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OH, CALVIN, THANK YOU
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FOR BRINING THE MATTRESS
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FOR YOUR COUSIN RENEE,
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BUT WHAT TOOK YOU SO LONG?
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THE GAS STATION ONLY HAD
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ONE AIR PUMP.
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IT WOULD HAVE BEEN FASTER USING
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POP'S HOT AIR.
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CALVIN, I THOUGHT THOSE
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THINGS CAME WITH THEIR OWN PUMP.
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NOT WHEN THEY'RE ON
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CLEARANCE.
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I GOT IT FROM THE HOMEBOY
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SHOPPING NETWORK.
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I HAVE NEVER HEARD OF THAT.
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THAT'S 'CAUSE YOU DON'T KNOW
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THE RIGHT HOMEBOYS.
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SO WHEN'S THE LAST TIME
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YOU SAW RENEE ANYWAY?
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PROBABLY ABOUT 5 YEARS AGO,
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RIGHT AFTER MY SISTER
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MOVED TO L.A.
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I WONDER WHAT SHE
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LOOKS LIKE NOW.
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OOH.
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SHE WAS ALWAYS A PRISSY
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LITTLE PRINCESS.
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YOU SAYING IT LIKE SHE CUTE.
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YOU KNOW WHAT?
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LET ME SHOW YOU ONE OF YOUR
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PICTURES.
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ARE THOSE HER TEETH?
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CALVIN!
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IT LOOKS LIKE SHE COULD CHEW
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THROUGH SOME BRICKS.
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THIS BABY HAS
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A LOT GOING FOR HER.
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SHE'S SMART, SHE WAS ON THE
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HONOR ROLL EVERY YEAR, AND SHE
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WAS CLASS VALEDICTORIAN.
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GREAT! I GOT A PAPER
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DUE NEXT WEEK.
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SHE'S COMING RIGHT ON TIME.
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NO, CALVIN. SHE'S NOT HERE
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FOR THAT, BABY.
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SHE'S HERE FOR THE MEET AND
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GREET TONIGHT AND THEN THE
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INTERVIEW WITH THE COLLEGE
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SCHOLARSHIP COMMITTEE, WHICH OUR
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CHURCH IS AWARDING.
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AND THEN SHE'S GOING BACK HOME.
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HEY, MS. ELLA, WE'RE HERE.
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HEY -- WHAT -- WHAT?
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WHERE IS SHE?
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HERE I IS. HEE HEE!
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OOH.
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YO, AUNTIE EL, WHAT IT DO!
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AH, AH. I DON'T KNOW,
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BUT WHATEVER IT IS,
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IT DID IT ALL OVER YOU.
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JANINE, WOULD YOU PLEASE PUT
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HER BAG IN JAZMINE'S ROOM?
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YES, MA'AM.
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MM, MM, MM.
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SO, WHAT IT IS, FAM.
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LONG TIME, NO -- HOLD UP.
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YO, DUDE, YOU IS ROCKING THEM
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KICKS.
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THEM JOINTS IS TOO FLY.
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HA HA!
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THAT'S JUST HOW I DO,
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YOU KNOW.
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WHAT SHE SAY?
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OH, SHE LIKE THE KICKS THAT
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I BE ROCKING.
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THE K-KICKS THAT YOU BE
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ROCKING?
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WHAT YOU TALKING ABOUT?
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HIS SHOES IS FLY.
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ALL RIGHT. HA HA.
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I GOT THINGS TO DO.
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Y'ALL BE BREEZY.
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OH, OKAY, FAM!
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[ CHUCKLES NERVOUSLY ]
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O...KAY. HA HA. YEAH.
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HOO-WEE. Y'ALL AIN'T GOT NO
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BARS ON Y'ALL WINDOWS?
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YOU AIN'T EVEN GOT NO PLASTIC ON
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YOUR FURNITURE.
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AUNTIE, YOU ALL DOING A DAMN
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THING.
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FOR REAL.
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YOU MEAN GOOD, RIGHT?
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YEAH!
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SO, DO YOU STILL PLAY THE
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PIANO?
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UNH-UNH!
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THE PIANO IS WHACK, AUNTIE.
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I RAPS NOW. MM-HMM.
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IT'S JUST A LITTLE SOMETHING
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I DO ON THE SIDE.
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AS A MATTER OF FACT, I'M WORKING
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ON MY DEMO RIGHT NOW FOR MY
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SINGLE.
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CHECK THIS OUT. HEE HEE!
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* IT AIN'T WHERE YOU FROM *
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* IT'S WIKKA-WIKKA-WIKKA-WIKKA *
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* WHERE YOU AT **
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OH, THAT'S GREAT.
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THAT'S GREAT, I THINK.
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WELL, YOU KNOW WHAT?
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I THINK I SHOULD Z-UP FOR MY
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MEET AND GREET TONIGHT.
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SO, UM, WHERE AM I CRASHING?
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Z-UP FOR THE...
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RENEE, CHILD, I DON'T KNOW WHAT
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YOU TALKING ABOUT, BUT YOU GONNA
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BE SLEEPING IN JAZMINE'S ROOM.
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SHE CAN'T WAIT TO MEET YOU.
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OKAY. THAT'S COOL.
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SHOOT. I CAN'T WAIT TO SHOW HER
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MY TATS.
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WAIT A MINUTE. WAIT A MINUTE.
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WAIT, WAIT, WAIT.
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YOU CAN'T WAIT TO SHOW HER YOUR
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WHAT?
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AUNTIE, YOU KNOW.
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MY TAT-TATS. MY TATTOOS.
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OH, GOD.
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YOU GOT TATTOOS, TOO?
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YEAH!
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OKAY. WELL, UM,
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SHOULD I BE SCARED?
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NO.
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RENEE...
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HMM?
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NOTHING.
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JANINE, HERE SHE COMES!
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OKAY, SO THAT'S RUBY,
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MY PRIDE AND JOY.
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NOW HERE'S THE KITCHEN.
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THERE'S THE LOCKERS.
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THERE'S THE BULLETIN BOARDS.
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SEE, THERE'S THE CHIEF.
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WHO IS THIS KID, AND WHY IS
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HE IN HERE?
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SORRY, CHIEF.
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THIS IS MY NEPHEW PETER.
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HE WANTS TO BE A FIREFIGHTER,
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SO I THOUGHT IT'D BE OKAY
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IF HE HUNG OUT WITH ME.
