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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,040 --> 00:00:09,080 [upbeat electronic music playing] 2 00:00:14,600 --> 00:00:16,800 [music intensifies] 3 00:00:27,040 --> 00:00:29,440 [horn blowing] 4 00:00:32,160 --> 00:00:33,080 Ooh la la! 5 00:00:33,160 --> 00:00:34,960 NATIONAL INTELLIGENCE COUNTER-TERRORISM AGENCY 6 00:00:35,000 --> 00:00:36,480 It's your man, Scorpex! 7 00:00:36,560 --> 00:00:39,240 You said the guy no longer makes music. Isn't he making music here? 8 00:00:39,320 --> 00:00:41,696 - He's not making music. - Yes, he is. He's turning the tables. 9 00:00:41,720 --> 00:00:43,136 - You don't turn tables. - Yes, he is. 10 00:00:43,160 --> 00:00:45,360 You don't turn tables. You're mixing as a DJ. 11 00:00:45,440 --> 00:00:47,520 He's using turntables to play records. 12 00:00:47,600 --> 00:00:51,120 - [man] His records? - Yes. No. Other people's records, usually. 13 00:00:51,200 --> 00:00:54,000 Hang on. We're watching him play someone else's music here? 14 00:00:54,080 --> 00:00:56,841 Come on. You know what a DJ does, right? The only thing that counts is 15 00:00:56,920 --> 00:00:59,280 how well he transitions from one track to the next. 16 00:00:59,360 --> 00:01:02,200 - That's what a good DJ's all about. - [Scorpex] Oh yeah! 17 00:01:02,280 --> 00:01:04,280 - [woman] It's like you don't understand. - No. 18 00:01:04,360 --> 00:01:07,216 - You have to explain it. That's all. - I've been explaining for an hour. 19 00:01:07,240 --> 00:01:08,736 - You've been to a wedding. - Of course. 20 00:01:08,760 --> 00:01:11,280 - But I didn't know DJs... - Are you ready to dance? 21 00:01:11,360 --> 00:01:12,480 The music's starting. 22 00:01:12,560 --> 00:01:13,880 On the dance floor. Bam. 23 00:01:13,960 --> 00:01:15,760 Transition. DJ. Period. 24 00:01:15,840 --> 00:01:17,240 And that pays well? 25 00:01:17,320 --> 00:01:20,720 Yeah, well, it all depends. It… it varies, yeah? 26 00:01:20,800 --> 00:01:23,960 - On what? - Well, on how popular the DJ is. 27 00:01:24,040 --> 00:01:25,496 - Whoo-hoo! - How do you quantify that? 28 00:01:25,520 --> 00:01:27,960 Well, you quantify it by the success of his records. 29 00:01:28,040 --> 00:01:29,320 The records he's playing? 30 00:01:29,400 --> 00:01:31,720 No! The record he's made! His own music. 31 00:01:31,800 --> 00:01:33,896 But are his records successful? Are they selling well? 32 00:01:33,920 --> 00:01:35,920 - Selling… do you mean his own records? - Yeah. 33 00:01:36,000 --> 00:01:38,280 Well, he had a huge hit 15 years ago called "X-Love." 34 00:01:38,360 --> 00:01:41,200 He made shitloads of money and since then, nada! 35 00:01:41,280 --> 00:01:43,360 - Who's that? Scorpex! - [woman] Creative block. 36 00:01:43,440 --> 00:01:47,280 He's going through a rough spell right now. As in a rough, rough spell. 37 00:01:47,360 --> 00:01:49,920 - As you can tell, he's pretty ripe. - Ah! 38 00:01:50,000 --> 00:01:52,320 - Yeah, he's perfect. - That's what I told you. 39 00:01:53,160 --> 00:01:55,880 [breakbeat music playing] 40 00:01:57,120 --> 00:01:58,400 [Scorpex] Oh, whoa! 41 00:01:58,480 --> 00:01:59,920 - Excuse me. - [man] Hey! 42 00:02:00,000 --> 00:02:02,000 - [woman] Hey. - Excuse me, fashionistas. 43 00:02:02,080 --> 00:02:04,480 Come on, move aside please. Thank you. 44 00:02:04,560 --> 00:02:07,040 - [man 2] What's his problem? - [Scorpex] Thank you. 45 00:02:07,560 --> 00:02:09,480 - [woman 2] Yeah, I love it. - Excuse me? 46 00:02:12,040 --> 00:02:13,280 I'm spinning. 47 00:02:13,360 --> 00:02:14,480 [woman 3] Who are you? 48 00:02:15,840 --> 00:02:16,960 I'm spinning. 49 00:02:17,040 --> 00:02:18,160 [woman 3] Who are you? 50 00:02:19,160 --> 00:02:21,160 - Sir, what's your name, please? - It's me. 51 00:02:21,240 --> 00:02:22,560 Scorp… 52 00:02:22,640 --> 00:02:24,960 - Scorpex. - [woman 3] Scorpex. Scorpex. 53 00:02:25,040 --> 00:02:27,240 - Scorpex. I'm here to mix, it's me. - Scorpex? 54 00:02:27,320 --> 00:02:28,520 Um. Score-pex. 55 00:02:28,600 --> 00:02:30,480 - Come on. - [woman 4] Are you on the list? 56 00:02:30,560 --> 00:02:33,720 - He's one of the artists. Let him through. - That's right. He's an artist. 57 00:02:33,800 --> 00:02:35,440 - Let him in please. Excuse me. - Why him? 58 00:02:35,520 --> 00:02:37,680 - [techno music playing] - What's your name, young man? 59 00:02:37,760 --> 00:02:40,840 - Harvey. - Harvey, look. Here. 60 00:02:40,920 --> 00:02:42,160 See this pass? 61 00:02:42,240 --> 00:02:45,640 It says, "All Access Area," and it's mine now. 62 00:02:45,720 --> 00:02:46,720 Come on. 63 00:02:46,800 --> 00:02:48,480 Let's go, let's go, let's go! 64 00:02:48,560 --> 00:02:51,400 - [techno music continues] - [crowd cheering] 65 00:02:53,640 --> 00:02:54,760 All right! 66 00:02:54,840 --> 00:02:56,560 Not bad, your little soirée! 67 00:03:06,160 --> 00:03:08,120 [music continues in the background] 68 00:03:08,200 --> 00:03:09,720 - Uh… Hang on. - No. Sir. 69 00:03:10,240 --> 00:03:12,680 Scorpex calling Cookie. Scorpex calling Cookie. 70 00:03:12,760 --> 00:03:15,600 - [Cookie] Hey, Luis! Yeah, it's me. - What's up, dude? 71 00:03:15,680 --> 00:03:18,880 Your event's massive. You need to pay me double or I can't play here. 72 00:03:18,960 --> 00:03:21,520 - Come on, it's tiny. - Yeah, right, sure it is. 73 00:03:21,600 --> 00:03:23,560 [music continues in the background] 74 00:03:28,640 --> 00:03:30,040 You gotta be kidding me. 75 00:03:34,120 --> 00:03:35,320 [sighs] 76 00:03:35,400 --> 00:03:37,400 [intriguing music playing] 77 00:03:57,920 --> 00:03:59,200 Oh wow. 78 00:04:02,400 --> 00:04:04,080 [intriguing music continues] 79 00:04:13,560 --> 00:04:15,560 [gong ringing] 80 00:04:16,400 --> 00:04:18,520 - [door opens] - Fuck! 81 00:04:18,600 --> 00:04:20,400 Why can't I meditate in peace? 82 00:04:20,480 --> 00:04:22,280 I have to start over. Fuck! 83 00:04:34,200 --> 00:04:36,120 [techno music playing] 84 00:04:40,920 --> 00:04:42,200 Move aside, please. 85 00:04:44,000 --> 00:04:46,000 [crowd cheering] 86 00:04:51,920 --> 00:04:54,800 Look, Cookie is going to ask Damokless to keep on playing. 87 00:04:55,440 --> 00:04:56,600 And since she's a phony 88 00:04:56,680 --> 00:05:00,480 who pre-records her sets and doesn't know how to mix, she'll say no. 89 00:05:00,560 --> 00:05:01,400 Watch. 90 00:05:01,480 --> 00:05:02,320 There you go. 91 00:05:02,400 --> 00:05:04,120 Out of my way. 92 00:05:04,200 --> 00:05:05,040 Appreciate it. 93 00:05:05,120 --> 00:05:07,200 [Cookie] Harvey for Cookie. Where are you? 94 00:05:07,280 --> 00:05:08,520 [Harvey] I'm here. Sorry. 95 00:05:08,600 --> 00:05:11,040 But I looked for him everywhere. I have no idea where he is. 96 00:05:11,120 --> 00:05:12,000 This can't happen. 97 00:05:12,080 --> 00:05:13,920 [Harvey] All the doors look the same. No names. 98 00:05:13,960 --> 00:05:16,720 - [Cookie] That's so messed up. - Where's Vestax? 99 00:05:17,240 --> 00:05:20,960 On his way. Okay? Scorpex is here, he can fill in. Hmm? 100 00:05:21,040 --> 00:05:22,760 Luis. Luis, please. 101 00:05:22,840 --> 00:05:24,920 - Yeah. - Luis, do you mind taking over the decks? 102 00:05:25,000 --> 00:05:25,840 Are you serious? 103 00:05:25,920 --> 00:05:29,160 - Yes, very serious. Luis, please. - [woman] We want music! 104 00:05:29,240 --> 00:05:31,200 - Who are the two freaks there? - The big bosses. 105 00:05:31,280 --> 00:05:32,600 Big bosses from Van Straat. 106 00:05:32,680 --> 00:05:35,480 That's Tabitha Jenkins, the superstar designer. 107 00:05:35,560 --> 00:05:37,136 - Okay. - And that's Capitani next to her. 108 00:05:37,160 --> 00:05:38,400 The Executive Director, please. 109 00:05:38,480 --> 00:05:40,920 - Ah. - Luis, please. Huh? Do it for me, come on. 110 00:05:41,000 --> 00:05:42,680 - Um. - Do it, please. 111 00:05:42,760 --> 00:05:44,160 - Fine. - All right, Luis! 112 00:05:44,240 --> 00:05:45,880 - Yeah, okay. - All right, thanks. 113 00:05:45,960 --> 00:05:47,560 [man shouts] Vestax! 114 00:05:47,640 --> 00:05:48,960 And you are? 115 00:05:49,040 --> 00:05:52,920 - The little prince of electro, the legend… - Yes. Scorpex. 116 00:05:53,000 --> 00:05:54,120 The legend? 117 00:05:54,200 --> 00:05:55,400 Stupendo. 118 00:05:55,480 --> 00:05:59,160 [in Italian] I don't know about fabulous, but I can do something for you. 119 00:05:59,240 --> 00:06:00,160 [scoffs] 120 00:06:00,240 --> 00:06:01,840 [crowd booing] 121 00:06:07,560 --> 00:06:10,200 ["X-Love" by Scorpex playing] 122 00:06:13,400 --> 00:06:15,880 [music intensifies] 123 00:06:17,800 --> 00:06:19,840 [crowd cheering] 124 00:06:36,240 --> 00:06:37,680 ["X-Love" continues] 125 00:06:43,320 --> 00:06:45,160 [song stops abruptly] 126 00:06:45,240 --> 00:06:47,760 [crowd booing] 127 00:06:59,120 --> 00:07:01,480 [electronic beeping] 128 00:07:05,800 --> 00:07:09,440 - [dramatic whoosh] - [crowd cheers] 129 00:07:10,520 --> 00:07:12,040 [chilled music playing] 130 00:07:13,080 --> 00:07:15,520 - [siren wailing] - [helicopter whirring] 131 00:07:19,800 --> 00:07:21,800 [tires screech] 132 00:07:33,360 --> 00:07:35,560 [crowd cheers] 133 00:07:43,520 --> 00:07:44,880 [crackling] 134 00:07:47,720 --> 00:07:49,520 [alarm blaring] 135 00:07:49,600 --> 00:07:52,240 [crowd cheering] 136 00:08:00,320 --> 00:08:03,120 [applauding] 137 00:08:06,520 --> 00:08:08,800 [continues cheering] 138 00:08:09,960 --> 00:08:13,840 [Vestax] Wow, you're crazy. Calm down, calm down. 139 00:08:13,920 --> 00:08:16,280 Before we begin, I'd like to give some respect 140 00:08:16,360 --> 00:08:18,080 to those who paved the way for us. 141 00:08:18,160 --> 00:08:21,080 Without them, we wouldn't be here today. 142 00:08:21,160 --> 00:08:25,480 Please make some noise for the Godfather of French Touch, Scorpex! 143 00:08:25,560 --> 00:08:27,680 [low cheers and applause] 144 00:08:28,680 --> 00:08:32,280 Much love, much love, respect forever! 145 00:08:32,360 --> 00:08:35,160 Right, now let's get this party started. 146 00:08:35,240 --> 00:08:36,280 Let's go! 147 00:08:36,360 --> 00:08:38,640 [electronic music playing] 148 00:08:38,720 --> 00:08:40,560 - [cheering] - [Vestax] Drop the beat! 149 00:08:41,080 --> 00:08:43,120 [music intensifies] 150 00:08:50,080 --> 00:08:51,600 Give me some X! Let's go! 151 00:08:51,680 --> 00:08:52,680 [crowd cheers] 152 00:08:52,720 --> 00:08:54,960 [music continues] 153 00:09:03,760 --> 00:09:05,960 [funky electronic music playing] 154 00:09:12,680 --> 00:09:13,960 [woman] Hello! 155 00:09:15,800 --> 00:09:18,960 - Toni, what are you doing here? - You forgot I was coming? 156 00:09:19,680 --> 00:09:22,040 No, no, no, but are you… 157 00:09:22,560 --> 00:09:23,760 Are you staying? 158 00:09:24,400 --> 00:09:28,360 - I'm mixing at an art show tonight. - But your mother knows? 159 00:09:28,880 --> 00:09:31,000 I need advance notice to come home now? 160 00:09:31,520 --> 00:09:33,560 That's not what I meant, but… 161 00:09:33,640 --> 00:09:36,920 - I wasn't going to miss the comeback. - What comeback? 162 00:09:37,000 --> 00:09:39,200 - Your comeback, Luis. - [funky music playing] 163 00:09:39,280 --> 00:09:43,280 [chuckles] There's no comeback, dear. Scorpex's right here, as always. Comeback. 164 00:09:43,360 --> 00:09:46,720 [Toni] Hey, come on. My father's spinning for the hippest brand. 165 00:09:46,800 --> 00:09:48,680 Well, I mean, yeah, whatever. 166 00:09:49,480 --> 00:09:51,520 And what was the deal with Vestax? 167 00:09:52,440 --> 00:09:53,320 What? 168 00:09:53,400 --> 00:09:55,360 The way he interrupted your set. 169 00:09:55,440 --> 00:09:57,040 [Luis] Oh. No, no. Hang on. 170 00:09:57,120 --> 00:09:59,680 No, he didn't interrupt my set at all. Are you joking? 171 00:09:59,760 --> 00:10:02,360 - Nobody interrupts my set. - [Toni] Mm-hmm. 172 00:10:02,440 --> 00:10:06,000 Anyway, the guy didn't exactly reinvent the wheel. "Vestax," for starters. 173 00:10:06,080 --> 00:10:08,120 Whoa, Luis. Watch your ego. 174 00:10:08,200 --> 00:10:10,200 As soon as something works, you invented it? 175 00:10:10,280 --> 00:10:13,320 It's not about ego. You wanna copy me? Then copy me, and own it! 176 00:10:13,400 --> 00:10:15,800 You gotta give credit where credit is due. 177 00:10:15,880 --> 00:10:17,080 [whistles] 178 00:10:17,600 --> 00:10:19,120 Wait, what did you call me? 179 00:10:19,720 --> 00:10:21,440 You don't call me Dad anymore? 180 00:10:21,520 --> 00:10:24,040 Chill, Luis is your name. It's not an insult, okay? 181 00:10:24,120 --> 00:10:25,120 [music continues] 182 00:10:26,640 --> 00:10:29,240 You said you're playing where? Some kind of art show? 183 00:10:29,320 --> 00:10:31,160 [Toni] For this gig, they call it soundscaping. 184 00:10:31,200 --> 00:10:33,400 But yeah, I'll be spinning my own tracks. 185 00:10:33,480 --> 00:10:35,840 So you're a DJ now. Okay. What about painting? 186 00:10:35,920 --> 00:10:37,080 [whistles] That's gone? 187 00:10:37,160 --> 00:10:41,960 No, I'm a painter, slash DJ, slash model, slash... 188 00:10:42,040 --> 00:10:44,320 - [sighs] - …environmental activist. 189 00:10:44,400 --> 00:10:47,280 I'm a holistic, uh, artist. 190 00:10:47,360 --> 00:10:50,480 Slash I can't make up my mind, but I love to show off. 191 00:10:52,080 --> 00:10:56,240 What is it with your impulsive need to always touch everything? 192 00:10:56,320 --> 00:10:59,440 Just leave this here. Great. It's for your eyes, not your fingers. 193 00:10:59,520 --> 00:11:02,080 - What is this, the Scorpex museum? - As you wish. 194 00:11:02,920 --> 00:11:05,440 So, you know of Van Straat? 195 00:11:05,520 --> 00:11:07,680 Well, the real question is, do you? 196 00:11:08,600 --> 00:11:11,760 - Are you kidding me? [chuckles] Seriously? - That show will be a banger. 197 00:11:11,840 --> 00:11:14,400 - You don't say. - With Tabitha Jenkins as designer. 198 00:11:14,480 --> 00:11:16,400 Tabitha Jenkins. I know her very well. 199 00:11:16,480 --> 00:11:18,080 - She's so dope. - So dope. 200 00:11:18,160 --> 00:11:21,280 You should've seen her during my set, she was like, "Oh, Scorpex, Scorpex!" 201 00:11:21,360 --> 00:11:23,760 I was like, "Whoa. Hey, relax, Tabitha." 202 00:11:24,280 --> 00:11:26,240 - She's not my style, actually. - Mmm. 203 00:11:26,320 --> 00:11:28,200 Anyway. I'm glad you're here after all. 204 00:11:30,040 --> 00:11:32,040 [techno music playing] 205 00:11:38,320 --> 00:11:40,240 And, uh, Vestax how are the sales? 206 00:11:41,800 --> 00:11:43,160 He does okay in streams. 207 00:11:43,240 --> 00:11:45,920 But on wax… [whistles] selling like hotcakes. 208 00:11:51,440 --> 00:11:53,600 I'm sorry, excuse me. I'm sorry to bother you, 209 00:11:53,680 --> 00:11:56,400 but I just wanted to tell you that I love you. 210 00:11:56,480 --> 00:12:00,400 Thank you so much. Actually, your music really changed my life, Luis. 211 00:12:00,480 --> 00:12:01,800 Thanks, but it's Scorpex. 212 00:12:01,880 --> 00:12:03,800 - It means a lot. Thank you so much. - Scorpex. 213 00:12:03,880 --> 00:12:06,360 It... It's strange to see you for real, I… 214 00:12:07,240 --> 00:12:08,880 You probably hear this a lot... 215 00:12:08,960 --> 00:12:10,696 - One euro? - I listened to all your records. 216 00:12:10,720 --> 00:12:12,200 - It's crazy to meet you. - One euro? 217 00:12:12,280 --> 00:12:13,600 I mean, one euro. 218 00:12:13,680 --> 00:12:16,840 Uh, this is a Japanese edition, there's like only 500 pressed. 219 00:12:16,920 --> 00:12:18,656 - You're not making money, bro. - Listen, pal. 220 00:12:18,680 --> 00:12:21,120 Your edition could be coming from Mars. No one's buying it. 221 00:12:21,200 --> 00:12:23,600 No one's buying it because you put it in the crap crate. 222 00:12:23,680 --> 00:12:25,576 Put it up there, bump up the price. You'll see... 223 00:12:25,600 --> 00:12:27,600 No, this is for new releases only. The hot stuff. 