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"HOUSE OF PAYNE"...
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ENGINE COMPANY 5 IS ON THE
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SCENE.
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WE GOT HEAVY SMOKE AND FLAMES ON
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THE SECOND AND THIRD FLOORS.
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COPY.
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CHIEF, I'M HEADED IN.
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OKAY.
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SECOND FLOOR?
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CALVIN! GET BACK HERE!
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WHAT ARE YOU DOING?
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I'M GOING IN. I WANT TO HELP.
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I DON'T NEED YOU UP THERE.
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YOU'RE A VOLUNTEER.
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NOW CALM DOWN, SON.
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WELL, WHO IS HE TALKING TO?
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SOME LITTLE GIRL NAMED
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TAYLOR.
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TAYLOR.
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GIRL, YEAH, I WORK OUT.
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WHOO!
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GIRL, I WORK OUT LIKE A BEAST.
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YOU KNOW, IT'S JUST A LITTLE
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PUPPY LOVE.
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HE'LL BE ALL RIGHT.
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C.J., IT'S THAT SAME KIND OF
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PUPPY LOVE THAT CREATES LITTLE
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PUPPIES.
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OKAY.
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Calvin! Don't come up here!
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It's not safe!
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[ CRASH ]
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BART, WHERE'S LADDER 51?
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LADDER 51 HAD AN ACCIDENT,
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CHIEF, BUT I CALLED LADDER 70,
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AND THEY'RE ON THEIR WAY.
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CHIEF, IT'S GONNA BE ALL
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RIGHT.
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YEAH, WELL, IT BETTER BE ALL
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RIGHT.
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THAT'S MY NEPHEW TRAPPED IN A
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BURNING BUILDING!
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NOW, LOOK, I NEED YOU TWO TO
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FOCUS.
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WE HAVE GOT TO FIND ANOTHER
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ENTRANCE INTO THIS PLACE.
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WELL, WE'VE GOT TO HURRY UP,
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CHIEF, 'CAUSE HE'S ONLY GOT
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ABOUT 10 MINUTES OF AIR LEFT IN
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THOSE TANKS.
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10 MINUTES?
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[ STAMMERING ]
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WILL YOU TWO GET A MOVE ON IT?
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YOU'RE NOT DOING ANY GOOD
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STANDING HERE, OKAY?
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OKAY, CHIEF.
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MOVE IT, MOVE IT!
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WE GOT TO GET C.J. OUT OF THE
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BUILDING!
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LORD...I DON'T KNOW WHAT YOUR
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PLAN IS FOR ME, BUT I'M NOT
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READY TO DIE YET.
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I CAN'T LEAVE MY FAMILY,
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ESPECIALLY MY KIDS.
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JAZMINE, I LOVE YOU, BABY, AND
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I'M SORRY THAT I RUINED
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FATHER-DAUGHTER NIGHT, OKAY?
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BUT THIS IS NOT THE WAY TO GET
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ATTENTION, AND I DON'T WANT YOU
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GROWING UP TO BE THAT KIND OF
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GIRL.
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WHAT KIND OF GIRL?
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THE KIND OF GIRL THAT DOES
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BAD THINGS AND DATES GUYS THAT
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TREAT HER BAD BECAUSE SHE DIDN'T
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SPEND ENOUGH TIME WITH HER
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DADDY.
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BUT IT -- IT JUST SEEMS LIKE
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YOU NEVER HAVE TIME FOR ME
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ANYMORE.
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WELL, YOU JUST TAUGHT ME A
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VALUABLE LESSON, SO WE'RE GONNA
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BE SPENDING A LOT MORE TIME
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TOGETHER.
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I LOVE YOU, DADDY.
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I LOVE YOU, TOO, BABY.
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BABY, YOU LET ME WORRY ABOUT
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GETTING US A HOUSE, OKAY?
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I JUST WANT YOU TO FOCUS ON
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BEING A LITTLE GIRL, ALL RIGHT?
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OKAY?
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ALL RIGHT.
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IF I WOULD HAVE EVER MARRIED
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ANYBODY, IT WOULDN'T CHANGE THE
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FACT THAT I'M YOUR DAD.
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AND HAVING A MOMMY AROUND AND
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YOUR OWN HOME DOESN'T MAKE YOU A
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FAMILY.
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IT DOESN'T?
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NO, WE'RE A FAMILY WITH MOMMY
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OR WITHOUT, AND OUR HOME IS
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WHEREVER WE LIVE, YOU
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UNDERSTAND?
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YES, SIR.
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AND I KNOW THAT SOME DADS
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MOVE ON, BUT ME, YOU, AND MALIK,
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WE'RE A TEAM.
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NOBODY WILL EVER SPLIT US UP.
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ONCE UPON A TIME --
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DAD, THAT ONE WORKED, LIKE,
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5 YEARS AGO -- BABYISH.
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OH. THAT'S BABY -- OKAY.
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UH...AT ONE POINT IN HISTORY,
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THERE WAS A KING AND A QUEEN,
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AND THEY HAD TWO ROYAL CHILDREN.
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I KNOW WHERE THIS ONE'S
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GOING.
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NOW, THE QUEEN WANDERED OFF
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INTO THE WOODS AND FOUND SOME
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POISON BERRIES.
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NOW, IS THIS BEFORE OR AFTER
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SHE BURNT DOWN THE CASTLE?
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MALIK.
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NOW, AFTER SHE ATE THE POISON
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BERRIES, SHE GOT LOST IN THE
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WOODS AND --
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DAD, THIS STORY'S ABOUT
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MOMMY, ISN'T IT?
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YEAH. YEAH, IT'S ABOUT MOMMY.
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AND IT'S TRUE.
