All language subtitles for Slade in Flame (Richard Loncraine, 1975)

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,133 --> 00:00:05,733 [knocking] Let's go have a little drink. 2 00:00:05,833 --> 00:00:08,400 What's that? Wife's wedding present? 3 00:00:08,500 --> 00:00:12,000 Let me in there... I wanna get in first! 4 00:00:16,933 --> 00:00:19,700 [partygoers chatter] 5 00:00:19,800 --> 00:00:23,900 All right, chaps? How are ya, eh? God bless. 6 00:00:24,000 --> 00:00:26,466 - Have a drink, eh? - Thanks mate. 7 00:00:30,400 --> 00:00:32,833 [indistinct chatter] 8 00:00:35,800 --> 00:00:38,433 Yeah, cheers. 9 00:00:40,766 --> 00:00:45,800 [no audible dialogue] 10 00:00:49,433 --> 00:00:53,633 ♪ [wedding band performs I WENT TO YOUR WEDDING] ♪ 11 00:00:53,733 --> 00:00:58,733 ♪ Your dreams, your dreams are through ♪ 12 00:00:59,866 --> 00:01:03,900 ♪ You walked down the aisle ♪ 13 00:01:04,000 --> 00:01:07,900 ♪ Wearing a smile, a vision ♪ 14 00:01:08,000 --> 00:01:13,233 ♪ of loveliness ♪ 15 00:01:13,333 --> 00:01:19,333 ♪ I uttered a sigh Then said goodbye ♪ 16 00:01:19,433 --> 00:01:26,233 ♪ Said goodbye to my happiness ♪ 17 00:01:26,600 --> 00:01:29,700 ♪ The tears they are flowing ♪ 18 00:01:29,800 --> 00:01:35,166 ♪ Because I was losing you ♪ 19 00:01:35,266 --> 00:01:39,200 ♪ Yeah ♪ 20 00:01:39,300 --> 00:01:43,000 ♪ You walked down the aisle ♪ 21 00:01:43,433 --> 00:01:45,700 ♪ Wearing a smile ♪ 22 00:01:45,800 --> 00:01:51,900 ♪ A vision of loveliness ♪ 23 00:01:52,000 --> 00:01:55,000 - What do you think you're doing? - What's he doing? 24 00:01:55,100 --> 00:01:57,800 [music stops, crashing sounds] 25 00:01:57,900 --> 00:02:00,400 [commotion] Goodbye! 26 00:02:02,200 --> 00:02:06,833 - [Barry] Look after the gear! - [Daniels] Watch him! 27 00:02:06,933 --> 00:02:09,700 [commotion continues] 28 00:02:09,800 --> 00:02:16,000 [metallic clanging] 29 00:02:29,666 --> 00:02:33,000 [no audible dialogue] 30 00:02:48,000 --> 00:02:55,166 ♪ [HOW DOES IT FEEL by SLADE] ♪ 31 00:02:58,666 --> 00:03:05,833 ♪ How does it feel Runnin' around, 'round, 'round? ♪ 32 00:03:06,866 --> 00:03:14,533 ♪ How does it feel Watchin' from upside-down? ♪ 33 00:03:14,633 --> 00:03:17,266 ♪ 'Cos many years from now ♪ 34 00:03:17,366 --> 00:03:21,900 ♪ There will be new sensations ♪ 35 00:03:22,766 --> 00:03:25,800 ♪ And new temptations ♪ 36 00:03:25,900 --> 00:03:30,500 ♪ How does it feel? ♪ 37 00:03:30,600 --> 00:03:37,166 ♪ How does it feel Right at the start? ♪ 38 00:03:38,733 --> 00:03:41,700 ♪ And how does it feel ♪ 39 00:03:41,800 --> 00:03:46,500 ♪ When you are thrown apart? ♪ 40 00:03:46,600 --> 00:03:53,100 ♪ 'Cos many years from now There will be new elations ♪ 41 00:03:54,466 --> 00:03:59,900 ♪ And new frustrations How does it feel? ♪ 42 00:04:00,000 --> 00:04:04,000 ♪ Oh, oh ♪ 43 00:04:06,133 --> 00:04:10,066 ♪ Do you know, know, know What it's like to be searching ♪ 44 00:04:10,166 --> 00:04:15,900 ♪ And suddenly find All your illusion, all your confusion ♪ 45 00:04:16,000 --> 00:04:20,000 ♪ All left behind? ♪ 46 00:04:20,833 --> 00:04:23,666 ♪ How does it feel ♪ 47 00:04:23,766 --> 00:04:27,900 ♪ Turnin' away? ♪ 48 00:04:28,000 --> 00:04:31,266 ♪ And how does it feel ♪ 49 00:04:31,366 --> 00:04:35,900 ♪ Facing another day? ♪ 50 00:04:36,000 --> 00:04:42,400 ♪ 'Cos many years from now There will be newer poisons ♪ 51 00:04:43,800 --> 00:04:47,200 ♪ And new horizons ♪ 52 00:04:47,300 --> 00:04:51,900 ♪ How does it feel? Oh, oh ♪ 53 00:04:52,000 --> 00:04:55,300 ♪ Ohhh! ♪ [door shuts] 54 00:04:57,433 --> 00:05:00,800 They was 'round for you dinner time. Said you were six weeks behind. 55 00:05:00,900 --> 00:05:03,900 Said they'd be back Friday, so you'd better have your pay handy. 56 00:05:04,000 --> 00:05:07,033 Can't expect us to keep them off your back forever! 57 00:05:07,133 --> 00:05:11,033 - Did you hear what I said? He wants those drums back. - Well he ain't having them. 58 00:05:11,133 --> 00:05:13,333 - [Charlie's mum] Where do you think you're going with that lot then? - [Charlie] Out. 59 00:05:13,433 --> 00:05:15,633 [Charlie's mum] Out? You haven't even been in yet! 60 00:05:15,733 --> 00:05:17,933 Say hello to your father. 61 00:05:18,033 --> 00:05:20,933 Hello to your father! [bird chirps] 62 00:05:21,300 --> 00:05:25,933 [drumming] 63 00:05:26,033 --> 00:05:27,433 Next! 64 00:05:27,533 --> 00:05:36,000 ♪ [ONLY ONE WOMAN by THE MARBLES plays] ♪ 65 00:05:40,000 --> 00:05:41,900 [drumming continues] 66 00:05:42,000 --> 00:05:44,000 [Daniels] Next! 67 00:05:54,300 --> 00:05:56,666 Not your actual Gene Krupa, is he? 68 00:05:56,766 --> 00:05:59,900 - Who's she? - Before your time. 69 00:06:00,000 --> 00:06:04,600 Next! 70 00:06:04,700 --> 00:06:08,333 - Eh, who's this cat? - Oh, that's Russell. 71 00:06:08,433 --> 00:06:11,300 Shut up! 72 00:06:11,400 --> 00:06:12,566 Wasn't that all right, then? 73 00:06:12,666 --> 00:06:15,666 - You on the phone? - Not really. - Sorry. 74 00:06:18,266 --> 00:06:21,600 - How's it going then? - Load of old rubbish. 75 00:06:21,700 --> 00:06:24,666 - Just say your name's Gene Krupa. - Who? 76 00:06:27,000 --> 00:06:29,600 - [snorts] Is that it then? - Well I thought you'd have some. 77 00:06:29,700 --> 00:06:34,466 Look, son, if I had a drum kit, I'd have a drummer behind it, wouldn't I? 78 00:06:34,566 --> 00:06:38,333 [laughs] You could lose anything, Jack. [Paul laughs] 79 00:06:38,433 --> 00:06:43,100 I tell you what. What we need is a drummer with a kit like that. 80 00:06:43,200 --> 00:06:48,433 [bingo announcer] All the threes, thirty three. One and four, fourteen. 81 00:06:48,533 --> 00:06:50,166 All the eights, two fat ladies. [crowd cheers] 82 00:06:50,266 --> 00:06:53,533 Get on then. This is it! 83 00:06:53,633 --> 00:06:57,300 Oi! Round the back! 84 00:06:57,400 --> 00:06:59,433 - Hey look I'm sorry, Gordon. - Out! Go on, out. 85 00:06:59,533 --> 00:07:02,566 Oh no look, Gordon, is that nice? House! 86 00:07:03,600 --> 00:07:05,233 Sorry! 87 00:07:29,033 --> 00:07:33,166 - Hello, love, hiya. Is he in? - You'll have to wait. Mr Harding's busy. 88 00:07:36,400 --> 00:07:41,966 Hello, my darling. What you doing then? Straining your brains? [laughs] 89 00:07:42,066 --> 00:07:44,000 How do you spell 'genius'? 90 00:07:45,033 --> 00:07:47,166 [coins tumbling] 91 00:07:47,266 --> 00:07:50,700 Hey, what you doing? That's Mr Harding's money. Put it back! 92 00:07:50,800 --> 00:07:53,533 [Harding] I'm sorry they called you down the nick, John. 93 00:07:53,633 --> 00:07:55,666 I'd assure ya, it won't happen again. 94 00:07:55,766 --> 00:07:57,633 You get any other little problems just give me a call. 95 00:07:57,733 --> 00:07:59,733 Mr Harding, I need to introduce you to my drummer, Charlie. Charlie introduce your... 96 00:07:59,833 --> 00:08:04,666 - Not now! - But Mr Harding, what about me gigs? 97 00:08:05,900 --> 00:08:10,066 - Busy man? - [scoffs] Oh yes, he's very busy. 98 00:08:10,166 --> 00:08:16,000 Thanks, Mrs B. Two pubs, four socials, 99 00:08:18,033 --> 00:08:20,433 and the bloody Jackoranda Club. 100 00:08:20,533 --> 00:08:25,533 - Not a bad week though. - Not a bad month. 101 00:08:25,633 --> 00:08:30,466 See ya, love. Come on, Charlie! 102 00:08:31,966 --> 00:08:38,366 [Daniels] That's me with Del Shannon, when I was playing bass. Hey they were the days. [laughs] 103 00:08:38,466 --> 00:08:44,000 - That's Bill Haley and me, on the first UK tour. - Oh mum was a great fan of his! 104 00:08:45,033 --> 00:08:47,900 - Where are you? - Down the front, one of the stewards. 105 00:08:48,000 --> 00:08:51,600 Ah yes, they're early days. As I've always said, Charlie, 106 00:08:51,700 --> 00:08:55,900 when you've been in this business as long as I have, you start to learn to take the rough with the... 107 00:08:56,000 --> 00:08:58,000 [Angie laughs] ...smooth. 108 00:09:03,000 --> 00:09:05,733 Here we are, Charlie. Your first gig. The Jackoranda Club. 109 00:09:05,833 --> 00:09:07,900 Shall we go round the back? 110 00:09:08,000 --> 00:09:11,900 All right lads, get all the gear out. I'll sort out Woolley. 111 00:09:12,000 --> 00:09:15,166 - [Paul] Don't push yourself, mate! - [Barry] No chance! 112 00:09:15,266 --> 00:09:19,900 [Frank coughing] Hello, Frank. 113 00:09:20,000 --> 00:09:23,900 - Got a nice 30 minutes for you tonight, Mr Woolley. - You got 60 minutes or no pay. 114 00:09:24,000 --> 00:09:27,433 - Cut that P.J. Proby rubbish out. - Come on, Mr Woolley, you know me. 115 00:09:27,533 --> 00:09:32,000 - Yeah, you're in there. - All right. 116 00:09:35,000 --> 00:09:39,900 [Stoker] Here he comes. The King of Rock'n'Roll! Give him a big hand! 117 00:09:40,000 --> 00:09:43,133 [band laughing] Oh bloody Nora. 118 00:09:43,233 --> 00:09:47,566 How's the beanstalk, Jack? Still growing? [laughter] 119 00:09:47,666 --> 00:09:49,433 Shit! 120 00:09:50,866 --> 00:09:54,600 - Who've I just seen then? - Not your mate, Elvis. - Bloody Roy Priest! 121 00:09:54,700 --> 00:09:59,133 - [Paul] Who? - The Undertakers. Them who got at my stage suit at the Commodore Club. 122 00:09:59,233 --> 00:10:01,033 Yeah, best part of the act! 123 00:10:01,133 --> 00:10:04,066 [Daniels] Eh, Barry, come 'ere. Come on! 124 00:10:04,466 --> 00:10:07,900 [JACK DANIELS & THE D.T.s play IN THE MIDNIGHT HOUR] ♪ I'm gonna wait 'til the midnight hour ♪ 125 00:10:08,000 --> 00:10:11,900 ♪ 'Til my love comes a tumblin' down ♪ 126 00:10:12,000 --> 00:10:15,000 ♪ Gonna wait 'til the midnight hour ♪ 127 00:10:15,100 --> 00:10:20,000 ♪ Oh when there's no one else around ♪ 128 00:10:22,366 --> 00:10:24,333 [tyre hissing] 129 00:10:24,533 --> 00:10:27,033 - Try not to nod off again, eh? - So when do you want me to come out then? 130 00:10:27,133 --> 00:10:29,200 Same as always. After four verses, right? 131 00:10:29,300 --> 00:10:31,466 - Where's Dodger? - Gone for a pony. 132 00:10:31,566 --> 00:10:33,733 Tell him to move his arse, you're on in two minutes. 133 00:10:33,833 --> 00:10:36,033 - All right? - Yeah. - Come on. 134 00:10:36,133 --> 00:10:39,766 ♪ I'm gonna take you, girl, and hold ya ♪ 135 00:10:39,866 --> 00:10:45,566 ♪ And do all the things I told ya In the midnight hour ♪ 136 00:10:45,666 --> 00:10:49,366 ♪ Oh yes I will ♪ 137 00:10:49,466 --> 00:10:55,900 ♪ Waah, ooh Gonna wait 'til the stars come out ♪ 138 00:10:56,000 --> 00:10:59,100 ♪ And see that twinkle... ♪ 139 00:11:00,166 --> 00:11:04,000 [hurriedly] Thank you very much indeed ladies and gentlemen it was really wonderful to be here. This is Jack Daniels saying... 140 00:11:04,100 --> 00:11:04,966 [song ends abruptly] 141 00:11:05,066 --> 00:11:08,166 - Thank you and goodnight. - Piss off. - Up yours. 142 00:11:08,266 --> 00:11:12,266 Well boys and girls, while they're clearing the stage I've got one or two announcements to make... 143 00:11:12,366 --> 00:11:17,500 [Woolley continues in background] 144 00:11:19,433 --> 00:11:21,866 - All right, fellas? - All right? 145 00:11:21,966 --> 00:11:23,400 - Hey, Roy. - What. - Will you do me a favour? 146 00:11:23,500 --> 00:11:26,666 - What's that then? - Next time you're going past the crematorium, will you burn this lot? [laughs] 147 00:11:26,766 --> 00:11:28,900 - Piss off, will ya? - What's the problem here? 148 00:11:29,000 --> 00:11:33,566 Oh nothing at all, Mr Woolley. No I'm just teaching my, uh, fellow artistes a bit of respect. 149 00:11:35,366 --> 00:11:39,133 - Just, uh... just the matter of fifteen pounds, Mr Woolley. - Fifteen arseholes. 150 00:11:39,233 --> 00:11:41,533 [ghoulish laughter] 151 00:11:41,633 --> 00:11:47,266 ♪ [THIS GIRL by THE UNDERTAKERS intro plays] ♪ 152 00:11:47,366 --> 00:11:51,900 ♪ A cute little ghoul called Colleen ♪ 153 00:11:52,000 --> 00:11:55,666 ♪ Whose curls were a bright shade of green ♪ 154 00:11:55,766 --> 00:11:59,433 ♪ When asked how she dyed it She simply replied ♪ 155 00:11:59,533 --> 00:12:04,000 ♪ "It just comes from the juice of my spleen" ♪ 156 00:12:04,666 --> 00:12:08,000 Oof! Sorry love. 