Original subtitles

"HOUSE OF PAYNE"...

ENGINE COMPANY 5 IS ON THE

SCENE.

WE GOT HEAVY SMOKE AND FLAMES ON

THE SECOND AND THIRD FLOORS.

COPY.

CHIEF, I'M HEADED IN.

OKAY.

SECOND FLOOR?

CALVIN! GET BACK HERE!

WHAT ARE YOU DOING?

I'M GOING IN. I WANT TO HELP.

I DON'T NEED YOU UP THERE.

YOU'RE A VOLUNTEER.

NOW CALM DOWN, SON.

WELL, WHO IS HE TALKING TO?

SOME LITTLE GIRL NAMED

TAYLOR.

TAYLOR.

GIRL, YEAH, I WORK OUT.

WHOO!

GIRL, I WORK OUT LIKE A BEAST.

YOU KNOW, IT'S JUST A LITTLE

PUPPY LOVE.

HE'LL BE ALL RIGHT.

C.J., IT'S THAT SAME KIND OF

PUPPY LOVE THAT CREATES LITTLE

PUPPIES.

OKAY.

Calvin! Don't come up here!

It's not safe!

[ CRASH ]

BART, WHERE'S LADDER 51?

LADDER 51 HAD AN ACCIDENT,

CHIEF, BUT I CALLED LADDER 70,

AND THEY'RE ON THEIR WAY.

CHIEF, IT'S GONNA BE ALL

RIGHT.

YEAH, WELL, IT BETTER BE ALL

RIGHT.

THAT'S MY NEPHEW TRAPPED IN A

BURNING BUILDING!

NOW, LOOK, I NEED YOU TWO TO

FOCUS.

WE HAVE GOT TO FIND ANOTHER

ENTRANCE INTO THIS PLACE.

WELL, WE'VE GOT TO HURRY UP,

CHIEF, 'CAUSE HE'S ONLY GOT

ABOUT 10 MINUTES OF AIR LEFT IN

THOSE TANKS.

10 MINUTES?

[ STAMMERING ]

WILL YOU TWO GET A MOVE ON IT?

YOU'RE NOT DOING ANY GOOD

STANDING HERE, OKAY?

OKAY, CHIEF.

MOVE IT, MOVE IT!

WE GOT TO GET C.J. OUT OF THE

BUILDING!

LORD...I DON'T KNOW WHAT YOUR

PLAN IS FOR ME, BUT I'M NOT

READY TO DIE YET.

I CAN'T LEAVE MY FAMILY,

ESPECIALLY MY KIDS.

JAZMINE, I LOVE YOU, BABY, AND

I'M SORRY THAT I RUINED

FATHER-DAUGHTER NIGHT, OKAY?

BUT THIS IS NOT THE WAY TO GET

ATTENTION, AND I DON'T WANT YOU

GROWING UP TO BE THAT KIND OF

GIRL.

WHAT KIND OF GIRL?

THE KIND OF GIRL THAT DOES

BAD THINGS AND DATES GUYS THAT

TREAT HER BAD BECAUSE SHE DIDN'T

SPEND ENOUGH TIME WITH HER

DADDY.

BUT IT -- IT JUST SEEMS LIKE

YOU NEVER HAVE TIME FOR ME

ANYMORE.

WELL, YOU JUST TAUGHT ME A

VALUABLE LESSON, SO WE'RE GONNA

BE SPENDING A LOT MORE TIME

TOGETHER.

I LOVE YOU, DADDY.

I LOVE YOU, TOO, BABY.

BABY, YOU LET ME WORRY ABOUT

GETTING US A HOUSE, OKAY?

I JUST WANT YOU TO FOCUS ON

BEING A LITTLE GIRL, ALL RIGHT?

OKAY?

ALL RIGHT.

IF I WOULD HAVE EVER MARRIED

ANYBODY, IT WOULDN'T CHANGE THE

FACT THAT I'M YOUR DAD.

AND HAVING A MOMMY AROUND AND

YOUR OWN HOME DOESN'T MAKE YOU A

FAMILY.

IT DOESN'T?

NO, WE'RE A FAMILY WITH MOMMY

OR WITHOUT, AND OUR HOME IS

WHEREVER WE LIVE, YOU

UNDERSTAND?

