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Now, we're going to start
the beauty contest
for my movie.
Music!
Stop! Stop! Stop!
Miss, come here.
Very pretty.
- Very pretty. I congratulate you. - Thank you.
You're going to do the part in the movie.
Friends, music!
Here. Very good.
Very nice.
Cut!
Stop!
Good.
The man is dead. I want to help.
Everybody come.
Come on! I want movement! I want movement!
Yes, but much faster.
Right through here. Through here.
Faster. Faster. Lady, move.
You must come in through here.
Come on. Come here. Come here.
Fast, fast. I want movement.
The reflectors to this side. Over here.
Right over there. Move with the torches.
Slowly.
Action!
To the left.
There! More! More!
Very good. That's enough.
It's all right now.
How's it going, gringo?
You hit him.
But that's not real!
That's not real.
Is that real?
No, that's not real!
We have to hit you!
Hit hard!
Gringo.
Go to your horses.
And you, Priest,
go to your church.
Go back home!
Don't listen to the evil one!
Enough!
You, Father!
Go to your church. Is this your church, here?
These streets are mine!
Mine and the people's.
Understand?
Okay. Action!
Action.
Move.
You with the torches, move faster.
Joy!
Joy! Joy!
Joy!
Joy! Joy!
More movement! More movement!
Give me movement and lights!
Movement and lights!
And the sun of hope
Rises from the dawn
The light shines bright on last night's dreams
Maria's dreams
Through jungles, suns and moons
Ricochet her reveries
Flying through hills and mountains
Maria's dreams
They pierce closed hearts
Open closed minds
Reveal the truth to lying men
They course through the land
Crying out for more life
In the years of Maria
The dreams of Maria
She sleeps like the stones
That pave winding roads
But like flowers through the cracks sprout always
The dreams of Maria
Hurry! Hurry!
Good evening.
Be careful.
Start it now, Marietta.
Start that machine now.
Start that machine.
What are you doing? Hurry!
I am the Mistress.
I am the Maid.
Now hurry up!
My brassiere. Hurry!
Here, fasten it!
Marietta!
Move a little bit.
Now!
Gringo, shut up!
Shut up!
What have you got that I haven't got?
Is it what's in your pants, or what is in your pocket?
It's not worth it. It's not commercial.
They'll lose money, as they need to build highways,
roads to be able to start this.
They're not going to get their investment fast enough.
It'll be a long time to get what they invested.
Twenty years to recover what it will cost you now.
Tell him to forget it.
Better leave them alone.
Gringo.
Quickly, quickly.
I want the camera here.
Careful with the camera.
Here, a little bit this way.
Sit here, please.
Put the mic on this side.
- Everything's ready, Mr Director. - Everything's ready?
To the jail. To the jail.
Now we're going to the jail.
Help him. Take him over there.
Open the door.
People of the community!
What is your verdict?
Don't kill him!
Don't turn him loose!
This American...
This crazy American...
Listen to me!
This man came to steal the sets that belong to us.
Good.
Now...
Action!
Don't kill him!
Don't turn him loose!
He'll kill me, he'll kill me!
He'll kill me!
Here you go.
Music!
People of the community!
Now I want to present to you
the most precious part of my movie.
The best part of The Last Movie...
The dead man!
Action!
Fire!
Fire!
Yes, Father.
Hey! Will you kill him if he comes out?
People of the community.
Now...
Quiet now, and listen to the Director.
One moment, gentlemen.
Now we are going to get the cast from this angle.
Okay? Faster, let's go!
Music!
Come here, gringo, please.
Come here.
Okay. Pay attention.
Joy.
Here is the rock. Do you see the camera here?
You put it here. The head's here.
Here.
Joy!
Father, I want to talk to the gringo.
I beg you, Father. Just a minute, please.
Speak, speak.
Joy!
One moment.
One moment.
Joy!
Of course, it's dry.
Of course.
It's dry.
Father, listen to me.
In the scene...
Joy! Joy!
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