'Ere, come hold of my gear! 157 00:12:12,000 --> 00:12:15,366 ♪ The life of a vampire ain't good ♪ 158 00:12:15,466 --> 00:12:19,500 ♪ They'd have tasty meals if they could ♪ 159 00:12:19,600 --> 00:12:23,133 ♪ They give you a peck on the side of your neck ♪ 160 00:12:23,233 --> 00:12:27,200 ♪ Cos what helps them excel is warm blood ♪ 161 00:12:27,300 --> 00:12:31,366 ♪ They laughed when I took my first flight ♪ 162 00:12:31,466 --> 00:12:35,166 ♪ The moon wasn't shining too bright ♪ 163 00:12:35,266 --> 00:12:39,333 ♪ Some beautiful throats made my little eyes gloat ♪ 164 00:12:39,433 --> 00:12:43,466 ♪ Cos our teeth only come out at night ♪ 165 00:12:43,566 --> 00:12:46,900 Ten quid for a talent like ours. It's a bloody crime! 166 00:12:47,000 --> 00:12:51,000 Ten quid for a talent like yours is a bloody miracle! [laughter] 167 00:12:51,900 --> 00:12:56,000 Hey, Barry. Share that out will you? 168 00:12:57,833 --> 00:12:59,900 [chuckles] Did you fix Priest? 169 00:13:00,000 --> 00:13:02,500 Did I fix him? [laughter] 170 00:13:02,600 --> 00:13:07,200 ♪ Happy hunting all you sweet sinners All you losers, all you winners ♪ 171 00:13:07,300 --> 00:13:10,466 ♪ Find your own peace of mind ♪ 172 00:13:10,566 --> 00:13:15,333 ♪ Happy hunting all you livewires All you laughers, all you criers ♪ 173 00:13:15,433 --> 00:13:20,000 ♪ Am I being unkind? ♪ 174 00:13:21,400 --> 00:13:23,900 Hold up! What you doing in there? 175 00:13:24,000 --> 00:13:26,000 - I'm trying to get out! - Yeah? 176 00:13:28,000 --> 00:13:32,000 - Come on! - Hang about, I'm doing me best! 177 00:13:33,966 --> 00:13:36,000 Here, the bastard thing's locked! 178 00:13:38,000 --> 00:13:40,000 [tyre bursts] 179 00:13:43,000 --> 00:13:44,364 What the bloody hell was that? 180 00:13:47,433 --> 00:13:49,466 Poxy bastards! 181 00:13:49,566 --> 00:13:52,900 - Is it flat? - Is it bloody flat? It's as flat as a witch's tits! 182 00:13:53,000 --> 00:13:57,600 [audience clapping, whistling] Come on now, settle down a bit. Settle down. 183 00:13:57,700 --> 00:14:00,000 All right, Stoker! Hang on to your equipment! 184 00:14:06,866 --> 00:14:08,000 Where is he? 185 00:14:10,000 --> 00:14:12,000 [horn blares] 186 00:14:15,233 --> 00:14:17,400 Two gallons, chief. All right? 187 00:14:17,500 --> 00:14:20,000 Check the tyres will ya, mate? 188 00:14:21,566 --> 00:14:23,900 - Oi! - New ones! 189 00:14:24,000 --> 00:14:26,833 Come on, we're gonna lose them! 190 00:14:29,433 --> 00:14:32,000 Right that's, uh, one egg and chips, 3/2. 191 00:14:32,100 --> 00:14:35,900 Oh and five teas, 1/3. Oh and the two new tyres are a fiver a piece. 192 00:14:36,000 --> 00:14:39,900 Well that's three quid each! Don't worry about the rest, though, you see, I'll make it up. 193 00:14:40,000 --> 00:14:41,266 You can all pay me back later. 194 00:14:41,366 --> 00:14:43,900 - Pay ya back? - Yeah, well, share and share alike. 195 00:14:44,000 --> 00:14:47,266 - How come we always have to pay for your cockups? - Well who else is gonna pay? 196 00:14:47,366 --> 00:14:50,733 - How about The Undertakers? - Yeah! [laughs] 197 00:14:53,100 --> 00:14:55,100 Angie! 198 00:14:55,200 --> 00:14:58,433 There's the car! They must be inside! 199 00:15:01,366 --> 00:15:03,566 - Hey, have you left a tip? - Don't push! 200 00:15:03,666 --> 00:15:06,966 - What's the hurry? - Come on! - Watch out for the bricks! 201 00:15:11,600 --> 00:15:15,666 Thanks very much me old son! Good luck. 202 00:15:15,766 --> 00:15:20,000 - Here! It's fifteen quid. - Come on, let's go! - That's all right, you can keep the change! 203 00:15:25,766 --> 00:15:27,233 The back! Round the back! 204 00:15:27,333 --> 00:15:30,433 Quick! They're bloody coming! 205 00:15:30,533 --> 00:15:37,200 ♪ [THIS GIRL reprise] ♪ 206 00:15:40,000 --> 00:15:43,900 ♪ ♪ 207 00:15:44,000 --> 00:15:49,733 ♪ ♪ 208 00:15:49,833 --> 00:15:54,133 - Come on, Stoker, get a bloody move on! - I'm moving! What's the matter with ya? 209 00:15:57,800 --> 00:16:01,000 - Come on, it must go faster than this! - It won't go any faster. 210 00:16:01,100 --> 00:16:05,000 ♪ ♪ 211 00:16:05,100 --> 00:16:08,466 Come on Jacko, you old tart. They're all over our backside! 212 00:16:08,566 --> 00:16:12,000 [all exclaiming] ...it's flat on the floor! 213 00:16:13,466 --> 00:16:16,000 He's driving like a madman! 214 00:16:20,000 --> 00:16:23,900 [police radio chatter] 215 00:16:24,000 --> 00:16:28,200 - [Barry] Can't you turn off? [all exclaiming] - [Charlie] Bleedin' hell! 216 00:16:45,100 --> 00:16:47,900 - [Barry] Stupid bastard! - [Daniels] It's burning! 217 00:16:48,000 --> 00:16:52,166 [Daniels] Lads! I'm bleeding. 218 00:16:52,266 --> 00:16:55,300 You're bleeding lucky I'm there then, Jack. 219 00:16:55,400 --> 00:16:57,600 - [Daniels] Get me out, Stoker. - [Paul] Get the gear! 220 00:16:57,700 --> 00:17:00,400 [Daniels] Charlie! Get me out! 221 00:17:00,500 --> 00:17:03,900 - [Paul] Get the gear! - [Stoker] Give us a hand, Roy! 222 00:17:04,000 --> 00:17:05,533 [Stoker] I think he's gonna faint! 223 00:17:05,633 --> 00:17:07,433 Very nice. 224 00:17:09,766 --> 00:17:12,200 [Stoker] Don't know why I'm helping you, son. 225 00:17:16,000 --> 00:17:17,833 [sirens blaring] 226 00:17:17,933 --> 00:17:20,633 For Christ's sake, this thing's on fire! She's all right! 227 00:17:20,733 --> 00:17:22,400 I wish he'd learn to park better. 228 00:17:22,500 --> 00:17:24,200 [sirens blare, tyres skid] 229 00:17:24,300 --> 00:17:26,400 [Stoker] Come on, Jack, have a nice lie down. 230 00:17:26,500 --> 00:17:30,066 - What's going on here? - Women and drums first! 231 00:17:30,166 --> 00:17:33,166 - [Stoker] Nothing, officer! - [Charlie] We do it all the time! - [policeman] Oh really? 232 00:17:33,266 --> 00:17:35,733 [explosion, Angie screams] 233 00:17:48,000 --> 00:17:52,000 [toilet flushing] 234 00:18:05,500 --> 00:18:07,133 [whistles] 235 00:18:08,200 --> 00:18:10,400 All part of life's rich pattern, isn't it Charlie? 236 00:18:10,500 --> 00:18:12,900 [scoffs] Yeah. 237 00:18:13,933 --> 00:18:17,566 Ah, Ron'll get us out of this. 238 00:18:17,666 --> 00:18:20,000 Yeah. 239 00:18:24,466 --> 00:18:29,100 [Paul whistles, Stoker plays the spoons] 240 00:18:32,933 --> 00:18:35,466 Would you mind being quiet in there? I've been trying to get some kip. 241 00:18:35,566 --> 00:18:38,500 Shouldn't bother to wake up, mate! 242 00:18:43,500 --> 00:18:49,766 All right, Rogers and Hammerstein, your fairy godmother's arrived. 243 00:18:58,000 --> 00:19:01,366 Eh listen I don't know anything about this lot, I only come down for a couple of 'em you know. 244 00:19:01,466 --> 00:19:04,633 - Russ, I'm really sorry. - Come on. 245 00:19:04,733 --> 00:19:07,900 - I mean, what's all this lot? - It's not all these. 246 00:19:08,000 --> 00:19:11,533 - Right! Who'd you want? - Well you'd better ask him! 247 00:19:11,633 --> 00:19:15,900 - Him, him. - Not him! - Hey, come on lads, it wasn't all my fault. 248 00:19:16,000 --> 00:19:19,533 - All right, Jack, it's all right. - Ah come on, where do I sign, before I change my mind? 249 00:19:19,633 --> 00:19:22,300 - Come on, let's have you. Come on. - Barry...? 250 00:19:22,400 --> 00:19:28,133 Five quid! You ask Jackie, worth every penny. Ask Jackie, honest as the day is long. 251 00:19:28,233 --> 00:19:32,266 You've got soup bowls, you've got dinner plates. You've got side plates, cups and saucers... 252 00:19:32,366 --> 00:19:34,833 Pudding bowls! Puddin' anybody in the club! 253 00:19:34,933 --> 00:19:37,500 And look at the pattern on these. Never wash off, the pattern on these. 254 00:19:37,600 --> 00:19:39,900 Never. The old man'll never wash 'em off. 255 00:19:40,000 --> 00:19:41,900 Never chip. Smash... 256 00:19:42,000 --> 00:19:43,566 Smash! But they'll never chip! 257 00:19:43,666 --> 00:19:46,566 That's what we call, in the trade, a tea break. [crowd laughing] 258 00:19:46,666 --> 00:19:52,000 - Take over, Jackie, a minute will ya? I'm just going to powder me nose, all right? - Will do, guv. 259 00:19:52,633 --> 00:19:55,900 - How you going, all right? - OK. 260 00:19:56,000 --> 00:19:59,900 - Got rid of him. - I didn't think that'd take too long. 261 00:20:00,000 --> 00:20:02,666 Thought about starting playing again? 262 00:20:02,766 --> 00:20:07,600 Yeah when I jacked it in with The Undertakers, that was it. I make twice as much money doing this lark! 263 00:20:07,700 --> 00:20:10,633 It just wasn't worth it. 264 00:20:11,533 --> 00:20:14,766 So, you not interested then? 265 00:20:14,866 --> 00:20:17,433 Well, maybe. Only semi-pro, though. 266 00:20:19,400 --> 00:20:23,166 - Know any songs there then? - Odds and sods. 267 00:20:23,266 --> 00:20:26,233 - Who's your agent? Still that bloke Harding? - Yeah but he don't give a shit. 268 00:20:26,333 --> 00:20:31,233 - He gets his ten percent. - Ours don't even know we've split up yet! - [scoffs] Typical. 269 00:20:31,333 --> 00:20:36,000 - Come on, Stoker. Put it away! - All right, all right! I'm coming! 270 00:20:36,866 --> 00:20:38,866 Ponce! 271 00:20:41,100 --> 00:20:44,533 - Morning Mr Hayes. - Hello, Angie. - Hello. 272 00:20:54,633 --> 00:20:57,800 - All right, Russ? - Righto, kid. How're you doing? - All right. 273 00:20:57,900 --> 00:21:01,166 'Scuse me, love. Can I? Sorry. Thanks very much. 274 00:21:01,266 --> 00:21:05,433 Here's a quid. I'll give you the rest next week. 275 00:21:05,533 --> 00:21:07,600 Oh, thanks very much. 276 00:21:07,700 --> 00:21:11,566 - You think he can spare it? - He'll manage. 277 00:21:11,666 --> 00:21:16,000 Russ? How d'you fancy being our roadie? 278 00:21:20,333 --> 00:21:23,333 - Your roadie? - Yeah. 279 00:21:23,433 --> 00:21:28,400 - How's the car? I heard it was write-off. - Ah, sort of. But, what do you think? 280 00:21:28,500 --> 00:21:32,666 Listen, you don't want a roadie. You just want me bloody van! 281 00:21:33,533 --> 00:21:36,666 You only asked me to be your drummer 'cos you fancied me sister, right? 282 00:21:36,766 --> 00:21:39,900 - Ah come on. - Well, listen, I'll think about it, OK? 283 00:21:40,000 --> 00:21:43,266 - What does he mean, fancy his sister? - Nothing, Angie. - Oh sounds like bloody nothing! 284 00:21:43,366 --> 00:21:48,366 - I hardly know the girl. - I mean, Julie Hayes, bloody hell! She's such a [van horn honks] 285 00:21:55,200 --> 00:21:59,733 [honking] 286 00:21:59,833 --> 00:22:02,766 - You won't be in on Sunday, will you? - Yeah, should be. Why? 287 00:22:02,866 --> 00:22:06,366 - I've asked Jane and her bloke round. - Ah, not on Sunday. I wanted to stay in. 288 00:22:06,466 --> 00:22:10,166 - You never wanna stay in when I ask you to. - I'm not having them round, they're a pain. 289 00:22:10,266 --> 00:22:12,166 They're my friends! 290 00:22:19,366 --> 00:22:22,266 All right, Stoke? 291 00:22:22,366 --> 00:22:24,933 - So what time will you be home tonight? - Depends on the encores. 292 00:22:25,033 --> 00:22:26,933 - Aren't you coming then? - Nah. 293 00:22:27,466 --> 00:22:29,333 No, I've got other things to do. 294 00:22:29,433 --> 00:22:32,979 - What, you scrubbing floors while your old man's out playing popstars? - Ta-ra. 295 00:22:34,766 --> 00:22:37,800 [Angie] Oh! [laughter] 296 00:22:40,266 --> 00:22:44,000 Hang on a minute! 297 00:23:04,000 --> 00:23:11,200 ♪ [STRANGE BREW by CREAM plays] ♪ 298 00:23:16,000 --> 00:23:20,800 ♪ ♪ 299 00:23:26,000 --> 00:23:28,133 Oh, hello Mr Harding! 300 00:23:28,233 --> 00:23:30,366 Come to watch them crumble without you, Jack? 301 00:23:30,466 --> 00:23:33,500 Ah, yeah, no actually I'm waiting for a bird, you see. 302 00:23:33,600 --> 00:23:39,800 - Oh! Sorry. - It's all right, Mr Harding, she'll be a time yet. You know what they're like, eh? [laughs] 303 00:23:39,900 --> 00:23:43,666 Ooh, crap! Russ! 304 00:23:43,766 --> 00:23:46,966 Can you get us a top E? The thin one. 305 00:23:47,066 --> 00:23:52,000 - Oh, uh, would you like a drink, Mr Harding? - Ta, large scotch. Three. 306 00:23:54,000 --> 00:23:56,000 - Where's Ange? - Over there. 