All language subtitles for Calculating.Ada.The.Countess.Of.Computing.2015.1080p.WEBRip.x264.AAC-[YTS.MX]

(dramatic music)

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- You might have assumed
that the computer age began

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with some geeks out in California.

Or perhaps with the code
breakers of World War II.

But the pioneer who
first saw the true power

of the computer lived way back,

during the transformative age
of the Industrial Revolution.

As Queen Victoria takes to the throne

in the early 19th century,

Britain is on the brink

of an even more ambitious revolution,

the mechanization of thought itself.

Forged from brass and powered by steam,

a Victorian computer age.

(gentle music)

It took extraordinary foresight

and yet, in this patriarchal world,

this visionary wasn't a man.

Passionate and intelligent,
Lady Ada Lovelace.

(gentle music)

I'm Hannah Fry.

As a mathematician, I want to find out

how this 19th century lady
prophesies the information age.

How she published the
first computer program

as long ago as 1843.

And how she nearly brought about

a Victorian computer revolution.

I want to rediscover the
story of Ada Lovelace,

the woman who dared to dream
of a world of computers,

and to uncover her role

in a remarkable vision of the future.

(gentle music))

(birds chirping)

To find out how this Victorian
lady could have foreseen

the power of computers, I've
come here, Horsley Towers,

a day's ride from London

and her home for most of her adult life.

Ada had a very privileged background.

In fact, she was almost
one of Queen Victoria's

ladies-in-waiting.

So it was no surprise when she
was married off to Lord King,

soon to become the Earl of Lovelace,

a man who was 10 years her senior

and as practical as Ada was imaginative.

(gentle music)

Dickens, Faraday and the
inventor Charles Babbage

were just some of their
close acquaintances.

It was a magical, exciting time.

Two opposing cultures,

science and romanticism, were colliding.

My heroine thrived at
the crossroads of both.

She wrote her dream of
a computerized world

in this, Taylor's Scientific Memoirs.

Now, this isn't just any old book.

This is one of the most
visionary documents

in the history of science,

a 65 page blueprint for
a computer revolution.

It has complex mathematics,

it has the layout

for the world's first general
purpose computing machine.

It even has the world's first
published computer programs

and in it, Ada suggests that
a machine made from cogs

and cams and steam and
oil could compose music.

In effect, it's Ada's key
manifesto for a computer age.

And all of this as far back as 1843.

(classical music)

This document is a fascinating mix

of science and imagination.

So how did she manage
to embrace both strands,

logic and the creative arts?

(classical music)

It seems to me that there was one man

at the epicenter of
everything that Ada did.

He had a huge influence on her upbringing

and was the biggest celebrity
in Britain at the time.

Lord Byron, poet, philanderer,
romantic and Ada's father.

Ada was his only legitimate daughter

and he loomed large throughout her life.

And yet he left her when she
was just a five week old baby

and he never saw her again.

Her mother made quite sure of that.

(gentle music)

Annabella Milbanke and
Lord Byron married in 1815,

yet were poles apart.

Annabella was mathematical
and stiflingly conformist.

Byron was free-spirited and
cared little for numbers.

(gentle music)

The scandalous Lord Byron,

as well as producing some

of the most important written
works of the 19th century,

was famous for drinking
out of a human skull,

having a pet bear and numerous affairs

with both men and women.

Now, one spurned lover,
female, famously put it

that he was mad, bad
and dangerous to know.

Annabella and Byron's marriage
lasted for a very long year,

before it eventually
broke up acrimoniously.

She kicked him out, covered
his painting with a big curtain

and forbade Ada from ever looking at it,

which must have been torturous

for someone with as
inquisitive a mind as Ada had.

(gentle music)

Annabella loathed her estranged husband

and went about purging the young girl

of any evidence of her
father's personality.

"Volatile, poetic
insanity," she called it.

So she was looking for ways
to try and protect Ada.

(gentle music)

Annabella decided to force feed the child

on a diet of maths and science

with a zeal bordering on fanaticism,

even though the subjects were seen

as the preserve of the male mind.

(gentle music)

Augustus De Morgan was Ada's main tutor

and a brilliant mathematician
in his own right.

He founded the maths department at UCL,

which is the university that I work at.

But he wasn't exactly progressive.

In a letter that he wrote to Ada's mother,

he explains why women are best
to avoid doing hard maths.

"The reason is obvious," he writes.

"The very great tension
of mind which they require

"is beyond the strength

"of a woman's physical
power of application."

He does recognize Ada's
talents, though, at least,

in a slightly backhanded compliment.

"Lady L. has unquestionably
as much power as would require

"all the strength of
a man's constitution."

