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Tessa: SOME SAY YOUR WEDDING DAY
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00:00:03,530 --> 00:00:05,530
IS THE MOST ROMANTIC DAYOF YOUR LIFE.
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00:00:10,470 --> 00:00:14,340
BUT OTHERS WOULD ARGUE IT'STHE DAY AFTER YOUR WEDDING.
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00:00:14,340 --> 00:00:15,840
[ SMOOCHES ]
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00:00:15,850 --> 00:00:17,680
GOOD MORNING,
MRS. LAFRIQUE.
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00:00:17,680 --> 00:00:19,680
GOOD MORNING,
MR. MRS. LAFRIQUE.
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00:00:19,680 --> 00:00:21,550
[ CHUCKLES ]
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00:00:25,290 --> 00:00:28,320
UGH! WHILE IT MAY BE
PERFECTLY LEGAL FOR YOU TWO
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00:00:28,320 --> 00:00:30,160
TO CONSUMMATE THIS MARRIAGE
AS OFTEN AS YOU LIKE,
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00:00:30,160 --> 00:00:32,290
I DOUBT IT'S GONNA GET YOU
TO SCHOOL ON TIME.
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00:00:32,290 --> 00:00:35,660
[ VACUUM WHIRRING ]
OH! SORRY, DEAR!
I'M BEHIND ON MY HOOVERING!
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00:00:35,660 --> 00:00:37,460
OH!
ARE THEY CONSUMMATING?!
13
00:00:37,470 --> 00:00:39,000
YEAH.
AWW.
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00:00:39,000 --> 00:00:41,640
[ WHIRRING STOPS ]
DOES "CONSUMMATING" MEAN
WHAT I THINK IT MEANS?
15
00:00:43,070 --> 00:00:44,870
ARE THEY [BLEEP]
16
00:00:44,870 --> 00:00:46,640
THAT'S WHAT
I THOUGHT IT MEANT.
17
00:00:46,640 --> 00:00:47,940
OKAY, OUT!
ALL OF YOU, OUT!
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00:00:47,940 --> 00:00:49,880
OKAY.
SO SENSITIVE.
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00:00:49,880 --> 00:00:51,080
THIS IS WHY PEOPLE
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00:00:51,080 --> 00:00:54,050
DON'T HAVE THEIR WEDDINGS
ON A SCHOOL NIGHT.
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00:00:55,850 --> 00:01:01,290
Alih Jey: ♪ LAST NIGHT I HAD
A PLEASANT NIGHTMARE ♪
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00:01:01,290 --> 00:01:02,960
♪ DA-DA-DA-DA
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00:01:02,960 --> 00:01:04,120
[ DOG BARKS ]
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00:01:04,130 --> 00:01:05,560
♪ DA, DA, DA, DA
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Dalia: OKAY.
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00:01:07,130 --> 00:01:11,570
LISA AND MALIK'S WEDDING WASNOTABLE FOR ANOTHER REASON --
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00:01:11,570 --> 00:01:13,400
IT WAS THE FIRST SCHOOL NIGHTIN MY WHOLE, ENTIRE LIFE...
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00:01:13,400 --> 00:01:14,570
[ BARKS ]
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00:01:14,570 --> 00:01:16,940
...THAT DAD DIDN'T COME HOME.
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00:01:16,940 --> 00:01:18,410
YOU DIDN'T ACTUALLY THINK
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00:01:18,410 --> 00:01:22,110
THAT YOU WERE GONNA SNEAK IN THE
BACK DOOR UNNOTICED, DID YOU?
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00:01:22,110 --> 00:01:25,250
OKAY. SO, HELLO.
GOOD MORNING.
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00:01:25,250 --> 00:01:27,150
AND, YES,
YOU MAY HAVE NOTICED
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00:01:27,150 --> 00:01:28,480
THAT I'M WEARING
LAST NIGHT'S CLOTHES,
35
00:01:28,480 --> 00:01:29,650
BUT THAT'S ONLY BECAUSE --
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00:01:29,650 --> 00:01:32,150
I DON'T REALLY NEED YOU
TO PAINT A PICTURE
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00:01:32,150 --> 00:01:34,620
FOR ME ON THIS ONE, GEORGE,
BUT THANKS.
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00:01:34,620 --> 00:01:35,690
SO, LET ME JUST SAY
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00:01:35,690 --> 00:01:37,560
THAT THE ASSUMPTION YOU MADE
IS CORRECT,
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AND, YES, ALTHOUGH DALLAS
AND I S-SPENT THE NIGHT
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00:01:41,230 --> 00:01:42,560
VISITING
WITH ONE ANOTHER --
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00:01:42,570 --> 00:01:45,570
"VISITING"? IS THAT WHAT PEOPLE
YOUR AGE CALL IT?
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00:01:45,570 --> 00:01:47,170
IT DOESN'T MEAN ANYTHING.
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00:01:47,170 --> 00:01:48,900
WE'RE NOT -- IT --
IT WAS A ONE-TIME THING, OKAY?
45
00:01:48,900 --> 00:01:50,240
WE'RE ALL ADULTS,
46
00:01:50,240 --> 00:01:53,940
AND IT WAS A TOTALLY HARMLESS
AND UNREMARKABLE EVENT.
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00:01:53,940 --> 00:01:57,010
IT WAS A HUGE MISTAKE!
OUR LIVES ARE RUINED!
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00:01:57,010 --> 00:01:59,680
POOR MOMMY.
I KNOW HOW YOU FEEL.
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00:01:59,680 --> 00:02:02,080
MY MOUTH ALMOST HOOKED UP
WITH A PIECE OF WEDDING CAKE,
50
00:02:02,080 --> 00:02:04,320
BUT, LUCKILY,
I PULLED OUT AT THE LAST MINUTE.
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00:02:04,320 --> 00:02:07,650
DALIA, WHY WOULD I DO
SUCH A STUPID THING?
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00:02:07,660 --> 00:02:09,560
BECAUSE IT WAS A WEDDING
AND YOU WERE ALONE
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00:02:09,560 --> 00:02:11,230
AND DADDY ALTMAN LOOKS GOOD
IN A SUIT
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00:02:11,230 --> 00:02:12,960
AND THE SCENT OF JASMINE
WAS IN THE AIR
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00:02:12,960 --> 00:02:14,130
AND JASMINE MAKES YOU HORNY
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00:02:14,130 --> 00:02:15,900
AND "A DIFFERENT WORLD"
WAS A GREAT SHOW --
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00:02:15,900 --> 00:02:17,530
AND WHATEVER HAPPENED
TO JASMINE GUY? --
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00:02:17,530 --> 00:02:19,330
AND YOU AND DADDY ALTMAN
WERE MEANT TO BE.
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00:02:19,340 --> 00:02:20,770
I WILL SAY...