307 00:24:02,000 --> 00:24:04,366 [indistinct whispering] 308 00:24:04,466 --> 00:24:06,700 Stoker, I thought you'd never ask! 309 00:24:06,800 --> 00:24:12,200 - Three scotches, please. - Large ones. - Ooh, working now, are we? 310 00:24:12,300 --> 00:24:17,000 - Not having one yourself? - No, not for me Mr Harding. Uh, I don't like to mix things. 311 00:24:18,666 --> 00:24:19,900 Bloody hell, this is tough. 312 00:24:20,000 --> 00:24:23,900 - I wouldn't eat that. - Well, somebody's gotta have it. 313 00:24:24,000 --> 00:24:26,966 [Stoker] Evening, ladies and gentlemen. Now, just before we get started, 314 00:24:27,066 --> 00:24:30,900 the management have requested me to sniff out the owner of these. [wolf whistle] 315 00:24:31,000 --> 00:24:36,566 He's just found them in the gents. Mmm, still warm! She can't be far away. 316 00:24:36,666 --> 00:24:39,900 Now, come on. Don't be shy. We don't want anybody catching cold. 317 00:24:40,000 --> 00:24:43,166 Winter drawers on. [Paul whispers] Really? 318 00:24:43,266 --> 00:24:47,900 Oh it's all right. We just found out they belong to him! 319 00:24:48,000 --> 00:24:51,400 He sleeps in 'em! Over his head! 320 00:24:51,500 --> 00:24:55,900 ♪ [intro to THEM KINDA MONKEYS CAN'T SWING by FLAME plays] ♪ 321 00:24:56,000 --> 00:24:59,900 ♪ ♪ 322 00:25:00,000 --> 00:25:01,900 ♪ ♪ 323 00:25:02,000 --> 00:25:05,366 ♪ Everywhere has a wheeler and dealer ♪ 324 00:25:05,466 --> 00:25:07,900 ♪ Raised in the back streets of town ♪ 325 00:25:08,000 --> 00:25:12,000 ♪ Everywhere has a spieler Who's a clown ♪ 326 00:25:13,466 --> 00:25:16,800 - Seventeen and six. - Eh? Oh! Bloody hell. 327 00:25:17,000 --> 00:25:19,900 Put it on me slate? Oh, hang on, love. 328 00:25:20,000 --> 00:25:23,333 - Ee-yar. - Don't fret about it, Jack, I'll do it. 329 00:25:23,433 --> 00:25:27,000 - No, it's all right, Mr Harding. Honest. - Get another for our friend, here. 330 00:25:27,100 --> 00:25:30,500 You don't have to! 331 00:25:32,633 --> 00:25:34,433 Cheers! 332 00:25:34,533 --> 00:25:39,900 ♪ And them kinda monkeys can't swing And them birdies can't sing ♪ 333 00:25:40,000 --> 00:25:44,000 ♪ If them pigs could fly Maybe they'd fly away from me ♪ 334 00:25:48,000 --> 00:25:52,000 ♪ ♪ 335 00:25:56,000 --> 00:26:00,766 ♪ Everywhere has a ducker and diver Doing his best to impress ♪ 336 00:26:00,866 --> 00:26:04,700 ♪ Everywhere has a skiver In a mess ♪ 337 00:26:04,800 --> 00:26:06,333 ♪ Every place has a joker 338 00:26:06,433 --> 00:26:08,900 ♪ Every place has a joker and poker ♪ 339 00:26:09,000 --> 00:26:11,700 ♪ Born with a marked deck of cards ♪ 340 00:26:11,800 --> 00:26:15,900 ♪ Everywhere place has a smoker In the yards ♪ 341 00:26:16,000 --> 00:26:19,400 ♪ Them kinda monkeys can't swing ♪ 342 00:26:19,500 --> 00:26:21,733 ♪ And them birdies can't sing ♪ 343 00:26:21,833 --> 00:26:26,666 ♪ If them pigs could fly Maybe they'd fly away from me ♪ 344 00:26:26,766 --> 00:26:31,900 ♪ Them kind monkeys can't swing And them birdies can't sing ♪ 345 00:26:32,000 --> 00:26:36,500 ♪ If them pigs could fly Maybe they'd fly away from me ♪ 346 00:26:48,000 --> 00:26:52,000 ♪ ♪ 347 00:27:04,000 --> 00:27:09,400 ♪ ♪ 348 00:27:09,500 --> 00:27:11,933 ♪ Them kinda monkeys can't swing ♪ 349 00:27:12,033 --> 00:27:15,500 ♪ And them birdies can't sing ♪ 350 00:27:15,600 --> 00:27:19,900 ♪ If them pigs could fly Maybe they'd fly away from me ♪ 351 00:27:20,000 --> 00:27:22,566 ♪ Them kinda monkeys can't swing ♪ 352 00:27:22,666 --> 00:27:25,633 ♪ And them birdies can't sing ♪ 353 00:27:25,733 --> 00:27:29,900 ♪ If them pigs could fly Maybe they'd fly away from me ♪ 354 00:27:40,666 --> 00:27:48,000 ♪ ♪ 355 00:27:52,000 --> 00:27:56,000 [crowd cheer and applaud] 356 00:28:02,533 --> 00:28:07,266 [Stoker] Eh, Russ! Russ. See that bird down the front... 357 00:28:09,133 --> 00:28:13,433 [indistinct] 358 00:28:13,533 --> 00:28:16,800 [Stoker] ...I thought you'd have pulled her! Could've had one of them! 359 00:28:16,900 --> 00:28:20,000 - Yeah, well it was me she fancied, like. - Ah, shut up. 360 00:28:20,700 --> 00:28:27,433 - This thing's bloody fixed! - I'll fix you if you don't stop spending my money. - Oh, what? Now? Ohh. 361 00:28:27,533 --> 00:28:31,200 - Eh, pack that in. Pack it in. - Spoilsport. 362 00:28:31,300 --> 00:28:35,100 [sings] ♪ Hello, young lovers, you're under arrest ♪ 363 00:28:35,200 --> 00:28:38,700 - Hey, Stokes? - Yeah? - Where'd you get these anyway? 364 00:28:38,800 --> 00:28:43,033 - Well, they're, um... [clears throat] - Feel free, anytime. 365 00:28:44,000 --> 00:28:47,366 - Well, he did ask nicely. - Did he? 366 00:28:49,066 --> 00:28:51,166 - [Angie] Oi! - [Barry] Evening Mr Harding! 367 00:28:51,266 --> 00:28:55,166 - We celebrating, boys? - Drop of the hard stuff, Ron? - Nah. 368 00:28:55,266 --> 00:28:59,900 - What d'you think of it, then? - Personally? Rubbish. Still, the punters seemed to go for it. 369 00:29:00,000 --> 00:29:03,900 - Maybe I can fix next Friday. - I can't make it. I've got a sale in Leicester. 370 00:29:04,000 --> 00:29:06,000 Sale? Come on, Stoke. 371 00:29:06,100 --> 00:29:07,900 Well, I'll do it anyway. How about you, Charlie? 372 00:29:08,000 --> 00:29:10,600 - What? - I'll fix it, Mr Harding. 373 00:29:10,700 --> 00:29:14,666 Listen. If you piss about part-time all your life you're never gonna get any bloody place! 374 00:29:14,766 --> 00:29:18,233 - What bloody place! - Look. You might've been all right tonight 375 00:29:18,333 --> 00:29:20,066 - but don't start getting any fancy ideas. - Excuse me. 376 00:29:20,166 --> 00:29:24,466 - I don't know why you even bother. - You can piss off any time you want. 377 00:29:24,566 --> 00:29:27,900 Oi. You're a good live act, and that's it. 378 00:29:28,000 --> 00:29:32,533 - Excuse me. - That crap you served up tonight, that wasn't music. 379 00:29:32,633 --> 00:29:35,566 You're just second-rate comics working on a third-rate audience. 380 00:29:35,666 --> 00:29:38,366 With a fourth-rate agent copping ten percent! 381 00:29:38,466 --> 00:29:42,066 - I'll handle it. - Yeah, you handle it, Ron! 382 00:29:42,166 --> 00:29:45,200 - D'you want him? - Nah, let him go. 383 00:29:45,300 --> 00:29:50,166 - What's up? - What's up? I'll tell you what's up. You just lost six weeks' work and an agent. 384 00:29:50,266 --> 00:29:53,500 From now on you're all on your bloody own. Come on. 385 00:29:53,600 --> 00:30:00,000 [loud engine rumbling, dog barks] 386 00:30:16,600 --> 00:30:20,200 [knocker raps] 387 00:30:28,000 --> 00:30:32,000 [church bells ring, dog barks] 388 00:30:40,433 --> 00:30:42,966 Ah! Morning! 389 00:30:43,066 --> 00:30:47,033 - [Mrs Stoker] I'm not leaving! I've told 'em, I'm not leaving! - Would you be Mrs Stoker? 390 00:30:47,133 --> 00:30:51,333 And I told the council man, same as I'm telling you: I'm not leaving! 391 00:30:51,433 --> 00:30:54,700 I'm not from the council, Mrs Stoker. I'm from the Seymour Trust. 392 00:30:54,800 --> 00:30:58,966 - Trust? I wouldn't trust you further than I could spit. - Is your son in? 393 00:30:59,066 --> 00:31:03,100 - No. He never come back. - Your grandson? 394 00:31:03,200 --> 00:31:06,766 - Out with his pigeons. - Ah. 395 00:31:06,866 --> 00:31:09,266 Well, look, when he comes back could you give this to him? 396 00:31:09,366 --> 00:31:13,600 - What is it? - Well, it's all explained in the letter, um, Mrs Stoke... 397 00:31:13,700 --> 00:31:16,300 Sorry to have troubled you! 398 00:31:44,000 --> 00:31:48,500 - Eh up? - All right? - OK to come in? 399 00:31:48,600 --> 00:31:51,900 Yeah, you're safe. They're all vegetarians. 400 00:31:52,000 --> 00:31:56,000 [pigeons cooing] 401 00:32:04,000 --> 00:32:07,900 - 'Ere have a look at this. - What is it? 402 00:32:08,000 --> 00:32:11,900 Looks like Harding wasn't the only bloke who was watching the show that night. 403 00:32:12,000 --> 00:32:15,300 Somebody wants to make us rich and famous. 404 00:32:15,400 --> 00:32:19,500 - How'd you get hold of this? - Some bloke put it round the other day. 405 00:32:21,733 --> 00:32:25,200 - Didn't he say anything? - Didn't have much chance. He spoke to Gran. 406 00:32:25,300 --> 00:32:28,000 [Paul laughs] This is knockout! 407 00:32:29,600 --> 00:32:31,233 You keep it! You three can try it 408 00:32:31,333 --> 00:32:34,233 Ah, come on, don't give me that. Aren't you chuffed after one gig? 409 00:32:34,333 --> 00:32:38,000 - Yeah, course I'm chuffed. - Well, why not, then? 410 00:32:38,100 --> 00:32:42,166 Look, the Seymour Trust, the Ron Harding Trust. They're all the same. 411 00:32:42,266 --> 00:32:44,266 It's just that he's got better notepaper, that's all. 412 00:32:44,366 --> 00:32:46,933 Look, don't let that old sod get to ya. This is a real chance. 413 00:32:47,033 --> 00:32:50,533 Look, he's just Ron Harding with another name, that's all. They're all ten percent merchants. 414 00:32:50,633 --> 00:32:53,900 They're all bloody villains. I can live without all that. 415 00:32:54,000 --> 00:32:56,866 Don't you wanna keep playing? Isn't that what it's all about? 416 00:32:56,966 --> 00:32:59,000 I mean old Harding ain't right, you know? 417 00:32:59,100 --> 00:33:01,733 We wanna be a good group, then we've got to be together all the time. 418 00:33:01,833 --> 00:33:06,500 If this comes off, there'll be no more doing fifteen quid gigs for ponces like him. 419 00:33:06,600 --> 00:33:08,633 It'll be down to us what we wanna do. 420 00:33:08,733 --> 00:33:10,766 Just think of it! Think of the equipment! 421 00:33:10,866 --> 00:33:13,766 The Albert Hall! Saturday night! A thousand watts! [imitates power chord] 422 00:33:13,866 --> 00:33:15,900 Fantastic! 423 00:33:16,000 --> 00:33:19,333 Stoker, we've got nothing to lose! They're asking us! 424 00:33:19,433 --> 00:33:24,000 [Stoker] Shit! [Paul laughs] 425 00:33:34,733 --> 00:33:37,400 [quietly] Excuse me? Could you tell me where the toilet is, please? 426 00:33:37,500 --> 00:33:39,500 I'm sorry? 427 00:33:39,600 --> 00:33:43,066 The toilet. 428 00:33:43,166 --> 00:33:46,433 [loudly] Going for a piss. 429 00:33:46,533 --> 00:33:51,400 - Tickets please. - Russ? Tickets? - Barry? Tickets. Come on. 430 00:33:51,500 --> 00:33:56,000 - Tickets please. - Barry? Tickets. 431 00:33:58,000 --> 00:34:00,400 This is a first class compartment, you know. 432 00:34:00,500 --> 00:34:03,900 - We're first class people. - Perhaps you'll try and behave like it. 433 00:34:04,000 --> 00:34:08,000 Hippies. Tickets please. 434 00:34:10,000 --> 00:34:12,000 - Thank you. - 'Scuse me. 435 00:34:18,000 --> 00:34:19,900 Sorry. 436 00:34:20,000 --> 00:34:23,900 - You with this lot? - Yep. - All right. Watch it. 437 00:34:24,000 --> 00:34:27,000 I'll be back. 438 00:34:27,100 --> 00:34:31,900 - Fried eggs, scrambled eggs, bacon, sausage, tomatoes, mushrooms? - Yes please! 439 00:34:32,000 --> 00:34:36,000 - What are they? - Kidneys, sir. - No, thanks. Can I have another egg? 440 00:34:41,333 --> 00:34:44,700 - Eh! Pass the Perrins, son! - It's empty. 441 00:34:48,566 --> 00:34:52,466 I'm afraid we can't really afford to start changing the campaign at this stage. 442 00:34:53,433 --> 00:34:55,366 - Do you realise that it involves... - OK, fine. 443 00:34:55,466 --> 00:34:57,166 Let's forget it, then. [phone rings] 444 00:34:57,266 --> 00:35:00,633 - I'm sure we can work out some sort of compromise. There seems to be no reason why... - No no no. No. 445 00:35:00,733 --> 00:35:03,900 - There's no room for compromise, Mike. - It's your wife. 446 00:35:04,000 --> 00:35:07,133 - Should I ask her to call back? - No! I'll take it. 447 00:35:07,233 --> 00:35:12,166 Hello? No no no, that's all right. Have you taken her to the dentist? 448 00:35:12,266 --> 00:35:15,000 Did she cry? [tuts] Yes. 449 00:35:15,100 --> 00:35:17,666 She obviously takes after you. 450 00:35:17,766 --> 00:35:23,700 Yes. No, I'm glad you phoned. Uh, about eight, I think, hm. Yep, OK, bye. 451 00:35:25,166 --> 00:35:28,700 Listen, I'd be happy to put you in touch with another agency. 452 00:35:28,800 --> 00:35:31,900 They'll simply do what you ask, at a fraction of the price we charge. 