All language subtitles for The.Bridge.2013.S01E12.All.About.Eva.1080p.AMZN.WEB-DL.DDP2.0.H.264-playWEB_track3_[eng]

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Original subtitles

MARCO: Previously on The

Bridge...

RAY (quietly): Holy shit!

LINDER: Bob, I been thinking

about her in a special way.

KENNETH: Here we go.

MARCO: What are you doing,

David?

Get back. Go back!

FRYE: What the hell's going

on?

WADE: Bomb's live.

Have your sniper stand down.

He's activated the dead man's

switch.

MARCO: Do whatever you have

to do and tell me where my son

is!

KENNETH: Take out your gun.

Now point it at him.

MARCO: I'm not like you!

KENNETH: You're not saving

anyone.

MARCO: Daniel!

SONYA: I think I know where

he is.

Gus!

Marco! Don't shoot!

MARCO: Sonya?

SONYA: I found Gus.

KENNETH: She's lying.

MARCO: Did you find him

alive?

SONYA: No!

(soprano singing from The

Marriage of Figaro)

(chickens clucking,

birds chirping)

BOB: Blessings, Steven.

LINDER: Nice chicken.

BOB: Yeah, well, she won't

lay, and I'm...

I'm thinking maybe she got into

some coffee grounds.

She seem caffeinated to you?

LINDER: Seems like a chicken.

BOB (quietly): Yeah.

What brings you here?

LINDER: I've had a

revelation.

BOB: Tell it.

LINDER: Eva.

I want to make her my wife.

BOB: That's kind of sudden.

LINDER: I'm gonna ask for her

hand, and, uh, if she says yes,

then, uh, you're gonna perform

the ceremony.

BOB: I'm honored, brother.

But Eva's gone.

LINDER: She can't be.

BOB: She is.

LINDER: When?

BOB: Week.

Said she wanted off the path.

LINDER: You could've told me

about this.

I'm gonna find her.

EVA: Hey!

Hey!

MAN: Bad luck.

EVA: Yes.

MAN: Where are you going?

EVA: Colonias.

MAN: I can take you.

EVA: No, thanks.

I'll take the bus.

You know what-- yes, please give

me a ride.

SINGER: ♪ Until I'm one

With you

My heart

♪ Shall not

Pass through

Our love will be mistaken. ♪

JOE: The frame's bent, engine

block's demolished.

This here's what we call a total

loss.

SONYA: Well, I need it fixed.

JOE: I wouldn't know where to

start.

SONYA: I'll pay whatever it

costs.

JOE: You could buy a new

Bronco for less.

SONYA: I don't want a new...!

I don't want a new Bronco.

I want this one.

JOE: Lady, I-I got good

hearing.

SONYA: This mechanic's

useless.

WADE: Well, I've been using

him for years.

SONYA: Well, he's very

stubborn.

WADE: He is. Hmm.

SONYA: He wants me to junk

it.

WADE: Sonya...

it was her car; it is not her.

In any case, could you wrap it

up?

The D.A.'s waiting to prep me.

SONYA: Can you get the tape

out?

It's stuck.

JOE: That I can do.

SONYA: Bye.

WADE: Prosecutor can't get up

with Marco.

SONYA: Yeah, me neither.

WADE: We need him to show up.

SONYA: Well, I've called him

11 times and he hasn't called me

back, so...

I miss him.

WADE: That's good.

SONYA (wry laugh): Is it?

WADE: Yeah.

Why don't you go see him?

SONYA: Don't think he'd like

that.

WADE: Well, it's been ov...

it's been over a month.

People stop calling, checking

in, it gets pretty lonely.

SONYA (sighs): I remember.

Bring pastries?

WADE: There you go.

LINDER: Eva Guerra?

Have you seen her?

She worked in that factory.

Do you know her?

LUPE: Yes.

I saw her.

(children's playful shouts in

distance)

SONYA: Hi.

I brought you these.

So, um...

the preliminary hearing's

Friday.

