Original subtitles

Slowly, please.

Slowly, please.

No, I'll go with her.

You can't go in! Go to the back!

Don't worry, honey.

Come, I'll take you.

Don't worry.

The Chameleon: Unchangeable Past

Ma'am, they took her. Salvador went with her.

Thank you, Diego. Go.

Hang in there, Diana, please.

Are you happy?

What?

Isn't this what you wanted? To fuck me and Diana up.

You filled her head with shit,

with absolutely no regard for her addiction

or her mental and emotional stability.

Don't talk like Diana's crazy because she's not crazy.

What do you know about her life? You haven't seen her in a century.

I know a lot and I also know you're not innocent in all this.

My daughter is fighting for her life.

I won't listen to your bullshit.

Get out.

How's Diana?

I don't know anything yet.

Dad!

I'll tell everyone who you are and what you did.

- Hi. - Hi.

- I need to see Celina one minute, please. - Please, don't come anymore.

- Just one minute and then I'll leave. - Celina is dying.

You can figure this out yourself.

Fuck.

Diana was born here.

In this clinic.

She arrived a month early.

At three in the morning, after an endless labor.

With her head up, of course.

She was born making a mess.

And she's still fighting.

I'd say she's still fighting me.

She has been for a long time.

The best of Buenos Aires honors me

and she breaks everything.

Well, Salva.

Our children will always break our GPS. You should know by now.

Delfina is lovely.

Yes, Delfina is lovely.

But lately, she's making it difficult for me.

Diana has always been complicated.

I hope what happened to her helps her reflect.

I swear, sometimes I regret having been a father.

It's very tiring.

Always being questioned about everything.

Tell me something.

What does Sabrina have to do with all this?

I don't know.

Diana came to me with...

I don't know what delusional story.

Blaming old things

that Sabrina put in her head, of course.

What things?

Delusions.

"Delusions."

Hello.

The event ended late? I'm glad Sofi didn't go.

What's wrong?

- Diana... - Diana what? What happened to her?

She fell from...

- From where? - She fell from the first floor.

Oh, no.

- I left her alone. - Okay, calm down.

Calm down, my love.

- Look at this! - What? What did he say?

- No! - Let me see.

What did he say?

Bye, Mom!

- Hi, how are you? - Hi.

I'm here to see Diana Carvallo.

- Yes. Who are you? - Sabrina, a friend.

Oh, no! I'm sorry.

Only family members can go in.

- She's a lifelong friend. She's my sister. - Of course, I understand.

- Hospital's policy. I can't let you in. - Sabri!

- Hey. - Hello.

- They didn't let you in either? - No, they didn't.

- Just family, they say. - It's a whole thing.

- Were you with her before the show? - Yes.

She arrived kind of wasted and the guys didn't want to give her anything.

She was desperate, but we didn't give her anything. You know how she is.

- We brought her stuff. Her dad isn't here. - Okay.

If you want, I can keep them and give them to the family.

- Are you sure? - Mm-hm.

I'll keep you posted. I'll send you a message.

- Let me know. - Okay.

- Thank you. - Thank you.

- Thank you for everything. - Let us know.

Did you see this? They're all over this.

Yes. She's Sabri's friend. She was there. She saw everything.

We're watching footage of a TV crew covering the event

in which Diana Carvallo, 30 years old, jumped from the first floor.

Videos from the guests' cell phones also circulated on social media.

Who is she?

She's Paula.

She was a friend of ours. The three of us were together all day.

I think she may have had something with Salvador.

So this son of a bitch has done this a thousand times.

You could start there, right?

Find her, talk to her.

- I don't know. - Why not?

Because I talked to Diana and look how she ended up.

No. That's not your fault.

Don't take responsibility. Forget that now.

I can't not take responsibility, Alejo.

When we stir things up, these things happen, Sabri.

A lot of shit comes out. You know that.

Yes, I know.

But this time it's different because Diana is my friend and I can't even see her.

So the best thing you can do for her is to move on.

Don't tell me a couple of nurses are stopping you because I don't believe you.

I've seen you getting into much worse places.

I think I got your Paula Llanos.

What?

Her face seemed familiar.

We did a story on her last year. She's using her husband's last name now.

Paula Kazinsky, commercial director at Com and Pex.

- Is that her? - I can't believe it, you're a genius.

Send me everything.

- She'll be fine, Salva, as usual. - I don't know this time.

I should have done something.

She's an adult.

Everything around me is going to hell.

Except you, my love.

Forgive me. You worked so hard for this exhibition.

Nothing's falling apart. On the contrary.

They've been calling nonstop since last night.

And more and more people are interested in buying your work.

People are sick.

I was going to tell you in a few days, but...

I got a call today to organize a tour

of various places in Latin America, Europe, New York.

The Stockholm Museum is still pending.

What? Are we going on another trip?

No, we're planning ahead for now.

How's Diana?

She's stable. I'll go see her soon.

- Can I go with you? - No, you can't.

- Why not? - Because I said so.