453 00:35:32,000 --> 00:35:36,833 - [huffs] It's not a question of the price. - No, I'm sorry. We can't handle the account. unless we have a completely free hand. 454 00:35:36,933 --> 00:35:39,766 - Well, I'm sure we ought to be able to. work out some way... - Listen. 455 00:35:39,866 --> 00:35:43,900 Let's meet again when you've had time to think this over. All right? 456 00:35:44,000 --> 00:35:47,400 All right, if that's the way... 457 00:35:48,666 --> 00:35:53,133 - Do you think England will be all right by lunch? - Pardon? - Now that Cowdrey's out? 458 00:35:53,566 --> 00:35:57,066 Oh yeah, I'd think so. If the weather holds. 459 00:35:58,000 --> 00:36:01,333 Tiresome bloody man, he could never make up his mind. Anyway, how about this lot? How'd they take it? 460 00:36:01,433 --> 00:36:03,900 Like all the rest, thought I was joking. 461 00:36:04,000 --> 00:36:07,533 - What have you told them? - I've told them that you've heard the tapes. 462 00:36:07,633 --> 00:36:11,466 - You like the look of them, and the least they can expect is a free ride home. - Hmm. 463 00:36:13,166 --> 00:36:16,700 Are you really sure they're what you're looking for? 464 00:36:17,933 --> 00:36:19,900 I think so. 465 00:36:20,000 --> 00:36:23,900 - What's the next move? - Oh, record, I think. 466 00:36:24,000 --> 00:36:26,800 And then I can throw some weight about for air time. 467 00:36:26,900 --> 00:36:28,966 D'you want me to take them out there? 468 00:36:29,066 --> 00:36:31,333 We'll see. 469 00:36:42,433 --> 00:36:44,000 [Seymour] Hello. 470 00:36:46,000 --> 00:36:47,533 At last we meet! 471 00:36:47,633 --> 00:36:52,000 - [Tony] This is Robert Seymour. - I take it Tony's explained what we have in mind? 472 00:36:53,266 --> 00:36:55,366 I assume you have no objections. 473 00:36:55,466 --> 00:36:58,466 - Why us? - Pardon? - Why us? 474 00:36:58,566 --> 00:37:02,566 Uh, this is Russell Hayes, Robert. Uh, he drives the van and shifts around the equipment. 475 00:37:02,666 --> 00:37:07,000 - They did request for him to be included. - He's the roadie. 476 00:37:07,100 --> 00:37:08,766 I see. 477 00:37:10,500 --> 00:37:14,100 I think it's rather more a question of, "Why them?" 478 00:37:14,200 --> 00:37:17,200 than, "Why us?", as far as you're concerned? Hm? 479 00:37:17,300 --> 00:37:19,900 Basically, what I have in mind is this: 480 00:37:20,000 --> 00:37:24,633 That with the right management, we can turn the group into a success. 481 00:37:24,733 --> 00:37:28,200 Since it's their wish, you're welcome to be involved for the present. 482 00:37:29,233 --> 00:37:32,333 - Still the roadie. - That's what I said. 483 00:37:32,433 --> 00:37:34,566 Anything else? 484 00:37:34,666 --> 00:37:38,766 Right. Tony will put you in the picture as to where we go from here. 485 00:37:40,300 --> 00:37:44,000 But, uh, do you actually like what we do? 486 00:37:45,766 --> 00:37:48,039 My personal preference really doesn't come into it. 487 00:37:48,833 --> 00:37:50,666 Let me put it this way: 488 00:37:50,766 --> 00:37:54,800 I don't smoke cigarettes, but I manage to sell a few. 489 00:37:54,900 --> 00:37:56,600 All right? 490 00:37:56,700 --> 00:37:59,900 You see, it's all a matter of packaging, Paul. 491 00:38:00,000 --> 00:38:03,900 - Packaging, promotion. - I'm not a bloody fish finger! [Tony laughs] 492 00:38:04,000 --> 00:38:07,466 Yes, but that's part of the problem. They're a well-known commodity. 493 00:38:07,566 --> 00:38:10,400 You're unknown, and there are thousands to choose from. 494 00:38:10,500 --> 00:38:12,833 We're just gonna make you stand out a little. 495 00:38:14,600 --> 00:38:18,466 [loud sea breeze] 496 00:38:18,566 --> 00:38:22,233 [Tony instructs photographer indistinctly] 497 00:38:28,000 --> 00:38:30,633 [radio announcer] We should get a high today of something like 58 degrees. 498 00:38:30,733 --> 00:38:32,966 Let's face it everyone, this is an absolute optimist. 499 00:38:33,066 --> 00:38:35,900 The winds are north to northeast, and that's the Radio City weather! 500 00:38:36,000 --> 00:38:40,000 ♪ [Radio City jingle] ♪ 501 00:38:41,266 --> 00:38:43,933 You're listening to The Ricky Storm Show on Radio City 502 00:38:44,033 --> 00:38:46,900 and as every time, every time, we give you the sounds first. 503 00:38:47,000 --> 00:38:50,000 We've got a band coming up on the station this afternoon, they're by the name of Flame. 504 00:38:50,100 --> 00:38:52,366 You're gonna hear them, absolutely talking live on the air. 505 00:38:52,466 --> 00:38:56,100 But here's their new record, called 'So Far, So Good'. 506 00:38:56,200 --> 00:38:58,700 [SO FAR, SO GOOD by FLAME plays] ♪ For twenty-odd years ♪ 507 00:38:58,800 --> 00:39:01,900 ♪ I've taken everything that's bad ♪ 508 00:39:03,366 --> 00:39:08,000 ♪ So twenty-odd years I've wanted things I've never had ♪ 509 00:39:08,800 --> 00:39:12,733 ♪ Oh, was it all in my mind? ♪ 510 00:39:12,833 --> 00:39:15,900 ♪ Is it living the life... ♪ 511 00:39:16,000 --> 00:39:19,900 [music plays in background] They're here. 512 00:39:20,000 --> 00:39:21,500 Don't do that. 513 00:39:22,733 --> 00:39:26,000 ♪ So far, so good ♪ 514 00:39:26,100 --> 00:39:28,700 ♪ Doing what we could ♪ 515 00:39:28,800 --> 00:39:31,133 ♪ Taking chances ♪ 516 00:39:31,233 --> 00:39:34,800 ♪ Those chances And I'm alive ♪ 517 00:39:36,000 --> 00:39:39,533 ♪ So far, so good ♪ 518 00:39:39,633 --> 00:39:42,933 ♪ Doing what we should ♪ 519 00:39:43,033 --> 00:39:45,933 ♪ Taking chances, those chances ♪ 520 00:39:49,600 --> 00:39:51,900 Come on, then. 521 00:39:52,000 --> 00:39:55,466 ♪ ♪ 522 00:39:55,566 --> 00:39:59,266 Hello, lads. Welcome to Radio City! Our great big palace in the sky. 523 00:39:59,366 --> 00:40:02,800 - Have a good trip? Get your legs back? - Never left them anywhere. [Ricky laughs] 524 00:40:02,900 --> 00:40:06,066 - Just feel sick. - Anywhere! But not on the turntables, please. 525 00:40:06,166 --> 00:40:08,200 - Anyone fancy a drink? - Yeah! 526 00:40:08,300 --> 00:40:11,900 - Nathan, get 'em a Coke or a beer. - Got anything hot? - Hot water bottle. 527 00:40:12,000 --> 00:40:14,833 OK, make that, uh, seven coffees. 528 00:40:14,933 --> 00:40:18,933 No, make it eight, Nathan. I'll take one myself, OK? 529 00:40:19,033 --> 00:40:21,400 - How's Seymour? - Fine, fine. 530 00:40:21,500 --> 00:40:23,566 Uh, he's made out a list of questions 531 00:40:23,666 --> 00:40:27,600 for you to ask the boys. Starting with Paul. That one, there. 532 00:40:27,700 --> 00:40:30,600 - God, you don't really want me to read all this, do you? - Yeah, course I do. 533 00:40:30,700 --> 00:40:33,500 - It's the same old crap. - Look, I know... 534 00:40:33,600 --> 00:40:36,000 OK, stand by, studio! 535 00:40:37,200 --> 00:40:39,900 And you're listening to The Ricky Storm Show! Right here on the Tower of Power. 536 00:40:40,000 --> 00:40:43,033 There you have it! That's the new record by Flame. And as I promised you earlier on 537 00:40:43,133 --> 00:40:46,000 in the afternoon, and I never let you down, let's face it. Here they are in the studio. 538 00:40:46,100 --> 00:40:49,333 Hi, lads. Welcome to Radio City! Would you like to introduce yourselves? 539 00:40:49,433 --> 00:40:51,900 - I'm Stoker. - I'm Paul. 540 00:40:52,000 --> 00:40:55,900 - I'm Barry. - I'm seasick. [Ricky laughs] 541 00:40:56,000 --> 00:41:00,733 Now, um, Paul: is it true that you're the creative force behind the group? 542 00:41:02,366 --> 00:41:04,000 Uh, nah. 543 00:41:04,833 --> 00:41:06,500 Stoker, give me an honest answer on this one: 544 00:41:06,600 --> 00:41:08,833 This is your first record and it's gone down remarkably well. 545 00:41:08,933 --> 00:41:10,966 How do you feel about it going down so well? 546 00:41:11,066 --> 00:41:13,566 A few of us are more worried about what's coming up at the moment. [laughter] 547 00:41:13,666 --> 00:41:15,900 Any chance of seeing you guys on television in the near future? 548 00:41:16,000 --> 00:41:18,933 Uh, well, hopefully, um, yeah. Definitely. 549 00:41:19,033 --> 00:41:20,866 That's good. Something to look forward to there. 550 00:41:20,966 --> 00:41:22,233 You'll see them on television soon. 551 00:41:22,333 --> 00:41:23,900 But television this isn't. This is Radio City! 552 00:41:24,000 --> 00:41:26,533 Let's hear the B-side of their new record. 553 00:41:26,633 --> 00:41:27,900 It's called 'Heaven Knows'. 554 00:41:28,000 --> 00:41:29,900 And I'm sure it does. 555 00:41:30,000 --> 00:41:32,400 [HEAVEN KNOWS by FLAME plays] ♪ Caught between the jungle ♪ 556 00:41:32,500 --> 00:41:34,733 ♪ And the stars ♪ 557 00:41:34,833 --> 00:41:36,633 [loud gunshot and ricochet noise] 558 00:41:36,733 --> 00:41:39,900 This is unbelievable, absolutely unbelievable! [gunfire continues] 559 00:41:40,000 --> 00:41:42,300 Somebody's shooting at us! 560 00:41:42,400 --> 00:41:43,900 [gunfire] 561 00:41:44,000 --> 00:41:47,166 Get down! For God's sake, get down! 562 00:41:47,266 --> 00:41:50,500 Radio City is under attack! 563 00:41:50,600 --> 00:41:52,566 This is Ricky Storm with the microphone over at Radio City. 564 00:41:52,666 --> 00:41:54,166 Oh God, we're under attack! We're under attack! 565 00:41:54,266 --> 00:41:55,900 This is Radio City under attack! 566 00:41:56,000 --> 00:41:58,800 - For God's sake... - Mention the bloody group! 567 00:42:04,000 --> 00:42:08,000 [indistinct chat] 568 00:42:16,000 --> 00:42:19,900 - Yes, I wish it were as easy as this at Gratton Water. - Gratton? 569 00:42:20,000 --> 00:42:23,400 Isn't it a little oversubscribed? 570 00:42:23,500 --> 00:42:25,633 Robert, um... 571 00:42:25,733 --> 00:42:28,900 I think I ought to tell you that the board... 572 00:42:29,000 --> 00:42:30,966 Not too keen on the idea. 573 00:42:31,066 --> 00:42:35,200 - No? - And frankly 574 00:42:35,300 --> 00:42:37,300 neither am I. 575 00:42:37,400 --> 00:42:39,000 Well, I know your reasons. 576 00:42:39,100 --> 00:42:42,533 I know you can influence the market a lot with your radio involvement. 577 00:42:42,633 --> 00:42:44,000 But, uh... 578 00:42:46,000 --> 00:42:50,300 It really isn't the sort of thing we want to get tied up in, is it? 579 00:42:51,566 --> 00:42:56,000 - Apart from the initial capital, of course. - Oh, yes. Yes, of course. 580 00:42:57,366 --> 00:43:02,366 I don't need to remind you that a merchant bank can lose a lot of the market's confidence 581 00:43:02,466 --> 00:43:05,333 on what might seem a perfectly sound investment. 582 00:43:05,433 --> 00:43:07,900 But you must understand, Robert, 583 00:43:08,000 --> 00:43:12,566 in no way must our name be associated with the venture. 584 00:43:12,666 --> 00:43:16,000 Otherwise we shall all look bloody silly. Uh? 585 00:43:19,766 --> 00:43:21,866 [Tony] Keep your heads down! 586 00:43:26,000 --> 00:43:28,000 Let's just get out of here! 587 00:43:30,000 --> 00:43:33,366 - [Stoker] I'm not gettin' in that! - [Tony] Don't worry, we'll follow! 588 00:43:47,033 --> 00:43:51,100 [Seymour] And Mr Montmorankendale thanked her for making his leg better, 589 00:43:51,200 --> 00:43:55,033 and asked her home for tea [both] and muffins! 590 00:43:55,133 --> 00:43:57,133 [car pulls up in driveway] 591 00:43:57,233 --> 00:44:00,000 They're coming, they're coming. I've got to go. 592 00:44:09,500 --> 00:44:12,000 - Some place! - Flag's down. She must be out. 593 00:44:15,333 --> 00:44:19,400 Hello! Hello, come in, come in. Let's give your things to Gabriela. 594 00:44:19,500 --> 00:44:22,233 - Bit scruffy, you know. - You brighten the place up. 595 00:44:22,333 --> 00:44:24,766 You've had quite a time of it out there, I hear! 596 00:44:24,866 --> 00:44:27,266 - We were shot at! Real bullets, you know. - Yes, I know! 597 00:44:27,366 --> 00:44:31,333 Just been reading about it. Extraordinary. You are front page news. 598 00:44:31,433 --> 00:44:34,700 - Well, who was it? Anybody we know? - [laughs] I don't think so. 599 00:44:34,800 --> 00:44:36,966 It's a nice bit of free publicity. 600 00:44:37,066 --> 00:44:39,900 What, being shot in the arse from some stinking boat? Who needs it? 601 00:44:40,000 --> 00:44:43,900 You need it! No, you need it! 602 00:44:44,000 --> 00:44:48,000 Come and meet everyone! In you come. 603 00:44:51,233 --> 00:44:56,500 - Ah, Tony. Anyone hurt? - No, actually. - Good. 604 00:44:58,100 --> 00:45:00,833 Judy! Now come and meet these gentlemen. 