224 00:12:27,680 --> 00:12:30,360 - [Luis] This is hot stuff too. - [man] It's not a new release. 225 00:12:30,440 --> 00:12:33,120 - New release... - Hey, I'll buy it. I want it. 226 00:12:33,200 --> 00:12:36,160 I love it, so I… there you go. 227 00:12:36,240 --> 00:12:37,440 Yep. 228 00:12:37,520 --> 00:12:39,400 - [door opens] - [man] Who's that girl? 229 00:12:39,480 --> 00:12:40,480 [door closes] 230 00:12:43,560 --> 00:12:45,920 Wait, um… do I know you? 231 00:12:46,680 --> 00:12:48,680 - Let's talk about Vestax. - Vestax? 232 00:12:49,560 --> 00:12:50,400 Oh! Fuck! 233 00:12:50,480 --> 00:12:52,200 - Hey! Oh! - [car door slams] 234 00:12:52,280 --> 00:12:55,240 - Take it easy, take it easy, whoa! - Rose Espino. 235 00:12:55,320 --> 00:12:57,920 National intelligence specialized in drug trafficking. 236 00:12:58,000 --> 00:13:01,240 Hey, drugs, me? Not at all! No, really. You're barking up the wrong tree. 237 00:13:01,320 --> 00:13:03,600 I've been clean for a very, long time, I... 238 00:13:03,680 --> 00:13:05,080 - Excuse me. - [man] Stay here. 239 00:13:05,160 --> 00:13:08,040 - [intriguing music playing] - What comes to mind when I say Vestax? 240 00:13:08,120 --> 00:13:11,760 Vestax, uh, is… Listen, Vestax is a little prick. [chuckles] 241 00:13:11,840 --> 00:13:15,640 I won't lie to you, I mean, he's a... And I'm not the only one who thinks so. 242 00:13:15,720 --> 00:13:18,160 He's implicated in a highly sensitive case. 243 00:13:18,240 --> 00:13:19,600 Serious narcotics stuff. 244 00:13:19,680 --> 00:13:22,440 I'm not surprised. Not at all. 245 00:13:22,520 --> 00:13:23,880 So here's my offer. 246 00:13:23,960 --> 00:13:25,600 You help us catch him, 247 00:13:25,680 --> 00:13:28,240 and then the coast will be clear for your comeback. 248 00:13:28,320 --> 00:13:30,440 Wait, what comeback? There's no comeback. 249 00:13:30,520 --> 00:13:31,600 Uh… I've never left. 250 00:13:31,680 --> 00:13:34,560 It's just I won't get outta bed for… for less than 100K. 251 00:13:34,640 --> 00:13:38,280 - I play less, but it's a choice. - I'm sorry. Do you have a better offer? 252 00:13:39,520 --> 00:13:42,520 You're in the one-euro crate. Nobody wants you. 253 00:13:42,600 --> 00:13:44,080 [scoffs] 254 00:13:44,160 --> 00:13:45,840 Anyway, you have an NFTL. 255 00:13:47,240 --> 00:13:48,520 NFTL? 256 00:13:48,600 --> 00:13:52,040 - A Notice of Federal Tax Lien. - But what are you… A tax lien? 257 00:13:52,120 --> 00:13:54,120 We'll freeze your accounts, seize your apartment. 258 00:13:54,200 --> 00:13:57,640 - You owe 500,000 in taxes. - Five hundred thousand. 259 00:13:57,720 --> 00:14:00,800 That's two, three DJ sets in Dubai. No sweat. I'm not gonna... 260 00:14:00,880 --> 00:14:02,640 [chuckles] Right, DJ sets in Dubai. 261 00:14:02,720 --> 00:14:05,880 Do you mean those five minutes where you played before Vestax, 262 00:14:05,960 --> 00:14:08,120 then got thrown offstage? Is that it? 263 00:14:08,200 --> 00:14:11,360 - Not thrown off. Scene direction. - [Rose] Okay, listen, Luis. 264 00:14:11,440 --> 00:14:15,200 You assist us and I'll ask my colleagues to forget about your tax lien. 265 00:14:15,280 --> 00:14:16,400 Hmm? 266 00:14:17,360 --> 00:14:19,280 You take your time to think about it. 267 00:14:20,040 --> 00:14:21,680 You have until tomorrow morning. 268 00:14:21,760 --> 00:14:23,760 - [car door slams] - [tires screech] 269 00:14:26,680 --> 00:14:28,240 [drums playing] 270 00:14:28,320 --> 00:14:30,240 [Toni] Yeah, that's the deal with art incubators. 271 00:14:30,280 --> 00:14:32,160 It's not always amazing, but we try, we search. 272 00:14:32,240 --> 00:14:34,440 Right. Those who seek are always found, 273 00:14:34,520 --> 00:14:36,400 but those who find are always sought. 274 00:14:37,000 --> 00:14:40,440 - Mmm. My friend from I Heart Planet. - Isn't that a song? 275 00:14:41,160 --> 00:14:42,160 Please behave. 276 00:14:42,240 --> 00:14:45,560 Because they're not huge fans of, uh… white alpha males, you know? 277 00:14:45,640 --> 00:14:46,800 What? Me, white? 278 00:14:46,880 --> 00:14:49,000 [chuckles] How are you? 279 00:14:49,080 --> 00:14:50,696 - [friend] What do you think? - Incredible. 280 00:14:50,720 --> 00:14:52,120 Yeah, it's amazing, really. 281 00:14:52,200 --> 00:14:53,360 - Toni. - [Toni] Incredible. 282 00:14:53,440 --> 00:14:54,800 - Ah. - [man] Good evening. 283 00:14:54,880 --> 00:14:56,240 So for tonight, the aim… 284 00:14:56,320 --> 00:14:59,760 is for your soundscape to not distract from the work. 285 00:14:59,840 --> 00:15:02,800 It should serve as an audio canvas for each of the displays. 286 00:15:02,880 --> 00:15:05,200 - Wow. - That's exactly what I was thinking too. 287 00:15:05,280 --> 00:15:08,000 A soundscape that symbolizes the city's randomness. 288 00:15:08,080 --> 00:15:09,120 Exactly, that's perfect. 289 00:15:09,200 --> 00:15:10,800 - I love what she just said. - [man] Yes. 290 00:15:10,880 --> 00:15:12,880 - Yeah. That's my daughter. - So. Uh... 291 00:15:12,960 --> 00:15:15,000 - Hmm. I'll let you set up the decks, okay? - Yeah. 292 00:15:15,080 --> 00:15:15,920 Yeah, thank you. 293 00:15:16,000 --> 00:15:17,640 [drums stop] 294 00:15:20,440 --> 00:15:23,720 Uh… your friend is a little weird. I thought he was gonna bite us. 295 00:15:24,240 --> 00:15:25,800 - Can I help? - No, I got it. 296 00:15:25,880 --> 00:15:27,880 Hey, you should turn off the filter or... 297 00:15:27,960 --> 00:15:29,280 - No, thank you. - Okay. 298 00:15:29,960 --> 00:15:30,960 Whatever. 299 00:15:31,040 --> 00:15:32,680 - [chilled music playing] - [sighs] 300 00:15:32,760 --> 00:15:34,720 Hey, maybe it's not your kind of event, 301 00:15:34,800 --> 00:15:36,640 but for me, it's a huge opportunity. 302 00:15:36,720 --> 00:15:40,080 Oh, sure. I can see that this is huge. The place is huge, at least. 303 00:15:40,160 --> 00:15:43,160 Plus, tonight, Tabitha's looking for models for her show. 304 00:15:43,240 --> 00:15:44,560 You think I have a shot? 305 00:15:44,640 --> 00:15:45,640 Tabitha? 306 00:15:45,680 --> 00:15:48,440 [loud vocalizing] 307 00:15:48,520 --> 00:15:49,520 [bubbling] 308 00:15:54,320 --> 00:15:55,480 [all cheer and applaud] 309 00:15:55,560 --> 00:15:56,400 Whoa. 310 00:15:56,480 --> 00:15:57,640 - Great! - Amazing. 311 00:15:57,720 --> 00:16:00,400 - What's Tabitha doing here? - [Toni] She's the jury. 312 00:16:01,400 --> 00:16:03,080 She is so dope. 313 00:16:03,160 --> 00:16:07,560 Yes, she's what they call a holistic artist. 314 00:16:08,080 --> 00:16:10,440 As my daughter… would say. 315 00:16:10,520 --> 00:16:11,520 [Toni] Mmm. 316 00:16:12,280 --> 00:16:15,480 - Oh, she's coming. Don't talk. - [Luis] Okay. 317 00:16:15,560 --> 00:16:18,160 - This is, uh, Toni, our sound designer. - Hi. 318 00:16:18,240 --> 00:16:19,840 - Not just that. - Delighted. 319 00:16:19,920 --> 00:16:23,240 She's also a model, an actress, she composes the songs, she even does... 320 00:16:23,320 --> 00:16:24,600 You wrote the music? 321 00:16:24,680 --> 00:16:25,560 Yeah, I wrote it. 322 00:16:25,640 --> 00:16:26,960 - Yep. She did. - [Tabitha] Hmm. 323 00:16:27,040 --> 00:16:29,440 - Love it. - [Toni] Thank you. 324 00:16:30,080 --> 00:16:31,640 And you and I have already met. 325 00:16:32,800 --> 00:16:34,080 - Hmm? - Well, yes. 326 00:16:35,320 --> 00:16:37,520 - Scorpex. - What's your name? 327 00:16:37,600 --> 00:16:39,520 It's Scorpex. Oh, I'm sorry. 328 00:16:39,600 --> 00:16:40,880 - Toni. - Right. 329 00:16:42,040 --> 00:16:43,040 Toni. 330 00:16:47,960 --> 00:16:49,800 You had to make it about you. Let me talk. 331 00:16:49,880 --> 00:16:53,200 No, not making it about me. I'm just polite. It's the least I can do. 332 00:16:53,280 --> 00:16:55,120 - You should enjoy it. - So annoying. 333 00:16:57,560 --> 00:16:59,200 [footsteps approaching] 334 00:16:59,280 --> 00:17:02,080 I'm sorry, but where are you going with this please? 335 00:17:02,160 --> 00:17:03,160 Sir? 336 00:17:05,240 --> 00:17:07,560 No, no, no. Hey, hey, hey. Sir? 337 00:17:07,640 --> 00:17:09,960 Sir? I'm sorry. Where are you taking this? Hey! 338 00:17:12,080 --> 00:17:13,080 Tell me what's going on? 339 00:17:13,160 --> 00:17:14,536 - [man] Mr. Luis Joquet? - That's me. 340 00:17:14,560 --> 00:17:16,000 Damien Marlowe. Court bailiff. 341 00:17:19,400 --> 00:17:20,840 Careful, it's fragile. 342 00:17:23,640 --> 00:17:25,280 Oh. I see. 343 00:17:25,360 --> 00:17:26,880 That little shit. 344 00:17:28,720 --> 00:17:29,840 [clattering] 345 00:17:29,920 --> 00:17:32,920 POLICE HEADQUARTERS 346 00:17:33,000 --> 00:17:35,000 [intriguing music playing] 347 00:17:35,920 --> 00:17:38,280 - [Luis] What's the deal with my furniture? - Ah, Luis. 348 00:17:38,360 --> 00:17:39,400 I know. 349 00:17:39,480 --> 00:17:41,640 - What the... know what? - I know, I know. 350 00:17:41,720 --> 00:17:44,800 [sighs] Don't worry. I'll handle it personally. 351 00:17:44,880 --> 00:17:46,440 Yes, that'd be nice. Thanks. 352 00:17:47,040 --> 00:17:49,480 Luis. What I'm about to tell you is highly confidential. 353 00:17:49,560 --> 00:17:51,920 So none of it leaves this room. No one can know. It's clear? 354 00:17:52,000 --> 00:17:55,200 Really? That's what it means, something's confidential? 355 00:17:55,280 --> 00:17:56,280 [Rose] Listen. 356 00:17:56,320 --> 00:17:59,960 Vestax, your favorite person, owes his career to a criminal gang. 357 00:18:00,040 --> 00:18:01,280 They finance everything. 358 00:18:01,360 --> 00:18:04,440 His music videos, his PR. They even hired his ghost producers. 359 00:18:04,520 --> 00:18:06,600 Some guys who write his music for him, apparently. 360 00:18:06,680 --> 00:18:07,720 Not surprised. 361 00:18:07,800 --> 00:18:11,480 Anyway, when you have no talent and you're butt-ugly, yeah, you need help, otherwise… 362 00:18:11,560 --> 00:18:13,560 He's fascinated with organized crime. 363 00:18:13,640 --> 00:18:16,120 Two years ago, he DJed at a wedding in Rotterdam. 364 00:18:16,200 --> 00:18:19,040 The groom was Nicolas Tadić, the gang's number two. 365 00:18:19,120 --> 00:18:22,960 He's the son of a diplomat, loves techno, and goes by the name Molotov. 366 00:18:23,040 --> 00:18:26,040 He's the gang's enforcer, and a total nutjob. 367 00:18:26,120 --> 00:18:28,880 But he's not our target. Our target is this guy. 368 00:18:28,960 --> 00:18:30,440 Dricus Mascarilla. 369 00:18:30,520 --> 00:18:33,800 - [Luis] Dricus? - He's the gang's mastermind. The big boss. 370 00:18:33,880 --> 00:18:36,480 We lost track of him after he had a facial reconstruction surgery, 371 00:18:36,560 --> 00:18:37,880 following a poisoning attempt 372 00:18:37,960 --> 00:18:40,576 which left his entire body riddled with gnarly scars. Check it out. 373 00:18:40,600 --> 00:18:41,440 Oh wow. 374 00:18:41,520 --> 00:18:44,016 [Rose] With this new identity, he's been trying to build back up 375 00:18:44,040 --> 00:18:46,000 by investing in legal businesses, 376 00:18:46,080 --> 00:18:48,080 such as fashion. 377 00:18:48,600 --> 00:18:51,000 - Van Straat. - [Rose] That's right. 378 00:18:51,080 --> 00:18:53,840 The gang uses the same methods as the Mexican cartels 379 00:18:53,920 --> 00:18:55,920 to manufacture synthetic designer drugs. 380 00:18:56,000 --> 00:18:57,960 Their bestseller's called Angel Rocket. 381 00:18:58,040 --> 00:19:00,800 A mix of ecstasy, cocaine, and Viagra. 382 00:19:01,680 --> 00:19:04,440 You get a boner, you're up, and you wanna fuck. Sounds amazing. 383 00:19:04,520 --> 00:19:07,200 No, it's not amazing at all. It's incredibly addictive. 384 00:19:07,280 --> 00:19:08,680 People die. It's awful. 385 00:19:08,760 --> 00:19:10,720 If you take too much. Not if you take a little. 386 00:19:12,680 --> 00:19:16,800 Wait, are you a narc, or are you like a… 387 00:19:18,320 --> 00:19:19,320 A what? 388 00:19:19,360 --> 00:19:20,360 A secret agent? 389 00:19:20,440 --> 00:19:22,960 - We don't say secret agent. - [Luis] Of course not. 390 00:19:23,040 --> 00:19:24,600 And what's that? 391 00:19:24,680 --> 00:19:27,120 That's the name of the operation. Operation… 392 00:19:27,200 --> 00:19:28,040 - BPM? - Yeah. 393 00:19:28,120 --> 00:19:29,280 You came up with that? 394 00:19:29,360 --> 00:19:31,480 Well, yeah. It's beats per minute. 395 00:19:31,560 --> 00:19:33,280 Yeah, I know. I'm a DJ. 396 00:19:33,360 --> 00:19:35,160 - [chuckles] - Yeah. But it sucks balls. 397 00:19:35,240 --> 00:19:36,320 I'll find something better. 398 00:19:36,400 --> 00:19:37,520 - I'm good with titles. - Ah. 399 00:19:37,560 --> 00:19:38,600 Listen to this. 400 00:19:38,680 --> 00:19:41,000 Operation Banger. 401 00:19:41,080 --> 00:19:42,360 Mmm. BPM. 402 00:19:42,440 --> 00:19:44,400 We know these guys spend a lot of time in clubs. 403 00:19:44,480 --> 00:19:46,480 - Banger. - And hang out with Vestax. 404 00:19:46,560 --> 00:19:48,120 Vestax is a big fan of yours. 405 00:19:48,200 --> 00:19:50,320 We suspect he picked his name as a tribute to Scorpex. 406 00:19:50,400 --> 00:19:52,000 - Ah, finally. - Yeah. 407 00:19:52,080 --> 00:19:56,480 No. Nothing to "suspect." He literally copied the name, and he copied the X. 408 00:19:56,560 --> 00:19:58,536 - Exactly... - He copied me from start to finish... 409 00:19:58,560 --> 00:20:02,520 That's why you're gonna become his best friend. In order to identify Dricus. 410 00:20:02,600 --> 00:20:03,720 You get my drift? 411 00:20:06,040 --> 00:20:07,320 [bubbling] 412 00:20:07,400 --> 00:20:09,280 [electronic music playing] 413 00:20:09,360 --> 00:20:10,800 [clears throat] 414 00:20:10,880 --> 00:20:12,240 Whoa! 415 00:20:13,360 --> 00:20:15,240 [Luis] Yo, yo, what's up in the lab? 416 00:20:15,320 --> 00:20:16,680 Oh, the OG! 417 00:20:18,400 --> 00:20:20,280 - [Luis] You good? - You came for inspiration? 418 00:20:20,360 --> 00:20:21,720 - [Luis] Hey. Scorpex. - Elliot. 419 00:20:21,800 --> 00:20:24,080 - Sup? Are you spying? - Ha, well, kind of. 420 00:20:24,160 --> 00:20:27,120 Yeah, you could say that. Come on, we need to talk about your show. 421 00:20:27,200 --> 00:20:29,960 Like, that crazy set design you came up with, what was that? 422 00:20:30,040 --> 00:20:30,960 You liked it? 423 00:20:31,040 --> 00:20:33,600 - Seriously? Yeah, you blew my mind, dude. - Yeah. You know. 424 00:20:33,680 --> 00:20:35,800 Whoever your creative director is, I'm poaching him. 425 00:20:35,880 --> 00:20:36,880 You're looking at him. 426 00:20:36,960 --> 00:20:40,680 - Get out. You did everything yourself? - I do everything. I can't delegate. 427 00:20:41,600 --> 00:20:43,560 - And thanks for covering for me. - [Luis] What? 428 00:20:43,640 --> 00:20:45,840 - Oh, that was nothing. I was happy to. - Thanks. 429 00:20:45,920 --> 00:20:46,800 I owe you one. 430 00:20:46,880 --> 00:20:48,600 Happy to help out, you know. 431 00:20:48,680 --> 00:20:51,296 - I owe you one for real. - It's good. What is it? Your next album? 432 00:20:51,320 --> 00:20:53,440 No, it's the music for the Van Straat show. 433 00:20:53,520 --> 00:20:55,920 Actually, tell me what you think. I don't know anymore. 434 00:20:56,000 --> 00:20:58,160 I'm working all the time. It's like… non-stop. 435 00:20:58,240 --> 00:20:59,160 I'm the same, I get it. 436 00:20:59,240 --> 00:21:02,080 And be honest, okay? Don't be a yes-man. Keep it real please. 437 00:21:02,160 --> 00:21:04,400 - And I love the way you use the bass. - Yeah? 438 00:21:04,480 --> 00:21:07,320 - It's pumping, hey? - But if you don't mind me saying… 439 00:21:08,000 --> 00:21:10,160 [vocalizes] 440 00:21:10,240 --> 00:21:11,760 There's something a little wonky here, 441 00:21:11,840 --> 00:21:14,056 like the hi-hats are out of sync, actually. Take 'em out. 442 00:21:14,080 --> 00:21:16,400 Keep it kick, snare, kick, snare. You'll see. Try it. 443 00:21:16,480 --> 00:21:18,320 - Elliot. Mute the hi-hats. - Elliot? 444 00:21:19,800 --> 00:21:21,280 [vocalizing] 445 00:21:22,040 --> 00:21:23,240 On the house. 