Original subtitles

Downloaded from YTS.MX

[light music]

Official YIFY movies site: YTS.MX

[rock music]

♪ Grab your jacket and your boots ♪

♪ 'Cause I got something better to do ♪

♪ Just don't ask any questions ♪

♪ 'Cause I'll just leave you asking four more ♪

♪ Screaming down the beach ♪

♪ Holding daddy's hand ♪

♪ Oh ♪

♪ Because all we know is over ♪

♪ Here we go ♪

♪ We're the creatures of the night ♪

♪ Here we go ♪

♪ Oh no, here we go, here we go ♪

♪ We're the creatures of the night and here we go ♪

♪ Got this change in my pocket, can't get me well ♪

♪ Out of this ♪

♪ 'Cause I'm feeling so crazy ♪

♪ Wasn't the wine or the girls that got me well ♪

♪ Into this ♪

♪ 'Cause all I know is oh, oh, oh, oh, oh ♪

♪

♪

♪

♪

♪

♪ Just beg for more ♪

♪ When I see your face ♪

♪ And you can't, you can't ignore ♪

♪ I know it's late baby, everything's all right ♪

♪ But I guess when I see your face I just gotta know ♪

♪ I'm gonna hit your face so hard ♪

(dramatic music)

(eerie music)

(eerie music)

(dramatic music)

(dramatic music)

(dramatic music)

(heart beating)

(glass shattering)

(dramatic music)

(dramatic music)

- Cut!

- That was good, I think we need to change.

- I thought you were gonna have a scene.

- Don't, man, I'm good.

- We'll see.

- Mr. Goldman, Mr. Goldman.

- Yeah?

- Ms. Steele, she fell out of her key light there

against the shelving.

Do You want us to retake this?

- Nah, just get it in post.

And you need to button up that blouse

so the rest of the cast and crew can come back on set.

I never asked for a closed set.

You wouldn't.

Okay, well, you were the one that said to play the character sexy.

It was in the script?

Yeah, licking the gun wasn't.

So?

So you are one desperately sick man, Big Bud.

Sir,

sir, where are we setting up next?

Um, down there where she enters.

Thank you.

Yeah.

Have we got a few minutes?

Yeah, a couple.

Can we get some coffee?

Just coffee, huh?

Beg all you like, but I'll never see you again.

At Least I'll never have to go out with you.

Marty, will you listen?

Tell Morrison he can meet me around 1:30 at Pepe's.

Yeah, we'll do lunch.

Oh, and make sure to let him know that the reaction

to the sneak preview is exactly what I said it'd be.

It's gonna be a hit.

Or... we'll take it somewhere else.

Uh -huh. Great.

Oh, and make sure that Shell and Stan got the

thank you note I sent them for dinner last night.

Thanks. Bye.

[screaming]

[screaming]

[screaming]

(screaming)

How in the hell did you get here?

The same way I get everything I want.

I never take no for an answer.

Which is why I would be the best possible manager for you.

Delaney.

Hear me out. You want to keep doing this low budget stuff?

Hell, I can get you a three picture deal at a major studio

at 40 million dollars a picture with one phone call.

Obviously you just don't get it. I make my movies my way.

Which wouldn't change.

Wouldn't it?

Who do you answer to?

Say no...

It's a bad career move. It could affect your whole life.

What the hell is that supposed to mean?

Shelly, we've just received a report I'm

kind of involved here, Jimmy.

It's BJ. She's been shot.

Oh My God.

(rock music)

(grunting)

(grunting)

(groaning)

(grunting)

(upbeat (music)

♪ Be a god amongst the men ♪

♪ More like a cat in a lion's den ♪

♪ Slow to speak but always stupid to judge ♪

♪ Never thought twelve years was done ♪

♪ Money can talk and dreams can run ♪

- Talk to me.

- I took care of the problem, sir.

- Excellent.

She'll be a little more agreeable now.

- Can we do the same for Goldman?

The lady says he's a hard case.

Hard cases have a habit of ending up dead.

Commisioner, I've got Lieutenant Paxton on the line.

Put him through.

Ray, give me something good to tell the mayor.

Well, if he wants something good, he's going to

be disappointed because Constantina won't talk.

What?

She's scared, just like everybody else.

Look, I can talk to her some more if you want,

but I can tell you right here and now...

Yeah, I know. I won't do it damn bit of good.

(dramatic music)

Get me the mayor.

- Good morning, Mr. Delaney.

(dramatic music)

(eerie music)

- How much you figure?

- A house, all the acreage, being so close to the ocean,

2.5 mil I guess, maybe a little more.