(gentle music)

She studied voraciously.

At just 13, she became
fascinated by flight,

and designed a mechanical bird
that could flap its wings.

(gentle music))

She was developing
skills that were coveted

in the Victorian age of engineering,

inventiveness and scientific rigor,

and by the young age of 17,
she was ready to show them off.

(gentle music)

(gears clicking)

The stage her mother chose

was one of the most sought
after soirees of the day,

hosted by the famous
inventor Charles Babbage

and attended by the great and the good.

(gears clicking)

A guest wrote at the time,

One of three qualifications were necessary

for those who sought to be invited

intellect, beauty or rank.

The young lady Lovelace had all three.

(gentle music)

At the party, Babbage was keen

to unveil a new creation
to his select audience.

(gentle music)

He called it the difference engine,

the most ambitious mechanical
calculator ever designed.

Its mathematical elegance
impressed the young Ada.

(slow gentle music)

And this is the actual machine

that Ada would have seen at Babbage's.

Just a small sample of
what it could have been,

had it been built fully,

but enough to understand how it worked.

And enough to spark her imagination.

And maybe somewhere on there still,

was a couple of Ada's
fingerprints left over.

The machine would do the work

of a whole army of mathematicians,

a body of men who were
actually known as computers.

This was just 1/7 of an
entire difference engine.

The full version, constructed
from Babbage's plans,

can be seen at the London Science Museum.

Loose floorboard there.

- [Man] Yeah, (speaking faintly).

- [Hannah] It's lovingly
tended by curator Tilly Blyth.

So, for the first time that I ever see it,

where should I be standing?

- I think it's nice to stand in the front

so that you can see--

- The whole machine--

- Working in harmony and
have a real sense of it.

- Okay.

- But it's also beautiful
from the back as well.

- Okay, Okay, I'm genuinely
excited about this.

(gears clicking)

Wow!

So you've got the units at
the bottom and then going up,

tens and hundreds, right?

- [Tilly] That's right.

- So every time you go past nine,

you have to carry up the column?

Wow.

Actually, that is incredible.

(gears clicking)

It must have seemed like
mechanizing thought itself, right?

- Yes, they called it
the thinking machine.

- So what does the machine
actually do, Tilly?

- So the really incredible
thing about this machine is,

it works using purely addition.

It works using something called

the method of finite differences.

So this allows you to take any equation

and work that through
using an approximation,

but using only addition.

- So in a way, I suppose this
machine takes the equation,

breaks it down to smaller and smaller

and smaller pieces,

until you end up with something

so simple it can be done
by the turning of a cog?

- Yeah, each one of those
cogs is just doing addition

to the next cog.

- [Hannah] Adding, adding, adding.

- Exactly.

(gears clicking)

- The method allows simultaneous work

on a multitude of simple sums.

Tricky for the human
brain to keep track of,

but perfect for the methodical
workings of a machine.

When each addition passes through 10,

these hypnotic spirals
carry the one up the column.

At the end,

the difference engine
automatically prints the answers

into tables, removing
the risk of human error.

Why was it important?

- So, in the 19th century,

people were using mathematical tables

for all sorts of things.

They were using them for engineering,

they were using them for astronomy,

but probably most importantly,

they were using these
tables for navigation.

So sailors referring to
these mathematical tables

and if there were errors in
them, then lives could be lost.

You know, people could be
sailing into the wrong places.

- [Hannah] It's an ingenious machine,

but this was not a computer.

Rather, it was an incredibly
advanced calculator.

Precise up to 31 decimal places.

Could you do it one more time?

- [Tilly] Okay.

- (laughs) I'm gonna stay on this side.

This side's gorgeous.

(gears clicking)
(gentle music)

At the time Ada saw the difference engine,

it was just the small demonstration piece.

For many of the guests that night,

it was an amusing curiosity.

But not for her.

The debutante grasped its significance.

(machine clicking)

(suspense music)

Wife of Ada's tutor, Mrs. De
Morgan, wrote of the night,

"When most of the guests
looked on with the expression

" that savages show on
seeing a looking glass,

"Miss Byron, young as she was,

"understood its working

"and saw the great
beauty of the invention."

It was enough to ignite sparks
between Babbage and Ada,

not sexual sparks, but intellectual ones

and the beginning of
a lifelong friendship.

And Ada's excitement almost
certainly gave Babbage

extra vigor to push forward
with his audacious plans.

(suspense music)

To build such a technologically
advanced machine

would need state-of-the-art manufacturing.

The best engineer was hired to mill

each of the 25000 parts
to exacting tolerances.

It wasn't going to come cheap.