446 00:21:24,120 --> 00:21:25,840 - Play it. - That's what I'm talking about. 447 00:21:25,920 --> 00:21:29,320 Add more reverb to the vocals. Three, two, one, and drop. Let's go! 448 00:21:29,400 --> 00:21:31,440 - Whoo-hoo! - Man, they're gonna flip! 449 00:21:31,520 --> 00:21:34,080 We'll have them in the palm of our hands for Fashion Week. 450 00:21:34,160 --> 00:21:36,056 - You're coming, right? - Yeah, I'm so down, bro. 451 00:21:36,080 --> 00:21:39,960 Hot models, celebrities in the front row, and me on stage in the middle, boom, 452 00:21:40,040 --> 00:21:41,120 - Vestax! - Yeah. 453 00:21:41,200 --> 00:21:44,640 Everyone screaming, "Vestax! Vestax! Vestax!" 454 00:21:44,720 --> 00:21:48,000 "Enough, I'm blushing! Stop it, stop screaming my name like that." 455 00:21:48,080 --> 00:21:50,000 - Okay, okay. - "We love you, Vestax!" 456 00:21:50,080 --> 00:21:54,560 "Vestax! Vestax! Look at the models. Don't look at me. I'm just a DJ!" 457 00:21:54,640 --> 00:21:55,960 That's yours. 458 00:21:56,600 --> 00:22:00,000 Ooh! Your number one fan, Vestax. Wow, that's something. 459 00:22:00,080 --> 00:22:01,840 I'm done with electro, that's it. 460 00:22:01,920 --> 00:22:03,440 - I need to think bigger. - Right. 461 00:22:03,520 --> 00:22:05,280 Fashion, cinema. 462 00:22:05,360 --> 00:22:06,400 Yeah, of course. 463 00:22:06,480 --> 00:22:08,960 - That's me, though. No offense. - Don't worry, none taken. 464 00:22:09,040 --> 00:22:10,800 No, don't worry. I'm the same. 465 00:22:10,880 --> 00:22:13,840 Me, nowadays, I'm all about being a holistic artist, you know? 466 00:22:13,920 --> 00:22:14,960 Slash, slash, slash. 467 00:22:15,040 --> 00:22:16,720 [coughing] 468 00:22:18,400 --> 00:22:19,680 Strong shit. 469 00:22:20,520 --> 00:22:22,240 [alarm blaring] 470 00:22:22,320 --> 00:22:23,440 Oh, fuck! 471 00:22:23,520 --> 00:22:25,200 [Luis] Oh. Are you kidding me? 472 00:22:25,280 --> 00:22:28,560 - [Vestax] Shit! I can't do this, no way! - Goddamn sprinkler system! 473 00:22:28,640 --> 00:22:30,520 - Hey, wait, wait. - What? 474 00:22:31,640 --> 00:22:32,640 Hey, listen! 475 00:22:32,680 --> 00:22:35,200 - [alarm continues] - [electronic music playing] 476 00:22:35,280 --> 00:22:36,520 Hear that? 477 00:22:36,600 --> 00:22:38,320 How cool it sounds with the alarm? 478 00:22:38,840 --> 00:22:41,240 Yeah, it's true. Oh, yeah… yeah. 479 00:22:41,320 --> 00:22:43,280 Oh, yeah. Yeah. Yeah. 480 00:22:43,360 --> 00:22:44,840 Yeah, this is fire! 481 00:22:45,520 --> 00:22:46,600 Yeah, yeah. 482 00:22:46,680 --> 00:22:48,520 [vocalizing] 483 00:22:48,600 --> 00:22:50,320 [house music playing] 484 00:22:50,400 --> 00:22:52,240 - You dig mezcal? - [Luis] What? 485 00:22:52,320 --> 00:22:54,040 - Yeah, mezcal. You dig mezcal? - Love it. 486 00:22:54,720 --> 00:22:55,800 Salud. 487 00:22:56,320 --> 00:22:57,520 [both grunt] 488 00:22:57,600 --> 00:22:59,440 [music continues] 489 00:22:59,520 --> 00:23:00,520 You want another one? 490 00:23:00,560 --> 00:23:02,480 - No, I'm good. - Okay, all right. 491 00:23:02,560 --> 00:23:03,960 - Molo! - Hey. 492 00:23:04,040 --> 00:23:06,560 - How you doing? Fine, and you? - How are you? Huh? 493 00:23:07,400 --> 00:23:09,640 [speaking Serbian] 494 00:23:09,720 --> 00:23:11,640 [in English] All good? Come with us. 495 00:23:12,160 --> 00:23:15,040 - Who's that? What's his name? - [Vestax] Scorpex. 496 00:23:15,120 --> 00:23:16,120 Luis! 497 00:23:16,200 --> 00:23:18,600 Come! Come, come! Yeah, yeah. Always. 498 00:23:19,520 --> 00:23:22,640 How's it going? And what were you up to? 499 00:23:24,920 --> 00:23:26,040 Right. 500 00:23:26,120 --> 00:23:28,640 - Scorpex. - [Molotov] Vestax, is he a friend? 501 00:23:28,720 --> 00:23:32,240 - Yeah, I mean… I guess, yeah. - [Molotov] Pass the drippy drop. 502 00:23:33,280 --> 00:23:35,040 [house music continues] 503 00:23:39,440 --> 00:23:41,920 No. No, I'm good. I'll have some later. 504 00:23:43,200 --> 00:23:44,920 What's with the shitty music, huh? 505 00:23:48,080 --> 00:23:50,080 That's Exta. Want me to handle it? 506 00:23:50,720 --> 00:23:52,400 - Yeah. - [Luis] I got it, don't worry. 507 00:23:52,480 --> 00:23:53,480 [Molotov] Go, go. 508 00:23:54,400 --> 00:23:55,600 Who's that loser? 509 00:23:56,920 --> 00:23:58,080 Hey, sorry, sorry. 510 00:23:58,600 --> 00:24:00,080 - Hey, Exta. How you doing? - Luis! 511 00:24:00,160 --> 00:24:01,160 - Good? - Captain. 512 00:24:01,240 --> 00:24:03,200 Hey, I'm hanging with a bunch of goons over there. 513 00:24:03,240 --> 00:24:05,040 One of them's convinced you banged his sister. 514 00:24:05,120 --> 00:24:07,440 - Where? - The bald one who looks like Gru. 515 00:24:09,120 --> 00:24:12,200 Blonde hair with an accent, a tattoo on her ass. Sound familiar? 516 00:24:12,280 --> 00:24:13,360 A tattoo… wait. 517 00:24:13,440 --> 00:24:15,320 Ah, a '"carpe diem?" A '"carpe diem" on her ass? 518 00:24:15,400 --> 00:24:17,560 I don't know the details. But I swear he's a bad dude. 519 00:24:17,640 --> 00:24:20,480 He's talking about cracking your head open. You better hide in the john. 520 00:24:20,520 --> 00:24:23,400 - Don't worry, that's what security's for. - Dude, I'm serious. 521 00:24:23,480 --> 00:24:25,200 Let me tell you what this guy did. 522 00:24:28,960 --> 00:24:29,960 So, move it. 523 00:24:30,880 --> 00:24:31,960 Get him out of there! 524 00:24:32,040 --> 00:24:34,560 Don't worry. Go, go, go. Go have a smoke. Okay. 525 00:24:35,680 --> 00:24:37,440 [music stops] 526 00:24:37,520 --> 00:24:39,640 [uptempo music playing] 527 00:24:39,720 --> 00:24:42,360 [men yelling] 528 00:24:47,200 --> 00:24:49,520 [clamoring] 529 00:24:50,040 --> 00:24:51,200 DJ! 530 00:25:01,400 --> 00:25:04,160 - It's savage. - Yeah, it's not bad, yeah. 531 00:25:04,240 --> 00:25:07,440 Yeah, I mean, it's pretty basic, but he does it well. 532 00:25:08,080 --> 00:25:09,480 Hey. It's tight! 533 00:25:09,560 --> 00:25:14,000 Like, uh, Italo, Greco, disco, techno, with a touch of Mexican! 534 00:25:14,520 --> 00:25:16,640 - Raw, raw. - Listen to this. Listen, listen. 535 00:25:19,560 --> 00:25:22,040 [techno song mixes in] 536 00:25:22,120 --> 00:25:23,880 [all cheering] 537 00:25:26,920 --> 00:25:28,160 Yo! It's tight! 538 00:25:30,240 --> 00:25:32,440 [all chanting] 539 00:25:42,880 --> 00:25:45,040 [Luis] So there I was, in the meatpacking district. 540 00:25:45,120 --> 00:25:45,960 [Vestax] The Mix? 541 00:25:46,040 --> 00:25:48,816 [Luis] Some shady club. Not the Mix. Somewhere way before that. Anyway… 542 00:25:48,840 --> 00:25:50,880 I'm DJing a party for some brand, 543 00:25:50,960 --> 00:25:54,120 and all of a sudden, this guy steps in and is a douchebag on the dance floor, 544 00:25:54,200 --> 00:25:56,520 which was mostly filled with chicks. Tons of chicks! 545 00:25:56,600 --> 00:25:59,680 He takes off his hood. Guess who? It's fucking Kanye West. 546 00:25:59,760 --> 00:26:01,800 - And he starts going, "Scorpex, Scor…" - Yeah. 547 00:26:01,880 --> 00:26:03,520 I mean, I hear, "Scorpex, Scorpex." 548 00:26:03,600 --> 00:26:06,960 Next thing you know, he's in the DJ booth and bowing down to me. 549 00:26:07,040 --> 00:26:10,080 "Oh, I love your shit. Next Fashion Week, we're gonna do something together!" 550 00:26:10,120 --> 00:26:12,720 Bla, bla, bla, bla, bla. I said tutto bene, brother. 551 00:26:12,800 --> 00:26:15,000 We pound it out. All good. Our agents get in touch. 552 00:26:15,080 --> 00:26:18,560 Three days later, he's on TV wearing a bulletproof vest, running for president. 553 00:26:18,640 --> 00:26:20,000 - Game over. - Classic Kanye. 554 00:26:20,080 --> 00:26:22,200 You love to name-drop, but you're full of shit, dude. 555 00:26:22,280 --> 00:26:25,840 No, it's all true, bro. I snapped a photo. It's on my Instagram. You can check. 556 00:26:25,920 --> 00:26:27,600 The guy was definitely Kanye West. 557 00:26:27,680 --> 00:26:30,840 You can't really tell because his head's down, but I swear it's true. 558 00:26:30,920 --> 00:26:33,000 [all laugh] 559 00:26:33,720 --> 00:26:35,600 Same here, during Fashion Week at Le Baron, 560 00:26:35,680 --> 00:26:37,760 we're all chilling and Travis Scott shows up... 561 00:26:37,840 --> 00:26:40,320 Hey, shut up. Blind test a la casa, guys. 562 00:26:40,400 --> 00:26:41,400 [cheers] 563 00:26:41,440 --> 00:26:43,720 - Yeah! - Oh, yeah! I crush at blind test. 564 00:26:43,800 --> 00:26:45,520 Well, they have special rules. 565 00:26:47,680 --> 00:26:49,360 - You got it? - I don't. 566 00:26:49,440 --> 00:26:51,440 [men laughing in the background] 567 00:26:52,320 --> 00:26:53,880 [Molotov] What do you see? 568 00:26:53,960 --> 00:26:54,960 [Luis] I see, uh… 569 00:26:55,040 --> 00:26:58,560 Okay, take a step back. Take a step back. What do you see now? 570 00:26:58,640 --> 00:27:01,320 So, I see the same thing as earlier, but further away. 571 00:27:01,400 --> 00:27:04,080 - And the Paris sky... - It's a skull. 572 00:27:04,160 --> 00:27:06,080 Ah, yes, it's a skull, of course. 573 00:27:06,160 --> 00:27:07,880 [Luis] That's a skull. I totally see it now. 574 00:27:07,960 --> 00:27:09,256 - [Vestax] Yes. - [Molotov] I know! 575 00:27:09,280 --> 00:27:12,640 Unbelievable. From up close, you don't see it. The eye sockets, the nose. 576 00:27:12,720 --> 00:27:14,280 - It's worth a fortune. - Yeah? 577 00:27:14,360 --> 00:27:16,080 All right, blind test! 578 00:27:16,160 --> 00:27:17,760 [all shouting] 579 00:27:18,680 --> 00:27:19,520 Yeah! 580 00:27:19,600 --> 00:27:21,200 [man speaking Serbian] 581 00:27:21,280 --> 00:27:23,560 [in English] Okay! Remember the rules? 582 00:27:23,640 --> 00:27:25,520 - Hey? - So, what are the knives for? 583 00:27:25,600 --> 00:27:27,640 [speaking Serbian] 584 00:27:28,160 --> 00:27:29,440 [in English] Say what? 585 00:27:32,240 --> 00:27:34,520 [electronic music playing] 586 00:27:36,600 --> 00:27:39,600 - "Space Captain?" - [cheering] Yeah! 587 00:27:39,680 --> 00:27:41,400 It's my job. It's my job, man. 588 00:27:41,480 --> 00:27:44,440 - I was just about to say it, I swear. - Look at me, bro. 589 00:27:44,520 --> 00:27:46,560 - Okay. - And knives! 590 00:27:47,400 --> 00:27:48,720 Hey! 591 00:27:48,800 --> 00:27:51,920 - I was this close. - Look at his face, it's hilarious! 592 00:27:52,000 --> 00:27:55,040 [speaking Serbian] 593 00:27:55,120 --> 00:27:56,480 [electronic music playing] 594 00:27:57,920 --> 00:27:59,280 [in English] Uh, wait. 595 00:28:00,280 --> 00:28:02,520 - I know it, I know it. Yes, it's... - [groans] 596 00:28:02,600 --> 00:28:04,760 Mara… Marado… Maradona. 597 00:28:04,840 --> 00:28:06,680 - Come on! Come on! - [Vestax] Damn it! 598 00:28:06,760 --> 00:28:08,800 "Maracuja Pascuale!" 599 00:28:08,880 --> 00:28:09,760 Whoa! 600 00:28:09,840 --> 00:28:10,880 Scorpex! 601 00:28:10,960 --> 00:28:12,840 - It's a remix, hey? - [music stops] 602 00:28:12,920 --> 00:28:14,280 Shazam it. Shazam it, man. 603 00:28:14,360 --> 00:28:16,800 It's bullshit. No, no. It's not fair. Shazam it. 604 00:28:16,880 --> 00:28:19,680 - Knives! Knives! - I'm sure. It's a remix, look it up. 605 00:28:19,760 --> 00:28:21,120 [knives clattering] 606 00:28:21,200 --> 00:28:23,000 - Go easy, guys. - Love. 607 00:28:23,080 --> 00:28:24,400 - [Molotov] Okay. - [Vestax] Okay. 608 00:28:24,480 --> 00:28:26,760 This is a very, very, difficult one. 609 00:28:27,400 --> 00:28:30,680 [speaking Serbian] 610 00:28:30,760 --> 00:28:33,320 [electronic music playing] 611 00:28:33,400 --> 00:28:34,560 Vestax? 612 00:28:34,640 --> 00:28:36,400 - Come on, now! - I think. 613 00:28:36,480 --> 00:28:37,400 No, no, no, no. 614 00:28:37,480 --> 00:28:38,816 - Vestax! - [Luis] That's not fair! 615 00:28:38,840 --> 00:28:41,040 - Vestax! Vestax! Vestax! - Hang on! 616 00:28:41,120 --> 00:28:42,680 - Knives! - Oh yeah! 617 00:28:43,760 --> 00:28:44,680 [groans] 618 00:28:44,760 --> 00:28:46,320 [all laugh] 619 00:28:47,840 --> 00:28:50,720 - Is he nuts or what? - The joke's on you, sucker. 620 00:28:50,800 --> 00:28:51,800 [music stops] 621 00:28:53,840 --> 00:28:55,560 [suspenseful music playing] 622 00:29:05,520 --> 00:29:07,520 [mysterious music playing] 623 00:29:08,720 --> 00:29:11,320 Calm, calm, calm, calm, calm, calm. 624 00:29:11,400 --> 00:29:13,240 Calm down. 625 00:29:17,200 --> 00:29:18,320 [sighs] 626 00:29:24,120 --> 00:29:25,840 [Vestax] Molotov. Molotov. 627 00:29:26,760 --> 00:29:27,960 - Molo? - [Luis] What happened? 628 00:29:28,000 --> 00:29:30,200 I don't know. He's not breathing. Molo? 629 00:29:30,720 --> 00:29:32,720 - Molotov? - I'll call an ambulance. 630 00:29:32,800 --> 00:29:33,920 What? Wait. 631 00:29:34,440 --> 00:29:36,120 Hey. No, no, don't, don't. 632 00:29:36,200 --> 00:29:37,960 I don't think you understand. 633 00:29:38,040 --> 00:29:40,200 You can't have ambulances here, or cops, get it? 634 00:29:40,280 --> 00:29:41,400 No, but I... 635 00:29:41,480 --> 00:29:43,720 We were never here, okay? 636 00:29:43,800 --> 00:29:44,920 We're out of here. 637 00:29:45,000 --> 00:29:47,240 But you… we can't leave him like that. 638 00:29:47,320 --> 00:29:49,160 You can't leave a guy passed out on the floor. 639 00:29:49,240 --> 00:29:52,280 Hey, my Van Straat show's in two days. If you wanna stay, stay. 640 00:29:53,120 --> 00:29:55,360 I trust you. Gratitude max. 641 00:29:55,440 --> 00:29:57,200 No, no. There's no "gratitude max." 642 00:29:57,280 --> 00:29:58,720 You take care of your bud. 643 00:29:59,520 --> 00:30:00,360 What happened? 644 00:30:00,440 --> 00:30:03,040 Did you slap him around to wake him up or something? 645 00:30:03,120 --> 00:30:05,000 Yeah, why don't you slap him around? 646 00:30:05,080 --> 00:30:06,896 - No, you. You slap that guy around! - No, you! 647 00:30:06,920 --> 00:30:08,280 - You know him better. - So what? 648 00:30:08,360 --> 00:30:10,936 Just because I know him better doesn't mean I can slap him around. 649 00:30:10,960 --> 00:30:13,160 But there's no way I'm slapping a guy named Molotov. 650 00:30:13,240 --> 00:30:15,520 It's a nickname. Uh… his name's Nicolas. 651 00:30:17,360 --> 00:30:18,360 [Luis sighs] 652 00:30:19,800 --> 00:30:21,520 Molo. Molo. 653 00:30:21,600 --> 00:30:23,000 [mysterious music continues] 654 00:30:23,080 --> 00:30:24,920 Molotov? Molotov. 655 00:30:27,560 --> 00:30:29,040 Molotov. 656 00:30:29,120 --> 00:30:30,360 - [gasps] - [Luis yelps] 657 00:30:31,120 --> 00:30:33,360 [Vestax and Molotov laughing] 658 00:30:34,640 --> 00:30:37,320 Are you guys completely mental or what? 659 00:30:37,400 --> 00:30:39,800 [speaking Serbian] [in English] You almost called the police? 660 00:30:39,880 --> 00:30:43,760 No, I never said the police. I said an ambulance. Not the same. I'm not a snitch. 661 00:30:43,840 --> 00:30:46,960 - [mocking] Molotov. Molotov. - You were about to pass out. You okay? 662 00:30:47,040 --> 00:30:48,680 - [Molotov chuckles] - Oh! 663 00:30:48,760 --> 00:30:51,200 Molotov doesn't do overdose. Here. 664 00:30:51,280 --> 00:30:52,600 [speaking Serbian] 665 00:30:53,840 --> 00:30:54,840 Salud! 666 00:30:54,880 --> 00:30:55,880 [in English] Jesus. 667 00:30:55,920 --> 00:30:57,120 [shudders] 668 00:30:58,920 --> 00:31:00,280 - Ah! - [sighs] 669 00:31:00,800 --> 00:31:02,600 I told you we could trust him. 670 00:31:03,680 --> 00:31:05,160 What do you need him for? 671 00:31:05,240 --> 00:31:08,560 He could help me out, you know, he… he knows technical stuff. 672 00:31:08,640 --> 00:31:10,120 Could be good for someone like me. 673 00:31:10,960 --> 00:31:12,680 For the music at the show? 674 00:31:14,280 --> 00:31:16,640 Yeah. Yeah, yeah, for example, yeah. 675 00:31:16,720 --> 00:31:19,680 Yeah, well, if you… Yeah, I'm down. Why not? 676 00:31:20,760 --> 00:31:22,160 As long as it slaps. 677 00:31:22,240 --> 00:31:23,120 Right? 678 00:31:23,200 --> 00:31:24,720 "Calling an ambulance." 