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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�gM�t�M��S��I�fS��M��S��T�kS���M��S��S�kS����O�I�f@�*ױ�B@M��libebml v1.3.0 + libmatroska v1.4.1WA�mkvmerge v6.6.0 ('The Edge Of The In Between') built on Dec 1 2013 17:55:00D��AG�hDa� ����[�s���Q��s~z"�������:T�k���ׁsň�Ն���V��������S_TEXT/UTF8�D%C�u@�������♪ MTV ♪�� #����� $♪ MTV ♪ ♪ MTV ♪������� &♪ MTV ♪��b����� 6Historic moment. Eddie Harrigan��������4and Tommy Stevenson in the same cab.���C�u�� ������What would their dads say?�������� ;He stabbed up another kid��������in a club.��C�u��5������You're a mad cunt, Eddie.���������I'll make it up to you.��i����� kIf his granddad finds out,���C�u@��Je�����he's a dead man. I'm fucking dead.��k������I'm assuming you've heard of the Harrigans.��à���� 0This deal takes us to the next level.�� ^C�u@��^������How do we fund this expansion?�� ڠ���� [Fentanyl.��������nWell, I'm a representative��頙����of said family.��C�u@��u2�����If you do as I say,��l������I promise you will never see me again.��Ƞ���� �If you don't, I will find you.�� C�u@�炉�����Problem solved.��򠱡��HYour son, Richie. He hasn't come home.�������� @And he lied about who he was with.���C�u@�炜Ǡ����Find him.��̠�����He was with Eddie Harrigan.������� :If Richie wants to get unruly,��à����Sand you get a chance, you take him.���C�u@�炵������My boy didn't come home.��@������If you make things difficult for me,�������� �it won't end well for you, Harry.���C�u@���s�����For the avoidance of doubt,��v������let Richie live.������� fDid you know that Archie's been going��J�����1behind your back with The Fire?��vC�u��㛠����Here's what happens when you go behind my back.�� 砎����Dad!���C�u@�����Sofa, we're burning.��@������Rug, we're burning.��O�����-I don't trust the curtains. Get rid of them as well.��C�u@��!������Strip this back, the paint off, and repaint that.��Ƞġ��HThe floorboards have to be replaced 'cause there's, um...��C�u��;@�����...they've got a fucking hole in them.�������� ?Zosia, Kiko,��{C�u��P������can you get rid of Archie's car, please?��J�����KThank you.��yC�u@��dܠ����- Paul? - Yeah?���������Can you get me some plastic, please, and a bag?��(�����Plastic bags, got it.��������^- Uh, I have a question. - Yeah, go on.���C�u@���������They've been mates since the fucking '70s.��S�����TYeah, that's not a question, is it?�� �������No, well, the question is, why?�� UC�u��� �����You know, why'd he do it?��q�š��rYou know what, there are so many variables and occurrences��PC�u@���c�����which happen on a daily basis throughout the universe.�� ������ �It is not for us to wonder why they happen.��������It is only for us to bring me the fucking plastic�� ^C�u���Ƞ����and a bag right now, Paul.��������- Thank you. - Fair enough.�� �C�u���䠏���Um...��נ���� WWhat happened?���C�u@�� ������Harry.��u�����vWell, Dad's standing there unfurling his grand plan...�� ������4How do we fund this expansion?�� *C�u��) �����...involving Mexicans, the Stevensons, fentanyl.��󠳡��s- Archie interrupts. - We could perhaps��tC�u��>򠕡��discuss it?���������- We? - Dad shifts gears.��񠶡�� - Could discuss it? - Something upsets him.��{C�u��R������Anyway, he fucks off, apparently, for a piss.���������And that's when the wheels came off.���C�u��kF�ơ��Archie, you are a much better toady yes-man than a traitor.�� `����� aMum called Archie a traitor.�� �C�u���������Archie a traitor?��u������Yeah.��{������And Dad comes back in,��$C�u@��������and he's a different fucking man.�� ������ �- Sits opposite him. - What, here?�������#- Oh, Archie. - Yeah.���C�u���Ϡ����- Opposite Archie. - Okay.��ϠɡÁ�Then he holds Archie's hands, with seemingly great compassion.��PC�u���𠢡��You know, one of them...��p����� �And I'm sitting there thinking,�� -C�u@��㯠����"I don't know where this is going."��n�����oThat's when I see the Desert Eagle��R����� �sticking out of Dad's ass crack.���C�u@���������And what was your mum doing?��v������She must've known what was coming,��#�����'cause she left her post,���C�u�� ������which was that seat there.�� ����� �Right, and?��頝����Then she called it.��C�u�� y�����Stick or twist, baby. Stick or twist.��������Dad pulls out��̠���� �the fucking Eagle.���C�u@��6������Is this some kind of piss-take?��������yYes, Archie.��@����� ♪ slow, suspenseful music ♪��������The piss has been taken.��OC�u��P������Wallop.�� ����� �Straight through Archie's heart.���C�u��hP�����Well, okay.��(�����)- I'll leave you to it. - Yeah, yeah.��𠧡��oAll right, let's get it done.���C�u��k�����All right, let's have a look at you.