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00:02:20,770 --> 00:02:22,870
THE SEX WAS AMAZING.
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00:02:22,870 --> 00:02:25,240
WHOO-HOO!
ShamWow, BABY!
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00:02:25,240 --> 00:02:27,070
THAT'S WHAT
I'M TALKING ABOUT!
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00:02:27,080 --> 00:02:30,640
DID YOU, UH,
DO IT ANIMAL-STYLE?
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00:02:30,650 --> 00:02:32,250
WHAT DOES THAT MEAN?
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00:02:32,250 --> 00:02:34,750
I THINK...
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00:02:34,750 --> 00:02:37,380
IT'S WITH SAUTéED ONIONS?
67
00:02:37,390 --> 00:02:39,320
OKAY. THEN, NO.
NO, WE DIDN'T.
68
00:02:39,320 --> 00:02:41,620
BUT I WILL SAY,
I NEEDED THAT.
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00:02:41,620 --> 00:02:43,860
DALLAS
KIND OF ROCKED MY WORLD.
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00:02:43,860 --> 00:02:45,030
AND WE BOTH TOTALLY KNOW
WHAT IT'S LIKE
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00:02:45,030 --> 00:02:47,060
TO GET SOME GOOD,
GOOD SEX.
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00:02:47,060 --> 00:02:50,060
[ LAUGHS ]
IT'S JUST LIKE, "WHOOPS!
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00:02:50,070 --> 00:02:52,730
I TOTALLY JUST HAD AWESOME SEX
ALL OVER THE PLACE."
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00:02:52,740 --> 00:02:54,800
[ CHUCKLES ]
75
00:02:56,170 --> 00:02:58,370
YOU HAVE CHILDREN, SO I KNOW
YOU'VE BEEN WITH A WOMAN,
76
00:02:58,370 --> 00:03:01,640
BUT I GOT TO SAY...
IT SOUNDS LIKE YOU HAVEN'T.
77
00:03:01,640 --> 00:03:05,910
I WILL TAKE THAT
AS A COMPLIMENT.
78
00:03:05,920 --> 00:03:08,320
Tessa: WHOA,
THIS SAYS YOU GUYS ARE ALLOWED
79
00:03:08,320 --> 00:03:09,680
TO CHEAT OFF ONE ANOTHER.
80
00:03:09,690 --> 00:03:11,390
THAT --
THAT CAN'T BE RIGHT.
81
00:03:11,390 --> 00:03:12,720
NO, IT'S TRUE.
82
00:03:12,720 --> 00:03:14,220
IN ADDITION
TO A BANK ACCOUNT,
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00:03:14,220 --> 00:03:16,560
MARRIED CLASSMATES
CAN LEGALLY SHARE A GPA.
84
00:03:16,560 --> 00:03:19,890
AND WE ALSO GET TO SHARE
A MARRIAGE LOCKER.
85
00:03:19,900 --> 00:03:21,160
[ GASPS ]
86
00:03:21,160 --> 00:03:22,700
LOOK, SWEETIE,
IT'S A DOUBLE-WIDE!
87
00:03:22,700 --> 00:03:24,530
WOW, PRETTY SWEET.
OH, WE ALSO DECIDED
88
00:03:24,530 --> 00:03:26,030
TO GET A NEW JOINT
E-MAIL ACCOUNT.
89
00:03:26,040 --> 00:03:27,870
SO, FROM NOW ON,
YOU CAN REACH US BOTH AT
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00:03:27,870 --> 00:03:31,310
LisaAndMalikUnitedInLove17@
computerforyou.com
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00:03:31,310 --> 00:03:32,570
THERE WERE 16 OTHER
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00:03:32,580 --> 00:03:35,910
LisaAndMalikUnitedInLove
ACCOUNTS AT computerforyou.com?
93
00:03:35,910 --> 00:03:39,710
OPEN YOUR EYES, TESSA.
LOVE IS ALL AROUND.
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00:03:39,720 --> 00:03:40,980
LISA WAS RIGHT.
95
00:03:40,980 --> 00:03:43,020
IT SEEMED LIKEWHEREVER I LOOKED,
96
00:03:43,020 --> 00:03:45,490
PEOPLE HAD THINGS GOING ONIN THEIR LIVES.
97
00:03:45,490 --> 00:03:48,320
LISA AND MALIK HADTHEIR NEW MARRIAGE TO SHARE,
98
00:03:48,320 --> 00:03:50,660
GEORGE HADA CRAZY WEDDING HOOKUP,
99
00:03:50,660 --> 00:03:54,490
AND MY EX-BOYFRIEND RYAN...HAD JUNE.
100
00:03:54,500 --> 00:03:56,800
WATCHING THEM DANCEAT LISA'S WEDDING
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00:03:56,800 --> 00:04:01,270
MADE THAT PAINFULLY OBVIOUS.
102
00:04:01,270 --> 00:04:04,270
BUT ME, I WAS DONE WITH LOVE,
103
00:04:04,270 --> 00:04:09,610
AND, FOR NOW, I JUST NEEDEDA WAY TO OCCUPY MYSELF.
104
00:04:11,380 --> 00:04:13,950
IT'S GOOD TO SEE YOU
BACK AT THE CLUB, GEORGE.
105
00:04:13,950 --> 00:04:15,150
WE'VE MISSED YOU.
106
00:04:15,150 --> 00:04:16,480
WELL, IT'S -- IT'S --
IT'S GOOD TO BE HERE.
107
00:04:16,490 --> 00:04:18,850
THANK YOU FOR INVITING ME.
108
00:04:23,360 --> 00:04:25,230
UH-OH!
[ CHUCKLES ]
109
00:04:25,230 --> 00:04:26,390
[ Singsong voice ]
LOOKS LIKE SOMEONE
110
00:04:26,400 --> 00:04:28,230
ORDERED
THE SAUTéED ONIONS.
111
00:04:28,230 --> 00:04:29,230
[ CHUCKLES ]
112
00:04:29,230 --> 00:04:30,730
WHAT'S THAT
SUPPOSED TO MEAN?
113
00:04:30,730 --> 00:04:32,900
OH, NOTHING...DEAR.
114
00:04:32,900 --> 00:04:35,740
IT'S GOOD TO SEE YOU, DALLAS.
YOU'RE LOOKING WELL.
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00:04:35,740 --> 00:04:39,270
YOU TOO, DADDY.
IS THIS SEAT TAKEN?
116
00:04:39,280 --> 00:04:40,940
DALLAS, WHAT ARE YOU DOING?
WHAT DO YOU MEAN?
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00:04:40,940 --> 00:04:44,580
ISN'T THIS
A LITTLE INAPPROPRIATE?
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00:04:44,580 --> 00:04:47,310
HOW SO?