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NO.
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THE TRUTH IS, I NEED THE
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EXTRA CASH FROM BABY-SITTING.
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LOOK, THIS IS A FIREHOUSE.
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NO KIDS IN THE FIREHOUSE.
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THIS IS NOT "ROMPER ROOM."
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HEY, HEY. EXCUSE ME.
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C.J., WHY IS MALIK HERE?
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OH, WE JUST PASSING THROUGH,
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MAN, I'M SORRY.
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I JUST GOT TO GET SOMETHING OUT
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OF MY LOCKER.
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I CAN BENCH PRESS 120 POUNDS.
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OKAY. SO?
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SO YOU HAVE TO BE STRONG IF
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YOU WANT TO BE A FIREFIGHTER.
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WHO IS HE?
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MALIK, THIS IS MY NEPHEW
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PETER.
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WHOA.
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I KNOW HOW TO MAKE A PROPER
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KNOT, USE A GAS MASK.
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I CAN ALSO RUN THE 40-YARD DASH
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IN 5 SECONDS FLAT.
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AGAIN, WHO IS THIS KID?
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I'M YOUR WORST NIGHTMARE.
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NOW, DON'T FORCE ME TO INTRODUCE
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YOU TO THUNDER AND LIGHTNING.
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OKAY. WELL, OKAY.
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YOU BETTER BACK UP OUT OF MY
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FACE BEFORE I INTRODUCE YOU
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TO -- UGH! -- PAIN -- UGH! --
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AND SUFFERING.
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HEY, HEY.
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WHAT'S GOING ON OVER HERE?
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THIS FOOL RIGHT HERE IS
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TALKING A WHOLE BUNCH OF MESS.
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OH, I'M SORRY.
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DID I SCARE YOU, WUSS?
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WUSS?
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PETER, STOP IT.
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THAT'S NOT NICE.
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WUSS, WUSS, WUSS.
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[ SPEAKING SPANISH ]
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PETER, STOP.
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ANGEL, ANGEL, C.J., I'M SORRY.
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I'M SORRY.
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HE CAN BE A LITTLE OBNOXIOUS.
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OH, YOU THINK?
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C.J. OH, I HEARD ABOUT YOU.
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YOU'RE THE FIREMAN WHO COULDN'T
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SAVE HIS OWN HOUSE.
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YOU HAVE TO BE, LIKE, WHAT,
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THE WORST FIREMAN EVER?
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I LIKE THIS KID. I LIKE HIM.
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HE REMINDS ME OF MYSELF WHEN
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I WAS A TODDLER.
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WELL, LOOK HERE, PETER,
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PETER, PUNK-IN EATER, IF IT'S
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A COMPETITION YOU WANT, MALIK IS
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UP TO THE CHALLENGE.
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YOU JUST SAY WHEN.
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WHEN.
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HOLD ON. HOLD ON.
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C.J., I DON'T THINK YOU SHOULD
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BE VOLUNTEERING THE WUSS TO
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COMPETE WITH PETER.
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UNCLE CURTIS, MALIK HAS MORE
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HEART THAN ANYBODY IN HERE.
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RIGHT, MALIK?
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[ WHISTLING ]
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RIGHT, MALIK?
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MALIK?
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BOY! NO, HE WANTS TO COMPETE.
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GET YOUR BUTT BACK HERE!
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DOES THAT MEAN HE WINS?
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OOH, ARE YOU ABSOLUTELY SURE
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THAT YOU WANTED TO WEAR THIS?
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YES. AUNTIE ELLA, I AM SURE.
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UHH.
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OH, I'M SORRY,
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BUT BONQUISHA'S BIRTHDAY PARTY
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IS DOWN THE HALL.
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NO, EMILY, THIS IS MY NIECE,
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RENEE PARKER.
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SHE'S HERE FOR THE MEET
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AND GREET.
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OH, MY APOLOGIES.
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WELL, COME IN. COME IN.
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RENEE, YOUR PERSONAL STATEMENT
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WAS MOST IMPRESSIVE.
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I HEARD YOU PLAN TO PURSUE
244
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ARCHITECTURAL ENGINEERING.
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OH, FOR SURE!
246
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YO, I GOT SOME REAL CRUNKED UP
247
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DESIGNS, LIKE POUNDING MY DOME
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NIGHT AND DAY.
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PARDON ME?
250
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ELLA, WHAT DID SHE SAY?
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SHE SAID SHE IS SO HAPPY
252
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TO BE CONSIDERED
253
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FOR THE SCHOLARSHIP.
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JO, THIS IS MY NIECE,
255
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RENEE PARKER.
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NICE MEETING YOU, RENEE.
257
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YOU COME HIGHLY RECOMMENDED.
258
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SO TELL ME, WHO ARE SOME OF YOUR
259
00:07:12,533 --> 00:07:13,467
ROLE MODELS?
260
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OH, UM, LIL' KIM,
261
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QUEEN LATIFAH,
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AND, UH,
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DANG, WHAT'S HER NAME?
264
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CONDOLEEZZA RICE.
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YO, SHE IS STRAIGHT GANGSTER,
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WHAT SHE MEANT TO SAY...
267
00:07:29,567 --> 00:07:30,333
MM-HMM.
268
00:07:30,333 --> 00:07:32,533
...WAS THAT SHE REALLY --
269
00:07:32,533 --> 00:07:33,467
WELL, I JUST CAN'T...
270
00:07:33,467 --> 00:07:35,433
YO, YO, YO, AUNTIE EL,
271
00:07:35,433 --> 00:07:36,700
I GOT THIS.
272
00:07:36,700 --> 00:07:37,567
CAN YOU PLEASE STOP
273
00:07:37,567 --> 00:07:40,200
SPEAKING FOR ME?
274
00:07:40,200 --> 00:07:43,700
OH, UM, I GOT TO GO.
275
00:07:43,700 --> 00:07:45,667
THERE'S DREA BUFORD.
276
00:07:45,667 --> 00:07:49,500
IT WAS NICE MEETING YOU, RENEE.
277
00:07:49,500 --> 00:07:51,633
DREA IS ONE OF THE FINALISTS.
278
00:07:51,633 --> 00:07:53,833
NOW, SHE WAS ACCEPTED TO YALE,
279
00:07:53,833 --> 00:07:56,067
HARVARD, AND PRINCETON.
280
00:07:56,067 --> 00:07:58,500
OKAY. THAT'S WHAT'S UP.
