE.... 403 00:23:29,300 --> 00:23:32,299 WHAT ARE YOU DOING IN THE BANNISTERS' HOUSE? 404 00:23:32,300 --> 00:23:36,233 HEY. IT'S OKAY. I'M... JUST HELPING THEM MOVE. 405 00:23:38,367 --> 00:23:40,866 THIS DIDN'T SOUND RIGHT TO HIM. 406 00:23:40,867 --> 00:23:43,266 SO HE CONSULTED ANOTHER NEIGHBOR, 407 00:23:43,267 --> 00:23:45,066 AND HE SAID, "DO YOU KNOW ANYTHING ABOUT THEM MOVING?" 408 00:23:45,067 --> 00:23:46,599 AND HE SAID, "NO, I'M SURE THEY'RE NOT MOVING." 409 00:23:46,600 --> 00:23:48,932 THEY WERE A LITTLE CONFUSED. 410 00:23:48,933 --> 00:23:51,532 IF THIS MAN WAS A BURGLAR, 411 00:23:51,533 --> 00:23:53,567 WHY DIDN'T HE TAKE OFF AS SOON AS HE WAS CONFRONTED? 412 00:23:58,800 --> 00:24:01,299 THEY GET THE BRAINY IDEA 413 00:24:01,300 --> 00:24:05,667 TO PLAY AROUND INSIDE HIS CAR AND CALL THE POLICE. 414 00:24:07,267 --> 00:24:09,732 NOW THE GUY COMES OUT OF THE HOUSE. 415 00:24:11,933 --> 00:24:13,933 CAR DOESN'T GO. 416 00:24:19,967 --> 00:24:21,566 HE DIDN'T PANIC. 417 00:24:21,567 --> 00:24:26,199 HE SIMPLY GOT OUT OF THE CAR AND STARTED WALKING. 418 00:24:26,200 --> 00:24:28,632 TWO POLICE OFFICERS COME, AND THEY ARREST HIM. 419 00:24:28,633 --> 00:24:33,699 HIS NAME IS WINSTON MOSELEY. HE'S 29 YEARS OLD. 420 00:24:33,700 --> 00:24:37,067 THEY TAKE MR. MOSELEY TO SEE DETECTIVE JOHN TARTAGLIA. 421 00:24:58,800 --> 00:25:02,066 YOU DON'T MIND IF I SMOKE, DO YOU? 422 00:25:02,067 --> 00:25:03,966 NO. 423 00:25:03,967 --> 00:25:06,732 HE WAS A SECOND-GRADE DETECTIVE, WORLD WAR II VET. 424 00:25:06,733 --> 00:25:08,066 A VERY, VERY BRIGHT GUY. 425 00:25:08,067 --> 00:25:10,066 SO, LET ME GET THIS STRAIGHT -- 426 00:25:10,067 --> 00:25:12,933 YOU WERE BURGLARIZING THAT HOME IN EAST ELMHURST. 427 00:25:17,267 --> 00:25:18,733 YEAH, I GUESS SO. 428 00:25:28,867 --> 00:25:30,599 WHERE YOU FROM? 429 00:25:30,600 --> 00:25:32,366 I'M FROM SOUTH OZONE PARK. 430 00:25:32,367 --> 00:25:34,266 YOU MARRIED? YEAH, I AM. 431 00:25:34,267 --> 00:25:36,599 SO, WHERE DO YOU WORK? WHAT DO YOU DO FOR A LIVING? 432 00:25:36,600 --> 00:25:38,699 RAYGRAM CORPORATION. 433 00:25:38,700 --> 00:25:43,199 DETECTIVE TARTAGLIA'S REALLY PERPLEXED BY THIS MAN. 434 00:25:43,200 --> 00:25:47,066 HE'S MARRIED, HE HAS A FAMILY, HE OWNS A HOUSE, HAS A GOOD JOB. 435 00:25:47,067 --> 00:25:49,366 HE HAD NO PRIOR ARREST RECORD. 436 00:25:49,367 --> 00:25:50,866 IN OTHER WORDS, THIS MAN 437 00:25:50,867 --> 00:25:53,332 IS ABOUT THE LAST PERSON IN THE WORLD WHO SHOULD BE A BURGLAR. 438 00:25:53,333 --> 00:25:56,666 HAVE YOU COMMITTED ANY OTHER BURGLARIES? 439 00:25:56,667 --> 00:25:58,466 YES, I HAVE. 440 00:25:58,467 --> 00:26:01,200 YEAH? HOW MANY? 441 00:26:03,567 --> 00:26:05,067 30 TO 40. 