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Gates: ON THIS EPISODE
OF "EXPEDITION X,"
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00:00:04,130 --> 00:00:06,900
IN THE ANCIENT AZTEC CANALS
NEAR MEXICO CITY,
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00:00:06,900 --> 00:00:10,300
MY TEAM INVESTIGATES
A HAUNTED ISLAND,
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00:00:10,300 --> 00:00:14,100
WHERE THOUSANDS OF DEMONIC
DOLLS ARE ON THE ATTACK.
5
00:00:14,100 --> 00:00:17,430
THERE ARE THINGS ON THIS ISLAND
THAT CAN COME AFTER US.
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00:00:17,430 --> 00:00:19,470
JESS, YOU'RE GONNA WANT
TO SEE THIS. LOOK AT THIS.
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00:00:19,470 --> 00:00:22,200
I MIGHT BE ABLE TO FIND
A LITTLE BACKUP FOR YOU.
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00:00:22,200 --> 00:00:25,430
WORLD-RENOWNED PARANORMAL
INVESTIGATOR JASON HAWES
9
00:00:25,430 --> 00:00:26,370
JOINS THE HUNT...
10
00:00:26,370 --> 00:00:27,900
- WHAT THE HECK?
- AAH!
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00:00:27,900 --> 00:00:30,700
Gates: ...TO MAKE CONTACT
WITH THE OTHER SIDE.
12
00:00:30,700 --> 00:00:32,100
Chobot: HOLY [BLEEP]
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00:00:32,100 --> 00:00:33,730
JESS, BEHIND YOU.
THERE'S A DOLL.
14
00:00:33,730 --> 00:00:34,770
IT'S MOVING.
15
00:00:34,770 --> 00:00:36,930
WHAT?
16
00:00:36,930 --> 00:00:38,500
OH, MY GOD.
17
00:00:41,500 --> 00:00:44,370
MY NAME IS JOSH GATES.
18
00:00:44,370 --> 00:00:48,870
IN MY TRAVELS, I'VE EXPERIENCED
STRANGE THINGS THAT DEFY LOGIC
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00:00:48,870 --> 00:00:51,070
AND MADE ME QUESTION EVERYTHING.
20
00:00:51,070 --> 00:00:52,870
OH, MY GOD.
21
00:00:52,870 --> 00:00:54,430
NOW, I'VE PUT TOGETHER A TEAM
22
00:00:54,430 --> 00:00:57,870
TO INVESTIGATE THE STRANGER SIDE
OF THE UNKNOWN.
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00:00:57,870 --> 00:00:59,970
LET'S GO!
24
00:00:59,970 --> 00:01:04,030
PHIL TORRES IS A SCIENTIST WHO
HUNTS FOR RATIONAL EXPLANATIONS.
25
00:01:07,830 --> 00:01:10,130
JESSICA CHOBOT'S
PARANORMAL RESEARCH
26
00:01:10,130 --> 00:01:12,200
HAS MADE HER A TRUE BELIEVER.
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00:01:12,200 --> 00:01:14,470
THERE IS A MONSTER
LIVING IN THIS FOREST.
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00:01:14,470 --> 00:01:17,270
PHIL, PHIL, PHIL, I JUST SAW
SOMETHING RUN ACROSS.
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00:01:17,270 --> 00:01:19,500
TOGETHER WE'RE SEARCHING
FOR ANSWERS...
30
00:01:19,500 --> 00:01:20,930
Torres: WHAT IS THAT?
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00:01:20,930 --> 00:01:24,730
...TO THE WORLD'S
MOST EXTRAORDINARY MYSTERIES.
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00:01:24,730 --> 00:01:27,300
THIS IS "EXPEDITION X."
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{\an8}- -Captions by VITAC --
www.vitac.com
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{\an8}CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
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00:01:31,830 --> 00:01:34,200
{\an8}WE HAVE A CASE TODAY
THAT'S REALLY INTRIGUING
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00:01:34,200 --> 00:01:36,200
AND ALSO TERRIFYING.
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00:01:36,200 --> 00:01:39,330
WE'RE TALKING ABOUT
THE PARANORMAL -- GHOSTS.
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00:01:39,330 --> 00:01:41,770
NOW, GHOSTS ARE
A VERY POLARIZING SUBJECT.
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00:01:41,770 --> 00:01:42,800
IN A RECENT POLL,
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00:01:42,800 --> 00:01:45,000
ABOUT 48% OF AMERICANS
BELIEVE IN GHOSTS,
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00:01:45,000 --> 00:01:47,170
SO IT'S ALMOST SPLIT DOWN
THE MIDDLE, HALF AND HALF.
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00:01:47,170 --> 00:01:48,230
PHIL, WHAT'S YOUR TAKE
ON GHOSTS?
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00:01:48,230 --> 00:01:49,830
{\an8}ARE YOU A BELIEVER?
I'M SKEPTIC.
44
00:01:49,830 --> 00:01:52,100
{\an8}BUT SHOW ME AND MAYBE
I'LL BELIEVE.
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00:01:52,100 --> 00:01:53,270
{\an8}EVER THE SCIENTIST.
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00:01:53,270 --> 00:01:55,030
{\an8}AND WHAT ABOUT YOU?
BELIEVER IN GHOSTS?
47
00:01:55,030 --> 00:01:57,200
{\an8}YEAH. I'M A BELIEVER.
I MEAN, THINK ABOUT IT.
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00:01:57,200 --> 00:01:59,070
{\an8}EVERYONE YOU KNOW HAS A STORY
49
00:01:59,070 --> 00:02:00,930
{\an8}OR THEY KNOW SOMEONE
THAT HAS A STORY.
50
00:02:00,930 --> 00:02:03,330
AND I DON'T THINK YOU CAN
JUST EASILY WRITE THAT OFF.
51
00:02:03,330 --> 00:02:06,030
SO WE'VE GOT OUR
REPRESENTATION OF AMERICA HERE.
52
00:02:06,030 --> 00:02:09,670
YOU KNOW, 50% BELIEVE,
50% DO NOT.
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00:02:09,670 --> 00:02:12,570
LET'S SEE IF WE CAN SWAY
YOUR SKEPTICISM HERE, PHIL.
54
00:02:12,570 --> 00:02:13,670
OKAY.
55
00:02:13,670 --> 00:02:15,970
I WANT TO SHOW YOU A VIDEO
FROM THE INTERNET.
56
00:02:15,970 --> 00:02:18,200
THIS IS NOT THE CASE THAT
YOU'RE GONNA BE INVESTIGATING,
57
00:02:18,200 --> 00:02:20,370
BUT IT IS RELATED IN A WAY.
58
00:02:20,370 --> 00:02:22,230
SO CHECK THIS VIDEO OUT.
59
00:02:22,230 --> 00:02:23,530
THIS IS A VIDEO
THAT WAS SHOT
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00:02:23,530 --> 00:02:24,930
BY A WOMAN
NAMED SHEREE SHOWN
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00:02:24,930 --> 00:02:26,800
FROM FRESNO, CALIFORNIA.
AS YOU CAN SEE,
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00:02:26,800 --> 00:02:29,770
SHE HAS A TRULY CREEPY
COLLECTION OF DOLLS.
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00:02:29,770 --> 00:02:32,530
ALREADY I DON'T UNDERSTAND
THIS WOMAN,
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00:02:32,530 --> 00:02:33,970
BUT WAIT FOR IT.
65
00:02:33,970 --> 00:02:36,470
SOMETHING REALLY,
REALLY CREEPY
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00:02:36,470 --> 00:02:38,630
IS ABOUT TO HAPPEN.
WATCH THIS.
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00:02:38,630 --> 00:02:41,800
OHH! GOD!
DID YOU SEE IT?
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00:02:41,800 --> 00:02:42,900
OKAY. ONE MORE TIME.
HERE WE GO.
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00:02:42,900 --> 00:02:44,070
BACK THAT UP.
LET'S SEE THAT AGAIN.
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00:02:44,070 --> 00:02:46,230
BACK IT UP.
OH, MY GOSH.
71
00:02:46,230 --> 00:02:47,000
AAH!
72
00:02:47,000 --> 00:02:49,230
OHH!
THAT'S...
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00:02:49,230 --> 00:02:51,870
THAT'S NOT RIGHT.
THAT'S NOT RIGHT AT ALL.
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00:02:51,870 --> 00:02:53,070
SO, PHIL,
WHAT DO YOU THINK?
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00:02:53,070 --> 00:02:54,500
HAVE I MADE YOU
A TRUE BELIEVER NOW?
76
00:02:54,500 --> 00:02:55,600
I FULLY BELIEVE
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00:02:55,600 --> 00:02:57,630
THAT, YES, A ROOM FULL
OF DOLLS IS CREEPY.
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00:02:57,630 --> 00:02:58,770
FOR SURE.
79
00:02:58,770 --> 00:03:00,400
NO QUESTION.
