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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:09,960 --> 00:00:11,960 # Knowing me, knowing you 2 00:00:11,960 --> 00:00:12,960 # Ah-ha! 3 00:00:12,960 --> 00:00:15,000 # There is nothing we can do 4 00:00:15,000 --> 00:00:16,960 # Knowing me, knowing you 5 00:00:16,960 --> 00:00:18,000 # Ah-ha! 6 00:00:18,000 --> 00:00:23,960 # We just have to face it - This time we're through 7 00:00:23,960 --> 00:00:25,960 # Knowing me, knowing you! # 8 00:00:25,960 --> 00:00:28,960 Ah-ha-a-a! 9 00:00:28,960 --> 00:00:31,960 APPLAUSE 10 00:00:38,960 --> 00:00:41,160 # Knowing me, knowing you! # 11 00:00:46,960 --> 00:00:53,960 Welcome to Knowing Me, Knowing You with me, Alan Partridge, live from BBC Television Centre. 12 00:00:53,960 --> 00:00:57,960 There's a new chat in town. DRUM ROLL 13 00:00:58,960 --> 00:01:01,960 Tonight is a JFK kind of a night. 14 00:01:01,960 --> 00:01:06,960 Just as everyone remembers what they were doing when Kennedy was shot, 15 00:01:06,960 --> 00:01:13,960 I like to think that, 30 years on, people will remember what THEY were doing when I first said "Ah-ha-a!" 16 00:01:13,960 --> 00:01:18,160 As our motorcade of chat cruises through celebrity city, 17 00:01:18,160 --> 00:01:22,640 let's hope no sniper waits to pick off my star guest. 18 00:01:22,640 --> 00:01:27,960 He arrived at Heathrow and is being whisked here in a Vauxhall Carlton. 19 00:01:27,960 --> 00:01:32,960 He is none other than 007 James Bond, Roger Moore! 20 00:01:32,960 --> 00:01:36,960 AUDIENCE: Oooh! 21 00:01:36,960 --> 00:01:41,640 My set is modelled on the lobby of a top international hotel. 22 00:01:41,640 --> 00:01:45,960 And for the first time ever on a chat show, a beautiful fountain! 23 00:01:45,960 --> 00:01:47,960 But first, 24 00:01:47,960 --> 00:01:50,960 up there in their musical mezzanine, 25 00:01:50,960 --> 00:01:55,960 let's get to know my resident house band, Glen Ponder and Chalet! 26 00:01:56,960 --> 00:01:58,960 # Knowing me, knowing you! # 27 00:01:58,960 --> 00:02:01,960 APPLAUSE 28 00:02:01,960 --> 00:02:06,480 Knowing me, Alan Partridge, knowing you, Glen Ponder. Ah-ha! 29 00:02:06,480 --> 00:02:07,640 Ah-ha! 30 00:02:07,640 --> 00:02:10,960 Knowing me, Alan Partridge, knowing you, Chalet. Ah-ha! AH-HA! 31 00:02:10,960 --> 00:02:14,960 Great to have you aboard. It's great to be here. 32 00:02:14,960 --> 00:02:15,960 SPEAK TOGTHER 33 00:02:15,960 --> 00:02:18,000 Sorry? Sorry? 34 00:02:18,000 --> 00:02:22,960 Glen Ponder... Glen Ponder and Chalet! 35 00:02:22,960 --> 00:02:25,960 And you. Have a good time. 36 00:02:25,960 --> 00:02:28,960 BAND PLAYS: "Knowing me, knowing you" 37 00:02:33,800 --> 00:02:36,960 Well, it's time to meet my first guest NOW, 38 00:02:36,960 --> 00:02:40,960 after I've done her introduction, now. 39 00:02:40,960 --> 00:02:46,480 Now - Red Rum, Desert Orchid, Black Beauty, Shergar and Mr Ed. 40 00:02:46,480 --> 00:02:49,960 What have they in common? They're celebrity horses. 41 00:02:49,960 --> 00:02:54,960 My first guest is not a horse, she's a celebrity who rides a horse. 42 00:02:54,960 --> 00:02:56,960 Let's see her in action. 43 00:02:57,960 --> 00:03:00,000 Giddy, giddy - YES! 44 00:03:00,000 --> 00:03:01,960 YES!! 45 00:03:01,960 --> 00:03:06,960 Take that horse back to the stable and give it a kiss! 46 00:03:08,160 --> 00:03:11,320 No finer way to start my series 47 00:03:11,320 --> 00:03:16,960 than with world championship-winning showjumping legend Sue Lewis! 48 00:03:18,160 --> 00:03:20,960 # The winner takes it all 49 00:03:21,960 --> 00:03:24,640 # The winner makes it all 50 00:03:25,960 --> 00:03:27,960 # The winner takes it all. # 51 00:03:29,960 --> 00:03:31,320 There you go. 52 00:03:31,320 --> 00:03:34,960 Got a quick whiff of your perfume. That's nice. 53 00:03:37,960 --> 00:03:41,160 Knowing me, Alan Partridge, knowing you, Sue Lewis. Ah-ha! Ah-ha! 54 00:03:41,160 --> 00:03:42,960 Right. Now... 55 00:03:42,960 --> 00:03:45,960 ..horses. Horses. 