Original subtitles

PREVIOUSLY ON "HILL STREET BLUES"...

GOODBYE, PHIL.

MY GOOD FRIEND.

QUIT IT, GET OFF.

ALL RIGHT, I SAID

ONE PRISONER AT A TIME GOES ONTO THE BUS.

HOW DO YOU LIKE IT SO FAR?

CAN'T GET ENOUGH OF IT.

WHERE ARE YOU GOING, HAIRBAG?

AND NOW, TONIGHT ON "HILL STREET BLUES"...

IT'S MISAPPLIED MANPOWER.

THE CHIEF WANTS TO HELP OZZIE MAKE GOOD ON A CAMPAIGN PROMISE.

I DON'T MAKE THE POLICY.

YOU DON'T THINK THE PRESS SHOULD QUESTION A P.R. STUNT

LIKE OPERATION STOP-AND-COP?

UH, NO COMMENT.

YOU HAVE HURT ME, FRANK,

AND YOU'RE GOING TO PAY FOR IT.

OKAY, ITEM 11, MEMO FROM BUILDING MAINTENANCE,

GUYS, I'M NOT GOING TO MAKE

A BIG DEAL OUT OF THIS, NOW, THE MEMO SAYS

THAT THEY FOUND THAT SOME DETERGENT

THEY'VE BEEN USING ON TOILET SEATS, ET CETERA,

MAY CAUSE SKIN RASHES ON CERTAIN SENSITIVE SKINS,

SO IF ANYBODY'S BEEN HAVING SKIN RASHES

ON THOSE GENERAL AREAS...

YEAH, RENKO, BUT HE DOESN'T HAVE

ANY SKIN THAT'S SENSITIVE.

MAYBE DON'T WORRY, OR MAYBE WORRY.

ITEM 12, STOP-AND-COP BLOCKS,

THAT'S DECKER BETWEEN 118th AND 120th,

AN OPERATION AGAINST THESE DRUG SUPERMARKETS,

BEGINS TODAY.

AND I GUESS LASTS UNTIL MAYOR CLEVELAND DECIDES

THAT HE'S COVERED HIS CAMPAIGN PROMISE.

FIRST TARGET WILL BE THE CATCHILY NAMED

"SEXY CLOTHES BOUTIQUE," WHICH WAS PICKED ON THE BASIS

THAT IT HAS THE LAMEST FRONT.

LAST SURVEILLANCE OFFERED

ONE MOTH-EATEN HOUSE DRESS HUNG ON A RACK

IN THE FRONT ROOM.

WE GOT DETECTIVES LaRUE, WASHINGTON, BELKER,

FERITAS, KATZ, AND LIEUTENANT GOLDBLUME

ON THIS OBSERVATION AND BUST STAKEOUT.

ALL BACK-UPS WILL BE POSTED UPSTAIRS.

ITEM 13,

LIEUTENANT HUNTER WILL BE TAKING APPLICATIONS

FOR THE EQUESTRIAN UNITS.

AS OF MAY 1,

THIS PRECINCT WILL HAVE FOUR HORSES.

WHICH I GUESS MEANS FOUR HORSEMEN.

LAST ITEM, NEW PARTNERS.

WE HAVE THE TRANSFER OF OFFICERS PIZER, RALF, AND DONAHUE TO 9th,

SO THAT MAKES THE FOLLOWING REASSIGNMENTS

ABSOLUTELY NECESSARY...

RICHARDSON, YOU'LL BE PARTNERED WITH CONVOY,

COFFEY WITH PILSKY,

AND THOSE WILL BE TILL FURTHER NOTICE.

OKAY, THAT'S ABOUT IT.

HEY, HEY, WAIT A SECOND, EVERYBODY!

YOU KNOW, FOR THE LAST 10 DAYS...

I MEAN, SINCE I STARTED DOING ROLL CALLS,

I FEEL LIKE WHEN I GET TO THE END OF THESE THINGS

I'M LIKE WALKING ON EGGSHELLS.

I DON'T KNOW HOW TO END THEM.

I MEAN, THE FIRST ONE

I WANTED TO END THE WAY SARGE DID.

ANYWAY, I GUESS WE GOT OFF TO THE WRONG START.

WELL, I MISS IT, I MEAN, I MISS HEARING THOSE WORDS.

AND I THINK MAYBE SOME OTHER PEOPLE

MISS IT, TOO.

SO, IF THERE ARE NO OBJECTIONS...

I MEAN, I KNOW I'M NOT THE SARGE,

I CAN NEVER BE THE SARGE, I'M ROLL CALL SERGEANT.

ARE THERE ANY OBJECTIONS?

OKAY, THEN LET'S ROLL.

AND LET'S BE CAREFUL OUT THERE.

COME ON, MOVE!

BELKER.

MOVE!

HILL, RENKO?

HOMICIDE, THE ALLEY BEHIND VAN BUREN AND DOGWOOD.

ALL RIGHT, THANKS, LIEUTENANT.

YEAH, AND THEN, DOES IT HAVE A SUNROOF?

NO, I ORDERED IT, THOUGH.

OKAY, IT WILL BE A CREDIT UNION CHECK.

OKAY, THANKS A LOT, BYE.

SOCKING THE SALARY BOOST

INTO VEHICULAR TRANSPORT, SERGEANT?

YEAH.

THIS IS MY FIRST NEW CAR.

GOOD FOR YOU.

THANKS.

HAVE LUNCH WITH ME TODAY.

REALLY, LUNCH?

CELEBRATE WITH AN AFTERNOON REPAST.

WELL...

I THOUGHT IT WAS A VACUUM CLEANER, THAT'S ALL.

VACUUM CLEANER?

IT SAYS RIGHT HERE,

"VETROCOM INTERNATIONAL TELECOMMUNICATIONS SYSTEM."

YOU KNOW WHAT I THINK THIS IS?

THIS IS PIECE OF PHONE COMPANY SPACE SATELLITE.

HAIRBALL, YOU COULD BE IN ALL KINDS OF TROUBLE.

YOU NEVER HAVE NOTHING BUT TROUBLE

WITH THE PHONE COMPANY.

BELKER.

HI, MA.

YOU FOUND MY RIN TIN TIN LUNCHPAIL,

ARE YOU KIDDING?

YEAH.

JUST A SECOND, MA.

HOW WOULD YOU LIKE

A CRUSHED VERTEBRAE?

THAT'S REAL NICE, MA.

YOU KNOW WHAT YOU SHOULD DO?

GIVE IT TO LITTLE... STEVIE,

THE KID DOWN THE HALL.

NO, NO.

BECAUSE I JUST USE A BAG NOW.

MA, I'M IN A HURRY HERE.

I'M SURE I DON'T NEED IT, GIVE IT TO THE LITTLE KID.

I LOVE YOU, TOO.

GOODBYE.

NAME?

WHAT'S A RIN TIN?

IT'S A TELEVISION SHOW... "RIN TIN TIN."

I USED TO WATCH IT WHEN I WAS A KID.

MY MOM JUST FOUND MY RINNY LUNCHBOX.

MAYBE IF I'D HAD A RINNY LUNCHBOX WHEN I WAS A KID,

THINGS WOULD BE A LITTLE DIFFERENT.

