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The Ashley Swan Memorial Trust
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was created to preserve the memory of Ashley Swan
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to honor her legacy
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and to compensate the members of her family
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for their loss the trust owns all copyrights
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and trademarks related to Miss Swan
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and all rights to her image and likeness
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the footage which you are about to see
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was compiled from a variety of sources
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including footage captured from filmmakers
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Thomas Grayson Danny Wilson and Miss Swan herself
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the footage was used during the criminal trial
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Mr Grayson
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resulting in his conviction for the murder of Miss Swan
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after the trial the District Attorney's Office
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tried to block the release of the footage
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arguing that it should remain in government custody
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however the court held
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that the footage should be released to the trust
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to serve his restitution to Miss Swan's family
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Trust received a number of competitive offers
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for the distribution rights to the footage
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but ultimately entered into an exclusive arrangement
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with award winning Austrian documentary filmmaker
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Jonas Wulsitz
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Mr Wulsitz's prior work on Jack the Ripper
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Jeffrey Dahmer and Joseph Fritzl
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make him a natural selection for this film
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Ashley herself was a big fan of Mr Walsh's work
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and it's therefore uniquely appropriate
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that he put her final days in their proper context
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I'm in production office of underground horror film
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director Thomas Grayson
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he is the director of such cult classics that has
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runs with fear and saw when
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so tell me Tom
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what makes a good horror movie
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well in my opinion
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a good horror movie works
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because it contains the same elements as horror
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literature atmosphere
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the uncanny obscurity psychological elements
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and not the generic shocks that
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most of the public
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has come to associate with horror films
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you mean like naked chicks running through the woods
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being chased by some deranged psychopath
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precisely uh
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horror audiences don't even find that kind of thing
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scary anymore because they're too busy
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acknowledging their own familiarity with that scenario
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in fact nowadays
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most audiences don't even know what they're missing
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because they've been trained to rely more on shocking
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visceral elements rather than on a good story
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like what visceral elements
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well uh
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the bad language penis jokes
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and goofy sound effects that drive most comedies
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Gore and nudity
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that you have in most horror movies nowadays
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and even any movie with a big explosion in it
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those are few of my favourite things
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maybe so
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but they should not substitute for a good story
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well if there's no good story
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then shouldn't there be like Giant Big Water Mill
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if there's not a good story
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then they shouldn't be making the movie
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so uh
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what's your next project gonna be it's a horror movie
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so I'm guessing it's not gonna have monsters
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and aliens and titties that is correct
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well what will it have in it
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what will it have in it it will have a good story
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I thought you said you were shooting a
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horror movie the two are not mutually exclusive
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you sure use a lot of big words
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yes
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what suit is that you sure ask a lot of questions
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don't you yes
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touche
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next month
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I don't think so
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anything comes up give me a call
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uh listen Barry
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uh Danny
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Danny right
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um I really have to get going now
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well can we continue this interview later
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uh you're gonna have to ask my agent about that
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I guess that's fancy director speak for fuck off
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my name is Ashley Swan
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and I'll be reading for the part of Laura
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you wanna go to Larry's house
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yeah why
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what's wrong with that well
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I thought you didn't like Larry
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of course I like Larry
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last week you said he was a bad influence on me
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I don't remember saying that
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well you did
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ugh you must have misunderstood me
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I would never say that about one of your friends
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so why do you wanna go to his house all of a sudden
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Malcolm why do I need a reason
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I just wanna go see one of your friends
