Original subtitles

[G U NSHOT]

JOEY: Come on . Come on , kid ! Fuck.

We're gonna make it. Fuck.

Come on , OIeg . Stay with me.

Come on .

Come on .

[TI RES SCREECH I NG]

Come on , kid . We're gonna make it.

We're gonna crash .

MAN : Yeah , man . Sweet Iike polo wine.

Yeah , man . Me count the hundreds only.

TOMMY: We're good .

MAN : What you have there?

It's all Iooking very good .

ROBBER 1 : Nobody moves. ROBBER 2: Eat the floor, fucker!

ROBBER 1 : Get down . ROBBER 2: Get down !

ROBBER 1 : Now, cocksuckers. ROBBER 2: Get down !

You're making the biggest fucking mistake.

-U nh . ROBBER 2: Shut up!

ROBBER 1 : Down , motherfuckers. Down . ROBBER 2: Now!

ROBBER 1 : Everybody, eat the fucking floor.

Now, very fucking carefully reach into your jackets...

...and take out whatever you're packing and slide it under the bed .

TOMMY: What the fuck? ROBBER 1 : Come on , all of you .

Move it. Come on , fuckheads.

Keep it moving ! Now!

You'd better spend it real quick, shit bags.

You ain't long for this fucking world .

Yeah , right, I'Il be sure to have a mai tai on you .

-U nh . -On all you goombah fucks.

[I N JAMAI CAN ACCENT] Yeah , man , I'II have one on you too.

-[I N NORMAL VOICE] Go, go. Come on ! ROBBER 3: Move, move.

-Hurry up. ROBBER 2: Fucking move!

ROBBER 3: Get going . ROBBER 1 : Let's go. Let's go. Let's go.

-Come on . Come on , now. TOMMY [WH ISPERS] : What the fuck?

[SCREAMS]

Fuck. Aah !

Motherfucker!

[SCREAM I NG]

[ROBBER 2 SCREAM I NG]

No, man .

ROBBER 2: Fuckers! Motherfuckers!

[I N NORMAL VOICE] We don't give a fuck about these niggers.

Now, you spill Perello blood , you're deep-six invested .

-Walk clean . -Piss on Perello blood . Fuck him.

ROBBER 2: Goddamn it.

I don't think so.

[SCREAMS]

ROBBER 1 : Son of a bitch . Motherfucker!

Fuck you .

[G U N FI RE]

[ROBBERS SCREAM I NG]

MAN 3: I'm fucking hit. MAN 1 : Get up you fucker, come on .

Fuck you .

ROBBER 2: Get up!

Come on .

Fucker!

[G ROANS]

TOMMY: Fucking pussy.

What? Where you going , you fuck? We can work this out. Let's talk.

Fuck you !

[G ROAN I NG]

TOMMY: Shut the fuck up.

-Where the fuck you reaching , huh? -PIease. PIease.

Tell you what, have a mai tai on me, huh?

[G U NSHOT]

Fuck me. He's a cop.

TOMMY: Are you kidding me? A fucking cop? Motherfucker.

Get the shit and Iet's go, now.

Hurry the fuck up.

[S I RENS WAI LI NG I N D ISTANCE]

TOMMY: Fucking dirty mooks.

For fuck's sake. Is there one fucking honest cop in this fucking city, huh?

Joey.

Give me your gat.

Take this shit and get rid of it. And do me a favor, don't fuck it up.

OLEG: Move. No.

N ICKY: This way?

[BOTH GRU NTI NG]

You're out.

Never, dickwad .

[G ROANS]

Sorry. You okay?

Oh , shit. I didn't mean to do that.

[WOM EN LAUG H I NG ON TV]

WOMAN [ON TV] : Call now. Talk to us live.

Hey, boss.

What are you doing there, whacking off to the E! channel again? Huh?

[M U M BLI NG I N DISTI NCTLY]

[DRI ER BUZZES]

[TERESA GASPS]

-I just wanna smell you . Stay just Iike that. -You didn't call , you son of a bitch .

[BOTH MOAN]

Let me guess. Those are my pearls you been promising?

-It's nothing , just a Iittle recycling . -Joey, come on .

You are Iooking for trouble. If Tommy found out about that--

Shh . Just remember, it's our Iittle insurance policy, all right?

There's no way I'm gonna be thinking about getting some of this right here...

... Iooking at you through some glass window. There's no fucking way.

[TERESA CH UCKLES]

No, Joey, come on . No, no, no.

No. No. Come on , baby.

Baby, Iook. Look at me.

-What? -N icky's around .

No, N icky's busy. Come on . I'Il be quick and quiet.

Quiet, I don't think so. Quick, I can believe.

-You know something , Mrs. G? -What?

JOEY: You're bad . -Heh .

Yeah , yeah , yeah .

-I got a rep. -Yeah? You got a rep?

-Yeah , something's-- -You got a crazy rep?

[TERESA CH UCKLES]

JOEY: I heard she Iikes to make it on washing machines.

TERESA: On select occasions. What else?

-Oh , no, no. -What?

My sauce. My sauce is burning .

-Wait, that's how I Iike it. -Yeah .

JOEY: Aw, fuck. Come on . -Hey.

You use Ianguage Iike that, you ain't getting no affer-dinner dessert.

Go find Nicky. I think he's up in the bedroom with OIeg .

Why's he always with that Russki kid? Don't he have no other friends?

Joey, you know, they get along . It's fine. What do you want?

I don't want him going over there. That's what I want.

-I know. He knows. -H mm .

He knows.

-I'Il go get him . -Mm-hm .

Yo, Nick. Dinner.

[BOTH GRU NTI NG]

N ICKY: Dickhead .

Oh , shit.

Come on .

Get down .

[S IGHS]

Ahem. Dinner.

-Can Oleg stay? -Babe, it's been three times this week.

I'm sure his mom would like to have him home.

It's okay.

I'm not even hungry. I'Il see you tomorrow.

Go, Razors.

You , go wash up. Those hands are scary.

Good night, OIeg .

Good night, Mrs. Gazelle.

He's not even up there.

They turned the damn basement into a sports complex again .

[TERESA SI GHS]

-How many times am I supposed to tell him? -Joe, what do you want? They're just boys.

[TERESA SI GHS]

[CLEARS TH ROAT]

-Dad , I won't do it again , I swear. -Don't you expect me to make book on that.

-Now, go get your grandfather. -I just washed my hands.

AII right.

Hey, N ick.

Razors and BIues, Friday night.

-One twenty, yellow, pal . -No way.

It's gonna be a death match between Chester and Urlaug .

They're going home in body bags.

Red ice.

Hey, um, can OIeg come?

-He's never been to one game, and he's-- -No. No, not this time.

Sal could only score me a pair of tickets. Maybe next time, though .

Go get your grandfather.

[G RU NTS]

ANZOR: Come on . Come on .

Come on , man . Make it different this time.

[G U N FI RE ON TV]

ANZOR: Get up.

Get up.

I said , get up!

-What is this? -Wolfgang Puck. It's your favorite.

It's thick crust, you damn blyad.

I cut off crust for you . It will be better.

Bring me another Moskova.

Hey. Hey.

Come here.

Come here.

Come.

Watch this.

John Wayne in The Cowboys.

I don't like cowboys.

Come on .

It's the Duke.

Come, sit.

When I was growing up in Kishinev, we had no VHS, no DVD back then .

I remember...

... I did a job for this friend of my father.

I pick-pocketed a key off this apparatchik.

The man gave me as a reward this children's projector.

It came with three films.

Speedy Gonzales, Tarzan of the Apes, and John Wayne in The Cowboys.

I watched that thing a thousand times.

Anzor, it's getting cold .

I was 9 years old .

I didn't know how Iong movies were supposed to be.

My version of The Cowboys, it was only 1 0 minutes Iong .

No John Wayne getting shot.

Because it was for kids, they Ieft that part out.

I didn't know this...

... until I arrive in America and see it on TV...

...for the first time.

I hate it. I want my 8 mm back...

... because on that one, the Duke Iives.

[SPEAKS I N D ISTI NCTLY]

ANZOR: Some things were better in the old place.

Not too many. Some things.

Let me show you from the beginning .

Oh , no, no, no. Not forward .

This part's better.

Without the Duke?

Where are you going?

You don't walk out on the Duke!

[SHOUTI NG I N RUSSIAN]

She said he's always distracted and he never finishes his work...

...and she wants to get him tested .

She wants to get him tested? Tested for what?

I think maybe, uh , attention disorder or something .

I'm not fucking ADD.

