Original subtitles

Previously on Van Helsing...

I got this female DB and when I checked her blood

it was acting like it was still alive.

I'm not supposed to talk about it.

Jesus, Grace! I'm your sister. — It's classified.

You're a traitor. — I didn't know!

Now you'll lead me to the others.

We got trouble. — HE YELLS

A vampire tooth.

It must have been what was poisoning her.

FLESH: Dmitri's death squad, the elite.

Hand the woman to me!

AXEL: It's time to abandon ship.

Guys! Guys! Guys! Wait for me!

BIRDS TWEET

PARAKEET TWEETS

EERIE MUSIC

FOOTSTEPS APPROACH

Pretty little thing, isn't she?

Do you like this place?

Um, it's been a long time since I slept in a bed like that.

Not since... before.

It can be yours now.

If you want.

Your life can be good.

Or not.

Let me show you.

WOMAN SCREAMS IN PAIN

There's so many of them.

Are they human?

I mean, they look like it, but...

SCREAMING CONTINUES

SHOLOMENKO: Almost there.

Stay with me! Stay with me!

We ourselves cannot give birth.

With a bite, I can give centuries of life

but I cannot create it.

Not yet. — Keep pushing!

Bear down!

FLY BUZZES

My God.

We did...

everything we could.

Our calculations must have been... — REBECCA SNARLS

Please... please, don't... please.

Please. No.

No, No!

No'. No'. No'. No'.!

Please! SHE SCREAMS

GUARDS SNARL

What happens to the mother?

Like the others, she becomes a feedbag.

I grow tired of your failures. — Ahh!

I'll try again.

HE WINCES I can learn from this.

Please...

HE WINCES

You won't disappoint me like that, will you?

No. Never.

Do my bidding.

Or I'm sure you'll make an excellent vessel.

SHOLOMENKO GROANS

FLY BUZZES

DISTANT SCREAMS

WHIP CRACKS

I'm just stating the obvious, OK?

It doesn't need to turn into some big thing between us.

It's a bit of a bitch when you put it the way you do.

What way?

You mean the truth? — Yeah, something like that.

VANESSA: Look, it's pretty simple, OK?

If we make it to the base and it's still up and running

I might not make it out alive.

Who knows what they wanted me for before you got stuck with me?

Hell if I know. It's gotta be a cure, though, right?

I mean, they had to think that you were gonna help

with this mess somehow or they wouldn't have committed

so much manpower to keeping you alive.

And I never felt stuck with you, for what it's worth.

Axel.

You know what I'm saying.

Yeah, I do.

I hear you.

SHE LAUGHS

SAM COUGHS

SHE SIGHS

CHURCH BELLS TOLL

What the hell was that?

Bells, bells.

TOLLING CONTINUES

FOOTSTEPS IN GRAVEL

What the hell?!

Sorry, I... — John?!

Sorry, I... — What, you're trying to sneak a peek?

No, no, no, no. I just wanted to do what you're doing.

I... I wouldn't...

I don't mean to be intrusive. I wouldn't do that.

Yeah, sure. Whatever.

Alright, well...

SHE SIGHS

But it has to be something.

They don't make that sound on their own, they just don't.

You ever heard of wind? — Wind? Really?

Do you feel like there's a hurricane happening around here somewhere?

A little wind isn't gonna push around church bells.

It's impossible. — Listen. Listen.

CHURCH BELLS TOLL

OK, so there's a church.

And people are there.

What good does that do us? — It's other people.

People we can make contact with. — Other people?

Like people laying a trap.

Our mission is to get to the base

not wander around in the woods looking for God knows what.

From who?! Who gave you this mission?!

I thought you were supposed to be taking care of the hospital.

Then you're supposed to be taking care of these two...

I'm a Marine, asshole.

I know what I'm supposed to do... — You're making shit up as you go.

...once we evacuated the hospital!

It got overrun, we almost died. — Yeah, whatever.

OK, I need to get this woman to the base.

This is my vehicle, that's what I'm gonna do.

How do we know that the base is still there?

I mean, how do we know?

Look, if we get there and there's no one

then we can go chasing church bells.

OK? It'll be great.

