All language subtitles for Bloodline.Of.The.Jewel.2025.720p.WEBRip.x264.AAC-[YTS.MX]

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(dramatic music)

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(soft booming)

(gentle chimes)

(gentle serene music)

(insect chirping)

(gentle tense music)

(gentle tense music)

(insects chirping)
(foreboding music)

(gun tapping)
(Hemi gasps)

- [Seated Person] Grand rising.

- What the-
- Get up.

Get up!

- What do you, what is this?

What is going on?

What do you want?
- Hemi.

Give me what I want.

Hemi, you're making this much
harder than it has to be.

- Who are you?

I do not know who you
are or what do you want,

why you are here, but I
cannot assure you,

you have me mixed up
with someone else.

- Hemi, Hemi, Hemi, how
can I be so rude?

Allow me to introduce myself.

I am Tu and, Hemi, you
know exactly what I want.

(anxious music)

- I do not know what you want.
What are you looking for?

Listen, is it money?
You want money?

I, I, I have some francs.
I, you, you, you take it.

I give it to you. You take it
and you just leave my house.

Please, I beg you.

- Money, my brother, I
do not need your money.

I only have need of one of
two things this evening.

We have already been
tipped off by the carrier

that you received a package

from the United States
the other day.

So either you give us the
location from whence it came

or the jewel itself.

(anxious music)

- Jewel? (stammering)

Listen, I only receive,

I only receive a letter
from my mother,

who I can assure you I have
never met before, never.

(anxious music)

- Now you understand.

Where's this package
that you speak of?

(anxious music)

- This does not make any sense.

(sighs) Wait, let me
understand this.

You, you break into my house
in the middle of the night,

you rummage through all of my
things, looking for a letter

from a woman who abandoned
me since I was only a child?

- [Tu] Hemi, you are making this

much harder than it has to be.

I don't ask for much.

(tense music)

- This is insane. It does
not make sense to me.

But, but if it'll
get rid of you,

(anxious music)

The letter is over there.

- You see, that
wasn't that hard.

Now, one last question.
Where can I find that jewel?

And I'm only asking, my friend.

(foreboding music)

- I do not know what
you speak of.

- Of course you don't,
but just in case.

(foreboding music)

(blade clicks)
- Wait. What?

No, no don't!

(body thuds)

(anxious music)

(footsteps plodding)

(lively upbeat music)

- My best friend will
make all the heads turn

as the most
beautiful bride ever.

- I do look really fine,

don't I?
- Yes, yes. Hey.

* Oh, oh, oh sexy mama *

* Mama be sexy *

* Hey *

* Sexy me mama *

* Ah oh oh *

* Mama sexy *

- [Seamstress] Would you please?

- I'm so sorry.

I'm a seamstress myself.
I should know better.

- Surprised you didn't make
your own wedding dress.

- I have far too much to do.

- Hm, wait until Kahraz
sees his bride.

He will be blown away.

(Nahdulay speaking in
foreign language)

- Oh, speaking of
too much to do,

I must go and pick up
the flowers.

We are only two weeks away.

- Oh, you are the greatest.

I don't know what I would
do without you.

Muah, muah.

- I don't know.

- I should go with her.

We'll finish the rest tomorrow,

when you are less bothered.

- Sorry. Very well.

Hm. Oh, hm. Ooh.

(chuckling) Afa.

(dramatic foreboding music)

This is she.

(somber music)

What? No, no! (sobbing)

(person knocking)

No. (sobbing) Hemi.

(person knocking)

Hemi! (sobbing)

(sorrowful music)

(car horn blaring)

- Finally, she threw back
the door and opened the cage.

Before the village knew
that the king had vanished,

she had already
repaired the handles

and Bamenda slept in joy

and never knew that it
had ever been compromised.

And as she soaked her bruised
and weary hands with salt

and steamed mud, she
once again managed

to live on to save another
kingdom on another day.

Oh, wow. What a way for
Agatha to be triumphant.

It just goes to show,

you do not need
recognition to be a hero.

She was selfless and
still powerful.

She reminds me of all the
women today and of all time.

- And I can see that.

I can also see that it
can go beyond her gender.

You know, we all have a little
hero in us from time to time.

And we know exactly what to do

and when to do it to
save what we love.

- That is a very
interesting take, Frank.

You know, in my country
we have a saying,

but the village only survives

only if the night owl
never sleeps.

- I need a silent hero

and a night owl to work
on these bills (laughs)

and to generate peace and love.

- You had it right
the first time.

- Would you please stop?

(lighthearted music)

- Well, look at the time.

(sighs) Don't forget, next
week for Family and Friends Day

we will be taking on a
genuine TV classic.

Don't forget to order your
books from Shakii before then.

I hope you all have a
wonderful evening.

Mercy and peace.

- [All] Jalan.

(gentle lighthearted music)

- Yes.
This is the best book read yet.

- (scoffs) Girl, you say
that every week

and we all know you
came here for the wine.

- And we all know you came
for the cookies. (chuckles)

Hmm, Mama Rose, another
wonderful evening.

We appreciate how you bridge
African and American culture.

- Oh, thank you ladies
for your dedication.

- Of course, and we will
definitely be here next week.

- Well, that's a treat.

I hope you have a
wonderful evening

and next week we'll be
having Merlot and wafers.

Thought you'd like to know.
(chuckles)

(footsteps clicking)

(sorrowful music)

- (sobbing) Hemi.
Hemi. (sobbing)

- Nahdulay, I came as
soon as I heard.

- (sobbing) Why would
they take him from us?

He would not have hurt
a soul, Aunt Rebina.

- Oh, my child, this
is awful news.

- I can't go on.
He was my junior brother.

I watch over him.

- This I know to be true,
Nahdulay,

but now is not the time
to give into grief.

- I want whoever did
this to suffer

and to feel the pain
that I feel.

They take my brother away.

It was only two weeks
before my wedding.

A matter of days before
his birthday. (crying)

They don't deserve to live
another moment!

- Nahdulay, there's
something you must know.

This is the start of
something sinister

more than you can imagine,
my child.

You have to do as I
say quickly now.

- [Nahdulay] What is going on?

- You must go to America
and tell your mother.

- My mother? America?

What is this foreign
language you speak to me?

I have not seen my
mother in over 20 years.

I would not even know where
to begin to look for her.

No one does.

(anxious music)

- You must go to America.

This is where you will find her.

(anxious music)

- I I, you knew?

You kept this from me?

I want to know what is
going on right now.

I demand to know everything.

- It's not for me to tell you.

You must hear it from your
mother. We are in danger.

We must protect ourselves.
You must go now.

- I cannot believe you.

Remove yourself!

- Nahdulay, don't be foolish,
my child.

Do not think with your emotions.
Hurry.

- Leave me.

- I'm sorry child.

(purse clasp clicks)

I'm so sorry, child.

Sorry, my child.

(dramatic suspenseful music)

- You are a handful, woman.

You never miss an opportunity
to show a little wit.

I love it.

I guess I will see you next
week.

Unless?

- I'm not going out with you,
Frank.

- Well, at least you can make
me some fufu. How about that?

- Stop it.

- Hm, did you get the
flowers I sent?

- Hush! Yes, I got it.

Why do you keep sending?

- Well, did it help
my case at all?

- Frank, you know that
I will not even consider

going out with you until you
deal with your situation.

- I know, my hair

and don't even worry about
that 'cause I can cut it.

- No, your wife.

(somber music)

- Listen, I'm working on that.

- Sure.
- Just give me some time.

- [Rose] Frank, you have known
me for over two decades now.

I am set in my way.

- I know, but what
you don't know

is I'm just wearing you down,
sweetheart.

- Why, Frank? Why?

- Maybe, 'cause I've never
met a woman like you before.

I mean, it's ironic that
your name is Rose

because that's exactly
what you are to me.

- But don't you become a
thorn in mine.

- You will see one day.

Anyway, you got mail. I
left it on the counter.

- Oh, I got mail. Where, where?

Where'd you pu... Ooh.

- So you, you just gonna
leave me like this right here?

- Oh!
- Yeah, you know what?

I'm, I'm gonna go ahead
and go, okay. (hand knocks)

Okay, like I'm going. Right now.

I'm going. Bye, Rose.

(troubling music)

- Oh, I feel I've made a
horrible mistake.

(airplane engine roaring)

* Woke up this morning
with the thought of you *

* I just met you yesterday
I just met you yesterday *

* I know it's crazy
yeah it's crazy *

* But I can't let you get
away let you get away *

* I can't do much but want
you bad I want you so bad *

* And I wanna get you in my
glass wanna drink you up *

- Nadulee?

- It's Nahdulay.

- You ready?

- Do I have to put my
luggage in myself?

- You need a ride?

- Oh, my God.

* Do ya do ya *

* Do ya do ya wanna go *

* Do you wanna go *

* Do ya *

- Ah, there's my soon
to be bride.

My queen how are you?

- I've been better.

- You've made it to America,
I see.

- Don't remind me.

- Ah, sweet darling, don't
blow your head.

Do what it is you must do there.

- If only I knew what that was.

First, I lose my brother

and now I'm in America
to see my mother

for the first time in
two decades.

This is not how I
expected this week to go.

- Nahdulay, don't worry. You
will get to the bottom of this.

I will put my men on what
happened to your brother.

Nothing will get past me.

- Ofa.