The D.A. needs your testimony.

Haven't heard from you.

Thought there'd be a funeral.

MARCO: No funeral.

SONYA: Have you, um...

How have you...

MARCO: How have I been?

Is that your question?

I've been drunk.

Or asleep.

SONYA: Right.

And Alma?

MARCO: Alma's gone.

SONYA: Oh, where'd she go?

MARCO: Alma is gone, I said.

Don't you understand?

And my daughters are gone and

Gus is gone!

A normal person would know that!

A-A-And they would know not to

call me, not to knock on my

door, not to come to my house!

SONYA: Well, I wanted to

check on you.

MARCO: Why?

You don't know me.

SONYA: Well, we... we were

partners.

MARCO: No, no, no, no, no...

Don't misunderstand things.

You and I are just two people

who worked together on a case.

Huh?

Nothing more.

FAUSTO: Look how that putito

swings.

Like a monkey.

CHARLOTTE: I wanted to give

this back to you.

FAUSTO: No refund.

CHARLOTTE: I stole it.

FAUSTO: Is she serious?

OBREGON: I thought your

cousin El Chino took it.

FAUSTO: You are the worst

accountant I've ever had.

CHARLOTTE: I'm looking for a

new partner.

FAUSTO: I don't have

partners.

I have employees.

CHARLOTTE: And I have a

tunnel.

You hauled a corpse through it

once... for free.

FAUSTO: Send me the bill.

CHARLOTTE: It's on the house.

You need someone like me.

FAUSTO: Ah, sí?

Why?

CHARLOTTE: I'm white, I'm a

citizen.

I blend in over there.

You don't.

FAUSTO: So you'll be my man

in El Paso?

CHARLOTTE: For 15%.

FAUSTO: You're too skinny.

You need una steak.

We go to dinner one night.

CHARLOTTE: Does that mean we

have a deal?

FAUSTO: Five kilos per week.

We meet, I pay you.

Entonces we get to know each

other.

CHARLOTTE: I can do that.

FAUSTO: I'm a nice guy, you

know.

CHARLOTTE: Okay.

FAUSTO: Last man I killed, I

was nice enough to cut his dick,

balls, and lips off and send to

his wife.

Didn't want her to get lonely.

LINDER: Detective Cross.

You remember me?

SONYA: Steven Linder.

LINDER: That's right.

How are you?

SONYA: Fine.

What are you doing here?

LINDER: Well... my bride is

missing.

She was working at a factory in

Juárez.

Last seen three days ago.

SONYA: Have you talked to her

family?

LINDER: No family.

SONYA: Hmm, friends?

LINDER: She's what you call,

uh, alone in life.

SONYA: Except for you.

LINDER: I misspoke when I

called her my bride.

She's, uh, more like my

intended.

SONYA: Steven, you were a

person of interest in the Bridge

case.

LINDER: I am aware.

SONYA: I found burned women's

clothes up at your trailer.

How do I know you didn't take

this girl?

LINDER: That's not who I am.

SONYA: Who are you?

LINDER: I help people.

SONYA: I remember you saying

that.

LINDER: Women who are being

abused by a violent husband,

partner, or what have you.

SONYA: How do they find you?

LINDER: I've become kind

of known for this sort of work.

SONYA: You bring them here?

LINDER: I have medical

supplies, nutritious food,

water...

safe place to rest.

You, you can look inside.

SONYA: Stand back, please.

LINDER: I burn their things

so they can't be tracked.

SONYA: Where do they go next?

LINDER: A safe house.

SONYA: Why do you do it?

LINDER: 'Cause I can.

SONYA: That's pretty unusual,

Steven.

LINDER: Yeah, but not

illegal.

SONYA: No, no.

Why did you call Eva your

bride when she wasn't?

LINDER: Because I am bound to

her.

SONYA: Does she feel the

same way?

LINDER: You have to ask her.

SONYA: Is there any chance

she just went back

to her boyfriend?

LINDER: No, not really, nope.