281
00:07:58,500 --> 00:08:01,367
OH, MY. IS THAT A GOLD TOOTH?
282
00:08:01,367 --> 00:08:02,700
OH, YEAH, YOU LIKE IT?
283
00:08:02,700 --> 00:08:04,067
I CAN GET YOU ONE.
284
00:08:04,067 --> 00:08:05,533
NO, I DON'T.
285
00:08:05,533 --> 00:08:07,267
RENEE, PLEASE BE HONEST.
286
00:08:07,267 --> 00:08:08,600
SOMEONE HELPED YOU WITH YOUR
287
00:08:08,600 --> 00:08:11,400
ADMISSIONS PACKET, DIDN'T THEY?
288
00:08:11,400 --> 00:08:12,767
EXCUSE ME?
289
00:08:12,767 --> 00:08:15,633
UH, YEAH, EMILY, WHAT ARE YOU
290
00:08:15,633 --> 00:08:16,800
REALLY TRYING TO SAY?
291
00:08:16,800 --> 00:08:18,167
RENEE IS CLEARLY
292
00:08:18,167 --> 00:08:19,333
OUT OF HER LEAGUE.
293
00:08:23,067 --> 00:08:24,167
[ SCOFFS ]
294
00:08:26,067 --> 00:08:28,067
OH, NO, NO, NO, NO, NO, NO.
295
00:08:28,067 --> 00:08:29,700
DO NOT LEAVE.
296
00:08:29,700 --> 00:08:31,267
NAH, MAN, FORGET THESE FOOLS,
297
00:08:31,267 --> 00:08:32,567
AUNTIE ELLA.
298
00:08:32,567 --> 00:08:33,700
I DON'T NEED THEY STANKIN'
299
00:08:33,700 --> 00:08:35,967
LITTLE SCHOLARSHIP ANYWAY.
300
00:08:35,967 --> 00:08:37,967
YES, YOU DO.
301
00:08:37,967 --> 00:08:38,633
NO, I DON'T.
302
00:08:38,633 --> 00:08:39,500
YES, YOU DO.
303
00:08:39,500 --> 00:08:40,267
YO, I DON'T NEED TO GO
304
00:08:40,267 --> 00:08:41,467
TO COLLEGE TO BE SUCCESSFUL,
305
00:08:41,467 --> 00:08:43,433
YOU KNOW.
306
00:08:43,433 --> 00:08:45,867
NAME ONE PERSON -- NAME ONE
307
00:08:45,867 --> 00:08:47,967
SUCCESSFUL PERSON WHO DID NOT GO
308
00:08:47,967 --> 00:08:49,600
TO COLLEGE.
309
00:08:49,600 --> 00:08:52,200
MARY J. BLIGE, CHRIS ROCK,
310
00:08:52,200 --> 00:08:52,933
50 CENT.
311
00:08:52,933 --> 00:08:53,767
THOSE ARE ENTERTAINERS.
312
00:08:53,767 --> 00:08:56,167
NAME SOMEBODY ELSE.
313
00:08:56,167 --> 00:08:58,167
PARIS HILTON.
314
00:08:58,167 --> 00:08:59,733
OKAY, YOUR FAMILY DOES NOT
315
00:08:59,733 --> 00:09:01,933
OWN A HOTEL.
316
00:09:01,933 --> 00:09:04,133
WITHOUT AN EDUCATION, THERE IS
317
00:09:04,133 --> 00:09:06,067
A STRONG POSSIBILITY THAT YOU
318
00:09:06,067 --> 00:09:08,167
WILL STRUGGLE MOST OF YOUR LIFE.
319
00:09:08,167 --> 00:09:09,233
LOOK, I KNOW THAT,
320
00:09:09,233 --> 00:09:11,267
AUNTIE ELLA, BUT IF COLLEGE IS
321
00:09:11,267 --> 00:09:13,200
FULL OF NOTHING BUT THESE STANKY
322
00:09:13,200 --> 00:09:15,533
SNOBS, THEN IT AIN'T FOR ME.
323
00:09:17,800 --> 00:09:18,733
YEAH, WELL, I'M OUT.
324
00:09:18,733 --> 00:09:21,067
RENEE, WAIT A MINUTE. RENEE!
325
00:09:21,067 --> 00:09:22,467
KNOCK, KNOCK!
326
00:09:22,467 --> 00:09:23,467
RENEE.
327
00:09:26,867 --> 00:09:27,633
ARE YOU READY, FIREMEN?
328
00:09:27,633 --> 00:09:28,200
YES!
329
00:09:28,200 --> 00:09:28,867
YEAH!
330
00:09:28,867 --> 00:09:29,667
DAD, I DO HAVE TO DO THIS
331
00:09:29,667 --> 00:09:30,200
FOR REAL?
332
00:09:30,200 --> 00:09:31,267
YES, YES, YOU GOT --
333
00:09:31,267 --> 00:09:32,300
LOOK AT ME. LOOK AT ME.
334
00:09:32,300 --> 00:09:33,200
YOU ARE NOT A WUSS.
335
00:09:33,200 --> 00:09:34,500
YOU ARE A PAYNE, OKAY?
336
00:09:34,500 --> 00:09:35,667
LET'S GO.
337
00:09:35,667 --> 00:09:36,833
READY?
338
00:09:36,833 --> 00:09:38,067
SAVE LIVES!
339
00:09:38,067 --> 00:09:39,267
LET'S GO! COME ON, SON.
340
00:09:39,267 --> 00:09:40,933
GO, PETER. THERE YOU GO.
341
00:09:40,933 --> 00:09:42,067
GO! GO!
342
00:09:42,067 --> 00:09:43,200
SAVE THOSE LIVES, GUYS.
343
00:09:43,200 --> 00:09:44,500
WE'RE SAVING LIVES!
344
00:09:44,500 --> 00:09:46,067
JUST SLOWLY, SLOWLY PUT ON...
345
00:09:46,067 --> 00:09:48,167
COME ON. GET UP, SON!
346
00:09:48,167 --> 00:09:49,233
YOU'RE SAVING LIVES, MALIK.
347
00:09:49,233 --> 00:09:50,367
COME ON, MALIK!
348
00:09:50,367 --> 00:09:51,200
COME ON, SON.
349
00:09:51,200 --> 00:09:52,233
MALIK, MALIK. HEY, SON. OKAY.