442 00:26:06,367 --> 00:26:10,099 THERE WAS SOMETHING VERY EERIE ABOUT HIS DEMEANOR. 443 00:26:10,100 --> 00:26:13,499 SO THIS IMMEDIATELY GETS THE DETECTIVE THINKING, 444 00:26:13,500 --> 00:26:15,299 "I WONDER WHAT ELSE HE COULD HAVE DONE." 445 00:26:15,300 --> 00:26:16,966 WINSTON, WHY DON'T YOU COME WITH ME? 446 00:26:16,967 --> 00:26:20,166 SO HE KEEPS HIM TALKING... 447 00:26:20,167 --> 00:26:22,299 IT'S GONNA BE A LONG NIGHT. 448 00:26:22,300 --> 00:26:26,267 ...AND THEY EVENTUALLY START TALKING ABOUT ASSAULTS. 449 00:26:27,867 --> 00:26:29,432 JANUARY 31st. 450 00:26:29,433 --> 00:26:31,866 YOU PUT A SCREWDRIVER UP TO A WOMAN'S NECK, 451 00:26:31,867 --> 00:26:33,799 YOU FORCE HER INTO A VACANT LOT, 452 00:26:33,800 --> 00:26:35,632 AND YOU MADE HER SUCK YOU. 453 00:26:35,633 --> 00:26:37,132 DIDN'T YOU? 454 00:26:37,133 --> 00:26:39,532 THEN ON FEBRUARY 15th, 455 00:26:39,533 --> 00:26:43,433 YOU SNUCK INTO A WOMAN'S BEDROOM AND YOU TRIED TO RAPE HER. 456 00:26:46,800 --> 00:26:48,799 I DIDN'T DO ANY OF THAT STUFF. 457 00:26:48,800 --> 00:26:51,299 SURE ABOUT THAT? 458 00:26:51,300 --> 00:26:53,499 'CAUSE I'LL BRING THOSE WOMEN DOWN HERE, 459 00:26:53,500 --> 00:26:56,500 AND THEY'RE GONNA IDENTIFY YOU FASTER THAN YOU CAN BLINK. 460 00:27:03,067 --> 00:27:04,533 YES, I DID THAT. 461 00:27:06,833 --> 00:27:08,367 MOSELEY WAS JUST ON A ROLL, CONFESSING. 462 00:27:10,500 --> 00:27:14,832 WHAT THEY WERE WEARING, WHAT THEY LOOKED LIKE, WHAT HE DID. 463 00:27:14,833 --> 00:27:17,666 HE'S FESSING UP TO EVERYTHING IN A VERY CRUEL DEMEANOR. 464 00:27:17,667 --> 00:27:20,732 THAT'S EVERYTHING NOW. 465 00:27:20,733 --> 00:27:22,267 IT REALLY IS. 466 00:27:24,533 --> 00:27:27,899 TARTAGLIA REMEMBERS THAT MOSELEY WAS CAPTURED 467 00:27:27,900 --> 00:27:31,466 DRIVING A WHITE COMPACT CAR, A CHEVY CORVAIR. 468 00:27:33,233 --> 00:27:37,633 AND HE THINKS OF THE MURDER OF KITTY GENOVESE. 469 00:27:40,633 --> 00:27:42,666 AND THE STORY GOES 470 00:27:42,667 --> 00:27:44,966 THAT DETECTIVE TARTAGLIA PLAYED A HUNCH. 471 00:27:44,967 --> 00:27:47,332 IT'S THE STRANGEST THING. 472 00:27:47,333 --> 00:27:49,666 HE CALLED THE DETECTIVES FROM KEW GARDENS, 473 00:27:49,667 --> 00:27:52,566 THE ONES WORKING ON KITTY'S CASE. 474 00:27:52,567 --> 00:27:54,632 TAKE A LOOK AT THIS. 475 00:27:54,633 --> 00:27:56,499 I HAVE THIS GUY DOWNSTAIRS RIGHT NOW. 476 00:27:56,500 --> 00:27:58,267 YOU'RE JOKING. LET'S GO. 477 00:28:07,100 --> 00:28:10,432 WINSTON, THIS IS DETECTIVE SANG 478 00:28:10,433 --> 00:28:11,933 AND DETECTIVE CARROLL WITH HOMICIDE. 479 00:28:15,333 --> 00:28:18,466 WHAT ARE THOSE CUTS ON YOUR HAND? WHERE'D YOU GET THEM? 480 00:28:18,467 --> 00:28:20,200 THIS? 481 00:28:21,567 --> 00:28:23,532 I-I-I SCRATCHED THEM WORKING AROUND THE HOUSE. 