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I'm going to demonstrate for you guys a
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really simple shot right now of back flash.
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So we're going to backlight our couples or
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our couple and we're indoors and I'm also
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combining it with a bit of a shoot
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through and as we've mentioned before very rarely
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are our tools used in isolation from one
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another so there's kind of two tools happening
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in this in this shot.
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So what I'm going to do is I'm
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going to shoot through this chandelier here and
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have that in the foreground of my image
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and I'm going to set my exposure right
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for these lights right so everything else falls
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into darkness and I'm going to place my
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couple in that darkness over there which is
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actually a closet and because they're on such
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a dark background hopefully that rim light that
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I create from the flash behind them will
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really pop.
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So let's see how it works.
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This is Michelle and this is Belle.
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Let's see how this goes we're going to
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put this flash behind you guys right about
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here.
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I'm going to turn my mauling light on
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just so the videographers can see and also
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I can see where the light falls on
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them.
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So I'm probably going to have you guys
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stand around here-ish but I'm going to
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adjust you as necessary as necessary so come
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and stand here.
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Okay so in order to get my frame
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filled with these really sort of antique lanterns
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I got to get up close to them
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and I'm a little bit too short.
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I don't have Lani's height so I'm going
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to use this chair to stand on.
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Okay and I'm going to try and frame
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I'm just going to try and include their
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heads in this photo so it's a nice
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sort of close-in silhouette of their heads.
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I'm going to try and frame them right
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through the top of the light here so
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you guys don't worry about posing yet because
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I am going to get my ambient exposure
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just how I want first.
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So I've got my flash turned off off
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I'm 1 200th of a second and I'm
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going to go around f5 maybe even a
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little darker I'm going to go about f7
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actually I really like that drama it looks
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like kind of like a spooky haunted Halloween
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type photo.
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All right so I'm going to turn my
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flash on I just go together at the
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hips there guys and I'm going to focus
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on them try and focus on them and
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my flash is just set to whatever power
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I used last time.
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Let's see how that is zooming in just
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want to see if it's focused and what
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the light looks like.
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Okay so I'm totally out of focus and
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the light is really blue which I'm trying
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to decide if I like or not I
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think I like the blue light because it's
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contrasting with this really really warm light and
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those are complementary colors so I think I'll
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I'll try one with the really really blue
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light it's I don't have a blue gel
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on there it's just that in contrast to
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this warm it looks very blue and then
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I might stick a warming gel on there
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afterwards.
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The tricky part is okay look at each
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other guys going to be focusing come on
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a little tad wider here.
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Lani!
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Okay okay I am changing
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my focus mode I've usually got it on
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continuous focus mode I'm I'm changing it to
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just a single spot focus because something seems
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to be throwing it off so apparently I've
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gained focus there let's see just stand by
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Lani just in case.
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Okay now I'm tack sharp just guys move
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a little bit this way towards Michelle yeah
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there you go and then almost touching noses
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but Michelle lean your head back a little
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bit Lani I think I'm good yeah there
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we go and let's see how that is
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and I'm just fiddling with my compositions here
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to layer these lights out front and I'm
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just zooming in what do you think about
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the color temperature of gel?
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I think we should warm it up okay
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can you go grab me a I kind
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of like the cool gel but we'll try
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one with warm right so just grab one
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warm gel I would say most flash work
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that we do we usually have some sort
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of warming gel on it here there was
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no gel at all but it just looked
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very very blue just because of the contrast
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of the warmth that we're shooting with so
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usually we are using a warming gel especially
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if it's on people's faces and it's for
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skin tones because it just tends to match
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the ambient light of what's indoors so let's
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try that and I'll see if I like
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that any better that's just a quarter cut
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oh it is yeah so it still looks
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pretty blue actually because it's only a quarter
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cut CTO so do you have a full
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cut?
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Literally he'll spend like 15 minutes looking for
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something like his passport and I'll just be
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open the draw and like it's right on
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top so I'm gonna turn my flash up
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a little bit because I've got two gels
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on there now so that's gonna cut a
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little bit of its power okay can you
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can you just let me focus again give
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your camera uh your iPhone light okay I
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think I got it okay I'm looking at
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each other and a little bit more towards
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Michelle okay let me just see zoom in
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make sure I'm sharp on them that's way
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better that's I actually kind of like the
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blue but whatever I've got both options less
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static let's do um let's do Michelle you
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lean up against the doorway a bit yeah
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a little bit like that and then Phil
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you're just sort of leaning in yeah but
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hold hands make it real guys okay
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stay hold hold hold and actually so Michelle
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so a little bit more I need to
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I need to focus one more time right
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by their chins right by their noses okay
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uh I think I got it okay a
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little closer a little well just so there's
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like a millimeter of atoms separating your noses
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okay good I think we got enough to
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work with so that was uh to demonstrate
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using a back flash indoors and it was
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also demonstrating a shoot through as well
10525
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