I'll keep looking for her.

Tirelessly, until I find her.

But I think...

law enforcement would be

helpful.

SONYA: I'm not a Juárez cop.

LINDER: Well, the car that

picked her up had Texas plates.

Will you help me find her?

ADRIANA: Doesn't the sun

feel nice?

FRYE: Yeah, if you're into

skin cancer.

ADRIANA: Fresh air.

It's not overrated.

FRYE (groans): I feel like

I'm 80 years old.

ADRIANA: 'Cause you're living

like an invalid.

FRYE: Uh, hello.

I am an invalid.

ADRIANA: You're ready to

wheel yourself.

FRYE: What?

ADRIANA: You need to learn

how to use this.

FRYE: It's only temporary.

ADRIANA: Well, who's gonna

push you around in the meantime?

Not me.

FRYE: I feel shitty.

ADRIANA: It's depressing

here.

You got to come back to work.

FRYE: You know what I was

thinking when I was sailing over

that bridge?

ADRIANA: Check me out, I'm

Superman?

FRYE: Don't let me die.

I want to live.

ADRIANA: And you did.

FRYE: Yeah, but for what?

Life is short, and I've already

wasted so much of mine.

I don't recommend it by the way.

ADRIANA: Okay, Yoda.

FRYE: Yeah.

ADRIANA: I saw you fall,

Daniel.

It was scary as shit.

FRYE: It was pretty scary

from my point of view, too.

ADRIANA: I'm really glad

you're alive.

FRYE: You love me.

You just want to have my babies.

ADRIANA: See you back there.

FRYE: Wait, wait, wait, wait.

I was...

I was kidding.

Hey, don't just walk away.

I... Hey, I only got one arm!

WADE: She disappeared in

Juárez.

SONYA: The car had American

plates.

WADE: Still.

SONYA: She worked in a

factory, and a lot of those

managers live in El Paso.

WADE: Well, we're gonna need

somebody in Juárez.

SONYA: I know.

WADE: He told you to leave

him be.

SONYA: He'd care about this.

And he really needs to get

back to work.

WADE: Well, then...

Well, good luck.

How you getting on with the

motor pool car?

SONYA: It doesn't have a

tape deck.

Thank you.

WADE: Carmen keeps asking

when you're gonna come on up to

the house.

SONYA: Soon.

WADE: We're gonna hold you to

that.

Nighty night.

SONYA: Night.

COP: This way, please.

EVA: It's okay.

I don't want to make a report.

COP: You said in the hospital

he locked you up.

That's very serious.

This way.

In here.

EVA: There?

COP: Yes, here.

Just for a while.

Relax.

SONYA: Marco.

I need your help.

MARCO: Get this woman out of

here, please.

SONYA: There's this girl, Eva

Guerra...

MARCO: She's a menace.

She shot me.

SONYA: She's been missing for

three days.

MARCO: A missing girl in

Juárez?

Oh, my God.

"Look, Marco...

I have this little glass here.

Let's empty the ocean with it."

SONYA: I know you care about

those girls.

I know you do.

MARCO: Just gonna go to the

only place you cannot follow me.

SONYA: All right.

Taking you home.

Help me.

Come on, get up.

Get up!

Gracias.

Okay.

Now...

MARCO: You don't have

children.

SONYA: No.

MARCO: So you don't

understand, then, that...

Of course you don't.

You don't understand a lot of

things.

SONYA: Shh...

Shh, Marco, quiet.

MARCO: If-if-if you had to

shoot me...

SONYA: Keep your voice down.

MARCO: ...you should have

killed me!

SONYA: What?

MARCO: He was my kid!

He goes, I go!

SONYA: Shh.

People are sleeping.

MARCO: Why are they sleeping?

SONYA: Because it's 3:00 in

the morning.

MARCO: And my son is gone!

Forever gone!

How can you sleep?

How can you sleep when my son

has been killed?

SONYA: Keys?

MARCO: Keys...

SONYA: Okay.