482 00:28:23,533 --> 00:28:25,332 I SCRATCHED THEM WORKING AROUND THE HOUSE. 483 00:28:25,333 --> 00:28:27,366 NO, THAT'S NOT WHAT HAPPENED. 484 00:28:27,367 --> 00:28:29,066 YOU GOT THOSE FROM KITTY GENOVESE 485 00:28:29,067 --> 00:28:31,733 WHEN YOU WERE STABBING HER IN THE THROAT. 486 00:28:38,333 --> 00:28:40,867 DID YOU KILL KITTY GENOVESE? 487 00:28:52,433 --> 00:28:55,200 DID YOU KILL KITTY GENOVESE? 488 00:28:58,500 --> 00:29:00,533 OKAY. 489 00:29:02,067 --> 00:29:03,400 I KILLED HER. 490 00:29:06,233 --> 00:29:10,466 ALMOST WITH A SHRUG, AS THOUGH HE WERE ADMITTING TO JAYWALKING, 491 00:29:10,467 --> 00:29:12,699 HE SAID, "YEAH, I KILLED HER." 492 00:29:12,700 --> 00:29:16,867 TELL US WHAT HAPPENED. START FROM THE BEGINNING. 493 00:29:18,933 --> 00:29:24,432 I CAME HOME AROUND 9:00 P.M. 494 00:29:24,433 --> 00:29:27,399 FED MY DOG. 495 00:29:27,400 --> 00:29:32,067 MY WIFE WORKS THE NIGHT SHIFT, SO I-I KISSED HER GOODBYE. 496 00:29:33,967 --> 00:29:38,367 AND THEN I GOT THE IDEA TO GO FIND A GIRL TO KILL. 497 00:29:40,067 --> 00:29:43,633 SO I GOT IN MY CAR, AND I WENT LOOKING FOR ONE. 498 00:29:50,167 --> 00:29:52,367 HE WAS OUT HUNTING FOR HOURS. 499 00:29:56,067 --> 00:30:00,567 HE WAS LOOKING FOR SOMEONE TO MURDER AND RAPE, IN THAT ORDER. 500 00:30:08,733 --> 00:30:10,966 HE WAS CLOSE TO GIVING IT UP FOR THAT NIGHT 501 00:30:10,967 --> 00:30:13,367 WHEN HE FOUND KITTY GENOVESE. 502 00:30:32,567 --> 00:30:34,067 SHE SEES HIM. 503 00:30:37,833 --> 00:30:41,200 AND, AS HE DESCRIBED IT, SHE WAS FRIGHTENED RIGHT AWAY. 504 00:31:01,167 --> 00:31:06,066 HE ATTACKS HER AND STABS HER MULTIPLE TIMES IN THE BACK, 505 00:31:06,067 --> 00:31:09,632 DEEPLY ENOUGH TO PUNCTURE ONE OF HER LUNGS. 506 00:31:14,367 --> 00:31:17,400 JOSEPH FINK SEES THE FIRST ATTACK. 507 00:31:19,467 --> 00:31:22,266 ROBERT MOZER LIFTS HIS WINDOW AND YELLS... 508 00:31:22,267 --> 00:31:25,433 HEY! YOU LEAVE THAT GIRL ALONE! 509 00:31:30,100 --> 00:31:32,299 SO, HE RUNS BACK TO HIS CAR, 510 00:31:32,300 --> 00:31:35,067 HE BACKS IT DOWN THE STREET, AND HE WAITS. 511 00:31:36,867 --> 00:31:38,067 THEN... 512 00:31:43,433 --> 00:31:46,366 ...I SAW THE GIRL GET UP. 513 00:31:46,367 --> 00:31:52,199 SO I WAITED FOR ABOUT 10 MINUTES FOR THE LIGHTS TO TURN ON. 514 00:31:52,200 --> 00:31:55,466 YOU DIDN'T WONDER IF ANYONE WAS GONNA CALL THE COPS? 515 00:31:55,467 --> 00:31:57,132 I KNEW THEY WOULDN'T. 516 00:31:57,133 --> 00:31:59,632 PEOPLE DON'T DO THAT STUFF LATE AT NIGHT. 517 00:31:59,633 --> 00:32:04,232 THEY -- THEY JUST GO BACK TO SLEEP. 518 00:32:06,233 --> 00:32:09,799 SHE'S NOT FATALLY INJURED, BUT SHE DOES HAVE A PUNCTURED LUNG. 519 00:32:09,800 --> 00:32:12,632 SHE CAN'T MAKE AS MUCH NOISE AS SHE WAS ABLE TO BEFORE. 