WE CAN ALL AGREE ON THAT.
80
00:03:00,400 --> 00:03:03,170
YES.
BUT THE TIMING OF IT,
81
00:03:03,170 --> 00:03:05,400
JUST WHEN THEY PAN
TO THAT DOLL
82
00:03:05,400 --> 00:03:06,830
THAT MOVES ITS ARM,
IT JUST SEEMS
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00:03:06,830 --> 00:03:10,200
A LITTLE TOO CONVENIENT FOR ME
TO REALLY BELIEVE
84
00:03:10,200 --> 00:03:12,900
THAT SHE CAUGHT SOMETHING
PARANORMAL ON CAMERA.
85
00:03:12,900 --> 00:03:15,300
RIGHT. SO YOU'D NEED
A LOT MORE EVIDENCE HERE.
86
00:03:15,300 --> 00:03:16,500
YEAH.
87
00:03:16,500 --> 00:03:17,770
WHAT ABOUT YOU, JESS?
WHAT DO YOU MAKE OF THE DOLL?
88
00:03:17,770 --> 00:03:19,730
I'M TOTALLY INTO THIS.
COULD BE REAL?
89
00:03:19,730 --> 00:03:21,300
ABSOLUTELY THINK
THAT THIS COULD BE REAL.
90
00:03:21,300 --> 00:03:24,030
I'M WITH PHIL THAT I THINK
IT NEEDS MORE INVESTIGATION.
91
00:03:24,030 --> 00:03:25,570
LOOK, THERE'S OTHER EXAMPLES
OUT THERE.
92
00:03:25,570 --> 00:03:28,930
WE'VE GOT ANNABELLE, THE FAMOUS
DOLL FROM LORRAINE WARREN.
93
00:03:28,930 --> 00:03:30,930
RIGHT. FAMOUS
PARANORMAL INVESTIGATORS
94
00:03:30,930 --> 00:03:33,170
WHO INVESTIGATED A CASE
WITH A HAUNTED DOLL,
95
00:03:33,170 --> 00:03:36,200
A DOLL THEY KEPT LOCKED
IN A CASE
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00:03:36,200 --> 00:03:37,770
THAT NOBODY
WAS SUPPOSED TO DISTURB
97
00:03:37,770 --> 00:03:40,500
AND WHICH THEY'VE MADE A BUNCH
OF VERY CREEPY MOVIES ABOUT.
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00:03:40,500 --> 00:03:42,170
WE TEND TO THINK OF STORIES
LIKE THIS
99
00:03:42,170 --> 00:03:44,570
AS KIND OF THE STUFF
OF MODERN HORROR FILMS.
100
00:03:44,570 --> 00:03:46,030
YEAH.
101
00:03:46,030 --> 00:03:48,730
BUT IN FACT, BELIEF
IN PARANORMAL ENERGY IN DOLLS
102
00:03:48,730 --> 00:03:50,100
IS OLD, REALLY OLD.
103
00:03:50,100 --> 00:03:53,570
THERE ARE INSTANCES THAT
DATE BACK TO ANCIENT EGYPT.
104
00:03:53,570 --> 00:03:54,830
IN ANCIENT EGYPT,
105
00:03:54,830 --> 00:03:57,900
THERE WERE SMALL WAX
FIGURES AND EFFIGIES MADE
106
00:03:57,900 --> 00:04:00,730
THAT WERE MEANT
TO CONTAIN SUPERNATURAL POWER.
107
00:04:00,730 --> 00:04:02,630
IN ANCIENT ROME,
THEY USED TO USE DOLLS
108
00:04:02,630 --> 00:04:05,770
AND ALL SORTS OF RITUALS
TO COMMUNE WITH THE GODS.
109
00:04:05,770 --> 00:04:08,170
AND YOU FIND THESE
LITTLE EFFIGIES AND OFFERINGS
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00:04:08,170 --> 00:04:09,970
ALL OVER THE WORLD
IN ANCIENT CULTURES
111
00:04:09,970 --> 00:04:13,130
THAT ARE MEANT TO BE IMBUED
WITH A KIND OF MAGIC.
112
00:04:13,130 --> 00:04:16,370
BUT THERE IS ONE PLACE
IN THE WORLD
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00:04:16,370 --> 00:04:19,070
THAT HAS MORE PARANORMAL DOLLS
PER SQUARE INCH
114
00:04:19,070 --> 00:04:21,070
THAN ANYWHERE ELSE
ON THE PLANET.
115
00:04:21,070 --> 00:04:23,800
AND IT IS A PLACE KNOWN
AS THE ISLAND OF THE DOLLS.
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00:04:23,800 --> 00:04:25,270
HAVE YOU HEARD
OF THIS PLACE?
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00:04:25,270 --> 00:04:27,430
ABSOLUTELY. I'VE WANTED
TO GO THERE FOR SO LONG.
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00:04:27,430 --> 00:04:30,470
WELL, I'VE GOT
SOME BAD NEWS FOR YOU.
119
00:04:30,470 --> 00:04:32,600
THIS IS A PLACE THAT
I HAVE HAD A CHANCE TO VISIT.
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00:04:32,600 --> 00:04:33,870
IT IS IN MEXICO CITY.
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00:04:33,870 --> 00:04:36,300
IT HAS A REALLY
FASCINATING BACKSTORY.
122
00:04:36,300 --> 00:04:39,830
AND DEPENDING ON YOUR BELIEFS,
IT IS ALSO A PLACE
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00:04:39,830 --> 00:04:43,000
THAT IS FILLED WITH
SOME SERIOUSLY NEGATIVE ENERGY.
124
00:04:43,000 --> 00:04:46,100
CHECK THIS OUT.
125
00:04:46,100 --> 00:04:50,870
Gates: MEXICO CITY WAS ONCE
THE DOMAIN OF THE AZTECS.
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00:04:50,870 --> 00:04:52,630
AND ON THE OUTSKIRTS
OF THE CITY,
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00:04:52,630 --> 00:04:54,500
THERE'S A GROUPING
OF TINY ISLANDS
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00:04:54,500 --> 00:04:58,200
IN A MAZE OF CANALS
CALLED XOCHIMILCO.
129
00:04:58,200 --> 00:05:01,000
THESE WATERWAYS WERE USED
BY INDIGENOUS PEOPLE
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00:05:01,000 --> 00:05:03,030
MORE THAN 500 YEARS AGO
131
00:05:03,030 --> 00:05:06,000
FOR AGRICULTURE
AND TRANSPORTATION.
132
00:05:06,000 --> 00:05:09,470
AT THE SAME TIME, THE AZTECS
STARTED PERFORMING SACRED
133
00:05:09,470 --> 00:05:11,430
AND BLOODY RITUALS
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00:05:11,430 --> 00:05:15,700
AT A NEARBY PYRAMID COMPLEX
CALLED CERRO DE LA ESTRELLA.
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00:05:15,700 --> 00:05:18,200
AND SOME BELIEVE
THERE'S A SPIRITUAL CONNECTION
136
00:05:18,200 --> 00:05:22,670
BETWEEN THE PYRAMID
AND THE CANALS.
137
00:05:22,670 --> 00:05:25,970
FLASH FORWARD TO THE 1950s
AND THE CANALS.
138
00:05:25,970 --> 00:05:29,070
A MAN NAMED DON
JULIAN SANTANA BARRERA
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00:05:29,070 --> 00:05:32,600
BECAME THE CARETAKER
OF ONE OF THESE ISLANDS.
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00:05:32,600 --> 00:05:35,000
THE STORY GOES THAT ONE DAY,
WHILE DON JULIAN
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00:05:35,000 --> 00:05:37,130
WAS FISHING
FROM THE BANK OF HIS ISLAND,
142
00:05:37,130 --> 00:05:39,900
HE DISCOVERED THE BODY
OF A DROWNED GIRL.
143
00:05:39,900 --> 00:05:44,000
AND JUST A FEW FEET AWAY,
THE GIRL'S DOLL WASHED ASHORE.
144
00:05:44,000 --> 00:05:47,470
DON JULIAN BECAME FIXATED
ON THIS DISTURBING EVENT
145
00:05:47,470 --> 00:05:50,170
AND HE HUNG THE GIRL'S DOLL
FROM A TREE.
146
00:05:50,170 --> 00:05:53,930
SOME THINK HE WAS WARDING OFF
ANCIENT AZTEC SPIRITS.
147
00:05:53,930 --> 00:05:56,200
OTHERS SAY THE SPIRIT
OF THE DROWNED GIRL
148
00:05:56,200 --> 00:05:58,070
HAD POSSESSED HIM.
149
00:05:58,070 --> 00:06:01,970
WITHIN A FEW YEARS, DON JULIAN
HAD COVERED THE ISLAND
150
00:06:01,970 --> 00:06:04,070
WITH STRANGE, BROKEN DOLLS.