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oh well
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if you want to see one of my
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why do you want to see one of my friends
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I your friend too
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now
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can we just go please
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I don't know something doesn't feel right
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yeah no kidding
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you're being a jerk I'm not being a jerk
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yes you are
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I just wanna know why you're behaving so strangely I
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just think we should go see Larry
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that's all well
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tell you what
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why don't I call him up and invite him over
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no I wanna go to his place
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what does it matter
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if we go to his place or if he comes here
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it matters because it matters
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well then I think you should just go
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I'm gonna wait right here
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no we have to go see Larry now
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woo alright
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ha ha very good
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yeah very good job thanks
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okay um
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for the next part of the audition uh
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we'd like to ask you
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if there's anything that you would like to tell us
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or show us something to help us remember you
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apart from the reading that you've just given us
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you mean like a monologue
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yeah uh
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or uh
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maybe a personal story or a joke
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something like that okay
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I have a personal story alright
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do you ever see the film Demons Hollow hmm no
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well
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there was this one scene I had to do with my co star
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Sally Green we were both completely naked
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except for this gray stringy stuff
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that was supposed to be like this giant spider web
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is that something yeah
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yeah well anyway
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we were basically naked in that stuff all day huh
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sounds like you regretted signing up for that project
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no it was actually really fun
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except for when the film actually came out
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they cut out our scene for no reason
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well there was probably
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a good reason it'll probably be on the DVD extras
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I don't know but that's my story
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and I hope it helps you to remember me
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I'm sure it will
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okay well um
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thanks for coming in and reading for us
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uh we'll be making our decisions at the end of the week
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and then we'll
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be giving a call to the people that we like to see
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again I hope you wanna see me again
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I'm sure you do
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thank you for coming in Ashley thanks
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bye bye
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bye bye
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what did you think of her
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oh she's not what I had in mind
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what about her acting it wasn't bad
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I thought she was really good and she's not bad looking
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alright fine
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put her on the callback list
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uh what do we have left
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four more Laura's three Malcoms and two Georges
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uh bring in the next one please
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Samantha Winters yep
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that's me we're ready for you
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hi it's late for the camera please
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um okay
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so I'm Samantha Winters and um
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I'm gonna be reading for the role of Laura today
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uh do I need to see
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to say my agent's name
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I don't think that will be necessary
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um okay
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oh yes
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there we go
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here
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we have the official crew of the new Tom Grayson film
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we got Luke Rhodes
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DP and this gal over here is Lenny Goodman
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1st ad
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and that guy
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you must be the on set fluffer
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I don't know and I shall be one of them soon yes
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I shall
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yeah but is it gonna look real sure
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how's it gonna flicker
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I'm gonna move my hand in front of it like this
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so what's the first shot
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there
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Danny you know
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I thought you might want some footage for the DVD
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you know the kids want to know
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oh hey Norton Covax sound
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how did you find out we're gonna be shooting here
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a little birdie told me and what is this birdie's name
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Gus
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will you do me a favor and tell Gus
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he's a big fat asshole
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sure love to
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so can I stay
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pretty please
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I need you to come over here a minute please
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okay
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see that guy with the camera
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he's gonna be documenting the production