350
00:09:52,233 --> 00:09:55,500
OKAY, GET UP, SON. ALL RIGHT.
351
00:09:55,500 --> 00:09:56,533
SO, OKAY, GETTING DRESSED
352
00:09:56,533 --> 00:09:57,200
AIN'T YOUR THING.
353
00:09:57,200 --> 00:09:58,200
TIME.
354
00:09:58,200 --> 00:09:59,133
ALL RIGHT.
355
00:09:59,133 --> 00:09:59,800
YOU GOT THE HELMET
356
00:09:59,800 --> 00:10:00,800
ON BACKWARDS, SON.
357
00:10:03,133 --> 00:10:04,533
THAT'S MY BOY.
358
00:10:04,533 --> 00:10:05,200
ALL RIGHT.
359
00:10:05,200 --> 00:10:06,733
ALL RIGHT, FIREMEN, SOMETIMES
360
00:10:06,733 --> 00:10:07,500
WHEN YOU'RE SAVING LIVES,
361
00:10:07,500 --> 00:10:09,033
YOU GOT TO CLIMB STAIRS--
362
00:10:09,033 --> 00:10:11,167
15, SOMETIMES 20 FLOORS.
363
00:10:11,167 --> 00:10:12,067
I REMEMBER WHEN I WAS A YOUNG
364
00:10:12,067 --> 00:10:13,567
FIREMAN, I CLIMBED 80 FLOORS
365
00:10:13,567 --> 00:10:16,400
ONE TIME TO SAVE A CAT.
366
00:10:16,400 --> 00:10:17,300
HA HA!
367
00:10:17,300 --> 00:10:19,767
AND SHE WAS A SWEET CAT. MEOW!
368
00:10:19,767 --> 00:10:20,967
[ LAUGHTER ]
369
00:10:20,967 --> 00:10:22,333
A LITTLE FIREMEN HUMOR. OKAY!
370
00:10:22,333 --> 00:10:23,033
LET'S GO.
371
00:10:23,033 --> 00:10:23,800
ARE YOU READY, FIREMEN?
372
00:10:23,800 --> 00:10:24,533
YES!
373
00:10:24,533 --> 00:10:25,767
DO THAT ONE MORE TIME...
374
00:10:25,767 --> 00:10:26,667
YOU BETTER -- ONE MORE TIME!
375
00:10:26,667 --> 00:10:29,933
YOU BE IN MY EAR LIKE THAT?
376
00:10:29,933 --> 00:10:31,367
AND SAVE LIVES!
377
00:10:31,367 --> 00:10:32,400
TAKE HIM DOWN, SON!
378
00:10:32,400 --> 00:10:33,600
TAKE HIM DOWN.
379
00:10:33,600 --> 00:10:34,900
LET'S GO, MALIK!
380
00:10:34,900 --> 00:10:35,900
PETER, GO!
381
00:10:35,900 --> 00:10:36,800
THIRD FLOOR...
382
00:10:36,800 --> 00:10:38,467
GO, GO, GO, GO, GO, GO!
383
00:10:38,467 --> 00:10:39,167
COME ON, MALIK.
384
00:10:39,167 --> 00:10:40,367
KEEP GOING. KEEP GOING.
385
00:10:40,367 --> 00:10:41,367
HEY, HEY!
386
00:10:41,367 --> 00:10:42,033
THERE'S SOMEBODY
387
00:10:42,033 --> 00:10:43,167
IN THE STAIRWELL.
388
00:10:43,167 --> 00:10:45,233
PETER, DON'T JUMP!
389
00:10:45,233 --> 00:10:46,800
[ IMITATES OBJECT FALLING ]
390
00:10:46,800 --> 00:10:49,367
SON, WHAT HAPPENED?
391
00:10:49,367 --> 00:10:53,067
[ BREATHING HEAVILY ]
392
00:10:53,067 --> 00:10:54,400
I'M SICK OF THIS, MAN.
393
00:10:54,400 --> 00:10:55,100
I DON'T WANT TO BE NO
394
00:10:55,100 --> 00:10:56,133
FIREFIGHTER.
395
00:10:59,600 --> 00:11:00,833
THAT BOY'S ON STEROIDS.
396
00:11:00,833 --> 00:11:01,500
AAH! MALIK!
397
00:11:01,500 --> 00:11:02,900
[ SPEAKING SPANISH ]
398
00:11:02,900 --> 00:11:04,800
UH, I'M SORRY.
399
00:11:04,800 --> 00:11:06,900
I WAS -- OOH, I'M SORRY.
400
00:11:06,900 --> 00:11:08,333
WHAT HAPPENED, SON?
401
00:11:08,333 --> 00:11:11,067
I WAS -- WELL, I WAS --
402
00:11:11,067 --> 00:11:11,967
LET'S JUST SAY BEING A
403
00:11:11,967 --> 00:11:14,733
FIREFIGHTER IS BETTER AFTER ALL.
404
00:11:14,733 --> 00:11:15,700
GOOD.
405
00:11:15,700 --> 00:11:16,733
[ SHUDDERS ]
406
00:11:18,733 --> 00:11:19,467
YOU READY FOR THE ARM
407
00:11:19,467 --> 00:11:21,700
WRESTLING, SON?
408
00:11:21,700 --> 00:11:22,833
YEAH, YOU GONNA TAKE HIM DOWN.
409
00:11:22,833 --> 00:11:24,067
IT IS YOUR TIME, SON.
410
00:11:24,067 --> 00:11:25,300
IT IS YOUR TIME.
411
00:11:25,300 --> 00:11:26,167
YOU UNDERSTAND ME?
412
00:11:26,167 --> 00:11:27,367
TAKE HIM DOWN.
413
00:11:27,367 --> 00:11:28,833
COME ON, MAN. COME ON.
414
00:11:34,500 --> 00:11:35,733
CONCENTRATE, BOY.
415
00:11:35,733 --> 00:11:36,600
SOMETIMES WHEN YOU'RE SAVING
416
00:11:36,600 --> 00:11:39,833
LIVES, YOU GOT TO ARM WRESTLE.
417
00:11:39,833 --> 00:11:40,800
THERE WE GO.
418
00:11:40,800 --> 00:11:41,833
HUH? YOU HEARD ME.
419
00:11:41,833 --> 00:11:42,933
SOMETIMES YOU GOT TO TAKE IT
420
00:11:42,933 --> 00:11:44,967
MANO-MANO, HUH?