YES, SIR.

AND I KNOW THAT SOME DADS

MOVE ON, BUT ME, YOU, AND MALIK,

WE'RE A TEAM.

NOBODY WILL EVER SPLIT US UP.

ONCE UPON A TIME --

DAD, THAT ONE WORKED, LIKE,

5 YEARS AGO -- BABYISH.

OH. THAT'S BABY -- OKAY.

UH...AT ONE POINT IN HISTORY,

THERE WAS A KING AND A QUEEN,

AND THEY HAD TWO ROYAL CHILDREN.

I KNOW WHERE THIS ONE'S

GOING.

NOW, THE QUEEN WANDERED OFF

INTO THE WOODS AND FOUND SOME

POISON BERRIES.

NOW, IS THIS BEFORE OR AFTER

SHE BURNT DOWN THE CASTLE?

MALIK.

NOW, AFTER SHE ATE THE POISON

BERRIES, SHE GOT LOST IN THE

WOODS AND --

DAD, THIS STORY'S ABOUT

MOMMY, ISN'T IT?

YEAH. YEAH, IT'S ABOUT MOMMY.

AND IT'S TRUE.

SHE HAS BEEN TAKING DRUGS.

BUT WHY?

I DON'T KNOW.

I JUST KNOW THAT MAYBE IT'S

BECAUSE SHE ISN'T VERY HAPPY.

IS SHE UNHAPPY WITH US?

NO. NO. SHE LOVES YOU GUYS.

SHE'S UNHAPPY WITH HERSELF, AND

THAT'S WHAT MAKES HER DO DRUGS.

WELL, WHY DOESN'T SHE JUST GO

TO THE DOCTOR?

I WANT HER TO, BUT IT'S A

HARD THING, AND I WISH THAT I

COULD JUST MAKE IT ALL BETTER.

IS THAT WHAT WAS GONNA HAPPEN

IN THE STORY?

NO, NO WAY.

SEE, IN THE STORY, THE KING

COULDN'T SAVE THE QUEEN FROM THE

BERRIES.

DAD, THIS STORY SUCKS.

ARE YOU TRYING TO CHEER HER UP?

'CAUSE RIGHT NOW, YOU'RE

BRINGING A BROTHER DOWN.

MY BAD. MY BAD, SON.

MAYBE THE KING CAN COME UP WITH

A MAGIC SPELL THAT WILL KEEP THE

PRINCESS AND THE PRINCE FROM

WORRYING TOO MUCH.

THAT WOULD BE NICE, DADDY.

LET'S SAY OUR PRAYERS.

COME ON.

YOU GONNA LEAD US OFF?

YEAH.

MAKE IT GOOD.

I WILL NEED EVERY HEAD DOWN.

* THE DEVIL THOUGHT HE HAD ME *

* OH, BUDDY, WHOA, WHOA *

JAZMINE, YOU'RE GONNA STOP

SPENDING SO MUCH TIME WITH YOUR

UNCLE.

[ Static ]

OH, MY GOD.

ARE -- ARE YOU STILL NERVOUS?

NO.

YOU CALMED DOWN?

YEAH, I'M GOOD. I'M GOOD.

SO YOU GUYS ARE HAVING A GOOD

TIME?

OH, YEAH, YEAH.

OKAY, SO WHAT Y'ALL DOING?

OH, NO, WE AIN'T DOING

NOTHING.

MM-HMM. PROBABLY KISSING.

SHUT UP.

JAZMINE.

MALIK, TELL TAYLOR TO COME ON IN

SO YOU TWO CAN GET SOMETHING TO

EAT.

OKAY.

TAYLOR, SANDWICHES ARE READY.

THANK YOU AGAIN, MRS. PAYNE.

YOU'RE WELCOME, TAYLOR.

I'LL BE IN THE OTHER ROOM.

JAZMINE, AS SOON AS YOU FINISH,

COME INTO THE OTHER ROOM WITH

ME.

YES, MA'AM.

[ CRUNCHING ]

JAZMINE, WILL YOU STOP EATING

SO SLOW?

MY TEACHER SAID YOU'RE

SUPPOSED TO CHEW YOUR FOOD 30

TIMES BEFORE YOU SWALLOW IT.

HELPS YOUR FOOD DIGEST.