520 00:32:12,633 --> 00:32:15,067 SHE'S STAGGERING AROUND THE CORNER... 521 00:32:16,500 --> 00:32:18,399 ...WHERE SHE IS NO LONGER VISIBLE 522 00:32:18,400 --> 00:32:20,667 TO ALL THE PEOPLE LOOKING OUT THEIR WINDOWS. 523 00:32:32,167 --> 00:32:36,099 AT THAT POINT, HE TAKES OFF THE STOCKING CAP HE WAS WEARING 524 00:32:36,100 --> 00:32:38,532 AND PUTS ON A FEDORA. 525 00:32:38,533 --> 00:32:40,199 HE WANTED TO FINISH THE JOB. 526 00:32:40,200 --> 00:32:45,066 KITTY GETS TO 8262 AUSTIN STREET. 527 00:32:45,067 --> 00:32:48,366 PLEASE, KARL! 528 00:32:48,367 --> 00:32:52,232 KARL, IT'S KITTY! I'VE BEEN STABBED! 529 00:32:52,233 --> 00:32:55,732 AND SHE KNOWS KARL ROSS LIVES UP THE TOP OF THE STAIRS, 530 00:32:55,733 --> 00:32:57,066 AND SHE'S CALLING TO HIM. 531 00:33:04,133 --> 00:33:07,132 GOD! HELP! 532 00:33:07,133 --> 00:33:09,832 AND THEN THE MONSTER APPEARS AGAIN. 533 00:33:09,833 --> 00:33:13,266 NO! NO! KARL! 534 00:33:13,267 --> 00:33:17,066 AND HE POUNCES DOWN ON HER, AND HE STABS HER FIRST IN THE THROAT 535 00:33:17,067 --> 00:33:18,399 TO STOP HER FROM SCREAMING. 536 00:33:18,400 --> 00:33:22,199 THEN HE STABS HER SEVERAL MORE TIMES. 537 00:33:23,733 --> 00:33:25,732 AND HE PROCEEDS TO RAPE KITTY. 538 00:33:37,100 --> 00:33:41,832 AND NO ONE SAW YOU IN THE VESTIBULE WITH HER? 539 00:33:41,833 --> 00:33:44,767 THAT LITTLE MAN WHO LIVED UP ON TO OF THE STAIRS DID. 540 00:33:49,567 --> 00:33:52,100 I HEARD THE DOOR OPEN. 541 00:33:56,433 --> 00:33:58,300 I LOOKED UP AT HIM. 542 00:34:00,700 --> 00:34:02,933 HE SHUT THE DOOR REAL QUICK. 543 00:34:18,167 --> 00:34:20,700 I WASN'T WORRIED. HE WASN'T GONNA DO NOTHING. 544 00:34:26,667 --> 00:34:29,199 SIX DAYS AFTER KITTY WAS MURDERED, 545 00:34:29,200 --> 00:34:33,299 THE NYPD HAD FOUND HER KILLER AND GOTTEN A FULL CONFESSION. 546 00:34:33,300 --> 00:34:34,566 PRETTY FAST, RIGHT? 547 00:34:34,567 --> 00:34:36,966 AT THIS POINT, THE STORY HADN'T GONE MUCH 548 00:34:36,967 --> 00:34:38,466 BEYOND OUR NEIGHBORHOOD IN QUEENS. 549 00:34:38,467 --> 00:34:41,899 AND LIKE I SAID, THIS WAS ONE OF HUNDREDS OF MURDERS 550 00:34:41,900 --> 00:34:44,667 IN NEW YORK CITY THAT YEAR. 551 00:34:55,467 --> 00:34:59,332 SO, WHY WAS IT THAT EIGHT MORE DAYS PASSED 552 00:34:59,333 --> 00:35:01,266 AND THEN KITTY GENOVESE'S NAME 553 00:35:01,267 --> 00:35:03,632 IS ON THE LIPS OF THE ENTIRE CITY? 554 00:35:05,567 --> 00:35:10,499 WELL, THAT'S THE PART OF THE STORY THAT YOU HAVEN'T HEARD. 555 00:35:10,500 --> 00:35:13,066 CHIEF. ROSENTHAL. 556 00:35:13,067 --> 00:35:15,066 HOW ARE YOU? DOING WELL. YOURSELF? 557 00:35:15,067 --> 00:35:16,466 GOOD, GOOD. 558 00:35:16,467 --> 00:35:17,899 AND IT ALL BEGAN 559 00:35:17,900 --> 00:35:22,700 WITH A QUIET MEETING BETWEEN TWO VERY POWERFUL MEN. 560 00:35:27,567 --> 00:35:31,399 KITTY GENOVESE WAS MURDERED, 561 00:35:31,400 --> 00:35:33,232 AND HER KILLER WAS CAUGHT SIX DAYS LATER. 