421
00:11:44,967 --> 00:11:45,667
ARE YOU READY, FIRE--
422
00:11:45,667 --> 00:11:46,333
YES!
423
00:11:46,333 --> 00:11:47,233
I TOLD YOU, DON'T DO THAT NO
424
00:11:47,233 --> 00:11:48,233
MORE.
425
00:11:48,233 --> 00:11:49,533
HEY, HEY, CHIEF, CHIEF!
426
00:11:49,533 --> 00:11:50,700
I TOLD HIM, DON'T DO IT!
427
00:11:50,700 --> 00:11:52,067
DON'T KILL THE KID.
428
00:11:52,067 --> 00:11:53,200
WHAT! HE JUST SAID --
429
00:11:56,567 --> 00:11:57,333
CALM DOWN.
430
00:11:57,333 --> 00:11:58,233
COME ON.
431
00:11:58,233 --> 00:11:59,300
ARE YOU READY, FIREMEN?
432
00:11:59,300 --> 00:12:00,300
YEAH.
433
00:12:00,300 --> 00:12:01,667
KICK HIS BUTT, SON.
434
00:12:01,667 --> 00:12:02,400
SAVE LIVES.
435
00:12:02,400 --> 00:12:03,267
YEAH!
436
00:12:03,267 --> 00:12:04,067
COME ON, MALIK.
437
00:12:04,067 --> 00:12:05,267
COME ON, MALIK.
438
00:12:05,267 --> 00:12:06,533
COME ON, BABY.
439
00:12:06,533 --> 00:12:08,633
MALIK, GO, GO!
440
00:12:08,633 --> 00:12:09,433
YOU GOT HIM, MALIK.
441
00:12:09,433 --> 00:12:11,167
COME ON, BABY.
442
00:12:11,167 --> 00:12:12,633
YOU GOT IT, BABY.
443
00:12:12,633 --> 00:12:14,467
YOU GOT IT, BABY!
444
00:12:14,467 --> 00:12:15,467
[ CHEERING ]
445
00:12:17,967 --> 00:12:18,633
YEAH!
446
00:12:18,633 --> 00:12:19,300
THAT IS WHAT
447
00:12:19,300 --> 00:12:20,967
I'M TALKING ABOUT!
448
00:12:20,967 --> 00:12:21,967
WHAT GOT INTO HIM, UNC?
449
00:12:21,967 --> 00:12:22,633
WHAT GOT INTO HIM?
450
00:12:22,633 --> 00:12:23,833
I DON'T KNOW,
451
00:12:23,833 --> 00:12:25,867
BUT I THINK I LIKE IT.
452
00:12:25,867 --> 00:12:27,400
YEAH. THAT'S MY BOY.
453
00:12:27,400 --> 00:12:30,767
UH, YEAH. GRR!
454
00:12:32,900 --> 00:12:35,233
OKAY, RENEE, BABY, I KNOW
455
00:12:35,233 --> 00:12:37,433
YOU'RE UPSET, BUT YOU NEVER GAVE
456
00:12:37,433 --> 00:12:39,067
THEM A CHANCE TO
457
00:12:39,067 --> 00:12:40,467
GET TO KNOW YOU.
458
00:12:40,467 --> 00:12:42,200
OKAY, SO HOW DID IT GO?
459
00:12:42,200 --> 00:12:43,600
APPARENTLY, I WASN'T GOOD
460
00:12:43,600 --> 00:12:44,667
ENOUGH FOR THEM.
461
00:12:44,667 --> 00:12:46,067
PEOPLE JUDGE YOU ACCORDING
462
00:12:46,067 --> 00:12:47,233
TO YOUR APPEARANCE
463
00:12:47,233 --> 00:12:48,867
AND HOW YOU SPEAK.
464
00:12:48,867 --> 00:12:49,833
BUT IT AIN'T RIGHT.
465
00:12:49,833 --> 00:12:51,900
NO, IT "ISN'T" RIGHT.
466
00:12:55,333 --> 00:12:56,633
EVEN JAZI AGREES.
467
00:12:56,633 --> 00:12:58,500
IT AIN'T RIGHT.
468
00:12:58,500 --> 00:12:59,367
LOTS OF THINGS IN LIFE
469
00:12:59,367 --> 00:13:00,767
ARE NOT RIGHT,
470
00:13:00,767 --> 00:13:02,733
BUT YOU DON'T GIVE UP.
471
00:13:02,733 --> 00:13:06,467
IF YOU DO, THEN THEY WIN.
472
00:13:06,467 --> 00:13:07,900
HEY, HEY.
473
00:13:07,900 --> 00:13:10,333
WHAT'S UP, NEE-NEE?
474
00:13:10,333 --> 00:13:11,067
HOW'D YOUR MIXER
475
00:13:11,067 --> 00:13:12,067
THINGAMAJIG GO?
476
00:13:12,067 --> 00:13:13,500
DON'T ASK.
477
00:13:13,500 --> 00:13:14,733
AUNTIE ELLA, YOU KNOW I WANT
478
00:13:14,733 --> 00:13:16,433
TO GO TO COLLEGE, BUT YOU ALSO
479
00:13:16,433 --> 00:13:17,433
KNOW THAT I AIN'T STACKING NO
480
00:13:17,433 --> 00:13:18,600
CHIPS LIKE THAT, SO I NEED THAT
481
00:13:18,600 --> 00:13:20,100
SCHOLARSHIP.
482
00:13:20,100 --> 00:13:21,133
"STACKING NO CHIPS"?
483
00:13:21,133 --> 00:13:22,800
OH. IT MEANS SHE DOESN'T HAVE
484
00:13:22,800 --> 00:13:23,733
A LOT OF MONEY.
485
00:13:23,733 --> 00:13:24,900
OH, HA HA. OH!
486
00:13:24,900 --> 00:13:26,133
MAN, BUT IF THEY AIN'T EVEN
487
00:13:26,133 --> 00:13:27,200
WILLING TO GIVE ME A SHOT JUST
488
00:13:27,200 --> 00:13:29,100
BECAUSE I DON'T FIT IN, SHOOT,
489
00:13:29,100 --> 00:13:30,467
WELL, I DON'T WANT IT.
490
00:13:30,467 --> 00:13:31,833
RENEE, I KNOW WHAT YOU MEAN.