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hi
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hi
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you uh wanna introduce yourself
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I'm the first a D my name is Lenny Goodman
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no jokes about my name please
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what are you talking about
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Lenny Goodman Benny Goodman
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you know
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no
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never mind Lenny
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gotta go
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oh I won't forget to send you your card
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percentage whatever you wanna call it
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I mean it's not like you'd let me forget is it
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of course I love you
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look I have to get back to set
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okay alright
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I'll talk to you later bye
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God this is weird
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wow obscene finger gestures from such a pristine girl
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who are you
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Danny and what do you want
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I'm shooting behind the scenes footage
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you know for the DVD
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you got anything that you wanna say to the kids at home
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yeah watch out for perverts with video cameras
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I'm not a pervert I'm just admiring your assets
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I really hope you're not getting paid to be a retard
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I do that on a volunteer basis
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good
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well it was nice to meet you
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are you gonna go now
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just do it the way I told you to okay
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so what exactly is the budget on this movie
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well let me put it to you this way
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we can't afford to shoot in a studio
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so we are using a sandpaper factory
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is there anything in the budget for a documentary
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nope
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well in that case
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are you prepared to offer
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me a percentage of the profits
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no
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well is there anything you can offer me
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there's craft services right over there
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do you offer a vegetarian option
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don't bust my balls
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just trying to light the mood around here dude
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well no one's asking you to dude
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well who has to
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turn the camera off Danny
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yes sir
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of course they'll probably cut this out
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because it doesn't go along with Mr
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Director's wholesome attitude about entertainment and
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this psychological
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no Gore no titties school of horror filmmaking
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Tom's fucked
282
00:14:16,266 --> 00:14:18,766
I know there's a magician in there just
283
00:14:20,066 --> 00:14:21,466
waiting to get out
284
00:14:37,400 --> 00:14:41,400
what was the scariest thing that ever happened to you
285
00:14:43,433 --> 00:14:45,133
the scariest thing
286
00:14:46,466 --> 00:14:47,600
that's easy
287
00:14:49,066 --> 00:14:50,733
I was fourteen
288
00:14:52,433 --> 00:14:53,000
one night
289
00:14:53,000 --> 00:14:57,266
my parents were out of the house and I was all alone
290
00:15:00,566 --> 00:15:02,966
I was taking a shower when
291
00:15:05,566 --> 00:15:06,700
shut up
292
00:15:08,566 --> 00:15:09,566
anyway
293
00:15:10,566 --> 00:15:15,733
I was taking a shower when I heard the front door slam
294
00:15:17,866 --> 00:15:18,700
no big deal
295
00:15:18,700 --> 00:15:21,966
I thought it's probably just my parents came home early
296
00:15:21,966 --> 00:15:22,766
you know
297
00:15:24,100 --> 00:15:27,366
so I finished taking my shower and I toweled off
298
00:15:28,966 --> 00:15:30,600
all the while I could hear
299
00:15:35,066 --> 00:15:37,100
so I wrapped a towel around myself
300
00:15:37,100 --> 00:15:39,200
and I opened the bathroom door
301
00:15:41,400 --> 00:15:43,566
I yelled down for my parents
302
00:15:43,666 --> 00:15:45,666
thinking that they would be there but
303
00:15:48,366 --> 00:15:49,900
they never answered
304
00:16:01,100 --> 00:16:03,866
don't make that face shut up
305
00:16:03,866 --> 00:16:05,933
ha ha Joe
306
00:16:06,200 --> 00:16:08,100
when our fellow players are in character
307
00:16:08,100 --> 00:16:09,300
and the camera is rolling
308
00:16:09,300 --> 00:16:10,966
we don't make funny faces
309
00:16:11,066 --> 00:16:13,866
I I know I didn't yes
310
00:16:13,866 --> 00:16:15,866
you did you went like
311
00:16:17,900 --> 00:16:21,200
okay that is just a lie okay
312
00:16:21,200 --> 00:16:23,266
it was okay it was more like
313
00:16:24,700 --> 00:16:25,866
like yeah
314
00:16:25,966 --> 00:16:27,366
yeah great
315
00:16:27,666 --> 00:16:28,466
um
316
00:16:29,100 --> 00:16:30,066
alright well uh
317
00:16:30,066 --> 00:16:31,233
whenever you guys are ready
318
00:16:31,233 --> 00:16:32,866
to stop acting like children
319
00:16:32,866 --> 00:16:35,133
I would love to get back to work
320
00:16:35,933 --> 00:16:36,300
look I
321
00:16:36,300 --> 00:16:38,533
I can't speak for everybody here
322
00:16:39,000 --> 00:16:40,200
but uh I'm
323
00:16:40,200 --> 00:16:42,333
I'm ready to work good yeah
324
00:16:42,566 --> 00:16:44,133
let's do this Ashley are you ready
325
00:16:46,766 --> 00:16:48,766
roll sound speeding marker
326
00:16:48,766 --> 00:16:52,466
please roll camera camera rolling C12
327
00:16:52,466 --> 00:16:53,766
take six soft sticks
328
00:16:54,400 --> 00:16:56,300
you going down Joe
329
00:16:57,766 --> 00:16:59,300
shoot it ready
330
00:16:59,300 --> 00:17:03,400
action away from me I'm not gonna hurt you
331
00:17:03,400 --> 00:17:06,400
then go away I can't why
332
00:17:06,800 --> 00:17:08,400
because I love you yeah
333
00:17:08,400 --> 00:17:10,500
sure is that why you made me mess up my scene
334
00:17:11,066 --> 00:17:13,533
clever girl shut up
335
00:17:13,833 --> 00:17:16,466
why don't you come make me I wanna cut you
336
00:17:18,166 --> 00:17:20,600
I am having too much fun yeah
337
00:17:20,600 --> 00:17:22,800
that's your problem you're having way too much fun
338
00:17:23,500 --> 00:17:23,800
what's now
339
00:17:23,800 --> 00:17:27,066
it's wrong to wanna have fun when it's at my expenses
340
00:17:27,366 --> 00:17:30,100
okay then why don't you laugh with me
341
00:17:30,100 --> 00:17:31,466
oh it's too late for that
342
00:17:31,466 --> 00:17:32,633
you've already messed up my scene
343
00:17:32,633 --> 00:17:35,600
so now I owe you one you you owe me one mhm
344
00:17:35,900 --> 00:17:37,533
I like the sound of that
345
00:17:37,766 --> 00:17:41,200
you're an asshole and that's exactly why you love me
346
00:17:41,766 --> 00:17:43,566
oh I do yeah
347
00:17:44,400 --> 00:17:46,566
oh what does this button do
348
00:17:50,033 --> 00:17:51,100
I saw that coming
349
00:17:51,700 --> 00:17:52,600
what okay
350
00:17:53,300 --> 00:17:54,100
ha ha
351
00:17:54,633 --> 00:17:55,700
that's my boyfriend
352
00:17:56,866 --> 00:17:57,800
oh my God oh
353
00:17:57,800 --> 00:17:59,700
mercy me what have I done
354
00:17:59,766 --> 00:18:00,833
oh shit
355
00:18:00,833 --> 00:18:02,866
I think you just doubled the budget for this though
356
00:18:02,866 --> 00:18:05,100
ha ha I'm sorry
357
00:18:06,500 --> 00:18:08,000
let me get that for you
358
00:18:11,200 --> 00:18:12,800
kind of funny though yeah
359
00:18:26,800 --> 00:18:27,500
I swear to God
360
00:18:27,500 --> 00:18:29,466
