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ELLA! ELLA, ELLA, ELLA, ELLA!
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A, ELLA, ELLA!
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SHH, SHH, SHH!
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H, SHH!
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WHAT IN THE WORLD?
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E WORLD?
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ELLA, GOD HAS BLESSED ME.
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AS BLESSED ME.
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OK, CLARETHA. CLARETHA, IF
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YOU DON'T KEEP YOUR VOICE DOWN,
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I AM GOING TO CURSE YOU.
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[DEEP VOICE] ELLA, GOD HAS
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BLESSED ME.
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CLARETHA, I MEAN, KEEP IT
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DOWN, PLEASE. C.J. AND JANINE
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HAVE PUT THE TWINS DOWN FOR A
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NAP.
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BABY, WHY DO YOU LOOK LIKE
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FLORENCE OF ARABIA?
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ELLA, BECAUSE MY SHIP
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HAS COME IN.
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[IMITATING SHIP'S HORN BLOWING]
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OK, WHAT ARE YOU TALKING
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ABOUT?
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ELLA, I MET THE PRINCE OF
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JA'AIR.
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OK, CLARETHA, DON'T YOU MEAN
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ZAIRE WITH A "Z"?
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NO. I MEAN JA'AIR WITH A "J,"
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AS IN "JEWELS" AND "JETS."
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OK, BABY, WHERE IS THAT?
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WELL, I THINK IT'S PROBABLY
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ON THE SAME BLOCK WITH ZAIRE.
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GIRL, YOU KNOW I DON'T KNOW.
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OK, WELL, CLARETHA, WHERE DID
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YOU MEET THIS PRINCE?
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I MET HIM AT THE CAR WASH.
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HE WAS WASHING UP HIS BRAND-NEW
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SHINY SPORTS CAR.
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HA HA HA! CLARETHA.
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HOW MANY PRINCES DO YOU KNOW
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WASH THEIR OWN CAR?
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ALL THE LOWDOWN KIND.
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OH, ELLA.
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HE'S EVERYTHING I DREAMED OF.
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HE'S VERY RICH,
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HE'S VERY, VERY HANDSOME,
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AND VERY, VERY, VERY YOUNG.
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THAT'S GOOD. I KNEW IT.
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I KNEW IT. OK, CLARETHA, HOW
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YOUNG?
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NICK CANNON YOUNG.
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CLARETHA, NO!
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AND I DIDN'T JUST MEET HIM,
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ELLA.
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WHAT?
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I MARRIED HIM. BAM!
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CLARETHA, NO! NO.
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IT WORKED FOR MARIAH CAREY.
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NOW I'LL BE HITTING THE HIGH
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NOTES.
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* OOH OOOH
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OK, CLARETHA, YOU DID WHAT?
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YES. I'S MARRIED NOW.
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ELLA, YOU ARE LOOKING
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AT A PRINCESS.
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I SOLD MY HOUSE, AND WE ARE
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MOVING TO JA'AIR.
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HOW COULD YOU SELL YOUR
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HOUSE AND MOVE IN WITH A
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PERFECT STRANGER?
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HE'S NOT A STRANGER. HE'S A
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PRINCE. AND NOW HE'S MY PRINCE
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OF A HUSBAND. OH, ELLA, I
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HAVEN'T FELT THIS GOOD SINCE
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HUBERT DIED.
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OK, CLARETHA, HONEY, I THINK
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YOU HAVE FINALLY LOST IT.
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NO, GIRL, I HAVE FINALLY
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FOUND IT.
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CLARETHA, YOU...
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CURTIS, DON'T--
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[SLAM]
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DON'T SLAM THAT DOOR.
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I DON'T BELIEVE THIS!
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YOU WON'T BELIEVE THIS!
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HEY, HEY.
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JANINE'S TRYING TO KEEP THE
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TWINS ASLEEP.
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I GOT A--
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CURTIS, CURTIS!
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THIS.
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THIS IS WHAT'S GOING ON IN HERE.
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A JAYWALKING TICKET.
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I GOT A JAYWALKING TICKET.
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WERE YOU JAYWALKING?
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YEAH, I WAS. BUT THAT AIN'T
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THE POINT. I COULD JAYWALK IF I
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WANT TO. I'M THE FIRE CHIEF. I
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COULD J-K-L-M-N-O-P CROSS THE
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STREET IF I WANT TO, SKIPPING
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AND DANCING.
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I'M THE FIRE CHIEF!
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THE WORST DAY OF MY LIFE.
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UH-OH. WELL, CURTIS, DON'T
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LOOK NOW, BUT CLARETHA HAS SOLD
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HER HOUSE AND IS MOVING OUT OF
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THE COUNTRY WITH A PRINCE.
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STOP PLAYING WITH ME.
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DON'T PLAY WITH ME WHEN I'M
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BEREAVED LIKE THIS.
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DON'T PLAY WITH ME.
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IS THIS TRUE?
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THIS IS THE BEST DAY OF MY LIFE.
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I AIN'T PAYING FOR NO TICKET.
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I BET YOU I'M GONNA BEAT THIS.