- I don't get it.

- Why'd Cord want this place?

With his money, he could buy a palace.

- People notice a palace.

- Ahh.

(dramatic music)

- Let me tell you something.

Women around here are never treated as equals,

just as expensive toys.

- What would you suggest we do about it?

- Never trust anything any men around here tell you,

including Cord.

- Oh, don't you worry.

We know exactly how trustworthy everyone around here is.

Still, if Gord doesn't treat you well, just let me know.

We expect to be treated very badly,

and you paid very well for it.

So if you'll excuse us.

Turn it off, Louie.

You're just not there tight.

Keep it up, and you will trade this in for a hook.

Don't make threats.

You don't have the guts to back up.

Disharmony?

That makes for bad business.

(ominous music)

Perhaps you've forgotten why we're all here.

Remind 'em.

- This year, the movie industry is projected

to make an additional $250 million

over last year's record profits.

Profits that our syndicate wants to share in.

- Hey, let's go to the chase here.

We know our jobs, we're good at it.

And just how well are we doing, Mr. Reynolds?

- Our goal of convincing successful filmmakers is working.

83 % of those we've negotiated with

are now a part of our stable.

- And Goldman?

- Still not interested.

- Make him interested.

- Ever since the Times did a profile on him last month,

every agency has been trying to sign him up,

but he keeps turning everybody down.

- April?

- According to the internet,

Stan Goldman's last four films

collectively netted $147 million.

- Delaney, did you notice a shotgun in my living room

when you came in?

I always keep it loaded.

You know why?

Just in case I run into somebody stupid

who doesn't wanna live anymore.

You're starting to look really stupid to me now.

So make 'em interested.

Joe.

- I got the digital master.

For space devils, it's gonna make a killing,

especially in our black... - Listen

up, this is important.

- No, I will tell you what's important, okay?

I just spent all morning in a waiting room

waiting to see if BJ's gonna end up in a wheelchair

for the rest of her life.

Okay, stay the hell away from me

or I'm spilling my guts to the first reporter I see.

- We'll have Portland in our pocket by the end of the day.

- And say what?

- What everybody knows and no one talks about.

- What about Jenny Malone?

- Mr. Cord, we Got ourselves a problem, a big one.

(acoustic guitar music)

- It's funny how temporary things can be.

Careers, lives, - I couldn't

stand it if something happened to you

like it did to BJ.

- I think you worry way too much.

- And I don't think you worry enough.

Giving an ultimatum to somebody like Delaney isn't smart.

- My God, you're actually right, Cora.

- It's a shame.

Do you have any idea how much you mean to me?

You keep me back myself.

Mm -hmm. Yeah.

Don't pretend like you don't know what I'm talking

about.

You know damn well what I was like before I met you.

I was dead inside.

When I started, I wanted to be Benny Davis.

But after 12 years in this business, the best I could

do for myself was a career in foam rubber or a towel.

Second -rate scream queen was all I was ever going to be.

My

Life is a joke. No, worse than joke. I was a walking package.

- Shelly, look... - Wait, okay, let me finish.

You gave me back myself.

The me that I had stopped believing in.

And for the first time, my work,

life, it meant something.

If I ever lost you,

I would lose the best part of myself.

Again.

(soft music)

- In case you haven't figured it out yet,

I absolutely love you.

- Hey.

You talk too.

(soft music)

(soft music)

♪

(somber music)

- Kim?

- Hey.

- I'm sorry, you are setting everything up

in the wrong spot.

I'm gonna need it at least by The canal.

You gotta make a left.

- Okay.

- It's ETA.

- I don't know, give us 30 minutes.

- All right, 30 minutes and counting, okay?

Sorry.

(dramatic music)

(dramatic music)

(wind howling)

- Cut.

(dramatic music)

(thudding)

(grunting)

(sirens blaring)

(explosion booms)

♪ You still need me ♪

- That was... - Getting too old for this rubbish.

- I sure didn't, but here comes somebody

that everybody likes, Tina Cabrillo

with the entertainment news.

- Aw, thanks, Billy, and how is

your morning, Hollywood?

It's TV's top gun, Barry McMaster's just had a lousy one.

He found out that he's been fired from his job

as the head of programming,

which only goes to show that second place

makes you yesterday's genius.

And speaking of geniuses, Danny St. Paul,

the brains behind the rock group Nuclear Reigns,

wasn't smart enough to keep his wife

from catching him in the act

with a certain red -headed backup singer.

Dum -dum -dum, Danny.