56 00:03:45,960 --> 00:03:50,960 People say a dog is like its owner. Is a horse like its rider? 57 00:03:50,960 --> 00:03:52,960 I don't know. 58 00:03:53,960 --> 00:03:56,960 Can you speak up a bit? 59 00:03:56,960 --> 00:03:58,800 I don't know! 60 00:03:58,800 --> 00:04:01,480 There's no resemblance? 61 00:04:01,480 --> 00:04:05,960 You don't think you look like a horse? I hope not! 62 00:04:05,960 --> 00:04:07,960 Speak up! 63 00:04:07,960 --> 00:04:12,320 I hope not! Sorry, could we turn the fountain off, please? 64 00:04:13,960 --> 00:04:16,320 Sorry, Sue. Thank you. 65 00:04:16,320 --> 00:04:20,960 The idea was to represent a fountain of knowledge, to symbolise the show. 66 00:04:20,960 --> 00:04:22,960 Now... 67 00:04:22,960 --> 00:04:27,960 Now, Sue... It looks lovely. It is. Well, it cost two grand. 68 00:04:27,960 --> 00:04:33,160 That's the kind of thing you'll be seeing - lots of expensive items. 69 00:04:33,160 --> 00:04:37,960 Now, you won the hearts of the British public 70 00:04:37,960 --> 00:04:42,960 when, last year, you trotted off with the world championship. Yes. 71 00:04:42,960 --> 00:04:45,960 LAUGHTER 72 00:04:45,960 --> 00:04:50,960 How did that feel? Oh... Great! 73 00:04:50,960 --> 00:04:53,960 LAUGHTER 74 00:04:53,960 --> 00:04:54,960 Really? 75 00:04:57,960 --> 00:05:00,960 Really great! 76 00:05:00,960 --> 00:05:05,960 Was the horse, Joie de Vivre, was he aware of the excitement? Oh, yes. 77 00:05:07,480 --> 00:05:09,960 Um...what...what did you...? 78 00:05:09,960 --> 00:05:13,960 Did you give him a treat afterwards? Yes! 79 00:05:13,960 --> 00:05:15,960 What?! 80 00:05:15,960 --> 00:05:18,960 Did you...did you tickle his belly? 81 00:05:19,960 --> 00:05:24,960 No, that's dangerous. I'm thinking of that man with the dolphin. 82 00:05:24,960 --> 00:05:28,960 Um, Sue...let's move on to the anecdotes. 83 00:05:28,960 --> 00:05:30,960 D-d-do the anecdote. 84 00:05:30,960 --> 00:05:33,960 Well, all it was, was that... 85 00:05:33,960 --> 00:05:36,160 ..when you transport a horse 86 00:05:36,160 --> 00:05:40,000 you have to be careful and it takes a lot of time. 87 00:05:40,000 --> 00:05:43,960 The owner, Maxwell Henderson, was driving... 88 00:05:43,960 --> 00:05:46,960 Get to the bit about the horsebox. 89 00:05:46,960 --> 00:05:49,960 We were driving up the motorway... 90 00:05:49,960 --> 00:05:53,960 She was driving with a man... Sorry, I'm doing it. 91 00:05:53,960 --> 00:05:58,960 Right! Well, we were driving up the motorway and Maxwell needed a drink. 92 00:05:58,960 --> 00:06:03,320 So we stopped off at Newbury. Could I interrupt you? 93 00:06:03,320 --> 00:06:07,960 I've just been told Roger Moore has passed Heston Services 94 00:06:07,960 --> 00:06:10,960 and should be with us soon. Sue... 95 00:06:13,960 --> 00:06:15,960 Um... 96 00:06:15,960 --> 00:06:19,640 ..I've forgotten where I was! Where was I? 97 00:06:19,640 --> 00:06:22,960 I've absolutely no idea. Look... 98 00:06:22,960 --> 00:06:26,960 ..go on to the other one. Oh, I remember! All right. 99 00:06:26,960 --> 00:06:31,960 We stopped in Newbury so that Maxwell could get a drink - water or tea - 100 00:06:31,960 --> 00:06:36,160 and I wanted something to read. So you bought a book. Yes! 101 00:06:36,160 --> 00:06:41,960 It was a very small bookshop and they were catering for a mass audience. 102 00:06:41,960 --> 00:06:43,960 Be quicker. 103 00:06:43,960 --> 00:06:47,960 So I bought a book and when I was going out to... 104 00:06:47,960 --> 00:06:51,960 That's not quick. She bought a book called Killing Horses 105 00:06:51,960 --> 00:06:56,960 and the driver thought she was some sort of murderess! It was hilarious. 106 00:06:56,960 --> 00:06:58,480 Hilarious! 