491
00:13:31,833 --> 00:13:33,067
EVER SINCE I GOT OUT OF THE
492
00:13:33,067 --> 00:13:34,600
REHAB CENTER, PEOPLE HAVE BEEN
493
00:13:34,600 --> 00:13:35,733
JUDGING ME ON MY PAST,
494
00:13:35,733 --> 00:13:37,533
BUT YOU CAN'T LET YOUR PAST
495
00:13:37,533 --> 00:13:38,567
DETERMINE YOUR FUTURE.
496
00:13:38,567 --> 00:13:40,333
RIGHT. ALL YOU CAN DO IS YOUR
497
00:13:40,333 --> 00:13:42,300
BEST, RENEE, AND THEN LET GOD
498
00:13:42,300 --> 00:13:44,067
TAKE CARE OF THE REST.
499
00:13:44,067 --> 00:13:46,133
THAT -- THAT WAS DEEP.
500
00:13:48,967 --> 00:13:51,700
IT -- IT WAS!
501
00:13:51,700 --> 00:13:52,433
OKAY, YOUR INTERVIEW
502
00:13:52,433 --> 00:13:55,500
IS TOMORROW, SO I SAY LET'S JUST
503
00:13:55,500 --> 00:13:57,367
GIVE IT ONE MORE SHOT.
504
00:13:57,367 --> 00:13:58,933
AND WITH A NEW LOOK.
505
00:13:58,933 --> 00:14:00,467
OH, SO YOU DON'T LIKE THE WAY
506
00:14:00,467 --> 00:14:01,767
I DRESS EITHER, COUSIN J.?
507
00:14:01,767 --> 00:14:03,333
RENEE, I HAVE NO PROBLEM WITH
508
00:14:03,333 --> 00:14:04,600
THE WAY YOU DRESS, BUT YOU'RE
509
00:14:04,600 --> 00:14:06,400
NOT TRYING TO IMPRESS ME.
510
00:14:06,400 --> 00:14:07,333
SOMETIMES IN ORDER TO REACH
511
00:14:07,333 --> 00:14:08,233
PEOPLE, YOU HAVE TO SPEAK THEIR
512
00:14:08,233 --> 00:14:09,233
LANGUAGE.
513
00:14:09,233 --> 00:14:11,367
TRUST ME, I KNOW FIRSTHAND ABOUT
514
00:14:11,367 --> 00:14:13,233
HOW DECEIVING LOOKS CAN BE.
515
00:14:13,233 --> 00:14:14,833
SO, RENEE, ARE YOU READY FOR
516
00:14:14,833 --> 00:14:17,900
YOUR MAKEOVER?
517
00:14:17,900 --> 00:14:18,933
I GUESS SO.
518
00:14:18,933 --> 00:14:19,733
GREAT. I'LL CALL THE SPA.
519
00:14:19,733 --> 00:14:20,700
WE CAN ALL GO.
520
00:14:20,700 --> 00:14:21,367
HA HA!
521
00:14:21,367 --> 00:14:22,067
YEAH, COUNT ME IN,
522
00:14:22,067 --> 00:14:23,600
'CAUSE I COULD USE A PEDICURE.
523
00:14:23,600 --> 00:14:24,267
ARE YOU PAYING
524
00:14:24,267 --> 00:14:25,367
FOR YOUR PEDICURE?
525
00:14:25,367 --> 00:14:26,567
WOULD YOU PAY FOR MY...
526
00:14:26,567 --> 00:14:28,233
UH-UH. COUNT HIM OUT.
527
00:14:28,233 --> 00:14:30,500
NO, IT'LL BE JUST 3.
528
00:14:30,500 --> 00:14:33,467
PETER, MALIK, SHAKE HANDS.
529
00:14:36,867 --> 00:14:39,700
WELL, ONE THING'S FOR SURE --
530
00:14:39,700 --> 00:14:41,100
YOU'RE NOT A WUSS.
531
00:14:41,100 --> 00:14:42,400
THANK YOU.
532
00:14:42,400 --> 00:14:44,067
I HAVE TO ADMIT THAT I DID HAVE
533
00:14:44,067 --> 00:14:45,600
FUN TODAY.
534
00:14:45,600 --> 00:14:47,400
I LEARNED IN THE PROCESS THAT
535
00:14:47,400 --> 00:14:48,633
THERE'S MORE TO LIFE THAN JUST
536
00:14:48,633 --> 00:14:49,700
PLAYING VIDEO GAMES.
537
00:14:49,700 --> 00:14:50,367
I HEARD THAT.
538
00:14:50,367 --> 00:14:51,067
YOU WANT TO PLAY
539
00:14:51,067 --> 00:14:51,933
SOME VIDEO GAMES?
540
00:14:51,933 --> 00:14:52,733
SURE.
541
00:14:52,733 --> 00:14:54,733
AWESOME.
542
00:14:54,733 --> 00:14:55,700
[ CHUCKLES ]
543
00:14:55,700 --> 00:14:56,667
WELL, GUYS, I'LL BE RIGHT BACK.
544
00:14:56,667 --> 00:14:57,433
OH, AND, C.J., CAN YOU FIX
545
00:14:57,433 --> 00:14:58,333
THE LOCK UPSTAIRS?
546
00:14:58,333 --> 00:14:59,333
MALIK WALKED IN ON ME EARLIER
547
00:14:59,333 --> 00:15:00,933
CHANGING MY SHIRT.
548
00:15:00,933 --> 00:15:01,633
HE DID WHAT?
549
00:15:01,633 --> 00:15:02,433
YEAH, BUT I'M SURE IT WAS
550
00:15:02,433 --> 00:15:03,800
JUST AN ACCIDENT.
551
00:15:03,800 --> 00:15:06,100
UH, SO "BEING A FIREFIGHTER
552
00:15:06,100 --> 00:15:08,067
ISN'T THAT BAD AFTER ALL," HUH?
553
00:15:10,933 --> 00:15:13,567
WELL, DAD, I MEANT THAT.
554
00:15:13,567 --> 00:15:15,067
OH. YOU MEANT THAT AFTER YOU
555
00:15:15,067 --> 00:15:16,633
SAW ANGEL TAKING OFF HER SHIRT.
556
00:15:16,633 --> 00:15:18,967
OKAY. MY BAD.
557
00:15:18,967 --> 00:15:20,800
LOOK, SON, YOU CAN'T CHOOSE
558
00:15:20,800 --> 00:15:23,133
A PROFESSION BASED ON WOMEN
559
00:15:23,133 --> 00:15:24,367
OR FORTUNE OR FAME.