And on a somber note,

this reporter has just learned from a private source

that popular director Stan Goldman has just died,

the details of which have not been released.

And, you know, I can't say that I knew Stan terribly well,

but I can say I'm gonna miss him.

I mean, he was a breath of fresh air in this town.

Talented, principled, and also a nice guy.

And believe me, that's a rare one around here.

Back to you, Billy.

- And with that, let's remember "Lost Prince"

with a love theme from the Stan Goldman film,

"Love, Happy Ending."

(dramatic music)

(gasping)

(eerie music)

- Oh shit!

(sobbing)

(eerie music)

(eerie (music)

(sobbing)

(dramatic music)

(crying)

- Suicide hotline.

- Help, help me.

Okay, okay, who am I talking to?

Everything's good.

I'm just, I'm dead again.

Okay, listen to me. We're gonna help you.

But first, I have to know your name.

Um, my Name, um,

is,

um, Shelly. My name is Shelly.

Good.

Okay, Shelly, you're doing fine. Now just

I'm not doing fun,

I wouldn't be calling you if I was doing fun!

Okay, I understand. But I want you to understand what's happening to you.

These self -destructive feelings are just rage erected inward.

Oh, but...

You need to find a positive release for your negative impulses.

Can you do that, Shelly?

But... a release...

Shelly? Shelly, are you still there?

Shelly, if you can hear me, answer me.

Shelly?

Shelly, I need you to respond to me.

(eerie whispering)

Never mind

Everything's fine. Everything's gonna be okay

Friends of mine are gonna help you find a way to release my rage

Good you're here sit down

But is this some kind of promotion no

Not a promotion it's more of a transfer

This is detective great

Pleasure to meet you

Since you two are now buddies listen up

The underworld has always had a foothold in the film business, but

there's a new syndicate that's been trying to make it their own private

I just got a green light from the mayor to form a new task force

to deal with the problem.

Guess who's going to make up that unit?

Oh boy.

Good guess.

And there better be results quick,

because the governor wants it from the mayor,

the mayor wants it from me, and I want it from you.

Why us?

Paxton, because he's been on special assignment,

answerable only to me for the better part

of a month, investigating several aspects of this problem.

Plus, he's acted as a police consultant on several motion pictures.

Lipton's here because there's a lot of new designer drugs

floating around Hollywood,

and I need a good vice cop to track the source.

Also, he's an expert on several Mexican cartels.

So?

We believe we're dealing with a splinter group

of one of those syndicates, albeit American -based.

Their basic MO is very similar to the old Chicago mobs of the 1930s,

a combination of violence, intimidation, and manipulation.

They play rough, but if we dig deep enough, we can bury them.

Or dig our own graves.

Sir, would you like me to say the remainder of my report afterwards?

What would I do that for?

Everyone's called in with their progress, there's been interest expressed,

and police officers with no serious hits yet.

G -Mon has officially dropped her manager as instructed.

Pressure is being put on those clients

of the companies that we're interested in.

All is progressing as expected.

Conversely, the profit ratio of narcotics

is projected to go down during the next quarter

due to the increased precautions

taken by the Drug Enforcement Agency.

Now, our suppliers in Taipei

are most unhappy about the situation

and want to know what you're gonna do about the problem.

If anything.

- Don't react, don't speak, just listen.

I Had the information you paid for,

but like I told you when you hired me,

the bugs I planted aren't exactly,

well, let's just say that the law and I

don't always agree on what's legal.

Good luck, kid.

Jim, I'm coming to pick up what I ordered.

Something really important has come up that I want you to know about.

Our man at City Hall says that a new anti -crime test

unit has been formed specifically for our benefit.

The cops are always pulling some kind of stunt like that. It's bizzare.

It's up to you and your job to make sure it stays that way.

Inform me of what's

going on with the Magnum Art Studios.

Their stock's down and their board's getting twitchy.

The right push at the right time will mean we can buy the major acquisition.

All we have to do is keep their stock going down

a little while longer.

What about, um, what about what's -her -name?

The wife of the chairman.

Carol Myers. She and I have a meeting tonight.

She likes to talk when she's handled right.

How does that feel? Is that too loose?

It'll do.

I modified the exoskeleton that I worked up for Quantum Droids Part 2.

Will it do the job?

Does it feel heavy?

Heavy? No.

It should. It's 98 pounds.

I programmed the proprietary microprocessors

with your strength parameters.

It should increase your range by four and a half times.

The only problem with the suit is,

it retards body movement by 6%.

- And the rest?

- It should be ready in one or two days.

Shirley, just what am I making all of this for?