107 00:06:58,480 --> 00:07:01,960 It was the only book... That's the end... 108 00:07:01,960 --> 00:07:02,960 The end. 109 00:07:02,960 --> 00:07:08,960 OK... Now, it says here...Hawaii. What happened there? Exotic place - 110 00:07:08,960 --> 00:07:10,960 give me spice! 111 00:07:10,960 --> 00:07:14,960 I lost my luggage. Oh dear! What happened? 112 00:07:14,960 --> 00:07:18,960 It turned up in Brasilia! Disaster! What next? 113 00:07:18,960 --> 00:07:21,960 It was fine. Nothing missing. 114 00:07:22,960 --> 00:07:24,960 You see, that's no good! 115 00:07:24,960 --> 00:07:30,960 That's an incident, not an anecdote. Your press release says "anecdote"! 116 00:07:30,960 --> 00:07:36,960 No good. Just for future reference, to save wasting people's time. 117 00:07:36,960 --> 00:07:40,160 Not to worry. We've got a surprise for YOU 118 00:07:40,160 --> 00:07:44,960 in this, one of the regular features of the series, Up Alan's Sleeve. 119 00:07:44,960 --> 00:07:47,960 Well, Sue Lewis, this week, 120 00:07:47,960 --> 00:07:51,960 I have for you, up my sleeve, a HORSE and a jump! 121 00:07:51,960 --> 00:07:54,960 Bring on the horse and the jump! 122 00:07:54,960 --> 00:07:59,960 BAND PLAYS "KNOWING ME KNOWING YOU" JINGLE 123 00:07:59,960 --> 00:08:02,960 We couldn't get your horse so it's just A horse. 124 00:08:04,960 --> 00:08:07,960 Now, isn't he a beauty?! SHE. 125 00:08:07,960 --> 00:08:11,960 SHE..? ..Yes, you're absolutely right. 126 00:08:11,960 --> 00:08:13,960 We've got the horse and the jump. 127 00:08:13,960 --> 00:08:18,960 I've sprung this on you, but will you rise to the challenge? 128 00:08:18,960 --> 00:08:21,960 I can't. She doesn't want to do it! 129 00:08:21,960 --> 00:08:24,960 Do you want her to? AUDIENCE: Yes! 130 00:08:24,960 --> 00:08:27,960 Jump the jump. No. This is a concrete floor. 131 00:08:27,960 --> 00:08:31,960 A horse has delicate legs. It would damage them. 132 00:08:31,960 --> 00:08:37,960 Can we gaffer-tape some sponges to the hooves? It would break its legs. 133 00:08:37,960 --> 00:08:43,960 I can't. "Please don't break my legs!" she says! Don't do that! 134 00:08:43,960 --> 00:08:47,960 All right, get rid of the horse and the jump! 135 00:08:47,960 --> 00:08:51,960 LAUGHTER AND APPLAUSE 136 00:08:55,960 --> 00:08:57,960 Look at that! 137 00:08:57,960 --> 00:09:00,160 That's YOUR fault! 138 00:09:01,960 --> 00:09:03,960 She was nervous. 139 00:09:03,960 --> 00:09:09,960 You really ought to get a dustpan! That could have been spectacular! 140 00:09:09,960 --> 00:09:13,960 No horse jump and now just a lump of dung! 141 00:09:17,960 --> 00:09:19,960 I'm sorry. 142 00:09:19,960 --> 00:09:21,960 That's it! 143 00:09:21,960 --> 00:09:25,960 No more questions? No. ..Have YOU got any questions? 144 00:09:25,960 --> 00:09:27,960 Have you ever ridden a horse? 145 00:09:27,960 --> 00:09:29,960 Yes, I have. 146 00:09:29,960 --> 00:09:31,960 I went pony-trekking... 147 00:09:32,960 --> 00:09:38,480 ..with school - in Cornwall. Gosh! ..Like one of YOUR stories! 148 00:09:39,960 --> 00:09:44,960 Ladies and gentlemen - Sue Lewis! INAUDIBLE 149 00:09:44,960 --> 00:09:46,960 APPLAUSE 150 00:09:49,960 --> 00:09:52,960 Fame! I'm going to live forever! 151 00:09:52,960 --> 00:09:54,960 Stay there, Sue! 152 00:09:56,960 --> 00:09:59,800 Fame! I'm going to learn how to fly! 153 00:09:59,800 --> 00:10:01,960 Of course I'm not... 154 00:10:01,960 --> 00:10:10,000 But, in a sense...my next guest DID. Two years ago, he was presenting the Loony Breakfast Show on Radio Leeds, 155 00:10:10,000 --> 00:10:13,960 now he's the new host of This Is Your Life! 156 00:10:13,960 --> 00:10:16,320 He's a trooper. I think he's super. 157 00:10:16,320 --> 00:10:20,960 Please welcome Super Trooper Keith Hunt. ..Where is he? 158 00:10:20,960 --> 00:10:23,960 "SUPER TROOPER" JINGLE 159 00:10:36,960 --> 00:10:43,960 Knowing me, Alan Partridge, knowing you, Keith Hunt. Ah-ha! Ah-ha! Am I right? 