679 00:31:24,800 --> 00:31:26,040 [all laugh] 680 00:31:26,120 --> 00:31:27,440 Come on, give me a break. 681 00:31:27,520 --> 00:31:29,520 [continues laughing] 682 00:31:31,360 --> 00:31:33,720 I say we take one of your demos. 683 00:31:33,800 --> 00:31:35,680 Something classic, basic, old school. 684 00:31:35,760 --> 00:31:37,840 - [Luis] Mm-hmm. - Then I jump in, bam! 685 00:31:37,920 --> 00:31:39,920 Lay my crazy touch, make it modern. 686 00:31:40,000 --> 00:31:40,920 [claps] Pumping. 687 00:31:41,000 --> 00:31:43,200 - You feel me? - Yeah. 688 00:31:43,280 --> 00:31:45,160 - Double X. - Of course, Double X. 689 00:31:45,240 --> 00:31:48,560 Hey! I wanna hear it tomorrow at the ambassador's. 690 00:31:48,640 --> 00:31:49,960 Okay, not a problem. 691 00:31:51,640 --> 00:31:52,520 Which ambassador? 692 00:31:52,600 --> 00:31:53,840 Don't worry. 693 00:31:53,920 --> 00:31:55,280 [suspenseful music playing] 694 00:31:58,680 --> 00:31:59,680 [yawns] 695 00:32:11,520 --> 00:32:14,120 "Your number one fan, Vestax"? 696 00:32:14,200 --> 00:32:16,440 Well, yeah. I didn't wanna hurt his feelings. 697 00:32:16,520 --> 00:32:18,120 [Toni chuckles] Yeah, right. 698 00:32:18,200 --> 00:32:21,200 You should check your inbox. Drake wants to collaborate next. 699 00:32:21,280 --> 00:32:22,280 [chuckles] 700 00:32:27,000 --> 00:32:28,080 [sighs] 701 00:32:36,960 --> 00:32:40,840 Uh, Toni. I'll explain later, but you can't stay here. 702 00:32:40,920 --> 00:32:41,920 Wait, what? 703 00:32:43,320 --> 00:32:44,360 Pack up your things. 704 00:32:46,560 --> 00:32:48,360 Welcome to the pleasure dome. 705 00:32:50,960 --> 00:32:53,920 So, bathroom, kitchen, you already know. 706 00:32:54,760 --> 00:32:57,400 And for sleeping, well, that's here. 707 00:32:58,720 --> 00:33:01,120 - For sleeping? - You'll sleep here. 708 00:33:02,440 --> 00:33:04,520 You make your own tracks? Right? 709 00:33:04,600 --> 00:33:05,600 [Toni] Yes. 710 00:33:05,640 --> 00:33:08,880 Well, until you come up with a banger, you can't come home. 711 00:33:08,960 --> 00:33:09,840 Deal? 712 00:33:09,920 --> 00:33:10,800 Are you serious? 713 00:33:10,880 --> 00:33:13,200 I'm very serious. Deal? 714 00:33:13,960 --> 00:33:15,640 Oh! [chuckles] 715 00:33:16,800 --> 00:33:17,800 - Yes. - That being said… 716 00:33:17,840 --> 00:33:20,760 These are all collector's items, so no parties or anything. 717 00:33:22,440 --> 00:33:23,920 It's starting well. 718 00:33:25,000 --> 00:33:27,280 All right. Got something I can load? 719 00:33:27,360 --> 00:33:29,440 - [Toni] Yeah. - [claps] Give it to me. 720 00:33:29,520 --> 00:33:32,560 Let's create a folder for my girl. 721 00:33:34,280 --> 00:33:35,440 [typing] Toni. Okay. 722 00:33:36,960 --> 00:33:38,080 - So let's hear it. - No. 723 00:33:39,240 --> 00:33:42,280 - It's just a demo. You can't hear it yet. - Are you for real? 724 00:33:42,880 --> 00:33:44,280 - Well, yeah. - I'm a professional. 725 00:33:44,360 --> 00:33:46,880 I can listen to a work in progress, you know? 726 00:33:46,960 --> 00:33:49,880 Can we hear yours after we listen to mine? 727 00:33:50,400 --> 00:33:54,000 - Daddy doesn't like blackmail. All right. - [Toni] No, please, stop it! 728 00:33:55,840 --> 00:33:56,680 No. 729 00:33:56,760 --> 00:34:00,520 Toni. Honestly, I'd be really happy if you let me hear one of your tracks. 730 00:34:01,680 --> 00:34:03,560 You have to be gentle. It's not finished. 731 00:34:03,640 --> 00:34:05,920 - Promise. - And do not give me any advice... 732 00:34:06,000 --> 00:34:07,000 Okay. 733 00:34:08,600 --> 00:34:10,600 [electronic music playing] 734 00:34:28,520 --> 00:34:29,560 [Toni] That's it. 735 00:34:32,120 --> 00:34:33,240 You know what? 736 00:34:33,760 --> 00:34:35,360 How about a little Moog on top? 737 00:34:37,360 --> 00:34:39,280 [synthesizer playing] 738 00:34:44,640 --> 00:34:47,000 Yeah, well, it's not finished. Like I said. 739 00:34:47,080 --> 00:34:49,240 But it already sounds great, sweetie. 740 00:34:49,760 --> 00:34:51,640 I'm kind of, mmm… 741 00:34:52,160 --> 00:34:53,160 blown away. 742 00:34:53,600 --> 00:34:56,080 - [phone buzzing] - Well, then, you can add that bass line. 743 00:34:56,160 --> 00:34:57,360 GOT THE TRACK? ANY GOOD? 744 00:34:57,440 --> 00:34:59,040 Go ahead. You do it. 745 00:34:59,120 --> 00:35:01,720 No, no, no. It's your track. 746 00:35:02,240 --> 00:35:04,240 Come on, try. So it's something we do together. 747 00:35:04,320 --> 00:35:05,320 No. 748 00:35:05,400 --> 00:35:07,360 It's your music. You figure it out. 749 00:35:09,600 --> 00:35:10,600 Okay. 750 00:35:10,640 --> 00:35:12,640 [somber music playing] 751 00:35:16,280 --> 00:35:17,880 All right, sweetie. 752 00:35:18,920 --> 00:35:20,160 I'll leave you to it. 753 00:35:20,240 --> 00:35:21,240 [door opens] 754 00:35:23,760 --> 00:35:25,040 [door closes] 755 00:35:25,120 --> 00:35:26,520 [techno music playing] 756 00:35:27,120 --> 00:35:30,400 - When does her set end? - Actually, she's streaming all night long! 757 00:35:30,480 --> 00:35:32,800 - Fuck! - Why? What is it? Is it urgent? 758 00:35:32,880 --> 00:35:34,200 No, no. 759 00:35:34,280 --> 00:35:36,440 I just need a little help with a track, but… 760 00:35:37,080 --> 00:35:39,400 - Well, see ya. - All right. 761 00:35:39,480 --> 00:35:41,400 Come on, guys. Just give me a hand. 762 00:35:41,480 --> 00:35:43,120 Bro, why don't you jam with us? 763 00:35:43,200 --> 00:35:44,640 No, that's… [sighs] 764 00:35:44,720 --> 00:35:48,040 - [techno music playing] - You're looking at a future icon. 765 00:35:48,120 --> 00:35:49,120 [man] Oh, yeah? 766 00:35:49,200 --> 00:35:50,080 Yeah. 767 00:35:50,160 --> 00:35:53,200 I was bored to death ten minutes ago, and now here you are. 768 00:35:53,800 --> 00:35:57,160 And regarding Van Straat? In light of what we discussed, um… 769 00:35:57,240 --> 00:36:00,120 - [techno music continues] - Yes? No? Or go fuck myself? 770 00:36:00,200 --> 00:36:04,880 No, it's just that at the moment, we're a little bit, uh… busy, actually. 771 00:36:04,960 --> 00:36:08,520 They gave pretty specific instructions. I mean, they really insist on electro. 772 00:36:08,600 --> 00:36:11,640 Dude, electro's over. It's been over since 2018. 773 00:36:11,720 --> 00:36:13,360 - [phone buzzing] - Obvi. 774 00:36:15,160 --> 00:36:18,960 Okay. But when you say collaboration, you mean something… official? 775 00:36:19,040 --> 00:36:20,040 - [phone buzzing] - Yeah. 776 00:36:20,080 --> 00:36:22,920 There always comes a point when it becomes official, right? 777 00:36:23,000 --> 00:36:24,520 [phone continues buzzing] 778 00:36:25,480 --> 00:36:28,880 So, boys. What do you want? Want me to blow you or… 779 00:36:28,960 --> 00:36:30,240 [techno music continues] 780 00:36:30,320 --> 00:36:31,600 Hear me out. 781 00:36:32,120 --> 00:36:34,960 I really need you, Marcus. Understand? 782 00:36:35,040 --> 00:36:37,800 I need my team, I need my army, I need support, damn it. 783 00:36:37,880 --> 00:36:38,880 Mmm. 784 00:36:38,960 --> 00:36:40,720 How dare you speak about support? 785 00:36:40,800 --> 00:36:42,400 I've always supported you. 786 00:36:42,480 --> 00:36:44,840 The last fool waiting for your new record is me. 787 00:36:44,920 --> 00:36:46,040 Fine. [tuts] 788 00:36:47,400 --> 00:36:49,440 Here. See you at the Grammys. 789 00:36:49,520 --> 00:36:51,280 Always happy to see you, Luis! 790 00:36:51,800 --> 00:36:53,240 [Luis] Go fuck your mother. 791 00:36:53,320 --> 00:36:55,320 [music crescendoes] 792 00:36:57,160 --> 00:36:59,080 - [music stops abruptly] - [crowd groans] 793 00:36:59,160 --> 00:37:01,160 [tense music playing] 794 00:37:03,520 --> 00:37:04,520 Get back to Rose. 795 00:37:08,880 --> 00:37:12,520 - [electronic music playing] - [Luis] There he is. Hey. 796 00:37:13,960 --> 00:37:15,040 Wow! 797 00:37:15,120 --> 00:37:16,120 You good? 798 00:37:17,320 --> 00:37:19,376 - Congrats. - Tonight's the night. I can't believe it. 799 00:37:19,400 --> 00:37:21,440 - Wanna see? With the lights? - Yeah. 800 00:37:21,520 --> 00:37:23,160 - Of course. - Okay. Francis? 801 00:37:23,240 --> 00:37:24,400 [music stops] 802 00:37:25,240 --> 00:37:26,480 Francis! 803 00:37:27,400 --> 00:37:28,400 Ah. 804 00:37:28,440 --> 00:37:29,320 He heard you. 805 00:37:29,400 --> 00:37:31,320 Sorry. Check it out. Whoop. 806 00:37:31,400 --> 00:37:32,920 - I'll be right up there. - Okay. 807 00:37:33,000 --> 00:37:35,000 High above, with this on, like an astronaut. 808 00:37:35,080 --> 00:37:36,280 I'll be talking to the crowd, 809 00:37:36,360 --> 00:37:38,616 I won't see much with the helmet on, but who gives a fuck? 810 00:37:38,640 --> 00:37:41,400 I'll fiddle with the knobs, pretend like I'm mixing. They'll love it. 811 00:37:41,480 --> 00:37:42,560 - Story of my life. - Yeah. 812 00:37:42,640 --> 00:37:45,880 And on the sphere to the left, we'll project "EX." 813 00:37:45,960 --> 00:37:48,680 - And on the one to the right... - "TA." Is that it? 814 00:37:48,760 --> 00:37:50,760 - Yeah. - That's great. It'll be iconic. 815 00:37:50,840 --> 00:37:52,160 "EXTA"! 816 00:37:52,240 --> 00:37:53,600 - My name. - [Luis] Amazing. 817 00:37:53,680 --> 00:37:57,560 And people will love the, uh, phallic symbol. It'll be a big hit, I'm sure. 818 00:37:57,640 --> 00:37:59,040 By the way… 819 00:37:59,120 --> 00:38:02,440 - I need a small favor. - Oh, fuck. It does look like a big dick. 820 00:38:03,160 --> 00:38:04,760 Well, wasn't that the point? 821 00:38:04,840 --> 00:38:06,080 Oh, man. 822 00:38:06,680 --> 00:38:09,120 - Okay, listen. Anyway. - Fuck. 823 00:38:09,200 --> 00:38:10,920 - Jean-Marc, I really need you. - [Exta] No. 824 00:38:11,000 --> 00:38:12,960 - What? - No. Nobody knows that's my name. 825 00:38:13,040 --> 00:38:14,280 There's no one here. It's fine. 826 00:38:14,360 --> 00:38:16,080 Yeah, but still. Tell me. 827 00:38:16,160 --> 00:38:18,440 Listen. I need you to give me a sound. 828 00:38:18,520 --> 00:38:20,360 - A beat, 16 bars. - Right. 829 00:38:20,440 --> 00:38:23,360 - Nice and easy, please. - So, uh… no. 830 00:38:24,240 --> 00:38:25,400 What's wrong with you? 831 00:38:25,480 --> 00:38:29,240 Nowadays, I'm all about going forward. No looking back anymore. 832 00:38:29,320 --> 00:38:32,360 - I only wanna make beats for myself. - You should always look back. 833 00:38:32,440 --> 00:38:36,680 Because who you see on your way up, you'll see again on your way down. 834 00:38:36,760 --> 00:38:37,960 Okay. I agree with you. 835 00:38:38,040 --> 00:38:40,640 But I think it's best to focus on the way up while on the way up. 836 00:38:40,720 --> 00:38:44,000 - Yes, I totally agree, Jean-Marc. Listen. - Exta. 837 00:38:44,080 --> 00:38:46,240 Who came up with the name, Exta? 838 00:38:46,320 --> 00:38:47,800 - You did, but that's... - Shh. 839 00:38:47,880 --> 00:38:50,080 Keep quiet. It's between you and me. 840 00:38:50,160 --> 00:38:51,720 - Okay. Thanks. - [Luis] Okay? 841 00:38:51,800 --> 00:38:53,320 - No worries. - Yeah. 842 00:38:53,400 --> 00:38:56,160 Listen, I need someone talented to help me out of a tight spot 843 00:38:56,240 --> 00:38:58,280 and out of all my friends, I chose you. 844 00:38:58,360 --> 00:39:00,800 I won't credit you. Nobody will know. It's between you and me. 845 00:39:00,840 --> 00:39:03,016 - Take it as a compliment... - I can't help you. Listen... 846 00:39:03,040 --> 00:39:07,040 - I could have asked anybody... - What I can offer is offer you a hug. 847 00:39:07,120 --> 00:39:08,960 - Are you kidding... - Which is a lot. 848 00:39:09,040 --> 00:39:11,960 Fuck, I remember you like it was yesterday. You begging, 849 00:39:12,040 --> 00:39:15,280 "Hey, can I play? Can I play a set, play a little set, quick?" 850 00:39:15,360 --> 00:39:17,560 I remember what I was wearing and what you were wearing. 851 00:39:17,640 --> 00:39:20,240 I was in Balenciaga and you were in shorts. 852 00:39:20,760 --> 00:39:23,920 If your mother were still with us and saw you treating me this way, 853 00:39:24,000 --> 00:39:25,600 refusing to help me when I'm vulnerable… 854 00:39:25,640 --> 00:39:27,200 Seriously? My dead mother? 855 00:39:27,280 --> 00:39:30,240 - Yes. Well… may she rest in peace... - Yeah. 856 00:39:30,320 --> 00:39:31,520 [Luis] I, uh… 857 00:39:31,600 --> 00:39:33,960 - Jean-Marc... - [groans] Don't call me, Jean-Marc. 858 00:39:34,040 --> 00:39:35,040 Fucking hell! 859 00:39:35,560 --> 00:39:37,440 [electro music playing] 860 00:39:38,640 --> 00:39:40,040 There you go! 861 00:39:40,560 --> 00:39:42,040 Oh, fuck! We're ready for takeoff! 862 00:39:42,120 --> 00:39:43,640 [laughs] 863 00:39:44,160 --> 00:39:46,520 [Vestax] I'm busy, so leave a message. Ha ha! 864 00:39:46,600 --> 00:39:50,800 - [phone beeps] - Vestax! Ah! Hear what I just did? 865 00:39:51,720 --> 00:39:53,040 Slammin', right? 866 00:39:54,200 --> 00:39:55,520 So, what do you think? 867 00:39:56,040 --> 00:39:57,680 [vocalizes] 868 00:39:58,320 --> 00:40:01,320 Oh, yeah! Oh, yeah! Oh, yeah! Isn't it a banger? 869 00:40:01,400 --> 00:40:03,480 - And my credit? - So do we have it or not? 870 00:40:04,680 --> 00:40:05,840 Call me back! 871 00:40:06,640 --> 00:40:08,600 - Okay. - [electro music continues] 872 00:40:08,680 --> 00:40:09,680 - Come on. - [groans] 873 00:40:10,480 --> 00:40:12,720 Export it, send it to me. Gotta go. I'm in a rush. 874 00:40:12,800 --> 00:40:13,960 [Exta] Sent. 875 00:40:14,040 --> 00:40:15,640 - I owe you one. - More like two. 876 00:40:15,720 --> 00:40:17,200 I already gave you those two. 877 00:40:17,800 --> 00:40:19,200 Oh, yeah. That's right. 878 00:40:19,280 --> 00:40:22,960 - [electronic music playing] - Scorpex in the house, bitches! 879 00:40:23,040 --> 00:40:26,880 Live and direct from Paris City, the city of l'amour. 880 00:40:26,960 --> 00:40:28,560 [vocalizing] 881 00:40:28,640 --> 00:40:30,120 What the hell is goin' on? 882 00:40:30,200 --> 00:40:31,960 I'm gonna tell you what's going on. 883 00:40:32,040 --> 00:40:33,960 I've got great news for you guys. 884 00:40:35,480 --> 00:40:37,840 I've got a special announcement to let you know 885 00:40:37,920 --> 00:40:39,680 about my next project comin' in... 886 00:40:39,760 --> 00:40:40,640 Cut it. 887 00:40:40,720 --> 00:40:43,480 I can't get into too much detail right now, 888 00:40:43,560 --> 00:40:45,120 but I will soon enough. 889 00:40:45,200 --> 00:40:46,400 [music stops abruptly] 890 00:40:47,640 --> 00:40:48,560 What was that for? 891 00:40:48,640 --> 00:40:51,240 Makes me tense when you don't pick up my calls, you know? 892 00:40:51,320 --> 00:40:54,800 Do you think I'm your girlfriend now or what? The hell was that? Whoa! 893 00:40:55,760 --> 00:40:57,400 You don't cut off a stream. 894 00:40:57,480 --> 00:40:58,656 - It's sacred, damn it! - Okay. 895 00:40:58,680 --> 00:41:00,840 You know what's sacred, Luis? 896 00:41:00,920 --> 00:41:03,840 - Our mission. - No. Your mission. 897 00:41:03,920 --> 00:41:06,360 - Excuse me. - You have the track for Vestax? 898 00:41:06,440 --> 00:41:07,800 [intriguing music playing] 899 00:41:09,920 --> 00:41:11,000 How do you know that? 900 00:41:13,240 --> 00:41:16,440 You must have bugged Molotov's place, right? 901 00:41:16,520 --> 00:41:19,360 Then you know I was forced to listen to music while they threw knives 902 00:41:19,440 --> 00:41:20,840 and one of them hit my head? 903 00:41:20,920 --> 00:41:23,800 And you know that there's a drug lab in one of the rooms? 904 00:41:25,280 --> 00:41:26,800 Oh, you didn't know that. 905 00:41:27,320 --> 00:41:31,240 Well, now you know, because I did my job. And I brought info. 906 00:41:33,520 --> 00:41:37,080 And from now on, I want personal protection 24/7 for me and my daughter. 907 00:41:37,160 --> 00:41:39,960 - You already have personal protection. - [Luis] Yeah, right. 908 00:41:40,040 --> 00:41:41,520 This… this is the protection? 