- Well, you've been paid a lot of money.

- But I haven't seen the script.

Just what is all of this gonna be used for?

- For pest control.

I Wanna talk to you.

Save the phony charm for somebody who gives a damn.

Cord's been trying to reach you.

- As you know.

- You think this is some kind of joke?

You could die laughing?

- I have my phone turned off

because I'm expecting company, as he knows.

- He wants this done now.

Right now.

- If I drop a rock off a cliff,

I don't have to tell it to fall.

It just does.

I know my job.

I

Don't recall Cord giving you authorization to talk to him

(beeping)

The following message has been activated

as signed a confidential report

and as such will be erased once received.

The following, Los Angeles,

the home base of the Cord Syndicate.

The Cord Syndicate is a remarkably effective

criminal organization that operates largely in Los Angeles

but whose influence is felt in every American city

where entertainment is a money -making industry.

This includes such cities as Las Vegas,

New York and Chicago, among others.

This organization is headed by Ricardo Cord,

formerly Ricardo Cordova,

who has strong ties to several Latin cartels.

While never convicted, he's suspected of being

personally responsible for seven murders

and a race to new crates of illegal drug sales on the West Coast.

Jack Reynolds, one of Cord's new clients,

often uses blackmail to achieve his ends,

something of a ladies' man, albeit an abusive one.

He likes to find flawed women and use their weaknesses against them.

He has a hideaway in North Hollywood and you will find the address, along with more

detailed information on him and the flawed organisation in the hard copy given to you.

Joe Vixler is another of Vaughn's loot and is responsible for extortion and drug sales.

A particularly vicious character where two years ago was indicted for murder

but the case was dropped when the only witness was found burned to death.

Sixlers now use an abandoned store just off the

set to conduct much of his illegal activities.

In charge of securing talent at any cost is Louis Delaney.

A weasel of a man who is said to be his best friend for a dollar.

Believed to have arranged for the death of three of his clients,

he'll be used to cooperate with board syndicates.

The two enforcers most often used by Kool -Aid are Ben Gates and Tommy Ullman.

Gates is a seriously deranged man who enjoys hunting and killing people as violent as Gates.

All men is just as bad when it comes to murder.

Both are ambitious and bocking to become Cord's new lieutenant.

As such, they will do anything to advance themselves.

And although there is no actual proof that would stand up in court,

it is widely understood that they are the killers of Stan Goldman.

The head of Cord's home security is Tracy Jacoby.

One time, maybe she'll force to leave the service due

to A dishonorable discharge.

Very capable, as are all the guards under her command.

It should be noted that neither she nor these

guards are directly involved in caused criminal

activity.

Three of Cord's mistresses reportedly run the financial aspects of the businesses,

both legitimate and otherwise.

They are called April, May, and June.

Real names are unknown and it is believed that Khor gave them these nicknames

due to his difficulty in remembering the personal details of the land.

It is important to know that black corps guards,

they are not directly responsible for all criminal

activity.

And as stated earlier,

you can find more detailed information

about corps operations with the hard copy given to you.

This message will erase 30 seconds after exiting.

(dramatic music)

- We fight with the weapons we know best.

(dramatic music)

(eerie music)

(knocking)

- You're late.

- I didn't know I was being tagged.

- What do I have to do to get one of these?

- You know where the bar is.

- Oh, well now a nice man makes a lady her dream.

- If I were a nice man, you wouldn't be here.

And if you were nice, you wouldn't want to be.

- Maybe I should leave.

- The door's not locked.

Go or stay, but don't waste my time.

(eerie music)

- Tell me why you're here.

- Oh, Jack.

- Say it.

You're here because?

- You're not a nice man.

- Like your husband is.

Later, we're going to have a long talk.

You look very nice.

I'll be back in a second.

(whimpering)

- Don't go away.

(whimpering)

(eerie music)

(screaming)

(dramatic music)

(screaming)

- You scared?

(screaming)

(sirens blaring)

- You're not gonna want the police

to ever know you were here.

(dramatic music)

(dramatic music)

- Hey, Brandy, how's it shaking?

- Well, when I find the likes of a good woman,

until then I'd settle for you doing me a favor.

- Like what?

- Like finding out something on Cord for me.

- Okay, I'll let you know if I hear anything.

- You do that.

- How old is she?

About 17, 18?

- Yeah, about there.

- Ah, a wannabe actress.

Hooray for Hollywood.

(phone buzzing)

- Taxi.

What?

What?

No, I'll be right there.

That was homicide.

Jack Reynolds just went belly up.

Why is it so familiar?