So far, they only let me in.

- When she's better, we'll see. Okay? - Yes.

Good morning.

Good morning.

Oh, no! I can't have breakfast.

- I'm not losing hope. - Mm.

Shouldn't you be working?

I canceled all the patients today.

- I want to stay here. - Huh.

- Dolly! - Oh, right. Sabrina.

- She came last night. - Why didn't you tell me?

Well, you were sleeping. It was very late.

No, it wasn't that late, Dolly.

Well, if you were sleeping, it was.

It upsets you, it's bad for you. What are you going to do?

Call her. What do you think?

Call her? But what for? You don't owe that girl anything.

What do you know?

Well, evidently, I don't know anything.

What aren't you telling me?

I made a mistake with her many years ago.

- In the past, okay? - Yes.

Focus on your present.

It's bad for you.

Who are you to tell me what's bad for me,

what's good for me, or what the fuck makes me what? Dolly!

I'm the one who's taking care of you. That's me.

I'm the one who sees for you.

- Please prepare it now. - Yes, sure.

- What time are you doing it? - Now.

- Hi. Sorry. - Let me know.

- Hi. - How are you? I'm here to see Paula.

- Yes. Your name, please. - Sabrina Correa.

I'm sorry. I don't have you on schedule.

No, we're childhood friends,

- I was passing by and I came to see her. - Oh, right.

I understand. It's just that she doesn't usually see people

who aren't on her schedule.

Right. The thing is, I'm going on a trip and it's important.

- That's unfortunate. - Marta, we're here.

Yes, I'm coming.

Look. This is what I recommend.

Call here. It'll be easier, okay?

Okay.

- I'll go to the bathroom. - Yes. It's that way.

Yes, the presentation was perfect. Excuse me, do you need something?

Paula, it's Sabrina Correa. Do you have a minute?

I'll call you back, okay?

What happened? Did my secretary let you in?

No, she didn't. She told me you were busy, but I came in anyway.

I don't know what you need, but it's not a good time. I'm working.

I want to know about this.

I don't know if you remember these sketches.

That's you.

- Who gave you this? - Diana.

- I'm asking you to leave. - Why?

It's just a second. It's just knowing your history with Salvador.

My history with Salvador?

Do you know how hard it was for me to get over that? To look in the mirror?

To eat again? I don't want to go back there.

I can imagine, but Paula, there are girls going through the same thing.

Please, I talked it over with Diana.

I came here. I looked for you, I found you.

Diana? She never cared about me, and neither did you. You left me alone.

Paula, we were just kids. Don't say that.

- Diana knew perfectly well. - Paula.

- I'm sorry. Is everything okay? - Yes, everything's great.

- Can you walk her to the door? - No. I'm just finishing something.

It's just a minute. It's important, please.

Next time you show up like this,

security will come and take you out.

Please.

I'm sorry, Paula.

Yes, I'm here.

Hi, what a surprise.

How are you?

- Fine. - Can I come in?

No, I'm sorry. I was on my way out.

Well, don't worry. What I have to tell you won't take long.

I'm very interested in these pieces.

Where did you get those pictures?

I'm going to make you a very good offer for all of them.

- I don't know what you're talking about. - Ten thousand dollars per piece.

Right now, in cash, for the small formats, right?

You can put any price you want to the large oil painting.

Look, I don't know how you got into my house,

- but leave now or I'll report you. - Don't worry.

The offer still stands. You can come to me whenever you want.

- Come on. - How are you?

- I'm fine. - Fine?

What's going on today?

Not many people? Good.

- Hi. How are you? - How are you?

- Good. I'm here to see Diana Carvallo. - Are you family?

- Yes, her sister. - Your ID, please.

You don't have the same last name?

No, I don't. We have different fathers.

She's the celebrity's daughter, not me.

Through the hall to the left, at the end. ICU, Box 4.

- Thank you. - You're welcome.

I should have stayed with you.

- Hi. I'm here to see my daughter. Box 4. - How are you?

- I'm Salvador Carvallo. - Yes, of course. I know who you are.

Her sister just went in, so I'm going to ask you,

when you go in now, to tell her to come out because, due to hospital policy,

there can't be more than one person at a time.

Her sister?

Yes. Sabrina Correa.

- Thank you. - You're welcome.

What are you doing here?

I needed to see her.

Do you have to lie for this too?

You'll never change.

What did you want me to do if you forbid me to see her?

I'm not forbidding anything.

It's the hospital's rules. Don't make things up, please.

I'm not making it up.

You have no idea

how much it hurts

to see my little girl get hurt like this.

Why did it have to come to this? Sabrina, please.

I thought everything was fine

between us.

- I was very upset, Salva. - Yes.

Yes, me too.

I had a very bad time. It was a very bad time back then.

The things you did to me are unforgivable.

You're scaring me, Sabrina.

- You talk as if I were... - I scare you?

I scare you?

Why do you go back to being that Sabrina

that hurt herself so much and that hurt so many people?

Admit something

about what you did. One thing!

