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1
00:00:01,335 --> 00:00:02,946
GIVE ME AN ORDER, LIEUTENANT.
2
00:00:02,970 --> 00:00:04,581
KISS ME, NURSE WOLFOWITZ.
3
00:00:04,605 --> 00:00:07,017
PREVIOUSLY ON
HILL STREET BLUES...
4
00:00:07,041 --> 00:00:08,385
THE OFFICER GOES
INTO THE CELL...
5
00:00:08,409 --> 00:00:09,586
AND THEN HE CHOKES HIM.
6
00:00:09,610 --> 00:00:11,921
I SWEAR, CAPTAIN, I
NEVER TOUCHED THE GUY.
7
00:00:11,945 --> 00:00:13,857
I'M PREGNANT,
FRANK. PAUL GROGAN.
8
00:00:13,881 --> 00:00:15,258
DO YOU EACH PROMISE TO LOVE
9
00:00:15,282 --> 00:00:16,626
AND COMFORT ONE ANOTHER
10
00:00:16,650 --> 00:00:18,628
IN SICKNESS AS
WELL AS IN HEALTH?
11
00:00:18,652 --> 00:00:20,097
WE WILL. WE DO.
12
00:00:20,121 --> 00:00:22,665
FRANK, HOW COULD
YOU DO THIS TO ME?
13
00:00:22,689 --> 00:00:24,067
WHAT'S THE MATTER, SAL?
14
00:00:24,091 --> 00:00:26,103
HUH? YOU CAN'T HIT SOMEONE
WHEN THEY SAY YOU'RE FUNNY?
15
00:00:26,127 --> 00:00:27,837
♪ DUM DUM-DUM-DUM ♪
16
00:00:27,861 --> 00:00:30,507
HEY! SPOTLIGHT ON RICO.
17
00:00:30,531 --> 00:00:33,210
AND NOW, TONIGHT,
ON HILL STREET BLUES.
18
00:00:33,234 --> 00:00:34,478
YOU'RE GONNA MAKE IT.
19
00:00:34,502 --> 00:00:37,014
YOU'RE IN YOUR 53RD HOUR. AAH!
20
00:00:37,038 --> 00:00:39,082
FRANK, I'M PROCESSING
DETECTIVE BENEDETTO'S
21
00:00:39,106 --> 00:00:40,950
TEMPORARY TRANSFER
TO YOUR PRECINCT.
22
00:00:40,974 --> 00:00:42,452
I THOUGHT YOU AND I
23
00:00:42,476 --> 00:00:43,953
MIGHT TRY LIVING TOGETHER.
24
00:00:43,977 --> 00:00:45,822
I DON'T THINK SO, HOWARD.
25
00:00:45,846 --> 00:00:46,823
EXCUSE ME?
26
00:00:46,847 --> 00:00:48,158
T.J. HAD A KNIFE,
27
00:00:48,182 --> 00:00:50,027
AND HE THREW IT IN
A ROOM WHEN HE RAN.
28
00:00:50,051 --> 00:00:52,029
THE MURDER IN THE
SHELTER, FRANKLIN.
29
00:00:52,053 --> 00:00:53,897
I DON'T KNOW ANYTHING
ABOUT THE MURDER.
30
00:00:53,921 --> 00:00:55,365
I'M A VERY OLD MAN.
31
00:00:55,389 --> 00:00:56,566
COME ON, HOLD THIS THING UP.
32
00:00:56,590 --> 00:00:58,157
I CAN'T SEE THE DAMN TH... OW!
33
00:01:00,494 --> 00:01:03,495
ALL RIGHT. ITEM SIX.
34
00:01:09,469 --> 00:01:12,816
HEY, DIDN'T THAT GUY USED TO
SING BACK-UP FOR FRANKIE VALLI?
35
00:01:12,840 --> 00:01:14,450
WILL SOMEONE CALMLY INFORM LEO
36
00:01:14,474 --> 00:01:16,887
ABOUT THE CONDITION
OF HIS CHARGE?
37
00:01:16,911 --> 00:01:18,054
THANKS, BOBBY.
38
00:01:18,078 --> 00:01:19,923
ALL RIGHT, ITEM SIX, PEOPLE.
39
00:01:19,947 --> 00:01:21,825
NOW, WE'LL JUMP AHEAD
OF POLICE BUSINESS
40
00:01:21,849 --> 00:01:24,561
TO ADDRESS THE CONTENTS
OF YOUR PAY ENVELOPES.
41
00:01:24,585 --> 00:01:26,496
I WISH YOU WOULD.
42
00:01:26,520 --> 00:01:28,164
IN WHICH I HAVE TWO
STATEMENTS TO READ
43
00:01:28,188 --> 00:01:29,900
FROM CITY TREASURER FUZCO.
44
00:01:29,924 --> 00:01:33,036
UH, "THE IRRESPONSIBLE BEHAVIOR
OF CERTAIN CITY COUNCILMEN
45
00:01:33,060 --> 00:01:35,972
"HAS FORCED THE CITY TO
ISSUE PROMISSORY VOUCHERS
46
00:01:35,996 --> 00:01:39,809
IN LIEU OF SALARY CHECKS."
47
00:01:39,833 --> 00:01:42,879
ALL WE DO IS MAKE OURSELVES
MISERABLE CHEWING ON THIS.
48
00:01:42,903 --> 00:01:45,549
EVERY... EVERYTHING I
HEAR SUGGESTS THE IMPASSE
49
00:01:45,573 --> 00:01:48,084
AT CITY COUNCIL
SHOULD BE RESOLVED
50
00:01:48,108 --> 00:01:49,853
IN THE NEXT 24 HOURS.
51
00:01:49,877 --> 00:01:51,655
IN THE MEANTIME, THERE'S A LIST
52
00:01:51,679 --> 00:01:54,390
ON THE UPSTAIRS
BOARD OF SUPERMARKETS
53
00:01:54,414 --> 00:01:57,260
WHICH ARE EXTENDING
CREDIT TO CITY EMPLOYEES.
54
00:01:57,284 --> 00:01:59,696
CHARITY. CHARITY.
55
00:01:59,720 --> 00:02:01,831
ANOTHER PIECE OF
LAWRENCE "BUDDY" GENNETT
56
00:02:01,855 --> 00:02:05,268
HAS SURFACED BEHIND
ANTONIO'S PIZZA DISCO
57
00:02:05,292 --> 00:02:07,704
IN THE FERRY LAST P.M.
58
00:02:07,728 --> 00:02:09,773
NOW, THIS MAKES AN
EVEN DOZEN SEGMENTS
59
00:02:09,797 --> 00:02:11,474
OF MR. GENNETT TO
MAKE GIFT-WRAPPED
60
00:02:11,498 --> 00:02:14,277
POST-MORTEM APPEARANCE.
61
00:02:14,301 --> 00:02:15,845
NOW, SINCE PIECES
THREE, FIVE, AND ELEVEN
62
00:02:15,869 --> 00:02:17,480
SURFACED HERE ON THE HILL,
63
00:02:17,504 --> 00:02:19,515
SAID DISCOVERY MAY HAVE
64
00:02:19,539 --> 00:02:21,685
LOCAL IMPLICATION.
65
00:02:21,709 --> 00:02:23,319
PRESS SPECULATION
ABOUT THE INVOLVEMENT
66
00:02:23,343 --> 00:02:24,921
OF ONE ROLAND SIMONE
67
00:02:24,945 --> 00:02:26,489
OF MID-TOWN NOTWITHSTANDING.
68
00:02:26,513 --> 00:02:28,091
WITH VOUCHERS, BUT IT
WAS PARKED ON THE STREET.
69
00:02:28,115 --> 00:02:29,893
WAS NOT IN THE RED. THERE
WASN'T... THERE WASN'T
70
00:02:29,917 --> 00:02:31,995
SIGNS POSTED ANYWHERE.
71
00:02:32,019 --> 00:02:34,464
IS THIS SOMETHING WE CAN
ALL APPRECIATE, ROBERT?
72
00:02:34,488 --> 00:02:36,121
THEY TOWED HIS CAR AWAY, SIR.
73
00:02:40,961 --> 00:02:44,908
THERE'S A VISIT TODAY
FROM JAMES WILLETT FRAME.
74
00:02:44,932 --> 00:02:46,710
HE'S THE AMERICAN
SALES REPRESENTATIVE
75
00:02:46,734 --> 00:02:50,013
OF COLDWELL AND
LEWISTON ARMORS, LIMITED.
76
00:02:50,037 --> 00:02:52,015
SHOW HIM THE WEAPONS
LINE AT ROLL CALL
77
00:02:52,039 --> 00:02:53,583
SHORTLY AFTER WE ADJOURN.
78
00:02:53,607 --> 00:02:55,885
SIGN UP SHEETS POSTED.
CLEAR YOUR AVAILABILITY.
79
00:02:55,909 --> 00:02:59,222
WITH YOURS TRULY OR
LIEUTENANT CALLETANO.
80
00:02:59,246 --> 00:03:01,791
NOW, THE LIEUTENANT
ANNOUNCES THE DEBUT TODAY
81
00:03:01,815 --> 00:03:04,460
OF OPERATION "COP TIP."
82
00:03:04,484 --> 00:03:06,863
NOW, THIS IS A CITIZEN
PARTICIPATION PROGRAM
83
00:03:06,887 --> 00:03:10,667
UNDERWRITTEN BY
RADIO STATION W.D.P.D.
84
00:03:10,691 --> 00:03:13,202
PAYING $25 A THROW
85
00:03:13,226 --> 00:03:16,106
FOR INFORMATION
LEADING TO ARRESTS.
86
00:03:16,130 --> 00:03:17,907
I UNDERSTAND
87
00:03:17,931 --> 00:03:19,776
OUR PAY SITUATION
88
00:03:19,800 --> 00:03:21,044
WOULD PROMPT
89
00:03:21,068 --> 00:03:23,780
A GLOOMY OUTLOOK,
90
00:03:23,804 --> 00:03:26,750
BUT AS A LAST ITEM,
91
00:03:26,774 --> 00:03:29,819
LET'S NOTE ON THE
OTHER SIDE OF THE LEDGER
92
00:03:29,843 --> 00:03:32,522
THIS WONDERFUL SPRING DAY.
93
00:03:32,546 --> 00:03:34,958
55 DEGREES AT 6:50 AM.
94
00:03:34,982 --> 00:03:37,027
WITH THE PROMISE OF 72.
95
00:03:37,051 --> 00:03:38,862
A CLOUDLESS SKY.
96
00:03:38,886 --> 00:03:41,853
SAP RISING, EVEN IN OLD
TRUNKS LIKE THIS ONE.
97
00:03:43,256 --> 00:03:44,801
NOW, IT'S A GOOD
DAY TO BE ALIVE,
98
00:03:44,825 --> 00:03:47,771
EVEN WITH AN EMPTY PAY ENVELOPE.
99
00:03:47,795 --> 00:03:49,305
OF COURSE, THIS
IMPROVED WEATHER BRINGS
100
00:03:49,329 --> 00:03:51,841
CONCURRENT RISES IN
YOUTHFUL TRANSGRESSIONS,
101
00:03:51,865 --> 00:03:54,811
PUBLIC INTOXICATIONS,
AND STOOPSIDE DRAMA.
102
00:03:54,835 --> 00:03:57,747
PATROLS ARE ADVISED.
103
00:03:57,771 --> 00:03:59,215
ALL RIGHT. THAT'S IT.
104
00:03:59,239 --> 00:04:01,551
LET'S ROLL.
105
00:04:01,575 --> 00:04:05,288
HEY, HEY, HEY-HEY!
106
00:04:05,312 --> 00:04:07,979
LET'S BE CAREFUL OUT THERE.
107
00:04:14,554 --> 00:04:15,598
LOOK, RICO,
108
00:04:15,622 --> 00:04:17,033
NOW, WHERE'S MY
109
00:04:17,057 --> 00:04:18,702
IF I DON'T PICK UP
MY CAR BY 10:00,
110
00:04:18,726 --> 00:04:20,203
THEY'RE GONNA CHARGE
ME FOR AN EXTRA DAY.
111
00:04:20,227 --> 00:04:23,073
BOBBY HILL, DO YOU REALIZE
112
00:04:23,097 --> 00:04:25,141
CAN BE DIRECTLY TRACED
TO THE DISTRACTION
113
00:04:25,165 --> 00:04:27,543
AND INTERRUPTION
OF A DAILY ROUTINE?
114
00:04:27,567 --> 00:04:29,378
BILL, YOUR BOY DOWNSTAIRS
115
00:04:29,402 --> 00:04:30,714
IS HAVING SOME REAL PROBLEMS.
116
00:04:30,738 --> 00:04:32,816
HE'S IN THE HOME STRETCH.
117
00:04:32,840 --> 00:04:34,250
HE'S IN HIS THIRD DAY.
118
00:04:34,274 --> 00:04:35,518
THANK YOU. HE'S GONNA MAKE IT.
119
00:04:35,542 --> 00:04:37,987
YOU KNOW, YOU'RE LIVING
A DREAM-WORLD, PAL.
120
00:04:38,011 --> 00:04:39,723
FIRST TIME THAT KID
BREAKS A SHOELACE,
121
00:04:39,747 --> 00:04:41,424
HE'S RIGHT BACK ON THE STUFF.
122
00:04:41,448 --> 00:04:43,659
HOW'S YOUR GLASS HOUSE, J.D.?
123
00:04:43,683 --> 00:04:45,061
WHAT'S THAT SUPPOSED TO MEAN?
124
00:04:45,085 --> 00:04:46,818
FIGURE IT OUT.
125
00:04:52,893 --> 00:04:54,704
RICO.
126
00:04:54,728 --> 00:04:56,661
HERE. COME ON.
127
00:04:59,366 --> 00:05:01,244
THERE WAS TURTLES.