605 00:45:00,933 --> 00:45:03,900 - Barry, Paul, Charlie. - Hello. 606 00:45:04,000 --> 00:45:07,900 Stoker. And Russell, the road manager. And Maggie. 607 00:45:08,000 --> 00:45:11,633 - Angie! - Angie! Angie. My wife, Judy. - Hello. 608 00:45:11,733 --> 00:45:15,643 - Now, let's have a drink. This calls for celebration. - What, us nearly getting killed? 609 00:45:17,200 --> 00:45:19,900 No, the fact that we've probably sold another twenty thousand records. 610 00:45:20,000 --> 00:45:21,700 I'll have a rum and black, ta. 611 00:45:22,866 --> 00:45:24,833 - Darling. - Hmm? - A rum and black. 612 00:45:24,933 --> 00:45:27,966 - Erm. - Now why don't you come meet everyone? 613 00:45:28,066 --> 00:45:31,900 Yes, uh, whiskey? Why don't you help yourselves? 614 00:45:32,000 --> 00:45:34,800 Stoker, there's someone I'd like you to meet. 615 00:45:36,000 --> 00:45:39,100 Brian. Stoker, this is Brian Sommers. 616 00:45:39,200 --> 00:45:41,000 He'll be handling your publicity in the future. 617 00:45:41,100 --> 00:45:43,933 Brian, this is Stoker, who is the vocalist for the group. 618 00:45:44,033 --> 00:45:46,833 - I'm not the vocalist, I'm the singer. - Well, how do you do? - I'm all right. 619 00:45:46,933 --> 00:45:50,900 I think we ought to organise some sort of photocall for the press shortly. 620 00:45:51,000 --> 00:45:55,366 Something flame-orientated, hm? You know, something to do with fire, burning. 621 00:45:55,466 --> 00:45:59,100 How about a picture of us sliding down a greasy pole in a fire station? 622 00:45:59,200 --> 00:46:04,000 - Yes, that's an idea! - In the nude, maybe. - Hmm. 623 00:46:06,266 --> 00:46:08,466 - Give us a drink, Russ, will ya? - Excuse me. 624 00:46:13,000 --> 00:46:17,637 [television announcer] There'll be an emergency session of the United Nations security council tomorrow. 625 00:46:18,400 --> 00:46:20,733 The battle for the pirate radio stations 626 00:46:20,833 --> 00:46:22,833 entered a new phase today 627 00:46:22,933 --> 00:46:25,133 when armed men attacked Radio City 628 00:46:25,233 --> 00:46:27,500 which is transmitting from the old wartime forts 629 00:46:27,600 --> 00:46:29,233 in the Thames Estuary. 630 00:46:29,333 --> 00:46:33,266 Although there were no casualties, the rock group Flame had a narrow escape 631 00:46:33,366 --> 00:46:35,500 and they had to be airlifted from the fort 632 00:46:35,600 --> 00:46:39,400 by helicopter. A spokesman for the Ministry of Defence says 633 00:46:39,500 --> 00:46:41,266 that although the forts have... 634 00:46:41,366 --> 00:46:43,900 [loud gushing] 635 00:46:44,000 --> 00:46:48,666 - Your brainwave, wasn't it, Stoker? - I was only joking, I never though he'd take me seriously! 636 00:46:48,766 --> 00:46:51,900 - This your idea? - Yeah! But I was only kidding! 637 00:46:52,000 --> 00:46:55,900 - Still, good publicity! - [Paul] That all you think about? Getting your face in the papers? 638 00:46:56,000 --> 00:46:59,900 - Oh, that's enough, uh, I think gentlemen. Thank you, Tony. - Yes, OK fellas. 639 00:47:00,000 --> 00:47:04,410 - [Seymour] They've got to get to the BBC in 20 minutes so... - Listen, fellas, we must get moving. 640 00:47:04,833 --> 00:47:07,700 Now then, I've laid on Disc and Jackie for Friday morning. 641 00:47:07,800 --> 00:47:10,900 - But we must get Susie Magazine done tomorrow. - Oh screw Susie... 642 00:47:11,000 --> 00:47:14,833 Listen now, I'm thinking about a million pairs of potential wet knickers. 643 00:47:14,933 --> 00:47:17,866 [photographer] Look at me, this way! Head up a fraction! That's it! Lovely. 644 00:47:17,966 --> 00:47:21,300 Look, do we have to spend all our lives dressed up as bonfires for him? 645 00:47:21,400 --> 00:47:23,266 - [Paul] Haven't you got enough? - [Seymour] Thank you very much. 646 00:47:23,366 --> 00:47:25,033 Where's Russ? I sent him out bloody hours ago. 647 00:47:25,133 --> 00:47:29,000 Calm down, calm down. Don't... look, Barry. Will you listen to me, please? 648 00:47:29,100 --> 00:47:32,500 Don't look at the cameras. Keep your eyes on the kids on the floor. 649 00:47:32,600 --> 00:47:35,366 It's all on the playback, so you don't even have to sing. 650 00:47:35,466 --> 00:47:38,066 Just concentrate on looking good, all right? 651 00:47:38,166 --> 00:47:40,833 - Where the hell have you been? - Sorry, but I've been looking everywhere for this. 652 00:47:40,933 --> 00:47:43,000 That's all they, all they, that's all they had... 653 00:47:43,100 --> 00:47:46,800 - This is the wrong colour! - Well that's all they had, I'm telling you! They're all closed round 'ere. 654 00:47:46,900 --> 00:47:49,600 I've been miles looking for that. 655 00:47:49,700 --> 00:47:52,966 - Well listen, do you want it or not? - No, I don't! 656 00:47:53,066 --> 00:47:55,300 [photographer] This way, Barry. [shutter clicks] 657 00:47:56,433 --> 00:47:59,900 Still worth the money, Russell? 658 00:48:00,000 --> 00:48:04,000 [crowd chants] We want Flame! We want Flame! We want Flame! 659 00:48:05,400 --> 00:48:09,066 ♪ [STANDIN' ON THE CORNER by FLAME plays] ♪ 660 00:48:10,300 --> 00:48:13,233 ♪ Standin' on the corner Handbag on her thigh ♪ 661 00:48:13,333 --> 00:48:17,233 ♪ Standin' in the shadows Givin' all the boys the eye ♪ 662 00:48:18,666 --> 00:48:20,966 ♪ Does anybody wanna try? ♪ 663 00:48:21,066 --> 00:48:23,066 [Paul inaudible] 664 00:48:23,166 --> 00:48:26,000 ♪ Standin' on the corner Handbag on her hip ♪ 665 00:48:26,100 --> 00:48:29,900 ♪ Standin' in the doorway Givin' all the boys some lip ♪ 666 00:48:31,133 --> 00:48:33,666 ♪ Does anybody wanna dip? ♪ 667 00:48:35,133 --> 00:48:40,000 ♪ So look out now, 'cos I might be over tonight ♪ 668 00:48:41,466 --> 00:48:43,333 ♪ She's a sure shinin', shimmy shootin' ♪ 669 00:48:43,433 --> 00:48:46,133 ♪ High-falutin, rootin'-tootin' baby, yeah ♪ 670 00:48:47,600 --> 00:48:53,066 ♪ And she's found herself a shimmy-shootin' high-falutin, rootin'-tootin' man ♪ 671 00:48:59,366 --> 00:49:03,400 - Smoke? - No, thanks. I was looking for a menthol one. 672 00:49:05,633 --> 00:49:08,233 They're lovely. 673 00:49:08,333 --> 00:49:11,533 I can't understand why Paul doesn't bring them home. 674 00:49:11,633 --> 00:49:14,133 - The cleaners 'ave 'em. - It's a shame. 675 00:49:17,633 --> 00:49:22,266 - Why don't you go and watch the boys? - Oh, Paul always gets embarrassed if he sees me up the front. 676 00:49:24,000 --> 00:49:27,033 [Charlie's mum] Julie! Nice to see you. 677 00:49:27,133 --> 00:49:32,000 ♪ ♪ 678 00:49:40,000 --> 00:49:44,000 ♪ ♪ 679 00:49:56,000 --> 00:50:00,000 ♪ ♪ 680 00:50:02,000 --> 00:50:05,166 [crowd screams] 681 00:50:06,066 --> 00:50:08,300 All right, mum? Enjoy the show? 682 00:50:08,400 --> 00:50:12,400 - Ooh yeah, it's a bit loud, love. - Rock'n'roll. Listen, have you got everything you want? 683 00:50:12,600 --> 00:50:14,700 [Stoker] If you're gonna ponce around like a bleedin' fairy 684 00:50:14,800 --> 00:50:17,400 - do it without pulling my bloody leads out, all right? - Piss off! I never came near ya! 685 00:50:17,500 --> 00:50:19,700 - [Hamish] Come one, boys, you're doing another one! - Who said so? 686 00:50:19,800 --> 00:50:21,300 Mr Seymour... 687 00:50:23,300 --> 00:50:25,533 Get my old guitar. 688 00:50:25,633 --> 00:50:29,100 [crowd chants] 689 00:50:29,200 --> 00:50:31,733 - Come on, Charlie. - [Charlie's mum] Where're you all off to now? 690 00:50:31,833 --> 00:50:33,966 Back in a minute. All right, Julie? 691 00:50:40,000 --> 00:50:44,000 [crowd cheering] 692 00:50:45,433 --> 00:50:47,466 All right, all right, thank you very much. 693 00:50:47,566 --> 00:50:49,266 You've been really great tonight! 694 00:50:49,366 --> 00:50:51,900 Have you had a great night out? [crowd cheers] 695 00:50:52,000 --> 00:50:55,233 - Yeah? - [crowd] Yeah! - Yeah? 696 00:50:55,333 --> 00:50:57,866 [crowd cheers] Yeah! 697 00:50:57,966 --> 00:51:00,866 We used to come swimming down here before the war. 698 00:51:00,966 --> 00:51:04,000 Look at it. You wouldn't believe it, would you? 699 00:51:05,366 --> 00:51:09,033 - Better than this, was it? - No it weren't a bloody sight worse. 700 00:51:09,133 --> 00:51:11,100 More turds in it than fish. 701 00:51:11,200 --> 00:51:15,300 Or there would've been if you could've seen 'em. Going by like bloody coal barges. 702 00:51:15,400 --> 00:51:20,000 - What d'you come down here for, then? - Beggars can't be choosers, mate. 703 00:51:21,233 --> 00:51:23,166 We never had any money for the baths. 704 00:51:23,266 --> 00:51:25,633 Used to spend it all on fags when we'd got any. 705 00:51:26,800 --> 00:51:28,600 What's brought you back, anyway? 706 00:51:28,700 --> 00:51:31,900 Don't tell me you can't stay away from that pressurised gnat's piss we've been drinking. 707 00:51:32,000 --> 00:51:35,900 - Oh, Barry's having his 21st birthday celebration. - You what? Barry, 21? 708 00:51:36,000 --> 00:51:39,900 Again. Ah, it's one of Mr Seymour's promotions. 709 00:51:40,000 --> 00:51:42,400 Heh, I'm in the wrong game, aren't I? 710 00:51:42,500 --> 00:51:46,091 - I wouldn't mind getting a couple of years. younger every now and again. - Yeah. 711 00:51:48,000 --> 00:51:50,633 Like a bloody bunch of Peter Pans us lot, though. 712 00:51:50,733 --> 00:51:52,666 Get in close you'll see the strings moving! 713 00:51:52,766 --> 00:51:56,166 Hey, you're doing all right, aren't you? 714 00:51:56,266 --> 00:51:57,566 It's what you wanted to do. 715 00:51:57,666 --> 00:52:00,633 I dunno, it ain't the same any more. 716 00:52:00,733 --> 00:52:03,900 Make a few records, that bit's OK. 717 00:52:04,000 --> 00:52:07,066 Rest of the time, bunch of bleedin' gangsters in dinner jackets. 718 00:52:07,166 --> 00:52:09,800 What d'you do, though? Whole scene's run like it. 719 00:52:09,900 --> 00:52:13,037 Well, if you don't want to get out, there's only one thing you can do. 720 00:52:13,333 --> 00:52:17,533 Let 'em get on with it. Let 'em all take themselves to pieces if they feel like it. 721 00:52:19,300 --> 00:52:23,133 You won't change anything by doing it to yourself. Nobody ever does. 722 00:52:23,233 --> 00:52:25,266 So what happens to me in the meantime? 723 00:52:25,366 --> 00:52:27,733 You'll survive, Charlie. 724 00:52:27,833 --> 00:52:30,500 You aren't doing badly now, as far as I can make out. 725 00:52:32,933 --> 00:52:36,166 Tell you what, why don't you come to the party tomorrow night? 726 00:52:36,266 --> 00:52:40,130 I'll let you meet a couple of them vultures. Break open a bottle of Babycham together. 727 00:52:41,100 --> 00:52:44,566 Yeah, all right. I'm a bit old to get discovered, though, aren't I? 728 00:52:44,666 --> 00:52:47,900 Oh, they'll soon fix that for ya. Ta-ra, Harold! 729 00:52:48,000 --> 00:52:52,000 Cheerio! What a bleedin' summer. 730 00:53:01,700 --> 00:53:06,400 ♪ [crowd faintly singing FOR HE'S A JOLLY GOOD FELLOW] ♪ 731 00:53:06,500 --> 00:53:10,133 ♪ For he's a jolly good fellow ♪ 732 00:53:10,233 --> 00:53:12,800 ♪ Which nobody can deny ♪ 733 00:53:13,200 --> 00:53:15,766 ♪ Which nobody can deny ♪ 734 00:53:16,066 --> 00:53:20,733 ♪ Which nobody can deny For he's a jolly good fellow ♪ 735 00:53:20,833 --> 00:53:23,300 ♪ For he's a jolly good fellow ♪ 736 00:53:23,566 --> 00:53:27,433 ♪ For he's a jolly good fellow ♪ 737 00:53:27,533 --> 00:53:30,133 ♪ And so say all of us! ♪ 738 00:53:30,233 --> 00:53:32,900 [cheering] 739 00:53:36,333 --> 00:53:39,466 Ladies and gentlemen 740 00:53:39,566 --> 00:53:43,066 this is a special day. Not only for Barry. 741 00:53:43,166 --> 00:53:46,233 Although it is his very special day 742 00:53:46,333 --> 00:53:48,533 but for all the boys. 743 00:53:48,633 --> 00:53:52,366 Some of you have known these four young men since their childhood. 744 00:53:52,466 --> 00:53:56,466 For others of us, their friendship has flourished overnight. 