Original subtitles

GOOD MORNING.

GOOD MORNING.

AW. HURRY UP. HURRY UP. HURRY

UP. HONEY, ARE YOU FEELING OK,

BABY?

OH, MS. ELLA, I FEEL

SICK AS A DOG.

OHH. WAIT, WAIT, WAIT.

WELL, YOU DON'T HAVE A FEVER.

WOULD YOU LIKE SOME SOUP?

MM-HMM.

I'D LIKE THAT.

OH, I KNOW WHAT YOU HAVE.

I KNOW WHAT'S WRONG.

WHAT?

YOU HAVE THE CALVIN.

MISS ELLA, I DO NOT WANT TO

HEAR HIS NAME.

I DO NOT WANT TO TALK ABOUT HIM.

OKAY. OKAY.

I'M SORRY, BABY. OKAY.

BUT CAN YOU BELIEVE HIM?

WHAT'S WRONG WITH MEN?

WELL, THEY'RE JUST SOMETIMES

A LITTLE DEFECTIVE.

HELLO.

MAN IN THE ROOM.

GOODBYE.

BOY LEAVING THE ROOM.

[ CHUCKLES SOFTLY ]

GO TO SCHOOL.

YOU KNOW WHAT, MIRANDA?

I COULD HELP YOU OUT WITH THIS

WHOLE MAN, YOU KNOW, WHOLE

THING.

I HAPPEN TO BE A MAN.

MALIK, GO TO SCHOOL.

LITTLE BOY, GO!

I STILL AM A MAN.

OKAY, ALL RIGHT.

ALL RIGHT, MAN.

[ LAUGHS ]

OKAY, SOUP'S ON.

THANK YOU.

HOLD THE DOOR!

HOLD THE DOOR OPEN!

HOLD THE DOOR OPEN!

I BEEN WAITING OUT THERE

ALL MORNING.

MIRANDA, I NEED A KEY FOR

THE NEW LOCK.

WE NEED TO TALK.

CURTIS, I DON'T WANT TO TALK

TO YOU.

I CAN'T BELIEVE YOU.

I CAN'T BELIEVE YOU CALLED MY

JOB AND TOLD THEM I QUIT.

OH, WELL, BABY, I WAS JUST

PLAYING WITH THAT.

CURTIS, WE HAVE BEEN MARRIED

A LONG TIME, AND WE ARE IN

TROUBLE.

NOW, WE NEED SOME HELP,

SOME COUNSELING, SOME ADVICE.

NO. NO.

I DON'T NEED COUNSELING.

YOU NEED COUNSELING, ELLA.

I DON'T --

YOU THE ONE MAD.

YOU NEED ANGER-MANAGEMENT

COUNSELING, ELLA.

OKAY.

EVERYTHING IS JUST A JOKE,

ISN'T IT?

WE DON'T COMMUNICATE WELL,

CURTIS.

THIS IS NOT GOOD.

WE DON'T COMMUNICATE.

YOU NEED TO LEARN HOW TO

COMMUNICATE WITH ME.

I WISH YOU'D COMMUNICATE IN

THE KITCHEN AND GET ME SOME

SOUP.

SORRY, BABY.

OH, THAT SOUND GOOD.

AND, BABY, PUT SOME OF THE BACON

SPRINKLES ON IT AND SOME

CHEESE --

PLEASE.

I WISH I WOULD MAKE YOU SOME

SOUP.

THIS IS RIDICULOUS.

OKAY, LOOK.

BABY, I KNOW YOU'RE MAD ABOUT

THE HOUSE, OKAY?

ELLA, COUNSELING IS NOT GONNA

FIX THAT.

CURTIS, THIS IS NOT JUST

ABOUT THE HOUSE.

THIS IS ABOUT OUR MARRIAGE.

YOU DON'T APPRECIATE ME.

OH! OH! COME ON.

YOU SEE, THERE.

WHAT YOU TALKING ABOUT?

CURTIS, PLEASE.

NO, BUT, SEE -- NO, NO.

THAT'S WHAT I'M SAYING.

YOU DONE FORGOT ALREADY, ELLA?

WHAT, CURTIS?

