All language subtitles for 5.03 - Silhouette Demo Shoot

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These are the user uploaded subtitles that are being translated: 1 00:00:03,400 --> 00:00:05,520 Okay, so here we are. 2 00:00:05,600 --> 00:00:07,140 What I'm going to demonstrate for you now 3 00:00:07,140 --> 00:00:10,580 is a natural light silhouette and just to 4 00:00:10,580 --> 00:00:12,500 set the scene for you we are in 5 00:00:12,500 --> 00:00:17,040 our hometown of Canmore and surrounded by glorious 6 00:00:17,040 --> 00:00:17,420 mountains. 7 00:00:17,640 --> 00:00:20,820 It's pretty overcast right now and one of 8 00:00:20,820 --> 00:00:22,660 the things we're often asking ourselves when we're 9 00:00:22,660 --> 00:00:25,060 out in a natural scene is where's the 10 00:00:25,060 --> 00:00:27,140 brightest spot which is often the sky right 11 00:00:27,140 --> 00:00:29,420 and I'm drawn to this whole mountain range 12 00:00:29,420 --> 00:00:30,160 that I see here. 13 00:00:30,720 --> 00:00:32,880 I've got Holling Peak, I've got Mount Rundle 14 00:00:32,880 --> 00:00:35,160 and I've also got a natural kind of 15 00:00:35,160 --> 00:00:38,340 bright V that the mountain ranges form with 16 00:00:38,340 --> 00:00:40,720 the sky and I'm thinking that could be 17 00:00:40,720 --> 00:00:42,960 a nice spot to silhouette my couple because 18 00:00:42,960 --> 00:00:45,480 there's natural symmetry there and I know that 19 00:00:45,480 --> 00:00:48,720 a silhouette is going to allow me to 20 00:00:48,720 --> 00:00:50,780 bring out the drama in the clouds by 21 00:00:50,780 --> 00:00:53,240 going dark and exposing for the sky but 22 00:00:53,240 --> 00:00:55,440 the tricky thing is often finding a spot 23 00:00:55,440 --> 00:00:57,760 where we can get our subjects up on 24 00:00:57,760 --> 00:01:00,300 the sky and it's hard to do on 25 00:01:00,300 --> 00:01:02,640 a flat terrain right we generally need to 26 00:01:02,640 --> 00:01:05,300 get them somewhat elevated and over here I 27 00:01:05,300 --> 00:01:07,400 see I've got a big down sloping it's 28 00:01:07,400 --> 00:01:09,200 not very steep but it kind of rolls 29 00:01:09,200 --> 00:01:11,740 down the grassy hill so I'm thinking if 30 00:01:11,740 --> 00:01:13,680 I go down there with my camera I 31 00:01:13,680 --> 00:01:15,780 can probably shoot up towards the sky and 32 00:01:15,780 --> 00:01:17,880 have the couple hopefully up on the ridge 33 00:01:17,880 --> 00:01:20,140 line and I can position them in between 34 00:01:20,140 --> 00:01:22,120 the mountains so that's what I'm going to 35 00:01:22,120 --> 00:01:23,940 do now we're going to head down this 36 00:01:23,940 --> 00:01:26,380 slope a little bit and basically I'm going 37 00:01:26,380 --> 00:01:28,400 to go down like near the bottom you 38 00:01:28,400 --> 00:01:29,440 guys are going to be up near the 39 00:01:29,440 --> 00:01:30,680 top so it's going to be a little 40 00:01:30,680 --> 00:01:32,540 bit hard to communicate but what I'm going 41 00:01:32,540 --> 00:01:33,680 to do is I'm just going to be 42 00:01:33,680 --> 00:01:35,080 silhouette so you don't have to worry about 43 00:01:35,080 --> 00:01:36,980 what you're doing with your faces it's the 44 00:01:36,980 --> 00:01:39,760 bodies and I want motion right so I 45 00:01:39,760 --> 00:01:41,200 don't want just a static pose there because 46 00:01:41,200 --> 00:01:42,720 you're going to be small and so I 47 00:01:42,720 --> 00:01:43,740 want you guys moving and so what I 48 00:01:43,740 --> 00:01:46,960 want you to do so Florian you would 49 00:01:46,960 --> 00:01:48,480 be me Sachi you're going to hold my 50 00:01:48,480 --> 00:01:50,660 hand like this actually that's the wrong way 51 00:01:50,660 --> 00:01:52,660 because I'm going