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1
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So we are going to attempt a natural
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light shoot through here.
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The reason I was drawn down to this
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hillside in the first place is because I
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was trying to get my couple up in
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the bright spot, right?
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So the couple are up on the bright
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spot, uh we can silhouette them, but what
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other layers can we put in?
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And I saw this this silver willow bush
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here and I thought it would be really
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neat to to sort of isolate the couple
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in the sky but then frame them through
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the leaves of this willow bush.
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So we're gonna give it a shot.
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So I'm down here in the bushes and
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I'm trying to find a little window of
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space where I could frame my couple.
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So they're up on the sky, I'm going
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to silhouette them, they're going to be fairly
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small in the frame, and I'm going to
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try a variety of different f-stops.
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Because I've got the sky as a blank
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canvas in the background, I feel like I
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could go I can go fairly high f
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-stop and have sharp leaves framing them or
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I can go wide open and blur out
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all the leaves and I'm going to try
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both.
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Attempt to shoot right through this opening right
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there.
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It's just a tiny little opening but Saatchi
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and Florian are really nicely framed through it.
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And that's one of the reasons I'm choosing
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to shoot through here is I'm framing my
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subjects with what I'm shooting through.
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And I'm not going to be able to
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have them move so much in this frame
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because there's there's such a small opening that
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I'm framing them through.
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They have to be in a very precise
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location which means it's it's going to be
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more about the artistry of the camera technique
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as opposed to our couple in this case.
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It's not going to be really, it's just
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an artsy fartsy shot.
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Okay so I'm going to get you guys,
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can you show them how to do the
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penguin pose Lani?
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Yeah, penguin pose.
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Yeah that's perfect.
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Just like that.
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And you guys are just going to stay
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like that for me.
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So I've got my 85 on here.
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Okay I've got it at 1.4 right
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now.
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The foreground is so blurred out it's almost
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not adding anything to the frame.
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So I'm going to bump up my f
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-stop.
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I'm going to try around f5.6 and
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I'm going to try a bunch of different
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f-stops here.
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And now I'm going to go up to
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f9.
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Oh I like that.
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I'm actually really enjoying the higher f-stops
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more.
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And I'm just, you know, with a couple
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I'm just framing from the waist upwards because
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because they're not moving there's not really any
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point including their legs in this silhouette because
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their legs are close together.
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They're big and blobular.
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The place where the nice sleek silhouette is
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their profiles and their torsos.
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So that's what I'm framing on.
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Okay.
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Perfect guys looking at each other.
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And then I'm going to try one at
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f16.
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Perfect.
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And I really like this with the 85.
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But just for curiosity I'm going to try
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it with the 50 as well.
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Oh I like the 50 too.
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And focusing can be tricky.
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Especially when you're focusing through these tiny little
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peepholes right.
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So one of the great things is that
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when you're at higher f-stops like right
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now I'm at f16.
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What I can do is I can just
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grab my focus here where I can get
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a clean line to the couple.
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And then I can move into position frame
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them exactly where I want to and then
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shoot.
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Okay looking at each other guys nice and
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close in.
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Perfect.
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One thing that can make this silhouette a
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little bit more interesting because it's fairly it
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is a fairly boring silhouette given that they're
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just sort of standing penguin pose is but
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I just noticed that Sachi's scarf was blowing
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in the wind.
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So I'm going to get Lanny to go
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up there and sort of coax the scarf
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into the wind and hopefully that'll give the
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picture a little bit of movement and something
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a little bit more a little bit less
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predictable.
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You ready to be a scarf coaxer Lanny?
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Okay so looking at each other and a
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little bit of separation in the torso.
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Actually maybe just hold hands.
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Yeah but closer together.
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Yeah and hands down low.
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Yeah there we go.
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Yeah just like that.
123
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Yeah that's good.
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Give me a countdown.
125
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I'm gonna turn this on to high speed
126
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so I can really up my chances of
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getting this scarf.
128
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Three two one.
129
00:04:43,240 --> 00:04:45,820
Yes that's just sort of giving that little
130
00:04:45,820 --> 00:04:49,880
bit of magic that you kind of gotta
131
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be open to happening.
132
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Perfect.
133
00:04:54,340 --> 00:04:55,720
Oh yeah that looks beautiful.
134
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Veils are really good for this as well.
135
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Just coax it out a little bit more
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Lann.
137
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Okay.
138
00:05:08,860 --> 00:05:10,940
Or Florian can you take your jacket off
139
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for one?
140
00:05:14,970 --> 00:05:17,670
I'm gonna take his jacket off um because
141
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I've realized the the collar on his jacket
142
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was blocking the silhouette of his profile right
143
00:05:25,430 --> 00:05:29,290
like his chin and uh even though they're
144
00:05:29,290 --> 00:05:32,210
really small in the frame those little tiny
145
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changes that little bit of negative space under
146
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the chin as opposed to just a collar
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makes a really big difference in the final
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uh impact of the silhouette.
149
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Oh yeah that is way better.
150
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Why didn't I do that at the beginning?
151
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Okay looking at each other.
152
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Perfect.
153
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Oh now the now the leaves are falling
154
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so I'm shooting 20 frames per second here
155
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just to up my chances of lining them
156
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up in this little window.
157
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Okay perfect.
158
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Okay we're good.
159
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So that is a natural light shoot through.
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Uh no flashes involved and of course we're
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combining tools here so I've also combined it
162
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with a silhouette.
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You have to really have a good reason
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to be shooting through something.
165
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There's there's many times landing I find ourselves
166
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shooting three through things without a good reason
167
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and I gave you guys five really good
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reasons to shoot things.
169
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We talked about that in the studio and
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the reason I shot through here is I
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really want to simplify the frame down to
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three elements.
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Okay the couple, the sky, and the leaves.
174
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And this was really the only place where
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I could put myself and my camera to
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simplify the frame down to those three elements.
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These leaves also served the purpose of framing
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our couple which is really important right?
179
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It gives them uh it gives the eye
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the viewer's eye a focal point to look
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at.
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So really really framed the couple nicely and
183
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it's a little trippy right?
184
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It's it's a gimmicky technique for sure.
185
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You can't really see what the couple look
186
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like but it's a nice piece of art
187
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for them to have.
188
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It's we wouldn't want to do an entire
189
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shoot of these types of shots but it's
190
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a nice thing to add in for variety
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once in a while.
12749
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