(classical music)
(gears clicking)

But if there was ever an era
for extraordinary projects,

Babbage and Lovelace were in it.

Brunel was engineering the
Great Eastern steamship.

Wheatstone had proposed the
world's first telegraph system.

Darwin was transforming our understanding

of how we had evolved.

And Faraday, Babbage's close friend,

was revealing the secrets of electricity.

Britain celebrated inventiveness.

But all of a sudden,

Babbage shelved his idea of a
grand mechanical calculator.

Here at Royal Holloway,

engineer Doron Swade
thinks he knows the reason

for Babbage's change of heart.

Why did Babbage drop the idea

of the difference engine, then?

- The simple answer is,
he had a better idea.

But the circumstances are rather curious.

He had a dispute which was unresolved

with his engineer, Joseph Clement,

and by law in those days, the engineer,

or the toolmaker, owned the drawings.

The drawings belonged to him.

So Babbage could not recover the drawings,

so there was an enforced gap

in his progression of his
difference engine designs.

He was left without the drawings,

he couldn't work on them.

Without his drawings,
he then began to go back

to the first principles and say,

well, what was he trying to do here?

And in the course of those reflections,

he had the second idea which is an engine

that would vastly supersede
in aspiration and capability,

and that was the analytical engine.

(gentle music)

- Babbage's new idea was audacious,

the most complicated
machine ever conceived.

He called it the analytical engine,

and it would define Ada's legacy.

So I've had a little look

at the plans for the analytical engine.

And the first thing
that really strikes you,

especially in comparison
to the difference engine,

is just the size of it.

I mean, this thing is vast, right?

- It is enormous and probably one

of the plans you might have looked at--

- The plans, yeah, yeah, of course.

- Is the plan 25 from 1840.

This is the culmination
of a major piece of work,

done from about 1834 onwards,

and this is where he tried to present

to the world the overall
conception of what he was about.

So this drawing is deeply,
deeply significant.

In it, it shows a machine
that's 15 foot high,

six foot in diameter,

the main thing that
did all the processing,

and then a store, a memory
as we would now call it,

extending almost indefinitely.

Now, his entry-level machine

(Hannah laughs)

had 100 what we would call registers,

what he called variables, 100 of those.

Now, a machine with variables

would be 45 foot long and 15 foot high,

but he spoke of machines 10 times bigger.

He spoke of machines with 1000 variables.

Now, a machine with 1000
variables would be five times

the complete length of this.

That's 90 feet, roughly,
from the end to here.

- Vast, wow.
- Yeah.

And five times that would be the thing.

The entry level machine
would be 45 foot long,

which is from more or
less where that stand is

to the beginning of the red steps.

- Absolutely extraordinary.

- So you're talking about a monster.

- Yeah.

(gentle music)

The analytical engine was so huge,

Babbage designed it to be driven by steam.

But what made it superior

to the difference engine wasn't its size,

but a small, ingenious detail.

The other thing I noticed
when looking at the plans,

and you have to correct
me if I'm wrong here,

but something I thought
was kind of extraordinary

about these plans was,

in all of the vastness of this machine,

there's one thing that really stands out

that makes it a computer, really.

So I had my colleagues print
up a sort of mock up version

of this and I was wondering if
you could explain it for us.

- The conditional arm.
- Yeah.

- But this illustrates the principle

of conditional branching.

It sounds a complex thing, if then.

If this is true, do this.

If it's not true, do something else.

So there's a branch.

You can take one or
another course of action.

- It's making a decision
right, it's a decision.

- Absolutely, so it can
root its way through,

if you like, a decision space.

So the idea is that this
stud or dowel moves forward

and interrogates the space, see,

Is there anything in that
space so it moves forward.

If this stud, the slug, is
absent, nothing happens.

It stops short and nothing happens.

If this dowel is present,

then that dowel moving forward
will activate this lever.

So whether or not this is present,

it will or will not activate that lever.

Now, this is terribly important for,

one is a general principle

of computing that it can do branching.

- That still exists today.

- Absolutely, absolutely.

- So if you did, for
example, 10 divided by three.

It would go 10, seven,
four, one, minus two.

- Absolutely.

And then the next time that thing said,

Have you gone negative?

It would say, oops and activate something

that would multiply by 10
and do the whole thing.

- Amazing.

- This is a revolutionary machine

insofar as it embodies almost
all the logical principles

of a modern, digital, electronic computer

which is completely--

- For something in 1840s, astonishing.

(gentle music)

Babbage's plans for a
steam driven computer

went far beyond the comprehension
of his contemporaries.

(gears clicking)

He dreamt that one day,

banks of such engines would
industrialize the production

of faultless mathematical tables,

calculated from any number
of different equations.

