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I'm going to demonstrate another backflash shot here
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and we're outside, the sun has gone down,
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we're approaching dusk light and this is usually
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a really good time to start using backflash.
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It almost can act a little bit like
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the setting sun, so low in the sky,
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give her a couple night because we've got
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flat light, give her a couple of nice
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little sort of 3D pop from the background.
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So the sky isn't quite dark enough for
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me to backflash them on yet and there's
12
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not a lot of color in it either
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tonight.
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I was hoping for a good sunset but
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it's not great.
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So what I'm going to do is I'm
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going to pick a dark part of the
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landscape on which to to backflash them.
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The obvious land feature to feature here is
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the three sisters over here.
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So I'm going to use a big lens,
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I'm going to fill the frame with the
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three sisters, 85 lens and I'm going to
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have the in the foreground and I'm going
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to give them a pop with the backflash.
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So let's give this a try.
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So I'm just going to use a naked
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flash because I know the flash is going
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behind the couple, I'm outside, it doesn't have
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a lot of things that it's going to
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bounce off, it's not going to destroy my
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ambient exposure so I don't need a grid.
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Plus I know that I want that flash
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to wrap around as much as possible and
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I've put a I've put a subtle warming
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gel on it just because we're getting a
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nice sort of approaching blue hour here and
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this is going to contrast, this warm light
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is going to contrast really nicely with the
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cool sky.
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Okay so I'm going to stick this behind
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you, you guys are going to be right
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around here and I'll get you to start
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off in penguin pose.
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Yeah penguin, yeah and I'm going to start
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like a ram there.
47
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So just pointing the flash behind the couple,
48
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I don't want my camera to see it,
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that's really the only thing and I want
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it far enough back that I know this
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spread of light is going to come out
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and wrap around them.
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If I have it too close, it doesn't
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want to give it enough time for the
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cone of, not time, but distance for the
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cone of light to spread out.
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Time would not make any difference because it's
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the speed of light.
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Okay we'll go a little bit further back
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and we'll try with that and then I'll
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adjust as necessary.
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Okay so I'm going to try and centre
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them right under the middle sister there and
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I'm at 1 200th of a second, I'm
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at 7.1 for my shutter speed and
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I'm just going to test the flash.
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Turning my transmitter on might help, again just
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testing my settings here.
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I'm actually finding the flash too warm, I
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think it might be bouncing off her red
71
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jacket and that's what's giving it that, it's
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looking way warmer than it normally does so
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I'm going to take the the grid off,
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or not the grid, the warming gel.
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Okay one more test of the flash here
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before we do the real shot.
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Okay now we're getting somewhere.
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Okay it looks like it's wrapping around them
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both really nicely.
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I'm just going to back it up a
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tad, it's just missing a little piece of
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Jenny's head right here.
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Okay I think we're ready to rock now.
84
00:04:13,330 --> 00:04:14,850
Okay so I'm going to get my camera
85
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fairly low, not that low, right about there.
86
00:04:20,370 --> 00:04:22,250
Okay so together at the hips there guys
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and looking at each other and hands up
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on each other's backs there.
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There we go and almost touching foreheads.
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Jenny you can go on your tiptoes a
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bit.
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There we go and almost touching foreheads.
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Perfect.
94
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Okay I'm just going to check those.
95
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Those are great.
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I'm going to try one more lighting setup.
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The light's still going to be coming from
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behind them but I'm going to have them
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at slightly different angles.
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00:04:57,760 --> 00:04:59,040
I'll show you exactly what I'm going to
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do.
102
00:05:00,420 --> 00:05:01,900
Lani's going to be one of my light
103
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stands.
104
00:05:02,640 --> 00:05:03,520
So come on over here.
105
00:05:06,280 --> 00:05:08,760
Okay let's get you guys holding hands right
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now but holding hands and like this sort
107
00:05:13,100 --> 00:05:14,940
of up on your tiptoes just like that.
108
00:05:15,380 --> 00:05:16,780
Okay and oh yeah that's cute.
109
00:05:17,580 --> 00:05:21,540
Okay okay so you're gonna well actually just
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hold both of them.
111
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No gels.
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No gels.
113
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Just take the lights down with you.
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Yeah.
115
00:05:30,440 --> 00:05:32,660
Okay so Lani's going to hold one flash
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00:05:32,660 --> 00:05:35,360
here and this one's going to hit Jesse
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and then one flash here.
118
00:05:37,260 --> 00:05:38,520
So you can see they're sort of pointed
119
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towards each other at a little bit of
120
00:05:41,240 --> 00:05:44,680
an angle so their directions hit the faces.
121
00:05:45,540 --> 00:05:47,280
So it's not quite a backlight.
122
00:05:47,400 --> 00:05:49,040
I'm not quite going for the rim light
123
00:05:49,040 --> 00:05:49,300
here.
