All language subtitles for Hill Street Blues S04E17 The End of Logans Run.DVDRip.NonHI.cc.en.SHOUT

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These are the user uploaded subtitles that are being translated: 1 00:00:01,650 --> 00:00:03,496 PREVIOUSLY ON "HILL STREET BLUES"... 2 00:00:03,520 --> 00:00:04,999 GOODBYE, PHIL. 3 00:00:05,023 --> 00:00:07,158 MY GOOD FRIEND. 4 00:00:11,233 --> 00:00:13,680 QUIT IT, GET OFF. 5 00:00:13,704 --> 00:00:15,149 ALL RIGHT, I SAID 6 00:00:15,173 --> 00:00:16,318 ONE PRISONER AT A TIME GOES ONTO THE BUS. 7 00:00:16,342 --> 00:00:17,988 HOW DO YOU LIKE IT SO FAR? 8 00:00:18,012 --> 00:00:19,623 CAN'T GET ENOUGH OF IT. 9 00:00:19,647 --> 00:00:21,326 WHERE ARE YOU GOING, HAIRBAG? 10 00:00:21,350 --> 00:00:23,998 AND NOW, TONIGHT ON "HILL STREET BLUES"... 11 00:00:24,022 --> 00:00:26,267 IT'S MISAPPLIED MANPOWER. 12 00:00:26,291 --> 00:00:30,174 THE CHIEF WANTS TO HELP OZZIE MAKE GOOD ON A CAMPAIGN PROMISE. 13 00:00:30,198 --> 00:00:32,077 I DON'T MAKE THE POLICY. 14 00:00:32,101 --> 00:00:33,746 YOU DON'T THINK THE PRESS SHOULD QUESTION A P.R. STUNT 15 00:00:33,770 --> 00:00:34,781 LIKE OPERATION STOP-AND-COP? 16 00:00:34,805 --> 00:00:37,019 UH, NO COMMENT. 17 00:00:37,043 --> 00:00:38,787 YOU HAVE HURT ME, FRANK, 18 00:00:38,811 --> 00:00:40,546 AND YOU'RE GOING TO PAY FOR IT. 19 00:00:46,157 --> 00:00:49,638 OKAY, ITEM 11, MEMO FROM BUILDING MAINTENANCE, 20 00:00:49,662 --> 00:00:51,275 GUYS, I'M NOT GOING TO MAKE 21 00:00:51,299 --> 00:00:53,312 A BIG DEAL OUT OF THIS, NOW, THE MEMO SAYS 22 00:00:53,336 --> 00:00:55,215 THAT THEY FOUND THAT SOME DETERGENT 23 00:00:55,239 --> 00:00:58,354 THEY'VE BEEN USING ON TOILET SEATS, ET CETERA, 24 00:00:58,378 --> 00:01:00,824 MAY CAUSE SKIN RASHES ON CERTAIN SENSITIVE SKINS, 25 00:01:00,848 --> 00:01:02,327 SO IF ANYBODY'S BEEN HAVING SKIN RASHES 26 00:01:02,351 --> 00:01:03,829 ON THOSE GENERAL AREAS... 27 00:01:03,853 --> 00:01:06,000 YEAH, RENKO, BUT HE DOESN'T HAVE 28 00:01:06,024 --> 00:01:07,291 ANY SKIN THAT'S SENSITIVE. 29 00:01:09,662 --> 00:01:12,010 MAYBE DON'T WORRY, OR MAYBE WORRY. 30 00:01:12,034 --> 00:01:14,580 ITEM 12, STOP-AND-COP BLOCKS, 31 00:01:14,604 --> 00:01:17,351 THAT'S DECKER BETWEEN 118th AND 120th, 32 00:01:17,375 --> 00:01:20,323 AN OPERATION AGAINST THESE DRUG SUPERMARKETS, 33 00:01:20,347 --> 00:01:21,892 BEGINS TODAY. 34 00:01:21,916 --> 00:01:24,063 AND I GUESS LASTS UNTIL MAYOR CLEVELAND DECIDES 35 00:01:24,087 --> 00:01:26,233 THAT HE'S COVERED HIS CAMPAIGN PROMISE. 36 00:01:26,257 --> 00:01:29,071 FIRST TARGET WILL BE THE CATCHILY NAMED 37 00:01:29,095 --> 00:01:32,076 "SEXY CLOTHES BOUTIQUE," WHICH WAS PICKED ON THE BASIS 38 00:01:32,100 --> 00:01:34,246 THAT IT HAS THE LAMEST FRONT. 39 00:01:34,270 --> 00:01:35,781 LAST SURVEILLANCE OFFERED 40 00:01:35,805 --> 00:01:38,053 ONE MOTH-EATEN HOUSE DRESS HUNG ON A RACK 41 00:01:38,077 --> 00:01:40,056 IN THE FRONT ROOM. 42 00:01:40,080 --> 00:01:42,393 WE GOT DETECTIVES LaRUE, WASHINGTON, BELKER, 43 00:01:42,417 --> 00:01:44,629 FERITAS, KATZ, AND LIEUTENANT GOLDBLUME 44 00:01:44,653 --> 00:01:47,368 ON THIS OBSERVATION AND BUST STAKEOUT. 45 00:01:47,392 --> 00:01:50,906 ALL BACK-UPS WILL BE POSTED UPSTAIRS. 46 00:01:50,930 --> 00:01:53,078 ITEM 13, 47 00:01:53,102 --> 00:01:56,416 LIEUTENANT HUNTER WILL BE TAKING APPLICATIONS 48 00:01:56,440 --> 00:01:57,718 FOR THE EQUESTRIAN UNITS. 49 00:01:57,742 --> 00:01:59,321 AS OF MAY 1, 50 00:01:59,345 --> 00:02:01,624 THIS PRECINCT WILL HAVE FOUR HORSES. 51 00:02:01,648 --> 00:02:03,049 WHICH I GUESS MEANS FOUR HORSEMEN. 52 00:02:04,620 --> 00:02:07,368 LAST ITEM, NEW PARTNERS. 53 00:02:07,392 --> 00:02:11,774 WE HAVE THE TRANSFER OF OFFICERS PIZER, RALF, AND DONAHUE TO 9th, 54 00:02:11,798 --> 00:02:12,842 SO THAT MAKES THE FOLLOWING REASSIGNMENTS 55 00:02:12,866 --> 00:02:14,345 ABSOLUTELY NECESSARY... 56 00:02:14,369 --> 00:02:16,282 RICHARDSON, YOU'LL BE PARTNERED WITH CONVOY, 57 00:02:16,306 --> 00:02:17,684 COFFEY WITH PILSKY, 58 00:02:17,708 --> 00:02:19,287 AND THOSE WILL BE TILL FURTHER NOTICE. 59 00:02:19,311 --> 00:02:21,391 OKAY, THAT'S ABOUT IT. 60 00:02:21,415 --> 00:02:23,149 HEY, HEY, WAIT A SECOND, EVERYBODY! 61 00:02:24,420 --> 00:02:26,365 YOU KNOW, FOR THE LAST 10 DAYS... 62 00:02:26,389 --> 00:02:29,137 I MEAN, SINCE I STARTED DOING ROLL CALLS, 63 00:02:29,161 --> 00:02:31,807 I FEEL LIKE WHEN I GET TO THE END OF THESE THINGS 64 00:02:31,831 --> 00:02:34,145 I'M LIKE WALKING ON EGGSHELLS. 65 00:02:34,169 --> 00:02:36,149 I DON'T KNOW HOW TO END THEM. 66 00:02:36,173 --> 00:02:37,417 I MEAN, THE FIRST ONE 67 00:02:37,441 --> 00:02:39,687 I WANTED TO END THE WAY SARGE DID. 68 00:02:39,711 --> 00:02:42,024 ANYWAY, I GUESS WE GOT OFF TO THE WRONG START. 69 00:02:42,048 --> 00:02:45,431 WELL, I MISS IT, I MEAN, I MISS HEARING THOSE WORDS. 70 00:02:45,455 --> 00:02:47,033 AND I THINK MAYBE SOME OTHER PEOPLE 71 00:02:47,057 --> 00:02:48,436 MISS IT, TOO. 72 00:02:48,460 --> 00:02:51,195 SO, IF THERE ARE NO OBJECTIONS... 73 00:02:53,033 --> 00:02:54,912 I MEAN, I KNOW I'M NOT THE SARGE, 74 00:02:54,936 --> 00:02:56,348 I CAN NEVER BE THE SARGE, I'M ROLL CALL SERGEANT. 75 00:02:56,372 --> 00:02:57,973 ARE THERE ANY OBJECTIONS? 76 00:02:59,844 --> 00:03:02,880 OKAY, THEN LET'S ROLL. 77 00:03:06,122 --> 00:03:07,422 AND LET'S BE CAREFUL OUT THERE. 78 00:03:11,130 --> 00:03:13,698 COME ON, MOVE! 79 00:03:18,442 --> 00:03:20,254 BELKER. 80 00:03:20,278 --> 00:03:21,256 MOVE! 81 00:03:21,280 --> 00:03:23,693 HILL, RENKO? 82 00:03:23,717 --> 00:03:27,099 HOMICIDE, THE ALLEY BEHIND VAN BUREN AND DOGWOOD. 83 00:03:27,123 --> 00:03:28,868 ALL RIGHT, THANKS, LIEUTENANT. 84 00:03:28,892 --> 00:03:32,441 YEAH, AND THEN, DOES IT HAVE A SUNROOF? 85 00:03:32,465 --> 00:03:35,446 NO, I ORDERED IT, THOUGH. 86 00:03:35,470 --> 00:03:38,451 OKAY, IT WILL BE A CREDIT UNION CHECK. 87 00:03:38,475 --> 00:03:40,120 OKAY, THANKS A LOT, BYE. 88 00:03:40,144 --> 00:03:41,956 SOCKING THE SALARY BOOST 89 00:03:41,980 --> 00:03:43,459 INTO VEHICULAR TRANSPORT, SERGEANT? 90 00:03:43,483 --> 00:03:44,461 YEAH. 91 00:03:44,485 --> 00:03:46,297 THIS IS MY FIRST NEW CAR. 92 00:03:46,321 --> 00:03:47,432 GOOD FOR YOU. 93 00:03:47,456 --> 00:03:48,468 THANKS. 94 00:03:48,492 --> 00:03:50,471 HAVE LUNCH WITH ME TODAY. 95 00:03:50,495 --> 00:03:53,476 REALLY, LUNCH? 96 00:03:53,500 --> 00:03:56,947 CELEBRATE WITH AN AFTERNOON REPAST. 97 00:03:56,971 --> 00:03:58,872 WELL... 98 00:04:00,344 --> 00:04:02,191 I THOUGHT IT WAS A VACUUM CLEANER, THAT'S ALL. 99 00:04:02,215 --> 00:04:03,859 VACUUM CLEANER? 100 00:04:03,883 --> 00:04:05,429 IT SAYS RIGHT HERE, 101 00:04:05,453 --> 00:04:08,834 "VETROCOM INTERNATIONAL TELECOMMUNICATIONS SYSTEM." 102 00:04:08,858 --> 00:04:10,437 YOU KNOW WHAT I THINK THIS IS? 103 00:04:10,461 --> 00:04:12,674 THIS IS PIECE OF PHONE COMPANY SPACE SATELLITE. 104 00:04:12,698 --> 00:04:14,811 HAIRBALL, YOU COULD BE IN ALL KINDS OF TROUBLE. 105 00:04:14,835 --> 00:04:16,214 YOU NEVER HAVE NOTHING BUT TROUBLE 106 00:04:16,238 --> 00:04:17,238 WITH THE PHONE COMPANY. 107 00:04:19,710 --> 00:04:21,855 BELKER. 108 00:04:21,879 --> 00:04:22,979 HI, MA. 109 00:04:25,152 --> 00:04:27,298 YOU FOUND MY RIN TIN TIN LUNCHPAIL, 110 00:04:27,322 --> 00:04:29,468 ARE YOU KIDDING? 111 00:04:29,492 --> 00:04:30,470 YEAH. 112 00:04:30,494 --> 00:04:32,974 JUST A SECOND, MA. 113 00:04:32,998 --> 00:04:34,910 HOW WOULD YOU LIKE 114 00:04:34,934 --> 00:04:38,483 A CRUSHED VERTEBRAE? 115 00:04:38,507 --> 00:04:40,152 THAT'S REAL NICE, MA. 116 00:04:40,176 --> 00:04:41,488 YOU KNOW WHAT YOU SHOULD DO? 117 00:04:41,512 --> 00:04:43,324 GIVE IT TO LITTLE... STEVIE, 118 00:04:43,348 --> 00:04:45,495 THE KID DOWN THE HALL. 119 00:04:45,519 --> 00:04:49,268 NO, NO. 120 00:04:49,292 --> 00:04:51,872 BECAUSE I JUST USE A BAG NOW. 121 00:04:51,896 --> 00:04:55,511 MA, I'M IN A HURRY HERE. 122 00:04:55,535 --> 00:05:00,420 I'M SURE I DON'T NEED IT, GIVE IT TO THE LITTLE KID. 123 00:05:00,444 --> 00:05:02,256 I LOVE YOU, TOO. 124 00:05:02,280 --> 00:05:03,280 GOODBYE. 125 00:05:05,985 --> 00:05:07,030 NAME? 126 00:05:07,054 --> 00:05:08,466 WHAT'S A RIN TIN? 127 00:05:08,490 --> 00:05:11,137 IT'S A TELEVISION SHOW... "RIN TIN TIN." 128 00:05:11,161 --> 00:05:13,095 I USED TO WATCH IT WHEN I WAS A KID. 129 00:05:15,067 --> 00:05:17,481 MY MOM JUST FOUND MY RINNY LUNCHBOX. 