TUESDAY NIGHT?

SWING!

SPLATTER!

CURTIS!

OH, Y'ALL ARE MAKING ME

REALLY FEEL SICK NOW.

I DON'T EVEN WANT TO TALK TO

YOU, OKAY?

WE TALKING RIGHT NOW.

YOU KNOW WHAT, CURTIS?

YOU DON'T APPRECIATE ME.

YOU DON'T APPRECIATE THE FACT

THAT I HAVE A JOB AND THAT I

ENJOY THE JOB.

YOU DON'T LISTEN TO ME, CURTIS.

YOU'RE SO INSENSITIVE.

YOU'RE OLD-FASHIONED.

YOU'RE RIDICULOUS.

WHY DID YOU EVEN COME BY HERE?

HUH?

JUST GET OUT.

THANK YOU.

WHAT HAPPENED TO

THE COMMUNICATING?

WHAT HAPPENED TO THAT?

I'M NOT GOING TO COUNSELING,

ALL RIGHT?

YOU KNOW WHAT?

I HAVE PROVIDED A HOME FOR YOU,

ELLA.

OVER 20 YEARS, I'VE PROVIDED

A GOOD HOME FOR YOU -- FOR US,

OUR FAMILY.

OKAY, I'M SORRY ABOUT

THE CONTRACTOR, ALL RIGHT?

SO I HIRE ONE LITTLE

JACK LAY CONTRACTOR WHO DID

$87,000 OF DAMAGE TO THE HOUSE,

WHICH, BY THE WAY, YOU DIDN'T

KNOW.

I WENT TO THE FIREMAN'S CREDIT

UNION, AND THEY'RE GONNA LOAN ME

THE $67,000 TO GET THE HOUSE

FIXED.

HOW ABOUT THAT?

YOU DIDN'T KNOW ABOUT THAT.

OKAY, CURTIS.

WELL, WHAT ABOUT THE $20,000

THAT WE HAVE LEFT?

THAT'S JUST LIKE $200,000 THAT

WE DON'T HAVE.

SEE?

THAT'S WHAT I'M TALKING ABOUT,

ELLA.

WHAT?

THAT'S WHAT I'M --

WHERE'S YOUR FAITH, ELLA?

I'M GONNA COME UP WITH --

LOOK. HEY.

I'M NOT GOING TO COUNSELING.

HOW ABOUT THAT?

FINE, CURTIS.

FINE.

HEY, W-WHAT -- WHAT HAPPENED

TO MY SOUP?

[ SIREN WAILS ]

[ HORN HONKS ]

[ TIRES SCREECH ]

YOU GONNA HAVE TO LEARN TO

DRIVE ON THE RIGHT SIDE OF

THE ROAD.

OH, SHUT UP.

OH.

OOH.

WHAT IS THAT?

[ COUGHS ]

MAN.

EW, CALVIN.

OH.

NO WONDER MIRANDA LEFT YOU.

YOU'RE A SLOB.

NOT TO MENTION YOU WERE

SLOBBERING ALL OVER MERCEDES.

IT WAS JUST A KISS.

OH, YEAH, BUT WHEN THAT KISS

AIN'T FOR YOUR WIFE, IT'S THE

KISS OF DEATH.

AM I SMELLING CHEESE?

LOOK, IF YOU AND YOUR DADDY ARE

GONNA STAY IN THE SHOP, YOU ALL

ARE GONNA HAVE TO CLEAN UP AFTER

YOURSELVES.

COME ON.

GET THIS STUFF UP OUT OF HERE.

I GOT CUSTOMERS COMING.

COME ON, NOW.

WE'RE STARTING THE DAY.

COME ON, MAN. MOVE!

MOVING.

STINKING.

PHEW.

HEY, OLIVIA.

HEY, KIKI, DANA.

WHERE'S MY FATHER?

HE'S IN THE BACK.

OKAY, BECAUSE I WANTED TO ASK

YOUR OPINION ON SOMETHING.

OH.

I WANT TO SURPRISE THE MAN IN

MY LIFE WITH A NEW SHIRT.

WHAT DO YOU THINK?

THE RED?

MM.

NO.

OR...THE BLUE?