WILL YOU JUST GET OUT?

FINE, THEN.

I'LL EAT IN MY ROOM.

[ SMOOCHING ]

I'M SORRY ABOUT THAT.

THAT'S OKAY.

UM...NOW THAT, UM...

YOU'RE MY GIRLFRIEND AND ALL,

WHAT'S NEXT?

WELL, YOU CAN TAKE ALL MY

BOOKS TO SCHOOL, WALK ME TO ALL

MY CLASSES, HELP ME WITH MY

HOMEWORK, EAT LUNCH WITH ME, AND

BEAT UP TODD JOHNSON BECAUSE HE

GETS ON MY NERVES.

THIS IS A LOT OF STUFF.

WORSE THAN BEING MARRIED.

AND PLUS, TODD JOHNSON'S KIND OF

BIG.

LOOK, DO YOU WANT TO BE MY

BOYFRIEND OR NOT?

YEAH, UM, IF I'M DOING ALL

THIS STUFF, I THINK I'M GONNA

HAVE TO GET ANOTHER KISS.

ELLA!

HOO-HOO!

ELLA!

HEY.

ELLA, TURN ON THE TV.

I AM SO GLAD THAT WE HAVE

DOORS TO SLOW YOU DOWN.

OTHERWISE, YOU'D JUST POP

STRAIGHT THROUGH TO THE PATIO.

ELLA, THIS IS SERIOUS.

THERE'S A FIREMAN CAUGHT IN

A FIRE ON JUNIPER.

DID THEY SAY WHO IT IS?

NO, BABY, BUT IT'S SOMEBODY

FROM CURTIS' COMPANY, SO TURN ON

THE TV.

OH, NO, NO. NO, NO, NO.

CURTIS ALWAYS SAYS THAT IT LOOKS

WORSE ON TV THAN IT REALLY,

REALLY IS, AND I DON'T WANT TO

START WORRYING ABOUT THAT.

WELL, THEN MAYBE YOU SHOULD

CALL HIM.

NO, NO, I'VE BEEN DOING THIS

A LONG TIME, AND HE NEEDS TO

FOCUS, FOCUS ON HIS JOB.

NO, NO.

WE NEED TO DO SOMETHING,

ELLA.

OKAY, WELL, NO.

I'M JUST GONNA -- WELL...

NO, I'M JUST GONNA SIT HERE AND

WAIT ON CURTIS TO CALL ME.

HE'LL CALL ME.

HE'LL CALL ME IF SOMETHING

HAPPENS.

HE WILL CALL ME.

CHIEF, THERE'S ANOTHER

STAIRCASE.

GOOD. WHERE?

IN THE BACK.

THE LADY NEXT DOOR SAID THERE

USED TO BE AN ENTRANCE ON THE

LOWER LEVEL TO A STAIRCASE THAT

LEADS TO THE UPPER FLOORS.

BART, WHERE IS LADDER 70?

They're about 15 minutes out,

Chief.

15 MINUTES?

CHIEF, THAT'S NOT ENOUGH TIME.

C.J.'s GONNA RUN OUT OF AIR.

OKAY.

WE NEED TO BREACH THE WALL.

BART, GET A FEW GUYS AND MEET

ME AT THE BACK OF THE BUILDING.

Copy that, Angel.

GOOD JOB.

CALVIN, DO YOU THINK YOU CAN MAN

THE RADIO?

YES, YES.

NOW, LISTEN TO ME.

DO NOT TAKE ONE STEP INTO

THAT --

I WON'T. I PROMISE.

I'M COMING IN.

WAIT, POP, WHY DON'T WE JUST

CALL THE RAPID INTERVENTION

TEAM?

LOOK, WE DON'T HAVE TIME TO

CALL THE RAPID INTERVENTION

TEAM.

GO GET MY TANK OFF THE TRUCK.

NO, YOU'RE NOT --

SHUT UP AND GET THE TANK OFF

THE TRUCK NOW!

C.J., I'M COMING IN.

DO YOU COPY?

C.J., RESPOND.

I'M COMING IN.

C.J., HANG IN THERE.

I'M COMING IN.

C.J., can you hear me? C.J.?

I HEAR YOU, UNCLE CURTIS, AND

I KNOW YOU WON'T LET ME DIE.