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SHE HAS BEEN TAKING DRUGS.
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BUT WHY?
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I DON'T KNOW.
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I JUST KNOW THAT MAYBE IT'S
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BECAUSE SHE ISN'T VERY HAPPY.
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IS SHE UNHAPPY WITH US?
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NO. NO. SHE LOVES YOU GUYS.
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SHE'S UNHAPPY WITH HERSELF, AND
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THAT'S WHAT MAKES HER DO DRUGS.
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WELL, WHY DOESN'T SHE JUST GO
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TO THE DOCTOR?
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I WANT HER TO, BUT IT'S A
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HARD THING, AND I WISH THAT I
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COULD JUST MAKE IT ALL BETTER.
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IS THAT WHAT WAS GONNA HAPPEN
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IN THE STORY?
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NO, NO WAY.
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SEE, IN THE STORY, THE KING
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COULDN'T SAVE THE QUEEN FROM THE
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BERRIES.
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DAD, THIS STORY SUCKS.
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ARE YOU TRYING TO CHEER HER UP?
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'CAUSE RIGHT NOW, YOU'RE
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BRINGING A BROTHER DOWN.
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MY BAD. MY BAD, SON.
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MAYBE THE KING CAN COME UP WITH
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A MAGIC SPELL THAT WILL KEEP THE
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PRINCESS AND THE PRINCE FROM
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WORRYING TOO MUCH.
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THAT WOULD BE NICE, DADDY.
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LET'S SAY OUR PRAYERS.
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COME ON.
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YOU GONNA LEAD US OFF?
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YEAH.
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MAKE IT GOOD.
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I WILL NEED EVERY HEAD DOWN.
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* THE DEVIL THOUGHT HE HAD ME *
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* OH, BUDDY, WHOA, WHOA *
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JAZMINE, YOU'RE GONNA STOP
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SPENDING SO MUCH TIME WITH YOUR
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UNCLE.
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[ Static ]
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OH, MY GOD.
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ARE -- ARE YOU STILL NERVOUS?
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NO.
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YOU CALMED DOWN?
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YEAH, I'M GOOD. I'M GOOD.
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SO YOU GUYS ARE HAVING A GOOD
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TIME?
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OH, YEAH, YEAH.
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OKAY, SO WHAT Y'ALL DOING?
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OH, NO, WE AIN'T DOING
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NOTHING.
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MM-HMM. PROBABLY KISSING.
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SHUT UP.
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JAZMINE.
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MALIK, TELL TAYLOR TO COME ON IN
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SO YOU TWO CAN GET SOMETHING TO
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EAT.
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OKAY.
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TAYLOR, SANDWICHES ARE READY.
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THANK YOU AGAIN, MRS. PAYNE.
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YOU'RE WELCOME, TAYLOR.
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I'LL BE IN THE OTHER ROOM.
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JAZMINE, AS SOON AS YOU FINISH,
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COME INTO THE OTHER ROOM WITH
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ME.
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YES, MA'AM.
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[ CRUNCHING ]
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JAZMINE, WILL YOU STOP EATING
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SO SLOW?
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MY TEACHER SAID YOU'RE
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SUPPOSED TO CHEW YOUR FOOD 30
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TIMES BEFORE YOU SWALLOW IT.
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HELPS YOUR FOOD DIGEST.
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WILL YOU JUST GET OUT?
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FINE, THEN.
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I'LL EAT IN MY ROOM.
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[ SMOOCHING ]
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I'M SORRY ABOUT THAT.
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THAT'S OKAY.
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UM...NOW THAT, UM...
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YOU'RE MY GIRLFRIEND AND ALL,
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WHAT'S NEXT?
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WELL, YOU CAN TAKE ALL MY
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BOOKS TO SCHOOL, WALK ME TO ALL
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MY CLASSES, HELP ME WITH MY
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HOMEWORK, EAT LUNCH WITH ME, AND
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BEAT UP TODD JOHNSON BECAUSE HE
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GETS ON MY NERVES.
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THIS IS A LOT OF STUFF.
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WORSE THAN BEING MARRIED.
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AND PLUS, TODD JOHNSON'S KIND OF
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BIG.
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LOOK, DO YOU WANT TO BE MY
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BOYFRIEND OR NOT?
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YEAH, UM, IF I'M DOING ALL
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THIS STUFF, I THINK I'M GONNA
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HAVE TO GET ANOTHER KISS.
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ELLA!
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HOO-HOO!
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ELLA!
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HEY.
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ELLA, TURN ON THE TV.
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I AM SO GLAD THAT WE HAVE
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DOORS TO SLOW YOU DOWN.
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OTHERWISE, YOU'D JUST POP
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STRAIGHT THROUGH TO THE PATIO.
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ELLA, THIS IS SERIOUS.
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THERE'S A FIREMAN CAUGHT IN
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A FIRE ON JUNIPER.
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DID THEY SAY WHO IT IS?
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NO, BABY, BUT IT'S SOMEBODY
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FROM CURTIS' COMPANY, SO TURN ON
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THE TV.
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OH, NO, NO. NO, NO, NO.
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CURTIS ALWAYS SAYS THAT IT LOOKS
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WORSE ON TV THAN IT REALLY,
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REALLY IS, AND I DON'T WANT TO
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START WORRYING ABOUT THAT.
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WELL, THEN MAYBE YOU SHOULD
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CALL HIM.
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NO, NO, I'VE BEEN DOING THIS
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A LONG TIME, AND HE NEEDS TO
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FOCUS, FOCUS ON HIS JOB.
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NO, NO.
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WE NEED TO DO SOMETHING,
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ELLA.
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OKAY, WELL, NO.
