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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,360 --> 00:00:04,279 - Is it Sally Field? Is she dead? (MAN CHUCKLES EERILY) 2 00:00:04,280 --> 00:00:07,079 - WOMAN WHISPERS: Faith, trust... and pixie dust. 3 00:00:07,080 --> 00:00:09,879 - ...rejected my visa. (WARPED, EERIE VOICES) 4 00:00:09,880 --> 00:00:12,279 (APPLAUSE) This is an amateur company. 5 00:00:12,280 --> 00:00:13,639 - Impress me! 6 00:00:13,640 --> 00:00:14,919 (MUSIC BOX TINKLES) 7 00:00:14,920 --> 00:00:15,999 - Tap, tap. 8 00:00:16,000 --> 00:00:17,479 - So will you... (MAN LAUGHS) 9 00:00:17,480 --> 00:00:18,919 ...be my... 10 00:00:18,920 --> 00:00:20,479 (CACOPHONY) 11 00:00:20,480 --> 00:00:21,559 (VOCALISES) 12 00:00:21,560 --> 00:00:23,560 - Don't bugger it up. 13 00:00:23,561 --> 00:00:26,239 - Charlie's gonna help with the show! (MAN CHUCKLES) 14 00:00:26,240 --> 00:00:28,240 (VOICES ECHO, FADE) 15 00:00:31,200 --> 00:00:33,519 - So, are you, like, the, um... 16 00:00:33,520 --> 00:00:35,359 associate director? 17 00:00:35,360 --> 00:00:38,359 - Uh, well, the role's not entirely defined at present. 18 00:00:38,360 --> 00:00:41,599 - He's an expert consultant. - But much more hands-off. 19 00:00:41,600 --> 00:00:43,079 - So no touching. (CHUCKLES) 20 00:00:43,080 --> 00:00:45,079 - Coach? - Colleague? 21 00:00:45,080 --> 00:00:47,080 - Fairy godmother. 22 00:00:47,120 --> 00:00:49,120 - Mentor. - Idol? 23 00:00:49,480 --> 00:00:53,039 - Mm. - Slaves, stop distracting the intern. 24 00:00:53,040 --> 00:00:55,040 On stage now! 25 00:00:56,280 --> 00:00:58,679 - You're all doing beautiful work. 26 00:00:58,680 --> 00:01:00,680 (ALL CHUCKLE QUIETLY) 27 00:01:03,000 --> 00:01:05,000 - Morning. 28 00:01:08,960 --> 00:01:12,879 - You know, this whole number needs to butch up, hmm? 29 00:01:12,880 --> 00:01:16,879 That goes for you too, ladies. - Um, would you like me to stand in for Helen for the next bit? 30 00:01:16,880 --> 00:01:18,759 - Oh, that's a wonderful idea. 31 00:01:18,760 --> 00:01:22,799 - We have a perfectly acceptable box. Thank you, Mia. 32 00:01:22,800 --> 00:01:25,879 Right, one, two, three � acting. Start acting. 33 00:01:25,880 --> 00:01:28,519 (MARCHING PIANO ACCOMPANIMENT PLAYS) 34 00:01:28,520 --> 00:01:31,279 - The kings have been requested. 35 00:01:31,280 --> 00:01:33,280 Paris will be bested. 36 00:01:33,880 --> 00:01:38,160 - ALL: We will uphold our oath. 37 00:01:38,560 --> 00:01:40,919 Let's go. We'll get them... 38 00:01:40,920 --> 00:01:43,759 - It's not the Lacrimosa. Pick up the pace! 39 00:01:43,760 --> 00:01:45,399 (MUSIC QUICKENS) 40 00:01:45,400 --> 00:01:48,639 - The army's been assembled. Watch the Trojans tremble. 41 00:01:48,640 --> 00:01:51,240 - ALL: We will uphold our oath. 42 00:01:51,440 --> 00:01:54,479 Let's go. We'll get them both. 43 00:01:54,480 --> 00:01:56,880 (ACCOMPANIMENT CONTINUES) 44 00:02:00,000 --> 00:02:02,680 - I just� - (SPLUTTERS) What the? 45 00:02:02,840 --> 00:02:06,639 - I think� I think it� it... it might be a little fast. 46 00:02:06,640 --> 00:02:09,199 - What is she saying? Speak up, girl! 47 00:02:09,200 --> 00:02:11,800 You're not behind enemy lines. 48 00:02:12,280 --> 00:02:14,279 - I just think... 49 00:02:14,280 --> 00:02:16,839 I just think it might be a little fast. 50 00:02:16,840 --> 00:02:20,720 - Oh, quiet in the cheap seats. (CLEARS THROAT) 51 00:02:21,040 --> 00:02:24,359 Ah, Charlie. Charlie! Act one, scene one � 52 00:02:24,360 --> 00:02:26,319 I want all the men 53 00:02:26,320 --> 00:02:28,320 covered in gold. 54 00:02:29,240 --> 00:02:31,240 - I'm already on it. 55 00:02:31,760 --> 00:02:34,160 (WHIMSICAL RINGTONE PLAYS) 56 00:02:34,440 --> 00:02:36,199 - Uh, sorry. No� I'm� I'm sorry. 