160 00:10:43,960 --> 00:10:48,960 AUDIENCE: You're not wrong! He's got a catchphrase already! 161 00:10:48,960 --> 00:10:51,960 Best slip it in early - know what I mean! 162 00:10:51,960 --> 00:10:57,960 You all right, Sue? You're not wrong! She's a barrel of laughs(!) 163 00:10:57,960 --> 00:11:00,960 Pity it's empty! Am I right? 164 00:11:00,960 --> 00:11:03,960 AUDIENCE: You're not wrong! Only joking. 165 00:11:03,960 --> 00:11:09,960 No, you really aren't, not wrong! ..Um...Now, Keith, 166 00:11:09,960 --> 00:11:13,960 This Is Your Life - it's a British institution. 167 00:11:13,960 --> 00:11:16,480 It's as English as fish and chips. 168 00:11:16,480 --> 00:11:22,960 Bangers and mash. The tower of London. ..Sue - something British? Um...Crufts? 169 00:11:23,960 --> 00:11:26,960 Umm...but you know, I would... 170 00:11:26,960 --> 00:11:34,960 I would dearly love my show to be an institution. You must change your theme tune! Abba's Swedish! 171 00:11:34,960 --> 00:11:37,640 Well, that's a Swedish institution. 172 00:11:37,640 --> 00:11:41,320 You can't get more Swedish. As Swedish as Ikea. 173 00:11:41,320 --> 00:11:42,960 Volvo! 174 00:11:42,960 --> 00:11:44,960 Sue..? 175 00:11:45,960 --> 00:11:47,960 ..The vegetable, swede. 176 00:11:47,960 --> 00:11:49,960 Yeah...well, yeah... 177 00:11:49,960 --> 00:11:51,960 The Swedes... 178 00:11:51,960 --> 00:11:54,640 ..don't have a bad life. 179 00:11:54,640 --> 00:11:58,960 They get up in the morning, have a bowl of swede, 180 00:11:58,960 --> 00:12:02,480 hop in the Volvo, whack on Abba, and go to Ikea! 181 00:12:02,480 --> 00:12:05,960 I mean... I mean, that's my Sunday... 182 00:12:07,960 --> 00:12:09,960 ..apart from the swede. 183 00:12:10,960 --> 00:12:14,960 Now Keith... I have Kellogg's Common Sense. 184 00:12:14,960 --> 00:12:17,000 Keith, what's your secret? 185 00:12:17,000 --> 00:12:19,960 I'm an ordinary bloke. 186 00:12:19,960 --> 00:12:24,960 BUT - the big but - you do extraordinary things...because... 187 00:12:24,960 --> 00:12:31,960 I have Keith's local paper, here, with a little story... No, no, no! Don't embarrass me! 188 00:12:31,960 --> 00:12:34,960 A little story. Shh! 189 00:12:34,960 --> 00:12:38,960 A story about Keith. Shall I read it or will you? 190 00:12:38,960 --> 00:12:41,960 Will you? All right, all right. Listen. 191 00:12:41,960 --> 00:12:47,960 The headmaster of me kid's school knocked on me door and said, "Keith, 192 00:12:47,960 --> 00:12:51,960 "we're having a raffle to raise money for a mini-bus. 193 00:12:51,960 --> 00:12:54,160 "Will you host it?" 194 00:12:54,160 --> 00:12:58,960 I says, "How much does it cost?" He says, "18 grand." I said... 195 00:12:58,960 --> 00:13:00,960 Sorry. 196 00:13:00,960 --> 00:13:02,960 I'll just stop you. 197 00:13:02,960 --> 00:13:09,480 I've just been told that Roger Moore is at Chiswick roundabout, so stay tuned! 198 00:13:09,480 --> 00:13:11,800 Keith, carry on. 199 00:13:11,800 --> 00:13:15,960 He said, "18 grand." I said, "Here's 20. 200 00:13:15,960 --> 00:13:19,960 "Buy the mini-bus AND take them to Alton Towers!" 201 00:13:19,960 --> 00:13:21,960 What a nice man! 202 00:13:21,960 --> 00:13:25,960 You've got to put a bit back. And it's tax deductible. 203 00:13:26,960 --> 00:13:30,960 Now, Keith, you like surprises. 204 00:13:30,960 --> 00:13:31,960 By the way, 205 00:13:31,960 --> 00:13:34,960 thanks for bringing that paper in. 206 00:13:34,960 --> 00:13:38,480 LAUGHTER And...and... 207 00:13:39,960 --> 00:13:42,960 APPLAUSE 208 00:13:42,960 --> 00:13:43,960 Well done. 209 00:13:43,960 --> 00:13:48,960 Um...you like surprises and we have now got a surprise for YOU 210 00:13:48,960 --> 00:13:52,000 because it's time to go Up Alan's Sleeve. 211 00:13:52,000 --> 00:13:56,960 Earlier on I had a horse up my sleeve for Sue Lewis. 212 00:13:56,960 --> 00:14:00,960 People are asking, "What's up your other sleeve?" 