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I'M JUST GONNA -- WELL...
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NO, I'M JUST GONNA SIT HERE AND
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WAIT ON CURTIS TO CALL ME.
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HE'LL CALL ME.
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HE'LL CALL ME IF SOMETHING
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HAPPENS.
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HE WILL CALL ME.
267
00:08:08,133 --> 00:08:08,900
CHIEF, THERE'S ANOTHER
268
00:08:08,900 --> 00:08:09,533
STAIRCASE.
269
00:08:09,533 --> 00:08:10,233
GOOD. WHERE?
270
00:08:10,233 --> 00:08:10,967
IN THE BACK.
271
00:08:10,967 --> 00:08:11,800
THE LADY NEXT DOOR SAID THERE
272
00:08:11,800 --> 00:08:12,667
USED TO BE AN ENTRANCE ON THE
273
00:08:12,667 --> 00:08:13,600
LOWER LEVEL TO A STAIRCASE THAT
274
00:08:13,600 --> 00:08:15,133
LEADS TO THE UPPER FLOORS.
275
00:08:15,133 --> 00:08:17,367
BART, WHERE IS LADDER 70?
276
00:08:17,367 --> 00:08:18,367
They're about 15 minutes out,
277
00:08:18,367 --> 00:08:19,067
Chief.
278
00:08:19,067 --> 00:08:19,800
15 MINUTES?
279
00:08:19,800 --> 00:08:20,667
CHIEF, THAT'S NOT ENOUGH TIME.
280
00:08:20,667 --> 00:08:21,900
C.J.'s GONNA RUN OUT OF AIR.
281
00:08:21,900 --> 00:08:23,067
OKAY.
282
00:08:23,067 --> 00:08:24,700
WE NEED TO BREACH THE WALL.
283
00:08:24,700 --> 00:08:25,700
BART, GET A FEW GUYS AND MEET
284
00:08:25,700 --> 00:08:26,967
ME AT THE BACK OF THE BUILDING.
285
00:08:26,967 --> 00:08:28,100
Copy that, Angel.
286
00:08:28,100 --> 00:08:29,500
GOOD JOB.
287
00:08:29,500 --> 00:08:31,900
CALVIN, DO YOU THINK YOU CAN MAN
288
00:08:31,900 --> 00:08:33,567
THE RADIO?
289
00:08:33,567 --> 00:08:34,233
YES, YES.
290
00:08:34,233 --> 00:08:35,067
NOW, LISTEN TO ME.
291
00:08:35,067 --> 00:08:36,400
DO NOT TAKE ONE STEP INTO
292
00:08:36,400 --> 00:08:37,333
THAT --
293
00:08:37,333 --> 00:08:40,200
I WON'T. I PROMISE.
294
00:08:40,200 --> 00:08:41,567
I'M COMING IN.
295
00:08:41,567 --> 00:08:42,567
WAIT, POP, WHY DON'T WE JUST
296
00:08:42,567 --> 00:08:43,467
CALL THE RAPID INTERVENTION
297
00:08:43,467 --> 00:08:44,267
TEAM?
298
00:08:44,267 --> 00:08:45,100
LOOK, WE DON'T HAVE TIME TO
299
00:08:45,100 --> 00:08:45,900
CALL THE RAPID INTERVENTION
300
00:08:45,900 --> 00:08:46,533
TEAM.
301
00:08:46,533 --> 00:08:47,467
GO GET MY TANK OFF THE TRUCK.
302
00:08:47,467 --> 00:08:48,267
NO, YOU'RE NOT --
303
00:08:48,267 --> 00:08:49,200
SHUT UP AND GET THE TANK OFF
304
00:08:49,200 --> 00:08:53,833
THE TRUCK NOW!
305
00:08:53,833 --> 00:08:54,800
C.J., I'M COMING IN.
306
00:08:54,800 --> 00:08:56,767
DO YOU COPY?
307
00:08:56,767 --> 00:08:57,933
C.J., RESPOND.
308
00:08:57,933 --> 00:09:00,133
I'M COMING IN.
309
00:09:00,133 --> 00:09:01,067
C.J., HANG IN THERE.
310
00:09:01,067 --> 00:09:04,233
I'M COMING IN.
311
00:09:04,233 --> 00:09:05,800
C.J., can you hear me? C.J.?
312
00:09:05,800 --> 00:09:07,900
I HEAR YOU, UNCLE CURTIS, AND
313
00:09:07,900 --> 00:09:12,467
I KNOW YOU WON'T LET ME DIE.
314
00:09:12,467 --> 00:09:15,467
I KNOW YOU LOVE ME, UNC.
315
00:09:15,467 --> 00:09:17,500
C.J., LET ME LET YOU IN ON
316
00:09:17,500 --> 00:09:18,300
SOMETHING.
317
00:09:18,300 --> 00:09:20,100
I'VE NEVER LIKED YOU.
318
00:09:20,100 --> 00:09:21,633
I DON'T LIKE YOUR SON.
319
00:09:21,633 --> 00:09:23,967
HELL, I NEVER LIKED MY BROTHER.
320
00:09:23,967 --> 00:09:25,067
SORRY YOU HAD TO HEAR IT LIKE
321
00:09:25,067 --> 00:09:25,867
THAT.
322
00:09:25,867 --> 00:09:27,333
HEY, HEY, UNCLE CURTIS, YOU
323
00:09:27,333 --> 00:09:28,567
AIN'T GOT TO BE SO HARSH.
324
00:09:28,567 --> 00:09:30,067
YEAH, POPS.
325
00:09:30,067 --> 00:09:30,967
EVERYBODY LIVE HERE, RAISE
326
00:09:30,967 --> 00:09:31,867
YOUR HAND.