(tires screeching)

- Oh, shit!
(metal crunching)

(dogs barking)

(door bangs)

Man, I'm so, so sorry. I
did not mean to hit you.

I was just, I, I was,
I-I don't know.

I was just, I-I don't know, man.

I was just trying to drive
and everything, you know?

I don't know.
I was just trying to drive.

I was-

(gentle tense music)

- Ma'am, are you okay?
- No, don't touch me.

- [Oliver] Hey, hey, hey.
I'm not trying to hurt you.

I just wanna make
sure you're okay.

- [Nahdulay] Just too
much going on. (crying)

- Look, look. Just get in,
I'll take care of this, okay?

- Okay.
- All right.

(gentle tense music)

- [Driver] Man, bro, I mean,
my grandma

gonna kick my ass if my
insurance go up.

Yo, I, (stammering).

- It's okay.

It is just a fender-bender.

- Are you for real?

(gentle music)

- It is. All right.

- You know what?

Let's just let it go, man.

We don't have to get the
cops involved, all right?

- Right.
- Yeah, I'm a driver too, man.

Just be more careful.

- Absolutely, Absolutely.
So I can go?

(phone vibrating)

- (sighs) What do you want,
Frank?

What are you talking about,
Frank?

(scoffs) Everyone's done things,
Frank.

(doorbell chiming)

Hey, Frank, I'll call you back,
okay?

Hey.

We're closed!

(doorbell chiming)

I said we're closed.

Who is this? I'm telling you.

(keys jangling)

- Mother?
- Nahdulay N'Cala?

(heels stomping)

- [Nahdulay] What are
you doing alive?

And what are doing in America?

- My sweet little Nahdulay.

But you are a woman now.

Oh, I have so much to tell you.

- You left us.

You left us, you wicked woman!

And you deceived us all.

And you come to America and
live as if we never existed.

Why did you do that?

(somber music)

- I did not. I would never.

- Oh, but you did. Why?

(somber music)

- Oh, I-
- Do you want me

to stay confused after
all this time?

I need answers.

- I never wanted this to
happen this way.

I knew that some day
that this time will come,

but I still am not ready for it.

Oh, I should have never sent
that letter to your brother.

- What are you talking about?

- The letter that I
wrote to Hemi.

He found a letter that I
wrote to Rebina.

That is why you are here.

He found the letter

and he wants to know why I
left after I give birth to him.

He want answers and I
cannot explain.

(gentle tense music)

It was hard.

It was so hard leaving
my children, my babies.

But I knew that they could
never know who you were.

They were, oh my God.

This is not good.
This is not safe.

- What is not safe?
Let, let who know What?

- Wh-why are you here alone?

Something is not right.

(dramatic anxious music)

You would not come
here without him.

(dramatic somber music)

No! No!

Hemi is dead?

(Nahdulay whimpers)

(dramatic sorrowful music)

- Aunt Rebina told me to
come find you and tell you,

although you show him no
honor in life.

I honor her request. But
you do not deserve to know.

- I understand how you may feel,
Nahdulay,

but it is not what you
are thinking.

My honor is for my family.

(somber music)

Who else knows that you
came here today?

Who else knows that you are
here? This is very important.

- (sighs) Only my fiance.
No one else.

- Good.
You must tell no one else.

You are not safe, Nahdulay.

You are not safe here
and you must go.

You must go now.

Nahdulay, you are not safe here.

Listen to me. Oh, here.

Listen, this is my
friend Shakii.

- I am not leaving until
I get answers.

- I beg of you.

You are not safe here.
You must go now.

(suspenseful music)

(objects clattering)

Go to Shakii. You are not
safe anywhere but there, okay.

I promise I will tell
you everything tomorrow.

Everything that you want
to know, everything.

- Very well.

I will go, but I will be back

and I want to know
what is going on.

I want to know everything.

- Trust me, I will tell
you everything.

But you must go now

and I will not stop until
I unearth those monsters

who did this to your brother,
my Hemi.

- It is too late for
you to play mother now.

I've done that job already.

(heels stomping)

(dramatic suspenseful music)

(door banging)

- (screams) My Hemi.
(crying) My boy.

* Oh oh oh yeah yeah
yeah yeah-yeah *

* Yeah yeah yeah-yeah-yeah *

* Oh oh oh *

(suitcase banging)

* When I look into your eyes *

(object clattering)

- Need some help?
- You.

(traffic noise droning)

I'm fine. Thank you.

- There you go.

Seem like you're having a
crazy day, huh?

- You have no idea how
crazy it's been.

- Well, I hope something
goes go better for you.

I'm sorry, Oliver.

- Nahdulay N'Cala.

- So, uh, are you staying
somewhere around here?

- No, I am not. I have an
address and I need a driver.

- Oh, well you're in luck.

I happen to be in between rides

and I'm looking to do a
good deed today.

- You're a driver?

- Yes, but don't worry,
this one's on me.

I just want something to
go right for you today.

Uh, where you heading?

- Um. Here...

(paper rustling)

Can you, can you take me here?

- Walkertown? Yeah, that's
like 20 minutes away from here.

- So you know where it is?

- Yeah, I can look
at any address

and tell where it is by now.

But, uh, yeah I got you.

Come on, get it.
- All right.

- [Oliver] Let me get
your stuff for you.

- Thank you.
- After you.

* Your love is stronger
than the ocean *

* All across the *

- So, what country are you from?

- Um, Nafaree, a small
country in Africa.

- Nafaree, I've never
heard of it.

I'm from Greensboro.

What brings you to America?

- I came here to see my
mother, but I wish I had not.

- Oh, that's deep.
Wanna talk about it?

- I'd rather not. Besides
I do not know you.

- I get that.

(chuckles) I can understand that

and I don't mean to
intrude at all.

But, uh, I get kinda used to it,
you know?

That's one thing I love
about my job.

It's kind of like I'm
a therapist.

- Hmm, a car driver that
is a therapist.

- I guess people are
more inclined

to talk to people that
they don't know.

- Is that a fact?
- Yeah.

I guess they don't feel
like they're being judged

or made fun of.

- Hmm, seems like something

that would make you world go
around like a spinning planet.

- What, talking to people
about their situations

and circumstances?

- (speaking in foreign
language), I mean, yes.

- (chuckles) I'm used to it.

I've done it all my life.

You know, I've always
been a good ear

for people when they
wanna talk about things

just to get it off their chest.

- Hmm, thank you for
your interest,

but I am not one to burden
another with my stories.

- No, I understand.

But you do kinda owe me.

- I owe you?

- Yes, you owe me a
good conversation.

- I owe you a conversation,
yet I do not know you.

- I mean, y'all did
run into my car

and I just got a new paint job.

- [Nahdulay] I apologize
for that. (sighs)

- [Oliver] It's all good.
It's all good.

- That driver was so obnoxious.

- Yeah.
- And I apologize

about my behavior.

- Oh, it's all good.

Uh, we can just listen
to music if you want.

- It had been over two
decades since I had seen her.

When she left us, I was
just a little girl

and I will never
forget that night.

I cry like a baby

because for some reason I
knew she would not return.

- Your mom?

So you came here to
confront her?

- No, (sighs) my
brother was killed.

So my aunt told me to
come to warn my mother,

but she doesn't deserve
to know he died.

And then she tells me
that I'm in danger.

- Wait, do you feel like
you're in danger?

- I want to know what
happened to my brother

and I feel like coming
here to America

is just wasting my time.

Especially, for a woman
that I never knew.

- Why do you feel like you're
aunt wants to warn your mom?

- I don't know.

The sad thing is nobody even
told me where my mother was.

- That's suspicious.

- That's confusing.
But I will be fine.

How long do you drive?

- [Oliver] 15 minutes.

- I mean, um, how long
have you been a driver?

- Nah, no, I know what you mean.

I've been driving for a
few years now.

Actually, I'm a teacher.

I only do this on like
summers or when school is out.

- Hmm, (speaking in foreign
language), it is unique.

- (sighs) Yeah, that is unique.

Well, uh, we're here.

(gentle upbeat music)

- [Bartender] What's up?
What can I get for you?

Two shots of JM, brother.

- [Bartender] Two shots
coming right up.

- Hey, another.

(gentle anxious music)

Hey, hey, another!

- Same thing Mr. Bossy?

That's one.
- Yes.

- [Bartender] And two.
Appreciate you.

Must've been a rough day.

(gentle anxious music)

- Give me what I ask.

- Give me what I ask.

Man, you kinda pushy ain't you?

That's not too nice.

- Don't, shout at me!

- Say, man, what's your problem?

(bartender grunting)

- I suggest you pour me
another drink-

- Mm-hm, okay. (grunting)

- Before I change my mind
about letting you live!

- (moaning) Okay. Okay.

(phone notification chimes)

Oh, okay. (moaning)

- Hello?

(bartender moaning)

Nyet, don't worry. I do my job.

(speaking in foreign
language) It will be done.

(gentle tense music)

(gentle bright music)

(person knocking)

(gentle bright music)

- Shakii?
- Tis my name.

- I am-
- Nadi.

Nahdulay, I would not open
my door for just anyone.

Come get in while you fit in.

Oh, oh. (chuckles) Oh,
Dr. Ship. (chuckles)

It's crazy, with the
click of a button

you'll have your whole house

looking like storage
compartment. (chuckling)

Are you hungry?