57 00:02:36,200 --> 00:02:39,199 - Who dares bring a phone into my rehearsal room?! 58 00:02:39,200 --> 00:02:41,280 ROARS: Out, damned spot! 59 00:02:41,320 --> 00:02:43,319 Out! 60 00:02:43,320 --> 00:02:46,400 www.able.co.nz Copyright Able 2025 61 00:02:46,440 --> 00:02:48,359 (DOG BARKS IN DISTANCE) 62 00:02:48,360 --> 00:02:52,759 - ON PHONE: So you weren't fired? - As I said on my email, I loved working on Cats. 63 00:02:52,760 --> 00:02:55,559 The producers and I just had creative differences. 64 00:02:55,560 --> 00:02:58,559 - And it had nothing to do with this Sally Field incident? 65 00:02:58,560 --> 00:02:59,959 - Well, as� 66 00:02:59,960 --> 00:03:06,399 (CLEARS THROAT) as much as I'd love to completely deny that, I signed an NDA, so legally... 67 00:03:06,400 --> 00:03:09,799 No, what I need from you is help with my visa appeal. 68 00:03:09,800 --> 00:03:11,199 (WOMEN CHAT INDISTINCTLY) 69 00:03:11,200 --> 00:03:15,559 I mean, I have musicals in development with Lincoln Center and Second Stage, so yes, 70 00:03:15,560 --> 00:03:17,679 I guess you could say I'm a pretty big deal. 71 00:03:17,680 --> 00:03:19,680 (SLAP!) 72 00:03:19,920 --> 00:03:25,400 (CLEARS THROAT) No, they're not actual jobs. You're right. Uh... 73 00:03:26,120 --> 00:03:29,719 Pizazz, yes. An incredible organisation. 74 00:03:29,720 --> 00:03:31,720 Very well-run. 75 00:03:34,720 --> 00:03:36,079 Uh... 76 00:03:36,080 --> 00:03:40,279 Oh, well, no, I guess you'd call them the finest... 77 00:03:40,280 --> 00:03:42,760 large-scale yet boutique... 78 00:03:42,761 --> 00:03:45,239 classical musical theatre company in Tauranga? 79 00:03:45,240 --> 00:03:46,639 (ZAP!) - Ow! 80 00:03:46,640 --> 00:03:48,759 - That's what I was meaning by 'hazard'. 81 00:03:48,760 --> 00:03:52,240 - Oh, um, I would be the artistic director. 82 00:03:52,840 --> 00:03:54,399 Uh... (CLEARS THROAT) 83 00:03:54,400 --> 00:03:56,719 And if they didn't have a website? 84 00:03:56,720 --> 00:03:58,919 No� Well, no, Pizazz does, obviously. 85 00:03:58,920 --> 00:04:02,120 I was more worried about other people. 86 00:04:03,320 --> 00:04:05,079 Uh, I'll talk to you soon. Um, bye. 87 00:04:05,080 --> 00:04:07,080 Uh, excuse me. 88 00:04:07,360 --> 00:04:08,799 You busy? 89 00:04:08,800 --> 00:04:13,600 - Yeah� No, (CHUCKLES) I'm totally free. What do you need? 90 00:04:14,880 --> 00:04:17,719 - Every suggestion I make seems to be wrong. 91 00:04:17,720 --> 00:04:22,559 - Oh, he's like that with me. Oh, it's just his way of nurturing talent. 92 00:04:22,560 --> 00:04:24,560 - Adrian. Here it is. 93 00:04:24,640 --> 00:04:26,640 - Oh, finally! 94 00:04:26,720 --> 00:04:28,239 - (CHUCKLES LIGHTLY) 95 00:04:28,240 --> 00:04:30,559 - So, do you think maybe I should say something? 96 00:04:30,560 --> 00:04:34,159 - Adrian's an incredibly collaborative director. He loves feedback. 97 00:04:34,160 --> 00:04:36,159 - I said no questions. 98 00:04:36,160 --> 00:04:39,359 Now... (EXCLAIMS INDISTINCTLY) (CROP WHACKS) 99 00:04:39,360 --> 00:04:41,640 - We are so lucky to have him. 100 00:04:42,280 --> 00:04:45,280 (SHOES CLIP-CLOP, CHARIOT CREAKS) 101 00:04:46,720 --> 00:04:49,120 (WHEELS SQUEAK) (CHUCKLES) 102 00:04:50,720 --> 00:04:52,319 (GIGGLES) 103 00:04:52,320 --> 00:04:53,719 (CURIOUS MUSIC) 104 00:04:53,720 --> 00:04:55,439 (THUD!) - Ooh! Oh. 105 00:04:55,440 --> 00:04:56,639 - Excuse me. 106 00:04:56,640 --> 00:04:59,840 Sorry. Just leave it there. That's OK. 107 00:05:01,000 --> 00:05:03,280 - Oh. Still smells the same. 108 00:05:03,680 --> 00:05:07,399 - I'm rearranging the whole room based on era, not theme. So... 109 00:05:07,400 --> 00:05:11,479 we start with medieval Camelot there, 19th-century British work here, 110 00:05:11,480 --> 00:05:13,799 and we finish in the middle with Starlight Express. 