130 00:05:17,505 --> 00:05:20,486 MAYBE IF I'D HAD A RINNY LUNCHBOX WHEN I WAS A KID, 131 00:05:20,510 --> 00:05:21,721 THINGS WOULD BE A LITTLE DIFFERENT. 132 00:05:21,745 --> 00:05:23,324 MAYBE. 133 00:05:23,348 --> 00:05:25,450 THE THINGS I COULDA BOOSTED WITH SOMETHING LIKE THAT. 134 00:05:27,321 --> 00:05:30,769 DISPATCH. WE HAVE A 911... 135 00:05:30,793 --> 00:05:32,973 ARMED ROBBERY IN PROGRESS. 136 00:05:32,997 --> 00:05:35,332 SURPLUS STORE, CORNER OF... 137 00:07:11,193 --> 00:07:13,939 ANY OF YOU PEOPLE SEE ANYTHING? 138 00:07:13,963 --> 00:07:15,475 ANYBODY SEE THE STABBING? 139 00:07:15,499 --> 00:07:18,480 YES, SIR, I SAW IT ALL. 140 00:07:18,504 --> 00:07:20,450 NOW WHAT'D YOU SEE THERE, OLD FELLA? 141 00:07:20,474 --> 00:07:23,155 IT WAS THE OLDER ONE, WILLIE BOY. 142 00:07:23,179 --> 00:07:24,724 OLDER OF WHOM, SIR? 143 00:07:24,748 --> 00:07:26,961 OF THESE HELLFIRE BROTHERS. 144 00:07:26,985 --> 00:07:29,231 I DON'T KNOW THEIR LAST NAME, 145 00:07:29,255 --> 00:07:31,002 BUT WILLIE BOY STABBED THAT MAN. 146 00:07:31,026 --> 00:07:34,707 I SAW IT FROM MY WINDOW UP THERE. 147 00:07:34,731 --> 00:07:36,877 THEY ARGUED, THEN WILLIE BOY STABBED HIM. 148 00:07:36,901 --> 00:07:40,550 I'VE BEEN LIVING IN THAT APARTMENT FOR 32 YEARS. 149 00:07:40,574 --> 00:07:42,453 MISTER... TALBOT. 150 00:07:42,477 --> 00:07:45,391 MR. LIONEL TRAIN TALBOT. 151 00:07:45,415 --> 00:07:47,428 MR. TALBOT, WOULD YOU BE WILLING 152 00:07:47,452 --> 00:07:49,031 TO COME DOWN TO THE STATION AND CHECK THROUGH SOME PICTURES? 153 00:07:49,055 --> 00:07:52,036 I'LL IDENTIFY AND I'LL GIVE A STATEMENT, 154 00:07:52,060 --> 00:07:56,043 BECAUSE I'M SICK AND TIRED OF BEING SCARED OF WILLIE BOY, 155 00:07:56,067 --> 00:07:59,315 HIS BROTHER, AND THE REST OF THESE ROUGHNECKS. 156 00:07:59,339 --> 00:08:00,917 I'M CALLING A HALT! 157 00:08:00,941 --> 00:08:02,854 WELL, ALL RIGHT, WOO WOO LIONEL. 158 00:08:02,878 --> 00:08:04,991 LET'S DO IT, SIR. 159 00:08:05,015 --> 00:08:07,383 DON'T JOKE WITH MY NAME TILL YOU KNOW ME BETTER. 160 00:08:09,822 --> 00:08:12,436 60% OF A SHIFT'S DETECTIVES 161 00:08:12,460 --> 00:08:14,773 AND WE'LL BE LUCKY TO MAKE SIX ARRESTS. 162 00:08:14,797 --> 00:08:16,776 MAYBE 50 NICKEL BAGS. 163 00:08:16,800 --> 00:08:18,646 OBVIOUSLY WE HOPE FOR BETTER NUMBERS THAN THAT. 164 00:08:18,670 --> 00:08:20,016 WELL, UNLESS YOU WANT A TURNSTILE OPERATION, 165 00:08:20,040 --> 00:08:21,317 THERE AREN'T GOING TO BE ANY BETTER NUMBERS. 166 00:08:21,341 --> 00:08:23,020 THEN WE'LL LIVE WITH THOSE. 167 00:08:23,044 --> 00:08:25,491 WARREN, QUALITY BUSTS TAKE TIME. 168 00:08:25,515 --> 00:08:27,394 YOU HAVE TO DOCUMENT OBSERVATION. 169 00:08:27,418 --> 00:08:29,030 IF YOU TRY TO ARREST DURING COMMISSION... 170 00:08:29,054 --> 00:08:30,532 I KNOW THE CRITERIA, FRANK. 171 00:08:30,556 --> 00:08:33,037 IT'S WHAT THE CHIEF WANTS. 172 00:08:33,061 --> 00:08:34,839 AND IF HE WEREN'T UNDER THE KNIFE, 173 00:08:34,863 --> 00:08:36,042 HE'D TELL YOU SO HIMSELF. 174 00:08:36,066 --> 00:08:37,677 WHAT THE CHIEF WANTS 175 00:08:37,701 --> 00:08:38,846 IS TO MEND SOME FENCES WITH OZZIE CLEVELAND. 176 00:08:38,870 --> 00:08:39,982 WHAT HE REALLY WANTS 177 00:08:40,006 --> 00:08:41,417 IS HIS HEMORRHOIDS HADN'T COME BACK. 178 00:08:41,441 --> 00:08:43,054 FRANK, 179 00:08:43,078 --> 00:08:47,427 THE CHIEF WANTS TO HELP OZZIE MAKE GOOD 180 00:08:47,451 --> 00:08:49,063 ON A CAMPAIGN PROMISE. 181 00:08:49,087 --> 00:08:50,934 I DON'T SEE THE VILLAINS THERE. 182 00:08:50,958 --> 00:08:53,070 IT'S MISAPPLIED MANPOWER. 183 00:08:53,094 --> 00:08:54,772 IT'S A P.R. STUNT THAT PUTS MY PEOPLE AT RISK 184 00:08:54,796 --> 00:08:55,874 AND ERODES MORALE. 185 00:08:55,898 --> 00:08:57,577 AND IT GIVES A FALSE IMPRESSION 186 00:08:57,601 --> 00:08:59,414 OF OUR ABILITY TO DEAL WITH THE PROBLEM. 187 00:08:59,438 --> 00:09:01,417 HOW MANY DIFFERENT WAYS DO YOU WANT IT TO BE WRONG? 188 00:09:01,441 --> 00:09:02,752 YES? 189 00:09:02,776 --> 00:09:06,024 OH, EXCUSE ME, DEPUTY CHIEF BRISCOE. 190 00:09:06,048 --> 00:09:07,928 PLEASE, DON'T LEAVE ON MY ACCOUNT. 191 00:09:07,952 --> 00:09:09,297 FOR THE RECORD, FRANK, 192 00:09:09,321 --> 00:09:10,699 THE CHIEF ASKED ME TO DRIVE BY THERE... 193 00:09:10,723 --> 00:09:12,469 THE STOP-AND-COP OPERATION. 194 00:09:12,493 --> 00:09:13,972 I JUST DIDN'T WANT YOU TO THINK 195 00:09:13,996 --> 00:09:15,640 I WAS GOING BEHIND YOUR BACK. 196 00:09:15,664 --> 00:09:17,543 AS OPPOSED TO LOOKING OVER MY SHOULDER? 197 00:09:17,567 --> 00:09:22,051 NOW, THAT'S IN THE JOB PROFILE FOR A DEPUTY CHIEF. 198 00:09:22,075 --> 00:09:23,053 LIEUTENANT. 199 00:09:23,077 --> 00:09:24,388 SIR. 200 00:09:24,412 --> 00:09:27,059 WHAT CAN I DO FOR YOU, HOWARD? 201 00:09:27,083 --> 00:09:30,498 WELL, CANDIDLY, FRANK, I WAS PASSING BY 202 00:09:30,522 --> 00:09:32,335 AND I OVERHEARD THE EXCHANGE. 203 00:09:32,359 --> 00:09:33,893 AND? 204 00:09:35,764 --> 00:09:37,843 JUDAS, FRANK, I LOVE IT. 205 00:09:37,867 --> 00:09:39,635 I LOVE TO HEAR YOU CHEW OUT THE SUITS. 206 00:09:51,723 --> 00:09:53,870 THAT'S HIM. 207 00:09:53,894 --> 00:09:56,441 MULLINS, WILLIAM. 208 00:09:56,465 --> 00:09:57,676 OKAY. 209 00:09:57,700 --> 00:09:59,346 BEEN MESSING WITH PEOPLE IN MY NEIGHBORHOOD 210 00:09:59,370 --> 00:10:02,117 AS LONG AS I CAN REMEMBER. 211 00:10:02,141 --> 00:10:03,786 GOT A BROTHER NAMED TIMOTHY. 212 00:10:03,810 --> 00:10:05,656 BOTH OF 'EM TRASH. 213 00:10:05,680 --> 00:10:07,125 THEY ROBBED ME TWICE, 214 00:10:07,149 --> 00:10:09,396 AND I WAS TOO AFRAID TO CALL. 215 00:10:09,420 --> 00:10:11,132 ALL RIGHT, SIR. 216 00:10:11,156 --> 00:10:12,634 NO MORE. 217 00:10:12,658 --> 00:10:15,873 LIONEL TALBOT SAYS, "ENOUGH IS ENOUGH." 218 00:10:15,897 --> 00:10:17,876 SARGE, WE GOT A SUSPECT ON THE VAN BUREN HOMICIDE. 219 00:10:17,900 --> 00:10:19,813 GOT AN ADDRESS OFF A TWO-WEEK-OLD BUST. 220 00:10:19,837 --> 00:10:21,883 OKAY, GO PICK HIM UP, I'LL GET YOU BACKUPS. 221 00:10:21,907 --> 00:10:24,087 HEY, I'LL GO WITH YOU, I AIN'T AFRAID TO FACE HIM. 222 00:10:24,111 --> 00:10:26,113 NO, THIS JOB IS OURS, POPS. 223 00:10:29,553 --> 00:10:32,534 Pilsky: THE PRINCESS AND THE STALLION. 224 00:10:32,558 --> 00:10:34,070 WHO, US? 225 00:10:34,094 --> 00:10:38,042 YEAH, IT'S THE POLISH PRINCESS AND THE ITALIAN STALLION. 226 00:10:38,066 --> 00:10:39,467 YEAH. 227 00:10:42,574 --> 00:10:44,186 LOOK, CLARA, COULD I SAY SOMETHING? 228 00:10:44,210 --> 00:10:46,557 SURE. 229 00:10:46,581 --> 00:10:50,964 YOU PROBABLY HEARD A LOT OF JOE COFFEY STORIES 230 00:10:50,988 --> 00:10:53,603 AND YOU FIGURE I'M THIS WAY OR THAT WAY. 231 00:10:53,627 --> 00:10:56,072 YOU HEAR A LOT OF THINGS. 232 00:10:56,096 --> 00:10:59,211 CLARA, I WOULD LIKE YOU AND I TO START FROM ZERO. 233 00:10:59,235 --> 00:11:02,150 BECAUSE THE KIND OF GUY I AM... 234 00:11:02,174 --> 00:11:03,585 I FEEL RIGHT NOW 235 00:11:03,609 --> 00:11:05,155 I'M IN THE MIDDLE OF WORKING THAT OUT. 236 00:11:05,179 --> 00:11:07,626 HEY, WE'RE GONNA START FROM SCRATCH. 237 00:11:07,650 --> 00:11:09,395 THANKS. 238 00:11:09,419 --> 00:11:11,064 SAME GOES FOR ME. 239 00:11:11,088 --> 00:11:12,088 ALL RIGHT. 240 00:11:16,630 --> 00:11:17,975 I DON'T KNOW, I MEAN, 241 00:11:17,999 --> 00:11:20,813 MAYBE YOU'RE GONNA HEAR SOME THINGS, 242 00:11:20,837 --> 00:11:25,154 YOU KNOW, ABOUT ME AND MY LAST PARTNER. 243 00:11:25,178 --> 00:11:27,145 LIKE WHAT? 244 00:11:30,052 --> 00:11:32,088 JUST SOME THINGS WE USED TO DO. 245 00:11:34,227 --> 00:11:35,971 YOU AND DANNY FRANK? 246 00:11:35,995 --> 00:11:37,208 WHAT DO YOU MEAN, 247 00:11:37,232 --> 00:11:39,211 WHAT KIND OF THINGS YOU USED TO DO? 248 00:11:39,235 --> 00:11:42,070 I MEAN, WHAT KIND OF THINGS YOU USED TO DO? 249 00:11:43,508 --> 00:11:45,020 YEAH, 2203. 250 00:11:45,044 --> 00:11:48,025 UNIT 2203, BACK UP 2202 ON SUSPECT ARREST, 251 00:11:48,049 --> 00:11:49,961 1663 EAST UTICA. 252 00:11:49,985 --> 00:11:51,163 2203 RESPONDING. 253 00:11:51,187 --> 00:11:52,187 LET'S GO. 254 00:11:57,064 --> 00:11:58,698 CLARA, THINGS LIKE WHAT? 255 00:12:00,570 --> 00:12:03,517 GREAT, GREAT, WE GET STUCK IN THIS ROACH PALACE 256 00:12:03,541 --> 00:12:05,654 TO GET OZZIE CLEVELAND SOME P.R. 257 00:12:05,678 --> 00:12:08,158 GOTTA HAVE SUSTAINED OBSERVATION, J.D. 258 00:12:08,182 --> 00:12:10,094 GOTTA HAVE DOCUMENTED TRANSACTIONS. 259 00:12:10,118 --> 00:12:11,897 I HATE THESE THINGS! 260 00:12:11,921 --> 00:12:14,502 OH, HEY, DON'T LOOK INTO THE LENS, BELKER, IT'LL CRACK. 