(gears clicking)

It fired the imagination

of his young prodigy, Ada Lovelace.

She threw herself into
understanding the complexities

of the machine and eventually began

to realize even more than Babbage himself,

the full extent of what
the analytical engine

could actually think about.

(gears clicking)

The mechanics, the hardware,
were only half the story.

The computer needed software

if it were to be versatile enough

to calculate any type of equation.

And it was here that Lovelace
would reveal her genius.

(gentle music)

Graphic novelist Sydney Padua is somewhat

of an accidental expert

when it comes to Babbage and Lovelace.

What got you into Ada
Lovelace in the first place?

- It was a complete accident.

I did a very short biographical comic

and just doing that little
bio you know of four pages

or three pages or whatever,

I became completely mesmerized

by this person and the
machinery and the period.

The contrast was so violent and exciting,

and also they were just
wonderful personalities.

I mean, I just really
liked them as people.

- Her character, did complement Babbage?

- (laughs) I mean, in a sense
they were very similar people,

you know, they were quite
literal minded, they were very--

- Headstrong.

- Headstrong, stubborn, independent,

they knew what they wanted.

She liked to pursue her obsessions.

When she really wanted
to find something out,

she wouldn't rest until she
got to the bottom of it.

- Let me see your drawing.

- [Sydney] There you go.

- (laughs) I love it.

She's not exactly ladylike in that one.

Why is she wearing trousers?

- Oh, you can't wear skirts
in the engines, very (laughs).

- Oh, well.
- That's very--

- [Hannah] That'll be
completely impractical.

- It's a very serious hazard there.

(gears clicking)

- Not one for hanging around,

Ada went on a tour of the cotton mills

of the North of England

immediately after Babbage
showed her the plans.

She came to see this, the Jacquard loom.

A state-of-the-art device

that automated the
weaving of patterned silk.

Babbage had an idea to
repurpose the technology

to instruct his new analytical engine.

- I'll show you how it works,
if you come through this way.

May like to stand over
there, get a good view.

Now, very simply, the
Jacquard is up the top

and it's selecting which
strings to lift up.

So when you press the treadle,

you'll hear a clunk up the top

but you'll see these strings lift up.

- [Hannah] Okay.

(machine clicking)

- [Mike] So you can see
the design building up

- [Hannah] Yeah.

- [Mike] And we've now got a leaf there.

- [Hannah] Actually relatively quick.

- [Mike] Yeah.

- Quicker than I was expecting.

(machine clicking)

The Jacquard mechanism
meant complicated patterns

could be manufactured
by unskilled workers,

the loom being controlled
by a series of punch cards.

- The punch card goes on top

and each of these lines
up with a little pin.

A hole, the pin just goes right through.

No hole, the pin is pushed.

- [Hannah] Okay.

- [Sydney] So if you push
it down then you'll see,

according to the pattern on the cards,

some of the little levers
will go in, some won't.

- [Hannah] So now suddenly,
whatever was on the card

has been translated into these
hooks moving up and down.

- Yeah.
- So that difference then,

hole, no hole is the thing

that causes something to happen back here.

- [Sydney] Yeah, it's a kind of binary.

- This was the height of technology

in a fast modernizing world.

What do you think people were making

of these machines at that time?

How do they feel about them?

- I think a lot of people
found them quite unsettling,

if you kind of read period
descriptions of it, you know,

they sound a bit nervous about it.

Where might this lead?

You know, this is where
you start seeing people

comparing humans to automata.

It does everything automatically,
it turns automatically,

it selects all the threads automatically.

- Almost like it's making decisions.

- [Sydney] Yeah, exactly.

I mean, the machine is
literally selecting the threads.

(machine clicking)

- [Hannah] The automation

of skilled labor was controversial.

A group of textile workers
known as Luddites protested

that the technology
would steal their jobs.

Ironically, Ada's father, Lord Byron,

was a vocal supporter of their movement.

She had no such worries,

but saw how the punch cards could work

with Babbage's new analytical engine.

- The punch cards bringing

this element of choice, actually.

The power is in whoever
programmed the cards.

- Ada was fascinated by
the men making the cards.

They were translating
complicated patterns,

such as a flower petal,

into a simple language
the loom could understand.

Hole, no hole.

The world's first binary machine code.

(gentle music)

She later wrote,

"We may say most aptly
that the analytical engine

"weaves algebraic patterns

"just as the Jacquard loom
weaves flowers and leaves."

(machine clicking)

Her enforced scientific
upbringing was paying dividends.