MAYBE.

THE THINGS I COULDA BOOSTED WITH SOMETHING LIKE THAT.

DISPATCH. WE HAVE A 911...

ARMED ROBBERY IN PROGRESS.

SURPLUS STORE, CORNER OF...

ANY OF YOU PEOPLE SEE ANYTHING?

ANYBODY SEE THE STABBING?

YES, SIR, I SAW IT ALL.

NOW WHAT'D YOU SEE THERE, OLD FELLA?

IT WAS THE OLDER ONE, WILLIE BOY.

OLDER OF WHOM, SIR?

OF THESE HELLFIRE BROTHERS.

I DON'T KNOW THEIR LAST NAME,

BUT WILLIE BOY STABBED THAT MAN.

I SAW IT FROM MY WINDOW UP THERE.

THEY ARGUED, THEN WILLIE BOY STABBED HIM.

I'VE BEEN LIVING IN THAT APARTMENT FOR 32 YEARS.

MISTER... TALBOT.

MR. LIONEL TRAIN TALBOT.

MR. TALBOT, WOULD YOU BE WILLING

TO COME DOWN TO THE STATION AND CHECK THROUGH SOME PICTURES?

I'LL IDENTIFY AND I'LL GIVE A STATEMENT,

BECAUSE I'M SICK AND TIRED OF BEING SCARED OF WILLIE BOY,

HIS BROTHER, AND THE REST OF THESE ROUGHNECKS.

I'M CALLING A HALT!

WELL, ALL RIGHT, WOO WOO LIONEL.

LET'S DO IT, SIR.

DON'T JOKE WITH MY NAME TILL YOU KNOW ME BETTER.

60% OF A SHIFT'S DETECTIVES

AND WE'LL BE LUCKY TO MAKE SIX ARRESTS.

MAYBE 50 NICKEL BAGS.

OBVIOUSLY WE HOPE FOR BETTER NUMBERS THAN THAT.

WELL, UNLESS YOU WANT A TURNSTILE OPERATION,

THERE AREN'T GOING TO BE ANY BETTER NUMBERS.

THEN WE'LL LIVE WITH THOSE.

WARREN, QUALITY BUSTS TAKE TIME.

YOU HAVE TO DOCUMENT OBSERVATION.

IF YOU TRY TO ARREST DURING COMMISSION...

I KNOW THE CRITERIA, FRANK.

IT'S WHAT THE CHIEF WANTS.

AND IF HE WEREN'T UNDER THE KNIFE,

HE'D TELL YOU SO HIMSELF.

WHAT THE CHIEF WANTS

IS TO MEND SOME FENCES WITH OZZIE CLEVELAND.

WHAT HE REALLY WANTS

IS HIS HEMORRHOIDS HADN'T COME BACK.

FRANK,

THE CHIEF WANTS TO HELP OZZIE MAKE GOOD

ON A CAMPAIGN PROMISE.

I DON'T SEE THE VILLAINS THERE.

IT'S MISAPPLIED MANPOWER.

IT'S A P.R. STUNT THAT PUTS MY PEOPLE AT RISK

AND ERODES MORALE.

AND IT GIVES A FALSE IMPRESSION

OF OUR ABILITY TO DEAL WITH THE PROBLEM.

HOW MANY DIFFERENT WAYS DO YOU WANT IT TO BE WRONG?

YES?

OH, EXCUSE ME, DEPUTY CHIEF BRISCOE.

PLEASE, DON'T LEAVE ON MY ACCOUNT.

FOR THE RECORD, FRANK,

THE CHIEF ASKED ME TO DRIVE BY THERE...

THE STOP-AND-COP OPERATION.

I JUST DIDN'T WANT YOU TO THINK

I WAS GOING BEHIND YOUR BACK.

AS OPPOSED TO LOOKING OVER MY SHOULDER?

NOW, THAT'S IN THE JOB PROFILE FOR A DEPUTY CHIEF.

LIEUTENANT.

SIR.

WHAT CAN I DO FOR YOU, HOWARD?

WELL, CANDIDLY, FRANK, I WAS PASSING BY

AND I OVERHEARD THE EXCHANGE.

AND?

JUDAS, FRANK, I LOVE IT.

I LOVE TO HEAR YOU CHEW OUT THE SUITS.

THAT'S HIM.

MULLINS, WILLIAM.

OKAY.

BEEN MESSING WITH PEOPLE IN MY NEIGHBORHOOD

AS LONG AS I CAN REMEMBER.

GOT A BROTHER NAMED TIMOTHY.

BOTH OF 'EM TRASH.

THEY ROBBED ME TWICE,

AND I WAS TOO AFRAID TO CALL.

ALL RIGHT, SIR.

NO MORE.

LIONEL TALBOT SAYS, "ENOUGH IS ENOUGH."

SARGE, WE GOT A SUSPECT ON THE VAN BUREN HOMICIDE.

GOT AN ADDRESS OFF A TWO-WEEK-OLD BUST.

OKAY, GO PICK HIM UP, I'LL GET YOU BACKUPS.

HEY, I'LL GO WITH YOU, I AIN'T AFRAID TO FACE HIM.

NO, THIS JOB IS OURS, POPS.

Pilsky: THE PRINCESS AND THE STALLION.

WHO, US?

YEAH, IT'S THE POLISH PRINCESS AND THE ITALIAN STALLION.

YEAH.

LOOK, CLARA, COULD I SAY SOMETHING?

SURE.

YOU PROBABLY HEARD A LOT OF JOE COFFEY STORIES

AND YOU FIGURE I'M THIS WAY OR THAT WAY.

YOU HEAR A LOT OF THINGS.

CLARA, I WOULD LIKE YOU AND I TO START FROM ZERO.

BECAUSE THE KIND OF GUY I AM...

I FEEL RIGHT NOW

I'M IN THE MIDDLE OF WORKING THAT OUT.

HEY, WE'RE GONNA START FROM SCRATCH.

THANKS.

SAME GOES FOR ME.

ALL RIGHT.

I DON'T KNOW, I MEAN,

MAYBE YOU'RE GONNA HEAR SOME THINGS,

YOU KNOW, ABOUT ME AND MY LAST PARTNER.

LIKE WHAT?

JUST SOME THINGS WE USED TO DO.

YOU AND DANNY FRANK?

WHAT DO YOU MEAN,

WHAT KIND OF THINGS YOU USED TO DO?

I MEAN, WHAT KIND OF THINGS YOU USED TO DO?

YEAH, 2203.

UNIT 2203, BACK UP 2202 ON SUSPECT ARREST,

1663 EAST UTICA.

2203 RESPONDING.

LET'S GO.

CLARA, THINGS LIKE WHAT?

GREAT, GREAT, WE GET STUCK IN THIS ROACH PALACE

TO GET OZZIE CLEVELAND SOME P.R.

GOTTA HAVE SUSTAINED OBSERVATION, J.D.

GOTTA HAVE DOCUMENTED TRANSACTIONS.

I HATE THESE THINGS!

OH, HEY, DON'T LOOK INTO THE LENS, BELKER, IT'LL CRACK.