�� C�u���������I'm sorry about this, Arch.�� ������ �I always liked you.���C�u��������I can't sleep.�������� I just killed my oldest friend, Maeve.�� �C�u���Π����You look at Archie and you see an old mate.��������I saw a liar,��zC�u���堢���a leech and a liability.�� ������ I identified the problem, and you,�� 2C�u��$�����you dealt with it.��&������Huh.��OC�u��ޠ����So... fentanyl.��Ԡ����RHmm? Yes or no?�� dC�u��No. No.���C�u��VȠ����...more affordable homes across London.��)�����0♪ tense music ♪�� _C�u��������Kevin.������Driving's a bit reckless, Richie.�� �������Where's my Tommy?��CC�u@���u�����I don't know, I'm not fucking clairvoyant, am I?�� Ġ���� �Anyway, Harry's been nicked.��g������Oh, fuck Harry. Where's my boy?�� bC�u���������Don't say "fuck Harry."�� ������ That's rude, Richie.��C�u@�������I've asked Eddie.��q������Doesn't know anything about your Tommy.��Ѡ���� �Well, why don't you get your son�� ZC�u��+ �����to come and say that to my face?�� \������If you want to start a war, Richie,��qC�u��@Ơ����then just fucking say.��͠á���Now, O'Hara's gonna have Harry out in a couple of hours.�� �C�u��`������So hold your horses, you jumpy cunt.��C�u��z٠����You got one hour, and then I'm coming for Eddie.��C�u���r�����Call Bella.�������pCalling Bella.���C�u@���%�����Bell, move Eddie to the Cotswolds.�� _����� �I'm gonna send two of Harry's people��v������over to you now.���C�u���d�����He's gonna love that.�������I don't give a fuck if he likes it.�� XC�u@�� ������When was the last time you saw��F������- Archie Hammond? - Listen, Fisk, this is��)�����pthe moment when I say, "fuck off," right?��MC�u@�� ������My brief's on the way.���������You're not being charged with anything, Harry.��񠬡�� - Just relax. - So why am I here?���C�u@�� : �����- I can help you, Harry. - I seriously doubt that.��(�����)And you can help us.�� �����JYou all right, Fisk?��HC�u@�� YK�����The Harrigan Express is running out of steam.�� ��á�� When it does, a lot of people are gonna go down with it.�� �C�u�� r�����I can provide you with a parachute.�� ������ �Mate, your metaphor is really hard to follow, so...�� .C�u@�� �������"The Harrigan Express is running out of steam," yeah?��������'"I can provide you with a parachute."�� �ġ��4What is it, a train or is it a plane? I'm a bit confused.��C�u@�� �l�����- Harry-- - No, I suggest��Ǡ�����you should probably go for the plane,��Ϡ���� �because plane crashes are worse than train crashes.��C�u@�� �������You know, casualty-wise.�� Z����� �Do you want to go outside, have a think about it?��z�š��UYou know, maybe come back in and give this all another go?���C�u�� ������His brief's here.��������,Fisk.��C�u@�� �[�����Please start by telling me why you broke into��B�����Cmy client's home in front of his family��y����� <and dragged him down here.��$C�u@�� <�á��We believe your client can help us with an investigation�� ������ 5concerning Archie Hammond.��(�����^Who?���C�u�� $ �����Your other client Conrad Harrigan's��������~lifelong associate Hammond, Archie Hammond.�� cC�u@�� 7������What's the nature of your investigation?�������� �Well, right now, simply to find out��������[when your client last saw Mr. Hammond.��~C�u�� TE�����And why is this important?��p�����qWe want to talk to him.�������� �So phone him up.��C�u@�� hz�����Yeah, we did, but he didn't answer.��נ���� -This is bullshit.��蠰��� I need to get out of here. Now, yeah?�� C�u�� ������I'm taking my client home right now.��M������Back to his family.��u�����CAll right.��"C�u@�� ������Have a think about what I said, Harry.���������The net is closing, you know it is.��������Conrad, he may not, but you do.�� C�u�� �ՠ����Don't you, mate?���C�u�� ׵�����Oh, Archie.�� �����,And try not to upset your grandfather too much.��SC�u�� �5�����Hmm.��nC�u@�� ������Eddie? You still play football?����š���Every time I see you, you ask me if I still play football.�� 9�����[I haven't played football since I was ten.��C�u�� +o�����I hate fucking football.���C�u@�� C_�����Anglais, s'il vous plaît.�� ����DI said the weather is beautiful��l����� 0this time of year.��@������Fucking splendido.�� �C�u�� mӠ����Could be a coincidence.��à����I don't believe in coincidences.��������- All right. - H.���C�u@�� �������Richie came to see me.��젠���BHe's coming for Eddie,��͠���� �so I sent Kiko and Zosia to take him to the Cotswolds.���C�u�� �������Let's meet there.��������tWill do, mate.�������� �All right, head for Conrad's, yeah?�� �C�u@�� ���ơ��Yeah, well, there's no way that Fisk didn't know something.��ؠ���� X- He knows something. - Well, theory number one...