151
00:06:05,970 --> 00:06:08,900
THEN IN A TERRIFYING TWIST
TO THE STORY,
152
00:06:08,900 --> 00:06:13,800
DON JULIAN'S BODY WAS FOUND
IN 2001 IN THE EXACT SPOT
153
00:06:13,800 --> 00:06:16,700
WHERE HE DISCOVERED
THE DROWNED GIRL AND HER DOLL.
154
00:06:16,700 --> 00:06:19,470
PEOPLE HAVE CONTINUED
TO BRING DOLLS TO THE ISLAND,
155
00:06:19,470 --> 00:06:23,400
ATTEMPTING TO WARD OFF WHATEVER
EVIL SPIRITS LURK THERE.
156
00:06:23,400 --> 00:06:26,030
AND NOW THERE ARE THOUSANDS.
157
00:06:27,170 --> 00:06:28,170
OH!
158
00:06:28,170 --> 00:06:31,470
SINCE I VISITED THERE,
THE INSTANCES
159
00:06:31,470 --> 00:06:34,070
OF WHAT PEOPLE CLAIM
ARE PARANORMAL OCCURRENCES
160
00:06:34,070 --> 00:06:35,400
HAVE SKYROCKETED.
161
00:06:35,400 --> 00:06:37,800
THERE'S SOME SORT
OF MALEVOLENT ENERGY THERE.
162
00:06:37,800 --> 00:06:41,670
SO IF IT'S NOT REAL,
WHAT ARE PEOPLE EXPERIENCING
163
00:06:41,670 --> 00:06:43,670
AND WHAT IS THAT
RATIONAL EXPLANATION?
164
00:06:43,670 --> 00:06:47,470
IF IT IS REAL, CAN WHAT'S
HAPPENING THERE BE DOCUMENTED?
165
00:06:47,470 --> 00:06:49,230
THAT'S THE MISSION.
UP FOR IT?
166
00:06:49,230 --> 00:06:51,700
GOT IT.
YEAH.
167
00:06:51,700 --> 00:06:53,530
Gates: A 2,600-MILE FLIGHT
168
00:06:53,530 --> 00:06:56,400
LANDS JESSICA AND PHIL
IN MEXICO CITY.
169
00:06:56,400 --> 00:07:00,170
TODAY, MEXICO CITY IS THE SECOND
LARGEST METROPOLIS
170
00:07:00,170 --> 00:07:02,000
IN THE WESTERN HEMISPHERE.
171
00:07:02,000 --> 00:07:04,630
IT SITS ATOP THE RUINS
OF WHAT WAS ONCE TENOCHTITLáN,
172
00:07:04,630 --> 00:07:09,000
THE SOARING CAPITAL
OF THE MIGHTY AZTEC EMPIRE
173
00:07:09,000 --> 00:07:13,430
THAT SAT ATOP AN ISLAND
IN WHAT WAS THEN A VAST LAKE.
174
00:07:13,430 --> 00:07:15,970
CONSTRUCTED MORE
THAN 600 YEARS AGO,
175
00:07:15,970 --> 00:07:20,470
IT EVENTUALLY FELL TO SPANISH
CONQUISTADORS IN 1521.
176
00:07:20,470 --> 00:07:23,630
AND EVEN TODAY,
THIS MIX OF CULTURES CAN BE SEEN
177
00:07:23,630 --> 00:07:27,170
EVERYWHERE YOU LOOK
IN THIS HISTORIC METROPOLIS.
178
00:07:27,170 --> 00:07:32,500
{\an8}♪♪
179
00:07:32,500 --> 00:07:34,600
Chobot: WE'VE ARRANGED TO MEET
OUR FIRST EYEWITNESS
180
00:07:34,600 --> 00:07:36,500
{\an8}IN DOWNTOWN MEXICO CITY.
181
00:07:36,500 --> 00:07:39,000
{\an8}SHE'S A WOMAN WHO'S HAD
A TERRIFYING EXPERIENCE
182
00:07:39,000 --> 00:07:41,870
AT THE ISLAND OF THE DOLLS.
183
00:07:44,830 --> 00:07:50,670
{\an8}Torres: REALLY?
Moreno: YEAH.
184
00:07:50,670 --> 00:07:53,330
WAS THE DARE JUST TO GO
TO THE ISLAND BY YOURSELF?
185
00:07:55,730 --> 00:07:58,770
WHAT HAPPENED WHEN YOU FIRST
STEPPED ON THE ISLAND?
186
00:08:08,770 --> 00:08:10,030
SOMEBODY
WAS WATCHING YOU?
187
00:08:10,030 --> 00:08:11,230
YEAH.
188
00:08:17,900 --> 00:08:20,730
Torres: SHE SAID SHE FELT
UNDER ATTACK AND PHYSICALLY ILL
189
00:08:20,730 --> 00:08:23,670
AS IF THE SPIRITS WERE
CHASING HER OFF THE ISLAND.
190
00:08:23,670 --> 00:08:27,530
SHE LEFT WITHOUT THE DOLL
AND SAYS SHE WON'T EVER GO BACK.
191
00:08:27,530 --> 00:08:30,200
TANIA'S STORY IS CONSISTENT
WITH OTHER WITNESSES
192
00:08:30,200 --> 00:08:31,670
WHO SAY THE PHENOMENA OUT THERE
193
00:08:31,670 --> 00:08:34,070
SEEMED TO BE GETTING
MORE DANGEROUS.
194
00:08:36,270 --> 00:08:37,400
READY TO DO THIS?
195
00:08:37,400 --> 00:08:38,370
Chobot: YEAH, LET'S GO.
196
00:08:38,370 --> 00:08:39,730
IF WE'RE GOING TO GET
TO THE BOTTOM
197
00:08:39,730 --> 00:08:42,300
OF WHAT'S HAPPENING
ON THE ISLAND OF THE DOLLS,
198
00:08:42,300 --> 00:08:45,230
IT'S TIME TO GET OUT THERE.
199
00:08:45,230 --> 00:08:47,070
Chobot: WE BOARD A TRADITIONAL
TRAJINERA BOAT
200
00:08:47,070 --> 00:08:49,030
THAT'LL TAKE US
THROUGH ANCIENT CANALS
201
00:08:49,030 --> 00:08:50,870
TO THE ISLAND OF THE DOLLS.
202
00:08:54,500 --> 00:08:55,670
{\an8}OUR GUIDE, MIGUEL,
203
00:08:55,670 --> 00:08:57,670
{\an8}HAS BEEN TAKING THIS BOAT TRIP
TO THE ISLAND
204
00:08:57,670 --> 00:08:59,930
{\an8}SINCE HE WAS 6 YEARS OLD,
205
00:08:59,930 --> 00:09:02,670
BACK WHEN DON JULIAN
STILL SERVED
206
00:09:02,670 --> 00:09:04,500
AS THE ISLAND'S CARETAKER.
207
00:09:04,500 --> 00:09:08,270
SO WHAT DID DON JULIAN
ACTUALLY SAY ABOUT THE ISLAND?
208
00:09:08,270 --> 00:09:10,400
Interpreter: AFTER DON JULIAN
FOUND THE GIRL'S BODY,
209
00:09:10,400 --> 00:09:12,470
HE WAS HAUNTED BY HER GHOST.
210
00:09:12,470 --> 00:09:15,430
SO, MIGUEL, DO YOU GO OUT THERE
ANYMORE AT NIGHT?
211
00:09:15,430 --> 00:09:17,500
NO, NOT ANYMORE.
212
00:09:17,500 --> 00:09:19,530
THE LAST TIME I EVER SET FOOT
ON THE ISLAND,
213
00:09:19,530 --> 00:09:21,330
I HAD GONE THERE WITH A FRIEND.
214
00:09:21,330 --> 00:09:23,430
WE WERE TYING OUR BOAT
TO THE DOCK.
215
00:09:23,430 --> 00:09:24,630
AND AS THE SUN WENT DOWN,
216
00:09:24,630 --> 00:09:27,730
WE NOTICED A DROP
IN TEMPERATURE.
217
00:09:27,730 --> 00:09:31,100
WE SPOTTED A WARRIOR-LIKE
FIGURE WALKING TOWARD THE SHACK.
218
00:09:31,100 --> 00:09:33,500
WE HOPPED ON TO LAND
AND FOLLOWED THE PATH.
219
00:09:33,500 --> 00:09:36,200
ONCE WE GOT THERE,
NO ONE WAS INSIDE.
220
00:09:36,200 --> 00:09:39,000
WE BOTH HAD A STRONG SENSE
OF DREAD IN OUR STOMACHS.
221
00:09:39,000 --> 00:09:41,300
IT ALMOST FELT LIKE SICKNESS.
222
00:09:43,170 --> 00:09:45,230
Torres: WHETHER YOU BELIEVE
THESE STORIES OR NOT,
223
00:09:45,230 --> 00:09:48,970
THERE'S DEFINITELY AN EERIE
STILLNESS OUT HERE ON THE CANAL.
