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These are the user uploaded subtitles that are being translated: 1 00:00:01,738 --> 00:00:03,683 PHIL ASKED ME IF ANYTHING HAPPENED 2 00:00:03,707 --> 00:00:05,219 TO DELIVER THIS TO YOU. 3 00:00:05,243 --> 00:00:07,423 HE WANTED YOU TO BE EXECUTOR. 4 00:00:07,447 --> 00:00:09,894 PREVIOUSLY ON "HILL STREET BLUES"... 5 00:00:09,918 --> 00:00:12,532 AMONG SERGEANT ESTERHAUS' EFFECTS 6 00:00:12,556 --> 00:00:15,703 WAS THIS LETTER ADDRESSED TO THE PEACE OFFICERS 7 00:00:15,727 --> 00:00:17,138 OF THE HILL STREET DAY SHIFT. 8 00:00:17,162 --> 00:00:18,741 HE SAID HE WAS GONNA KILL ME. 9 00:00:18,765 --> 00:00:21,145 HE MADE ME GET UNDRESSED AND LIE ON THE FLOOR. 10 00:00:21,169 --> 00:00:23,348 JOE, WHY CAN'T YOU JUST HOLD ME? 11 00:00:23,372 --> 00:00:25,820 MAKE SEX OKAY FOR ME AGAIN. 12 00:00:25,844 --> 00:00:28,189 - VIDEO CAMERA. - WE FOUND IT BEHIND A TWO-WAY MIRROR 13 00:00:28,213 --> 00:00:29,291 IN THE BEDROOM. 14 00:00:29,315 --> 00:00:30,326 WHAT? 15 00:00:30,350 --> 00:00:32,430 I'M NOT A BLACKMAILER, LIEUTENANT. 16 00:00:32,454 --> 00:00:35,602 THIS GIRL IS ON TAPE WITH DOZENS OF SERIOUS PEOPLE, FRANK. 17 00:00:35,626 --> 00:00:37,772 I WOULDN'T SELL HER ANY LIFE INSURANCE, WOULD YOU? 18 00:00:37,796 --> 00:00:39,407 WHAT DO YOU KNOW ABOUT THE LEGALITIES 19 00:00:39,431 --> 00:00:41,811 OF SPREADING ASHES ON PUBLIC PROPERTY? 20 00:00:41,835 --> 00:00:43,815 - ASHES? - PHIL'S REMAINS. 21 00:00:43,839 --> 00:00:45,250 WHITNEY BARNES. 22 00:00:45,274 --> 00:00:46,552 ONE SHOT IN THE SIDE OF THE HEAD. 23 00:00:46,576 --> 00:00:47,554 VERY PROFESSIONAL. 24 00:00:47,578 --> 00:00:49,657 ANYTHING AT ALL FROM S.I.D.? 25 00:00:49,681 --> 00:00:50,726 NO SIGN OF A STRUGGLE. 26 00:00:50,750 --> 00:00:52,996 ESTERHAUS WAS THE LAW UP HERE. 27 00:00:53,020 --> 00:00:55,000 AND NOW THAT HE'S DEAD, 28 00:00:55,024 --> 00:00:58,372 I FEEL LIKE EVERYTHING'S GONNA UNRAVEL. 29 00:00:58,396 --> 00:01:00,230 IT'S YOUR JOB AND MINE TO SEE THAT IT DOESN'T. 30 00:01:22,600 --> 00:01:24,379 OKAY, SAVE IT! 31 00:01:24,403 --> 00:01:26,617 LET'S COME TO ORDER. 32 00:01:26,641 --> 00:01:29,321 COME ON, GUYS, IT'S EVEN MONEY WE CAN START ON TIME. 33 00:01:29,345 --> 00:01:32,459 ALL RIGHT, I'M HAPPY TO ANNOUNCE THERE'S BEEN A THAW 34 00:01:32,483 --> 00:01:34,864 IN THE DEPARTMENT'S FREEZE ON PROMOTIONS. 35 00:01:34,888 --> 00:01:36,321 LUCY BATES IS NOW A SERGEANT. 36 00:01:42,934 --> 00:01:46,716 LUCY WILL BE COMMANDER OF THE WATCH. 37 00:01:46,740 --> 00:01:50,421 SHE'LL BE MAKING ASSIGNMENTS, TURNING OUT THE SHIFT. 38 00:01:50,445 --> 00:01:52,715 YOU WON'T HAVE GOLDBLUME TO KICK AROUND ANYMORE. 39 00:01:53,718 --> 00:01:55,920 SERGEANT BATES. 40 00:02:00,562 --> 00:02:03,309 OKAY, MEMORIAL SER... 41 00:02:03,333 --> 00:02:04,745 FOR SERVICE FOR SERGEANT ESTERHAUS 42 00:02:04,769 --> 00:02:06,848 IN THE BENEDICT CHAPEL OF THE POLICE ACADEMY 43 00:02:06,872 --> 00:02:08,785 AT 11:00 THIS MORNING. 44 00:02:08,809 --> 00:02:11,455 ASSIGNMENTS, COFFEY, YOU'RE GONNA BE WITH PEYSER. 45 00:02:11,479 --> 00:02:13,927 KOLZICKI IS OUT SICK, SO PEREZ IS GONNA BE WITH PILSKY. 46 00:02:13,951 --> 00:02:15,495 YOU'LL RIDE TOGETHER, OKAY? 47 00:02:15,519 --> 00:02:17,632 ALSO I'M ANNOUNCING A NEW KHAKI OFFICER 48 00:02:17,656 --> 00:02:19,301 THAT'LL BE UNDER LEO'S WING. 49 00:02:19,325 --> 00:02:21,338 HER NAME IS NATALIE DeROY. 50 00:02:21,362 --> 00:02:23,609 NATALIE SPENT THE LAST TWO YEARS UP AT DIVISION, SO... 51 00:02:23,633 --> 00:02:24,977 SLOW IT DOWN. 52 00:02:25,001 --> 00:02:26,948 I CAN'T UNDERSTAND ONE SINGLE THING SHE'S SAYING. 53 00:02:26,972 --> 00:02:30,353 IF YOU FIND HER... I MEAN FIND HER, 54 00:02:30,377 --> 00:02:31,989 AND WELCOME HER TO THE HILL, OKAY? 55 00:02:32,013 --> 00:02:35,828 ITEM ONE, WHAT YOU SAW UPSTAIRS AND EVERYWHERE ELSE. 56 00:02:35,852 --> 00:02:37,597 AND THAT IS PERPS. 57 00:02:37,621 --> 00:02:39,333 OKAY, THEY'VE BEEN STASHED HERE 58 00:02:39,357 --> 00:02:40,836 AND IN EVERY OTHER PRECINCT HOLDING CELL. 59 00:02:40,860 --> 00:02:42,939 THEY'RE GONNA BE HERE 'TIL 3:00 PM TODAY 60 00:02:42,963 --> 00:02:45,744 BY ORDER OF THIS JUDGE CRUZ. 61 00:02:45,768 --> 00:02:47,580 HE'S THE GUY WHO DECLARED THE MICHIGAN AVENUE 62 00:02:47,604 --> 00:02:50,919 UNCONSTITUTIONALLY OVERCROWDED AND INHUMANE. 63 00:02:50,943 --> 00:02:53,023 OKAY, THE JUDGE HAD 'EM IN JUVI HALL ANNEX, 64 00:02:53,047 --> 00:02:54,659 BUT THAT WAS UNTIL LAST NIGHT. 65 00:02:54,683 --> 00:02:55,827 AND YOU KNOW THAT SOME OF THEM CROAKED. 66 00:02:55,851 --> 00:02:57,663 THE TWO DIABLO RODRIGUEZ BROTHERS. 67 00:02:57,687 --> 00:02:59,199 I'M HEARTBROKEN. 68 00:02:59,223 --> 00:03:00,868 JUDGE CRUZ SAYS THAT, UH, 69 00:03:00,892 --> 00:03:02,872 IF THE CITY DOESN'T COME UP WITH A PLAN 70 00:03:02,896 --> 00:03:04,942 BY 3:00 PM TODAY 71 00:03:04,966 --> 00:03:06,711 WITH A MORE HUMANE INCARCERATION, 72 00:03:06,735 --> 00:03:08,703 THAT HE'S GONNA LET 'EM ALL LOOSE. 73 00:03:09,707 --> 00:03:11,341 HUMANE SOCIETY! 74 00:03:13,746 --> 00:03:18,430 SO EVERYWHERE IN THE STATION IS GONNA BE A ZOO, ALL RIGHT? 75 00:03:18,454 --> 00:03:20,566 SO LET'S KEEP ALL VISITS DOWN TO A MINIMUM, THAT'S IT. 76 00:03:20,590 --> 00:03:22,670 NOW, WANTS AND WARRANTS, HERE WE GO. 77 00:03:22,694 --> 00:03:24,907 WE GOT A WARRANT ON LESTER MENDLEY. 78 00:03:24,931 --> 00:03:26,609 THAT'S THE PIMP FOR WHITNEY BARNES. 79 00:03:26,633 --> 00:03:27,812 THAT'S THE CALL GIRL 80 00:03:27,836 --> 00:03:29,348 THAT WAS IN HERE LAST NIGHT AND GOT WHACKED. 81 00:03:29,372 --> 00:03:31,039 WE GOT ONE ON THE ZUCCHINI ROBBER. 82 00:03:33,544 --> 00:03:36,625 AND WE GOT ONE ON THE FALSE ZUCCHINI ROBBER, OKAY? 83 00:03:36,649 --> 00:03:38,362 BY THE WAY, THE FALSE ZUCCHINI ROBBER, 84 00:03:38,386 --> 00:03:40,532 LAST NIGHT, TOOK OUR OWN LIEUTENANT GOLDBLUME 85 00:03:40,556 --> 00:03:41,868 AND HIS COMPANION. 86 00:03:41,892 --> 00:03:44,805 SO I WANT YOU TO CHECK THE BOARD UPSTAIRS, EVERYBODY. 87 00:03:44,829 --> 00:03:47,310 THERE'S DESCRIPTIONS ON THE BOARD, OKAY, THANK YOU. 88 00:03:47,334 --> 00:03:49,513 JUST WANT TO SAY I'M SORRY. 89 00:03:49,537 --> 00:03:50,916 I'M GONNA GET A LOT BETTER AT THIS. 90 00:03:50,940 --> 00:03:52,585 - I WAS A LITTLE NERVOUS. - THAT'S OKAY, SARGE. 91 00:03:52,609 --> 00:03:54,355 AND I WANT TO SAY THAT I THINK IT STINKS 92 00:03:54,379 --> 00:03:57,559 THAT SOMEBODY STOLE THE PODIUM. 93 00:03:57,583 --> 00:03:58,795 EARN IT! 94 00:03:58,819 --> 00:04:02,401 WHO SAID THAT? 95 00:04:02,425 --> 00:04:05,472 WHOEVER SAID THAT, I DON'T HAVE TO EARN THE DAMN PODIUM. 96 00:04:05,496 --> 00:04:07,910 I HAVE TO EARN THAT YOU LOVE ME LIKE YOU DID THE SARGE. 97 00:04:07,934 --> 00:04:11,616 BUT I DON'T HAVE TO EARN YOUR RESPECT FOR MY POSITION. 98 00:04:11,640 --> 00:04:14,776 SO WHOEVER THE JERK IS BETTER BRING THE PODIUM BACK. 99 00:04:18,985 --> 00:04:22,699 WAS IT YOU, LaRUE? 100 00:04:22,723 --> 00:04:25,838 HEY, EASY, SERGEANT. 101 00:04:25,862 --> 00:04:27,774 HUH? 102 00:04:27,798 --> 00:04:29,077 COME ON, YOU THINK YOU'RE SO TOUGH? 103 00:04:29,101 --> 00:04:31,035 COME ON, YOU WANNA GO OUTSIDE? 104 00:04:34,978 --> 00:04:37,290 HEY, UH, YOU KNOW... 105 00:04:37,314 --> 00:04:40,628 OKAY, I WAS GONNA SAY, "LET'S ROLL, 106 00:04:40,652 --> 00:04:43,733 AND LET'S BE CAREFUL," 107 00:04:43,757 --> 00:04:47,362 BUT WHOEVER STOLE THE PODIUM, I HOPE YOU GET HIT BY A TRUCK. 108 00:04:51,004 --> 00:04:52,548 WE HAVE A 9-11. 109 00:04:52,572 --> 00:04:54,085 ARMED ROBBERY IN PROGRESS. 110 00:04:54,109 --> 00:04:55,720 SEE'S SURPLUS STORE, 111 00:04:55,744 --> 00:04:58,824 CORNER OF PEEBLES DRIVE, NORTH 24TH STREET. 112 00:04:58,848 --> 00:05:00,984 ♪♪ 113 00:06:07,325 --> 00:06:09,260 ♪♪ 114 00:06:44,452 --> 00:06:46,164 SERGEANT BATES HERE. 115 00:06:46,188 --> 00:06:49,503 YEAH, WHAT DO YOU NEED? 116 00:06:49,527 --> 00:06:50,605 - OFFICER SCHNITZ? - UH-HUH. 117 00:06:50,629 --> 00:06:51,907 NATALIE DeROY REPORTING. 