�� �C�u@�� �a�����the house is bugged.����á��yWell, if it was this serious and organized, it'd be over����ơ���in five minutes, have Conrad out for murder, wouldn't they?�� �C�u�� �7�����Two, Archie was a grass,�� ����� �and they expected to hear from him after the meeting.�� /C�u�� M�����He never rung, so they haul you in.�� �����)- He was getting greedy. - Says who?�� �C�u�� $栐���Maeve.���������What, that's your proof? Maeve?�� ������KOr maybe he was wearing a wire.��C�u�� :Π����Nah, he wasn't wearing a wire.��à����oI searched his body.���C�u@�� P6�����This morning, I popped him in a bag,�� ߠ���� _I drove him over to Pete's Parlor��v������and I placed him in a coffin with some old dear.���C�u�� j������Looked just like his ex-wife.��n�����o- Jesus. - He'll be happy with that.��������PJust what the fuck��qC�u�� �������was Conrad thinking?�� ����CHaven't got a clue.��Ҡ�����But I know someone who does.��EC�u�� �2�����All right, then.�� �����&- Hey, Jan. You okay? - You out?���C�u�� �������How is Gina? How was her exam?��$������Where are you?��q����� kI'll be home as soon as I can, okay?���C�u�� ͵�š��Just, uh, just got a couple of things I need to fix first.���������What about our therapy session at 2?�� �C�u�� �_�á��You know, I'd scream, Harry, but it doesn't do any good.���C�u�� 0�����I'll call you later.��{C�u�� 㠭���Nah. Fisk must've been tipped off.�� ������ ;He definitely knows something. I can feel it.���C�u�� +J�����So, who do you think called us this morning?��͠���� kIt'd be someone on the inside.�� C�u@�� C<�����- Who's the weak link? - I don't know, but we'll use�� ����� Harry to help us.��ʠ����XSeriously? Why would he do that?���C�u@�� \������- His job. - What do you mean?�� ������ Protecting the Harrigans.��#�����(If he thinks there's an informer,���C�u�� sР����he'll have to find them.��������CAnd if he does...�� �C�u�� �������fuck it, so will we.���C�u�� ž�����Seraphina?�� ܠ���� �There's, uh, someone here to see you.�� ZC�u�� ᳠����So, I take it this is to discuss the event?��)������The Cotswolds?��k����� �What? No, actually, no.���C�u@�� �𠵡��No, I said last night I had a proposition.��ˠ����wSo this is about that?�������� �Yeah. W-What else do you think it was about?�� 3C�u��d�����Dad. The sad and tragic demise of Archie.�� B����� �Oh, G--��@������Look, what Dad does, Dad does.��KC�u@��(������You know, 'twas ever thus.��q������If I lost sleep after every time����� 7he's done something that would haunt�������Pthe average person forever...��NC�u@��@Ѡ����When I was at school, he-he walked onto��������"the rugby field and beat my sports master��#�����Fhalf to death with a fucking umbrella.�� �C�u@��]�����What's your proposition?��͠����NYeah, right. Look...��T������You know, we both know I've been, you know...�� �C�u@��xߠ����I've been out in the cold since, since what happened.�� 3�š�� �Are we talking about the Swiss thing or the Belarus thing?�� ^C�u���𠫡��Yeah, uh, both. Both, I suppose.�� ����� �- Mm. Go on. - Yeah.���C�u@���������Well, you know, I've been looking for a way back in,�� ࠸��� �you know, to re-earn Dad's trust, as it were,�� jC�u@������and I think I found it.�� 1����� �And who better to help me than my beloved sister?��u�����SNo, listen, and it's not charity,��RC�u���A�����tru-- by no means.���������You know, when-when you hear my proposition,�� a�����Pyou are gonna flip.���C�u���Π����Seraphina,��������'you are gonna get very, very wet.���C�u@��k�����- Small tip. - Yeah.��v������To get back in Dad's favor after Switzerland, Belarus��T������and the Heathrow job,��C�u@��+�����you're gonna have to come up with something��'�����}so unbelievably spectacular...��v�����sI mean biblically.���C�u��+��¡��Also, best not to talk about me getting very, very wet.�� 񠢡��pI'm your fucking sister.���C�u@��@������Well, you're only my half sister,���������and you are quite fit.������� XI'm either fit or not fit.��#�����|"Quite fit," it-it just doesn't work.�� VC�u@��Zt�����Anyway, I'm still your fucking sister.��Р����R- Half sister. - Thirdly,��Ƞ�����when you have a life-changing proposition and you take���C�u��p]�����someone to lunch, you don't take them to a caff.�� ������ �I'm gonna do you a favor here, Brendan.���C�u@���B�ġ��I'm not gonna tell Dad that you came to me with anything.��N�����OGo away.�������� :Go abroad two to three years���C�u���ˠ����and think hard about why you keep messing up so badly.�� ����� How maybe this life isn't for you.�� [C�u���>�����And this life isn't for you.��Р����&Maybe try and find something��������that's less of a challenge.