Forensics will be here in a few minutes. They'll have a report by morning.

What is that?

It's Randall's personal notebook.

God, we hit the mother load.

(dramatic music)

- You like your coffee black, right?

Boy, what a piece of crap office they gave us.

- I'm assuming it used to be a storage room.

- I don't get it.

Why do we gotta show this desk?

- I don't know.

I'll get you one eventually.

- Yeah, but meanwhile you get this one, right?

- What, you want to do some paperwork?

I've gone through this whole journal.

I can't find one direct reference to Kord

or any other names of the various.

Jack Reynolds was a very careful man or a very scared

one.

- Maybe someone that isn't scared.

A rival gang maybe?

No, no, he didn't die of execution.

This was an act of anger.

Revenge.

- What?

- I think I'm gonna get a donut.

Do you want a donut?

I'm gonna get a donut.

I'll be back in a little bit.

I'm gonna get a donut.

- Hey, get me a cannoli.

(buzzing)

- I just checked our resources

and no one has any idea who Whack Reynolds.

- I don't care how you do it.

You find out and you find out fast.

- Okay, I'll get more men on it.

- Fast means get the hell outta here and get it done.

Go!

(train rumbling)

(dramatic music)

(phone ringing)

- Jim?

- Jim, no, this is Lieutenant Paxton with the LAPD.

I'd like to ask you a few questions, if I may.

- Police?

Wait, well, I'm kind of in the middle of something.

- Fine, let's say in an hour.

Sure, please?

- An hour?

Okay, that's doable.

- Thanks, I'll see you then.

(dramatic music)

(whistling)

I've been thinking about adding Tachnicum to my portfolio.

What do you think?

It's

definitely risky. I mean, their rival company in Korea could potentially

undermine their worth when they introduce the T -8000 on the 19th.

That, combined with the union renegotiations they're

undergoing this quarter, it's not a smart move.

And then you're looking at the total derailment

of their merger with Alphatronics next month.

Yeah, and then there's also

the question of whether or not the government's going to renew their contracts in the fall.

Exactly. Your best bet is to wait until the Dollar Tian exchange gets stronger.

That way, their plant in Taiwan can reopen.

Jill!

Get in here!

Be right there, sir!

We can finish this conversation when I get back, so...

give me about five minutes.

Five minutes if she's lucky.

(rock music)

♪

♪

♪

(upbeat rock music)

- Lieutenant Paxman.

- May I come in?

- Yes, is the living room okay?

- Yeah. - Yeah.

- All right, right this way.

(eerie music)

- Would you like some coffee or?

What did you need to ask me to tell you?

- Yes, actually, I was here to talk to you

about your boyfriend, Dan Goldman.

- Fiance,

but what about him?

- Well, rumor is, he was being pressured

by the, well, some shady characters.

Any truth to that?

- Well, that's why he's dead,

because he couldn't be fresh.

- Pretty straight answer.

Any proof?

- Nothing that could stand up in court.

- I'm sorry to hear that.

I mean, I asked a lot of people, and they

said he was a pretty nice guy.

- Yeah, yeah.

He was a good man.

You would have liked him.

- I liked his movies.

- Well,

both of you, your films had style.

No, not just your film, you had style.

- That's very flattering.

- No, no, no, it's true.

You made your characters you played

seem like tragic figures.

Something in the eyes, I think.

Yeah,

that's the look.

You gave humanity to the monsters you played.

Like that movie you did a couple years ago,

what was the title?

You were a woman scarred by terrorists.

- The Lady in Black. - That's the one.

You couldn't help but feel sympathy for her,

even though she was going around strangling people.

She had good reason to.

She'd lost her heart,

And most people might not catch that, but...

well, it might just be movies.

Things are not really as they seem to be.

Well, really, great villains always have good reasons for their actions.

Remember that movie you did, uh, Vipera?

Let's face it, that was a corny movie because you were part lizard,

but, but you couldn't help but feel sorry for her when she died.

You know what? Forgive me. I'm so sorry.

I, I strayed away from my point of my being here.

If you can think of anything that might help us bring

down the men that were pressuring Stan Goldman...

If You would, call this number.

No, no, I'll let myself out.

Thank you for your time.

(eerie music)

- Something in The ice.

(eerie music)

(dramatic music)

- You've been a very naughty boy, Mr. Corley.

I'm not pleased.

- Why?

- You haven't scheduled the play dates for our movie.

- You gotta understand the problem.

The problem is our movie isn't playing in your theater.

- The reviews were brutal.

Nobody wants to see it.