If Ada's early education was
driven, sometimes cruelly,

by her mother's wishes to purge her

of her father's poetical madness,

then Ada's 20s was fired
by mathematical ambition.

She once told her mother that she wanted

to compensate for
Byron's misguided genius.

In fact, she said,

"If he has transmitted to me
any portion of his genius,

"then I will use it to bring out

"great truths and principles."

(gentle music)

So over the next 10 years,

as well as getting married
and having three children,

she used her intellect to absorb

and uncover the maths needed

to demonstrate the abilities
of the analytical engine.

She also started to grasp

what Babbage's engine
might be truly capable of.

The problem was,

her relationship with
Babbage was not equal.

He was the lecturer and she the student.

Then, in 1842, she got a
chance to turn the tables.

Babbage was woefully inadequate
at promoting his machine,

and, in fact, much of what we know

about the analytical engine
comes from this key book.

It started with Ada's
translations of the writings

of an Italian military engineer

after he attended one of
Babbage's rare lectures

and it's entitled "Article XXIX

"Sketch of the analytical engine invented

"by Charles Babbage Esquire,

"by L. F. Menabrea of Turin,

"Officer of the Military Engineers."

Luigi Menabrea's notes
were impressively detailed,

but, like Babbage, he
limited the capabilities

of the engine only to mathematics,
making for a tough read.

It must have driven her mad.

She knew the engine way
better than this Luigi guy

and yet here she was,

having to churn it out like a secretary.

"Now, to conceive how these
operations may be reproduced

"by a machine, suppose the latter

"to have three dials designated as A, B, C

"on each of which are
traced, say 1000 divisions,

"by way of example, over
which a needle shall pass."

Babbage suggested to Ada

that this might be a wasted opportunity

and that she should add
some of her own thoughts

to accompany the translation.

She went at it, in her words,
"Like a devil possessed."

(gentle music)

Day and night, Ada toiled.

For nine months, she
formulated her thoughts

on not so much how the
analytical engine worked,

but rather the computational possibilities

of such a powerful machine.

Ada's notes ended up being
twice the length of the original

and there are even some moments

where she seems to be
addressing Babbage directly.

She talks about the use of the punch cards

and even gives some
examples of configurations.

And here, she even writes a program

for how to create Bernoulli numbers.

Now, Bernoulli numbers
are a sequence of numbers

that are important in mathematics,

but what Ada's done is
written almost a recipe

for how to make these numbers.

A series of step-by-step instructions

that can be read by the engine.

(gentle music)

At the age of 27, Lovelace
had articulated the language

that could instruct the machine

to weave her algebraic patterns.

I suppose it's a bit controversial

to say exactly where the
balance of credit lies

between Ada and Babbage for this program.

Ultimately, it was Babbage's machine,

so he must have known
how the program worked.

But what you can't argue with is

that this book makes Ada

the world's first published
computer programmer in 1843.

But, for me, it's not where
her real contribution lies.

(birds chirping)

Her notes show Ada was understanding

how to unlock the full potential
of a computing machine.

Mathematicians see the world
in a very particular way.

As much as you can
appreciate a day like this,

you also see the mathematical patterns

everywhere around you.

Everything from the movement
of the sun in the sky

to the surface tension in
the ripples on the water

and the fractal nature of the trees.

And Ada, as a mathematician,

would have been exactly the same.

But it's not just in the natural world.

If she was listening to music,

she would have heard the harmonics

and thought about the
mathematical patterns

that underpin the way that
the notes are created.

(classical music)

She realized because Babbage's machine

could manipulate numbers and
the world is made of numbers,

the analytical engine
could manipulate anything.

(classical music)

Ada had this leap of imagination

that saw the machine as way
beyond just a calculator.

In her notes she writes,

"The engine might compose elaborate

"and scientific music of any degree

"of complexity or extent."

She envisages the analytical engine

as way more than Babbage,
who essentially just saw it

as an enormous mechanical number cruncher.

(machines clicking)
(classical music)

Where Babbage just saw
numbers, she also saw music.

(upbeat classical music)

For her, the analytical engine was a tool

to investigate unseen worlds.

The mathematics that underpin us all.

She knew it had the potential
to change the world.

She wrote, "A new and
powerful language is developed

"for the future use of analysis."

Ada had voiced the aspirations

and possibilities of computing.

Babbage was astounded by her vision.

"The more I read your notes,
the more surprised I am

"and regret not having earlier explored

"so rich a vein of the noblest metal."

(classical music)

Babbage wrote a letter to Michael Faraday

in which he describes her as,

"That enchantress who's
thrown her magical spell

"over the most abstract of sciences

"and has grasped it with a
force few masculine intellects

"could have exerted over it."