�� WC�u@��ȴ�����I'm very busy. Got a lot to do, so...�� ����� �- I'll get lunch. - Yeah.�������- Take care. - All right.���C�u��忠����Quite fit?�������pLook, I was gonna say "very fit,"��à���� �but I thought that might sound weird.��qC�u@��頵���Oh, yes, and Thomas will need to be there.�� ��á�� �He said he's got a weekend plan, or something like that,�� XC�u��V�����but bugger that, he'll have to make do.�� i������Ah. There you are.��$C�u��7͠����You're late.��E������- It's one minute to. - Not by my watch.��Ҡ����EThanks for seeing me.��C�u��L������Pleasure.��$������It's been a while.���������Two years.��EC�u��fY�����Well, it's nice to see you again.�� ������ AYou, too, Dad.�� �C�u@��������So, how can I help?��Ƞ���� �Is there somewhere we can go?��נ�����Already told you, I'm extremely busy.���C�u@���������It's a sensitive matter.��v����� �If it's something I need to hide,��{������then I don't want to know about it.��uC�u���9�����I want you to meet an associate of mine.�� ������ 6An associate?��������IA Frenchman.���C�u���v�����He'll pay good money���¡���for you to introduce him to your friends in government.�� ������uI see.���C�u���4�����And how much is he paying you for this?��!������Half of what he's paying you.��C�u��������You know, Isabella, you always were a conniver,��������a little chiseler, even as a tot.�� �C�u��q�����Always on the make.�� B����� CDo you want the money or not?��yC�u��6Р����Well, send me the details.�������� Looking good.�������rIn my day, women in their 40s���C�u��L������used to look like painted corpses.�� ������ �How things change.��NC�u��j!�����♪ tense music�� ZC�u���d�����That motorbike's been following us for a while.��Ҡ���� It's just been joined by a gray Beamer.���C�u��ı�����- They're still heading west. - It's 12:01.�� ������ �Fuck Harry Da Souza and fuck the Harrigans.�� �C�u���J�����Bring me Eddie Harrigan.��P�ơ���Bring him to me in one piece, with his heart still beating.���C�u���Š����Got it.��𠚡��GPete, fall back.���C�u@��������- We'll cut them off. - Copy that.��$����� �I'm just gonna stop here,�������Kand see if they stop with us.��{C�u��. �����All right, let's have a chat.��ؠ���� .Do you know what you're doing?���C�u��Mz�����You all right, mate?��l������- Yeah, we're all right. - Good.�� .�����qWe're going that way.�� /C�u��h������Why don't you go that way?���������Nah.����� iKid's got to come with us.��EC�u��2�����Watch out!��@C�u��7 �����Shit. Pete, stick to them.��������We'll block them.���C�u��rC�����They're coming your way now.�� ������Hasta la vista, cabrones.��{C�u��������They're there. They're behind you, loop around.�� �C�u@���������Got to give it to you, Zosh. You can drive.�� c����� dAin't fucking over yet.��Ơ�����If they wanted us dead, we'd be dead already.���C�u��������Shit, they're back.��vC�u��׷�����Kiko! If you get the chance to kill him,��������zkill him!��qC�u��������Kiko!��C�u@��#٠����Whoa. What the fuck��q������have you done to cause all of this?��{����� �So much for them not trying to fucking kill you.�� C�u��Y �����It's good to see you in one piece there now.�� j����� �There you go. Get inside.��Ǡ�����Go on now.���C�u��t頍���Ah.��J������How are you, my darling?������� gWould you believe it? The guy was on a bike,�� �C�u���W�����and Kiko just shot him in the face.���������Inside now. Go on.��͠����%Come inside. Come on.�� �C�u@���������All right, take the car to the old stables.�������� We'll cut her up and dump her later, all right?��*������And Kiko, Zosia, nice work.�� 3C�u���ʠ����All right, off you go.���C�u���������- All right, H. - Hello, mate.��O������- All right, Ms. O'Hara. - Paul.�� ������Carry on.���C�u�� 䠡���Harry, everything okay?�� ����� I-Is Conrad about?��'C�u��5������Expecting you in the kitchen.�� �C�u��`������They shot up the car,��͠����$multiple bullet holes,�� iC�u@��u�����- with my grandson in it. - Jesus.��Ҡ����(- Is he okay? - Since when has Eddie been okay?�� ������Unscathed, I mean.�� �C�u���Ѡ����Richie's put it up us...��O����� �...and we have to reply.���������And that road only leads to war.�� �C�u���������Conrad, I need to have a-a chat with you about Archie.���C�u@��ߐ�����Archie was in with the Stevensons on the fentanyl.�� ����� cHe was on a percentage,��K�����to keep convincing me to leave them to it.�� �C�u���t�����Forgive me, Conrad, but, um...���������I'm not sure that that's, uh, that's right, actually.��C�u@��ˠ����What?���������- Are you calling Maeve a liar? - No.�������� What I'm saying is, it actually could be a lot worse.��{C�u��+������How's that?