118 00:06:51,931 --> 00:06:53,108 HOW DO YOU DO? 119 00:06:53,132 --> 00:06:54,578 HOW CAN I HELP YOU? 120 00:06:54,602 --> 00:06:57,115 - TAKE ME TO MIAMI? - I SEE. 121 00:06:57,139 --> 00:06:59,018 I HAD A WHOLE TOUR PLANNED FOR YOU, BUT... 122 00:06:59,042 --> 00:07:00,654 I DON'T THINK NOW'S THE TIME. 123 00:07:00,678 --> 00:07:03,593 WHY DON'T YOU HELP ME SIGN IN OUR NEW GUESTS? 124 00:07:03,617 --> 00:07:04,627 YOU GOT IT. 125 00:07:04,651 --> 00:07:07,832 CALL ME LEO. 126 00:07:07,856 --> 00:07:09,535 - COME ON! - COFFEY, 127 00:07:09,559 --> 00:07:10,970 WASHINGTON AND LaRUE JUST CALLED IN 128 00:07:10,994 --> 00:07:12,973 A HOMICIDE, HOTEL PERSHING. 129 00:07:12,997 --> 00:07:14,643 YOU AND PEYSER TAKE BACKUP PERIMETER. 130 00:07:14,667 --> 00:07:17,114 - GOT IT. - HEY, I TOLD YOU IN COMPLETE CONFIDENCE. 131 00:07:17,138 --> 00:07:18,650 I ASKED YOU NOT TO TELL ANYBODY ELSE. 132 00:07:18,674 --> 00:07:20,486 - I DIDN'T. - YOU DIDN'T? 133 00:07:20,510 --> 00:07:21,488 BALONEY. 134 00:07:21,512 --> 00:07:22,522 EVERYBODY KNEW ABOUT MY PROMOTION 135 00:07:22,546 --> 00:07:23,991 BEFORE GOLDBLUME EVEN OPENED HIS MOUTH. 136 00:07:24,015 --> 00:07:26,696 - IT WASN'T ME, LUCY. - NO? 137 00:07:26,720 --> 00:07:28,165 NO. 138 00:07:28,189 --> 00:07:29,433 DID YOU JUST TAKE THE PODIUM, 139 00:07:29,457 --> 00:07:30,636 OR DID YOU STAND AROUND LAUGHING? 140 00:07:30,660 --> 00:07:32,672 LOOK, I'M GONNA TELL YOU ON MORE TIME, 141 00:07:32,696 --> 00:07:34,643 I DON'T KNOW ANYTHING ABOUT ANY OF THAT 142 00:07:34,667 --> 00:07:36,712 EXCEPT YOU'RE ACTING LIKE A JERK. 143 00:07:36,736 --> 00:07:39,082 GREAT. YOU GOT YOUR ASSIGNMENT. 144 00:07:39,106 --> 00:07:40,752 YEAH. 145 00:07:40,776 --> 00:07:42,689 ARCHIE. 146 00:07:42,713 --> 00:07:46,795 - BOBBY? - YO! 147 00:07:46,819 --> 00:07:51,536 GOT A FELONIOUS ASSAULT, 1374 CURTIS, 4B. 148 00:07:51,560 --> 00:07:53,172 NOTHING ON THE BARNES HOMICIDE. 149 00:07:53,196 --> 00:07:55,542 I HAVE NOTHING ON THE BARNES HOMICIDE! 150 00:07:55,566 --> 00:07:59,816 PHIL! 151 00:07:59,840 --> 00:08:01,084 THANKS, GENTLEMEN. 152 00:08:01,108 --> 00:08:03,655 ARE YOU OFFICIAL YET? 153 00:08:03,679 --> 00:08:05,057 - CONGRATULATIONS. - THANK YOU. 154 00:08:05,081 --> 00:08:07,495 - MORNING, HENRY. - LEO, I'M GOING TO THE JOHN. 155 00:08:07,519 --> 00:08:09,031 - HOW'D SHE DO? - NOT GREAT. 156 00:08:09,055 --> 00:08:10,867 SOMEONE PUT THE ARM ON THE PODIUM. 157 00:08:10,891 --> 00:08:12,035 HOW DO YOU WANT TO HANDLE IT? 158 00:08:12,059 --> 00:08:14,973 I DON'T. 159 00:08:14,997 --> 00:08:17,578 HOWARD, RAY. 160 00:08:17,602 --> 00:08:19,047 CAN YOU BELIEVE THIS JUDGE CRUZ? 161 00:08:19,071 --> 00:08:20,181 I DON'T THINK WHAT HE'S REALLY AFTER 162 00:08:20,205 --> 00:08:21,551 IS GETTING MICHIGAN AVENUE UP TO CODE. 163 00:08:21,575 --> 00:08:23,888 YEAH, MEANWHILE HE INUNDATES THE PRECINCTS. 164 00:08:23,912 --> 00:08:26,659 FRANK, AFTER PHIL'S SERVICE, 165 00:08:26,683 --> 00:08:29,129 I'D LIKE A SHOT AT RUNNING DOWN THIS LESTER MENDLEY. 166 00:08:29,153 --> 00:08:31,166 WE'LL SEE HOW THE DAY DEVELOPS, HENRY. 167 00:08:31,190 --> 00:08:32,935 - MORNING, FRANK. - MORNING, RAY. 168 00:08:32,959 --> 00:08:34,938 YOU GOT YOUR TIRED AND YOUR POOR, HUH, FRANK? 169 00:08:34,962 --> 00:08:36,508 NOT TO MENTION THE WRETCHED REFUSE. 170 00:08:36,532 --> 00:08:37,844 WHAT'S IN THE CAN? 171 00:08:37,868 --> 00:08:40,014 PHIL ESTERHAUS. 172 00:08:40,038 --> 00:08:41,583 WOULD YOU GET THE DOOR, RAY? 173 00:08:41,607 --> 00:08:44,721 SURE. 174 00:08:44,745 --> 00:08:46,692 PHIL REQUESTED THAT, UH, 175 00:08:46,716 --> 00:08:49,662 AFTER THE MEMORIAL SERVICE, HIS ASHES BE SCATTERED 176 00:08:49,686 --> 00:08:51,700 OVER THE EPICENTER OF THE HILL. 177 00:08:51,724 --> 00:08:54,036 AN INHABITED AREA. IS THAT LEGAL? 178 00:08:54,060 --> 00:08:55,806 IT WAS HIS LAST REQUEST, RAY. 179 00:08:55,830 --> 00:08:57,475 GOOD FOR YOU, FRANK. 180 00:08:57,499 --> 00:08:59,578 WELL, NOW SOMEONE HAS TO FIND THE EPICENTER OF THE HILL. 181 00:08:59,602 --> 00:09:00,947 OH THAT SHOULD BE VERY EASY. 182 00:09:00,971 --> 00:09:03,051 YEAH, ONCE YOU MAKE YOU CARTOGRAPHIC ASSUMPTIONS. 183 00:09:03,075 --> 00:09:05,087 I'LL USE THE PRECINCT MAP, HOWARD. 184 00:09:05,111 --> 00:09:07,658 UH... 185 00:09:07,682 --> 00:09:09,762 I THINK OUR BEST BET IS TO DO THIS AT NIGHT. 186 00:09:09,786 --> 00:09:11,665 PHIL ASKED THAT ANYBODY FROM THE DAY SHIFT 187 00:09:11,689 --> 00:09:13,501 WHO'S INTERESTED, UH... 188 00:09:13,525 --> 00:09:14,570 BE PRESENT. 189 00:09:14,594 --> 00:09:15,971 BUT THIS CAN'T BE OFFICIAL, RAY. 190 00:09:15,995 --> 00:09:17,875 YOU'RE GOING TO HAVE TO NOTIFY EVERYBODY INDIVIDUALLY. 191 00:09:17,899 --> 00:09:20,579 ALL RIGHT, WHAT TIME SHOULD I SAY? 192 00:09:20,603 --> 00:09:21,714 10:00, 11:00? 193 00:09:21,738 --> 00:09:25,442 IS UNACCOMMODATED MAN NO MORE THAN THIS? 194 00:09:29,585 --> 00:09:31,564 WAIT. 195 00:09:31,588 --> 00:09:32,899 GIVE HER A CHANCE. 196 00:09:32,923 --> 00:09:34,791 TAKE HIM OUT OF HERE. 197 00:09:44,274 --> 00:09:46,855 YOU'RE TELLING ME YOU DON'T KNOW HER, HUH? 198 00:09:46,879 --> 00:09:49,515 HEY, DOC, HOW YOU DOING? WELCOME TO PARADISE. 199 00:09:58,531 --> 00:10:01,066 THAT SMELL'S NOT FROM THE BODY EITHER. 200 00:10:07,012 --> 00:10:10,860 SOMEONE REALLY WORKED OUT ON HER. 201 00:10:10,884 --> 00:10:12,630 GOT A DESCRIPTION FOR YOU JD. 202 00:10:12,654 --> 00:10:14,588 SAYS IT'S ONE GUY. 203 00:10:17,161 --> 00:10:18,573 COMING THROUGH. 204 00:10:18,597 --> 00:10:19,574 YOU HEAR OF ANYTHING, YOU LET ME KNOW, OKAY? 205 00:10:19,598 --> 00:10:20,576 COMING THROUGH. 206 00:10:20,600 --> 00:10:22,012 REMEMBER TO CALL ME. 207 00:10:22,036 --> 00:10:25,150 - SEE YOU, GUYS. - YEAH, ALL RIGHT, DOC. GO AHEAD. 208 00:10:25,174 --> 00:10:26,653 ALL RIGHT, GO AHEAD NOW. 209 00:10:26,677 --> 00:10:28,856 UH, HE FORCED HIS WAY IN, UM... 210 00:10:28,880 --> 00:10:30,859 'CAUSE WE HAD THE ROPE, YOU KNOW, AROUND THE DOOR, 211 00:10:30,883 --> 00:10:32,394 - BUT THERE WAS NO LOCK ON IT... - LOOK, SON, 212 00:10:32,418 --> 00:10:35,633 IF YOU CAN COMPLETE THE DESCRIPTION, WE GOTTA PUT IT OUT. 213 00:10:35,657 --> 00:10:37,670 UH, YEAH, HE WAS WHITE, UM... 214 00:10:37,694 --> 00:10:39,039 AVERAGE HEIGHT, UM... 215 00:10:39,063 --> 00:10:42,711 PRETTY THIN, AND, UH, HE HAD SHORT BROWN HAIR. 216 00:10:42,735 --> 00:10:44,146 AND HE HAD BLUE EYES. 217 00:10:44,170 --> 00:10:47,218 - GOOD. - NOW, HOW LONG AGO? 218 00:10:47,242 --> 00:10:50,356 UM... 219 00:10:50,380 --> 00:10:54,965 ABOUT 30 MINUTES SINCE HE RAN, ABOUT AN HOUR SINCE HE CAME IN. 220 00:10:54,989 --> 00:10:56,200 I RAN TO CALL YOU GUYS, YOU KNOW, 221 00:10:56,224 --> 00:10:57,334 IT TOOK ME 15 MINUTES JUST TO GET A DIME... 222 00:10:57,358 --> 00:10:58,737 LOOK, LOOK, WE GOTTA KEEP THIS REAL FAST 223 00:10:58,761 --> 00:10:59,772 SO WE CAN PUT THE DESCRIPTION OUT. 224 00:10:59,796 --> 00:11:01,075 NOW, CAN YOU REMEMBER HIS CLOTHES, 225 00:11:01,099 --> 00:11:02,611 WHAT HE WAS WEARING, ANYTHING? 226 00:11:02,635 --> 00:11:05,147 YEAH, HE HAD, UM, LIKE, BLACK PANTS, 227 00:11:05,171 --> 00:11:06,950 AND HE HAD ON A... 228 00:11:06,974 --> 00:11:10,288 YOU KNOW, A DUNGAREE JACKET. 229 00:11:10,312 --> 00:11:12,326 AND, UH, HER BRACELET WAS TAKEN. 230 00:11:12,350 --> 00:11:14,195 OH, THAT'S A SHOCKER. 231 00:11:14,219 --> 00:11:17,033 YEAH, IT WAS LIKE A... 232 00:11:17,057 --> 00:11:20,038 AN I.D. BRACELET, YOU KNOW, IT HAD "CATHY" WRITTEN ON IT. 233 00:11:20,062 --> 00:11:21,540 I'LL GET THIS ON THE RADIO. 234 00:11:21,564 --> 00:11:23,010 DID REAL GOOD, SON. 235 00:11:23,034 --> 00:11:24,612 GOT A GOOD MEMORY. 236 00:11:24,636 --> 00:11:25,781 WELL, I'M GONNA BE AN ARTIST. 237 00:11:25,805 --> 00:11:28,573 YEAH, SHE WAS GONNA BE A DANCER. 238 00:11:30,846 --> 00:11:33,627 MEN IN BLUE. 239 00:11:33,651 --> 00:11:35,263 WHAT'S THE PROBLEM? WHERE'S THE ASSAULT? 