261 00:12:14,526 --> 00:12:17,507 HEY, IF YOU WANT TO BUST A FLY, 262 00:12:17,531 --> 00:12:19,443 YOU GOTTA SHOW HIM GETTING HIGH, BABE. 263 00:12:19,467 --> 00:12:20,967 YOU THERE, FAY? 264 00:12:23,240 --> 00:12:25,587 HEY, I'M GETTING TIRED OF THIS DAMN MACHINE. 265 00:12:25,611 --> 00:12:27,222 I KNOW YOU'RE THERE, PICK UP THE PHONE 266 00:12:27,246 --> 00:12:29,594 SO WE CAN TALK. 267 00:12:29,618 --> 00:12:32,632 YOU HEAR ME? 268 00:12:32,656 --> 00:12:36,539 AND... IF YOU'RE NOT THERE, JUST PLEASE HAVE 269 00:12:36,563 --> 00:12:38,575 THE SIMPLE COURTESY TO CALL ME BACK. 270 00:12:38,599 --> 00:12:40,478 DAMN MACHINES. 271 00:12:40,502 --> 00:12:42,247 I ALWAYS WONDERED ABOUT HER. 272 00:12:42,271 --> 00:12:44,117 WHO? 273 00:12:44,141 --> 00:12:45,141 CAPTAIN'S EX. 274 00:12:46,612 --> 00:12:48,257 I ALWAYS WONDERED WHAT SHE WAS LIKE. 275 00:12:48,281 --> 00:12:50,227 YOU'VE MET FAY, YOU KNOW WHAT SHE'S LIKE. 276 00:12:50,251 --> 00:12:52,264 SURE, SURE. 277 00:12:52,288 --> 00:12:54,635 YOU'VE GOT THE MIND OF A PIG, LaRUE. 278 00:12:54,659 --> 00:12:56,270 HEY, YOU GOT THE BREATH OF A GOAT, BELKER. 279 00:12:56,294 --> 00:12:58,174 HEY, HEY, COME ON, YOU GUYS. 280 00:12:58,198 --> 00:13:00,110 I THINK IT'S ABOUT TIME WE MADE SOME ARRESTS. 281 00:13:00,134 --> 00:13:02,013 ALL RIGHT, ABOUT TIME TO GET SOME FRESH AIR. 282 00:13:02,037 --> 00:13:03,616 YOU GOT ENOUGH PHOTOS, NEAL? 283 00:13:03,640 --> 00:13:05,453 YOU GOT WASHINGTON ON THE SHUTTER, BABY. 284 00:13:05,477 --> 00:13:06,822 ALL RIGHT, ALL UNITS, 285 00:13:06,846 --> 00:13:08,212 WE'RE MOVING ON TARGETS, LET'S GO. 286 00:13:13,691 --> 00:13:15,202 COME ON OUT FROM THERE! 287 00:13:15,226 --> 00:13:16,660 ASSUME THE POSITION, DIRTBAG. 288 00:13:18,532 --> 00:13:20,244 Man: UNIT 24, YOU'RE WITHOUT CHARGE BEFORE QUESTIONING. 289 00:13:20,268 --> 00:13:22,948 FREEZE! 290 00:13:22,972 --> 00:13:24,685 HERE, CHECK THIS OUT, BABY. 291 00:13:24,709 --> 00:13:27,256 "EBONY AND IVORY," HEY, THEY NAMED ONE AFTER US. 292 00:13:27,280 --> 00:13:28,825 HEY, WE GOT YOU ON FILM, BABY. 293 00:13:28,849 --> 00:13:30,059 YOU ARE BUSTED. 294 00:13:30,083 --> 00:13:31,729 WE'RE SO ADVANCED, WE'RE SIMPLE. 295 00:13:31,753 --> 00:13:33,265 NOW, YOU GOT THE RIGHT TO REMAIN SILENT, 296 00:13:33,289 --> 00:13:34,501 YOU GOT... 297 00:13:34,525 --> 00:13:35,736 COMING AT YOU, MAN! 298 00:13:35,760 --> 00:13:38,630 WHERE ARE YOU GOING, HAIRBAG? 299 00:13:40,735 --> 00:13:42,201 OH, MAN, FOSTER JUST GOT CUT BAD. 300 00:13:59,800 --> 00:14:01,045 WHAT'S DOIN'? 301 00:14:01,069 --> 00:14:03,214 YOU WILLIAM MULLINS? 302 00:14:03,238 --> 00:14:04,238 COULD BE. 303 00:14:06,911 --> 00:14:08,557 GET BACK! 304 00:14:08,581 --> 00:14:10,861 DON'T MOVE! 305 00:14:10,885 --> 00:14:11,896 HOLD IT RIGHT THERE! 306 00:14:11,920 --> 00:14:13,265 YOU GOT A WARRANT, MAN? 307 00:14:13,289 --> 00:14:15,134 GET ON OUTTA HERE WHILE WE SEARCH THE PLACE! 308 00:14:15,158 --> 00:14:16,269 GET ON OUT! 309 00:14:16,293 --> 00:14:17,873 HEY, PAL, YOU TAKE IT EASY 310 00:14:17,897 --> 00:14:18,740 OR YOU'RE GONNA TAKE IT HARD, YOU HEAR ME? 311 00:14:18,764 --> 00:14:20,031 LET'S GO. 312 00:14:24,974 --> 00:14:28,256 LEO, WE GOT A MR. MULLINS HERE FOR HOMICIDE. 313 00:14:28,280 --> 00:14:32,563 FUTURE PHARMACISTS OF AMERICA, LEO. 314 00:14:32,587 --> 00:14:33,898 TAKE THESE GENTLEMEN, PLEASE. 315 00:14:33,922 --> 00:14:35,068 STOP-AND-COP? 316 00:14:35,092 --> 00:14:36,636 YEAH, WE GET A COUPLE OF LAME BUSTS 317 00:14:36,660 --> 00:14:38,173 AND FOSTER GETS CUT UP LIKE A THANKSGIVING TURKEY. 318 00:14:38,197 --> 00:14:39,741 WHERE DID THEY TAKE HIM? 319 00:14:39,765 --> 00:14:41,144 MERCY HOSPITAL, HE'S OKAY, CAPTAIN. 320 00:14:41,168 --> 00:14:42,312 YEAH, IF YOU DON'T COUNT BLOOD LOSS. 321 00:14:42,336 --> 00:14:44,572 COME HERE, J.D. 322 00:14:48,279 --> 00:14:50,893 LOOK, J.D., I'M NO FAN OF THIS OPERATION, 323 00:14:50,917 --> 00:14:52,796 BUT BITCHING AND MOANING WON'T HELP MORALE. 324 00:14:52,820 --> 00:14:54,299 OKAY, I'M SORRY, CAPTAIN, OKAY? 325 00:14:54,323 --> 00:14:55,568 I JUST DON'T LIKE SHILLING 326 00:14:55,592 --> 00:14:56,970 FOR OZZIE CLEVELAND'S STREET GAMES. 327 00:14:56,994 --> 00:14:58,973 YOU'RE ENTITLED TO YOUR OPINION, BUT OFF-DUTY, OKAY? 328 00:14:58,997 --> 00:14:59,975 GOT IT. 329 00:14:59,999 --> 00:15:00,977 WHO'S TAKING ARRAIGNMENTS? 330 00:15:01,001 --> 00:15:01,911 ME AND NEAL. 331 00:15:01,935 --> 00:15:03,481 FERITAS AND KATZ AND BELKER 332 00:15:03,505 --> 00:15:04,416 ARE ON THE SECOND STAKEOUT. 333 00:15:04,440 --> 00:15:06,152 OH, ABOUT MORALE, CAPTAIN, 334 00:15:06,176 --> 00:15:07,854 GET IN A ROOM WITH BELKER SOMETIME, 335 00:15:07,878 --> 00:15:10,426 HIS BREATH IS ENOUGH TO CROSS YOUR EYES. 336 00:15:10,450 --> 00:15:11,527 COUNSELOR. 337 00:15:11,551 --> 00:15:12,496 PIZZA MAN. 338 00:15:12,520 --> 00:15:13,964 HOW'S YOUR DAY GOING? 339 00:15:13,988 --> 00:15:16,336 NOWHERE CLOSE TO MY NIGHT. 340 00:15:16,360 --> 00:15:17,838 DEXTER SAWYER, CAPTAIN FURILLO. 341 00:15:17,862 --> 00:15:19,072 PLEASED TO MEET YOU, CAPTAIN. 342 00:15:19,096 --> 00:15:20,208 HOW ARE YOU? 343 00:15:20,232 --> 00:15:21,277 DEXTER JUST JOINED OUR OFFICE. 344 00:15:21,301 --> 00:15:22,111 GOOD. 345 00:15:22,135 --> 00:15:23,247 CRAM ORIENTATION COURSE. 346 00:15:23,271 --> 00:15:25,049 WHO'S IN MY FUTURE, LIEUTENANT? 347 00:15:25,073 --> 00:15:26,452 WILLIAM MULLINS, HOMICIDE, INTERROGATION. 348 00:15:26,476 --> 00:15:29,123 OKAY. 349 00:15:29,147 --> 00:15:31,226 GENTLEMEN. 350 00:15:31,250 --> 00:15:32,195 WHO IS THE KID? 351 00:15:32,219 --> 00:15:33,397 NEW P.D. 352 00:15:33,421 --> 00:15:35,833 I DON'T LIKE HIM. 353 00:15:35,857 --> 00:15:37,603 IF YOU DON'T MIND, 354 00:15:37,627 --> 00:15:40,608 MR. SAWYER'S GOING TO LISTEN TO OUR DISCUSSION. 355 00:15:40,632 --> 00:15:45,950 ALL CLIENT-ATTORNEY PRIVILEGES APPLY. 356 00:15:45,974 --> 00:15:47,953 THAT MEANS HE'S MY LAWYER, TOO? 357 00:15:47,977 --> 00:15:49,812 YES. 358 00:15:53,321 --> 00:15:54,321 OKAY. 359 00:15:55,857 --> 00:15:58,672 YOU'VE GOT AN IMPRESSIVE LIST OF PRIORS, MR. MULLINS. 360 00:15:58,696 --> 00:16:01,443 ARMED ROBBERY, POSSESSION, AGGRAVATED ASSAULT, 361 00:16:01,467 --> 00:16:02,878 ASSAULT WITH A DEADLY WEAPON. 362 00:16:02,902 --> 00:16:04,682 ALL MULTIPLE COUNTS. 363 00:16:04,706 --> 00:16:06,451 MAN DOES WHAT HE HAS TO DO. 364 00:16:06,475 --> 00:16:08,888 PRESENTLY WE'RE TALKING ABOUT HOMICIDE, 365 00:16:08,912 --> 00:16:10,658 WHICH PUTS YOU IN A WHOLE NEW TAX BRACKET. 366 00:16:10,682 --> 00:16:14,486 THAT'S IF I'M GUILTY, WHICH WHO'S TO SAY? 367 00:16:15,724 --> 00:16:17,236 YOU'RE A SUSPECT IN THE MURDER 368 00:16:17,260 --> 00:16:18,504 OF CECIL GIBBONS. 369 00:16:18,528 --> 00:16:21,243 IN A FEW MINUTES A WITNESS IS GOING 370 00:16:21,267 --> 00:16:22,778 TO SEE IF HE RECOGNIZES YOU. 371 00:16:22,802 --> 00:16:24,180 SO? 372 00:16:24,204 --> 00:16:26,684 HE CLAIMS HE SAW YOU COMMIT THE CRIME. 373 00:16:26,708 --> 00:16:27,828 HE SAYS HE CAN IDENTIFY YOU. 374 00:16:33,453 --> 00:16:34,898 SO I KILLED HIM, SO WHAT? 375 00:16:34,922 --> 00:16:37,402 SUCKA CHALLENGED ME. 376 00:16:37,426 --> 00:16:38,871 AND THE NEXT FOOL THAT CHALLENGE ME, 377 00:16:38,895 --> 00:16:40,641 I'LL ICE HIM, TOO. 378 00:16:40,665 --> 00:16:42,811 SO, MS. LADY, YOU JUST GET ME 379 00:16:42,835 --> 00:16:44,581 BACK ON THE STREETS, YOU WON'T HAVE TO WORRY 380 00:16:44,605 --> 00:16:46,673 ABOUT NO WITNESS AND NO CHARGE. 381 00:16:49,613 --> 00:16:51,726 IF YOU'RE IDENTIFIED IN A LINEUP, 382 00:16:51,750 --> 00:16:53,629 YOU'RE NOT GOING TO GET ON THE STREET, MR. MULLINS. 383 00:16:53,653 --> 00:16:55,432 MURDER IS A CAPITAL CRIME, 384 00:16:55,456 --> 00:16:56,696 THE JUDGE WILL SET A HIGH BAIL. 385 00:17:01,599 --> 00:17:03,367 THAT'S WHY A MAN HAS FRIENDS. 386 00:17:04,805 --> 00:17:06,617 GET YOUR HEADS UP, GENTLEMEN. 387 00:17:06,641 --> 00:17:09,622 STEP TO YOUR LEFT, NUMBER THREE. 388 00:17:09,646 --> 00:17:11,592 THAT'S HIM, NUMBER FOUR. 389 00:17:11,616 --> 00:17:13,529 WILLIAM MULLINS, HE STABBED HIM. 390 00:17:13,553 --> 00:17:15,332 TAKE YOUR TIME, MR. TALBOT, 391 00:17:15,356 --> 00:17:17,501 WE WANT YOU TO BE ABSOLUTELY SURE. 392 00:17:17,525 --> 00:17:19,806 I DON'T NEED TO TAKE MY TIME, I KNOW WHO KILLED CECIL GIBBONS. 393 00:17:19,830 --> 00:17:22,632 IT WAS NUMBER FOUR, WILLIAM MULLINS. 394 00:17:23,803 --> 00:17:26,717 YOU WANT A PROFILE? 