��v������Well, I, uh, I got pulled in this morning,�� �������by a lad called Fisk.�� iC�u��KN�����All he was asking was questions about Archie.�� �C�u��lȠ����So...�� ������ you think Fisk knows something about last night?��MC�u@���������If he does, I'd have thought that we'd have��Ҡ����)forensics around here, crawling about.��{������But we don't, do we? So it's a bit odd.�� ZC�u���젪���Do you think Archie was a grass?��k������I don't, I don't know.�������� 7Huh.���C�u���w�����Archie.�������� A grass.���C�u@��������I could dig the cunt up��P������and do it all again! I should've fucking done that.�� d�����`I could cut his throat.���C�u��󋠬���Sh... Fucking cut out his tongue.�� ܠ���� ^That's what I should've done. What was I thinking?�� �C�u��������A man sees a way to fuck you over, fair play.�� Š����FIt's human nature, and there's no mercy in nature.���C�u@��2�����That's what I love about it.��p������If I am bigger than you, stronger than you,��Ҡ���� �I'll eat you or I'll fuck you and then eat you.�� AC�u��MF�����But go behind my back? I get it.�� ����� \Huh? I get it.��)C�u��fk�¡��I'll put a bullet in your heart, but I won't blame you.�� �C�u@��{}�����But a grass?��$�����zI-If you'd have told me this yesterday,�� _�����ZI would, I would have laughed as well, but...��PC�u���������it's unusual that they're asking about him, innit?��ؠ���� .Yeah.������� �I refuse to believe it.�� C�u���٠����I want proof.��à����I want solid proof.�� ������Will you do that, Harry?���C�u��ȣ�����Well, if there is proof, you know,��������I'll-I'll get it for you.��v����� �Yeah.��uC�u��܅�����Talk to Eddie.�������pSort this Tommy thing out.�� ������Give him a fucking kicking if he needs it.�� 3C�u��������Uh-huh.�������� ,I should've cut his tongue out.��Ҡ����UThat's what I should've done.���C�u@��A������I'm supposed to say "come in" before you come in.�� ������ Sit down, Eddie.��̠����2- Why? - Just sit down.��*C�u��p������Hmm.��󠪡��uI got a little bit of a problem.���C�u���-�����I'm gonna need your help,�� ������ because it's actually your problem.�� �C�u���A�����I saw the CCTV at the club.�� 8����� �You were with three boys.��{C�u���@�����One of them was Tommy, wasn't it?���C�u���O�����Do you want to talk me through that?�������� - Yeah. - Hmm.��vC�u���0�����All right.�� 7����� 8I saw Tommy.��"������We went for a few drinks.��$C�u�� Z�����Some geezer went for his blade, I beat him to it.�� 젩��� lTommy shat himself and ran off.���C�u@��$�����Who were the boys?��������Two wankers from Westminster.�������� �But you know them?��)�����- Uh... yeah, I know them. - Names?���C�u��E�����You either know them or you don't know them.���������Alfie King and Jack Whiley.�� �C�u��\������All right.�� ������ �You've got a bit of shit on your nose.��'C�u��sK�����It's not shit, it's Sherbet dip dab.���������Conrad wants me to give you a good hiding.�� �C�u���������I'm gonna give that a rain check.��֠�����I'm gonna go and speak to your two friends,���C�u���������see what they remember.��}C�u���O�����I'll need their numbers. Send them.�� C�u@���l�����- Harry. - All right, Kevin,���������- listen, I can't stop. - Where are you going?�������� �I got to go see Richie. Calm things down.�� �C�u��������Well, good luck, mo chara.���C�u��@�����Hi.�������oHi. I'm with Eddie now.����� �- He's safe. - Good.�� 3C�u��Um�����Are you coming down?��p������Not on your life.��������You used to like it here.���C�u��j������That was then.�������� �- All right, I got to go, babe. - Okay.���C�u���נ����Bye, then.��vC�u���������Ms. Harrigan. Please, take a seat.�� /����� �Thank you.���C�u��������So, Antoine.�������� <What is it you need?��C�u��+y�����My clients would like to speak to your father.�� W����� XThat shouldn't be too difficult to arrange.�� C�u��B蠧���I don't mean to be intrusive,����á��"but my understanding is that you are estranged from him?��LC�u��YW�����From him and from your entire family.��o�����pWell, my family and I have had our differences,�� �C�u��qu�����but that's all in the past.�������� )As for my father, we speak all the time.��sC�u@���"�����My clients are serious people.��������y- There is a great deal at stake. - Antoine, if I say��S������something is the case, then it's the case.��yC�u@���������Now, please, let's talk money.�� ������ �We feel our offer was more than generous.�� ������Your offer, Antoine, was a fucking joke,���C�u��������excuse my French.�� �������Well, then,��NC�u��������the deal's off.��񠶡���- They won't go any higher. - Can I finish?�� �C�u@���������I'll accept the offer.��Ƞ���� 0Frankly, I don't care about the money.