128
00:05:01,268 --> 00:05:02,912
THEY WAS COMING OUT OF MY CHEST.
129
00:05:02,936 --> 00:05:04,614
THOSE AREN'T REAL.
130
00:05:04,638 --> 00:05:06,371
THESE WERE REAL.
131
00:05:08,876 --> 00:05:10,820
WHOA...
132
00:05:10,844 --> 00:05:12,155
OKAY.
133
00:05:12,179 --> 00:05:13,556
OH, BIG ONES.
134
00:05:13,580 --> 00:05:15,058
OKAY.
135
00:05:15,082 --> 00:05:16,692
NOT LIKE THE CROWN OF WAR.
136
00:05:16,716 --> 00:05:18,061
LIKE THE OCEAN.
137
00:05:18,085 --> 00:05:20,563
IT'S ALL RIGHT. IT'S OKAY.
138
00:05:20,587 --> 00:05:22,565
NO... I DON'T THINK SO, MAN.
139
00:05:22,589 --> 00:05:24,433
I DON'T THINK SO.
140
00:05:24,457 --> 00:05:25,735
YOU'RE GONNA MAKE IT.
141
00:05:25,759 --> 00:05:27,458
YOU'RE IN YOUR 53RD HOUR.
142
00:05:30,063 --> 00:05:32,142
IT HURTS TOO MUCH.
143
00:05:32,166 --> 00:05:34,277
IT... IT'S IN MY BONES.
144
00:05:34,301 --> 00:05:35,801
SHH.
145
00:05:47,314 --> 00:05:50,359
53RD HOUR.
146
00:05:50,383 --> 00:05:52,561
53RD HOUR.
147
00:05:52,585 --> 00:05:55,364
HOME STRETCH.
148
00:05:55,388 --> 00:05:57,366
HOME STRETCH.
149
00:05:57,390 --> 00:06:01,004
BET ON ME.
150
00:06:01,028 --> 00:06:04,129
BET ON ME.
151
00:07:49,269 --> 00:07:50,847
WHAT, YOU DON'T
WANT ME BEHIND YOU?
152
00:07:50,871 --> 00:07:53,182
FRIEND OF MINE GOT
COLD-COCKED THAT WAY.
153
00:07:53,206 --> 00:07:55,652
YEAH, MY SAP SLIPPED.
154
00:07:55,676 --> 00:07:57,720
I'M GONNA BE UP
HERE A LITTLE WHILE.
155
00:07:57,744 --> 00:08:00,589
WHY? UH, GOT SOME WORK TO DO.
156
00:08:00,613 --> 00:08:03,526
UH, LOOK, I KICKED A
FEW BUTTS IN MY TIME,
157
00:08:03,550 --> 00:08:05,594
AND I HAD MY BUTT KICKED, HUH?
158
00:08:05,618 --> 00:08:07,496
WE'RE GONNA BE IN THE SAME
TENT, I WANT YOU TO KNOW I'M OKAY
159
00:08:07,520 --> 00:08:08,798
WITH WHAT HAPPENED.
160
00:08:08,822 --> 00:08:10,566
WHICH, I DON'T KNOW
WHY YOU WOULDN'T BE,
161
00:08:10,590 --> 00:08:12,301
SINCE YOU CLEANED MY CLOCK.
162
00:08:12,325 --> 00:08:15,337
SO WHERE'S THAT LEAVE
US, MR. BENEDETTO?
163
00:08:15,361 --> 00:08:18,507
EH, SCOOTER-DEMON. YOU TELL ME.
164
00:08:18,531 --> 00:08:19,842
I'M THINKING ABOUT IT.
165
00:08:19,866 --> 00:08:22,745
YOU WANT A FREE SHOT? HMM?
166
00:08:22,769 --> 00:08:24,246
MAYBE SOME TIME AT NIGHT.
167
00:08:24,270 --> 00:08:26,716
WHEN YOUR BACK'S TURNED.
168
00:08:26,740 --> 00:08:28,250
ANDREW, BOBBY.
169
00:08:28,274 --> 00:08:31,020
HOMICIDE AT THE
BUTLER MASS SHELTER.
170
00:08:31,044 --> 00:08:33,589
SEE WHAT YOU DID, RENKO?
171
00:08:33,613 --> 00:08:35,224
HEY, COUNTRY.
172
00:08:35,248 --> 00:08:37,426
LOOK, I GOT SOME
WORK TO DO HERE.
173
00:08:37,450 --> 00:08:40,697
I DON'T WANNA BE
WORRYING ABOUT MY BACK.
174
00:08:40,721 --> 00:08:42,631
DON'T WORRY ABOUT
YOUR BACK, PAL.
175
00:08:42,655 --> 00:08:45,056
WORRY ABOUT YOUR PERSONALITY.
176
00:08:53,466 --> 00:08:55,477
MORNING. DETECTIVE.
177
00:08:55,501 --> 00:08:57,646
FRANK, I'M PROCESSING
DETECTIVE BENEDETTO'S
178
00:08:57,670 --> 00:09:00,049
TEMPORARY TRANSFER
TO YOUR PRECINCT.
179
00:09:00,073 --> 00:09:01,718
HE'S COME UP WITH
A PLAN TO IMPLICATE
180
00:09:01,742 --> 00:09:04,220
ROLAND SIMONE IN A
MAJOR DRUG SITUATION.
181
00:09:04,244 --> 00:09:05,588
SIMONE'S A LOAN SHARK
DOWN IN MID-TOWN.
182
00:09:05,612 --> 00:09:08,024
SIMONE'S AN EMBARRASSMENT
TO THIS ENTIRE CITY.
183
00:09:08,048 --> 00:09:10,159
HE'S BANKROLLED A
LOT OF OTHER ACTION.
184
00:09:10,183 --> 00:09:11,460
DOPE. DEATH.
185
00:09:11,484 --> 00:09:13,629
THEY JUST FOUND PIECE
12 OF BUDDY GENNETT.
186
00:09:13,653 --> 00:09:15,031
AND I'M DETERMINED TO STOP HIM.
187
00:09:15,055 --> 00:09:17,333
THE DETECTIVE'S PROPOSAL
COULDN'T HAVE BEEN MORE TIMELY.
188
00:09:17,357 --> 00:09:19,368
NOW, IT ROUTES THROUGH THE HILL.
189
00:09:19,392 --> 00:09:21,537
HE'LL FILL YOU IN
ON ALL THE DETAILS.
190
00:09:21,561 --> 00:09:24,462
HE'S TO GET FULL
COOPERATION, FRANK.
191
00:09:31,271 --> 00:09:33,983
GEE, UH, MY PHONE
MUST'VE BEEN OUT OF ORDER.
192
00:09:34,007 --> 00:09:35,484
IF I WANTED YOU AT
THIS MEETING, JERRY,
193
00:09:35,508 --> 00:09:36,819
YOU WOULD'VE BEEN NOTIFIED.
194
00:09:36,843 --> 00:09:38,621
IS THIS ABOUT ROLLIE SIMONE?
195
00:09:38,645 --> 00:09:41,357
HUH? THE PLAN THAT
I CALLED YOU ABOUT?
196
00:09:41,381 --> 00:09:42,892
WITH MY DETECTIVE?
197
00:09:42,916 --> 00:09:44,927
AND I WAS GRATEFUL
FOR THE INPUT.
198
00:09:44,951 --> 00:09:47,596
IT'S MY BEST JUDGMENT,
HOWEVER, JERRY.
199
00:09:47,620 --> 00:09:50,199
IMPLEMENTATION SHOULD
COME THROUGH THIS OFFICE.
200
00:09:50,223 --> 00:09:52,368
YOUR DETECTIVE'S
BEEN RE-ASSIGNED.
201
00:09:52,392 --> 00:09:54,036
YOU'RE NOT GONNA
GIVE ME JOINT VENTURE.
202
00:09:54,060 --> 00:09:56,605
I WOULDN'T THINK YOU'D BE
BRINGING UP JOINT VENTURE.
203
00:09:56,629 --> 00:09:59,776
NOT WITH STAN MIZELL'S
EGG STILL ON ALL OUR FACES.
204
00:09:59,800 --> 00:10:01,577
LOOK, IF YOU'RE
GONNA KILL MY CAREER,
205
00:10:01,601 --> 00:10:02,912
DO IT ALL AT ONCE.
206
00:10:02,936 --> 00:10:04,180
DON'T PIECE ME OUT!
207
00:10:04,204 --> 00:10:05,447
DON'T BUDDY GENNETT ME!
208
00:10:05,471 --> 00:10:07,583
DO YOU REALLY THINK THIS
IS AN APPROPRIATE PLACE
209
00:10:07,607 --> 00:10:10,708
FOR A CAREER COUNSELING
SESSION, CAPTAIN?
210
00:10:12,112 --> 00:10:16,025
RIDE DOWNTOWN WITH ME.
211
00:10:16,049 --> 00:10:18,227
HOW ARE YOUR PEOPLE ON
THIS VOUCHER SITUATION?
212
00:10:18,251 --> 00:10:19,796
ALL RIGHT. SO FAR.
213
00:10:19,820 --> 00:10:21,385
GOOD.
214
00:10:24,124 --> 00:10:26,302
NO NONSENSE WHILE YOU'RE
UP ON THE HILL, BENEDETTO.
215
00:10:26,326 --> 00:10:29,338
UNDERSTAND? NO POOL.
NO OVER-AND-UNDER.
216
00:10:29,362 --> 00:10:31,707
NO GARBAGE ABOUT GENNETT'S BODY.
217
00:10:31,731 --> 00:10:32,942
GOTCHA, CAPTAIN.
218
00:10:32,966 --> 00:10:34,966
FRANK.
219
00:10:38,504 --> 00:10:41,050
GUESS HIM AND THE CHIEF
AREN'T GETTING ALONG.
220
00:10:41,074 --> 00:10:42,651
JUST RUN IT DOWN.
221
00:10:42,675 --> 00:10:44,753
WE, UH, BUSTED 20 KEYS OF SODA
222
00:10:44,777 --> 00:10:46,455
IN MIDTOWN A COUPLE MONTHS AGO.
223
00:10:46,479 --> 00:10:49,225
SIMONE HAD TO BE THE BANKER,
BUT THERE'S NO WAY TO MAKE HIM.
224
00:10:49,249 --> 00:10:51,427
NOW, I WANT HIM TO THINK
HE'S HOLDING PAPER ON A COP.
225
00:10:51,451 --> 00:10:53,462
MAKE AN APPROACH,
GET THE STUFF BACK.
226
00:10:53,486 --> 00:10:55,865
IT'S IN THE MIDTOWN
PROPERTY ROOM. WHY?
227
00:10:55,889 --> 00:10:58,000
HEY, SIMONE'S NO DOPE, CAPTAIN.
228
00:10:58,024 --> 00:11:01,403
MIDTOWN COP APPROACHES
HIM, HE'S GONNA SMELL A RAT.
229
00:11:01,427 --> 00:11:02,839
THERE'S A SHYLOCK
UP THERE, THIS, UH,
230
00:11:02,863 --> 00:11:05,174
MOUSE FELDSTEIN. "MO."
231
00:11:05,198 --> 00:11:07,776
I'M GONNA POP HIM. HAVE
HIM SELL HIS LOANS TO SIMONE.
232
00:11:07,800 --> 00:11:09,946
THEN WE RUN IN THE COP'S NOTE
WITH THE REST OF THE PAPER.
233
00:11:09,970 --> 00:11:12,581
UH, COP SHOULD
PREFERABLY BE COLORED.
234
00:11:12,605 --> 00:11:14,383
THAT'S MOST OF MO'S CLIENTS.
235
00:11:14,407 --> 00:11:16,752
THIS KID HILL'S GOT GUTS.
236
00:11:16,776 --> 00:11:18,254
HILL'S A MOTOR PATROLMAN.
HE DOESN'T KNOW ANYTHING
237
00:11:18,278 --> 00:11:19,588
ABOUT DETECTIVE WORK.
238
00:11:19,612 --> 00:11:21,390
YOU'LL WORK WITH
NEAL WASHINGTON.
239
00:11:21,414 --> 00:11:22,758
WHATEVER'S RIGHT.
240
00:11:22,782 --> 00:11:25,361
I KNOW WHAT YOU DID TO
OFFICER RENKO, DETECTIVE,
241
00:11:25,385 --> 00:11:27,096
AND I KNOW WHAT
OFFICER HILL DID TO YOU.
242
00:11:27,120 --> 00:11:29,098
YEAH, WELL, EVERYTHING'S
OKAY. I SQUARED WITH BOTH OF 'EM.
243
00:11:29,122 --> 00:11:31,000
THAT'S NOT THE POINT. IF
YOU WERE ON MY ROSTER,
244
00:11:31,024 --> 00:11:32,468
YOU'D'VE BEEN OUT THE NEXT DAY.
245
00:11:32,492 --> 00:11:33,836
WE DON'T HAVE ANY
WILD WEST SHOW UP HERE,
246
00:11:33,860 --> 00:11:35,537
AND WE DON'T HAVE
ANY FREELANCERS.
247
00:11:35,561 --> 00:11:36,772
YOU OPERATE UNDER THIS PRECINCT,
248
00:11:36,796 --> 00:11:38,040
YOU'RE GONNA CLEAR PROCEDURE,
249
00:11:38,064 --> 00:11:39,675
AND YOU'RE GONNA GO BY
THE BOOK. UNDERSTOOD?
250
00:11:39,699 --> 00:11:41,210
GOTCHA. THAT'S THE "B" ANSWER.
251
00:11:41,234 --> 00:11:44,068
THE "A" ANSWER
IS "YES, CAPTAIN."
252
00:11:48,174 --> 00:11:49,618
NEAL?
253
00:11:49,642 --> 00:11:51,976
NO. JUST NEAL, J.B.