FLESH: Fine. I mean, it doesn't matter.

What do you think, Vanessa?

SHE SIGHS

I think we need to make a decision.

What about a vote?

Well, if my vote means anything, my sister used to work at the base as well.

I'm pretty sure she's the one who sent you in to begin with.

Wait, your sister sent the Marines?

Something like that.

As soon as I told her about you, yes.

I say we go there.

Check it out.

I thought we were putting it to a vote.

End of discussion, I guess. AXEL CHUCKLES

SHE SNARLS

SHE HISSES

VANESSA: This is it?

Yeah.

Now what?

Now we walk. — Walk?

Why the hell would we walk? — We've got no choice.

Does it look like Juan is gonna make it through that mess up there?

Why would we get out of the vehicle? We got a perfectly good...

This isn't a military vehicle.

She's not gonna get through that shit out there.

We gotta protect her for later.

Come on, people. Let's go.

OMINOUS MUSIC

You OK? — I'll make it.

It's about a half mile to the base.

Everybody stick close, watch each other's six.

VAMPIRES SNARL — VANESSA: Get down!

THEY GASP

SUSAN: What the hell was that?

Landmines. — SUSAN: Great.

Must have been some kind of last ditch effort to protect the place.

We never had landmines around the perimeter before.

EXPLOSION

We need to move. — Copy that.

Better get to the base, hope for the best.

We could have stayed inside the vehicle

hunkered down and waited like I said.

And then what? — Or we could keep walking.

Well, unless you sprouted wings reading that Jesus book of yours

walking is the best way in, big guy.

BIKE CHAIN SNAPS

Are you serious?

You've got to be kidding me?

HE SIGHS

CHURCH BELLS TOLL

DISTANT EXPLOSION

Split up, I guess. I'll stay with you.

OMINOUS MUSIC

BIRD WINGS FLAP

DISTANT ANIMAL SQUAWKS

RUSTY DOOR SQUEAKS

DOOR SQUEAKS SHUT

Stay close, boys and girls.

This is gonna have to be home tonight.

How you doin', old girl?

Missed you.

Hey.

It's the best one I could find.

Thank you. — Need anything else?

No. — There's not much in the way of food

but I got one of those little fruit cocktail thingies.

Got the cherries in it.

No. — The good kind.

No, it's OK. I mean, with the others

I don't want to eat a whole can by myself.

I'm just saying if you twisted my rubber arm...

It's... — ...I might share it with you, that's all.

Maybe later.

How's it look?

Good.

Like the old you.

I look old?

Shut up!

Let me see those.

VANESSA SIGHS

AXEL: Alright, y'all.

I got first watch.

G'night, Van.

Who am I kiddin'? I got all the God damn watches.

DISTANT EXPLOSION — JOHN: The hell was that?

VANESSA: You know what it was.

OK, OK, OK.

DISTANT VAMPIRE ROAR

DISTANT EXPLOSION

OMINOUS MUSIC

Yeah, but there's no bodies up here.

That we can see, anyway. No fires, nothin'.

So what does that mean?

So there's nothing to suggest the place was overrun or whatever

so what the hell happened to everybody?

What does it matter?

There's nobody here.

I'm just sayin'. — Saying what?

DOC: Say it. — Nothing.

Exactly.

No. Maybe they'll be back.

Why would you think that? — Well...

I don't know, maybe they're off fighting somewhere

and then they'll come back eventually.

Yeah, well, surely they would leave somebody here if that were the case, right?

Not necessarily.

Well, why wouldn't they? With all this stuff here?

Of course they would.

People died here, I can feel it. — Oh, that's great. Thanks.

You win the creepy story of the morning award.

Don't turn away, John.

If you have something to say, then why don't you say it to my face?

You're creepy. — HE LAUGHS

DOOR OPENS

AXEL: Hey, hey.

Where you been?

AXEL: Oh, you know, the few, the proud, the insomniacs.

Checking the perimeter, seeing what's what.

Anything?

Not yet, just did the outside tour, though.

Still got the building to take care of.

Alright, we should spread out and do it in pairs.

It'll be faster that way. — Yeah, alright.

As long as you stick together.

I'm still good doing my own thing. — Susan, you go with John.