327
00:09:31,867 --> 00:09:35,067
HOLD IT UP HIGH.
328
00:09:35,067 --> 00:09:36,233
JUST LIKE I THOUGHT.
329
00:09:36,233 --> 00:09:37,767
MY HOUSE, MY PARTY, AND IF YOU
330
00:09:37,767 --> 00:09:39,100
TWO DON'T LIKE IT, YOU CAN GO
331
00:09:39,100 --> 00:09:40,433
BACK TO THE BACK ROOM WITH THE
332
00:09:40,433 --> 00:09:43,200
KIDS AND WATCH TV.
333
00:09:43,200 --> 00:09:45,367
SINCE C.J. IS LONELY, BORDERLINE
334
00:09:45,367 --> 00:09:46,567
PATHETIC...
335
00:09:46,567 --> 00:09:47,567
THANKS, UNC.
336
00:09:47,567 --> 00:09:49,067
ANYTIME. I LOVE YOU.
337
00:09:49,067 --> 00:09:50,233
THIS IS WHAT WE'RE GONNA DO.
338
00:09:50,233 --> 00:09:51,300
ANYBODY THAT CAN GET C.J. A
339
00:09:51,300 --> 00:09:52,867
PERFECT DATE IS GONNA GET THE
340
00:09:52,867 --> 00:09:55,367
DAY OFF.
341
00:09:55,367 --> 00:09:58,300
I'M GONNA GIVE YOU A HINT.
342
00:09:58,300 --> 00:10:00,533
JANINE'S A CRACKHEAD.
343
00:10:00,533 --> 00:10:04,500
A CRACKHEAD? A CRACKHEAD?
344
00:10:04,500 --> 00:10:05,767
WHAT ARE YOU SAYING?
345
00:10:05,767 --> 00:10:06,733
I'M SAYING IF YOU WANT YOUR
346
00:10:06,733 --> 00:10:08,900
WIFE TO STAY AT HOME, GO GET
347
00:10:08,900 --> 00:10:10,833
SOME CRACK.
348
00:10:10,833 --> 00:10:11,633
UNCLE CURTIS, I SPENT THE
349
00:10:11,633 --> 00:10:12,467
MONEY THAT YOU GAVE ME ON
350
00:10:12,467 --> 00:10:13,467
JANINE'S REHAB, AND SHE LEFT, SO
351
00:10:13,467 --> 00:10:14,400
THE MONEY'S GONE, AND I'M STILL
352
00:10:14,400 --> 00:10:17,633
BROKE, AND WE CAN'T MOVE.
353
00:10:19,567 --> 00:10:20,500
DID YOU HEAR WHAT I SAID?
354
00:10:20,500 --> 00:10:21,933
YEAH, I HEARD YOU.
355
00:10:21,933 --> 00:10:23,167
YOUR AUNT ELLA ALREADY TOLD ME.
356
00:10:23,167 --> 00:10:24,100
SO YOU'RE NOT GONNA KILL ME?
357
00:10:24,100 --> 00:10:25,400
NO.
358
00:10:25,400 --> 00:10:29,700
OH! THANK YOU, THANK YOU!
359
00:10:29,700 --> 00:10:31,733
THIS IS GAY.
360
00:10:31,733 --> 00:10:32,533
I DON'T KNOW ANY
361
00:10:32,533 --> 00:10:34,333
NICOLE JAMIESON.
362
00:10:34,333 --> 00:10:35,233
WHO?
363
00:10:35,233 --> 00:10:36,100
HOW YOU GET THIS PHONE NUMBER?
364
00:10:36,100 --> 00:10:37,200
GOTCHA.
365
00:10:37,200 --> 00:10:38,567
[ LAUGHS ]
366
00:10:38,567 --> 00:10:39,700
YEAH, YEAH, I'M GLAD TO SEE
367
00:10:39,700 --> 00:10:41,333
YOU GOT HOME SAFELY, YEAH.
368
00:10:41,333 --> 00:10:42,467
YEAH, I CAN'T WAIT TO SEE YOU,
369
00:10:42,467 --> 00:10:43,267
TOO.
370
00:10:43,267 --> 00:10:44,333
ALL RIGHT. ALL RIGHT.
371
00:10:44,333 --> 00:10:48,033
TAKE CARE.
372
00:10:48,033 --> 00:10:49,533
BOY.
373
00:10:49,533 --> 00:10:50,367
[ LAUGHS ]
374
00:10:50,367 --> 00:10:53,433
HE'S BACK! THE PLAYER IS BACK!
375
00:10:53,433 --> 00:10:54,867
HE'S A LITTLE CORNY, BUT HE'S
376
00:10:54,867 --> 00:10:56,467
BACK.
377
00:10:56,467 --> 00:10:57,967
UNCLE C., I KNOW IT'S TOUGH
378
00:10:57,967 --> 00:10:59,133
HAVING US ALL AROUND AND
379
00:10:59,133 --> 00:11:00,500
EVERYTHING, AND THE LAST THING I
380
00:11:00,500 --> 00:11:01,900
WANTED TO DO WAS TO MOVE INTO
381
00:11:01,900 --> 00:11:03,300
YOUR HOME.
382
00:11:03,300 --> 00:11:04,100
YEAH, AND THAT'S THE LAST
383
00:11:04,100 --> 00:11:06,800
THING WE WANTED YOU TO DO.
384
00:11:06,800 --> 00:11:08,233
COME ON, C.J.
385
00:11:08,233 --> 00:11:10,133
YOU'RE MY BROTHER'S SON.
386
00:11:10,133 --> 00:11:11,733
YOU'RE FAMILY.