254
00:11:53,713 --> 00:11:55,491
WOULD'VE TAKEN TWO
MINUTES TO PICK UP MY CAR.
255
00:11:55,515 --> 00:11:57,559
TAKE IT EASY, WE'RE ON A
HOMICIDE CALL HERE, PAL.
256
00:11:57,583 --> 00:11:58,961
SO WHERE'S HE GOING?
257
00:11:58,985 --> 00:12:00,296
NOBODY'S GONNA CHARGE HIM
258
00:12:00,320 --> 00:12:03,332
FOR AN EXTRA DAY.
259
00:12:03,356 --> 00:12:05,689
SCOTTY!
260
00:12:07,860 --> 00:12:09,727
HEY, PAL.
261
00:12:14,935 --> 00:12:17,046
THIS GUY'S IN SOME KIND
OF TRANCE OVER HERE.
262
00:12:17,070 --> 00:12:20,049
SOMETHING...
263
00:12:20,073 --> 00:12:21,583
T.J. KILLED HIM. HE RAN OFF.
264
00:12:21,607 --> 00:12:23,352
OKAY, BUDDY, WE'RE GONNA
HAVE TO FRISK YOU HERE NOW.
265
00:12:23,376 --> 00:12:24,553
T.J. HAD A KNIFE,
266
00:12:24,577 --> 00:12:26,688
AND HE THREW IT IN
A ROOM WHEN HE RAN.
267
00:12:26,712 --> 00:12:28,690
UH-HUH. WHO IS T.J., HUH?
268
00:12:28,714 --> 00:12:30,059
HE IS... IN THE BACK.
269
00:12:30,083 --> 00:12:32,028
GET AWAY FROM HERE,
BECAUSE HE'S CRAZY.
270
00:12:32,052 --> 00:12:33,651
AND HE SAID THE
OLD MAN TOOK HIS...
271
00:12:37,357 --> 00:12:39,235
TAKE IT EASY. HEY, WHERE'S WASH?
272
00:12:39,259 --> 00:12:40,702
DOIN' A RUN, BUT
WITH SAL BENEDETTO.
273
00:12:40,726 --> 00:12:42,238
HOW THE HELL WOULD I KNOW?
WHAT DOES THIS GUY LOOK LIKE,
274
00:12:42,262 --> 00:12:44,173
ALL RIGHT? HE HAS...
275
00:12:44,197 --> 00:12:46,175
A BLUE WINDBREAKER.
276
00:12:46,199 --> 00:12:48,699
AND HE HAS BLUE EYES.
277
00:12:51,237 --> 00:12:52,581
AND HE HAS A COOL MOUTH.
278
00:12:52,605 --> 00:12:54,350
HEY, HEY BUDDY.
COME HERE. COME HERE.
279
00:12:54,374 --> 00:12:56,685
DO YOU KNOW THIS
GUY? I'VE SEEN HIM.
280
00:12:56,709 --> 00:12:59,922
WHAT ABOUT THIS GUY
"T.J." HE'S YELLING ABOUT?
281
00:12:59,946 --> 00:13:01,257
LOOK, I DON'T KNOW.
YOU KNOW, THEY'RE BUMS.
282
00:13:01,281 --> 00:13:03,492
THEY COME AND THEY
GO. I DON'T KNOW, MAYBE.
283
00:13:03,516 --> 00:13:05,394
OKAY. ALL RIGHT.
284
00:13:05,418 --> 00:13:07,363
HEY, YOU. WHAT'S YOUR NAME?
285
00:13:07,387 --> 00:13:08,697
BUDDY, COME ON, COME ON.
286
00:13:08,721 --> 00:13:12,134
WHAT'S YOUR NAME, HUH?
287
00:13:12,158 --> 00:13:13,502
REGGIE. ALL RIGHT NOW.
288
00:13:13,526 --> 00:13:15,071
LET ME SEE SOME
I.D., OKAY, REGGIE?
289
00:13:15,095 --> 00:13:17,073
HE DOESN'T HAVE ANYTHING,
J.D. JUST A PIECE OF GUM.
290
00:13:17,097 --> 00:13:18,507
HE DOESN'T EVEN HAVE A WALLET.
291
00:13:18,531 --> 00:13:19,908
OKAY, NOW REGGIE, LOOK. LOOK.
292
00:13:19,932 --> 00:13:21,177
WHAT YOU'RE GONNA DO HERE, OKAY?
293
00:13:21,201 --> 00:13:22,311
YOU'RE GONNA GO TO THE STATION
294
00:13:22,335 --> 00:13:24,013
WITH ME AND MY FRIENDS, OKAY?
295
00:13:24,037 --> 00:13:25,848
YOU GOT HIM? YEAH.
296
00:13:25,872 --> 00:13:28,817
RENKO? LET'S GO LOOK
FOR THAT KNIFE, HUH?
297
00:13:28,841 --> 00:13:30,453
OKAY.
298
00:13:30,477 --> 00:13:32,254
ALL RIGHT, REGGIE.
299
00:13:32,278 --> 00:13:34,857
I GOTTA PUT THESE
HANDCUFFS ON YOU, BUDDY.
300
00:13:34,881 --> 00:13:37,126
THAT'S OKAY.
301
00:13:37,150 --> 00:13:39,561
I DON'T WANNA BE HERE.
302
00:13:39,585 --> 00:13:42,786
BECAUSE HE MIGHT COME BACK.
303
00:13:46,660 --> 00:13:48,771
AND NOW FOR THE
PIECE DE RESISTANCE.
304
00:13:48,795 --> 00:13:51,173
GENTLEMEN, I WOULD
LIKE YOU TO MEET
305
00:13:51,197 --> 00:13:52,508
COLDWELL AND LEWISTON'S
306
00:13:52,532 --> 00:13:55,544
TK4600.
307
00:13:55,568 --> 00:13:57,034
WOW.
308
00:14:01,541 --> 00:14:02,851
NOW, THAT'S CUTE.
LOOKS LIKE MY COUSIN...
309
00:14:02,875 --> 00:14:04,687
JUDAS H.
310
00:14:04,711 --> 00:14:05,888
I HOPE YOU LIKE
311
00:14:05,912 --> 00:14:07,390
HE'S ON A PROMOTIONAL
LOAN TO YOUR DEPARTMENT
312
00:14:07,414 --> 00:14:10,326
FOR THE NEXT TWO WEEKS.
313
00:14:10,350 --> 00:14:12,295
WELL, WHAT EXACTLY DOES HE DO?
314
00:14:12,319 --> 00:14:13,862
OH, TK4600
315
00:14:13,886 --> 00:14:15,498
CAN BE PROGRAMMED
FOR ANY NUMBER OF TASKS.
316
00:14:15,522 --> 00:14:16,965
PRIMARILY, HIS FUNCTION
IS SURVEILLANCE.
317
00:14:16,989 --> 00:14:19,402
AH, PARTICULARLY HANDY
IN HOSTAGE SITUATIONS.
318
00:14:19,426 --> 00:14:20,969
IT'S COMPLETELY BULLET-PROOF.
319
00:14:20,993 --> 00:14:22,772
WE SEND IT TO AN
AREA WHERE AN OFFICER
320
00:14:22,796 --> 00:14:24,907
IS LIKELY TO BE
GROSSLY ENDANGERED.
321
00:14:24,931 --> 00:14:26,241
I SEE, JAMES. NOW,
322
00:14:26,265 --> 00:14:28,010
WHAT DOES HE DO ONCE HE'S THERE?
323
00:14:28,034 --> 00:14:29,478
FIRST OF ALL, THE CHEST CAVITY
324
00:14:29,502 --> 00:14:31,914
CONTAINS A DUAL TWO-WAY
STEREO SPEAKER SYSTEM.
325
00:14:31,938 --> 00:14:33,716
ENABLING YOU TO, UH, INITIATE
326
00:14:33,740 --> 00:14:35,451
A DIALOGUE WITH A SUSPECT.
327
00:14:35,475 --> 00:14:37,687
NOW, THEREBY ELIMINATING
YOU HAVING TO RELY UPON
328
00:14:37,711 --> 00:14:39,355
TELEPHONIC MEANS
OF COMMUNICATIONS.
329
00:14:39,379 --> 00:14:41,624
DIALOGUE FAILING,
THERE'S A 45MM TURRET
330
00:14:41,648 --> 00:14:43,592
IN THE ARM EXTENDER.
AND FOR PARTICULARLY
331
00:14:43,616 --> 00:14:46,161
NASTY CHAPS, A
FLAMETHROWER HERE.
332
00:14:46,185 --> 00:14:47,763
NOW, LET US SUPPOSE
333
00:14:47,787 --> 00:14:49,332
YOU HAVE A HOSTAGE SITUATION
334
00:14:49,356 --> 00:14:51,200
IN YOUR BASEMENT
HOLDING FACILITY.
335
00:14:51,224 --> 00:14:53,035
YOU WOULD SEND TK INTO THE AREA
336
00:14:53,059 --> 00:14:56,405
USING THIS CONTROL LIKE SO.
337
00:14:56,429 --> 00:14:58,674
OFF YOU GO.
338
00:14:58,698 --> 00:15:00,175
NOW, YOU SEE, THE
DEVICE ALSO CONTAINS
339
00:15:00,199 --> 00:15:01,444
A HIDDEN VIDEO CAMERA,
340
00:15:01,468 --> 00:15:04,880
WHICH TRANSMITS AN
IMAGE TO THIS SCREEN.
341
00:15:04,904 --> 00:15:06,949
GIVING YOU AN INSTANT
SUMMATION OF THE SITUATION.
342
00:15:06,973 --> 00:15:09,952
I.E. THE NUMBER OF HOSTAGES
IN RELATION TO SUSPECTS.
343
00:15:09,976 --> 00:15:12,943
AND AREAS...
344
00:15:15,515 --> 00:15:18,327
DON'T SEND THE TURTLES!
345
00:15:18,351 --> 00:15:19,751
NO, DON'T SEND THE TURTLES.
346
00:15:21,588 --> 00:15:22,865
I GAVE IT TO POE.
347
00:15:22,889 --> 00:15:25,568
I GAVE THE STUFF
TO POE, COME ON!
348
00:15:25,592 --> 00:15:27,936
I'VE BEEN BANKING WITH
YOU PEOPLE FOR NINE YEARS.
349
00:15:27,960 --> 00:15:31,106
YOU CAN'T COVER MY
CHECK FOR TWO DAYS?
350
00:15:31,130 --> 00:15:33,698
YEAH, WELL, I THINK
YOUR POLICY STINKS.
351
00:15:35,268 --> 00:15:37,480
OKAY, FELLA, AGAIN.
352
00:15:37,504 --> 00:15:41,350
WHAT DID T.J. STAND FOR?
353
00:15:41,374 --> 00:15:43,051
HOW IS IT YOU KNOW HIM?
354
00:15:43,075 --> 00:15:44,653
HEY, HEY. I ASKED YOU.
355
00:15:44,677 --> 00:15:47,423
HOW IS IT YOU KNOW HIM?
356
00:15:47,447 --> 00:15:48,891
LOOK, YOU WANT
ME TO JUST KIND OF
357
00:15:48,915 --> 00:15:51,126
SKIP AHEAD TO THE
HUNDRED-DOLLAR QUESTIONS?
358
00:15:51,150 --> 00:15:52,595
PROBLEM HERE? YEAH, WE GOT
359
00:15:52,619 --> 00:15:54,630
A POSSIBLE SUSPECT OF
MURDER HERE, CAPTAIN.
360
00:15:54,654 --> 00:15:56,999
SOME GUY NAMED T.J. STABBED
THIS OTHER CHARACTER,
361
00:15:57,023 --> 00:15:58,300
AND DUMPED THE
KNIFE ON THE PREMISES.
362
00:15:58,324 --> 00:15:59,635
WE HAVEN'T FOUND
EITHER ONE OF 'EM YET.
363
00:15:59,659 --> 00:16:01,236
UH, CAPTAIN.
364
00:16:01,260 --> 00:16:03,272
HIS RECORD'S CLEAN AS
FAR AS THE NAME HE GAVE US.
365
00:16:03,296 --> 00:16:04,774
BUT I'M RUNNING HIS PRINTS.
366
00:16:04,798 --> 00:16:06,074
NOW, YOU ASK ME. HE'S OUR MAN.
367
00:16:06,098 --> 00:16:07,576
WE NEED TO GET THE WEAPON.
368
00:16:07,600 --> 00:16:09,478
I'D LIKE A LAWYER.
369
00:16:09,502 --> 00:16:11,079
MS. DAVENPORT'S UP HERE.
MAYBE SHE'S AVAILABLE.
370
00:16:11,103 --> 00:16:13,649
HILL?
371
00:16:13,673 --> 00:16:14,917
ESCORT THE MAN TO INTERROGATION.
372
00:16:14,941 --> 00:16:17,308
AND SIT WITH HIM UNTIL
SHE GETS HERE, OKAY?
373
00:16:19,479 --> 00:16:21,123
SORRY, BABE, BUT I'M
HOOKED UP WITH BENEDETTO
374
00:16:21,147 --> 00:16:22,925
FOR THE NEXT COUPLE
OF DAYS. WHAT? WHAT?
375
00:16:22,949 --> 00:16:24,927
HEY, WHAT'RE YOU TALKING ABOUT?
376
00:16:24,951 --> 00:16:27,530
SOME LOAN SHARK
BUSTED OUT OF MIDTOWN.
377
00:16:27,554 --> 00:16:29,732
THEY JUST NEEDED SOME
LOCAL COLOR. THAT'S ALL.
378
00:16:29,756 --> 00:16:31,700
MAN, BENEDETTO'S A SLIME.
379
00:16:31,724 --> 00:16:33,436
COME ON, MAN, I WOULDN'T
TRUST THAT CLOWN
380
00:16:33,460 --> 00:16:34,637
AS FAR AS I COULD THROW HIM.
