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So now we're going to attempt a shoot
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through but we're going to incorporate some flash
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and we're going to incorporate the flash into
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the foreground.
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Often as photographers we only think about flashing
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the main subjects of the photograph like the
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person that we're photographing or the sculpture that
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we're photographing.
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We don't often think about flashing other elements
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within our frame and we can get some
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really unique and interesting visual concepts in our
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photos by flashing other elements.
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So I'm going to flash the foreground.
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If you haven't watched the tutorial yet on
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my natural light version of this shot go
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watch that first because I'm essentially doing the
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exact same natural light shoot through that I
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demonstrated except now I'm adding a flash and
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I'm adding a flash not to the couple
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I'm adding the flash to the foreground so
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all these leaves all this foliage I'm just
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going to light up with a flash.
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So I've just got my pro photo here.
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I know that I'm at f16.
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I'm at 1 200th of a second but
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because my f-stop is really high I'm
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probably going to start with my flash and
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because we're midday I'm going to probably start
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my flash at full power.
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I'm going to keep it at full power
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we'll try that and see if we have
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to adjust.
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I'm also going to put a really warm
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gel on it this is just a CTO
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gel but it's a full stop one is
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that what they're called full stops yeah okay
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full stop CTO gel really warm.
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The reason I chose this really warm color
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is because it's fall we've got lots of
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yellow warm tones around us not in these
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leaves but anywhere else we look we've got
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yellow yellow warm tones so I'm just going
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to use this this to flash the foreground.
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You could do blue you could do purple
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you could do I'm not I prefer to
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stick to natural colors and that's just personal
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preference so I'm going to do this nice
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warm orange uh so I'm going to stick
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that grid or not the grid the gel
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on the flash I'm not going to use
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a grid because I'm outdoors I don't have
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to worry about this light bouncing off walls
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or bouncing off ceilings it's not going to
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destroy my ambient exposure right the couple are
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way way up there so this is I
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don't care if it spreads and I'm not
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even going to use a light stand I'm
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going to try just putting this flash on
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the ground over here to the side and
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going to tilt it up a bit and
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I'm just pointing it right at these branches
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okay exact same lens exact same settings as
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my natural light shoot through okay so uh
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can you guys take your jackets off again
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sorry and get that scarf flowing nicely in
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the in the breeze just like you did
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last time I'm going to grab my focus
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up here and then I'm going to frame
69
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them right there together at the hips perfect
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perfect no it's good they're doing good uh
71
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the other thing that I've changed from the
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natural light shoot is I've had to change
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my camera to mechanical shutter all right when
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you're using the flash you can't use electronic
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shutter so I've changed to mechanical shutter which
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means I can't shoot as rapid fire but
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let's look at that and see that looks
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really interesting um just check the power okay
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so right now my flash is at 8
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.7 uh the Profoto has it has a
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different way of rating flash power this would
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be about half power on a Canon flash
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or a Godox or any other model okay
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frame right through there okay looking at each
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other holding hands a little bit separation perfect
86
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and we're getting that scarf that
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looks good there's one other thing I'm going
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to try just because when I look at
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my frame I see that I've got a
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little bit of a blank spot up here
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where I'd like some leaves so I'm going
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to break this branch off okay
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so I'm just putting this branch in here
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just to fill the frame a little bit
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more with that these really interesting backlit uh
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leaves um just so that I'm it's very
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intentional that I've filled the frame with as
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much of these as possible in terms of
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where I placed the flash it's it's almost
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just trial and error I didn't want it
101
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coming directly from my camera uh because I
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feel like that would be a bit too
103
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blinding and and a bit too obvious I
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want the light coming off my camera so
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I just tried it off to the side
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here I really like it I'm just going
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to keep it there I could have done
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it from the other side I also could
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have done it from the back if I'd
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done it from the back it might have
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been a bit tricky to frame the picture
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with the flash removed and I might have
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had a bit of a flare so I
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just stuck it on the side and that
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seemed to work really well so that is
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a shoot through using a flash to light
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the foreground
8527
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