387
00:11:11,733 --> 00:11:16,567
AND WE L-L-L...
388
00:11:16,567 --> 00:11:17,967
WHAT? WHAT WAS THAT?
389
00:11:17,967 --> 00:11:19,067
L-L...
390
00:11:19,067 --> 00:11:20,133
WHAT? WHAT?
391
00:11:20,133 --> 00:11:23,600
WE LOVE YOU.
392
00:11:26,667 --> 00:11:30,333
NO, NO, NO. NO, NO, NO, NO.
393
00:11:30,333 --> 00:11:32,067
PLEASE. HE'S GONNA CALL ME.
394
00:11:32,067 --> 00:11:34,567
HE'S GONNA CALL ME. CALL ME.
395
00:11:34,567 --> 00:11:35,667
HE'S GONNA CALL ME. I KNOW IT.
396
00:11:35,667 --> 00:11:36,667
I KNOW IT.
397
00:11:36,667 --> 00:11:37,567
CLARETHA, I TOLD YOU NOT TO TURN
398
00:11:37,567 --> 00:11:38,967
ON THE --
399
00:11:38,967 --> 00:11:40,800
BUT, LOOK, ELLA, IT'S CURTIS.
400
00:11:40,800 --> 00:11:41,800
HEY, BABE. OH, MY GOODNESS.
401
00:11:41,800 --> 00:11:42,867
HEY, BABE. OKAY, ANGEL.
402
00:11:42,867 --> 00:11:44,133
THERE'S ANGEL.
403
00:11:44,133 --> 00:11:47,067
OH, WHO'S THAT BIG, BLACK GUY?
404
00:11:47,067 --> 00:11:48,133
OH, THAT'S BART.
405
00:11:48,133 --> 00:11:49,900
HE'S JUST COVERED IN SOOT.
406
00:11:49,900 --> 00:11:51,300
ALL RIGHT, WELL, DO YOU SEE
407
00:11:51,300 --> 00:11:52,067
C.J.?
408
00:11:52,067 --> 00:11:53,067
DO YOU SEE CALVIN?
409
00:11:53,067 --> 00:11:53,800
I CAN'T TELL.
410
00:11:53,800 --> 00:11:55,067
THEY KEEP MOVING THE CAMERA.
411
00:11:55,067 --> 00:11:56,233
HOLD STILL SO WE CAN SEE!
412
00:11:56,233 --> 00:11:57,800
Shh! WILL YOU BE QUIET?!
413
00:11:57,800 --> 00:11:58,633
I DO NOT WANT THE KIDS TO COME
414
00:11:58,633 --> 00:11:59,633
IN HERE.
415
00:11:59,633 --> 00:12:00,667
SORRY. YOU'RE RIGHT.
416
00:12:00,667 --> 00:12:03,467
OKAY. ALL RIGHT.
417
00:12:03,467 --> 00:12:05,067
ELLA, I'M SURE C.J. IS FINE
418
00:12:05,067 --> 00:12:05,867
NOW.
419
00:12:05,867 --> 00:12:06,800
HE'S PROBABLY JUST HELPING GET
420
00:12:06,800 --> 00:12:07,900
THAT TRAPPED FIREMAN OUT.
421
00:12:07,900 --> 00:12:10,233
I KNOW. I KNOW IT, OKAY?
422
00:12:10,233 --> 00:12:11,667
BUT WHAT IF THE TRAPPED FIREMAN
423
00:12:11,667 --> 00:12:13,700
IS -- WHAT IF IT'S CALVIN?
424
00:12:13,700 --> 00:12:15,900
NOW, LOOK. LOOK, ELLA.
425
00:12:15,900 --> 00:12:16,900
CURTIS WOULD HAVE CALLED YOU IF
426
00:12:16,900 --> 00:12:18,500
CALVIN OR C.J. WERE IN DANGER.
427
00:12:18,500 --> 00:12:19,933
YOU KNOW THAT.
428
00:12:19,933 --> 00:12:21,100
OKAY. ALL RIGHT.
429
00:12:21,100 --> 00:12:22,633
YOU'RE RIGHT. YOU'RE RIGHT.
430
00:12:22,633 --> 00:12:23,633
HE WOULD HAVE CALLED ME, RIGHT?
431
00:12:23,633 --> 00:12:24,633
RIGHT.
432
00:12:24,633 --> 00:12:25,900
HE WOULD HAVE CALLED ME.
433
00:12:25,900 --> 00:12:27,200
OF COURSE, NOW, GIVING BAD
434
00:12:27,200 --> 00:12:28,133
NEWS ON THE PHONE IS SO
435
00:12:28,133 --> 00:12:28,967
IMPERSONAL.
436
00:12:28,967 --> 00:12:30,067
HE PROBABLY WOULD WANT TO DO
437
00:12:30,067 --> 00:12:31,500
THAT FACE-TO-FACE.
438
00:12:31,500 --> 00:12:33,067
THANK YOU, CLARETHA.
439
00:12:33,067 --> 00:12:33,867
ALTHOUGH IT HAS BEEN A LONG
440
00:12:33,867 --> 00:12:35,267
TIME, SO WHOEVER'S TRAPPED
441
00:12:35,267 --> 00:12:38,300
INSIDE MUST BE REALLY BAD OFF.
442
00:12:38,300 --> 00:12:39,333
OH.
443
00:12:39,333 --> 00:12:40,833
THANK YOU, CLARETHA.
444
00:12:40,833 --> 00:12:41,867
THANK YOU.