to be down there so 52 00:01:52,660 --> 00:01:55,080 open to me like this and not like 53 00:01:55,080 --> 00:01:57,420 this but like this and then basically just 54 00:01:57,420 --> 00:02:00,080 running back and forth and then this way 55 00:02:00,560 --> 00:02:02,780 okay like this yep back and a little 56 00:02:02,780 --> 00:02:05,300 hop in the step okay so that's what 57 00:02:05,300 --> 00:02:06,400 I'm going to be asking you to do 58 00:02:06,400 --> 00:02:11,560 once I'm down there okay what's that back 59 00:02:11,560 --> 00:02:14,680 and forth back and forth okay so now 60 00:02:14,680 --> 00:02:16,260 the reason I'm going down this slope is 61 00:02:16,260 --> 00:02:18,780 I realize as I come down I'm hoping 62 00:02:18,780 --> 00:02:20,500 I'm going to be able to basically shoot 63 00:02:20,500 --> 00:02:23,340 up towards the sky and have them right 64 00:02:23,340 --> 00:02:24,980 on the bottom so that I can position 65 00:02:24,980 --> 00:02:28,320 them between those two mountains so you guys 66 00:02:28,320 --> 00:02:30,920 stay here for now and then we'll adjust 67 00:02:30,920 --> 00:02:33,540 as I get in position and as I'm 68 00:02:33,540 --> 00:02:36,520 coming down I'm starting to see I'm eliminating 69 00:02:36,520 --> 00:02:38,380 all the trees in the foreground I'm starting 70 00:02:38,380 --> 00:02:42,220 to see that v and as I duck 71 00:02:42,220 --> 00:02:44,260 down now the the tricky part is because 72 00:02:44,260 --> 00:02:46,640 this isn't a very steep slope I have 73 00:02:46,640 --> 00:02:48,200 to go enough that I can get their 74 00:02:48,200 --> 00:02:50,780 whole bodies in that bright spot so I 75 00:02:50,780 --> 00:02:54,700 haven't gone far enough yet okay so now 76 00:02:54,700 --> 00:02:57,060 what I'm starting to see is the v 77 00:02:57,060 --> 00:02:59,280 is coming right down onto the crest of 78 00:02:59,280 --> 00:03:01,140 the hill which is about what I want 79 00:03:02,320 --> 00:03:04,020 so just go to the other side of 80 00:03:04,020 --> 00:03:09,950 those bushes there guys okay right there right 81 00:03:09,950 --> 00:03:12,110 there okay right away I see it as 82 00:03:12,110 --> 00:03:14,290 I come down here so now that I'm 83 00:03:14,290 --> 00:03:16,830 in position here what I'm seeing is is 84 00:03:16,830 --> 00:03:19,330 the skyline the v the point of the 85 00:03:19,330 --> 00:03:21,210 v is basically meeting right at the crest 86 00:03:21,210 --> 00:03:23,370 of the hill so by having them right 87 00:03:23,370 --> 00:03:26,010 there I'm able to silhouette almost their entire 88 00:03:26,010 --> 00:03:29,230 bodies within that within that bright spot within 89 00:03:29,230 --> 00:03:33,650 the v let's get a camera here and 90 00:03:33,650 --> 00:03:35,250 I need to choose my focal length I 91 00:03:35,250 --> 00:03:37,550 want to go wide I've got a 28 92 00:03:37,550 --> 00:03:41,790 mil on right now and that's about what 93 00:03:41,790 --> 00:03:46,250 I want yeah that's about perfect so now 94 00:03:46,250 --> 00:03:47,710 basically what I'm going to do to silhouette 95 00:03:47,710 --> 00:03:50,570 is essentially just expose for the highlights um 96 00:03:50,570 --> 00:03:51,830 so I'm going to expose for the highlights 97 00:03:51,830 --> 00:03:53,070 in the sky and what that's going to 98 00:03:53,070 --> 00:03:54,090 do is it's going to kill all the 99 00:03:54,090 --> 00:03:56,610 mid-tones in the mountains and the grass 100 00:03:56,610 --> 00:03:58,810 here and the couple are all going to 101 00:03:58,810 --> 00:04:01,790 fall into darkness and be silhouetted and by 102 00:04:01,790 --> 00:04:03,610 going dark and exposing for the highlights in 103 00:04:03,610 --> 00:04:04,650 the sky it's going to pull out all 104 00:04:04,650 --> 