��Ҡ�����I'm more interested in a different currency.�� ^C�u��������I was just on with Bella.��Ƞ����HShe's not coming down.�� 4�����'Oh.��TC�u��,������Mm. That's a shame.�� ������ �Does she know?��r������Did you tell her, about last night?��C�u��De�����No.��v����� aSo you told no one?��������tCourse not.�� �C�u��]������Huh.��x������They hauled Harry in.���������They asked him about Archie.���C�u��s򠦡��Might just be a coincidence.��������'Mm-mm. Harry thinks that Archie was...�� iC�u@���Ǡ����...a grass.��P������Well, I thought you thought he went behind your back.��������y- I-I did. - Kevin, darling.�� -C�u@���n�ơ��Come and give your-- give your dear old mother a kiss, hmm?�� ������ �Mwah.��r������- Where's Bella? - Oh, she's not coming down.�� �C�u���T�����Oh, isn't this lovely?�� Z����� �Three generations under the same roof.��tC�u��������Yeah.���C�u��c�����All right.��Ǡ����n- Wait here. - You sure?��C�u��&𠩡��Yeah, I'm sure. Just wait here.��HC�u@��Cu�����- All right, Freddie. - How's it going, H?��������xYeah, good, mate. He's expecting me.��O������Let me see you through, mate.��yC�u��j������Oh, H, I'm gonna warn you.�� /����� �- He's ready to kick off. - All right.�� ZC�u��9�����- I'm gonna give you a pat-down. - Yeah, go on.���C�u@���Z�����- He's good. - You sure?��Ѡ�����He just checked me, didn't he?��Ġ���� �This way, Harry.��j������Fuck's sake.���C�u@��������Tell your mum to stop worrying.�� ^����� _Tell her to say some prayers.��Ҡ����2Take her down to the shops. I don't fucking know.�� @C�u��������Yeah, enter.�� ܠ���� ZListen, I've got to go.��{C�u����ơ��Vron, stop taking the Xanax, you're starting to slur, babe.��y������All right. I love you.�� C�u�� Ġ����I love you.���C�u��+䠔���Time's up.�� �����Yeah, I, um, I got nicked.��#������Not my problem.�� �C�u@��E������You said you'd sort it at twelve o'clock.�� Z����� �That was the deal.��v������Yeah, whereupon shots got fired.���C�u��^z�����Well, that's because enough is e-fucking-nough.��W������Okay, listen, I think that everybody��pC�u��u������should just take a step back for right now, you know?�� ������ - Is that right? - Yeah.�� .C�u���{�����Unless you can put the last person�� ������ �that saw my boy in front of me right now,��'C�u���������that ain't gonna happen.�������� >Right. Well, listen.�� C�u���J�����Conrad doesn't want a war.�� -����� .Yeah? You, you don't want a war.���C�u��ە�����You want your son.���������I will find your son.�� C�u���,�����Why don't you like me?��Ƞ�����Sorry?��qC�u��ݠ����You said the other day that you didn't like me.��ɠ�����- Hmm. - I just wonder why.��tC�u@�������The words are many, the list is endless,���������so I don't want to waste your time.��r����� �I'll get your boy, and I will bring him back.���C�u��9������Give him the book, Ali.�������� #♪ slow, tense music ♪��͠����oYou like a story, don't you, H?���C�u��R�����I mean, we all like a story.�� ٠���� WI got one for you.���C�u��h������Once upon a time...��T�����Uthere was this girl.�� ������Nice girl. Pretty girl.�� �C�u@���٠����Glossy hair.���������Anyway, she went to this school.�� נ����Nice school. Private school. Proper school.��uC�u@��V�����After school, she gets hungry.�� ᠟��� ^So her and her mates,��u������off they trot down to Burger King.�� �C�u���砯���Now, what do you suppose she orders?��z�����{Hmm?��qC�u���>�����One orders the Chilli Cheese Bites,�� 2����� 3Halloumi fries.�� ZC�u���t�����And then, the protagonist of this story,�� ����� she orders a Whopper.��C�u�� ������Fully loaded.�� ������ �And just by coincidence,�� C�u�� 堩���the protagonist is called Gina.�� ����� �Gina Da Souza.�� �C�u�� 6̠����And the director of this narrative is called Harry.��������vHarry Da Souza.�� �C�u�� UW�����Now, how this story ends is up to the director.�� Š����ACould be a happy ending,��{C�u�� k������or it could be a very unhappy ending.��������It's down to you.���C�u�� � �����You choose.��$�����EBut I'm telling you, you disappear again��%C�u�� �t�����or muck me about...��x�����...then it's your child.��UC�u�� �젵���Unless you bring back my boy here tonight,��s������then tonight,��JC�u�� ף�����I'm gonna break your fucking heart in two, Harry.�� 𠶡�� �And then I'm gonna descend on the Cotswolds�� �C�u�� ������like a plague of fucking locusts.�� �C�u��! `�����♪ tense, atmospheric music��UC�u��!1������You all right there, Harry?��󠛡��jYou back with us?���C�u��!N �����Yeah.��l������I just had a vision.���C�u��!oI�����And it did��Ǡ�����have a very unhappy ending.�� �C�u��!�������Show him the door, chaps.���C�u��!�������All right, take me home.