395 00:17:26,741 --> 00:17:28,554 I'M AS SURE AS I'M SITTING HERE. 396 00:17:28,578 --> 00:17:30,612 Goldblume: ALL RIGHT, THAT'S IT, MOVE TO THE DOOR. 397 00:17:34,821 --> 00:17:36,700 I'M LOOKING FOR WILLIAM MULLINS. 398 00:17:36,724 --> 00:17:37,569 HE'S UNAVAILABLE. 399 00:17:37,593 --> 00:17:39,805 THAT'S MY BROTHER. 400 00:17:39,829 --> 00:17:41,675 HE'S IN A LINEUP. 401 00:17:41,699 --> 00:17:43,544 I GUESS YOU CAN TAKE A SEAT OVER THERE AND WAIT, 402 00:17:43,568 --> 00:17:44,713 THEY SHOULD KNOW WHAT THEY'RE GOING 403 00:17:44,737 --> 00:17:46,017 TO DO WITH HIM IN A FEW MINUTES. 404 00:17:49,578 --> 00:17:50,823 BOBBY, PUBLIC DISTURBANCE 405 00:17:50,847 --> 00:17:52,393 IN FRONT OF THIS GUY'S BUSINESS. 406 00:17:52,417 --> 00:17:53,928 YOU AND RENKO GO CHECK IT OUT. 407 00:17:53,952 --> 00:17:55,698 AH, BIG GIRL, WE WERE ABOUT TO GO GET SOMETHING TO EAT. 408 00:17:55,722 --> 00:17:56,867 CAN'T YOU GIVE IT TO SOMEBODY ELSE? 409 00:17:56,891 --> 00:17:58,770 NO, I CANNOT. 410 00:17:58,794 --> 00:17:59,872 ALL RIGHT, ROLL IT, BROTHER. 411 00:17:59,896 --> 00:18:00,995 ALL RIGHT. 412 00:18:03,134 --> 00:18:04,045 HEY, POPS. 413 00:18:04,069 --> 00:18:05,046 HI, OFFICER. 414 00:18:05,070 --> 00:18:06,048 MR. TALBOT? 415 00:18:06,072 --> 00:18:07,350 YEAH. 416 00:18:07,374 --> 00:18:08,887 MY NAME IS JOYCE DAVENPORT, 417 00:18:08,911 --> 00:18:10,856 I'M REPRESENTING WILLIAM MULLINS. 418 00:18:10,880 --> 00:18:13,561 WELL, THIS IS ONE CASE YOU GONNA LOSE. 419 00:18:13,585 --> 00:18:15,397 I'D LIKE TO ASK YOU SOME QUESTIONS. 420 00:18:15,421 --> 00:18:17,868 CAN'T NOW, BECAUSE I GOT TO GO TO THE CLINIC. 421 00:18:17,892 --> 00:18:19,738 I'D LIKE TO MAKE IT PRETTY SOON 422 00:18:19,762 --> 00:18:21,040 WHILE YOUR MEMORY'S STILL FRESH. 423 00:18:21,064 --> 00:18:22,743 I AIN'T TRYING TO DUCK YOU, 424 00:18:22,767 --> 00:18:24,712 JUST GOT HYPERTENSION 425 00:18:24,736 --> 00:18:25,948 AND I GOT TO GO TO THE CLINIC. 426 00:18:25,972 --> 00:18:27,484 NOW, THIS IS MY ADDRESS. 427 00:18:27,508 --> 00:18:28,653 NOW, I SHOULD BE HOME BY 2:00. 428 00:18:28,677 --> 00:18:30,388 YO, LIONEL. THANK YOU, SIR. 429 00:18:30,412 --> 00:18:31,491 YOU WANNA SAID YOU SEEN ME? 430 00:18:31,515 --> 00:18:32,793 YOU AIN'T SEEN NOTHING, MAN! 431 00:18:32,817 --> 00:18:33,828 YOU AIN'T SEE ME DO NOTHING! 432 00:18:33,852 --> 00:18:35,932 YOU MADE A MISTAKE, MAN! 433 00:18:35,956 --> 00:18:37,835 YOU THE ONE MADE A MISTAKE! 434 00:18:37,859 --> 00:18:39,504 YOU LIABLE TO GET ICED! WILLIAM, WILLIAM! 435 00:18:39,528 --> 00:18:40,840 YOU GONNA GET COLD REAL QUICK! 436 00:18:40,864 --> 00:18:42,809 I SAW YOU WHEN YOU STABBED THAT MAN. 437 00:18:42,833 --> 00:18:45,113 HEY, TIMOTHY, HEY, BRO, HE MADE A MISTAKE! 438 00:18:45,137 --> 00:18:47,684 I AIN'T AFRAID OF YOU OR YOUR BROTHER! 439 00:18:47,708 --> 00:18:50,121 I SEEN YOU WHEN YOU STABBED THAT MAN. 440 00:18:50,145 --> 00:18:51,757 OKAY. 441 00:18:51,781 --> 00:18:53,426 HEY, YOUR BROTHER'S GONNA BE CHARGED, 442 00:18:53,450 --> 00:18:54,696 YOU GOT ANY OTHER BUSINESS HERE? 443 00:18:54,720 --> 00:18:56,632 NO, NOT HERE. 444 00:18:56,656 --> 00:18:58,768 WELL THEN, TAKE A HIKE. 445 00:18:58,792 --> 00:19:00,672 AND DON'T EVEN CONSIDER INTIMIDATING ANYBODY. 446 00:19:00,696 --> 00:19:01,962 YOU'LL END UP IN A CELL. 447 00:19:11,581 --> 00:19:12,726 YOU SEE WHAT I MEAN? 448 00:19:12,750 --> 00:19:14,529 HE'S BEEN DOING THAT ALL MORNING. 449 00:19:14,553 --> 00:19:15,898 IT'S SCARING ALL MY CUSTOMERS AWAY. 450 00:19:15,922 --> 00:19:16,865 YOUR DADDY'S 451 00:19:16,889 --> 00:19:18,969 RICH 452 00:19:18,993 --> 00:19:22,975 AND YOUR MOTHER'S GOOD-LOOKING 453 00:19:22,999 --> 00:19:24,678 HEY, BUDDY, HEY, LOOK... 454 00:19:24,702 --> 00:19:27,750 HUSH, BABY, DON'T YOU CRY 455 00:19:27,774 --> 00:19:29,654 LOOK, YOU'RE CAUSING A DISTURBANCE, 456 00:19:29,678 --> 00:19:30,588 YOU'RE JUST GONNA HAVE TO LEAVE. 457 00:19:30,612 --> 00:19:32,490 ONE OF THESE MORNINGS 458 00:19:32,514 --> 00:19:33,993 YOU'RE GONNA WAKE UP SINGING 459 00:19:34,017 --> 00:19:35,830 HEY. 460 00:19:35,854 --> 00:19:39,536 YOU'RE GONNA SPREAD YOUR WINGS AND YOU'LL TAKE TO THE SKY 461 00:19:39,560 --> 00:19:44,544 UNTIL THAT MORNING, YOU GOT NOTHING CAN HARM YOU 462 00:19:44,568 --> 00:19:50,888 'CAUSE YOUR MOMMY AND DADDY ARE STANDING BY 463 00:19:50,912 --> 00:19:53,593 ALL RIGHT, NOW YOU LISTEN TO ME, PAL. 464 00:19:53,617 --> 00:19:55,528 YOU SHUT UP AND WALK AWAY FROM HERE, 465 00:19:55,552 --> 00:19:57,065 OR THE NEXT SONG YOU'RE GONNA BE SINGING 466 00:19:57,089 --> 00:19:58,634 IS THE JAILHOUSE ROCK, 467 00:19:58,658 --> 00:20:00,972 YOU UNDERSTAND ME? 468 00:20:00,996 --> 00:20:04,644 JUST WALK AWAY, RENEE 469 00:20:04,668 --> 00:20:08,951 YOU DON'T HAVE TO FOLLOW ME BACK HOME 470 00:20:08,975 --> 00:20:15,128 THE EMPTY SIDEWALK ON MY STREET IS NOT THE SAME 471 00:20:15,152 --> 00:20:18,801 YOU'RE NOT TO BLAME 472 00:20:18,825 --> 00:20:22,607 FOUR TOPS, 1968? 473 00:20:22,631 --> 00:20:24,866 HOW THE HELL WOULD I KNOW ANYTHING ABOUT THAT? 474 00:20:30,610 --> 00:20:33,792 NO, LISTEN, ALL WE GOT IS THE DEMON. 475 00:20:33,816 --> 00:20:35,528 AH, HE AIN'T GOT NO DOCTOR MONSTER, MAN? 476 00:20:35,552 --> 00:20:37,097 SAID WE AIN'T GOT IT, BROTHER. 477 00:20:37,121 --> 00:20:38,968 NOW GET BEHIND THE DEMON. 478 00:20:38,992 --> 00:20:40,002 DEMON DELIVERS. 479 00:20:40,026 --> 00:20:41,873 NO, MAN, FORGET THAT. 480 00:20:41,897 --> 00:20:44,176 OH, GET STUFFED TOO, MAN. 481 00:20:44,200 --> 00:20:45,845 YES, SIR? 482 00:20:45,869 --> 00:20:47,614 YOU GOT FOUR TREY BAGS, MAN, PLEASE? 483 00:20:47,638 --> 00:20:49,184 WELL, STEP RIGHT TO THE DOOR, MY MAN, 484 00:20:49,208 --> 00:20:50,987 THEY'LL TAKE CARE OF YOU. 485 00:20:51,011 --> 00:20:52,857 YOU WILLING TO SELL ME SOME SMACK, HUH? 486 00:20:52,881 --> 00:20:54,860 I AIN'T STANDING HERE LOOKING FOR A DATE, COOL. 487 00:20:54,884 --> 00:20:56,963 MAYBE YOU'RE LOOKING TO DO SOME TIME! 488 00:20:56,987 --> 00:20:58,789 A BUST, BUST MAN! 489 00:21:01,328 --> 00:21:03,062 RED DOG, YOU GOT THREE COMING YOUR WAY. 490 00:21:08,907 --> 00:21:10,574 POLICE, FREEZE! 491 00:21:24,699 --> 00:21:26,045 WHAT ARE YOU DOING HERE? 492 00:21:26,069 --> 00:21:27,247 PHONE COMPANY WOULDN'T PRESS CHARGES. 493 00:21:27,271 --> 00:21:29,050 WE GOT A SHOOTING VICTIM HERE. 494 00:21:29,074 --> 00:21:31,187 435 NORTH POLK. 495 00:21:31,211 --> 00:21:32,957 NOW LOOK WHAT THE PHONE COMPANY... 496 00:21:32,981 --> 00:21:34,013 SHUT UP! 497 00:21:35,886 --> 00:21:37,131 YOU'RE NOT GOING TO DIE ON ME, 498 00:21:37,155 --> 00:21:39,600 YOU UNDERSTAND? 499 00:21:39,624 --> 00:21:40,870 LOGAN. 500 00:21:40,894 --> 00:21:41,772 WHAT? 501 00:21:41,796 --> 00:21:43,106 MY NAME'S JIM LOGAN. 502 00:21:43,130 --> 00:21:45,144 CAMDEN, NEW JERSEY. 503 00:21:45,168 --> 00:21:46,278 YOU CALL MY MOMMA. 504 00:21:46,302 --> 00:21:48,983 SAY HER BABY LOGAN, OKAY? 505 00:21:49,007 --> 00:21:53,090 NO... NO... NO! 506 00:21:53,114 --> 00:21:54,225 COME BACK. 507 00:21:54,249 --> 00:21:55,661 COME BACK HERE! 508 00:21:55,685 --> 00:21:58,788 DON'T DO THIS TO ME! 509 00:22:04,332 --> 00:22:06,178 IN THE BOX SEAT, THERE'S A WEASEL. 510 00:22:06,202 --> 00:22:07,780 IN THE BOX SEAT, THERE'S A FRAUD. 511 00:22:07,804 --> 00:22:09,183 AND LET ME TELL YOU ANOTHER THING, 512 00:22:09,207 --> 00:22:10,618 IF HE TRIES TO PUT THE CLAW ON ME, 513 00:22:10,642 --> 00:22:11,653 I'M GONNA RIP OFF HIS ARM AND BEAT HIM TO DEATH WITH IT. 514 00:22:11,677 --> 00:22:13,023 VON HIMMEL, 515 00:22:13,047 --> 00:22:15,092 LAST TIME YOU MET THE SHEIK, IT WAS WAR, IT WAS CHAOS, 516 00:22:15,116 --> 00:22:16,094 IT WAS THE WORST THING THAT EVER HAPPENED 517 00:22:16,118 --> 00:22:17,831 IN THE HISTORY OF WRESTLING. 518 00:22:17,855 --> 00:22:19,934 WHAT DO YOU GOT TO SAY ABOUT THAT TONIGHT? 519 00:22:19,958 --> 00:22:21,971 VINNIE, I'M TELLING YOU, THE MAN HIT ME WITH A CHAIR. 520 00:22:21,995 --> 00:22:23,373 I GOT NO RESPECT FOR THIS MAN FOR THAT. 521 00:22:23,397 --> 00:22:25,176 THAT'S TONIGHT, 8:30, MUNICIPAL AUDITORIUM. 522 00:22:25,200 --> 00:22:27,279 VON HIMMEL VERSUS THE SHEIK, 523 00:22:27,303 --> 00:22:30,240 THE LEOPARD KING VERSUS JERRY THE BULLDOG, BE THERE! 524 00:22:32,980 --> 00:22:34,124 ARE YOU GUYS GOING TO THIS? 525 00:22:34,148 --> 00:22:35,793 YEAH, WE ALL GOING. 526 00:22:35,817 --> 00:22:37,230 JOEY, YOU GOING? 527 00:22:37,254 --> 00:22:38,331 YEAH, I'M GONNA TAKE SANDY, SHE'S NEVER BEEN. 528 00:22:38,355 --> 00:22:39,967 WHAT A CLASSY GUY, 529 00:22:39,991 --> 00:22:41,302 HE TAKES HIS GIRLS TO WRESTLING MEETS. 