Hey. You don't use that word in front of your mother.

-What's wrong with ADD? -The other one, smart-ass.

-He don't use that word , period . -I don't wanna be on medication .

-You can't make me take it. I won't. -No, don't even worry about it.

There's no way in hell anybody's gonna put you on meds, okay?

Tell that teacher to come to the rink and watch him wax that puck.

-That's perfect concentration every time. -That's different, Joe.

We're just trying to find out what's going on with you .

Buddy, she said some great things too.

She said that he's very bright, she said he's very creative.

You left that part out before.

I like that part. I got potential .

[SPAG H ETTI SPLATTERS]

What are you doing? You taking a collection down there?

[I NAU DI BLE DIALOGU E]

He must eat.

ANZOR: The Iittle prick insults the Duke.

He don't eat in this house.

You hear me, you Iittle snot face?!

Stay in your room!

Jerk off to your fucking Razors!

Faggot!

He's a growing boy.

[G RU NTS]

What did I fucking say, suka ?

He has to eat, Anzor, please.

Who puts food on this fucking table?

[M I LA CRYI NG]

Not you , blyad.

I'm the big man of this house.

When I say the Iittle shit don't eat, he don't eat.

OLEG: Anzor.

John Wayne was a faggot.

So, uh , Vicki Gilleto told me she saw you walking hand in hand ...

-...with Jeannie's daughter. -The fat one?

[G U NSHOT]

Sounded Iike a gun .

Hey, N ick, throw me some bread .

[G U NSHOT]

TERESA: Aah ! JOEY: Shit, get down !

-Get down ! TERESA: Stay down .

-You okay? You okay? -Jesus, Joe. What the hell?

Stay here. Motherfucker.

Motherfucker! I'Il kill that fucking piece of shit!

-Where are you going? -You Russian piece of shit!

Where's a gun?

Shoot my house. I'm gonna fucking kill you .

N ICKY: Dad , wait. -Get back in the house.

Get back in the house!

Get back in now! Go!

[G U NSHOT]

You stay right here. Don't you move, son .

-You piece of shit. I'm gonna kill you . TERESA: Nick, get inside.

JOEY: Piece of shit. -Joe!

[JOEY YELLS]

What's the matter with you? I called 911 . Leave it for the cops.

There's a kid in here. Get back in . You piece of shit, I'm gonna kill you .

-Open the fucking door! -OIeg's my friend !

-Get inside. JOEY: Open the door!

-Joey, don't be a damn hero! -Open up! It's Joey Gazelle from next door!

Open up!

Open up!

Get back. You get back.

Where is he? Is he upstairs?

-Kitchen . -What?

-Kitchen . -Get down .

What the fuck?

Where's the kid? Huh?

[PANTI NG]

-Where's the kid? -Fuck him.

-I'm the one who's shot. -Who is it? Is he still in the house?

The Iittle snot fuck ran out back.

OIeg?

OIeg? What are you trying to say? OIeg shot you?

What are you , a fucking idiot?

I didn't do this to myself.

The Iittle prick would've done to me too.

Look here.

[I NAU DI BLE DIALOGU E]

[G U NSHOT]

[G U NSHOT]

[ANZOR PANTI NG]

Jesus, it's a fucking miracle.

Where'd he get the piece?

-Fuck should I know? -It wasn't yours?

No! No way!

I got a .357 in the safe out back.

He had some fucking snub-nose thing .

Silver.

Chrome.

[G U NSHOT]

N ick, now you tell me. I'm not playing around .

We saw where you put the gun , but he didn't take anything .

-Not with me. -Well , he went back, N icky.

I didn't know. I swear, I didn't know.

Come here. Listen to me. Listen to me. That piece, that's not just any hot piece.

-Tommy used it to burn a dirty cop. -Oh , no.

-Yeah . -Joe.

On top of it, that kid's out there right now. The cops are on their way.

If they find the gun , or they find the kid and he talks, I'm dead .

-Fuck! -Calm down . Calm down .

-Yeah . Yeah . -Calm down . We can get to him.

You can get to the gun before the cops.

[S I REN WAI LI NG I N D ISTANCE]

Oh , shit.

JOEY: Hey.

[ANZOR & M I LA SPEAKI NG I N RUSS IAN]

-Hey, so where you gonna take him? PARAMED IC: Grimley Memorial .

Hey, Mila, you should go with him .

[M I LA SPEAKI NG I N RUSSIAN]

You should go. I'm gonna Iook for OIeg .

Me and N icky are gonna go find him . I'Il get Teresa to stay in case he comes back.

-You should go. -Thank you .

-No problem . M I LA: I'm sorry.

Yeah , no problem , we're gonna find him. Don't worry about it.

[S I REN WAI LI NG]

Come on , you fucker.

[CAR DOORS OPEN TH EN CLOSE]

[MAN SPEAKI NG I N DISTI NCTLY OVER RADIO]

Come on .

Come on .

Police officers. Sir, you Iive here?

No. No, actually, I live next door.

Heard gunshots, so I came over to see what was going on .

-What did you see? JOEY: U h ...

I saw Anzor, my neighbor, he was in the kitchen . He'd been shot.

-See who did it? -No, he was screaming in Russian .

H is wife asked me to stick around for the kid . He's out.

-You don't know who shot him? -No.

I'm gonna need to take a statement outside. I can't have you messing up the scene.

-AII right. -Hey, check it out.

OFFICER 1 : I don't see nothing inside. Maybe all the way back.

OFFICER 2: Forget it. Leave it for Forensics.

Sir, I need for you to wait outside.

AII right. No problem.

[PANTI NG]

I'm fucking having a heart attack.

-I can't-- I can't fucking breathe. -Breathe.

I gotta find this kid , Tee. I gotta find this kid tonight.

N ick, I need to know places, all right? I need to know hideouts.

Go to your room right now and make a list.

-N ick, make a list. TERESA: Okay.

JOEY: I'm not fucking around , Nick. -Joe, just take it easy.

There's no fucking time!

AII right, I want you to wait next door, and the second he shows up, call me.

[TERESA SI GHS]

JOEY: Gotta fucking do something about this.

I can't have the kid fucking talking to the cops.

You understand me? The fucking gun is on the street.

This whole fucking goddamn thing's about to blow up.

If Tommy or any of those fucking guys find out about it, I'm a dead man .

You gotta fucking help me.

AII right.

Yeah , if I fucking have to.

[FOOTSTEPS APPROACH I NG]

Grab your jacket. We're going for a ride.

[ENG I N E STOPS]

AII right, Nick. I want you to stay in the car, all right?

Don't get out for anything .

If I'm not back in one hour, call your mother.

She'Il come and get you , okay?

[ALL CHATTERI NG]

WOMAN : Okay, take him in right now.

JOEY: Excuse me. Uh ...

Who's in the other room? Is that Yugorsky, gunshot victim?

Teenager. DU I car wreck. I think they just Iost a GSW in 3.

JOEY: Lost?

He's dead?

-Yeah . JOEY: No, wait. He took a bullet right here.

No, major trauma to chest. Been in surgery all day.

Guy was a cop.

Oh , wait. Yeah , they did bring someone in about 40 minutes ago.

-OR Number 2. He's gone upstairs already. JOEY: That's this way?

N U RSE : Can I help you , Dr. Donaldson?

JOEY: Yeah , the cops are waiting outside.

They need to run a match on this bullet ASAP.

Well , I'Il make sure they get it right away.

JOEY: Excuse me.

N U RSE : You Iooking for this? Yugorsky? GSW shoulder?

You gotta help me find him , Nick.

[ENG I N E STARTS]

-What are you gonna do to him? -I'm not gonna do nothing .

I just need to get my gun back and bring him home.

Are you sure?

Talk to me, Nick.

N ICKY: There 's this old abandoned rec center in the park.

Me and Oleg would hang out there sometimes. Read comics.

He might be there.

[WH EEZI NG]

[G U N COCKS]

[WH ISPERS] N ice gun .

Detective Rydell , Narcotics.

I already made a statement.

I don't know who the shooter was.

Fucking niggers all Iook the same.

Yeah . Anzor Yugorsky. Any relation to Ivan Yugorsky?

My uncle.

The czar of Brighton Beach . I've been to his club a couple of times.

N ice joint. He even sang a few songs.

[CH UCKLES]

He sings Iike a fucking toad .

Heh , well , Sinatra, he's not, but he's a man with a serious reputation .

-He has a Iot of enemies. -Bullshit.

I told you , it was just some fucking crackhead .

Yeah . Well , I spoke to the officers on the scene.