00:04:07,690 the drama in those clouds in terms of 105 00:04:07,690 --> 00:04:09,850 because I'm out outside here in the bright 106 00:04:09,850 --> 00:04:12,410 light I'm just going to choose 100 iso 107 00:04:12,410 --> 00:04:17,230 okay because it's nice and bright and I 108 00:04:17,230 --> 00:04:19,550 know I'm going dark anyways and then for 109 00:04:19,550 --> 00:04:22,070 aperture because this is a portrait and they're 110 00:04:22,070 --> 00:04:25,050 a predictable static distance from the camera I'm 111 00:04:25,050 --> 00:04:26,650 going to choose a nice wide open aperture 112 00:04:26,650 --> 00:04:28,490 because that's going to help me make them 113 00:04:28,490 --> 00:04:29,970 pop within the scene because they're going to 114 00:04:29,970 --> 00:04:33,070 be sharpest more sharp relative to the mountains 115 00:04:33,070 --> 00:04:36,990 so let me get this back in the 116 00:04:36,990 --> 00:04:42,390 right focusing mode there we go center point 117 00:04:42,390 --> 00:04:48,290 back button focus okay now what I'm drawn 118 00:04:48,290 --> 00:04:51,410 to do here compositionally is because what's most 119 00:04:51,410 --> 00:04:53,390 interesting is the sky the mountains in the 120 00:04:53,390 --> 00:04:55,950 sky and really anything down below them on 121 00:04:55,950 --> 00:04:58,550 this slope is uninteresting it's just darkness so 122 00:04:58,550 --> 00:05:00,090 I'm going to frame I'm going to frame 123 00:05:00,090 --> 00:05:01,890 the composition by having them down along the 124 00:05:01,890 --> 00:05:03,770 bottom edge and fill the rest of the 125 00:05:03,770 --> 00:05:06,650 frame with the mountains in the sky okay 126 00:05:06,650 --> 00:05:08,690 so there's my silhouette so now I've got 127 00:05:08,690 --> 00:05:10,350 light taken care of I've got the composition 128 00:05:10,350 --> 00:05:12,010 taken care of now I need some motion 129 00:05:12,010 --> 00:05:14,150 right I can't have emotion because they're silhouette 130 00:05:14,150 --> 00:05:16,090 and they're tiny but I can have motion 131 00:05:16,090 --> 00:05:18,250 so guys what we're going to do is 132 00:05:18,250 --> 00:05:19,910 we're going to do that holding hands frolicking 133 00:05:19,910 --> 00:05:21,690 back and forth you only have to go 134 00:05:21,690 --> 00:05:25,230 like two steps in each direction okay so 135 00:05:25,230 --> 00:05:31,880 let me get set here oh yeah right 136 00:05:31,880 --> 00:05:36,060 away now that they've separated perfect okay and 137 00:05:36,060 --> 00:05:43,610 go okay and back yes yes yes okay 138 00:05:43,610 --> 00:05:46,950 pause relax there so Florian what do you 139 00:05:46,950 --> 00:05:52,450 have underneath your jacket yeah let's take off 140 00:05:52,450 --> 00:05:55,590 the jacket just the outer layer so the 141 00:05:55,590 --> 00:05:57,310 thing with silhouettes is they work a lot 142 00:05:57,310 --> 00:06:00,030 better as as sort of sleek as possible 143 00:06:00,030 --> 00:06:02,490 right so we're taking off that layer I 144 00:06:02,490 --> 00:06:04,210 think I can have more separation between their 145 00:06:04,210 --> 00:06:08,630 bodies and let's move this way into position 146 00:06:08,630 --> 00:06:11,470 right there and now let's just let's just 147 00:06:11,470 --> 00:06:16,310 walk casually across and go looking back at 148 00:06:16,310 --> 00:06:19,170 each other yeah and back the other way 149 00:06:19,170 --> 00:06:28,770 now yeah and back again great and 150 00:06:28,770 --> 00:06:31,430 pause and I'm shooting I'm only shooting at 151 00:06:31,430 --> 00:06:34,270 about five frames per second here I might 152 00:06:34,270 --> 00:06:35,990 go up to 10 frames per second when 153 00:06:35,990 --> 00:06:37,570 I get them to frolic and move I 154 00:06:37,570 --> 