111 00:05:13,800 --> 00:05:17,239 - You're doing God's work. - Oh, it's nothing big. 112 00:05:17,240 --> 00:05:21,199 This is what we'll use. - Great. Thanks. (CLEARS THROAT) 113 00:05:21,200 --> 00:05:26,239 And, you know, the website doesn't have to be big. Just has to show me working at Pizazz. 114 00:05:26,240 --> 00:05:28,519 - How about this for your profile pic? 115 00:05:28,520 --> 00:05:30,520 - Oh. 116 00:05:31,240 --> 00:05:33,039 A bit formal. 117 00:05:33,040 --> 00:05:35,039 - OK. 118 00:05:35,040 --> 00:05:37,040 (HUMS QUIETLY) 119 00:05:37,160 --> 00:05:39,440 (CURIOUS MUSIC CONTINUES) 120 00:05:39,720 --> 00:05:41,720 Too much? 121 00:05:42,000 --> 00:05:44,000 - (CHUCKLES) 122 00:05:47,360 --> 00:05:49,360 - Oh. 123 00:05:50,280 --> 00:05:51,959 Iconic. 124 00:05:51,960 --> 00:05:56,040 - Triggering. - Absolutely. Um... just options. 125 00:05:56,240 --> 00:05:59,479 - And you can make me the... the website? 126 00:05:59,480 --> 00:06:01,480 - Of course. I'm 17. 127 00:06:01,760 --> 00:06:03,760 - Oh. 128 00:06:04,040 --> 00:06:05,719 QUIETLY: Very young. 129 00:06:05,720 --> 00:06:10,399 (MARCHING PIANO ACCOMPANIMENT PLAYS) - The kings have been requested. Paris will be bested. 130 00:06:10,400 --> 00:06:13,520 - CHORUS: We will uphold our oath. 131 00:06:14,000 --> 00:06:17,359 Let's go. We'll get them both. (CAMERA CLICKS) 132 00:06:17,360 --> 00:06:18,719 - Ezra! (PIANO STOPS) 133 00:06:18,720 --> 00:06:20,439 What the hell are you doing? 134 00:06:20,440 --> 00:06:23,399 - Oh, we were just getting some rehearsal stills. 135 00:06:23,400 --> 00:06:26,279 That's how we do things in New York, but... 136 00:06:26,280 --> 00:06:29,480 - Well, in Tauranga, the stage is here, 137 00:06:29,760 --> 00:06:33,439 Ezra, in case you've forgotten. (CHUCKLES) 138 00:06:33,440 --> 00:06:34,959 (CAMERA CLICKS) 139 00:06:34,960 --> 00:06:38,199 Well, get on with it, girl. (PIANO ACCOMPANIMENT RESUMES) 140 00:06:38,200 --> 00:06:42,079 - The army's been assembled. Watch the Trojans tremble. 141 00:06:42,080 --> 00:06:44,800 We will uphold our oath. 142 00:06:44,840 --> 00:06:48,719 - Don't do this, no. - Let's go. We'll get them both. 143 00:06:48,720 --> 00:06:50,959 - You cannot go. 144 00:06:50,960 --> 00:06:53,759 - Stop, stop, stop, stop. (MUSIC STOPS) 145 00:06:53,760 --> 00:06:55,760 Why is she singing? 146 00:06:56,480 --> 00:06:58,159 - Um, because this� 147 00:06:58,160 --> 00:07:04,319 this is when Cassandra tells the slaves about her dream about the� the coming fall of Troy. 148 00:07:04,320 --> 00:07:06,119 - Nobody... 149 00:07:06,120 --> 00:07:08,600 wants to hear from Cassandra. 150 00:07:11,080 --> 00:07:13,039 - Charlie. 151 00:07:13,040 --> 00:07:14,519 What do you think? 152 00:07:14,520 --> 00:07:17,079 - What are you asking the intern for? 153 00:07:17,080 --> 00:07:21,239 - Oh, just whatever Adrian thinks. - Oh, Little Miss Broadway agrees with me. 154 00:07:21,240 --> 00:07:26,799 Well, we're done with all that singalong stuff. I want to see the wrestling. 155 00:07:26,800 --> 00:07:28,359 Everyone pair up. 156 00:07:28,360 --> 00:07:31,440 SING-SONGY: Connor. You're with me! 157 00:07:31,640 --> 00:07:33,640 (QUIRKY MUSIC) 158 00:07:35,360 --> 00:07:36,799 - Gloria? - Mm? 159 00:07:36,800 --> 00:07:39,919 - Would you mind moving out of the way? Just cos... 160 00:07:39,920 --> 00:07:41,999 Thanks. (CLEARS THROAT) 161 00:07:42,000 --> 00:07:43,759 (QUIRKY MUSIC CONTINUES) 162 00:07:43,760 --> 00:07:45,519 (CAMERA CLICKS) 163 00:07:45,520 --> 00:07:46,959 - Yeah. Yeah. 164 00:07:46,960 --> 00:07:48,959 (GRUNTING) - Oh! 165 00:07:48,960 --> 00:07:51,639 (CAMERA CLICKS, GRUNTING CONTINUES) 166 00:07:51,640 --> 00:07:53,640 (SOFT, POIGNANT MUSIC) 167 00:07:59,480 --> 00:08:02,519 - I didn't realise Helen had so little to do. 168 00:08:02,520 --> 00:08:05,479 It's mainly a show about men arguing. 