240 00:11:35,287 --> 00:11:37,266 - IS YOUR NAME REGGIE, UH... - REGIS. 241 00:11:37,290 --> 00:11:39,903 UH, REGIS ROSSMORE, UNEMPLOYED NURSE, 242 00:11:39,927 --> 00:11:43,710 WITH AN IMPOSSIBLE SITUATION ON HIS HANDS. 243 00:11:43,734 --> 00:11:46,235 CHOP-CHOP OFFICERS. 244 00:11:49,743 --> 00:11:52,724 ALL RIGHT, MISS DIFFICULT, HELP HAS ARRIVED. 245 00:11:52,748 --> 00:11:55,228 WELL, I'M SORRY, BUT I'VE BEEN STUCK IN HERE FOR OVER AN HOUR. 246 00:11:55,252 --> 00:11:58,032 THIS IS WITH REFERENCE TO MY EXPLICIT INSTRUCTIONS, 247 00:11:58,056 --> 00:12:00,170 LOIS WAS NOT TO SIT DOWN IN THE TUB. 248 00:12:00,194 --> 00:12:02,173 SHE HAS AN UNDISPLACED PELVIC FRACTURE. 249 00:12:02,197 --> 00:12:03,274 WELL, WHY'D YOU PUT HER IN THERE, 250 00:12:03,298 --> 00:12:04,677 IF SHE'S NOT SUPPOSED TO TAKE A BATH? 251 00:12:04,701 --> 00:12:06,045 SHE WAS TO STAY ON ALL FOURS... 252 00:12:06,069 --> 00:12:07,214 I'M MORTIFIED. 253 00:12:07,238 --> 00:12:09,150 TO AVOID EXACTLY THIS SITUATION. 254 00:12:09,174 --> 00:12:11,354 - PLUS, SHE'S PRUNING UP. - REGIS, 255 00:12:11,378 --> 00:12:12,655 WILL YOU GO AND TAKE THE COFFEE CAKE 256 00:12:12,679 --> 00:12:13,891 OUT OF THE FREEZER AND HEAT IT UP FOR ME? 257 00:12:13,915 --> 00:12:16,196 COFFEE, YES. CAKE... NO. 258 00:12:16,220 --> 00:12:17,663 WHY DIDN'T YOU CALL THE PARAMEDICS? 259 00:12:17,687 --> 00:12:20,235 SO CHASTISE ME LATER. 260 00:12:20,259 --> 00:12:21,838 WATCH IT! 261 00:12:21,862 --> 00:12:24,096 I'M SORRY MA'AM, I GOT LOST IN THE TERRAIN. 262 00:12:25,267 --> 00:12:26,846 I TRIED TO CALL THE PARAMEDICS, 263 00:12:26,870 --> 00:12:29,049 THEY SAID WE WEREN'T AN EMERGENCY. 264 00:12:29,073 --> 00:12:31,253 I SHUDDER TO THINK IF I WEREN'T LOIS' NEIGHBOR. 265 00:12:31,277 --> 00:12:34,625 - SO YOU PHONIED AN ASSAULT? - I WAS AT MY WIT'S END. 266 00:12:34,649 --> 00:12:36,327 WELL, WE ARE HERE, ROBERT, LET'S GO. 267 00:12:36,351 --> 00:12:37,730 - ON THREE. - OH, NO. 268 00:12:37,754 --> 00:12:39,767 ALL RIGHT, ALL RIGHT. 269 00:12:39,791 --> 00:12:41,269 - READY, MA'AM? - LET'S GO, MA'AM. 270 00:12:41,293 --> 00:12:42,704 ONE, TWO, THREE. 271 00:12:42,728 --> 00:12:44,040 HELP THEM, LOIS! 272 00:12:44,064 --> 00:12:45,242 HERE SHE COMES, HERE SHE COMES! 273 00:12:45,266 --> 00:12:46,778 - OH! - WHOA! 274 00:12:46,802 --> 00:12:48,380 - WHAT? - WHAT IS IT? 275 00:12:48,404 --> 00:12:49,649 WHAT IS IT? 276 00:12:49,673 --> 00:12:50,918 - OH, MERCIFUL MOTHER! - WHAT? 277 00:12:50,942 --> 00:12:53,856 I HAVE DONE IT. I HAVE DONE IT. 278 00:12:53,880 --> 00:12:57,395 I HAVE STRAINED MY MILK. 279 00:12:57,419 --> 00:12:59,331 I HAVE HERNIATED MYSELF. 280 00:12:59,355 --> 00:13:01,367 OH, YOU POOR LAMB! 281 00:13:01,391 --> 00:13:03,037 OFFICER REQUESTING BACKUPS 282 00:13:03,061 --> 00:13:05,107 - ONE A 616 AT 17... - YOU HEAR THAT, RENKO? 283 00:13:05,131 --> 00:13:06,575 HEAR THAT? I HEAR MY MAKER. 284 00:13:06,599 --> 00:13:08,579 - YOU GOING TO BE OKAY, FOLKS? - I'M SO GRATEFUL. 285 00:13:08,603 --> 00:13:10,216 A THOUSAND THANKS. 286 00:13:10,240 --> 00:13:13,888 OKAY, OKAY, WE GOTTA MAKE ANOTHER CALL. 287 00:13:13,912 --> 00:13:15,157 YOU KNOW WHAT I DO TO PEOPLE LIKE YOU? 288 00:13:15,181 --> 00:13:16,726 OOH! 289 00:13:16,750 --> 00:13:19,096 COME ON, MAN, LET'S GO. 290 00:13:19,120 --> 00:13:21,033 IS MY PAIN A SOURCE OF AMUSEMENT TO YOU, ROBERT? 291 00:13:21,057 --> 00:13:22,168 NO, ANDY. 292 00:13:22,192 --> 00:13:23,169 WELL, WHY DON'T WE GO DOWN TO THE MORGUE 293 00:13:23,193 --> 00:13:24,338 AND REALLY GET A BELLY LAUGH? 294 00:13:24,362 --> 00:13:26,274 EASY STEPS, HERE WE GO. 295 00:13:26,298 --> 00:13:29,948 ALL RIGHT. 296 00:13:29,972 --> 00:13:31,304 BYE THERE! 297 00:13:45,329 --> 00:13:47,708 JUNKIE FITS THE HOTEL PERSHING KILLER DESCRIPTION. 298 00:13:47,732 --> 00:13:50,369 - WE'LL TAKE THIS SIDE. - RIGHT. 299 00:14:00,787 --> 00:14:02,989 SPREAD 'EM! SPREAD 'EM. 300 00:14:05,361 --> 00:14:06,339 WHAT'S THIS, "CATHY?" 301 00:14:06,363 --> 00:14:08,142 - THAT'S MINE. - CATHY? 302 00:14:08,166 --> 00:14:11,247 - IT'S MINE! - AAH! 303 00:14:11,271 --> 00:14:12,816 MAN, WHAT'S WRONG WITH YOU? 304 00:14:12,840 --> 00:14:14,352 YOU RAPE A 14-YEAR-OLD GIRL? 305 00:14:14,376 --> 00:14:15,387 - TAKE IT EASY. - YOU KILL HER? 306 00:14:15,411 --> 00:14:16,989 STOP! STOP! 307 00:14:17,013 --> 00:14:21,297 JOE! 308 00:14:21,321 --> 00:14:23,355 YOU'RE BUSTED, MAN. 309 00:14:27,431 --> 00:14:31,046 IN WATCHING PHIL TEACH OUR RECRUITS, 310 00:14:31,070 --> 00:14:35,252 I EXPERIENCED HIS COMPASSION, HIS QUIET STRENGTH, 311 00:14:35,276 --> 00:14:37,056 HIS JOY OF LIFE, 312 00:14:37,080 --> 00:14:40,295 AND HIS DEEP SENSE OF RESPONSIBILITY. 313 00:14:40,319 --> 00:14:41,729 LET ME READ YOU A POEM 314 00:14:41,753 --> 00:14:45,403 WHICH CONVEYS THESE QUALITIES IN HIM. 315 00:14:45,427 --> 00:14:49,409 "I AM AT EASE. IT'S END OF DAY. 316 00:14:49,433 --> 00:14:52,147 "MY DUTY HAS BEEN DONE. 317 00:14:52,171 --> 00:14:54,283 "THE HOUR CALLS ME FAR AWAY 318 00:14:54,307 --> 00:14:57,188 "BEYOND THE SETTING SUN. 319 00:14:57,212 --> 00:15:00,026 "MEET ME BY THE OCEAN'S ROCKS 320 00:15:00,050 --> 00:15:02,896 "IN THE SHADOWS ON THE LANE. 321 00:15:02,920 --> 00:15:04,399 "FIND ME IN THE SNOWFLAKES 322 00:15:04,423 --> 00:15:07,237 "AS THEY CROWD AGAINST THE PANE. 323 00:15:07,261 --> 00:15:09,942 "OR BECKON ME IN SILENCE 324 00:15:09,966 --> 00:15:12,812 "THEN LISTEN TO THE BREEZE. 325 00:15:12,836 --> 00:15:15,650 "AND YOU WILL HEAR ME ALWAYS, 326 00:15:15,674 --> 00:15:19,412 FOR, AT LAST, I STAND AT EASE." 327 00:15:22,119 --> 00:15:24,298 PHIL'S WISH THAT HE BE CREMATED WAS CARRIED OUT... 328 00:15:24,322 --> 00:15:27,269 EARLIER THIS MORNING. 329 00:15:27,293 --> 00:15:29,874 THERE'LL BE NO GRAVESITE SERVICE. 330 00:15:29,898 --> 00:15:32,133 GOD BLESS YOU, AND THANK YOU FOR COMING. 331 00:15:43,053 --> 00:15:44,764 THAT WAS VERY MOVING, SIR. 332 00:15:44,788 --> 00:15:47,135 THE ROCK AND THE SILENCE AND ALL. 333 00:15:47,159 --> 00:15:50,106 WAS THAT, UH, SIMON AND GARFUNKEL? 334 00:15:50,130 --> 00:15:51,808 NO, THAT WAS PHIL ESTERHAUS. 335 00:15:51,832 --> 00:15:53,767 HE WROTE A LOT OF POETRY. 336 00:15:55,906 --> 00:15:58,854 - CHIEF. - NICE SERVICE, EH, FRANK? 337 00:15:58,878 --> 00:16:00,490 BRIEF AND TO THE POINT, A LOT LIKE THE MAN. 338 00:16:00,514 --> 00:16:02,460 IRWIN SAYS YOU TOLD HIM NOT TO PRESENT A PLAN 339 00:16:02,484 --> 00:16:04,763 - FOR MICHIGAN AVENUE. - YES, SIR. 340 00:16:04,787 --> 00:16:06,732 WELL, IS CORRECTIONS PRESENTING? 341 00:16:06,756 --> 00:16:08,836 WELL, TECHNICALLY IT'S NOT THEIR PROBLEM... 342 00:16:08,860 --> 00:16:11,474 - CHIEF. - LEAVE IT TO ME, FRANK. 343 00:16:11,498 --> 00:16:14,079 YOU'RE GONNA HAVE YOUR HOLDING CELLS BACK BY THE END OF THE DAY. 344 00:16:14,103 --> 00:16:15,247 IT'S NOT GONNA HELP MATTERS 345 00:16:15,271 --> 00:16:16,782 IF CRUZ EMPTIES THE HOLDING CELLS 346 00:16:16,806 --> 00:16:18,151 AND PUTS THE CRIMINALS BACK ON MY STREETS. 347 00:16:18,175 --> 00:16:19,887 OF COURSE NOT. 348 00:16:19,911 --> 00:16:22,392 WHA... THEN ARE YOU PRESENTING A PLAN? 349 00:16:22,416 --> 00:16:24,128 WE'RE GONNA GET RESULTS. 350 00:16:24,152 --> 00:16:26,364 SYMPATHIES TO PHIL'S FAMILY. 351 00:16:26,388 --> 00:16:27,388 DID HE HAVE FAMILY? 352 00:16:35,870 --> 00:16:38,851 TUMBLERS ON B-LOCK ARE OFF, 353 00:16:38,875 --> 00:16:42,023 SO YOU HAVE TO, SORT OF, DEVELOP A FEEL 354 00:16:42,047 --> 00:16:43,159 FOR IT WITH YOUR WRIST. 355 00:16:43,183 --> 00:16:44,260 UH-HUH. 356 00:16:44,284 --> 00:16:45,496 YOU SURE THERE'S ROOM IN THERE? 357 00:16:45,520 --> 00:16:46,998 HE'LL SQUEEZE IN. 358 00:16:47,022 --> 00:16:48,934 I'M A SOCIABLE PERSON. 359 00:16:48,958 --> 00:16:51,539 KEEP YOUR CLOTHES ON, OKAY? 360 00:16:51,563 --> 00:16:54,143 - WHAT'S THAT? - THAT? 361 00:16:54,167 --> 00:16:55,411 NOTHING. 362 00:16:55,435 --> 00:16:56,980 LEO, THAT'S THE ROLE-CALL PODIUM. 363 00:16:57,004 --> 00:16:59,852 THEY SOMETIMES PLAY PRANKS ON EACH OTHER. 