530 00:22:41,326 --> 00:22:42,171 IT'S A BROADENING EXPERIENCE. 531 00:22:42,195 --> 00:22:43,306 YEAH, RIGHT. 532 00:22:43,330 --> 00:22:45,376 HEY, YOU GOT ANY EXTRA TICKETS? 533 00:22:45,400 --> 00:22:49,182 AH, WELL WE GOT SIX TICKETS. 534 00:22:49,206 --> 00:22:52,187 YEAH, BUT THEY'RE ALL COUNTED FOR, LUCE. 535 00:22:52,211 --> 00:22:53,722 YOU KNOW, I BET YOU COULD GET SOME AT THE DOOR, 536 00:22:53,746 --> 00:22:54,724 I'M SURE YOU CAN. 537 00:22:54,748 --> 00:22:56,261 YEAH, YEAH, YOU COULD. 538 00:22:56,285 --> 00:22:58,063 WELL, I SORTA GOT PLANS ANYWAY, WHAT THE HECK. 539 00:22:58,087 --> 00:22:59,832 YOU WANNA CHECK OUT THIS DISTURBANCE, 540 00:22:59,856 --> 00:23:01,068 DECKER AND 39th. 541 00:23:01,092 --> 00:23:02,372 ANYTHING WE CAN DO FOR THE SARGE. 542 00:23:25,933 --> 00:23:30,283 MRS. SARA BETH LOGAN, PLEASE. 543 00:23:30,307 --> 00:23:32,253 MRS. LOGAN, MY NAME IS MICHAEL BELKER, 544 00:23:32,277 --> 00:23:36,060 I'M CALLING WITH REFERENCE TO YOUR SON, JAMES. 545 00:23:36,084 --> 00:23:37,262 YES. 546 00:23:37,286 --> 00:23:39,165 I'M AFRAID JAMES HAS BEEN IN AN ACCIDENT 547 00:23:39,189 --> 00:23:45,108 AND I'M AFRAID THAT HE'S DEAD. 548 00:23:45,132 --> 00:23:50,116 UH, MRS. LOGAN? 549 00:23:50,140 --> 00:23:52,086 I HAVE SOME PHONE NUMBERS 550 00:23:52,110 --> 00:23:55,492 WITH REFERENCE TO JAMES' REMAINS AND SO FORTH. 551 00:23:55,516 --> 00:23:57,495 YES. 552 00:23:57,519 --> 00:23:59,131 I DON'T REALLY KNOW. 553 00:23:59,155 --> 00:24:04,172 I DON'T REALLY KNOW ALL THE DETAILS. 554 00:24:04,196 --> 00:24:06,377 NO. 555 00:24:06,401 --> 00:24:08,046 NO, MY BEST INFORMATION 556 00:24:08,070 --> 00:24:11,385 IS HE WASN'T DOING ANYTHING WRONG. 557 00:24:11,409 --> 00:24:14,456 HE JUST GOT CAUGHT IN THE SWITCHES, I BELIEVE. 558 00:24:14,480 --> 00:24:18,129 HE GOT CAUGHT IN SOME SWITCHES AND THERE WAS A SHOOTING. 559 00:24:18,153 --> 00:24:20,299 THAT'S RIGHT, THAT'S ABSOLUTELY RIGHT. 560 00:24:20,323 --> 00:24:22,458 THEY AREN'T SAFE TO WALK. 561 00:24:30,606 --> 00:24:32,085 WELL, WE WERE. 562 00:24:32,109 --> 00:24:33,922 I'D SAY WE WERE FRIENDS. 563 00:24:33,946 --> 00:24:36,359 AND HE WAS DOING ALL RIGHT, HE ALWAYS HAD SOMETHING GOING. 564 00:24:36,383 --> 00:24:39,431 AT ANY RATE, MRS. LOGAN, 565 00:24:39,455 --> 00:24:42,436 I WAS WITH HIM AND HE SAID 566 00:24:42,460 --> 00:24:45,074 TO TELL YOU THAT HE LOVES YOU. 567 00:24:45,098 --> 00:24:47,510 AND I'LL, 568 00:24:47,534 --> 00:24:49,114 I'LL WRITE YOU A LETTER 569 00:24:49,138 --> 00:24:52,085 AND SEND YOU THE PHONE NUMBERS AND SO FORTH. 570 00:24:52,109 --> 00:24:54,077 I'M VERY SORRY FOR YOUR LOSS. 571 00:25:05,598 --> 00:25:07,443 HE'S BACK HERE. 572 00:25:07,467 --> 00:25:09,046 HE WON'T TALK OR NOTHING. 573 00:25:09,070 --> 00:25:11,384 ALL RIGHT, WE'LL TAKE CARE OF IT, SIR. 574 00:25:11,408 --> 00:25:14,422 SOUNDS LIKE VIC THE MOANER AGAIN, DON'T IT? 575 00:25:14,446 --> 00:25:16,325 YEAH. 576 00:25:16,349 --> 00:25:18,529 HEY, BUD, I THOUGHT I TOLD YOU TO STOP SINGING 577 00:25:18,553 --> 00:25:21,065 OR I WAS GONNA TAKE YOU TO JAIL. 578 00:25:21,089 --> 00:25:23,069 LORD DONE STABBED ME, BABY 579 00:25:23,093 --> 00:25:24,972 LORD DONE STABBED ME 580 00:25:24,996 --> 00:25:27,410 HEY, BUDDY, COME ON, BUDDY, 581 00:25:27,434 --> 00:25:29,714 LET'S HELP YOU UP FROM THERE, COME ON. 582 00:25:29,738 --> 00:25:31,450 OHHH! 583 00:25:31,474 --> 00:25:32,786 OH, MY GOD! 584 00:25:32,810 --> 00:25:34,789 CALL AN AMBULANCE, RIGHT NOW, CALL THEM, GET ON IT! 585 00:25:34,813 --> 00:25:35,791 WHEN DID IT HAPPEN? 586 00:25:35,815 --> 00:25:40,765 MUST BE 20 MINUTES AGO NOW 587 00:25:40,789 --> 00:25:41,967 HURRY UP! 588 00:25:41,991 --> 00:25:45,729 THEY STABBED ME WITH A KNIFE 589 00:25:48,535 --> 00:25:50,682 THIS IS NICE, LIEUTENANT. 590 00:25:50,706 --> 00:25:51,850 OH, PLEASE, 591 00:25:51,874 --> 00:25:52,985 CALL ME HOWARD. 592 00:25:53,009 --> 00:25:54,755 OKAY. 593 00:25:54,779 --> 00:25:56,624 I BET YOU'RE REAL EXCITED 594 00:25:56,648 --> 00:25:58,462 ABOUT YOUR EQUESTRIAN UNIT, HUH? 595 00:25:58,486 --> 00:25:59,831 OH, YEAH. 596 00:25:59,855 --> 00:26:03,603 I FIND EQUINE PULCHRITUDE UNSURPASSED. 597 00:26:03,627 --> 00:26:05,539 THE GRACE OF MOVEMENT, THE POWER, 598 00:26:05,563 --> 00:26:07,665 AND YET, A DELICACY THAT TRANSCENDS SIZE. 599 00:26:09,970 --> 00:26:11,549 NOT AT ALL UNLIKE THE CHARACTERISTICS 600 00:26:11,573 --> 00:26:12,940 THAT I ADMIRE IN YOURSELF. 601 00:26:15,980 --> 00:26:17,826 ARE YOU SAYING THAT I LOOK LIKE A HORSE? 602 00:26:17,850 --> 00:26:20,631 WELL, ONLY IN THE MOST COMPLIMENTARY SENSE. 603 00:26:20,655 --> 00:26:21,966 THAT IS, I MEAN, 604 00:26:21,990 --> 00:26:24,905 THERE IS A CERTAIN EVOCATION OF THE FLOWING MANE, 605 00:26:24,929 --> 00:26:25,739 THE DEEP BREAST, 606 00:26:25,763 --> 00:26:27,643 THE SUPPLE HAUNCHES. 607 00:26:27,667 --> 00:26:28,766 THE HAUNCHES? 608 00:26:30,672 --> 00:26:32,751 I'M NOT SURE I'M MAKING MYSELF CLEAR. 609 00:26:32,775 --> 00:26:35,989 THE POINT IS, 610 00:26:36,013 --> 00:26:38,728 DAMN IT, LUCY, YOU INTEREST ME. 611 00:26:38,752 --> 00:26:41,599 I'M VERY FLATTERED, LIEUTENANT. 612 00:26:41,623 --> 00:26:43,168 THESE PAST TWO MONTHS IN THERAPY 613 00:26:43,192 --> 00:26:44,738 I'VE COME TO REALIZE 614 00:26:44,762 --> 00:26:48,610 THAT I'M READY TO SHARE MY LIFE. 615 00:26:48,634 --> 00:26:52,918 THAT I'M READY FOR A RELATIONSHIP. 616 00:26:52,942 --> 00:26:55,956 I DON'T WANT TO BE ISOLATED ANYMORE. 617 00:26:55,980 --> 00:26:57,058 WELL, LIEUTENANT, 618 00:26:57,082 --> 00:26:58,761 I DON'T KNOW WHERE THIS IS LEADING, 619 00:26:58,785 --> 00:27:00,730 BUT YOU'RE A VERY NICE MAN, 620 00:27:00,754 --> 00:27:02,901 BUT I SHOULD TELL YOU 621 00:27:02,925 --> 00:27:04,771 THAT I TRY TO KEEP MY SOCIAL LIFE 622 00:27:04,795 --> 00:27:08,499 AND MY WORK LIFE SEPARATE. 623 00:27:10,103 --> 00:27:13,919 WELL, THAT'S PROBABLY VERY PRUDENT. 624 00:27:13,943 --> 00:27:15,822 I THINK SO. 625 00:27:15,846 --> 00:27:19,060 WHAT I HAD IN MIND WAS ENTIRELY INNOCENT. 626 00:27:19,084 --> 00:27:20,763 I MEAN, I HAVE THESE TWO TICKETS 627 00:27:20,787 --> 00:27:21,899 TO THE PHILHARMONIC'S UPCOMING RENDITION 628 00:27:21,923 --> 00:27:24,068 OF MAHLER'S FOURTH. 629 00:27:24,092 --> 00:27:25,973 KASAKOWSKY'S CONDUCTING. 630 00:27:25,997 --> 00:27:27,842 LIKE I SAID, I CAN'T. 631 00:27:27,866 --> 00:27:29,612 WELL, IF YOUR TASTES AREN'T OF THE CLASSICS, 632 00:27:29,636 --> 00:27:30,969 WE COULD GO TO A MOVIE. 633 00:27:33,041 --> 00:27:35,755 LIEUTENANT, THIS IS NOT SOMETHING I MADE UP. 634 00:27:35,779 --> 00:27:37,825 YOU KNOW, I'VE THOUGHT ABOUT THIS A LONG TIME, 635 00:27:37,849 --> 00:27:38,793 AND IT'S SOMETHING I WOULD LIKE TO STICK WITH. 636 00:27:38,817 --> 00:27:41,030 SO... 637 00:27:41,054 --> 00:27:42,956 MAYBE WE SHOULD JUST ORDER. 638 00:27:47,230 --> 00:27:48,731 DO YOU BOWL? 639 00:27:50,336 --> 00:27:51,836 JUST KIDDING. 640 00:27:58,917 --> 00:28:00,162 I HEARD A COP GOT CUT 641 00:28:00,186 --> 00:28:01,731 IN THAT STOP-AND-COP OPERATION. 642 00:28:01,755 --> 00:28:05,136 YEAH... FOSTER. 643 00:28:05,160 --> 00:28:06,005 WILL HE BE OKAY? 644 00:28:06,029 --> 00:28:07,029 YEAH. 645 00:28:11,071 --> 00:28:13,985 I'M GETTING AS BAD AS YOU, WORRYING ALL THE TIME. 646 00:28:14,009 --> 00:28:14,987 WHAT? 647 00:28:15,011 --> 00:28:16,221 NOTHING. 648 00:28:16,245 --> 00:28:17,946 NO, SOMETHING'S WRONG, WHAT IS IT? 649 00:28:20,285 --> 00:28:22,065 I THINK WE SHOULDN'T SEE EACH OTHER ANYMORE, 650 00:28:22,089 --> 00:28:23,166 I THINK WE SHOULD STOP. 651 00:28:23,190 --> 00:28:26,038 I'M SORRY. 652 00:28:26,062 --> 00:28:28,241 ARE YOU SERIOUS? 653 00:28:28,265 --> 00:28:30,133 I'M VERY SORRY. 654 00:28:33,708 --> 00:28:35,921 MICK, I THINK WE OUGHT TO TALK ABOUT IT. 655 00:28:35,945 --> 00:28:39,059 NOPE, IT'S GOT TO BE THIS WAY. 656 00:28:39,083 --> 00:28:41,396 PLEASE EXCUSE ME. 657 00:28:41,420 --> 00:28:43,133 MICK? 658 00:28:43,157 --> 00:28:44,858 I GOTTA GO, ROBIN. 659 00:28:47,430 --> 00:28:49,110 WHAT ARE OUR CHOICES, CAPTAIN? 660 00:28:49,134 --> 00:28:50,578 YOU TREAT US LIKE THREE YEAR OLDS 661 00:28:50,602 --> 00:28:52,148 THE MOMENT YOU HIT SANCTUARY... 662 00:28:52,172 --> 00:28:53,316 NOW, LET'S PRETEND THERE'S A LINE HERE AND LET'S NOT 663 00:28:53,340 --> 00:28:55,053 CROSS THAT LINE. 664 00:28:55,077 --> 00:28:57,089 THIS IS A POLICE PRECINCT, NOT A PRESS ROOM. 665 00:28:57,113 --> 00:28:59,159 YOU DON'T THINK THE PRESS SHOULD QUESTION A P.R. STUNT 666 00:28:59,183 --> 00:29:00,996 LIKE OPERATION STOP-AND-COP? 667 00:29:01,020 --> 00:29:02,430 STUNT? MAYBE YOU'D BETTER GO OVER TO MERCY GENERAL. 