There was no sign of forced entry.

But they did find some interesting shit out back.

Six cases of NyQuil , and it ain't even cold season .

What do you think a search warrant's gonna turn up, huh?

WOMAN [OVER PA] : Dr. Cookson, call Imaging Services.

Dr. Cookson, call Imaging Services.

[IVAN SPEAKI NG I N RUSSIAN]

JOEY: Come on . Where? N ICKY: It's this way.

JOEY: Let's go. Quick, come on .

Come on .

Go, go, go.

N ICKY: This way.

MAN [WH ISPERI NG] : Be cool , and let me do all the talking .

I'm gonna get you out of here.

-Help you? -Yeah .

How much you got?

[H U MS]

Oh , I got a Iot.

[MAN CH UCKLES]

Yes.

N ICKY: OIeg , it's Nicky. Are you in there?

JOEY: This the spot? N ICKY: Yeah .

MAN : Where's the stash?

Last stall , motherfucker.

MAN : Find the stash . Find it. Go on .

Find it.

[SHOUTS] Find it!

[MAN CH UCKLES]

Yeah .

JOEY: Fuck.

We're gonna search this entire park. He might still be around .

What the fuck do you think you're doing , white boy?

Drop it, man , or I'Il fucking waste the midget.

-Come on ! MAN [WH ISPERI NG] : Go ahead .

-He's just a tagalong . DEALER 1 : Plug him , Dale.

DEALER 2: Shoot him, man . DEALER 3: Fuck it, man . Fuck him up.

[ALL SHOUTI NG I N D ISTI NCTLY]

-Shoot him , man . DEALER 1 : I'm gonna fuck you up.

-Fucking kill his ass. -I ain't fucking around .

Waste the motherfucker. Shoot this motherfucker. Shoot this--

[G U N FI RE]

AII right, stay right behind me. Come here. Against the wall .

You stay right there. Don't you move. You stay right there.

Fuck.

[I N NORMAL VOICE] I didn't do nothing , officer. I just came to--

Put your fucking head against the fucking stall , now!

Put your fucking head there!

OIeg .

-I told you to stay outside. -Did you find him?

JOEY: Get the fuck outside! Get out of here.

I'm fucking talking to you . Turn around . What'd you see?

Find a gun? You find a silver gun? Did you find that silver gun?

MAN : I got no gun . I got no gun .

[SNARLI NG]

[DOG BARKI NG]

MAN : Get. WOMAN : Aah !

-You wanna study for the GED? Here. -No, baby. PIease.

[WOMAN CRYI NG]

Look what you done to my fucking ride, bitch .

PIease, baby. Please.

I've only been taking one class. One class two hours a week.

I still got time to be pulling tricks.

Three Gs I fronted you for these fucking airbags.

And what do I get in return?

-Fucking night school? -I quit.

I'm super proud of you for showing some initiative.

Maybe I'Il even come to your graduation .

But first you're gonna give me back my fucking property.

[G U N COCKS]

You learn how to use that watching Sesame Street?

You ain't even holding it right.

What's the matter, kid? You got the shakes?

[CLI CKI NG]

Whoops.

Now I'm gonna put a smile on your face, boy, cheek to cheek.

You're gonna be the happiest Iittle brat in school .

Say cheese.

[G ROANS]

Who's laughing now, you fucking gray-meat, Iimp-dick motherfucker?

Mack daddy, who's macking now, bitch?

[SPEAKS I N SPAN ISH]

[SPITS]

You got some cojones, kid .

[CROWBAR CLANGS]

[OLEG WH EEZI NG]

MAN : Let me see your fingers, son.

Is this--? Hey, hey, is this your son?

-I'm taking care of him tonight, okay? -U nless you have the name and number...

...of his doctor and I can get a prescription , you have to take him to Emergency.

-If you want me to call you a cab-- -I don't need no cab.

I need some spray shit for him .

That spray shit is a controlled substance, ma'am , so, what can I tell you?

-Keep the change. -I can't-- This is stupid . I can't do this.

Listen , why don't we go out in the back and we talk about it, okay?

[PHARMACIST SCOFFS]

PHARMACIST: Look, Iady-- -I'Il take care of you .

[SCOFFS]

-There's nothing I can do, Iady. -There's nothing you can do?

PHARMACIST: Take him to Emergency. DIVI NA: Okay. Okay.

Nothing you can fucking do?

Get what he needs now.

-It's Beclovent. -Yeah , I know.

Beclovent, bitch .

-Come on , Iet's just go back. -No.

No, if he turns up, your mom's gonna call .

[CELL PHON E RI NGS]

Tee?

Sal .

Yeah .

[ENG I N E STOPS]

-Do girls really get naked in there? -You'Il find out when you're 21 .

I've seen Mom naked . It's no big deal .

Trust me on this one. It's always a big deal .

Stay here.

[DANCE MUS IC PLAYI NG]

MAN : Put your hands together for the sexy redhead , AIexi .

TOMMY: What?

It's taken care of.

Oh , it's taken care of. Lucky us.

Guys, sit down . Have a seat. Don't be shy.

They make a good mai tai for a twat bar, but seriously overpriced .

Two million dollars for a round of drinks.

-And the pussy ain't even that hot. JODY: Hey, baby.

RYDELL: Jody, I'm doing business here. Jody, come on , get the fuck out of here.

Two million dollars.

Suck a dick, you prick bastard . You don't have shit on us.

RYDELL: What do you think of this? Cops never found these at the scene.

Just two dead narcs and three dead Jamaicans.

Ballistics is gonna reveal that the slugs that killed my partners...

...didn't come from the Jamaicans, so there were others involved .

As for myself, um...

...l was never there.

Well , dead guys tell no tales.

Heh , yeah . Why don't you ask your pal , here?

What the fuck you talking about?

You blew my partner, Stevie's, balls off with a .38 snub-nose.

A real distinctive piece. Stainless.

Polished up like a spic's hubcap.

Now, let me take a wild guess here.

I think that you gave him the gun to dump in the river.

Now, I'm assuming he never got around to it, because two hours ago...

... his next-door neighbor took a slug in the shoulder.

The shooter was the guy's 1 0-year-old stepson ...

...who was over at Gazelle's house two hours earlier.

What the fuck you trying to do here, huh? You trying to fucking play us?

You're wasting our time on this fucking bullshit.

Bullshit? Heh , bullshit, huh?

This punk, Anzor Yugorsky, he describes the gun to me in vivid detail .

Makes mention it's a snub-nose with a serious shine to it.

-The fuck is this guy talking about? -He's talking about a fucking shiny gun .

Big deal . There's a thousand of them on the street. It ain't the piece.

Oh , yeah? What were you doing at the hospital ...

...when they brought Yugorsky in , huh?

Sniffing around Emergency.

You know what I figure?

You were there to pull a switch on the slug they took out of him .

My wife asked me to go to the hospital .

She was concerned , in a neighborly way. She wanted me--

AII right, you know what? Enough bullshit.

I expect to find a bag in this Iocker at Down Neck Station by midnight.

If the bag is not there one minute after, I'm taking you all down any way I can .

Even if I have to manufacture the case.

And you know I will , because I got the toughest mob in the world .

I'm the Iaw.

[ENG I N E STOPS]

-Stay put. I'm gonna grab you a burger. -I'm not hungry.

But you didn't finish dinner, so I'm gonna grab you something to eat. Stay here.

Dad?

Don't go in there. Let's just go home.

It's gonna be all right.

No, it's not.

JOEY: Hey, Frankie. How you doing? -Hey. How are you?

JOEY: It's good to see you . -Sit, Joe.

-How you doing , guys? SAL: Hi , Joey.

TONY: How you doing? SAL: Joe, hey.

-You want coffee or something to eat? -No. I'm good . I got my boy. He's in the car.

-I wanna get him a burger or something . -Tony, go and take care of that.

JOEY: Yeah , Tony, get him some fries and a strawberry shake.

Don't scare him . He don't know you're coming .

So, Joe, I just got off the phone with Ivan Yugorsky about this thing with his nephew.

I told you , it's not the fucking piece.

Look, everybody knows the nephew is a brain-fried reprobate.

Whatever. He's a tweaker piece of shit. And he's cooking meth in his backyard .

It's just a matter of time before he blows up the neighborhood .

We know this. But it's a sensitive issue with me, Joe.

Now, I'm in bed with Yugorsky on this gasoline deal .

Hey, it's a good deal .

-I don't wanna rock the boat. -Fuck that. Fuck those Russian cunts, huh?

Pop, it's the fucking narc that's got his dick in our ass.