HEY, IF YOU WANT TO BUST A FLY,

YOU GOTTA SHOW HIM GETTING HIGH, BABE.

YOU THERE, FAY?

HEY, I'M GETTING TIRED OF THIS DAMN MACHINE.

I KNOW YOU'RE THERE, PICK UP THE PHONE

SO WE CAN TALK.

YOU HEAR ME?

AND... IF YOU'RE NOT THERE, JUST PLEASE HAVE

THE SIMPLE COURTESY TO CALL ME BACK.

DAMN MACHINES.

I ALWAYS WONDERED ABOUT HER.

WHO?

CAPTAIN'S EX.

I ALWAYS WONDERED WHAT SHE WAS LIKE.

YOU'VE MET FAY, YOU KNOW WHAT SHE'S LIKE.

SURE, SURE.

YOU'VE GOT THE MIND OF A PIG, LaRUE.

HEY, YOU GOT THE BREATH OF A GOAT, BELKER.

HEY, HEY, COME ON, YOU GUYS.

I THINK IT'S ABOUT TIME WE MADE SOME ARRESTS.

ALL RIGHT, ABOUT TIME TO GET SOME FRESH AIR.

YOU GOT ENOUGH PHOTOS, NEAL?

YOU GOT WASHINGTON ON THE SHUTTER, BABY.

ALL RIGHT, ALL UNITS,

WE'RE MOVING ON TARGETS, LET'S GO.

COME ON OUT FROM THERE!

ASSUME THE POSITION, DIRTBAG.

Man: UNIT 24, YOU'RE WITHOUT CHARGE BEFORE QUESTIONING.

FREEZE!

HERE, CHECK THIS OUT, BABY.

"EBONY AND IVORY," HEY, THEY NAMED ONE AFTER US.

HEY, WE GOT YOU ON FILM, BABY.

YOU ARE BUSTED.

WE'RE SO ADVANCED, WE'RE SIMPLE.

NOW, YOU GOT THE RIGHT TO REMAIN SILENT,

YOU GOT...

COMING AT YOU, MAN!

WHERE ARE YOU GOING, HAIRBAG?

OH, MAN, FOSTER JUST GOT CUT BAD.

WHAT'S DOIN'?

YOU WILLIAM MULLINS?

COULD BE.

GET BACK!

DON'T MOVE!

HOLD IT RIGHT THERE!

YOU GOT A WARRANT, MAN?

GET ON OUTTA HERE WHILE WE SEARCH THE PLACE!

GET ON OUT!

HEY, PAL, YOU TAKE IT EASY

OR YOU'RE GONNA TAKE IT HARD, YOU HEAR ME?

LET'S GO.

LEO, WE GOT A MR. MULLINS HERE FOR HOMICIDE.

FUTURE PHARMACISTS OF AMERICA, LEO.

TAKE THESE GENTLEMEN, PLEASE.

STOP-AND-COP?

YEAH, WE GET A COUPLE OF LAME BUSTS

AND FOSTER GETS CUT UP LIKE A THANKSGIVING TURKEY.

WHERE DID THEY TAKE HIM?

MERCY HOSPITAL, HE'S OKAY, CAPTAIN.

YEAH, IF YOU DON'T COUNT BLOOD LOSS.

COME HERE, J.D.

LOOK, J.D., I'M NO FAN OF THIS OPERATION,

BUT BITCHING AND MOANING WON'T HELP MORALE.

OKAY, I'M SORRY, CAPTAIN, OKAY?

I JUST DON'T LIKE SHILLING

FOR OZZIE CLEVELAND'S STREET GAMES.

YOU'RE ENTITLED TO YOUR OPINION, BUT OFF-DUTY, OKAY?

GOT IT.

WHO'S TAKING ARRAIGNMENTS?

ME AND NEAL.

FERITAS AND KATZ AND BELKER

ARE ON THE SECOND STAKEOUT.

OH, ABOUT MORALE, CAPTAIN,

GET IN A ROOM WITH BELKER SOMETIME,

HIS BREATH IS ENOUGH TO CROSS YOUR EYES.

COUNSELOR.

PIZZA MAN.

HOW'S YOUR DAY GOING?

NOWHERE CLOSE TO MY NIGHT.

DEXTER SAWYER, CAPTAIN FURILLO.

PLEASED TO MEET YOU, CAPTAIN.

HOW ARE YOU?

DEXTER JUST JOINED OUR OFFICE.

GOOD.

CRAM ORIENTATION COURSE.

WHO'S IN MY FUTURE, LIEUTENANT?

WILLIAM MULLINS, HOMICIDE, INTERROGATION.

OKAY.

GENTLEMEN.

WHO IS THE KID?

NEW P.D.

I DON'T LIKE HIM.

IF YOU DON'T MIND,

MR. SAWYER'S GOING TO LISTEN TO OUR DISCUSSION.

ALL CLIENT-ATTORNEY PRIVILEGES APPLY.

THAT MEANS HE'S MY LAWYER, TOO?

YES.

OKAY.

YOU'VE GOT AN IMPRESSIVE LIST OF PRIORS, MR. MULLINS.

ARMED ROBBERY, POSSESSION, AGGRAVATED ASSAULT,

ASSAULT WITH A DEADLY WEAPON.

ALL MULTIPLE COUNTS.

MAN DOES WHAT HE HAS TO DO.

PRESENTLY WE'RE TALKING ABOUT HOMICIDE,

WHICH PUTS YOU IN A WHOLE NEW TAX BRACKET.

THAT'S IF I'M GUILTY, WHICH WHO'S TO SAY?

YOU'RE A SUSPECT IN THE MURDER

OF CECIL GIBBONS.

IN A FEW MINUTES A WITNESS IS GOING

TO SEE IF HE RECOGNIZES YOU.

SO?

HE CLAIMS HE SAW YOU COMMIT THE CRIME.

HE SAYS HE CAN IDENTIFY YOU.

SO I KILLED HIM, SO WHAT?

SUCKA CHALLENGED ME.

AND THE NEXT FOOL THAT CHALLENGE ME,

I'LL ICE HIM, TOO.

SO, MS. LADY, YOU JUST GET ME

BACK ON THE STREETS, YOU WON'T HAVE TO WORRY

ABOUT NO WITNESS AND NO CHARGE.

IF YOU'RE IDENTIFIED IN A LINEUP,

YOU'RE NOT GOING TO GET ON THE STREET, MR. MULLINS.

MURDER IS A CAPITAL CRIME,

THE JUDGE WILL SET A HIGH BAIL.

THAT'S WHY A MAN HAS FRIENDS.

GET YOUR HEADS UP, GENTLEMEN.

STEP TO YOUR LEFT, NUMBER THREE.

THAT'S HIM, NUMBER FOUR.

WILLIAM MULLINS, HE STABBED HIM.

TAKE YOUR TIME, MR. TALBOT,

WE WANT YOU TO BE ABSOLUTELY SURE.

I DON'T NEED TO TAKE MY TIME, I KNOW WHO KILLED CECIL GIBBONS.

IT WAS NUMBER FOUR, WILLIAM MULLINS.

YOU WANT A PROFILE?

I'M AS SURE AS I'M SITTING HERE.