124
00:05:49,580 --> 00:05:51,100
I'm going for a hard light on the
125
00:05:51,100 --> 00:05:52,120
short side of their face.
126
00:05:52,940 --> 00:05:55,240
Right and hopefully both flashes will be hid
127
00:05:55,240 --> 00:05:56,140
behind their profiles.
128
00:05:56,420 --> 00:05:57,700
Yeah well that's the tricky part.
129
00:05:58,580 --> 00:06:01,940
That's always the tricky part and I think
130
00:06:01,940 --> 00:06:07,180
let's actually um let's get your hands.
131
00:06:07,400 --> 00:06:08,760
I want to get your hands in it
132
00:06:08,760 --> 00:06:12,820
so maybe maybe like hold them like this
133
00:06:12,820 --> 00:06:14,540
like with your fingers.
134
00:06:15,140 --> 00:06:16,320
Yeah and then go in close.
135
00:06:17,360 --> 00:06:18,160
Yes there we go.
136
00:06:18,440 --> 00:06:18,540
Nice.
137
00:06:20,480 --> 00:06:23,020
So I'm about three meters behind and I'm
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going to duck down so that Erica can't
139
00:06:25,040 --> 00:06:25,880
see me.
140
00:06:30,770 --> 00:06:31,710
Test shot.
141
00:06:35,250 --> 00:06:39,070
Um can you turn down can you just
142
00:06:39,070 --> 00:06:40,570
turn them both down to about what are
143
00:06:40,570 --> 00:06:41,030
they at now?
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Nine.
145
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Like seven each?
146
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Yeah.
147
00:06:46,130 --> 00:06:47,370
I want to let a little bit more
148
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ambient in.
149
00:06:48,530 --> 00:06:50,070
I'm finding I want to see the facial
150
00:06:50,070 --> 00:06:51,670
expressions a little bit more in this one
151
00:06:51,670 --> 00:06:53,130
and go a little less drastic.
152
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Yeah hang on one's not firing.
153
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Air's turned off.
154
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There you go.
155
00:07:03,090 --> 00:07:03,990
Okay they're both on now.
156
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Okay good.
157
00:07:10,480 --> 00:07:12,240
Okay now I want you guys really close.
158
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So hands up high on each other's back
159
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sort of like like this.
160
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Jenny let's get your arms on top.
161
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No other way actually.
162
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Yeah you're right.
163
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Yeah uh but looking at each other I
164
00:07:27,520 --> 00:07:28,900
want a little bit of negative space in
165
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between there and just slightly lean over my
166
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camera.
167
00:07:32,740 --> 00:07:33,540
I think you had to do it for
168
00:07:33,540 --> 00:07:34,260
landing this morning.
169
00:07:34,620 --> 00:07:34,780
Yeah.
170
00:07:39,190 --> 00:07:41,130
Let me test the light here.
171
00:07:44,480 --> 00:07:45,740
Is which way is the wind blowing?
172
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Is it blowing your hair that way?
173
00:07:49,260 --> 00:07:52,140
Oh okay that's okay as long as it's
174
00:07:52,140 --> 00:07:53,820
not blowing it in front of your profile.
175
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Okay almost touching noses guys.
176
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And turn a little bit counterclockwise for me
177
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just so I can make sure I see
178
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Jesse's nose.
179
00:08:18,220 --> 00:08:19,700
And Jenny can you hold your head up
180
00:08:19,700 --> 00:08:20,300
normal?
181
00:08:21,820 --> 00:08:23,420
Yeah that just like that.
182
00:08:23,580 --> 00:08:24,460
Lani I can see the flash.
183
00:08:25,380 --> 00:08:25,840
Which way?
184
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There we go.
185
00:08:36,280 --> 00:08:37,799
Okay I'm happy with that.
186
00:08:38,559 --> 00:08:38,960
Wow.
187
00:08:39,880 --> 00:08:42,340
So you can see when the when the
188
00:08:42,340 --> 00:08:45,080
wind blows it just gives you like this
189
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this mane of hair.
190
00:08:47,440 --> 00:08:47,540
Wow.
191
00:08:47,740 --> 00:08:48,180
It's awesome.
192
00:08:48,500 --> 00:08:49,780
I've never seen a photo like that.
193
00:08:55,930 --> 00:08:57,770
Okay so pass me the camera.
194
00:08:58,330 --> 00:08:59,410
You take a flash here.
195
00:08:59,930 --> 00:09:01,470
What I'm going to do is something very
196
00:09:01,470 --> 00:09:03,110
similar to what Erica just did and this
197
00:09:03,110 --> 00:09:04,850
this is often what happens with us is
198
00:09:04,850 --> 00:09:06,510
we kind of piggyback off each other's idea
199
00:09:06,510 --> 00:09:07,770
and we see something and then we kind
200
00:09:07,770 --> 00:09:09,650
of work it and do another spin on
201
00:09:09,650 --> 00:09:09,750
it.