560
00:15:24,367 --> 00:15:25,233
YOU GOT TO CHOOSE SOMETHING THAT
561
00:15:25,233 --> 00:15:26,867
YOU'RE PASSIONATE ABOUT.
562
00:15:26,867 --> 00:15:27,667
YOUR DADDY ALWAYS WANTED
563
00:15:27,667 --> 00:15:28,900
TO BE A PIMP.
564
00:15:28,900 --> 00:15:29,900
[ BOTH LAUGHING]
565
00:15:35,933 --> 00:15:37,567
COME ON.
566
00:15:37,567 --> 00:15:38,900
OKAY, REMEMBER,
567
00:15:38,900 --> 00:15:40,633
STICK TO THE PLAN.
568
00:15:40,633 --> 00:15:42,300
I KNOW, BUT, AUNTIE ELLA,
569
00:15:42,300 --> 00:15:43,267
I FEEL WEIRD.
570
00:15:43,267 --> 00:15:44,067
LISTEN, NO MATTER WHAT,
571
00:15:44,067 --> 00:15:46,100
DON'T GET FRUSTRATED, OKAY?
572
00:15:46,100 --> 00:15:48,267
GO GET 'EM. OKAY.
573
00:15:48,267 --> 00:15:50,333
SO, RENEE, I SEE YOU MADE IT
574
00:15:50,333 --> 00:15:51,400
ON TIME.
575
00:15:51,400 --> 00:15:52,733
HAVE A SEAT.
576
00:15:57,067 --> 00:15:58,500
DO YOU PARTICIPATE IN ANY
577
00:15:58,500 --> 00:16:00,233
EXTRACURRICULAR ACTIVITIES?
578
00:16:00,233 --> 00:16:02,167
WHY, YES, I DO.
579
00:16:02,167 --> 00:16:04,233
WHEN I AM NOT BUSY MAINTAINING
580
00:16:04,233 --> 00:16:06,200
MY 4.0 G.P.A...
581
00:16:09,067 --> 00:16:10,933
I PLAY BASKETBALL.
582
00:16:10,933 --> 00:16:12,233
OH, AND HOW ARE YOU AN ASSET
583
00:16:12,233 --> 00:16:13,600
TO YOUR TEAM?
584
00:16:13,600 --> 00:16:15,133
GIRL, HAVE YOU SEEN MY
585
00:16:15,133 --> 00:16:15,833
JUMPER?
586
00:16:15,833 --> 00:16:17,100
I BE LEBRON-ING THEM LIKE,
587
00:16:17,100 --> 00:16:20,600
"B-BAM! SWISH! NOTHING BUT NET!"
588
00:16:20,600 --> 00:16:21,600
[ Coughing ] SIT DOWN!
589
00:16:21,600 --> 00:16:22,300
NEE-NEE!
590
00:16:22,300 --> 00:16:24,733
SIT DOWN.
591
00:16:24,733 --> 00:16:26,233
STICK TO THE PLAN.
592
00:16:26,233 --> 00:16:29,533
PLEASE?
593
00:16:29,533 --> 00:16:31,767
WHAT I MEANT TO SAY WAS I WAS
594
00:16:31,767 --> 00:16:34,733
VOTED MOST VALUABLE PLAYER
595
00:16:34,733 --> 00:16:36,500
TWO YEARS IN A ROW.
596
00:16:36,500 --> 00:16:38,267
RENEE, I HAVE TO BE HONEST.
597
00:16:38,267 --> 00:16:39,667
AFTER MEETING YOU LAST NIGHT,
598
00:16:39,667 --> 00:16:40,867
WE'RE NOT CONVINCED THAT YOU'RE
599
00:16:40,867 --> 00:16:42,333
RIGHT FOR THIS OPPORTUNITY.
600
00:16:42,333 --> 00:16:44,400
FOR THIS SCHOLARSHIP, WE LOOK AT
601
00:16:44,400 --> 00:16:47,500
THE WHOLE PACKAGE.
602
00:16:47,500 --> 00:16:49,733
WELL, I DON'T THINK YOU DO.
603
00:16:49,733 --> 00:16:52,767
LOOK, I KNOW I'M A LITTLE ROUGH
604
00:16:52,767 --> 00:16:54,533
AROUND THE EDGES, BUT --
605
00:16:54,533 --> 00:16:55,867
"ROUGH" IS AN UNDERSTATEMENT,
606
00:16:55,867 --> 00:16:56,767
DEAR.
607
00:16:56,767 --> 00:16:58,200
EMILY, PLEASE.
608
00:16:58,200 --> 00:16:59,833
I'M JUST SAYING WE HAVE TO BE
609
00:16:59,833 --> 00:17:01,700
VERY PARTICULAR ABOUT WHO GETS
610
00:17:01,700 --> 00:17:02,833
THIS SCHOLARSHIP.
611
00:17:02,833 --> 00:17:03,733
WE CAN'T GIVE IT
612
00:17:03,733 --> 00:17:04,700
TO SOME HOOD RAT.
613
00:17:04,700 --> 00:17:06,300
WHAT THE HELL?
614
00:17:06,300 --> 00:17:07,500
DID YOU JUST CALL ME A HOOD RAT?
615
00:17:07,500 --> 00:17:08,700
THAT'S ENOUGH, EMILY.
616
00:17:08,700 --> 00:17:09,967
I SHOULD HAVE SAID SOMETHING
617
00:17:09,967 --> 00:17:11,467
YESTERDAY.
618
00:17:11,467 --> 00:17:14,533
HOW DARE YOU JUDGE RENEE JUST
619
00:17:14,533 --> 00:17:15,933
BECAUSE SHE HAPPENS TO BE
620
00:17:15,933 --> 00:17:17,167
DIFFERENT FROM YOUR
621
00:17:17,167 --> 00:17:18,633
OTHER APPLICANTS?
622
00:17:18,633 --> 00:17:20,433
YO, DON'T EVEN TRIP, AUNTIE.
623
00:17:20,433 --> 00:17:21,633
CHILL. I GOT THIS.
624
00:17:21,633 --> 00:17:22,533
NO, RENEE, WHAT THEY'RE DOING
625
00:17:22,533 --> 00:17:23,500
IS WRONG, OKAY?