Goldblume: ALL RIGHT, THAT'S IT, MOVE TO THE DOOR.

I'M LOOKING FOR WILLIAM MULLINS.

HE'S UNAVAILABLE.

THAT'S MY BROTHER.

HE'S IN A LINEUP.

I GUESS YOU CAN TAKE A SEAT OVER THERE AND WAIT,

THEY SHOULD KNOW WHAT THEY'RE GOING

TO DO WITH HIM IN A FEW MINUTES.

BOBBY, PUBLIC DISTURBANCE

IN FRONT OF THIS GUY'S BUSINESS.

YOU AND RENKO GO CHECK IT OUT.

AH, BIG GIRL, WE WERE ABOUT TO GO GET SOMETHING TO EAT.

CAN'T YOU GIVE IT TO SOMEBODY ELSE?

NO, I CANNOT.

ALL RIGHT, ROLL IT, BROTHER.

ALL RIGHT.

HEY, POPS.

HI, OFFICER.

MR. TALBOT?

YEAH.

MY NAME IS JOYCE DAVENPORT,

I'M REPRESENTING WILLIAM MULLINS.

WELL, THIS IS ONE CASE YOU GONNA LOSE.

I'D LIKE TO ASK YOU SOME QUESTIONS.

CAN'T NOW, BECAUSE I GOT TO GO TO THE CLINIC.

I'D LIKE TO MAKE IT PRETTY SOON

WHILE YOUR MEMORY'S STILL FRESH.

I AIN'T TRYING TO DUCK YOU,

JUST GOT HYPERTENSION

AND I GOT TO GO TO THE CLINIC.

NOW, THIS IS MY ADDRESS.

NOW, I SHOULD BE HOME BY 2:00.

YO, LIONEL. THANK YOU, SIR.

YOU WANNA SAID YOU SEEN ME?

YOU AIN'T SEEN NOTHING, MAN!

YOU AIN'T SEE ME DO NOTHING!

YOU MADE A MISTAKE, MAN!

YOU THE ONE MADE A MISTAKE!

YOU LIABLE TO GET ICED! WILLIAM, WILLIAM!

YOU GONNA GET COLD REAL QUICK!

I SAW YOU WHEN YOU STABBED THAT MAN.

HEY, TIMOTHY, HEY, BRO, HE MADE A MISTAKE!

I AIN'T AFRAID OF YOU OR YOUR BROTHER!

I SEEN YOU WHEN YOU STABBED THAT MAN.

OKAY.

HEY, YOUR BROTHER'S GONNA BE CHARGED,

YOU GOT ANY OTHER BUSINESS HERE?

NO, NOT HERE.

WELL THEN, TAKE A HIKE.

AND DON'T EVEN CONSIDER INTIMIDATING ANYBODY.

YOU'LL END UP IN A CELL.

YOU SEE WHAT I MEAN?

HE'S BEEN DOING THAT ALL MORNING.

IT'S SCARING ALL MY CUSTOMERS AWAY.

YOUR DADDY'S

RICH

AND YOUR MOTHER'S GOOD-LOOKING

HEY, BUDDY, HEY, LOOK...

HUSH, BABY, DON'T YOU CRY

LOOK, YOU'RE CAUSING A DISTURBANCE,

YOU'RE JUST GONNA HAVE TO LEAVE.

ONE OF THESE MORNINGS

YOU'RE GONNA WAKE UP SINGING

HEY.

YOU'RE GONNA SPREAD YOUR WINGS AND YOU'LL TAKE TO THE SKY

UNTIL THAT MORNING, YOU GOT NOTHING CAN HARM YOU

'CAUSE YOUR MOMMY AND DADDY ARE STANDING BY

ALL RIGHT, NOW YOU LISTEN TO ME, PAL.

YOU SHUT UP AND WALK AWAY FROM HERE,

OR THE NEXT SONG YOU'RE GONNA BE SINGING

IS THE JAILHOUSE ROCK,

YOU UNDERSTAND ME?

JUST WALK AWAY, RENEE

YOU DON'T HAVE TO FOLLOW ME BACK HOME

THE EMPTY SIDEWALK ON MY STREET IS NOT THE SAME

YOU'RE NOT TO BLAME

FOUR TOPS, 1968?

HOW THE HELL WOULD I KNOW ANYTHING ABOUT THAT?

NO, LISTEN, ALL WE GOT IS THE DEMON.

AH, HE AIN'T GOT NO DOCTOR MONSTER, MAN?

SAID WE AIN'T GOT IT, BROTHER.

NOW GET BEHIND THE DEMON.

DEMON DELIVERS.

NO, MAN, FORGET THAT.

OH, GET STUFFED TOO, MAN.

YES, SIR?

YOU GOT FOUR TREY BAGS, MAN, PLEASE?

WELL, STEP RIGHT TO THE DOOR, MY MAN,

THEY'LL TAKE CARE OF YOU.

YOU WILLING TO SELL ME SOME SMACK, HUH?

I AIN'T STANDING HERE LOOKING FOR A DATE, COOL.

MAYBE YOU'RE LOOKING TO DO SOME TIME!

A BUST, BUST MAN!

RED DOG, YOU GOT THREE COMING YOUR WAY.

POLICE, FREEZE!

WHAT ARE YOU DOING HERE?

PHONE COMPANY WOULDN'T PRESS CHARGES.

WE GOT A SHOOTING VICTIM HERE.

435 NORTH POLK.

NOW LOOK WHAT THE PHONE COMPANY...

SHUT UP!

YOU'RE NOT GOING TO DIE ON ME,

YOU UNDERSTAND?

LOGAN.

WHAT?

MY NAME'S JIM LOGAN.

CAMDEN, NEW JERSEY.

YOU CALL MY MOMMA.

SAY HER BABY LOGAN, OKAY?

NO... NO... NO!

COME BACK.

COME BACK HERE!

DON'T DO THIS TO ME!

IN THE BOX SEAT, THERE'S A WEASEL.

IN THE BOX SEAT, THERE'S A FRAUD.

AND LET ME TELL YOU ANOTHER THING,

IF HE TRIES TO PUT THE CLAW ON ME,

I'M GONNA RIP OFF HIS ARM AND BEAT HIM TO DEATH WITH IT.

VON HIMMEL,

LAST TIME YOU MET THE SHEIK, IT WAS WAR, IT WAS CHAOS,

IT WAS THE WORST THING THAT EVER HAPPENED

IN THE HISTORY OF WRESTLING.

WHAT DO YOU GOT TO SAY ABOUT THAT TONIGHT?

VINNIE, I'M TELLING YOU, THE MAN HIT ME WITH A CHAIR.

I GOT NO RESPECT FOR THIS MAN FOR THAT.

THAT'S TONIGHT, 8:30, MUNICIPAL AUDITORIUM.

VON HIMMEL VERSUS THE SHEIK,

THE LEOPARD KING VERSUS JERRY THE BULLDOG, BE THERE!

ARE YOU GUYS GOING TO THIS?

YEAH, WE ALL GOING.

JOEY, YOU GOING?

YEAH, I'M GONNA TAKE SANDY, SHE'S NEVER BEEN.