OOH, YEAH.

THAT'S A HOT SHADE OF BLUE.

YEAH.

THE BLUE ONE IS BANGING.

YEAH, THAT'S WHAT I THOUGHT.

BUT SOMETIMES YOU NEED A SECOND

OPINION.

OKAY.

I'M GONNA TAKE THE OTHER ONE

BACK.

ALL RIGHT.

SEE YOU LATER.

SEE YOU LATER.

AW.

ISN'T SHE SO SWEET?

SHE'S SO SWEET.

I KNOW.

HOW IS SHE RELATED TO FLOYD?

OOH.

[ CHUCKLES ]

MY BABY -- ISN'T SHE THE

SWEETEST DAUGHTER?

GETTING READY TO GET A SHIRT FOR

THE MAN IN HER LIFE.

FLOYD, YOU HEARD HER?

MM-HMM.

BANGING BLUE SHIRT.

FLOYD!

YES, THAT'S NICE.

NO, SHE'S TRYING TO SURPRISE

YOU.

DON'T LET HER KNOW YOU KNOW.

OKAY.

I KNOW WHAT MAKES A MAN GET THE

MAN BLUES.

IT'S LOVE OR MONEY.

I'VE GOT BOTH.

MIRANDA'S STILL MAD AT ME.

POPS AND I ARE SLEEPING IN THE

SHOP, AND MALIK AND MY MOM ARE

SLEEPING IN MY CONDO.

MAN.

MY LIFE IS GREAT RIGHT NOW, BUT

YOUR LIF SUCKS!

WELL, IF I COULD HELP MY

PARENTS GET THEIR HOUSE BACK,

MAYBE MIRANDA AND I CAN WORK IT

OUT.

SO, HOW MUCH IS THIS GONNA

COST YOU, THEN?

$20,000.

OOH.

AND HOW MUCH YOU NEED?

$20,000.

HELLO!

YOU'LL BE BETTER NOW THAT

YOU'RE HOME...

OKAY.

HELLO.

HEY.

I'LL GET YOU OVER HERE.

OOH.

HELLO.

UM...

HI.

[ Chuckling ] HI.

ONE SEC.

OKAY, MIRANDA, I KNOW YOU ARE

HAVING PROBLEMS WITH CALVIN, BUT

WHAT IS THIS WHITE MAN DOING

HERE?

IT IS NOT WHAT IT LOOKS LIKE.

YOU'RE TELLING ME HE DOESN'T

LOOK LIKE A WHITE MAN?

HE'S WHITE, YES.

BUT IT'S NOT THE SITUATION.

THIS IS SCOTT.

HE'S ONE OF MY CLIENTS.

OH, I WAS SHOWING HIM THIS

FABULOUS LOFT IN MIDTOWN,

AND I JUST GOT A LITTLE DIZZY.

SO HE INSISTED ON MAKING SURE I

GOT HOME SAFE.

OHH, THANK YOU, SCOTT.

SIT DOWN, BABY.

OHH, THANK YOU, SCOTT.

YOU'RE WELCOME.

OH.

[ SIGHS ]

MM. MY STOMACH.

SO, DID YOU LIKE THE LOFT?

OH, WELL, YEAH.

OTHER THAN MY REAL-ESTATE AGENT

LYING IN THE MIDDLE OF THE

KITCHEN FLOOR, I THOUGHT IT WAS

REALLY NICE.

CALVIN? HELLO?

OKAY, WELL, CALVIN, WHEN YOU GET

THIS MESSAGE, DEAR, COULD YOU

PLEASE HURRY HOME?

CALL YOUR MOTHER.

CALL YOUR WIFE.

[ CHUCKLES ]

THERE'S A STRANGE WHITE MAN

HERE, HONEY.

HE LOOKS LIKE HE HAS A WHOLE LOT

OF MONEY.

HE JUST BROUGHT YOUR WIFE HOME.

COULD YOU PLEASE --

MISS ELLA.

WHY DID YOU CALL CALVIN?

I DON'T NEED HIM HERE.

OH, MIRANDA, YES, YOU --

WELL -- WELL, IT LOOKS LIKE YOU

DO.