745 00:53:57,233 --> 00:54:00,600 But there is one thing that links us all together, 746 00:54:00,700 --> 00:54:04,700 that is our faith in the ability and integrity 747 00:54:04,800 --> 00:54:07,466 of these four young men. 748 00:54:07,566 --> 00:54:09,800 - Hear, hear! - They have not let us down. 749 00:54:09,900 --> 00:54:12,633 Now, on behalf of the recording company 750 00:54:12,733 --> 00:54:14,266 I've been given the honour 751 00:54:14,366 --> 00:54:17,466 to present to them for a quarter of a million sales 752 00:54:17,566 --> 00:54:19,600 of their fifth record 753 00:54:19,700 --> 00:54:24,000 this silver disc! [cheering and applause] 754 00:54:25,266 --> 00:54:28,233 [indistinct chatter and applause] 755 00:54:28,333 --> 00:54:32,000 Right! Free drinks! Everybody get stuck in. 756 00:54:38,700 --> 00:54:41,700 [Daniels] Well you could say that, uh, I, yeah, I gave them their first break! 757 00:54:41,800 --> 00:54:44,200 You could put that down, couldn't you, really? 758 00:54:46,566 --> 00:54:49,166 Mr Seymour? I'd like you to meet me old boss, Harold. 759 00:54:49,266 --> 00:54:51,900 - Harold? Mr Seymour. - Oh, pleased to meet you. 760 00:54:52,000 --> 00:54:52,900 How do you do? 761 00:54:53,000 --> 00:54:56,666 - He's a good boy! Yeah, he's a good boy! - I've just seen somebody I know. I'm just gonna have a chat to him. 762 00:54:56,766 --> 00:54:59,100 Good boy! Good boy, Charlie! 763 00:54:59,200 --> 00:55:01,900 Eh, I tell you, I know summat about bands. 764 00:55:02,000 --> 00:55:04,300 - Oh? - Harry Roy was in our unit during the war. 765 00:55:04,400 --> 00:55:07,900 - I played with him once or twice. - Really? - 'Hold That Tiger'. 766 00:55:08,000 --> 00:55:12,000 And, uh, 'Somebody Stole My Gal'. [imitates trombone] 767 00:55:24,600 --> 00:55:27,900 - They deserved a break. - Yes. 768 00:55:28,000 --> 00:55:31,900 - Should I top you up? - Thanks. I uh... I was gonna 769 00:55:32,000 --> 00:55:36,166 - suggest we had a little tête-to-tête one morning. - Oh. 770 00:55:36,266 --> 00:55:38,266 About the boys' future. 771 00:55:40,000 --> 00:55:43,900 - You mean they didn't tell ya? - Tell me what?! 772 00:55:44,000 --> 00:55:48,000 They're under contract to me, Mr Seymour. Exclusive. 773 00:55:49,066 --> 00:55:52,000 - Oh! - What about ten o'clock, Monday morning? 774 00:55:53,100 --> 00:55:55,600 Shall we say four o'clock, Monday afternoon? 775 00:55:55,700 --> 00:55:58,166 - Cheers! - Cheers! 776 00:56:02,300 --> 00:56:06,200 - Are you 35 or 36, Mr Daniels? - Eh? 777 00:56:09,700 --> 00:56:12,566 - You don't think anyone will take offence, with our deserting them like this? - No. 778 00:56:12,666 --> 00:56:14,900 They're all busy scoffing free booze to notice. 779 00:56:15,000 --> 00:56:17,233 - Anyway, somebody's got to.. - Not now, love. 780 00:56:17,333 --> 00:56:19,966 Mr Seymour! Hey, look, you're not going just yet, are ya? 781 00:56:20,066 --> 00:56:22,066 I mean, uh, it's just getting warmed up in there 782 00:56:22,166 --> 00:56:23,466 and I was hoping to have a little chat with ya. 783 00:56:23,566 --> 00:56:25,766 Yes, well, Mr Seymour is rather busy. Perhaps another time. 784 00:56:25,866 --> 00:56:28,533 Look, I suppose the lads told you about me, eh? Jack Daniels? 785 00:56:28,633 --> 00:56:31,266 - They used to be my backing group for quite some time. - Ah, yes. 786 00:56:31,366 --> 00:56:34,133 - I'm very interested in working alongside... - Perhaps you could get in touch with our London office. 787 00:56:34,233 --> 00:56:37,200 It's all right, Tony, no. It seems to be why we were up here. 788 00:56:37,933 --> 00:56:41,566 - Um, Mr Daniels? - Yes? - Can we give you a lift somewhere? 789 00:56:42,366 --> 00:56:43,900 Eh? Well, yeah. 790 00:56:44,000 --> 00:56:47,066 Uh, thanks very much! Why not? 791 00:56:47,166 --> 00:56:52,033 - Makes you realise just how bad it was now all the stuff's gone that is. - It never looked bad to me. 792 00:56:52,133 --> 00:56:56,433 Ah, come on, Julie. You've got to be grateful to your old man for getting you out of this bloody hole. 793 00:56:56,533 --> 00:56:58,433 You could've been here forever. 794 00:56:58,533 --> 00:57:00,833 What's so bad about that? I liked it here. 795 00:57:00,933 --> 00:57:03,666 Look, shift yer arse if you're not gonna help. 796 00:57:05,066 --> 00:57:07,900 She likes it here. What about you, Paul? 797 00:57:08,000 --> 00:57:11,500 You thinking of taking up a great new career as a milkman or something? 798 00:57:11,600 --> 00:57:15,433 "I gave it all up! My penthouse! My Ferrari." 799 00:57:15,533 --> 00:57:18,766 All because the wife couldn't bear to leave the wallpaper behind. 800 00:57:18,866 --> 00:57:20,700 [quacks] 801 00:57:20,800 --> 00:57:23,100 - Bullshit. - Oh, cut it out, Stoke. 802 00:57:23,200 --> 00:57:28,400 What's the matter with you two? We're making enough money for you to go out and get a decent place with a bit of class 803 00:57:28,600 --> 00:57:30,700 and you're walking round like a couple of zombies. 804 00:57:30,800 --> 00:57:33,133 Look at it. I'd set fire to it. 805 00:57:33,233 --> 00:57:36,000 Oh Flame, Flame, Flame, eh, Stoker? 806 00:57:36,733 --> 00:57:39,533 Nothing but Flame, nothing but a big popstar. 807 00:57:39,633 --> 00:57:43,266 Well, I like it here. And Paul likes it. 808 00:57:43,366 --> 00:57:45,400 In fact, I think we both liked each other a bit better 809 00:57:45,500 --> 00:57:50,466 before you decided to set the world alight with your wonderful pop group. 810 00:57:50,566 --> 00:57:53,900 Look, it was his wonderful idea in the first place, lover. 811 00:57:54,366 --> 00:57:56,000 [Stoker] Ta-ra. 812 00:57:57,433 --> 00:58:01,566 If you can't handle your own success, mate, I'll buy you a milk float to get started. 813 00:58:01,666 --> 00:58:04,000 I owe you that much. 814 00:58:12,000 --> 00:58:14,933 One and four, fourteen. 815 00:58:16,000 --> 00:58:18,466 Eh, have a look at that. Big boy, eh? 816 00:58:18,566 --> 00:58:21,033 [coins tumbling] 817 00:58:21,133 --> 00:58:24,400 What's this all about? I'm supposed to earn out of this, not the punters. 818 00:58:24,500 --> 00:58:25,666 See to it. 819 00:58:25,766 --> 00:58:27,766 [intercom buzzes] Yeah? 820 00:58:27,866 --> 00:58:30,966 - A Mr Seymour to see you. - All right. 821 00:58:31,066 --> 00:58:33,533 See to this, see to them. See to the bloody lot! 822 00:58:37,800 --> 00:58:39,900 Ah, good afternoon, Mr Seymour. 823 00:58:40,000 --> 00:58:44,166 I'm sorry to keep you waiting. Bring in a nice pot of tea and some digestives. 824 00:58:44,266 --> 00:58:46,800 Shall we, uh, go to my office? 825 00:58:49,200 --> 00:58:52,466 Have a seat, make yourself comfortable. 826 00:58:54,833 --> 00:58:56,933 How about one of these mints? 827 00:58:57,033 --> 00:59:00,397 - No, thank you. - I've packed up smoking meself. No good for the old chest. 828 00:59:01,333 --> 00:59:03,433 What, you interested in greyhounds? 829 00:59:03,533 --> 00:59:05,300 Uh, I, I don't really know much about them. 830 00:59:05,400 --> 00:59:07,400 That one up there, a real cracker. 831 00:59:07,500 --> 00:59:10,766 I run her for three seasons at Catford. Wasn't many could beat her. 832 00:59:10,866 --> 00:59:12,900 Yes, I'm sure. 833 00:59:16,000 --> 00:59:19,766 - You were saying about the group. - Well now. What we gonna do? 834 00:59:19,866 --> 00:59:21,466 You tell me. 835 00:59:21,566 --> 00:59:23,100 Well, I've been giving it a lot of thought and 836 00:59:23,200 --> 00:59:25,166 I said to meself, "Fair's fair." 837 00:59:25,266 --> 00:59:27,900 I mean, he's obviously gone to a lot of trouble for these boys 838 00:59:28,000 --> 00:59:30,300 and after all, well, he wasn't to know they were signed up with me. 839 00:59:30,400 --> 00:59:32,133 Just put it on the desk. 840 00:59:36,500 --> 00:59:38,633 I enjoy a nice cup of tea in the afternoon. 841 00:59:40,000 --> 00:59:44,000 - Milk and sugars? - No sugar thank you. [Ron mutters in surprise] 842 00:59:45,566 --> 00:59:46,666 There we are. 843 00:59:46,766 --> 00:59:50,066 So, I come up with what I reckon is a straight down-the-line deal. 844 00:59:50,966 --> 00:59:53,566 You put the boys' business through me, as their agent. 845 00:59:54,466 --> 00:59:55,900 And we split the profit down the middle! 846 00:59:56,000 --> 00:59:59,633 [Seymour inhales] You understand I'm trying to be fair to both of us. 847 00:59:59,733 --> 01:00:04,000 Hmm. Mm. Sounds reasonable. 848 01:00:05,600 --> 01:00:08,500 But I shall have to have a copy of that contract for the board. 849 01:00:08,600 --> 01:00:10,166 No problem! 850 01:00:11,700 --> 01:00:14,000 Make me up copy of that D.T.s contract, will ya? 851 01:00:16,966 --> 01:00:18,800 - D'you like these? - Mm! 852 01:00:21,833 --> 01:00:25,633 Next time you're up in this part of the world, Mr Seymour, we might make an evening of it. 853 01:00:25,733 --> 01:00:27,633 I look forward to it! 854 01:00:27,733 --> 01:00:29,166 Do you have a copy for me? 855 01:00:29,266 --> 01:00:31,600 I don't understand! It's here somewhere. 856 01:00:31,700 --> 01:00:33,233 Where've you put it? 857 01:00:33,333 --> 01:00:35,366 I put it on the desk! It was there on Friday! 858 01:00:35,466 --> 01:00:37,733 Really doesn't matter. You can easily send me a copy. 859 01:00:37,833 --> 01:00:38,933 I must go. Goodbye. 860 01:00:39,033 --> 01:00:40,033 Thank you for the tea. 861 01:00:42,100 --> 01:00:43,600 And the digestives. 862 01:00:45,500 --> 01:00:48,200 - Mr Harding. - Shut up. 863 01:00:48,300 --> 01:00:51,866 - All right. You put it on your desk, then what? - Well, nothing! 864 01:00:51,966 --> 01:00:53,733 I just thought it would still be there! 865 01:00:53,833 --> 01:00:55,266 [Mr Harding] Right. Who's been in here over the weekend? 866 01:00:55,366 --> 01:00:56,666 No one, Mr Harding! 867 01:00:56,766 --> 01:00:59,500 - Just Lenny, and Mr Daniels. - Daniels? 868 01:00:59,600 --> 01:01:02,800 Yes, he came in to pick up his work schedule for Manchester. 869 01:01:08,000 --> 01:01:12,000 [van radio plays faintly] - 'Ere, you nearly finished? I'm bloody freezing. 870 01:01:12,833 --> 01:01:15,900 Why don't you come over here and play with me, instead of the bloody camera? 871 01:01:16,000 --> 01:01:19,666 No, look love, I just wanted another close up, you see... [woman screams] 872 01:01:19,766 --> 01:01:22,933 - [Daniels] What the hell's happening? - Hello, Jack. [screaming continues] 873 01:01:23,133 --> 01:01:24,033 What do you want? 874 01:01:24,133 --> 01:01:26,406 We come visiting, Jack. Mind stepping out a moment? 875 01:01:27,100 --> 01:01:28,566 No! But I'm, uh... But... 876 01:01:29,066 --> 01:01:31,900 - What do you want with me, eh lads? - Fetch him out, Ron, he's shy. 877 01:01:32,000 --> 01:01:33,900 Now, come on, Jack. 878 01:01:34,000 --> 01:01:35,100 See? Hm? 879 01:01:35,200 --> 01:01:36,866 Where is it, Jack? 880 01:01:36,966 --> 01:01:38,600 Where's what? I don't know what you're talking about. 881 01:01:38,700 --> 01:01:40,966 That bit of paper that got stuck to your fingers the other day. 882 01:01:41,066 --> 01:01:43,400 - What bit of paper...? - Mr Harding's bit of paper! 883 01:01:43,500 --> 01:01:45,900 Oh, look, now I don't know what you're talking about, lads. Honest I don't. 884 01:01:46,000 --> 01:01:48,000 [Joe] Eh, Lenny! 885 01:01:50,800 --> 01:01:55,066 Oh dear, Jack. You have gone and been a silly boy. 886 01:01:55,166 --> 01:01:56,833 You've been a silly boy! 887 01:01:56,933 --> 01:01:59,900 - [Lenny] This ain't tainted money, is it? - [Ron] Tainted money? 888 01:02:00,000 --> 01:02:04,166 No, Lenny, that's... That's, that's mine, you see, Lenny. What I cop down the club. 889 01:02:05,000 --> 01:02:08,000 Getting lucky in your old age, Jack. 890 01:02:09,133 --> 01:02:11,900 Don't, Lenny, look. You can keep all the money, eh? Just keep all the money! 891 01:02:12,000 --> 01:02:14,000 That's very good of you, Jack. 892 01:02:14,100 --> 01:02:18,133 - But will that satisfy Mr Harding? - [Ron] Mr Harding. 893 01:02:21,033 --> 01:02:23,200 Where's the contract? 894 01:02:23,300 --> 01:02:25,533 [shivering] I don't know, Lenny. 