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00:04:47,320 --> 00:04:48,650
GEORGE, COULD YOU PASS
THE SUGAR, PLEASE?
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00:04:48,650 --> 00:04:50,450
Dallas: OH, I'LL PASS IT.
121
00:04:50,450 --> 00:04:52,490
[ ETHEREAL MUSIC PLAYS ]
122
00:05:10,340 --> 00:05:14,370
FANTASIZING ABOUT DALLASHAD BECOME A FULL-TIME JOB.
123
00:05:14,380 --> 00:05:16,380
IT'S A PROBLEM.
I DON'T KNOW WHAT TO DO.
124
00:05:16,380 --> 00:05:18,050
IT'S REALLY INTERFERING
WITH MY WORK.
125
00:05:18,050 --> 00:05:19,310
IS IT?
126
00:05:19,320 --> 00:05:22,180
MAYBE THESE DESIGNS
ARE JUST...AHEAD OF THEIR TIME.
127
00:05:22,180 --> 00:05:25,920
I, FOR ONE, WOULD LOVE
A BUTTOCKS BONUS ROOM.
128
00:05:25,920 --> 00:05:27,750
IT'S NOT EVEN
THAT I HAVE FEELINGS FOR DALLAS
129
00:05:27,760 --> 00:05:31,090
OR I WANT TO GET BACK TOGETHER,
BUT...IT'S JUST THAT NIGHT.
130
00:05:31,090 --> 00:05:32,990
I CAN'T
GET IT OUT OF MY HEAD.
131
00:05:33,000 --> 00:05:35,030
SHE'S REALLY
UNDER MY SKIN, FRED.
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00:05:35,030 --> 00:05:39,170
YOU KNOW, WHEN I ACCIDENTALLY
FEEL SOMETHING,
133
00:05:39,170 --> 00:05:40,870
I WRITE A LETTER.
134
00:05:40,870 --> 00:05:43,300
A LETTER? TO WHO?
TO NO ONE.
135
00:05:43,310 --> 00:05:46,570
IN ONE GLORIOUS LETTER,
YOU GET IT ALL OUT.
136
00:05:46,580 --> 00:05:49,110
NOTHING
IS TOO TABOO OR RISQUE.
137
00:05:49,110 --> 00:05:50,910
AND THEN,
WHEN THE LETTER IS WRIT,
138
00:05:50,910 --> 00:05:52,610
YOU TUCK IT AWAY
SOMEWHERE SAFE,
139
00:05:52,610 --> 00:05:54,610
AND THEN YOU NEVER READ IT
OR THINK ABOUT IT
140
00:05:54,620 --> 00:05:57,480
OR FEEL ANY OF THOSE FEELINGS,
EVER AGAIN.
141
00:05:57,490 --> 00:05:59,420
HOW MANY OF THESE --
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00:05:59,420 --> 00:06:01,050
346.
143
00:06:01,060 --> 00:06:04,120
I SEE.
WELL, IT'S WORTH A SHOT.
144
00:06:04,130 --> 00:06:06,390
HEY, HEY, HEY, AND --
AND MAY I KEEP THESE?
145
00:06:06,400 --> 00:06:08,560
I REALLY WANT TO
TRY TO SELL SHEILA
146
00:06:08,560 --> 00:06:11,130
ON ADDING
A BREASTFAST NOOK.
147
00:06:15,000 --> 00:06:16,170
WITH MY BEST FRIENDOFF NESTING
148
00:06:16,170 --> 00:06:17,670
AND NO BOYFRIEND TO SPEAK OF,
149
00:06:17,670 --> 00:06:20,340
I HAD NO OTHER CHOICEBUT TO FIND A NEW CIRCLE --
150
00:06:20,340 --> 00:06:21,840
A KNITTING CIRCLE.
151
00:06:21,840 --> 00:06:25,710
I WAS THE FIRST GIRL IN MY TOWN
TO STRADDLE A BICYCLE SEAT.
152
00:06:25,710 --> 00:06:28,280
WOW! TRAILBLAZER.
MM-HMM.
153
00:06:29,550 --> 00:06:30,980
OH, HEY, GEORGE.
154
00:06:30,990 --> 00:06:34,820
IS THAT YOUR BROTHER?
HE'S MY DAD.
155
00:06:34,820 --> 00:06:37,560
HE LETS YOU
CALL HIM "GEORGE"?
156
00:06:37,560 --> 00:06:39,030
HE TOLERATES IT.
157
00:06:39,030 --> 00:06:40,430
Gertrude:
IS HE SINGLE?
158
00:06:40,430 --> 00:06:42,060
GERTRUDE, KNOCK IT OFF!
159
00:06:42,060 --> 00:06:43,300
WHAT?
160
00:06:43,300 --> 00:06:48,370
JUST BECAUSE I'M 80 DOESN'T MEAN
I'M NOT...STILL HORNY.
161
00:06:48,370 --> 00:06:49,800
[ LAUGHTER ]
162
00:06:51,470 --> 00:06:55,780
UH...TESSA, COULD I
SPEAK WITH YOU FOR A MOMENT?
163
00:06:55,780 --> 00:06:59,650
UM...
W-WHAT THE HELL IS THAT?
164
00:06:59,650 --> 00:07:04,120
THAT'S MY QUILTING CIRCLE.
AREN'T THEY A HOOT?
165
00:07:04,120 --> 00:07:06,690
SINCE WHEN DO YOU HAVE A...
QUILTING CIRCLE?
166
00:07:06,690 --> 00:07:09,990
EVER SINCE I FOUND MYSELF
WITH NO FRIENDS, ACTIVITIES,
167
00:07:09,990 --> 00:07:11,090
OR A LOVE LIFE.
168
00:07:11,090 --> 00:07:13,160
THEY'RE HELPING ME QUILT
A WEDDING PRESENT
169
00:07:13,160 --> 00:07:15,830
FOR LISA AND MALIK,
AND PROVIDING AWESOME STORIES
170
00:07:15,830 --> 00:07:17,600
AND A SUPER-COOL HANG.
171
00:07:17,600 --> 00:07:21,400
UH-HUH. Y-YOU DON'T...THINK
THEY'RE A LITTLE OLD FOR YOU?
172
00:07:21,400 --> 00:07:22,400
PSHAW!
173
00:07:22,400 --> 00:07:24,600
PSHAW?
DON'T BE AGEIST, GEORGE.
174
00:07:24,610 --> 00:07:27,140
WE'RE SENIORS.
175
00:07:28,210 --> 00:07:30,280
[ SCHOOL BELL RINGS ]
176
00:07:30,280 --> 00:07:31,780
[ INDISTINCT CONVERSATIONS ]
177
00:07:31,780 --> 00:07:33,150
Tessa: HI, NEWLYWEDS.
178
00:07:33,150 --> 00:07:35,080
HI.