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I'M DOING MY RESEARCH. I CAN
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BEAT THIS TICKET. THIS AIN'T
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NOTHING.
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OH, THEY'RE HERE! THEY'RE
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HERE!
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MALIK!
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[SOFTLY] I'M SORRY.
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THEY'RE HERE.
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HEY.
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HEY, MAMA.
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OH, HI.
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WHAT'S UP, POPS?
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WHERE HAVE YOU TWO BEEN? YOU
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HAVE BEEN BACK FOR TWO WEEKS
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AND WE HAVE NOT SEEN YOU. YOU
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KNOW I AM DYING TO HEAR ABOUT
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EVERYTHING.
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MISS ELLA, I'M SO SORRY WE
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DIDN'T COME BY SOONER. WE'VE
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JUST BEEN REALLY, UH, BUSY.
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YEAH, WE'VE BEEN REAL BUSY.
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OK.
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OK, COUSIN CALVIN, I LIKE
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GIRLS, TOO, BUT EW!
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SIT DOWN, SIT DOWN.
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SIT, SIT, SIT.
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HEY, HEY, GUYS. GOOD TO SEE
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YOU, MAN. GLAD YOU'RE BACK AND
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EVERYTHING. YOU ALL LOOK GREAT,
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BUT CAN YOU GUYS KEEP IT DOWN?
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WE'RE TRYING TO KEEP THE TWINS
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ASLEEP.
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OH, OK.
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[LOUDLY] HEY, DID YOU TELL
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THEM I GOT A TICKET?
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UNCLE CURTIS.
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C.J.!
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I'M COMING.
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COME ON, TELL US ALL ABOUT
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ARIS.P
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OH!
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I GOT A TICKET.
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MAMA, IT WAS GREAT. OH, AND
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WE EVEN BROUGHT YOU GIFTS.
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YOU BROUGHT US GIFTS? BABY,
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WE GOT GIFTS.
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FIRST THE LITTLE ONES. LOOK
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AT THIS.
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THE LITTLE ONES. OH!
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THIS IS FROM THE BATHROOM.
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THESE ARE TOILETRIES.
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ESPECIALLY FOR YOU, MISS
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ELLA.
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THE GIDEON!
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BAM!
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AH! OK, SO YOU STOLE THE
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BIBLE AND...
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YOU KNOW, WHERE YOU GOING, I
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TELL YOU...
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YOU'RE GOING TO HELL.
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OK, WOULD YOU PLEASE JUST
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SHOW US SOME PICTURES.
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YEAH, WE GOT PICTURES.
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EIFFEL TOWER IN THERE.
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OK. THIS IS THE HOTEL ROOM.
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ISN'T THAT FABULOUS?
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OH, THIS IS WHERE YOU STAYED.
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THAT'S THE HOTEL. THAT'S THE
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ROOM.
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WAIT, WAIT, WAIT.
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THAT'S THE WINDOW.
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YOU LOOKED OUT OF THAT
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WINDOW? AH!
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THIS IS THE BATHROOM.
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I SEE THESE. I SEE THESE.
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THEY EVEN HAD THESE TOILETS
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THAT SHOOT UP THE WATER. YEAH,
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BABY, LIKED THAT.
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TOILETS.
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THAT'S THE ROOM HOUSEKEEPER.
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THAT'S HER? OK.
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AND OVER HERE IS THE COUCH.
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OOH! YOU SAT ON THAT COUCH,
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THEN.
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WE DID MORE THAN SIT.
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CALVIN, CALVIN.
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OK.
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SO THAT WAS OUR TRIP.
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WELL, DID YOU EVER LEAVE THE
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ROOM?
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NO.
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EW. EW, EW, EW.
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WHAT'S BEEN GOING ON HERE?
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I GOT A TICKET.
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THE TWINS ARE FINE. CLARETHA
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SOLD HER HOUSE AND IS MARRYING
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A PRINCE, MOVING OUT OF THE
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COUNTRY.
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AND I GOT A TICKET.
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AND THE BIG NEWS IS--
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I GOT A TICKET.
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CURTIS. JAZMINE RETESTED AND
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GOT ACCEPTED INTO THE GIFTED
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PROGRAM!
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YEAH. SHE'S IN
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NORTH CAROLINA.
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SHE'S THERE NOW.
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WOW. BABY, HOW LONG HAVE WE
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BEEN GONE?
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OK, NOW, CURTIS, THIS MEANS
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A LOT TO CLARETHA, OK, BABY?
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SO BE NICE, ALL RIGHT?
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AND WHEN SHE GETS HERE, BABY,
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PLEASE TAKE THAT LOOK OFF YOUR
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FACE.
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THIS LOOK COMES WITH
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CLARETHA.
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THIS LOOK AND GAS.
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IT'S A SET.
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AHEM.
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HI! HE'S YOUNG.
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HI!
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WELCOME TO OUR HOME.
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I AM SO HAPPY TO BE HERE.
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ELLA, CURTIS, ALLOW ME TO
242
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INTRODUCE PRINCE JA'AIR.