UM, MIRANDA, I UNDERSTAND THAT

YOU AND CALVIN ARE HAVING

PROBLEMS RIGHT NOW, BUT YOU

NEED YOUR HUSBAND HERE TO HELP

YOU.

WELL, YOU KNOW WHAT?

HE SHOULD HAVE THOUGHT ABOUT

THAT BEFORE HE WAS WITH

MERCEDES.

WELL, I KNOW THAT THAT'S

SOMETHING [Singsong voice] ELSE

YOU GUYS NEED TO WORK OUT IN

PRIVATE.

SO, I GET IT.

THIS -- THIS KISS WITH MERCEDES?

THIS IS THE LITTLE PROBLEM YOU

WERE REFERRING TO?

MM-HMM.

YEAH.

OKAY.

SO YOU TOLD THIS STRANGER ABOUT

YOUR BUSINESS?

SOMETIMES IT'S EASIER TO TALK

TO A STRANGER.

I MEAN, IT'S WORKING BECAUSE

BEFORE I LEFT FOR WORK, I WANTED

TO KILL CALVIN.

NOW I JUST WANT TO BREAK HIS

LEGS.

MIRANDA, THIS IS SERIOUS.

HOW DO YOU EXPECT TO WORK THIS

OUT WITH CALVIN IF YOU WON'T

EVEN BE IN THE SAME ROOM WITH

HIM?

MISS ELLA, I REALLY DON'T

WANT TO GO THERE.

ACTUALLY, MIRANDA, SHE'S

RIGHT.

THE BEST WAY TO DEAL WITH

CONFLICT IS FACE-TO-FACE.

[ SCOFFS ]

OH, YOU KNOW WHAT?

I WANT TO HAVE A FACE-TO-FACE.

I WANT TO HAVE A FACE-TO-FACE

WITH MERCEDES.

THAT'S WHO NEEDS A FACE-TO-FACE

RIGHT NOW.

MIRANDA, YOU DON'T EVER WANT

TO CONFRONT THE WOMAN.

CHECK YOUR MAN FIRST.

MISS ELLA, I'M JUST NOT

FEELING VERY WELL.

WELL, MAYBE YOU NEED TO GET

SOMETHING IN YOUR STOMACH.

OKAY.

WELL, SCOTT, WOULD YOU LIKE TO

JOIN US FOR LUNCH?

I MEAN, IT'S THE LEAST THAT I

CAN DO.

OH, WE DON'T HAVE ENOUGH

FOR HIM.

MISS ELLA, PLEASE.

WE DON'T. WE DON'T.

WE DON'T.

SHE'S KIDDING.

I'D LOVE TO STAY. THANKS.

CALVIN, MOVE.

I HAVE A CUSTOMER.

OH, SORRY.

I'M TRYING TO FIGURE SOMETHING

OUT.

NAH, NAH, NAH.

UNH-UNH.

CALVIN, WHY DON'T YOU JUST

USE THE OFFICE?

I WOULD, BUT YOUR LUNCH-BOX

COLLECTION IS TAKING UP HALF

THE DESK.

WELL, YOU ARE HALF THE OWNER.

WHY DON'T YOU TAKE UP THE OTHER

HALF OF THE DESK?

DUH!

HEY, EVERYBODY.

HEY.

HOW'S THE WORLD'S GREATEST

FATHER?

HEY, BUBELEH.

HOW YOU DOING, BABY?

I WASN'T EXPECTING MY PRINCESS

TODAY.

YOU KNOW WHAT?

HAVE I TOLD YOU HOW MUCH I LOVE

YOU?

YES.

YOU KNOW, I WOULD GIVE YOU

TH SHIR OFF MY BACK.

WHAT?

I MEAN, CAN'T BLUE-COLLAR

BROTHER...

COME FROM TH CUFF?

HMM?

ARE YOU --

I MEAN, I DON'T HAVE ANYTHING

UP MY SLEEVE.

ARE YOU OKAY?

YES, BABY, I'M GOOD.

OKAY.

[ CHUCKLES ]

OHH!

[ OBJECTS RATTLING ]

BOY, IF YOU HAVE DENTED MY

PAM GRIER LUNCH BOX, I AM

STRAIGHT UP KICKING YOUR...