���C�u��"`�����- Hello, Harry. - Hi, babe.�� �������What's that, Chardonnay?��pC�u��"�����Special occasion?��������Not really, Harry.��̠���� aMm-hmm.�� C�u��";+�����Where's Gina?��w�����xShe's in her room, revising.��Ӡ����LHmm.��jC�u@��"VΠ����Maria called.��l������Asked if you'd spoken to the care home.��Ǡ���� 2- Uh, no, not yet. - I know how busy you are,�� �C�u��"k������so I made an appointment for you with the director.�� ~����� Tomorrow morning at 10.�� C�u��"�<�����Okay.��CC�u��"�ɠ����Harry.��@������Yeah?��$C�u��"�u�¡��Would you have stayed with me if I hadn't got pregnant?�� ������Yeah. Of course I would.���C�u��# :�����I went to see a therapist today.�� .����� /On my own, but...��D������Well, was it any good?��C�u��#Š����Not really, Harry. It was a couples therapist.��������Okay.���C�u��#7������I'm sorry.��������Tomorrow,��Ѡ�����I've got an appointment to see a solicitor.���C�u��#X������Why?��������OWhat do you need a solicitor for?��#�����sCome on, Harry.���C�u��#nQ�����No, babe.�������� �You don't need a solicitor.���C�u��#�o�����Have you eaten?��󠍡�� �No.���C�u��#�g�����Tommy Stevenson's gone missing.��Ҡ���� b- What? - Mm-hmm.�� �C�u@��#�S�����Is it serious?���������Well, it could be, yeah.������� �Is that why you asked where Gina was?��Q������No.��NC�u@��#衠á��- Tell me the truth, Harry. - I'm telling you the truth.��Ҡ�����- Are we in danger? - No, no.�� �����S- Is Gina in danger? - No, no danger.��vC�u��$蠤���Absolutely not. No danger.���������I hope you're fucking right, Harry.�� �C�u��$A������Hey.������� �- How's Eddie? - He's fine.��Ѡ����S- They shot up the car? - Yeah.��DC�u��$YD�����Why?��������Because he was in it.��Ҡ���� �Uh, what's so urgent?�� C�u��$p,�����Is it my fault,�������� &that he's such a...��ˠ�����a fuckup?���C�u��$�ݠ����No, I would say he's, uh,��&�����'just a bit of a fuckup 'cause he's a kid, you know?�� )C�u@��$�������Is this what's so urgent?��Ơ�����You want to discuss nature versus nurture?�������� VNo.��H������We need to set up a meeting with the Frenchman.�� 0C�u@��$�ڠš��All right. Okay, I thought we decided that was a bad idea.�� 8����� �You did.��������- But I saw my father today. - Right.�� C�u��$̤�����I thought we decided that really was a bad idea.��������I saw him and I thought...�� BC�u��$᩠����"Fuck it, I'm doing this."�� 栏��� �So...���������we're dealing with an absolute shitstorm�� C�u��$�5�����with Richie Stevenson, and you decide�� ����� �now is the time, urgently, to leverage your father--�� �C�u@��%�����You don't know who my father really is.��u�����vNo, I don't. Finding out who he is��q����� �is not really at the top of my to-do list.�� ;C�u��%=������Do you have a room here?��J������I thought you'd never ask.��{C�u@��%S������Get one.����ơ��You should stay here until this all blows over with Richie.�� �����)Okay, I'll get one if you promise to share it with me.�� �C�u��%r������Keep me safe.��Ƞ�����How's married life, Harry?���C�u��%�;�����Mine's rather complicated.��r�����sHmm.��?C�u��%�^�����Listen, whatever you are cooking up��֠�����with the Frenchman and your dad... don't.��.C�u��%�&�����You're right.���������I know.��Ϡ���� lThank you.���C�u��%�E�����You can't tell me what to do.�� �C�u��&Tࠡ���Alfie, Jack. Who's who?��������t- Jack. - Alfie.��O����� �All right, gents, I'm Harry.�� �C�u@��&mX�����Look, mate, we don't want any trouble.�������pFirst of all, I'm not your fucking mate.��{�����SSecond of all, you are in a lot of trouble.���C�u@��&�������That's why you're talking to me.��"����� �You play your cards right,��Ǡ�����I might be able to get you out of it.���C�u@��&�/�����All right.��v�����"Do you know where Tommy is?��à���� eWe haven't heard from him.��͠�����Right. What happened there?��UC�u@��&�������Eddie stabbed some dude.��#�����$He was coked out of his mind.��������Seriously, I didn't think we were gonna get out alive.��SC�u��&�������What about Tommy? Did you leave with him?��'�����}Me and Alfie went one way, Tommy went another.�� �C�u@��&�8�����But he got outside?��à����I saw him outside, yeah, running.������� �Was Eddie with him?��������Q- I didn't see. - Nah, me, neither.�� �C�u@�'<�����Well, how'd you end up there?��t������- Eddie knew the guy. - What guy?��͠���� �The owner, the manager.��{C�u@��'%�����Oh, right, yeah. The scrawny geezer,�� Y����� �he got a buzz cut, impressive cheekbones��ؠ����and quite lovely blue eyes, ain't he?�� C�u��';������Yeah.��Ƞ����Eddie knew him?��͠���� AHundred percent.���C�u@�'O ����All right. Listen, if you hear anything about Tommy,���������you call me straightaway, do you understand?