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[SPEAKING FOREIGN LANGUAGE]
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CLARETHA, SHE HAS TOLD ME SO
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MUCH ABOUT YOU. REALLY GOOD TO
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SEE YOU.
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[NERVOUS LAUGH]
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AND YOU ARE A FUNNY FAT MAN,
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YES.
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GET YOUR HANDS OFF ME.
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GET YOUR HANDS OFF ME.
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SIT, SIT, SIT, SIT.
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HAVE A SEAT. SIT, SIT, SIT.
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OK, PRINCE, COULD I GET YOU
255
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SOMETHING TO DRINK?
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NO, THANK YOU. SUKRAN.
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GOOD BECAUSE I DON'T EVEN
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KNOW WHAT NO SHUKRON IS.
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MAYBE THEY GOT A 99 CENT
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STORE.
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TALK TO THE MAN.
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OH, UH, SO WHAT YOU GOT,
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GLAUCOMA?
264
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YOU GOT CATARACTS?
265
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NO. WHY DO YOU ASK?
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THERE'S GOT TO BE SOMETHING
267
00:08:43,500 --> 00:08:44,600
WRONG WITH YOUR EYES. YOU'RE
268
00:08:44,600 --> 00:08:46,233
WITH CLARETHA.
269
00:08:46,233 --> 00:08:47,067
WELL, I GUESS THAT MEANS
270
00:08:47,067 --> 00:08:48,100
THAT ELLA IS BLIND.
271
00:08:48,100 --> 00:08:50,233
OK, WELL, UH, PRINCE,
272
00:08:50,233 --> 00:08:52,933
PRINCE. CLARETHA SAYS THAT YOU
273
00:08:52,933 --> 00:08:54,600
LIVE IN A MANSION ON ROSWELL
274
00:08:54,600 --> 00:08:55,733
ROAD.
275
00:08:55,733 --> 00:08:56,933
YES. ACTUALLY, I HAVE BEEN
276
00:08:56,933 --> 00:08:58,900
THERE FOR 2 YEARS NOW, BUT NOW
277
00:08:58,900 --> 00:09:00,467
THAT MY STUDIES ARE OVER, I
278
00:09:00,467 --> 00:09:01,667
WILL RETURN TO MY COUNTRY
279
00:09:01,667 --> 00:09:03,100
TOMORROW WITH THIS BEAUTIFUL
280
00:09:03,100 --> 00:09:04,767
WIFE.
281
00:09:04,767 --> 00:09:07,567
SO YOU DO HAVE ANOTHER WIFE.
282
00:09:07,567 --> 00:09:09,567
WHATEVER. YOU COULD MAKE ALL
283
00:09:09,567 --> 00:09:11,667
THE JOKES YOU WANT BECAUSE
284
00:09:11,667 --> 00:09:15,167
TOMORROW I'LL BE CURTIS-FREE.
285
00:09:15,167 --> 00:09:16,900
YEAH, WHATEVER.
286
00:09:16,900 --> 00:09:18,300
SO LOOK HERE, YOU SAY YOU A
287
00:09:18,300 --> 00:09:19,933
PRINCE, RIGHT?
288
00:09:19,933 --> 00:09:21,367
YES, PRINCE JA'AIR.
289
00:09:21,367 --> 00:09:22,333
WE GOT A PRINCE HERE IN THE
290
00:09:22,333 --> 00:09:27,233
STATES. OOH!
291
00:09:27,233 --> 00:09:27,633
CURTIS.
292
00:09:27,633 --> 00:09:28,600
I WAS JUST SEEING IF HE GOT
293
00:09:28,600 --> 00:09:31,133
HIS ASS CUT OUT.
294
00:09:31,133 --> 00:09:35,133
OK, UH, PRINCE, SO UH, CAN YOU
295
00:09:35,133 --> 00:09:36,633
DO SOMETHING ABOUT THIS TICKET?
296
00:09:36,633 --> 00:09:37,667
A LITTLE JAYWALKING TICKET.
297
00:09:37,667 --> 00:09:39,267
IT DON'T MEAN NOTHING.
298
00:09:39,267 --> 00:09:41,500
SURE. IT IS NO PROBLEM. I
299
00:09:41,500 --> 00:09:44,300
TAKE CARE OF IT.
300
00:09:44,300 --> 00:09:45,133
YOU SEE HOW HE RIPPED THAT
301
00:09:45,133 --> 00:09:47,133
THING UP LIKE THAT?
302
00:09:47,133 --> 00:09:48,667
THAT'S POWER.
303
00:09:48,667 --> 00:09:50,567
THAT'S POWER. I'M IMPRESSED.
304
00:09:50,567 --> 00:09:54,400
OK, OK. WE GOT TO GO.
305
00:09:54,400 --> 00:09:55,900
I'LL CALL YOU AS SOON AS WE
306
00:09:55,900 --> 00:10:00,600
LAND...WHEREVER THAT IS.
307
00:10:00,600 --> 00:10:03,433
OH, ELLA, GIVE ME A HUG.
308
00:10:03,433 --> 00:10:06,400
CLARETHA...OK.