HELLO. [ SIGHS ]
179
00:07:35,080 --> 00:07:37,580
IS SOMETHING WRONG?
180
00:07:37,590 --> 00:07:39,450
NOW THAT WE'RE MARRIED,
WE DECIDED
181
00:07:39,460 --> 00:07:41,250
THAT MALIK SHOULD HANDLE
OUR FINANCES
182
00:07:41,260 --> 00:07:43,120
AND I SHOULD HANDLE
OUR SOCIAL CALENDAR.
183
00:07:43,130 --> 00:07:44,660
GREAT.
184
00:07:44,660 --> 00:07:46,930
NOT GREAT.
HE'S NICKEL-AND-DIMING ME.
185
00:07:46,930 --> 00:07:48,330
I'M NOT
NICKEL-AND-DIMING YOU.
186
00:07:48,330 --> 00:07:49,760
I-I'M JUST POINTING OUT
187
00:07:49,770 --> 00:07:51,030
THAT YOUR SPECIAL-ORDER
VEGAN ENTRéES
188
00:07:51,030 --> 00:07:52,670
COST THREE TIMES WHAT
A NORMAL PERSON'S MEAL DOES.
189
00:07:52,670 --> 00:07:56,500
I AM NOT A NORMAL PERSON!
I AM AN ABOVE-AVERAGE PERSON.
190
00:07:56,510 --> 00:07:58,970
OR, I USED TO BE,
BEFORE YOUR 2.4 GPA
191
00:07:58,970 --> 00:08:00,310
DRAGGED MINE
THROUGH THE MUD.
[ CELLPHONE VIBRATES ]
192
00:08:00,310 --> 00:08:03,010
GREAT. Y-YOU FORGOT
MY GRANDMOTHER'S BIRTHDAY.
193
00:08:03,010 --> 00:08:04,580
WE JUST
MERGED CALENDARS TODAY!
194
00:08:04,580 --> 00:08:06,150
WHICH HAPPENS
TO BE HER BIRTHDAY!
FINE. I'LL SEND FLOWERS.
195
00:08:06,150 --> 00:08:08,320
YOU KNOW WHO DOESN'T HAVE
ANY OF THESE PROBLEMS?
196
00:08:08,320 --> 00:08:09,980
ESTHER, KAY, GERTRUDE,
AND HARRIET.
197
00:08:09,990 --> 00:08:12,050
ALL THEIR HUSBANDS
ARE DEAD...AND BURIED.
198
00:08:12,050 --> 00:08:14,320
MUST BE NICE FOR THEM.
199
00:08:14,320 --> 00:08:17,590
I CAN'T WAIT TO BE DEAD.
TRUST ME.
200
00:08:17,590 --> 00:08:20,430
FOR LISA AND MALIK,THE HONEYMOON WAS OVER,
201
00:08:20,430 --> 00:08:24,000
BUT I WAS IN THE BESTRELATIONSHIP OF MY LIFE.
202
00:08:24,000 --> 00:08:26,000
COME ON, LADIES.
LET'S HIT THE ROAD.
203
00:08:26,000 --> 00:08:27,900
BUT IT'S STILL EARLY.
204
00:08:27,900 --> 00:08:29,240
[ Chuckling ]
OH, FOR YOU, MAYBE,
205
00:08:29,240 --> 00:08:32,570
BUT WE'RE PRETTY TIRED,
AND WE NEED TO GET HOME
206
00:08:32,570 --> 00:08:37,580
TO TAKE OUT OUR TEETH AND HAIR
AND EYEBALLS SO WE CAN RELAX.
207
00:08:37,580 --> 00:08:39,650
OKAY, THAT'S COOL, BUT YOU GUYS
ARE COMING BACK TOMORROW, RIGHT?
208
00:08:39,650 --> 00:08:40,910
BECAUSE I HAVE
THE WHOLE DAY CLEAR.
209
00:08:40,920 --> 00:08:43,920
WE'LL BE HERE, TESSA,
SO CLIMB OFF OUR JOCKSTRAPS.
210
00:08:46,150 --> 00:08:48,690
SEE YA.
211
00:08:48,690 --> 00:08:50,360
MAYBE I WAS BEINGA LITTLE CLINGY,
212
00:08:50,360 --> 00:08:52,260
BUT MY HEARTWAS IN THE RIGHT PLACE.
213
00:08:52,260 --> 00:08:56,430
MEANWHILE,GEORGE STRUGGLED TO MAKE SENSE
214
00:08:56,430 --> 00:08:58,870
OF WHAT HE WAS FEELING.
215
00:09:01,470 --> 00:09:05,710
LETTER-WRITINGDIDN'T SEEM LIKE THE ANSWER.
216
00:09:07,640 --> 00:09:11,750
BUT SONGWRITING DID.
217
00:09:14,350 --> 00:09:16,750
[ GUITAR PLAYING ]
218
00:09:22,260 --> 00:09:27,630
AND BY MORNING,GEORGE HAD A SONG AND I HAD...
219
00:09:27,630 --> 00:09:28,960
OH, DEAR.
220
00:09:28,960 --> 00:09:30,500
[ OMINOUS MUSIC PLAYS ]
221
00:09:33,970 --> 00:09:35,500
HI, GALS.
222
00:09:35,500 --> 00:09:38,510
OH!
WHAT THE HELL IS THIS?!
223
00:09:38,510 --> 00:09:40,840
I HAVE BEEN UP ALL NIGHT.
ISN'T IT GREAT?
224
00:09:40,840 --> 00:09:43,310
YOUR HAND IS BLEEDING.
225
00:09:43,310 --> 00:09:45,480
OH, YEAH.
THIS...HAPPENED AROUND 4:00 A.M.
226
00:09:45,480 --> 00:09:49,180
MY EYES AREN'T AS SHARP
AS MY NEEDLES ARE.
227
00:09:49,180 --> 00:09:50,980
THAT'S AN OLD PERSON'S
JOKE.
228
00:09:50,990 --> 00:09:53,090
A-AND
THAT'S AN EYE-GLASS LEASH.
229
00:09:53,090 --> 00:09:55,720
EVEN I DON'T
WEAR ONE OF THOSE.
230
00:09:55,720 --> 00:09:59,730
TESSA, DEAR,
THIS AFGHAN IS COMPLETED!
[ GASPS ]
231
00:09:59,730 --> 00:10:02,060
YOU'RE TOO YOUNG
TO BE STAYING INSIDE
232
00:10:02,060 --> 00:10:03,900
WITH A BUNCH
OF OLD BIDDIES.
233
00:10:03,900 --> 00:10:05,570
YOU SHOULD BE OUT THERE,
234
00:10:05,570 --> 00:10:08,670
BEING GROPED BY A YOUNG MAN
IN A PORKPIE HAT.