626
00:17:23,500 --> 00:17:24,300
IT'S HARD ENOUGH TO GET INTO
627
00:17:24,300 --> 00:17:25,367
COLLEGE WITHOUT HAVING YOUR OWN
628
00:17:25,367 --> 00:17:26,967
PEOPLE FROWNING DOWN ON YOU.
629
00:17:26,967 --> 00:17:27,800
RIGHT.
630
00:17:27,800 --> 00:17:28,733
I'M JUST CALLING IT
631
00:17:28,733 --> 00:17:30,467
LIKE I SEE IT.
632
00:17:30,467 --> 00:17:31,300
FOR ALL WE KNOW,
633
00:17:31,300 --> 00:17:32,700
SHE COULD BE ON DRUGS.
634
00:17:32,700 --> 00:17:34,300
DRUGS, EMILY?
635
00:17:34,300 --> 00:17:36,300
NO, I'LL TAKE THIS ONE. ME.
636
00:17:36,300 --> 00:17:38,567
HOW YOU DOING, EMILY?
637
00:17:38,567 --> 00:17:40,300
WOW. SO, WHAT YOU'RE TRYING TO
638
00:17:40,300 --> 00:17:42,067
TELL ME IS THAT YOU CAN TELL
639
00:17:42,067 --> 00:17:42,900
A DRUG ADDICT JUST BY
640
00:17:42,900 --> 00:17:44,333
LOOKING AT SOMEBODY?
641
00:17:44,333 --> 00:17:45,267
UH-OH.
642
00:17:45,267 --> 00:17:47,800
EMILY, QUIT WHILE YOU'RE AHEAD.
643
00:17:47,800 --> 00:17:50,100
NO, NO, NO. YES, I CAN.
644
00:17:50,100 --> 00:17:53,700
I'VE SEEN "THE WIRE."
645
00:17:53,700 --> 00:17:55,533
WOW. SO YOU KNEW I USED TO BE
646
00:17:55,533 --> 00:17:56,900
A DRUG ADDICT, RIGHT?
647
00:17:56,900 --> 00:17:57,567
REALLY?
648
00:17:57,567 --> 00:17:58,233
MM-HMM.
649
00:17:58,233 --> 00:17:58,933
YES, IT'S TRUE.
650
00:17:58,933 --> 00:17:59,900
I'VE BEEN TO THE CRACK HOUSE
651
00:17:59,900 --> 00:18:01,233
AND EVERYTHING.
652
00:18:01,233 --> 00:18:02,633
I MEAN, I -- OH, FORGET IT.
653
00:18:02,633 --> 00:18:05,367
ALL RIGHT. ALL RIGHT. ENOUGH.
654
00:18:05,367 --> 00:18:08,700
YO, LISTEN, I KNOW I DIDN'T DO
655
00:18:08,700 --> 00:18:10,067
MY BEST DURING THE MEET AND
656
00:18:10,067 --> 00:18:11,200
GREET YESTERDAY.
657
00:18:11,200 --> 00:18:12,833
I KNOW THIS.
658
00:18:12,833 --> 00:18:14,667
BUT I AM TRYING TO PUT MY BEST
659
00:18:14,667 --> 00:18:17,067
FOOT FORWARD NOW.
660
00:18:17,067 --> 00:18:18,067
AND WITH OR WITHOUT THIS
661
00:18:18,067 --> 00:18:20,300
SCHOLARSHIP, I'M GONNA MAKE IT.
662
00:18:20,300 --> 00:18:21,067
THAT'S RIGHT.
663
00:18:21,067 --> 00:18:22,800
YOU TELL THEM, NEE-NEE.
664
00:18:22,800 --> 00:18:24,100
FOSHIZZLE!
665
00:18:24,100 --> 00:18:25,867
WHOO! AUNTIE!
666
00:18:25,867 --> 00:18:26,700
[ LAUGHING ]
667
00:18:26,700 --> 00:18:27,367
DO YOU SEE?
668
00:18:27,367 --> 00:18:28,833
IT'S LOUD GHETTO OUTBURSTS
669
00:18:28,833 --> 00:18:30,067
LIKE THAT--
670
00:18:30,067 --> 00:18:31,867
CAN IT, EMILY.
671
00:18:31,867 --> 00:18:33,833
AS FAR AS I AM CONCERNED, RENEE,
672
00:18:33,833 --> 00:18:35,733
THE SCHOLARSHIP IS YOURS.
673
00:18:35,733 --> 00:18:36,933
WHO'S WITH ME?
674
00:18:36,933 --> 00:18:37,767
OOH!
675
00:18:37,767 --> 00:18:38,533
YES!
676
00:18:38,533 --> 00:18:41,067
I VOTE.
677
00:18:41,067 --> 00:18:43,767
I GOT IT! OOH, I GOT IT! OOH!
678
00:18:43,767 --> 00:18:44,667
OH, YOU GOT IT.
679
00:18:44,667 --> 00:18:45,533
WE'RE LADIES.
680
00:18:45,533 --> 00:18:46,633
OH, LADIES. RIGHT.
681
00:18:46,633 --> 00:18:48,800
CHURCH HUG.
682
00:18:48,800 --> 00:18:49,700
[ CHUCKLES ]
683
00:18:49,700 --> 00:18:51,367
OH, THANK GOODNESS.
684
00:18:51,367 --> 00:18:52,100
YES.
685
00:18:52,100 --> 00:18:53,200
THANK GOODNESS.
686
00:18:53,200 --> 00:18:56,100
THANK GOODNESS, 'CAUSE MY--
687
00:18:56,100 --> 00:18:57,567
MY DOGS -- MY DOGS IS BARKING,
688
00:18:57,567 --> 00:18:58,500
AUNTIE.
689
00:18:58,500 --> 00:19:00,267
I GOT TO GET THEM OFF ME.
690
00:19:00,267 --> 00:19:01,767
GIRL, I KNOW WHAT YOU'RE
691
00:19:01,767 --> 00:19:02,733
TALKING ABOUT.
692
00:19:02,733 --> 00:19:05,433
OOH! COME ON, BILL. COME ON.
693
00:19:05,433 --> 00:19:06,133
STRETCH A MINUTE.
694
00:19:06,133 --> 00:19:07,133
WHAT ABOUT YOUR DOGS?
695
00:19:07,133 --> 00:19:08,333
IT'S ALL ABOUT CIRCULATION.
696
00:19:08,333 --> 00:19:10,733
YEAH...
697
00:19:10,733 --> 00:19:12,733
**
42082
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