364 00:16:59,876 --> 00:17:01,855 SOME OF THEM ARE FUNNIER THAN OTHERS. 365 00:17:01,879 --> 00:17:03,391 YOU'RE NOT GONNA SAY ANYTHING? 366 00:17:03,415 --> 00:17:06,263 NONE OF OUR BUSINESS. 367 00:17:06,287 --> 00:17:08,799 FELLOW AMERICANS! 368 00:17:08,823 --> 00:17:11,704 I WANT TO TEST YOU... 369 00:17:11,728 --> 00:17:14,976 ON THE SUBJECT OF RIGHTS! 370 00:17:15,000 --> 00:17:15,978 OKAY. 371 00:17:16,002 --> 00:17:18,915 WE GOT HUMAN RIGHTS! 372 00:17:18,939 --> 00:17:22,444 WE GOT "INANALIENABLE" RIGHTS! 373 00:17:25,250 --> 00:17:29,200 WE GOT THE RIGHT TO BEAR ARMS! 374 00:17:29,224 --> 00:17:30,535 WE DO. 375 00:17:30,559 --> 00:17:33,539 AND I GOT A RIGHT 376 00:17:33,563 --> 00:17:36,266 TO BARE MY BALD BLACK-ASS. 377 00:17:40,307 --> 00:17:42,354 I'M BEAUTIFUL! 378 00:17:42,378 --> 00:17:44,412 I LOVE YOU, MY BABY. 379 00:17:52,527 --> 00:17:54,573 SANDY, HI. 380 00:17:54,597 --> 00:17:57,177 - HI. - WHAT ARE YOU DOING HERE? 381 00:17:57,201 --> 00:17:59,481 GOT A MESSAGE I'M SUPPOSED TO PICK UP MY PURSE. 382 00:17:59,505 --> 00:18:00,983 IT WAS PROBABLY COURT PROPERTY, 383 00:18:01,007 --> 00:18:02,253 YOU KNOW, THEY USED IT AS EVIDENCE IN THE HEARING. 384 00:18:02,277 --> 00:18:04,389 I THINK LEO CAN GET THAT FOR YOU. 385 00:18:04,413 --> 00:18:06,259 HOW YOU DOING? 386 00:18:06,283 --> 00:18:08,263 NOT GREAT. 387 00:18:08,287 --> 00:18:10,165 TAKES TIME. 388 00:18:10,189 --> 00:18:13,393 HEY, HOLD IT RIGHT THERE, CHUMP-FACE. 389 00:18:15,864 --> 00:18:17,109 OKAY, BUDDY. 390 00:18:17,133 --> 00:18:18,979 LEO, WILL YOU HELP MISS VALPARISO, PLEASE? 391 00:18:19,003 --> 00:18:20,815 - SURE. - THANK YOU. 392 00:18:20,839 --> 00:18:23,387 NATALIE, GET SOME BRACELETS FOR THIS GUY, WILL YOU? 393 00:18:23,411 --> 00:18:25,790 HE TENDS TO WANDER. 394 00:18:25,814 --> 00:18:28,060 HI. 395 00:18:28,084 --> 00:18:29,764 HI. 396 00:18:29,788 --> 00:18:32,000 WERE YOU LOOKING FOR ME? 397 00:18:32,024 --> 00:18:33,858 NOPE, JUST PICKING UP MY PURSE. 398 00:18:37,165 --> 00:18:41,115 LOOK, SANDY, MAYBE WE SHOULD TALK ABOUT LAST NIGHT. 399 00:18:41,139 --> 00:18:42,216 NO, JOE. 400 00:18:42,240 --> 00:18:43,952 AT THIS POINT, I THINK IT'S SMARTER 401 00:18:43,976 --> 00:18:47,514 IF I DO THAT WITH SOMEBODY WHO UNDERSTANDS MY SITUATION. 402 00:18:49,285 --> 00:18:51,053 THANK YOU. 403 00:18:58,333 --> 00:19:00,546 FRANK! 404 00:19:00,570 --> 00:19:02,316 - MISS DAVENPORT. - LIEUTENANT. 405 00:19:02,340 --> 00:19:04,185 HOW WAS THE CEREMONY? 406 00:19:04,209 --> 00:19:05,320 I'M GRATEFUL TO YOU AND RAY 407 00:19:05,344 --> 00:19:08,024 FOR HOLDING THE FORT FOR ME HERE, HOWARD. 408 00:19:08,048 --> 00:19:10,863 WELL, I'LL SAY MY GOODBYE'S TONIGHT. 409 00:19:10,887 --> 00:19:13,199 I IMAGINE LONDON WAS SOMETHING LIKE THIS DURING THE BLITZ. 410 00:19:13,223 --> 00:19:15,504 CAPTAIN, MISS DAVENPORT. 411 00:19:15,528 --> 00:19:17,106 LEO, YOU HAVE HAROLD BAKER? 412 00:19:17,130 --> 00:19:19,543 - WAITING FOR YOU IN LINEUP. - OKAY, THANKS, SEE YOU LATER. 413 00:19:19,567 --> 00:19:22,882 THAT'S, UH, LESTER MENDLEY, WHITNEY BARNES' PANDERER. 414 00:19:22,906 --> 00:19:25,085 - WHO MADE THE BUST? - TURNED HIMSELF IN. 415 00:19:25,109 --> 00:19:26,922 INTERROGATION WILL BE READY IN A COUPLE MINUTES. 416 00:19:26,946 --> 00:19:29,114 - I'D LIKE TO SIT IN, FRANK. - CALL ME. 417 00:19:31,987 --> 00:19:34,801 MR. MENDLEY, LIEUTENANT GOLDBLUME. 418 00:19:34,825 --> 00:19:37,205 LIEUTENANT, I DIDN'T KILL WHITNEY BARNES. 419 00:19:37,229 --> 00:19:38,841 LET'S HIT THAT RIGHT AWAY. 420 00:19:38,865 --> 00:19:40,911 IF YOU WANT TO TALK TO ME, LET'S TALK. 421 00:19:40,935 --> 00:19:45,519 WE WANT TO TALK ALL RIGHT, COME ON. 422 00:19:45,543 --> 00:19:47,911 YOU WANT TO KNOW ABOUT WHITNEY? 423 00:19:50,216 --> 00:19:54,332 IN THE LAST TWO YEARS, I DIDN'T GET HER FIVE DATES. 424 00:19:54,356 --> 00:19:55,968 GOD, SHE WAS SWEET. 425 00:19:55,992 --> 00:19:57,604 BUT SHE WASN'T STUPID. 426 00:19:57,628 --> 00:19:59,240 SHE KNEW WHAT HAD HAPPENED. 427 00:19:59,264 --> 00:20:02,011 SHE KNEW SHE WAS WORKING A DIFFERENT KIND OF TRICK 428 00:20:02,035 --> 00:20:04,650 WHICH THOSE CATS REFERRED BETWEEN THEMSELVES. 429 00:20:04,674 --> 00:20:08,021 YOU UNDERSTAND? 430 00:20:08,045 --> 00:20:10,124 SHE NEVER ONCE BROUGHT IT UP. 431 00:20:10,148 --> 00:20:14,197 WE NEVER ONCE HAD THE CONVERSATION. 432 00:20:14,221 --> 00:20:17,169 MAYBE WE SHOULD HAVE MADE DIFFERENT ARRANGEMENTS. 433 00:20:17,193 --> 00:20:21,009 WELL, THAT WAS THE KIND OF CLASS OF WOMAN SHE WAS. 434 00:20:21,033 --> 00:20:24,281 WHAT DO YOU KNOW ABOUT THE MURDER, LESTER? 435 00:20:24,305 --> 00:20:27,051 IN A MINUTE. 436 00:20:27,075 --> 00:20:29,923 I DIDN'T GET TO SAY WHAT A SAD THING THIS IS. 437 00:20:29,947 --> 00:20:31,559 YOU LIVED OFF HER, YOU FILMED WHAT SHE DID 438 00:20:31,583 --> 00:20:32,895 FOR BLACKMAIL, CUT THE CRAP. 439 00:20:32,919 --> 00:20:34,998 BLACKMAIL WHO? 440 00:20:35,022 --> 00:20:36,901 I DIDN'T BLACKMAIL ANYBODY! 441 00:20:36,925 --> 00:20:38,336 WHAT'D YOU MAKE THE MOVIES FOR? 442 00:20:38,360 --> 00:20:40,439 BECAUSE I KNEW SOMETHING EXACTLY LIKE THIS COULD HAPPEN. 443 00:20:40,463 --> 00:20:41,441 I DIDN'T KILL WHITNEY. 444 00:20:41,465 --> 00:20:42,711 ONE OF THOSE FAT SLOBS 445 00:20:42,735 --> 00:20:45,549 WHO DIDN'T WANT HER MEMOIRS TOLD KILLED HER. 446 00:20:45,573 --> 00:20:47,552 AND NOW IN THE PAPERS, LESTER MENDLEY THIS 447 00:20:47,576 --> 00:20:49,121 AND LESTER MENDLEY THAT. 448 00:20:49,145 --> 00:20:50,590 AND NOW THEY'RE COMING AFTER ME! 449 00:20:50,614 --> 00:20:54,530 WELL, WHEN WE'RE DONE HERE, 450 00:20:54,554 --> 00:20:57,001 MR. TOWNSEND AND I ARE TELLING THE RIGHT STORY. 451 00:20:57,025 --> 00:20:58,168 THE PEOPLE HAVE GOT TO KNOW 452 00:20:58,192 --> 00:21:01,140 THE LESTER MENDLEY PLAN FOR THE FUTURE. 453 00:21:01,164 --> 00:21:03,477 - WHAT PEOPLE? - THE PAPERS. 454 00:21:03,501 --> 00:21:05,614 THE LESTER MENDLEY PLAN FOR THE FUTURE, 455 00:21:05,638 --> 00:21:08,586 WHICH IS TO LIVE IN NASSAU AND DON'T BOTHER ANYBODY 456 00:21:08,610 --> 00:21:10,989 UNLESS SOMEBODY TRIES TO KILL ME. 457 00:21:11,013 --> 00:21:12,491 AND THEN MY ATTORNEY SELLS THE TAPES 458 00:21:12,515 --> 00:21:14,061 TO THE HIGHEST BIDDER. 459 00:21:14,085 --> 00:21:16,197 GOT A SLIGHT PROBLEM THERE LESTER. 460 00:21:16,221 --> 00:21:19,002 WHAT, YOU THINK YOU GOT 'EM ALL? 461 00:21:19,026 --> 00:21:22,041 YOU DON'T THINK I MADE COPIES? 462 00:21:22,065 --> 00:21:24,979 YOU THINK YOU'RE GOING TO NASSAU? 463 00:21:25,003 --> 00:21:28,184 HE'S MATERIAL TO A MURDER INVESTIGATION. 464 00:21:28,208 --> 00:21:29,653 WE'LL STAY DOMESTIC, CAPTAIN. 465 00:21:29,677 --> 00:21:31,221 YOU'LL BE APPRISED OF OUR WHEREABOUTS. 466 00:21:31,245 --> 00:21:33,926 HE GOES NOWHERE, HE STAYS IN CUSTODY. 467 00:21:33,950 --> 00:21:35,963 WAIT A MINUTE! 468 00:21:35,987 --> 00:21:37,665 MY MESSAGE HAS GOT TO GET OUT! 469 00:21:37,689 --> 00:21:39,569 THE PEOPLE ON THOSE TAPES HAVE GOT TO KNOW WHERE I'M AT. 470 00:21:39,593 --> 00:21:41,661 I DON'T MEAN TROUBLE FOR ANYBODY! 471 00:21:50,143 --> 00:21:51,989 I'M A JUNKIE. 472 00:21:52,013 --> 00:21:54,025 IF I AIN'T HOLDIN', I CAN BE A BAD CHARACTER. 473 00:21:54,049 --> 00:21:55,962 I KNOW THAT, I GOT A SHEET. 474 00:21:55,986 --> 00:21:57,196 BUT I WAS HOLDING. 475 00:21:57,220 --> 00:21:59,501 I DON'T DO VIOLENCE WHEN I'M HOLDING. 476 00:21:59,525 --> 00:22:00,568 YOU HAD HER BRACELET. 477 00:22:00,592 --> 00:22:02,105 I FOUND IT. 478 00:22:02,129 --> 00:22:04,643 I TOLD HIM IT WAS ON THE WINDOW WHEN I PICKED IT UP. 479 00:22:04,667 --> 00:22:06,045 WHY DID YOU ASSAULT THE OFFICER 480 00:22:06,069 --> 00:22:07,413 WHEN HE TRIED TO TAKE IT AWAY FROM YOU? 481 00:22:07,437 --> 00:22:11,319 I WAS DEFENDING MYSELF. HE COME AT ME. 482 00:22:11,343 --> 00:22:13,123 HAROLD, IF YOU'RE SAYING HE STARTED IT, 483 00:22:13,147 --> 00:22:17,062 THERE ARE WITNESSES WHO SAY OTHERWISE. 