- That has nothing to do with your deal with us.

- I could lose millions.

- You have a pretty little granddaughter.

Is she five, six?

(door creaking)

- It means

Reynolds was killed by somebody with muscles?

That's what you've got?

- Well, I do have something,

but I don't know how important it is.

There was a trace of makeup on that piece of cloth

I found next to Reynolds' body.

The kind of makeup that actors wear.

- Which means what?

- Well, that whoever was wearing it has the

answers we need.

- Oh, damn.

I Don't suppose you have anything?

- Anything?

Hell, I don't even have a desk.

(phone buzzing)

- Well?

- Our organization has authorized me to make an offer

of $35 million for the Master of Space Devils.

(phone buzzing)

- I'll pass it off to the board.

If he accepts, I'll call you back later.

Let us answer.

(phone buzzing)

- Do you test everything?

- Uh huh.

- And the rifle?

- Yeah, but I better warn you.

No matter what it looks like,

this thing is pretty old school.

I based it on some industrial designs.

One, maybe two shots, that's it.

- Two should do just fine.

(ominous music)

(phone (ringing)

(phone ringing)

- Yeah?

- Is that a hundred thousand quarter for real?

- Who's this?

- Answer the question.

- Yeah, it's for real.

- Yeah, yeah, I know who it is.

- I'm listening.

- Late last night I saw this woman make herself up

real weird and kill one of you guys.

I paid attention 'cause I know who it was right off.

- So who is she?

- I also know about you, so I ain't saying

who it was until I see the money.

- Look, you listen to me.

No, no, no, no, no, you listen, okay?

I'm gonna need that money to get out of town

once they find out that I talked to you.

So Meet me with the money the night at the,

well, you'll just make it eight o 'clock.

- How am I gonna know who you are?

- No one who isn't you.

- All right, don't be messing me around.

You better know who she is.

- I know exactly who she is.

Be there.

(ominous music)

- The deal's not sweet enough.

You tell them we'll throw in the video master

for 35 million, and they put in 3 % of the take.

- I'll relay the information.

If they go for it, then I'll set the exchange up

for tomorrow night.

I'll take out the other business you want done also.

(phone buzzing)

- Hello?

- Look, I know who the killer is.

Or at least I will tonight.

Look, I need the money.

Pry the snitch's mouth open.

- Just make sure it's not a con.

- Look, I ain't going alone.

From

now on, every girl on the street here works for us.

We'll be coming every couple of days to get our 15%.

- Look, I'll do whatever you want.

- Thing is, everyone has to be motivated, just like you.

In order to do that, we need to make an example.

(whip cracking)

(paper rustling)

(dramatic music)

(eerie music)

(eerie music)

(eerie music)

(eerie music)

- It's here, got your money.

(ominous music)

- Keep close.

I Don't like this.

Let's get out of here.

- Leaving so soon?

- What's with the games?

- You bring the money?

- It's here.

- Count it.

When I know you have it all, then you'll have your killer.

- If you think we're gonna waste time coming up.

- Just count.

(ominous music)

(thudding)

5,000.

10,000.

- Keep counting.

- 25,000.

(eerie music)

80, 85, 90,

100,000.

It's all here.

Are you satisfied?

- You heard, it's all here.

(eerie music)

(gentle music)

(light music)

(dramatic music)

(gunshots)

(suspenseful music)

(yells)

(heart beating)

(gun firing)

(dramatic music)

What are you doing here?

You fool!

(dramatic music)

(dramatic music)

(ominous music)

(screaming)

- She's still alive.

(screaming)

- I got your message.

What do you need?

- I'm in a mood to give some answers

if you have the right questions.

Who did this to you?

Two of Kord's men, Ulman and Gates.

Where do I find them?

With their boss, probably.

Funny, someone was asking me about them about a

week ago.

Who was doing the asking?

Some P .I. wanted to know everything that I had to know.

His friends, whereabouts, like I'd even know.

- You remember this guy's name?

(dramatic music)

- Give me this.

- Kevin Wilson Investigations.

- That better be all your questions,

because starting tomorrow I'm out of here.

- Where are you headed?

- Anywhere but here.

(dramatic music)

- Take it easy, Brandi.

- Yeah, I plan on it.

(dramatic music)

and he's in another one of his moods.

- Mr. Cord?

Sir?

- Have you ever seen the rivers of Japan?

Or its seas?

- Japan?

No, sir.

- Beautiful.

Beautiful like its country.

That's where I jumped ship in Tokyo and

lost my merchant marine card.

Well, you've come a long way since then.

Have I?