- Uh, no, I'm fine. Thank you.

- You could use a little
meat on your bones.

But very well, have a seat.

(gentle curious music)

(gun bangs)

You know the key to this
is to make sure

you're rolling tight enough

so you can fit as much in,
do you smoke?

- No, I don't.

- You do not eat.
You do not smoke.

You just don't.

I hope you're not one
of those uptight ladies.

You're much too pretty for that.

- Okay, I think this is a bad
idea and I'm going to leave.

- Oh I see, you have a
stick up your rump.

- Pardon me?

- A little uppity, are we not?

Would you like a spot of tea?

- Spare me.
Okay, and I am not uppity.

I'm in a whole nother
country to find answers

and I've been pushed to
some dungeon.

- Dungeon? (laughs)

You think this is some
sort of a game, do you not?

Your mother is trying
to protect you.

She tell me herself. Enough
to know you are in danger.

And I know what happens

to little uppity naive
ladies when situations occur.

- What did she tell you and
why did she send me here?

- Hand me that glass. Nevermind.

(gentle tense music)

(bottle cap rattling)

(gentle tense music)

(exhales) Okay, where was I?

- Okay, um, I've seen enough.

I appreciate your extend,

but I, I will be
staying somewhere-

- Sit down. Sit down!

(gentle anxious music)

You are not here for
fun and games.

I know you are angry
with your mother

because she was not there.

But this is greater than that.

You mother protect you
and you are safe here

because I don't play, at all.

Until then, give weight
and you will know.

Your room is in the
back on the left.

(traffic noise droning)
(gentle anxious music)

(phone notification buzzing)

- Hey, Rebina, my sister. Eh,
she told me what happened.

Uh-huh. Yeah, thank you
for sending her here to me.

Yes, I will keep her safe. Hmm?

Keep your guards near
until this is done.

No, that king will not get
away with this.

- (chuckles) Give me
what I want.

(dramatic foreboding music)

- Who are you and how did
you get in here?

- (sighs) Do you know
what I did to your son?

(foreboding music)
(soft heart beating)

- You get out of here now!

- Eh, I said give me the jewel.

- You will never get the jewel.

(dramatic suspenseful music)

- (moans) Ow!

(both grunting)
(suspenseful music)

(staff clatters)

(Tu grunting)
(Rose whimpering)

(suspenseful music)
(soft heart beating)

(dramatic suspenseful music)

Shakii.
(soft heart beating)

(expectant music)

(expectant music)

(expectant music)

(suitcase bangs)

(expectant music)

(gentle music)

(window whining)

- Thank you so much, man.

These things are so
easy to forget.

- It's okay.
Happens all the time.

- Well, I owe you one.

- No, it's no problem.

- Well thanks, man. I just
hope I'm not holding you up.

- No, I don't have any other
passenger scheduled today.

I just need to pick up a lady.

- Ooh, a lady, huh?

- Nah, nah, it's not like that.

- Well, I know blushing
when I see it. (laughs)

- Nah, I just met her yesterday

and she needs a ride
to the airport.

- I'll tell you what,
you enjoy that

and I'll see you tomorrow.

Thanks again, man.

(soft romantic music)

(Nahdulay clears throat)

(soft romantic music)

- Catch me in the back
room. I'll see you shortly.

(soft romantic music)

Hmm, I'll make breakfast,
or not.

Where are you headed?

- I'm so sorry about yesterday

and I appreciate your
hospitality, I do.

But I must get back to Nafaree.

- You do not need to
go to Nafaree.

You need to sit down
and wait to hear

what your mother has to
say about what's going on.

Let's end this.

Infused eggs.
They will relax your nerves.

- (sighs) I-
- Mm.

- [Nahdulay] Do not need eggs,
Shakii.

- Hmm.
- And I do not

need to hear another word
from my mother.

I have pressing issues

that relates to my
brother in my village.

- Balah, balah, balah, balah.

- Excuse me.

- You want to leave

before you hear what
your mother has to say?

- There is nothing she
can say to me

and this charade has went
on long enough.

It is robbing me of the time

that I need to know what
happened to my brother.

There was time for her to inform
us, but she was not there.

- Fine, little one, if
you must go, so be it.

Javier, bring me the
car tag off the shelf.

Not the expired one.

I will get my keys and
give you a ride.

- That is not necessary.
I have a ride.

- Who?

(person knocking)
Huh.

(door clicks)

Wait! Lift up your hands.

(tense music)

Guess I'll sit my
rumpus down then.

Javier.

(floorboards creaking)

* Oh baby baby *

* I I wake up in the morning *

* To the rush of your
smile yeah *

- Please tell me you're
having a better day.

- I cannot.

Not until until I'm back home

and I don't remember
any of this.

- I must admit,

I'm a little surprised
you're leaving so soon.

- [Nahdulay] And why is that.

- I don't know.

You don't strike me as the type

that would like to run
away from things.

- I am not running away
from anything.

* Always shining bright *

- I don't know.

You're leaving and there's a
lot of unanswered questions.

- All of the questions
have been answered.

I do not need to be in America.

It's foolishness to be here.

I am wasting my time

and things that I could
be accomplishing.

- That's your conclusion?
- Yes, it is.

What else is there to learn?

- Well for starters,
there's a lady

who moved your brother and
you from another country.

And I'm not saying she's
right in what she did,

but I mean she does deserve
a chance to be heard out.

Look, we're passing by there
on the way to the airport.

I think we should just stop by

so you can say bye to
her at least.

- So she can make me
believe that I am caca

for hating what she did
to my brother and I?

I can do without it. I do not
need to hear another story.

I can be home working
on what I know

and not what someone
wants me to believe.

- Oh, so you're gonna
just believe

what you wanna believe, huh?

- You act as if you know so
much about me, but you don't.

Have you ever flown halfway
across the world to tell someone

who left you as a child that
someone you loved was murdered?

Do you know what it
feels like to look

and have to carry that pain in
your heart, losing two people

and having to look
one in the eye?

I didn't think so.

- I I-I'm sorry, Nahdulay.

I, I-I'm just, I-

- Assuming? Projecting?

Whatever it is. I do not
need your therapy today.

(tire booms)
(brakes screeching)

(tire rumbling)

(air hissing)

(Oliver exhales)

(tire hissing)

I'm such an unlucky person,
right?

- Actually, I think this
might be fate.

- Why do you say that?

- Well, it's gonna take
me all of five minutes

to fix this flat, but it's
ironic that it happened to be

within a block of your
mom's bookstore.

Maybe, you should go at
least say bye to her.

But I'm gonna leave
that up to you.

(Nahdulay sighs)
(pensive music)

(birds chirping)

(Oliver chuckles)

(gentle tense music)

(tools clattering)

(pensive music)

(door bells ringing)

- Rose?

(gentle tense music)
(soft heart beating)

(tense music swells)

(Nahdulay gasps)

Mother!
(purse bangs)

(foreboding music)
(soft heart beating)

(Nahdulay screams)
(Nahdulay sobbing)

(jack clangs)

(gentle foreboding music)

(sobbing) Mommy.

(gentle foreboding music)

Mommy. (crying)

- Nahdulay, oh.

(Nahdulay sobbing)

(foreboding music)

- I see.
You haven't heard anything?

This is crazy.

Oh, okay.
Anna, keep me informed.

- What did they say?

- (sighs) They haven't
heard from Rose.

I know something bad
has happened.

- What about Nahdulay?

- She is safe at Rose's
friend's house.

- This is caca. You should
be ashamed of yourself.

How dare you let Nahdulay
go on for this long,

not knowing any of this.

And now you sit here
surrounded by guards

while she is in a
dangerous place.

- Uh-uh, you watch what
you say to me now.

I did what was best at the time.

Besides, she will still be
in just as much danger here.

- (speaking in foreign
language), you act as if

you really care.

- You could never say
that I don't care.

I've lived without my
sister for two decades.

I helped to raise her
children, keep them protected.

Maybe, just maybe, I should've
said something earlier.

But even now my heart breaks.

I know something bad has
happened to my sister.

I feel it in my blood.

(gentle somber music)

- What do we do?

- Can't you see?
We can do nothing.

The king and his guards are
watching our every move.

Oh, (sighs) maybe we
could just wait

or by some great mercy
Nahdulay will be okay.

(birds chirping)

- Ooh, it is a little chilly.

Ah, it's beautiful.

- Thanks.
(birds twittering)

It's a place I go when
the world stands still.

And if you close your
eyes, close your eyes,

take a deep breath.

Nah-uh, slowly, slowly.

Just like that.

You'll hear as the world
just fades away.

- Hmm.
(birds chirping)

That was soothing.

How did you know to
bring me here?

- That look, that look
on your face.

I've seen it before.

It was the same look I
felt that night,

seemed like I ran for days
and somehow I ended up here.

And I felt as if the world
wrapped around me in a big hug

and it took away the pain.

The pain of losing my
mother and my aunt.

(birds twittering)

And ever since then, this
is where I come

when the pressure seems
like it's too much.

And these rocks, an
added incentive.

(birds chirping)

- You are a kind man.

Believe it or not, this
actually reminds me of home.

We have a place there
that we called Pacheco,

it's a place kissed by
Mother Nature.

She pulls you in her
arms and wraps you tight.

I think this is your Pacheco.
Thank you for sharing it.