224
00:09:48,970 --> 00:09:57,770
{\an8}♪♪
225
00:09:57,770 --> 00:10:01,000
Chobot: OH, MY GOD.
LOOK AT THIS PLACE.
226
00:10:01,000 --> 00:10:07,030
{\an8}♪♪
227
00:10:07,030 --> 00:10:09,170
Torres: HOLY [BLEEP]
228
00:10:11,870 --> 00:10:15,230
THIS IS CERTIFIABLY
HORRIFYING.
229
00:10:15,230 --> 00:10:21,830
{\an8}♪♪
230
00:10:21,830 --> 00:10:24,470
OH, MY GOD.
231
00:10:24,470 --> 00:10:28,670
OH, THAT IS
EXTREMELY MESSED UP.
232
00:10:28,670 --> 00:10:30,670
IT'S LIKE SMI-ILING.
233
00:10:32,630 --> 00:10:36,170
ROGELIO?
234
00:10:36,170 --> 00:10:37,930
JESSICA AND I
HAVE ARRANGED TO MEET
235
00:10:37,930 --> 00:10:41,170
WITH THE ISLAND'S CURRENT
CARETAKER, ROGELIO SANCHEZ.
236
00:10:41,170 --> 00:10:44,830
HE'S THE NEPHEW OF THE ORIGINAL
CARETAKER, DON JULIAN,
237
00:10:44,830 --> 00:10:47,600
WHO DIED ON THIS ISLAND IN 2001.
238
00:10:48,030 --> 00:10:50,230
{\an8}HOLA.HOLA. ¿¿CóMO ESTá?
239
00:10:50,230 --> 00:10:54,270
THIS PLACE IS
OVERWHELMINGLY INTENSE.
240
00:10:54,270 --> 00:10:55,970
Chobot: I'M EAGER TO SEE
THE MYSTERIOUS DOLL
241
00:10:55,970 --> 00:10:58,770
THAT BELONGED
TO THE DROWNED GIRL.
242
00:10:58,770 --> 00:11:00,970
IT'S THE FIRST DOLL
THAT DON JULIAN HUNG.
243
00:11:00,970 --> 00:11:04,930
AND SOME BELIEVE THAT ACT
UNLEASHED THE DARK FORCES HERE.
244
00:11:07,900 --> 00:11:08,930
[ SPEAKING SPANISH ]
245
00:11:08,930 --> 00:11:11,300
Interpreter:
THIS IS THE ORIGINAL DOLL.
246
00:11:12,800 --> 00:11:14,770
SHE DOESN'T HAVE ANY FEET.
247
00:11:14,770 --> 00:11:17,370
SHE DOESN'T HAVE ANY ARMS.
248
00:11:17,370 --> 00:11:20,330
SHE'S BEEN HERE OVER 60 YEARS.
249
00:11:20,330 --> 00:11:25,170
SHE'S THE ONE THAT HE FOUND
NEXT TO HER BODY IN THE WATER.
250
00:11:25,170 --> 00:11:26,070
YES.
251
00:11:26,070 --> 00:11:28,670
SO THIS IS
WHERE IT BEGAN.
252
00:11:31,670 --> 00:11:33,600
Chobot: AS ROGELIO TALKS
ABOUT THE DOLLS,
253
00:11:33,600 --> 00:11:38,200
I SENSE A PRESENCE
AND START TO FEEL UNEASY.
254
00:11:38,200 --> 00:11:42,570
THIS IS FOLLOWED BY A SUDDEN
CHILL, PERHAPS A SIGN
255
00:11:42,570 --> 00:11:45,800
THAT SPIRITS COULD BE
DISPLACING THE HEAT AROUND ME.
256
00:11:45,800 --> 00:11:48,530
OH. LOOKIT.
I GOT THE GOOSE BUMPS.
257
00:11:48,530 --> 00:11:50,470
OH, MY GOD,
I'M GONNA START CRYING.
258
00:11:50,470 --> 00:11:51,670
OHH.
259
00:11:54,870 --> 00:11:56,730
YOU DOING OKAY?
260
00:11:56,730 --> 00:11:58,370
[ EXHALES HEAVILY ]
261
00:11:58,370 --> 00:12:00,330
NO, NO, I'M NOT.
I GONNA GO.
262
00:12:00,330 --> 00:12:02,500
I'M GETTING OUT.
263
00:12:02,500 --> 00:12:04,430
I NEED TO JUST TAKE A BREATHER.
I'LL COME BACK IN.
264
00:12:04,430 --> 00:12:06,400
I JUST NEED A -- A SECOND.
265
00:12:06,400 --> 00:12:07,770
YOU CAN STOP RIGHT HERE.
266
00:12:07,770 --> 00:12:09,000
OHH.
267
00:12:09,000 --> 00:12:10,900
Interpreter:
I SEEN THIS BEFORE.
268
00:12:10,900 --> 00:12:13,930
I BELIEVE THAT THE SPIRIT
OF THE CHILD
269
00:12:13,930 --> 00:12:17,070
AND THE SPIRITS OF THOSE
WHO ONCE LIVED HERE
270
00:12:17,070 --> 00:12:21,530
IS CONTAINED IN THE DOLLS,
FEEDING OFF OF YOUR ENERGY.
271
00:12:21,530 --> 00:12:23,830
THAT IS WHAT YOU ARE FEELING.
272
00:12:23,830 --> 00:12:24,930
Gates:
IT SEEMS LIKE JESSICA
273
00:12:24,930 --> 00:12:26,270
MIGHT NOT HAVE BEEN
THE ONLY VICTIM
274
00:12:26,270 --> 00:12:29,130
OF WHATEVER PHENOMENON
WAS HAPPENING IN THE SHACK.
275
00:12:29,130 --> 00:12:30,500
Kuhlman: SO WHAT HAPPENED
WITH THE CAMERAS?
276
00:12:30,500 --> 00:12:32,000
I AM PLAYING NOW.
277
00:12:32,000 --> 00:12:34,100
BUT WHAT DID YOU SEE
ON IT BEFORE?
278
00:12:34,100 --> 00:12:35,970
{\an8}IT SHOWED THE CLIP
FROM WHEN WE WERE INSIDE,
279
00:12:35,970 --> 00:12:37,470
{\an8}LIKE, JUST COMING ON
TO THE ISLAND.
280
00:12:37,470 --> 00:12:39,030
Torres:
WHY? WHAT'S HAPPENING?
281
00:12:39,030 --> 00:12:41,170
Man: WE'VE GOT A...
282
00:12:41,170 --> 00:12:43,100
{\an8}WHAT POINT
WHEN YOU WALKED INSIDE,
283
00:12:43,100 --> 00:12:45,100
{\an8}DID THAT HAPPEN?
284
00:12:45,100 --> 00:12:46,830
{\an8}THEY JUST --
ALL THREE OF THEM
285
00:12:46,830 --> 00:12:48,800
GOT TOGETHER
ON THE INSIDE,
286
00:12:48,800 --> 00:12:49,970
STANDING
IN THAT CORNER.
287
00:12:49,970 --> 00:12:53,700
SO RIGHT BEFORE JESSICA
HAD HER...OUTBURST?
288
00:12:53,700 --> 00:12:55,500
YEAH. IT JUST
STOPPED RECORDING.
289
00:12:55,500 --> 00:12:57,100
AND NOW WE CAN'T EVEN LOOK
AT ANY OF THE FOOTAGE.
290
00:12:57,100 --> 00:13:00,270
IT'S JUST -- IT'S JUST
NOT THERE ANYMORE.
291
00:13:00,270 --> 00:13:02,070
MAN, WHAT IS
GOING ON HERE?
292
00:13:09,200 --> 00:13:10,630
Gates:
I'VE SENT PHIL AND JESSICA
293
00:13:10,630 --> 00:13:13,470
TO THE NOTORIOUS ISLAND
OF THE DOLLS,
294
00:13:13,470 --> 00:13:15,470
A PLACE THAT I FOUND
DEEPLY DISTURBING
295
00:13:15,470 --> 00:13:19,830
WHEN I INVESTIGATED IT
A DECADE AGO.
296
00:13:19,830 --> 00:13:22,370
BUT THESE DAYS,
PARANORMAL ACTIVITY HERE
297
00:13:22,370 --> 00:13:24,700
IS REPORTEDLY EVEN STRONGER,
298
00:13:24,700 --> 00:13:28,600
SOMETHING THAT JESSICA MAY HAVE
JUST EXPERIENCED FIRSTHAND.
299
00:13:28,600 --> 00:13:29,730
[ EXHALES HEAVILY ]
300
00:13:29,730 --> 00:13:31,070
Torres: YOU DOING OKAY?
301
00:13:31,070 --> 00:13:33,830
NO, NO, I'M NOT.
I'M GONNA GO.