To understand how she was able

to make this leap of thought,

it's important to remember
the inventiveness of the time

that she lived in and
also who her father was.

Ada had creativity in her blood
and was educated in science.

She understood that the numbers

on the engine could be
replaced with symbols

and represent something
other than just quantities.

She was on the brink of
a new age of discovery.

(crowd shouting)

But that's not how it turned out.

So what went wrong?

(crowd shouting)

To really prove the concept
of a computerized world,

money needed to be raised to
build the analytical engine,

but that wasn't gonna be
easy with Babbage in control.

He'd already been given a considerable sum

of government money to
build his previous machine

and yet he delivered no engine,

nor any change from the 17000
pounds that they'd given him,

roughly the cost of two Royal
Navy warships at the time.

(crowd shouting)

There was much disquiet in parliament

over the apparent waste
of government money.

(gentle music)

None of this was helped by
Babbage's irascible personality.

He could be a really difficult man

and was constantly getting into arguments

with politicians over money.

After one particularly ferocious row

with the Prime Minister
at the time, Robert Peel,

Peel made his thoughts known in a letter.

"What shall we do to
get rid of Mr. Babbage

"and his calculating machine?

"It would be worthless as
far as science is concerned."

With Babbage at the helm,

it looked like the analytical
engine was dead in the water.

(crowd shouting)

And then up stepped Lady Lovelace.

(bells chiming)

(birds chirping)

Ada had a plan to get the
analytical engine funded.

She knew that she was famous,
eloquent, frighteningly bright

and the only person in the world

that had recognized the full
potential of the engine,

not just for science but for the Empire.

Her proposal to Babbage was
going to be a sensitive subject.

In a letter dated 14th of August, 1843,

after a few platitudes, she broached it.

"I must now come to a practical question

"in respecting the future.

"Would there be any chance
of you allowing myself

"to conduct the business for you,

"your own undivided energies being devoted

"to the execution of the work?"

Basically, you stick to building the thing

because you're a liability when
it comes to getting it made.

"You will wonder over this last query,

"but I strongly advise
you not to reject it."

(gentle music)
(machine clicking)

Her somewhat presumptuous
tone reflects the passion

she felt for the engine.

Writing her notes had
revealed the possibilities

of a wondrous future,

one she was desperate to bring to life.

But it appears that Ada had
crossed a line with Babbage.

He refused all of her conditions

and any relinquishment of control.

He said no.

(gentle music)

(pages fluttering)

It's not clear

why her friend and mentor
turned his back on her.

But I suspect she understood.

She'd chosen to make her name in science,

traditionally an all male domain.

Even her tutor, Augustus De Morgan,

impressed as he was by Ada's ability,

thought that she would fatigue herself

with a struggle of mind and body.

(announcer chattering)

- [Man] it's factual young and old

(announcer chattering)
(upbeat music)

It's likely that Babbage assumed

that if he couldn't raise the money,

then Lovelace certainly couldn't.

Women in Victorian society
were not seen as equals.

(announcer chattering)
(mic squealing)

With her scientific ambitions in jeopardy,

she came here and started gambling.

(dramatic music)

It raises the intriguing possibility

that she was trying to raise money

for her beloved analytical engine.

I don't think that Ada had gone

completely bonkers just yet anyway.

Instead, she was thinking
about the gambling

from a mathematical perspective

in the way that she always did.

Now, if you look at
gambling mathematically,

suddenly you don't really care

about the reality of the situation,

the noise of the hooves

or the emotion of placing a bet itself.

Instead, it's as though you're
just thinking about numbers

on a page in a kind of
dispassionate way, almost.

- [Announcer] So, nine runners,

and the latest betting,
secret missile gets

an open betting of four
to one on her way to--

- [Hannah] Logic over emotion.

Exactly how Ada had been trained.

She knew even the smallest miscalculations

by the bookmakers could be exploited.

(gentle music)

She was gambling that her
maths was better than theirs.

(gentle music)

Biographer Ben Woolley has researched

this particularly shady
part of Lovelace's life.

- What are your odds?

- Eight to 11.

- Eight to 11?
- Yeah.

- So that means that if you put,

well, if you put a fiver on,

you're gonna be getting?

- Eight pounds 64.

(people chattering)

- [Ben] Christopher Marlowe,
Christopher Marlowe, I think.

- Hello, can I have a fiver?

Ooh, no, fiver on Christopher Marlowe.

- Five pound win, number
one, Christopher Marlowe.

There's your ticket, darling.

Thank you very much.

- [Announcer] Christopher Marlowe.

- What does he even look like?

This is exactly what you shouldn't do

if you're a mathematician,

is just pick a horse based on its name.

