Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranรฎ)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
SONYA: Previously on The
MARCO: Where is my family?
SONYA: Gus, do you know a
person named Kenneth Hasting?
GUS: Mr. Hasting?
The guy who works with Alma.
KENNETH: You have a beautiful
family, Marco.
MARCO: Where are they?
KENNETH: With me.
Hold onto this very tight.
ALMA: Oh, God.
KENNETH: Now, careful.
Take your hand off that lever,
you only have five seconds to
say good-bye to your daughters.
MARCO: On the count
of three...
you give it to me.
When I throw it, you duck.
Three.
SANTI: I'm Santi Jr.
ADRIANA: I know.
SANTI: You know my dad?
ADRIANA: Yes.
You're famous, too.
SANTI: So how do I know you?
ADRIANA: We have a friend
in common.
SANTI: Who?
ADRIANA: Daniel Frye.
GUS: Why would Mr. Hastings
do this?
SONYA: It doesn't make sense.
GUS: What?
GUS: Where are we going?
Why are you doing this?
KENNETH: How old are you?
GUS: Nineteen.
KENNETH: Caleb would have
been 17.
You could have been friends.
Caleb and Gus.
Everything could have been...
different.
GUS: What are you
going to do?
KENNETH: To you?
GUS: Yes.
KENNETH: For Caleb, it was
the sins of the mother.
For you, the father.
GUS: He's a good person.
KENNETH: Is he a good dad?
GUS: He wants to be.
KENNETH: And it's the thought
that counts, right?
โช Until I'm one
With you
My heart
โช Shall not
Pass through
Until I'm one
โช With you
Our love will be mistaken. โช
WADE: Hang on a second.
SONYA: Marco.
He took Gus.
Gray sedan.
2-E-O.
WADE: 2-E-O.
MARCO: Shh. Take it easy.
WADE: I'll stay with her.
We're working on where
he could've taken your son.
MARCO: How did this happen?
WADE: I don't know!
We're gonna find him.
Come on.
ADRIANA: Daniel!
So much for the wagon, huh?
FRYE: Oops.
It's, uh...
"Comfort the afflicted,
and afflict the comfortable."
ADRIANA: You can't just
go AWOL.
FRYE: You ever heard of it?
ADRIANA: I've heard it.
FRYE: A good journalist...
comforts the afflicted
and afflicts the comfortable.
Finley Peter Dunne,
he said that.
I wrote this when I was...
20?
ADRIANA: So be a good
journalist; quit this shit.
You were doing well.
FRYE: You know why I ended up
in my car with that bomb?
ADRIANA: No.
FRYE: I helped kill David
Tate's wife and kid.
ADRIANA: Explain.
FRYE: Six years ago...
and I was, uh...
I was hanging out with
Santi Sol Jr.
And we needed more coke,
so he went back across the
bridge to get some.
And in Juarez...
he clipped that woman's car.
He just kept going.
ADRIANA: He did, not you.
FRYE: Yeah, but this-this is
the part where I become
a shitty human being.
See, instead of, say, I don't
know, testifying, instead of
comforting the afflicted,
I just let Santi Jr.'s dad
buy me off.
He just came to me one day,
and he said, "Daniel,
I have a big cock,
I have a newspaper in Houston.
I want you to work for me."
ADRIANA: And you said yes.
FRYE: I said yes.
I said yes so fa...
I didn't even hesitate.
I said yes in two seconds flat.
ADRIANA: That's why Santi
pretended he didn't know you.
FRYE: Oh, yeah?
He big-timed me?
Cooze.
ADRIANA: I hate talking
to you when you're drunk.
FRYE: Oh, well.
ADRIANA: You can change.
FRYE: I tried...
but obviously, I can't.
ADRIANA: There's a meeting
tomorrow, 7:00 a.m.
down the street.
FRYE: 12 Steps can suck
my dick.
ADRIANA: Let people help you.
Meet me. I'll go with you.