381
00:16:34,661 --> 00:16:35,838
HEY, HEY, LOOK. I
GOTTA RUN, BABE.
382
00:16:35,862 --> 00:16:37,105
TALK WITH YOU LATER.
HEY... WHERE THE HELL
383
00:16:37,129 --> 00:16:40,543
DOES THAT LEAVE ME FOR
THE REST OF THE WEEK?
384
00:16:40,567 --> 00:16:42,311
WE'VE GOTTEN OUR
FIRST DOZEN CALLS
385
00:16:42,335 --> 00:16:44,079
ON THE "COP TIP" LINE, J.D.
386
00:16:44,103 --> 00:16:45,815
I'D LIKE YOU AND BELKER
TO CHECK THEM OUT.
387
00:16:45,839 --> 00:16:47,550
WHAT? ME AND BELKER?
388
00:16:47,574 --> 00:16:49,239
YES.
389
00:16:53,613 --> 00:16:55,023
I WANNA KNOW RIGHT NOW, FRANK.
390
00:16:55,047 --> 00:16:56,992
WHAT'S HE GONNA
CALL HER? CALL WHO?
391
00:16:57,016 --> 00:16:58,661
NOW, HE CAN CALL HER JOYCE.
392
00:16:58,685 --> 00:17:00,329
HE CAN CALL HER MS. DAVENPORT.
393
00:17:00,353 --> 00:17:01,831
HE CAN CALL HER AUNTIE JOYCE.
394
00:17:01,855 --> 00:17:04,099
HE CAN CALL HER WONDER
WOMAN FOR ALL I CARE.
395
00:17:04,123 --> 00:17:06,802
BUT I WILL NOT LET
MY SON CALL HER MOM.
396
00:17:06,826 --> 00:17:08,437
NOW, IS THAT
UNDERSTOOD? I WILL NOT.
397
00:17:08,461 --> 00:17:09,905
UH, COULD WE JUST
398
00:17:09,929 --> 00:17:11,406
START FROM SQUARE ONE?
399
00:17:11,430 --> 00:17:12,997
COULD YOU TELL ME WHAT HAPPENED?
400
00:17:18,104 --> 00:17:20,850
FRANK JR. WANTS TO MOVE
IN WITH HIS NEW MOTHER,
401
00:17:20,874 --> 00:17:22,952
AS HE CHOOSES TO CALL HER.
402
00:17:22,976 --> 00:17:24,386
I CAUGHT HIM SNEAKING
OUT OF THE APARTMENT
403
00:17:24,410 --> 00:17:25,788
THIS MORNING WITH TWO SUITCASES
404
00:17:25,812 --> 00:17:27,690
AND ALL HIS VIDEO
GAME CASSETTES.
405
00:17:27,714 --> 00:17:29,358
I SEE.
406
00:17:29,382 --> 00:17:30,726
DID YOU HAVE SOME
KIND OF ARGUMENT?
407
00:17:30,750 --> 00:17:33,462
NO. IT JUST CAME OUT OF NOWHERE.
408
00:17:33,486 --> 00:17:35,531
MAYBE HE FEELS THAT IF YOU'RE
ENTITLED TO ANOTHER CHILD,
409
00:17:35,555 --> 00:17:37,232
HE'S ENTITLED TO ANOTHER MOTHER.
410
00:17:37,256 --> 00:17:38,767
YOU THINK THAT'S
IT? I MEAN, REALLY?
411
00:17:38,791 --> 00:17:40,435
YOU THINK MAYBE
HE'S JUST JEALOUS?
412
00:17:40,459 --> 00:17:41,871
WELL, THAT COULD
BE PART OF IT, FAY.
413
00:17:41,895 --> 00:17:44,139
YOU'RE GONNA HAVE
TO LET HIM FIND A PLACE
414
00:17:44,163 --> 00:17:46,308
FOR JOYCE INSIDE HIMSELF.
415
00:17:46,332 --> 00:17:49,845
I MEAN, WITHOUT CHANGING
HIS LOVE FOR YOU IN ANY WAY.
416
00:17:49,869 --> 00:17:52,214
I KNOW, FRANK.
417
00:17:52,238 --> 00:17:54,683
I MEAN, SHE'S HIS
STEP-MOTHER NOW.
418
00:17:54,707 --> 00:17:56,485
I KNOW, BUT...
419
00:17:56,509 --> 00:17:59,321
I JUST DON'T WANT HIM
TO CALL HER MOMMY.
420
00:17:59,345 --> 00:18:01,746
HE SHOULDN'T, AND HE WON'T.
421
00:18:09,321 --> 00:18:11,400
GOOD.
422
00:18:11,424 --> 00:18:14,102
UM, ALSO...
423
00:18:14,126 --> 00:18:16,438
I THINK MAYBE THE THREE OF US
SHOULD GET TOGETHER AND, UH,
424
00:18:16,462 --> 00:18:18,040
LAY DOWN SOME GUIDELINES.
425
00:18:18,064 --> 00:18:19,975
GREAT. TWO AGAINST ONE.
426
00:18:19,999 --> 00:18:22,011
OKAY. ALL RIGHT.
427
00:18:22,035 --> 00:18:24,112
MAYBE JUST THE TWO OF YOU.
428
00:18:24,136 --> 00:18:26,015
BUT YOU'RE GONNA
HAVE TO GET TOGETHER
429
00:18:26,039 --> 00:18:27,583
AND COME TO TERMS
SOONER OR LATER.
430
00:18:27,607 --> 00:18:30,653
OKAY. SHE CAN CALL ME.
431
00:18:30,677 --> 00:18:33,956
I'M IN THE BOOK.
432
00:18:33,980 --> 00:18:36,814
UNDER FURILLO.
433
00:18:41,721 --> 00:18:44,132
OR I'LL CALL HER.
434
00:18:44,156 --> 00:18:45,868
UH, FRANK.
435
00:18:45,892 --> 00:18:49,204
OH, FAYE. OH...
436
00:18:49,228 --> 00:18:51,273
NOTHING LIKE ONE IN THE OVEN
437
00:18:51,297 --> 00:18:54,944
TO BRING A FLUSH
TO THE OLD CHEEK.
438
00:18:54,968 --> 00:18:58,246
OH, BECKON, MOTHER EARTH.
439
00:18:58,270 --> 00:19:00,337
STICK IT, HOWARD.
440
00:19:03,610 --> 00:19:04,887
PREGNANT WOMEN, THEY'RE, UH...
441
00:19:04,911 --> 00:19:07,623
THEY'RE HORMONES RUN AMOK.
442
00:19:07,647 --> 00:19:09,291
WHAT CAN I DO FOR YOU, HOWARD?
443
00:19:09,315 --> 00:19:11,794
I'D LIKE AN EXTRA HALF-HOUR
FOR LUNCH, OLD SPORT.
444
00:19:11,818 --> 00:19:12,995
NO PROBLEM.
445
00:19:13,019 --> 00:19:14,997
I'M HAVING LUNCH
WITH LINDA WOLFOWITZ.
446
00:19:15,021 --> 00:19:18,133
OH? IT MAY BE A
SIGNIFICANT REPAIR, FRANK.
447
00:19:18,157 --> 00:19:20,368
RELATION-WISE.
448
00:19:20,392 --> 00:19:22,370
HOWARD. YOU GONNA PROPOSE?
449
00:19:22,394 --> 00:19:24,640
WELL, I DON'T EXCLUDE
THAT POSSIBILITY.
450
00:19:24,664 --> 00:19:26,809
I THOUGHT I WOULD
BROACH CO-HABITATION
451
00:19:26,833 --> 00:19:28,477
TO BEGIN WITH... UH, COUNSELOR?
452
00:19:28,501 --> 00:19:30,479
LIEUTENANT. FRANK,
DO YOU HAVE A MOMENT?
453
00:19:30,503 --> 00:19:32,815
MARRIAGE AGREES WITH YOU.
454
00:19:32,839 --> 00:19:34,939
THANK YOU. IT'S IMPORTANT.
455
00:19:44,851 --> 00:19:46,729
I WANT YOU TO MEET
FRANKLIN BUTTERBAUM.
456
00:19:46,753 --> 00:19:47,997
HE'S A TEACHER.
457
00:19:48,021 --> 00:19:51,066
HE'S 82 YEARS OLD.
458
00:19:51,090 --> 00:19:53,602
JOYCE... TELL HIM ABOUT T.J.
459
00:19:53,626 --> 00:19:57,072
AND THE MURDER.
460
00:19:57,096 --> 00:19:59,274
T.J...
461
00:19:59,298 --> 00:20:02,566
WAS A WICKED, WICKED BOY.
462
00:20:04,470 --> 00:20:07,516
HE WAS A BULLY. AND
THERE WERE TIMES...
463
00:20:07,540 --> 00:20:09,284
IN THE PAST 20
MINUTES, I'VE TALKED
464
00:20:09,308 --> 00:20:12,420
TO A BLACK PROSTITUTE
NAMED ANGEL,
465
00:20:12,444 --> 00:20:14,790
A COMPUTER
PROGRAMMER NAMED RUTH,
466
00:20:14,814 --> 00:20:16,391
AND NOW A RETIRED SCHOOLTEACHER
467
00:20:16,415 --> 00:20:18,193
FROM WEST TEXAS.
468
00:20:18,217 --> 00:20:19,461
THEY ALL SAW THE MURDER.
469
00:20:19,485 --> 00:20:21,396
THEY ALL THIS T.J. IN
ONE WAY OR ANOTHER,
470
00:20:21,420 --> 00:20:23,032
AND THEY'RE ALL
SCARED TO DEATH OF HIM.
471
00:20:23,056 --> 00:20:24,432
AT FIRST, I THOUGHT
IT WAS A PUT-ON.
472
00:20:24,456 --> 00:20:27,836
HOW DID IT HAPPEN, FRANKLIN?
473
00:20:27,860 --> 00:20:29,471
THE MURDER?
474
00:20:29,495 --> 00:20:31,273
I DON'T KNOW ANYTHING
ABOUT THE MURDER.
475
00:20:31,297 --> 00:20:33,876
I'M A VERY OLD MAN.
PLEASE LEAVE ME ALONE.
476
00:20:33,900 --> 00:20:35,778
WHAT HAPPENED TO THE KNIFE?
477
00:20:35,802 --> 00:20:37,913
I DON'T KNOW. HE...
478
00:20:37,937 --> 00:20:40,104
HE...
479
00:20:43,876 --> 00:20:46,655
JIMMY KNOWS.
480
00:20:46,679 --> 00:20:47,923
HE MIGHT TELL YOU.
481
00:20:47,947 --> 00:20:50,025
HE'S MUCH STRONGER THAN I AM.
482
00:20:50,049 --> 00:20:52,360
WE'D LIKE TO TALK
TO JIMMY, FRANKLIN.
483
00:20:52,384 --> 00:20:54,063
CAN YOU HELP US DO THAT?
484
00:20:54,087 --> 00:20:56,721
NO.
485
00:21:00,359 --> 00:21:02,593
JIMMY?
486
00:21:07,166 --> 00:21:09,311
JIMMY?
487
00:21:09,335 --> 00:21:10,846
WITH A "V."
488
00:21:10,870 --> 00:21:13,982
WHAT HAPPENED
TO THE KNIFE, JIMMY?
489
00:21:14,006 --> 00:21:15,517
HEY, WHAT'S WITH THE KNIFE?
490
00:21:15,541 --> 00:21:17,252
EVERYBODY WANTS TO
KNOW ABOUT THE KNIFE.
491
00:21:17,276 --> 00:21:19,354
YOU SAW T.J. PUT THE
KNIFE SOMEWHERE?
492
00:21:19,378 --> 00:21:21,289
YEAH, MAYBE.
493
00:21:21,313 --> 00:21:23,892
ARE YOU AS AFRAID
OF T.J. AS THE OTHERS?
494
00:21:23,916 --> 00:21:26,461
HEY. HEY.
495
00:21:26,485 --> 00:21:28,563
YEAH, MY LIFE'S NOT
ROUGH ENOUGH AS IT IS
496
00:21:28,587 --> 00:21:30,432
WITHOUT YOU GUYS
ALL OVER MY BACK, HUH?
497
00:21:30,456 --> 00:21:33,891
JIMMY. COULD WE TALK TO T.J.?
498
00:22:05,424 --> 00:22:06,935
WELL.
499
00:22:06,959 --> 00:22:08,737
FRANK?
500
00:22:08,761 --> 00:22:10,338
IS THAT AN ACT OR WHAT?
501
00:22:10,362 --> 00:22:12,607
I'VE READ ABOUT MULTIPLE
PERSONALITY DISORDERS BEFORE,
502
00:22:12,631 --> 00:22:15,210
BUT THAT'S THE FIRST
TIME I'VE EVER SEEN ONE.
503
00:22:15,234 --> 00:22:16,711
I'M PHONING COUNTY MEDICAL.
504
00:22:16,735 --> 00:22:18,413
WE'LL GIVE THEM CUSTODY
UNTIL THE ARRAIGNMENT.
505
00:22:18,437 --> 00:22:20,149
EVEN IF IT'S AN ACT, IT'S
WAY OUT OF OUR LEAGUE.
506
00:22:20,173 --> 00:22:21,850
EXCUSE ME, GENTLEMEN,
BUT AREN'T YOU
507
00:22:21,874 --> 00:22:23,385
JUMPING THE GUN HERE?
508
00:22:23,409 --> 00:22:26,454
THERE'S NO CONCLUSIVE
EVIDENCE TYING HIM TO THE MURDER.
509
00:22:26,478 --> 00:22:29,191
WE HAVE TO FIND THAT KNIFE.
510
00:22:29,215 --> 00:22:30,959
YOU GOT MY CAR.
511
00:22:30,983 --> 00:22:32,327
LICENSE AND MAKE.