Yeah. You're wealthy, powerful...

But I lost the sea.

Sir?

Shouldn't you be doing something more productive?

Yes, sir.

(bells ringing)

- Forensics said that they'd be done in a couple of...

What's that?

It's a piece of foam rubber with some makeup on it.

What's that smell? Perfume?

Yeah, you caught that, huh?

Yeah, what do you figure this means?

I'm not exactly sure yet.

Funny how that guy died.

You like movies, Greg?

Ray, you're not exactly staying on point here.

Oh, okay. Then we better go get a search warrant.

What for?

I'm gonna check on a hunch of mine.

(dramatic music)

(dramatic music)

(gasps)

(heavy breathing)

(ominous music)

- You're on time, Mr. Ronald.

- Cord accepts your offer,

But he wants 3 % of your net profit.

We Expected as much and we agreed to your conditions.

Then have your man come for the money.

Of Course, but we've been placed.

Where?

A Little spot north of Bella.

Hello?

Mr. Cord, they agreed to the price. I'll need the master tape to make the delivery.

The exchange is in a couple of hours.

Usual spot?

Doing a place with lots

of people you're gonna laugh when I tell you where they want

to meet.

♪ A little bit more sunshine ♪

♪ Smile on her face ♪

♪ Dry up the ocean ♪

♪ Stop the pouring rain ♪

♪ She dances slowly ♪

♪ Rusts fast from pain ♪

♪ She ain't deaf from me ♪

♪ Who gets dressed on Sunday ♪

♪ 'Til Friday night ♪

♪ She doesn't hit the bottle ♪

♪ Still parties right ♪

♪ She lives a good life ♪

♪ I wanna try ♪

♪ To get her with me ♪

♪ But I said no ♪

♪ Where'd you go ♪

♪ And she said to me ♪

♪ ♪

[gunshot]

♪ ♪

♪ A little more sunshine ♪

♪ Smile on her face ♪

♪ Dry up her tears ♪

- Guess I won't be needing that second shot.

♪ Stop the time ♪

- You have just reached J Bigsler Productions.

I'm out at the moment, but if you'd leave a message,

you can do so at the beep.

(beep)

- Jacoby!

Step up security.

- Yes, sir.

(phone ringing)

(phone ringing)

- It's me, Wilson.

Sorry, kid, but you got trouble brewing.

The cops just came in with the warrant

took away all my files. I thought I better warn you before it's just a

matter of time before they learn what you hired me for. Like I said, sorry.

This actress friend of yours is one curious lady.

She's got more information on Kord than we do.

You were right.

Yeah.

I was really hoping I would...

Let's get this over with.

(fire crackling)

- Sir, I can't get a hold of Gates or Ullman.

They won't answer any of their contact numbers.

And I think given the situation, we should expect the worst.

- Go on.

- Due to this circumstance,

I believe it would be prudent for you to relocate

to your home in the Bahamas for safety's sake.

At least until the situation gets resolved.

- What about that pilot we have on payroll?

What's his name, Burnett?

- Benedict.

- Get on it.

- Yes sir.

- And send in June and May.

I may have a little time to kill.

- Okay, I need you to go to the north, you to the south.

You do a perimeter check, you do the outside and the front,

and I'll have the inside in each room, okay?

- Sure.

- All right.

(eerie music)

(dramatic (music)

- I'm gonna tell you what I told the other henchmen.

Run, because when they find out that you failed, Cord,

they will hunt you down and kill you.

(dramatic music)

(phone ringing)

(dramatic music)

- Something's changed in here.

- Well, if we didn't have proof before,

anything over there, Ray?

Nothing that tells me where she is.

You better call the station.

Put a B -O -L on her and call, call, call.

Call, call.

Call.

- What are you doing?

- Shh.

- TransAsia Airlines, how may I help you?

- This is Lieutenant Paxton, LAPD.

Has a Shelly Steel booked a flight on your airline?

- If you'll hold on, sir, I'll check.

(keyboard clicking)

- Thank you.

- Very cute.

- I have my moments, yeah.

- So you think she's skipping the country?

- Well, she's not dumb,

so she'd have to know she'd be caught unless...

Sir?

- Yes, I'm here.

- We have a Shelly Steel booked on a 6 .45 a .m. flight

to San Francisco out of Burbank Airport

with a connecting flight to Hong Kong at 10 a .m.

- 6.45?

Thank you.

- Okay.

If She's leaving that early, then...

- Then she's going after Cornell.

(swoosh)

- Jacoby?

Jacobi?

Danelli?

Collins? Vasquez?