FRYE: You might be my only
real friend.
ADRIANA: That's pathetic.
7:00 a.m.
GUS: You texted me
saying you were Zina.
KENNETH: Right.
GUS: And you told me to
give him another chance.
KENNETH: I did.
GUS: So I do not understand!
KENNETH: Neither did Caleb.
MARCO: Alma?
ALMA: Marco.
And Gus?
MARCO: Still no news about
him.
You have to pack your things.
Pack for the girls.
I'm taking you to El Paso.
ALMA: My father and brothers
are coming to get us.
We'll be safe with them.
They won't want to see you.
MARCO: Alma, please.
ALMA: He almost killed your
daughters, Marco.
MARCO: But I stopped him and
they're alive.
ALMA: We're alive because
that's what he wanted.
MARCO: We don't have time to
discuss this now.
There's no time to lose.
We'll talk later.
ALMA: I don't understand.
Why us?
Weren't you friends?
MARCO: Because I slept with
his wife.
Okay.
It was before you and I were
together.
Before I knew you.
ALMA: But you were friends!
MARCO: But they were
fighting, they had an argument,
and...
then she had the accident on her
way to me.
I'm sorry for what this has done
to you.
ALMA: Find Gus.
MARCO: Alma...
ALMA: What more do you want
me to say, Marco?
DOCTOR: You're lucky to be
alive.
That laceration is long, but it
didn't damage any of the organs.
SONYA: And my arm?
DOCTOR: You fractured the
radius.
Badly.
SONYA: I can't move it.
DOCTOR: Can you feel it?
That's just the swelling.
How's the pain?
SONYA: It's there.
KITTY: Hey.
SONYA: Hey.
KITTY: We brought you some
things.
WADE: What's the prognosis?
DOCTOR: Well, she's gonna
need surgery on the arm.
SONYA: That's not possible
anytime soon.
DOCTOR: You can't leave,
Sonya-- you nearly died.
SONYA: I thought you said I
was lucky.
DOCTOR: I said lucky to be
alive.
You've had a lot of blood loss.
WADE: Doc, could we have a
minute, please?
DOCTOR: Sure.
WADE: All right.
KITTY: You know, maybe you
ought to listen to her.
SONYA: Anything on Gus?
WADE: Nope.
Marco's getting Alma somewhere
safe.
SONYA: Can you help me with
these?
KITTY: Sure, babe.
Sit yourself down.
WADE: You should stay here.
SONYA: You know I can't do
that.
Gus is alive.
WADE: Why do you say that?
SONYA: He wants Marco to
suffer.
He wants to draw it out.
KITTY: Vicodin.
It-it's good.
NICK: Okay.
Okay, thanks, Shaun, for
trusting us with that.
We have a new face with us this
morning.
FRYE: You want me to do... do
the whole thing?
NICK: Yeah, yeah.
FRYE: My God.
Um... okay.
My name is Daniel.
If you almost call me Dan, then
I'll kill you.
Stripes.
Um, thank you for telling me
that deeply depressing story,
Shaun.
You actually make me feel really
good about myself, so that was
awesome.
Um, I had my last drink about
90 minutes ago and it was
delicious.
Okay.
Um...
I don't know how you
guys do what you do.
It just seems kind of impossible
to me.
I tried.
I try so hard, and then I
just, I get so far and then I
shit the bed and something
happens, and I just get
hammered, and life is so much
better when you're hammered.
But I have...
I have cool people in my life
who think I can change.
I see a lot of cool people--
thank you--
who let me believe in myself.
So, thanks for that.
Oh, God.
So, whatever.
I don't have a watch or
anything, but, uh, look.
It is 8:22...
and, uh, from this point on
I'm gonna give it a shot.
I don't know how it's gonna go,
but...
shit, I'll give it a shot.
Okay.
KENNETH: How touching that
all was.
COOPER: All right, gang.
This is the haul from David
Tate's apartment.
One pile per victim.
Be quick, but be diligent.