909 00:41:41,600 --> 00:41:42,600 [laughs] 910 00:41:42,640 --> 00:41:45,560 - Let's hear the track please. - [intriguing music continues] 911 00:41:45,640 --> 00:41:47,040 Just play it, Luis. 912 00:41:48,320 --> 00:41:49,160 No. 913 00:41:49,240 --> 00:41:50,840 [sighs] 914 00:41:50,920 --> 00:41:54,800 You handle your mission, your police search, and leave your agents in a lurch. 915 00:41:54,880 --> 00:41:56,480 I'll handle the creative side... 916 00:41:56,560 --> 00:41:59,120 I'm sorry, but that's not it. Molotov must green-light the track. 917 00:41:59,160 --> 00:42:03,200 That's your mission, Luis. And getting it tonight, that's your mission as well. 918 00:42:03,280 --> 00:42:04,680 - Luke! - Yes. 919 00:42:04,760 --> 00:42:08,280 What are you doing? No. Don't enter my creative space. It's off-limits. 920 00:42:08,360 --> 00:42:10,640 - Stay in your corner. Who's this guy? - Can you stop? 921 00:42:10,720 --> 00:42:12,200 Will you let me brief you? 922 00:42:12,280 --> 00:42:14,200 First, the party's held at an embassy. 923 00:42:14,280 --> 00:42:15,840 - It's a fake party. - Okay. 924 00:42:15,920 --> 00:42:17,680 It's a cover for a high-level meeting. 925 00:42:17,760 --> 00:42:19,800 We think Dricus will be there, but we can't get in. 926 00:42:19,880 --> 00:42:22,840 However, you're able to get in because you're spinning at the party. 927 00:42:22,920 --> 00:42:26,200 Well, yeah. They offered me a back-to-back. 928 00:42:26,280 --> 00:42:27,520 [music continues] 929 00:42:28,120 --> 00:42:29,760 You know what a back-to-back is? 930 00:42:30,440 --> 00:42:31,760 Of course. 931 00:42:31,840 --> 00:42:32,840 What is it? 932 00:42:33,760 --> 00:42:36,920 - Well, a back-to-back is a… - A…? 933 00:42:37,000 --> 00:42:39,400 A back-to-back is when two backs are against each other. 934 00:42:39,480 --> 00:42:41,800 That's great. I'm glad you've done your research. 935 00:42:41,880 --> 00:42:43,840 No. A back-to-back's when two DJs take turns. 936 00:42:43,920 --> 00:42:46,960 - They offered me one with Vestax. - Great. That's our chance. 937 00:42:47,040 --> 00:42:49,360 You'd better be nice to Vestax. It's important, okay? 938 00:42:49,440 --> 00:42:52,520 He actually proposed to Molotov that we collaborate 939 00:42:52,600 --> 00:42:54,160 on the music for the show. 940 00:42:54,240 --> 00:42:57,960 I mean, his producer dropped him. That must be the reason why he asked you. 941 00:42:58,040 --> 00:42:59,280 Mmm. I doubt it. 942 00:42:59,360 --> 00:43:02,040 Now, phones will be confiscated at the entrance. 943 00:43:02,120 --> 00:43:05,920 So we got you headphones that we rigged with a mini camera, okay? 944 00:43:06,000 --> 00:43:08,200 - Got it? - Like a gadget? 945 00:43:08,280 --> 00:43:09,720 - Exactly. - [Luke] Let me show you. 946 00:43:09,800 --> 00:43:11,600 It's a small sensor here, okay? 947 00:43:11,680 --> 00:43:12,520 Yeah. 948 00:43:12,600 --> 00:43:14,400 And it's programmed to be triggered… 949 00:43:16,080 --> 00:43:17,960 anytime you do this, like… 950 00:43:18,040 --> 00:43:19,120 [vocalizing] 951 00:43:21,960 --> 00:43:23,600 - Yeah. Got it... - [Luke] Let's go! 952 00:43:23,680 --> 00:43:25,080 Oh, enough. Can I try it? 953 00:43:25,160 --> 00:43:26,160 Of course. 954 00:43:27,240 --> 00:43:30,400 So once you've identified Dricus, you photograph him with this. 955 00:43:30,480 --> 00:43:31,560 [clicking] 956 00:43:31,640 --> 00:43:33,320 - Yeah, that's it. - [Luis] Hmm. 957 00:43:36,240 --> 00:43:37,240 Okay. 958 00:43:38,240 --> 00:43:39,880 A DJ saving France. Pretty cool. 959 00:43:42,560 --> 00:43:44,560 [suspenseful music playing] 960 00:43:46,360 --> 00:43:48,600 - [Vestax] Good evening. - [man] Names, please. 961 00:43:48,680 --> 00:43:49,680 Scorpex and Vestax. 962 00:43:49,720 --> 00:43:52,600 We might not be on the list. We're spinning tonight. Okay? 963 00:43:52,680 --> 00:43:55,680 - Okay. - All right. Good evening. You good? 964 00:43:55,760 --> 00:43:56,960 Good evening. 965 00:43:59,520 --> 00:44:00,960 - Sorry... - No electronic devices. 966 00:44:01,040 --> 00:44:03,440 Okay, but this is my work tool. I'm here to DJ... 967 00:44:03,520 --> 00:44:06,840 - Who cares? They got headphones. - But I can only spin with these. 968 00:44:06,920 --> 00:44:09,240 - I'm sorry, I have to use my headphones. - It's all good. 969 00:44:09,320 --> 00:44:10,840 - Thanks. - Sorry. 970 00:44:10,920 --> 00:44:13,560 - You thirsty? Want a drink? - [Luis] Yeah. 971 00:44:13,640 --> 00:44:14,800 [Vestax] I'll grab one. 972 00:44:14,880 --> 00:44:17,200 [suspenseful music continues] 973 00:44:18,640 --> 00:44:20,640 [indistinct chatter] 974 00:44:35,680 --> 00:44:36,840 There's Molotov. 975 00:44:39,280 --> 00:44:41,880 Hey, don't you wanna listen to the track beforehand? 976 00:44:41,960 --> 00:44:45,440 I've already heard the beginning of it. It's great. It's really great. 977 00:44:45,960 --> 00:44:47,960 Bro, you're Scorpex. Why so insecure? 978 00:44:48,040 --> 00:44:50,280 [electro music playing] 979 00:44:59,160 --> 00:45:00,480 The buildup. 980 00:45:03,640 --> 00:45:06,080 Well, Molotov, keep in mind it's not finished. 981 00:45:06,160 --> 00:45:08,600 There's room to improve. It's a work in progress. 982 00:45:08,680 --> 00:45:10,520 It's a first version. Like a demo. 983 00:45:11,640 --> 00:45:15,240 But, uh, it's already killer. 984 00:45:15,320 --> 00:45:16,680 [music continues] 985 00:45:17,280 --> 00:45:18,720 You two did this together? 986 00:45:18,800 --> 00:45:20,800 -Of course, -Yep. A collab. 987 00:45:20,880 --> 00:45:21,960 Double X. 988 00:45:22,480 --> 00:45:23,480 Okay. 989 00:45:26,440 --> 00:45:27,680 Yeah, it's all wrong. 990 00:45:28,600 --> 00:45:30,400 I mean, a collab from a distance. 991 00:45:31,000 --> 00:45:35,320 Like, uh, we sent each other files, so it wasn't so much a collaboration, but… 992 00:45:35,400 --> 00:45:36,400 [Luis] Mmm. 993 00:45:37,200 --> 00:45:38,880 Okay. New instructions. 994 00:45:38,960 --> 00:45:41,160 - [Luis] Oh. - Now, think eclipse. 995 00:45:42,920 --> 00:45:44,160 Sun. 996 00:45:44,240 --> 00:45:45,240 Black. 997 00:45:45,320 --> 00:45:46,360 Sun. 998 00:45:47,040 --> 00:45:48,880 - Sun. Black... - [Vestax] Black. 999 00:45:48,960 --> 00:45:51,560 - [Molotov] Sun. - Sun. Okay, yeah. Okay. Got it. 1000 00:45:52,600 --> 00:45:54,560 Okay, but can we keep this framework at least? 1001 00:45:54,640 --> 00:45:56,600 Yeah, no. Start from scratch. [sniffs] 1002 00:45:57,200 --> 00:45:58,800 - [Vestax] Okay. - Let's get high. 1003 00:45:59,680 --> 00:46:01,440 All right. [chuckles] 1004 00:46:01,520 --> 00:46:02,520 Angel Rocket. 1005 00:46:02,880 --> 00:46:04,000 AKA "Drippy Drop." 1006 00:46:04,080 --> 00:46:05,720 Straight from Rotterdam. 1007 00:46:05,800 --> 00:46:09,120 - Careful, it hits fast. - I'm ready, I'm ready. Ah! 1008 00:46:09,200 --> 00:46:11,200 [groans softly] 1009 00:46:12,120 --> 00:46:15,080 [laughs] After my set, yeah. But right now I need to focus. 1010 00:46:15,680 --> 00:46:16,800 DJ Focus. 1011 00:46:16,880 --> 00:46:19,720 [funky music playing] 1012 00:46:29,120 --> 00:46:30,200 [Vestax] Mmm! 1013 00:46:34,120 --> 00:46:35,400 [chuckles] Oh! 1014 00:46:36,720 --> 00:46:39,880 [music mixing out of sync] 1015 00:46:39,960 --> 00:46:41,240 [Vestax babbles] 1016 00:46:51,720 --> 00:46:53,120 [vocalizing] 1017 00:46:54,920 --> 00:46:56,360 [funky music continues] 1018 00:47:02,120 --> 00:47:03,440 - [Luis] Oh. - [man] Hey. 1019 00:47:03,520 --> 00:47:05,160 Sorry. I'm sorry... I just, wait. 1020 00:47:05,240 --> 00:47:07,920 I'm with him, guys. Calm down. It's all right. He's with us. 1021 00:47:09,000 --> 00:47:10,440 What do you want? 1022 00:47:10,520 --> 00:47:13,080 - I wanted, uh, since I gotta... - [Molotov] What? 1023 00:47:13,160 --> 00:47:15,560 - Mix, uh… - So why are you here then? 1024 00:47:15,640 --> 00:47:17,600 - No, if I need... - Can't you see we're busy? 1025 00:47:17,680 --> 00:47:20,480 Yes, no, I'm sorry. I wanted to ask if you have any… 1026 00:47:20,560 --> 00:47:21,880 - You know. Any… - [Molotov] What? 1027 00:47:21,920 --> 00:47:23,720 What's it called? What you offered me earlier. 1028 00:47:23,760 --> 00:47:26,200 - The drippy drop? - Yeah, the drippy drop. [laughs] 1029 00:47:26,280 --> 00:47:27,960 [all laugh] 1030 00:47:28,040 --> 00:47:29,040 I've never tried it. 1031 00:47:29,120 --> 00:47:31,520 - [Molotov] He wants the drippy drop! - I hear it's nice. 1032 00:47:31,600 --> 00:47:34,640 [all chanting] Drippy drop! Drippy drop! 1033 00:47:34,720 --> 00:47:36,360 Drippy drop! Drippy drop! 1034 00:47:36,440 --> 00:47:38,360 Drippy drop! Drippy drop! 1035 00:47:38,440 --> 00:47:39,640 Stick your tongue out. 1036 00:47:39,720 --> 00:47:41,400 - Just one... One drop, not... - Here. 1037 00:47:41,480 --> 00:47:42,800 - One drippy drop. - Ready? 1038 00:47:42,880 --> 00:47:43,920 [men shout] 1039 00:47:44,000 --> 00:47:45,800 - There you go! - [groans] That's enough. 1040 00:47:46,320 --> 00:47:48,800 Have a nice mix, my friend. 1041 00:47:49,320 --> 00:47:50,560 How fast does it hit? 1042 00:47:50,640 --> 00:47:52,640 [trippy whoosh] 1043 00:47:52,720 --> 00:47:54,720 [electro music playing] 1044 00:48:04,600 --> 00:48:06,000 [Vestax laughs manically] 1045 00:48:26,240 --> 00:48:28,320 Oh, shit! 1046 00:48:29,000 --> 00:48:31,000 [laughs] 1047 00:48:31,080 --> 00:48:33,000 I have a boner! 1048 00:48:33,960 --> 00:48:35,480 I'm happy for you. 1049 00:48:38,840 --> 00:48:43,600 - Africa is the future! - [music stops] 1050 00:48:43,680 --> 00:48:46,240 [Vestax groaning] 1051 00:48:46,840 --> 00:48:49,000 SOUND EXPERT EVENT EQUIPMENT HIRE - PRO DJ 1052 00:48:49,880 --> 00:48:50,920 [knocks] 1053 00:48:51,440 --> 00:48:53,480 [laughing] 1054 00:48:53,560 --> 00:48:55,480 - [door opens] - Yeah. 1055 00:48:55,560 --> 00:48:58,200 - Operation banger, terminated. - [door closes] 1056 00:48:58,720 --> 00:49:00,280 [breathes heavily] 1057 00:49:00,360 --> 00:49:01,680 Oh. 1058 00:49:02,840 --> 00:49:04,400 - Know what? - [Rose] What? 1059 00:49:06,040 --> 00:49:07,760 I think the police are awesome. 1060 00:49:09,360 --> 00:49:10,560 Deep breath. 1061 00:49:10,640 --> 00:49:13,360 We are lucky to be doing these kinds of jobs, you know? 1062 00:49:14,080 --> 00:49:15,200 For others. 1063 00:49:15,280 --> 00:49:17,360 [laughs] 1064 00:49:17,440 --> 00:49:20,400 Let's get him something to eat. A little something. A snack. 1065 00:49:20,480 --> 00:49:22,680 Oh, Angel Rocket is… 1066 00:49:22,760 --> 00:49:26,600 Oh man, they're gonna make so much money! 1067 00:49:26,680 --> 00:49:27,880 [laughing] 1068 00:49:27,960 --> 00:49:29,680 You should try it. It's amazing... 1069 00:49:29,760 --> 00:49:31,880 - No. I'm good, thanks. Really. - You should. I swear. 1070 00:49:31,960 --> 00:49:33,880 - The whole police should. - [chuckles] 1071 00:49:33,960 --> 00:49:35,080 [Luis laughs] 1072 00:49:36,160 --> 00:49:38,320 Listen, the mission's coming to an end. 1073 00:49:38,400 --> 00:49:40,680 But I wanted to tell you I've grown fond of you. 1074 00:49:40,760 --> 00:49:43,280 - It's a success, right? It's true. - [Rose chuckles] 1075 00:49:43,360 --> 00:49:45,760 - I ended up liking you, you know? - Oh, wow. Okay. 1076 00:49:45,840 --> 00:49:47,800 Honestly, Rose. You're not cool. 1077 00:49:47,880 --> 00:49:49,000 - But you're nice... - Yeah. 1078 00:49:49,080 --> 00:49:51,280 - I know it's not easy for you, I do. - Okay. 1079 00:49:51,360 --> 00:49:53,216 - [Luis] The world needs people like you. - Yes. 1080 00:49:53,240 --> 00:49:54,240 [Luis sniffles] 1081 00:49:54,720 --> 00:49:56,640 - It's important to defeat... - [Rose] Great. 1082 00:49:56,720 --> 00:49:58,400 [Luis] Look! There! 1083 00:49:58,480 --> 00:50:01,000 The bald one! Check that guy out! 1084 00:50:01,520 --> 00:50:03,480 - It's blurry. - [Rose] Yeah. 1085 00:50:03,560 --> 00:50:06,240 - We can't use this. Too blurry. - [Luke] This one, no. No. 1086 00:50:06,320 --> 00:50:08,840 [Luis] Shit. It's exhausting having a boner this long. 1087 00:50:08,920 --> 00:50:10,000 [Luke] Maybe this one. 1088 00:50:10,880 --> 00:50:12,040 It's him, Luis? Right? 1089 00:50:12,120 --> 00:50:15,880 - How long does this last, for fuck's sake? - Luis, focus for two seconds! Is that him? 1090 00:50:16,760 --> 00:50:18,720 That's him, Dricus! 1091 00:50:18,800 --> 00:50:21,800 - [Luis] Oh. - Bernie for Rose. Bernie for Rose. 1092 00:50:21,880 --> 00:50:24,440 Target identified. Keep the teams on standby. 1093 00:50:24,520 --> 00:50:26,400 Got it, awaiting instructions. 1094 00:50:26,480 --> 00:50:28,200 - Thanks, who? - [Rose] Thanks, Luis. 1095 00:50:28,280 --> 00:50:30,440 - Thanks, Scorpex. - [Rose] Thanks, Scorpex. 1096 00:50:31,200 --> 00:50:32,920 [laughs] 1097 00:50:33,000 --> 00:50:34,440 - [Rose] Luis? - Yes, yes. 1098 00:50:34,520 --> 00:50:36,560 - Stay discreet. - Yes! Shh... 1099 00:50:36,640 --> 00:50:38,240 - Calm down. - [growls] 1100 00:50:38,840 --> 00:50:40,720 - Shh. [bangs door] - [Rose] Shh. 1101 00:50:44,400 --> 00:50:46,400 [car alarm blaring] 1102 00:50:48,800 --> 00:50:50,960 [tapping car rhythmically] 1103 00:50:51,040 --> 00:50:53,480 [funky music playing] 1104 00:50:57,400 --> 00:50:58,320 Hey! 1105 00:50:58,400 --> 00:51:00,800 - [door opens and closes] - [Luis snoring] 1106 00:51:00,880 --> 00:51:01,920 [Rose] Luis? 1107 00:51:03,560 --> 00:51:04,560 Luis? 1108 00:51:05,560 --> 00:51:07,920 Luis? [snaps fingers and whistles] Luis! 1109 00:51:08,000 --> 00:51:10,440 Wake up. Get up. Come on. 1110 00:51:10,520 --> 00:51:13,440 Goddammit, what the… This chick is a nightmare. 1111 00:51:13,520 --> 00:51:16,360 You fucked up, Luis. The man we arrested wasn't Dricus. 1112 00:51:16,440 --> 00:51:18,080 [groans] A bald dude 1113 00:51:18,160 --> 00:51:20,520 at the head of a table filled with gangsters isn't the boss? 1114 00:51:20,600 --> 00:51:24,040 Wasn't him. You jumped the gun and got the wrong gangster. Come on. 1115 00:51:24,120 --> 00:51:25,520 [sighs] 1116 00:51:26,560 --> 00:51:28,120 Are you sure that he was there? 1117 00:51:28,960 --> 00:51:30,960 Yes, I am. He was. 1118 00:51:33,320 --> 00:51:34,360 He wasn't. 1119 00:51:35,720 --> 00:51:38,296 - You weren't even sure that he was. - I'm quite sure he was there. 1120 00:51:38,320 --> 00:51:39,360 Quite? 1121 00:51:39,440 --> 00:51:43,840 You really are a bunch of irresponsible stupid idiots sending me in there. 1122 00:51:45,080 --> 00:51:46,080 [groans] 1123 00:51:46,520 --> 00:51:49,160 You're going back anyway. No choice, so… 1124 00:51:49,240 --> 00:51:53,200 Out of the question. I won't risk my life for you. Are you kidding? No way. 1125 00:51:53,720 --> 00:51:56,600 Too dangerous. You caught the wrong guy. Now my cover's totally blown. 1126 00:51:56,680 --> 00:51:58,760 - Not going back. - [Rose] Come on. "Risk your life?" 1127 00:51:58,800 --> 00:52:00,200 Don't be so dramatic. 1128 00:52:00,280 --> 00:52:03,440 I already told you, we are sure nobody suspects you. 1129 00:52:03,520 --> 00:52:05,400 And we're around. We're watching you. 1130 00:52:06,240 --> 00:52:08,160 - No need to worry. - I could tell. Yeah. 1131 00:52:10,480 --> 00:52:12,520 We're not going to stop now, are we? 1132 00:52:12,600 --> 00:52:15,400 You finally get a chance to do something worthwhile. 1133 00:52:15,920 --> 00:52:18,080 To make Toni proud. Don't you want that? 1134 00:52:19,120 --> 00:52:23,280 Listen to me. I delivered a guy. If it wasn't him, not my problem. 1135 00:52:23,360 --> 00:52:26,840 From this point on, Luis is out. That's it. Just leave me alone. 1136 00:52:28,280 --> 00:52:31,040 - [sirens wailing in the distance] - [tense music playing] 1137 00:52:33,520 --> 00:52:35,320 [Luis] Uh, sorry. That's the window. 1138 00:52:35,840 --> 00:52:38,960 The door is over there. You can't miss it. It has a handle. 1139 00:52:40,040 --> 00:52:43,360 Did you know that Toni likes to play terrorist on the weekend? 