235
00:10:08,670 --> 00:10:11,970
WHAT?! NO!
NO, THAT SOUNDS...TERRIBLE.
236
00:10:11,970 --> 00:10:13,610
WE DON'T NEED MEN.
237
00:10:13,610 --> 00:10:15,440
THE FIVE OF US
ARE STITCHED TOGETHER.
238
00:10:15,440 --> 00:10:17,610
WE'RE A...SEWING SISTERHOOD.
239
00:10:17,610 --> 00:10:19,780
SISTER, YOU MUST ME MAD!
240
00:10:19,780 --> 00:10:21,250
T-THERE'S
NOT ONE OF US HERE
241
00:10:21,250 --> 00:10:26,020
WHO WOULDN'T BAG AND SELL THE
OTHERS JUST TO FEEL IT AGAIN.
242
00:10:26,020 --> 00:10:27,020
FEEL WHAT AGAIN?
243
00:10:27,020 --> 00:10:29,560
LOVE.
LOVE.
MOISTURE.
244
00:10:29,560 --> 00:10:31,590
ANYHOW, YOU'VE STILL GOT
YOUR ORIGINAL HIPS AND KNEES.
245
00:10:31,590 --> 00:10:34,530
YOU SHOULD BE
OUT THERE USING THEM.
246
00:10:34,530 --> 00:10:37,930
YES. WHY DON'T YOU GO ON A DATE
WITH KAY'S GRANDSON?
247
00:10:37,930 --> 00:10:39,430
OH!
HE'S AROUND YOUR AGE.
248
00:10:39,430 --> 00:10:41,600
[ SIGHS ]
249
00:10:41,600 --> 00:10:43,600
I-IF IT'S IMPORTANT
TO THE SISTERHOOD,
250
00:10:43,610 --> 00:10:44,870
YEAH, I'LL DO IT.
251
00:10:44,870 --> 00:10:46,140
YOU'RE 30, RIGHT?
252
00:10:46,140 --> 00:10:47,810
I'M 17.
253
00:10:47,810 --> 00:10:50,110
OH, ESTHER HAS ONE
YOUR AGE.
254
00:10:50,110 --> 00:10:51,650
HE'S GOT FRECKLES!
255
00:10:51,650 --> 00:10:54,550
WHILE THE SISTERHOODTRIED TO FORCE ME
256
00:10:54,550 --> 00:10:56,150
BACK ONTO THE DATING SCENE...
257
00:10:56,150 --> 00:10:58,890
[ HUMMING ]
...GEORGE WAS STILL FEELINGTHE AFTERSHOCKS
258
00:10:58,890 --> 00:11:00,690
OF HIS ONE-NIGHT STAND.
259
00:11:00,690 --> 00:11:02,890
BETWEEN WHOSE THIGHS?
260
00:11:02,890 --> 00:11:04,120
WHOA. WHAT?
261
00:11:04,130 --> 00:11:05,660
WHOSE THIGHS WERE YOU
SINGING ABOUT JUST NOW?
262
00:11:05,660 --> 00:11:07,490
[ CHUCKLES ]
WAS I SINGING?
263
00:11:07,500 --> 00:11:10,660
YES.
IT WAS VERY SULTRY.
264
00:11:10,670 --> 00:11:12,330
OH.
WELL, THAT'S WEIRD,
265
00:11:12,330 --> 00:11:14,330
BECAUSE I-I DIDN'T EVEN REALIZE
I WAS SINGING.
266
00:11:14,340 --> 00:11:16,400
MUST HAVE BEEN...SOMETHING
I HEARD ON THE RADIO.
267
00:11:16,410 --> 00:11:17,700
SING IT AGAIN.
I'LL SHAZAM IT.
268
00:11:17,710 --> 00:11:19,870
I'M -- ACTUALLY, I'M -- I GOT TO
TAKE CARE OF SOME THINGS.
269
00:11:19,880 --> 00:11:21,210
NO, I-I WANT TO SHAZAM IT,
GEORGE.
270
00:11:21,210 --> 00:11:22,240
LET ME SHAZAM IT.
271
00:11:22,240 --> 00:11:23,910
WELL, NO, SHEILA.
WHY DO YOU CARE?
272
00:11:23,910 --> 00:11:26,110
GEORGE, I LIKE TO STAY ON TOP
OF WHAT'S CURRENT.
273
00:11:29,380 --> 00:11:33,320
I'M ALWAYS THE BOOT.
I HAVETO BE THE BOOT.
274
00:11:33,320 --> 00:11:34,820
AND THAT'S HOW I FEEL
ABOUT THE IRON.
275
00:11:34,820 --> 00:11:36,490
THE IRON?
AND THE NEWLYWEDS WERE FINDING
276
00:11:36,490 --> 00:11:38,660
THE GAMES THEY PLAYEDBEFORE MARRIAGE...
277
00:11:38,660 --> 00:11:40,590
WERE NO LONGER FUN.
278
00:11:40,600 --> 00:11:42,100
THE IRON?
YEAH, IT'S THE BEST PIECE
ON THE BOARD!
279
00:11:42,100 --> 00:11:43,200
[ LAUGHS ]
THE IRON IS?
280
00:11:43,200 --> 00:11:44,560
OH, MY GOD.
I FEEL LIKE I DON'T KNOW YOU.
281
00:11:44,570 --> 00:11:46,670
NO ONE SUSPECTS THE IRON.
THEY DISCOUNT IT.
282
00:11:46,670 --> 00:11:48,370
AND, SLOWLY,
IT IRONS ITS WAY TO VICTORY.
283
00:11:48,370 --> 00:11:49,700
YOU SOUND LIKE AN IDIOT!
284
00:11:49,710 --> 00:11:50,870
OKAY, WHAT'S GOING ON
OVER THERE?
285
00:11:50,870 --> 00:11:53,210
NOTHING!
NOTHING, JUST...
[ SIGHS ]
286
00:11:53,210 --> 00:11:54,640
...HAVING A LITTLE
MARITAL DISPUTE
287
00:11:54,640 --> 00:11:56,310
[ CLEARS THROAT ]
...OVER WHICH GAME PIECE
IS THE BEST.
288
00:11:56,310 --> 00:11:58,140
THE IRON.
IT IS NOT THE IRON!
289
00:11:58,150 --> 00:12:00,180
Fred: SO, MALIK PLAYS THE IRON,
AND LISA'S THE BOOT.
290
00:12:00,180 --> 00:12:01,920
WHAT'S THE PROBLEM?
291
00:12:04,950 --> 00:12:07,650
WE CAN...DO THAT?
292
00:12:07,660 --> 00:12:08,790
MM-HMM.
293
00:12:08,790 --> 00:12:10,290
I JUST THOUGHT,
SINCE WE WERE MARRIED...