I KNOW YOU LOVE ME, UNC.

C.J., LET ME LET YOU IN ON

SOMETHING.

I'VE NEVER LIKED YOU.

I DON'T LIKE YOUR SON.

HELL, I NEVER LIKED MY BROTHER.

SORRY YOU HAD TO HEAR IT LIKE

THAT.

HEY, HEY, UNCLE CURTIS, YOU

AIN'T GOT TO BE SO HARSH.

YEAH, POPS.

EVERYBODY LIVE HERE, RAISE

YOUR HAND.

HOLD IT UP HIGH.

JUST LIKE I THOUGHT.

MY HOUSE, MY PARTY, AND IF YOU

TWO DON'T LIKE IT, YOU CAN GO

BACK TO THE BACK ROOM WITH THE

KIDS AND WATCH TV.

SINCE C.J. IS LONELY, BORDERLINE

PATHETIC...

THANKS, UNC.

ANYTIME. I LOVE YOU.

THIS IS WHAT WE'RE GONNA DO.

ANYBODY THAT CAN GET C.J. A

PERFECT DATE IS GONNA GET THE

DAY OFF.

I'M GONNA GIVE YOU A HINT.

JANINE'S A CRACKHEAD.

A CRACKHEAD? A CRACKHEAD?

WHAT ARE YOU SAYING?

I'M SAYING IF YOU WANT YOUR

WIFE TO STAY AT HOME, GO GET

SOME CRACK.

UNCLE CURTIS, I SPENT THE

MONEY THAT YOU GAVE ME ON

JANINE'S REHAB, AND SHE LEFT, SO

THE MONEY'S GONE, AND I'M STILL

BROKE, AND WE CAN'T MOVE.

DID YOU HEAR WHAT I SAID?

YEAH, I HEARD YOU.

YOUR AUNT ELLA ALREADY TOLD ME.

SO YOU'RE NOT GONNA KILL ME?

NO.

OH! THANK YOU, THANK YOU!

THIS IS GAY.

I DON'T KNOW ANY

NICOLE JAMIESON.

WHO?

HOW YOU GET THIS PHONE NUMBER?

GOTCHA.

[ LAUGHS ]

YEAH, YEAH, I'M GLAD TO SEE

YOU GOT HOME SAFELY, YEAH.

YEAH, I CAN'T WAIT TO SEE YOU,

TOO.

ALL RIGHT. ALL RIGHT.

TAKE CARE.

BOY.

[ LAUGHS ]

HE'S BACK! THE PLAYER IS BACK!

HE'S A LITTLE CORNY, BUT HE'S

BACK.

UNCLE C., I KNOW IT'S TOUGH

HAVING US ALL AROUND AND

EVERYTHING, AND THE LAST THING I

WANTED TO DO WAS TO MOVE INTO

YOUR HOME.

YEAH, AND THAT'S THE LAST

THING WE WANTED YOU TO DO.

COME ON, C.J.

YOU'RE MY BROTHER'S SON.

YOU'RE FAMILY.

AND WE L-L-L...

WHAT? WHAT WAS THAT?

L-L...

WHAT? WHAT?

WE LOVE YOU.

NO, NO, NO. NO, NO, NO, NO.

PLEASE. HE'S GONNA CALL ME.

HE'S GONNA CALL ME. CALL ME.

HE'S GONNA CALL ME. I KNOW IT.

I KNOW IT.

CLARETHA, I TOLD YOU NOT TO TURN

ON THE --

BUT, LOOK, ELLA, IT'S CURTIS.

HEY, BABE. OH, MY GOODNESS.

HEY, BABE. OKAY, ANGEL.

THERE'S ANGEL.

OH, WHO'S THAT BIG, BLACK GUY?

OH, THAT'S BART.

HE'S JUST COVERED IN SOOT.

ALL RIGHT, WELL, DO YOU SEE

C.J.?

DO YOU SEE CALVIN?

I CAN'T TELL.

THEY KEEP MOVING THE CAMERA.

HOLD STILL SO WE CAN SEE!

Shh! WILL YOU BE QUIET?!

I DO NOT WANT THE KIDS TO COME

IN HERE.

SORRY. YOU'RE RIGHT.

OKAY. ALL RIGHT.

ELLA, I'M SURE C.J. IS FINE

NOW.