FRAN KI E: Hey.

Calm down , Tommy.

You see, Joe, the tweaker's got it in his head that maybe you were Iooking ...

...to knock him out of the cooking business and helped the boy out.

Made a piece available to him .

I would never use a kid to do something Iike that.

Never.

AII right, all right, look.

I made a personal reassurance to Yugorsky...

...that I'd have my entire crew in the street out Iooking for that kid .

Now, in the interest of professional harmony...

... I think we all wanna get our story straight.

You agree, don't you , Joe?

DIVI NA: One hamburger and you're out of my Iife. That's it.

N ICKY: OIeg .

Oh , shit.

TONY: Hey, kid .

How you doing? Your old man sent this stuff out for you .

Thanks.

Ain't it a little Iate for you to be out, huh? I got twins your age. They're in bed by now.

What are you , like, 9?

Ten and a half.

I gotta go to the bathroom .

Hey, Joey.

Looks Iike your kid don't listen too well .

Must run in the family.

Hey, N icky. Get over here.

Get over here.

What you doing? I told you to wait in the car.

-I had to go to the bathroom . -How you doing , Nicky?

Want some Gummy Bears?

Hey, N icky. You wouldn't by chance...

... know where your friend got that gun , would you?

No. U h , I have to go to the bathroom.

TOMMY: Okay. -N ick, you go to the bathroom.

DIVI NA: Have you decided yet?

I have a bus to catch and-- Oh . Oh , no.

-I'Il have a cheeseburger and a Coke. DIVI NA: Mm .

I gotta go to the bathroom .

We're gonna take care of the cop, okay?

-I know. -Okay.

N ICKY: Where is it?

Hey, N ick.

-Where the hell are you? N ICKY: I'm almost done.

JOEY: H urry up, we gotta go. N ICKY [WH ISPERS] : Razors.

[WH ISPERS] Razors.

[TOI LET FLUSH ES]

Come on , wash your hands. We gotta get out of here. Come on .

JOEY: Fuck.

-Hey, sweetie. How you doing? WAITRESS: Good , hon .

AII right, Nick, listen to me. I want you to think about where your friend might be...

... because the others, they're looking for him, and if they find him first--

-They won't find the gun . -What did you say?

What did you say?

Don't you mess with me. I want you to fucking talk to me now.

-Promise you won't hurt him . -I don't have time for this shit. Now tell me.

-Promise. -Promise you what?

What? I promise. I swear to God , I'm not gonna fucking hurt your friend .

Now tell me. Just tell me what you know.

[TI RES SCREECH I NG]

[ENG I N E STOPS]

Come on .

[MAN G RU NTI NG]

This one here?

[MAN CLEARS TH ROAT]

[MAN S IGHS]

MAN : Oh , man .

[FLUSH ES]

I thought you said you put it in there.

-I did . I put it right-- -Where is it?

-I thought you said you put it in the tank. -I put it in here.

JOEY: Oh , shit. Which one did you put it in , N ick?

Which one did you put it in?

Goddamn it, Nicky.

Why did you Iie to me? Why did you Iie to me?

I didn't.

-Why did you Iie to me?! -I'm not--

-Why did you Iie to me? -I'm not fucking Iying . I put it in there.

You just fucking killed me, Nick.

You just fucking killed me.

Come on .

I want you to keep an eye open .

If you see anybody coming, I want you to cough really loud , all right?

[MAN SPEAKI NG I N DISTI NCTLY]

[N ICKY COUGHS]

-You're like a broken record . CH EF: I'm telling you , you gotta see this.

You better not be jerking my chain .

-What are you doing here, kid? -I was Iooking for the bathroom .

-Even the kid thinks it's a shithole here. -Shut up, Ralphie.

AII right, listen . You go on out through that door...

...turn Ieft, go all the way down to the end , turn Ieft again, and you're there.

You got it?

-Come on . -Yeah .

U h , which door?

CH EF: Come here, kid . Come here.

-Hey, Yolanda. Wait up. YOLAN DA: U h-uh .

RALPH I E: Where you going with my cheesecake?

YOLAN DA: It's for paying customers. Not you .

JOEY: Manny. Where are you , Manny?

Yeah , I got your number, fucker.

Forget it. I ain't dragging your butt across no state Iines.

[S IGHS]

Look, baba, why don't you just go home?

I bet you things are not as bad as you think they are.

[S IGHS]

Come on , baba.

[S I REN WAI LS]

DIVI NA: Oh , mother...

OFFICER 1 : Hands where we can see them . OFFICER 2: Get down .

Over here.

DIVI NA: Run ! Run , Iittle man ! Run !

OFFICER 3: Hey.

[OLEG GRU NTI NG]

OLEG: Get off!

[MAN RAPPI NG I N SPAN ISH ON STEREO]

N ICKY: Do you know these guys?

[CELL PHON E RI NG I NG]

JOEY: Yeah . TERESA: Babe?

TERESA: Where the hell are you? JOEY [OVER PHON E]: Taking care of things.

Forget about it. They picked up OIeg at a bus station with some hooker.

JOEY: Who picked him up?

-The cops? TERESA [OVER PHON E] : Yeah.

Jesus Christ, this is fucking bullshit.

-Hey. -Fucki

-Hey! You got Nicky with you? -Yeah , he's right here.

Then stop using your mouth around him. And bring my son home, now.

Yeah . That's what I'm doing . I'm bringing him home right now.

[TI RES SCREECH]

Ah .

Do you mind? I'm feeling kind of parched .

Big game Friday night. I bet you're excited about that, huh?

It's gonna be red ice and plenty of blue-shirt body bags.

Am I right? Ha, ha.

Look, I could help you , kid . You and your mom , if need be.

Now, I could get that prick out of your Iife. Lock him up.

I could do that. I'm a cop.

AII you have to do is tell me where you found the gun ...

...and where you stashed it.

That's it. What do you say?

Will you Iet me help you?

Get out of here, Mila.

You know? Go to a shelter. I mean , I can get you an address.

You don't understand .

I belong to him .

No. No.

No, no, no, I don't understand .

I was prostitute in Moscow.

Yugorsky Escort Service offered to bring girls over with promise of big bucks.

We would owe $50,000 and pay back through work.

I take offer.

Not tell them I'm pregnant.

When they find out...

...they insist I have an abortion .

I tell them no.

They send Anzor to kill me.

Anzor's not a killer.

He's not a hard man like big Yugorsky.

He thinks...

He thinks he's John Wayne. Heh .

Wants to do right thing .

He goes against his uncle...

...and tells big man Yugorsky he will pay off my debt.

H is uncle refuses, tells him ...

... he will send others to kill me to set example.

So Anzor make me wife.

Big man Yugorsky can't kill his nephew's wife.

But he tells Anzor to Ieave Little Odessa.

He's no longer working for Yugorsky family.

Yeah .

I'm gonna get you the name of a shelter.

[TI RES SCREECH]

You okay?

[ENG I N E STOPS]

This ain't right, Joe. He don't need to be put through this.

Hey, N ick, I'm proud of you . You done good , all right?

I'm gonna head up to Community Hills.

Cops don't got the gun yet, but I may have a Iine on it, so I'm gonna go over there.

I'm scared , Joe.

I am pissed at you , and I am scared . Equal measures.

[ENG I N E STARTS]

Be careful .

[TI RES SCREECH]

-Hey. JOEY: Hey.

Just got word . The cops picked up the kid .

-Anything you still wanna tell us? -Tell you what? There's nothing to tell .

-Where you headed , Joe? -U h ...

I was supposed to head to the store and pick up some milk and eggs.

-I n all the excitement, I forgot to do it, so. . . . -H mm .

Yugorsky's gonna call us when he talks to the kid .

Don't go too far.

-Later, Joe. -Yeah , see you .

Hey, Tee. Looking fucking good .

He keeps giving me this bullshit story about finding the gun ...

... in some abandoned Iocker in school .

What do you want me to do?

The Iittle fucker shot me. He ain't gonna spill dick to me.

You know, I don't think I'm being clear enough here.

You know what I mean?

Let me be crystal clear.

You get the boy to give up Gazelle or I'm closing shop on your tweaker ass...

...and I'm taking you down fucking hard . U nderstand me?

[DOOR OPENS]

Hey, cowboy.

Wanna go get some ice cream?

[ON STEREO] l gets to flippin' like Ruckus label roster

Stick it to the old imposters Like bosses eatin ' lobster

l don 't rest l take it to your chest

l press on my device And blow whatever's left

[ENG I N E STOPS]

JOEY: Get the fuck away from my car.