213 00:14:00,960 --> 00:14:03,800 Well, it's a child. 214 00:14:03,800 --> 00:14:07,960 What's going on? A child you know well - you produced him. 215 00:14:07,960 --> 00:14:10,320 Your very own son, Sam Hunt! 216 00:14:10,320 --> 00:14:12,800 I don't believe it! 217 00:14:13,960 --> 00:14:16,000 APPLAUSE 218 00:14:16,000 --> 00:14:19,960 Hello! Keith... Now, Keith... 219 00:14:19,960 --> 00:14:21,960 Keith... Hi, Sam! 220 00:14:21,960 --> 00:14:27,960 Sam is your only son from your marriage which was dissolved some years ago. 221 00:14:27,960 --> 00:14:31,960 You're only allowed to see him once a fortnight, 222 00:14:31,960 --> 00:14:37,960 but I can speak to him, so you wait here while I talk to Sam Hunt! 223 00:14:40,160 --> 00:14:41,960 Hello! 224 00:14:41,960 --> 00:14:44,960 Sam, it's Dad! Now, I believe 225 00:14:44,960 --> 00:14:48,960 you've got something special to say to Sam today. 226 00:14:48,960 --> 00:14:52,960 Looking forward to next week. We'll have fun. 227 00:14:54,160 --> 00:14:57,960 No, isn't there something else you want to say? 228 00:14:57,960 --> 00:15:00,960 See your dad on the telly last week? 229 00:15:00,960 --> 00:15:03,960 No! Sam, do you want to tell Daddy? 230 00:15:03,960 --> 00:15:06,960 It's my birthday. It's your son's birthday! 231 00:15:06,960 --> 00:15:11,960 Yes! Happy birthday, Sam. What have you got for him? 232 00:15:14,960 --> 00:15:19,480 No, stay there. Give him this. There you go. 233 00:15:19,480 --> 00:15:21,960 He got you £10. 234 00:15:21,960 --> 00:15:24,960 Don't despair, we got you a present. 235 00:15:24,960 --> 00:15:30,000 We've got you an Alan Partridge tie and blazer badge combination pack. 236 00:15:31,960 --> 00:15:33,960 Take that. 237 00:15:33,960 --> 00:15:35,960 And, not only that, 238 00:15:35,960 --> 00:15:40,960 a trip to Disneyland with your mummy and her partner this weekend! 239 00:15:40,960 --> 00:15:42,960 No, no! 240 00:15:42,960 --> 00:15:44,960 No. 241 00:15:45,960 --> 00:15:51,960 I've got custody this weekend. She knows that. No, it's been arranged! 242 00:15:51,960 --> 00:15:54,960 Where are you going this weekend? Disneyland. 243 00:15:54,960 --> 00:15:58,960 Of course you are! Ladies and gentlemen, Sam Hunt! 244 00:15:58,960 --> 00:16:01,960 That way. 245 00:16:01,960 --> 00:16:05,960 # Happy birthday to you 246 00:16:05,960 --> 00:16:08,960 # Happy birthday, dear Sam 247 00:16:08,960 --> 00:16:10,960 # Happy birthday to you! # 248 00:16:10,960 --> 00:16:13,960 Great. Marvellous. 249 00:16:13,960 --> 00:16:19,960 Funny feeling that backfired a bit. You should have checked with me first, Alan. 250 00:16:19,960 --> 00:16:25,960 I didn't realise you would forget your only son's birthday. Leave it! 251 00:16:25,960 --> 00:16:29,960 Oh, dear! I've blown my chance to be on This Is Your Life! 252 00:16:29,960 --> 00:16:34,960 Oh, we couldn't have you on - we only have celebrities. 253 00:16:34,960 --> 00:16:39,960 AUDIENCE: Oooh! Sss! 254 00:16:39,960 --> 00:16:43,960 Sue, you got any children? No, I haven't. I have. 255 00:16:43,960 --> 00:16:46,480 Fernando - he's at Cambridge - 256 00:16:46,480 --> 00:16:48,960 and Denise. 257 00:16:48,960 --> 00:16:55,960 Denise's birthday is on the 27th of May and Fernando's is on the 6th of June. 258 00:16:55,960 --> 00:17:00,160 Quite close, so we have a family bash. Solid as a rock. 259 00:17:03,960 --> 00:17:08,960 Do horses have birthdays? Yes. Do they get presents? Sometimes. 260 00:17:08,960 --> 00:17:10,640 Really? 261 00:17:10,640 --> 00:17:12,960 Even horses? 262 00:17:16,960 --> 00:17:20,960 He looks like a lovely boy - Sam. Super lad. 263 00:17:20,960 --> 00:17:23,960 How old is he? Five. Six! Six today. 264 00:17:23,960 --> 00:17:26,960 Am I right? I'm not wrong! 265 00:17:26,960 --> 00:17:29,960 Ladies and gentlemen, Keith Hunt. 266 00:17:34,960 --> 00:17:37,640 Now... 267 00:17:39,960 --> 00:17:43,960 Could...could someone clear that shit away, please? 