- Well it was either
here or the Rib Shack,

but, but this place was closer.
(chuckles)

- Hmm.
- Pekashas, I like that.

- [Nahdulay] He-he-he,
it's Pacheco.

Hmm, I can't explain it,

I still feel the pain
and this incredible pain,

but at the same time,
I feel a sense of joy.

- That's what you're
supposed to feel, Nahdulay.

Nahdulay, I wanna help you.

I wanna help you find out
who did this to your family

and I wanna protect you.

(birds chirping)

- I can't ask you to do that.

- But I feel like I must.

Nahdulay, I think you
should stay here in America

for a few more days.

We can find out who did this

and we can get, we can
get some answers.

- I, I don't know.
Um, I don't know.

- Just two days. Nahdulay,
something's not right.

And that gives us enough time
to get to the bottom of it.

(serene music)
(birds chirping)

- I don't have anyone
else to turn to.

I guess I could just
stay for two more days.

But where would I go?

(birds chirping)
(serene music)

- Your friend.

- Shakii?
Eh, she's a loose cannon.

- That's even more the
reason why we need her.

Plus she knows your mother.
She may have information.

- Well, I guess I can try.

You know, I never got to
know my mother,

never got the chance
to forgive her.

Hemi's dead.

I just wanna find out

who is responsible for
this so that I can-

- So that we, we can
get justice.

Nahdulay, I won't let you down.

- Thank you, Oliver!

(serene music)

* Get closer *

* Oh-oh can you tell me
tell me tell me *

* We need to get closer yeah *

(Shakii giggles)

(Shakii laughs)

* Do anything to me girl *

(person knocking)

- You have gotta be kidding me!
Oh!

(heels stomping)

Did you not fly back to Nafaree?

I was in the middle
of something,

Something, big.

(playful music)

Come on in. Hey, husband
put some clothes on.

We have company.

(door bangs)

(Javier speaking in
foreign language)

(Shakii speaking in
foreign language)

We will have to
postpone our party.

I'll see you in the (kiss
smacks) dungeon.

Did you miss your flight?

I do not loan money.

I'm not that kind of woman.

- I don't need any money
and I didn't miss my flight.

(sighs) This is not good.

- As you can tell I don't
have all night.

Uh, so what's the problem?

- I went to the bookstore and-

- [Shakii] And what?

- And-
- And she found Rose dead.

(suspenseful music)

- Rose? Someone killed Rose?

(suspenseful music)

- [Oliver] I'm afraid so.

- For god's sake.
God, please no.

Wait-
- I opened the door

and the place was a mess.

It's like whoever did it
was looking for something.

- I bet they were.

They were looking for trouble.

(suspenseful music)

(gun clicks)

(suspenseful music)

(objects clattering)

Rose would not hurt a soul.

She did not deserve this.

Better believe, a
thrashing is coming.

- Could this be connected to
what happened to my brother?

My mother tried to warn me

and she did say I would
be safe here.

- Did she tell you anything

about what they were
looking for?

- No. That is what she was
going to tell me today before...

- We were hoping

that we could get some
answers by coming here.

- Oh, I see.
I must be honest with you.

Well, Rose did not tell
me much at all.

(soft foreboding music)

- Well, what did she tell you?

- I've known Rose all my life.

She helped me when I
was in tight spot

after moving here
from Seychelles.

I did not know about you

or your brother until
two years ago.

She tell me she need my help.

She say she had something
that someone wanted very badly

and she would hold it
until the time was right.

- Could that be what they're
looking for at the bookstore?

- Could it be what they were
looking for at my brother's?

No, but that doesn't
make any sense.

If my mother had it here,

then why kill my
brother in Africa?

- Unless, they don't
know who has it.

And if they didn't find it at
your mother's bookstore then-

- Then I'm next.

- Over my dead body!

Rose came across the world
to protect you.

She deserves loyalty now
more than ever

and I will give it to her.

I do not have all the answers.

But I think I may know
someone who does.

- Who?
- Who?

- [Shakii] She told me there
is a relative who lives here.

His name is Hummbey. This
is where you would find him.

- (speaking in foreign
language),

I have more family here?

(anxious music)

- Go now.
Before someone finds him.

- I can go for you, Nahdulay.

- I will need to be there.

- These people mean business.

(foreboding music)

- I got it.

(foreboding music)

(footsteps plodding)

(Shakii clearing throat)

(objects clattering)

(anxious music)

(Shakii sighs)

* They ain't stopping nothing
they ain't stopping nothing *

* They ain't stopping nothing
they ain't stopping me *

* They ain't stopping nothing *

(loud banging)

(glass tapping)

* They ain't stopping me *

* I been doing this here gig *

* I'm a (indistinct) creator *

* All the Negro brothers
they ain't stopping me *

(bottle bangs)

(glass taps)

(hand slapping)

* They ain't stopping me *

(faint upbeat music continues)

(glass clanks)

(heels clicking)

- I would've been happy to
fill your glass for you.

Well, I can do more than
just fill your glass.

They say I'm addicted to trouble

and I know trouble
when I see it.

(upbeat bar music)

That don't scare me.

(phone notification chimes)

* They ain't stopping nothing
they ain't stopping nothing *

* They ain't stopping nothing
they ain't stopping me *

* They ain't stopping nothing
they ain't stopping nothing *

- Hey, the name's Roxette.

* They ain't stopping me *

* All the people bow *

(upbeat music continues)

(doorbell chimes)

- Who's there?

(doorbell chimes)

- [Oliver] We're
looking for Hummbey.

- [Nahdulay] I'm Rosie's
daughter, looking for Hummbey.

(door creaks)

- Who sent you?

- No one sent us.

We just have some
questions for you.

- You're Rose's daughter?

(tense music)
- Yes.

- You have nerve to show
your face here,

especially, after what your
mother put our family through.

- I, I do not know
what you mean.

- You know exactly what I mean.

That Rose was a thief
with no conviction.

She did not care who
she destroyed.

- Hummbey, we know very
little about Rose.

That's why we're here.

- Then you're lucky.

- I don't know what my
mother done to you,

but I can assure you I
am only here to find out

how to put it into the
danger for us.

Someone killed my brother and
someone killed her, as well.

- Rose is dead?

- Yes, someone broke into
her shop and killed her.

(somber music)

- Hmm.
- Look, you are

the only person that I know

to ask why my family is
being tormented.

Please, I beg of you if you
know anything, please tell me.

(solemn music)

- Your father was my
junior brother.

He married your mother
in Seychelles.

They were friends with the king.

One day when your mother was
pregnant with your brother,

they were at the king's castle.

(scoffs) Somehow she
fell into the room

that held the blood jewel.

(suspenseful music)

- The blood jewel?
What's the blood jewel?

- In our culture,

the only way to tell
the true king

is by who possesses the
rare blood jewel.

Without the jewel,

the king would always be in
jeopardy of losing his kingdom.

That night she ran away
with the jewel

and was never seen again
in Seychelles.

Word spread that she moved

to another African country
to raise her children,

in hopes of one day
returning with her son

and the blood jewel to
claim the throne.

(suspenseful music)

When she left, they
killed my brother

thinking that he put the
entire plan together.

She shamed our entire family.

(suspenseful music)

- I'm so sorry.

I did not know any of this
about my father or my mother.

My mother was a thief?

- So why now? Why come after
her after all this time?

- The king of Seychelles
is to die very soon.

His son is in line to
be the new king.

But he will never be
the new heir

unless he has the blood
jewel in his hand safely.

- So she contacted my
brother to give him the jewel

so that he can be the new king?

- Yes.
No one is safe until

it is found.

Do you know where it is?

- I don't have a jewel
nor do I have a clue.

But if I did, I would plant it
so deep in the king's hands.

This is a shame. Please,
you have to believe me.

I had nothing to do with this.

I feel sorry for my father.

(solemn music)

- I believe you.

I must give you something.

(solemn music)
(soft heart beating)

(object rattling)

Here, this is a bracelet
that your father wore.

Take it and let it be the peace

that proves that there is
no bad blood amongst us.

You're not like your mother.

(soft heart beating)

- But how do we protect
her from the king's people

for something that she
doesn't even have?

- How do I know you don't
have the blood jewel?

Why would I put my life
in jeopardy like that?

- Would I be here asking
questions if I had it?

I am without a family.

The last thing I want
is some useless jewel.

- Not even if it made
you a queen?

- I want nothing less.

I want my family to be
left alone for good.

Do you know how I can
contact them?

I can tell them that I
don't have this jewel,

but they will pay for what
they did to my brother.

- (laughs) They're too
powerful for you, little one.

Very well, I'll
contact my friends

and let them know that
you don't have the jewel.

But I warn you,

(dramatic music)
never try and cross them

or you won't live to see
the rest of your life.

(dramatic music)

(siren wailing)

(solemn music)

- There has to be answers
somewhere in this place.

(siren wailing)

If I were Rose, where
would I hide my secret?

(anxious music)

(foreboding music)
(heart beating)

Who is there?

(suspenseful music)

I said, who the hell is there?

- [Frank] Don't shoot!

Please, don't shoot.

- Frank, what are
you doing here?

You almost had a hole in
your forehead.

I smoke weed, man. My
nerves are not so good.

- (hand bangs) Listen,
I'm sorry.

I just, I just couldn't sleep.

You know, the thought of
Rose not being here anymore.

I just can't believe she's gone.

(sorrowful music)

- I also cannot believe it.