WHAT A CLASSY GUY,

HE TAKES HIS GIRLS TO WRESTLING MEETS.

IT'S A BROADENING EXPERIENCE.

YEAH, RIGHT.

HEY, YOU GOT ANY EXTRA TICKETS?

AH, WELL WE GOT SIX TICKETS.

YEAH, BUT THEY'RE ALL COUNTED FOR, LUCE.

YOU KNOW, I BET YOU COULD GET SOME AT THE DOOR,

I'M SURE YOU CAN.

YEAH, YEAH, YOU COULD.

WELL, I SORTA GOT PLANS ANYWAY, WHAT THE HECK.

YOU WANNA CHECK OUT THIS DISTURBANCE,

DECKER AND 39th.

ANYTHING WE CAN DO FOR THE SARGE.

MRS. SARA BETH LOGAN, PLEASE.

MRS. LOGAN, MY NAME IS MICHAEL BELKER,

I'M CALLING WITH REFERENCE TO YOUR SON, JAMES.

YES.

I'M AFRAID JAMES HAS BEEN IN AN ACCIDENT

AND I'M AFRAID THAT HE'S DEAD.

UH, MRS. LOGAN?

I HAVE SOME PHONE NUMBERS

WITH REFERENCE TO JAMES' REMAINS AND SO FORTH.

YES.

I DON'T REALLY KNOW.

I DON'T REALLY KNOW ALL THE DETAILS.

NO.

NO, MY BEST INFORMATION

IS HE WASN'T DOING ANYTHING WRONG.

HE JUST GOT CAUGHT IN THE SWITCHES, I BELIEVE.

HE GOT CAUGHT IN SOME SWITCHES AND THERE WAS A SHOOTING.

THAT'S RIGHT, THAT'S ABSOLUTELY RIGHT.

THEY AREN'T SAFE TO WALK.

WELL, WE WERE.

I'D SAY WE WERE FRIENDS.

AND HE WAS DOING ALL RIGHT, HE ALWAYS HAD SOMETHING GOING.

AT ANY RATE, MRS. LOGAN,

I WAS WITH HIM AND HE SAID

TO TELL YOU THAT HE LOVES YOU.

AND I'LL,

I'LL WRITE YOU A LETTER

AND SEND YOU THE PHONE NUMBERS AND SO FORTH.

I'M VERY SORRY FOR YOUR LOSS.

HE'S BACK HERE.

HE WON'T TALK OR NOTHING.

ALL RIGHT, WE'LL TAKE CARE OF IT, SIR.

SOUNDS LIKE VIC THE MOANER AGAIN, DON'T IT?

YEAH.

HEY, BUD, I THOUGHT I TOLD YOU TO STOP SINGING

OR I WAS GONNA TAKE YOU TO JAIL.

LORD DONE STABBED ME, BABY

LORD DONE STABBED ME

HEY, BUDDY, COME ON, BUDDY,

LET'S HELP YOU UP FROM THERE, COME ON.

OHHH!

OH, MY GOD!

CALL AN AMBULANCE, RIGHT NOW, CALL THEM, GET ON IT!

WHEN DID IT HAPPEN?

MUST BE 20 MINUTES AGO NOW

HURRY UP!

THEY STABBED ME WITH A KNIFE

THIS IS NICE, LIEUTENANT.

OH, PLEASE,

CALL ME HOWARD.

OKAY.

I BET YOU'RE REAL EXCITED

ABOUT YOUR EQUESTRIAN UNIT, HUH?

OH, YEAH.

I FIND EQUINE PULCHRITUDE UNSURPASSED.

THE GRACE OF MOVEMENT, THE POWER,

AND YET, A DELICACY THAT TRANSCENDS SIZE.

NOT AT ALL UNLIKE THE CHARACTERISTICS

THAT I ADMIRE IN YOURSELF.

ARE YOU SAYING THAT I LOOK LIKE A HORSE?

WELL, ONLY IN THE MOST COMPLIMENTARY SENSE.

THAT IS, I MEAN,

THERE IS A CERTAIN EVOCATION OF THE FLOWING MANE,

THE DEEP BREAST,

THE SUPPLE HAUNCHES.

THE HAUNCHES?

I'M NOT SURE I'M MAKING MYSELF CLEAR.

THE POINT IS,

DAMN IT, LUCY, YOU INTEREST ME.

I'M VERY FLATTERED, LIEUTENANT.

THESE PAST TWO MONTHS IN THERAPY

I'VE COME TO REALIZE

THAT I'M READY TO SHARE MY LIFE.

THAT I'M READY FOR A RELATIONSHIP.

I DON'T WANT TO BE ISOLATED ANYMORE.

WELL, LIEUTENANT,

I DON'T KNOW WHERE THIS IS LEADING,

BUT YOU'RE A VERY NICE MAN,

BUT I SHOULD TELL YOU

THAT I TRY TO KEEP MY SOCIAL LIFE

AND MY WORK LIFE SEPARATE.

WELL, THAT'S PROBABLY VERY PRUDENT.

I THINK SO.

WHAT I HAD IN MIND WAS ENTIRELY INNOCENT.

I MEAN, I HAVE THESE TWO TICKETS

TO THE PHILHARMONIC'S UPCOMING RENDITION

OF MAHLER'S FOURTH.

KASAKOWSKY'S CONDUCTING.

LIKE I SAID, I CAN'T.

WELL, IF YOUR TASTES AREN'T OF THE CLASSICS,

WE COULD GO TO A MOVIE.

LIEUTENANT, THIS IS NOT SOMETHING I MADE UP.

YOU KNOW, I'VE THOUGHT ABOUT THIS A LONG TIME,

AND IT'S SOMETHING I WOULD LIKE TO STICK WITH.

SO...

MAYBE WE SHOULD JUST ORDER.

DO YOU BOWL?

JUST KIDDING.

I HEARD A COP GOT CUT

IN THAT STOP-AND-COP OPERATION.

YEAH... FOSTER.

WILL HE BE OKAY?

YEAH.

I'M GETTING AS BAD AS YOU, WORRYING ALL THE TIME.

WHAT?

NOTHING.

NO, SOMETHING'S WRONG, WHAT IS IT?

I THINK WE SHOULDN'T SEE EACH OTHER ANYMORE,

I THINK WE SHOULD STOP.

I'M SORRY.

ARE YOU SERIOUS?

I'M VERY SORRY.

MICK, I THINK WE OUGHT TO TALK ABOUT IT.

NOPE, IT'S GOT TO BE THIS WAY.

PLEASE EXCUSE ME.

MICK?

I GOTTA GO, ROBIN.

WHAT ARE OUR CHOICES, CAPTAIN?

YOU TREAT US LIKE THREE YEAR OLDS

THE MOMENT YOU HIT SANCTUARY...

NOW, LET'S PRETEND THERE'S A LINE HERE AND LET'S NOT

CROSS THAT LINE.

THIS IS A POLICE PRECINCT, NOT A PRESS ROOM.

YOU DON'T THINK THE PRESS SHOULD QUESTION A P.R. STUNT

LIKE OPERATION STOP-AND-COP?

STUNT? MAYBE YOU'D BETTER GO OVER TO MERCY GENERAL.