294
00:12:10,290 --> 00:12:11,990
WE HAD TO
SHARE EVERYTHING.
295
00:12:11,990 --> 00:12:15,500
[ LAUGHS ]
GOODNESS, NO!
296
00:12:15,500 --> 00:12:17,300
BEING MARRIED,
YOU SHARE LESS.
297
00:12:17,300 --> 00:12:19,330
[ CHUCKLES ]
WHEN YOU'RE DATING,
298
00:12:19,330 --> 00:12:21,170
IT'S ALL SUNSHINE
AND BREASTFAST ROOMS.
299
00:12:21,170 --> 00:12:22,670
[ CHUCKLES,
CLEARS THROAT ]
300
00:12:22,670 --> 00:12:24,670
BUT WHEN YOU'RE MARRIED,
YOU FINALLY GET TO BE
301
00:12:24,670 --> 00:12:26,870
WHO YOU REALLY ARE,
WHICH, IN MALIK'S CASE...
302
00:12:26,880 --> 00:12:29,410
IS THE WORST PIECE
ON THE WHOLE BOARD.
303
00:12:29,410 --> 00:12:31,410
ISN'T THAT THE THIMBLE?
SHUT UP, JUNE.
304
00:12:31,410 --> 00:12:32,850
VICTOR!
305
00:12:34,180 --> 00:12:36,050
SORRY. I THOUGHT WE WERE
ALL THINKING IT.
306
00:12:36,050 --> 00:12:37,580
NO, WE WERE NOT
ALL THINKING IT.
307
00:12:37,590 --> 00:12:39,050
I was.
308
00:12:39,050 --> 00:12:42,260
FRED AND SHEILA'S ADVICECAME JUST IN TIME.
309
00:12:42,260 --> 00:12:46,260
AS FOR GEORGE,THE CURE FOR WHAT AILED HIM
310
00:12:46,260 --> 00:12:49,400
CAME FROMA LESS-EXPECTED SOURCE.
311
00:12:49,400 --> 00:12:51,600
WHAT'S THIS?
312
00:12:51,600 --> 00:12:53,300
SIGN-UP SHEET
FOR THE OPEN MIC.
313
00:12:53,300 --> 00:12:55,070
OPEN MIC?
314
00:12:55,070 --> 00:12:56,340
THAT IS WHY YOU'RE HERE,
ISN'T IT?
315
00:12:56,340 --> 00:12:57,540
I MEAN, YOU'VE BEEN
SINGING TO YOURSELF
316
00:12:57,540 --> 00:12:58,570
FOR THE PAST 20 MINUTES.
317
00:12:58,570 --> 00:13:03,080
U-UH...
UH, YEAH. OF COURSE.
318
00:13:03,080 --> 00:13:05,080
THAT'S --
THAT'S WHY I'M HERE.
319
00:13:05,080 --> 00:13:07,410
WHILE GEORGE PREPAREDTO POUR HIS HEART OUT,
320
00:13:07,420 --> 00:13:11,080
I TRIED TO FIND SPACEIN MINE FOR...ARTHUR...
321
00:13:11,090 --> 00:13:12,420
WELL...
322
00:13:12,420 --> 00:13:13,420
...ESTHER'S GRANDSON.
323
00:13:13,420 --> 00:13:15,190
THAT WAS FUN.
324
00:13:15,190 --> 00:13:17,690
OH!
[ Muffled ] OH.
325
00:13:17,690 --> 00:13:19,230
I'M SO SORRY, ARTHUR.
326
00:13:19,230 --> 00:13:21,930
YOU SEEM LIKE
A REALLY NICE BOY.
327
00:13:21,930 --> 00:13:23,000
I'M JUST GOING THROUGH
328
00:13:23,000 --> 00:13:25,670
A REALLY HEAVY
CRAFTING PERIOD RIGHT NOW,
329
00:13:25,670 --> 00:13:28,670
AND...I DON'T HAVE
ROMANTIC FEELINGS...
330
00:13:28,670 --> 00:13:32,240
FOR ANYONE...
LEAST OF ALL, YOU.
331
00:13:32,240 --> 00:13:33,670
WELL...I FEEL LIKE
YOU COULD HAVE
332
00:13:33,680 --> 00:13:35,040
MENTIONED THAT
A LITTLE EARLIER,
333
00:13:35,040 --> 00:13:38,380
BEFORE I WASTED
MY SATURDAY NIGHT AND 50 BUCKS.
334
00:13:38,380 --> 00:13:39,980
I ORDERED A SIDE SALAD.
335
00:13:39,980 --> 00:13:41,920
YOU ADDED CHICKEN.
336
00:13:41,920 --> 00:13:44,920
[ DOOR OPENS, CLOSES ]
THE TRUTH WAS,I WAS MORE OF AN OLD LADY
337
00:13:44,920 --> 00:13:46,920
THAN THOSE OLD LADIES WERE.
338
00:13:46,920 --> 00:13:49,420
BUT, UNLIKE THEM,I WAS FINE WITH IT,
339
00:13:49,420 --> 00:13:52,830
AND I WAS HOME IN TIMETO ORGANIZE MY YARN.
340
00:13:52,830 --> 00:13:54,730
[ INDISTINCT CONVERSATIONS ]
341
00:13:54,730 --> 00:13:57,230
BEFORE I START, I'D JUST
LIKE TO THANK THE BARTENDER
342
00:13:57,230 --> 00:13:58,930
FOR LENDING ME HIS GUITAR.
343
00:13:58,930 --> 00:14:01,600
YOU GUYS LIKE COUNTRY MUSIC?
344
00:14:01,600 --> 00:14:02,970
YEAH, ME NEITHER.
345
00:14:02,970 --> 00:14:06,310
BUT, UH, THAT'S JUST HOW
THIS ONE CAME OUT, SO...