302
00:13:33,830 --> 00:13:35,200
I'M GETTING OUT.
303
00:13:35,200 --> 00:13:37,230
I NEED TO JUST TAKE A BREATHER.
I'LL COME BACK IN.
304
00:13:37,230 --> 00:13:39,000
I JUST NEED A -- A SECOND.
305
00:13:39,000 --> 00:13:40,870
YOU CAN STOP RIGHT HERE.
306
00:13:40,870 --> 00:13:42,470
Gates: MEANWHILE,
THE CREW REALIZES
307
00:13:42,470 --> 00:13:43,700
THAT JESSICA MAY NOT HAVE BEEN
308
00:13:43,700 --> 00:13:46,670
THE ONLY TARGET
OF THE ENERGY IN THE ROOM.
309
00:13:46,670 --> 00:13:49,870
ONE OF THE CAMERAS SUFFERED
A SERIOUS MALFUNCTION.
310
00:13:49,870 --> 00:13:51,530
Man: SO WE GOT A...
311
00:13:52,930 --> 00:13:56,170
A CAMERA
JUST COMPLETELY SEIZED.
312
00:13:56,170 --> 00:13:57,900
- REALLY?
- IT STOPPED RECORDING.
313
00:13:57,900 --> 00:14:00,600
Gates: BRAD, MY PRODUCING
PARTNER FOR NEARLY 15 YEARS,
314
00:14:00,600 --> 00:14:03,130
HAS SEEN PLENTY
OF PRODUCTION GLITCHES.
315
00:14:03,130 --> 00:14:05,500
BUT FOR AN UTTERLY
RELIABLE CAMERA LIKE THIS
316
00:14:05,500 --> 00:14:08,770
TO FAIL, HE THINKS,
COULD MEAN SOMETHING ELSE.
317
00:14:08,770 --> 00:14:11,770
WE'VE SEEN THIS
SORT OF EQUIPMENT FAILURE
318
00:14:11,770 --> 00:14:14,770
AND BATTERY DRAIN
AND THINGS NOT WORKING RIGHT
319
00:14:14,770 --> 00:14:16,970
WHEN THERE'S PARANORMAL ACTIVITY
AROUND.
320
00:14:16,970 --> 00:14:18,870
THAT'S A PHENOMENON
FOR TV CREWS
321
00:14:18,870 --> 00:14:21,030
WHO DO THIS SORT OF THING.
IT HAPPENS.
322
00:14:21,030 --> 00:14:23,430
FELT LIKE I GOT HIT
WITH A TON OF BRICKS.
323
00:14:23,430 --> 00:14:25,770
WE SAW ALL THE CLIPS
FROM BEGINNING.
324
00:14:25,770 --> 00:14:27,300
AND THEN AS SOON
AS YOU WALKED IN,
325
00:14:27,300 --> 00:14:28,770
WE HAD ONE FRAME.
326
00:14:28,770 --> 00:14:30,330
SERIOUSLY?
RIGHT WHEN WE WALKED IN THERE?
327
00:14:30,330 --> 00:14:32,570
- YEAH.
- YEAH.
328
00:14:32,570 --> 00:14:33,930
WE PUT THE HARD DRIVE
BACK IN
329
00:14:33,930 --> 00:14:35,270
AND IT'S JUST
SITTING THERE BUSY.
330
00:14:35,270 --> 00:14:36,370
IT WON'T PLAY.
331
00:14:36,370 --> 00:14:40,070
I WAS NOT COMFORTABLE
IN THERE AT ALL.
332
00:14:40,070 --> 00:14:42,270
Chobot: BUT THE INCIDENT IS ALSO
AN ENCOURAGING SIGN
333
00:14:42,270 --> 00:14:44,330
THAT THERE'S SOMETHING
GOING ON HERE.
334
00:14:44,330 --> 00:14:47,500
AND BECAUSE SO MANY REPORTS OF
THE ISLAND'S PARANORMAL ACTIVITY
335
00:14:47,500 --> 00:14:48,870
HAVE HAPPENED AFTER DARK,
336
00:14:48,870 --> 00:14:50,500
WE'RE EAGER
TO RETURN TO THE ISLAND SOON
337
00:14:50,500 --> 00:14:54,730
TO CONDUCT A THOROUGH
OVERNIGHT INVESTIGATION.
338
00:14:54,730 --> 00:14:56,430
ROGELIO, WE'D LIKE
TO COME BACK AT NIGHT.
339
00:14:56,430 --> 00:14:57,600
WE'RE GONNA BRING
SOME GEAR.
340
00:14:57,600 --> 00:14:58,930
WE'RE GONNA DO OUR OWN
INVESTIGATIONS,
341
00:14:58,930 --> 00:15:00,700
MAYBE EVEN
TAKE SOME SAMPLES.
342
00:15:00,700 --> 00:15:02,530
WE WANTED TO SEE IF THAT WOULD
BE OKAY WITH YOU.
343
00:15:02,530 --> 00:15:03,570
[ SPEAKING SPANISH ]
344
00:15:03,570 --> 00:15:07,700
BUT ROGELIO HAS SERIOUS
RESERVATIONS.
345
00:15:07,700 --> 00:15:09,370
Interpreter: I USED TO LIVE HERE
ON THE ISLAND,
346
00:15:09,370 --> 00:15:11,500
BUT I NO LONGER
STAY HERE AT NIGHT
347
00:15:11,500 --> 00:15:15,370
BECAUSE THE SPIRITS
ARE TOO INTENSE.
348
00:15:15,370 --> 00:15:17,400
YOU'VE BEEN HERE FIVE MINUTES
349
00:15:17,400 --> 00:15:20,700
AND YOU'VE ALREADY BEEN
ATTACKED BY THE SPIRITS.
350
00:15:20,700 --> 00:15:22,070
I NEED TO THINK ABOUT IT.
351
00:15:22,070 --> 00:15:25,030
I DON'T WANT
TO SEE YOU GET HURT.
352
00:15:25,030 --> 00:15:28,570
PLEASE LET'S STEP OUTSIDE.
353
00:15:28,570 --> 00:15:31,330
Chobot: I UNDERSTAND WHY ROGELIO
MIGHT BE CONCERNED SO SOON
354
00:15:31,330 --> 00:15:33,730
AFTER SEEING ME REACT
TO THE ISLAND'S SPIRITS,
355
00:15:33,730 --> 00:15:36,630
BUT I'M HOPING THAT WE CAN FIND
SOME WAY TO CONVINCE HIM
356
00:15:36,630 --> 00:15:39,530
TO ALLOW US BACK.
357
00:15:39,530 --> 00:15:41,900
BEFORE WE GO,
WE'D LIKE TO SEE THE PLACE
358
00:15:41,900 --> 00:15:44,330
WHERE YOUR UNCLE FIRST
SAW THE GIRL.
359
00:15:44,330 --> 00:15:46,300
Sí. POR FAVOR.
360
00:15:46,300 --> 00:15:48,970
Interpreter: THIS PLACE,
361
00:15:48,970 --> 00:15:51,500
THE GIRL DIED HERE
IN THIS SPOT.
362
00:15:51,500 --> 00:15:55,100
SHE DROWNED HERE IN THE CANAL.
363
00:15:55,100 --> 00:15:57,430
Chobot: WHY DID YOUR UNCLE
FEEL THAT
364
00:15:57,430 --> 00:16:00,830
HANGING UP HER DOLL
WOULD PUT HER AT PEACE?
365
00:16:00,830 --> 00:16:04,230
Interpreter: HE BELIEVED
THAT THE GIRL'S SPIRIT
366
00:16:04,230 --> 00:16:07,170
WAS GOING TO DRAG HIM
INTO THE WATER,
367
00:16:07,170 --> 00:16:10,500
AND HE THOUGHT THAT
HANGING UP THE DOLL
368
00:16:10,500 --> 00:16:13,000
MIGHT APPEASE THE SPIRIT.
369
00:16:13,000 --> 00:16:15,670
BUT YOUR UNCLE DID DIE
IN THIS SPOT, DIDN'T HE?
370
00:16:15,670 --> 00:16:16,830
Sí.
371
00:16:16,830 --> 00:16:18,900
Interpreter: YES.
AT THE TIME OF HIS DEATH,
372
00:16:18,900 --> 00:16:22,300
HE WAS HERE
AT THE SHORE FISHING.
373
00:16:22,300 --> 00:16:26,730
I BELIEVE THAT HE SAW THE SPIRIT
OF THE GIRL
374
00:16:26,730 --> 00:16:27,830
AND GOT SO SCARED
375
00:16:27,830 --> 00:16:31,130
THAT HE HAD
A HEART ATTACK AND DIED.
376
00:16:32,700 --> 00:16:35,130
SO HE WAS LITERALLY SCARED
TO DEATH BY THE SPIRIT?
377
00:16:35,130 --> 00:16:38,530
Interpreter: YES, I BELIEVE SO.