ONE OF OUR STUNTMEN IS BEING OPERATED ON

FOR A STAB WOUND OVER THERE.

ARE YOU SAYING THAT A COP'S GETTING WOUNDED

JUSTIFIES ANY ACTIVITY HE'S INVOLVED IN?

I'M SAYING EVERYBODY HAS A JOB TO DO.

PART OF YOURS MAY BE TO PROVOKE A STORY

WITH CAT AND MOUSE WORD GAMES.

WHAT'S CAT AND MOUSE

ABOUT QUESTIONING THE UTILITY OF STOP-AND-COP?

BECAUSE IT'S A QUESTION IN A VOID.

YOU WANT TO SOLVE THE DRUG PROBLEM?

THEN LEGALIZE HEROIN

AND THEN DISPENSE IT ON A CONTROLLED BASIS.

PUT A COP ON EVERY STREET CORNER

AND THAT'S THE END OF YOUR PROBLEM.

BUT NOW YOU'VE NARCOTIZED A PORTION OF THE POPULATION,

AND WHAT YOU DO IS RISK A POLICE STATE.

WELL, WHAT WOULD YOU DO, CAPTAIN?

I DON'T MAKE POLICY.

IF YOU DID?

MAYBE I'D PAY

LESS ATTENTION TO TRANSIENT POLITICAL CONCERNS.

I MEAN, I JUST LEFT A COP

WHO'S GOING TO BE WEARING A SCAR

LONG AFTER POLITICIANS ARE ONTO OTHER TRENDY ISSUES.

YOU INCLUDE MAYOR CLEVELAND IN THAT CATEGORY?

WELL, UH, I THINK MAYOR CLEVELAND

IS PROBABLY DOING HIS BEST TO DELIVER

ON CAMPAIGN PROMISES HE MADE IN GOOD FAITH.

WELL, IS THAT A YES OR A NO?

NO, UH, NO COMMENT.

Man: OKAY, HERE'S THE DEAL, GUYS.

NOW, YOUR CLIENT, MR. FLORES,

NOW, BECAUSE HE'S A SELLER, HE'S GOT TO DO TIME.

ALL RIGHT, 90 DAYS.

YOUR CLIENT, MR. GOMEZ, HE PLEADS,

HE GETS PROBATION WITH A DRUG PROGRAM, OKAY.

AH-HA, THE ARRESTING OFFICERS.

AL?

PLEASE, DETECTIVE, "YOUR HONOR."

LIKE MY ROBES?

OKAY, FELLAS, GIVE ME A MINUTE

WITH A COUPLE OLD TRENCHMEN, HUH?

GO TO YOUR GUYS.

IT'S KIND OF A SURPRISE, YOUR HONOR.

I OWE IT ALL TO THIS BOOK, J.D.

"BROTHERS KARAMAZOV."

YOU OWE YOUR JOB TO THE BROTHERS KARAMAZOV?

NO, NOT MY JOB.

MY JOB I OWE, OF COURSE,

TO EIGHT YEARS' UNSTINTING SERVICE THROUGH PSYCHIC CRISIS

AND OTHERWISE TO THE 23rd WARD DEMOCRATIC COMMITTEE.

BUT MY METHOD...

ARE YOU FAMILIAR WITH THE TEACHING

OF THE GRAND INQUISITOR?

AH, NOT EXACTLY.

SEE, MEN GABBLE ABOUT FREEDOMS AND RIGHTS.

IN TRUTH, THEY CRAVE THREE THINGS ONLY...

MIRACLE, MYSTERY,

AND AUTHORITY.

ALL RIGHT, STEP BACK, DETECTIVES,

AND WATCH A MASTER JURIST AT WORK.

ARE THESE PLEA BARGAINS ACCEPTABLE TO YOUR CLIENTS?

N.G., JUDGE.

N.G., MR. FLORES?

GOMEZ HERE GETS A PROGRAM, WHY DO I GOTTA DO TIME?

UH, JUDGE, MR. GOMEZ ALSO HAS A PROBLEM.

HE SAYS DRUG PROGRAMS DON'T REALLY HELP HIM.

HE'D PREFER PROBATION

AND HE PROMISES TO QUIT DRUGS ON HIS OWN.

OH, I SEE.

INGRATES.

PIPSQUEAKS.

I'M A FORMER PUBLIC DEFENDER MYSELF,

AND I AM ONTO YOUR

HEROIN GUZZLING ZOMBIE TRICKS.

YOU KNOW WHAT I'M TEMPTED TO DO?

HOLD YOU IN CONTEMPT TILL YOU ROT.

I'LL GIVE YOU A GOOD DOSE OF MACE RIGHT NOW.

UNFORTUNATELY, THE RULE OF LAW PREVENTS ME.

BUT I CAN FIND YOU GUILTY AS CHARGED.

MR. GOMEZ?

FOURTEEN MONTHS.

MR. FLORES, SEVEN YEARS.

AND BELIEVE ME, SIR,

IF I COULD,

I WOULD THROW THE BOOK AT YOU.

REMAND TO CUSTODY. Woman: YOUR HONOR?

THIS IS JUST AN ARRAIGNMENT, THERE HASN'T BEEN A TRIAL.

I KNOW EXACTLY WHAT I'M DOING.

I'M JUST KIDDING.

SAME OLD AL.

YOUR HONOR, MY CLIENT FEELS

THAT THE DRUG PROGRAM ORIGINALLY OFFERED HIM

IS NOW IN HIS BEST INTEREST.

MR. FLORES WILL TAKE HIS 90 DAYS.

I AM DELIGHTED.

HERE YOU GO.

WHAT A PIT.

IT AIN'T THE RITZ.

EXCUSE ME, THE NAME'S ARE OFF THE BOXES,

WHICH APARTMENT IS LIONEL TALBOT'S?

WHO'RE YOU FROM?

WE'RE PUBLIC DEFENDERS, HE'S NOT IN ANY TROUBLE.

TRAIN LIVES FIRST ROOM TO YOUR LEFT,

TOP OF THE STAIRS.

THANK YOU.

YOU KNOW, THIS ISN'T GOING TO BE

MY MOST FAVORITE PART OF THE JOB.

IT ISN'T ANYONE'S.

YOU GET USED TO IT.

WHEN MR. TALBOT ANSWERS THE DOOR,

I WANT YOU TO VERIFY

WHETHER HE'S WEARING HIS GLASSES OR NOT.

THAT'S PRETTY CAGEY.

I CALLED THE COPS, GET THE HELL OUT OF HERE.

Goldblume: EITHER OF YOU GET A CLEAR LOOK?

COULD YOU GET A DESCRIPTION?

NO, I'M SORRY.

I'M SORRY, I WAS JUST SO AFRAID.

Davenport: HE LOOKED LIKE THE BROTHER.

THE BROTHER OF THE MAN...

MULLINS, TIMOTHY MULLINS?

BROTHER OF WILLIAM MULLINS,

CALL IT IN, GET A PICTURE, GET A DESCRIPTION OUT.

HE POINTED THE GUN AT ME, I DON'T KNOW.

SOMEBODY YELLED AND I DIDN'T KNOW IF HE WAS GOING TO SHOOT.