309
00:10:12,533 --> 00:10:14,800
CURTIS. I THINK I MIGHT
310
00:10:14,800 --> 00:10:17,667
ACTUALLY MISS YOU.
311
00:10:17,667 --> 00:10:18,667
I THINK I MIGHT MISS YOUR
312
00:10:18,667 --> 00:10:21,000
EYELASHES.
313
00:10:21,000 --> 00:10:22,667
OH! COME ON.
314
00:10:26,900 --> 00:10:27,867
IT IS GOOD TO SEE YOU.
315
00:10:27,867 --> 00:10:29,567
MA'ASALAME...
316
00:10:29,567 --> 00:10:30,933
SAY IT AGAIN. PLEASE SAY IT
317
00:10:30,933 --> 00:10:34,633
AGAIN. SAY IT AGAIN!
318
00:10:34,633 --> 00:10:35,767
WHO DOES HE THINK HE IS?
319
00:10:35,767 --> 00:10:37,367
WATCH IT.
320
00:10:37,367 --> 00:10:38,300
WHERE MY MEASURING TAPE,
321
00:10:38,300 --> 00:10:39,600
ELLA?
322
00:10:39,600 --> 00:10:40,933
WHERE THE TAPE AT, ELLA?
323
00:10:40,933 --> 00:10:45,233
IN THE KITCHEN DRAWER, BABY.
324
00:10:45,233 --> 00:10:46,433
WHAT ARE YOU DOING, BABY?
325
00:10:46,433 --> 00:10:47,767
I GOT THIS.
326
00:10:47,767 --> 00:10:48,333
I'M ABOUT TO GO--
327
00:10:48,333 --> 00:10:49,433
CURTIS, WHAT IS GOING ON,
328
00:10:49,433 --> 00:10:51,133
HONEY?
329
00:10:51,133 --> 00:10:52,800
GOT ANOTHER TICKET.
330
00:10:52,800 --> 00:10:54,033
I GOT A TICKET, ELLA, FOR
331
00:10:54,033 --> 00:10:55,333
PARKING IN FRONT OF THE FIRE
332
00:10:55,333 --> 00:10:56,433
HYDRANT.
333
00:10:56,433 --> 00:10:59,233
THE DAMN M.V. SAYS YOU GOT TO BE
334
00:10:59,233 --> 00:11:01,767
15 FEET AWAY FROM THE HYDRANT.
335
00:11:01,767 --> 00:11:02,733
OK. WELL, BABY, HOW FAR AWAY
336
00:11:02,733 --> 00:11:04,067
FROM THE HYDRANT WERE YOU?
337
00:11:04,067 --> 00:11:07,067
14 FEET 11 INCHES.
338
00:11:07,067 --> 00:11:09,833
AND YOU KNOW I KNOW 11 INCHES.
339
00:11:12,933 --> 00:11:14,133
I DON'T KNOW. YOU MAY BE A
340
00:11:14,133 --> 00:11:16,633
LITTLE OFF, BABY, BUT...
341
00:11:16,633 --> 00:11:19,600
BABY, DMV DID SAY 15 FEET,
342
00:11:19,600 --> 00:11:21,300
BABY. HE DID.
343
00:11:21,300 --> 00:11:23,100
WHOSE SIDE YOU ON, ELLA?
344
00:11:23,100 --> 00:11:24,100
WHOSE SIDE YOU GONNA BE?
345
00:11:24,100 --> 00:11:26,167
CAN YOU BE ON MY SIDE, BABY?
346
00:11:26,167 --> 00:11:27,300
CAN YOU DO LIKE THAT GOOD BOOK
347
00:11:27,300 --> 00:11:28,633
YOU GOT IN YOUR HANDS SAY DO?
348
00:11:28,633 --> 00:11:29,900
IT SAY THOU SHOULD ALWAYS BE ON
349
00:11:29,900 --> 00:11:31,067
THY HUSBAND'S SIDE.
350
00:11:31,067 --> 00:11:32,067
CURTIS.
351
00:11:32,067 --> 00:11:34,833
FROM 15 FEET.
352
00:11:34,833 --> 00:11:37,133
20 YEARS. 20 YEARS I'VE BEEN
353
00:11:37,133 --> 00:11:38,067
PARKING IN FRONT OF THAT
354
00:11:38,067 --> 00:11:39,433
HYDRANT. THE HYDRANT GOT MY
355
00:11:39,433 --> 00:11:40,567
NAME ON IT, ELLA.
356
00:11:40,567 --> 00:11:43,067
I KNOW, CURTIS.
357
00:11:43,067 --> 00:11:44,267
WHAT'S HIS NAME? WHAT'S HIS
358
00:11:44,267 --> 00:11:45,233
NAME? I'M GONNA TAKE CARE OF
359
00:11:45,233 --> 00:11:46,733
THIS. I CAN'T EVEN READ--WHAT'S
360
00:11:46,733 --> 00:11:48,733
IT SAY? WHAT'S THE MAN'S NAME?
361
00:11:48,733 --> 00:11:49,633
WHAT'S HIS NAME?
362
00:11:49,633 --> 00:11:51,900
WAIT A MINUTE, NOW.