268 00:17:44,960 --> 00:17:48,960 It's just...it's in my picture. I don't... 269 00:17:48,960 --> 00:17:50,960 LAUGHTER 270 00:17:52,960 --> 00:17:56,960 People may associate it with me. I don't want... 271 00:17:59,320 --> 00:18:04,800 Time now for my next guest. If music be the food of love, play on! 272 00:18:04,800 --> 00:18:06,960 That's what Shakespeare said. 273 00:18:06,960 --> 00:18:11,960 I'm not Shakespeare, but I say pretty much the same thing. 274 00:18:11,960 --> 00:18:15,800 If music be the food of love, let's eat it! 275 00:18:15,800 --> 00:18:20,640 Here with her new single, "Monday Morning" - I know the feeling - 276 00:18:20,640 --> 00:18:22,960 Shona McGough! 277 00:18:22,960 --> 00:18:25,960 CHEERS AND APPLAUSE 278 00:18:31,960 --> 00:18:35,960 # Monday morning at quarter to eight 279 00:18:35,960 --> 00:18:40,960 # She gives her husband his cornflakes, he mustn't be late. 280 00:18:40,960 --> 00:18:42,960 # She vacuums the carpets 281 00:18:42,960 --> 00:18:45,960 # Makes everything clean Everything clean 282 00:18:45,960 --> 00:18:50,480 # What would she do without Mr Sheen? 283 00:18:55,480 --> 00:18:59,480 # She takes a shotgun from under the stairs 284 00:18:59,480 --> 00:19:01,960 # And stands in the hallway 285 00:19:01,960 --> 00:19:07,960 # Screaming her pra-a-ayers...! 286 00:19:08,960 --> 00:19:13,960 # The gas man comes to read the meter 287 00:19:13,960 --> 00:19:17,960 # He writes down the reading, scratching his head 288 00:19:17,960 --> 00:19:22,960 # It's quarter to four and now the gas man's DEAD! 289 00:19:22,960 --> 00:19:27,640 # Blood ba-ath! 290 00:19:27,640 --> 00:19:29,480 # The postman arrives 291 00:19:29,480 --> 00:19:31,960 # She says, "Hello, Ray" 292 00:19:31,960 --> 00:19:36,960 # And smiles politely as she BLOWS HIM AWAY! 293 00:19:36,960 --> 00:19:41,320 # Blood ba-ath! 294 00:19:41,320 --> 00:19:45,960 # She's stalking the streets Her brain's on fire 295 00:19:45,960 --> 00:19:50,960 # She guns down 20 in Visionhire! 296 00:19:50,960 --> 00:19:55,000 # Blood ba-ath! 297 00:19:55,000 --> 00:19:57,000 # Her hubby comes home 298 00:19:57,000 --> 00:19:59,800 # And he gives her a kiss 299 00:19:59,800 --> 00:20:02,960 # She puts the gun in his mouth and says 300 00:20:02,960 --> 00:20:04,960 # SUCK ON THIS! 301 00:20:04,960 --> 00:20:09,960 # Blood ba-ath! 302 00:20:09,960 --> 00:20:13,960 # Blood ba-ath! Blo-o-od! 303 00:20:13,960 --> 00:20:15,960 # Blo-o-od! 304 00:20:15,960 --> 00:20:18,960 # Blood! Blood! 305 00:20:18,960 --> 00:20:21,960 # Blood! Blood! Aa-ah-h-h! 306 00:20:21,960 --> 00:20:26,640 # Suck on thi-i-is...! # 307 00:20:26,640 --> 00:20:29,800 APPLAUSE 308 00:20:31,960 --> 00:20:34,960 No, no. No! 309 00:20:34,960 --> 00:20:38,960 APPLAUSE CONTINUES No, no. No. 310 00:20:38,960 --> 00:20:40,960 Ladies... 311 00:20:40,960 --> 00:20:44,800 ..Ladies and gentlemen, I must apologise. 312 00:20:44,800 --> 00:20:47,960 I had no idea of the full content of that song. 313 00:20:47,960 --> 00:20:51,640 To any young people watching, let me say this. 314 00:20:51,640 --> 00:20:55,960 Whilst it may be all right for a rock band to sing about it, 315 00:20:55,960 --> 00:21:00,960 murder, be it domestic or genocide, is illegal in this country. 316 00:21:00,960 --> 00:21:03,960 What was that? It was a song. 317 00:21:03,960 --> 00:21:09,960 It started so well. You whipped the skirt off, like Buck's Fizz. Then... 318 00:21:09,960 --> 00:21:12,960 Do you mind standing here as you were told? 319 00:21:12,960 --> 00:21:14,960 Please, come back. 320 00:21:14,960 --> 00:21:21,960 Shona McGough's single is in the shops, if you want to annoy your neighbours! 321 00:21:22,960 --> 00:21:27,960 Right. I've just been told Roger Moore is at Chiswick roundabout... 322 00:21:28,960 --> 00:21:31,960 Still there? He shouldn't be there! 