562 00:35:33,233 --> 00:35:36,800 AND NEW YORK CITY HARDLY NOTICED. 563 00:35:39,833 --> 00:35:41,399 BUT TWO WEEKS AFTER THAT, 564 00:35:41,400 --> 00:35:46,132 SHE WAS THE MOST FAMOUS MURDER VICTIM IN AMERICAN HISTORY. 565 00:35:46,133 --> 00:35:48,199 10 DAYS AFTER THE MURDER, 566 00:35:48,200 --> 00:35:51,366 THE METROPOLITAN EDITOR OF THE NEW YORK TIMES, 567 00:35:51,367 --> 00:35:53,266 ABE ROSENTHAL, GOES TO LUNCH 568 00:35:53,267 --> 00:35:55,766 WITH THE POLICE COMMISSIONER OF THE CITY OF NEW YORK, 569 00:35:55,767 --> 00:35:56,767 MICHAEL MURPHY. 570 00:35:56,768 --> 00:35:58,066 ROSENTHAL BEGINS TO ASK 571 00:35:58,067 --> 00:36:00,832 ABOUT ANOTHER MURDER CASE THAT HE WAS INTERESTED IN... 572 00:36:00,833 --> 00:36:03,432 I WAS WONDERING WHAT YOU COULD TELL ME ABOUT THAT. 573 00:36:03,433 --> 00:36:06,066 ...AND THE POLICE COMMISSIONER 574 00:36:06,067 --> 00:36:08,466 WASN'T READY TO TALK ABOUT THAT CASE. 575 00:36:08,467 --> 00:36:10,266 TO CHANGE THE SUBJECT, HE SAID, 576 00:36:10,267 --> 00:36:12,766 "BOY, WE HAD A DOOZY OF A CASE OUT IN QUEENS." 577 00:36:12,767 --> 00:36:16,432 38 WITNESSES WATCHED A GIRL GET KILLED... 578 00:36:16,433 --> 00:36:19,099 AND NOBODY TRIED TO SAVE HER. 579 00:36:19,100 --> 00:36:23,066 ROSENTHAL FELT THE HACKLES ON THE BACK OF HIS NECK RISE UP. 580 00:36:23,067 --> 00:36:24,699 HE KNEW INSTANTLY 581 00:36:24,700 --> 00:36:29,067 THAT THIS WAS A STORY THAT HE WANTED TO PLAY UP. 582 00:36:31,500 --> 00:36:34,132 HER NEIGHBORS WATCHED A WOMAN DIE. 583 00:36:34,133 --> 00:36:37,266 SHE RECOGNIZED ONE OF THEM AND CALLED TO HIM FOR HELP 584 00:36:37,267 --> 00:36:39,166 WHILE SHE WAS BEING STABBED TO DEATH. 585 00:36:39,167 --> 00:36:40,632 BUT NO ONE ACTED. 586 00:36:40,633 --> 00:36:44,132 ON FRIDAY, MARCH 27, 1964, 587 00:36:44,133 --> 00:36:47,199 THE NEW YORK TIMES PRINTED A STORY ON THEIR FRONT PAGE. 588 00:36:47,200 --> 00:36:48,832 AND THE HEADLINE READ, 589 00:36:48,833 --> 00:36:51,766 "37 WHO SAW MURDER DID NOT CALL THE POLICE." 590 00:36:51,767 --> 00:36:54,632 THERE WOULD HAVE BEEN 38, BUT EVEN THE NEW YORK TIMES 591 00:36:54,633 --> 00:36:58,766 HAD TO ADMIT THAT KARL ROSS HAD CALLED THE POLICE... EVENTUALLY. 592 00:36:58,767 --> 00:37:00,732 IT SAID "FOR MORE THAN HALF AN HOUR, 593 00:37:00,733 --> 00:37:03,199 "38 RESPECTABLE, LAW-ABIDING CITIZENS WATCHED 594 00:37:03,200 --> 00:37:05,232 "AS A WOMAN WAS STALKED AND STABBED 595 00:37:05,233 --> 00:37:06,532 ON THE STREET WHERE SHE LIVED." 596 00:37:06,533 --> 00:37:09,066 IMMEDIATELY, IT WAS PICKED UP BY OTHER NEWSPAPERS, 597 00:37:09,067 --> 00:37:10,399 AND IT WENT AROUND THE WORLD. 