484 00:22:17,086 --> 00:22:19,667 LADY, YOU GOTTA UNDERSTAND WHAT I AM. 485 00:22:19,691 --> 00:22:21,602 IF I SEE SOMETHING LAYING IN THE STREET, 486 00:22:21,626 --> 00:22:22,738 SOMETHING THAT MIGHT GIVE ME A LIFT, 487 00:22:22,762 --> 00:22:25,509 I PICK IT UP, IT'S MINE. 488 00:22:25,533 --> 00:22:26,945 SOMEBODY TRIES TO TAKE IT FROM ME, 489 00:22:26,969 --> 00:22:28,446 I FIGHT 'EM. 490 00:22:28,470 --> 00:22:31,518 I GOTTA KEEP IT GOING, THAT'S ALL, YOU SEE? 491 00:22:31,542 --> 00:22:34,090 THAT'S ALL I CAN THINK ABOUT. 492 00:22:34,114 --> 00:22:37,295 HOW COULD I RAPE SOMEBODY? 493 00:22:37,319 --> 00:22:39,787 I AIN'T EVEN THOUGHT ABOUT A WOMAN IN YEARS. 494 00:22:50,107 --> 00:22:53,755 - HI. - HI. 495 00:22:53,779 --> 00:22:56,358 THAT HOTEL PERSHING SUSPECT WAS PRETTY BADLY BEATEN, FRANK. 496 00:22:56,382 --> 00:22:57,794 OH? 497 00:22:57,818 --> 00:22:59,765 APART FROM THE FACT I THINK HE'S PROBABLY INNOCENT. 498 00:22:59,789 --> 00:23:02,135 OF COURSE, NOT 'TIL THIS AFTERNOON COUNSELOR. 499 00:23:02,159 --> 00:23:05,173 I FULLY INTEND TO EXPLORE MY CLIENT'S LEGAL REMEDIES. 500 00:23:05,197 --> 00:23:06,508 I'M SUGGESTING THAT GIRL'S ATTACKER 501 00:23:06,532 --> 00:23:09,412 MAY STILL BE ON THE STREET. 502 00:23:09,436 --> 00:23:12,584 GOD, WILL THEY BE ABLE TO GET JUDGE CRUZ A PLAN BY 3:00? 503 00:23:12,608 --> 00:23:15,389 WELL, UH, DANIELS' ALL SLY WINKS AND VAGUE PROMISES 504 00:23:15,413 --> 00:23:18,294 AND HE'S TOLD BERNSTEIN NOT TO SUBMIT A PLAN. 505 00:23:18,318 --> 00:23:20,231 MAYBE DANIELS HAS SOMETHING GOING WITH THE GOVERNOR. 506 00:23:20,255 --> 00:23:22,000 YEAH, MAYBE IT'S A FAST SHOVEL. 507 00:23:22,024 --> 00:23:24,471 FRANK, I REALIZE THE STRAIN YOU'VE ALL BEEN UNDER. 508 00:23:24,495 --> 00:23:26,474 YOU WANT TO HEAR ABOUT JOE COFFEY'S LAST THREE WEEKS, 509 00:23:26,498 --> 00:23:28,110 STARTING WITH WHEN HE WAS SHOT? 510 00:23:28,134 --> 00:23:29,880 RULE OF LAW IS MOST IMPORTANT 511 00:23:29,904 --> 00:23:31,916 WHEN THINGS ARE MOST UNRAVELED, PIZZA MAN. 512 00:23:31,940 --> 00:23:33,551 AH. 513 00:23:33,575 --> 00:23:34,876 JUST WHAT YOU NEEDED. 514 00:23:40,020 --> 00:23:44,003 WHAT I NEED IS YOU IN A HOTEL ROOM... 515 00:23:44,027 --> 00:23:47,675 TONIGHT. 516 00:23:47,699 --> 00:23:50,034 I'LL MAKE A RESERVATION. 517 00:24:03,658 --> 00:24:04,802 HEY, LEO. 518 00:24:04,826 --> 00:24:06,504 THE WITNESS ON THE HOTEL PERSHING HOMICIDE. 519 00:24:06,528 --> 00:24:08,843 I SAW HIM, UH, KILL CATHY. 520 00:24:08,867 --> 00:24:10,178 LINEUP'S IN 20 MINUTES. 521 00:24:10,202 --> 00:24:13,004 ALL RIGHT, HEY, YOU MAKE YOURSELF COMFORTABLE, OKAY? 522 00:24:28,765 --> 00:24:29,843 - THIS WAY. - WHAT THE HELL ARE YOU DOING? 523 00:24:29,867 --> 00:24:30,878 THEY JUST TOLD ME THAT I COULD GO, 524 00:24:30,902 --> 00:24:31,946 NOW YOU'RE ARRESTING ME. 525 00:24:31,970 --> 00:24:34,684 WHAT IS IT WITH YOU GUYS ANYWAY, HUH? 526 00:24:34,708 --> 00:24:35,919 - LESTER? - YEAH. 527 00:24:35,943 --> 00:24:37,621 AAH! 528 00:24:37,645 --> 00:24:40,760 DON'T SHOOT ME! 529 00:24:40,784 --> 00:24:44,867 WHERE'S THE DAMN KEY? 530 00:24:44,891 --> 00:24:46,603 SEAL THE BUILDING. 531 00:24:46,627 --> 00:24:49,329 NOBODY GETS OUTTA HERE UNTIL WE HAVE STATEMENTS. 532 00:24:55,841 --> 00:24:56,986 FRANK. 533 00:24:57,010 --> 00:24:59,056 FRANK, WITNESS HAS HIM IN A CREAM-COLORED SEDAN 534 00:24:59,080 --> 00:25:00,058 HEADING WEST ON DECKER. 535 00:25:00,082 --> 00:25:01,727 RAY, RAY. 536 00:25:01,751 --> 00:25:03,564 - A.P.B., ANY PLATES? - ONLY PARTIAL. 537 00:25:03,588 --> 00:25:04,999 - WHAT WAS IT? - ALPHA, NINER, SEVEN 538 00:25:05,023 --> 00:25:06,334 ARE THE FIRST THREE DIGITS. 539 00:25:06,358 --> 00:25:08,705 ALL RIGHT, DESCRIPTIONS TO THE FBI AND THE STATE PATROL. 540 00:25:08,729 --> 00:25:10,976 - DEPLOY AT THE AIRPORT... - GURNEY, COMING THROUGH, LOOK OUT! 541 00:25:11,000 --> 00:25:12,344 COME ON, MOVE IT, MOVE IT! 542 00:25:12,368 --> 00:25:14,147 GIVE US SOME ROOM. 543 00:25:14,171 --> 00:25:15,850 COME ON, I'LL GIVE IT TO YOU. 544 00:25:15,874 --> 00:25:16,885 CLEAR IT UP, PLEASE! 545 00:25:16,909 --> 00:25:18,187 NINE PEOPLE MAKE IT A COP. 546 00:25:18,211 --> 00:25:19,723 NO BADGE NUMBER, NO INSIGNIA. 547 00:25:19,747 --> 00:25:20,992 IT WAS A PROFESSIONAL HIT, CAPTAIN. 548 00:25:21,016 --> 00:25:22,995 THE GUY GOES INTO A PARTY STORE, HE COPS A UNIFORM... 549 00:25:23,019 --> 00:25:24,097 GET STATEMENTS, JD. 550 00:25:24,121 --> 00:25:25,766 CLEAR IN HERE, PLEASE! 551 00:25:25,790 --> 00:25:29,005 OH, MY GOD! 552 00:25:29,029 --> 00:25:31,241 IT'S ALL RIGHT. 553 00:25:31,265 --> 00:25:32,978 HENRY, I WENT ALL THE WAY BACK TO THE HEIGHTS 554 00:25:33,002 --> 00:25:35,281 TO FILE THE ROBBERY COMPLAINT, BUT THEY SAID YOU NEVER CAME IN. 555 00:25:35,305 --> 00:25:37,151 I TOLD THEM I'D DO THE PAPERWORK HERE. 556 00:25:37,175 --> 00:25:39,254 COULDN'T YOU HAVE TOLD ME THAT AT THE MEMORIAL SERVICE? 557 00:25:39,278 --> 00:25:41,926 - LINEUP'S READY, LIEUTENANT. - I AM VERY SORRY, FAY. 558 00:25:41,950 --> 00:25:43,160 IT JUST COMPLETELY SLIPPED MY MIND. 559 00:25:43,184 --> 00:25:44,630 LOOK, WE'RE A LITTLE BIT JAMMED UP, HERE. 560 00:25:44,654 --> 00:25:46,767 HENRY, HENRY, I KNOW IT'S A MADHOUSE, 561 00:25:46,791 --> 00:25:48,803 BUT ALL I NEED IS TWO MINUTES, I THINK WE OUGHTA TALK. 562 00:25:48,827 --> 00:25:50,394 YEAH, YEAH, I'LL CALL YOU LATER, OKAY? 563 00:25:53,401 --> 00:25:57,917 I DON'T SEE HIM. 564 00:25:57,941 --> 00:26:00,678 NUMBER THREE, STEP FORWARD PLEASE. 565 00:26:02,649 --> 00:26:03,994 NO, THAT'S NOT HIM. 566 00:26:04,018 --> 00:26:07,133 TAKE YOUR TIME. 567 00:26:07,157 --> 00:26:11,005 I KNOW THAT AIN'T HIM. 568 00:26:11,029 --> 00:26:13,264 NUMBER FOUR, STEP FORWARD. 569 00:26:15,904 --> 00:26:18,873 NO, NO, HE DIDN'T LOOK ANYTHING LIKE THAT. 570 00:26:22,380 --> 00:26:23,826 IT'S NOT HIM. 571 00:26:23,850 --> 00:26:25,290 THE GUY'S NOT UP THERE, I'M POSITIVE. 572 00:26:28,891 --> 00:26:30,003 YOU RELEASE? 573 00:26:30,027 --> 00:26:31,005 NO, WE'RE CHARGING, 574 00:26:31,029 --> 00:26:33,308 NARCOTICS POSSESSION AND ASSAULT. 575 00:26:33,332 --> 00:26:36,736 WE'LL CROSS-COMPLAIN, FALSE ARREST, AND BRUTALITY. 576 00:26:38,774 --> 00:26:41,387 NO I.D. ON THAT HOTEL PERSHING MURDER SUSPECT, WRONG GUY. 577 00:26:41,411 --> 00:26:43,124 THEN LET'S GET PEOPLE BACK TO THAT AREA. 578 00:26:43,148 --> 00:26:45,829 RAY, WE FOUND THE STOLEN SEDAN, 116TH AND FREDERICK 579 00:26:45,853 --> 00:26:47,865 WITH A POLICE UNIFORM STUFFED UNDER THE SEAT. 580 00:26:47,889 --> 00:26:49,968 - OUR HIT MAN. - MUST HAVE SWITCHED CARS. 581 00:26:49,992 --> 00:26:52,138 ANY DESCRIPTION? ANY WITNESS AT THE SWITCH? 582 00:26:52,162 --> 00:26:54,242 NO, WE'RE CANVASSING. 583 00:26:54,266 --> 00:26:56,445 SERGEANT, THE MENDLEY SHOOTER 584 00:26:56,469 --> 00:26:58,750 ABANDONED THE CAR AT 116TH AND FREDERICK. 585 00:26:58,774 --> 00:27:00,017 OKAY, I'LL PUT IT UP. 586 00:27:00,041 --> 00:27:01,787 AND PUT ANY AVAILABLE UNIFORMS 587 00:27:01,811 --> 00:27:04,125 BACK ON THE HOTEL PERSHING PERIMETER. 588 00:27:04,149 --> 00:27:05,693 WE DON'T HAVE ANYBODY LEFT, LIEUTENANT, 589 00:27:05,717 --> 00:27:07,218 I'LL HAVE TO CALL THE HEIGHTS. 590 00:27:10,926 --> 00:27:14,641 I PICKED UP THE CALL ON MY CAR RADIO. 591 00:27:14,665 --> 00:27:17,179 YOU GOTTA GIVE HIM MARKS FOR VIRILE PLUMBING, FRANK. 592 00:27:17,203 --> 00:27:19,215 GO AFTER THE GUY IN A POLICE STATION 593 00:27:19,239 --> 00:27:20,818 IN BROAD DAYLIGHT! 594 00:27:20,842 --> 00:27:24,223 - EVERYTHING UNDER CONTROL? - NOTHING'S UNDER CONTROL! 595 00:27:24,247 --> 00:27:26,126 I HAVE TO KNOW WHAT YOUR PLAN IS. 596 00:27:26,150 --> 00:27:28,730 WHAT PROPOSAL YOU'RE GONNA MAKE TO JUDGE CRUZ, 597 00:27:28,754 --> 00:27:31,434 FRANK, I ASKED YOU TO TRUST ME ON THIS ONE. 598 00:27:31,458 --> 00:27:32,937 OR AREN'T YOU GONNA MAKE ANY PROPOSAL AT ALL? 599 00:27:32,961 --> 00:27:34,406 YOU GONNA WANDER IN THERE AROUND 3:00, 600 00:27:34,430 --> 00:27:36,009 HEM AND HAW ABOUT NOT HAVING ENOUGH TIME, 601 00:27:36,033 --> 00:27:37,644 AND LET JUDGE CRUZ OPEN UP ALL THE CELLS? 