Doc, you're with me.

DOC: This is my sister's office.

DOC COUGHS

Jesus. — FLIES BUZZ

What the...?

This is not what I was expecting.

Whenever we would Skype, it was always from this direction.

So this sister of yours... — Grace.

Grace, right. What does she do, exactly?

I'm not entirely sure anymore.

Then take a guess.

Research for the military. Some sort of experimental program.

She didn't talk much about it.

But you told her about me.

Well, I sent in your blood work, she got all weird

next thing I knew the cavalry arrived.

She did say something about an advisory coming in from the Pentagon.

Something about this, it doesn't add up.

Oh, my God.

I gave this to her.

Funny how a little thing like this survives.

SHE SIGHS

'Unidentified female, Seattle Valley General Hospital.'

This must be me. — Yeah, I sent that in.

That's your blood work.

This is my file.

It's empty.

'File 281: The Farm.'

Did your sister every say anything to you about the Farm?

No.

I'm sorry, I wish I knew more. — DISTANT EXPLOSION

We gotta go. Now.

DISTANT EXPLOSION

JOHN: Clear.

EXPLOSION

They're getting closer.

Shit.

Clear.

CLATTER

SUSPENSEFUL MUSIC

Down there.

You go. — You go! You got the gun.

Come on.

False alarm.

Jesus Christ! — SHE YELPS

SUSAN: Don't move!

Open the door.

Now!

No, not Norman. It's Gorman. — CLANG

With a G.

Is that your first name or your last name?

Uh, yeah, first.

Uh, Jones is my last.

Alright, Gorman Jones, tell us again what you're doing here.

Well, like I said before, I got separated with my group

and, you know, we got in a fight with some of them mother suckers.

Is that your name for vampires? — Yeah.

GORMAN CHUCKLES

Yeah, you know, some people look at me funny

when I say it, but the shoe fit.

Look, you can call 'em whatever you want.

Your group, who are they?

The Resistance.

Part of it, anyhow.

The Resistance? — Uh—huh.

That's a real thing?

That's not just a bunch of country boys running around

in the woods with some guns playing soldier?

Nope. Yeah, no. It's a real thing.

Where's your group based?

And do you know what happened here?

We got split up at night and during the shootin'

lit up the night with those... tracer fire...

Yeah, I'm pretty sure we saw that.

Uh—huh. Well, yeah, I got... I got outta the woods

and... saw the buildings here...

I wasn't sure about this place but I...

I hid out here when I heard you guys comin'.

So what do you guys think? — He's another mouth to feed.

He looks like a meat eater to me.

I'm just sayin'.

Does he look like a vegan to you?

For once I agree with John. — SUSAN: Me, too.

We barely have enough to go around.

Yeah, well we can't send the guy away because he's hungry, OK?

We're gonna have to deal with it.

EXPLOSION

OK, that one seemed close.

It sounded like it was inside the fences.

Yeah, well it's just a matter of time.

They're attracted by the sound of the explosions.

We need to prepare.

Windows, doors... — No, no, no, no, no, no.

We're not doing that again. We're not...

No more booby traps and that shit. We can't defend this place.

Why not?

I used to live here. Look around.

We're on the ground floor, there's four entrances

there's a garage door, there's a hundred windows.

Then what do you suggest?

SUSAN: What about the church bells? — Hell yeah, why not?

It's worth a try.

Sleep here tonight, go back to the vehicle in the morning

get the hell outta here. — That won't matter.

They'll keep coming for us.

Julius, Dmitri, Rebecca. It's inevitable.

Yeah, well, at some point we might be able to bring the fight to them.

But in the meantime...

It's all the more reason to find these other people

and hook up with the Resistance. — Maybe it's time to split up.

If we all go different ways then they can't follow all of us.

No! No!

We're not splitting up.

We stick together, we find some place that we can fortify

we hunker down, we ride this thing out.

Says you, Axel!

What was that, Doc?

You don't think these people look like they could use a rest?

I'm just saying maybe that's not what everybody wants right now.

Maybe some of us have other ideas as to what we want to do

with our lives right now.

AXEL: Such as? — I don't... I'm just saying!