512
00:22:32,351 --> 00:22:35,330
'81 CAMARO. 142 OHG.
513
00:22:35,354 --> 00:22:37,454
IT'S 90 BUCKS.
514
00:22:41,160 --> 00:22:42,604
NO CHECKS.
515
00:22:42,628 --> 00:22:45,640
IT'S $25 FOR THE
TICKET. $65 FOR THE TOW.
516
00:22:45,664 --> 00:22:47,843
MY BANK'S ALL THE
WAY ACROSS TOWN.
517
00:22:47,867 --> 00:22:49,111
YOU'RE TELLING ME YOU'RE
COPS, YOU DON'T KNOW
518
00:22:49,135 --> 00:22:50,879
WE DON'T TAKE CHECKS?
YOU EVER LISTEN
519
00:22:50,903 --> 00:22:52,747
TO THAT RADIO, MISTER?
520
00:22:52,771 --> 00:22:54,249
WE DIDN'T GET PAID TODAY.
521
00:22:54,273 --> 00:22:55,784
WE GOT VOUCHERS.
522
00:22:55,808 --> 00:22:57,485
LET ME JUST GIVE YOU A CHECK.
523
00:22:57,509 --> 00:22:59,788
BY THE TIME IT GETS TO MY
BANK, THE MONEY WILL BE THERE.
524
00:22:59,812 --> 00:23:01,723
HEY, MARTY, IT'S
GETTING DEEP IN HERE.
525
00:23:01,747 --> 00:23:03,125
YOU'D BETTER BRING ME MY BOOTS.
526
00:23:03,149 --> 00:23:05,027
I'M TAPPED. YOU UNDERSTAND?
527
00:23:05,051 --> 00:23:07,662
I'LL MAKE THE CHECK GOOD.
JUST GIVE ME A LITTLE MORE TIME.
528
00:23:07,686 --> 00:23:09,431
YEAH, LIKE WHEN WE
NEED SOME HELP FROM YOU,
529
00:23:09,455 --> 00:23:10,632
AND WHAT DO WE GET?
530
00:23:10,656 --> 00:23:12,634
WE'RE PRIVATE.
WE'RE ON CONTRACT.
531
00:23:12,658 --> 00:23:14,069
YOU KNOW, YOU GUYS
ARE REALLY SCUM.
532
00:23:14,093 --> 00:23:15,971
YOU'RE THE SCUM OF THE
EARTH. YOU MAY BE GETTING OFF
533
00:23:15,995 --> 00:23:17,906
ON YOUR LITTLE BUREAUCRATIC
PARLOR TRIP HERE,
534
00:23:17,930 --> 00:23:19,741
BUT AS FAR AS I'M CONCERNED...
535
00:23:19,765 --> 00:23:21,065
YOU'RE NOTHING BUT A...
536
00:23:23,569 --> 00:23:25,547
BETWEEN YOUR EARS!
537
00:23:25,571 --> 00:23:28,616
HEY. I'M REAL UPSET.
538
00:23:28,640 --> 00:23:31,575
I'M GONNA HAVE TO
SEE MY THERAPIST.
539
00:23:33,712 --> 00:23:36,591
I GOTTA GET OUT OF HERE, RENKO.
540
00:23:36,615 --> 00:23:39,527
HEY. HEY, NO
OFFENSE, WASHINGTON.
541
00:23:39,551 --> 00:23:41,330
I JUST HATE TO SEE A
SMART GUY LIKE YOURSELF
542
00:23:41,354 --> 00:23:42,630
STUCK WITH A DERELICT.
543
00:23:42,654 --> 00:23:44,889
LARUE'S GOT A FEW
ROUGH EDGES. SO WHAT?
544
00:23:47,260 --> 00:23:48,703
I KNOW GUYS IN MIDTOWN VICE
545
00:23:48,727 --> 00:23:50,172
TAKE HIS CAREER
BIO TO THE HEAD FOR
546
00:23:50,196 --> 00:23:52,507
LIGHT READING MATERIAL.
547
00:23:52,531 --> 00:23:55,610
SUSPENSIONS, 502'S.
BOTTLE PROBLEMS.
548
00:23:55,634 --> 00:23:56,912
YOU TAKE AWAY THE ROUGH EDGES.
549
00:23:56,936 --> 00:23:59,536
ALL YOU GOT'S A FAKE ROLEX
AND A CHEAP PAIR OF LOAFERS.
550
00:24:02,275 --> 00:24:05,620
COME ON.
551
00:24:05,644 --> 00:24:06,821
WHAT DO YOU WANT?
552
00:24:06,845 --> 00:24:08,257
YOU, FELDSTEIN. OPEN THE DOOR.
553
00:24:08,281 --> 00:24:09,524
DETECTIVES WASHINGTON
AND BENEDETTO,
554
00:24:09,548 --> 00:24:10,692
MR. FELDSTEIN. WE GOT A WARRANT.
555
00:24:10,716 --> 00:24:12,761
JUST OPEN THE DOOR,
YOU LITTLE GEEK.
556
00:24:12,785 --> 00:24:14,396
SHOW ME THE WARRANT.
557
00:24:14,420 --> 00:24:16,598
COME ON, SHOW ME.
558
00:24:16,622 --> 00:24:19,902
YOU REALLY WANNA SEE
THE WARRANT, MR. FELDSTEIN?
559
00:24:19,926 --> 00:24:22,359
YEAH. YEAH, I WANNA
SEE THE WARRANT.
560
00:24:24,763 --> 00:24:26,074
ALL RIGHT.
561
00:24:26,098 --> 00:24:28,076
HERE'S YOUR WARRANT, MOE.
562
00:24:28,100 --> 00:24:30,312
COME ON. HOLD THE THING
UP. I CAN'T SEE THE DAMN TH...
563
00:24:30,336 --> 00:24:32,647
OW! OH, MY NOSE!
564
00:24:32,671 --> 00:24:33,982
YOU'RE CRAZY, YOU'RE KILLIN'...
565
00:24:34,006 --> 00:24:35,517
ALL RIGHT, LET'S SEE HERE.
566
00:24:35,541 --> 00:24:37,920
WELL, IT SAYS
SOMETHING ABOUT USURY.
567
00:24:37,944 --> 00:24:40,923
I THINK THAT MEANS
LOAN SHARKING, MOE.
568
00:24:40,947 --> 00:24:42,690
AND, UH, SOMETHING ELSE ABOUT...
569
00:24:42,714 --> 00:24:44,359
MAN, I CAN'T QUITE
MAKE THIS OUT.
570
00:24:44,383 --> 00:24:46,594
YOU KNOW? IT'S SOMETHING ABOUT
571
00:24:46,618 --> 00:24:48,496
UTILIZING THE PUBLIC UTILITIES
572
00:24:48,520 --> 00:24:49,831
IN THE COMMISSION OF A FELONY.
573
00:24:49,855 --> 00:24:51,433
WHAT THE HELL'S
WRONG WITH YOU, MAN?
574
00:24:51,457 --> 00:24:53,335
I'M JUST GETTING THE
GUY'S ATTENTION IS ALL.
575
00:24:53,359 --> 00:24:54,669
PLEASE, COME ON. LET GO!
576
00:24:54,693 --> 00:24:57,105
HEY, LOOK, I'M SORRY
I'M TAKING SO LONG, MOE,
577
00:24:57,129 --> 00:24:58,807
BUT THE LIGHT, IT'S
NOT SO GOOD OUT HERE.
578
00:24:58,831 --> 00:25:00,309
YOU KNOW WHAT I
MEAN? YEAH. YEAH, SEE,
579
00:25:00,333 --> 00:25:02,244
I GOT THE DOOR OPEN,
OKAY? PLEASE, LET GO!
580
00:25:02,268 --> 00:25:03,711
HEY, SAL'S LITTLE HELPERS.
581
00:25:03,735 --> 00:25:05,735
HUH?
582
00:25:07,773 --> 00:25:10,618
YOU CREEP! YOU'RE AN ANIMAL!
583
00:25:10,642 --> 00:25:11,886
WHAT DO YOU WANT FROM ME?
584
00:25:11,910 --> 00:25:13,956
NICE PLACE YOU GOT HERE, MOE.
585
00:25:13,980 --> 00:25:15,924
WE'RE GONNA HAVE TO TAKE YOU
DOWN TO STATION, MR. FELDSTEIN.
586
00:25:15,948 --> 00:25:17,792
WELL, WHAT DO WE GOT HERE?
587
00:25:17,816 --> 00:25:19,227
LET'S SEE.
588
00:25:19,251 --> 00:25:21,986
A BIG MESS. THAT'S WHAT WE GOT.
589
00:25:24,256 --> 00:25:26,668
HEY, YOU DON'T MIND IF WE
TAKE YOUR PAPER ALONG,
590
00:25:26,692 --> 00:25:28,437
DO YOU, MOE?
591
00:25:28,461 --> 00:25:31,739
CAN I HELP YOU GENTLEMEN,
OR ARE YOU JUST BROWSING?
592
00:25:31,763 --> 00:25:33,475
IS THIS YOUR ARM-BUSTER, MOE?
593
00:25:33,499 --> 00:25:35,577
OR IS THE CIRCUS JUST IN TOWN?
594
00:25:35,601 --> 00:25:37,212
I GOT IT COVERED, CROCKETT.
595
00:25:37,236 --> 00:25:39,081
CATCH YOU LATER.
596
00:25:39,105 --> 00:25:41,450
CROCKETT? YOU'RE SONNY CROCKETT?
597
00:25:41,474 --> 00:25:44,586
NO, I'M MARTIN LUTHER KING.
598
00:25:44,610 --> 00:25:47,822
HEY, WHOEVER YOU ARE.
599
00:25:47,846 --> 00:25:50,592
I THINK YOU ENTERED
THE WRONG PREMISES.
600
00:25:50,616 --> 00:25:52,394
THE TOILET'S DOWN THE HALL.
601
00:25:52,418 --> 00:25:55,730
GO ON, TAKE A WALK.
602
00:25:55,754 --> 00:25:57,899
YEAH.
603
00:25:57,923 --> 00:26:01,625
GOOD IDEA.
604
00:26:07,733 --> 00:26:10,401
FREEZE!
605
00:26:19,111 --> 00:26:22,024
MAN'S DEAD.
606
00:26:22,048 --> 00:26:25,494
YEAH, I KNEW SOMETHING
WAS WRONG WITH HIM.
607
00:26:25,518 --> 00:26:28,218
THANKS, MY MAN. YOU
JUST SAVED MY BUTT.
608
00:26:30,189 --> 00:26:32,334
NO PROBLEM.
609
00:26:32,358 --> 00:26:33,635
HEY, MOE?
610
00:26:33,659 --> 00:26:35,470
YOU GOT ANY ROPE, HUH?
611
00:26:35,494 --> 00:26:39,141
WANNA TIE THE GUY TO
THE CENTER OF MY CAR.
612
00:26:39,165 --> 00:26:42,911
GONNA MOUNT THE
FAT SLOB ON MY WALL.
613
00:26:42,935 --> 00:26:44,979
HEY, THAT'S A JOKE,
MOE. A JOKE, HUH?
614
00:26:45,003 --> 00:26:47,382
RELAX A MINUTE.
615
00:26:47,406 --> 00:26:49,284
I'M GONNA DROP A DIME DOWNTOWN,
616
00:26:49,308 --> 00:26:50,752
AND THEN WE'RE GONNA
GET MY PARTNER HERE
617
00:26:50,776 --> 00:26:52,376
OVER TO EMERGENCY.
618
00:27:00,652 --> 00:27:04,599
ISN'T THIS DELIGHTFUL?
619
00:27:04,623 --> 00:27:07,168
LINDA, LET ME SPEAK
DIRECTLY TO THE POINT.
620
00:27:07,192 --> 00:27:08,436
PLEASE.
621
00:27:08,460 --> 00:27:11,039
HOW DID CHAUCER PUT IT?
622
00:27:11,063 --> 00:27:13,941
"WHEN THAT APRILL,
WITH HIS SHOURES SOOTE,
623
00:27:13,965 --> 00:27:17,812
THE DROGHTE OF MARCH
HAD PERCED TO THE ROOTE."
624
00:27:17,836 --> 00:27:19,680
HOWARD? YOU WERE GOING TO GET
625
00:27:19,704 --> 00:27:22,017
STRAIGHT TO THE POINT.
626
00:27:22,041 --> 00:27:23,518
WELL, I'M NOT A
YOUNG MAN, LINDA.
627
00:27:23,542 --> 00:27:25,153
BUT MY FANCY'S
628
00:27:25,177 --> 00:27:27,622
TURNED TO LOVE.
629
00:27:27,646 --> 00:27:29,224
MORE SPECIFICALLY,
630
00:27:29,248 --> 00:27:32,293
I WAS THINKING THAT
YOU AND I MIGHT ATTEMPT
631
00:27:32,317 --> 00:27:34,129
A MORE INTIMATE
632
00:27:34,153 --> 00:27:36,186
DOMESTIC ARRANGEMENT.
633
00:27:38,357 --> 00:27:40,068
I THOUGHT YOU AND I
634
00:27:40,092 --> 00:27:43,104
MIGHT TRY LIVING TOGETHER.
635
00:27:43,128 --> 00:27:44,839
I DON'T THINK SO, HOWARD.
636
00:27:44,863 --> 00:27:47,242
EXCUSE ME?
637
00:27:47,266 --> 00:27:48,943
NO. I... IN FACT,
638
00:27:48,967 --> 00:27:52,247
I THINK WE SHOULD
RECONSIDER EVERYTHING.
639
00:27:52,271 --> 00:27:55,783
I... I THINK WE SHOULD
STOP SEEING EACH OTHER.
640
00:27:55,807 --> 00:27:57,752
OR WE COULD LEAVE
THINGS EXACTLY AS THEY ARE.