169 00:08:05,480 --> 00:08:11,279 - Well, I am grateful to have you. - And after this, I want the full story on your friend Sally field. 170 00:08:11,280 --> 00:08:13,280 - Um, Ezra, how we doing? 171 00:08:13,320 --> 00:08:15,600 - Uh, yeah. We're good. - OK. 172 00:08:15,601 --> 00:08:17,759 - Oh, should I introduce myself to camera? 173 00:08:17,760 --> 00:08:20,319 - No, no. It's just a little behind-the-scenes kind of thing � 174 00:08:20,320 --> 00:08:23,719 something to make the website more dynamic. - Oh. Got it. 175 00:08:23,720 --> 00:08:25,639 Director and actor... 176 00:08:25,640 --> 00:08:28,159 getting stuck into the work. (BOTH CHUCKLE) 177 00:08:28,160 --> 00:08:31,399 - Exactly. - Oh, and stop me whenever you want. 178 00:08:31,400 --> 00:08:34,599 Honestly, don't go easy on me just because we're filming. 179 00:08:34,600 --> 00:08:36,199 - Hmm. 180 00:08:36,200 --> 00:08:38,680 - And... (BEEP!) ...rolling. 181 00:08:38,960 --> 00:08:40,960 - (HUMS, TRILLS TONGUE) 182 00:08:41,240 --> 00:08:43,240 Rrrah! 183 00:08:44,080 --> 00:08:45,479 (INHALES SHARPLY) 184 00:08:45,480 --> 00:08:47,880 POSH ENGLISH ACCENT: Priam! 185 00:08:48,200 --> 00:08:50,200 Priam! 186 00:08:50,440 --> 00:08:52,920 The walls have been breached! 187 00:08:53,840 --> 00:08:55,840 (WHIMPERS) The city... 188 00:08:56,320 --> 00:08:58,320 shall fall tonight. 189 00:08:58,800 --> 00:09:00,399 (SOBS DRAMATICALLY) 190 00:09:00,400 --> 00:09:02,119 Priam! 191 00:09:02,120 --> 00:09:04,600 SOBS: Priam! 192 00:09:07,280 --> 00:09:08,679 (INHALES DEEPLY) 193 00:09:08,680 --> 00:09:10,680 - OK. 194 00:09:12,160 --> 00:09:14,160 - CHUCKLES: OK. 195 00:09:14,520 --> 00:09:18,559 - Wow. The English accent � are we wedded to that? - Oh, well, 196 00:09:18,560 --> 00:09:23,599 Helen's a classical character, so she needs an English accent. - Mm-hm. Mm-hm. Yes. 197 00:09:23,600 --> 00:09:28,800 OK, well, why don't we try the next one without it? - (CHUCKLES) 198 00:09:28,880 --> 00:09:30,439 Uh, sure. 199 00:09:30,440 --> 00:09:34,440 Sure. Of course. Mm. Yeah. You're the director. 200 00:09:34,520 --> 00:09:37,200 (EXHALES SLOWLY, HUMS QUIETLY) 201 00:09:39,560 --> 00:09:41,560 (SIGHS) 202 00:09:42,360 --> 00:09:44,399 SOFTLY: Priam, the walls... 203 00:09:44,400 --> 00:09:46,880 the walls have been breached. 204 00:09:48,960 --> 00:09:50,879 TENSELY: The city... 205 00:09:50,880 --> 00:09:52,880 shall... fall... 206 00:09:53,240 --> 00:09:55,240 tonight. 207 00:09:56,520 --> 00:09:58,279 OK. Cut. - Ha. 208 00:09:58,280 --> 00:10:01,599 - (CHUCKLES) See, I just� I don't think that works... 209 00:10:01,600 --> 00:10:04,080 for the audience. - Mm. Right. 210 00:10:04,200 --> 00:10:09,000 Um, all right. For the next one, let's focus on objective. 211 00:10:09,040 --> 00:10:11,840 You really need Priam to hear you. 212 00:10:11,880 --> 00:10:13,639 - SHOUTS: Priam! 213 00:10:13,640 --> 00:10:16,599 Priam! - But you are still Helen of Troy. 214 00:10:16,600 --> 00:10:18,519 - HIGH-PITCHED: Priam! 215 00:10:18,520 --> 00:10:20,839 Priam! - Who is a fully grown woman. 216 00:10:20,840 --> 00:10:23,440 - GUTTURALLY: Priam! - OK, cut. 217 00:10:23,760 --> 00:10:25,760 (BEEP!) 218 00:10:26,360 --> 00:10:28,360 Great. 