00:06:39,790 kind of get this ups my chances of 155 00:06:39,790 --> 00:06:41,590 getting a nice clean silhouette all around their 156 00:06:41,590 --> 00:06:43,690 bodies remember the most important thing with silhouettes 157 00:06:43,690 --> 00:06:46,350 is is not the silhouette itself but the 158 00:06:46,350 --> 00:06:48,730 negative space in between the silhouette that gives 159 00:06:48,730 --> 00:06:51,790 it the identity the identifiable form as you 160 00:06:51,790 --> 00:06:56,150 know two human two humans up there and 161 00:06:56,150 --> 00:07:00,150 go um okay and back and this time 162 00:07:00,150 --> 00:07:03,910 a hop in the step frolic yes and 163 00:07:03,910 --> 00:07:11,280 back again so this would work obviously is 164 00:07:11,280 --> 00:07:13,040 working well in the current conditions which is 165 00:07:13,040 --> 00:07:17,120 overcast if the sun were out depending on 166 00:07:17,120 --> 00:07:18,180 where the sun were right now but if 167 00:07:18,180 --> 00:07:20,120 it was a blue sky would also work 168 00:07:20,120 --> 00:07:22,660 as a very different but you know very 169 00:07:22,660 --> 00:07:25,840 dramatic silhouette as well as long as there's 170 00:07:25,840 --> 00:07:28,020 no direct sun on the couple they're going 171 00:07:28,020 --> 00:07:30,440 to be silhouetted right if there's sunlight on 172 00:07:30,440 --> 00:07:33,260 them obviously they're not going to be silhouetted 173 00:07:33,260 --> 00:07:36,000 but as long as they're either backlit or 174 00:07:36,000 --> 00:07:38,180 no direct light on them they're going to 175 00:07:38,180 --> 00:07:40,080 be silhouetted on the sky because the sky 176 00:07:40,080 --> 00:07:41,540 is just so much brighter than they are 177 00:07:41,540 --> 00:07:43,700 and you know I've got dramatic sky I've 178 00:07:43,700 --> 00:07:46,200 got mountains but you can do this literally 179 00:07:46,200 --> 00:07:48,580 anywhere that there's sky you can often find 180 00:07:48,580 --> 00:07:50,380 an area where you can get your subjects 181 00:07:50,380 --> 00:07:52,600 up on that bright sky relative to you 182 00:07:52,600 --> 00:07:54,080 and you don't need a big cliff side 183 00:07:54,080 --> 00:07:55,860 or a deep hill to do so often 184 00:07:55,860 --> 00:07:57,640 it's just a slight incline like this is 185 00:07:57,640 --> 00:07:59,820 just a slight slope and you know some 186 00:07:59,820 --> 00:08:02,540 of our you know most dramatic silhouette photos 187 00:08:02,540 --> 00:08:04,600 that we've made have been like literally in 188 00:08:04,600 --> 00:08:07,060 in cluttered parking lots or right by the 189 00:08:07,060 --> 00:08:08,660 side you know right in a ditch beside 190 00:08:08,660 --> 00:08:10,020 a road so you don't have you don't 191 00:08:10,020 --> 00:08:12,300 have to search far the ingredients essentially is 192 00:08:12,300 --> 00:08:14,440 where's the bright spot where can I have 193 00:08:14,440 --> 00:08:16,480 them up on that bright spot relative to 194 00:08:16,480 --> 00:08:19,740 my to my camera okay so that's a 195 00:08:19,740 --> 00:08:22,260 straightforward natural light silhouette and this photo is 196 00:08:22,260 --> 00:08:24,680 cool but I definitely see potential to elevate 197 00:08:24,680 --> 00:08:29,560 it to something more interesting by possibly shooting 198 00:08:29,560 --> 00:08:31,419 through something in the foreground to frame the 199 00:08:31,419 --> 00:08:34,720 subjects and or bringing in a reflection or 200 00:08:34,720 --> 00:08:37,140 something so from here I would definitely try 201 00:08:37,140 --> 00:08:39,740 to keep climbing the ladder and make my 202 00:08:39,740 --> 00:08:41,640 way towards a more interesting composition 15099

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