JOYCE, IT'S ALL RIGHT.

HE WAS GOING TO SHOOT, AND THEN HE JUST RAN AWAY.

OH, FRANK.

2203, DECKER AND REISIN ARE CLEAR, NORTH ON DECKER.

2202, KING AND 116'S CLEAR.

WEST ON 116.

WAIT A MINUTE, THERE.

NO, NO.

WEST ON 116.

2203.

SUBJECT'S RUNNING WEST ON FREDERICK, WE'RE IN PURSUIT.

HOLD IT!

FREEZE!

COME ON,

UP AGAINST THE WALL, CREEP!

LET'S MOVE IT!

HEY, WE GOT TIMOTHY MULLINS.

HEY, I WANT TO TALK TO MY BRO.

LEO?

HIS BROTHER'S DOWNSTAIRS, KEEP HIM UPSTAIRS.

Leo: OKAY, MR. MULLINS,

YOU HAVE THE SAME ADDRESS AS YOUR BOTHER?

HEY, I AIN'T SAYING NOTHING TILL I SEE WILLIAM.

PUT DOWN THAT IT IS, LEO.

YOU AIN'T GONNA SAY NOTHING AT ALL IN A MINUTE.

HEY, I DIDN'T DO NOTHING, MY BROTHER DONE NOTHING.

ALL THE WAY TO THE END.

FOUR, STAND UP STRAIGHT.

I'M NOT SURE.

TURN TO YOUR RIGHT, PLEASE, PROFILE.

I'M SORRY, I CAN'T MAKE A POSITIVE IDENTIFICATION.

WE'RE NOT LOOKING FOR LEGAL CERTAINTY HERE.

I UNDERSTAND WHAT YOU'RE LOOKING FOR,

I CAN'T BE SURE IT'S HE.

WHICH ONE AREN'T YOU SURE OF?

ANY OF THEM.

JOYCE?

WHAT, I COULDN'T BE SURE, FRANK.

THEN YOU DID THE RIGHT THING.

BUT LET ME BE SURE I UNDERSTAND HERE...

YOU MEAN, YOU REALLY COULDN'T IDENTIFY HIM,

OR YOU'RE JUST DISTRAUGHT

AND MAYBE WE SHOULD TRY AGAIN TOMORROW?

WHAT DO YOU WANT ME TO SAY, FRANK?

IS THAT WHAT YOU WANT ME TO SAY?

MAYOR CLEVELAND'S HERE, CAPTAIN,

HE'S IN YOUR OFFICE.

I'LL SEE YOU AT HOME.

SHE AFRAID THE OTHER BROTHER'S

GONNA TAKE CARE OF HER THE WAY THIS ONE DID TALBOT?

SHE COULDN'T I.D., HENRY.

WHAT DO WE DO WITH HIM, LET HIM GO?

HOLD FOR ARRAIGNMENT TOMORROW MORNING.

GOT A CHARGE?

RESISTING, CONSPIRING.

WHAT ABOUT THE BROTHER?

D.A. WON'T CHARGE, GUARANTEE YOU,

HE'LL BE OUT TOMORROW.

JUST WHO THE HELL DO YOU THINK YOU ARE?

ROLL THAT BACK, OZZIE.

IT'S MAYOR CLEVELAND.

MAYOR.

YOU SUGGEST WE LEGALIZE HEROIN?

OZ...

THAT WE PUT A COP ON EVERY STREET CORNER?

I'M NOT SURE THE THIRD REICH

HAD THAT KIND OF COMPLIMENTS.

THAT'S NOT AT ALL WHAT I SUGGESTED.

IT WAS ON THE DAMNED AFTERNOON NEWS.

YOU WERE ON THE DAMN CAMERA.

WHAT I WAS TRYING TO SAY THERE

WAS THAT YOU HAVE TO PUT THE PROBLEM IN A LARGER CONTEXT.

I CAN'T BE RESPONSIBLE FOR THEIR EDITING.

"TRANSIENT POLITICAL CONCERNS.

POLITICIANS MOVING ONTO OTHER TRENDY ISSUES."

THAT'S OUT OF CONTEXT.

BULL.

YOU HAVE HURT ME, FRANK,

AND YOU'RE GOING TO PAY FOR IT.

FIRST WE'LL SEE ABOUT MINIMIZING THE DAMAGE.

HAVE A STATEMENT READY BY 9:00 TOMORROW MORNING.

WHAT FOR?

A PRESS CONFERENCE.

WE'RE GOING TO SEE HOW MUCH OF THIS YOU CAN EAT.

CAPTAIN, DO YOU HAVE A MINUTE?

SURE, LUCE.

YOU WANT TO TALK PRIVATELY?

I GUESS I'M JUST FEELING OUT IN LEFT FIELD.

WHAT DO YOU MEAN?

WELL,

I'M NOT REALLY ON THE STREET ANYMORE.

I'M NOT A STREET COP

AND I DON'T FEEL LIKE A SERGEANT YET.

IT'S ONLY BEEN TWO WEEKS, LUCE.

ACTUALLY I DON'T MEAN THE JOB.

I MEAN, THAT PART, IT'S GOING OKAY.

IT'S LIKE...

I JUST GOT A CAR,

A NEW CAR, A COMPACT.

YOU DON'T KNOW HOW LONG I'VE BEEN PROMISING MYSELF

THAT SOMEDAY I WAS GONNA BUY NEW WHEELS.

I FELT GREAT ABOUT IT.

SO, THAT'S GOOD.

SEE, I DIDN'T HAVE ANYBODY TO TELL.

I MEAN, IF I TOLD JOE, BOBBY, OR EVEN ANDY,

IT'S LIKE I'M RUBBING THEIR NOSES IN IT.

YOU KNOW WHAT I MEAN?

YEAH, I DO.

BESIDES, I MISS THE ACTION,

I JUST MISS BEING OUT ON THE STREET.

IT'S NOT AN EASY TRANSITION, LUCE.

FOR EVERYTHING YOU GAIN, YOU HAVE TO GIVE UP SOMETHING.

YEAH,

I'M GLAD I GOT THE PROBLEM.

YOU'RE NOT WEARING YOUR STRIPES.

JUST HAVEN'T HAD THE TIME TO PUT 'EM ON.

PUT 'EM ON, LUCE.

HI.

HI.

THIS IS KIND OF LIKE A NIGHTMARE, MICK.

PLEASE, YOU GOTTA SAY WHY.

I SAID.

WHAT?

I DON'T WANT US TO SEE EACH OTHER ANYMORE.

THAT'S NOT A REASON, MICK.

'CAUSE I THINK IT'S BETTER,

'CAUSE I DON'T HAPPEN TO THINK

WE'RE GOOD FOR EACH OTHER, OKAY?

WELL, YOU DON'T GET TO SAY WHAT YOU ARE FOR ME.

COME ON, DON'T CRY.

BECAUSE, I LOVE YOU,

AND WE'RE IN LOVE,

AND WE'RE THE BEST THING

THAT EVER HAPPENED FOR EACH OTHER.

EVERYONE DIES.

EVERYBODY THAT I TOUCH DIES.

I COULDN'T STAND IT IF ANYTHING HAPPENED TO YOU.