219 00:10:28,720 --> 00:10:32,800 Great. I think we've got some excellent footage. 220 00:10:33,200 --> 00:10:35,400 - What a range. (CHUCKLES) 221 00:10:35,560 --> 00:10:36,919 - SOFTLY: Yeah. 222 00:10:36,920 --> 00:10:38,999 This has been so much fun. 223 00:10:39,000 --> 00:10:40,719 (PENCIL SCRATCHES) 224 00:10:40,720 --> 00:10:42,720 (QUIRKY MUSIC) 225 00:10:43,160 --> 00:10:45,160 - OK. So... 226 00:10:45,440 --> 00:10:50,440 what's it made out of? - These are toilet rolls, a tissue box. 227 00:10:50,480 --> 00:10:52,480 And this... 228 00:10:52,640 --> 00:10:54,920 my late mother's ponytail. 229 00:10:55,320 --> 00:10:59,759 - I was meaning the finished product. - Well, you're the builder. 230 00:10:59,760 --> 00:11:01,960 - I'm an electrician. - Mm. 231 00:11:02,360 --> 00:11:06,839 (BEEP!) - I think we should fly the horse in, maybe on a bed of dry ice. 232 00:11:06,840 --> 00:11:10,080 - We've got $167 to make the horse. 233 00:11:10,160 --> 00:11:12,079 - Mm. Good to know. 234 00:11:12,080 --> 00:11:14,999 - Look, she's not Lady Diana. Put your phone away! 235 00:11:15,000 --> 00:11:19,399 - If it's too hard to have a huge horse, why don't we use a metaphorical one? 236 00:11:19,400 --> 00:11:22,079 Use that to challenge� - And why don't we do 237 00:11:22,080 --> 00:11:25,160 the Titanic musical without a ship?! 238 00:11:26,320 --> 00:11:30,200 Leave the set design to your director, please. 239 00:11:30,280 --> 00:11:32,560 Just tell me you can make it. 240 00:11:33,480 --> 00:11:35,559 - Gloria deserves a huge horse. 241 00:11:35,560 --> 00:11:37,560 I can try. - Finally. 242 00:11:37,640 --> 00:11:40,040 Like pulling teeth. (BEEP!) 243 00:11:40,080 --> 00:11:41,959 (SOFT, POIGNANT MUSIC) 244 00:11:41,960 --> 00:11:46,439 - Connor, great work. Have you got time for an interview? 245 00:11:46,440 --> 00:11:49,439 I'd love to hear more about your big horse. 246 00:11:49,440 --> 00:11:51,440 - Wanna see it? 247 00:11:53,480 --> 00:11:55,480 (MUSIC FADES) 248 00:11:58,960 --> 00:12:01,839 - Is there a way to make Pizazz look slightly bigger? 249 00:12:01,840 --> 00:12:04,399 (DOOR CREAKS OPEN) - Oh, I could add an extra Z. 250 00:12:04,400 --> 00:12:06,199 (DOOR CLOSES) 251 00:12:06,200 --> 00:12:09,239 - (SIGHS) Oh. What are you doing here, cookie? 252 00:12:09,240 --> 00:12:12,839 - (CLEARS THROAT) I'm just helping Ezra with his... maths homework. 253 00:12:12,840 --> 00:12:16,599 - But you can't do maths. (CHUCKLES) - Well, it's more of a pastoral role. 254 00:12:16,600 --> 00:12:19,399 - Right. Ezra, could you go to the school hall and get Gloria, please? 255 00:12:19,400 --> 00:12:22,319 Adrian wants to rehearse the battle scene. - Oh, how do you know she's there? 256 00:12:22,320 --> 00:12:25,199 - Oh, I've got all my key creatives on Find My. (CHUCKLES) 257 00:12:25,200 --> 00:12:29,439 Quickly. Adrian's starting to shout. - Oh, no. Ezra really needs to focus on his homework. 258 00:12:29,440 --> 00:12:31,799 - Yes, and we really need Gloria. Now, darling. 259 00:12:31,800 --> 00:12:36,800 - And I need Ezra... doing his maths. (DOOR CREAKS OPEN) - Oh. 260 00:12:36,840 --> 00:12:39,840 So, piano girl's just gone, has she? 261 00:12:40,040 --> 00:12:42,440 I am surrounded by amateurs. 262 00:12:42,600 --> 00:12:45,919 Charlie, get on stage. You need to stand in for the horse. 263 00:12:45,920 --> 00:12:48,200 - (SNORTS) Absolutely not. 264 00:12:49,200 --> 00:12:52,799 Because... I'm going to the school to find Gloria. 265 00:12:52,800 --> 00:12:54,800 Aren't I, Mum? - Mm-hm. 266 00:12:55,080 --> 00:12:59,360 - I'll check over that long division when I get back. 267 00:13:00,880 --> 00:13:03,360 - WHISPERS: He can't do maths. 