there's something seriously wrong with you
361
00:18:29,600 --> 00:18:33,066
you're a lousy irresponsible puss head of an actor
362
00:18:33,566 --> 00:18:35,700
you don't think straight you don't act straight
363
00:18:35,700 --> 00:18:37,800
you just go along on your merry little way
364
00:18:37,833 --> 00:18:40,166
LA LA LA like you're something special
365
00:18:40,400 --> 00:18:42,500
you do whatever you want to whomever you want
366
00:18:42,500 --> 00:18:43,700
without a care in the world
367
00:18:43,700 --> 00:18:45,400
for the consequences of your actions
368
00:18:45,800 --> 00:18:47,033
and I don't have the time
369
00:18:47,033 --> 00:18:49,500
or the patience to deal with actors who need special
370
00:18:49,500 --> 00:18:51,666
attention just do your job
371
00:18:51,666 --> 00:18:55,100
be professional about it and stay out of my fucking way
372
00:18:56,666 --> 00:18:57,500
yes sir
373
00:18:59,266 --> 00:19:01,866
talk to me Joe what happened
374
00:19:03,700 --> 00:19:05,966
I got fired no shit
375
00:19:07,200 --> 00:19:08,533
yeah um
376
00:19:08,566 --> 00:19:09,166
apparently
377
00:19:09,166 --> 00:19:11,500
the wardrobe is more important than the actors
378
00:19:12,466 --> 00:19:14,333
the people are expendable
379
00:19:15,033 --> 00:19:17,166
Tom fired you for ruining the wardrobe
380
00:19:17,766 --> 00:19:20,133
pretty much now Joe
381
00:19:20,766 --> 00:19:22,900
are you telling us the whole truth
382
00:19:24,800 --> 00:19:27,233
alright he said I was messing around too much
383
00:19:27,233 --> 00:19:31,366
he said I was wasting too much of his time
384
00:19:32,000 --> 00:19:38,166
uh huh so what where are you
385
00:19:58,966 --> 00:20:00,100
what's the problem
386
00:20:01,500 --> 00:20:05,000
it's gonna be hard to do the scene without Joe look
387
00:20:05,000 --> 00:20:06,466
the guy was wasting our time
388
00:20:06,466 --> 00:20:08,333
and he was making me look like an idiot
389
00:20:08,466 --> 00:20:09,766
but I couldn't no
390
00:20:09,766 --> 00:20:10,000
no no
391
00:20:10,000 --> 00:20:10,266
no no
392
00:20:10,266 --> 00:20:12,766
there is no but that guy was a doofus
393
00:20:13,100 --> 00:20:14,600
and you're better off without him
394
00:20:15,000 --> 00:20:16,800
so could you please just accept that
395
00:20:16,800 --> 00:20:18,466
so we can continue working
396
00:20:19,966 --> 00:20:21,133
yes
397
00:20:23,700 --> 00:20:24,566
look
398
00:20:25,233 --> 00:20:26,100
sweetheart
399
00:20:26,666 --> 00:20:29,366
trust me I know what I'm doing
400
00:20:30,300 --> 00:20:31,500
I'm gonna be a big star
401
00:20:33,366 --> 00:20:35,800
alright then just have a little faith in me
402
00:20:35,800 --> 00:20:37,800
I know you can do this without Joe
403
00:20:41,166 --> 00:20:42,633
okay let's do it
404
00:20:42,633 --> 00:20:43,700
alright daddy girl
405
00:20:43,700 --> 00:20:45,300
do you need to take a break or anything
406
00:20:45,300 --> 00:20:46,600
or could we just go no
407
00:20:46,600 --> 00:20:48,166
I'll just go okay good
408
00:20:48,166 --> 00:20:48,966
okay ready
409
00:20:49,433 --> 00:20:50,766
okay Emma speed
410
00:21:08,833 --> 00:21:11,733
not you again I'm just gonna talk
411
00:21:12,866 --> 00:21:15,333
well then you don't need to be filming me do you
412
00:21:17,000 --> 00:21:17,800
you too
413
00:21:19,233 --> 00:21:20,400
what do you mean
414
00:21:21,366 --> 00:21:23,266
Tom won't let me shoot whatever I want either
415
00:21:23,300 --> 00:21:24,866
oh boohoo
416
00:21:24,866 --> 00:21:27,333
I told you I didn't want you to be filming me didn't I
417
00:21:29,000 --> 00:21:30,500
don't let me shoot him
418
00:21:36,000 --> 00:21:36,966
okay you can shoot
419
00:21:36,966 --> 00:21:37,766
me
420
00:21:38,500 --> 00:21:39,300
okay
421
00:21:45,900 --> 00:21:48,866
you're supposed to ask me some questions or something
422
00:21:49,600 --> 00:21:51,333
I can't think of any good ones
423
00:21:52,766 --> 00:21:56,566
it's gonna catch you in your natural state
424
00:21:57,500 --> 00:21:58,700
natural state
425
00:21:59,400 --> 00:22:00,200
uh huh
426
00:22:03,833 --> 00:22:05,633
well there must be something wrong with your camera
427
00:22:05,633 --> 00:22:07,533
cause I don't feel very hot right now
428
00:22:08,066 --> 00:22:09,300
oh no you're hot already
429
00:22:10,766 --> 00:22:12,933
and they're not talking about your physical prowess
430
00:22:14,366 --> 00:22:15,966
I think you have a beautiful soul
431
00:22:17,566 --> 00:22:18,533
really
432
00:22:19,200 --> 00:22:20,166
really
433
00:22:20,633 --> 00:22:25,266
I don't think Tom knows just how beautiful you can be
434
00:22:25,500 --> 00:22:26,300
hmm
435
00:22:26,666 --> 00:22:27,966
he's giving us a project
436
00:22:29,233 --> 00:22:30,033
hmm
437
00:22:39,733 --> 00:22:43,166
and here we go I um
438
00:22:43,433 --> 00:22:47,533
I thought you said you didn't have a problem uh before
439
00:22:48,700 --> 00:22:50,166
when did you change your mind
440
00:22:52,200 --> 00:22:53,000
hmm
441
00:22:53,800 --> 00:22:58,200
I changed my mind right after you gave me the part
442
00:22:59,100 --> 00:23:00,566
please tell me you're joking
443
00:23:01,066 --> 00:23:01,866
hmm
444
00:23:02,166 --> 00:23:03,500
I'm not joking
445
00:23:04,633 --> 00:23:05,533
Ashley
446
00:23:06,166 --> 00:23:07,700
if it's such a big deal for you
447
00:23:07,700 --> 00:23:09,533
why don't you just get a body double
448
00:23:09,966 --> 00:23:13,066
a body double it's not even a nude scene
449
00:23:13,066 --> 00:23:14,500
it's just your back
450
00:23:14,866 --> 00:23:17,600
you're still asking me to take my shirt off
451
00:23:17,600 --> 00:23:21,500
yes but no one's even gonna see your chest no
452
00:23:22,966 --> 00:23:24,166
but why
453
00:23:25,233 --> 00:23:27,466
I guess I just don't trust you
454
00:23:28,866 --> 00:23:30,566
you don't trust me
455
00:23:31,266 --> 00:23:32,933
why don't you trust me
456
00:23:33,966 --> 00:23:36,500
I don't know it's just a feeling I get
457
00:23:36,500 --> 00:23:38,300
and I have to be honest with myself
458
00:23:43,366 --> 00:23:45,166
I I don't believe this
459
00:23:46,266 --> 00:23:48,100
where is all this coming from
460
00:23:49,866 --> 00:23:53,266
Danny could you do me a favor and not film right now
461
00:23:53,666 --> 00:23:54,600
you're the boss
462
00:24:04,966 --> 00:24:07,100
I'm sorry I told you to stop filming before
463
00:24:07,100 --> 00:24:10,233
no problem it's just a private moment
464
00:24:10,233 --> 00:24:12,133
you know evidently
465
00:24:14,800 --> 00:24:15,766
say Danny
466
00:24:15,966 --> 00:24:16,866
what's up
467
00:24:17,233 --> 00:24:20,800
have you noticed anybody talking with Ashley lately
468
00:24:20,966 --> 00:24:21,933
what do you mean
469
00:24:22,966 --> 00:24:24,133
I mean like
470
00:24:24,700 --> 00:24:27,200
maybe putting notions in her head
471
00:24:27,666 --> 00:24:32,200
about her performance can you be more specific
472
00:24:32,200 --> 00:24:33,700
she won't take her shirt off
473
00:24:33,766 --> 00:24:36,200
and this has what to do with the movie
474
00:24:36,266 --> 00:24:38,200
well there's an implied nude scene
475
00:24:38,200 --> 00:24:41,100
I thought you didn't need nudity to tell a good story
476
00:24:41,100 --> 00:24:43,200
I don't so what's the problem
477
00:24:45,600 --> 00:24:48,900
well the problem is there's an implied nude scene
478
00:24:48,966 --> 00:24:50,766
and when I first gave her the role
479
00:24:50,966 --> 00:24:53,600
she gave me the impression that
480
00:24:53,600 --> 00:24:54,966
she didn't even have a problem doing
481
00:24:54,966 --> 00:24:56,433
full frontal yeah
482
00:24:56,433 --> 00:24:58,666
no kidding did you see Demon's Halo
483
00:24:58,666 --> 00:24:59,500
no
484
00:25:00,200 --> 00:25:01,866
it's not really my type of movie
485
00:25:01,866 --> 00:25:03,700
it was awesome
486
00:25:04,633 --> 00:25:06,600
jolly good yeah
487
00:25:08,266 --> 00:25:10,533
so anyway
488
00:25:11,033 --> 00:25:13,500
do you have any idea why she may have changed her mind
489
00:25:13,966 --> 00:25:16,466
it must be because hey
490
00:25:16,466 --> 00:25:18,900
why is implied nudity okay and not full frontal
491
00:25:18,900 --> 00:25:20,733
because it tantalizes the senses
492
00:25:20,833 --> 00:25:22,966
people tend to want what they can't have
493
00:25:22,966 --> 00:25:25,333
then why are porno so popular
494
00:25:26,766 --> 00:25:28,933
because some people have no imagination
495
00:25:29,166 --> 00:25:31,700
or they just like boobies
496
00:25:32,266 --> 00:25:33,133
yeah
497
00:25:37,233 --> 00:25:38,300
so
498
00:25:40,200 --> 00:25:43,933
is there what are you doing I gotta go pee
499
00:25:45,766 --> 00:25:48,733
well if you gotta go you gotta go see ya
500
00:26:33,366 --> 00:26:34,600
you have to find something
501
00:26:36,700 --> 00:26:37,500
curtains curtains
502
00:27:48,033 --> 00:27:51,133
like 50 times the guy never fucking remembers his lines
503
00:27:52,100 --> 00:27:52,900
nah nah
504
00:27:52,900 --> 00:27:54,066
it's okay alright
505
00:27:54,066 --> 00:27:55,000
I'll talk to you later
506
00:27:55,700 --> 00:27:56,500
bye
507
00:27:57,300 --> 00:27:59,200
did I miss something what
508
00:27:59,200 --> 00:28:00,000
do you mean
509
00:28:00,300 --> 00:28:03,433
you seem to be in a very chipper mood this morning
510
00:28:03,433 --> 00:28:04,700
oh I am
511
00:28:04,700 --> 00:28:07,166
are we back on schedule no
512
00:28:07,466 --> 00:28:08,566