668 00:29:02,454 --> 00:29:04,168 ONE OF OUR STUNTMEN IS BEING OPERATED ON 669 00:29:04,192 --> 00:29:06,171 FOR A STAB WOUND OVER THERE. 670 00:29:06,195 --> 00:29:07,940 ARE YOU SAYING THAT A COP'S GETTING WOUNDED 671 00:29:07,964 --> 00:29:10,244 JUSTIFIES ANY ACTIVITY HE'S INVOLVED IN? 672 00:29:10,268 --> 00:29:12,181 I'M SAYING EVERYBODY HAS A JOB TO DO. 673 00:29:12,205 --> 00:29:14,084 PART OF YOURS MAY BE TO PROVOKE A STORY 674 00:29:14,108 --> 00:29:15,319 WITH CAT AND MOUSE WORD GAMES. 675 00:29:15,343 --> 00:29:17,089 WHAT'S CAT AND MOUSE 676 00:29:17,113 --> 00:29:19,192 ABOUT QUESTIONING THE UTILITY OF STOP-AND-COP? 677 00:29:19,216 --> 00:29:21,129 BECAUSE IT'S A QUESTION IN A VOID. 678 00:29:21,153 --> 00:29:22,130 YOU WANT TO SOLVE THE DRUG PROBLEM? 679 00:29:22,154 --> 00:29:23,299 THEN LEGALIZE HEROIN 680 00:29:23,323 --> 00:29:25,169 AND THEN DISPENSE IT ON A CONTROLLED BASIS. 681 00:29:25,193 --> 00:29:26,771 PUT A COP ON EVERY STREET CORNER 682 00:29:26,795 --> 00:29:28,207 AND THAT'S THE END OF YOUR PROBLEM. 683 00:29:28,231 --> 00:29:29,943 BUT NOW YOU'VE NARCOTIZED A PORTION OF THE POPULATION, 684 00:29:29,967 --> 00:29:31,780 AND WHAT YOU DO IS RISK A POLICE STATE. 685 00:29:31,804 --> 00:29:33,438 WELL, WHAT WOULD YOU DO, CAPTAIN? 686 00:29:36,010 --> 00:29:36,855 I DON'T MAKE POLICY. 687 00:29:36,879 --> 00:29:37,879 IF YOU DID? 688 00:29:40,251 --> 00:29:42,363 MAYBE I'D PAY 689 00:29:42,387 --> 00:29:46,037 LESS ATTENTION TO TRANSIENT POLITICAL CONCERNS. 690 00:29:46,061 --> 00:29:47,206 I MEAN, I JUST LEFT A COP 691 00:29:47,230 --> 00:29:49,209 WHO'S GOING TO BE WEARING A SCAR 692 00:29:49,233 --> 00:29:51,345 LONG AFTER POLITICIANS ARE ONTO OTHER TRENDY ISSUES. 693 00:29:51,369 --> 00:29:53,315 YOU INCLUDE MAYOR CLEVELAND IN THAT CATEGORY? 694 00:29:53,339 --> 00:29:57,321 WELL, UH, I THINK MAYOR CLEVELAND 695 00:29:57,345 --> 00:29:59,258 IS PROBABLY DOING HIS BEST TO DELIVER 696 00:29:59,282 --> 00:30:01,362 ON CAMPAIGN PROMISES HE MADE IN GOOD FAITH. 697 00:30:01,386 --> 00:30:04,100 WELL, IS THAT A YES OR A NO? 698 00:30:04,124 --> 00:30:07,194 NO, UH, NO COMMENT. 699 00:30:12,971 --> 00:30:14,383 Man: OKAY, HERE'S THE DEAL, GUYS. 700 00:30:14,407 --> 00:30:16,754 NOW, YOUR CLIENT, MR. FLORES, 701 00:30:16,778 --> 00:30:19,091 NOW, BECAUSE HE'S A SELLER, HE'S GOT TO DO TIME. 702 00:30:19,115 --> 00:30:20,861 ALL RIGHT, 90 DAYS. 703 00:30:20,885 --> 00:30:23,464 YOUR CLIENT, MR. GOMEZ, HE PLEADS, 704 00:30:23,488 --> 00:30:26,369 HE GETS PROBATION WITH A DRUG PROGRAM, OKAY. 705 00:30:26,393 --> 00:30:27,972 AH-HA, THE ARRESTING OFFICERS. 706 00:30:27,996 --> 00:30:29,041 AL? 707 00:30:29,065 --> 00:30:31,767 PLEASE, DETECTIVE, "YOUR HONOR." 708 00:30:34,975 --> 00:30:36,174 LIKE MY ROBES? 709 00:30:38,347 --> 00:30:39,959 OKAY, FELLAS, GIVE ME A MINUTE 710 00:30:39,983 --> 00:30:41,061 WITH A COUPLE OLD TRENCHMEN, HUH? 711 00:30:41,085 --> 00:30:42,853 GO TO YOUR GUYS. 712 00:30:48,263 --> 00:30:51,132 IT'S KIND OF A SURPRISE, YOUR HONOR. 713 00:30:52,470 --> 00:30:56,253 I OWE IT ALL TO THIS BOOK, J.D. 714 00:30:56,277 --> 00:30:57,520 "BROTHERS KARAMAZOV." 715 00:30:57,544 --> 00:31:00,927 YOU OWE YOUR JOB TO THE BROTHERS KARAMAZOV? 716 00:31:00,951 --> 00:31:02,296 NO, NOT MY JOB. 717 00:31:02,320 --> 00:31:03,932 MY JOB I OWE, OF COURSE, 718 00:31:03,956 --> 00:31:07,537 TO EIGHT YEARS' UNSTINTING SERVICE THROUGH PSYCHIC CRISIS 719 00:31:07,561 --> 00:31:09,976 AND OTHERWISE TO THE 23rd WARD DEMOCRATIC COMMITTEE. 720 00:31:10,000 --> 00:31:12,346 BUT MY METHOD... 721 00:31:12,370 --> 00:31:16,286 ARE YOU FAMILIAR WITH THE TEACHING 722 00:31:16,310 --> 00:31:17,453 OF THE GRAND INQUISITOR? 723 00:31:17,477 --> 00:31:19,947 AH, NOT EXACTLY. 724 00:31:22,387 --> 00:31:27,470 SEE, MEN GABBLE ABOUT FREEDOMS AND RIGHTS. 725 00:31:27,494 --> 00:31:31,310 IN TRUTH, THEY CRAVE THREE THINGS ONLY... 726 00:31:31,334 --> 00:31:35,183 MIRACLE, MYSTERY, 727 00:31:35,207 --> 00:31:37,020 AND AUTHORITY. 728 00:31:37,044 --> 00:31:38,389 ALL RIGHT, STEP BACK, DETECTIVES, 729 00:31:38,413 --> 00:31:40,258 AND WATCH A MASTER JURIST AT WORK. 730 00:31:40,282 --> 00:31:43,363 ARE THESE PLEA BARGAINS ACCEPTABLE TO YOUR CLIENTS? 731 00:31:43,387 --> 00:31:45,199 N.G., JUDGE. 732 00:31:45,223 --> 00:31:46,501 N.G., MR. FLORES? 733 00:31:46,525 --> 00:31:49,206 GOMEZ HERE GETS A PROGRAM, WHY DO I GOTTA DO TIME? 734 00:31:49,230 --> 00:31:52,245 UH, JUDGE, MR. GOMEZ ALSO HAS A PROBLEM. 735 00:31:52,269 --> 00:31:54,281 HE SAYS DRUG PROGRAMS DON'T REALLY HELP HIM. 736 00:31:54,305 --> 00:31:57,286 HE'D PREFER PROBATION 737 00:31:57,310 --> 00:31:59,123 AND HE PROMISES TO QUIT DRUGS ON HIS OWN. 738 00:31:59,147 --> 00:32:00,914 OH, I SEE. 739 00:32:06,558 --> 00:32:09,473 INGRATES. 740 00:32:09,497 --> 00:32:10,942 PIPSQUEAKS. 741 00:32:10,966 --> 00:32:12,578 I'M A FORMER PUBLIC DEFENDER MYSELF, 742 00:32:12,602 --> 00:32:14,314 AND I AM ONTO YOUR 743 00:32:14,338 --> 00:32:15,950 HEROIN GUZZLING ZOMBIE TRICKS. 744 00:32:15,974 --> 00:32:17,386 YOU KNOW WHAT I'M TEMPTED TO DO? 745 00:32:17,410 --> 00:32:19,423 HOLD YOU IN CONTEMPT TILL YOU ROT. 746 00:32:19,447 --> 00:32:22,128 I'LL GIVE YOU A GOOD DOSE OF MACE RIGHT NOW. 747 00:32:22,152 --> 00:32:24,520 UNFORTUNATELY, THE RULE OF LAW PREVENTS ME. 748 00:32:27,593 --> 00:32:29,272 BUT I CAN FIND YOU GUILTY AS CHARGED. 749 00:32:29,296 --> 00:32:30,441 MR. GOMEZ? 750 00:32:30,465 --> 00:32:32,311 FOURTEEN MONTHS. 751 00:32:32,335 --> 00:32:33,413 MR. FLORES, SEVEN YEARS. 752 00:32:33,437 --> 00:32:34,448 AND BELIEVE ME, SIR, 753 00:32:34,472 --> 00:32:37,620 IF I COULD, 754 00:32:37,644 --> 00:32:39,589 I WOULD THROW THE BOOK AT YOU. 755 00:32:39,613 --> 00:32:41,592 REMAND TO CUSTODY. Woman: YOUR HONOR? 756 00:32:41,616 --> 00:32:45,221 THIS IS JUST AN ARRAIGNMENT, THERE HASN'T BEEN A TRIAL. 757 00:32:50,098 --> 00:32:52,099 I KNOW EXACTLY WHAT I'M DOING. 758 00:32:59,980 --> 00:33:01,125 I'M JUST KIDDING. 759 00:33:01,149 --> 00:33:03,796 SAME OLD AL. 760 00:33:03,820 --> 00:33:05,266 YOUR HONOR, MY CLIENT FEELS 761 00:33:05,290 --> 00:33:07,835 THAT THE DRUG PROGRAM ORIGINALLY OFFERED HIM 762 00:33:07,859 --> 00:33:09,773 IS NOW IN HIS BEST INTEREST. 763 00:33:09,797 --> 00:33:12,911 MR. FLORES WILL TAKE HIS 90 DAYS. 764 00:33:12,935 --> 00:33:14,736 I AM DELIGHTED. 765 00:33:23,152 --> 00:33:24,719 HERE YOU GO. 766 00:33:28,160 --> 00:33:30,140 WHAT A PIT. 767 00:33:30,164 --> 00:33:31,831 IT AIN'T THE RITZ. 768 00:33:40,848 --> 00:33:42,860 EXCUSE ME, THE NAME'S ARE OFF THE BOXES, 769 00:33:42,884 --> 00:33:44,763 WHICH APARTMENT IS LIONEL TALBOT'S? 770 00:33:44,787 --> 00:33:46,199 WHO'RE YOU FROM? 771 00:33:46,223 --> 00:33:48,970 WE'RE PUBLIC DEFENDERS, HE'S NOT IN ANY TROUBLE. 772 00:33:48,994 --> 00:33:50,806 TRAIN LIVES FIRST ROOM TO YOUR LEFT, 773 00:33:50,830 --> 00:33:52,877 TOP OF THE STAIRS. 774 00:33:52,901 --> 00:33:54,100 THANK YOU. 775 00:33:58,177 --> 00:34:00,189 YOU KNOW, THIS ISN'T GOING TO BE 776 00:34:00,213 --> 00:34:01,525 MY MOST FAVORITE PART OF THE JOB. 777 00:34:01,549 --> 00:34:02,527 IT ISN'T ANYONE'S. 778 00:34:02,551 --> 00:34:04,029 YOU GET USED TO IT. 779 00:34:04,053 --> 00:34:05,865 WHEN MR. TALBOT ANSWERS THE DOOR, 780 00:34:05,889 --> 00:34:07,100 I WANT YOU TO VERIFY 781 00:34:07,124 --> 00:34:08,770 WHETHER HE'S WEARING HIS GLASSES OR NOT. 782 00:34:08,794 --> 00:34:09,927 THAT'S PRETTY CAGEY. 783 00:34:15,906 --> 00:34:19,343 I CALLED THE COPS, GET THE HELL OUT OF HERE. 784 00:34:38,844 --> 00:34:40,255 Goldblume: EITHER OF YOU GET A CLEAR LOOK? 785 00:34:40,279 --> 00:34:41,156 COULD YOU GET A DESCRIPTION? 786 00:34:41,180 --> 00:34:42,326 NO, I'M SORRY. 787 00:34:42,350 --> 00:34:45,397 I'M SORRY, I WAS JUST SO AFRAID. 788 00:34:45,421 --> 00:34:47,088 Davenport: HE LOOKED LIKE THE BROTHER. 789 00:34:51,365 --> 00:34:52,408 THE BROTHER OF THE MAN... 790 00:34:52,432 --> 00:34:54,446 MULLINS, TIMOTHY MULLINS? 791 00:34:54,470 --> 00:34:56,315 BROTHER OF WILLIAM MULLINS, 792 00:34:56,339 --> 00:34:58,318 CALL IT IN, GET A PICTURE, GET A DESCRIPTION OUT. 793 00:34:58,342 --> 00:35:00,255 HE POINTED THE GUN AT ME, I DON'T KNOW. 794 00:35:00,279 --> 00:35:02,125 SOMEBODY YELLED AND I DIDN'T KNOW IF HE WAS GOING TO SHOOT. 