445
00:12:41,867 --> 00:12:42,900
BUT THEN AGAIN, WHEN YOU
446
00:12:42,900 --> 00:12:44,133
THINK ABOUT IT, IF IT WAS
447
00:12:44,133 --> 00:12:45,100
NOTHING SERIOUS, THEY WOULD HAVE
448
00:12:45,100 --> 00:12:47,067
SAID SOMETHING ON TV.
449
00:12:47,067 --> 00:12:48,700
OH.
450
00:12:48,700 --> 00:12:49,700
I'M BEGINNING TO THINK YOU'RE
451
00:12:49,700 --> 00:12:51,067
RIGHT, ELLA.
452
00:12:51,067 --> 00:12:52,233
IT IS SERIOUS.
453
00:12:52,233 --> 00:12:53,167
OOH.
454
00:12:53,167 --> 00:12:54,100
OH, I'M SO SORRY, GIRL.
455
00:12:54,100 --> 00:12:55,133
DO YOU WANT ME TO CALL THE
456
00:12:55,133 --> 00:12:56,133
PASTOR?
457
00:12:56,133 --> 00:12:57,067
CLARETHA.
458
00:12:57,067 --> 00:12:58,067
* PRECIOUS LORD *
459
00:12:58,067 --> 00:12:59,500
SHUT UP. SHUT UP, SHUT UP.
460
00:12:59,500 --> 00:13:00,733
* HMM *
461
00:13:00,733 --> 00:13:02,500
NO HUMMING.
462
00:13:02,500 --> 00:13:05,733
[ WHISTLING "PRECIOUS LORD" ]
463
00:13:05,733 --> 00:13:06,567
YOU THINK I'M PLAYING WITH
464
00:13:06,567 --> 00:13:08,533
YOU, DON'T YOU?
465
00:13:12,833 --> 00:13:14,400
COME ON, C.J. YOU'VE GOT TO
466
00:13:14,400 --> 00:13:16,333
MAKE IT THROUGH THIS, MAN.
467
00:13:16,333 --> 00:13:18,567
THIS IS -- THIS IS MY FAULT.
468
00:13:18,567 --> 00:13:19,733
ANGEL, ANGEL, DID YOU GET
469
00:13:19,733 --> 00:13:20,667
THROUGH THE WALL?
470
00:13:20,667 --> 00:13:21,667
NO, NO, BUT WE'RE VERY CLOSE.
471
00:13:21,667 --> 00:13:22,867
I JUST NEED ANOTHER AX.
472
00:13:22,867 --> 00:13:23,633
JUST STAY THERE, CALVIN.
473
00:13:23,633 --> 00:13:24,633
WE'RE GONNA GET HIM.
474
00:13:24,633 --> 00:13:28,900
ANGEL, PLEASE FIND HIM.
475
00:13:28,900 --> 00:13:29,767
C.J., MAN, I SWEAR, IF YOU MAKE
476
00:13:29,767 --> 00:13:32,067
IT THROUGH THIS, MAN, I'LL
477
00:13:32,067 --> 00:13:33,067
BABYSIT THE KIDS ANYTIME YOU
478
00:13:33,067 --> 00:13:34,667
WANT.
479
00:13:34,667 --> 00:13:37,600
[ SIREN WAILING ]
480
00:13:39,800 --> 00:13:41,900
[ SOBBING ]
481
00:13:41,900 --> 00:13:42,867
C.J., MAN, YOU REMEMBER THAT
482
00:13:42,867 --> 00:13:46,233
TIME WHEN I TRIED TO HELP YOU --
483
00:13:46,233 --> 00:13:47,300
I TRIED TO HELP YOU GET DAD'S
484
00:13:47,300 --> 00:13:51,067
RETIREMENT MONEY BACK?
485
00:13:51,067 --> 00:13:51,967
YEAH, YEAH, LET'S GET IT
486
00:13:51,967 --> 00:13:52,967
GOING.
487
00:13:52,967 --> 00:13:55,433
OKAY.
488
00:13:55,433 --> 00:13:57,767
WELCOME TO "HOW TO HUSTLE THE
489
00:13:57,767 --> 00:14:00,500
MAN."
490
00:14:00,500 --> 00:14:01,833
YOU NEED TO LEARN THIS FORMULA.
491
00:14:01,833 --> 00:14:03,133
FORMULA?
492
00:14:03,133 --> 00:14:05,867
YEAH.
493
00:14:05,867 --> 00:14:08,367
FOOTBALL PLUS PORK CHOP PLUS
494
00:14:08,367 --> 00:14:11,667
BEER MINUS KIDS EQUALS HAPPY
495
00:14:11,667 --> 00:14:13,533
CURTIS.
496
00:14:13,533 --> 00:14:15,600
DO NOT -- DO NOT DEVIATE FROM
497
00:14:15,600 --> 00:14:18,900
THIS PLAN.
498
00:14:18,900 --> 00:14:21,600
OR -- OR HOW ABOUT THE TIME WHEN
499
00:14:21,600 --> 00:14:22,600
I WENT TO THE CRACK HOUSE WITH
500
00:14:22,600 --> 00:14:26,933
YOU TO GET JANINE?
501
00:14:26,933 --> 00:14:29,933
I HAD YOUR BACK THAT DAY, MAN.
502
00:14:29,933 --> 00:14:31,667
SO YOU'RE THE FOOL THAT'S BEEN
503
00:14:31,667 --> 00:14:32,867
GIVING MY COUSIN CRACK?
504
00:14:32,867 --> 00:14:34,833
WHOO!
505
00:14:34,833 --> 00:14:35,933
WHOO! WHOO!
506
00:14:35,933 --> 00:14:37,067
WHOO!
507
00:14:37,067 --> 00:14:40,667
[ GRUNTS ]
508
00:14:40,667 --> 00:14:41,333
I'M OKAY.