MARCO: How does that help my
son?
COOPER: We know he's
methodical.
If there's a plan for your boy,
it's in here somewhere.
MARCO: You don't know that.
COOPER: I know it's our best
bet.
SONYA: Anything on the
license plate?
COOPER: No, ma'am, not yet.
You okay?
SONYA: Yeah.
COOPER: All right.
Got Daniel Frye's car bomb here.
Gedman's murder.
Dr. Meadow's murder.
David Tate's plan for the bridge
killing.
MARCO: You're bleeding.
SONYA: Yes.
MARCO: Everything is coming
apart.
SONYA: I'm sorry about Gus.
I'm sorry I couldn't protect
him.
MARCO: There was nothing you
could do.
SONYA: But it was...
it was my job, and you asked me
to keep him safe, and I, and I
didn't-- I'm sorry.
I tried.
WADE: Come here.
SONYA: What are these?
COOPER: These are documents
we can't connect...
WADE: When did you last
sleep?
MARCO: Uh, who knows?
WADE: You're not yourself.
MARCO: I'm fine.
WADE: I'm required to ask.
Are you sure you don't need to
step away?
MARCO: This asshole has my
son, Hank.
What would you do if someone
had your son?
SONYA: Uniforms found the
car.
WADE: Go. Go.
Go, go, go, go.
MARCO: No, no, no, no, no.
OFFICER: Gravedigger found it
out here an hour ago.
SONYA: Nothing inside?
OFFICER: Manual, receipts,
a few things in the glove box.
SONYA: Marco!
Marco.
That's not him!
It's not Gus!
It's just a grave!
He's playing with you.
MARCO: I am a man!
A father!
This is not a game!
SONYA: I know.
Come on, get up.
We won't stop, okay?
Let's go.
RAY: Okay.
Kind of a curveball.
CHARLOTTE: A curve-up-my-ass
ball.
RAY: More like a slider then,
I guess.
CHARLOTTE: He left me
nothing.
RAY: He left you the house
and land.
CHARLOTTE: Kate got the
money, the cars, the art, the
furniture.
RAY: I repeat, you got the
land and the tunnel.
KATE: That went super well,
I thought.
CHARLOTTE: You did a really
good job of turning him against
me, Kate.
KATE: So... this one time, my
dad calls me up in the middle of
the night.
And I-I ask him what's up, you
know?
He says, "Oh... it's just
another day married to an
idiot."
That was eight years ago.
Pretty sure you turned him
against you.
Bye, whore.
RAY: Adios, Kate.
Hey.
Forget her.
Look at me, forget her.
We've got the tunnel.
Okay?
We solve the Tim problem this
afternoon, we put the fear of
God in him, and then we'll be
fine.
ADRIANA: Lieutenant Wade?
WADE: Yeah, we're kind of
busy right now.
ADRIANA: Daniel Frye is
missing.
WADE: He's an addict, right?
ADRIANA: It's not like that.
We were at an AA meeting, and
I don't... I don't think it was
him that drove his car away.
WADE: Yeah?
Who was it?
ADRIANA: Daniel helped cover
up the hit-and-run.
David Tate's family.
He told me.
That's why he's been targeted
all this time.
WADE: Damn.
MARCO: Parking ticket.
From the morning the bodies were
left on the bridge.
SONYA: Not part of the plan.
MARCO: This is not his
apartment address.
It's something else.
SONYA: Come on.
We'll call it in on the way.
GUS (muffled): Hello.
Hello?!
Hello?
GUS: Is anybody there?!
DORA: I'm sure of it.
He visits one of our residents,
I'd say every few weeks.
MARCO: Which resident?
DORA: Mr. Chambers.
He's probably in the parlor.
WALTER: He's a nice man.
Warm.
Kind.
MARCO: Do you know who he is?
WALTER: Of course.
He's my father.
SONYA: Walter Chambers has a
home address on file.
MARCO: David once said his
uncle had Alzheimer's.