- You know, I, I remember

when she opened this place
up for the first time.

She was so excited.

It was almost as if she started

a brand new life for herself.

(somber music)

And from that day forward,

I just wanted to make sure

that I was a part of
everything that she did.

- Yes, I noticed.

- She didn't deserve this.

- Surely, she did not.

I know you liked her, Frank.

- What? Did I tell you that?

- Of course not.

You were the only one
tacky enough

to bring her those ugly
flowers every other day.

- You know what?
And she hated them.

She hated them with a passion
and I knew she hated it.

But, you know, I just, just
wanted to get her attention.

- Surely, you got it.

I mean, a married man
buying corny flowers.

- But how did you know I was...

Right, you got me.

- You are a funny man.

- I just wanna know who
did this to her and why?

- I know it. That's why
I'm here to get answers.

Because I'm afraid for
someone and when I find them,

hear me when I say it,
they will feel pain.

- You and I both.

(solemn music)

- (sighs) Do you know anything
about her that I don't?

(anxious music)

Frank, I need you to
tell me what you know.

- I, I don't know.

- I don't believe you.

- Okay listen, you have
to promise me

that you will not judge me.

- Of course I will.
Just tell me!

- Okay. Okay-okay.

Look, last night I was riding
through the neighborhood

and I stopped by here and, uh-

(anxious music)

- [Shakii] Did, did you
see anything?

- Yes.
I saw someone leaving here,

a man.

He was, he had on dark clothes

and you know, I saw
that and I was furious.

I got home and I called
her, but she didn't answer.

But I never would've imagined

that she was in here
fighting for her life.

- It's not your fault.

Would you be able to recognize
him if you saw him again?

- I mean, it was dark but, yeah.

- (sighs) That helps.
But he could be anywhere.

- Right. Uh, but there's more.

- Okay.
- You're already judging me,

Okay-okay.

Look, listen, the truth
of the matter is,

I, I didn't come here
to grieve Rose.

I came here

(anxious music)

looking for this.

- You were spying on her?

- Look, you're judging again.

- It's impossible not to.

You're a real creep, man.

Wait, wait, wait, wait, wait,
wait, wait.

So if you placed the
camera there,

you may have
recorded the murder.

- And that's exactly what I
came here for, to review it.

- [Shakii] What's on there?

- I don't know.

It's, it's a little grainy,

but I'm pretty sure
that's the man

that left here last night.

(foreboding music)

- I have an idea. Rosie's
daughter is staying at my place.

We can put our heads together

and figure out what to
do with this.

And Frank, next time you
think I'm someplace around

you better speak up

because you are almost
smoked plantain.

(ominous music)

- I hear you breathing.
I knew you'd be back.

- [Tu] Someone said they
saw your people around here.

- So you had me followed?

- [Tu] I have my eye on you.

(ominous music)

- It's over now. I did
what you needed me to do.

- [Tu] Did you?
What did I tell you to do?

- You said you would
spare me if-

- If what?

- If I call you and told you

that someone would come
looking for the jewel.

- [Tu] Yet, I received no call.

- I didn't call, but they
came and they were clueless.

(ominous music)

- They? Who is they?

- Rose's daughter.

She came with an American man.

- Why, now you tell me?

- It is settled.

They did not come looking
for the jewel.

They came for answers.
They know nothing.

- Hm, and she would tell
you if she did, huh?

- It is settled. I mean
I've thrown them off track.

I told them that it was stolen.

Look, she's already
having it hard.

Rose did not raise her.

She fled and left them
with her sister.

There's no way she could know
what you think she knows.

- That explains a lot of things.

You know, I thought
keeping you alive

would work to my benefit.

- I am no threat to you
and neither are they.

So go your way and we'll
act as if nothing happened.

- You know, I would really,
really like to do that.

But you see, can the king trust
someone who knows so much?

I don't think so.

- [Hummbey] He is no king.

He has no real blood
right to the throne.

- Oh, but he is on the throne.

You sound bitter, old man.

Do you believe that you are
worthy to be on the throne?

- Go away. You got what
you come looking for.

I, I did as you asked.

So you can go away. I,
I won't say anything.

- And I am to trust someone

who will betray his own
flesh and blood?

I don't think so.

(book thuds)

- [Hummbey] So you
plan to kill me?

- (chuckles) Did you think that
you would live through this?

- Wait, I only want peace,
but I'll make a deal with you.

- A deal?

- Put your gun down and
let's fight man to man.

And if you win, you have
nothing to worry about.

- And if I die?

- Then I will tell my niece
the truth about the jewel.

(suspenseful music)

- (laughs) Oh, you are serious.

(suspenseful music)

- I will fight for my
family's honor.

- So, you suddenly
have honor now.

(suspenseful music)

(neck cracking)

Okay, let's do this.

(suspenseful music)

(blows thudding)

(Hummbey gasping)

Old man, I can make this
quick and painless for you.

(Hummbey grunts)

Come on.

(suspenseful music)

(blows thudding)

(suspenseful music)

(both grunting)

- You can tell your king,
the fraud,

that he underestimated me.

(suspenseful music swells)

(gunshot blasts)

(Tu gasping)

- If you needed my help,
you shoulda just asked.

(chuckles) Strong old buzzard,
ain't he?

Now I told you I like trouble

and by the looks of
it I was right.

- I can handle it.

- Roxette.

- I can handle it, Roxette.

- But can you handle me?

(zipper whirs)

We're gonna see.

- [Tu] Come on. Yeah, let's see.

- [Roxette] Um-mm, um-mm. Um-mm.

(body thuds)

(suspenseful music)

(insects chirping)

- Are you okay?

- I'm fine.

I can't believe I came
all the way to America

to ruin every good thought
I had about my mother.

It would've been easier

to accept that she just
abandoned us.

But to know that she
put my brother

and I's life in danger
because she was a thief.

- Nahdulay, I don't
think it's that simple.

- You heard it yourself?

- Yeah, but I think it
was more to it than that.

- Well, that is where
we disagree.

- Footage. I have footage.

I went to the bookstore
to see what we overlooked

and Frank was there and
he had footage

of what happened to Rose
when she was killed.

But it's very grainy.

- Who's Frank?

- How did he get that?

- You don't know him.
It's a long story.

(thunder rumbling)

What is wrong with you?

- We went to go see Hummbey.

He told us that my
mother stole a jewel

that determined who is the king.

(thunder rumbling)
- She would never.

- I don't know how well
you know my mother,

but a woman that can
abandon her children

is definitely capable
of stealing.

- So what's your plan now?

To move and act as if
nothing has happened here?

I don't care what you
think she stole,

but her life is worth something.

- And my brother's wasn't?

(thunder rumbling)
(somber music)

- Rodeo, I can get this
video to my cousin

and he can take the image off

and we can find out who's
responsible for this.

- That's the best thing any
of us have said all night.

(phone vibrating)

Ooh, I have to go
pick up Javier.

I will return soon.

(solemn music)

- No worries.
She'll be safe with me.

- I'm fine.

(solemn music)

(thunder booming)

(phone vibrating)

- (sighs) Ofa, (speaking
in foreign language),

I will take care of it tomorrow.

(thunder cracking)

Ah.
- Is that, uh,

(clears throat) is that about
the situation from earlier?

- Mind your business
American woman.

- Oh, it is my business now.

- Go back to sleep.

(thunder rumbling)

- Hmm, you should try
taking a different approach.

Oh, you're not gonna ask
me what I'm talking about?

- No!
- (sighs) The man said

she didn't really know her mom.

(rain pattering)

We can use that to
our advantage.

- We? Lady, I work alone.

(rain pattering)
(thunder cracking)

- Uh, I'm Roxette

and I'm the woman that
saved your ass earlier.

- (speaking in foreign
language) What approach

do you want to take?

- Just follow my lead

and I'll give you
everything that you need.

(rain pattering)
(thunder rumbling)

- Careful, it's hot.

- Thanks. I got it.

- It's rooibos tea. It's good
for stress and relaxation.

My Aunt Rebina would
make it for us

when we had crazy days at school
and it somehow would work.

What are you doing?

- I'm turning off my
availability for tonight.

- Oh, you don't have to
do that on my account.

- Nahdulay, stop. I wanna
be here to protect you.

- That is kind of you.

Oh, ooh, it's a little too hot.

How did you drink that?

- It's not that bad.

- Hmm. You know I've
been meaning to ask you.

Do all drivers ride with gun.

- Only the ones that know

they're about to meet a
dangerous woman.

- I'm not a dangerous woman.

- I'm just kidding.

When I was younger, my uncle
took us to self-defense classes

and, well, they taught
us how to shoot.

Since then, I took my gun
with me and it's been a habit.

You never know when
you're gonna need it.

- (chuckles) Uh, I would've
thought you were more-

- I'm hoping you were
gonna say resourceful.

- Just thought you
were lower key.

- I'm a junior high
school teacher.

These days you have to be a
lot tougher than you look.

(thunder rumbling)

- Hm, it's been hard trying
to be tough these few days.

- Considering what
you've been through,

I think you're damn tough.

- (chuckles) But I feel like
I'm busting at the seams.

I mean it's also overwhelming.

(rain pattering)

- (sighs) When you're at home

and it seems like things
are just falling apart,

what do you do to let it out?

- (scoffs) Well, I dance, but-

- I got an idea.