641
00:27:57,776 --> 00:28:00,821
HOWARD? YOU HAVE SO MANY...
642
00:28:00,845 --> 00:28:02,823
SOME WONDERFUL,
WONDERFUL QUALITIES.
643
00:28:02,847 --> 00:28:05,393
BUT WE JUST AREN'T COMPATIBLE.
644
00:28:05,417 --> 00:28:06,661
YOU'RE ANGRY AT ME.
645
00:28:06,685 --> 00:28:08,430
I'M NOT ANGRY AT YOU.
646
00:28:08,454 --> 00:28:10,365
NO, I'M ANGRY AT MYSELF.
647
00:28:10,389 --> 00:28:12,633
BECAUSE I LET
THINGS GO ON SO LONG.
648
00:28:12,657 --> 00:28:14,102
I'M ALWAYS LIKE THAT, HOWARD.
649
00:28:14,126 --> 00:28:17,605
I STORE UP MY GRIEVANCES.
650
00:28:17,629 --> 00:28:19,974
OR PERHAPS WE COULD...
651
00:28:19,998 --> 00:28:21,809
WORK TOGETHER TO
IMPROVE OURSELVES.
652
00:28:21,833 --> 00:28:24,045
NO. I...
653
00:28:24,069 --> 00:28:27,014
I CAN'T MAKE A LIFE
WITH A MAN SO...
654
00:28:27,038 --> 00:28:28,783
MYOPIC.
655
00:28:28,807 --> 00:28:30,685
HOWARD, YOU HAVE YOUR INTERESTS,
656
00:28:30,709 --> 00:28:31,986
AND THAT'S IT.
657
00:28:32,010 --> 00:28:34,122
I MEAN, NO ONE CARES
ABOUT THE LONGEVITY
658
00:28:34,146 --> 00:28:35,756
OF THE M-16 AS A WEAPON OF WAR.
659
00:28:35,780 --> 00:28:37,459
CERTAINLY NOT MY PARENTS.
660
00:28:37,483 --> 00:28:40,562
I MEAN, THEY DON'T WANT
TO SEE YOUR MAGNUM .357.
661
00:28:40,586 --> 00:28:42,297
THAT WAS MONTHS AGO.
662
00:28:42,321 --> 00:28:43,698
HOWARD, DO YOU REALIZE
663
00:28:43,722 --> 00:28:45,233
AT THE HOSPITAL CHRISTMAS PARTY,
664
00:28:45,257 --> 00:28:47,569
WE BEGAN WITH 14
PEOPLE AT OUR TABLE,
665
00:28:47,593 --> 00:28:49,637
AND ENDED UP WITH
YOU, ME, AND THE HISTORY
666
00:28:49,661 --> 00:28:51,739
OF FIDEL CASTRO'S
MOUNTAIN CAMPAIGN.
667
00:28:51,763 --> 00:28:53,074
WELL, I CAN'T HELP HAVING
668
00:28:53,098 --> 00:28:55,876
A GRUDGING ADMIRATION
FOR THAT BRIGAND.
669
00:28:55,900 --> 00:28:57,645
I...
670
00:28:57,669 --> 00:29:00,681
THAT'S NOT THE
POINT. I SEE THAT.
671
00:29:00,705 --> 00:29:02,606
IT DOESN'T MATTER.
672
00:29:05,377 --> 00:29:07,910
IS THERE SOMEONE ELSE?
673
00:29:10,115 --> 00:29:11,926
WELL, I'M SEEING SOMEONE,
674
00:29:11,950 --> 00:29:13,261
BUT I CAN'T TELL HOW SERIOUS
675
00:29:13,285 --> 00:29:15,852
THAT'S GOING TO BECOME.
676
00:29:17,256 --> 00:29:18,500
A DOCTOR?
677
00:29:18,524 --> 00:29:20,823
A UROLOGIST.
678
00:29:22,894 --> 00:29:24,472
JEWISH?
679
00:29:24,496 --> 00:29:26,073
IT SO HAPPENS.
680
00:29:26,097 --> 00:29:29,410
BUT, HOWARD, THAT ISN'T WHY.
681
00:29:29,434 --> 00:29:31,679
OH, HOWARD. I'M SO SORRY
682
00:29:31,703 --> 00:29:34,815
THAT THIS IS ENDING LIKE THIS.
683
00:29:34,839 --> 00:29:38,353
YOU'RE SUCH A GOOD, SWEET MAN.
684
00:29:38,377 --> 00:29:41,178
MYOPIC.
685
00:29:43,048 --> 00:29:45,848
I'M GONNA GET MY LENSES CHECKED.
686
00:29:51,056 --> 00:29:53,067
YOU GUYS WANNA TELL
ME WHAT THIS IS ALL ABOUT?
687
00:29:53,091 --> 00:29:55,102
SIMPLE, MOE. YOU'RE
GONNA RETIRE.
688
00:29:55,126 --> 00:29:57,138
YOU CAN MAKE YOUR OWN
ARRANGEMENTS IN FLORIDA,
689
00:29:57,162 --> 00:30:00,297
OR WE COULD PUT YOU ON
THE GROUP PLAN UPSTATE.
690
00:30:01,567 --> 00:30:03,311
THIS IS A NICKEL BEEF.
691
00:30:03,335 --> 00:30:04,812
YOU'RE TELLING ME
I'M GONNA GO TO JAIL?
692
00:30:04,836 --> 00:30:06,147
YOU CAN COUNT ON IT, MOE-SKI.
693
00:30:06,171 --> 00:30:07,615
THREE YEARS, 36 MONTHS.
694
00:30:07,639 --> 00:30:09,284
AND YOU AIN'T NO
CHICKEN NO MORE, BABY.
695
00:30:09,308 --> 00:30:11,152
HEY, FELLAS,
696
00:30:11,176 --> 00:30:13,821
I'M JUST A B-TEAM
PLAYER IN THIS RACKET.
697
00:30:13,845 --> 00:30:15,790
COME ON, WHAT'RE
YOU PICKING ON ME FOR?
698
00:30:15,814 --> 00:30:18,092
WE WANT YOU TO CALL
ROLLIE SIMONE, MOE.
699
00:30:18,116 --> 00:30:22,063
WANT YOU TO SELL HIM YOUR PAPER.
700
00:30:22,087 --> 00:30:25,166
NO WAY.
701
00:30:25,190 --> 00:30:26,701
I'M NOT SETTING UP ROLLIE SIMONE
702
00:30:26,725 --> 00:30:28,269
FOR NO POLICE ACTION.
703
00:30:28,293 --> 00:30:29,537
WHAT, DO YOU THINK I'M CRAZY?
704
00:30:29,561 --> 00:30:32,340
LIFE COULD GET REAL TENSE
ON THE HOME FRONT, MOE.
705
00:30:32,364 --> 00:30:34,075
YOU GOT KIDS IN COLLEGE?
706
00:30:34,099 --> 00:30:36,678
A WIFE WHO PLAYS MAHJONG.
707
00:30:36,702 --> 00:30:38,145
LOOK, I'M GONNA DO IT...
708
00:30:38,169 --> 00:30:40,181
WE THINK YOU'RE SMART, MOUSE.
709
00:30:40,205 --> 00:30:41,782
WE THINK YOU KNOW
WHEN YOU'RE ALL DONE
710
00:30:41,806 --> 00:30:45,320
AND THE BEST WAY TO
GET OUT OF THE GAME.
711
00:30:45,344 --> 00:30:47,188
SIMONE'S A SMART COOKIE.
712
00:30:47,212 --> 00:30:48,656
NOW, HE KNOWS THIS GUY YOU SHOT,
713
00:30:48,680 --> 00:30:51,693
THIS ROCKET, MAYBE
HE WORKED FOR ME.
714
00:30:51,717 --> 00:30:53,894
HE HEARS ROCKET'S DEAD,
HE'S GONNA KNOW I'M JAMMED UP.
715
00:30:53,918 --> 00:30:55,763
HE WON'T COME
NEAR ME WITH A FORK.
716
00:30:55,787 --> 00:30:57,198
SIMONE AIN'T GONNA
KNOW CROCKETT'S DEAD
717
00:30:57,222 --> 00:30:58,533
UNLESS YOU TELL HIM, MOE.
718
00:30:58,557 --> 00:31:00,635
WE'RE PUTTING CROCKETT
ON THE STIFF TRAIN.
719
00:31:00,659 --> 00:31:03,504
NO ONE'S GONNA KNOW
HE'S DEAD FOR 48 HOURS, MOE.
720
00:31:03,528 --> 00:31:05,072
NOW, YOU SELL SIMONE YOUR PAPER,
721
00:31:05,096 --> 00:31:07,074
YOU GET OUT OF DODGE,
YOU'RE IN GREAT SHAPE.
722
00:31:07,098 --> 00:31:08,343
I JUST KNOW YOU'RE
THE KIND OF GUY
723
00:31:08,367 --> 00:31:10,144
WHO'S SAVED A FEW
BUCKS, MOUSE, HUH?
724
00:31:10,168 --> 00:31:11,346
HEY, I'LL BE LUCKY
IF HE GIVES ME
725
00:31:11,370 --> 00:31:12,813
40 CENTS ON THE DOLLAR.
726
00:31:12,837 --> 00:31:15,450
HEY, WE'RE GONNA
TAKE CARE OF YOU, MOE.
727
00:31:15,474 --> 00:31:17,318
AND A LOAN FOR 28 GRAND.
728
00:31:17,342 --> 00:31:18,986
MAKE THE PAPER OUT TO ME, OKAY?
729
00:31:19,010 --> 00:31:20,688
AND WHEN ROLLIE ASKS ABOUT IT,
730
00:31:20,712 --> 00:31:22,123
YOU BE SURE AND TELL HIM.
731
00:31:22,147 --> 00:31:24,191
WASHINGTON'S A NARCOTICS COP
732
00:31:24,215 --> 00:31:26,327
WITH MONEY PROBLEMS
AND A BAD HABIT.
733
00:31:26,351 --> 00:31:30,231
WHATEVER YOU SELL
THAT PAPER FOR IS YOURS.
734
00:31:30,255 --> 00:31:32,734
LOOK, YOU KNOW I'VE
BEEN GOOD TO YOU PEOPLE.
735
00:31:32,758 --> 00:31:35,936
I MEAN, I LOAN COPS AT
HALF-FIG ALL THE TIME.
736
00:31:35,960 --> 00:31:38,773
LOOK... LOOK HERE,
COPS ON THE HILL, HUH?
737
00:31:38,797 --> 00:31:41,709
BOBBY HILL? JULIO SANCHEZ? HUH?
738
00:31:41,733 --> 00:31:44,445
BOBBY HILL? YEAH, I
LOANED HIM FOUR YARDS.
739
00:31:44,469 --> 00:31:46,803
HE WAS HAVING SOME
FAMILY PROBLEMS.
740
00:32:00,619 --> 00:32:03,453
LET'S MAKE A PHONE CALL, MOE.
741
00:32:05,890 --> 00:32:07,568
COME ON, RHODA.
742
00:32:07,592 --> 00:32:09,693
YEAH, COME ON.
743
00:32:10,929 --> 00:32:13,363
FORGET ABOUT IT.
744
00:32:30,816 --> 00:32:32,582
WATCH THIS.
745
00:32:52,604 --> 00:32:53,770
AAH!
746
00:33:04,516 --> 00:33:06,927
WHAT ARE YOU DOING
OVER HERE WITH THAT THING?
747
00:33:06,951 --> 00:33:09,597
YOU HAVE BURNT BOTH MY
LEGS! I'M SORRY, LIEUTENANT.
748
00:33:09,621 --> 00:33:12,166
BATES! I DIDN'T...
749
00:33:12,190 --> 00:33:14,201
BATES, HAVE YOU READ
THE MANUAL ON THIS DEVICE?
750
00:33:14,225 --> 00:33:15,837
NO, I HAVEN'T...
YOU THINK THIS IS
751
00:33:15,861 --> 00:33:18,305
SOME KIND OF A TOY
FOR YOU TO PLAY WITH?
752
00:33:18,329 --> 00:33:19,807
JUDAS H.
753
00:33:19,831 --> 00:33:21,008
DO YOU KNOW THAT
THE PREDECESSORS
754
00:33:21,032 --> 00:33:22,877
OF THE TK4600
755
00:33:22,901 --> 00:33:25,034
HAVE SOFT-LANDED ON MARS?
756
00:33:27,205 --> 00:33:29,484
LOW-RENT, ANTHROPOMORPHIZING
757
00:33:29,508 --> 00:33:31,853
SENTIMENTALITY.
758
00:33:31,877 --> 00:33:34,889
GET THAT THING AWAY FROM ME!
759
00:33:34,913 --> 00:33:36,424
I'M GONNA REMEMBER
THAT CHUMP STINK.
760
00:33:36,448 --> 00:33:38,259
I'M GONNA REMEMBER HIM
'CAUSE IF I EVER PULL HIM OVER,
761
00:33:38,283 --> 00:33:39,994
IF I EVER GET HIM IN MY CAR,
762
00:33:40,018 --> 00:33:41,929
I'M GONNA PUT HIM
THROUGH COP HELL.
763
00:33:41,953 --> 00:33:43,664
WHAT'S UP? AW, THIS...
764
00:33:43,688 --> 00:33:45,400
I HAVE NEVER SEEN
THIS INDIVIDUAL
765
00:33:45,424 --> 00:33:47,735
AS ANGRY AS I
HAVE JUST SEEN HIM.
766
00:33:47,759 --> 00:33:49,236
THIS IS WHAT HAPPENS
WHEN YOU LET SOMEONE...
767
00:33:49,260 --> 00:33:52,006
I DIDN'T LET ANYBODY
TOW MY CAR AWAY.