not even close
513
00:28:09,433 --> 00:28:12,433
and what are you gonna do about the Ashley's employ
514
00:28:12,433 --> 00:28:16,366
looting I'm going to cut it out you are
515
00:28:18,066 --> 00:28:22,633
wow the only new scene in the entire movie
516
00:28:22,633 --> 00:28:24,066
and you're cutting it out
517
00:28:25,433 --> 00:28:26,933
how can you do that
518
00:28:30,966 --> 00:28:33,766
I can do anything I want I'm the director
519
00:28:39,166 --> 00:28:40,733
good morning
520
00:28:41,433 --> 00:28:42,466
hi
521
00:28:43,033 --> 00:28:46,000
so what's this I hear about you not showing your back
522
00:28:46,366 --> 00:28:47,400
well let's just say
523
00:28:47,400 --> 00:28:50,866
this project suddenly got a lot less important to me
524
00:28:51,666 --> 00:28:53,800
so you're sacrificing springtime
525
00:28:54,166 --> 00:28:55,633
I wasn't counting on that
526
00:28:55,633 --> 00:28:57,766
but it's an unfortunate side effect
527
00:28:58,900 --> 00:29:00,266
but we're still cool right
528
00:29:01,600 --> 00:29:03,733
totally cool
529
00:29:06,000 --> 00:29:07,066
somebody was just screaming
530
00:29:07,966 --> 00:29:09,600
oh shit damn
531
00:29:10,700 --> 00:29:12,433
what's going on is it Ashley
532
00:29:12,433 --> 00:29:13,666
not now Danny
533
00:29:13,766 --> 00:29:15,133
oh come on
534
00:29:17,166 --> 00:29:18,500
Danny I swear
535
00:29:18,500 --> 00:29:20,433
if you don't get that goddamn camera out of here it is
536
00:29:20,433 --> 00:29:23,066
actually I've got some insider information for you
537
00:29:23,066 --> 00:29:24,500
what are you talking about
538
00:29:24,966 --> 00:29:26,800
she's the one that fucked up Joe's wardrobe
539
00:29:27,100 --> 00:29:29,233
what it was an accident
540
00:29:29,233 --> 00:29:33,066
and she's really guilty about getting Joe fired
541
00:29:34,800 --> 00:29:35,866
what does this have to do about
542
00:29:35,866 --> 00:29:37,166
all the stuff that she's been pulling off
543
00:29:37,166 --> 00:29:40,466
also she has no problem taking your shirt off
544
00:29:41,166 --> 00:29:43,000
this is just an unfortunate side effect
545
00:29:43,000 --> 00:29:44,200
for getting Joe fired
546
00:29:45,666 --> 00:29:47,166
you gotta be kidding me
547
00:29:47,200 --> 00:29:49,333
all this is because of that douchebag huh
548
00:29:49,600 --> 00:29:52,466
apparently a well liked douchebag
549
00:29:54,000 --> 00:29:55,200
are you sure
550
00:29:55,900 --> 00:29:56,366
how do you
551
00:29:56,366 --> 00:30:00,200
know that I am the eyes and ears of this institution
552
00:30:00,200 --> 00:30:01,000
my friend
553
00:30:01,966 --> 00:30:03,733
and you're just telling me that now
554
00:30:05,700 --> 00:30:06,500
thanks
555
00:30:09,566 --> 00:30:10,733
go home Danny
556
00:30:13,366 --> 00:30:15,400
portrait of a man behind a wall
557
00:30:15,700 --> 00:30:18,500
the bricks of this wall have only just begun to tumble
558
00:30:18,900 --> 00:30:20,233
and very shortly
559
00:30:20,233 --> 00:30:22,766
the entire wall will come crashing down
560
00:30:22,866 --> 00:30:25,533
and he will find himself completely exposed
561
00:30:26,166 --> 00:30:27,700
to the Twilight Zone
562
00:30:39,633 --> 00:30:42,933
scene 8 in which Ashley continues to bust Tom's balls
563
00:31:00,666 --> 00:31:01,600
do you think so
564
00:31:02,800 --> 00:31:05,466
she doesn't think so she doesn't think so
565
00:31:07,266 --> 00:31:08,466
why are you doing this to me
566
00:31:08,466 --> 00:31:10,300
can we just finish the film
567
00:31:11,033 --> 00:31:11,833
no
568
00:31:12,200 --> 00:31:14,433
not until you stop changing the dialogue
569
00:31:14,433 --> 00:31:16,133
I think we should do it my way
570
00:31:16,200 --> 00:31:19,433
that's not a call I'm the main character
571
00:31:19,433 --> 00:31:20,500
yes you are
572
00:31:20,500 --> 00:31:22,066
you're a character
573
00:31:22,266 --> 00:31:25,500
I am a writer and I'm directing the character
574
00:31:25,500 --> 00:31:26,466
and your job
575
00:31:26,466 --> 00:31:29,900
as an actor is to do what the director tells you to do
576
00:31:30,600 --> 00:31:32,900
I don't think so well I do
577
00:31:42,566 --> 00:31:44,233
I'll go get her no
578
00:31:44,233 --> 00:31:45,133
don't bother
579
00:31:45,800 --> 00:31:47,066
just not worth this
580
00:31:48,166 --> 00:31:49,966
um let's just uh
581
00:31:49,966 --> 00:31:51,900
shoot something else um
582
00:31:52,366 --> 00:31:53,766
I think we can maybe uh
583
00:31:53,766 --> 00:31:55,400
what else we gonna shoot with this setup
584
00:31:56,966 --> 00:31:58,866
nothing that was our last shot
585
00:31:58,900 --> 00:32:02,300
and for anything else we would need a whole new setup
586
00:32:04,233 --> 00:32:06,166
well then I'm going to go home
587
00:32:07,233 --> 00:32:08,866
you sure yep
588
00:32:10,233 --> 00:32:11,566
that's right people alright
589
00:32:11,566 --> 00:32:12,366
alright let's go
590
00:32:12,466 --> 00:32:13,800
alright alright let's go
591
00:32:17,866 --> 00:32:18,866
leave me alone
592
00:32:23,033 --> 00:32:23,900
no
593
00:32:26,566 --> 00:32:28,366
I'm going to go home
594
00:32:28,466 --> 00:32:30,866
sit there and feel sorry for myself
595
00:32:31,633 --> 00:32:33,133
I got a better idea
596
00:32:33,366 --> 00:32:35,200
you can't compete with that
597
00:32:35,433 --> 00:32:36,533
maybe I can
598
00:32:37,100 --> 00:32:39,766
I got a surprise for you you mean you can buy anything
599
00:32:40,800 --> 00:32:42,600
surprise what's surprise
600
00:32:42,966 --> 00:32:44,000
well if I told you
601
00:32:44,000 --> 00:32:46,500
then it wouldn't be much of a surprise now would it
602
00:32:48,300 --> 00:32:50,233
I don't know oh
603
00:32:50,233 --> 00:32:53,500
come on this is for you dude
604
00:33:10,700 --> 00:33:12,466
hello Ashley
605
00:33:13,366 --> 00:33:14,400
how are you doing
606
00:33:15,000 --> 00:33:17,666
it's me from the film shoot
607
00:33:17,666 --> 00:33:18,566
you know Danny
608
00:33:19,600 --> 00:33:20,700
I'm good
609
00:33:21,666 --> 00:33:24,066
I've got to talk with you man can you come outside
610
00:33:26,033 --> 00:33:28,133
I'm in my car just outside your place
611
00:33:29,200 --> 00:33:30,600
I've got something to show you
612
00:34:13,600 --> 00:34:15,000
okay I'm here
613
00:34:15,266 --> 00:34:16,133
come on in
614
00:34:16,800 --> 00:34:18,166
what's the surprise
615
00:34:18,966 --> 00:34:20,166
it's in the other room
616
00:34:27,266 --> 00:34:28,966
why is this camera on
617
00:34:30,166 --> 00:34:32,666
it's an experiment an experiment
618
00:34:38,900 --> 00:34:39,700
sit down
619
00:34:44,566 --> 00:34:46,966
I want you to watch something
620
00:34:48,666 --> 00:34:51,400
this isn't porn is it just watch
621
00:35:01,700 --> 00:35:03,766
I'm in my car just outside your place
622
00:35:05,000 --> 00:35:06,200
got something to show you
623
00:36:59,300 --> 00:37:00,933
come here I wanna show you something
624
00:37:04,166 --> 00:37:05,200
there's more
625
00:37:19,433 --> 00:37:21,366
don't worry she can't hear you
626
00:37:21,366 --> 00:37:24,733
she's got my nephew's Dinosaur rapsody on repeat
627
00:37:25,666 --> 00:37:26,900
is this a joke
628
00:37:29,433 --> 00:37:30,700
this is a joke
629
00:37:31,566 --> 00:37:32,900
you son of a
630
00:37:35,800 --> 00:37:37,866
it's not a joke nope
631
00:37:53,833 --> 00:37:55,000
we'll be right back
632
00:37:59,800 --> 00:38:00,666
you want a beer
633
00:38:01,966 --> 00:38:03,933
no GD
634
00:38:07,500 --> 00:38:09,900
you're crazy no
635
00:38:09,900 --> 00:38:11,700
I'm not look
636
00:38:12,566 --> 00:38:13,800
I have a plan
637
00:38:14,566 --> 00:38:17,900
all I wanna do is scare her and we'll let her go
638
00:38:22,066 --> 00:38:23,466
yes
639
00:38:24,166 --> 00:38:27,100
if we really scare and we tape it
640
00:38:27,100 --> 00:38:27,366
then
641
00:38:27,366 --> 00:38:29,500
we can tell her that her performance was phenomenal
642
00:38:29,500 --> 00:38:30,966
which it will be
643
00:38:31,700 --> 00:38:33,133
then she'll go along with it
644
00:38:35,266 --> 00:38:36,266
no
645
00:38:37,066 --> 00:38:38,200
no what
646
00:38:38,200 --> 00:38:39,766
no it won't work or no
647
00:38:39,766 --> 00:38:41,166
you won't go along with it
648
00:38:43,700 --> 00:38:45,166
this is not a game
649
00:38:45,900 --> 00:38:50,133
you have got a girl tied up in your garage
650
00:38:51,400 --> 00:38:53,566
do you know what happens to people like you
651
00:38:54,033 --> 00:38:55,333
they go to prison
652
00:38:55,833 --> 00:38:58,800
and then they get romanced in a very unpleasant way
653
00:39:00,233 --> 00:39:02,233
why do you always have to be a whiny bitch
654
00:39:02,233 --> 00:39:03,666
we're just making a movie
655
00:39:04,366 --> 00:39:07,200
this is not a movie not yet
656
00:39:08,633 --> 00:39:10,366
we're gonna retire in like five minutes
657
00:39:10,600 --> 00:39:11,900
oh we are
658
00:39:12,033 --> 00:39:14,566
yes I don't wanna go to prison
659
00:39:14,900 --> 00:39:17,066
I'm afraid you might be a little late for that
660
00:39:17,966 --> 00:39:19,700
five minutes is all we'll need
661
00:39:21,400 --> 00:39:22,366
5 minutes
662
00:39:23,466 --> 00:39:24,966
5 minutes for what
663
00:39:25,800 --> 00:39:27,733
a performance of a lifetime
664
00:39:41,633 --> 00:39:43,166
shit this is crazy
665
00:39:52,266 --> 00:39:53,066
okay
666
00:39:53,166 --> 00:39:54,966
I'm counting down 5 minutes
667
00:39:55,833 --> 00:39:56,700