�� C�u��'k̠����- You've got my number? - Yeah.��U������Get yourself a nice bit of cheesecake.�� C�u��'�(�����Get the fuck away from my car.�� �C�u��'�砚���Hello, handsome.��P������No. Why the long face?�� C�u��'�'�����Nothing.��K�����R- They're jealous. - They think I'm a fuckup.�� C�u��'�Ҡ����Now, now.��������That's not the way a Harrigan talks.�� Z�����MCome here.�� �C�u��(�����Come on.��O������Aww.�� �C�u��(������Mm.��)������Oh, there, there.��נ�����You know, your mother means well,�� �C�u��(8w�����but she's cold.�� ������ I raised you, baby, and I raised you right.�� CC�u��(Q �����A man disrespects you, you take care of it.��Ҡ����)That's the Harrigan way.�� �C�u��(lؠ����You did good.��E����� �Yeah.��qC�u��(�[�����Tell me, how did it feel?�� C�u��(�!�����Hmm? When you stuck that knife into him?�� i����� �How did it feel?�� �C�u��(�7�����It felt fucking great.��Ҡ���� Mm.��pC�u��(膠����Have you got any coke?�������xNo, I've had it all.�� ������That's a shame.���C�u��)������Huh.�������� �Hello.�� YC�u��)>�����What's this?��E����� �Nan of the year.���C�u��)<������We're ten minutes out.��)C�u@��)a4�����- Where have you been? - Comforting Eddie.�������� - Oh, Jesus. - He needs love��v������and understanding.��@C�u@��)u������He's a true Harrigan.��͠����~He'll make a great man one day, you'll see.��O�����'That little fucking toe-rag, he's a liability.�� �C�u@��)�������That's what he is. He's a fucking liability.�� ��ơ�� BDon't you try to stare me down, you poxy little card thief.�� CC�u��)�������I made you. I made all of you.�������� �You have no idea who Eddie Harrigan is.���C�u��)Ƈ�����You can't see it. None of you can.�������� I can.���������You see, he understands who we are.��tC�u��)�;�����Let's not forget it: you're an Irish gangster first��������Uand an English gentleman second.�� �C�u��*������You are a stone-cold Paddy killer.�� d����� �Uhp. I hear you, Maeve. Hmm?�� �C�u��*x�ǡ��You've had your moment in court, I've heard the prosecution.�� ������ You may be a good lawyer,���C�u��*-�����but don't forget, I'm still the fucking judge.�� �C�u��*dO�����Kiko.���C�u��*�ݠ����We're good?��p������Yeah, we're good, mate. Let's go.��C�u��*������Yeah, stay with me.��{C�u��*䴠����Hold up.�����JBrother. This way.�� ������Z- Jay. - Get back, man.���C�u��*�j�����Jay.��������VWhat is it, man?��f����� Go inside.��������And you, Jay. Come on, let's go.���C�u��+2������Put your hands on the stairway.��U�����\Right. Anyone come from upstairs,���C�u��+J8�����yeah, you tell them "fuck off."�� ����� cGet him your rad. Be here when I get back.�� iC�u��+�m�����♪ Breathe the pressure ♪��̠����+♪ Come play my game, I'll test you ♪��PC�u@��+�������♪ Psychosomatic, addict, insane ♪��������♪ Breathe the pressure ♪��O������♪ Come play my game, I'll test you ♪�� �C�u��+�젰���♪ Psychosomatic, addict, insane ♪�� �C�u��, �����Where's Tommy?���C�u��,F!�����Yeah.��)����� zGet down!���C�u��,������Go on, then.��T�����eFuck off.��JC�u��,�#�����♪ Breathe the pressure ♪��$������♪ Come play my game, I'll test you ♪�� �C�u@�,�������♪ Breathe the pressure ♪��v�����♪ Come play my game, I'll test you... ♪�� d������Where's Tommy?��$C�u��,�������- Huh? - I said where's Tommy?�� 8C�u��-������- I-I'll show you... - I'm sorry, what'd you say?�� 3����� �- I'll show you to him. - All right.���C�u��-*������Well, come on then, let's go.���C�u��-Oo�����There's nothing in there but fucking books.���������Open it up.��OC�u��-�y�����♪ eerie music��KC�u��-�������Did you do that?��$����� PMm.��頚���3All on your own?��TC�u��.'Ԡ����How long did that take?���������- About three hours. - No.��͠�����Mm-hmm.��EC�u��.?������My dad was a butcher.��v������Kiko. Have a look at that.�� �C�u��.������La madre de Dios.��נ����EParece la polla de un caballo.���C�u��.�?�����Do you want me to translate that?�� ������ (I bet he said something about the size of his cock.�� _C�u��.�頦���♪ Breathe the pressure ♪��������[♪ Come play my game, I'll test you ♪�� �C�u@��/ ������♪ Psychosomatic, addict, insane ♪��$������♪ Breathe the pressure ♪��U�����R♪ Come play my game, I'll test you ♪�� 3C�u��/%}�����♪ Psychosomatic, addict, insane ♪�� iS�k V������������� #����:�������������<�������>��b����L�������T�������J��������������� ����������������,ַ�������*������0;��������O������5������"���������>W�����"��)��i����C�����"��L��ͻ���Je����������k����OR��������3��û���T���������k�� ^����^������<���� ڻ���iO�����<��.�������mb�����<��C��黔��q������<��i������u2����������l����y���������#��Ȼ������������V�� 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