346
00:14:06,310 --> 00:14:09,140
[ CLEARS THROAT ]
347
00:14:09,140 --> 00:14:12,150
♪ I'VE NEVER BEEN
A TRAVELING MAN ♪
348
00:14:12,150 --> 00:14:15,480
♪ FELT THE CITY
MADE ME WHO I AM ♪
349
00:14:15,480 --> 00:14:20,020
♪ BUT STILL, SOMETIMES,
I'M INCLINED TO TAKE A LEAVE ♪
350
00:14:21,620 --> 00:14:25,160
♪ IN THE NORTH,
I KNOW I'D MEET WITH HARM ♪
351
00:14:25,160 --> 00:14:28,800
♪ AND THE WEST,
IT NEVER HELD NO CHARM ♪
352
00:14:28,800 --> 00:14:33,970
♪ BUT THERE IS ONE PLACE
THAT'S GOT ITS HOOKS IN ME ♪
353
00:14:33,970 --> 00:14:37,640
♪ IF I COULD CHOOSE MYSELF
354
00:14:37,640 --> 00:14:42,980
♪ HONEY, I'D LOSE MYSELF
355
00:14:42,980 --> 00:14:46,810
♪ IN DALLAS
356
00:14:46,820 --> 00:14:49,550
♪ HMM
357
00:14:49,550 --> 00:14:52,550
♪ OH, THE WEATHER
GETS MUCH HOTTER THERE ♪
358
00:14:52,550 --> 00:14:56,290
♪ COMES A FEELING
THAT I CAN'T COMPARE ♪
359
00:14:56,290 --> 00:15:00,060
♪ AND DALLAS MADE A PRISONER
OUT OF ME ♪
360
00:15:01,960 --> 00:15:06,170
♪ I COULDN'T STAY,
ALTHOUGH I'D WANTED TO ♪
361
00:15:06,170 --> 00:15:08,870
♪ BUT DALLAS LEAVES ME
BLACK AND BLUE ♪
362
00:15:08,870 --> 00:15:13,570
♪ BUT I'M LOST
WHEN I'M NOT IN YOUR COMPANY ♪
363
00:15:14,840 --> 00:15:18,210
♪ IF I COULD CHOOSE MYSELF
364
00:15:18,210 --> 00:15:23,080
♪ I'M TRYING TO TELL YOU
I WOULD LOSE MYSELF ♪
365
00:15:23,080 --> 00:15:26,090
♪ WHEN I'M BESIDE MYSELF
366
00:15:26,090 --> 00:15:31,260
♪ I HAVE TO REMIND MYSELF
367
00:15:31,260 --> 00:15:34,260
♪ WHEN I CAN'T FEEL MYSELF
368
00:15:34,260 --> 00:15:39,100
♪ THE ONLY WAY TO HEAL MYSELF
369
00:15:39,100 --> 00:15:41,130
♪ IS IN DALLAS
370
00:15:44,970 --> 00:15:48,340
[ CHEERS AND APPLAUSE ]
371
00:15:48,340 --> 00:15:49,880
THANK YOU.
372
00:15:53,410 --> 00:15:55,420
AFTER A STANDING OVATIONAND ONE ENCORE,
373
00:15:55,420 --> 00:15:58,480
GEORGE DECIDED TO VISITTHE ACTUAL DALLAS,
374
00:15:58,490 --> 00:16:00,690
WHO'D BEEN WAITINGTO HEAR WHAT, IF ANYTHING,
375
00:16:00,690 --> 00:16:02,190
THAT ONE NIGHT MEANT TO HIM.
376
00:16:02,190 --> 00:16:05,360
♪ SAY SOMETHING,
I'M GIVING UP ON YOU ♪
377
00:16:05,360 --> 00:16:07,030
I DIDN'T KNOW
IF I SHOULD CALL, OR...
378
00:16:07,030 --> 00:16:09,530
[ CLEARS THROAT ]
...NOT CALL.
379
00:16:09,530 --> 00:16:11,830
WELL, SOMEHOW,
YOU MANAGED TO DO BOTH.
380
00:16:11,830 --> 00:16:13,570
[ CHUCKLES ] RIGHT.
381
00:16:13,570 --> 00:16:16,470
SO, HEY, EVER SINCE...
THE OTHER NIGHT,
382
00:16:16,470 --> 00:16:18,670
I JUST FEEL
THAT EVERYTHING
383
00:16:18,670 --> 00:16:21,670
HAS BEEN FLOWING FOR ME,
CREATIVELY.
384
00:16:21,680 --> 00:16:26,350
♪ I'LL BE THE ONE,
IF YOU WANT ME TO ♪
AND I'M NOT
MAD AT YOU ANYMORE.
385
00:16:26,350 --> 00:16:28,380
NOT FOR ANY OF IT.
386
00:16:28,380 --> 00:16:32,020
♪ ANYWHERE,
I WOULD HAVE FOLLOWED YOU ♪
I KNOW OUR HOOKING UP
[INHALES] WAS WEIRD,
387
00:16:32,020 --> 00:16:35,020
BUT I HONESTLY FEEL
IT FREED ME.
388
00:16:35,020 --> 00:16:39,030
♪ SAY SOMETHING,
I'M GIVING UP ON YOU ♪
389
00:16:39,030 --> 00:16:42,930
WELL, GREAT.
YOU'RE FREE.
390
00:16:42,930 --> 00:16:45,630
♪ AND I
WHAT -- DID I...
SAY SOMETHING WRONG?
391
00:16:45,630 --> 00:16:51,540
♪ AM FEELING SO SMALL
NO, BUT YOU DIDN'T
SAY ANYTHING RIGHT.
392
00:16:51,540 --> 00:16:54,210
LOOK, FOR YOU, IT MIGHT
HAVE BEEN FUN AND FREEING.
393
00:16:54,210 --> 00:16:56,710
♪ IT WAS OVER MY HEAD
BUT FOR ME...
394
00:16:56,710 --> 00:16:59,380
♪ I KNOW NOTHING AT ALL
...IT -- IT WASN'T.
IT'S -- IT'S MESSY.
395
00:16:59,380 --> 00:17:00,910
AND IT SHOULDN'T
HAVE HAPPENED.
396
00:17:00,920 --> 00:17:02,880
OKAY, COME ON.
DALLAS, DON'T BE LIKE THIS.
397
00:17:02,880 --> 00:17:05,180
CAN'T WE JUST...
BE FRIENDS?
398
00:17:05,190 --> 00:17:07,690
♪ AND I
399
00:17:07,690 --> 00:17:10,360
♪ WILL STUMBLE AND FALL
NO OFFENSE, GEORGE,
BUT BEING FRIENDS WITH YOU
400
00:17:10,360 --> 00:17:11,390
IS ABOUT AS MUCH FUN
401
00:17:11,390 --> 00:17:13,790
AS BEING KICKED IN THE GUT
BY A DONKEY.
402
00:17:13,800 --> 00:17:16,660
♪ I'M STILL LEARNING TO LOVE
403
00:17:16,660 --> 00:17:22,400
♪ JUST STARTING TO CRAWL
GEORGE DIDN'T WANT A FIGHT,BUT DALLAS DID.
404
00:17:22,400 --> 00:17:24,700
SHE WANTED GEORGETO FIGHT FOR HER,
405
00:17:24,710 --> 00:17:26,240
AND I KNEW HOW SHE FELT.
406
00:17:26,240 --> 00:17:29,810
♪ SAY SOMETHING,
I'M GIVING UP ON YOU ♪
HEADING BACK?
407
00:17:29,810 --> 00:17:30,810
YEAH.
408
00:17:30,810 --> 00:17:34,410
I GOT A BIG GEOLOGY FINAL
THIS WEEK.