509
00:14:41,333 --> 00:14:44,533
YOU'RE KICKING YOUR OWN ASS.
510
00:14:44,533 --> 00:14:45,800
BUT NOTHING COMPARES TO
511
00:14:45,800 --> 00:14:49,467
WHEN -- WHEN I HAD NICOLE
512
00:14:49,467 --> 00:14:50,367
THINKING YOU WAS CHEATING ON
513
00:14:50,367 --> 00:14:51,867
HER.
514
00:14:51,867 --> 00:14:54,133
[ LAUGHS ]
515
00:14:54,133 --> 00:14:55,333
START ROLLING.
516
00:14:55,333 --> 00:15:00,300
QUIET ON SET, AND ACTION.
517
00:15:00,300 --> 00:15:01,767
HEY, C.J.
518
00:15:01,767 --> 00:15:02,700
OH, I FORGOT TO TELL YOU.
519
00:15:02,700 --> 00:15:03,700
JESSICA CALLED.
520
00:15:03,700 --> 00:15:04,567
SHE SAID YOU LEFT YOUR JACKET
521
00:15:04,567 --> 00:15:07,800
LAST NIGHT.
522
00:15:07,800 --> 00:15:12,867
UM, WHO -- WHO IS JESSICA?
523
00:15:12,867 --> 00:15:13,767
UH, I DON'T KNOW ANYBODY
524
00:15:13,767 --> 00:15:14,900
NAMED JESSICA.
525
00:15:14,900 --> 00:15:15,800
UH-HUH.
526
00:15:15,800 --> 00:15:17,067
AND WAIT, DIDN'T YOU TELL ME
527
00:15:17,067 --> 00:15:20,067
YOU WERE WORKING LAST NIGHT?
528
00:15:20,067 --> 00:15:21,500
I WAS.
529
00:15:21,500 --> 00:15:22,367
WELL, THEN HOW COME I
530
00:15:22,367 --> 00:15:23,667
COULDN'T REACH YOU?
531
00:15:23,667 --> 00:15:24,733
I WAS PROBABLY PUTTING OUT A
532
00:15:24,733 --> 00:15:25,567
FIRE.
533
00:15:25,567 --> 00:15:26,933
YEAH, I BET YOU WERE.
534
00:15:26,933 --> 00:15:29,067
SO WAS JESSICA HOT?
535
00:15:29,067 --> 00:15:30,067
I DON'T KNOW ANYBODY NAMED
536
00:15:30,067 --> 00:15:30,900
JESSICA.
537
00:15:30,900 --> 00:15:32,067
C.J., LYING ONLY MAKES IT
538
00:15:32,067 --> 00:15:32,967
WORSE.
539
00:15:32,967 --> 00:15:33,900
I'M NOT LYING.
540
00:15:33,900 --> 00:15:35,067
OKAY, YOU KNOW WHAT?
541
00:15:35,067 --> 00:15:36,100
YOU CAN CALL ME WHEN YOU ARE
542
00:15:36,100 --> 00:15:38,433
READY TO TELL ME THE TRUTH.
543
00:15:38,433 --> 00:15:39,600
NICOLE, WAIT.
544
00:15:39,600 --> 00:15:40,367
NO, YOU'RE LYING.
545
00:15:40,367 --> 00:15:41,200
I'M NOT LYING.
546
00:15:41,200 --> 00:15:41,967
I DON'T KNOW ANYBODY NAMED
547
00:15:41,967 --> 00:15:42,933
JESSICA.
548
00:15:42,933 --> 00:15:44,433
[ LAUGHS ]
549
00:15:44,433 --> 00:15:47,867
AND CUT.
550
00:15:47,867 --> 00:15:49,100
MAN, COME ON, C.J.
551
00:15:49,100 --> 00:15:52,833
I'M NOT PLAYING NO MORE, MAN.
552
00:15:52,833 --> 00:15:53,600
THE FAMILY'S BEEN THROUGH
553
00:15:53,600 --> 00:15:54,433
ENOUGH, MAN.
554
00:15:54,433 --> 00:15:56,133
WE NEED YOU.
555
00:15:56,133 --> 00:16:01,067
C.J. I NEED YOU.
556
00:16:01,067 --> 00:16:02,400
PLEASE, C.J., YOU GOT TO MAKE IT
557
00:16:02,400 --> 00:16:05,800
THROUGH THIS.
558
00:16:05,800 --> 00:16:08,333
C.J., ANSWER ME, MAN!
559
00:16:12,500 --> 00:16:14,933
C.J...
560
00:16:14,933 --> 00:16:15,800
YOU CAN DO THIS.
561
00:16:15,800 --> 00:16:16,633
YOU CAN MAKE IT THROUGH THIS,
562
00:16:16,633 --> 00:16:18,600
C.J.
563
00:16:21,367 --> 00:16:24,067
[ SQUEALS ]
564
00:16:24,067 --> 00:16:27,067
UH, SO, WHAT Y'ALL DOING?
565
00:16:27,067 --> 00:16:28,933
DIDN'T YOUR AUNTIE TELL YOU
566
00:16:28,933 --> 00:16:32,400
TO LEAVE US ALONE?
567
00:16:32,400 --> 00:16:35,067
UH, SHE SHOULD HAVE TOLD YOU
568
00:16:35,067 --> 00:16:36,700
TO LEAVE MALIK ALONE.
569
00:16:36,700 --> 00:16:38,600
I'M MALIK'S GUEST, AND WE'RE
570
00:16:38,600 --> 00:16:41,967
HAVING A PRIVATE CONVERSATION,
571
00:16:41,967 --> 00:16:43,667
SO BEAT IT.