323 00:21:31,960 --> 00:21:34,960 I'll fill in with a chat with Shona McGough. 324 00:21:34,960 --> 00:21:37,960 She's beaten me to it! Oh, dear! 325 00:21:37,960 --> 00:21:40,960 I need a chair. 326 00:21:41,960 --> 00:21:44,960 Don't do that, please. 327 00:21:44,960 --> 00:21:48,640 Sue. Sue Lewis. Sorry, I n-need your chair. 328 00:21:48,640 --> 00:21:51,960 BAND BOOS Just sit round there. 329 00:21:51,960 --> 00:21:55,960 Well, you're watching Knowing Me, Knowing You 330 00:21:55,960 --> 00:22:01,960 with Alan Partridge. It's not quite what we planned - but what the heck! 331 00:22:01,960 --> 00:22:05,960 You can't say it's not interesting. Please don't say that. 332 00:22:05,960 --> 00:22:09,480 Don't do that. Stop it! Please. 333 00:22:09,480 --> 00:22:12,960 Ah! This is interesting - a lady drummer! 334 00:22:12,960 --> 00:22:15,960 Eyes closed, could have been a man. 335 00:22:16,960 --> 00:22:18,800 Thanks a lot! 336 00:22:18,800 --> 00:22:23,960 Do you want to put those pears back, please? No. D'you want a pear? 337 00:22:23,960 --> 00:22:26,960 I'd really rather you didn't... 338 00:22:26,960 --> 00:22:30,960 What the heck! Rock'n'roll! Let's have a pear! 339 00:22:31,960 --> 00:22:38,320 A question I've always wanted to ask a Scotswoman - what has a Scotsman got under his kilt? 340 00:22:38,320 --> 00:22:40,960 His penis. 341 00:22:40,960 --> 00:22:42,960 I know what you think! 342 00:22:42,960 --> 00:22:46,960 You think I'm a big square. Yes! Let me tell you, 343 00:22:46,960 --> 00:22:53,960 I've seen it all before. I've inhaled hashish, I had an Afro haircut. 344 00:22:53,960 --> 00:22:57,960 I went to all-weekend binges to Prestatyn to see Wings. 345 00:22:57,960 --> 00:23:04,320 And Mike Oldfield, Jean-Michel Jarre and The Eagles could eat you lot for breakfast! 346 00:23:05,960 --> 00:23:09,480 You're quiet! Just enjoying the show, mate. 347 00:23:11,960 --> 00:23:18,960 Let's move on to the next part of the show, "An Audience with Roger Moore". 348 00:23:18,960 --> 00:23:20,960 I'm going to invite Shona, 349 00:23:20,960 --> 00:23:25,960 Sue and Keith - not the band - to join me in the Roger Moore room 350 00:23:25,960 --> 00:23:28,960 for an audience with Roger Moore! 351 00:23:28,960 --> 00:23:32,000 LOUD APPLAUSE 352 00:23:37,960 --> 00:23:41,960 Can we have two chairs! Two chairs? Two chairs? 353 00:23:41,960 --> 00:23:47,960 Here we are in the Roger Moore room for an audience with Roger Moore. 354 00:23:47,960 --> 00:23:50,960 Roger could have come in, sat there 355 00:23:50,960 --> 00:23:55,960 and chatted about things. We have memorabilia from Roger's career. 356 00:23:55,960 --> 00:23:57,960 There's a James Bond car. 357 00:23:59,960 --> 00:24:04,640 There's a golden gun from The Man with the Golden Gun. 358 00:24:04,640 --> 00:24:06,960 There's a Saint Annual. 359 00:24:06,960 --> 00:24:12,960 I was going to get him to read from it with his lovely, warm voice. 360 00:24:12,960 --> 00:24:17,960 This was the show opening. This was going to be marvellous. 361 00:24:17,960 --> 00:24:19,960 Curtains! 362 00:24:20,960 --> 00:24:25,960 Roger Moore! The quintessential English gentleman. 363 00:24:25,960 --> 00:24:29,960 APPLAUSE 364 00:24:29,960 --> 00:24:31,960 Who's not here. 365 00:24:31,960 --> 00:24:37,960 Now, Roger would have loved this - I was going to introduce myself by doing this. 366 00:24:37,960 --> 00:24:40,960 Ah-ha! Mr Bond. 367 00:24:41,960 --> 00:24:44,160 I've been expecting you. 368 00:24:44,160 --> 00:24:45,960 Which I had. 369 00:24:45,960 --> 00:24:48,960 It would have been fantastic. 370 00:24:48,960 --> 00:24:51,960 What's that? That's a nipple. 371 00:24:51,960 --> 00:24:53,960 What? 372 00:24:53,960 --> 00:24:57,960 From The Man with the Golden Gun. It's a third nipple. 373 00:24:57,960 --> 00:25:00,960 That's a gold finger. 374 00:25:00,960 --> 00:25:04,960 ģ Sean Connery was Goldfinger. That was a trick. 