895 01:02:25,633 --> 01:02:28,400 [sobbing] Honest to God, I don't know. 896 01:02:28,500 --> 01:02:31,900 'Ere, Jack, you ain't got nothing on your feet. [train whistling in distance] 897 01:02:32,000 --> 01:02:34,133 - Don't, Lenny. - Surprised you can feel your toes in this weather! 898 01:02:34,233 --> 01:02:35,900 [whimpering] No don't, Lenny, please. 899 01:02:36,000 --> 01:02:39,700 - Can you feel your toes? - Don't, Lenny! - Can you? 900 01:02:39,800 --> 01:02:42,566 [train passes noisily] 901 01:02:43,666 --> 01:02:45,833 [inaudible] 902 01:02:48,000 --> 01:02:52,000 [train noise recedes] 903 01:02:53,566 --> 01:02:55,600 Watch the birdie, Jack. [camera shutter clicks, flashes] 904 01:02:55,700 --> 01:02:59,600 If we were to export the motorcar via Zurich, and you were to take delivery of it 905 01:02:59,700 --> 01:03:03,900 from, uh, somewhere a little further east, uhh, that 906 01:03:04,000 --> 01:03:07,900 might be a way round and, um... Would you excuse me 907 01:03:08,000 --> 01:03:11,400 for a moment sir? Perhaps you'd like to look at this upholstery cover swatch. 908 01:03:11,500 --> 01:03:12,833 Excuse me. 909 01:03:12,933 --> 01:03:15,600 - Um, can I help you, sir? - Yeah! 910 01:03:15,700 --> 01:03:19,066 - How much are these? - Uh, that's rather a difficult question. Uh... 911 01:03:19,166 --> 01:03:22,466 - What exactly were you looking for, sir? - He's looking for one of these! 912 01:03:22,566 --> 01:03:25,366 Yeah. Yeah! Can I drive it? 913 01:03:25,466 --> 01:03:29,166 I'm sorry, sir, but it really is not our policy to allow the vehicles outside the showroom. 914 01:03:29,266 --> 01:03:31,900 Oh, well in that case I'll have to sit in here then, won't I? 915 01:03:32,000 --> 01:03:33,900 Try the legroom and the ashtray, Charlie. 916 01:03:34,000 --> 01:03:37,091 Excuse me, sir, but excessive use of the electrical... [window whirrs] 917 01:03:37,466 --> 01:03:38,633 Yes, I'm sorry, Mr... 918 01:03:38,733 --> 01:03:40,966 Weird bloke. Is he selling 'em or collecting 'em? 919 01:03:41,066 --> 01:03:43,666 - Something like this, but in dark green. - Dark green. 920 01:03:43,766 --> 01:03:45,994 Well, we have a Mulliner Drophead over there, sir. 921 01:03:46,566 --> 01:03:48,000 'Ere, Ange'll like this. 922 01:03:48,866 --> 01:03:51,100 I think Stoker's already give her a demonstration. 923 01:03:52,000 --> 01:03:54,933 - [salesman] You'd prefer a darker colour? - Lighter. [electrical whirring] 924 01:03:55,033 --> 01:03:56,866 - A lighter colour... - Yes. 925 01:03:56,966 --> 01:04:01,933 ♪ [Paul plays intro to HOW DOES IT FEEL] ♪ 926 01:04:04,000 --> 01:04:07,600 No no no, it's got no balls! 927 01:04:07,700 --> 01:04:11,400 - Look, shurrup a minute, will ya? - You do it however you want, I don't give a shit. 928 01:04:11,500 --> 01:04:14,933 We've tried this time and time again. It's just not working. 929 01:04:15,033 --> 01:04:16,766 Don't take it so personal. 930 01:04:16,866 --> 01:04:18,333 I'm just thinking about the album, that's all. 931 01:04:18,433 --> 01:04:20,400 - Shall I do it? - Ah, shut up. 932 01:04:20,500 --> 01:04:23,466 Look, you were supposed to have sorted all this out before you came in here. 933 01:04:23,566 --> 01:04:25,200 Now can we get on with it, please! 934 01:04:25,300 --> 01:04:28,000 D'you wanna come down here and try it? Prat. 935 01:04:30,466 --> 01:04:32,300 Russell! Get us a Coke! 936 01:04:32,400 --> 01:04:33,566 [tape whirs backwards] 937 01:04:33,666 --> 01:04:36,133 - [Barry] Russ! - [Angie] Russ... - [Barry] Get us a Coke! 938 01:04:36,233 --> 01:04:37,800 [Russell] We're out of them! 939 01:04:40,000 --> 01:04:42,666 [Angie] He says we're out of them. 940 01:04:42,766 --> 01:04:46,066 - [shouting] Well, go out and get some then! - [Russell] In a minute! 941 01:04:54,200 --> 01:04:55,733 Russell? 942 01:04:56,666 --> 01:04:58,366 Get me a Coke, would you? 943 01:05:02,500 --> 01:05:07,100 [whirring tape noise continues] 944 01:05:11,500 --> 01:05:14,137 [engineer] Right, let's have a line for the levels, please. 945 01:05:27,533 --> 01:05:30,800 [bottles clinking] 946 01:05:43,666 --> 01:05:47,400 Just thought we'd drop by, Russ. Find out how you're all getting on. 947 01:05:49,466 --> 01:05:50,966 [Russell] Oh. 948 01:05:53,833 --> 01:05:57,300 Nice bit of schmutter. Very trendy these days! 949 01:05:57,400 --> 01:05:59,333 I don't mind if I do. 950 01:06:00,766 --> 01:06:05,039 - Look, I, I've just got a job to do, y'know... - Yeah, well, we've got a job we want you to do. 951 01:06:06,400 --> 01:06:08,933 We want you to give these to your Mr Seymour. 952 01:06:10,000 --> 01:06:13,766 Sorry they're a bit blurry. Ron's still learning. [Ron laughs] 953 01:06:14,933 --> 01:06:16,966 - That's Daniels. - Most of 'im, yeah. 954 01:06:17,866 --> 01:06:20,048 Well, he made life very difficult for Mr Harding. 955 01:06:20,900 --> 01:06:22,733 He had to make himself understood. 956 01:06:24,000 --> 01:06:26,166 - Nigh-night, Russ. - Sleep tight. 957 01:06:26,266 --> 01:06:27,933 Tell him we want our contract back. 958 01:06:28,033 --> 01:06:30,000 [quietly] Yes. 959 01:06:38,633 --> 01:06:44,233 ♪ [HOW DOES IT FEEL instrumental plays] ♪ 960 01:06:44,333 --> 01:06:46,233 What're you doing? 961 01:06:47,733 --> 01:06:51,900 - Where's the Coke? - Well, it's outside. But I thought this was more important. 962 01:06:52,000 --> 01:06:54,466 - Then you were wrong. - Wrong? 963 01:06:54,566 --> 01:06:58,157 Listen, this affects all of us, you know. Not just you. They're bleedin' nutters! 964 01:06:59,566 --> 01:07:01,866 - Do the lads know about this? - No, they don't. 965 01:07:01,966 --> 01:07:03,900 Well don't you think you ought to tell them? 966 01:07:04,000 --> 01:07:05,366 Do you? 967 01:07:06,000 --> 01:07:09,137 Well, what do you expect me to do? Just shut up and, and laugh it off? 968 01:07:10,133 --> 01:07:11,900 Jack Daniels isn't laughing, you know! 969 01:07:12,000 --> 01:07:15,200 Daniels knew perfectly well what he was doing. 970 01:07:15,300 --> 01:07:19,333 Obviously you don't, if you think the group will benefit by opening this thing up. 971 01:07:20,333 --> 01:07:21,733 And what's that supposed to mean? 972 01:07:21,833 --> 01:07:25,000 Come on, Russell. Use your brain. 973 01:07:25,966 --> 01:07:28,066 That tinpot little dog trainer 974 01:07:28,166 --> 01:07:31,666 conned a contract out of your friends that wrapped them up for good. 975 01:07:31,766 --> 01:07:35,966 As far as this business is concerned, now that he's seen how good they are, 976 01:07:36,433 --> 01:07:40,343 he wants to kick them about, like one of his fruit machines, until some money falls out. 977 01:07:40,700 --> 01:07:43,900 If he had any real claim on that talent, did you think he would try something like this? 978 01:07:44,000 --> 01:07:46,633 - Well, I don't know, but I... - No, you don't know. 979 01:07:46,733 --> 01:07:48,833 You don't know so I'll tell you: 980 01:07:50,100 --> 01:07:52,866 If Harding takes this to court with me 981 01:07:53,566 --> 01:07:55,900 then your friends had better go back to the button factory. 982 01:07:56,000 --> 01:07:59,166 Because not one of them will ever make a record, 983 01:07:59,266 --> 01:08:03,866 or even pick up a guitar in public until a legal decision is made, 984 01:08:03,966 --> 01:08:08,000 by which time their adoring fans will have forgotten what they look like. 985 01:08:09,000 --> 01:08:11,033 I know it, Harding knows it. 986 01:08:11,133 --> 01:08:12,600 And now you know it. 987 01:08:13,666 --> 01:08:16,666 Now if that's what you want for the group, go out and tell them. 988 01:08:19,566 --> 01:08:22,466 [scoffs] Well, you don't leave me any alternative, do ya? 989 01:08:23,000 --> 01:08:26,333 I mean, do you expect me to carry on working with them, knowing what I know? 990 01:08:26,433 --> 01:08:27,566 No. 991 01:08:28,033 --> 01:08:36,000 ♪ ♪ 992 01:08:40,000 --> 01:08:44,300 ♪ ♪ 993 01:08:44,400 --> 01:08:48,266 [indistinct dialogue] 994 01:08:48,366 --> 01:08:51,400 More seriously, that is why we have left a completely free hand. 995 01:08:51,500 --> 01:08:54,133 Well, I'd like to extend the campaign to our European markets. 996 01:08:54,233 --> 01:08:58,233 - So I've invited our German sales director to join us for lunch. - Splendid, right. 997 01:08:58,333 --> 01:09:00,788 Excuse me, sir, there's a gentleman waiting to see you. 998 01:09:01,633 --> 01:09:03,861 [Harding] You're a hard man to reach, Mr Seymour. 999 01:09:04,600 --> 01:09:08,700 Ah, uh, look, um... Could we make this some other time? 1000 01:09:08,800 --> 01:09:10,366 No, I wanna see you now. 1001 01:09:10,466 --> 01:09:13,033 [Tony] I'm afraid Mr Seymour can only see you by appointment. 1002 01:09:13,133 --> 01:09:14,833 - He's had my card. - Jacqui, w... 1003 01:09:14,933 --> 01:09:17,933 No no, Tony. [stammers] That's all right, you go on. I'll join you. 1004 01:09:22,266 --> 01:09:25,300 - What can I do for you? - I want what's mine on that contract. 1005 01:09:25,400 --> 01:09:28,500 Ah. I've yet to see your so-called contract. 1006 01:09:29,433 --> 01:09:32,000 You've seen Daniels. I want what's mine. 1007 01:09:32,900 --> 01:09:35,500 What exactly is that, Harding? 1008 01:09:35,600 --> 01:09:38,400 A few fruit machines, a couple of psychopaths 1009 01:09:38,500 --> 01:09:41,233 and you think you can worm your scummy little way up on my back. 1010 01:09:41,333 --> 01:09:42,966 - What are you... - You stick where you belong, Harding. 1011 01:09:43,066 --> 01:09:45,366 You stick with your dog pictures, and your jukeboxes 1012 01:09:45,466 --> 01:09:47,166 and your thugs. 1013 01:09:48,633 --> 01:09:51,866 They're yours! 1014 01:09:51,966 --> 01:09:58,300 [crowd screaming] 1015 01:09:59,433 --> 01:10:03,066 [crowd chanting] We want Flame! We want Flame! 1016 01:10:03,166 --> 01:10:07,633 [Stoker] I told you last night in Leeds, you've changed the order. You just do not listen... 1017 01:10:07,733 --> 01:10:12,000 [arguing, indistinct] 1018 01:10:13,233 --> 01:10:16,866 [crowd chanting continues] 1019 01:10:16,966 --> 01:10:19,900 [flamethrower noise, no audible dialogue] 1020 01:10:20,000 --> 01:10:23,166 - You want me to sing into that thing? - It's perfectly safe! 1021 01:10:23,266 --> 01:10:27,366 Functions like a normal PA mic, when you press the button here. Try it. 1022 01:10:28,933 --> 01:10:33,166 [flare noises] I'm not sticking my face over that. You wouldn't do it. 1023 01:10:33,266 --> 01:10:35,466 Oh, come on, Stoker. Think of the effect. 1024 01:10:35,566 --> 01:10:38,000 Flame, power, sexual symbolism. 1025 01:10:38,100 --> 01:10:40,666 He'd look a real prat with his eyebrows on fire. 1026 01:10:40,766 --> 01:10:43,900 I had seats for Covent Garden tonight, would you believe? 1027 01:10:44,000 --> 01:10:48,000 Well, there's no real need for you to be here tonight, Robert. 1028 01:10:50,033 --> 01:10:52,900 Any ideas yet, on the American release date? 1029 01:10:53,000 --> 01:10:56,000 New album? Not until the single makes a move. 1030 01:10:56,900 --> 01:10:59,900 Anyway I'm unhappy about the deal with CBS. 1031 01:11:00,000 --> 01:11:03,733 Well, why don't you try them on a promotion tour? 1032 01:11:03,833 --> 01:11:07,166 [chuckles] It'll be a bloody miracle if they survive this one! 1033 01:11:08,000 --> 01:11:10,733 They're falling apart at the seams. Can you imagine what they'd be like over there? 1034 01:11:10,833 --> 01:11:14,015 [compère barely audible over crowd] Can you hear me out there? Welcome! 1035 01:11:14,533 --> 01:11:20,000 [compère continues indistinctly] Would you please just sit down! 1036 01:11:22,466 --> 01:11:24,933 [Stoker] If this thing sticks again, somebody's gonna cop it. 1037 01:11:25,033 --> 01:11:29,300 Now we don't want any trouble. Sit down, please! Over there! 1038 01:11:29,400 --> 01:11:33,000 [Stoker] Will somebody tell our roadies to keep off the bloody stage? 1039 01:11:33,100 --> 01:11:37,900 Will you keep it down just a little bit. Please! 