HE SCOFFS

Look, I'm just trying to keep you people safe

and that includes you, Doc.

80 until we know where we're going or what we're doing

we can at least agree to hunker down some place

for a couple of days, yeah?

Then what do you suggest?

You got a bomb shelter in your back pocket?

Yeah. Maybe I do.

VAMPIRE SNARLS

HE YELLS

Don't take everything out of the vehicle just yet

until we scope this place out.

Just the essentials.

This is where we're supposed to hold up and stay safe for a few days?

Come on. — Yes, sir.

We're gonna need a bigger bunker for starters.

Very funny, asshole. It's underground.

They call this place 'the Farm.'

I guess 'cause it's in the middle of the field. That's just the entrance.

The Farm? — Wh—What was it?

A research facility, something like that.

We used to drop off supplies. Other than that, it was off limits.

Yeah, but what was it, really? — I don't know, Doc.

It was scientists and higher—ups, people above my pay grade.

Are we gonna do this or not? — It looks like a mausoleum to me

but I'll do what everyone decides.

I say we go.

JOHN: Why doesn't this feel safer than the base to me, Axel?

Why is that? — Son of a bitch!

Probably because you're a dipshit that likes to spout off

about things you don't know the first thing about!

Well, I think I got the door fixed.

LIGHTER CLICKS

Back up. — Oh, okay.

JOHN: Jesus!

OK.

It's goin' there.

OK, uh—huh.

Yeah, well I got a...

I got a spare right here. Yeah.

GRENADE CLICKS

Oh, Shit.

THEY COUGH

GORMAN: Yup.

RIFLES COCK

Emergency power's still up.

Yeah, well this place doubles as a fallout shelter.

Clear.

GORMAN: You mean like, uh, tornadoes and shit?

AXEL CHUCKLES Yeah, like tornadoes and shit.

THUNDERING COLLAPSE

What was that?

It's coming down. Go, run, run. — SCREAMS

Whoa.

We're not getting back through that door.

Well, that's inconvenient.

Why's that?

'Cause this is the only way in or out of this place.

Oh, Jesus. So much for a few days' rest.

Like I said, mausoleum.

Yeah.

What, you mean like, uh, paintings and shit?

Alright, everybody have a look around.

See what you can find.

Hey, you guys, get in here!

Guys!

Look at all this stuff.

HE LAUGHS

Real food. Real food.

Not just beans. — What?

Holy crap, look at it all! — Oh! Beer?

Oh, amazing! Dude.

THEY LAUGH

BEER BOTTLES CLINK

OMINOUS MUSIC

BUZZER

BUZZER

One way in, no way out.

What the hell were you guys doing in here?

SUSAN LAUGHS

AXEL CLEARS THROAT

To the fallen.

We salute you.

To the fallen.

To the fallen. — And the living.

That as well.

AXEL GRUNTS

HE SINGS ATONALLY: # Big Rock Candy Mountain

# You never change your socks

# The little streams of alcohol running down the rock

# There's a lake of stew and of whiskey too

# You can paddle all around them in a big canoe

# In the Big Rock Candy Mountain #

THEY LAUGH

# In the Big Rock Candy Mountain

You sing it, Sam.

# And you can walk right out again as soon as you walk in

# I'm want to stay where you sleep all day

# They hung the jerk who invented work

THEY LAUGH

# In the Big Rock Candy Mountain #

Woo!

CRICKETS CHIRP AND OWL HOOTS

I'm gonna find you.

No matter what it takes.

I'll... I'll take some of that stew if you're done with it there.

AXEL STRUGGLES

It's all you, buddy.

INDISTINCT CHATTER

Thanks, pal — What's up, Doc?

Will you please, please just go away?

OK?

It's... it's not you! It's not you! — Whatever! Whatever!

I think it's time to leave.

BEER BOTTLE CLINKS

The Guess Who isn't American.

Yes, they were.

They wrote that song "American Woman."

It doesn't matter. It doesn't matter.

Really? — Nope.

But neither is Rush, Bachman Turner Overdrive...

No. — Bryan Adams...

Well, yeah. — Loverboy...

Bullshit. No, Loverboy is American.

Loverboy is... — Uh—huh!