1140 00:52:43,960 --> 00:52:45,880 You leave my daughter outta this, thanks. 1141 00:52:46,560 --> 00:52:48,760 I Heart Planet, does that ring a bell? 1142 00:52:48,840 --> 00:52:53,200 Uh, a bunch of hippies, who love kombucha, and want to save the planet? 1143 00:52:53,280 --> 00:52:56,760 I mean, green or fascist, it makes no difference to law enforcement. 1144 00:52:56,840 --> 00:52:57,840 [Luis scoffs] 1145 00:52:59,360 --> 00:53:02,560 Do you realize what it'd mean if Toni was labeled a terrorist? 1146 00:53:02,640 --> 00:53:04,200 [tense music continues] 1147 00:53:05,360 --> 00:53:08,680 I doubt you understand the effect it would have on her life. 1148 00:53:08,760 --> 00:53:10,920 Say, a gathering of more than 50 people? 1149 00:53:11,000 --> 00:53:12,680 That's forbidden. No more. Over. 1150 00:53:12,760 --> 00:53:15,360 Well, at least she wouldn't end up a DJ. 1151 00:53:15,440 --> 00:53:18,720 Right. Because people only gather in nightclubs? Think about it. 1152 00:53:18,800 --> 00:53:22,360 What about schools, offices, airports? 1153 00:53:22,440 --> 00:53:26,080 That said, since you're a part of the family now, well… 1154 00:53:26,160 --> 00:53:28,280 we'll make sure that doesn't happen. 1155 00:53:28,360 --> 00:53:30,400 To your little girl. 1156 00:53:30,480 --> 00:53:31,480 Hmm? 1157 00:53:31,920 --> 00:53:33,160 All right. 1158 00:53:34,000 --> 00:53:35,320 Get up. We're leaving. 1159 00:53:35,400 --> 00:53:36,640 Let's go! 1160 00:53:37,160 --> 00:53:38,320 Hurry up, Luis. 1161 00:53:41,800 --> 00:53:43,800 It's petty, what you're doing. You know? 1162 00:53:44,320 --> 00:53:45,320 Real petty. 1163 00:53:46,400 --> 00:53:49,280 [chilled electronic music playing] 1164 00:53:55,960 --> 00:53:58,040 [tempo increasing] 1165 00:53:58,120 --> 00:53:59,120 Disco. 1166 00:54:01,640 --> 00:54:02,680 House. 1167 00:54:02,760 --> 00:54:04,320 [tempo continues increasing] 1168 00:54:04,400 --> 00:54:05,400 Techno. 1169 00:54:07,440 --> 00:54:08,720 Trance. 1170 00:54:09,840 --> 00:54:11,040 Dubstep. 1171 00:54:11,560 --> 00:54:13,040 [tempo continues increasing] 1172 00:54:14,240 --> 00:54:15,520 Gabber. 1173 00:54:16,320 --> 00:54:17,680 You never said you had a daughter. 1174 00:54:18,600 --> 00:54:19,680 [inhales] Uh… 1175 00:54:19,760 --> 00:54:21,520 Young. Cute. 1176 00:54:21,600 --> 00:54:22,840 And a musician? 1177 00:54:24,480 --> 00:54:26,640 The Academy of Fine Arts in Brussels? 1178 00:54:28,320 --> 00:54:30,040 All despite my father being a DJ. 1179 00:54:30,120 --> 00:54:31,280 Poor little girl. 1180 00:54:31,360 --> 00:54:32,960 What's up, lost your phone? 1181 00:54:33,480 --> 00:54:34,600 - You called me? - Yeah. 1182 00:54:34,680 --> 00:54:36,680 Yeah, I'm sorry. I never check my messages. 1183 00:54:36,760 --> 00:54:37,800 Let's go for a walk. 1184 00:54:38,840 --> 00:54:40,280 See you soon, Toni. 1185 00:54:40,360 --> 00:54:42,960 [suspenseful electronic music playing] 1186 00:54:58,280 --> 00:55:00,760 Oh, no, no. Sorry, that's not really my thing, 1187 00:55:01,360 --> 00:55:02,520 Give your phone to Youri. 1188 00:55:06,720 --> 00:55:09,016 Why don't you tell me what's happening? How can I help you? 1189 00:55:09,040 --> 00:55:10,320 [speaking Serbian] 1190 00:55:12,920 --> 00:55:15,760 - [in English] Uh, hang on. I don't... - There's a snitch on the team. 1191 00:55:16,560 --> 00:55:18,640 A snitch on the team. Okay. 1192 00:55:19,240 --> 00:55:20,720 Take off your clothes. 1193 00:55:21,440 --> 00:55:23,840 - Okay. - Your stuff goes in the bag. 1194 00:55:23,920 --> 00:55:25,840 - Hurry up! - Yeah, okay. Fine, I… 1195 00:55:27,400 --> 00:55:28,280 I'm doing it. 1196 00:55:28,360 --> 00:55:29,480 [speaking Serbian] 1197 00:55:29,560 --> 00:55:32,440 [suspenseful electronic music continues] 1198 00:55:34,000 --> 00:55:35,320 [in English] DJ Ibiza. 1199 00:55:36,200 --> 00:55:37,296 - [speaking Serbian] - [claps] 1200 00:55:37,320 --> 00:55:38,920 [in English] Okay, okay. 1201 00:55:39,000 --> 00:55:41,000 And you? No. 1202 00:55:42,240 --> 00:55:43,760 Just the guests. 1203 00:55:43,840 --> 00:55:46,680 [sultry electronic music playing] 1204 00:55:47,600 --> 00:55:48,600 What's up, guys? 1205 00:55:51,520 --> 00:55:53,200 - Sup? - Sup? All good? 1206 00:55:56,000 --> 00:55:57,400 Did you work on the track? 1207 00:55:58,200 --> 00:56:00,480 You're kidding me or what? Did you work on it? 1208 00:56:00,560 --> 00:56:01,960 Oh, you're struggling. 1209 00:56:02,040 --> 00:56:03,600 No. You're struggling. 1210 00:56:03,680 --> 00:56:05,000 Your turn. 1211 00:56:05,080 --> 00:56:07,200 - Well, I really suck at... - Your turn! 1212 00:56:07,840 --> 00:56:08,840 Okay. 1213 00:56:13,880 --> 00:56:14,880 Howdy. 1214 00:56:16,680 --> 00:56:18,040 Are we stripes or solids? 1215 00:56:18,120 --> 00:56:19,160 We got the stripes. 1216 00:56:23,000 --> 00:56:24,040 [exhales] 1217 00:56:24,120 --> 00:56:25,240 [pool balls crack] 1218 00:56:25,840 --> 00:56:27,440 - Wow. He sucks balls. - [laughs] 1219 00:56:27,520 --> 00:56:30,440 - Come on. That was shameful. - Yeah. I'm a bit tense. 1220 00:56:30,520 --> 00:56:32,800 All right. Try again. Get into position. 1221 00:56:32,880 --> 00:56:34,560 - To? - Get into position. 1222 00:56:35,640 --> 00:56:36,800 Got something to show you. 1223 00:56:38,880 --> 00:56:41,480 Hang on, wait. This is the right way to place your fingers. 1224 00:56:41,560 --> 00:56:42,720 - You see? - Okay, got it. 1225 00:56:43,240 --> 00:56:45,520 The cue stick, you hold it firmly behind you. 1226 00:56:45,600 --> 00:56:47,400 You free your mind. You breathe out. 1227 00:56:47,480 --> 00:56:48,320 [exhales] 1228 00:56:48,400 --> 00:56:51,680 All right, look. Come on. Look here. Get a grip on the stick. See? 1229 00:56:51,760 --> 00:56:54,160 No, no, no, no. Get a grip on the stick. 1230 00:56:54,240 --> 00:56:55,960 - Hey, that's enough. - [music stops] 1231 00:56:56,040 --> 00:56:59,360 Sorry, Molotov. I can't do this. I can't. I don't wanna play games. 1232 00:56:59,440 --> 00:57:01,536 You want me to record a track in two days, I'll do it. 1233 00:57:01,560 --> 00:57:05,400 But playing naked pool, surrounded by these guys, I don't know what you want. 1234 00:57:05,480 --> 00:57:09,280 But don't press against me and breathe down my neck, chewing that mint thing. 1235 00:57:09,360 --> 00:57:10,960 Oh, that's niet! 1236 00:57:14,480 --> 00:57:15,480 I kind of like you. 1237 00:57:16,560 --> 00:57:17,920 Yeah, well, uh… 1238 00:57:18,880 --> 00:57:20,240 it's obvious. [chuckles] 1239 00:57:21,560 --> 00:57:23,360 [speaking Serbian] 1240 00:57:23,960 --> 00:57:26,840 [in English] Yeah, yeah. Well, yeah, yeah, yeah. 1241 00:57:26,920 --> 00:57:28,400 [clicking] 1242 00:57:28,480 --> 00:57:29,320 So… 1243 00:57:29,400 --> 00:57:33,360 - Um, can I… can I put my clothes back on? - Not quite yet. 1244 00:57:35,160 --> 00:57:37,440 [clears throat] Youri had access to a conversation. 1245 00:57:37,520 --> 00:57:39,600 Well, yeah. That's uh… It's normal, no? 1246 00:57:39,680 --> 00:57:42,280 - [speaking Serbian] - [in English] Rose Banger. 1247 00:57:42,360 --> 00:57:44,440 [gasps] Oh no! No, no, no. 1248 00:57:44,520 --> 00:57:48,520 I mean, uh… yes. Rose Banger. She's… Rose Banger. 1249 00:57:48,600 --> 00:57:50,480 - She's French. - Why'd you delete her messages? 1250 00:57:51,960 --> 00:57:54,440 Because… 1251 00:57:54,520 --> 00:57:57,200 Because I fell in love with my best friend's wife. 1252 00:57:57,280 --> 00:57:58,280 Rose. 1253 00:57:58,720 --> 00:58:01,360 Out of respect, out of cowardice, I don't know. 1254 00:58:01,440 --> 00:58:04,240 - I'm not proud of it, but that's why. - [phone dialing] 1255 00:58:04,320 --> 00:58:05,560 [exhales] 1256 00:58:05,640 --> 00:58:06,840 She'll be surprised. 1257 00:58:06,920 --> 00:58:08,360 [continues dialing] 1258 00:58:13,480 --> 00:58:14,400 [Rose] Hello? 1259 00:58:14,480 --> 00:58:17,120 Rose. Oh, my love, it's your favorite DJ. 1260 00:58:17,880 --> 00:58:19,120 Why are you calling me? 1261 00:58:19,200 --> 00:58:24,080 Well, I'm calling you because I wanted to hear you, I wanted to hear your voice. 1262 00:58:24,160 --> 00:58:27,080 Luis, I already told you, I'm the one who decides when and where. 1263 00:58:27,160 --> 00:58:28,160 She's controlling. 1264 00:58:28,240 --> 00:58:30,360 I know, sorry. I didn't mean to bother you. 1265 00:58:30,440 --> 00:58:33,080 I hope you weren't with… with him, you know? 1266 00:58:34,360 --> 00:58:35,360 Are you high? 1267 00:58:35,920 --> 00:58:39,040 [exhales] No, honey, those days are over. My only drug is you. 1268 00:58:39,120 --> 00:58:42,520 You, who gets my heart pumping at 130 BPM. 1269 00:58:42,600 --> 00:58:43,520 [chuckles] 1270 00:58:43,600 --> 00:58:44,800 Shh. 1271 00:58:46,120 --> 00:58:47,440 I'm crazy about you, Rose. 1272 00:58:48,480 --> 00:58:50,600 Me too, my love. I… 1273 00:58:50,680 --> 00:58:52,640 I want you… so, so bad right now. 1274 00:58:52,720 --> 00:58:54,960 Don't get me going, baby. Don't get me going. 1275 00:58:55,040 --> 00:58:56,600 [Molotov chuckles] 1276 00:58:56,680 --> 00:58:57,680 I wanna feel 1277 00:58:57,760 --> 00:59:00,360 your body against mine. 1278 00:59:00,880 --> 00:59:02,440 Your mouth against my mouth. 1279 00:59:02,520 --> 00:59:04,080 [Luis] Oh, stop it. Stop it. 1280 00:59:04,160 --> 00:59:06,160 - It's your smell. It turns me on. - [Luis] I know. 1281 00:59:06,200 --> 00:59:08,840 Hey, say something nasty. Nasty! 1282 00:59:08,920 --> 00:59:11,040 I'm so horny. 1283 00:59:11,560 --> 00:59:12,760 I want photos. Photos! 1284 00:59:12,840 --> 00:59:14,440 - I wanna… - Shh. Okay, baby love. 1285 00:59:14,520 --> 00:59:15,560 - Nudes! - Rub against you. 1286 00:59:15,640 --> 00:59:19,280 I'm sorry. Honey, sorry. I have to go. Someone's asking me for a photo. 1287 00:59:19,360 --> 00:59:20,240 [Molotov sighs] 1288 00:59:20,320 --> 00:59:22,880 No photos, guys. Photos, uh… photos are private. 1289 00:59:22,960 --> 00:59:25,880 - It's one of the Ten Commandments. - I'm not Catholic. 1290 00:59:26,760 --> 00:59:28,640 [speaking Serbian] 1291 00:59:34,560 --> 00:59:36,400 [Luis in English] Uh… Spasíba, guys. 1292 00:59:36,920 --> 00:59:37,920 Hey, Scorpex! 1293 00:59:39,240 --> 00:59:40,320 For tonight's show. 1294 00:59:40,840 --> 00:59:42,000 Musika! 1295 00:59:42,080 --> 00:59:44,080 [electronic music playing] 1296 00:59:47,800 --> 00:59:48,800 [sighs] 1297 00:59:54,240 --> 00:59:56,560 [music continues] 1298 00:59:59,800 --> 01:00:03,720 Oh, okay. Can we agree that it sounds way more classy with a real Moog? 1299 01:00:05,080 --> 01:00:06,120 Seriously. 1300 01:00:06,200 --> 01:00:09,080 [exhales] You thought I'd search your computer 1301 01:00:09,160 --> 01:00:11,800 or worse, that I was going to steal your tracks? 1302 01:00:11,880 --> 01:00:12,880 Meaning? 1303 01:00:12,920 --> 01:00:14,720 Well, your hard drive's empty. 1304 01:00:14,800 --> 01:00:16,640 There's no demo. No file. 1305 01:00:21,480 --> 01:00:23,600 Toni, uh… we need to talk. 1306 01:00:23,680 --> 01:00:25,240 Ah, finally. 1307 01:00:26,080 --> 01:00:29,280 I've got plenty of work coming my way, like, so much. 1308 01:00:29,800 --> 01:00:30,960 It's very cool. 1309 01:00:31,040 --> 01:00:33,280 And so, I'm gonna need my studio. 1310 01:00:34,720 --> 01:00:35,760 I'm sorry. 1311 01:00:35,840 --> 01:00:37,240 Of course it's got nothing to do 1312 01:00:37,320 --> 01:00:39,480 with the man who came to pressure you earlier, right? 1313 01:00:39,560 --> 01:00:43,440 What man? Oh, the bald one. No. [chuckles] He was nothing. He's just some guy. 1314 01:00:44,040 --> 01:00:45,600 Nice guy, actually. 1315 01:00:45,680 --> 01:00:47,880 Okay. Well, I'll go then. 1316 01:00:51,760 --> 01:00:53,120 So what's your problem? 1317 01:00:53,200 --> 01:00:55,360 You don't want me at home, don't want me at the studio. 1318 01:00:55,440 --> 01:00:57,736 I've tried to make an effort, but I never fit in your life. 1319 01:00:57,760 --> 01:01:00,200 - Calm down. Calm... - Don't tell me to calm down! 1320 01:01:00,280 --> 01:01:02,680 You've done nothing but lie to me. You think I'm oblivious? 1321 01:01:03,720 --> 01:01:06,800 The one time we could share something, you… 1322 01:01:07,920 --> 01:01:09,520 throw me out. 1323 01:01:09,600 --> 01:01:11,920 Listen. Hang on, hang on, hang on. 1324 01:01:12,920 --> 01:01:14,200 Let me explain. 1325 01:01:16,360 --> 01:01:19,920 Okay. The man who was here earlier, you're right. He's not my friend. 1326 01:01:20,000 --> 01:01:21,440 Yeah, no kidding. 1327 01:01:21,520 --> 01:01:25,440 That's why I brought you to the studio and now he's been here, the studio isn't safe. 1328 01:01:25,520 --> 01:01:28,600 What do you mean, safe? Safe from what? Out with it. 1329 01:01:29,120 --> 01:01:30,920 Toni, Toni, Toni! 1330 01:01:31,000 --> 01:01:32,000 [groans] 1331 01:01:32,520 --> 01:01:35,680 Toni, what I'm about to say is super, duper top secret, 1332 01:01:35,760 --> 01:01:37,080 so you can't tell anyone. 1333 01:01:37,160 --> 01:01:39,680 [exhales] Fucking hell. What a mess. 1334 01:01:40,760 --> 01:01:42,600 I work for the intelligence service. 1335 01:01:42,680 --> 01:01:45,400 I'm a secret agent involved in a highly sensitive case. 1336 01:01:45,480 --> 01:01:48,880 So the only way I can protect you is by sending you home to Brussels. 1337 01:01:50,200 --> 01:01:51,200 Okay. 1338 01:01:51,240 --> 01:01:52,640 [somber music playing] 1339 01:01:52,720 --> 01:01:54,440 I don't know what's more pathetic. 1340 01:01:55,760 --> 01:01:59,880 Lying to your daughter or the lies you choose to tell. Seriously. 1341 01:01:59,960 --> 01:02:02,320 No. Sweetie, wait. I… I swear. 1342 01:02:02,400 --> 01:02:03,440 Sweetie, listen. 1343 01:02:04,400 --> 01:02:05,400 Toni? 1344 01:02:06,680 --> 01:02:07,760 [door opens] 1345 01:02:07,840 --> 01:02:09,200 - Toni? - [door closes] 1346 01:02:21,680 --> 01:02:25,240 [Rose] Seriously? You blow your cover with your daughter just like that? 1347 01:02:26,360 --> 01:02:28,880 - Rose? - Are you out of your mind, Luis? 1348 01:02:28,960 --> 01:02:30,720 Where are you? Wait. 1349 01:02:31,240 --> 01:02:32,720 You've been spying on… 1350 01:02:33,240 --> 01:02:36,200 Oh. Did you plant bugs all over my studio? 1351 01:02:36,280 --> 01:02:38,200 - [intriguing music playing] - Oh! 1352 01:02:38,280 --> 01:02:39,960 It's our job to know everything. 1353 01:02:40,040 --> 01:02:41,040 Your job? 1354 01:02:41,080 --> 01:02:44,440 It's also your job to send me to play pool naked with a bunch of psychos? 1355 01:02:44,520 --> 01:02:48,320 Where was my personal protection? I'd love to know. Personal protection, my ass! 1356 01:02:48,400 --> 01:02:51,960 Okay, chill. It was a necessary step. Anyway, we knew you had it in you. 1357 01:02:52,040 --> 01:02:55,320 Don't worry, you're in the clear now. There isn't much time until the show. 1358 01:02:55,400 --> 01:02:57,920 I'll play your assistant and bring in the others. 1359 01:02:58,000 --> 01:02:58,920 [music stops] 1360 01:02:59,000 --> 01:03:00,400 Wait, wait, wait, wait. 1361 01:03:01,360 --> 01:03:02,480 What others? 1362 01:03:03,320 --> 01:03:04,640 Vestax has arrived. 1363 01:03:04,720 --> 01:03:05,760 Ah! [claps] 1364 01:03:05,840 --> 01:03:07,480 - Wow. - Tea or coffee, maybe? 1365 01:03:07,560 --> 01:03:08,400 Nothing. 1366 01:03:08,480 --> 01:03:11,440 Actually, I'd like you to start cleaning the studio, please. 1367 01:03:11,520 --> 01:03:13,000 [Rose] Mm-hmm. 1368 01:03:13,080 --> 01:03:15,880 - All good? Top form? - [Luis] Good. Welcome. Always. 1369 01:03:15,960 --> 01:03:18,960 - [speaking Serbian] - [in English] Oh, it's cool here. 1370 01:03:19,040 --> 01:03:20,120 Serbia! 1371 01:03:20,200 --> 01:03:21,880 Could air it out a bit, but… 1372 01:03:21,960 --> 01:03:24,120 [Molotov] Guys, this is Elke. 1373 01:03:24,200 --> 01:03:26,560 Coming straight from Rotterdam. 