HE'S PROBABLY JUST HELPING GET

THAT TRAPPED FIREMAN OUT.

I KNOW. I KNOW IT, OKAY?

BUT WHAT IF THE TRAPPED FIREMAN

IS -- WHAT IF IT'S CALVIN?

NOW, LOOK. LOOK, ELLA.

CURTIS WOULD HAVE CALLED YOU IF

CALVIN OR C.J. WERE IN DANGER.

YOU KNOW THAT.

OKAY. ALL RIGHT.

YOU'RE RIGHT. YOU'RE RIGHT.

HE WOULD HAVE CALLED ME, RIGHT?

RIGHT.

HE WOULD HAVE CALLED ME.

OF COURSE, NOW, GIVING BAD

NEWS ON THE PHONE IS SO

IMPERSONAL.

HE PROBABLY WOULD WANT TO DO

THAT FACE-TO-FACE.

THANK YOU, CLARETHA.

ALTHOUGH IT HAS BEEN A LONG

TIME, SO WHOEVER'S TRAPPED

INSIDE MUST BE REALLY BAD OFF.

OH.

THANK YOU, CLARETHA.

THANK YOU.

BUT THEN AGAIN, WHEN YOU

THINK ABOUT IT, IF IT WAS

NOTHING SERIOUS, THEY WOULD HAVE

SAID SOMETHING ON TV.

OH.

I'M BEGINNING TO THINK YOU'RE

RIGHT, ELLA.

IT IS SERIOUS.

OOH.

OH, I'M SO SORRY, GIRL.

DO YOU WANT ME TO CALL THE

PASTOR?

CLARETHA.

* PRECIOUS LORD *

SHUT UP. SHUT UP, SHUT UP.

* HMM *

NO HUMMING.

[ WHISTLING "PRECIOUS LORD" ]

YOU THINK I'M PLAYING WITH

YOU, DON'T YOU?

COME ON, C.J. YOU'VE GOT TO

MAKE IT THROUGH THIS, MAN.

THIS IS -- THIS IS MY FAULT.

ANGEL, ANGEL, DID YOU GET

THROUGH THE WALL?

NO, NO, BUT WE'RE VERY CLOSE.

I JUST NEED ANOTHER AX.

JUST STAY THERE, CALVIN.

WE'RE GONNA GET HIM.

ANGEL, PLEASE FIND HIM.

C.J., MAN, I SWEAR, IF YOU MAKE

IT THROUGH THIS, MAN, I'LL

BABYSIT THE KIDS ANYTIME YOU

WANT.

[ SIREN WAILING ]

[ SOBBING ]

C.J., MAN, YOU REMEMBER THAT

TIME WHEN I TRIED TO HELP YOU --

I TRIED TO HELP YOU GET DAD'S

RETIREMENT MONEY BACK?

YEAH, YEAH, LET'S GET IT

GOING.

OKAY.

WELCOME TO "HOW TO HUSTLE THE

MAN."

YOU NEED TO LEARN THIS FORMULA.

FORMULA?

YEAH.

FOOTBALL PLUS PORK CHOP PLUS

BEER MINUS KIDS EQUALS HAPPY

CURTIS.

DO NOT -- DO NOT DEVIATE FROM

THIS PLAN.

OR -- OR HOW ABOUT THE TIME WHEN

I WENT TO THE CRACK HOUSE WITH

YOU TO GET JANINE?

I HAD YOUR BACK THAT DAY, MAN.

SO YOU'RE THE FOOL THAT'S BEEN

GIVING MY COUSIN CRACK?

WHOO!

WHOO! WHOO!

WHOO!

[ GRUNTS ]

I'M OKAY.

YOU'RE KICKING YOUR OWN ASS.

BUT NOTHING COMPARES TO

WHEN -- WHEN I HAD NICOLE

THINKING YOU WAS CHEATING ON

HER.

[ LAUGHS ]

START ROLLING.

QUIET ON SET, AND ACTION.

HEY, C.J.

OH, I FORGOT TO TELL YOU.

JESSICA CALLED.

SHE SAID YOU LEFT YOUR JACKET

LAST NIGHT.

UM, WHO -- WHO IS JESSICA?

UH, I DON'T KNOW ANYBODY

NAMED JESSICA.