pick that up
668
00:39:57,566 --> 00:40:00,300
why you already have a camera on her
669
00:40:00,600 --> 00:40:01,900
that's just for the master
670
00:40:01,900 --> 00:40:03,900
give me some really good plus UPS
671
00:40:12,600 --> 00:40:13,566
now shoot
672
00:40:18,800 --> 00:40:21,966
you have 4 minutes and 45 seconds left
673
00:40:31,033 --> 00:40:31,833
oh
674
00:40:32,300 --> 00:40:33,700
you gotta try this no
675
00:40:33,700 --> 00:40:35,600
I don't okay
676
00:40:35,766 --> 00:40:37,900
you're never gonna get another opportunity like this
677
00:40:38,033 --> 00:40:39,333
you have four minutes left
678
00:40:39,600 --> 00:40:42,233
knock that off look
679
00:40:42,233 --> 00:40:43,500
just try to enjoy the moment
680
00:40:45,000 --> 00:40:46,800
we have a beautiful girl tied up here
681
00:40:46,800 --> 00:40:48,733
she's blindfolded and gagged
682
00:40:48,966 --> 00:40:50,466
she can't bitch at you
683
00:40:50,866 --> 00:40:53,466
she can't refuse to do a blindfolded nudity
684
00:40:54,200 --> 00:40:56,800
and she can't laugh during the middle of the take
685
00:40:57,233 --> 00:40:58,766
unless of course she wanted to
686
00:41:02,266 --> 00:41:04,066
please remind me why we're doing this
687
00:41:04,233 --> 00:41:06,833
it's hardcore if you don't walk the ledge
688
00:41:06,833 --> 00:41:08,566
once in a while you don't live
689
00:41:09,033 --> 00:41:10,333
what about her life
690
00:41:11,100 --> 00:41:12,300
taking one for the team
691
00:41:17,500 --> 00:41:20,000
what was that catapult dude
692
00:41:20,633 --> 00:41:23,166
are you crazy that could seriously hurt her
693
00:41:25,866 --> 00:41:26,666
oh my God
694
00:41:26,666 --> 00:41:28,066
this is too much okay
695
00:41:28,200 --> 00:41:29,333
fuck this this is
696
00:41:29,466 --> 00:41:30,600
show's over man
697
00:41:30,666 --> 00:41:31,666
show's over oh
698
00:41:31,666 --> 00:41:33,100
then I've got a better idea
699
00:41:33,466 --> 00:41:34,666
take this off dear
700
00:41:34,966 --> 00:41:37,300
hey get away from the table
701
00:41:38,400 --> 00:41:43,166
fuck that drop the rope away from the table
702
00:41:57,066 --> 00:42:01,333
what's going on we're raising the stakes why
703
00:42:01,833 --> 00:42:04,966
because you always puss out when things get interesting
704
00:42:04,966 --> 00:42:06,766
I do not yes
705
00:42:06,766 --> 00:42:09,066
you do you do when I'm interviewing you
706
00:42:09,066 --> 00:42:10,600
you do when you're making movies
707
00:42:10,833 --> 00:42:12,366
this is about my movies
708
00:42:13,033 --> 00:42:15,200
well I have a terrific suggestion for you
709
00:42:15,233 --> 00:42:17,000
why don't you make your own damn movie
710
00:42:17,000 --> 00:42:19,266
and that way you can make it any way you like
711
00:42:20,200 --> 00:42:27,733
I never thought of that Danny Thomas please let us go
712
00:42:28,966 --> 00:42:30,100
not yet
713
00:42:31,200 --> 00:42:33,000
how far is this gonna go
714
00:42:33,666 --> 00:42:35,366
you're about to find out
715
00:42:53,366 --> 00:42:53,833
come on Tom
716
00:42:53,833 --> 00:42:54,633
pick it up
717
00:42:55,633 --> 00:42:57,966
go on you can do it
718
00:43:01,633 --> 00:43:02,866
I pointed at her
719
00:43:06,800 --> 00:43:08,566
now show her
720
00:43:14,200 --> 00:43:16,333
easy now easy
721
00:43:19,966 --> 00:43:22,100
ha ha there we are
722
00:43:22,233 --> 00:43:27,000
look at that the real emotion right there in the eyes
723
00:43:27,000 --> 00:43:29,166
he tells everything we need to know
724
00:43:30,033 --> 00:43:32,166
I'm sorry I don't wanna do this
725
00:43:33,000 --> 00:43:34,333
I think
726
00:43:35,966 --> 00:43:39,933
this building needs some nudity
727
00:43:43,566 --> 00:43:45,600
no no
728
00:43:47,166 --> 00:43:48,066
no
729
00:43:55,966 --> 00:43:57,000
there we go
730
00:43:57,000 --> 00:43:59,400
I'll take this over and apply nudity any day
731
00:44:00,600 --> 00:44:02,000
they were worth the wait weren't they
732
00:44:02,233 --> 00:44:03,100
go to hell
733
00:44:03,800 --> 00:44:05,000
watch this
734
00:44:09,000 --> 00:44:11,033
this is one of those precious moments
735
00:44:11,033 --> 00:44:12,900
just has to be caught on camera
736
00:44:13,700 --> 00:44:14,500
oh
737
00:44:15,866 --> 00:44:17,700
no no
738
00:44:17,833 --> 00:44:20,000
no no
739
00:44:20,200 --> 00:44:22,466
no no no
740
00:44:27,500 --> 00:44:30,000
wow that is some great action
741
00:44:32,566 --> 00:44:33,866
I can't do this
742
00:44:35,833 --> 00:44:38,500
pick up the camera Tom or I'll cut her throat
743
00:44:39,000 --> 00:44:43,366
I I pick it up Tom I can't do this
744
00:44:43,366 --> 00:44:44,900
I can't I can't do this
745
00:44:46,500 --> 00:44:47,300
shoot
746
00:44:49,700 --> 00:44:53,400
you ever play this little piggy
747
00:44:54,600 --> 00:44:57,333
no no please
748
00:44:58,966 --> 00:44:59,933
no
749
00:45:00,700 --> 00:45:01,566
no
750
00:45:02,100 --> 00:45:02,900
no
751
00:45:05,200 --> 00:45:06,000
alright
752
00:45:08,033 --> 00:45:10,333
this little piggy went to market
753
00:45:13,900 --> 00:45:16,500
this little piggy stayed home
754
00:45:19,100 --> 00:45:21,400
and this little piggy went
755
00:45:22,966 --> 00:45:25,866
limp did she pass out or something
756
00:45:27,000 --> 00:45:28,666
we'll have to fix that
757
00:45:29,966 --> 00:45:31,800
getting funny ideas now Mr Director
758
00:45:36,500 --> 00:45:38,366
looks so peaceful now doesn't she
759
00:45:40,833 --> 00:45:41,800
fix that
760
00:45:47,100 --> 00:45:49,000
you have a nice nap there dear
761
00:45:49,566 --> 00:45:50,666
I hope so
762
00:45:51,200 --> 00:45:53,933
it's time to get back to business Yeehaw
763
00:45:54,666 --> 00:45:56,733
I didn't give you permission to take a nap
764
00:45:56,766 --> 00:45:58,266
so now I'm gonna have to punish you
765
00:46:04,433 --> 00:46:05,233
please
766
00:46:05,466 --> 00:46:07,266
I'm gonna have to cut off those little piggies
767
00:46:07,966 --> 00:46:08,766
please
768
00:46:10,633 --> 00:46:12,066
no hey
769
00:46:12,066 --> 00:46:13,366
now stop messing around here
770
00:46:13,366 --> 00:46:14,666
I'm gonna cut off the whole foot
771
00:46:14,666 --> 00:46:15,666
you want that
772
00:46:16,766 --> 00:46:17,566
hmm
773
00:46:19,466 --> 00:46:21,100
okay that's better
774
00:46:32,600 --> 00:46:33,733
she's in shock
775
00:46:39,200 --> 00:46:42,133
how about some anti freeze hmm
776
00:48:00,566 --> 00:48:01,966
you wanna talk about it
777
00:48:05,666 --> 00:48:07,100
I guess that's a no
778
00:48:09,600 --> 00:48:11,500
I'm gonna go clean her up
779
00:48:11,900 --> 00:48:13,366
I'll be back in a few minutes
780
00:48:13,366 --> 00:48:16,466
and we can talk about the ineffectiveness of subtlety
781
00:48:16,666 --> 00:48:18,866
and horror filmmaking
782
00:49:41,000 --> 00:49:42,000
hello Danny
783
00:49:43,233 --> 00:49:47,533
I'd like to talk to you about pushing the limits
784
00:49:48,800 --> 00:49:49,966
you know something
785
00:49:51,066 --> 00:49:52,400
I've got a great idea
786
00:49:52,400 --> 00:49:53,766
I think you're really gonna like it
787
00:49:53,766 --> 00:49:56,200
hmm it's really hardcore hmm
788
00:50:02,433 --> 00:50:03,600
let's talk about
789
00:50:04,166 --> 00:50:06,866
let's talk about subtlety in horror filmmaking Danny
790
00:50:07,466 --> 00:50:08,500
I think that
791
00:50:09,466 --> 00:50:11,266
what makes a good horror moment
792
00:50:11,600 --> 00:50:13,166
is not the actual doing
793
00:50:14,166 --> 00:50:15,600
it's the anticipation
794
00:50:19,766 --> 00:50:21,300
oh this this was a good one
795
00:50:21,300 --> 00:50:23,200
I I really like this one
796
00:50:24,066 --> 00:50:24,866
yeah
797
00:50:25,900 --> 00:50:26,700
yeah
798
00:50:29,300 --> 00:50:32,800
no it's it's not really my style here
799
00:50:36,666 --> 00:50:38,100
I think I should do something
800
00:50:38,833 --> 00:50:39,900
oh no oh no
801
00:50:41,866 --> 00:50:42,700
oh no
802
00:50:43,600 --> 00:50:45,200
oh no I don't know
803
00:50:47,000 --> 00:50:48,133
I'm sorry Danny
804
00:50:48,700 --> 00:50:50,766
I'm afraid I'm gonna have to cut the interview short
805
00:50:50,766 --> 00:50:51,566
here
806
00:50:52,300 --> 00:50:53,766
if you want to continue it
807
00:50:54,500 --> 00:50:56,666
you have to call my agents and arrange something
808
00:51:29,233 --> 00:51:30,766
it was not real
809
00:51:32,666 --> 00:51:35,166
leave me alone leave me
810
00:51:54,566 --> 00:51:55,766
boo oh
811
00:51:57,800 --> 00:51:59,333
man you scare me
812
00:51:59,466 --> 00:52:01,800
you are awesome thanks
813
00:52:08,866 --> 00:52:12,300
it is too bad I'm gonna have to cut you up now hey
814
00:52:12,300 --> 00:52:16,266
you said I could do it I said I think about it
815
00:52:17,300 --> 00:52:19,133
come on I can do it
816
00:52:20,633 --> 00:52:23,466
no I don't want you to hurt yourself
817
00:52:24,266 --> 00:52:25,700
are you kidding me
818
00:52:29,466 --> 00:52:30,266
fine
819
00:52:34,066 --> 00:52:35,066
here you go
820
00:52:36,166 --> 00:52:37,100
got it
821
00:52:40,000 --> 00:52:41,133
awesome
822
00:52:57,600 --> 00:53:00,333
I am keeping these
823
00:53:01,000 --> 00:53:02,733
that's cool I can make more
824
00:53:03,466 --> 00:53:04,966
ha ha cool
825
00:53:05,566 --> 00:53:08,266
so how was it making it work out my way
826
00:53:08,266 --> 00:53:11,166
as opposed to cons it's a little different
827
00:53:11,866 --> 00:53:13,133
so was it worth it
828
00:53:13,900 --> 00:53:16,300