268 00:13:03,840 --> 00:13:05,840 (DOOR CLOSES) 269 00:13:06,040 --> 00:13:08,120 (CURIOUS, TINKLY MUSIC) 270 00:13:11,680 --> 00:13:13,680 (MUSIC ENDS) 271 00:13:16,960 --> 00:13:19,960 (GENTLE PIANO MUSIC PLAYS FAINTLY) 272 00:13:23,960 --> 00:13:25,399 (DOOR CLOSES) 273 00:13:25,400 --> 00:13:27,359 - GLORIA SINGS: What a thing to happen 274 00:13:27,360 --> 00:13:29,640 and not be free to share it. 275 00:13:29,840 --> 00:13:34,239 What a curse to have a voice that no one gets to hear it. 276 00:13:34,240 --> 00:13:36,440 What a waste is wisdom... 277 00:13:36,800 --> 00:13:38,799 if no one hears you out. 278 00:13:38,800 --> 00:13:41,480 (PLAYS EMOTIVE ACCOMPANIMENT) 279 00:13:43,280 --> 00:13:47,360 You try to warn them, but no one will receive you. 280 00:13:47,680 --> 00:13:52,160 You wanna tell the truth, but no one will believe you. 281 00:13:52,360 --> 00:13:54,560 You foretell the future, 282 00:13:55,040 --> 00:13:57,640 but they can't hear you shout. 283 00:14:01,760 --> 00:14:03,760 I could stop floods. 284 00:14:03,920 --> 00:14:05,920 I could stop wars. 285 00:14:06,200 --> 00:14:08,039 I could stop death, 286 00:14:08,040 --> 00:14:10,040 destruction and harm. 287 00:14:10,600 --> 00:14:12,600 I could save lives, 288 00:14:12,680 --> 00:14:14,680 like thousands more 289 00:14:15,040 --> 00:14:17,040 if only people 290 00:14:17,120 --> 00:14:20,840 would hear the alarm. (MUSIC BUILDS) 291 00:14:21,360 --> 00:14:25,440 So I scream into the void... (PIANO MUSIC SOARS) 292 00:14:26,840 --> 00:14:29,920 ...even though they cannot hear me. 293 00:14:30,200 --> 00:14:35,040 I scream into the void. 294 00:14:35,440 --> 00:14:38,679 Is it maybe that they fear me? 295 00:14:38,680 --> 00:14:40,079 (MUSIC SOFTENS) 296 00:14:40,080 --> 00:14:43,920 I just pray one day... 297 00:14:44,280 --> 00:14:47,320 that somebody might listen 298 00:14:47,560 --> 00:14:50,560 to what I say. 299 00:14:50,920 --> 00:14:53,320 (CONTINUES PLAYING SOFTLY) 300 00:14:59,120 --> 00:15:01,120 (MUSIC ENDS) 301 00:15:04,000 --> 00:15:06,919 Aah! (LOW NOTES SLAM DISCORDANTLY) Oh, you've... 302 00:15:06,920 --> 00:15:08,879 Why do you keep doing that? 303 00:15:08,880 --> 00:15:11,519 - To be fair, you do startle quite easily. 304 00:15:11,520 --> 00:15:15,999 I've come to bring you back to rehearsals. Also, you should disable your Find My. 305 00:15:16,000 --> 00:15:18,719 - Oh, Adrian doesn't want me at rehearsals. 306 00:15:18,720 --> 00:15:23,399 - Adrian doesn't want anyone at rehearsals, but as the music director, you're kind of important. 307 00:15:23,400 --> 00:15:26,600 - Well, you don't think I'm important. 308 00:15:27,360 --> 00:15:29,279 - What does that mean? 309 00:15:29,280 --> 00:15:32,879 - Well, you didn't stand up for me today in rehearsals. 310 00:15:32,880 --> 00:15:35,679 - I don't even remember you being at rehearsals. 311 00:15:35,680 --> 00:15:37,680 - Just like Adrian. 312 00:15:37,720 --> 00:15:40,999 - Excuse me. (SCOFFS) I am nothing like Adrian. 313 00:15:41,000 --> 00:15:43,319 - You... are a director. You're all the same. 314 00:15:43,320 --> 00:15:46,320 - No, wait. Stop, Gloria. I'm sorry. 315 00:15:47,040 --> 00:15:49,040 I'm sorry. 316 00:15:52,120 --> 00:15:54,599 What was that you were playing? 317 00:15:54,600 --> 00:15:56,600 Is it one of yours? 318 00:15:58,080 --> 00:15:59,919 - It's... 319 00:15:59,920 --> 00:16:01,920 It's nothing. 320 00:16:02,680 --> 00:16:07,280 - You used a minor 4 chord on the 'listen to what I say'... 321 00:16:08,120 --> 00:16:09,839 - Yeah. 322 00:16:09,840 --> 00:16:13,120 - ...because no one's listening to her. 323 00:16:14,960 --> 00:16:16,839 - Yeah. 324 00:16:16,840 --> 00:16:18,840 - Smart. 