IT WOULD KILL ME.

WELL, THEY DON'T DIE BECAUSE YOU LOVE THEM, MICK.

THEY DO.

NO, SOME THINGS DIE 'CAUSE IT'S THEIR TIME.

LIKE YOUR POP, OR LIKE THE SARGE.

HE WAS TOO YOUNG.

HE WAS TOO YOUNG.

BUT IT WAS HIS TIME.

AND THE OTHERS,

EVERYONE ON THE STREET WHO'S HURT,

IF THEY'VE GOT GUTS OR THEY'RE A LITTLE WEIRD,

YOU REACH OUT TO THEM.

AND THE THING IS, THEY'RE HURT.

AND SOME HURT THINGS DIE.

BUT IT'S NOT 'CAUSE YOU TOUCHED THEM.

YOU TOUCHING THEM,

IT'S A GOOD THING IN THEIR LIVES.

I'M SO AFRAID SOMETHING WILL HAPPEN TO YOU.

I DON'T KNOW WHAT I'D DO.

I'M NOT GOING ANYPLACE, MICK.

YOU CAN'T LOSE ME FOR ANYTHING.

E.A.T.s! E.A.T.s!

E.A.T.s! E.A.T.s!

E.A.T.s! E.A.T.s!

ALL RIGHT, RELAX.

ALL RIGHT, THE NEXT THING WE'RE GOING TO DO,

WE'RE GOING TO DO A BACKHAND STRIKE WITH THE RIGHT HAND.

I'LL SHOW YOU HOW WE DO THAT.

TAKE A STEP FORWARD,

WE'RE GOING TO STRIKE AN IMAGINARY OBJECT UP HERE.

ALL RIGHT, DOWN, TOES TURNED IN,

SNAP THE ARM BACK, ALL RIGHT?

E.A.T.s!

ALL RIGHT, YOU WANNA TRY THAT?

ALL RIGHT, TOES IN, ALL THOSE GOOD FISTS.

E.A.T.s! E.A.T.s!

BACK, ONE MORE, FROM THE GUT.

E.A.T.s! E.A.T.s!

BACK, GOOD, REAL GOOD.

READY POSITION.

YOU DID REAL GOOD, I'LL SEE YOU ALL NEXT TUESDAY.

BOW.

THANK YOU.

FAY?

DAMNIT, FAY.

EVERYTHING ALL RIGHT, MS. FURILLO?

HEY, GO WATCH A BRUCE LEE MOVIE.

GOOD IDEA.

VERY MACHO, HENRY.

10 DAYS OF MESSAGES, THREE NOTES IN YOUR MAILBOX.

I THOUGHT THE RETURN MESSAGE WAS VERY CLEAR.

I DIDN'T GET A RETURN MESSAGE.

THAT'S THE MESSAGE.

WE BROKE UP.

I WAS UNDER THE IMPRESSION THAT WE PARTED FRIENDS.

I RECONSIDERED.

WHEN?

THE NEXT MORNING.

YOU SEE, I DON'T PUT THE SAME PREMIUM

ON BEING REASONABLE AS YOU DO.

YOU KNOW, YOU WERE THE ONE WHO SUGGESTED

THAT MAYBE WE SHOULD STOP SEEING ONE ANOTHER.

AND AS I RECALL, YOUR EXACT WORDS WERE "SOUNDS RIGHT TO ME."

CAN'T WE TALK ABOUT IT, AT LEAST?

NO, NO, I CHOOSE TO GO ON WITH MY LIFE.

I DO NOT CHOOSE TO REHASH OLD BUSINESS.

FAY, THIS BUSINESS HAS NOT BEEN HASHED YET.

PLEASE.

OKAY.

YOU BET I'M ANGRY.

I'M ANGRY BECAUSE YOU WEREN'T MORE ATTRACTED TO ME.

I'M ANGRY BECAUSE YOU WOULDN'T JUST ADMIT IT.

AND I'M ANGRY BECAUSE YOU MADE ME FEEL LIKE

THERE WAS SOMETHING WRONG WITH ME BECAUSE OF IT.

AND I'M ANGRY BECAUSE

YOU WOULDN'T FIGHT HARDER TO TRY AND FIND IT.

I WAS ATTRACTED TO YOU, FAY,

BUT I SEEM TO RECOLLECT YOU SAYING

WE BRING ADULT BAGGAGE TO THE RELATIONSHIP.

DON'T KICK ME OUT OF YOUR LIFE

BECAUSE THE RELATIONSHIP DIDN'T GIVE YOU

EVERYTHING YOU WANTED.

MAYBE YOU'RE RIGHT,

MAYBE I DIDN'T FIGHT HARD ENOUGH.

YOU, THE BABY, AND FRANK JR.,

YOU'VE BEEN THE BEST THINGS IN MY LIFE THIS PAST YEAR.

MAYBE UNCONSCIOUSLY I FELT

IF WE FIGHT, THAT'S JEOPARDIZED,

SO I PULLED BACK.

I DON'T KNOW.

YOU'VE BEEN THE BEST THING IN OUR LIVES, TOO, HENRY.

YOU KNOW, FRANK JR. ASKS ABOUT JOSH ALL THE TIME.

AND YOU.

I DON'T WANT TO LOSE ALL OF IT, FAY.

I DON'T WANT TO, EITHER.

BUT I MEAN,

TO HELL WITH THE REASONS,

IF WE CAN'T BE LOVERS,

CAN'T WE AT LEAST BE LOVING FRIENDS?

AT LEAST THAT.

I'M TRYING TO THINK OF 20 DIFFERENT WAYS

I COULD EAT HUMBLE PIE AT OZZIE'S PRESS CONFERENCE.

LET'S TALK ABOUT IT.

IS THAT THE CAPTAIN TALKING OR MY HUSBAND?

THAT'S NOT FAIR.

'CAUSE I SURE HAD THE FEELING

THAT WAS THE CAPTAIN'S ARM ON ME OUTSIDE THAT LINEUP ROOM.

I HAVE A LINE TO WALK, TOO.

THE CAPTAIN NEEDS TO MAKE THIS CASE,

THE CAPTAIN CAN'T DO THAT WITHOUT YOUR TESTIMONY.

IT DOESN'T MEAN I DON'T UNDERSTAND

WHAT YOU'RE GOING THROUGH.

FRANK, I KNOW WHAT MY DUTY IS.

HOW DO YOU THINK IT MAKES ME FEEL

KNOWING THAT I CAN'T DO IT?

JOYCE, I ALMOST LOST YOU TODAY.

I DON'T WANT THAT FEELING AGAIN.

TO BE PERFECTLY HONEST, I DON'T WANT

A COUPLE OF SOCIOPATHS ANGRY WITH YOU,

BUT I KNOW WE CAN PROTECT YOU.

I WANT YOU TO KNOW THAT.

I KNOW THAT WAS A TWO-WAY MIRROR,

NO WAY MULLINS COULD SEE ME.

BUT...

IT SEEMS LIKE HIS EYES NEVER LEFT ME,

HE WAS LOOKING RIGHT INTO MY EYES. STOP.

AN OFFICER OF THE COURT.

AMONG OTHER THINGS.