598 00:37:10,400 --> 00:37:12,932 LIFE MAGAZINE SENT A REPORTER. 599 00:37:12,933 --> 00:37:16,566 MIKE WALLACE DID A RADIO SPECIAL CALLED "THE APATHETIC AMERICAN." 600 00:37:16,567 --> 00:37:18,166 THE IMAGE THAT WAS PORTRAYED, 601 00:37:18,167 --> 00:37:21,166 BOTH OF NEW YORK CITY AND OF KEW GARDENS IN PARTICULAR, 602 00:37:21,167 --> 00:37:22,932 WERE PEOPLE HAD BECOME SO HARDENED 603 00:37:22,933 --> 00:37:24,666 THAT THEY WERE NO LONGER AFFECTED 604 00:37:24,667 --> 00:37:26,833 BY ORDINARY HUMAN SUFFERING. 605 00:37:30,100 --> 00:37:34,367 BUT IT WAS WRONG. IT WASN'T THE WHOLE STORY. 606 00:37:35,433 --> 00:37:39,066 38 RESPECTABLE, LAW-ABIDING PEOPLE DID NOT WATCH 607 00:37:39,067 --> 00:37:42,199 A WOMAN BE STALKED AND STABBED FOR 30 MINUTES. 608 00:37:42,200 --> 00:37:45,399 GANSBERG WROTE THAT THERE WERE THREE ATTACKS UPON KITTY. 609 00:37:45,400 --> 00:37:47,299 THERE WERE TWO ATTACKS. 610 00:37:47,300 --> 00:37:50,632 BUT THE REALLY TROUBLING THING, FROM AN ACCURACY POINT OF VIEW, 611 00:37:50,633 --> 00:37:52,266 IS THE 38 WITNESSES. 612 00:37:52,267 --> 00:37:54,332 EXACTLY WHAT IS A WITNESS? 613 00:37:54,333 --> 00:37:57,532 IS IT SOMEBODY WHO ACTUALLY SAW THE ATTACK? 614 00:37:57,533 --> 00:37:59,466 MANY OF THE "EAR WITNESSES," 615 00:37:59,467 --> 00:38:01,666 THEY GOT UP AND LOOKED OUT THE WINDOW. 616 00:38:01,667 --> 00:38:03,332 BY THAT TIME, THERE'S NOTHING TO SEE. 617 00:38:03,333 --> 00:38:08,399 AND THERE IS THE FALSE SPECIFICITY OF THE NUMBER 38. 618 00:38:08,400 --> 00:38:11,966 NO ONE HAS KNOWN PRECISELY WHERE IT CAME FROM FOR HALF A CENTURY. 619 00:38:11,967 --> 00:38:13,733 I BELIEVE I FOUND THE DOCUMENT. 620 00:38:25,767 --> 00:38:31,066 IT IS A COLLECTION OF THE INITIAL INTERVIEWS. 621 00:38:31,067 --> 00:38:32,966 THERE ARE 38 ENTRIES, 622 00:38:32,967 --> 00:38:36,066 AND I BELIEVE THAT SOME HARRIED CIVIL SERVANT 623 00:38:36,067 --> 00:38:38,632 GAVE THAT NUMBER TO COMMISSIONER MURPHY, 624 00:38:38,633 --> 00:38:39,899 WHO GAVE IT TO THE TIMES, 625 00:38:39,900 --> 00:38:42,967 AND IT ENTERS AMERICAN HISTORY FROM THERE. 626 00:38:44,633 --> 00:38:46,166 HELP ME! 627 00:38:46,167 --> 00:38:47,632 THE STORY MADE IT SOUND 628 00:38:47,633 --> 00:38:50,099 AS IF WE ALL STOOD AROUND WATCHING KITTY GET KILLED, 629 00:38:50,100 --> 00:38:53,699 LIKE IT WAS PRESENTED TO US ON A STAGE UNDER A SPOTLIGHT 630 00:38:53,700 --> 00:38:57,066 AND WE TURNED OUR BACKS, BUT THAT'S NOT HOW IT WAS. 631 00:38:57,067 --> 00:39:00,399 IN 1964, YOU'RE NOT CALLING 911. 632 00:39:00,400 --> 00:39:02,299 YOU'RE CALLING AND GETTING SOME DESK SERGEANT, 633 00:39:02,300 --> 00:39:05,099 AND YOU MAY WELL BE INVITED TO MIND YOUR OWN BUSINESS. 