[MAN & WOMAN SHOUTI NG I N SPAN ISH]

JOEY: Hey, I'm Iooking for Manny Perez. -He's not here.

[CONCH ITA SCREAMS]

[CONCH ITA SPEAKI NG I N SPAN ISH]

JOEY: Manny? Where the fuck is he? -He's not here.

-Where is he? Where is he?! CONCH ITA: He's not here.

Better not fucking Iie to me!

-Where the fuck is he? Where is he? -Okay, okay.

-Where is he? -He play cards at Armando's.

-Armando's? He's at Armando's? -U h-huh, yeah .

JOEY: Get the hell out of the way. You stay right there.

[CONCH ITA SPEAKI NG I N SPAN ISH]

[BABY CRYI NG]

What's your name? What's your name?

CONCH ITA: Conchita. -Conchita.

Now, you Iisten to me, Conchita. You listen to me real good .

-I don't wanna hurt Manny. -Okay.

I don't wanna hurt him , but he has something that belongs to me.

-A gun . You know anything about a gun? -No, no.

It's Block 5, number 602. That's where he is.

Okay. Now, Iisten to me.

We are now on what we call the honor system.

You comprende ? You understand what I'm saying?

[CONCH ITA SPEAKS I N SPAN ISH]

You don't call Manny. You don't tell Manny I'm coming .

You don't warn him for anything , because if you do, I'm gonna come back here!

I can be an asshole.

You made your point.

You showed some balls.

I like that.

But now it's time to be smart.

You tell me what I want to know...

...and I'm gonna reward you .

Razors season tickets.

-I'm sorry. -It's okay.

I told you , we're cool . Just tell me.

I'm sorry I missed .

You little shit.

Tell me where the fucking gun is.

You tell me or I will fucking kill you .

[ANZOR GRU NTS]

OIeg !

OIeg !

OIeg !

Where are you? You little shit.

OIeg .

I'Il find you .

I'm gonna kill you .

You're only making it worse on yourself.

You hear me?

Jeez, Edele, I think we've picked up a stray.

I ndeed .

Well , hello there.

DEZ: Hi . EDELE: And who might you be?

-We should get another ice cream cone. -I think you're right, papa bear.

Hey. Hey.

-You Manny? -Manny, no.

-He's upstairs. What you want with him? -Business.

If he owes you any money, forget about it. Heh . I just cleaned the cabrón out.

[KNOCKI NG ON DOOR]

MAN 1 : Yeah? Who is it? JOEY [I N FALSETTO VOI CE] : It's Conchita.

[ALL SPEAKI NG I N SPAN ISH]

MAN 2: Ah , Conchita.

[G ROANS]

[I N NORMAL VOICE] Heads down on the fucking table!

Heads down and hands behind your head ! You move and I will fuck you up!

I will fuck you up! Don't you move! Don't you fucking move. Get the fuck down .

Which one of you is fucking Manny? Who's Manny?

[MAN 1 SPEAKI NG I N SPAN ISH]

-What you want, pendejo ? JOEY: You Manny?

You know what the fuck I want! You call me pendejo, you fuck?

I want my fucking gun !

I want my fucking snub-nose that you lifted from the fucking Arlington .

Now, where the fuck is it? Where the fuck is it?

[MAN 2 CH UCKLES]

[MAN NY SCREAMS]

[JOEY YELLS]

Fuck you ! Where the fuck is my gun?

[ALL LAUGH I NG]

[ON STEREO] Stretched out But l'm gonna hold out

For the whole nine There 's no doubt

Till l get what's mine l don 't want no doubt

Fuck! Fuck! Motherfucker!

[JOEY SCREAMS]

DEZ: Look at that. EDELE: That's a good smile.

DEZ: Look at those braces. EDELE: There's a Iittle dimple there.

DEZ: They are.

EDELE: Yeah , that's super cute.

Isn't this cool , huh? Yeah , come on . Look back in the camera.

Try it again . And you push that. Look in there.

-Oh , my gosh , yeah . You can see, right? EDELE: Ha, ha.

DEZ: That's very smart. -Hey, Eric. You wanna hug your sister?

-Yeah . Come on . Please? -Just a Iittle bit. Get a Iittle closer.

You guys Iove each other.

-Get a little closer. -You need a hug .

EDELE: A Iittle closer. DEZ: Come on .

EDELE: Extend the arm .

[DEZ CH UCKLES]

DEZ: Come on .

Come on , Eric, you can do it a Iittle better than that.

I mean , that's your sister right?

EDELE: That's very good . DEZ: You Iove your sister, don't you?

What about you , OIeg? You wanna be in the film, don't you?

My stomach hurts. Can I go to the bathroom?

Sure.

-I'Il just hold on to this. -Mm-hm .

Go outside. You take a right and then a Ieff.

-Hurry up, though . You're missing out. EDELE: Mm-hm.

-Who wants to play dress-up? DEZ: Oh , good , dress-up.

We have the Burning Falcon and the Volt.

There you are.

I thought you needed to go to the bathroom .

I couldn't find it.

Silly boy.

I told you to take a right, then a left.

Come. I'II show you .

Don't forget to wash your hands when you're done.

[RI NGS]

Joe?

OLEG [WH ISPERI NG OVER PHON E] : Mrs. Gazelle ?

Who is this? Is this--?

OIeg . I'm sorry about taking the gun , Mrs. Gazelle.

-Ahh . OIeg , where are you? -l think l'm in trouble.

TERESA [OVER PHON E] : Sweetheart, l know what happened, okay?

I need you to be straight with me. Are the police Iistening in on this call?

No, l'm not with the police.

I'm at Dez and Edele's apartment. There's two other kids here.

What?

-I think they're gonna hurt us. -What? Oh, Jesus.

Come on . Is this some kind of a joke?

You have caused enough trouble. Where are you?

I don 't know. l was in the back of a van.

They brought us here. They got this room with all these toys.

They're making a video.

Okay. Okay, OIeg . I need you to Iook around for an address for me, okay?

U m , is there any mail laying around?

I'm in the bathroom . She's gonna come back any minute.

Bathroom . Oh , Jesus. I don't know. I don't know.

I don't know. U m ...

Uh, l don 't know. Just call 911.

No. I don't want to go back to the police.

Why?

OLEG: They want me to say I got the gun from Mr. Gazelle.

[KNOCKI NG ON DOOR]

-No, no, no. EDELE [OVER PHON E]: You need help?

OLEG [I N NORMAL VOICE]: l'm okay. lt's my stomach. l'm almost done.

Oh , you poor thing .

Well , I'm right outside.

-OIeg? OLEG [WH ISPERI NG] : l'm still here.

Okay.

Okay. So look in the medicine cabinet.

Do you see any bottles?

Prescription bottles usually have the address on the front Iabel .

Do you see anything? Just-- ls there anything in there ?

Oleg, what's happening?

OIeg , it's Dez. You wanna open up, please?

[KNOCKI NG ON DOOR]

-OIeg? -U nh .

Okay. OIeg?

[G ROANS]

DEZ: Come on . -Oleg?

DEZ: OIeg . -Oleg?

What's going on? Oleg?

-Just open the door. -Mrs. Gazelle, I got a bottle.

Now read me the address.

-1 456 Owens Park Lane, Hoboken . DEZ: OIeg , open the door. Oleg .

Let's go. Open the door!

-OIeg? DEZ: Come on ! OIeg !

Jesus.

TERESA: Wake up. Wake up.

-We gotta go get Oleg . Put your coat on . N ICKY: I thought he was in jail .

LESTER: Hey, holmes.

I got a busted headlight.

Hey, Lester, my man .

Ouch .

Who got over on you , bro?

Some puta whose forwarding address is gonna be in 1 0 different zip codes.

AII of them Dumpsters.

[BOTH CH UCKLE]

I got you covered by tomorrow night.

Hey, check this out.

Is that sweet or what? Hey. A royal flush put her in my pocket.

-Three hundred cold puts her in mine. -No, man . She's a beauty.

Think I'm gonna hold on to her.

Five hundred .

Heh , Al won't miss them . Not until Cinco de Mayo.

Oh , Joe. Shit.

I'm under a Iot of stress tonight, so whatever I say don't count.

Do I still have to go to school tomorrow?

I don't know. We'll see.

JOEY: Remember me? -Who in the fuck are you?

You got something that belongs to me. A snub-nose .38.

You just scored it off of Manny in a card game. l need it back.

[G U N COCKS]

JOEY: Fuck.

I want my fucking gun !

Where the fuck are you , huh?