795 00:35:02,149 --> 00:35:04,362 JOYCE, IT'S ALL RIGHT. 796 00:35:04,386 --> 00:35:06,306 HE WAS GOING TO SHOOT, AND THEN HE JUST RAN AWAY. 797 00:35:16,372 --> 00:35:18,273 OH, FRANK. 798 00:35:26,556 --> 00:35:30,927 2203, DECKER AND REISIN ARE CLEAR, NORTH ON DECKER. 799 00:35:34,569 --> 00:35:37,383 2202, KING AND 116'S CLEAR. 800 00:35:37,407 --> 00:35:39,419 WEST ON 116. 801 00:35:39,443 --> 00:35:40,655 WAIT A MINUTE, THERE. 802 00:35:40,679 --> 00:35:42,357 NO, NO. 803 00:35:42,381 --> 00:35:43,481 WEST ON 116. 804 00:35:46,422 --> 00:35:48,423 2203. 805 00:35:50,127 --> 00:35:52,247 SUBJECT'S RUNNING WEST ON FREDERICK, WE'RE IN PURSUIT. 806 00:35:59,476 --> 00:36:00,476 HOLD IT! 807 00:36:04,084 --> 00:36:05,350 FREEZE! 808 00:36:13,466 --> 00:36:14,578 COME ON, 809 00:36:14,602 --> 00:36:16,380 UP AGAINST THE WALL, CREEP! 810 00:36:16,404 --> 00:36:17,404 LET'S MOVE IT! 811 00:36:24,751 --> 00:36:26,497 HEY, WE GOT TIMOTHY MULLINS. 812 00:36:26,521 --> 00:36:27,465 HEY, I WANT TO TALK TO MY BRO. 813 00:36:27,489 --> 00:36:28,767 LEO? 814 00:36:28,791 --> 00:36:30,570 HIS BROTHER'S DOWNSTAIRS, KEEP HIM UPSTAIRS. 815 00:36:30,594 --> 00:36:32,106 Leo: OKAY, MR. MULLINS, 816 00:36:32,130 --> 00:36:33,441 YOU HAVE THE SAME ADDRESS AS YOUR BOTHER? 817 00:36:33,465 --> 00:36:35,078 HEY, I AIN'T SAYING NOTHING TILL I SEE WILLIAM. 818 00:36:35,102 --> 00:36:36,480 PUT DOWN THAT IT IS, LEO. 819 00:36:36,504 --> 00:36:39,351 YOU AIN'T GONNA SAY NOTHING AT ALL IN A MINUTE. 820 00:36:39,375 --> 00:36:41,376 HEY, I DIDN'T DO NOTHING, MY BROTHER DONE NOTHING. 821 00:36:43,549 --> 00:36:46,118 ALL THE WAY TO THE END. 822 00:36:50,460 --> 00:36:53,396 FOUR, STAND UP STRAIGHT. 823 00:36:59,542 --> 00:37:00,542 I'M NOT SURE. 824 00:37:05,719 --> 00:37:07,486 TURN TO YOUR RIGHT, PLEASE, PROFILE. 825 00:37:11,662 --> 00:37:14,476 I'M SORRY, I CAN'T MAKE A POSITIVE IDENTIFICATION. 826 00:37:14,500 --> 00:37:16,345 WE'RE NOT LOOKING FOR LEGAL CERTAINTY HERE. 827 00:37:16,369 --> 00:37:17,715 I UNDERSTAND WHAT YOU'RE LOOKING FOR, 828 00:37:17,739 --> 00:37:19,317 I CAN'T BE SURE IT'S HE. 829 00:37:19,341 --> 00:37:20,508 WHICH ONE AREN'T YOU SURE OF? 830 00:37:24,683 --> 00:37:26,150 ANY OF THEM. 831 00:37:32,897 --> 00:37:34,275 JOYCE? 832 00:37:34,299 --> 00:37:36,779 WHAT, I COULDN'T BE SURE, FRANK. 833 00:37:36,803 --> 00:37:38,616 THEN YOU DID THE RIGHT THING. 834 00:37:38,640 --> 00:37:40,419 BUT LET ME BE SURE I UNDERSTAND HERE... 835 00:37:40,443 --> 00:37:41,722 YOU MEAN, YOU REALLY COULDN'T IDENTIFY HIM, 836 00:37:41,746 --> 00:37:43,224 OR YOU'RE JUST DISTRAUGHT 837 00:37:43,248 --> 00:37:44,458 AND MAYBE WE SHOULD TRY AGAIN TOMORROW? 838 00:37:44,482 --> 00:37:45,560 WHAT DO YOU WANT ME TO SAY, FRANK? 839 00:37:45,584 --> 00:37:46,763 IS THAT WHAT YOU WANT ME TO SAY? 840 00:37:46,787 --> 00:37:47,597 MAYOR CLEVELAND'S HERE, CAPTAIN, 841 00:37:47,621 --> 00:37:48,465 HE'S IN YOUR OFFICE. 842 00:37:48,489 --> 00:37:50,202 I'LL SEE YOU AT HOME. 843 00:37:50,226 --> 00:37:51,804 SHE AFRAID THE OTHER BROTHER'S 844 00:37:51,828 --> 00:37:53,440 GONNA TAKE CARE OF HER THE WAY THIS ONE DID TALBOT? 845 00:37:53,464 --> 00:37:54,776 SHE COULDN'T I.D., HENRY. 846 00:37:54,800 --> 00:37:56,478 WHAT DO WE DO WITH HIM, LET HIM GO? 847 00:37:56,502 --> 00:37:57,748 HOLD FOR ARRAIGNMENT TOMORROW MORNING. 848 00:37:57,772 --> 00:37:58,816 GOT A CHARGE? 849 00:37:58,840 --> 00:38:00,385 RESISTING, CONSPIRING. 850 00:38:00,409 --> 00:38:01,587 WHAT ABOUT THE BROTHER? 851 00:38:01,611 --> 00:38:02,722 D.A. WON'T CHARGE, GUARANTEE YOU, 852 00:38:02,746 --> 00:38:05,293 HE'LL BE OUT TOMORROW. 853 00:38:05,317 --> 00:38:06,837 JUST WHO THE HELL DO YOU THINK YOU ARE? 854 00:38:15,534 --> 00:38:16,812 ROLL THAT BACK, OZZIE. 855 00:38:16,836 --> 00:38:18,637 IT'S MAYOR CLEVELAND. 856 00:38:20,509 --> 00:38:21,587 MAYOR. 857 00:38:21,611 --> 00:38:22,855 YOU SUGGEST WE LEGALIZE HEROIN? 858 00:38:22,879 --> 00:38:24,357 OZ... 859 00:38:24,381 --> 00:38:26,328 THAT WE PUT A COP ON EVERY STREET CORNER? 860 00:38:26,352 --> 00:38:27,529 I'M NOT SURE THE THIRD REICH 861 00:38:27,553 --> 00:38:29,466 HAD THAT KIND OF COMPLIMENTS. 862 00:38:29,490 --> 00:38:30,769 THAT'S NOT AT ALL WHAT I SUGGESTED. 863 00:38:30,793 --> 00:38:32,705 IT WAS ON THE DAMNED AFTERNOON NEWS. 864 00:38:32,729 --> 00:38:35,677 YOU WERE ON THE DAMN CAMERA. 865 00:38:35,701 --> 00:38:37,613 WHAT I WAS TRYING TO SAY THERE 866 00:38:37,637 --> 00:38:39,549 WAS THAT YOU HAVE TO PUT THE PROBLEM IN A LARGER CONTEXT. 867 00:38:39,573 --> 00:38:41,486 I CAN'T BE RESPONSIBLE FOR THEIR EDITING. 868 00:38:41,510 --> 00:38:42,955 "TRANSIENT POLITICAL CONCERNS. 869 00:38:42,979 --> 00:38:44,859 POLITICIANS MOVING ONTO OTHER TRENDY ISSUES." 870 00:38:44,883 --> 00:38:46,561 THAT'S OUT OF CONTEXT. 871 00:38:46,585 --> 00:38:47,630 BULL. 872 00:38:47,654 --> 00:38:49,566 YOU HAVE HURT ME, FRANK, 873 00:38:49,590 --> 00:38:52,738 AND YOU'RE GOING TO PAY FOR IT. 874 00:38:52,762 --> 00:38:55,008 FIRST WE'LL SEE ABOUT MINIMIZING THE DAMAGE. 875 00:38:55,032 --> 00:38:56,644 HAVE A STATEMENT READY BY 9:00 TOMORROW MORNING. 876 00:38:56,668 --> 00:38:57,813 WHAT FOR? 877 00:38:57,837 --> 00:38:59,649 A PRESS CONFERENCE. 878 00:38:59,673 --> 00:39:02,877 WE'RE GOING TO SEE HOW MUCH OF THIS YOU CAN EAT. 879 00:39:11,927 --> 00:39:13,605 CAPTAIN, DO YOU HAVE A MINUTE? 880 00:39:13,629 --> 00:39:15,564 SURE, LUCE. 881 00:39:20,775 --> 00:39:22,687 YOU WANT TO TALK PRIVATELY? 882 00:39:22,711 --> 00:39:25,792 I GUESS I'M JUST FEELING OUT IN LEFT FIELD. 883 00:39:25,816 --> 00:39:27,729 WHAT DO YOU MEAN? 884 00:39:27,753 --> 00:39:30,466 WELL, 885 00:39:30,490 --> 00:39:31,802 I'M NOT REALLY ON THE STREET ANYMORE. 886 00:39:31,826 --> 00:39:33,405 I'M NOT A STREET COP 887 00:39:33,429 --> 00:39:34,774 AND I DON'T FEEL LIKE A SERGEANT YET. 888 00:39:34,798 --> 00:39:36,410 IT'S ONLY BEEN TWO WEEKS, LUCE. 889 00:39:36,434 --> 00:39:37,779 ACTUALLY I DON'T MEAN THE JOB. 890 00:39:37,803 --> 00:39:40,884 I MEAN, THAT PART, IT'S GOING OKAY. 891 00:39:40,908 --> 00:39:43,755 IT'S LIKE... 892 00:39:43,779 --> 00:39:45,491 I JUST GOT A CAR, 893 00:39:45,515 --> 00:39:47,829 A NEW CAR, A COMPACT. 894 00:39:47,853 --> 00:39:49,899 YOU DON'T KNOW HOW LONG I'VE BEEN PROMISING MYSELF 895 00:39:49,923 --> 00:39:52,570 THAT SOMEDAY I WAS GONNA BUY NEW WHEELS. 896 00:39:52,594 --> 00:39:54,595 I FELT GREAT ABOUT IT. 897 00:39:55,799 --> 00:39:56,799 SO, THAT'S GOOD. 898 00:39:59,038 --> 00:40:01,485 SEE, I DIDN'T HAVE ANYBODY TO TELL. 899 00:40:01,509 --> 00:40:03,121 I MEAN, IF I TOLD JOE, BOBBY, OR EVEN ANDY, 900 00:40:03,145 --> 00:40:04,790 IT'S LIKE I'M RUBBING THEIR NOSES IN IT. 901 00:40:04,814 --> 00:40:05,858 YOU KNOW WHAT I MEAN? 902 00:40:05,882 --> 00:40:07,461 YEAH, I DO. 903 00:40:07,485 --> 00:40:08,763 BESIDES, I MISS THE ACTION, 904 00:40:08,787 --> 00:40:10,934 I JUST MISS BEING OUT ON THE STREET. 905 00:40:10,958 --> 00:40:12,937 IT'S NOT AN EASY TRANSITION, LUCE. 906 00:40:12,961 --> 00:40:15,040 FOR EVERYTHING YOU GAIN, YOU HAVE TO GIVE UP SOMETHING. 907 00:40:15,064 --> 00:40:17,478 YEAH, 908 00:40:17,502 --> 00:40:18,902 I'M GLAD I GOT THE PROBLEM. 909 00:40:20,974 --> 00:40:23,721 YOU'RE NOT WEARING YOUR STRIPES. 910 00:40:23,745 --> 00:40:25,679 JUST HAVEN'T HAD THE TIME TO PUT 'EM ON. 911 00:40:28,887 --> 00:40:29,920 PUT 'EM ON, LUCE. 912 00:40:49,555 --> 00:40:50,855 HI. 913 00:40:52,126 --> 00:40:53,126 HI. 914 00:41:07,150 --> 00:41:08,862 THIS IS KIND OF LIKE A NIGHTMARE, MICK. 915 00:41:08,886 --> 00:41:11,733 PLEASE, YOU GOTTA SAY WHY. 916 00:41:11,757 --> 00:41:12,802 I SAID. 917 00:41:12,826 --> 00:41:14,060 WHAT? 918 00:41:15,764 --> 00:41:17,910 I DON'T WANT US TO SEE EACH OTHER ANYMORE. 919 00:41:17,934 --> 00:41:19,881 THAT'S NOT A REASON, MICK. 920 00:41:19,905 --> 00:41:21,083 'CAUSE I THINK IT'S BETTER, 921 00:41:21,107 --> 00:41:22,953 'CAUSE I DON'T HAPPEN TO THINK 922 00:41:22,977 --> 00:41:24,789 WE'RE GOOD FOR EACH OTHER, OKAY? 923 00:41:24,813 --> 00:41:28,462 WELL, YOU DON'T GET TO SAY WHAT YOU ARE FOR ME. 924 00:41:28,486 --> 00:41:29,930 COME ON, DON'T CRY. 925 00:41:29,954 --> 00:41:32,469 BECAUSE, I LOVE YOU, 926 00:41:32,493 --> 00:41:34,505 AND WE'RE IN LOVE, 927 00:41:34,529 --> 00:41:35,907 AND WE'RE THE BEST THING 928 00:41:35,931 --> 00:41:37,251 THAT EVER HAPPENED FOR EACH OTHER. 