325 00:16:20,640 --> 00:16:22,640 (SOFT PIANO MUSIC) 326 00:16:23,520 --> 00:16:25,520 - It's, um... 327 00:16:26,240 --> 00:16:29,799 It's one of Cassandra's songs from the original. 328 00:16:29,800 --> 00:16:31,800 - The... original? 329 00:16:32,280 --> 00:16:34,280 (SUSPENSEFUL TONE) 330 00:16:35,000 --> 00:16:37,080 (CURIOUS, QUIRKY MUSIC) 331 00:16:41,440 --> 00:16:43,640 This is a whole other show. 332 00:16:44,000 --> 00:16:48,039 - Adrian didn't wanna do my version, so he kind of... 333 00:16:48,040 --> 00:16:50,040 Well, he wrote his own. 334 00:16:50,640 --> 00:16:52,640 - He...? 335 00:16:52,920 --> 00:16:55,200 (CURIOUS MUSIC CONTINUES) 336 00:16:55,560 --> 00:16:58,160 All right. Let's have a listen. 337 00:17:00,120 --> 00:17:02,120 (CLEARS THROAT) 338 00:17:06,720 --> 00:17:09,320 All right. First things first. 339 00:17:09,720 --> 00:17:11,720 What is it about? 340 00:17:11,760 --> 00:17:13,840 - Well, it's about women. 341 00:17:14,160 --> 00:17:17,399 Two women � Helen... (PLAYS BRIGHT MUSICAL FLOURISH) 342 00:17:17,400 --> 00:17:21,080 ...the most beautiful woman in the world... 343 00:17:22,000 --> 00:17:24,919 (PLAYS 'SCREAM INTO THE VOID' THEME) 344 00:17:24,920 --> 00:17:26,920 ...and Cassandra... 345 00:17:27,800 --> 00:17:29,800 who's also great. 346 00:17:30,360 --> 00:17:36,359 And how their destinies are intertwined in one of the most epic battles in all of history. 347 00:17:36,360 --> 00:17:38,879 Cos Helen was married to Menelaus... 348 00:17:38,880 --> 00:17:45,159 (PLAYS DARKER CHORDS) ...who's this complex, brooding guy with a short temper. 349 00:17:45,160 --> 00:17:47,439 But then she meets Paris... 350 00:17:47,440 --> 00:17:49,279 (BRIGHTER, UPLIFTING MUSIC) 351 00:17:49,280 --> 00:17:51,760 ...who is, you know, quite... 352 00:17:51,761 --> 00:17:57,399 handsome. And she immediately falls in love, like she doesn't have a choice. It was just her destiny. 353 00:17:57,400 --> 00:18:02,800 And she tries to play it cool, (STOPS PLAYING) but he's just so... 354 00:18:04,480 --> 00:18:06,480 hot. 355 00:18:06,481 --> 00:18:10,119 (PLAYS WHIMSICAL TUNE) And so she dumps Menelaus... 356 00:18:10,120 --> 00:18:11,399 (POP! DING!) 357 00:18:11,400 --> 00:18:14,239 ...and marries Paris, and they go back to Troy, 358 00:18:14,240 --> 00:18:16,519 where they meet his mum, Hecuba, 359 00:18:16,520 --> 00:18:18,520 who's also your mum. 360 00:18:19,280 --> 00:18:24,880 She's the queen of Troy and married to Priam. He's... pretty old... 361 00:18:25,360 --> 00:18:26,719 but tall. 362 00:18:26,720 --> 00:18:27,719 (DRAMATIC MUSIC) 363 00:18:27,720 --> 00:18:33,200 As you can imagine, Menelaus loses his temper and vows revenge... 364 00:18:33,920 --> 00:18:38,439 and orders Odysseus to go and find the Greek warrior Achilles, 365 00:18:38,440 --> 00:18:42,039 who was the bravest fighter in all the land. 366 00:18:42,040 --> 00:18:44,639 (DRAMATIC MUSIC PAUSES, RESUMES) 367 00:18:44,640 --> 00:18:47,919 And then there's fighting that goes on for, like, 10 years, 368 00:18:47,920 --> 00:18:51,079 and then a horse appears, and the Spartans are hiding inside. 369 00:18:51,080 --> 00:18:55,119 Cassandra tries to warn the Trojans, but nobody listens. 370 00:18:55,120 --> 00:18:58,119 And then there's an ambush and another huge battle, 371 00:18:58,120 --> 00:19:00,720 and pretty much everyone dies. 372 00:19:01,040 --> 00:19:02,639 - Ugh! - Ugh! - Ooh! 373 00:19:02,640 --> 00:19:04,640 - Agh! - Ugh! - Aargh! 374 00:19:04,880 --> 00:19:09,799 - And then there's a megamix, and everyone goes crazy. There's confetti and a disco ball. 375 00:19:09,800 --> 00:19:12,159 Everyone's super happy, even the dead ones. 376 00:19:12,160 --> 00:19:14,799 And then there's a big final chord. 