Don't be fucking stupid .

Aah ! Fuck!

[BOTH GRU NTI NG]

[J U LIO SHOUTI NG I N SPAN ISH]

[JOEY YELLI NG]

Aah ! Fuck.

[JOEY YELLI NG]

[J U LIO SCREAM I NG]

JOEY: You fuck. You fuck. Where's my fucking gun?

-Help me! I'm burning ! -Where's my gun?

Gonna tell me? Tell me where I can find it or you're gonna have third-degree burns.

-Know what that means? -Jesus!

No cock, asshole! You're gonna have a fucking melted dick!

-I sold it to a pimp. Lester! -A pimp?

-Shit! What you waiting on for? -Where the fuck can I find him?

-I need to fucking know now! -He booked a cab, Union Fleet. Ask them !

[J U LIO SCREAMS]

[ENG I N E STOPS]

Stay here. Do not move.

OLEG: I'm not touching it. Get away from me.

OLEG: Fuck you ! DEZ: Aah , the Iittle shit! He just bit me.

[ELEVATORS BELL DI NGS]

[DOORBELL RI NGS]

DEZ: Who the hell is that? EDELE: I'Il go see.

Throw me my robe. Take the kids into the bedroom.

[KNOCKI NG ON DOOR]

["TWI N KLE, TWI N KLE LITTLE STAR" PLAYS ON KEYPAD]

-May I help you? -I'm Iooking for OIeg .

OIeg . You must have the wrong address.

No. He's a 1 0-year-old boy. He's pale. He never smiles.

He's my neighbor's kid . He called me from this apartment.

Owens Park Lane, apartment 303.

He must have given you the wrong address.

Or maybe you heard wrong . There's no OIeg here.

He said that he was being held against his will .

That is ridiculous.

There's only my husband and my two children inside. No one else. And it's late.

Well , I would Iike to take a Iook inside just to satisfy my curiosity.

EDELE: This is absurd . You suggesting that I kidnapped Oleg?

I'm just gonna call the police...

...and stand here for the next half-hour waiting for them to arrive...

...when all's you gotta do is just Iet me in .

If you must.

-Do you mind? -Go right ahead .

The children's room is on the right. They are asleep.

PIease, go right in .

[S IGHS]

-U h , hello. -Don't even ask. It's too ridiculous.

Sorry, I'm really embarrassed .

Excuse me, but I seriously doubt he's hiding in there.

[DEZ MOUTH I NG]

-What's through here? EDELE: It's a playroom.

TERESA: Whoa. Wow.

You guys got your own little Disneyland in here.

EDELE: Well , it's all about the children . And as you can see, there's no OIeg .

I really hope that you find him . You hear too many stories these days.

-God only knows, if it were our children . . . . -If it were your children . . . . Photographs.

Excuse me?

Photographs.

No photographs.

If they were your children , you would have at Ieast one photograph ...

...somewhere in this apartment.

This is ridiculous. We only just moved into this place. Everything's in storage.

-Now I really must ask you to leave. I insist. DEZ: No, wait--

TERESA: OIeg?

DEZ [WH ISPERI NG]: What the hell do you want me to do?

You let this bitch in here in the first place.

AII right. All right. Okay.

TERESA: Oh , man . This is too much .

It's too much . It's like some kind of a lure.

[I N NORMAL VOICE] You're making a mistake.

Tell her to Ieave, Dez.

Ma'am , if you don't Ieave right now, I'm calling the police.

Call them.

Be sure to mention you've got two abducted children in the next room .

Two children who don't appear in any photographs in this house.

-This is insane. TERESA: Where is Oleg?

How dare you suggest that we--?

-Oh . -Where's the boy?

Where is he?!

[GASPS]

Oh , God . Oh .

You better pray he's not dead .

Back off, you sick fuck.

Jesus. Oh , God , help me.

Come on , come on , come on .

I said , back the fuck up, you sick, twisted , motherfucking cunt!

Oh , Jesus. Oh , wake up.

[COUGHS]

That's right. That's right. Breathe. You're gonna be okay.

You're gonna be okay. I'm right here. I'm right here, just breathe.

That's right.

Just breathe, sweetheart.

Back off!

I said , back off! I will blow you away!

Okay. Can you get up?

Okay. Go to the bedroom , get the two kids, bring them downstairs. Nicky's there.

AII right? Wait with them. Okay? Move over.

Get out of his way.

DEZ: I've got a safe in the bedroom .

There's 1 00,000 cash in there and diamonds.

AII you gotta do is take the boy and walk away.

Oh , my God . Oh ...

Oh , God .

Oh , my God . Oh , my God .

Oh , my God .

Oh , you sick fucks.

You're right. We're sick. We are, we're sick. This is really great. This is gonna help us--

-Give me a phone. -PIease, yeah .

-What are you doing? Who are you calling? -She wants the phone.

[LI N E RI NGS]

WOMAN [OVER PHON E]: 911, what is the nature of your emergency?

I just heard shooting across the hall , 1 456 Owens Park Lane.

What is your name, ma 'am?

You're not serious.

Okay.

Hey. Yeah , Iisten , one of your cabs just picked up my brother at AI's Automotive.

Yeah , well , Iisten to me.

I was supposed to pick him up, but there's been a family emergency.

So, what I need you to do is I need you to find out where the cab dropped him off at.

Yeah , call me back. My phone number's 555-7556.

[CELL PHON E RI NGS]

Hello? Yeah .

Hey, wait, wait, wait. Hey, calm down .

[ENG I N E STOPS]

-What happened to your face? -It's nothing .

TERESA: l need to talk to you , Joe. -Later.

No, now.

Why couldn't you have just taken the kid and Ieft?

Why couldn't you have taken the kid and Ieft?

I have never seen evil before tonight, Joe.

Real fucking evil .

Okay?

And l know that's not what l see when I Iook in your eyes.

Thanks a Iot, Tee.

-I'm trying to make a point here. -I know what point you're trying to make.

I did not marry an evil man , okay?

I did not marry an evil man .

Shady, sleazy, mixed up with the wrong kind of people...

... but definitely not evil .

I know what you're trying to say, Tee.

Do you?

I hope so. I have turned my back on a lot of things since we've been married .

My eyes are wide open on this one.

JOEY: N icky, go home with your mom.

OIeg , Iet's go take a ride.

What kind of music you Iisten to?

Huh?

You listen to that techno shit?

You listen to rap music? You like rap music?

They don't have what I Iisten to on the radio.

-Yeah , what's that? -Kvasha. It's my mother's tape from Russia.

What the fuck? Kvasha?

You're American . You weren't born in Russia. What you Iistening to that shit for?

My mother said I started in her belly in Russia, so I'm Russian .

You're not a Russian , you're an American .

You were born in the United States of America.

You're an American . An American . Say, "I'm an American ."

Say, "I'm an American ."

-Say, "I'm an American ." -I'm an American .

You're an American . You were born in the United States of America.

That makes you an American .

Listen to this.

[SOUTHS I DE JOH N NY & TH E ASBU RY J UKES' "I DON'T WANT TO GO HOM E" PLAYI NG]

This guy is gonna be warming up the back seat for you ...

...when you're ready to get laid . You mark my words.

Oh, l know that it's getting late

Fucking Kvasha.

Jesus Christ. You put me through the ringer tonight, you know that?

L'm in no hurry, baby Time can wait

-H mm? -I won't say nothing .

Yeah , what about the cops? What did you say to them?

I told them I got the gun from Steven Monroe's Iocker.

He doesn't go there no more.

-N icky told me to say that. -N icky told you to say that?

Smart kid .

He's my best friend . We're both gonna play for the Razors.

[CELL PHON E RI NGS]

JOEY: Yeah . Hello?

Yeah , that was me.

The Royal Towers? How Iong ago?

AII right, thanks.

AII right, kid , hold on . We're gonna go reclaim some stolen property.

[ENG I N E STOPS]

JOEY: Don't worry about it. We're just gonna sit tight for a while.

You know, uh ...

... I used to know this kid .

H is old man was a real fucking piece of shit.

AIways drunk.

AIways smacking him and his mom around .

This kid , he takes his Iicks and he waits this old fucking prick out.

And on the morning of his 1 4th birthday...

... he walks into his old man's room with a baseball bat.

And he Mark McGwires the fucking Iiving shit out of him .

After that, the old man ...

... he can't even hold a spoon without shaking .

He don't remember things too good either.

He's neutralized .

Which is a good thing .

Four more years, max.

Maybe three if you get some size early on .

You'Il be all right. You just gotta hang in there.