SONYA: David Tate was here
that day.
Come on.
SONYA: What are you doing?
MARCO: What if we can't
find him?
SONYA: We will.
MARCO: You can't say that.
MARCO: We... hadn't really
talked for years, and then
suddenly he was back in my life.
We just talked about...
how I wasn't there for him
enough.
And how I'd try to...
do better.
SONYA: Tate set that up, too.
MARCO: Still.
And now I'm gonna... and now I'm
gonna lose him again?
SONYA: I can't say we'll find
him, but you can't say we won't.
MARCO: What if he's not
inside?
SONYA: We'll keep looking.
SONYA: El Paso P.D.!
Open the door!
SONYA: That's where he kept
Cristina's legs.
MARCO: Gus?
KENNETH: No.
MARCO: Jesus, David.
KENNETH: He's a good-looking
kid-- Gus.
MARCO: Leave him alone.
Take it out on me.
KENNETH: Well, isn't that
what I'm doing?
MARCO: Let me talk to him,
at least.
KENNETH: That's not possible.
MARCO: Is he alive?
KENNETH: For now.
I thought we'd get together.
MARCO: Why are you doing
this?
KENNETH: Because I'm angry,
and I want to talk about it.
MARCO: All right.
Fine.
Where?
KENNETH: Where are you now?
MARCO: At your uncle's house.
Hello?
KENNETH: You actually
remembered something I told you
about myself.
MARCO: We found the freezer.
KENNETH: We?
MARCO: Yes.
Sonya's here with me.
KENNETH: Really?
How is she?
Probably pretty pale.
MARCO: She's fine.
KENNETH: I've been meaning to
ask her how she enjoyed
getting to know Jack Childress.
That man has some batshit
theories on the border, doesn't
he?
MARCO: Where are we meeting,
David?
KENNETH: Get in your car.
I'll call you in 60 seconds,
give you directions.
MARCO: All right.
KENNETH: Come alone.
Entirely alone.
Leave her.
MARCO: I will.
SONYA: You can't do that.
You're doing exactly what he
wants.
MARCO: Give me your gun.
SONYA: No.
MARCO: Please.
SONYA: No.
If you kill him, you... you're
gonna end up in prison.
MARCO: Sonya, I need your
gun.
Please.
MARCO: Thank you.
Don't tell anyone where I went.
SONYA: What do I say?
MARCO: Just... that I got a
call, and, uh... I left you
here.
SONYA: I can't lie to Hank.
MARCO: Oh, yes, you can.
SONYA: No, I can't.
MARCO: It's easy.
Do it for me.
All right?
Hello?
SONYA: I need a ride.
RAY: Timbo.
TIM: Ray!
Char.
So what are we doing here?
RAY (chuckles): What do you
mean by that?
TIM: Dude.
We're on freakin' Mars, right
now.
CHARLOTTE: We thought a
remote area would be best.
TIM: Okay.
Where's the dinero?
TIM: Whoa, whoa.
Look, what-what's going on,
crazies?
RAY: Get on your knees.
TIM: Wh...?
CHARLOTTE: We found this.
TIM: What the heck is it?
RAY: It's a transmitter,
dipshit.
It was in one of those guns.
TIM: Aw, no, no, no, no, no,
no, no, that's-that's nothing.
They put those things in them
at-at the factory.
RAY: Don't even try.
CHARLOTTE: You have no idea
the shit storm you caused me.
TIM: Okay, what?
That lady you muff-dove
come-come after you, what?
RAY: I don't even know what
that means.
CHARLOTTE: What part of the
government?
TIM: Excuse me?
CHARLOTTE: For whom are you
an informant?
I will get in my truck, Tim,
and I will run you over.
I swear.
TIM: Okay, okay, look.
Look, I'm sorry, okay?
Guys, I just got caught up in
something.
CHARLOTTE: Are you wired
right now?
TIM: No. No, no, no, no.
No, see?