HOW YOU BEEN?

NOT AS GOOD AS YOU, BUT GOOD.

YOU LOOK NICE.

YOU LOOK NICE.

I LIKE YOUR SHIRT.

OOH.

WHOA!

OW.

BOY, YOU -- YOU HIT MY

DAUGHTER, MAN?

NO, NO, NO, NO.

SHE HAD AN EYELASH IN HER EYE,

AND I WAS BLOWING IT OUT.

THANK YOU FOR GETTING THAT

EYELASH OUT OF MY EYE.

DON'T LIE.

1, 2, 3, 4, 5, 6, 7...

NO.

YOU KNOW WHAT?

I DON'T FEEL GOOD.

I'M COMING DOWN WITH SOMETHING.

I'M GONNA GO.

WHY DON'T YOU GO AHEAD AND

FINISH THAT UP, AND, UM, JUST

KEEP THE TIP.

I'LL GET YOU NEXT TIME.

BUT WHAT --

AND THAT'S ALL I'M GONNA

SAY ABOUT MY CURTIS.

AND, LISTEN, WHEN YOU SEE HIM,

YOU'LL KNOW IT'S HIM.

YOU'LL JUST KNOW.

[ LAUGHS ]

MIRANDA, YOU ARE RIGHT.

SCOT I EASY TO TALK TO.

I TOLD YOU.

AND YOU GIVE GOOD ADVICE.

WELL.

[ CHUCKLES ]

[ DOOR CLOSES ]

THANK YOU FOR LEAVING THE

DOOR OPEN.

ELLA, CAN YOU MAKE ME SOMETHING

TO EAT?

I'M STARVING.

WHO THE HELL ARE YOU?

HEY, I'M SCOTT.

YOU MUST BE CURTIS.

WHAT DO YOU MEAN?

WELL, ELLA'S BEEN TELLING ME

A LOT ABOUT YOU.

ELLA, WHY ARE YOU TELLING

PEOPLE MY BUSINESS?

OH, NO.

SEE, WHAT HAPPENED WAS I WAS

SHOWING HIM THIS APARTMENT IN

MIDTOWN, AND THEN WE HAD A

LITTLE ISSUE.

WHAT HAPPENED?

NOTHING.

MIRANDA FAINTED, AND SCOTT

BROUGHT HER HOME.

SCOTT?

BABY, ARE YOU OKAY?

WHY DO YOU CARE?

SHOULDN'T YOU BE WITH YOUR

WOMAN?

YOU ARE MY WOMAN.

YOU KNOW, MIRANDA, I JUST --

I THINK I SHOULD GO.

IT'S OKAY.

OH, NO, NO, NO, NO.

SCOTT, PLEASE STAY.

I MEAN, THIS IS WHAT I WAS

TELLING YOU ABOUT.

WHO ARE YOU AND WHY ARE YOU

IN THE MIDDLE OF THIS?

OKAY, LISTEN.

YOU DON'T HAVE ANYTHING TO SAY.

YOU NEED TO BE HAPPY THAT I LET

YOU IN THE HOUSE.

WHOA, WHOA, WHOA.

YOU GUYS ARE TALKING, BUT YOU'RE

NOT LISTENING TO EACH OTHER.

YOU'RE RIGHT ABOUT THAT.

NOBODY'S LISTENING.

'CAUSE I TOLD ELLA TO MAKE ME

SOMETHING TO EAT AND I'M STILL

STARVING.

YOU KNOW, THERE'S A LOT OF

EMOTION IN THE ROOM RIGHT NOW.

I JUST -- I THINK THAT MIRANDA,

CALVIN -- YOU GUYS JUST NEED TO

LISTEN TO EACH OTHER.

WHY IS THIS YOUR BUSINESS?

CALVIN.

NO, NO, HE'S RIGHT.

I MEAN, SOMETIMES I CAN BE A

LITTLE BLUNT.

BUT SOMETIMES THAT'S WHAT WORKS

BEST.

I LIKE THAT.

WELL, ELLA, LET ME BE BLUNT.

I'M STARVING!