this tape will be worth it if it makes me famous
829
00:53:20,600 --> 00:53:21,400
uh huh
830
00:53:22,500 --> 00:53:23,300
Alrighty
831
00:53:23,966 --> 00:53:25,766
well that is a wrap for today
832
00:53:25,766 --> 00:53:28,966
I'll give you a call and we can watch some football
833
00:53:29,466 --> 00:53:30,366
sweet
834
00:53:51,600 --> 00:53:52,400
um
835
00:53:53,200 --> 00:53:54,000
Waylon
836
00:53:55,566 --> 00:53:56,466
yeah
837
00:53:57,633 --> 00:53:58,433
Waylon
838
00:53:59,800 --> 00:54:00,666
what
839
00:54:01,366 --> 00:54:02,900
uh this isn't working
840
00:54:04,633 --> 00:54:06,266
why what's the problem
841
00:54:06,266 --> 00:54:09,133
should I cut uh yeah
842
00:54:10,600 --> 00:54:11,400
camera
843
00:54:13,033 --> 00:54:16,566
speed and ready whaling
844
00:54:18,266 --> 00:54:19,133
ready
845
00:54:37,266 --> 00:54:38,900
hold hold it a second
846
00:54:39,166 --> 00:54:41,333
hold it should he cut it Tom
847
00:54:41,766 --> 00:54:43,800
um yeah I'll cut
848
00:54:45,200 --> 00:54:46,000
action
849
00:54:47,700 --> 00:54:49,933
did he turn it action
850
00:55:04,100 --> 00:55:04,900
Waylon
851
00:55:06,500 --> 00:55:07,300
uh
852
00:55:07,966 --> 00:55:09,833
we need to talk sure
853
00:55:09,833 --> 00:55:11,700
what's up um
854
00:55:13,966 --> 00:55:17,666
this is this is this isn't gonna work what
855
00:55:18,000 --> 00:55:19,600
why not I'm
856
00:55:19,600 --> 00:55:22,133
I'm not seeing what I want what
857
00:55:22,200 --> 00:55:25,000
why don't you just tell me what you want
858
00:55:26,466 --> 00:55:30,166
because I don't know I
859
00:55:32,000 --> 00:55:35,233
I don't know what I want just tell us what you need Tom
860
00:55:35,233 --> 00:55:36,266
we'll get it for you
861
00:55:37,033 --> 00:55:38,566
what are you laughing at uh
862
00:55:38,566 --> 00:55:39,933
does anybody realize yep
863
00:55:40,000 --> 00:55:41,400
I do okay
864
00:55:43,866 --> 00:55:46,366
Tom it's Ashley
865
00:55:46,500 --> 00:55:52,200
I just went to Danny's house and well
866
00:55:52,200 --> 00:55:55,700
I guess our joke wasn't very good
867
00:55:56,766 --> 00:55:58,400
did you um
868
00:56:00,866 --> 00:56:03,166
I I need to talk to you
869
00:56:04,500 --> 00:56:06,600
I need to go to Ashley's house what
870
00:56:06,700 --> 00:56:08,200
he said he needs to go to Ashley's
871
00:56:08,200 --> 00:56:09,600
you need to go to Ashley's
872
00:56:09,966 --> 00:56:10,933
yeah
873
00:56:11,500 --> 00:56:14,600
why don't I call Ashley again
874
00:56:14,600 --> 00:56:16,900
and see if she's answering yet
875
00:56:17,866 --> 00:56:20,100
no I need to go uh
876
00:56:20,266 --> 00:56:22,200
well what about my scene
877
00:56:23,100 --> 00:56:24,500
I'm sorry Waylon
878
00:56:25,033 --> 00:56:26,633
but you said yesterday that you didn't care
879
00:56:26,633 --> 00:56:27,766
if she came back
880
00:56:28,833 --> 00:56:32,366
I wish she didn't what Tom
881
00:56:32,700 --> 00:56:34,200
let's just do the scene one more time
882
00:56:34,200 --> 00:56:35,666
I swear I'll get it right
883
00:56:37,366 --> 00:56:38,500
um Lenny
884
00:56:38,500 --> 00:56:40,666
I'm going to Ashley's house
885
00:56:40,900 --> 00:56:41,933
you um
886
00:56:43,066 --> 00:56:45,400
see what you can get done with wailing
887
00:56:47,900 --> 00:56:48,900
so you mean I'm not
888
00:56:48,900 --> 00:56:51,133
even gonna get to work with the director
889
00:56:51,433 --> 00:56:52,500
no Waylon
890
00:56:52,500 --> 00:56:54,566
I'm sorry cut it
891
00:57:06,066 --> 00:57:06,866
oh
892
00:57:07,400 --> 00:57:10,300
I see you're well
893
00:57:12,233 --> 00:57:13,733
I guess not my luck
894
00:57:37,966 --> 00:57:39,466
I don't have a solution
895
00:57:42,233 --> 00:57:43,666
to my problems
896
00:57:52,800 --> 00:57:53,733
Ashley
897
00:57:56,233 --> 00:57:58,966
there are more important things to consider right now
898
00:58:10,300 --> 00:58:13,000
the footage is irrelevant
899
00:58:14,200 --> 00:58:17,033
Danny is dead what
900
00:58:17,033 --> 00:58:19,466
what do you mean the footage is irrelevant
901
00:58:19,466 --> 00:58:21,033
you have any idea what I went through
902
00:58:21,033 --> 00:58:23,000
about half as much as me
903
00:58:24,500 --> 00:58:27,200
seriously though where is it
904
00:58:27,833 --> 00:58:29,200
you listen to me
905
00:58:29,966 --> 00:58:34,566
Danny is dead and you are partly responsible
906
00:58:34,600 --> 00:58:35,500
no no
907
00:58:35,500 --> 00:58:35,666
no no
908
00:58:35,666 --> 00:58:39,300
no it's not like that I didn't do anything
909
00:58:41,500 --> 00:58:43,066
why are you taping this
910
00:58:43,800 --> 00:58:44,866
no reason
911
00:58:45,800 --> 00:58:47,066
what are you trying to do to me
912
00:58:47,066 --> 00:58:49,066
to you nothing I just
913
00:58:51,300 --> 00:58:52,900
you're trying to trick me
914
00:58:53,666 --> 00:58:56,733
we're making a movie this is not a movie
915
00:58:57,766 --> 00:58:58,866
yes it is
916
00:58:59,566 --> 00:59:02,900
this is not a movie Danny is dead
917
00:59:02,900 --> 00:59:05,300
don't you understand I killed him
918
00:59:09,000 --> 00:59:11,266
come here give me that
919
00:59:13,500 --> 00:59:14,800
God damn it oh
920
00:59:14,800 --> 00:59:16,366
fuck shit
921
00:59:17,266 --> 00:59:18,800
shut up shut up
922
00:59:19,033 --> 00:59:21,733
shut up shut up shut up
923
00:59:58,500 --> 01:00:01,733
what are you doing filming why
924
01:00:02,066 --> 01:00:04,500
cause I wanna document the trip and Danny's not around
925
01:00:04,500 --> 01:00:06,700
so why don't I do it
926
01:00:08,600 --> 01:00:09,400
okay
927
01:00:27,566 --> 01:00:30,466
we are on a mission to the prop house
928
01:00:30,466 --> 01:00:30,700
cause
929
01:00:30,700 --> 01:00:33,300
Tom feels that the prop knife is not realistic enough
930
01:00:33,366 --> 01:00:36,700
and in filmmaking every detail is important
931
01:00:39,600 --> 01:00:44,466
so how did the shoot go after I left the set
932
01:00:44,700 --> 01:00:46,166
great actually
933
01:00:46,300 --> 01:00:49,366
I think it's some of the best stuff we've shot really
934
01:00:49,400 --> 01:00:50,700
yeah you know
935
01:00:50,700 --> 01:00:52,800
I figure with all of Joe and Ashley's shenanigans
936
01:00:52,800 --> 01:00:55,566
the past few days you didn't get any quality footage
937
01:00:57,566 --> 01:00:58,366
I I mean
938
01:00:58,366 --> 01:00:59,166
we
939
01:00:59,633 --> 01:01:01,466
we didn't get any quality footage
940
01:01:03,666 --> 01:01:07,366
I think we're supposed to turn left right there yeah
941
01:01:07,966 --> 01:01:10,666
I just need to take care of a little something first
942
01:01:10,766 --> 01:01:12,833
but aren't they expecting us at the prop house
943
01:01:12,833 --> 01:01:13,400
cause you know
944
01:01:13,400 --> 01:01:14,566
we're supposed to be back and filming again
945
01:01:14,566 --> 01:01:16,466
in 15 minutes yeah
946
01:01:16,466 --> 01:01:18,500
well I think we're so far behind schedule
947
01:01:18,500 --> 01:01:20,766
that an additional 10 minutes won't kill me
948
01:01:21,100 --> 01:01:26,300
us what an additional 10 minutes won't kill us right
949
01:01:28,000 --> 01:01:30,333
yes so
950
01:01:32,366 --> 01:01:35,266
are we going to be seeing any more of Ashley
951
01:01:36,600 --> 01:01:38,133
I don't think so
952
01:01:38,700 --> 01:01:41,533
our last conversation didn't go that well
953
01:01:43,366 --> 01:01:45,966
say do you do you smell something
954
01:01:47,766 --> 01:01:50,166
no smells like
955
01:01:51,066 --> 01:01:52,266
oh man
956
01:01:52,266 --> 01:01:54,500
it's something really really rotten
957
01:01:54,866 --> 01:01:57,266
you talk too much what
958
01:01:57,700 --> 01:01:59,666
I said you talk too much
959
01:02:00,600 --> 01:02:01,400
okay
960
01:02:02,866 --> 01:02:04,100
it's in the trunk
961
01:02:04,766 --> 01:02:05,966
what's in the trunk
962
01:02:06,766 --> 01:02:07,866
the smell
963
01:02:08,900 --> 01:02:10,100
it's um
964
01:02:11,400 --> 01:02:12,600
some bad meat
965
01:02:13,233 --> 01:02:15,266
I just need to get rid of it
966
01:02:15,266 --> 01:02:17,400
why didn't you get rid of it at the location
967
01:02:17,866 --> 01:02:19,566
I guess it slipped my mind
968
01:02:21,166 --> 01:02:22,000
yeah
969
01:02:24,100 --> 01:02:26,533
oh so I was gonna ask you
970
01:02:27,966 --> 01:02:30,066
how did your visit with Ashley go yesterday
971
01:02:30,466 --> 01:02:32,266
here we are oh
972
01:02:32,266 --> 01:02:35,500
thank God I'll be back in just a minute
973
01:02:37,233 --> 01:02:40,166
whatever smells this bad I have got to see
974
01:02:41,900 --> 01:02:42,700
suit yourself
975
01:02:53,666 --> 01:02:56,600
so where exactly are we
976
01:03:03,433 --> 01:03:04,466
sorry Lenny
977
01:03:05,366 --> 01:03:07,266
but it's in the order of things
978
01:03:20,200 --> 01:03:22,000
hi I'm Sarah Donovan
979
01:03:22,000 --> 01:03:27,300
and I'll be reading for the role of Ashley and action
980
01:03:27,766 --> 01:03:29,466
look I think we should take the footage
981
01:03:29,466 --> 01:03:32,800
and I think we should try and sell it
982
01:03:34,833 --> 01:03:37,166
look I just don't think there's any sense in wasting it
983
01:03:37,166 --> 01:03:37,966
you know
984
01:03:39,800 --> 01:03:41,066
Ashley look
985
01:03:41,066 --> 01:03:42,200
I think it's what
986
01:03:42,400 --> 01:03:44,133
I think it's what he would have wanted
987
01:03:45,600 --> 01:03:47,866
Ashley you're not thinking right
988
01:03:47,866 --> 01:03:48,600