UH-HUH.

AND WAIT, DIDN'T YOU TELL ME

YOU WERE WORKING LAST NIGHT?

I WAS.

WELL, THEN HOW COME I

COULDN'T REACH YOU?

I WAS PROBABLY PUTTING OUT A

FIRE.

YEAH, I BET YOU WERE.

SO WAS JESSICA HOT?

I DON'T KNOW ANYBODY NAMED

JESSICA.

C.J., LYING ONLY MAKES IT

WORSE.

I'M NOT LYING.

OKAY, YOU KNOW WHAT?

YOU CAN CALL ME WHEN YOU ARE

READY TO TELL ME THE TRUTH.

NICOLE, WAIT.

NO, YOU'RE LYING.

I'M NOT LYING.

I DON'T KNOW ANYBODY NAMED

JESSICA.

[ LAUGHS ]

AND CUT.

MAN, COME ON, C.J.

I'M NOT PLAYING NO MORE, MAN.

THE FAMILY'S BEEN THROUGH

ENOUGH, MAN.

WE NEED YOU.

C.J. I NEED YOU.

PLEASE, C.J., YOU GOT TO MAKE IT

THROUGH THIS.

C.J., ANSWER ME, MAN!

C.J...

YOU CAN DO THIS.

YOU CAN MAKE IT THROUGH THIS,

C.J.

[ SQUEALS ]

UH, SO, WHAT Y'ALL DOING?

DIDN'T YOUR AUNTIE TELL YOU

TO LEAVE US ALONE?

UH, SHE SHOULD HAVE TOLD YOU

TO LEAVE MALIK ALONE.

I'M MALIK'S GUEST, AND WE'RE

HAVING A PRIVATE CONVERSATION,

SO BEAT IT.

EVERYONE WHO LIVES HERE,

RAISE YOUR HAND.

BOY, RAISE YOUR HAND.

MM-HMM, THAT'S WHAT I THOUGHT.

HMM, SWEETIE, WHY DON'T YOU

RUN ALONG AND PLAY WITH YOUR

DOLLS OR SOMETHING?

EXCUSE ME?

I DON'T THINK YOU KNOW WHO YOU

DEALING WITH.

TAYLOR, YOU MIGHT WANT TO BE

CAREFUL.

MALIK, YOU GONNA LET YOUR

LITTLE SISTER BULLY YOU LIKE

THAT?

SHE IS SMALL, BUT VERY

DANGEROUS.

WELL, THE LITTLE MUNCHKIN

DOESN'T SCARE ME.

EXCUSE ME?

WHAT DID YOU JUST CALL ME?

YOU HEARD ME, BRATTY JAZZY.

OOH.

[ LAUGHS ]

IF YOU DON'T WATCH THEM EYES,

THEY'RE GONNA BE SITTING RIGHT

THERE ON THE TABLE LOOKING BACK

AT YOU.

OKAY, WELL, LET ME TELL YOU

SOMETHING, TACKY TAYLOR.

MALIK DOESN'T EVEN LIKE YOU.

HE DOES SO LIKE ME.

NO, HE DOESN'T.

IF HE DIDN'T LIKE ME, WHY DID

HE KISS ME?

EW, TOO MUCH INFORMATION.

YOU AIN'T GOT TO TELL

EVERYTHING.

GOT TO TELL EVERYTHING?

AND, PLEASE, STOP PUSHING AND

PULLING ME.

I'M GETTING DIZZY.

OOH, GIRL, IF MY AUNTIE ELLA

SAW YOU KISSING MY BROTHER,

YOU'D CATCH A BEATDOWN.

MALIK, ARE YOU GONNA SAY

SOMETHING?

JAZZY, PLEASE DON'T TELL

AUNTIE ELLA, OKAY?

OOH, I'M OUT.

WAIT A MINUTE. NO, NO.

WAIT A MINUTE.

WAIT A MINUTE. COME ON, NOW.

YOU DON'T GOT TO DO THIS.

YOU DON'T HAVE TO LEAVE ME.

WHY YOU GOT TO LEAVE ME?

[ WHIMPERING ]

COME ON, COME ON.

YOU CAN BE MY GIRLFRIEND STILL,

CAN'T YOU?

CAN WE KISS, HUH?