602 00:27:37,668 --> 00:27:39,314 FRANK, PUT MICHIGAN AVENUE RIGHT, 603 00:27:39,338 --> 00:27:40,783 THAT'S A $5 MILLION JOB. 604 00:27:40,807 --> 00:27:42,286 BERNSTEIN'S GOT A MILLION AND CHANGE. 605 00:27:42,310 --> 00:27:44,189 NOW, I'M GONNA GET THE MONEY TO FIX THAT PLACE 606 00:27:44,213 --> 00:27:45,324 - ONCE AND FOR ALL. - HOW? 607 00:27:45,348 --> 00:27:47,093 BY LETTING PERPETRATORS ROAM THE STREETS 608 00:27:47,117 --> 00:27:48,996 SO YOU CAN DRAMATIZE A FISCAL SHORTFALL IN BLOOD? 609 00:27:49,020 --> 00:27:49,998 DO YOU WANT A RIOT? 610 00:27:50,022 --> 00:27:51,434 FRANK YOU HAVE GOT TO MOBILIZE 611 00:27:51,458 --> 00:27:53,304 THE PUBLIC'S WILLINGNESS TO ADDRESS THE PROBLEM. 612 00:27:53,328 --> 00:27:55,340 PLEASE, TRUST ME. 613 00:27:55,364 --> 00:27:57,933 - CANDY? - ESTERHAUS. 614 00:28:01,841 --> 00:28:04,643 WE'RE ALL OARS IN THE SAME BOAT, FRANK. 615 00:28:09,720 --> 00:28:12,969 GET ME IRWIN BERNSTEIN. 616 00:28:12,993 --> 00:28:16,841 JOE. 617 00:28:16,865 --> 00:28:20,347 IS THERE SOME PLACE WHERE WE COULD TALK? 618 00:28:20,371 --> 00:28:21,949 I THOUGHT YOU WANTED TO TALK TO SOMEBODY 619 00:28:21,973 --> 00:28:24,053 WHO UNDERSTANDS YOUR PROBLEM. 620 00:28:24,077 --> 00:28:25,822 I HAVE. 621 00:28:25,846 --> 00:28:27,747 THAT'S WHAT I WANT TO TALK TO YOU ABOUT. 622 00:28:46,212 --> 00:28:48,726 I WAS JUST AT THE RAPE CLINIC. 623 00:28:48,750 --> 00:28:50,996 - YEAH? - YEAH. 624 00:28:51,020 --> 00:28:54,168 I'M GOING TO BE GOING THERE FOR A WHILE. 625 00:28:54,192 --> 00:28:57,941 THAT'S GOOD. 626 00:28:57,965 --> 00:29:01,512 THE LADY I'VE BEEN SEEING THERE REALLY KNOWS HER STUFF. 627 00:29:01,536 --> 00:29:03,683 AND SHE TOLD ME THAT SOMETIMES 628 00:29:03,707 --> 00:29:06,922 WHAT HAPPENED TO YOU LAST NIGHT 629 00:29:06,946 --> 00:29:11,062 SOME MEN REACT THAT WAY. 630 00:29:11,086 --> 00:29:12,864 LOOK, I FEEL LIKE ENOUGH OF A JERK ALREADY, 631 00:29:12,888 --> 00:29:14,533 YOU DON'T HAVE TO TELL THE WHOLE WORLD. 632 00:29:14,557 --> 00:29:17,827 JOE, SHE'S MY THERAPIST. 633 00:29:19,933 --> 00:29:22,546 LOOK, WHAT I'M TRYING TO SAY IS 634 00:29:22,570 --> 00:29:26,086 IF WE'RE GONNA... 635 00:29:26,110 --> 00:29:29,492 I FEEL THAT MAYBE I WAS... 636 00:29:29,516 --> 00:29:32,763 I FEEL MAYBE I WASN'T BEING FAIR. 637 00:29:32,787 --> 00:29:35,868 AND IF WE'RE GONNA WORK THIS OUT BETWEEN US, 638 00:29:35,892 --> 00:29:39,875 WE'VE GOT TO WORK IT OUT TOGETHER. 639 00:29:39,899 --> 00:29:42,379 SANDY, I'M NOT SURE HOW I FELT LAST NIGHT 640 00:29:42,403 --> 00:29:45,117 IS GONNA CHANGE THAT EASILY. 641 00:29:45,141 --> 00:29:47,488 JOE, I DON'T WANT TO BE WITH A MAN 642 00:29:47,512 --> 00:29:50,859 WHO FEELS LIKE I'M DAMAGED GOODS EITHER. 643 00:29:50,883 --> 00:29:53,096 BUT I THINK THAT CAN CHANGE, 644 00:29:53,120 --> 00:29:56,535 AND I' WILLING TO CHANCE IT. 645 00:29:56,559 --> 00:29:59,907 ARE YOU? 646 00:29:59,931 --> 00:30:01,665 YEAH. 647 00:30:05,507 --> 00:30:07,653 SO, UH, JOEY, I THOUGHT MAYBE 648 00:30:07,677 --> 00:30:09,517 WE COULD SEE EACH OTHER A LITTLE LATER TONIGHT? 649 00:30:14,854 --> 00:30:18,437 WHAT? 650 00:30:18,461 --> 00:30:22,210 WHAT IF I, UH, YOU KNOW, STILL CAN'T? 651 00:30:22,234 --> 00:30:25,415 DON'T YOU WORRY. 652 00:30:25,439 --> 00:30:28,119 IT'LL HAPPEN WHEN IT HAPPENS. 653 00:30:28,143 --> 00:30:31,124 AND WHAT IF IT DOESN'T? 654 00:30:31,148 --> 00:30:34,096 WE'LL WORRY ABOUT IT THEN. 655 00:30:34,120 --> 00:30:37,067 IS THAT YOU TALKING OR YOUR THERAPIST? 656 00:30:37,091 --> 00:30:41,207 THAT PART'S ALL ME. 657 00:30:41,231 --> 00:30:43,111 I REALLY CARE FOR YOU, JOE. 658 00:30:43,135 --> 00:30:45,035 I WANT US TO TRY. 659 00:30:48,909 --> 00:30:52,592 IF YOU DON'T WANT TO TRY, YOU JUST TELL ME, I'LL GO. 660 00:30:52,616 --> 00:30:55,830 NO, NO, DON'T. 661 00:30:55,854 --> 00:30:57,788 I MEAN, I WANT TO. I WANT TO SEE YOU TONIGHT. 662 00:31:02,999 --> 00:31:06,448 I THINK WE GOT A SHOT, JOE. 663 00:31:06,472 --> 00:31:08,706 AT LEAST WE'VE GOT THAT MUCH. 664 00:31:23,131 --> 00:31:24,677 SLOW DOWN, PAL, YOU DON'T WANT TO MISS 665 00:31:24,701 --> 00:31:26,480 ANY OF THESE POTHOLES. 666 00:31:26,504 --> 00:31:27,782 I THINK YOU BETTER CALL DARYL ANN, 667 00:31:27,806 --> 00:31:29,851 TELL HER IT'D BE A GOOD NIGHT TO HAVE A HEADACHE. 668 00:31:29,875 --> 00:31:31,588 THANKS A LOT, BOB. 669 00:31:31,612 --> 00:31:34,193 I'M STANDING ON DEATH'S DOOR WITH MY FINGER ON THE BELL 670 00:31:34,217 --> 00:31:36,229 AND YOU'RE CASTING DISPERSIONS ON MY MANHOOD. 671 00:31:36,253 --> 00:31:37,698 AH. 672 00:31:37,722 --> 00:31:38,900 WHAT'S THAT? 673 00:31:38,924 --> 00:31:40,536 OH, COME ON, THERE'S A KILLER ON THE LOOSE, 674 00:31:40,560 --> 00:31:42,138 YOU DON'T WANT TO BE WRITING NO TRAFFIC VIOLATIONS. 675 00:31:42,162 --> 00:31:45,276 LOOKS LIKE A RENTAL. 676 00:31:45,300 --> 00:31:48,683 PLEASE, PLEASE, PLEASE WATCH THE BRAKES, PLEASE. 677 00:31:48,707 --> 00:31:51,086 WATCH THE BRAKES. 678 00:31:51,110 --> 00:31:52,589 THIS IS AWFUL. 679 00:31:52,613 --> 00:31:54,291 I'VE NEVER HAD AN ACCIDENT BEFORE. 680 00:31:54,315 --> 00:31:56,261 LISTEN, I'VE GOT ALL THE PAPERS THAT ARE NECESSARY. 681 00:31:56,285 --> 00:31:57,363 - GIVE YOU MY NAME AND ADDRESS. - THAT'S ALL RIGHT. 682 00:31:57,387 --> 00:31:58,765 NO, NO, I DON'T NEED YOUR ADDRESS. 683 00:31:58,789 --> 00:31:59,899 - WELL, ARE YOU SURE? - I'M SURE, THE CAR'S FINE. 684 00:31:59,923 --> 00:32:01,236 WHY DON'T WE JUST LEAVE IT AT THAT? 685 00:32:01,260 --> 00:32:02,738 CAN I HAVE BOTH YOUR LICENSE AND REGISTRATION PLEASE? 686 00:32:02,762 --> 00:32:04,708 OFFICER, THAT WON'T BE NECESSARY. 687 00:32:04,732 --> 00:32:06,043 THE WOMAN AND I CAN WORK IT OUT BETWEEN OURSELVES. 688 00:32:06,067 --> 00:32:07,546 - HERE YOU ARE. - THIS IS A RENTAL CAR, SIR. 689 00:32:07,570 --> 00:32:09,616 THE COMPANY REQUIRES A POLICE REPORT. 690 00:32:09,640 --> 00:32:10,951 - ALSO, LET ME HAVE... - OH, ALL RIGHT. 691 00:32:10,975 --> 00:32:12,920 I'LL GET THE PAPERS OUT OF THE GLOVE COMPARTMENT. 692 00:32:12,944 --> 00:32:14,223 OFFICER, IT'S MY FAULT. 693 00:32:14,247 --> 00:32:15,892 - CURRENT ADDRESS, MA'AM? - YES, IT IS. 694 00:32:15,916 --> 00:32:17,128 - HEY! - I KNOW THE RENTAL CAR'S... 695 00:32:17,152 --> 00:32:18,731 HEY, BUD! HEY, STOP! 696 00:32:18,755 --> 00:32:20,422 ♪♪ 697 00:32:23,729 --> 00:32:27,478 BOY, HE WAS IN A HURRY! 698 00:32:27,502 --> 00:32:30,048 THIS IS 2202 IN PURSUIT OF A POSSIBLE STOLEN VEHICLE. 699 00:32:30,072 --> 00:32:31,752 BEIGE IN COLOR, 700 00:32:31,776 --> 00:32:34,757 WESTBOUND ON COPE AND 115TH STREET. 701 00:32:34,781 --> 00:32:36,981 2202, WE COPY. 702 00:32:39,922 --> 00:32:41,790 ROGER, 1503. 703 00:32:47,066 --> 00:32:49,034 GO, GET ON HIS BACK, MAN. 704 00:32:58,552 --> 00:33:00,954 WHOA, MAN. THIS IS HURTING ME, PAL. 705 00:33:02,057 --> 00:33:04,137 GOD BLESS YOU, MAN. 706 00:33:04,161 --> 00:33:05,171 SLIDE, MAN! 707 00:33:05,195 --> 00:33:07,431 RIGHT, RIGHT, RIGHT! 708 00:33:13,208 --> 00:33:14,942 STRONG LEFT, STRONG LEFT. 709 00:33:25,529 --> 00:33:26,529 HE'S GOT A GUN! 710 00:33:33,842 --> 00:33:35,788 NORTH SIDE OF DECKER AND 136TH. 711 00:33:35,812 --> 00:33:36,923 WE HAVE A SUSPECT DOWN. 712 00:33:36,947 --> 00:33:39,015 WE NEED AN AMBULANCE HERE IMMEDIATELY. 713 00:33:54,341 --> 00:33:56,888 WE CAN'T KEEP PRISONERS MORE THAN A MONTH IN AN ARMORY, 714 00:33:56,912 --> 00:33:58,691 I DON'T CARE HOW MANY PORTA POTTIES WE BRING IN. 715 00:33:58,715 --> 00:34:00,694 JUDGE, THE ARMORY'S ONLY STEP "A" 716 00:34:00,718 --> 00:34:02,264 TO GIVE US A LEG UP ON STEP "B." 717 00:34:02,288 --> 00:34:03,899 WHICH IS THE MICHIGAN AVENUE RENOVATION. 718 00:34:03,923 --> 00:34:05,369 CORRECT. 719 00:34:05,393 --> 00:34:06,437 WHICH YOU DON'T YET HAVE FUNDING FOR. 720 00:34:06,461 --> 00:34:08,307 WE'VE GOT 1,100,000. 