363
00:11:51,900 --> 00:11:53,467
GIVE ME THE MAN'S NAME!
364
00:11:53,467 --> 00:11:55,967
UH, C. HERNANDEZ.
365
00:11:55,967 --> 00:11:58,967
C. HERNANDEZ.
366
00:11:58,967 --> 00:12:00,900
BABY, THAT SOUND FAMILIAR.
367
00:12:00,900 --> 00:12:06,267
HERNANDEZ.
368
00:12:06,267 --> 00:12:09,600
THIS IT! THIS IT! THE SAME
369
00:12:09,600 --> 00:12:10,467
CHUMP THAT WROTE ME THE
370
00:12:10,467 --> 00:12:12,267
JAYWALKING TICKET, ELLA. IT'S
371
00:12:12,267 --> 00:12:14,100
THE SAME CHUMP. HE'S FOLLOWING
372
00:12:14,100 --> 00:12:16,800
ME. HE'S FOLLOWING ME. THAT'S
373
00:12:16,800 --> 00:12:18,667
SEXUAL HARASSMENT, ELLA. THAT'S
374
00:12:18,667 --> 00:12:20,667
SEXUAL HARASSMENT, BABY. I TELL
375
00:12:20,667 --> 00:12:21,633
YOU WHAT, HE GONNA WRITE
376
00:12:21,633 --> 00:12:22,900
ANOTHER TICKET NEXT TIME I SEE
377
00:12:22,900 --> 00:12:24,333
HIM FOR WHOOPING HIS
378
00:12:24,333 --> 00:12:27,100
HERNAND-ASS! HOW ABOUT THAT?
379
00:12:27,100 --> 00:12:28,267
[KNOCK ON DOOR]
380
00:12:28,267 --> 00:12:29,667
CURTIS, PLEASE. BABY, YOU
381
00:12:29,667 --> 00:12:34,233
NEED TO CALM DOWN.
382
00:12:34,233 --> 00:12:35,733
HOLA.
383
00:12:35,733 --> 00:12:38,100
HELLO. HI.
384
00:12:38,100 --> 00:12:39,800
WE'RE YOUR NEW NEIGHBORS.
385
00:12:39,800 --> 00:12:41,300
THIS IS MY WIFE ROSIE.
386
00:12:41,300 --> 00:12:42,600
THAT'S FOR YOU.
387
00:12:42,600 --> 00:12:44,633
I AM CARLOS.
388
00:12:44,633 --> 00:12:47,233
CARLOS HERNANDEZ.
389
00:12:53,067 --> 00:12:54,200
CURTIS, THESE ARE THE
390
00:12:54,200 --> 00:12:55,667
HERNANDEZES. THESE ARE THE
391
00:12:55,667 --> 00:12:57,433
HERNANDEZES. BE NICE.
392
00:12:57,433 --> 00:12:59,200
I'M GONNA BE NICE.
393
00:12:59,200 --> 00:13:02,900
[LAUGHTER]
394
00:13:02,900 --> 00:13:04,067
SO, UH, WHAT ARE YOU DOING
395
00:13:04,067 --> 00:13:06,067
HERE? YOU FOLLOWING ME?
396
00:13:06,067 --> 00:13:07,333
NO. WE JUST BOUGHT THE HOUSE
397
00:13:07,333 --> 00:13:08,367
NEXT DOOR.
398
00:13:08,367 --> 00:13:12,067
Sí. NEXT DOOR.
399
00:13:12,067 --> 00:13:14,267
WAIT A MINUTE. YOU'RE THAT
400
00:13:14,267 --> 00:13:15,733
CRAZY JAYWALKER.
401
00:13:15,733 --> 00:13:16,700
AND YOU'RE THE CRAZY
402
00:13:16,700 --> 00:13:18,133
OBNOXIOUS COP THAT WROTE ME A
403
00:13:18,133 --> 00:13:19,300
TICKET FOR PARKING IN FRONT OF
404
00:13:19,300 --> 00:13:20,433
MY HYDRANT.
405
00:13:20,433 --> 00:13:21,433
YOU TORE THAT TICKET UP?
406
00:13:21,433 --> 00:13:22,467
YOU DOGGONE SKIPPY I TORE IT
407
00:13:22,467 --> 00:13:23,100
UP.
408
00:13:23,100 --> 00:13:25,467
OK. THAT'S OK.
409
00:13:25,467 --> 00:13:27,300
[SPEAKING SPANISH]
410
00:13:27,300 --> 00:13:28,333
WHAT AM I DOING? I'M WRITING
411
00:13:28,333 --> 00:13:29,533
YOU ANOTHER TICKET FOR TEARING
412
00:13:29,533 --> 00:13:32,233
UP THAT TICKET.
413
00:13:32,233 --> 00:13:33,267
OH, NO, YOU AIN'T. NO, YOU
414
00:13:33,267 --> 00:13:34,700
AIN'T. YOU AIN'T GONNA WALK
415
00:13:34,700 --> 00:13:35,700
AROUND A TICKET. I'M A FIRE
416
00:13:35,700 --> 00:13:37,533
CHIEF. I'LL WRITE A TICKET, TOO.