no
989
01:03:48,600 --> 01:03:51,033
there are more important things to consider right now
990
01:03:51,033 --> 01:03:53,666
no I don't think so I mean the footage it's
991
01:03:55,000 --> 01:03:56,200
it's special
992
01:03:56,366 --> 01:04:01,000
that footage is burned up and Randy is dead what
993
01:04:01,833 --> 01:04:02,800
it burnt up
994
01:04:02,800 --> 01:04:05,233
do you have any idea what I had to go through for that
995
01:04:05,233 --> 01:04:07,466
yeah probably about half as much as me
996
01:04:07,500 --> 01:04:10,000
ha ha oh my God
997
01:04:10,000 --> 01:04:14,566
right ha ha shit and scene
998
01:04:15,700 --> 01:04:17,566
that was great I like that thanks
999
01:04:17,866 --> 01:04:19,133
okay um
1000
01:04:19,700 --> 01:04:21,633
uh I just have one question for you
1001
01:04:21,633 --> 01:04:22,566
okay uh
1002
01:04:22,566 --> 01:04:24,300
the role requires nudity
1003
01:04:24,533 --> 01:04:26,800
so in the event we offered you the role
1004
01:04:26,800 --> 01:04:28,166
would this be a problem for you
1005
01:04:28,166 --> 01:04:28,900
no no
1006
01:04:28,900 --> 01:04:30,300
not at all definitely not
1007
01:04:30,300 --> 01:04:32,033
it's a horror film right
1008
01:04:32,033 --> 01:04:35,500
they go hand in hand it's in the order of things
1009
01:04:36,000 --> 01:04:37,200
yeah okay
1010
01:04:37,200 --> 01:04:38,866
um we're gonna do it again okay
1011
01:04:38,866 --> 01:04:43,733
and this time when you uh get to the laugh maybe
1012
01:04:44,400 --> 01:04:46,500
excuse me this is a private conversation
1013
01:04:46,500 --> 01:04:48,133
I'm looking for Tom Grayson
1014
01:04:48,266 --> 01:04:49,900
what is this about officer
1015
01:04:49,900 --> 01:04:52,266
are you Grayson I am
1016
01:04:52,300 --> 01:04:56,200
I'd like to ask you some questions about Danny Wilson
1017
01:04:56,200 --> 01:04:57,900
um okay
1018
01:04:58,200 --> 01:05:01,200
I'll take care of this just continue the auditions
1019
01:05:01,800 --> 01:05:02,600
okay
1020
01:05:10,166 --> 01:05:11,700
just do it again
1021
01:05:24,433 --> 01:05:25,800
uh here
1022
01:05:25,800 --> 01:05:29,200
I'm sorry about the treatment that you got from
1023
01:05:29,800 --> 01:05:35,333
Officer Jameson he gets just a little hot headed but
1024
01:05:37,066 --> 01:05:39,400
I'm a I'm a big fan of you
1025
01:05:39,400 --> 01:05:40,833
I'm I'm honored here
1026
01:05:40,833 --> 01:05:42,266
I'm honored to be with you
1027
01:05:42,666 --> 01:05:43,900
my son uh
1028
01:05:43,900 --> 01:05:44,733
he uh
1029
01:05:44,800 --> 01:05:46,233
put me in touch with your stuff
1030
01:05:46,233 --> 01:05:48,066
uh it's really good and uh
1031
01:05:48,066 --> 01:05:51,366
he's a huge fan he's got all your DVDs and
1032
01:05:51,366 --> 01:05:51,833
and you know
1033
01:05:51,833 --> 01:05:53,400
I would be a big hero at home
1034
01:05:53,400 --> 01:05:55,666
if you would give me your John Hancock
1035
01:05:55,666 --> 01:05:57,600
right here you're kidding me
1036
01:05:57,833 --> 01:05:59,933
I'm not kidding you're Thomas Grayson
1037
01:06:00,000 --> 01:06:01,666
the master of horror
1038
01:06:02,633 --> 01:06:04,166
kid loves this stuff it the
1039
01:06:04,166 --> 01:06:04,866
the the
1040
01:06:04,866 --> 01:06:06,266
get it out to Sean he
1041
01:06:06,266 --> 01:06:09,033
he loves the horror of the whole genre
1042
01:06:09,033 --> 01:06:10,966
the blood the dismemberment the
1043
01:06:10,966 --> 01:06:12,633
the hard body lesbians
1044
01:06:12,633 --> 01:06:16,300
he really loves revenge nice sweet
1045
01:06:16,300 --> 01:06:18,100
thank you thank you so much
1046
01:06:18,100 --> 01:06:18,900
you're welcome
1047
01:06:19,600 --> 01:06:20,600
you know I've got
1048
01:06:20,866 --> 01:06:23,733
I've got one question just one question
1049
01:06:25,266 --> 01:06:26,500
why did you do it
1050
01:06:27,266 --> 01:06:29,166
why did you spend your whole life
1051
01:06:29,166 --> 01:06:30,666
devoted your whole life to
1052
01:06:30,666 --> 01:06:32,966
to one genre to horror
1053
01:06:35,600 --> 01:06:37,166
it's a good way to make a living
1054
01:06:38,066 --> 01:06:38,866
I guess so
1055
01:06:38,866 --> 01:06:39,866
it makes sense
1056
01:06:41,000 --> 01:06:43,166
you're not the first to make a living
1057
01:06:43,166 --> 01:06:45,100
thinking of ways to kill people
1058
01:06:46,600 --> 01:06:49,300
but the important thing is that nobody really dies
1059
01:06:50,466 --> 01:06:53,800
well that's where you and I are on a different page
1060
01:06:54,666 --> 01:06:56,400
you see young man
1061
01:06:57,066 --> 01:07:00,500
while you and Officer Jameson were having your uh
1062
01:07:00,500 --> 01:07:01,566
very uh
1063
01:07:01,833 --> 01:07:05,266
intellectual discussion I was over at your apartment
1064
01:07:05,500 --> 01:07:06,566
that's very nice too
1065
01:07:06,566 --> 01:07:08,400
beautifully decorated very good taste
1066
01:07:08,566 --> 01:07:11,066
I love that memorabilia you got a good collection there
1067
01:07:11,066 --> 01:07:12,800
and those signed comic books
1068
01:07:12,800 --> 01:07:16,233
very cool but what I found was some very
1069
01:07:16,233 --> 01:07:17,900
very interesting tapes
1070
01:07:18,033 --> 01:07:20,300
and on those tapes was some pretty interesting
1071
01:07:20,300 --> 01:07:22,133
incriminating evidence
1072
01:07:22,866 --> 01:07:23,766
all those tapes
1073
01:07:24,966 --> 01:07:26,333
uh they're not real
1074
01:07:27,100 --> 01:07:28,466
they're just um
1075
01:07:29,900 --> 01:07:34,300
part of a project that I'm working on
1076
01:07:35,300 --> 01:07:37,000
not real well
1077
01:07:37,000 --> 01:07:38,633
you know we've got some dead bodies
1078
01:07:38,633 --> 01:07:41,466
in fact we've got three dead bodies
1079
01:07:41,766 --> 01:07:44,133
and our coroners say they're very real
1080
01:07:44,966 --> 01:07:47,466
we also have a very real gas can
1081
01:07:47,466 --> 01:07:50,666
with some very real fingerprints of yours
1082
01:07:50,766 --> 01:07:54,633
on this gas can that was used to set a very real fire
1083
01:07:54,633 --> 01:07:57,700
that burned down Danny Wilson's very real house
1084
01:07:58,666 --> 01:07:59,566
yes sir
1085
01:08:00,666 --> 01:08:03,300
now these tapes and this project
1086
01:08:04,300 --> 01:08:06,666
for what you seem to be calling
1087
01:08:06,866 --> 01:08:08,566
I guess it's for a movie
1088
01:08:09,233 --> 01:08:11,000
the person in those tapes
1089
01:08:11,866 --> 01:08:13,300
that was you right
1090
01:08:22,033 --> 01:08:22,933
yes
1091
01:08:24,266 --> 01:08:25,533
and um
1092
01:08:26,600 --> 01:08:29,866
as a matter of fact I think that this
1093
01:08:30,300 --> 01:08:32,166
this whole scene mhuh
1094
01:08:32,166 --> 01:08:33,733
that's playing out right here
1095
01:08:34,033 --> 01:08:37,700
this would make a a wonderful end to that movie
1096
01:08:38,900 --> 01:08:40,600
end to that movie huh
1097
01:08:41,266 --> 01:08:43,233
well what kind of a movie
1098
01:08:43,233 --> 01:08:43,666
ends
1099
01:08:43,666 --> 01:08:46,566
with a guy confessing to the murder of Danny Wilson
1100
01:08:46,566 --> 01:08:50,800
and the brutal beating to death of Ashley Swan
1101
01:08:52,866 --> 01:08:54,000
a good one
1102
01:08:55,300 --> 01:08:56,666
and now
1103
01:08:57,266 --> 01:08:59,466
I think what should happen is
1104
01:08:59,466 --> 01:09:01,866
you should stop playing the good cop
1105
01:09:01,866 --> 01:09:05,633
and get really crass and say something
1106
01:09:05,633 --> 01:09:09,800
really condemning you think you're smooth
1107
01:09:09,800 --> 01:09:10,900
don't you well
1108
01:09:12,200 --> 01:09:12,633
my friend
1109
01:09:12,633 --> 01:09:15,566
you need to get yourself a nice amount of lubricant
1110
01:09:15,566 --> 01:09:17,600
because you're gonna need a very smooth asshole
1111
01:09:17,600 --> 01:09:19,933
when you get in prison cause there's dicks
1112
01:09:20,000 --> 01:09:21,633
those dicks of those prisoners
1113
01:09:21,633 --> 01:09:23,666
who love pretty boys like you
1114
01:09:23,666 --> 01:09:26,900
they're gonna be so hard and fast up your brown eye
1115
01:09:26,900 --> 01:09:27,966
you won't believe it
1116
01:09:27,966 --> 01:09:30,633
you'll have your salad tossed so many times
1117
01:09:30,633 --> 01:09:33,000
you're gonna need Caesar's dressing
1118
01:09:33,000 --> 01:09:35,433
you're gonna have wish bone
1119
01:09:35,433 --> 01:09:37,266
if you know what I mean now
1120
01:09:37,266 --> 01:09:38,866
how's that for crass huh
1121
01:09:38,866 --> 01:09:41,633
how's that for crass I think you could do it again
1122
01:09:41,633 --> 01:09:43,400
with a little bit more profanity
1123
01:09:43,666 --> 01:09:45,633
oh well jeez
1124
01:09:45,633 --> 01:09:47,500
you're a writer you guys uh
1125
01:09:47,600 --> 01:09:49,233
like to use your imagination
1126
01:09:49,233 --> 01:09:53,300
you know there are many ways to say fuck you
1127
01:09:55,233 --> 01:09:57,800
oh uh uh thanks
1128
01:09:58,033 --> 01:09:59,333
thanks for the autograph
1129
01:09:59,966 --> 01:10:01,700
I think I'll sell it on eBay
1130
01:10:16,700 --> 01:10:17,500
cut
1131
01:10:26,066 --> 01:10:27,700
do I do I need some powder
1132
01:10:28,633 --> 01:10:31,300
I don't know is my is my forehead shining
1133
01:10:36,233 --> 01:10:37,733
I thought you wanted a Diet Coke
1134
01:10:45,600 --> 01:10:47,100
how much time did you set up
75979
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