721 00:34:08,331 --> 00:34:10,109 FOR A $5 MILLION JOB. 722 00:34:10,133 --> 00:34:12,681 PLEASE, JUDGE, WE ARE MAKING A GOOD-FAITH EFFORT. 723 00:34:12,705 --> 00:34:14,115 AND I AM TOO, MR. BERNSTEIN. 724 00:34:14,139 --> 00:34:16,253 ONLY I HAPPEN TO TAKE SERIOUSLY THE PROPOSITION 725 00:34:16,277 --> 00:34:18,189 THAT PEOPLE ARE INNOCENT 'TIL PROVEN GUILTY. 726 00:34:18,213 --> 00:34:20,025 SO WHEN I TOUR A DESPERATELY OVERCROWDED 727 00:34:20,049 --> 00:34:22,162 AND UNDERSTAFFED MICHIGAN AVENUE AND I SEE HUNDREDS OF MEN... 728 00:34:22,186 --> 00:34:24,300 WHO HAVE BEEN ARRESTED FOR CRIMES. 729 00:34:24,324 --> 00:34:26,936 BUT WHO ARE NOT YET CONVICTED OF ANYTHING, SIR. 730 00:34:26,960 --> 00:34:29,908 EXCEPT MAYBE BEING TOO POOR TO MAKE BAIL. 731 00:34:29,932 --> 00:34:32,144 AND WHEN I SEE THE PHYSICAL BRUTALITY, 732 00:34:32,168 --> 00:34:33,981 THE UNSANITARY AND INDECENT CONDITIONS 733 00:34:34,005 --> 00:34:35,317 BROUGHT ABOUT BY THIS OVERCROWDING... 734 00:34:35,341 --> 00:34:37,754 CAPTAIN, MAY I ASK YOU WHAT LIFE WAS LIKE 735 00:34:37,778 --> 00:34:39,089 IN YOUR STATION HOUSE THIS MORNING? 736 00:34:39,113 --> 00:34:40,626 INTOLERABLE. 737 00:34:40,650 --> 00:34:42,228 THAT'S WHAT THE MEN IN THE MICHIGAN AVENUE COMPLEX 738 00:34:42,252 --> 00:34:44,131 HAVE BEEN LIVING LIKE EVERY DAY. 739 00:34:44,155 --> 00:34:46,802 JUDGE, WOULD YOU RATHER INCARCERATE 740 00:34:46,826 --> 00:34:48,972 THE ENTIRE CITIZENRY OF MY PRECINCT? 741 00:34:48,996 --> 00:34:50,040 NO. 742 00:34:50,064 --> 00:34:51,776 WELL, THE PEOPLE LIVING ON THE HILL 743 00:34:51,800 --> 00:34:53,212 ARE EVERY BIT AS TRAPPED BY POVERTY 744 00:34:53,236 --> 00:34:54,781 AS THOSE MEN YOU'RE TALKING ABOUT. 745 00:34:54,805 --> 00:34:56,150 AND TO HAVE THEM ENDANGERED 746 00:34:56,174 --> 00:34:58,053 IN THE CONDUCT OF THEIR NORMAL LIVES, 747 00:34:58,077 --> 00:35:00,891 I MEAN, TO TURN MY PRECINCT INTO ONE BIG BLOATED JAIL 748 00:35:00,915 --> 00:35:02,327 IN WHICH THE INNOCENT ARE ENTRAPPED 749 00:35:02,351 --> 00:35:03,596 ALONG WITH THE LAWLESS... 750 00:35:03,620 --> 00:35:05,332 THAT CLEARLY WAS NOT MY INTENTION, CAPTAIN... 751 00:35:05,356 --> 00:35:06,567 BUT THAT'S THE RESULT! 752 00:35:06,591 --> 00:35:08,069 MY HOMICIDES AND RAPES HAVE DOUBLED. 753 00:35:08,093 --> 00:35:10,340 AND THIS MORNING, A 14-YEAR-OLD GIRL WAS MURDERED 754 00:35:10,364 --> 00:35:11,909 IN ONE OF THOSE STREET KIDS FLOP HOUSES 755 00:35:11,933 --> 00:35:14,346 THAT WAS LITERALLY INUNDATED BY PAROLEES. 756 00:35:14,370 --> 00:35:15,715 I MEAN, NOT TO MENTION THE HIT MAN 757 00:35:15,739 --> 00:35:16,817 WHO WAS ABLE TO COMMIT A MURDER 758 00:35:16,841 --> 00:35:18,387 RIGHT INSIDE OUR OWN STATION HOUSE. 759 00:35:18,411 --> 00:35:21,090 I LOVE THIS. I LOVE THIS CRITICISM. 760 00:35:21,114 --> 00:35:23,995 CRUZ FINDS INHUMANE CONDITIONS, SO CRUZ IS A BIG SOFTIE. 761 00:35:24,019 --> 00:35:25,264 THE MINORITY SOFTIE. 762 00:35:25,288 --> 00:35:27,200 DON'T JUST BLAME THE RELEASES ON CRUZ, 763 00:35:27,224 --> 00:35:28,836 BLAME THE OVERCROWDING TOO. 764 00:35:28,860 --> 00:35:30,706 BLAME SOME HIT MAN ON CRUZ. 765 00:35:30,730 --> 00:35:31,941 'CAUSE CRUZ HAPPENS TO REMEMBER 766 00:35:31,965 --> 00:35:33,778 THE U.S. CONSTITUTIONAL PROHIBITION 767 00:35:33,802 --> 00:35:35,380 AGAINST CRUEL AND UNUSUAL PUNISHMENTS. 768 00:35:35,404 --> 00:35:37,683 JUDGE, I'M NOT QUESTIONING YOUR RECORD, 769 00:35:37,707 --> 00:35:39,987 AND I UNDERSTAND YOUR NEED TO PROTECT THE PRISONS, 770 00:35:40,011 --> 00:35:41,990 BUT PLEASE KNOW THAT YOUR VICTORY 771 00:35:42,014 --> 00:35:44,918 ON MICHIGAN AVENUE IS MY DEFEAT ON THE HILL. 772 00:35:50,728 --> 00:35:53,042 CHIEF, IN THE COMING DAYS, 773 00:35:53,066 --> 00:35:54,845 CAN I EXPECT YOUR GOOD-FAITH SUPPORT 774 00:35:54,869 --> 00:35:56,781 AND ADVOCACY FOR MICHIGAN AVENUE FUNDING? 775 00:35:56,805 --> 00:35:58,016 OF COURSE, JUDGE. 776 00:35:58,040 --> 00:36:00,822 AND IF I STATE MY ORDER TO RELEASE, 777 00:36:00,846 --> 00:36:02,390 THERE WILL BE NO SUBSIDING IN YOUR EFFORT 778 00:36:02,414 --> 00:36:03,892 TO RAISE THIS REMAINING 3.9? 779 00:36:03,916 --> 00:36:06,363 NONE, WHATEVER. 780 00:36:06,387 --> 00:36:09,769 WELL, I'M CERTAINLY NOT OPPOSED TO COMPROMISE. 781 00:36:09,793 --> 00:36:11,839 SHALL WE GO THROUGH SECTION "B" AGAIN, GENTLEMEN, 782 00:36:11,863 --> 00:36:14,877 ON THE ASSUMPTION, SAVE A TWO-WEEK GRACE PERIOD 783 00:36:14,901 --> 00:36:17,035 WITH THE JACKSON ARMORY PRESSED INTO USE? 784 00:36:21,111 --> 00:36:23,992 CONGRATULATIONS, MEN. 785 00:36:24,016 --> 00:36:26,362 PULLED A LITTLE FAST ONE ON ME, DID YOU, FRANK? 786 00:36:26,386 --> 00:36:27,764 ALL OARS IN THE SAME BOAT, CHIEF. 787 00:36:27,788 --> 00:36:30,067 ALL PULLING IN THE SAME DIRECTION. 788 00:36:30,091 --> 00:36:33,072 SPEAKING OF WHICH, LET ME LIGHTEN YOUR LOAD SOME. 789 00:36:33,096 --> 00:36:36,111 TAKE THAT MENDLEY THING OFF YOUR HANDS. 790 00:36:36,135 --> 00:36:38,949 ADMITTEDLY, I HAVE A SPECIAL INTEREST IN THE CASE. 791 00:36:38,973 --> 00:36:40,752 IT'S ALSO A PRACTICAL FACT 792 00:36:40,776 --> 00:36:42,454 THAT YOU CAN'T PUT THE HORSES THE DIVISION CAN 793 00:36:42,478 --> 00:36:44,157 ON THIS SORT OF INVESTIGATION. 794 00:36:44,181 --> 00:36:45,426 TRUE. 795 00:36:45,450 --> 00:36:47,897 I'LL HAVE PROPERTY TRANSFER THOSE TAPES DOWNTOWN. 796 00:36:47,921 --> 00:36:50,467 YEAH, WELL, UH, THERE'S PROBABLY NO TRUTH 797 00:36:50,491 --> 00:36:52,470 TO THOSE THREATS HE MADE ANYWAY. 798 00:36:52,494 --> 00:36:53,472 WHO? 799 00:36:53,496 --> 00:36:55,175 MENDLEY. 800 00:36:55,199 --> 00:36:56,945 HE PROBABLY DOESN'T REALLY HAVE COPIES OF THOSE TAPES. 801 00:36:56,969 --> 00:36:58,447 COPIES? 802 00:36:58,471 --> 00:37:01,206 PROBABLY JUST BLOWING SMOKE. 803 00:37:11,091 --> 00:37:12,402 HILL AND RENKO WERE IN A SHOOTOUT. 804 00:37:12,426 --> 00:37:13,939 - ARE THEY ALL RIGHT? - THE GUY'S DEAD. 805 00:37:13,963 --> 00:37:15,207 THEY'VE I.D.'D HIM AS THE MENDLEY SHOOTER. 806 00:37:15,231 --> 00:37:16,643 PRO OUT OF ROCHESTER. 807 00:37:16,667 --> 00:37:18,412 I'M CROSSCHECKING WHITNEY'S LISTS. 808 00:37:18,436 --> 00:37:20,683 SEE IF MAYBE SHE HAD A JOHN FROM UPSTATE NEW YORK. 809 00:37:20,707 --> 00:37:23,454 UH, NO, HENRY. 810 00:37:23,478 --> 00:37:25,290 - WE'RE OFF THIS ONE. - WHAT? 811 00:37:25,314 --> 00:37:26,726 CHIEF WANTS DIVISION TO HANDLE IT. 812 00:37:26,750 --> 00:37:28,729 - HE'LL BURY IT! - NO, IT'S NOT POSSIBLE. 813 00:37:28,753 --> 00:37:29,931 THERE'S TOO MUCH MEDIA COVERAGE. 814 00:37:29,955 --> 00:37:31,734 BESIDES, DO WE HAVE SIX DETECTIVES 815 00:37:31,758 --> 00:37:33,203 TO PUT ON TWO HOMICIDES? 816 00:37:33,227 --> 00:37:34,205 OF COURSE NOT. 817 00:37:34,229 --> 00:37:35,708 LOOK, HENRY, 818 00:37:35,732 --> 00:37:36,976 WHITNEY BARNES IS DEAD, LESTER MENDLEY'S DEAD, 819 00:37:37,000 --> 00:37:38,444 THE GUY WHO KILLED THEM BOTH IS DEAD. 820 00:37:38,468 --> 00:37:40,782 WHATEVER HAPPENS, THIS CASE DOESN'T MAKE ON THE HILL. 821 00:37:40,806 --> 00:37:42,819 YEAH. 822 00:37:42,843 --> 00:37:45,355 - BUT I... - BUT? 823 00:37:45,379 --> 00:37:47,793 I LIKED HER, WHITNEY. 824 00:37:47,817 --> 00:37:50,030 WELL, I'D LIKE TO SEE US GET UP TO SPEED 825 00:37:50,054 --> 00:37:52,167 ON THIS, UH, HOTEL PERSHING HOMICIDE, OKAY? 826 00:37:52,191 --> 00:37:54,370 NOTHING WHEN WE RESUMED THE PERIMETER SEARCH. 827 00:37:54,394 --> 00:37:56,373 FOUND THE GIRLS NAME ON A RUNAWAYS LIST. 828 00:37:56,397 --> 00:38:00,781 I DON'T THINK THAT ONE'S GONNA MAKE ON THE HILL EITHER. 829 00:38:00,805 --> 00:38:03,919 - LIEUTENANT. - HI. 830 00:38:03,943 --> 00:38:05,288 EVERYONE'S TALKING ABOUT YOU 831 00:38:05,312 --> 00:38:07,058 DOWN AT THE P.D.'S OFFICE, FURILLO. 832 00:38:07,082 --> 00:38:08,460 OH, ANYTHING WORTH REPEATING? 833 00:38:08,484 --> 00:38:10,463 THEY THINK YOU'RE OKAY. 834 00:38:10,487 --> 00:38:12,232 ME TOO. 835 00:38:12,256 --> 00:38:15,126 - TO WHAT? - HOTEL WARWICK. 836 00:38:16,864 --> 00:38:18,409 I'LL HAVE TO MEET YOU THERE. 