- Yeah, I know.

Well, that's the element of risk.

- Well, it's good fun anyway.

(mic squealing)

(dramatic music)

So, why was she gambling
in the first place?

I mean why would she, why
did she become so attracted

to the horse races at all?

- Well, one speculation, one
possibility is the reason

that she got into gambling
in this big way was

because she wanted to raise the money

for the analytical engine.

Since Babbage had come up
with this amazing machine,

this sort of precursor
of the modern computer,

this mechanical computer,

and she'd written these notes about it,

she'd become very personally
involved in the whole thing

and perhaps she saw this as an opportunity

of raising the enormous amount
of money needed to, you know,

bring it into fruition, to
actually build the thing.

(gentle music)

(hooves thundering)

- [Announcer] And they're
going, they're off.

And their racing.

(announcer chattering)

Is on the outside.

- [Hannah] Was she doing
this gambling alone?

- No, she had a little
coterie of men surrounding her

which effectively acted
as a gambling syndicate.

People like, well, there
was a chap Nightingale,

almost certainly Florence
Nightingale's father.

Although it's all fairly
secretive, the names,

it's not entirely clear who they are.

There's another one called John Crosse.

- Is that the one who became her lover?

- Yes, John Crosse was
the son of Andrew Crosse,

who was this famous electrical scientist,

some speculate inspiring
the figure of Frankenstein.

They provided the money

because she didn't have
access to the money herself.

- [Hannah] But she was
quite a wealthy woman,

there, wasn't she?

- She wasn't a wealthy woman in the sense

that she didn't have
control over her own money.

Her mother had arranged
that she didn't get

her hands basically on the family fortune.

- [Hannah] The success
of the analytical engine

might have been resting

on the results of these horse races.

- [Ben] Go on, Christopher Marlowe!

- He's so chilled out (laughs).

- Yes, you can have it all!

- You can have my eight pounds 64.

- Eight pounds, 64, made a profit of--

- [Both] Three pounds, 64.

- Okay, yeah.

- [Ben] That was a risk worth taking.

- [Announcer] On the
official time unbelievable

students 11.

Point 060 seconds, two
minutes, 11.06 seconds.

- Okay, go and pick up the
winnings, the vast winnings.

- All three pounds, 64 of it.

Can I have my winnings, please?

- Five.
- Thank you.

It's the big bucks.

- [Ben] It's the big bucks.

What a win.

- There's a bonus there, look,

because I haven't got any silver.

- [Hannah] Aw, you're too kind to me.

- Well done, thank you very much.

- Thank you very much.
We got a bit lucky there.

- Yeah, we've even got
some extra nine pounds.

- Yeah.

But how did Ada do?

- Ada did very badly indeed.

She had this series of
bets that she put on

in the spring season of
1851, right here on that turf

and it went very, very wrong.

It resulted in her owing 3200 pounds.

- Which in the 1850s is
a lot of money, isn't it?

- [Ben] Yeah, a lot of money.

It's probably around
half a million pounds.

- Especially to someone
who only had pocket money,

really, to go on.

- Yeah, she ended up
owing thousands of pounds

to some pretty dodgy
characters, some of whom were,

you know, trying to
extort money out of her

by suggesting that they were
revealing what she'd done

with her gambling and so
on, who had to be paid off.

It got very sticky for her by that stage,

but she seemed to raise some
of her own contributions

to this by pawning the family's
jewels for up to 800 quid.

- So then, do you think that
Ada had just lost the system?

Do you think that she'd allowed herself

to be carried away with
the emotion of the event?

- Well, I think, yes,

it was that sort of perilous combination

of mathematics and
recklessness, of risk and maths,

the hope that she could use
sort of the rational methods

that she'd learned through her mathematics

in this kind of risky environment

and it came off very badly for her.

(somber music)

- Ada's syndicate had trusted
in her mathematical prowess

but they hadn't counted on the emergence

of an old Byron family vice,

a love of taking risks.

(woman vocalizing)

Her demise was swift.

She'd worked hard all her
life, a woman in a man's world.

Now, just 10 years after
writing her manifesto

for a computer revolution,
her dream was slipping away.

(singing in foreign language)

"My kingdom is not to be a
temporal one, thank heavens.

"Labor is its own reward.

"And it is perhaps well for the world

"that my line and ambition

"is over the spiritual

"and not that I've taken it
into my head or lived in times

"and circumstances calculated
to put it into my head

"to deal with the sword,
poison and intrigue

"in the place of X, Y and Z.

"That brain of mine is
something more than mortal,

"as time will show.