1374 01:03:26,640 --> 01:03:27,480 [Luis] Mmm. 1375 01:03:27,560 --> 01:03:29,920 She'll sing on the track. She was recommended by Tabitha. 1376 01:03:31,160 --> 01:03:33,360 I'm sorry, you wanted an instrumental, didn't you? 1377 01:03:33,440 --> 01:03:37,480 We are very lucky to have her. Make the most of it. 1378 01:03:38,920 --> 01:03:40,560 - Okay. - So, here's what I want. 1379 01:03:40,640 --> 01:03:42,120 Reggaeton. 1380 01:03:42,200 --> 01:03:43,360 But street. 1381 01:03:44,560 --> 01:03:45,720 Smooth, 1382 01:03:46,560 --> 01:03:47,720 but spicy. 1383 01:03:48,960 --> 01:03:51,720 - Okay, okay. - Got it? Vestax, you do your thing. 1384 01:03:51,800 --> 01:03:52,800 Whatchamacallit? 1385 01:03:53,280 --> 01:03:55,160 - A banger? - That's right, a banger. 1386 01:03:55,240 --> 01:03:57,760 - Bang, bang! - Whoa. Just like that, no warning. 1387 01:03:57,840 --> 01:03:59,680 - He shot me down. - [Molotov] Get to work. 1388 01:03:59,760 --> 01:04:02,680 - Only a few hours before the show. - [Vestax] Elke. 1389 01:04:02,760 --> 01:04:03,760 Big, big fan. 1390 01:04:03,840 --> 01:04:05,440 Big respect. Big respect. 1391 01:04:05,520 --> 01:04:06,880 Gratitude. 1392 01:04:06,960 --> 01:04:09,120 It's an honor to work with you. 1393 01:04:10,880 --> 01:04:12,960 - No. - No? [chuckles] I get it. 1394 01:04:13,040 --> 01:04:15,680 Respect. Respect. I'll let you take her to the booth. 1395 01:04:15,760 --> 01:04:16,760 Of course. Here. 1396 01:04:16,840 --> 01:04:18,960 - See you on the other side. - [Rose] I'll show you. 1397 01:04:19,040 --> 01:04:20,320 I think she's a bit shy. 1398 01:04:20,400 --> 01:04:23,080 Could you explain this change of plans at the very last minute? 1399 01:04:23,160 --> 01:04:24,320 Don't stress. 1400 01:04:24,400 --> 01:04:25,920 - Meaning? - Don't stress. 1401 01:04:26,920 --> 01:04:29,600 All right, Elke. Are you all set up? Is the mic well-positioned? 1402 01:04:29,680 --> 01:04:31,280 - Yeah. - [Vestax] Okay. 1403 01:04:31,360 --> 01:04:34,720 We'll play a track back for you. Uh… vibe to it. 1404 01:04:34,800 --> 01:04:36,440 Take your time. Get into it. 1405 01:04:36,520 --> 01:04:38,000 And ignore the clock, okay? 1406 01:04:38,080 --> 01:04:39,720 - All right. Go. - [Elke] Okay. 1407 01:04:40,480 --> 01:04:42,000 - Got it? Reggaeton. - [Elke vocalizes] 1408 01:04:42,080 --> 01:04:45,280 Yes. I heard. Smooth and spicy. But I make music, not kebabs. 1409 01:04:45,360 --> 01:04:47,680 - Okay, drop a sound. - Drop a sound. 1410 01:04:47,760 --> 01:04:49,920 What do you want me to drop? What kind of sound? 1411 01:04:50,000 --> 01:04:52,240 - You got nothing? - [Luis] Wait. 1412 01:04:52,320 --> 01:04:53,440 [Elke continues vocalizing] 1413 01:04:53,520 --> 01:04:54,960 - Hang on. - Fuck. 1414 01:04:55,600 --> 01:04:56,680 - [Luis] Elke? - Yep? 1415 01:04:57,280 --> 01:05:00,480 Scorpex. Let's do something you might not be used to. 1416 01:05:00,560 --> 01:05:03,440 I'll drop just a little click, and you'll sing a cappella. 1417 01:05:03,520 --> 01:05:05,040 I'd like you to have complete freedom. 1418 01:05:05,080 --> 01:05:07,680 We'll record it and turn it into a song that you'll be proud of. 1419 01:05:07,760 --> 01:05:09,640 [chuckles] Enjoy, enjoy, just enjoy. 1420 01:05:09,720 --> 01:05:13,400 I feel really uncomfortable with that. I'm not used to working this way at all. 1421 01:05:13,480 --> 01:05:16,280 Yes, I absolutely get that, but that's how I'm used to working. 1422 01:05:16,360 --> 01:05:18,120 Trust me on this one, okay? 1423 01:05:18,200 --> 01:05:21,680 Okay, then if you don't mind, guys, I'm gonna ask you to turn around. 1424 01:05:21,760 --> 01:05:23,416 - Of course. - [Elke] Give me some privacy. 1425 01:05:23,440 --> 01:05:26,080 I need a bit of space to concentrate and freedom to improv. 1426 01:05:26,160 --> 01:05:27,760 - Of course. - Are you serious? 1427 01:05:27,840 --> 01:05:29,120 [Elke] What's your name? 1428 01:05:29,200 --> 01:05:30,720 [Rose] Uh… Renata. 1429 01:05:30,800 --> 01:05:33,080 It's Renata who'll press the button to record me. 1430 01:05:33,160 --> 01:05:34,840 [Vestax] When you're ready, Elke. 1431 01:05:34,920 --> 01:05:37,680 - I need some time to focus. Thanks. - No worries. 1432 01:05:37,760 --> 01:05:38,960 Turn around. 1433 01:05:39,040 --> 01:05:40,120 Turn around. 1434 01:05:41,520 --> 01:05:42,800 Renata. 1435 01:05:44,040 --> 01:05:45,080 Ha! 1436 01:05:45,160 --> 01:05:47,096 - Here, you'll press here. Okay. - Thanks, I know. 1437 01:05:47,120 --> 01:05:49,080 [electronic clicking] 1438 01:05:49,600 --> 01:05:51,320 [Elke] ♪ Yeah, come on ♪ 1439 01:05:53,680 --> 01:05:55,320 [in Dutch] ♪ I love you ♪ 1440 01:05:57,680 --> 01:05:59,200 ♪ In my eyes ♪ 1441 01:06:01,600 --> 01:06:03,280 ♪ What a day… ♪ 1442 01:06:03,360 --> 01:06:04,880 [in English] What the hell? 1443 01:06:05,400 --> 01:06:07,120 [Elke in Dutch] ♪ Unbelievable… ♪ 1444 01:06:07,640 --> 01:06:09,920 [Luis in English] Elke, Elke. All right. 1445 01:06:10,000 --> 01:06:13,080 It's no bueno. Whatever it is you're doing. What is that? 1446 01:06:13,160 --> 01:06:15,600 [imitating Elke] 1447 01:06:15,680 --> 01:06:17,840 Doesn't work. How do you say it? 1448 01:06:17,920 --> 01:06:20,640 - You gotta sing. - So actually, that was Dutch, okay? 1449 01:06:20,720 --> 01:06:22,680 - Ah! - You know Van Straat is Dutch. 1450 01:06:22,760 --> 01:06:23,880 [Luis] It is Dutch. 1451 01:06:23,960 --> 01:06:26,000 If there's a problem, just tell me straight up. 1452 01:06:26,080 --> 01:06:27,120 - No... - Actually, no. 1453 01:06:27,200 --> 01:06:29,760 There's no problem because it's perfect. The take was perfect. 1454 01:06:29,840 --> 01:06:33,400 Perfect. But let's do another one just in case. So we're gonna go again. 1455 01:06:33,480 --> 01:06:35,320 Do the same thing. It was perfect. 1456 01:06:35,400 --> 01:06:37,960 - [Elke] Okay. - You gonna blow her all day? It's garbage. 1457 01:06:38,040 --> 01:06:39,976 - I'm holding. - We can't record this. It's absurd. 1458 01:06:40,000 --> 01:06:42,840 - Holding the Talk Back. - Okay. I heard everything. 1459 01:06:43,440 --> 01:06:45,040 - Damn it. I mean... - No. 1460 01:06:45,120 --> 01:06:48,000 And I'll be honest, I'm having… a panic attack now. 1461 01:06:48,080 --> 01:06:50,200 [both] No, no, no. 1462 01:06:50,280 --> 01:06:52,600 Calm down. Don't worry. It wasn't about you... 1463 01:06:52,680 --> 01:06:54,560 No, no. Don't tell me to calm down. 1464 01:06:54,640 --> 01:06:56,720 I took the subway here despite my social anxiety. 1465 01:06:56,800 --> 01:06:58,800 Nothing's ready. You didn't do your job. 1466 01:06:58,880 --> 01:07:00,280 - Calm down a bit. - Relax. Cool it. 1467 01:07:00,360 --> 01:07:03,360 You're awful with me. At this point I say no! Enough's enough. 1468 01:07:03,440 --> 01:07:04,920 She's leaving. Let's take five... 1469 01:07:05,000 --> 01:07:07,480 She has social anxiety and had to take the subway. 1470 01:07:07,560 --> 01:07:09,280 Hang on, wait. Take a break. Elke. 1471 01:07:09,360 --> 01:07:11,640 - [Elke] It's like the '80s here. - [Vestax] No. 1472 01:07:11,720 --> 01:07:13,480 - Take it easy. - [Elke] Take it easy? 1473 01:07:13,560 --> 01:07:15,680 Careful what you say. Careful what you say. 1474 01:07:15,760 --> 01:07:18,320 Bye. Good luck with those two assholes. 1475 01:07:18,400 --> 01:07:20,120 Elke, please don't go. Please. 1476 01:07:20,200 --> 01:07:22,720 - Hey, don't call us assholes, please. - [door slams] 1477 01:07:22,800 --> 01:07:25,840 That generation's so fragile. With a coat made of pubes she calls me... 1478 01:07:25,920 --> 01:07:27,720 - Oh... - Are you outta your mind? 1479 01:07:27,800 --> 01:07:30,416 She comes in like she's Beyoncé, orders me around in my own studio? 1480 01:07:30,440 --> 01:07:32,560 - She can get lost. - She was recommended by Tabitha. 1481 01:07:32,640 --> 01:07:34,560 Oh, Tabitha knows. 1482 01:07:34,640 --> 01:07:36,280 She's the big boss's protégé. 1483 01:07:36,360 --> 01:07:39,760 But doesn't your friend Molotov have anything better to do than this? 1484 01:07:39,840 --> 01:07:42,600 - I thought he was a gangster. - You don't get it, do you? 1485 01:07:42,680 --> 01:07:44,480 I don't mean Molotov. 1486 01:07:44,560 --> 01:07:47,800 You fucked up, dude. They're expecting the track, like, now. 1487 01:07:48,520 --> 01:07:51,800 Fuck. What am I gonna do? What am I supposed to tell them? 1488 01:07:51,880 --> 01:07:53,560 [door opens and closes] 1489 01:07:56,280 --> 01:07:58,656 - Take a photo. It'll last longer. - I can't believe my eyes. 1490 01:07:58,680 --> 01:08:00,216 - [Luis] What? - You're a complete moron. 1491 01:08:00,240 --> 01:08:02,080 This is my kingdom. It's my studio. 1492 01:08:02,160 --> 01:08:04,480 If you don't like it, use your little paws and scurry away. 1493 01:08:04,520 --> 01:08:06,280 Your kingdom? Jesus. 1494 01:08:06,360 --> 01:08:07,960 A kingdom of bozos! 1495 01:08:08,040 --> 01:08:10,840 When he talked about the Big Boss, he meant Dricus, okay? 1496 01:08:10,920 --> 01:08:12,200 Luis! 1497 01:08:12,280 --> 01:08:13,680 Hello? 1498 01:08:13,760 --> 01:08:16,080 For fuck's sake, Luis. [sighs] 1499 01:08:16,960 --> 01:08:18,880 - Well, uh… - You suck! 1500 01:08:20,160 --> 01:08:21,320 [sighs] 1501 01:08:23,120 --> 01:08:25,640 Hey, what do you want? She… she hardly sang, uh... 1502 01:08:25,720 --> 01:08:27,760 Uh. She hardly sang because you insulted her. 1503 01:08:27,840 --> 01:08:29,840 Had you not interrupted, she might have... 1504 01:08:29,920 --> 01:08:32,640 - She shouldn't have pissed me off. - Get over yourself. 1505 01:08:32,720 --> 01:08:34,760 [Elke singing in Dutch] 1506 01:08:35,800 --> 01:08:38,776 [in English] Sounds like a cat being strangled. I can't use it. It's short... 1507 01:08:38,800 --> 01:08:40,400 You could add an effect to it. 1508 01:08:40,480 --> 01:08:42,320 You could add some style. 1509 01:08:42,400 --> 01:08:44,280 - [sighs] - You know how. 1510 01:08:45,800 --> 01:08:47,440 Just like the intro to X-Love. 1511 01:08:47,520 --> 01:08:49,880 Minimal, but dynamic. 1512 01:08:50,720 --> 01:08:52,120 Light, but full. 1513 01:08:53,160 --> 01:08:56,280 - Come on, try it. Try it. - Yeah, okay, hush. I need… [whistles] 1514 01:09:01,880 --> 01:09:03,000 - So. - Great. Let's hear it. 1515 01:09:03,080 --> 01:09:04,240 Okay. [whistles] 1516 01:09:06,200 --> 01:09:07,920 [electronic music playing] 1517 01:09:08,000 --> 01:09:09,240 [Elke singing in Dutch] 1518 01:09:09,320 --> 01:09:10,360 [in English] Okay. 1519 01:09:11,480 --> 01:09:14,560 Honestly, I mean… The repetitive beat sounds great, huh? 1520 01:09:16,640 --> 01:09:18,800 Yeah, but it needs a boom. Boom. 1521 01:09:18,880 --> 01:09:21,000 Something like boom, boom, boom. 1522 01:09:21,080 --> 01:09:22,800 - Do it, yeah. Great. - A bassline. 1523 01:09:22,880 --> 01:09:25,040 - Hang on, I'm… I'll add one. - [Rose] Add it. 1524 01:09:27,240 --> 01:09:28,680 [music continues] 1525 01:09:32,320 --> 01:09:33,400 [Luis] Okay. 1526 01:09:33,480 --> 01:09:35,760 [vocalizing] 1527 01:09:35,840 --> 01:09:36,840 [Rose] A hit! 1528 01:09:42,680 --> 01:09:45,040 [continues vocalizing] 1529 01:09:45,640 --> 01:09:47,920 - [music stops] - All right. Perfect. We got it. 1530 01:09:48,000 --> 01:09:49,960 - Excellent. Fucking A! - [Luis] Jesus. 1531 01:09:51,440 --> 01:09:55,000 - Scorpex is back, motherfuckers. - They're gonna love it. 1532 01:09:55,080 --> 01:09:57,080 [song by Scorpex and Elke playing] 1533 01:10:10,280 --> 01:10:11,760 [song stops] 1534 01:10:11,840 --> 01:10:14,400 [both speaking Dutch] 1535 01:10:15,360 --> 01:10:17,600 [in English] Honestly, I'm proud of what we did. 1536 01:10:17,680 --> 01:10:18,720 [engine revs] 1537 01:10:18,800 --> 01:10:22,040 - [song continues] - [Luis and Vestax screaming] 1538 01:10:26,720 --> 01:10:28,000 [Vestax] Molotov! 1539 01:10:28,960 --> 01:10:31,560 [car horns honk] 1540 01:10:31,640 --> 01:10:34,600 [Vestax and Luis continue screaming] 1541 01:10:35,200 --> 01:10:36,040 What the… 1542 01:10:36,120 --> 01:10:37,800 [music stops] 1543 01:10:39,880 --> 01:10:41,880 Those guys are completely nuts. 1544 01:10:41,960 --> 01:10:45,440 Well, of course they're nuts. He's scared. You know who his boss is? 1545 01:10:46,040 --> 01:10:47,760 A fucking maniac. 1546 01:10:47,840 --> 01:10:49,680 He's on the most wanted list. 1547 01:10:49,760 --> 01:10:53,640 And yet he's never missed a Van Straat show. That's how much he loves the brand. 1548 01:10:53,720 --> 01:10:55,600 And that's why Molotov is scared. 1549 01:10:55,680 --> 01:10:58,520 - [tense music playing] - But you had to fuck it all up. 1550 01:10:58,600 --> 01:10:59,800 You ruined everything. 1551 01:10:59,880 --> 01:11:00,920 [exhales] 1552 01:11:01,000 --> 01:11:03,160 Hey, you're a goddamn deadbeat, seriously. 1553 01:11:03,240 --> 01:11:06,800 Even when your life depends on it, you still can't come up with a track. 1554 01:11:06,880 --> 01:11:08,760 I hook you up and this is how you thank me? 1555 01:11:08,840 --> 01:11:10,960 - Hook me up? Get outta here. - I hooked you up. 1556 01:11:11,040 --> 01:11:13,760 You said you're a holistic artist, didn't you? 1557 01:11:13,840 --> 01:11:14,840 Huh? 1558 01:11:15,400 --> 01:11:16,240 [tuts] 1559 01:11:16,320 --> 01:11:19,480 Piss off! You're out, I'll do it myself. 1560 01:11:20,200 --> 01:11:21,080 Sure you will. 1561 01:11:21,160 --> 01:11:23,160 [low electronic music playing] 1562 01:11:26,920 --> 01:11:29,120 - [music intensifies] - [Luis] Rose, Scorpex. 1563 01:11:29,200 --> 01:11:30,760 Listen to me. 1564 01:11:30,840 --> 01:11:32,360 Dricus will be at the show. 1565 01:11:32,440 --> 01:11:33,800 I am 100% sure. 1566 01:11:33,880 --> 01:11:38,160 I don't know if he's going as staff or as a guest, but he'll be there. Get ready. 1567 01:11:39,040 --> 01:11:40,440 [music continues] 1568 01:11:46,680 --> 01:11:47,680 [clears throat] 1569 01:11:50,000 --> 01:11:51,360 [Tabitha playfully] Ooh! 1570 01:11:53,880 --> 01:11:54,880 Hello. 1571 01:11:54,920 --> 01:11:56,120 [music continues] 1572 01:11:56,200 --> 01:11:57,760 I know. You don't recognize me. 1573 01:11:57,840 --> 01:11:59,200 Uh… my name's Scorpex. 1574 01:11:59,280 --> 01:12:01,480 I'm working on the music for your fashion show. 1575 01:12:01,560 --> 01:12:03,200 Yeah. So, uh… Hello. 1576 01:12:03,280 --> 01:12:06,080 Actually, Vestax is the sound designer. 1577 01:12:06,160 --> 01:12:07,520 - [Luis] Yeah? - [Capitani] Mm-hmm. 1578 01:12:07,600 --> 01:12:10,560 The sound designer? And have you listened to the sound? 1579 01:12:10,640 --> 01:12:12,640 - Did you like it? - Yes, where's the track? 1580 01:12:12,720 --> 01:12:14,840 - Yeah, where is it? - It is, uh… 1581 01:12:14,920 --> 01:12:17,400 It is, uh… It is, uh… Well, it's not here. 1582 01:12:17,480 --> 01:12:20,760 It's not here and don't bother waiting because Vestax ditched you. 1583 01:12:20,840 --> 01:12:23,160 And I know that because I wrote the track. 1584 01:12:24,040 --> 01:12:25,040 Trust me. 1585 01:12:25,080 --> 01:12:26,680 The real star of your brand 1586 01:12:27,480 --> 01:12:28,480 is Tabitha. 1587 01:12:28,520 --> 01:12:30,960 [electronic music continues] 1588 01:12:31,680 --> 01:12:32,920 [Tabitha chuckles] 1589 01:12:33,000 --> 01:12:36,320 I don't care about fashion. All I care about is being real. 1590 01:12:36,400 --> 01:12:38,640 She needs to hang up or else we'll never get it done. 1591 01:12:38,720 --> 01:12:40,720 - [Tabitha] Jesus. - Okay, Tabitha? 1592 01:12:40,800 --> 01:12:42,960 - What? - [Luis] Just checking. Studio temperature. 1593 01:12:43,040 --> 01:12:45,000 Height of the mic, your headset… It's all good? 1594 01:12:45,080 --> 01:12:46,960 No, it's too hot and the headset's crackling. 1595 01:12:47,040 --> 01:12:48,520 - Ah! On it. - Get in there. 