417
00:13:37,533 --> 00:13:38,333
OH, YEAH, LET'S WRITE
418
00:13:38,333 --> 00:13:39,133
TICKETS. COME ON, LET'S DO THE
419
00:13:39,133 --> 00:13:41,500
TICKET DANCE.
420
00:13:41,500 --> 00:13:42,767
NOT A TICKET, CURTIS, PLEASE!
421
00:13:42,767 --> 00:13:43,533
HOW MANY PEOPLE IN YOUR
422
00:13:43,533 --> 00:13:44,533
HOUSE?
423
00:13:44,533 --> 00:13:45,633
LESS THAN YOU, JAYWALKER.
424
00:13:45,633 --> 00:13:46,733
LOOK, YOU CAN'T BE WRITING
425
00:13:46,733 --> 00:13:47,767
ME NO TICKET FOR PARKING IN
426
00:13:47,767 --> 00:13:48,833
FRONT OF THAT FIRE-I'VE BEEN
427
00:13:48,833 --> 00:13:49,800
PARKING IN FRONT OF THAT FIRE
428
00:13:49,800 --> 00:13:50,667
FOR OVER 20 YEARS. MY NAME IS
429
00:13:50,667 --> 00:13:51,833
ON THAT FIRE HYDRANT, BROTHER.
430
00:13:51,833 --> 00:13:52,733
IT IS.
431
00:13:52,733 --> 00:13:54,833
I'M SORRY. YOU WROTE THAT?
432
00:13:54,833 --> 00:13:56,533
YOU DOGGONE RIGHT. YEARS AGO.
433
00:13:56,533 --> 00:13:58,200
20 YEARS AGO.
434
00:13:58,200 --> 00:13:59,533
YEAH, WELL, OK. I'M WRITING
435
00:13:59,533 --> 00:14:01,400
YOU ANOTHER TICKET FOR DEFACING
436
00:14:01,400 --> 00:14:02,833
PUBLIC PROPERTY.
437
00:14:02,833 --> 00:14:03,833
CARLOS.
438
00:14:03,833 --> 00:14:05,667
DON'T YOU--COME ON!
439
00:14:05,667 --> 00:14:07,967
SIT DOWN! SIT DOWN, CURTIS!
440
00:14:07,967 --> 00:14:09,800
SIT DOWN.
441
00:14:13,967 --> 00:14:18,500
HELLO, ALL. LET IT BE KNOWN
442
00:14:18,500 --> 00:14:21,100
I'M HANDING IN MY PLAYER CARD.
443
00:14:21,100 --> 00:14:22,333
I JUST MET THE MOST BEAUTIFUL
444
00:14:22,333 --> 00:14:24,967
GIRL IN THE WORLD.
445
00:14:24,967 --> 00:14:29,867
ALEXANDRA HERNANDEZ.
446
00:14:29,867 --> 00:14:31,867
AY, DIOS MíO.
447
00:14:31,867 --> 00:14:36,867
UH, THAT'S MY DAUGHTER.
448
00:14:36,867 --> 00:14:38,067
THE ONLY WAY TO GET TO HER IS
449
00:14:38,067 --> 00:14:39,667
THROUGH ME.
450
00:14:39,667 --> 00:14:40,733
A BOTTLE OF PRUNE JUICE
451
00:14:40,733 --> 00:14:42,600
CAN'T GET THROUGH YOU.
452
00:14:42,600 --> 00:14:46,867
[SHOUTING]
453
00:14:46,867 --> 00:14:48,933
[SPEAKING SPANISH]
454
00:14:48,933 --> 00:14:50,067
WE JUST GOT HERE.
455
00:14:50,067 --> 00:14:51,200
HEY, HERE YOU GO. HEY,
456
00:14:51,200 --> 00:14:53,433
BUDDY, HEY! KEEP IT.
457
00:14:53,433 --> 00:14:54,233
OH, YOU CAN LEAVE IT. YOU
458
00:14:54,233 --> 00:14:55,500
CAN LEAVE IT RIGHT THERE. I'LL
459
00:14:55,500 --> 00:14:56,900
BURN IT UP RIGHT WHERE YOU LEFT
460
00:14:56,900 --> 00:14:59,067
IT. COME OVER HERE. YOU NEED TO
461
00:14:59,067 --> 00:14:59,833
STOP TALKING TO THAT GIRL
462
00:14:59,833 --> 00:15:03,167
ANYWAY.
463
00:15:03,167 --> 00:15:04,200
HI.
464
00:15:04,200 --> 00:15:07,867
IT'S SO NICE TO MEET YOU.
465
00:15:07,867 --> 00:15:09,833
WELCOME, WELCOME, WELCOME.
466
00:15:09,833 --> 00:15:15,067
GRACIAS. I'M COMING!
467
00:15:15,067 --> 00:15:16,967
BYE-BYE, CIAO.
468
00:15:21,800 --> 00:15:22,700
...CARRYING ONE OF THESE
469
00:15:22,700 --> 00:15:23,900
BABIES. I DON'T KNOW WHY I GOT
470
00:15:23,900 --> 00:15:25,467
TO CARRY BOTH OF THE BABIES...