I need some more money. It's lonely at the top.

I'm president of this corporation .

Get your hands off Lester's property.

-That's my property. WOMAN : I'm sorry.

[G U N COCKS]

JOEY: You stay right there. Don't you move.

Stay just Iike that.

What the fuck?

Jesus Christ, not now.

AII right, let's get in the cab.

WOMAN : I wanna get in first. LESTER: Bullshit.

I can hide it for you .

No, give it to me. They're gonna think you got the .38. They're gonna frisk you .

Come on . Give me the fucking gun .

Hello, Joe.

What you got there?

He's one of them Christmas elves. I found him hitching a ride on Broad Street.

[CH UCKLES]

Joey's a funny fucking guy, huh?

Let me take a guess, Joey.

You were just about to call us.

That's pretty good . You must have telepathy or something .

I must.

Give me your piece.

Think I'm fucking around with you?

How about that, huh? Cocked and ready to go.

What, are you fucking nervous, tough guy?

You're gonna follow us, Joey.

The kid will ride with us.

Stay the fuck in the car.

[CELL PHON E RI NGS]

Yeah .

No, no, I'm with him right now.

You 1 00 percent?

I fucking knew it.

No, don't worry about it. I'm gonna take care of this motherfucker right now.

Come on , what the fuck?

You gonna fucking whack me?

I fucking told you . You got any doubts, I'Il tell you--

Shut your mouth . Shut your fucking mouth now.

You see, my old man , he says to me:

"Nobody knows nobody."

Why don't you fucking put that piece of shit away?

I told you on my fucking family's--

Fucking family? When I Ieave here, I'm gonna fuck Teresa in the ass.

That's how much I give a fuck about your family.

On my fucking family, it ain't the fucking piece.

Now, how fucking far do we go back?

How Iong have we known each other? Come on , what the fuck?

-This is bullshit. TOMMY: Like l said ...

... nobody knows nobody.

You fucking take that shit off me--

-Not in front of the kid . TOMMY: What kid?

Not in front of the fucking--

You knock this gun out of my hand one more time...

... I'm gonna blow your brains all over this fucking place.

And I'II fuck that kid up right in front of you .

You got that, nigga?

Nobody knows nobody! You got that?

Shit! What the fuck?

[TOM MY CH UCKLES]

-Shit. TOMMY: You see...

... Pop reached out to a friend of ours in the department...

... had him pull the paper on Rydell's recent busts.

Turns out our friend Sal here is running his own Iittle thing on the side.

Hey, Sal . How's fucking business, huh?

A few weeks back, Sal gets bagged by Rydell and his partners.

They Iet him walk as a situated informant.

We just got confirmation 1 0 minutes ago.

Hey, hey, hey. Get the fuck up.

[CELL PHON E RI NG I NG]

TOMMY: Get the fuck up.

Yeah .

Yeah?

Oh , he's alone?

Go ahead , give me the fucking number.

Have a mai tai on me, guys.

One N ike gym bag , 60 bucks.

What the. . .?

[LAUGH I NG]

You motherfucking guinea cocksuckers.

One Nokia cell phone, a hundred bucks.

[CELL PHON E RI NG I NG]

You have just fucked yourselves.

TOMMY: One ounce Semtex, 500 bucks.

[BOMB BEEPS]

Getting rid of a dirty cop...

[CH UCKLES]

...fucking priceless.

Now, the jury's still out on you , pal . So do me a favor.

Get your ass in that car and follow me. And hey, hey...

...don't get lost.

Where we going?

[PLAYERS GRU NT]

Come on down . Come on down .

How you doing?

IVAN : So, Oleg ...

...you wanna see something really cool?

H mm?

It's called Jet Ice.

BIack-Iight paint.

We gotta do crazy shit Iike this to fill the seats.

Now, OIeg ...

...this is very serious matter.

This man ...

... he give you the gun to shoot Anzor?

Bullshit. He gave it to you . He told you to whack me.

-Stop fucking protecting him . IVAN : You shut the fuck up. Ah .

[TOM MY LAUGHS]

IVAN : OIeg , you Iisten to me.

Where did you get gun?

At school . I found it in a locker.

Don't you fucking touch him! You don't touch him!

Don't you fucking touch him! I'Il fucking kill you !

You shut the fuck up. Your turn's coming .

Oh , yeah? Well , fucking eat me.

You fucking vor cock-sucking bitch , fuck you .

-What'd you call me? -You heard me. Fuck you , you bitch .

I'm impressed . You know vors.

Vor v zakone, the brotherhood .

If you were smart man , you would Iearn to fear this symbol .

Fuck you and fuck your brotherhood vors...

... because I don't have to fucking answer to you . Fuck you .

Gonna Iet him muscle me around Iike this?

We're just trying to establish some truth here.

I mean , to be honest, I think the man's got some grounds for inquiry, heh .

That's bullshit. l told you , I didn't give the kid the piece. Come on , Frankie.

Come on , what the fuck? I told you , I didn't give him the fucking piece.

Don't Iet him hurt the kid , Anzor. Don't you fucking hurt the kid !

You fuck! You fucking motherfuckers!

I'm gonna fucking kill you !

-Oh , shit. TOMMY: Oh!

How's that feel , Joey, huh?

[YELLS]

Fuck you , Tommy.

Don't you do this, Frankie.

Don't you do it. Don't you fucking let him do this.

[TOM MY LAUGHS]

I'm not fucking Iying . I'm not fucking Iying .

Fuck!

TOMMY: Oh! FRAN KI E: Tell them what they wanna know.

U nh ! Fuck, I told you I didn't know anything , Frankie.

TOMMY: Ha-ha-ha. -Fuck!

-Fuck! -A fucking human hockey puck.

-I'm gonna fucking kill you ! TOMMY: You're gonna kill me?

You're gonna kill me? You having an out-of-body experience right now?

-Give Anzor the gun . JOEY: Frankie, don't Iet him do this.

Kill the kid .

JOEY: I'm gonna fucking kill you !

[TOM MY LAUGH I NG]

JOEY: Don't Iet them do this, Frankie.

FRAN KI E: What do you want me to do? You brought it on yourself.

-Stop. Don't do it. Stop. FRAN KI E: Joey.

I'Il fucking talk. I'll fucking tell you ...

...whatever you wanna fucking hear.

No, my friend , first you will see that I am serious.

Then afterwards, believe me, you will talk.

Come on ! Jesus Christ, l fucking told you .

I fucking told you ...

... I'Il tell you whatever the fuck you wanna hear, you fucking motherfucker.

Finish it. Do it right this time.

No, Anzor. Anzor, look at me. Don't fucking do it.

-Shut up. -U nh .

I said , finish it.

He's not your blood .

JOEY: Don't fucking do it.

If you do it, I swear to God , you better swallow a bullet.

There's no way you're gonna be able to live with yourself. Trust me, Anzor. Don't do it.

Say something bad about the Duke.

Let me hear you call him a faggot. Come on .

JOEY: Don't do it.

-Say it. OLEG: Ow.

IVAN : Shoot him .

[G ROANS]

IVAN : What are you fucking doing?

Pick up the fucking gun .

You pick it up.

You do it.

Gutless piece of faggot shit.

Come on , faggot.

I said , finish it.

Pick it up and use it.

Pick it up and do it.

Pick it up and do it!

Don't you fucking walk away from me.

[G U NSHOTS]

Get up...

...you fuck.

[JOEY GRU NTI NG]

[JOEY YELLS]

Fucking bullshit.

Fuck. Fuck.

Fuck you , Frankie!

I ain't taking the fucking heat for you no more.

It wasn't supposed to go down this way.

-What are you talking about? -Czar of Brighton ...

. . . vor, whatever the fuck you are.

Fucking Perello, didn't like it, did you?

Your nephew was cooking and dealing in the neighborhood . That's what he said .

He said , "OIeg , send him a message." He said , "Let's use the kid ."

FRAN KI E: Yugi ...

...would l put our thing in jeopardy for some two-bit fucking meth Iab?

Think about it, okay? That's number one.

Number two...

... I don't even Iive in that fucking neighborhood .

What do I care if it blows up?

The gun ...

... it was Tommy's, you fuck!

Tommy. Tommy, don't get involved in their goddamn jock fight. It's all bullshit.

He fucking put it in my right hand .

A fucking snub-nose .38, stainless steel . It was Tommy's gun .

You motherfucker. I told you to get rid of that fucking piece.

Yeah , not to my fucking recollection .

He said , "I nterest the tweaker's kid in the piece."

That's what he said . "I nterest the tweaker's kid in the piece."