202
00:09:09,790 --> 00:09:10,890
But it's going to be the exact same
203
00:09:10,890 --> 00:09:13,250
technique except now instead of filling the frame
204
00:09:13,250 --> 00:09:15,550
with their profiles up close I'm going to
205
00:09:15,550 --> 00:09:17,310
back them up and have them go really
206
00:09:17,310 --> 00:09:20,310
small and try to bring some movement into
207
00:09:20,310 --> 00:09:21,790
the darkness beneath the three sisters.
208
00:09:22,330 --> 00:09:24,270
Okay settings are going to stay almost exactly
209
00:09:24,270 --> 00:09:24,750
the same.
210
00:09:25,270 --> 00:09:28,430
Erica and Jesse and Jenny head on back
211
00:09:28,430 --> 00:09:28,670
there.
212
00:09:28,770 --> 00:09:30,250
They're going to go back to that ridge
213
00:09:31,990 --> 00:09:35,230
and Erica's basically going to have them frolic
214
00:09:35,230 --> 00:09:39,110
back and forth holding hands with separation and
215
00:09:39,110 --> 00:09:40,730
she's going to try to light them from
216
00:09:40,730 --> 00:09:42,630
behind so I can hopefully have a rimlet
217
00:09:42,630 --> 00:09:44,890
running silhouette beneath the three sisters.
218
00:09:46,450 --> 00:09:51,610
Same lens 85 millimeter f8 1 1 60th
219
00:09:51,610 --> 00:09:52,730
iso 800.
220
00:10:00,490 --> 00:10:01,470
Keep going.
221
00:10:06,950 --> 00:10:08,670
One of the one of the sweet things
222
00:10:08,670 --> 00:10:11,750
about these pro photo transmitters is literally they'll
223
00:10:11,750 --> 00:10:14,310
they'll fire wirelessly for blocks.
224
00:10:15,110 --> 00:10:16,690
We don't have to worry like we used
225
00:10:16,690 --> 00:10:17,810
to with our Canon triggers.
226
00:10:19,810 --> 00:10:20,950
A little bit more.
227
00:10:24,490 --> 00:10:25,550
Okay right there.
228
00:10:27,250 --> 00:10:28,130
Right there.
229
00:10:32,080 --> 00:10:33,480
And then the tricky part is going to
230
00:10:33,480 --> 00:10:35,800
be for Erica to hide the flash behind
231
00:10:35,800 --> 00:10:38,240
them to rim light them without me catching
232
00:10:38,240 --> 00:10:38,920
the big flare.
233
00:10:50,250 --> 00:10:52,070
So in a lot of them I'm seeing
234
00:10:52,070 --> 00:10:52,970
Erica's flare.
235
00:10:53,770 --> 00:10:56,370
I got a couple where I can't so
236
00:10:56,370 --> 00:10:57,430
I'm going to zoom in on those.
237
00:10:58,310 --> 00:11:01,370
I got to zoom way in and check
238
00:11:01,370 --> 00:11:02,470
and see how the light is.
239
00:11:02,990 --> 00:11:04,030
Oh that's cool.
240
00:11:05,630 --> 00:11:08,070
Okay that flare is awesome.
241
00:11:09,190 --> 00:11:12,290
Okay let's try it again Erica.
242
00:11:13,850 --> 00:11:16,230
I could see the flash on this side
243
00:11:16,230 --> 00:11:17,910
so just stay a little bit back.
244
00:11:21,680 --> 00:11:24,380
Just you have to be a little bit
245
00:11:24,380 --> 00:11:26,220
further that way with the flash.
246
00:11:29,860 --> 00:11:30,700
No no.
247
00:11:32,420 --> 00:11:35,600
Erica it was perfect but I could see
248
00:11:35,600 --> 00:11:36,400
the flash.
249
00:11:37,620 --> 00:11:38,960
So let's do it again.
250
00:11:49,930 --> 00:11:50,850
Zooming in.
251
00:11:51,690 --> 00:11:53,530
So make sure we got oh focus is
252
00:11:53,530 --> 00:11:53,810
off.
253
00:11:54,830 --> 00:11:55,850
One more.
254
00:11:56,730 --> 00:11:57,770
Last one.
255
00:12:00,170 --> 00:12:01,940
Somehow I missed the focus on that one.
256
00:12:03,790 --> 00:12:04,330
Okay.
257
00:12:12,250 --> 00:12:12,790
Oh yeah.
258
00:12:13,630 --> 00:12:14,170
Okay.
259
00:12:15,230 --> 00:12:16,230
We got it.
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