634 00:39:05,100 --> 00:39:06,966 I don't have time for this. 635 00:39:06,967 --> 00:39:08,366 THE 911 EMERGENCY-PHONE SYSTEM 636 00:39:08,367 --> 00:39:11,600 GREW FROM THE OUTCRY OVER KITTY'S MURDER. 637 00:39:14,133 --> 00:39:16,099 AND THEN THERE WERE PEOPLE LIKE THE KOSHKINS. 638 00:39:16,100 --> 00:39:17,366 THEY WANTED TO HELP 639 00:39:17,367 --> 00:39:19,599 BUT THOUGHT SURELY SOMEONE ELSE ALREADY DID. 640 00:39:19,600 --> 00:39:21,266 I'M CALLING THE POLICE. 641 00:39:21,267 --> 00:39:24,766 IN THE YEARS FOLLOWING, A NUMBER OF SPECIALISTS BEGAN STUDIES 642 00:39:24,767 --> 00:39:26,366 TO DETERMINE WHAT EXACTLY 643 00:39:26,367 --> 00:39:28,299 WOULD CAUSE BYSTANDERS TO FAIL TO INTERVENE. 644 00:39:28,300 --> 00:39:31,299 AND THE THEORIES THAT DEVELOPED FROM THOSE STUDIES 645 00:39:31,300 --> 00:39:33,866 CAME TO BE KNOWN AS THE BYSTANDER EFFECT, 646 00:39:33,867 --> 00:39:35,832 ALSO KNOWN AS THE GENOVESE SYNDROME. 647 00:39:35,833 --> 00:39:39,532 THE MORE PEOPLE WHO ARE PRESENT WHEN A PERSON IS IN PERIL, 648 00:39:39,533 --> 00:39:42,399 THE LESS CHANCE THAT PERSON HAS OF BEING HELPED. 649 00:39:42,400 --> 00:39:44,966 THE IDEA IS THAT "SOMEONE WILL CALL THE POLICE. 650 00:39:44,967 --> 00:39:46,199 IT DOESN'T HAVE TO BE ME." 651 00:39:46,200 --> 00:39:48,732 AND PEOPLE HAVE A TENDENCY TO THINK 652 00:39:48,733 --> 00:39:50,399 THAT IF NO ONE ELSE IS HELPING, 653 00:39:50,400 --> 00:39:52,767 MAYBE THE PERSON REALLY DOESN'T NEED HELP. 654 00:39:55,700 --> 00:39:58,066 SO, IT'S MUCH MORE ABOUT SOCIAL INHIBITION 655 00:39:58,067 --> 00:39:59,367 THAN IT IS ABOUT APATHY. 656 00:40:00,967 --> 00:40:03,832 IT WAS THE DESPICABLE BEHAVIOR OF TWO MEN 657 00:40:03,833 --> 00:40:05,499 THAT WE ALL GOT BLAMED FOR. 658 00:40:05,500 --> 00:40:09,366 AND EVEN THEN, IF YOU LOOK AT IT FROM ANOTHER ANGLE, 659 00:40:09,367 --> 00:40:13,166 KARL ROSS' BEHAVIOR MADE A KIND OF SENSE. 660 00:40:13,167 --> 00:40:14,832 IT'S LIKELY THAT KARL ROSS WAS GAY. 661 00:40:14,833 --> 00:40:17,066 THAT WOULD DEFINITELY BE A REASON 662 00:40:17,067 --> 00:40:18,966 NOT TO WANT TO CALL THE POLICE. 663 00:40:18,967 --> 00:40:21,666 THE POLICE HARASSED THE HOMOSEXUAL COMMUNITY. 664 00:40:22,867 --> 00:40:24,799 SO HE'S AFRAID TO TALK TO ANYBODY. 665 00:40:30,800 --> 00:40:34,766 AND THE REAL INSULT TO ALL OF US 666 00:40:34,767 --> 00:40:38,300 WAS THE ONE PERSON THE PAPER DIDN'T MENTION. 667 00:40:42,133 --> 00:40:45,533 THE PHONE RINGS, AND IT WAS A NEIGHBOR. 668 00:40:51,100 --> 00:40:57,999 MY MOM STARTED TO RUN PAST ME SAYING THAT KITTY WAS BLEEDING. 