Loverboy... Loverboy is not an American band.

Love... What? Loverboy is my favourite band.

That's impossible.

Loverboy isn't anybody's favourite band.

Yeah, well, it's true, they're mine. — No. No. No.

Yeah. What? They're my favourite band ever.

Well, they're a Canadian band.

Fine, you win. Whatever.

Oh, come on. Don't be a sore loser.

JOHN LAUGHS — No, I'm not a loser.

No, you're the opposite of a loser.

That's what I meant.

THEY LAUGH

That's nice.

I think I love you.

No, no.

No, no, no, no.

No. No. Stop.

Stop!

Get off me, please!

No!

SHE SCREAMS

Help! Help me!

SUSAN SCREAMS

DOC: What was that?

Shit, Vanessa!

SCREAMS CONTINUE

JOHN: Shut up!

Be quiet!

What the hell's going on here, huh?! — Relax!

Relax, people.

We were laughing and then he kissed me and...

She kissed me, too. She was kissing me.

No, no, no... — Yes, you did too!

She kissed me! — That's not true!

Yes, you did! — We were just... I was...

And then you wouldn't... you wouldn't let go of me!

You wanted me to! Let go of me, bitch!

Don't call me 'bitch'... bitch.

Now what are we supposed to do?

I don't know.

I'd start with castration, but I'm probably in the minority.

Come on, you gotta be kidding me.

Normally we'd kick you out, but the new guy blew out the front door.

Kick me out for what? What did I do?

DOC: Sounds good to me. — Oh, God. Here we go again!

Again? What are you guys talking about?

AXEL: Stay out of this. — Wait a minute, wait a minute.

Look at her neck. — What?

DOC: The marks on her neck. — What're you talking about?

Roger, Cynthia, the way they were killed.

What're you saying, Doc? — That he's the killer.

Are you crazy?

What the hell's going on here? Seriously?

DOC: No, think about it, people. Think about it!

I am thinking about it.

He was always accusing everybody else.

It was always somebody else.

Either me or... or Flesh... — And then Mohamad.

Yeah, that's 'cause Mohamad's the one who was doing it.

Are you guys completely nuts? Stop this.

OK? Stop it, now. — And you sided with Brendan!

You tried to get all of us killed. — No!

Jesus Christ! I was trying to kiss her! I was drunk!

Your hands were around her throat when I got there, John!

Yeah, I was trying to stop her from screaming, that's all!

That wasn't me trying to...

Trying to what?

Kill her! Trying to kill her!

I don't want to kill anybody!

You tried to kill me a couple of times.

That's different.

How? How is that different, John?

You want to get his bag?

What the...? You can't just...

Well, looky here.

You've seen that before, so what?

Yeah, it's from the kitchen at the hospital.

I recognize the handle. — Yeah, there's a reason for that.

I don't think I need to explain it.

This is the same kind of blade that killed Roger.

Serrated edge, slanted tip. — Bullshit!

Look, I took that from the kitchen for protection!

That's it!

FLESH: Oh, no!

What the hell?! — It looks like Cynthia's finger.

I think that pretty much settles it. — Bullshit!

That's not mine! — So all this time it was you, John?

All this time it was you?! — Alright, alright.

You blame everybody else!

You blamed Mohamad, you blamed me...

FLESH: What's...? Axel, think about this.

Look at this guy!

SUSAN SCREAMS

Drop the gun. — Let her go.

Drop it!

Don't make me do this! — Let her go!

JOHN: Drop the gun now! — AXEL: Let her go. Let her go.

Drop it!

Please don't do this... — Shut up!

Look around where are you going to go?!

JOHN GROANS

SUSAN WHIMPERS

I hope to God we were right.

MUSIC: "Big Rock Candy Mountain" by Burl Ives

# Oh the buzzin' of the bees in the cigarette trees

# The soda water fountain

# Where the lemonade springs and the bluebird sings

# In that Big Rock Candy Mountain

# On a summer's day in the month of May

# A burly bum come hiking down a shady lane

# Near the sugar cane

# He was looking for his liking

# As he strolled along he sung a song

# Of the land of milk and honey where a bum can stay

it For many a day it

http://hiqve.com/