MARCO: I got it.

SONYA: Mm-hmm.

MARCO: I got it.

Sonya, thank you.

SONYA: All right.

MARCO: You gotta go.

I said go!

SONYA: No!

I said no.

MARCO: Oh...

SONYA: I am staying.

MARCO: Who do you think you

are?

SONYA: I don't find people

very often, Marco.

MARCO: That's for sure.

Because you're impossible.

You're impossible.

SONYA: You don't think that.

MARCO: I don't care.

SONYA: But... you care,

Marco.

I know you care.

That's what I mean.

So don't tell me you're not my

partner.

Okay?

And don't send me away.

'Cause I don't...

I don't have another one.

Oh!

All right.

MARCO: In here.

SONYA: All right.

MARCO: I still can smell him.

SONYA: Drink this.

Sorry.

Gus had a crush on you.

SONYA: Yeah.

MARCO: You knew that?

SONYA: He bought me

chocolates.

MARCO: I didn't know that.

SONYA: I told him you

wouldn't like that.

MARCO: Oh, no.

SONYA: If we dated.

MARCO: Nope, I would not.

SONYA: He was a sweet boy.

MARCO: He was a sweet boy.

SONYA (grunting): Okay.

Here we go.

MARCO (slurring): Can't stop

thinking about him.

SONYA: I know.

MARCO: David, I mean.

Why does he get to live?

SONYA: Good morning.

MARCO: You stayed?

SONYA: You don't remember?

My mom always liked eggs in the

morning, after a rough night.

MARCO: Thank you.

Mmm...

SONYA: Did you make your bed?

MARCO: What are you, my

mother?

SONYA: When my sister died...

I stayed with Hank and his wife

for a while.

MARCO: Mm-hmm.

SONYA: Carmen had one rule

for me.

"Always get up and make your

bed."

No matter how bad I felt.

I had to face the day.

MARCO: Hmm.

I think I'll go into the station

today.

Say hello.

SONYA: Can I come?

MARCO: You want to run the

girl's name.

SONYA: Yes, please.

MARCO: Okay.

See, I remember some things.

LINDER: Do you know her?

INEZ: She's missing?

LINDER: Yes.

INEZ: I'll show you where we

can look for them.

CELIA: Marco.

So happy to see you.

How are you?

ROBLES: Marco, my friend.

Did you get the food Paloma

made?

MARCO: Yes, it was delicious,

thank her for me.

And thank you, Celia.

CELIA: Of course.

I can make more.

ROBLES: And what brings you

here?

I thought our work was done.

SONYA: Looking for a missing

girl.

Last seen in Juárez.

MARCO: Uh, I said we could

run her name.

ROBLES: Of course.

SONYA: Her name is Eva

Guerra.

23 years old.

ROBLES: Are you back with us?

MARCO: No, not yet.

ROBLES: Take your time.

Too bad David Tate is in

American custody.

He killed a cop's son here.

Over here we'd make him pay for

that.

An eye for an eye.

A tooth for a tooth.

MARCO: I know.

ROBLES: Anything?

CELIA: No record of her.

SONYA: No one matches her

description?

ROBLES: So sorry.

Now, if you'll excuse us...

FRYE: I... honestly I cannot

eat another bite.

So much better than hospital

food.

SOFIA: No beer for you?

FRYE: Um... no.

A back rub would be great,

though.

ELENA: So does everything

still work down there?

ADRIANA: Elena.

ELENA: What?

It's just a question.

FRYE: My mighty twig and my

berries are fine, thank you.

SOFIA: You don't want to

marry a man in a chair.

ADRIANA: No, I don't.

SOFIA: You'd spend the rest

of your life pushing him around.

You need a man who'll

take care of you.

FRYE: Hey, what's she saying?

She's talking about me, huh?

DANIELA: She doesn't think

Adriana should marry you.

FRYE: Yeah, you can say

that again.

ADRIANA: I'm not getting

married, Mom.

SOFIA: Don't say that.