1596 01:12:50,280 --> 01:12:52,480 Tabitha, the headset… what's wrong with it? 1597 01:12:52,560 --> 01:12:55,160 [man] I promise, they'll both be sitting in the front row. 1598 01:12:55,240 --> 01:12:57,280 - I'm okay. - No, the other side. There. 1599 01:12:57,360 --> 01:12:59,200 - Fine. Fine. - How's that? Okay. Okay. 1600 01:12:59,280 --> 01:13:00,440 Okay, Tabitha. 1601 01:13:00,520 --> 01:13:02,200 What I'm interested in is you. 1602 01:13:02,280 --> 01:13:03,400 Just you. 1603 01:13:03,480 --> 01:13:07,200 It's your vision, your own take on the brand, on your collection, 1604 01:13:07,280 --> 01:13:09,080 but also on our times, on life. 1605 01:13:09,160 --> 01:13:11,280 - It's all about you, you. - Yeah. Of course. 1606 01:13:11,360 --> 01:13:13,040 - Okay? - But you know what I need? 1607 01:13:13,120 --> 01:13:16,120 - What do you need? - A sound. A beat. Please. 1608 01:13:16,200 --> 01:13:19,440 - I am gonna give you a motherfucking beat. - Okay. Please. 1609 01:13:26,760 --> 01:13:29,200 Okay, Tabitha! You wanna put it all on the table? 1610 01:13:29,280 --> 01:13:32,920 - [Tabitha] Let's go, please. - Okay, let's roll this shit! 1611 01:13:33,000 --> 01:13:35,000 [song by Scorpex playing] 1612 01:13:37,360 --> 01:13:38,480 Hold on a sec. 1613 01:13:38,560 --> 01:13:41,040 - Cut, cut, cut, cut, cut! - [man] Cut, cut, cut. 1614 01:13:41,120 --> 01:13:42,600 - Something wrong? - [man] What? 1615 01:13:42,680 --> 01:13:44,360 - [Tabitha] What's that? - Still crackling? 1616 01:13:44,440 --> 01:13:45,960 - [man] Chrysanthemums. - What's that? 1617 01:13:46,040 --> 01:13:47,840 - What? The track? - [Tabitha] Yeah. 1618 01:13:47,920 --> 01:13:50,920 Okay. This is a demo. Obviously, it's a work in progress. 1619 01:13:51,000 --> 01:13:53,680 It's just the rough sketch of a beat I'll dress up later. 1620 01:13:53,760 --> 01:13:54,760 I'll produce it. 1621 01:13:54,840 --> 01:13:58,280 It's gonna be much more, uh… it's gonna be awesome... 1622 01:13:58,360 --> 01:14:01,640 I suggest you go for it. It sounds good from here. Let's do this... 1623 01:14:01,720 --> 01:14:04,016 - Go for it. We've got this. - The show's in two hours. Go! 1624 01:14:04,040 --> 01:14:05,800 - No. - No. 1625 01:14:05,880 --> 01:14:07,240 - [man] What? - No! 1626 01:14:07,320 --> 01:14:08,520 - She said no. - No. 1627 01:14:08,600 --> 01:14:11,040 - Well, yeah. Yeah, she said no. - This sucks ass! 1628 01:14:11,120 --> 01:14:12,200 - Okay. - Okay. 1629 01:14:12,280 --> 01:14:14,640 - [Capitani] All right. No means no... - Tabitha. 1630 01:14:14,720 --> 01:14:16,640 There's something all the greats have done. 1631 01:14:16,720 --> 01:14:19,960 - I mean Beyoncé, Rihanna, Gaga, everyone. - Cut to the chase. 1632 01:14:20,040 --> 01:14:23,080 It's a cappella, all the way. I'll give you a click. 1633 01:14:23,160 --> 01:14:26,000 Meaning, I'll just play a metronome. [vocalizes] 1634 01:14:26,080 --> 01:14:27,360 She won't like that. 1635 01:14:27,440 --> 01:14:29,600 - You go for it. - What the fuck's going on? 1636 01:14:29,680 --> 01:14:30,920 - Told ya. - I need a vibe! 1637 01:14:31,000 --> 01:14:32,680 - I need a beat, a vibe! - What vibe? 1638 01:14:32,760 --> 01:14:36,040 Yeah, we're here for a beat, we didn't come here to be Pentatonix, okay? 1639 01:14:36,120 --> 01:14:37,120 Let's find it. 1640 01:14:37,160 --> 01:14:38,880 Got it? I want a real song! 1641 01:14:38,960 --> 01:14:40,680 - Yeah. No problem. - Don't worry. 1642 01:14:40,760 --> 01:14:42,360 No, that's not what I'm talking about. 1643 01:14:42,440 --> 01:14:44,480 You take them from the Palace Hotel to the show. 1644 01:14:44,560 --> 01:14:47,096 - [Capitani] Let's not use that tone. - I'm on the fucking phone! 1645 01:14:47,120 --> 01:14:48,760 - All good! - [Tabitha] Jesus! 1646 01:14:49,680 --> 01:14:50,680 Oh… 1647 01:14:50,760 --> 01:14:52,400 [vocalizes] 1648 01:14:53,400 --> 01:14:55,800 - All right, all right. - [Tabitha] Thank God! 1649 01:14:55,880 --> 01:14:57,760 All right! Please, do something! 1650 01:14:57,840 --> 01:15:00,400 - Just a sec. - [Capitani] You doing this from scratch? 1651 01:15:00,480 --> 01:15:02,880 [Tabitha] I know there's only two hours left before the show. 1652 01:15:02,920 --> 01:15:05,880 - I don't need you to remind me, okay? - [Luis] Okay, Tabitha? 1653 01:15:06,400 --> 01:15:08,120 [electronic music playing] 1654 01:15:08,200 --> 01:15:10,360 [man] What do you want to do about the limo? 1655 01:15:11,560 --> 01:15:13,720 Yeah. Okay. 1656 01:15:13,800 --> 01:15:15,040 You know what? 1657 01:15:15,120 --> 01:15:16,440 That's my shit. 1658 01:15:16,520 --> 01:15:18,760 This is what I'm talking about, bitch. 1659 01:15:18,840 --> 01:15:20,880 Okay, turn up the volume. 1660 01:15:20,960 --> 01:15:22,680 - [Capitani] Louder, louder. - Yeah! 1661 01:15:22,760 --> 01:15:24,000 Keep it up. 1662 01:15:24,080 --> 01:15:25,560 Okay, I need to feel it. 1663 01:15:26,160 --> 01:15:28,000 [Tabitha] That's it. That's it. 1664 01:15:28,080 --> 01:15:31,080 Are you currently working for a brand, or, uh… 1665 01:15:31,160 --> 01:15:32,640 Mmm… Not at the moment. 1666 01:15:32,720 --> 01:15:34,560 ♪ And you know what? ♪ 1667 01:15:34,640 --> 01:15:37,360 ♪ Fashion is political ♪ 1668 01:15:37,440 --> 01:15:39,800 ♪ You're poor But you need to get dressed ♪ 1669 01:15:39,880 --> 01:15:42,560 ♪ You're rich But you need to get dressed… ♪ 1670 01:15:42,640 --> 01:15:44,840 - Say the brand name! - ♪ Baby, yeah, baby, yeah ♪ 1671 01:15:44,920 --> 01:15:48,120 ♪ Chanel, who? Givenchy, who? Dior, who? ♪ 1672 01:15:48,200 --> 01:15:50,320 ♪ This is Van Straat! ♪ 1673 01:15:50,400 --> 01:15:51,240 [screams] 1674 01:15:51,320 --> 01:15:53,280 ♪ I'm fat, but I'm good! ♪ 1675 01:15:53,360 --> 01:15:55,520 ♪ I'm better than you, bitch! ♪ 1676 01:15:55,600 --> 01:15:58,800 ♪ Ooh la la, oh my God! Who does she think she is? ♪ 1677 01:15:58,880 --> 01:16:01,560 - ♪ You feel my heartbeat? ♪ - Make it a little more dramatic. 1678 01:16:01,640 --> 01:16:03,000 ♪ And you know what I am? ♪ 1679 01:16:03,480 --> 01:16:05,160 - ♪ I'm a fighter… ♪ - That's right. 1680 01:16:05,240 --> 01:16:06,440 ♪ Yes, I'm a survivor ♪ 1681 01:16:06,520 --> 01:16:07,440 That's right. 1682 01:16:07,520 --> 01:16:08,960 ♪ Nothing's been easy ♪ 1683 01:16:09,040 --> 01:16:12,600 ♪ And you know what? Fuck you and your racism ♪ 1684 01:16:12,680 --> 01:16:14,960 ♪ Fuck you and your sexism ♪ 1685 01:16:15,040 --> 01:16:16,280 ♪ This… ♪ 1686 01:16:16,360 --> 01:16:18,080 ♪ This is my vagina talking ♪ 1687 01:16:18,600 --> 01:16:20,456 - ♪ You hear it? ♪ - [Capitani] That's brilliant! 1688 01:16:20,480 --> 01:16:22,640 - [music intensifies] - [Tabitha laughs] 1689 01:16:22,720 --> 01:16:24,440 Breathe, breathe, breathe! 1690 01:16:25,160 --> 01:16:27,360 [Tabitha screams] Oh my God! 1691 01:16:27,440 --> 01:16:30,760 - [breathing rhythmically] - Yes. Good. 1692 01:16:33,320 --> 01:16:34,480 - [groans] - [song ends] 1693 01:16:48,160 --> 01:16:51,240 - [electronic music playing] - [photographer] Over here! 1694 01:16:51,320 --> 01:16:52,200 [woman] Next. 1695 01:16:52,280 --> 01:16:54,280 Keep it moving please. Keep it moving. 1696 01:16:55,000 --> 01:16:57,240 - Ah. Scorpex. - Ah. Thank you. 1697 01:16:57,320 --> 01:16:59,840 - [man] Scorpex! - Good evening, sir, welcome. 1698 01:16:59,920 --> 01:17:02,520 If you don't mind, I'll take you to the DJ booth. 1699 01:17:02,600 --> 01:17:03,600 [Luis] Hold on. 1700 01:17:03,680 --> 01:17:05,120 [photographer] Right here. 1701 01:17:07,200 --> 01:17:08,200 Whoo! 1702 01:17:08,240 --> 01:17:10,320 [music continues] 1703 01:17:11,320 --> 01:17:13,800 [photographer] One more! Don't move. Don't move! 1704 01:17:14,920 --> 01:17:16,760 Scorpex! Scorpex! 1705 01:17:18,960 --> 01:17:20,120 - Stand aside. - What? 1706 01:17:20,200 --> 01:17:22,240 - You're in the way. - What are you talking about? 1707 01:17:22,320 --> 01:17:23,600 But I'm spinning tonight! 1708 01:17:38,760 --> 01:17:40,520 - You're here? - Well… What? 1709 01:17:40,600 --> 01:17:42,720 - You tried to screw me on the track? - No. 1710 01:17:42,800 --> 01:17:44,280 - Come with me. - No. No photos! 1711 01:17:44,360 --> 01:17:45,400 - Come! - Please. 1712 01:17:47,800 --> 01:17:50,080 - Scorpex, Scorpex! - [Luis] Ah! Mr. Capitani! 1713 01:17:50,600 --> 01:17:53,480 - [Capitani] You'll DJ from up there. Yes. - Up there? 1714 01:17:53,560 --> 01:17:56,240 A DJ in the sky. A star, just like you. 1715 01:17:56,320 --> 01:17:58,720 And, thank you for Tabitha. She loved it. 1716 01:17:58,800 --> 01:18:00,080 Thank you. I'm grateful. 1717 01:18:00,160 --> 01:18:01,720 - Mmm. - Really, thank you. 1718 01:18:01,800 --> 01:18:04,040 Tabitha, happy. Capitani, very happy. 1719 01:18:04,120 --> 01:18:05,640 [electronic music continues] 1720 01:18:07,400 --> 01:18:08,600 [sniffs] 1721 01:18:08,680 --> 01:18:11,040 Jayden! Jayden! Come here. 1722 01:18:11,120 --> 01:18:12,400 [indistinct chatter] 1723 01:18:16,000 --> 01:18:17,720 [woman] Hurry! We don't have time! 1724 01:18:17,800 --> 01:18:20,280 - I want you to look fierce! - Follow me, follow me! 1725 01:18:20,360 --> 01:18:21,600 Yes, that's right. 1726 01:18:21,680 --> 01:18:25,360 - Tabitha! Tabitha, Tabitha, look. - Come on. Go, go, go! 1727 01:18:25,440 --> 01:18:27,080 - Come with me. - Hey, here you go! 1728 01:18:27,160 --> 01:18:30,080 Put this on. We picked it for you. Everyone's in Van Straat tonight. 1729 01:18:30,160 --> 01:18:31,200 Go ahead. 1730 01:18:31,800 --> 01:18:35,280 We're missing a dress. Jayden! Jayden, we're missing a dress. 1731 01:18:37,320 --> 01:18:39,200 [man] Two minutes before showtime. 1732 01:18:39,280 --> 01:18:40,320 [woman] Mary? 1733 01:18:49,640 --> 01:18:51,000 - You like it? - Yeah. 1734 01:18:51,080 --> 01:18:53,560 That's great. That's great. That's great. 1735 01:18:53,640 --> 01:18:55,720 [woman] Just keep your shoulders back. 1736 01:18:57,040 --> 01:18:59,200 [dramatic music playing] 1737 01:18:59,280 --> 01:19:01,000 Well, it's now or never, isn't it? 1738 01:19:01,920 --> 01:19:03,320 Fuego. 1739 01:19:04,200 --> 01:19:05,680 Under the left deck. 1740 01:19:20,000 --> 01:19:22,240 - [Luis] Rose? Rose. - [Rose] What? 1741 01:19:23,080 --> 01:19:24,360 Dricus is Capitani. 1742 01:19:24,440 --> 01:19:25,440 What? 1743 01:19:26,360 --> 01:19:27,560 I saw the scars. 1744 01:19:28,440 --> 01:19:29,440 Fuck. 1745 01:19:32,400 --> 01:19:35,040 Okay, start the music. We'll arrest him when the show begins. 1746 01:19:35,840 --> 01:19:36,880 Okay. 1747 01:19:39,680 --> 01:19:40,680 [assistant] DJ! 1748 01:19:47,320 --> 01:19:48,360 Toni? 1749 01:19:49,640 --> 01:19:52,600 - Toni, the hell are you doing here? - What the hell are you doing here? 1750 01:19:52,680 --> 01:19:54,480 I'm DJing. I… 1751 01:19:55,000 --> 01:19:56,680 Oh fuck! 1752 01:19:56,760 --> 01:19:59,520 - You don't want me in the show? - [Luis] That's not it. 1753 01:19:59,600 --> 01:20:02,600 I did something I'll never forgive myself for, and you may never forgive me, 1754 01:20:02,680 --> 01:20:06,040 but you'll understand, I swear, when I explain everything. 1755 01:20:06,120 --> 01:20:09,680 - My love, I'm a piece of shit... - Luis, stop! Just play some music now! 1756 01:20:09,760 --> 01:20:11,920 Your track, I won't use it if you don't want me to. 1757 01:20:12,000 --> 01:20:14,880 What are you talking about? What track? Start the music! 1758 01:20:15,400 --> 01:20:18,440 - What are you doing here? - What are you? I should be here. 1759 01:20:18,520 --> 01:20:19,560 Go away! 1760 01:20:19,640 --> 01:20:20,480 Luis? 1761 01:20:20,560 --> 01:20:21,600 Let me... 1762 01:20:22,120 --> 01:20:24,720 - What's going on there? - What's that asshole doing? 1763 01:20:24,800 --> 01:20:25,960 [grunts and groans] 1764 01:20:26,040 --> 01:20:27,520 There's no music yet? 1765 01:20:29,760 --> 01:20:31,040 I'll call security. 1766 01:20:31,120 --> 01:20:32,960 - Fuck! - Come on, Luis! 1767 01:20:34,840 --> 01:20:36,240 [whispers] We're moving in. 1768 01:20:37,720 --> 01:20:39,720 [dramatic music continues] 1769 01:20:39,800 --> 01:20:42,960 Got it, yes. Yes, I'm leaving. Don't touch me. 1770 01:20:43,040 --> 01:20:45,040 [relaxing music playing] 1771 01:20:45,120 --> 01:20:47,960 [cheers and applause] 1772 01:20:50,680 --> 01:20:51,720 Let's go. 1773 01:20:51,800 --> 01:20:52,960 [breathes deeply] 1774 01:20:53,040 --> 01:20:54,360 [song by Scorpex playing] 1775 01:20:54,440 --> 01:20:55,600 [Tabitha] ♪ You know? ♪ 1776 01:20:55,680 --> 01:20:57,120 ♪ You know who I am? ♪ 1777 01:20:57,200 --> 01:20:59,840 ♪ I am the goddess of fashion! ♪ 1778 01:20:59,920 --> 01:21:01,160 Go, go, go, go, go, go! 1779 01:21:01,240 --> 01:21:02,480 Walk, walk. Go! 1780 01:21:07,280 --> 01:21:08,280 [Taser buzzes] 1781 01:21:08,360 --> 01:21:09,560 ♪ Do you know? ♪ 1782 01:21:10,640 --> 01:21:13,800 ♪ We call this "vêtement" here in France ♪ 1783 01:21:13,880 --> 01:21:14,880 ♪ Okay? ♪ 1784 01:21:15,560 --> 01:21:18,880 - [woman] What's wrong with you? Hello? - ♪ You need to get dressed ♪ 1785 01:21:19,640 --> 01:21:20,640 ♪ You're rich ♪ 1786 01:21:21,320 --> 01:21:22,920 ♪ But you need to get dressed ♪ 1787 01:21:23,000 --> 01:21:24,640 [song continues] 1788 01:21:39,840 --> 01:21:42,960 - What are you doing? You can't be here! - VIP. VIP. VIP! 1789 01:21:43,040 --> 01:21:45,520 - [clamoring] - [Molotov speaking Serbian] 1790 01:21:47,760 --> 01:21:50,040 [song continues] 1791 01:21:50,120 --> 01:21:51,920 [Tabitha in English] ♪ Ooh la la… ♪ 1792 01:21:52,440 --> 01:21:54,840 [music becomes suspenseful] 1793 01:22:05,120 --> 01:22:06,800 [gasping] 1794 01:22:06,880 --> 01:22:09,200 Toni, don't take it the wrong way. Please, sweetie. 1795 01:22:09,280 --> 01:22:11,400 [all screaming] 1796 01:22:15,040 --> 01:22:17,440 [groaning] 1797 01:22:19,560 --> 01:22:21,400 Okay, let's go. Showtime, showtime. 1798 01:22:21,480 --> 01:22:22,360 Go, go, go. 1799 01:22:22,440 --> 01:22:24,640 - [song continues] - ♪ And you know what? ♪ 1800 01:22:28,200 --> 01:22:29,080 [groans] 1801 01:22:29,160 --> 01:22:30,800 [song fades] 1802 01:22:40,160 --> 01:22:41,720 Are you okay? 1803 01:22:42,240 --> 01:22:43,240 My sweet. 1804 01:22:43,920 --> 01:22:45,400 I can't believe I did that. 1805 01:22:48,320 --> 01:22:50,480 [music becomes emotional] 1806 01:22:51,080 --> 01:22:53,360 I think we really made a banger, Dad. 1807 01:22:53,440 --> 01:22:54,680 [chuckles softly] 1808 01:23:03,680 --> 01:23:05,920 [song by Scorpex and Tabitha playing] 1809 01:23:08,600 --> 01:23:09,600 ♪ You're poor ♪ 1810 01:23:09,680 --> 01:23:11,240 ♪ But you need to get dressed ♪ 1811 01:23:12,200 --> 01:23:13,200 ♪ You're rich ♪ 1812 01:23:13,280 --> 01:23:14,880 ♪ But you need to get dressed… ♪ 1813 01:23:16,120 --> 01:23:18,600 [crowd cheering and applauding] 1814 01:23:33,360 --> 01:23:35,360 [song continues] 1815 01:23:57,760 --> 01:23:59,560 - [song ends] - [voicemail beeps] 1816 01:23:59,640 --> 01:24:01,720 [Rose] Luis, where the fuck are you? 1817 01:24:01,800 --> 01:24:03,880 We're about to start the debrief. 1818 01:24:03,960 --> 01:24:04,960 What do I tell them? 1819 01:24:05,040 --> 01:24:07,520 You're embarrassing me. Is this a joke to you? 1820 01:24:07,600 --> 01:24:10,480 - [plane taking off] - All right. Call me back. Love ya. 1821 01:24:10,560 --> 01:24:12,720 [house music playing] 1822 01:24:40,000 --> 01:24:41,000 [music continues] 1823 01:25:16,960 --> 01:25:17,960 [music continues] 1824 01:25:55,680 --> 01:25:56,680 [music continues] 1825 01:26:16,040 --> 01:26:17,400 [techno music playing] 1826 01:26:57,560 --> 01:26:58,640 [music continues] 1827 01:27:41,400 --> 01:27:43,400 [music fades] 1828 01:27:45,600 --> 01:27:48,840 [funky music playing] 1829 01:28:23,240 --> 01:28:24,320 [music continues] 1830 01:29:00,520 --> 01:29:01,520 [music continues] 1831 01:29:56,960 --> 01:29:57,960 [music ends]137567