471
00:15:25,467 --> 00:15:27,133
[LATIN MUSIC PLAYING]
472
00:15:33,167 --> 00:15:35,333
UM...EXCUSE ME.
473
00:15:35,333 --> 00:15:37,867
SHH!
474
00:15:37,867 --> 00:15:38,700
CAN WE HELP--
475
00:15:38,700 --> 00:15:39,800
SHH!
476
00:15:39,800 --> 00:15:40,867
SHE JUST DID IT AGAIN.
477
00:15:40,867 --> 00:15:44,233
LA COCINA. LA COCINA. THAT
478
00:15:44,233 --> 00:15:46,667
MEANS COME IN THE KITCHEN.
479
00:15:46,667 --> 00:15:48,733
KITCHEN.
480
00:15:53,267 --> 00:15:55,267
MOM, DAD, THIS IS ALEXANDRA
481
00:15:55,267 --> 00:15:56,433
HERNANDEZ.
482
00:15:56,433 --> 00:15:57,467
HOLA.
483
00:15:57,467 --> 00:15:58,800
WE'RE MAKING FAJITAS.
484
00:15:58,800 --> 00:15:59,633
THAT BETTER BE ALL YOU'RE
485
00:15:59,633 --> 00:16:01,833
MAKING.
486
00:16:01,833 --> 00:16:02,967
WHO IS THE WOMAN IN THE
487
00:16:02,967 --> 00:16:04,267
LIVING ROOM?
488
00:16:04,267 --> 00:16:05,833
MI ABUELA.
489
00:16:05,833 --> 00:16:08,067
THAT MEANS NANA IN SPANISH,
490
00:16:08,067 --> 00:16:09,233
AKA, MY FUTURE
491
00:16:09,233 --> 00:16:10,367
GRANDMOTHER-IN-LAW.
492
00:16:10,367 --> 00:16:11,433
WHATEVER. WHY IS SHE IN OUR
493
00:16:11,433 --> 00:16:12,967
LIVING ROOM?
494
00:16:12,967 --> 00:16:13,733
SHE'S WATCHING HER
495
00:16:13,733 --> 00:16:14,700
TELENOVELAS.
496
00:16:14,700 --> 00:16:15,533
THAT MEANS SHE'S WATCHING
497
00:16:15,533 --> 00:16:16,733
HER SOAPS.
498
00:16:16,733 --> 00:16:17,567
WHY IS SHE WATCHING THEM
499
00:16:17,567 --> 00:16:19,067
HERE?
500
00:16:19,067 --> 00:16:19,867
OUR CABLE ISN'T HOOKED UP
501
00:16:19,867 --> 00:16:20,767
YET.
502
00:16:20,767 --> 00:16:22,067
DAD, THEIR CABLE JUST AIN'T--
503
00:16:22,067 --> 00:16:25,267
WE HEAR, YEAH. WE KNOW.
504
00:16:25,267 --> 00:16:28,967
ALL I KNOW IS...
505
00:16:28,967 --> 00:16:30,067
BE CAREFUL.
506
00:16:30,067 --> 00:16:31,200
WHOEVER THAT LADY IS, SHE
507
00:16:31,200 --> 00:16:32,667
BETTER BE GONE BY THE TIME
508
00:16:32,667 --> 00:16:33,567
UNCLE CURTIS--
509
00:16:33,567 --> 00:16:34,833
WHAT THE HELL?
510
00:16:34,833 --> 00:16:37,200
SHH!
511
00:16:37,200 --> 00:16:38,700
YOU SEE?
512
00:16:38,700 --> 00:16:39,900
WHO IS THIS?
513
00:16:39,900 --> 00:16:40,767
DON'T KNOW. I JUST WALKED IN
514
00:16:40,767 --> 00:16:41,767
HERE WITH YOU.
515
00:16:41,767 --> 00:16:42,900
EXCUSE ME.
516
00:16:42,900 --> 00:16:45,067
SHH!
517
00:16:45,067 --> 00:16:46,367
DID SHE JUST SHUSH ME?
518
00:16:46,367 --> 00:16:48,433
SHE DID.
519
00:16:48,433 --> 00:16:49,333
OK, I NEED TO KNOW WHAT'S
520
00:16:49,333 --> 00:16:50,333
GOING ON HERE.
521
00:16:50,333 --> 00:16:53,667
PSST! PSST! LA COCINA.
522
00:16:53,667 --> 00:16:54,500
THIS AIN'T NO TIME TO TALK
523
00:16:54,500 --> 00:16:55,567
ABOUT A CASINO.
524
00:16:55,567 --> 00:16:57,467
NO. COME TO THE KITCHEN.
525
00:16:57,467 --> 00:16:58,167
WHAT THE HELL HE TALKING
526
00:16:58,167 --> 00:16:59,067
ABOUT?
527
00:16:59,067 --> 00:17:03,300
BABY, GO INTO THE KITCHEN.
528
00:17:03,300 --> 00:17:05,833
WHO THE HELL IS THIS?