375 00:25:04,960 --> 00:25:11,960 Sean Connery was a better Bond. Well, interesting you take that position - the Scottish position. 376 00:25:11,960 --> 00:25:17,960 In the whole Roger versus Sean debate that's raged for 20 years, 377 00:25:17,960 --> 00:25:21,960 I have to say I am firmly in the Roger camp. 378 00:25:21,960 --> 00:25:26,960 No-one could wear a safari suit with the same degree of casuality as him. 379 00:25:26,960 --> 00:25:31,960 It's a complete shambles. He's not here! 380 00:25:31,960 --> 00:25:34,960 You tell them Roger Moore's coming... 381 00:25:34,960 --> 00:25:39,960 Let me stop you in your tracks because, ladies and gentlemen, 382 00:25:39,960 --> 00:25:42,960 Roger Moore IS on the show! 383 00:25:42,960 --> 00:25:46,160 We're having him right now, live... Where is he? 384 00:25:46,160 --> 00:25:50,320 ..live by telephone link-up from the car on a mobile phone. 385 00:25:51,960 --> 00:25:55,000 Hello, Roger! Hello, Roger. 'Hello, Alan.' 386 00:25:55,000 --> 00:25:57,960 Oh, joy! Oh, Roger Moore! 387 00:25:57,960 --> 00:26:02,160 Knowing me, Alan Partridge, knowing you, Roger Moore. Ah-ha! 388 00:26:02,160 --> 00:26:05,960 FUZZY CRACKLING Roger? No, all right. 389 00:26:05,960 --> 00:26:08,960 I'll cut straight to a key question. 390 00:26:08,960 --> 00:26:13,640 A hypothetical fistfight takes place between Simon Templar, the Saint, 391 00:26:13,640 --> 00:26:15,960 and Roger Moore, James Bond 007. 392 00:26:15,960 --> 00:26:17,960 Who wins? 393 00:26:17,960 --> 00:26:20,960 STATIC Any thoughts on that, Roger? 394 00:26:22,960 --> 00:26:24,960 Roger? 395 00:26:26,160 --> 00:26:27,960 Roger! 396 00:26:28,960 --> 00:26:30,960 Roger!! 397 00:26:32,960 --> 00:26:33,960 ROGER!! 398 00:26:38,960 --> 00:26:41,960 Does "Titanic" mean anything to you? 399 00:26:41,960 --> 00:26:45,320 Oh, yeah, people go on about... Titanic?! 400 00:26:45,320 --> 00:26:50,960 Let me tell you something. People forget that on its maiden voyage, 401 00:26:50,960 --> 00:26:56,960 there were over a thousand miles of cruising before it hit the iceberg. 402 00:26:58,160 --> 00:27:01,960 Anyway, he was on the show. Doesn't count. 403 00:27:01,960 --> 00:27:04,960 Face it - he's Roger the Dodger. 404 00:27:04,960 --> 00:27:07,960 Am I right? ALL: You're not wrong! 405 00:27:07,960 --> 00:27:11,320 All right. Point taken. But we can rescue it. 406 00:27:11,320 --> 00:27:15,480 Let's call this "Right to Reply with Alan Partridge". 407 00:27:15,480 --> 00:27:17,960 Let me hear any criticisms. 408 00:27:17,960 --> 00:27:21,480 Criticisms? A horse takes a dump on your show! 409 00:27:21,480 --> 00:27:23,960 No manners, but what a critic! 410 00:27:23,960 --> 00:27:26,640 LAUGHTER 411 00:27:26,640 --> 00:27:31,960 You get a horse with a jump on. She won't jump it. I couldn't. 412 00:27:31,960 --> 00:27:34,960 It was dangerous. You get a band on, 413 00:27:34,960 --> 00:27:39,960 you slag us off the minute we appear. Vegetarians - we get ham sandwiches. 414 00:27:39,960 --> 00:27:42,960 You get me own kid on! 415 00:27:42,960 --> 00:27:45,960 When the Director General of the BBC... 416 00:27:45,960 --> 00:27:47,960 Up yours! 417 00:27:47,960 --> 00:27:49,960 Up yours!! 418 00:27:51,000 --> 00:27:54,960 APPLAUSE AND WHISTLES 419 00:27:56,960 --> 00:28:00,960 You can't say that. Kiss my arse! 420 00:28:07,160 --> 00:28:10,960 And on that bombshell, it's time for me to say 421 00:28:10,960 --> 00:28:13,960 knowing me, Alan Partridge, knowing you, 422 00:28:13,960 --> 00:28:15,960 Scotch lady. 423 00:28:15,960 --> 00:28:20,480 Knowing you, the Hunt, and knowing you, Mrs Mouse. 424 00:28:20,480 --> 00:28:27,640 And I've just been told Roger Moore has just checked into Claridges where he's ordered room service. 425 00:28:27,640 --> 00:28:28,960 AH-HA! 33396

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