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All right, so backlight outdoors with natural light.
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This is something we're always looking for, especially
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when the sun is out and bright.
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Like today, there's no clouds in the sky.
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We're always looking, especially for family formals, we
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always want that light source behind our couples
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and for those safe portraits.
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You know, those safe portraits that we usually
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start the shoot with, those high energetic ones.
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We always want the sun behind our couple.
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So we're always looking for backlight, but the
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key is not just the backlight.
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The key is that that backlight is on
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a dark background.
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So we've got the backlight and a shady
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background.
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And those two combinations, those two things combined
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can really give a sort of 3D pop
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to the couple and really help them stand
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out from the background.
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So I've chosen this spot and we're midday
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here.
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We're not early morning, we're not late evening.
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Mind you, it is October, so the sun
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is a little bit lower in the sky
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than it would be in say June or
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July or August, but we're midday.
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Sun's as high as it's gonna be, but
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you can see I can still get the
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sun behind my couple.
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And then I've very intentionally chosen a spot
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here where there's shade behind them.
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This is Maddie.
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And this is Daryl.
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Okay, so they're pretty much, I have my
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couple standing right on the transition from where
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it turns to shade to where it is
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sun.
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And I just have them stand in a
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way where they can see their shadows directly
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in front of them, as you can see
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here.
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And this is a really good spot.
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This is a really safe spot for me
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to do those high energetic beginning portraits.
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So I'll just do a few with you
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guys right now.
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And I usually always use a big lens
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for this as well.
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So let's get you guys to start about
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six meters apart on each way, and you're
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gonna meet right here.
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Oh, thanks.
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And you guys are gonna meet right here,
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but you are gonna like run and then
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embrace.
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Okay, ready?
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But don't like get out of the hug
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as soon as you run and embrace.
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Okay, just stay in that hug.
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Okay, three, two, one, go!
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Perfect.
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Okay, I'm gonna have you guys do that
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again.
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But this time I want you to run
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and hug and sort of cheek to cheek
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towards me.
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Okay?
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And then stay in the hug.
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Okay, one, two, three, go!
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Woo-hoo!
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Oh, perfect.
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Oh, that's great.
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Okay, now stay in the hug.
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Now, Daryl, I want you to peck your
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nose on Maddie's cheek like a chicken.
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Like a little bit more aggressive.
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There we go.
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Perfect, a little bit more aggressive.
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Yes, that's it!
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That's what I'm looking for.
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Okay, perfect.
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Great, got it.
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Okay, so that's just great, safe lighting, even
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lighting.
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I keep the same exposure the whole time
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and they really pop from that background because
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you can see that rim light all around
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their hair here.
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And then they just pop against that shadowy
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background.
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Often when we're shooting in this scenario, because
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we don't use lens hoods, is sometimes we're
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right on the cusp and you can kind
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of play around with this.
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And sometimes when the sun's hitting the lens,
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you get a really interesting kind of low
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contrast effect.
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Or you can change it entirely by shading
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the lens and then you get much more
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high contrast.
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Or you can play around with somewhere in
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between.
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So that's backlight outdoors on a dark background.
6769
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