837 00:38:18,433 --> 00:38:19,844 FURILLO... 838 00:38:19,868 --> 00:38:24,485 I... WE HAVE ESTERHAUS' SCATTERING. 839 00:38:24,509 --> 00:38:28,726 - WHAT TIME? - 11:00. 840 00:38:28,750 --> 00:38:31,151 WHAT I HAD IN MIND WON'T TAKE THAT LONG. 841 00:38:39,100 --> 00:38:41,847 JOE, I OWE YOU AN APOLOGY. 842 00:38:41,871 --> 00:38:43,382 WHICH ONE? 843 00:38:43,406 --> 00:38:44,985 WELL, I FOUND OUT THAT THIS MEMO 844 00:38:45,009 --> 00:38:46,287 CAME OUT OF DIVISION THIS MORNING. 845 00:38:46,311 --> 00:38:49,158 IT'S ABOUT MY PROMOTION. 6:00 A.M. IT CAME OUT. 846 00:38:49,182 --> 00:38:51,863 ANYBODY COULD HAVE SEEN IT AND JUST PASSED THE WORD ALONG. 847 00:38:51,887 --> 00:38:53,532 SO? 848 00:38:53,556 --> 00:38:57,538 SO, I'M SORRY, AND I ACTED LIKE A JERK. 849 00:38:57,562 --> 00:38:58,807 FORGET IT. 850 00:38:58,831 --> 00:39:00,476 HOW DO YOU LIKE IT SO FAR? 851 00:39:00,500 --> 00:39:02,068 CAN'T GET ENOUGH OF IT. 852 00:39:11,886 --> 00:39:13,787 ARGH! 853 00:39:19,431 --> 00:39:20,910 ALL RIGHT, THAT'S IT! 854 00:39:20,934 --> 00:39:23,147 ONE PRISONER AT A TIME GOES OUT TO THE BUS! 855 00:39:23,171 --> 00:39:26,418 ALL OTHER PRISONERS STAY CUFFED OR IN A CELL. 856 00:39:26,442 --> 00:39:28,823 PEYSER, JACKSON, I WANT MORE UNIFORMS UP HERE 857 00:39:28,847 --> 00:39:30,826 TO HELP OUT THE KHAKI OFFICERS. 858 00:39:30,850 --> 00:39:32,228 BOOK THIS MARONE ON OBSTRUCTING! 859 00:39:32,252 --> 00:39:34,331 - GET UP. - TO ALL PRISONERS, 860 00:39:34,355 --> 00:39:37,870 IF THERE IS ANY MORE TROUBLE HERE AT ALL, 861 00:39:37,894 --> 00:39:39,239 I'M GONNA TACK ON AN OBSTRUCTING. 862 00:39:39,263 --> 00:39:42,978 THAT'S 30 DAYS EXTRA FOR SURE. 863 00:39:43,002 --> 00:39:44,703 THAT'S IT. 864 00:39:48,211 --> 00:39:49,189 YEAH. 865 00:39:49,213 --> 00:39:51,827 HEY. 866 00:39:51,851 --> 00:39:53,517 I, UM... 867 00:39:56,390 --> 00:40:00,195 I JUST WANTED TO TELL YOU YOU JUST DID A GOOD JOB, SARGE. 868 00:40:15,955 --> 00:40:18,024 THE FISH WAS TERRIFIC, THANK YOU. 869 00:40:32,315 --> 00:40:36,098 SO. 870 00:40:36,122 --> 00:40:38,368 REALLY TAKING KARATE LESSONS, HUH? 871 00:40:38,392 --> 00:40:41,306 WELL, I'VE BEEN MUGGED TWICE IN THE LAST TWO YEARS. 872 00:40:41,330 --> 00:40:44,912 WHAT'S WRONG WITH WANTING TO DEFEND YOURSELF? 873 00:40:44,936 --> 00:40:46,347 MAYBE NOT TRYING SAVED YOUR LIFE. 874 00:40:46,371 --> 00:40:49,286 OR MAYBE NEXT TIME I WON'T BE SO LUCKY. 875 00:40:49,310 --> 00:40:50,553 YOU KNOW, AT LEAST WITH THE KARATE, 876 00:40:50,577 --> 00:40:52,391 I'LL HAVE THE OPTION. 877 00:40:52,415 --> 00:40:54,627 BESIDES, I... I KIND OF LIKE IT, YOU KNOW? 878 00:40:54,651 --> 00:40:57,232 AND IT MAKES ME FEEL SEXY. 879 00:40:57,256 --> 00:41:01,905 GREAT, YOU CAN CRUNCH A BRICK IN BED. 880 00:41:01,929 --> 00:41:03,107 THAT SOUNDS LIKE SOMETHING YOU'D SAY 881 00:41:03,131 --> 00:41:06,501 FIVE YEARS INTO A BAD MARRIAGE. 882 00:41:07,839 --> 00:41:10,553 SORRY. 883 00:41:10,577 --> 00:41:13,925 IT'S JUST THAT I FEEL LIKE EVER SINCE WE'VE BEEN TOGETHER, 884 00:41:13,949 --> 00:41:15,561 YOU'VE BEEN TRYING TO MAKE ME 885 00:41:15,585 --> 00:41:18,967 INTO SOMETHING I'M NOT. 886 00:41:18,991 --> 00:41:19,968 I DON'T LIKE IT. 887 00:41:19,992 --> 00:41:21,938 I'M NOT TRYING TO CHANGE YOU. 888 00:41:21,962 --> 00:41:23,374 OKAY. 889 00:41:23,398 --> 00:41:25,444 BUT THE FACT IS, AND YOU KNOW THIS, 890 00:41:25,468 --> 00:41:28,648 EVERY TIME WE START TO MAKE LOVE, 891 00:41:28,672 --> 00:41:30,385 SOMETHING IN YOUR HEAD GOES CLICK, 892 00:41:30,409 --> 00:41:32,989 AND SUDDENLY YOU'RE A MILLION MILES AWAY. 893 00:41:33,013 --> 00:41:34,959 YOU KNOW, SOMETIMES I FEEL LIKE I'M ALONE IN THE BED. 894 00:41:34,983 --> 00:41:36,895 YOU KIDDING, THERE'S YOU, THERE'S ME, 895 00:41:36,919 --> 00:41:39,632 THERE'S RACHAEL, FRANK, FOUR KIDS. 896 00:41:39,656 --> 00:41:41,202 I MEAN, IT'S A COMPLEX NEGOTIATION 897 00:41:41,226 --> 00:41:43,473 JUST TRYING TO FIND A PLACE TO GO TO BED TOGETHER. 898 00:41:43,497 --> 00:41:46,544 AND THEN WHEN WE DO DO IT, WE NEVER SEEM TO GET TO IT. 899 00:41:46,568 --> 00:41:49,181 I MEAN, AFTER... AFTER GETTING PAST KIDS KNOCKING ON THE DOOR 900 00:41:49,205 --> 00:41:50,484 LOOKING FOR A GLASS OF WATER, 901 00:41:50,508 --> 00:41:53,088 OR BABIES NEEDING TO BE FED. 902 00:41:53,112 --> 00:41:56,193 I FEEL SICK, I FEEL ANGRY AND TIRED, 903 00:41:56,217 --> 00:41:58,963 AND THE LAST THING I FEEL IS SEXY. 904 00:41:58,987 --> 00:42:01,801 HENRY, WE ARE ADULTS. 905 00:42:01,825 --> 00:42:03,938 WE BRING ADULT BAGGAGE TO OUR RELATIONSHIP. 906 00:42:03,962 --> 00:42:07,477 DO NOT LECTURE ME, FAY. 907 00:42:07,501 --> 00:42:08,946 ALL I'M TRYING TO TELL YOU 908 00:42:08,970 --> 00:42:12,285 IS THAT AFTER A LOT OF YEARS OF BEING A GOOD GUY, 909 00:42:12,309 --> 00:42:13,887 A GOOD FRIED, A GOOD HUSBAND, 910 00:42:13,911 --> 00:42:16,192 ALWAYS TRYING TO FIND OUT WHAT THE OTHER PERSON NEEDS, 911 00:42:16,216 --> 00:42:18,062 I'M BEGINNING... 912 00:42:18,086 --> 00:42:20,966 TO GET A LITTLE BIT MORE 913 00:42:20,990 --> 00:42:22,869 SELFISH ABOUT WHAT I NEED. 914 00:42:22,893 --> 00:42:24,505 AND WHAT I NEED 915 00:42:24,529 --> 00:42:28,010 IS FOR THINGS TO BE A LOT EASIER. 916 00:42:28,034 --> 00:42:30,147 YOU WANT EASY? 917 00:42:30,171 --> 00:42:31,605 TRY A PROSTITUTE. 918 00:42:34,878 --> 00:42:36,813 OH, BOY. 919 00:42:38,819 --> 00:42:41,632 YOU'RE REALLY FIXATED ON THAT. 920 00:42:41,656 --> 00:42:43,535 DIDN'T YOU? 921 00:42:43,559 --> 00:42:45,071 THAT WAS JUST A FANTASY. 922 00:42:45,095 --> 00:42:47,742 I MEAN, IF YOU WANT REAL LIFE, I'M YOUR GIRL. 923 00:42:47,766 --> 00:42:48,844 BUT IF YOU WANT A FANTASY... 924 00:42:48,868 --> 00:42:51,582 COME ON, FAY. 925 00:42:51,606 --> 00:42:54,820 IT'S NOT THAT EASY, AND YOU KNOW IT. 926 00:42:54,844 --> 00:42:57,024 I HAVE MY BAGGAGE. 927 00:42:57,048 --> 00:42:59,495 I HAVE MY STRETCH MARKS. 928 00:42:59,519 --> 00:43:01,732 I AM TOO OLD TO START APOLOGIZING 929 00:43:01,756 --> 00:43:03,957 FOR WHAT I CAN'T CHANGE. 930 00:43:07,731 --> 00:43:10,779 WHAT DO WE DO NOW? 931 00:43:10,803 --> 00:43:13,817 I DON'T KNOW. 932 00:43:13,841 --> 00:43:16,656 MAYBE WE OUGHT TO... 933 00:43:16,680 --> 00:43:19,426 NOT SEE EACH OTHER FOR A WHILE. 934 00:43:19,450 --> 00:43:22,598 SOUNDS RIGHT TO ME. 935 00:43:22,622 --> 00:43:24,390 ♪♪ 936 00:43:28,532 --> 00:43:31,046 IF IT'S SO RIGHT, 937 00:43:31,070 --> 00:43:33,137 WHY DO I FEEL SO LOUSY? 938 00:44:07,495 --> 00:44:08,940 SORRY. 939 00:44:08,964 --> 00:44:10,876 THIS EVERYONE? 940 00:44:10,900 --> 00:44:12,379 HOWARD? 941 00:44:12,403 --> 00:44:14,682 WE HAVE LARGE AGGREGATE PARTICLES HERE, FRANK, 942 00:44:14,706 --> 00:44:16,118 WITH A HIGH ADHESION FACTOR. 943 00:44:16,142 --> 00:44:19,490 WE MAY HAVE A PROBLEM GETTING A UNIFORM DISTRIBUTION. 944 00:44:19,514 --> 00:44:21,192 WHAT'S HE TALKING ABOUT? 945 00:44:21,216 --> 00:44:24,131 - SARGE IS A LITTLE GRITTY. - OH. 946 00:44:24,155 --> 00:44:26,100 PUTTING HIM IN THE STREET LIKE THIS, 947 00:44:26,124 --> 00:44:28,672 I DON'T KNOW. 948 00:44:28,696 --> 00:44:30,775 IN THIS CITY, THE COP BELONGS IN THE STREET. 949 00:44:30,799 --> 00:44:32,767 IT'S HIS HOME. 950 00:44:45,790 --> 00:44:47,691 RAY. 951 00:44:58,811 --> 00:45:00,189 GOODBYE, PHIL, 952 00:45:00,213 --> 00:45:02,147 MY GOOD FRIEND. 953 00:45:10,663 --> 00:45:12,876 I DON'T KNOW, PHIL. 954 00:45:12,900 --> 00:45:15,046 UH... 955 00:45:15,070 --> 00:45:16,838 KEEP IN TOUCH. 956 00:45:30,127 --> 00:45:32,441 LEO. 957 00:45:32,465 --> 00:45:34,566 NO, NO. 958 00:45:38,942 --> 00:45:40,588 HOME IS THE SAILOR, 959 00:45:40,612 --> 00:45:43,926 HOME FROM THE SEA, PHIL. 960 00:45:43,950 --> 00:45:46,062 AND THE HUNTER... 961 00:45:46,086 --> 00:45:47,854 HOME FROM THE HILL. 962 00:46:04,716 --> 00:46:06,484 SO LONG, SARGE. 963 00:46:58,837 --> 00:47:00,604 ♪♪ 964 00:47:08,019 --> 00:47:10,621 PHIL. 64527

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