AND LET ME BE BLUNT.

I AM NOT YOUR LITTLE SHORT-ORDER

COOK, CURTIS.

WELL, YOU'RE SHORT, AND YOU

COOK.

CURTIS, YOU DON'T --

YOU DON'T EVEN INVOLVE ME IN

YOUR DECISION-MAKING UNLESS IT

HAS SOMETHING TO DO WITH FOOD OR

BEDROOM DESSERT.

BECAUSE I'M THE MAN, ELLA.

I'M THE PROVIDER.

I'M THE ALPHA MALE.

UGHH!

WOW.

UM, THIS IS WHAT MY MARRIAGE

USED TO BE LIKE.

IT WAS ALL "I," "I," "I."

BUT UNTIL WE STARTED TALKING

ABOUT "WE," WE COULDN'T WORK

THINGS OUT.

WELL I' NOT TALKING TO

IM.H

AND I'M NOT TALKING TO HIM.

AND I'M NOT TALKING TO HER.

AND I AIN'T GOT NOTHING TO

SA-- SAY.

BABE.

CURTIS?

ARE YOU OKAY?

I'M FINE.

I'M FINE.

MIRANDA, I THINK THAT WE

SHOULD JUST TAKE YOU TO

THE DOCTOR RIGHT NOW.

MISS ELLA, I AM OKAY.

I'M JUST TIRED.

THAT'S ALL.

I DON'T CARE WHAT YOU SAY.

I'M MAKING YOU A DOCTOR'S

APPOINTMENT TOMORROW.

YOU KNOW, WITH ALL THAT'S

GOING ON EMOTIONALLY, IT COULD

BE AFFECTING YOU PHYSICALLY.

SO, HOW DO YOU KNOW SO MUCH

ABOUT EMOTIONS AND FEELINGS?

[ CHUCKLES ]

IT'S MY JOB.

I'M A MARRIAGE COUNSELOR.

DIDN'T MIRANDA TELL YOU?

WHAT THE HELL?

ELLA, YOU SET ME UP.

I TOLD YOU I WASN'T GOING TO NO

COUNSELING, BABY.

OH, WELL, OKAY.

I DIDN'T KNOW H WA A

COUNSELOR.

WAIT, WAIT, WAIT, WAIT.

LISTEN, AFTER SPENDING

THE EVENING WITH YOU GUYS, I CAN

SEE THAT YOU ALL LOVE EACH OTHER

A LOT.

AND IF THERE'S ANYTHING THAT CAN

FIX A MARRIAGE, IT'S LOVE.

I MEAN, IF I HAD TO GIVE YOU MY

PRESCRIPTION, IT WOULD BE

COMMUNICATION.

YOU ALL NEED TO START TALKING TO

EACH OTHER.

WELL, MIRANDA, I HOPE YOU FEEL

BETTER.

AND I'LL CALL YOU ABOUT THE

CONDO.

OKAY.

AND, CURTIS, I'LL SEND YOU

MY BILL.

WELL, I WOULD LIKE TO

COMMUNICATE SOMETHING.

CURTIS, YOU WILL NOT SLEEP HERE

TONIGHT.

YOU NEED TO JUST GO BACK TO THE

BARBER SHOP.

OH, ELLA, COME ON.

I WANT TO COMMUNICATE NOW.

LOOK, I WANT TO TALK.

I WANT TO COMMUNICATE.

CAN I STAY HERE TONIGHT?

YOU KNOW YOU'RE NOT STAYING

HERE TONIGHT, RIGHT?

HEY, YOU DON'T HAVE A CHOICE.

I'M NOT LEAVING YOU HERE WHILE

YOU'RE SICK.

YOU CAN BE MAD AT ME ALL YOU

WANT TO.

WELL, YOU KNOW WE DON'T HAVE

NO ROOM.

YOU'RE NOT SLEEPING IN THE

BEDROOM WITH ME.

AT LEAST I'LL BE WITH YOU.

[ SNORING ]

YEP, YEP, YEP, YEP.

HEY, CALVIN.

HEY, EVERYBODY.

YOU KNOW, YOU'RE HERE A LOT

MORE THAN THEM BOOTLEGGERS ARE.