768
00:33:52,030 --> 00:33:53,808
HEY, BOBBY, WHAT?
YOU GOT TOW PROBLEMS?
769
00:33:53,832 --> 00:33:55,109
YEAH.
770
00:33:55,133 --> 00:33:56,999
WHY DIDN'T YOU SAY SOMETHING?
771
00:34:02,307 --> 00:34:05,586
KAMINSKI'S ON 137TH, RIGHT?
772
00:34:05,610 --> 00:34:07,977
UH, YEAH.
773
00:34:11,349 --> 00:34:14,228
HEY, STICK? SAL.
774
00:34:14,252 --> 00:34:16,297
YEAH.
775
00:34:16,321 --> 00:34:17,532
LISTEN, UH, I GOT A FRIEND
776
00:34:17,556 --> 00:34:19,600
WHOSE CAR'S TIED
UP AT YOUR PLACE.
777
00:34:19,624 --> 00:34:21,035
YEAH, IT'S, UH...
778
00:34:21,059 --> 00:34:22,804
CAMARO... HEY, SHUT UP!
779
00:34:22,828 --> 00:34:24,705
A CAMARO. '81. BLUE.
780
00:34:24,729 --> 00:34:26,908
142 OHG.
781
00:34:26,932 --> 00:34:28,242
YEAH. YOU GOT THAT?
782
00:34:28,266 --> 00:34:29,710
UH-HUH? YEAH. WELL, I WANT YOU
783
00:34:29,734 --> 00:34:31,612
TO CANCEL THE PAPERS
ON THAT AND GET IT OVER
784
00:34:31,636 --> 00:34:33,013
TO HILL STREET STATION.
785
00:34:33,037 --> 00:34:34,849
YEAH.
786
00:34:34,873 --> 00:34:37,284
LOOK, SLOB-FACE, YOU
DON'T GIVE ME THAT.
787
00:34:37,308 --> 00:34:40,321
I WANNA SEE THE CAR PARKED
OUT IN FRONT IN 20 MINUTES.
788
00:34:40,345 --> 00:34:42,990
AND I WANT YOU TO DRIVE
IT OVER HERE PERSONALLY.
789
00:34:43,014 --> 00:34:44,859
YEAH. YOU GOT IT.
790
00:34:44,883 --> 00:34:47,895
YEAH.
791
00:34:47,919 --> 00:34:49,163
IT'S ON THE WAY.
792
00:34:49,187 --> 00:34:51,187
THANKS.
793
00:34:53,291 --> 00:34:55,091
ALL RIGHT, LET'S MOVE.
794
00:34:59,764 --> 00:35:01,642
CROCKETT'S IN THE
MORGUE UNDER A JOHN DOE.
795
00:35:01,666 --> 00:35:02,910
WE HAVE A PROMISE
THEY'LL KEEP HIM
796
00:35:02,934 --> 00:35:05,145
FOR AS LONG AS WE NEED
TO FINISH WITH SIMONE.
797
00:35:05,169 --> 00:35:07,504
THE OFFICER INVOLVED
IS GOING ALONG SO FAR.
798
00:35:09,574 --> 00:35:11,586
YEAH... OH, COME ON, JERRY.
799
00:35:11,610 --> 00:35:13,053
I HEARD THAT SONG THIS MORNING.
800
00:35:13,077 --> 00:35:16,824
YES. WE'LL KEEP YOU INFORMED.
801
00:35:16,848 --> 00:35:19,660
CAPTAIN?
802
00:35:19,684 --> 00:35:21,028
BOBBY, I DON'T KNOW
WHY YOU BORROWED
803
00:35:21,052 --> 00:35:22,597
$400 FROM MOE FELDSTEIN.
804
00:35:22,621 --> 00:35:24,665
BUT I'M OBLIGATED TO
TELL YOU THREE THINGS.
805
00:35:24,689 --> 00:35:27,468
FIRST, YOU'RE PARTY
TO A CRIMINAL ACT.
806
00:35:27,492 --> 00:35:29,003
SECOND, THE FACT
THAT HE'S A LOAN SHARK
807
00:35:29,027 --> 00:35:30,237
ONLY MAKES THE PROBLEM WORSE.
808
00:35:30,261 --> 00:35:31,973
AND THIRD, IT'S
AGAINST THE RULES
809
00:35:31,997 --> 00:35:33,474
OF THIS PRECINCT
AND MY OWN IDEAS
810
00:35:33,498 --> 00:35:35,275
ON HOW AN OFFICER
OUGHT TO CONDUCT HIMSELF.
811
00:35:35,299 --> 00:35:37,344
CAPTAIN, I HAD SOME
PROBLEMS IN MY FAMILY.
812
00:35:37,368 --> 00:35:38,813
THE BANK WOULDN'T
GIVE ME A BUCK,
813
00:35:38,837 --> 00:35:40,247
AND I HAD NO OTHER CHOICE.
814
00:35:40,271 --> 00:35:42,149
I'M NOT KIDDING MYSELF,
BOBBY. I KNOW COPS
815
00:35:42,173 --> 00:35:44,151
GO TO SHYLOCKS. BUT
THEY LEAVE THEMSELVES
816
00:35:44,175 --> 00:35:46,286
AND THE FORCE OPEN TO
COERCION AND BLACKMAIL.
817
00:35:46,310 --> 00:35:49,156
IT WAS THE FIRST TIME. I
WASN'T GONNA DO IT AGAIN.
818
00:35:49,180 --> 00:35:51,726
WELL, THE SECOND TIME'S
ALWAYS A LOT EASIER
819
00:35:51,750 --> 00:35:55,396
AND USUALLY FOR A BIGGER AMOUNT.
820
00:35:55,420 --> 00:35:56,898
I GET THE PICTURE. GOOD.
821
00:35:56,922 --> 00:35:59,099
BECAUSE IF IT HAPPENS AGAIN,
I'M GONNA HAVE TO LET YOU GO.
822
00:35:59,123 --> 00:36:01,157
THAT'S ALL.
823
00:36:06,798 --> 00:36:09,710
REGGIE? THEY'RE GONNA
TAKE YOU TO COUNTY MEDICAL.
824
00:36:09,734 --> 00:36:12,835
I THINK YOU'D BE MORE
COMFORTABLE DOWN THERE.
825
00:36:17,475 --> 00:36:19,075
AAH!
826
00:36:34,225 --> 00:36:35,558
HOLD IT!
827
00:36:40,732 --> 00:36:43,744
EASY!
828
00:36:43,768 --> 00:36:45,846
T.J.!
829
00:36:45,870 --> 00:36:47,582
T.J.! T.J.!
830
00:36:47,606 --> 00:36:49,050
GET AWAY.
831
00:36:49,074 --> 00:36:51,240
GET AWAY.
832
00:36:53,712 --> 00:36:56,846
PUT THE STICK DOWN, T.J.
THERE'S NOWHERE TO GO.
833
00:37:17,035 --> 00:37:19,379
OH GOD, I'M SO THIRSTY.
834
00:37:19,403 --> 00:37:21,315
SOMEONE GET HIM
A GLASS OF WATER,
835
00:37:21,339 --> 00:37:23,117
OKAY?
836
00:37:23,141 --> 00:37:25,620
GOD, I'M SO...
837
00:37:25,644 --> 00:37:27,043
THIRSTY.
838
00:37:32,050 --> 00:37:33,883
HERE YOU GO.
839
00:37:50,168 --> 00:37:52,301
AH, MAN...
840
00:37:54,238 --> 00:37:57,618
T.J.'S DEAD.
841
00:37:57,642 --> 00:38:00,087
HE DRANK POISON.
842
00:38:00,111 --> 00:38:01,856
MY NAME'S PETE.
843
00:38:01,880 --> 00:38:03,423
I CAN'T SEE. I...
844
00:38:03,447 --> 00:38:06,582
I'VE BEEN BLIND SINCE BIRTH.
845
00:38:08,352 --> 00:38:10,731
I KNOW WHERE THE KNIFE IS.
846
00:38:10,755 --> 00:38:13,100
THERE'S A LOOSE
BOARD IN THE CORRIDOR.
847
00:38:13,124 --> 00:38:16,737
IT LIFTS UP. THE
KNIFE'S UNDERNEATH IT.
848
00:38:16,761 --> 00:38:19,239
I HEARD T.J. PUT IT UNDER
THE BOARD, YOU SEE?
849
00:38:19,263 --> 00:38:21,008
HE DIDN'T REALIZE
850
00:38:21,032 --> 00:38:23,265
THAT I COULD HEAR
HIM HIDING THE WEAPON.
851
00:38:28,673 --> 00:38:30,785
MY NAME'S PETE.
852
00:38:30,809 --> 00:38:32,608
AND I CAN'T SEE.
853
00:38:43,487 --> 00:38:46,022
COME ON, PETE.
854
00:38:55,934 --> 00:38:57,545
NEAL AND THAT FAT
GREASEBALL BENEDETTO
855
00:38:57,569 --> 00:38:59,714
SCORE A MAJOR COUP. WE
GET A WALKING TOUR OF...
856
00:38:59,738 --> 00:39:02,617
SAID THIS WAS GONNA BE
THE FRENCH CONNECTION,
857
00:39:02,641 --> 00:39:04,485
LET'S JUST FOLLOW UP
THE REST OF THEIR TIPS
858
00:39:04,509 --> 00:39:06,053
AND GET IT OVER WITH.
TIPS? YOU CALL THESE TIPS?
859
00:39:06,077 --> 00:39:07,888
WE GOT ONE
SELF-CONFESSED JAYWALKER.
860
00:39:07,912 --> 00:39:09,557
A GUILT-RIDDEN
HAIRDRESSER WHO STOLE
861
00:39:09,581 --> 00:39:13,093
A SHOPPING CART FIVE YEARS AGO.
862
00:39:13,117 --> 00:39:15,029
OH YEAH. DON'T FORGET
THE SPEED FREAK
863
00:39:15,053 --> 00:39:16,497
WITH THE HOT LEAD
ON THE WHEREABOUTS
864
00:39:16,521 --> 00:39:19,099
OF PATTY HEARST.
865
00:39:19,123 --> 00:39:21,068
BELKER, WHAT THE
HELL ARE YOU EATING?
866
00:39:21,092 --> 00:39:23,070
BERMUDA ONION AND LIVERWURST.
867
00:39:23,094 --> 00:39:24,772
YEAH, WELL IT SMELLS
MORE LIKE BERMUDA ONION
868
00:39:24,796 --> 00:39:26,441
AND DEAD RAT.
869
00:39:26,465 --> 00:39:27,975
NO WONDER YOU WORK ALONE.
870
00:39:27,999 --> 00:39:30,545
NOBODY IN HIS RIGHT MIND
COULD STAND TO BE AROUND YOU.
871
00:39:30,569 --> 00:39:32,347
STOP THE CAR. WHAT?
OVER TWO HOOKERS
872
00:39:32,371 --> 00:39:33,548
IN A CAT-FIGHT?
COME ON, YOU GOTTA...
873
00:39:33,572 --> 00:39:36,150
ONE OF 'EM'S GOT
A STRAIGHT RAZOR,
874
00:39:36,174 --> 00:39:38,575
STOP THE CAR!
875
00:39:48,920 --> 00:39:51,298
HELP!
876
00:39:51,322 --> 00:39:54,569
LET HER GO! COME HERE!
877
00:39:54,593 --> 00:39:56,559
DROP THE KNIFE! DROP IT!
878
00:40:01,533 --> 00:40:04,979
DROP IT! DROP IT!
879
00:40:05,003 --> 00:40:07,336
SHUT YOUR FACE AND MOVE!
880
00:40:09,173 --> 00:40:10,585
OH.
881
00:40:10,609 --> 00:40:12,319
BELKER!
882
00:40:12,343 --> 00:40:15,022
LOOK AT THIS! $200.
883
00:40:15,046 --> 00:40:16,891
I WORE IT TWICE.
884
00:40:16,915 --> 00:40:19,783
YOU'RE GONNA PAY FOR
IT, YOU LITTLE TWERP.
885
00:40:29,360 --> 00:40:32,128
HERE.
886
00:40:35,233 --> 00:40:37,745
YEAH.
887
00:40:37,769 --> 00:40:41,148
YEAH, I'M STRAIGHT.
888
00:40:41,172 --> 00:40:43,418
I'M DOWN.
889
00:40:43,442 --> 00:40:44,886
HOW'S IT FEEL?
890
00:40:44,910 --> 00:40:47,988
IT'S LIKE A... LIKE A
TRAIN RUN OVER MY HEAD.
891
00:40:48,012 --> 00:40:49,757
YEAH, EAT SOMETHING.
MAYBE YOU'LL FEEL
892
00:40:49,781 --> 00:40:52,960
A LITTLE BETTER.
893
00:40:52,984 --> 00:40:54,395
HEY, UH,
894
00:40:54,419 --> 00:40:58,299
YOU KNOW SOMETHING, LEO?
895
00:40:58,323 --> 00:41:00,167
LAST TIME I WAS DOWN
896
00:41:00,191 --> 00:41:03,170
WAS 1977.
897
00:41:03,194 --> 00:41:06,273
IT'S 1983.
898
00:41:06,297 --> 00:41:08,643
YEAH, RIGHT.
899
00:41:08,667 --> 00:41:10,934
RIGHT.
900
00:41:15,440 --> 00:41:16,717
HEY...
901
00:41:16,741 --> 00:41:18,553
THIS AIN'T NO DAY
AT THE BEACH, MAN.
902
00:41:18,577 --> 00:41:20,655
NO, IT'S NOT. STAYING STRAIGHT'S
903
00:41:20,679 --> 00:41:22,378
NO PICNIC EITHER, RICO.
904
00:41:25,517 --> 00:41:27,917
1983, MAN.
905
00:41:33,758 --> 00:41:35,436
I DID IT, DIDN'T I?