377 00:19:14,800 --> 00:19:16,800 OPERATICALLY: Troy! 378 00:19:17,360 --> 00:19:19,360 (DRAMATIC MUSIC ENDS) 379 00:19:19,480 --> 00:19:20,799 (SEAT CREAKS QUIETLY) 380 00:19:20,800 --> 00:19:22,800 What do you think? 381 00:19:22,960 --> 00:19:24,960 (SNARE DRUM ROLLS) 382 00:19:26,040 --> 00:19:27,519 (DOOR CLOSES) 383 00:19:27,520 --> 00:19:29,519 - Sir, master... 384 00:19:29,520 --> 00:19:34,799 lord and saviour. - I need a roll of blue taffeta. We're creating the Aegean Sea. 385 00:19:34,800 --> 00:19:37,600 - Yes, of course. Just one moment. 386 00:19:37,760 --> 00:19:39,760 (FOOTSTEPS RETREAT) 387 00:19:41,120 --> 00:19:43,120 (CURIOUS MUSIC) 388 00:19:44,160 --> 00:19:46,160 - What's this? 389 00:19:46,440 --> 00:19:50,559 - That� That is just, um, a little school project I'm working on. 390 00:19:50,560 --> 00:19:51,959 - About Charlie? 391 00:19:51,960 --> 00:19:54,040 - Yeah, um, it's about... 392 00:19:55,120 --> 00:19:57,119 immigration. 393 00:19:57,120 --> 00:19:59,120 (MUSIC CONTINUES) 394 00:19:59,320 --> 00:20:04,720 - If you don't tell me what's going on, I'm going to skin you alive. 395 00:20:06,080 --> 00:20:08,080 - What is it about? 396 00:20:08,160 --> 00:20:10,640 - It's about gods and... women 397 00:20:10,720 --> 00:20:12,719 and a city and a horse. 398 00:20:12,720 --> 00:20:14,720 - No. What is it about? 399 00:20:14,721 --> 00:20:19,679 - It's about Helen, who has this friend, Cassandra, but they're not really friends. 400 00:20:19,680 --> 00:20:22,199 - No, what is it actually about? 401 00:20:22,200 --> 00:20:25,079 - A battle in ancient history� - No, Gloria, what is it about?! 402 00:20:25,080 --> 00:20:27,080 - It's about fate. 403 00:20:27,120 --> 00:20:29,120 (ETHEREAL TONE) 404 00:20:30,720 --> 00:20:32,720 - Yeah. 405 00:20:33,280 --> 00:20:34,919 (QUIRKY MUSIC) 406 00:20:34,920 --> 00:20:36,920 - Oh. 407 00:20:38,280 --> 00:20:41,079 - It's just... a website for his visa. 408 00:20:41,080 --> 00:20:43,759 His immigration lawyer said it would strengthen his appeal. 409 00:20:43,760 --> 00:20:46,679 - Oh, well, there you go. Case closed. (CHUCKLES) 410 00:20:46,680 --> 00:20:49,599 - It makes it look as though he's the director. 411 00:20:49,600 --> 00:20:54,839 - Yeah, but everyone knows that you're the only one that's directed anything at Pizazz. Ever. 412 00:20:54,840 --> 00:20:57,039 - I just happen to be right for every project. 413 00:20:57,040 --> 00:21:00,559 - Yeah, and Charlie's just helping out until his visa comes through. 414 00:21:00,560 --> 00:21:04,159 He tells me that 20 times a day. - You believe him? 415 00:21:04,160 --> 00:21:08,039 - I believe everyone. - You mark my words, Gaye. 416 00:21:08,040 --> 00:21:10,040 That little Brutus... 417 00:21:11,040 --> 00:21:13,320 wants to stab me in the back. 418 00:21:13,720 --> 00:21:16,400 (QUIRKY MUSIC CONTINUES, ENDS) 419 00:21:19,560 --> 00:21:21,560 - So, what do we do now? 420 00:21:23,000 --> 00:21:25,000 - We do your show. 421 00:21:25,520 --> 00:21:28,400 (POIGNANT, SOARING MUSIC BUILDS) 422 00:21:30,200 --> 00:21:35,320 - So I scream into the void... 423 00:21:35,520 --> 00:21:38,800 even though they cannot hear me. 424 00:21:38,960 --> 00:21:43,760 I scream into the void. 425 00:21:44,040 --> 00:21:48,520 Is it maybe that they fear me? 426 00:21:48,840 --> 00:21:52,680 I just pray one day... 427 00:21:53,080 --> 00:21:56,320 that somebody might listen 428 00:21:56,400 --> 00:22:02,000 to what I say. 429 00:22:02,050 --> 00:22:06,600 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 31760

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