929 00:41:39,003 --> 00:41:41,104 EVERYONE DIES. 930 00:41:42,708 --> 00:41:47,994 EVERYBODY THAT I TOUCH DIES. 931 00:41:48,018 --> 00:41:51,199 I COULDN'T STAND IT IF ANYTHING HAPPENED TO YOU. 932 00:41:51,223 --> 00:41:52,968 IT WOULD KILL ME. 933 00:41:52,992 --> 00:41:54,605 WELL, THEY DON'T DIE BECAUSE YOU LOVE THEM, MICK. 934 00:41:54,629 --> 00:41:56,007 THEY DO. 935 00:41:56,031 --> 00:41:59,012 NO, SOME THINGS DIE 'CAUSE IT'S THEIR TIME. 936 00:41:59,036 --> 00:42:01,783 LIKE YOUR POP, OR LIKE THE SARGE. 937 00:42:01,807 --> 00:42:04,888 HE WAS TOO YOUNG. 938 00:42:04,912 --> 00:42:06,625 HE WAS TOO YOUNG. 939 00:42:06,649 --> 00:42:10,063 BUT IT WAS HIS TIME. 940 00:42:10,087 --> 00:42:12,901 AND THE OTHERS, 941 00:42:12,925 --> 00:42:15,906 EVERYONE ON THE STREET WHO'S HURT, 942 00:42:15,930 --> 00:42:18,009 IF THEY'VE GOT GUTS OR THEY'RE A LITTLE WEIRD, 943 00:42:18,033 --> 00:42:19,746 YOU REACH OUT TO THEM. 944 00:42:19,770 --> 00:42:22,217 AND THE THING IS, THEY'RE HURT. 945 00:42:22,241 --> 00:42:24,221 AND SOME HURT THINGS DIE. 946 00:42:24,245 --> 00:42:26,924 BUT IT'S NOT 'CAUSE YOU TOUCHED THEM. 947 00:42:26,948 --> 00:42:28,260 YOU TOUCHING THEM, 948 00:42:28,284 --> 00:42:30,029 IT'S A GOOD THING IN THEIR LIVES. 949 00:42:30,053 --> 00:42:35,906 I'M SO AFRAID SOMETHING WILL HAPPEN TO YOU. 950 00:42:35,930 --> 00:42:37,275 I DON'T KNOW WHAT I'D DO. 951 00:42:37,299 --> 00:42:41,249 I'M NOT GOING ANYPLACE, MICK. 952 00:42:41,273 --> 00:42:43,006 YOU CAN'T LOSE ME FOR ANYTHING. 953 00:42:52,057 --> 00:42:53,067 E.A.T.s! E.A.T.s! 954 00:42:53,091 --> 00:42:54,069 E.A.T.s! E.A.T.s! 955 00:42:54,093 --> 00:42:55,071 E.A.T.s! E.A.T.s! 956 00:42:55,095 --> 00:42:56,774 ALL RIGHT, RELAX. 957 00:42:56,798 --> 00:42:59,010 ALL RIGHT, THE NEXT THING WE'RE GOING TO DO, 958 00:42:59,034 --> 00:43:00,447 WE'RE GOING TO DO A BACKHAND STRIKE WITH THE RIGHT HAND. 959 00:43:00,471 --> 00:43:01,749 I'LL SHOW YOU HOW WE DO THAT. 960 00:43:01,773 --> 00:43:03,118 TAKE A STEP FORWARD, 961 00:43:03,142 --> 00:43:04,954 WE'RE GOING TO STRIKE AN IMAGINARY OBJECT UP HERE. 962 00:43:04,978 --> 00:43:06,724 ALL RIGHT, DOWN, TOES TURNED IN, 963 00:43:06,748 --> 00:43:09,027 SNAP THE ARM BACK, ALL RIGHT? 964 00:43:09,051 --> 00:43:11,030 E.A.T.s! 965 00:43:11,054 --> 00:43:12,967 ALL RIGHT, YOU WANNA TRY THAT? 966 00:43:12,991 --> 00:43:14,937 ALL RIGHT, TOES IN, ALL THOSE GOOD FISTS. 967 00:43:14,961 --> 00:43:16,607 E.A.T.s! E.A.T.s! 968 00:43:16,631 --> 00:43:18,877 BACK, ONE MORE, FROM THE GUT. 969 00:43:18,901 --> 00:43:20,647 E.A.T.s! E.A.T.s! 970 00:43:20,671 --> 00:43:22,483 BACK, GOOD, REAL GOOD. 971 00:43:22,507 --> 00:43:23,885 READY POSITION. 972 00:43:23,909 --> 00:43:28,626 YOU DID REAL GOOD, I'LL SEE YOU ALL NEXT TUESDAY. 973 00:43:28,650 --> 00:43:30,630 BOW. 974 00:43:30,654 --> 00:43:31,753 THANK YOU. 975 00:43:41,839 --> 00:43:42,917 FAY? 976 00:43:42,941 --> 00:43:44,119 DAMNIT, FAY. 977 00:43:44,143 --> 00:43:46,656 EVERYTHING ALL RIGHT, MS. FURILLO? 978 00:43:46,680 --> 00:43:48,025 HEY, GO WATCH A BRUCE LEE MOVIE. 979 00:43:48,049 --> 00:43:50,485 GOOD IDEA. 980 00:43:52,724 --> 00:43:54,101 VERY MACHO, HENRY. 981 00:43:54,125 --> 00:43:57,942 10 DAYS OF MESSAGES, THREE NOTES IN YOUR MAILBOX. 982 00:43:57,966 --> 00:44:00,045 I THOUGHT THE RETURN MESSAGE WAS VERY CLEAR. 983 00:44:00,069 --> 00:44:01,614 I DIDN'T GET A RETURN MESSAGE. 984 00:44:01,638 --> 00:44:02,950 THAT'S THE MESSAGE. 985 00:44:02,974 --> 00:44:04,285 WE BROKE UP. 986 00:44:04,309 --> 00:44:06,789 I WAS UNDER THE IMPRESSION THAT WE PARTED FRIENDS. 987 00:44:06,813 --> 00:44:07,825 I RECONSIDERED. 988 00:44:07,849 --> 00:44:08,827 WHEN? 989 00:44:08,851 --> 00:44:10,796 THE NEXT MORNING. 990 00:44:10,820 --> 00:44:12,532 YOU SEE, I DON'T PUT THE SAME PREMIUM 991 00:44:12,556 --> 00:44:14,034 ON BEING REASONABLE AS YOU DO. 992 00:44:14,058 --> 00:44:16,004 YOU KNOW, YOU WERE THE ONE WHO SUGGESTED 993 00:44:16,028 --> 00:44:17,975 THAT MAYBE WE SHOULD STOP SEEING ONE ANOTHER. 994 00:44:17,999 --> 00:44:22,248 AND AS I RECALL, YOUR EXACT WORDS WERE "SOUNDS RIGHT TO ME." 995 00:44:22,272 --> 00:44:25,019 CAN'T WE TALK ABOUT IT, AT LEAST? 996 00:44:25,043 --> 00:44:28,057 NO, NO, I CHOOSE TO GO ON WITH MY LIFE. 997 00:44:28,081 --> 00:44:29,927 I DO NOT CHOOSE TO REHASH OLD BUSINESS. 998 00:44:29,951 --> 00:44:31,986 FAY, THIS BUSINESS HAS NOT BEEN HASHED YET. 999 00:44:33,925 --> 00:44:37,273 PLEASE. 1000 00:44:37,297 --> 00:44:39,197 OKAY. 1001 00:44:45,778 --> 00:44:47,089 YOU BET I'M ANGRY. 1002 00:44:47,113 --> 00:44:49,960 I'M ANGRY BECAUSE YOU WEREN'T MORE ATTRACTED TO ME. 1003 00:44:49,984 --> 00:44:53,032 I'M ANGRY BECAUSE YOU WOULDN'T JUST ADMIT IT. 1004 00:44:53,056 --> 00:44:55,069 AND I'M ANGRY BECAUSE YOU MADE ME FEEL LIKE 1005 00:44:55,093 --> 00:44:56,972 THERE WAS SOMETHING WRONG WITH ME BECAUSE OF IT. 1006 00:44:56,996 --> 00:44:58,274 AND I'M ANGRY BECAUSE 1007 00:44:58,298 --> 00:45:00,733 YOU WOULDN'T FIGHT HARDER TO TRY AND FIND IT. 1008 00:45:03,073 --> 00:45:04,318 I WAS ATTRACTED TO YOU, FAY, 1009 00:45:04,342 --> 00:45:08,759 BUT I SEEM TO RECOLLECT YOU SAYING 1010 00:45:08,783 --> 00:45:11,853 WE BRING ADULT BAGGAGE TO THE RELATIONSHIP. 1011 00:45:13,824 --> 00:45:15,235 DON'T KICK ME OUT OF YOUR LIFE 1012 00:45:15,259 --> 00:45:16,805 BECAUSE THE RELATIONSHIP DIDN'T GIVE YOU 1013 00:45:16,829 --> 00:45:17,829 EVERYTHING YOU WANTED. 1014 00:45:20,434 --> 00:45:22,180 MAYBE YOU'RE RIGHT, 1015 00:45:22,204 --> 00:45:24,184 MAYBE I DIDN'T FIGHT HARD ENOUGH. 1016 00:45:24,208 --> 00:45:27,923 YOU, THE BABY, AND FRANK JR., 1017 00:45:27,947 --> 00:45:32,130 YOU'VE BEEN THE BEST THINGS IN MY LIFE THIS PAST YEAR. 1018 00:45:32,154 --> 00:45:34,433 MAYBE UNCONSCIOUSLY I FELT 1019 00:45:34,457 --> 00:45:35,970 IF WE FIGHT, THAT'S JEOPARDIZED, 1020 00:45:35,994 --> 00:45:38,207 SO I PULLED BACK. 1021 00:45:38,231 --> 00:45:39,977 I DON'T KNOW. 1022 00:45:40,001 --> 00:45:44,172 YOU'VE BEEN THE BEST THING IN OUR LIVES, TOO, HENRY. 1023 00:45:47,246 --> 00:45:50,027 YOU KNOW, FRANK JR. ASKS ABOUT JOSH ALL THE TIME. 1024 00:45:50,051 --> 00:45:51,083 AND YOU. 1025 00:45:53,222 --> 00:45:54,622 I DON'T WANT TO LOSE ALL OF IT, FAY. 1026 00:45:57,095 --> 00:45:58,295 I DON'T WANT TO, EITHER. 1027 00:46:00,200 --> 00:46:03,214 BUT I MEAN, 1028 00:46:03,238 --> 00:46:06,988 TO HELL WITH THE REASONS, 1029 00:46:07,012 --> 00:46:09,391 IF WE CAN'T BE LOVERS, 1030 00:46:09,415 --> 00:46:11,183 CAN'T WE AT LEAST BE LOVING FRIENDS? 1031 00:46:17,562 --> 00:46:19,230 AT LEAST THAT. 1032 00:46:37,228 --> 00:46:39,141 I'M TRYING TO THINK OF 20 DIFFERENT WAYS 1033 00:46:39,165 --> 00:46:41,900 I COULD EAT HUMBLE PIE AT OZZIE'S PRESS CONFERENCE. 1034 00:46:52,353 --> 00:46:54,387 LET'S TALK ABOUT IT. 1035 00:46:56,326 --> 00:46:58,472 IS THAT THE CAPTAIN TALKING OR MY HUSBAND? 1036 00:46:58,496 --> 00:47:00,264 THAT'S NOT FAIR. 1037 00:47:03,504 --> 00:47:05,417 'CAUSE I SURE HAD THE FEELING 1038 00:47:05,441 --> 00:47:08,243 THAT WAS THE CAPTAIN'S ARM ON ME OUTSIDE THAT LINEUP ROOM. 1039 00:47:11,284 --> 00:47:13,665 I HAVE A LINE TO WALK, TOO. 1040 00:47:13,689 --> 00:47:15,600 THE CAPTAIN NEEDS TO MAKE THIS CASE, 1041 00:47:15,624 --> 00:47:17,838 THE CAPTAIN CAN'T DO THAT WITHOUT YOUR TESTIMONY. 1042 00:47:17,862 --> 00:47:19,507 IT DOESN'T MEAN I DON'T UNDERSTAND 1043 00:47:19,531 --> 00:47:20,743 WHAT YOU'RE GOING THROUGH. 1044 00:47:20,767 --> 00:47:22,579 FRANK, I KNOW WHAT MY DUTY IS. 1045 00:47:22,603 --> 00:47:23,748 HOW DO YOU THINK IT MAKES ME FEEL 1046 00:47:23,772 --> 00:47:25,551 KNOWING THAT I CAN'T DO IT? 1047 00:47:25,575 --> 00:47:28,589 JOYCE, I ALMOST LOST YOU TODAY. 1048 00:47:28,613 --> 00:47:32,228 I DON'T WANT THAT FEELING AGAIN. 1049 00:47:32,252 --> 00:47:33,764 TO BE PERFECTLY HONEST, I DON'T WANT 1050 00:47:33,788 --> 00:47:35,567 A COUPLE OF SOCIOPATHS ANGRY WITH YOU, 1051 00:47:35,591 --> 00:47:38,271 BUT I KNOW WE CAN PROTECT YOU. 1052 00:47:38,295 --> 00:47:39,708 I WANT YOU TO KNOW THAT. 1053 00:47:39,732 --> 00:47:41,777 I KNOW THAT WAS A TWO-WAY MIRROR, 1054 00:47:41,801 --> 00:47:46,484 NO WAY MULLINS COULD SEE ME. 1055 00:47:46,508 --> 00:47:47,721 BUT... 1056 00:47:47,745 --> 00:47:49,556 IT SEEMS LIKE HIS EYES NEVER LEFT ME, 1057 00:47:49,580 --> 00:47:52,183 HE WAS LOOKING RIGHT INTO MY EYES. STOP. 1058 00:47:58,695 --> 00:48:00,898 AN OFFICER OF THE COURT. 1059 00:48:07,443 --> 00:48:09,544 AMONG OTHER THINGS. 68590

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