(cup bangs)

Okay, stay there.

(thunder rumbling)

Okay, how do you
work this thing?

Ah, there it goes.

All right, show me something.

(gentle dance music)

Don't feel guilty.
Show me something.

- Okay.
(gentle dance music)

* I can see it in
your smile now *

* I can see it in your eyes *

- This is the dance
of Seychelles.

* I can see from your
body a light doddy doddy *

* You're a hot toddy toddy *

- Follow along.
- Okay.

- [Nahdulay] And
bring it around.

* Girl you blow my mind
like I've never seen *

- All right. I think I got it.

* Atomic submarine *

* Play me like a tambourine *

- And now you move and
bring it around.

* My heart skips a beat *

- Okay, yes, you do well.

You do well.

- [Oliver] I do well?

* Love conquers all, love
conquers all *

- Yes.

* To your touch *

* You're heart and soul *

- Now, look. Let me show you
how we did in my country.

- Okay.

* Ofa aye aye aye *

* Shalom ofa aye aye aye *

* Ofa aye aye aye oh yeah *

* Ofa aye aye aye oh
yeah oh yeah *

* Ofa aye aye aye shalom *

* It isn't never stopping
no-no stopping no-no *

* Body you see pumping now-now *

* But it must be wrong *

* I'm gonna speak in tongues *

* Or watch shala-bona-nah-nah *

* Ain't never stopping
no-no stopping no-no *

- Mm, I have to take a shower.

- Nahd, Nahdu, Nahdu.

Nahdu.
(door clicks)

* Sexy big mama *

* Mama be sexy *

- [Nahdulay] Hello, Kahraz.

- Ah, there is my bride to be.

It is a pleasure to
see your face.

- Yeah, you too.
I just wanted to see you.

It's been crazy here.

- What has been going on?

- Someone killed my mother
looking for a jewel.

I found out she was a thief.

And I'm sure the people
that killed Hemi killed her.

My mom's friend and a
driver have been helping me,

but I can't help but to wonder
if all of this is in vain.

- It seems that you have
so much going on, my dear.

- At this point we are
still trying to get answers.

- Have you found out anything?

- No.
The driver's looking

into something.

- That is nice of him,

as long as he keeps his
hands to himself.

- Uh, yeah, of course.

- Sorry, I haven't
been there yet.

They pushed back some meetings.

But I will be there
in a few hours.

I'll make it up to you.

- Okay. Kahraz?

- Yes, my dear.

- I've been thinking
about the wedding.

- Oh, oh, no worries.

Amir has informed me that
everything is going as planned.

- You still wanting to marry me?

- Of course.

I will be there soon

and we will fly back
together on Friday.

We will put your brother
to rest in peace

and then we'll start our
lives together.

Oh okay, I have to go.

They're here to take me
to the airport.

I will see you later on today.
Ofa.

- Ofa.
(sentimental music)

- Morning, cuz, what's up?

- [Rodeo] Good morning, man.
What is good?

- What you working on today,
man?

- Okay, so you remember the app

I was telling you about, right?

- Um-hm.
- I found a way

to put all the components
into one program

and I'm telling you
it's amazing.

Take a look, bro.

- Wow. You know what?

You never cease to amaze me,
man.

- Cuz, I thought you knew.

- But, uh, I need your
help with something.

I got this camera

and I need to get an image
off of it, but it's grainy.

- Hm, come on, cuz, I thought
you had a challenge for me.

Look at this thing.

- So you can do it?

- Man, cuz, I got this.

I created this app that
recreates images

based on actual
positions on film.

And it's smoother than
your girl's ass,

you know what I'm talking-

- Uh-uh, Rodeo.

- Baby booty's smooth,
cheeks all in your face.

You just wanna (jabbering).

- Man, stop. Stop.

(Rodeo laughing)

Look, no, but for real, I
need this as soon as possible.

I have a friend who's in
trouble and this might help her.

- It's that serious, huh?

- Yes, it is.

- (sighs) Oh, mmm.

All right, I'll see if I can
get a background check on it.

- Oh, thank you, man.
I really appreciate it.

Thank you so much.

- Um-hmm. (chuckling)

- Morning, Trish.

- Um-hm.
You driving late last night?

- No, I was not driving late.

I had to take care of
some business.

But thank you for looking
out for Rodeo.

- Hey, man, let me tell
you something.

I am an adult and I can
look after myself.

I'm not a charity case.
Thank you.

- Oh, we know Rodeo.

And, Oliver, you really don't
have to keep thanking me.

He is my cousin too.

- Cousin.
- We're family.

We gotta stick together, mmm.

- Here it comes. (chuckling)

- Also, I'm gonna need your help

moving in my new
house next week.

- I knew something was up
when I smelled breakfast.

- Hey, this is a breakfast
that comes with a price tag,

okay. (chuckling)

- Trish, I got a
question to ask you.

- What is it, Oliver?

- How do you know when a
lady likes you?

- Hmm. There ain't no
right answer to that one.

But in most cases, honey,
you just know.

- But what if I'm wrong?

- And if you're wrong, you'll
know that too. (chuckles)

So Oliver, who is this lady?

- I just met her the other day

and she's going through a lot.

But I just can't
shake the feeling

that we have a connection.

- Ah, is that the one that's
got Rodeo doing this video?

- Yep.
- Yeah, that's her.

- [Trish] Hmm, it's not like
you to talk about just anybody.

Must be one hell of a lady.

- That, she is.

- Come on baby, come on baby.
- Hmm, get her name,

social security number,
telephone number,

mmm.
- Three, two, one. (laughs)

Yo, check this out.

(hands clapping) Got him.

Looky here.

(gentle anxious music)

Now, does he look familiar?

- That's the guy from the video?

- [Rodeo] Looks like.
Looks kinda dangerous too.

- Never seen him before.

- Mm, I'm still doing
the background check,

but I can email you
this image if you want.

- Do that. You know what?

I'm gonna send this to
Nahdulay right now.

- Suit yourself.

- Thanks, man. That helps a lot.

I gotta go.

- All right, go.

- Hey, hey Oliver, you, you
didn't finish breakfast.

Is that a yes on the moving?
Oliver!

- You gonna finish that egg?

(upbeat music)

- (yelping) Are you just
going to stand there?

- I don't know how to do that.

- [Shakii] No, (yelping)
help me. Give me a hand.

- Okay, okay, okay.

Okay, okay, easy.

(Shakii yelping)
Easy. Okay, go back.

Go back. Sit, sit.

- Oh!
- There you are.

(Shakii panting)

Okay, maybe you should
do that later.

- Yeah, it was my socks.
It was my socks.

- Uh-huh, right.
- My socks.

My socks.

Oh, who was that?

- Just Oliver.

- The nice man that
stayed here last night.

He's cute.

- He's okay.

- Are you blushing?

- No, I am not.

- Why aren't you answering?

- It's just a text.
I'll look at it later.

- What happened here last night?

- Absolutely nothing,
Shakii. I am betrothed.

- (sighs) Well, you
better be careful

because the way that
man looks at you

it's hotter than the
sun back home.

- Really?

I mean, I'm set to be
married in a couple of weeks.

Besides now is not the
time to entertain a Negro.

- Oh, when love calls.

Nothing is strong
enough to stop it.

- Nothing is happening.

- Well, you better tell him that

because that man's heart is on
the fast track to you, girl.

(hand smacks) Oh.
(person knocking)

- I'll get it.

- I'm sure it's my packages.

Just put the boxes on the floor

next to yesterday's delivery.

- Why do you order
so much stuff?

- I like variety. Let me live.

(ominous music)

- Can I help you?

- Hi, my name is Ronita and
this is my husband Jama.

We are friends of Rose.

- Who is at my door?

- Uh, they say they are
friends of Rose's.

- How did you get my address?

(anxious music)

- Rose gave us the address

and I'm so sorry to hear
about what happened to her,

but we, we're meant to
deliver something for you.

(suspenseful music)

- Oh, one moment.

- [Roxette] Okay.

(suspenseful music)

- What do you think they want?

(metal clinks)

- [Shakii] I don't know,
but I don't like it.

- Maybe she gave
them the address

knowing what was gonna
happen to Hemi?

- Okay.
- I mean,

should we just see what
it is they want?

- Okay, but I promise you

they are in the right
place if they are wrong.

- We can skip all this.

- And what, ruin the fun? Nah.

- I'm ready to pull out my gun!

- Hey, wait, wait.

Remember we're doing this my
way.

Okay?

- Okay.
- All right.

Thank you.

(suspenseful music)

- Uh, come in.

- Oh yes, thank you. Hi.

- Hello.

- Please excuse our manners.

It's been crazy
around here lately.

- I, I can see. But we won't
take much of your time.

- Okay. All right.

- I am Nahdulay, Rose's
daughter, and this is-

- A friend. Why are you here?

- Oh, yes.
We came to bring you something.

Isn't that right, honey?

- Oh, yes.

(ominous music)

There you are.
- Yes.

Rose told us to bring this

and she made me promise
to deliver it

if something ever
happened to her.

- Yes.
- I haven't opened it.

(suspenseful music)

- [Shakii] Open it. Go ahead.

(suspenseful music)

- Is that-
- What is it?

- [Nahdulay] The jewel?

This is what got my
brother killed?

Is this what was more valuable
to my mother than our family?

I mean, I had heard of it,

but I didn't know it
really existed.