Ask the kid .

Ask the kid .

Mr. Gazelle, he gave me the gun .

He said I'd get to go to the game if I shot Anzor.

It would make his friends happy.

I'm sorry, kid .

Okay. Okay. Fuck this bullshit.

[G U N COCKS]

TOMMY: Fuck you , Joey. You fucking bastard .

-Aah ! -You're fucking dead , nigga!

JOEY: Fuck.

Pop, I'm fucking shot!

You dancing-bear motherfucker.

Fucking vorl

[G ROAN I NG]

Fuck you , cocksucker.

[G U NS CLI CK]

[BOTH GRU NTI NG]

[G U NSHOT]

IVAN : You son of a bitch .

[G U N FI RE]

You'Il die like a motherfucker.

FRAN KI E:Fucking vor. JOEY: Where's the fucking gun?

[G U N FI RE]

[YELLI NG]

[G RU NTI NG]

OLEG: Mr. Gazelle.

[G U N FI RE]

[G U NSHOT]

[JOEY GRU NTI NG & PLAYER GRU NTI NG]

Fuck you .

[SPEAKI NG I N RUSSIAN]

[G U N COCKS]

-Get off him, you fuck. JOEY: Oh , fuck.

Do you know you got my son killed , you fucking scumbag?

Frankie, I'm glad it's you , because there's something I've been--

I've really been meaning to get off my chest.

You rat cocksucker. AII of this fucking time?

Yeah , this whole fucking time!

This whole fucking time!

The only thing we don't have is your finger on the trigger...

...so do me. One more nail in your coffin . FRAN KI E: Oh , you got all that, do you?

How come it took you so fucking long , then, tough guy?

Huh? How come? So fucking Iong . Tell me.

You had to climb in bed with Yugorsky, didn't you?

I was all but out, and you had to go and mix up with the fucking Russians.

Twelve years undercover and my own wife don't even fucking know.

Oh , you cocksucker. You don't have to worry.

[G U N COCKS]

FRAN KI E: She ain't never gonna hear it from your fucking Iips anyhow...

...you fucking scumbag .

I'Il tell her all about it while she sucks my fucking dick!

[G U N COCKS]

[FRAN KI E CH UCKLES]

Aw, come on . Come on .

Are you fucking kidding me?

[CH UCKLES]

What are you gonna do with that, boy?

You know that I had a Iittle boy? My Tommy. One time he was your age.

What are you gonna do with that, kid? What are you gonna do?

What are you gonna do with that, you Cheerio-bred little motherfucker?!

[BOTH GRU NT]

[G U NSHOT]

Let's go home.

[S I RENS WAI LI NG I N D ISTANCE]

OFFICER 1 : Move, move, move!

I n position .

On the other side. Let's go.

OFFICER 2: Jesus Christ, Joey, we got shorted out.

We Iost you back in Newark.

Last thing we heard you were headed for Little Odessa.

Air Support finally made your Mustang .

I'm taking the kid home to his mom .

Joey, where you going?

You're hurt. We gotta get you to a hospital .

I'm going home.

What are you thinking?

I don't wanna go home.

Well , I'm next door to you , remember.

And I'm gonna be keeping my eye on you .

Why don't we get breakfast before we have to start making with the heavy explaining?

Get ourselves cleaned up a bit.

Hey, Iisten .

I'm taking Nick to the game on Friday night.

Maybe we could find you another ticket.

If you'd Iike to go, that is.

AII right, that's good .

Wanna get some more orange juice or something?

Right.

Well , uh ...

...what do you say we get out of here?

Well , Iookie, Iookie.

If it ain't little Charlie Bronson .

One thing about Lester, he always makes good on a promise.

Hey, asshole.

[LESTER G ROANS]

WOMAN 1 : Motherfucker. Stop it, motherfucker.

Fuck him up, Lester!

You fucking piece of shit.

You fuck. U nh .

WOMAN 1 : Cocksucker. WOMAN 2: Drop that Iittle piece of shit.

I n your face, motherfucker.

Say hello to my Iittle friend .

Heh , that's real fucking original . What are you , a fucking cartoon?

I'm a mack daddy pimp. You know that.

And now I'm gonna cap your ass.

And when I'm finished with you , I'm gonna take your Iittle punk friend ...

...and I'm gonna put him in my posse.

And I'm gonna pimp him out for a couple of months.

And then I'm gonna take that knife and cut him from ear to ear...

...just Iike I should have done yesterday, you fuck!

I'm sure that sounds great to you all in your fucking pimp world ...

... but right now that's not the fucking thing you wanna do.

You wanna put down that gun and walk away, because I swear to fucking God ...

... I'Il fucking kill you , you stupid fucking pimp bitch .

Wrong . Only one of us is walking out of here.

-Guess who. -OIeg , get behind me.

OIeg , get behind me!

[CH UCKLES]

[G U NSHOT]

JOEY: Come on .

OIeg , talk to me. Come on , talk to me. You're gonna make it, OIeg .

-You're gonna make it, OIeg . -Joey, please, you're bleeding .

Come on , fuck!

[TI RES SCREECH I NG]

OLEG: Look out!

Mr. Gazelle, please, stop the car. We need to get some help.

-Tee, I'm coming home. OLEG: PIease, Mr. Gazelle.

[SPEAKI NG I N RUSSIAN]

Mr. Gazelle, please, stop the car. We need to get some help.

JOEY: I've gotta tell her. -You're hurt.

-I'm gonna make it home. -Stop the car.

[G ROAN I NG]

OLEG: You're bleeding .

TERESA: God .

Oh , God .

N icky, stay back. Stay back.

[BOTH COUGH I NG]

Mila?

OLEG: Joe.

Joe, please. Stop.

Mr. Gazelle, come on , wake up.

Mr. Gazelle. Wake up. Come on .

Stop the car. Stop the car. Please. Stop.

-Joe? Come on . OLEG: Mr. Gazelle, watch out.

Joe! Joe!

Joe.

OIeg , wait. Wait.

-Oh , God . OLEG: Mom! Mom !

-Joe. OLEG: Mom!

TERESA: Jesus.

JOEY: Oh , fuck. Fuck. -N icky, call 911 .

Don't do this to me, Joe.

-Don't fucking do this to me. JOEY: Oh , sweetheart.

I Ioved you . Okay? Just remember.

I was always the real Joey, okay? I wasn't a Iiar.

Shut up. Shut up. Look at me. Look at me. Hey. Baby, Iook me in the eye.

Joey, Iook me in the eyes. I don't care, okay? It doesn't matter.

Whatever it is, I'm gonna kick your ass over it Iater. Stay with me, Joey. Look at me.

Look at me, I'm right here. I'm right here for you .

-N icky. N icky, come here. -N icky! N icky!

TERESA: He's right here. -They're coming . They're on their way.

-Okay. -We're still going to the game Friday, right?

I Iove you , N ick.

TERESA: Okay. He wants to go to the game, baby.

Yeah . We're gonna go-- We're gonna go to the game.

-And fucking kick their asses, right, Mom? -They are going down big-fucking-time.

-You have a bad mouth . TERESA: Ha, ha.

You have-- You have a bad mouth .

-It's not that bad . You'll be okay. TERESA: Joe? Joe?

[BOTH CRYI NG]

TERESA: I'm right here.

I'm right here. I'm right here.

Joe? Joe? Joe?

[S I REN WAI LI NG I N D ISTANCE]

TERESA: Joe? Oh , God , no, no.

Oh , God , no.

Oh , God , Joe.

FI REFI GHTER 1 : Come on .

FI REFI GHTER 2: Get the kid outside. I don't want him going in there.

PARAMED IC 1 : Get that board over there. We gotta move him .

PARAMED IC 2: This guy's sinking . PARAMED IC 1 : Come on , Iet's move.

N ICKY: Louise. Louise.

[DOG BARKS]

Hey, girl . How's it going?

-George? The alternator's in the car. GEORG E: AII right.

Don't ever ask me to bury you again , Joe.

Oh , boy.

What did they put in that coffin?

-What? -What did they put in that coffin?

-What'd they put in the coffin? N ICKY: Yeah .

-Why, did it seem kind of heavy? -Yeah .

I don't know. I'm thinking , uh , probably a couple of blue shirts.

Must have been , uh , Lashov and McCall .

-That sound good? OLEG: And Cabrines.

-Cabrines. You want some of this too? -For sure, Marishka.

Marishka? You want some of this too?

I'Il check both of you right now. Right in this house.

OLEG: Razors.

[ALL CH UCKLE]

[English - US - SDH]