NOT JUST HER.
378
00:16:38,530 --> 00:16:41,500
THE ANCIENT SPIRITS
ARE ALSO STRONG HERE.
379
00:16:41,500 --> 00:16:45,200
THEY ARE A PART
OF THE DOLLS NOW.
380
00:16:48,070 --> 00:16:50,430
YOU SAID YOU CAN FEEL IT
BECAUSE YOU GET GOOSE BUMPS.
381
00:16:50,430 --> 00:16:51,670
GOOSE BUMPS.
382
00:16:51,670 --> 00:16:54,270
Torres: WE TOLD ROGELIO THAT
WE UNDERSTAND THE RISKS,
383
00:16:54,270 --> 00:16:57,500
BUT WE STILL WANT TO CONDUCT
AN OVERNIGHT INVESTIGATION.
384
00:16:57,500 --> 00:17:00,730
FOR NOW, WE TAKE OUR BOAT
AND HEAD BACK TO THE MAINLAND.
385
00:17:02,530 --> 00:17:05,400
ONCE THERE, WE SET UP A SKYPE
WITH JOSH TO FIGURE OUT A WAY
386
00:17:05,400 --> 00:17:08,200
TO CONVINCE THE CARETAKER
TO ALLOW US TO RETURN.
387
00:17:08,200 --> 00:17:11,500
HEY, GUYS. HOW ARE YOU?
LET'S TALK ISLAND OF THE DOLLS.
388
00:17:11,500 --> 00:17:12,670
DID YOU MAKE IT TO THE ISLAND?
389
00:17:12,670 --> 00:17:15,070
WE DID. WE DID.
FOR ME, IT WAS TERRIFYING.
390
00:17:15,070 --> 00:17:17,300
WE HAD A MOMENT
WHERE WE WALKED INTO AN AREA
391
00:17:17,300 --> 00:17:19,430
{\an8}WHERE THE ORIGINAL DOLL
IS KEPT.
392
00:17:19,430 --> 00:17:20,930
{\an8}AND THE MINUTE
I WALKED IN,
393
00:17:20,930 --> 00:17:24,600
{\an8}I GOT HIT HARD
WITH A HUGE WAVE OF SADNESS.
394
00:17:24,600 --> 00:17:27,170
WOW. ARE YOU OKAY?
YEAH, I'M OKAY.
395
00:17:27,170 --> 00:17:29,100
JUST, UH, YEAH,
IT WASN'T ANYTHING
396
00:17:29,100 --> 00:17:30,870
THAT I EXPECTED
TO HAVE HAPPEN.
397
00:17:30,870 --> 00:17:33,500
NOW, WHEN I WAS THERE,
WHICH WAS LIKE A LIFETIME AGO,
398
00:17:33,500 --> 00:17:36,030
ACCESS WAS NOT
A DIFFICULT THING.
399
00:17:36,030 --> 00:17:38,100
BUT I TAKE IT THAT'S CHANGED.
400
00:17:38,100 --> 00:17:39,470
YEAH. THE CARETAKER SAID
401
00:17:39,470 --> 00:17:41,430
WE COULDN'T COME BACK
AT NIGHT.
402
00:17:41,430 --> 00:17:44,270
HE WAS -- HE WAS
PRETTY ADAMANT ABOUT IT.
403
00:17:44,270 --> 00:17:46,400
YEAH. YOU HAVE ANY THOUGHTS
ON HOW TO CHANGE HIS MIND?
404
00:17:46,400 --> 00:17:49,270
OKAY. SO, HEY, GUYS,
I HAVE A VERY UNUSUAL ROLODEX.
405
00:17:49,270 --> 00:17:50,430
LET ME GO THROUGH IT.
406
00:17:50,430 --> 00:17:52,800
I MIGHT BE ABLE TO FIND
A LITTLE BACKUP FOR YOU.
407
00:17:52,800 --> 00:17:55,070
MIGHT TAKE ME A COUPLE OF DAYS
TO FIND THE RIGHT PERSON.
408
00:17:55,070 --> 00:17:56,300
ALRIGHT.
THAT'D BE GREAT.
409
00:17:56,300 --> 00:17:58,570
LISTEN, GUYS,
KEEP YOUR EYES AND EARS OPEN.
410
00:17:58,570 --> 00:18:00,070
I LOOK FORWARD TO HEARING
ALL ABOUT IT LATER.
411
00:18:00,070 --> 00:18:01,800
YOU GOT IT.
WILL DO.
412
00:18:01,800 --> 00:18:03,430
WHILE I ROUND UP
SOME RESOURCES
413
00:18:03,430 --> 00:18:06,370
TO HELP WITH THE OVERNIGHT
INVESTIGATION OF THE ISLAND,
414
00:18:06,370 --> 00:18:10,100
JESSICA AND PHIL DECIDE
TO INVESTIGATE A NEARBY LOCATION
415
00:18:10,100 --> 00:18:12,530
THAT MANY PEOPLE BELIEVE
IS RESPONSIBLE
416
00:18:12,530 --> 00:18:15,200
FOR THE PARANORMAL ACTIVITY
AT THE ISLAND --
417
00:18:15,200 --> 00:18:18,200
THE CERRO DE LA ESTRELLA
PYRAMID COMPLEX.
418
00:18:18,200 --> 00:18:21,700
BUILT AROUND THE SAME TIME
AS THE XOCHIMILCO CANALS,
419
00:18:21,700 --> 00:18:25,330
THIS WAS THE LOCATION
OF THE AZTEC SACRED FIRE RITUAL.
420
00:18:25,330 --> 00:18:27,270
EVERY 52 YEARS,
421
00:18:27,270 --> 00:18:30,470
THE AZTECS CONDUCTED
HUMAN SACRIFICES HERE,
422
00:18:30,470 --> 00:18:33,270
OFFERING THE STILL-BEATING
HEARTS OF THEIR CAPTIVES
423
00:18:33,270 --> 00:18:34,700
TO THE GODS.
424
00:18:34,700 --> 00:18:37,070
THEY BELIEVE THIS WAS
NECESSARY TO KEEP THE SUN
425
00:18:37,070 --> 00:18:41,100
SHINING ON THE VAST
AZTEC EMPIRE.
426
00:18:41,100 --> 00:18:42,700
Torres:
STARTING IN THE 1970s,
427
00:18:42,700 --> 00:18:44,170
THE WATER FROM
THE SACRED MOUNTAIN
428
00:18:44,170 --> 00:18:47,370
WAS DIVERTED TO FEED
THE CANALS OF XOCHIMILCO,
429
00:18:47,370 --> 00:18:50,070
AND I'M WONDERING IF THERE'S
SOMETHING ABOUT THAT WATER
430
00:18:50,070 --> 00:18:52,300
THAT COULD ACCOUNT
FOR THE EXPERIENCES
431
00:18:52,300 --> 00:18:54,670
PEOPLE ARE REPORTING
OUT AT THE ISLAND.
432
00:18:54,670 --> 00:18:56,800
Chobot: AND I'M WONDERING
IF THE PARANORMAL ENERGY
433
00:18:56,800 --> 00:19:00,700
FROM THE PYRAMID
COULD BE FLOWING THERE AS WELL.
434
00:19:00,700 --> 00:19:02,570
Gates: BUT IT'S BELOW
THE SURFACE OF THE RUINS
435
00:19:02,570 --> 00:19:04,830
WHERE IT GETS
REALLY INTERESTING.
436
00:19:04,830 --> 00:19:08,400
IT'S A DIZZYING MAZE OF MILES
AND MILES OF TUNNELS
437
00:19:08,400 --> 00:19:10,030
WHERE RAINWATER AND RUNOFF
438
00:19:10,030 --> 00:19:15,030
FLOWS OUT TO THE CANALS
AND TO THE ISLAND OF THE DOLLS.
439
00:19:15,030 --> 00:19:17,800
IN THESE TUNNELS,
THE AZTECS PERFORMED BLOODY
440
00:19:17,800 --> 00:19:20,870
AND BRUTAL SACRIFICES
TO THEIR GODS.
441
00:19:20,870 --> 00:19:26,400
{\an8}♪♪
442
00:19:26,400 --> 00:19:29,300
JUST GET
OUR HEAD LAMPS ON.
443
00:19:29,300 --> 00:19:31,300
THERE'S A SPIDER. OH!
YOU GOOD?
444
00:19:31,300 --> 00:19:33,470
Chobot: YEAH. I'M GOOD.
ALRIGHT.
445
00:19:33,470 --> 00:19:36,430
IT IS DARK IN HERE.
446
00:19:39,430 --> 00:19:41,030
JESSICA, YOU'RE GONNA
WANT TO SEE THIS.
447
00:19:41,030 --> 00:19:42,230
LOOK AT THIS.
LOOK AT THIS.