1040 01:11:41,466 --> 01:11:45,100 [no audible dialogue] 1041 01:11:47,366 --> 01:11:52,100 - Hello! You all ready to get going? - [Stoker] Yeah! Let's get on with it! 1042 01:11:52,200 --> 01:11:55,900 Right, everybody all together: Flame! 1043 01:11:56,000 --> 01:11:59,900 [crowd screams wildly] 1044 01:12:00,000 --> 01:12:06,166 ♪ [intro to O.K. YESTERDAY WAS YESTERDAY by FLAME plays] ♪ 1045 01:12:09,300 --> 01:12:18,100 ♪ ♪ 1046 01:12:23,166 --> 01:12:27,900 ♪ Ohh, boys get tight. Oh, what a sight! ♪ 1047 01:12:28,000 --> 01:12:31,200 ♪ Ready to use their charms ♪ 1048 01:12:31,300 --> 01:12:34,600 ♪ Girls just might show you all right ♪ 1049 01:12:34,700 --> 01:12:37,500 ♪ It ain't gonna do 'em no harm ♪ 1050 01:12:37,600 --> 01:12:40,033 ♪ Lady Luck gonna do what she oughta ♪ 1051 01:12:40,133 --> 01:12:42,166 [dialogue inaudible] 1052 01:12:42,266 --> 01:12:44,400 ♪ No place left to lock up your daughter ♪ 1053 01:12:44,500 --> 01:12:47,233 ♪ No way out, time's getting shorter ♪ 1054 01:12:47,333 --> 01:12:50,066 ♪ Makin' sure your life carries on ♪ 1055 01:12:50,166 --> 01:12:53,300 ♪ Say "OK, yesterday" ♪ 1056 01:12:53,400 --> 01:12:55,900 ♪ "Was yesterday" ♪ 1057 01:12:56,000 --> 01:13:01,100 ♪ I say "OK, today's a better day" ♪ 1058 01:13:02,933 --> 01:13:08,000 ♪ Say "OK, yesterday was yesterday" ♪ 1059 01:13:09,000 --> 01:13:13,700 ♪ I say "OK, today's a better day" ♪ 1060 01:13:20,000 --> 01:13:26,533 ♪ ♪ 1061 01:13:32,000 --> 01:13:36,000 [crowd cheering, Stoker addresses audience] 1062 01:13:40,000 --> 01:13:44,166 [Paul tuning instrument, Stoker indistinct] 1063 01:13:44,266 --> 01:13:46,800 Will you shut up! 1064 01:13:47,600 --> 01:13:51,500 Paul, he's always mak... he's always making a noise like that. He's always making a noise 1065 01:13:51,600 --> 01:13:53,400 Yeah we're gonna finish off with a number 1066 01:13:53,500 --> 01:13:56,266 for me dear old mum whose birthday it is today 1067 01:13:56,366 --> 01:13:58,033 and this is her favourite song 1068 01:13:58,133 --> 01:14:00,733 which you can hear in the words in this one. 1069 01:14:00,833 --> 01:14:02,600 It's called 'Wishing You Were Here'. 1070 01:14:02,700 --> 01:14:05,566 [crowd screams] 1071 01:14:05,666 --> 01:14:11,333 ♪ [intro to WISHING YOU WERE HERE by FLAME plays] ♪ 1072 01:14:15,600 --> 01:14:21,233 ♪ Everybody needs a by-the-sea affair ♪ 1073 01:14:23,033 --> 01:14:27,700 ♪ Where you get the urge from something in the air ♪ 1074 01:14:29,966 --> 01:14:32,633 ♪ Helter-skelter on a mat ♪ 1075 01:14:32,733 --> 01:14:36,100 ♪ 'Kiss Me Quick' is on my hat ♪ 1076 01:14:36,200 --> 01:14:41,566 ♪ And you do it on the ghost train for a dare ♪ 1077 01:14:43,166 --> 01:14:49,100 ♪ Wishing you were here Same as every year ♪ 1078 01:14:49,200 --> 01:14:54,233 ♪ 'Cos our summer madness is too short ♪ 1079 01:14:54,333 --> 01:14:56,400 [indistinct shouting] 1080 01:14:56,500 --> 01:14:59,900 ♪ Wishing you were here ♪ 1081 01:15:00,000 --> 01:15:02,900 ♪ Where the sunshine's near ♪ 1082 01:15:03,000 --> 01:15:08,200 ♪ Is it true that wishes can be bought? ♪ 1083 01:15:10,433 --> 01:15:13,033 [Stoker] Eh, what's the game making all that row while I'm trying to spiel the crowd? 1084 01:15:13,133 --> 01:15:15,900 If you weren't so poxy big-headed, you'd give someone else a chance 1085 01:15:16,000 --> 01:15:19,533 instead of all that "Momma's birthday" crap. At least I was in tune. 1086 01:15:19,633 --> 01:15:22,866 - [Charlie] I think you're both beautiful. - [Stoker] Go on, get back in goal, goalie. 1087 01:15:22,966 --> 01:15:26,266 Look, if you want to be up front, you know what to do. But let's get this over with first. 1088 01:15:26,366 --> 01:15:28,200 Sooner the better for me, mate! 1089 01:15:29,500 --> 01:15:31,633 [Seymour] Oh, hello! Um, sorry. 1090 01:15:31,733 --> 01:15:34,733 We can't stay 'til the end, it's rather beyond Emma's bedtime. 1091 01:15:34,833 --> 01:15:36,800 It's super, absolutely super! 1092 01:15:36,900 --> 01:15:39,500 [Hamish] Come on lads, get yourselves tuned! 1093 01:15:39,600 --> 01:15:41,300 [Seymour] Don't let us hold you up! 1094 01:15:41,400 --> 01:15:43,900 [Hamish] Hurry it up, they're going berserk down there. 1095 01:15:44,000 --> 01:15:48,000 [crowd screams, compère announces indistinctly] 1096 01:15:50,966 --> 01:15:52,466 [compère] One more? 1097 01:15:53,133 --> 01:15:56,133 - [Seymour] Doing anything over the weekend? - [Tony] Nothing much. 1098 01:15:56,900 --> 01:15:59,366 [Seymour] How'd you like to pay our friend Harding a visit? 1099 01:15:59,466 --> 01:16:01,733 [Tony] Well, if you like. Why? 1100 01:16:02,733 --> 01:16:06,133 [Seymour] Uh, I think we've made our point. Certainly made some money. 1101 01:16:07,800 --> 01:16:11,466 [Seymour] Think it's time we pulled out, before we get our noses too dirty. 1102 01:16:12,066 --> 01:16:14,866 [Tony] Well, that seems a pity. I thought it was all going rather well. 1103 01:16:14,966 --> 01:16:17,966 You had a good night out? 1104 01:16:18,066 --> 01:16:20,866 Yeah? [crowd responds] Yeah! Yeah? 1105 01:16:20,966 --> 01:16:23,700 [crowd responds] Yeah! Yeah? [crowd responds] Yeah! 1106 01:16:23,800 --> 01:16:29,733 Good. Right this one now, we want everybody moving from side to side. 1107 01:16:31,366 --> 01:16:33,466 Have a little sway. 1108 01:16:34,366 --> 01:16:36,000 Sway. 1109 01:16:36,633 --> 01:16:41,000 [Stoker] This is called 'Far Far Away'. [crowd screams] 1110 01:16:42,000 --> 01:16:48,000 ♪ [intro to FAR FAR AWAY by FLAME plays] ♪ 1111 01:16:49,866 --> 01:16:54,000 ♪ I've seen the yellow lights go down the Mississippi ♪ 1112 01:16:54,100 --> 01:16:57,700 ♪ I've seen the bridges of the world and they're for real ♪ 1113 01:16:57,800 --> 01:17:00,133 ♪ I've had a red light of the wrist ♪ 1114 01:17:00,233 --> 01:17:02,600 ♪ Without me even gettin' kissed ♪ 1115 01:17:02,700 --> 01:17:05,966 ♪ It still seems so unreal ♪ 1116 01:17:06,333 --> 01:17:09,966 ♪ I've seen the morning in the mountains of Alaska ♪ 1117 01:17:10,066 --> 01:17:13,533 ♪ I've seen the sunset in the east and in the west ♪ 1118 01:17:14,200 --> 01:17:16,200 ♪ I've sang the glory that was Rome ♪ 1119 01:17:16,300 --> 01:17:18,666 ♪ And passed the Hound Dog singer's home ♪ 1120 01:17:18,766 --> 01:17:21,633 ♪ It still seems for the best ♪ 1121 01:17:21,733 --> 01:17:26,100 ♪ And I'm far, far away ♪ 1122 01:17:26,200 --> 01:17:30,166 ♪ With my head up in the clouds ♪ 1123 01:17:30,266 --> 01:17:34,100 ♪ And I'm far, far away ♪ 1124 01:17:34,200 --> 01:17:38,433 ♪ With my feet down in the crowds ♪ 1125 01:17:38,533 --> 01:17:42,633 ♪ Lettin' loose around the world ♪ 1126 01:17:42,733 --> 01:17:45,900 ♪ But the call of home is loud ♪ 1127 01:17:46,000 --> 01:17:49,600 ♪ Still as loud ♪ 1128 01:17:54,833 --> 01:17:57,533 Goodnight, Whitworth. Thank you. 1129 01:17:57,633 --> 01:18:00,000 [song continues in background] 1130 01:18:02,000 --> 01:18:04,266 [indistinct chatting] 1131 01:18:04,366 --> 01:18:07,900 - See them birds? - What about Ange? - What about Ange? 1132 01:18:08,000 --> 01:18:12,000 [indistinct dialogue] 1133 01:18:14,133 --> 01:18:18,533 [dialogue inaudible, song continues] 1134 01:18:24,466 --> 01:18:28,833 [fans scream] 1135 01:18:34,400 --> 01:18:40,000 ♪ ♪ 1136 01:18:42,800 --> 01:18:46,233 [Stoker] Close the window, love. We don't need trouble. 1137 01:18:48,000 --> 01:18:52,000 [fans scream] 1138 01:18:52,700 --> 01:18:57,133 ♪ ♪ 1139 01:18:57,966 --> 01:19:01,900 ♪ And I'm far, far away ♪ 1140 01:19:02,000 --> 01:19:06,033 ♪ With my head up in the clouds ♪ 1141 01:19:06,133 --> 01:19:10,000 ♪ And I'm far, far away ♪ 1142 01:19:10,100 --> 01:19:14,133 ♪ With my feet down in the crowds ♪ 1143 01:19:14,233 --> 01:19:18,100 ♪ Lettin' loose around the world ♪ [fans scream] 1144 01:19:18,200 --> 01:19:21,900 ♪ But the call of home is loud ♪ 1145 01:19:22,000 --> 01:19:24,000 ♪ Still as loud ♪ 1146 01:19:28,000 --> 01:19:33,400 ♪ ♪ 1147 01:19:34,666 --> 01:19:37,900 [excited chatter] 1148 01:19:38,000 --> 01:19:41,966 [Barry] 'Ere, look at this! 1149 01:19:46,033 --> 01:19:50,233 ♪ ♪ 1150 01:19:54,466 --> 01:19:56,333 - What floor? - Eighth, please. 1151 01:19:57,266 --> 01:19:59,266 Thank you. 1152 01:20:10,466 --> 01:20:12,900 [Stoker sighs] 1153 01:20:13,466 --> 01:20:16,000 What we gonna do then? 1154 01:20:17,300 --> 01:20:20,400 - Are we going on, the group? - What group? 1155 01:20:20,500 --> 01:20:23,433 - Look. I'm sorry about all that side stuff. - Yeah yeah, I know. 1156 01:20:23,533 --> 01:20:26,233 - You know I didn't mean it. - Well I did. 1157 01:20:27,700 --> 01:20:32,000 [Barry] We need some Coke. Didn't anybody bring any Coke? 1158 01:20:33,833 --> 01:20:40,000 ♪ [LAY IT DOWN by SLADE plays in background] ♪ 1159 01:20:43,066 --> 01:20:46,200 [indistinct party chatter] 1160 01:20:46,300 --> 01:20:52,000 [muffled music in background] 1161 01:20:58,533 --> 01:21:02,266 - [Angie] What you doing? - [Paul] What does it look like I'm doing? 1162 01:21:03,166 --> 01:21:06,333 [Paul] I'm off. Finished. Going back home. 1163 01:21:09,533 --> 01:21:13,200 - What about the group? - There is no group. 1164 01:21:13,300 --> 01:21:16,400 Never was after our Mr Seymour started poking around. 1165 01:21:20,000 --> 01:21:23,133 But you're famous. You've got everything. 1166 01:21:23,233 --> 01:21:25,266 Yeah, we've got everything. 1167 01:21:25,366 --> 01:21:28,966 You hang on to that bit. You hang on to Stoker, he'll see you're all right. 1168 01:21:29,066 --> 01:21:32,000 - See you, Ange. - Paul... 1169 01:21:43,166 --> 01:21:46,633 [loud party noise] 1170 01:21:53,333 --> 01:21:57,200 [smashing sounds, partygoers cheer] 1171 01:22:00,000 --> 01:22:05,133 [inaudible dialogue] ♪ ♪ 1172 01:22:07,033 --> 01:22:09,900 [Seymour, whispering] Do you want me to take her? 1173 01:22:16,000 --> 01:22:19,133 Shall I bring you up a drink? Righto. 1174 01:22:33,633 --> 01:22:36,000 [Judy screams] 1175 01:22:36,500 --> 01:22:40,000 Judy! Judy! Emma! 1176 01:22:41,000 --> 01:22:43,900 Judy! Judy! 1177 01:22:44,000 --> 01:22:48,000 [Judy whimpering, Emma crying] [Seymour] Emma! 1178 01:22:49,466 --> 01:22:52,466 It's paint! Look, it's paint! 1179 01:22:52,566 --> 01:22:55,900 [Seymour] Oh my god. Holy Jesus. 1180 01:22:56,000 --> 01:23:00,666 [crying continues] 1181 01:23:04,900 --> 01:23:08,733 Oh my god! 1182 01:23:08,833 --> 01:23:12,933 [Harding humming] 1183 01:23:21,833 --> 01:23:26,500 ♪ [whistles OH I DO LIKE TO BE BESIDE THE SEASIDE] ♪ 1184 01:23:29,433 --> 01:23:33,966 ♪ [whistling continues] ♪ 1185 01:23:53,166 --> 01:23:55,900 [Stoker] Bit early in the day for you innit, Ron? 1186 01:23:56,000 --> 01:24:00,733 Well, if it's not my little Stoker! 1187 01:24:00,833 --> 01:24:03,200 - [Harding] How you been keeping? - Mustn't grumble. 1188 01:24:03,800 --> 01:24:06,633 - That makes a change. - [laughs] Yeah! 1189 01:24:06,733 --> 01:24:08,733 [Harding] Have you heard the news? 1190 01:24:09,700 --> 01:24:12,866 - What news is that, Ron? - It's back with me again! 1191 01:24:12,966 --> 01:24:15,633 - [Harding] I bet that makes you happy. - Huh! 1192 01:24:15,733 --> 01:24:18,366 Your Mr Seymour's had enough. 1193 01:24:20,933 --> 01:24:24,000 Tell you what, Ron, we've all had enough. 1194 01:24:26,000 --> 01:24:28,266 [door shuts] 1195 01:24:29,500 --> 01:24:32,566 [HOW DOES IT FEEL by SLADE] ♪ How does it feel? ♪ 1196 01:24:32,666 --> 01:24:36,000 ♪ Turnin' away? ♪ 1197 01:24:37,033 --> 01:24:43,700 ♪ And how does it feel? Facing another day? ♪ 1198 01:24:44,366 --> 01:24:51,700 ♪ 'Cos many years from now There will be newer poisons ♪ 1199 01:24:52,366 --> 01:24:55,900 ♪ And new horizons ♪ 1200 01:24:56,000 --> 01:24:58,200 ♪ How does it feel? ♪ 1201 01:24:58,300 --> 01:25:01,033 ♪ Oh, oh ♪ 1202 01:25:01,133 --> 01:25:03,900 ♪ Ohhh! ♪ 1203 01:25:04,000 --> 01:25:08,333 ♪ Do you know, know, know What it's like to be searching ♪ 1204 01:25:08,433 --> 01:25:14,000 ♪ And suddenly find All your illusion, all your confusion ♪ 1205 01:25:14,100 --> 01:25:17,000 ♪ All left behind? ♪ 1206 01:25:24,566 --> 01:25:30,600 ♪ ♪ 104131

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