They-they-they don't even know
where I am.
ATF, they're, like, so
disorganized, it's like
they-they forget about me.
CHARLOTTE: The ATF?
Shoot him.
RAY: I thought you said we
were gonna scare him.
CHARLOTTE: I changed my mind.
Do it.
RAY: I don't think I can.
We used to play kickball
together.
TIM: Guys, it's... come on,
Char, dude, it's me.
We-we-we took an RV to our prom
together.
RAY: He has a point.
TIM: Blue satin.
Big white flower in your hair.
CHARLOTTE: Give it to me.
RAY: Char...
TIM: Wha...? No, whoa, whoa,
whoa, whoa, whoa...
Please, please...
RAY: No, no!
No, no, no, no, no!
No, no, no, no, no, no.
Oh, no!
CHARLOTTE: Calm down.
RAY: Calm down?!
You killed Tim!
He was our buddy!
KENNETH: How's your wife?
MARCO: Don't talk about her.
KENNETH: I had sex with her.
Did you know that?
MARCO: You're lying.
KENNETH: What surprised me
was the vigor.
I mean, after that first kiss,
she really threw herself into
it.
MARCO: Where am I driving?
KENNETH: It's okay that she
survived.
I mean, it-it wasn't her fault.
MARCO: It's not Gus's fault
either.
KENNETH: No, but he's your
son.
Like Caleb was mine.
MARCO: Where am I going,
David?
KENNETH: Franklin Mountain
Park.
Did you do it at my house?
MARCO: Yes.
KENNETH: In my bed with my
wife.
What was your plan?
MARCO: I didn't have one.
KENNETH: Did you think it was
okay as long as I didn't
find out?
MARCO: No.
KENNETH: Did you even think
about telling me?
MARCO: No.
KENNETH: No, you just wanted
what you wanted.
Who cares who it hurts?
MARCO: I'm getting to the
park.
KENNETH: Lot J, near the
quarry.
COOPER: Bridge schematics in
this box, all right?
WADE: Hey, where's Marco?
SONYA: I don't know.
He got a call and left.
WADE: Got a call from who?
KITTY: You don't look good.
SONYA: Oh, it's-it's nothing.
KITTY: Okay, come on.
Sit down.
Sit.
You need to eat.
SONYA: I don't like bananas.
KITTY: That doesn't matter.
You supposed to be on an
operating table right now.
And I understand why you're not,
but you will be of no help to
Marco and his boy if you faint
or get sick or get hurt even
worse.
SONYA: I need to keep
looking.
KITTY: I know.
SONYA: I know we're missing
something.
It's in those documents.
I know it.
KITTY: Okay.
Just drink that.
And then back at it.
KENNETH: Well, hello there.
Old friend.
Stop.
MARCO: Where is he?
Where is he?!
KENNETH: Strange feeling for
a cop, isn't it?
To be powerless?
MARCO: Daniel Frye's?
KENNETH: That's some amazing
detective work.
MARCO: Did you kill him, too?
KENNETH: Have you thought
about me much?
Since my...
suicide?
MARCO: Not much.
KENNETH: You knew I was
crumbling, right?
After she died?
A shrink had me hooked on pills.
The FBI fired me.
MARCO: I heard.
KENNETH: But not one phone
call.
MARCO: We were...
out of touch.
KENNETH: Funny how that
happens.
Get in the car.
MARCO: She chose me, David.
All of this because she chose
me?
KENNETH: Yes.
MARCO: You killed all these
people because your wife left
you?
KENNETH: She was taken from
me.
MARCO: You're not the first
person to lose everything.
Over there it happens every day!
People have their lives ripped
away from them.
It doesn't make them killers.
KENNETH: Maybe I'm special.
MARCO: You... you're not.
KENNETH: Get rid of your
phone.
You have a gun?
MARCO: Yes.
KENNETH: Good.
I'll drive.
Captioned by
Media Access Group at WGBH
access.wgbh.org
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.