WHY YOU NOT AT WORK?

SOMEONE'S MEETING ME HERE,

AND I'M TRYING TO AVOID

MERCEDES.

I AIN'T NEVER HEARD OF NO

BLACK MAN AVOIDING A MERCEDES.

I MEAN, THAT IS YOUR WOMAN NOW,

RIGHT?

LOOK, SHE'S NOT MY WOMAN.

AND, QUITE FRANKLY, I'M TIRED OF

TALKING ABOUT IT.

HEY, HEY!

MR. MILLERS.

MY APPOINTMENT.

RIGHT THIS WAY.

RIGHT THIS WAY.

HMM.

OOH, WHO DO YOU THINK HE IS?

HE LOOKED LIKE A LAWYER.

MM.

LIKE A DIVORCE LAWYER?

OHH.

DON'T JUMP TO CONCLUSIONS.

[ DOOR OPENS ]

YO, YO!

WHAT'S UP, ZACH?

HEY.

HOW'S IT GOING, EVERYBODY?

WHAT'S UP?

OH, SHIRT.

[ CHUCKLES ]

WHAT?

I was just saying.

UM...

WHAT ARE YOU DOING WITH THAT

SHIRT ON?

WHAT DO YOU MEAN?

OLIVIA WAS SUPPOSED TO BE

GIVIN M THAT SHIRT.

NO.

MAYBE A SHIRT LIKE IT, BUT NOT

THIS SHIRT.

NO, NO.

I'M ALMOST SURE THAT --

HEY!

Both: HEY.

SPEAK OF THE LITTLE PRINCESS.

UM, BABY, WHY DOES ZACH HAVE ON

MY SHIRT?

You told him?

Did you tell him?

I didn't say nothing.

I THOUGHT YOU SAID YOU

WERE, UM...

YOU TOLD ME THAT THAT SHIRT WAS

FOR THE MAN IN YOUR LIFE.

IT IS.

OH?

ZACH IS THE MAN IN MY LIFE.

OH, SHIRT.

OHH.

OKAY.

WOW, IT'S LIKE THAT NOW.

SO, YOU'RE DATING MY DAUGHTER.

OKAY.

UH, IT'S MUTUAL.

WE'RE DATING TOGETHER.

WE KIND OF MET IN THE MIDDLE.

AND WE'RE TAKING IT FROM THERE.

TEAM.

IT'S LIKE, SLOW, TOGETHER.

A TEAM?

TOGETHER IN THE MIDDLE?

MM.

ZACH, GET LOW.

FLOYD IS NASTY WITH A RAZOR.

DADDY, CALM DOWN!

SEE?

THAT'S WHY I DIDN'T WANT YOU TO

KNOW.

I KNEW YOU'D BE UPSET.

I'M NOT UPSET.

YES, YOU ARE.

LOOK, HE IS GOOD TO ME, AND I

LIKE HIM, BUT --

RIGHT.

DADDY, I WILL ALWAYS BE YOUR

PRINCESS.

MY PRINCESS?

I JUST WANT YOU TO KNOW I

WOULD NEVER DO ANYTHING TO HURT

YOUR PRINCESS, YOUR OLIVIA.

I WOULDN'T HURT HER.

SO, YOU'VE BEEN DOING THIS

BEHIND MY BACK?

MY OWN FLESH AND BLOOD.

IT'S OKAY.

OKAY, OKAY.

HERE YOU GO, KIKI.

HOLD THAT FOR ME.

FLOYD, WE CAN GET THROUGH

THIS.

YEAH, WE GONNA GET THROUGH

IT.

WE'RE JUST DATING.

HEY.

NO HARM, NO FOUL.

WE GOOD?

YEAH, WE GOOD.

YEAH, COME ON.

WHAT ARE YOU DOING?

YOU'RE FAMILY NOW.

OH, MY GOD.

YEAH.

FAMILY. I'M EXCITED.

OH, OH, YEAH.

BY THE WAY...

YOU'RE FIRED.

NO! DADDY, NO!

I'M GONNA PRESS CHARGES!

I'M GONNA PRESS CHARGES!

I'M PRESSING CHARGES!