669 00:40:58,000 --> 00:41:01,766 SOPHIE FARRAR, WHO IS ALL OF 4'11" TALL -- 670 00:41:01,767 --> 00:41:04,332 FOR ALL SHE KNOWS, THERE IS A MURDER IN PROGRESS 671 00:41:04,333 --> 00:41:06,232 AND SHE'S RUNNING STRAIGHT TO IT. 672 00:41:06,233 --> 00:41:09,966 HER HUSBAND IS STILL TRYING TO GET HIS PANTS ON AND FOLLOW HER. 673 00:41:09,967 --> 00:41:11,266 SHE DIDN'T HESITATE. 674 00:41:11,267 --> 00:41:14,699 MY GOD. KITTY, WHAT HAPPENED? KITTY? 675 00:41:14,700 --> 00:41:16,766 IT'S -- IT'S SOPHIE. I'M HERE. 676 00:41:16,767 --> 00:41:20,366 WHEN SOPHIE FARRAR LEANS DOWN AND PUTS HER ARMS AROUND KITTY, 677 00:41:20,367 --> 00:41:22,699 KITTY, IN HER LAST MOMENTS OF CONSCIOUSNESS, 678 00:41:22,700 --> 00:41:25,932 IS WAVING HER HANDS, STILL TRYING TO FIGHT HER OFF. 679 00:41:25,933 --> 00:41:29,566 KARL! KARL! 680 00:41:29,567 --> 00:41:33,066 KARL, ARE YOU UP THERE? 681 00:41:33,067 --> 00:41:34,199 CALL THE POLICE! 682 00:41:34,200 --> 00:41:36,232 SOPHIE? 683 00:41:36,233 --> 00:41:39,733 SHE ORDERED KARL ROSS TO CALL THE POLICE. 684 00:41:41,367 --> 00:41:43,399 AND THAT WAS WHAT FINALLY MADE HIM DO SO. 685 00:41:43,400 --> 00:41:48,166 I'M HERE. SOPHIE'S HERE. SOPHIE'S HERE. IT'S OKAY. 686 00:41:48,167 --> 00:41:52,333 MY MOM WAS CRADLING HER UNTIL THE AMBULANCE ARRIVED. 687 00:42:02,900 --> 00:42:06,099 KITTY GENOVESE FITS THE ROLE AS URBAN MARTYR. 688 00:42:06,100 --> 00:42:09,932 THAT SOMEHOW TEACHES SOCIETY A LESSON ABOUT APATHY -- 689 00:42:09,933 --> 00:42:11,699 LET'S NOT BE APATHETIC. 690 00:42:11,700 --> 00:42:13,932 I DON'T BELIEVE 691 00:42:13,933 --> 00:42:17,466 THAT KITTY GENOVESE HAS TO BE SYMBOLIC OF SOMETHING. 692 00:42:17,467 --> 00:42:20,632 I DON'T THINK SHE DIED TO TEACH THE REST OF US A LESSON. 693 00:42:20,633 --> 00:42:24,166 APATHY DID NOT KILL KITTY GENOVESE. 694 00:42:24,167 --> 00:42:29,299 A MONSTER NAMED WINSTON MOSELEY KILLED KITTY GENOVESE. 695 00:42:29,300 --> 00:42:34,532 * HE WAS A FRIEND OF MINE * 696 00:42:34,533 --> 00:42:36,366 KITTY BECAME FAMOUS FOR BEING 697 00:42:36,367 --> 00:42:39,099 THE WOMAN WHOSE CALLOUS NEIGHBORS WATCHED HER DIE -- 698 00:42:39,100 --> 00:42:44,199 A WOMAN NO ONE CARED ABOUT, NOT EVEN IN HER DARKEST HOUR. 699 00:42:44,200 --> 00:42:46,699 BUT KITTY WAS MORE THAN THAT. 700 00:42:46,700 --> 00:42:49,832 SHE WAS AS FULL OF PAST, PRESENT, AND FUTURE 701 00:42:49,833 --> 00:42:51,232 AS ANY WOMAN. 702 00:42:51,233 --> 00:42:53,832 SHE LOVED AND WAS LOVED, 703 00:42:53,833 --> 00:42:56,932 AND SHE DESERVES BETTER FROM US NOW. 704 00:42:56,933 --> 00:43:02,299 * ...WAS A FRIEND OF MINE * 705 00:43:02,300 --> 00:43:05,599 * WHEN I HEAR HIS NAME * 706 00:43:05,600 --> 00:43:10,366 * YOU KNOW, I JUST CAN'T KEEP FROM CRYING * 707 00:43:10,367 --> 00:43:17,167 * HE WAS A FRIEND OF MINE * 708 00:43:18,600 --> 00:43:28,067 * HE WAS A FRIEND OF MINE * 54383

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