(suspenseful music)

- Wait, is that the
birthright jewel of the king?

How did she get it?

- My mother stole it.

(suspenseful music)

(jewel clatters)
- I, I did hear that

it was a rumor.

So it's true?

- It is.

- No worries.

My husband and I would
take it back to the king.

We are on our way to
Seychelles tomorrow.

- Yes.
- We can deliver it.

- [Nahdulay] Please do.

I don't want anything
to do with it.

Everyone is dead because
of that, jewel!

(emotional music)

- [Shakii] Excuse me
for a moment.

(suspenseful music)

- This is your big plan?
- Shh.

I mean it's, it's obvious.

They don't know anything.

She doesn't have it just
like I suspected.

- Oh, but what do we do now?

- Nothing. We don't do nothing.

They don't know anything.
It's not the real jewel.

- (exhales) See, you talk like
you are a dangerous woman.

- I'm a bit disappointed.
They don't have it.

(anxious music)

- How do you know? How can you
be sure they're not playing?

- Because I'm a woman and
that lady don't know shit.

What you wanna do? Kill
these clueless women?

- That's the plan.

- No, that's your plan.

I'm ready for the next
adventure.

I'm getting bored already.

You know what?

We should let the big
guys take over

and find the real jewel, Tu.

She pissed me off.

- We do not have time for this.

- It hurts to hold
the very jewel

that got my brother killed.

- We'll let them have it. Let
them take the jewel. (sighs)

(traffic noise roaring)
(dramatic music)

- Where you going?
- They are taking too long.

(Shakii sighs)

(heart beating)
(anxious music)

- [Shakii] God of heaven!

Look at this.

- That's-
- I knew

something was off about them.

I'm going to blow
their heads off.

- Wait, wait.
That doesn't make any sense.

Why would they be here?

If they have the jewel,
why are they here?

- They don't have the jewel.

- Well, why do they want
to say that they do?

- I don't know.

But soon they'll be wondering
if we have the real jewel

and they'll be right back here.

(suspenseful music)

- Yeah, we need to go
to the police.

I can't let them get away

knowing that they
killed my brother.

- And your mother, too.

(dramatic booming)

Funny thing.

I was actually thinking
about letting you live.

I can't do that now, can I?

(dramatic music)

- Please, I beg of you.

- Not in my house. Shit.

(suspenseful music)

(slap smacks)
(Nahdulay gasps)

(Shakii moaning)

(both grunting)

(foreboding music)

(Tu groaning)

- [Tu] No! No!

(staff banging)

- Put your phone down.
Put it down!

(suspenseful music)

Hey, get over here.

(suspenseful music)

(staff clatters)

Get in here.

Go sit down.
Get your ass on the couch.

Get up!
(suspenseful music)

- Let's get this over with.

I'm done with the theatrics.

- Yeah, So we can go finish
what we started. Our usual.

- [Shakii] Wait.
I know what the jewel is.

- (laughs) Do you
think I'm stupid?

- Wait, wait-wait-wait.
Let the lady talk.

Let her talk.

- [Shakii] You've
endured much trouble.

Why not capture the real jewel?

- [Nahdulay] Yes. What
do you have to lose?

- You better not be lying to me,
old lady.

- [Shakii] Old lady?

- Where is it?

- [Shakii] It's here.

- But then go get it.

- [Shakii] Over there.
I can get it for you.

- [Roxette] No funny business.

(tense music)
(soft heart beating)

(gunshots blasting)

- Shakii! (crying)

Please, if you leave now I
won't say a word. Please.

- Sorry, my friend.
But this is my show.

- Jamma.
(gunshots blasting)

- (crying) Shakii!

Shakii! Shakii, please, you
must survive this, Shakii.

- What's going on? Shakii.

- She's been shot.
- Baby.

- [Nahdulay] (stammering) Um,
yes,

I need the police and
an ambulance.

Yes, my friend has been
shot and she's bleeding.

It was a home invasion.

Oh-oh, okay.

- I'm gonna take her to
the hospital.

- (stammering) Oliver.

Oliver, I'm at Shakii's.
(whimpering)

(foreboding music)

- [Officer] Is there anything
else you'd like to add?

- We told you everything,
officer.

- I see.

- Are they dead?

- No, they're in
critical condition.

But we will get to the
bottom of this.

You keep my card.

- Thank you. We appreciate it.

(door bangs)

I think he thinks we got
something to do with this,

but we got the truth
on our side.

- I want to thank you
for everything

that you've done for me.

- Of course, beautiful.

- I mean, now that
this is all over,

we can go back to our
regular lives.

- Yeah, and I know this may
not be the best of times,

but about last night.
- About last night.

- [Oliver] I loved
everything about it.

Like you're an amazing woman.

You're everything I
ever thought I'd-

- I can't.

- What's wrong?

- Uh, I'm so sorry.

I've just been in distress.

- Distress? That passion,
that fire, that kiss.

That wasn't distress.

- I was vulnerable.

- (scoffs) Vulnerable?

Wait, are you saying I
took advantage of you?

- No, no. That's not what
I'm saying, Oliver, it's-

- Then what are you saying,
Nahdulay?

You know what?

I've noticed that when
things get too tough

or it gets hard on you, you
feel like you gotta run.

Why can't you face how
you feel head on?

- Oh, that is what we're doing?

Poor Oliver that has to
save everyone.

But he can't save himself
from wanting to save everyone.

What are you running from?

- (scoffs) I'm not
running from anything.

In fact, I'm sitting right here.

I'm sitting here because
I feel something for you.

Something that even the
strangest of circumstances

can't stop me from feeling.

Nahdulay, I know you
feel it too.

I, I love you.

- I can't. Um, this isn't right.

Um, I'm, I'm engaged.

(emotional music)

- What?
- I'm engaged

to be married to Kahraz
in a couple of weeks.

I can't do this with you.

(emotional music)

- Oh, oh, I get it.

You only used me here
to protect you

like your American callboy.

- I didn't ask you
for any of this.

(emotional music)

- But you knew my feelings
for you were growing,

but you didn't stop

until you had me in
the palm of your hands.

- Stop it, Oliver.
You're scaring me.

(somber music)

- Maybe that's why you didn't
tell me about your fiance.

- You don't even believe
that yourself.

I didn't know that you
were gonna kiss me.

I didn't expect any of this.

- You can't do this, Nahdulay.

- Do what?

- Even your eyes.

Your eyes right now,

they're telling me that
you feel something.

Look me in my eyes and tell me
that you don't feel the same,

then I'll go.

(emotional music)

(person knocking)

- Hello, my bride.

How are you? Muah.

How are you doing, my darling?

Mm-mm-mm-mm. Who is this?

- Um, this is Oliver, the
man I was telling you about.

- The driver?

- This is my fiance, Kahraz Ezu.

- Nice to meet you.

(emotional music)

- Same. Anyway, I'm about to go.

I'm sure y'all have
some catching up to do.

- Oh, wait. For your troubles.

- You can keep your money.

(door clicks)

- What is wrong with him?

- Nothing. Uh, let me
get your bag for you.

- Of course, darling.

(tense music)

- (sighs) Kahraz, Kahraz.

Where do I know that name
from? Kahraz, Kahraz.

(microwave door bangs)

(heels clicking)

- Oliver. Oh, Oliver.

Oh, Oliver.

- (sighs) I'm sorry. What's up?

- Hm-mm. What's going on?

Seems like your mind's
somewhere else.

- Must be that girl he's
been helping out.

Did my footage help?

- Yeah, I did. Thanks.

- Then what are you
moping about?

- I guess my help
wasn't good enough.

- Oh, Oliver, I know you
didn't honestly think

she was gonna come
jumping in your arms

just 'cause you helped her.

- No, I didn't. I guess I
just misjudged the situation.

I just felt like we had
a connection, I guess.

- So what, did you find out
she's going away forever?

Did she get locked up?

(solemn music)

- No, she did not get locked up.

(sighs) She's, engaged.

- Hold up.

- Oh, Oliver.

- (sighs) Well, she's safe

and that's all that matters,
I guess.

- No, no-no, cuz, we not
trying to hit it.

You giving up too easy.

It's obvious you seem
to like her. Wake up!

- None of that matters now, man.

She's safe and I guess
I'm okay with it.

(Rodeo sighs)
Anyway, uh,

I gotta get to work.

At least I still have that.

- And you got us too.

- Whoop-de-do.

- Oh, come on, cuz.
You need a hug?

Come on. That's all you need.

Come here. Let me give
you a hug real quick.

Come on, cuz, you need a hug,
man?

Come on, everybody needs
a, where you going, man?

Give me a hug.
Come here give me a hug.

- All right. Stop it, Rodeo.

- [Rodeo] What?
I was just playing.

(somber music)

- When will you be able
to come home?

- Javier, would you hold it,
hold still.

I cannot see, there.
(metallic banging)

Okay, I'm sorry, dear.

Javier and I will be
home very soon.

(kiss smacks) Hello, sweetie.

Oh yes, you know they
have to make sure

all the tests are clear.

But you see, (blows with
lips) I smoked that plantain.

- (chuckles) Yes, you did.

I don't know what I
would've done without you.

- Owe that to Oliver.

Remember he sent the photos
of (indistinct) in his text.

Where is he? Oh, wait, wait.

Oh, can you put some ice
in this, please?

Thank you.
- Okay.