529
00:17:05,833 --> 00:17:07,533
WOW, A LOT HAS CHANGED. YOU
530
00:17:07,533 --> 00:17:08,600
LET OLD WOMEN SIT IN YOUR CHAIR
531
00:17:08,600 --> 00:17:09,733
NOW?
532
00:17:09,733 --> 00:17:10,733
WHO IS THAT?
533
00:17:10,733 --> 00:17:14,100
SHH! EXCUSE ME.
534
00:17:14,100 --> 00:17:16,933
[SPEAKING SPANISH]
535
00:17:24,333 --> 00:17:25,400
WHAT IS SHE DOING?
536
00:17:25,400 --> 00:17:26,667
SHE'S--SHE'S GETTING ANOTHER
537
00:17:26,667 --> 00:17:28,267
BEER. OH, BABY, SHE'S OPENING
538
00:17:28,267 --> 00:17:34,067
IT WITH HER TEETH.
539
00:17:34,067 --> 00:17:40,333
DIET. DIET.
540
00:17:40,333 --> 00:17:44,067
YEAH, DIE, IT.
541
00:17:44,067 --> 00:17:46,700
I GOTTA SEE WHAT SHE'S DOING.
542
00:17:46,700 --> 00:17:49,900
C.J. CAN WE...
543
00:17:49,900 --> 00:17:50,733
WHAT IS SHE DOING? WHAT IS
544
00:17:50,733 --> 00:17:52,233
SHE DOING--WHAT IS SHE DOING IN
545
00:17:52,233 --> 00:17:53,700
MY HOUSE IN MY CHAIR DRINKING
546
00:17:53,700 --> 00:17:54,833
MY BEER?
547
00:17:54,833 --> 00:17:57,467
WATCHING TV.
548
00:17:57,467 --> 00:18:00,067
I CAN SEE THAT. LET ME OUT
549
00:18:00,067 --> 00:18:00,900
OF HERE.
550
00:18:00,900 --> 00:18:01,833
GET HER, POP. GET HER. GET
551
00:18:01,833 --> 00:18:02,600
HER, POP.
552
00:18:02,600 --> 00:18:03,533
BE NICE, BE NICE.
553
00:18:03,533 --> 00:18:04,600
I'M BEHIND YOU.
554
00:18:04,600 --> 00:18:07,567
NO, I WANT TO BE BY MYSELF.
555
00:18:07,567 --> 00:18:10,500
UH, SQUEEZE ME.
556
00:18:10,500 --> 00:18:12,067
HELLO?
557
00:18:12,067 --> 00:18:13,200
SHUSH!
558
00:18:13,200 --> 00:18:14,067
OK, THAT'S IT WITH THE
559
00:18:14,067 --> 00:18:16,667
SHUSHING. I NEED YOU TO GET THE
560
00:18:16,667 --> 00:18:21,300
HELL-O OUT MY HOUSE-O.
561
00:18:21,300 --> 00:18:22,500
AH, CONSUELA, THERE YOU ARE.
562
00:18:22,500 --> 00:18:24,233
MAMA!
563
00:18:24,233 --> 00:18:25,133
THIS IS WHEN I NEED YOU
564
00:18:25,133 --> 00:18:27,067
RIGHT NOW. BREAKING AND
565
00:18:27,067 --> 00:18:28,067
ENTERING RIGHT HERE. GET YOUR
566
00:18:28,067 --> 00:18:29,600
LITTLE TICKET BOOK OUT.
567
00:18:29,600 --> 00:18:32,100
NO, UH-UH. ABUELITA, WE WERE
568
00:18:32,100 --> 00:18:33,667
SO WORRIED.
569
00:18:33,667 --> 00:18:35,767
[SPEAKING SPANISH]
570
00:18:35,767 --> 00:18:36,600
HOW MANY PEOPLE YOU GOT AT
571
00:18:36,600 --> 00:18:37,533
YOUR HOUSE, MAN?
572
00:18:37,533 --> 00:18:40,233
LESS THAN YOU, YAY-WALKER.
573
00:18:40,233 --> 00:18:41,767
IT'S NOT YAY-WALKER. IT'S
574
00:18:41,767 --> 00:18:42,933
JAYWALKER!
575
00:18:42,933 --> 00:18:43,933
THIS IS OUR OTHER DAUGHTER,
576
00:18:43,933 --> 00:18:44,933
MERCEDES.
577
00:18:44,933 --> 00:18:47,800
MERCEDES, HUH? HOLA.
578
00:18:47,800 --> 00:18:48,767
ALEJANDRA, LET'S GO. COME
579
00:18:48,767 --> 00:18:51,300
ON. [SPEAKING SPANISH]
580
00:18:51,300 --> 00:18:54,533
LET'S GO. COME ON. A LA CASA.
581
00:18:54,533 --> 00:18:58,400
COME ON. COME ON.
582
00:18:58,400 --> 00:19:01,633
DIET...DIET...DIET.
583
00:19:06,267 --> 00:19:08,267
BUT WHAT ABOUT THE FAJITAS?
35274
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