ADRIANA: I'm not getting

married, and you know it.

SOFIA: Enough.

ADRIANA: Enough what?

FRYE: Oh, ay, chicas,

careful, huh?

SOFIA: Enough in front of

Daniela.

I don't want you teaching

her things.

ADRIANA: No, it's much better

to shelter her.

DANIELA: No one needs

to shelter me.

ADRIANA: You call your

vagina your flower.

FRYE: Vagina?

SOFIA: That's what it's

called as far as I'm concerned.

FRYE: Nice, calm evening

at home, huh?

ADRIANA: This is the

crazy house.

I'm so sick of it.

SOFIA: You have a problem.

I wish you would go to church

and ask a priest about it.

ADRIANA: I don't hear you

complaining about my "problem"

when I pay for shit around here.

DANIELA: Why is everyone

so mad?

FRYE: Hey, you know, maybe we

could go, like, get some

ice cream or something.

ADRIANA: We can't.

Because I date women.

I'm an embarrassment

to the family.

DANIELA: ¿Qué?

SOFIA: Get out.

ADRIANA: With pleasure.

FRYE: Oh, shit.

HUGO: Ven.

WADE: There's something about

the chorizo on your side.

MARCO: You start your

mornings in Juárez often?

WADE: I figured I had the

best chance of you showing up

if I came here.

MARCO: So?

WADE: So I wanted to talk,

that's all.

Occurred to me you might not be

at court today.

MARCO: I haven't decided yet.

WADE: Well, you're up,

you're dressed, you're shaved.

That's a good sign.

You able to find any peace?

MARCO: Ten seconds a day.

WADE: Is that right?

MARCO: When I open my eyes in

the morning...

for ten seconds, I don't

remember he's gone.

That this is my life now.

WADE: Can you let the system

take care of David Tate so you

can take care of yourself?

MARCO: I don't know.

WADE: Well, he's gonna go

to prison with or without

your testimony.

MARCO: Then it doesn't

matter, does it?

WADE: But if you say it...

and I'm gonna say it,

Sonya's gonna say it.

But if you say it...

you just maybe might leave it

there a little bit.

MARCO: Maybe.

Maybe not.

WADE: It's all

a guessing game, you know that.

But just saying that you might

get yourself another second

in the morning.

DANIELA: Where are you

staying?

ADRIANA: In El Paso.

DANIELA: With who?

ADRIANA: You really want

to know?

How come you're not at work?

DANIELA: I got a later shift.

It's like a promotion.

ADRIANA: Do you miss school?

DANIELA: I'm not smart

like you.

ADRIANA: That wasn't

my question.

DANIELA: There's a new

manager.

He's nice. Cute.

ADRIANA: Cute?

DANIELA: Don't worry,

he's, like, 30.

But he's not mean

like the others.

ADRIANA: Four asada, please.

ADRIANA: And Mom?

DANIELA: She says you can

come back.

If you change.

Maybe go to church.

And God can help.

ADRIANA: Daniela, it has

nothing to do with God.

Gracias.

SONYA: You came.

MARCO: Yeah, I came.

WADE: Good for you.

SONYA: Hey.

MARCO: Thank you.

MARCO: Hey, Celia.

Is something wrong?

CELIA: I'm tired of it.

MARCO: Come in, please.

Sit down.

CELIA: I'm tired of

staying quiet.

Looking away.

It's making me sick.

MARCO: I know.

But stay calm.

You have to be very careful

with what you know.

CELIA: You know Zapata...

"It's better to die on

your feet than live on your

knees."

MARCO: Tell me what happened.

CELIA: I saw something.

MARCO: What did you see?

CELIA: The girl you were

looking for-- Eva.

I saw her at the police station.

MARCO: When?

CELIA: Yesterday.

A cop took her away.

MARCO: Okay.

CELIA: We have to help her.

MARCO: I will handle it.

Okay?

CELIA: Okay.

Captioned by

Media Access Group at WGBH

access.wgbh.org

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