- [Shakii] An angel, yes
sir. Where is he anyway?

- I'm not sure.

I haven't heard from him since.

- Hm.
That man cares about you, girl.

- He was just being a nice guy.

- I know a lot about nice
guys and something was there.

- You are imagining things.

- Anyway.
- Hold it still, Javier,

or I will smack you.

- I can't believe that
my mother was a thief.

That is so hard to swallow.

- I don't believe that part.

She was always a caring
friend to me.

Her memory, her name will
always be that way with me.

- Well, at least you got
the good parts of her.

I have to live with the fact

that sometimes our imagination

protects us from the
rotten truth.

- You just take care of my
place while I'm away, okay?

- Don't worry.
Everything is well.

As soon as you return,
I'm heading for Nafaree.

I have a wedding to plan.

- Just don't start the
honeymoon in my bedroom.

You know we just ordered

some new satin sheets from Dr.
Ship

and, uh, we have not
broke them in yet.

Uh, maybe I shouldn't
have told you that.

- Uh, don't worry, you have
nothing to worry about, okay.

- Bye.
- Ofa, Nahdu.

- [Nahdulay] Ofa.

- [Kahraz] Seems like fun.

- You have no idea.

Where is my kiss?

- Well, I'm glad she was here
to take care of my bride.

I can't imagine it going
any other way.

- Tell me about it.

You know, I still haven't
fully processed

everything that happened.

- Don't, you'll have plenty
of time after the wedding.

Once I make you my bride,

you won't have to worry
about anything.

- Can I ask you a question?

- Ask me anything you like.

- Do you feel attracted
to me? A connection?

Like one that shoots up
your spine when you see me?

- (chuckles) You mean like
fantasy movies?

- Like real life.

- Nonsense, I'm more of a
realistic man. You know that.

I know that when I'm
with you I'm happy

and I know that you
and I will be

good husband and wife
to each other.

- [Nahdulay] So you've
never felt this way?

- No one does. Besides,
who thinks like that?

- I don't know.

Maybe someone who feels like
there's an ocean inside of them

that is churning with
unimaginable power

when they lock eyes with
the person they love

and their entire
world is drifting

and they feel off balance.

But then they feel a
comfort in knowing

that the other person
feels the exact same way.

(emotional music)

- I know you were a
wonderful seamstress,

but I didn't know that you
were into fantasy movie making.

- Oh. Oh.

- You guys never
found the jewel?

- That's the crazy part.

We fly halfway around the world

to look for a jewel that
was never found.

- Tis true.
Seems like a waste of energy.

Why didn't your mother
save you the trouble

and give you the jewel
when she met you?

Maybe she didn't have it.
- True.

After all these years, I meet
her in a rundown bookstore

and she just pushes me off.

She gave me a, box.

Wait, I think I know
where the jewel may be.

- Really? Where?

(utensils clattering)

- Something's not right.

I know that name from somewhere.

Kahraz, Kahraz Ezu.

(paper crinkling)

Dying King Azukai will name
son Kahraz Ezu, the new king.

(dramatic booming)

Nahdulay.
(dramatic music)

- Where is that box?

- A box?
- Yes,

when I first came to
America Rose gave me a box.

She said it was important.

- Is that so?

- I don't know why I'm just
now thinking about this,

but it has to be here somewhere.

Wait, Kahraz, how did
you know to come here

when you came to America?

- You sent me the address,
remember?

- [Nahdulay] No, I don't.

- You had so much going on,
you've probably forgotten.

(gentle tense music)

- Finally, the jewel!

- I can't believe it. It
was here the entire time.

I had the stolen jewel
the entire time?

- Stolen? (laughing)

Silly girl, you believe anything
people tell you, don't you?

- What are you talking about?

- Your mother never
stole the jewel.

- What do you mean?

- Your father was the
real king of Seychelles.

And my father was his most
trusted right-hand man.

One day your mother got news

that my father was going
to assassinate him,

take the jewel and become king.

But before she could warn
your father, it was too late.

He'd killed him already.

That night your pregnant mother

found a way to take the
jewel and flee the country

said it was safer to
divide the family.

So my father pretended to have
the jewel and become king.

But his entire rule went into
searching for your family.

It just so happened

that we had one of our
spies in Nafaree

when she and your brother
began to write to each other.

(suspenseful music)

- You lied to me.

You lied on my mother.

You killed my brother?

You played me for a fool?

- Of course, I mean you
were valuable

but not as valuable
as the kingdom.

I assumed you knew
much about it,

but I couldn't chance it

When I heard there was a
daughter I set out to marry her,

because if the jewel showed
up, I would still be king.

- But why go through
all the trouble

when you was already
set to marry me?

- What if the jewel
or your brother

or your mother came forward
with claims from the wedding?

And now that my father
is on his dying bed,

I wanted to leave no doubt
that I am the true king.

- Oh, so now that you
have the jewel,

there is no use for me.

- Oh, you know the story
very well, don't you?

Well, you're a little
too late to change it.

All I need is my jewel.

(dramatic music)

- You wicked, evil man and you
will not get away with this.

- Oh, I surely will.

Once I get rid of you

and take the jewel for myself,

I will leave no doubt I
am the real king.

Too bad it must end this way.

(dramatic music)

(Nahdulay gasps)

(Kahraz moans)

(Nahdulay whimpering)
(Kahraz growls)

- Get off of her!

(Kahraz groaning)
(Nahdulay coughing)

(Nahdulay crying)

- You're not even
worth a bullet.

(gun clatters)

(gentle ominous music)

(Kahraz speaking in
foreign language)

(Kahraz moaning)
(blows thudding)

(blows thudding)
(heart beating)

(Nahdulay panting)

(suspenseful music)
(heart beating)

- (panting) Wait.
(soft heart beating)

(fist thuds)
(Kahraz moans)

(suspenseful music)

- This is for her mother.

(fist thuds)
(Kahraz yelps)

And this is for her father.
(panting)

(Nahdulay crying)
(suspenseful music)

(Nahdulay gasps)

- I love you.
I love you, baby, I do.

I do.
I-I do, I'll give you the jewel!

I love you, baby. Do it for me.

- This is for my brother!

(gunshot blasts)

(suspenseful music)
(Nahdulay crying)

How did you know?

- Uh, I found this
article at Hummbey's.

(paper rustling)

Are you okay?

- I'm fine. I'm so sorry.

I feel awful and my mother
was just trying to help.

- It's okay. You didn't know.

- This is the real jewel.

I owe it to my mother,
my brother

and my father to
make this right.

Wait.

(sentimental music)

- [Rose] My dearest children,

it breaks me to say that I love
you both with all my heart.

Hemi is my sun and,
Nahdulay, you are my moon.

Yet I know you may
feel otherwise,

but you must know that
all that I did,

I did it for you.

And in time, you will
understand the sacrifices I make

and my love will forever
watch over you

as the night owl never sleeps.

(sentimental music)

- I've been so foolish
and so blind.

- You've been misled,
but you remained strong.

- I remained wrong.

My stubbornness and my
unwillingness to get through my

past

has caused me to lose everyone.

- Nahdulay, you haven't
lost everyone.

You still have me.

- I love you, too.

* Yeah yeah yay-yay-yay yeah *

* Oh-oh-oh oh-oh-oh *

* Reaching for the sky when
I look into your eyes *

- Ladies and gentlemen.

It is a great esteem that
I present to you

our true queen Nahdulay N'Cala

and our new King Oliver Lewis.

You may kiss your bride.

(guests cheering)
(guests applauding)

* Tell everyone that
time is marching *

* To celebrate hearts
are watching *

* Ooh-ooh together it
is our time *

* Come over here don't
stand and watch it *

* You know this is the
better option *

* Ooh-ooh together it
is our time, oh yay *

* Hey ya hey ya *

* Ofa ofa ofa ofa *

* Hey ya hey ya *

* Ofa ofa ofa ofa *

* Said a-hey-hey-hey-hey *

* Said a-hey-hey-hey-hey-ya *

* Ofa ofa ofa ofa *

* Said a-hey-hey-hey-hey *

* Said a-hey-hey-hey-hey-ya *

* Ofa ofa ofa ofa *

* And all a sudden they
love they burn, they burn *

* It's here for all to
see now everyone *

* Ooh-ooh together it
is our time *

* See their thoughts,
see thoughts *

* See their smiles,
zemi-zemi-dah *

* Feel their love, zemi-dah *

* Feel it now zemi-zemi-dah *

* Ooh-ooh together it
is our time *

* Come on over here
don't stand and watch *

(dramatic booming)

("And It Hurts")

* Finding it hard to explain *

* Counting this magnified
pain, pain, pain, pain *

* Who threw a stone at
my heart, my heart *

* And shattered my
whole world apart *

* I'm crying now love but
I just see tear drops *

* I'm feeling so numb *

* It's like my whole
world stops *

* Where do I go to hide from
the pain I feel I feel *

* Oh I'm losing all
that I love *

* Finding that
nothing can work *

* And it hurts *

* No-ooh don't say I'm
not here alone *

* 'Cause I feel I'm
all on my own *

* And it hurts and it hurts *

* And it hurts and it
hurts hurts hurts *

* Hurts, hurts, hurts, hurts *

* Who made the call
for this rain *

* I'm crumbling over
again again again *

* How did I land in this
dark dark dark *

* And how can I make my *