906
00:41:35,460 --> 00:41:37,338
I'M CLEAN, MAN.
907
00:41:37,362 --> 00:41:39,574
I WANNA THANK YOU, BRO.
908
00:41:39,598 --> 00:41:42,977
I WANNA THANK YOU, SEE?
909
00:41:43,001 --> 00:41:45,813
THANK YOU, LEO.
910
00:41:45,837 --> 00:41:48,282
INTRODUCTION. PARAGRAPH ONE-ONE.
911
00:41:48,306 --> 00:41:50,184
SUMMARY OF FUNCTIONS
AND OPERATIONS.
912
00:41:50,208 --> 00:41:52,319
TK4600 IS A MOTORIZED
913
00:41:52,343 --> 00:41:54,689
PREHENSILE TRACTOR DEVICE
CAPABLE OF PERFORMING
914
00:41:54,713 --> 00:41:56,156
HAZARDOUS OPERATIONS
915
00:41:56,180 --> 00:42:00,027
INDEPENDENT OF PHYSICAL CONTACT.
916
00:42:00,051 --> 00:42:03,119
INDEPENDENT OF PHYSICAL CONTACT.
917
00:42:04,723 --> 00:42:07,334
OH.
918
00:42:07,358 --> 00:42:09,136
I DON'T UNDERSTAND IT.
919
00:42:09,160 --> 00:42:12,740
I JUST CAN'T OPEN
UP AROUND PEOPLE.
920
00:42:12,764 --> 00:42:14,475
INSIDE, I AM BURSTING
921
00:42:14,499 --> 00:42:17,545
WITH AFFABILITY,
AFFECTION, AND GOOD HUMOR.
922
00:42:17,569 --> 00:42:21,015
BUT WHEN IT COMES
TIME TO SHOW IT, IT JUST...
923
00:42:21,039 --> 00:42:23,706
DIES.
924
00:42:25,577 --> 00:42:27,577
I DON'T KNOW WHAT TO DO.
925
00:42:31,449 --> 00:42:33,694
LOOKS LIKE YOU AND I ARE
CUT FROM THE SAME BLOCK
926
00:42:33,718 --> 00:42:36,230
OF NON-FERROUS
MATERIAL, OLD PAL.
927
00:42:36,254 --> 00:42:38,065
WE'LL NEVER GET TO FEEL
928
00:42:38,089 --> 00:42:39,534
THE WARM SENSITIVE TOUCH
929
00:42:39,558 --> 00:42:42,136
OF ANOTHER HUMAN BEING.
930
00:42:42,160 --> 00:42:45,973
ALL I WANT IS TO
WANT TO BE WITH...
931
00:42:45,997 --> 00:42:48,464
IS THAT ASKING TOO MUCH?
932
00:42:51,135 --> 00:42:52,880
WHAT DO YOU KNOW, ROLLIE?
933
00:42:52,904 --> 00:42:55,049
I'M GOOD, MOUSE.
HOW DO YOU FEEL?
934
00:42:55,073 --> 00:42:56,684
EH, I'M A SICK MAN.
935
00:42:56,708 --> 00:42:58,953
I GOT, LIKE, THIS...
936
00:42:58,977 --> 00:43:02,757
THIS FIST ON TOP OF
MY STOMACH, Y'KNOW?
937
00:43:02,781 --> 00:43:04,992
DON'T FOOL WITH IT.
GO GET IT LOOKED AT.
938
00:43:05,016 --> 00:43:07,227
HE LOOKED AT IT. GAVE
ME ORDERS. YOUR DOC?
939
00:43:07,251 --> 00:43:08,996
THAT'S WHAT I CALLED YOU FOR.
940
00:43:09,020 --> 00:43:10,197
I'M TELLING YOU, THE
DOC ORDERED ME.
941
00:43:10,221 --> 00:43:11,966
I GOTTA GET OUT. CALM DOWN.
942
00:43:11,990 --> 00:43:13,233
CALM DOWN.
943
00:43:13,257 --> 00:43:14,401
HE SAID NOTHING.
944
00:43:14,425 --> 00:43:18,039
MOE'S...
945
00:43:18,063 --> 00:43:21,263
UH, I GOT 118,000 IN PAPER.
946
00:43:22,634 --> 00:43:24,879
MAKE ME A PRICE.
947
00:43:24,903 --> 00:43:27,181
ALL MY DOUGH'S
ON THE STREET, MOE.
948
00:43:27,205 --> 00:43:30,585
BEST I CAN DO IS 15
CENTS ON THE BUCK.
949
00:43:30,609 --> 00:43:33,554
YOU'RE GONNA GIVE ME 17
AND CHANGE FOR 188,000?
950
00:43:33,578 --> 00:43:34,689
WHAT'RE YOU, A SICK MAN?
951
00:43:34,713 --> 00:43:36,156
I LOVE IT.
952
00:43:36,180 --> 00:43:37,458
IT'S ALL ON THE STREET, MOE.
953
00:43:37,482 --> 00:43:38,759
THAT'S THE BEST I CAN DO.
954
00:43:38,783 --> 00:43:41,696
I GOTTA GET 60 CENTS. COME ON.
955
00:43:41,720 --> 00:43:44,498
20 CENTS. BEST I CAN DO.
956
00:43:44,522 --> 00:43:45,833
GIVE ME 40 CENTS.
957
00:43:45,857 --> 00:43:48,469
I'LL STOP BEING
A SICK INDIVIDUAL.
958
00:43:48,493 --> 00:43:52,439
CAN'T MAKE IT, MOE.
959
00:43:52,463 --> 00:43:56,343
YOU KNOW THE LAST
THING MY OLD MAN TOLD ME?
960
00:43:56,367 --> 00:43:57,912
DON'T TRY TO SQUEEZE
THE LAST DOLLAR
961
00:43:57,936 --> 00:43:59,179
OUT OF A SITUATION.
962
00:43:59,203 --> 00:44:02,182
YOU MAKE TOO MANY PEOPLE MAD.
963
00:44:02,206 --> 00:44:03,684
20 CENTS?
964
00:44:03,708 --> 00:44:06,087
I'D RATHER STAY SICK THAN
STAY IN THE TROUBLE I'M IN.
965
00:44:06,111 --> 00:44:09,123
25.28.
966
00:44:09,147 --> 00:44:11,781
26 CENTS, AND THAT'S
GOOD NIGHT, MOUSE.
967
00:44:13,251 --> 00:44:14,884
COME ON, MOUSE.
968
00:44:18,690 --> 00:44:20,422
WHEN DO I GET THE CASH?
969
00:44:26,698 --> 00:44:30,444
WHEN I GET THE PAPER.
970
00:44:30,468 --> 00:44:32,546
I'LL MEET YOU IN AN HOUR.
971
00:44:32,570 --> 00:44:34,904
HOPE YOU GET A HEART
ATTACK, YOU GUINEA CREEP.
972
00:44:43,347 --> 00:44:44,992
WHAT'S YOUR NAME?
973
00:44:45,016 --> 00:44:46,160
BILL.
974
00:44:46,184 --> 00:44:47,762
NICE NAME, BILL.
975
00:44:47,786 --> 00:44:49,596
YOU COME HERE BEFORE?
976
00:44:49,620 --> 00:44:52,266
NO, NEVER.
977
00:44:52,290 --> 00:44:55,536
WELL, BILL. YOU
LIKE ORIENTAL GIRLS?
978
00:44:55,560 --> 00:44:58,139
YES, VERY MUCH.
979
00:44:58,163 --> 00:45:01,709
VERY FEMININE ORIENTAL GIRLS.
980
00:45:01,733 --> 00:45:04,178
INDEED, OF THE
THREE GREAT RACES,
981
00:45:04,202 --> 00:45:06,647
THE ASIATIC... AAH.
982
00:45:06,671 --> 00:45:07,982
NO LIKE FEET?
983
00:45:08,006 --> 00:45:10,651
LIKE FEET.
984
00:45:10,675 --> 00:45:12,286
MUCH TENSION IN THE FEET.
985
00:45:12,310 --> 00:45:15,455
GET OUT NOW.
986
00:45:15,479 --> 00:45:17,624
YOU VIETNAMESE?
987
00:45:17,648 --> 00:45:19,393
YEAH.
988
00:45:19,417 --> 00:45:22,596
HOW YOU KNOW?
989
00:45:22,620 --> 00:45:24,165
I SERVED IN THE ARMY
990
00:45:24,189 --> 00:45:27,868
FOR THREE YEARS THERE.
991
00:45:27,892 --> 00:45:30,304
I'M FROM TAN BINH. NEAR DA NANG.
992
00:45:30,328 --> 00:45:32,673
REALLY?
993
00:45:32,697 --> 00:45:34,875
I WAS STATIONED IN DA NANG.
994
00:45:34,899 --> 00:45:36,811
YOU KNOW ANNAM PEARL RESTAURANT?
995
00:45:36,835 --> 00:45:38,746
MY MOTHER USED TO WORK IN THERE.
996
00:45:38,770 --> 00:45:41,137
YOUR MOTHER WORKED
IN ANNAM PEARL?
997
00:45:43,441 --> 00:45:45,052
WAS YOUR MOTHER SUE?
998
00:45:45,076 --> 00:45:47,521
NOT SUE. MARY.
999
00:45:47,545 --> 00:45:51,125
STILL, IT'S AMAZING.
1000
00:45:51,149 --> 00:45:54,862
WHAT A WORLD.
1001
00:45:54,886 --> 00:45:56,597
WHAT'S YOUR NAME?
1002
00:45:56,621 --> 00:45:59,366
COLETTE.
1003
00:45:59,390 --> 00:46:02,136
YOU WANNA DO FRONT SIDE NOW?
1004
00:46:02,160 --> 00:46:05,940
COLETTE.
1005
00:46:05,964 --> 00:46:09,243
WELL, COLETTE.
1006
00:46:09,267 --> 00:46:11,011
SOME DAYS, I MISS VIETNAM
1007
00:46:11,035 --> 00:46:13,781
VERY MUCH.
1008
00:46:13,805 --> 00:46:16,884
I KNOW. ME TOO.
1009
00:46:16,908 --> 00:46:18,485
THAT WAS A COUNTRY TOO BEAUTIFUL
1010
00:46:18,509 --> 00:46:22,356
TO HAVE A WAR IN.
1011
00:46:22,380 --> 00:46:24,892
DO YOU REMEMBER
THOSE BIG WHITE BIRDS
1012
00:46:24,916 --> 00:46:26,994
THAT USED TO FLY
OVER THE RICE FIELDS
1013
00:46:27,018 --> 00:46:29,363
JUST BEFORE SUNSET?
1014
00:46:29,387 --> 00:46:30,865
YES.
1015
00:46:30,889 --> 00:46:33,567
DO YOU KNOW WHAT KIND THEY WERE?
1016
00:46:33,591 --> 00:46:36,370
NO.
1017
00:46:36,394 --> 00:46:38,072
ALL I REMEMBER
1018
00:46:38,096 --> 00:46:39,774
IS THAT THEY USED TO...
1019
00:46:39,798 --> 00:46:41,776
SWOOP AND GLIDE,
1020
00:46:41,800 --> 00:46:44,578
THE WHOLE GROUP.
1021
00:46:44,602 --> 00:46:46,080
AND AT THAT MOMENT,
THEY WERE LIKE
1022
00:46:46,104 --> 00:46:48,282
THE ONLY SOUNDS AND MOVEMENTS
1023
00:46:48,306 --> 00:46:52,086
IN THE WORLD.
1024
00:46:52,110 --> 00:46:53,754
I REMEMBER ASKING MYSELF,
1025
00:46:53,778 --> 00:46:55,122
"HOW COULD A COUNTRY AT WAR
1026
00:46:55,146 --> 00:46:58,692
"BE SO SILENT?
1027
00:46:58,716 --> 00:47:02,451
HOW COULD IT STILL HAVE BIRDS?"
1028
00:47:10,561 --> 00:47:13,373
WHAT'S THE MATTER?
1029
00:47:13,397 --> 00:47:16,911
SO STUPID.
1030
00:47:16,935 --> 00:47:20,881
I'M HOMESICK.
1031
00:47:20,905 --> 00:47:22,449
OH, I'D LIKE TO GO
BACK AND CONQUER
1032
00:47:22,473 --> 00:47:24,718
THAT WHOLE COUNTRY
FOR YOU, COLETTE.
1033
00:47:24,742 --> 00:47:27,576
BEAT THOSE COMMIE
GEEKS BACK TO HANOI.
1034
00:47:51,302 --> 00:47:53,702
WHAT DO YOU WANT
FROM ME NOW, SAL?
1035
00:47:55,539 --> 00:47:57,117
YOU RIPPED MY NOSE OFF.
1036
00:47:57,141 --> 00:47:59,987
YOU... DEPRIVED ME
OF MY LIVELIHOOD.
1037
00:48:00,011 --> 00:48:03,157
NOW YOU CALL ME
AT 2:00 AT NIGHT.
1038
00:48:03,181 --> 00:48:04,758
WHAT'S LEFT?
1039
00:48:04,782 --> 00:48:06,193
YOU WANNA BREAK MY HEART?
1040
00:48:06,217 --> 00:48:08,963
I WANNA APOLOGIZE, MOE.
1041
00:48:08,987 --> 00:48:11,131
GOOD.
1042
00:48:11,155 --> 00:48:13,968
YOU OWE ME.
1043
00:48:13,992 --> 00:48:17,371
I TOOK A... A BLOODBATH TODAY.
1044
00:48:17,395 --> 00:48:19,506
I DIDN'T EVEN CLEAR ENOUGH
TO PAY FOR THE PLANE TICKET
1045
00:48:19,530 --> 00:48:21,641
TO MIAMI.
1046
00:48:21,665 --> 00:48:24,233
MOE, DON'T WORRY ABOUT A THING.
67469
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