Is anyone there?

The guards aren't responding!

(dramatic music)

(explosion booms)

(dramatic music)

(clock ticking)

(dramatic music)

- I think it's time to sell short on this investment.

(dramatic music)

(suspenseful music)

(eerie (music)

(eerie whispering)

(eerie music)

- Who are you?

Who are they?

When you lose your heart,

the darkness takes over.

(suspenseful music)

(dramatic music)

(thunder rumbling)

(dramatic music)

- Hey, that's her car, stop!

(dramatic music)

(dramatic music)

(dramatic music)

(laughing)

(dramatic music)

(gun firing)

(phone ringing)

(phone ringing)

(train whistling)

(phone ringing)

- Yeah, Paxton?

It's okay, I'm pulling an all -nighter.

Don't do anything.

I'll have forensics take care of it.

Just report back to me.

I'll be here.

- Why'd she laugh?

- What?

- If she hadn't laughed, we wouldn't know where she was.

It's not like she was wanting to.

- Ray, if you keep asking yourself questions like that,

you're gonna end up as crazy as Steel was.

(eerie music)

(eerie whispering)

(eerie whispering)

(eerie whispering)

Leave it alone, will you? Let the woman rest in peace.

Maybe you're right.

A tragic figure deserves that much.

Remember me

♪ With the autumn leaves ♪

♪ I can see your face that smile like a beauty queen ♪

♪ It's a mystery ♪

♪ Sometimes hard to believe ♪

♪

♪

♪

♪ I get tired of waiting for answers ♪

♪ To the questions I already know ♪

♪ There's no time to enjoy life's patterns ♪

♪ When you're always on the go ♪

♪ No one seems to know my struggle ♪

♪ It's so hard to comfort the pain ♪

♪ When you're living beneath the shadow ♪

♪ To hide your sense of shame ♪

♪ She gets tired of feeling so lonely ♪

♪ Never having nobody around ♪

♪ No one really seems to care ♪

♪ Until you're six feet underground ♪

♪ And she's tired of caring for others ♪

♪ She just wants to be left alone ♪

♪ All this time you're searching for answers ♪

♪ And some place to call your home ♪

♪ And he fell for all her mistakes ♪

♪ And the ones she couldn't see ♪

♪ Where she lacked in love ♪

♪ She made a fool with her desirability ♪

♪ And the time for them grew quickly ♪

♪ There was nothing they could do ♪

♪ If love's your only option ♪

♪ Well, then what do you have to lose ♪

♪

♪

♪

♪

♪

♪

♪ Tax the riches when you're having trouble living ♪

♪ A silly dream but a boy can only wish it ♪

♪ To be a god amongst the men ♪

♪ Like a cat in a lion's den ♪

♪ Slow to speak but always stupid to judge ♪

♪ Never thought twice about the things that I've done ♪

♪ Money can talk and dreams can run ♪

♪ But it's you I just can't get enough ♪

♪ And you started the talk but you stopped and you thought ♪

♪ And you gave up more than you had wanted to show ♪

♪ But if the feeling's just not there ♪

♪ Then let me know ♪

♪ You're longing for tomorrow ♪

♪ Grows tired than the day before ♪

♪ Measure a rise right by the sun ♪

♪ Could be content with what's on my mind ♪

But these second thoughts just push me into the dark

When I'm trying to stay under the light

Maybe I'm just way over my head

Too fixated on the things that I should have said

All the thoughts and moments that pass by

Are not what you wanted

♪ Your painted pictures upon my wall have grown ♪

♪ So very thin as I seem to recall ♪

♪ And the love that hurts you can't be king, no ♪

♪ You still have them, no ♪

♪ ♪

♪ ♪

♪ ♪

♪ ♪

♪ ♪

♪ Do I ever come across your mind? ♪

♪ Or is it already too late for me to call ♪

♪ You mind ♪

♪ These long nights will remain to settle down ♪

♪ But that's not for me now baby ♪

♪ I'm not stopping now ♪

♪ I could never seem to Get enough ♪

♪ Of what you call pain ♪

♪ I would always call real love ♪

♪ Always caught up in the mix ♪

♪ I'm a fool in a fritz ♪

♪ Like a room around your bed ♪

♪ Full of tricks I come undone ♪

♪ Maybe not quite yet ♪

♪ But I bet with some time that I'll try ♪

♪ 'Cause I just can't get you off my Mind ♪

♪

♪ You should've left it all behind ♪

♪

♪

♪ Does it ever come across your mind? ♪

♪ Or Is it already too late for me to call you one last time? ♪