448
00:19:42,230 --> 00:19:44,500
HOLY [BLEEP]
449
00:19:49,430 --> 00:19:51,900
Gates: JESSICA AND PHIL
ARE IN MEXICO CITY
450
00:19:51,900 --> 00:19:55,630
UNDERNEATH THE CERRO
DE LA ESTRELLA PYRAMID COMPLEX.
451
00:19:55,630 --> 00:19:59,500
THE WATER FROM THIS MOUNTAIN
FEEDS THE XOCHIMILCO CANALS
452
00:19:59,500 --> 00:20:01,770
AND LIKE THE ISLAND
OF THE DOLLS,
453
00:20:01,770 --> 00:20:06,730
HAS A REPUTATION AS A HOT SPOT
FOR OTHERWORLDLY PHENOMENA.
454
00:20:06,730 --> 00:20:08,300
JESSICA, YOU'RE GONNA
WANT TO SEE THIS.
455
00:20:08,300 --> 00:20:10,170
LOOK AT THIS.
LOOK AT THIS.
456
00:20:10,170 --> 00:20:11,970
HOLY [BLEEP]
457
00:20:15,700 --> 00:20:17,800
WHAT IS THAT?
458
00:20:19,300 --> 00:20:20,800
I KNOW THIS SYMBOL
LOOKS OMINOUS,
459
00:20:20,800 --> 00:20:24,800
BUT IT'S PROBABLY BEEN PUT HERE
TO WARD OFF EVIL SPIRITS.
460
00:20:24,800 --> 00:20:27,200
BUT, YOU KNOW, WHO KNOWS
WHY THE PERSON PUT IT HERE.
461
00:20:27,200 --> 00:20:30,770
IT COULD BE TO ACTUALLY LOCK
IN THE EVIL HERE
462
00:20:30,770 --> 00:20:33,530
SO THAT IT DOESN'T ESCAPE
OUT INTO THE REAL WORLD.
463
00:20:33,530 --> 00:20:35,530
SO EVIL'S MAYBE
LOCKED IN OVER THERE.
464
00:20:35,530 --> 00:20:36,600
YEAH.
SO YOU SHOULD GO FURTHER
465
00:20:36,600 --> 00:20:37,870
INTO THE CAVES IS
WHAT I'M SAYING.
466
00:20:37,870 --> 00:20:39,500
THAT'S THE WAY WE'RE GOING.
EXCELLENT.
467
00:20:39,500 --> 00:20:45,170
{\an8}♪♪
468
00:20:45,170 --> 00:20:48,100
- OOH.
- WHAT'S THAT SMELL?
469
00:20:48,100 --> 00:20:49,770
Torres: YEAH, I'M GETTING
A WHIFF OF SOMETHING
470
00:20:49,770 --> 00:20:50,900
SUBTLY SWEET.
471
00:20:50,900 --> 00:20:52,700
COULD BE A SIGN
OF ETHYLENE
472
00:20:52,700 --> 00:20:54,830
OR COULD EVEN BE
METHANE IN HERE.
473
00:20:54,830 --> 00:20:56,100
IS THAT DANGEROUS?
474
00:20:56,100 --> 00:20:59,530
IT CAN BE IF YOU'RE EXPOSED
TO HIGH-ENOUGH LEVELS.
475
00:20:59,530 --> 00:21:01,630
Torres: ETHYLENE IS A NATURALLY
OCCURRING GAS
476
00:21:01,630 --> 00:21:05,070
THAT IS SOMETIMES EMITTED
FROM FISSURES IN LIMESTONE.
477
00:21:05,070 --> 00:21:07,330
AND THERE'S A SIGNIFICANT AMOUNT
OF LIMESTONE
478
00:21:07,330 --> 00:21:09,000
BENEATH MEXICO CITY.
479
00:21:09,000 --> 00:21:12,800
BREATHING ETHYLENE OR METHANE IN
HIGH LEVELS CAN CAUSE DIZZINESS,
480
00:21:12,800 --> 00:21:16,600
NAUSEA, HALLUCINATIONS,
OR EVEN LOSS OF CONSCIOUSNESS.
481
00:21:16,600 --> 00:21:18,400
COULD THAT EXPLAIN
THE STRANGE FEELINGS
482
00:21:18,400 --> 00:21:21,270
THAT PEOPLE ARE HAVING
ON THE ISLAND OF THE DOLLS?
483
00:21:25,500 --> 00:21:29,200
REALLY MAKES YOU WONDER
HOW FAR THROUGH THESE CAVES GO.
484
00:21:33,570 --> 00:21:36,370
I MEAN, THERE IS
A LOT HAPPENING
485
00:21:36,370 --> 00:21:38,830
UNDERNEATH THIS TEMPLE,
UNDERNEATH MEXICO CITY
486
00:21:38,830 --> 00:21:40,200
THAT'S GIVEN ME SOME IDEAS
487
00:21:40,200 --> 00:21:42,570
ABOUT WHAT COULD BE HAPPENING
AT THE ISLAND OF THE DOLLS.
488
00:21:42,570 --> 00:21:45,600
I THINK I NEED TO DO SOME MORE
DIGGING INTO IT, THOUGH.
489
00:21:45,600 --> 00:21:48,530
IT'S JUST GHOSTS, PHIL.
IT'S NOT THAT COMPLICATED.
490
00:21:50,430 --> 00:21:52,530
Chobot: WITH A NEW DAY
COMES A NEW DEVELOPMENT.
491
00:21:52,530 --> 00:21:55,070
WE'VE RECEIVED WORD
THAT THE CARETAKER OF THE ISLAND
492
00:21:55,070 --> 00:21:56,630
IS ALLOWING US TO RETURN,
493
00:21:56,630 --> 00:21:58,730
THANKS TO THE PRESENCE
OF A SPECIAL GUEST
494
00:21:58,730 --> 00:22:00,800
THAT JOSH HAS ARRANGED
TO JOIN US,
495
00:22:00,800 --> 00:22:05,370
VETERAN PARANORMAL
INVESTIGATOR JASON HAWES.
496
00:22:05,370 --> 00:22:07,670
Torres: FOR THE PAST TWO
DECADES, JASON AND HIS TEAM
497
00:22:07,670 --> 00:22:11,600
HAVE INVESTIGATED THOUSANDS OF
CLAIMS OF PARANORMAL ACTIVITY.
498
00:22:14,170 --> 00:22:16,230
- HEY, LOOK WHO IT IS.
- HI.
499
00:22:16,230 --> 00:22:17,370
- HOW YOU DOING?
- GOOD, GOOD.
500
00:22:17,370 --> 00:22:19,370
SHOULD WE DO IT?
YEAH, LET'S GO.
501
00:22:22,130 --> 00:22:24,070
NOW, WHAT DO YOU GUYS THINK
ABOUT THE ISLAND,
502
00:22:24,070 --> 00:22:26,130
YOUR OWN PERCEPTION,
YOUR OWN TAKE ON IT?
503
00:22:26,130 --> 00:22:29,330
AS A PERSON
WHO HAD A BREAKDOWN
504
00:22:29,330 --> 00:22:31,630
IN FRONT OF PHIL
AND THE ENTIRE CREW,
505
00:22:31,630 --> 00:22:33,970
I WAS SHOCKED
AT HOW QUICKLY
506
00:22:33,970 --> 00:22:38,330
I FELT, LIKE,
SOBBINGLY SAD.
507
00:22:38,330 --> 00:22:40,630
LISTEN, FOR ME,
WHY THIS PARTICULAR PLACE?
508
00:22:40,630 --> 00:22:43,130
LIKE, WHAT FLIPPED
THE SWITCH FOR ME HERE --
509
00:22:43,130 --> 00:22:44,530
AT THE EXACT MOMENT,
510
00:22:44,530 --> 00:22:46,470
THAT APPARENTLY
ONE OF OUR CAMERAS DIED.
511
00:22:46,470 --> 00:22:48,200
NOW, THAT'S WEIRD.
512
00:22:48,200 --> 00:22:50,870
ANY KIND OF PLANS,
HOW WE SHOULD APPROACH THIS?
513
00:22:50,870 --> 00:22:53,770
HAS ANYBODY CHECKED
ANY OF THE LEVELS OF GAS
514
00:22:53,770 --> 00:22:55,200
OR ANYTHING
OF THAT NATURE?
515
00:22:55,200 --> 00:22:56,570
YES. I'M GONNA BE TESTING
FOR METHANE,
516
00:22:56,570 --> 00:22:58,930
THOSE TYPES OF GASES,
BECAUSE SOME OF THEM, LEGIT,
517
00:22:58,930 --> 00:23:00,500
CAN MAKE PEOPLE...
ABSOLUTELY.
518
00:23:00,500 --> 00:23:01,970
...FEEL WEIRD
OR EVEN HALLUCINATE.