I thought we talked about this.

We talked a lot at that time.

- I didn't do anything to you. - Yes, you did.

And you haven't changed because you keep doing the same thing. I saw you.

I saw you.

You're not well, Sabrina.

Yes, I am. I don't lie.

And if I ever did, it was because you asked me to. That's all.

You need attention again.

- Don't call me that. I'm not crazy. - Calm down.

Don't tell me to calm down!

- I hate it when you do that to me. - Silence.

Sorry, keep silent.

There can't be more than one relative at a time.

The lady is leaving.

Besides, she's not related to my daughter.

Thank you, Franco. You're a sweetheart.

It's okay. Through the living room, please.

There, slowly, against the column.

Standing there against the column.

Careful up there!

There you go.

Thank you very much.

Bye, good afternoon.

Well, do you like it there?

Let's see. I don't know.

It has to be a safe place, so they can't be seen.

Sofi isn't here, so nothing will happen.

- Oh, please, I beg you. - But if you want, come for dinner tonight

- and we'll set them up in the office. - Okay.

Okay, that's better. But in the meantime, be careful. This is slippery.

Are they all Salvador's?

All original. From when I used to pose for him.

And he's holding them against you or something? That's why the urgency?

No, not him.

His partner. She made me an offer. I got scared.

I'm a little paranoid.

What's up with Salvador, Iris?

He's so sweet.

- It's terrible about his daughter. - Oh, please!

She's a demon. I'm sorry for him.

To do that to him that night, of all nights.

- Well, something must've happened to her. - No! Oh, no.

She always wanted attention. You don't know how she and Sabrina were.

They kept going around, and she kept her like this...

- No, she never told me much about her. - Good.

If you had met her back then, you wouldn't be my son-in-law.

Look at that. Please, I love it.

Dolly!

Dolly!

- Hi. - Salvador.

I'm not surprised to see you.

- What happened? - What's wrong?

Do I look different to you?

Since when?

Six months ago.

Can anything be done?

Why are you here?

I came to talk to you about Sabrina Correa. Do you remember?

Yes, of course.

I'm worried about her.

Sabrina was perfectly fine

until you showed up again.

Showed up? I went back to my country.

She was the one who showed up.

Can I help you with anything?

By taking off your mask.

What mask? You were there.

You were her therapist.

You knew she was obsessed with me.

- She was a girl, Salvador! - No!

It was a mistake and I regretted it. You know that.

I'm not a monster, Celina. You know me.

I thought I knew you.

And I trusted you.

She's not the only one, Salvador.

- She's not the only one. - You're delusional.

What's wrong?

Honey, are you okay? What happened?

- What's wrong? - It's okay.

I'm okay. Salvador.

He was just leaving.

- He's leaving. - Yes?

- Yes? - It's okay.

- I'll go with you. - Get well soon.

Son of a bitch!

Honey! What happened?

- Son of a bitch! - Hey, honey!

Hey! Stop.

Hey, my love!

Sabri!

- Let me go! - Stop.

It's okay.

It's all right.

It's okay.

It's okay, honey.

Hey, it's okay.

The Chameleon: Unchangeable Past

♪ I look at my world And the present embraces me ♪

♪ My girl and my husband dance On the terrace ♪

♪ Here's to life, to what we've achieved ♪

♪ I celebrate with my people This dream come true ♪

♪ But I always want more It's never enough ♪

♪ I'm still in the race The finish line is different ♪

♪ The light goes out in the air And it's turned dark ♪

♪ There's a shadow following me And I feel like I'm shutting myself down ♪

♪ The anxiety comes back, the stress ♪

♪ The stench, the pain of missing Not doing your best ♪

♪ That smell and that color again ♪

♪ It is the shadow of the monster Coming to see me ♪

♪ I fall into disdain I hide in the attic ♪

♪ I run away from love In case it hurts when it changes ♪

♪ I need to talk The darkness pulls me in ♪

♪ I have to fight Be the light that gives it away ♪

♪ But it escapes and camouflages It changes shape ♪

♪ It kills and doesn't get dirty Poisonous and muddy ♪

♪ I graze insanity And I don't want to fall into the pit ♪

♪ Guilty of the wound He turned into a sketch ♪

♪ Hate courses through me And I paint with vengeance ♪

♪ Every canvas I break, every false hope ♪

♪ My rage is not enough I have no use for spears ♪

♪ And this loneliness seeks me out And jumps at me ♪

♪ Nothing to lose, about to win my peace ♪

♪ To be the voice of one And all the others ♪

♪ Let justice be the one who punishes ♪

♪ He who draws bodies By making them bleed ♪

♪ And now I'm my own truth And you are a scar ♪

♪ I faced the wound to be happy ♪

♪ I rise up like an empress Making you fall and tending to my root ♪

♪ And now I'm my own truth And you are a scar ♪

♪ I faced the wound to be happy ♪

♪ I rise up like an empress Making you fall and tending to my root ♪

Translated by Andrés Negrete