"The devil's in it if I've not sucked out

"some of the lifeblood from
the mysteries of this universe.

"No one knows what almost awful
energy lies yet undeveloped

"in that wiry little system of mine.

"I say awful because you
can imagine what it might be

"under different circumstances.

"Your fairy forever, AAL."

(singing in foreign language)

Ada remained supremely
confident of her ability.

However, the one thing Lady
Lovelace lacked was time.

(bird squawking)

In 1852, Ada fell gravely ill.

She took to her bed in this very room.

As she lay dying, painfully and slowly,

from what we now know was

almost certainly a cancer of the womb,

she confessed to her mother
about her gambling debts.

Now, when she finally did die,

Ada was just 36 years old,

exactly the same age her
father had been at his death.

(gentle music)

Her life had been full of regret.

Her determination to rise

from the shadows of her father
had seemingly come to little.

Her extraordinary manifesto
was largely forgotten.

Even Babbage rarely talked about it.

History was shutting her out.

(gentle music)

There's one final twist in Ada's story

which I think is particularly telling,

her last wish before she died.

Against her mother's will,

she insisted on being taken
miles away from her home.

(gentle music)

Her wish was to be buried in this tomb

alongside the man she hadn't
seen since she was a baby,

her father, Lord Byron.

Cheating husband, poetical genius

and supporter of the Luddites.

Now, no one really knows
why she made this decision.

Perhaps she was trying
to exert some control

in death that she lacked in life.

Perhaps it was a final
attempt at a lasting legacy.

But to my mind at least, Ada,

the daughter of art and science,

who struggled so much with the coldness

of her mother in life, longed
for the warmth of her father.

"Is thy face like thy
mother's, my fair child.

"Ada, sole daughter of my house and heart?

"When last I saw thy young
blue eyes they smiled.

"And then we parted.

"Not as now we part.

"But with a hope."

Her coffin, adorned with a crown,

was laid beside Lord Byron.

Ada Lovelace returned to the shadow

of her more famous father,

her contribution to science buried.

(airplane engine roaring)

It took over a century for
her genius to be resurrected.

It was the height of World War
II, a time of national peril.

Here at Bletchley Park,
amidst great secrecy,

a team of scientists were experimenting

with thinking machines.

One key pioneer took a keen interest

in Ada's ideas of computer science,

Alan Turing, the brains
behind this machine.

Now, it had taken over a century,

but this was finally an example

of mechanized thought in action.

Turing was fascinated by
how a machine could be made

to understand and act upon instructions,

just as Ada had been 100 years earlier.

(machines whirring)

He designed this particular
machine, code named the Bombe,

and instructed it to
run through combinations

and look for patterns in data.

It would prove vital in
cracking encrypted messages

of Hitler's armed forces.

Turing had had the same idea as Ada,

the ability to interchange numbers

and symbols in a computerized world.

(gentle music)
(machines whirring)

In many ways,

Alan Turing and Ada Lovelace
were kindred spirits.

Both saw further than any of their peers

as to the true versatility of computers.

(gentle music)

Turing did his early work
without having seen Ada's notes,

but he came across them in the 1940s.

Now, that must have
been an amazing moment,

almost like a dialogue

between two like minded
people across history.

Now, Turing wrote about Ada's work

and her far reaching ideas
and it's thanks to him

that she's become known
as a pioneer of computers.

(gentle music)

(pages fluttering)

So how should we remember
Lady Ada Lovelace?

- This was somebody with enormous talent,

in an extraordinary
environment, hugely privileged,

with a background that made
her a celebrity from birth,

struggling for balance.

How could she make meaning of her life?

And the meaning she
sought was to be a savant,

to be somebody who could
interpret the world.

- And I suppose in that sense

her accomplishments are undeniable, right?

- Yes, yes.

She wrote about the
engine, what it signified

and what it meant in ways
that Babbage never did.

In all of his 11 volumes
of published writings,

nowhere does he write
about the aspirations

and potential of computing in
the way that Lovelace does.

And this is not a suggestive hint,

this isn't a backwards
projection from our own age

onto the blank canvas of the past,

this is Lovelace thumping
the table, saying,

"This is what is significant
about this machine."

(gentle music)

- The modern world now
teems with computers.

They're everywhere, often hidden
as miniaturized microchips.

If we don't take them totally for granted,

we certainly aren't surprised

that they can do so much more
than simple number crunching.

Ada had seen this, the
extraordinary flexibility

of computers, nearly 200 years ago.

It would have been quite something,

a Victorian information
age with hardware driven

by steam and software with the power

to unpick the fabric of reality,
dreamt up by Ada Lovelace.

(gentle music)
(pages fluttering)