409
00:17:34,420 --> 00:17:36,480
IF I DON'T FIGURE OUT
WHAT THAT MEANS PRETTY SOON,
410
00:17:36,480 --> 00:17:37,720
I'M GONNA BE IN TROUBLE.
411
00:17:37,720 --> 00:17:39,220
♪ I'M SORRY
THAT I COULDN'T GET TO YOU ♪
412
00:17:39,220 --> 00:17:41,050
WELL,
IT WAS NICE SEEING YOU.
413
00:17:41,060 --> 00:17:44,020
YEAH.
IT WAS GOOD SEEING YOU, TOO.
414
00:17:44,030 --> 00:17:47,430
I'M GLAD
THIS IS SO NORMAL.
415
00:17:47,430 --> 00:17:50,160
♪ ANYWHERE,
I WOULD HAVE FOLLOWED YOU ♪
WHAT?
416
00:17:50,170 --> 00:17:52,000
US. I'M...GLAD
THAT WE CAN BE FRIENDS.
417
00:17:52,000 --> 00:17:53,330
IT'S NICE.
418
00:17:53,330 --> 00:17:56,140
YEAH. ME TOO.
419
00:17:56,140 --> 00:17:58,370
OKAY, WELL [CHUCKLES]
I GUESS I'LL SEE YOU...
420
00:17:58,370 --> 00:18:00,810
♪ SAY SOMETHING,
I'M GIVING UP ON YOU ♪
...WHEN YOU'RE...BACK IN TOWN
FOR THE HOLIDAYS.
421
00:18:00,810 --> 00:18:02,110
ACTUALLY, IT LOOKS LIKE
422
00:18:02,110 --> 00:18:05,110
I'M...GONNA BE IN VAIL THIS YEAR
WITH JUNE AND HER FAMILY.
423
00:18:05,110 --> 00:18:06,780
♪ AND I
424
00:18:06,780 --> 00:18:08,450
OH.
425
00:18:08,450 --> 00:18:10,350
I'VE NEVER BEEN AWAY
FOR THE HOLIDAYS BEFORE.
426
00:18:10,350 --> 00:18:14,520
♪ WILL SWALLOW MY PRIDE
BUT I GUESS IT'D BE STUPID
TO...PASS IT UP.
427
00:18:14,520 --> 00:18:15,790
I MEAN, IT'S VAIL.
428
00:18:15,790 --> 00:18:17,790
♪ YOU'RE THE ONE THAT I LOVE
YEAH, IT'S VAIL!
429
00:18:17,790 --> 00:18:19,490
HOW COULD
YOU PASS THAT UP?
430
00:18:19,490 --> 00:18:20,890
RIGHT.
431
00:18:20,900 --> 00:18:24,400
♪ AND I'M SAYING GOODBYE
THAT'S WHAT I WAS THINKING.
432
00:18:24,400 --> 00:18:26,200
OKAY, WELL, UH...
433
00:18:26,200 --> 00:18:28,300
DRIVE SAFE.
434
00:18:28,300 --> 00:18:30,540
♪ SAY SOMETHING,
I'M GIVING UP ON YOU ♪
YEAH. THANKS.
435
00:18:30,540 --> 00:18:32,610
BE COOL.
436
00:18:36,980 --> 00:18:43,350
♪ AND I'M SORRY
THAT I COULDN'T GET TO YOU ♪
BE COOL.
437
00:18:47,960 --> 00:18:54,560
♪ ANYWHERE,
I WOULD HAVE FOLLOWED YOU ♪
438
00:18:54,560 --> 00:18:55,730
TESSA, DEAR.
439
00:18:55,730 --> 00:18:57,730
THAT CUT ON YOUR HAND
HAS OPENED UP AGAIN.
440
00:18:57,730 --> 00:18:59,230
♪ SAY SOMETHING,
I'M GIVING UP ON YOU ♪
YEAH, I KNOW.
441
00:18:59,230 --> 00:19:01,070
IT'S A HARD PLACE
TO PUT A BAND-AID.
442
00:19:01,070 --> 00:19:02,400
IT KEEPS FALLING OFF.
443
00:19:02,400 --> 00:19:04,570
YOU KNOW WHAT I DO
WHEN A BAND-AID WON'T STICK?
444
00:19:04,570 --> 00:19:07,910
I TAKE A PIECE OF TAPE,
BUT, YOU KNOW, THE GOOD KIND,
445
00:19:07,910 --> 00:19:09,340
AND YOU HAVE TO
USE YOUR OWN...
446
00:19:09,340 --> 00:19:11,180
♪ SAY SOMETHING
AND THAT'S WHEN I REALIZED
447
00:19:11,180 --> 00:19:13,710
THE CUT ON MY HANDWASN'T THE ONLY INJURY.
448
00:19:13,720 --> 00:19:17,220
RYAN WAS MY WOUNDTHAT WOULDN'T HEAL.
449
00:19:17,220 --> 00:19:21,550
AND MAYBE, JUST MAYBE,HE WASN'T MEANT TO.
450
00:19:21,560 --> 00:19:23,490
♪ DAY
451
00:19:23,490 --> 00:19:25,490
♪ AFTER DAY
THERE WAS A REASONI'D BEEN HIDING
452
00:19:25,490 --> 00:19:28,060
BEHIND MY CROCHET NEEDLES,
453
00:19:28,060 --> 00:19:30,230
AND THAT REASON WAS RYAN SHAY.
454
00:19:30,230 --> 00:19:33,070
♪ I WILL WALK
455
00:19:33,070 --> 00:19:34,900
EVEN AFTER ALL THIS TIME...
456
00:19:34,900 --> 00:19:38,700
♪ AND I WILL PLAY
...THERE WAS STILLSOMETHING BETWEEN US.
457
00:19:47,280 --> 00:19:52,790
♪ WHY CAN'T I GET
JUST ONE KISS? ♪
458
00:19:52,790 --> 00:19:55,960
♪ THERE MAY BE SOME THINGS
THAT I WOULDN'T MISS ♪
459
00:19:55,960 --> 00:19:59,460
♪ BUT I LOOK AT YOUR PANTS,
AND I NEED A KISS ♪
460
00:20:06,930 --> 00:20:09,470
JUNE!
CAN I GET YOU A GINGER ALE?
461
00:20:09,470 --> 00:20:14,670
♪ WHY CAN'T I GET
JUST ONE SCREW? ♪
462
00:20:14,680 --> 00:20:16,340
♪ BELIEVE ME,
I KNOW WHAT TO DO ♪
463
00:20:16,340 --> 00:20:19,650
♪ BUT SOMETHING WON'T LET ME
MAKE LOVE TO YOU ♪
464
00:20:23,520 --> 00:20:25,250
[ HORN HONKS ]
465
00:20:28,660 --> 00:20:32,120
[ HORNS HONKING ]
35324
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