572
00:16:43,667 --> 00:16:44,667
EVERYONE WHO LIVES HERE,
573
00:16:44,667 --> 00:16:47,800
RAISE YOUR HAND.
574
00:16:47,800 --> 00:16:50,733
BOY, RAISE YOUR HAND.
575
00:16:50,733 --> 00:16:52,600
MM-HMM, THAT'S WHAT I THOUGHT.
576
00:16:52,600 --> 00:16:55,533
HMM, SWEETIE, WHY DON'T YOU
577
00:16:55,533 --> 00:16:57,533
RUN ALONG AND PLAY WITH YOUR
578
00:16:57,533 --> 00:17:01,300
DOLLS OR SOMETHING?
579
00:17:01,300 --> 00:17:02,967
EXCUSE ME?
580
00:17:02,967 --> 00:17:03,867
I DON'T THINK YOU KNOW WHO YOU
581
00:17:03,867 --> 00:17:05,700
DEALING WITH.
582
00:17:05,700 --> 00:17:06,933
TAYLOR, YOU MIGHT WANT TO BE
583
00:17:06,933 --> 00:17:09,533
CAREFUL.
584
00:17:09,533 --> 00:17:11,633
MALIK, YOU GONNA LET YOUR
585
00:17:11,633 --> 00:17:13,900
LITTLE SISTER BULLY YOU LIKE
586
00:17:13,900 --> 00:17:15,167
THAT?
587
00:17:15,167 --> 00:17:16,367
SHE IS SMALL, BUT VERY
588
00:17:16,367 --> 00:17:19,300
DANGEROUS.
589
00:17:19,300 --> 00:17:20,200
WELL, THE LITTLE MUNCHKIN
590
00:17:20,200 --> 00:17:24,333
DOESN'T SCARE ME.
591
00:17:24,333 --> 00:17:26,300
EXCUSE ME?
592
00:17:26,300 --> 00:17:28,400
WHAT DID YOU JUST CALL ME?
593
00:17:28,400 --> 00:17:32,067
YOU HEARD ME, BRATTY JAZZY.
594
00:17:32,067 --> 00:17:32,900
OOH.
595
00:17:32,900 --> 00:17:34,200
[ LAUGHS ]
596
00:17:34,200 --> 00:17:35,433
IF YOU DON'T WATCH THEM EYES,
597
00:17:35,433 --> 00:17:36,400
THEY'RE GONNA BE SITTING RIGHT
598
00:17:36,400 --> 00:17:37,267
THERE ON THE TABLE LOOKING BACK
599
00:17:37,267 --> 00:17:40,100
AT YOU.
600
00:17:40,100 --> 00:17:41,167
OKAY, WELL, LET ME TELL YOU
601
00:17:41,167 --> 00:17:44,267
SOMETHING, TACKY TAYLOR.
602
00:17:44,267 --> 00:17:46,733
MALIK DOESN'T EVEN LIKE YOU.
603
00:17:46,733 --> 00:17:48,167
HE DOES SO LIKE ME.
604
00:17:48,167 --> 00:17:49,267
NO, HE DOESN'T.
605
00:17:49,267 --> 00:17:50,133
IF HE DIDN'T LIKE ME, WHY DID
606
00:17:50,133 --> 00:17:51,400
HE KISS ME?
607
00:17:51,400 --> 00:17:53,700
EW, TOO MUCH INFORMATION.
608
00:17:53,700 --> 00:17:54,667
YOU AIN'T GOT TO TELL
609
00:17:54,667 --> 00:17:56,133
EVERYTHING.
610
00:17:56,133 --> 00:17:57,900
GOT TO TELL EVERYTHING?
611
00:17:57,900 --> 00:17:59,200
AND, PLEASE, STOP PUSHING AND
612
00:17:59,200 --> 00:18:00,167
PULLING ME.
613
00:18:00,167 --> 00:18:02,200
I'M GETTING DIZZY.
614
00:18:02,200 --> 00:18:05,700
OOH, GIRL, IF MY AUNTIE ELLA
615
00:18:05,700 --> 00:18:09,100
SAW YOU KISSING MY BROTHER,
616
00:18:09,100 --> 00:18:11,533
YOU'D CATCH A BEATDOWN.
617
00:18:11,533 --> 00:18:12,333
MALIK, ARE YOU GONNA SAY
618
00:18:12,333 --> 00:18:13,400
SOMETHING?
619
00:18:13,400 --> 00:18:14,300
JAZZY, PLEASE DON'T TELL
620
00:18:14,300 --> 00:18:15,267
AUNTIE ELLA, OKAY?
621
00:18:15,267 --> 00:18:17,567
OOH, I'M OUT.
622
00:18:17,567 --> 00:18:20,900
WAIT A MINUTE. NO, NO.
623
00:18:20,900 --> 00:18:22,667
WAIT A MINUTE.
624
00:18:22,667 --> 00:18:24,333
WAIT A MINUTE. COME ON, NOW.
625
00:18:24,333 --> 00:18:26,300
YOU DON'T GOT TO DO THIS.
626
00:18:26,300 --> 00:18:27,733
YOU DON'T HAVE TO LEAVE ME.
627
00:18:27,733 --> 00:18:29,467
WHY YOU GOT TO LEAVE ME?
628
00:18:29,467 --> 00:18:31,467
[ WHIMPERING ]
629
00:18:31,467 --> 00:18:33,567
COME ON, COME ON.
630
00:18:33,567 --> 00:18:35,200
YOU CAN BE MY GIRLFRIEND STILL,
631
00:18:35,200 --> 00:18:36,233
CAN'T YOU?
632
00:18:36,233 --> 00:18:38,267
CAN WE KISS, HUH?
38349
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