519
00:23:01,970 --> 00:23:04,000
THERE'S A HYPERSENSITIVITY
WHERE PEOPLE FEEL
520
00:23:04,000 --> 00:23:06,270
NAUSEA, FATIGUE,
HALLUCINATIONS, PARANOIA.
521
00:23:06,270 --> 00:23:08,300
WHEN YOU REMOVE THAT,
A LOT OF TIMES,
522
00:23:08,300 --> 00:23:10,000
YOU REMOVE
THEIR EXPERIENCES,
523
00:23:10,000 --> 00:23:11,470
IT HAD NOTHING TO DO
WITH THE PARANORMAL
524
00:23:11,470 --> 00:23:13,730
IN THE FIRST PLACE.
525
00:23:13,730 --> 00:23:15,500
JASON, CHECK THIS OUT.
UP AHEAD.
526
00:23:15,500 --> 00:23:26,130
{\an8}♪♪
527
00:23:26,130 --> 00:23:27,500
JASON, DO YOU WANT
TO COME WITH ME
528
00:23:27,500 --> 00:23:29,900
BECAUSE I ACTUALLY FOUND A SPOT
THAT'S PRETTY DECENT
529
00:23:29,900 --> 00:23:31,800
FOR, LIKE, A HOME BASE?
YEAH, THAT'S FINE.
530
00:23:31,800 --> 00:23:33,200
I'LL BE ON THE SHORE
OVER HERE.
531
00:23:33,200 --> 00:23:34,370
OKAY.
532
00:23:34,370 --> 00:23:36,100
WHILE PHIL GOES TO TEST
ENVIRONMENTAL FACTORS
533
00:23:36,100 --> 00:23:39,130
THAT MIGHT EXPLAIN SOME OF
THE ISLAND'S STRANGE PHENOMENA,
534
00:23:39,130 --> 00:23:41,170
JASON AND I AGREE
TO SET UP A CAMERA GRID
535
00:23:41,170 --> 00:23:42,270
TO MONITOR THE SWEEPS
536
00:23:42,270 --> 00:23:44,670
WE WILL CONDUCT
DURING OUR INVESTIGATION.
537
00:23:44,670 --> 00:23:45,730
SO I WAS THINKING RIGHT HERE.
538
00:23:45,730 --> 00:23:47,330
SMACK DAB IN THE MIDDLE
OF ALL THE DOLLS?
539
00:23:47,330 --> 00:23:48,930
YEAH. I FIGURE THAT WAY
IF ANYTHING HAPPENS,
540
00:23:48,930 --> 00:23:51,600
WE CAN KIND OF --
WE'VE GOT EQUAL OPPORTUNITY
541
00:23:51,600 --> 00:23:54,030
TO GET THERE
AS FAST AS POSSIBLE.
542
00:23:54,030 --> 00:23:55,470
I CAN'T IMAGINE
HOW MUCH TIME IT TOOK
543
00:23:55,470 --> 00:23:56,970
TO PUT ALL THESE DOLLS UP.
544
00:23:56,970 --> 00:23:58,300
IT'S YEARS.
545
00:23:58,300 --> 00:23:59,770
YEARS AND YEARS.
546
00:24:03,270 --> 00:24:04,600
DO YOU WANT TO GO
DO SOME RECON?
547
00:24:04,600 --> 00:24:05,670
LET'S DO IT.
YOU'RE THE BOSS.
548
00:24:05,670 --> 00:24:06,930
ALRIGHT.
549
00:24:07,870 --> 00:24:10,270
[ SIGHS ] I JUST
DON'T LIKE IT IN HERE.
550
00:24:10,270 --> 00:24:13,570
THIS IS THE DOLL THAT DON
JULIAN FOUND IN THE WATER
551
00:24:13,570 --> 00:24:16,770
NEXT TO THE LITTLE
GIRL'S BODY.
552
00:24:18,230 --> 00:24:19,970
Torres:
WHILE JESSICA AND JASON SCOUT,
553
00:24:19,970 --> 00:24:22,130
I'M SETTING UP WHERE MOST
OF THE PARANORMAL ACTIVITY
554
00:24:22,130 --> 00:24:23,730
HAS BEEN REPORTED --
555
00:24:23,730 --> 00:24:27,830
BY THE WATER WHERE BOTH THE GIRL
AND DON JULIAN DIED.
556
00:24:27,830 --> 00:24:29,370
I START OFFSHORE
WITH A TECH TOOL
557
00:24:29,370 --> 00:24:31,870
THAT'S NEVER BEEN USED BEFORE
IN THIS LOCATION,
558
00:24:31,870 --> 00:24:35,430
AN UNDERWATER R.O.V. CAMERA.
559
00:24:35,430 --> 00:24:36,970
I'M LOOKING FOR BUBBLES
IN THE WATER
560
00:24:36,970 --> 00:24:40,600
THAT WOULD INDICATE THE PRESENCE
OF A NATURAL GAS LIKE ETHYLENE.
561
00:24:43,430 --> 00:24:46,800
WOW.
THIS WATER IS MURKY.
562
00:24:47,700 --> 00:24:49,330
IT'S GONNA BE REALLY
CHALLENGING,
563
00:24:49,330 --> 00:24:51,200
BUT I'M SEEING
TONS OF GAS BUBBLES.
564
00:24:51,200 --> 00:24:59,870
{\an8}♪♪
565
00:24:59,870 --> 00:25:01,930
WHOA, WHAT WAS THAT?
566
00:25:07,070 --> 00:25:09,600
Gates: VETERAN PARANORMAL
INVESTIGATOR JASON HAWES
567
00:25:09,600 --> 00:25:13,700
HAS JOINED JESSICA AND PHIL
ON THE ISLAND OF THE DOLLS.
568
00:25:13,700 --> 00:25:17,100
WHILE HE AND JESSICA PREPARE
FOR TONIGHT'S INVESTIGATION,
569
00:25:17,100 --> 00:25:19,700
PHIL IS USING
AN UNDERWATER R.O.V.
570
00:25:19,700 --> 00:25:22,370
TO PROBE THE AREA
WHERE BOTH THE LITTLE GIRL
571
00:25:22,370 --> 00:25:24,430
AND DON JULIAN DROWNED.
572
00:25:24,430 --> 00:25:27,070
HE'S EXPLORING A THEORY
THAT TOXIC GASES
573
00:25:27,070 --> 00:25:28,870
MIGHT BE MAKING PEOPLE ILL,
574
00:25:28,870 --> 00:25:32,740
GIVING THEM SYMPTOMS THAT FEEL
LIKE PARANORMAL PHENOMENA.
575
00:25:34,840 --> 00:25:38,230
WHOA. WHAT WAS THAT?
576
00:25:38,230 --> 00:25:40,470
I THINK I JUST SAW A DOLL
DOWN THERE.
577
00:25:40,470 --> 00:25:43,400
I TRIED TO PUT THE IMAGE OF THIS
SUNKEN DOLL OUT OF MY MIND
578
00:25:43,400 --> 00:25:46,000
AND GET BACK
TO THE TASK AT HAND.
579
00:25:46,000 --> 00:25:47,430
EVERY TIME I GET
TO THE BOTTOM
580
00:25:47,430 --> 00:25:49,970
AND KIND OF PUT IT IN PLACE,
GAS IS JUST FLOWING EVERYWHERE.
581
00:25:49,970 --> 00:25:54,430
SO NOW I JUST GOT TO TO FIGURE
OUT WHAT THAT GAS IS.
582
00:25:54,430 --> 00:25:56,700
I COLLECT WATER SAMPLES
NEAR THE AREA
583
00:25:56,700 --> 00:25:59,370
THAT HAS THE HIGHEST
CONCENTRATION OF BUBBLES.
584
00:25:59,370 --> 00:26:02,630
I'M THINKING THERE COULD BE
TOXIC GASES IN THE WATER,
585
00:26:02,630 --> 00:26:07,300
BUT I WON'T KNOW FOR SURE UNTIL
I SEND THESE SAMPLES TO THE LAB.
586
00:26:07,300 --> 00:26:09,400
ALRIGHT.
587
00:26:09,400 --> 00:26:12,270
Chobot: WHILE PHIL COLLECTS
ADDITIONAL SAMPLES,
588
00:26:12,270 --> 00:26:14,700
BACK AT BASE CAMP,
JASON AND I SELECT THE GEAR
589
00:26:14,700 --> 00:26:17,000
WE'LL NEED
FOR TONIGHT'S INVESTIGATION
590
00:26:17,000 --> 00:26:18,570
AND DISCUSS OUR STRATEGY.
591
00:26:19,470 --> 00:26:20,840
YEAH, I THOUGHT
THESE WOULD BE A GOOD IDEA
592
00:26:20,840 --> 00:26:23,100
TO COVER THE ISLAND IN AREAS
WHERE WE CAN'T BE.
593
00:26:23,100 --> 00:26:24,170
THERMAL.
EVERYBODY NEEDS THERMAL.
594
00:26:24,170 --> 00:26:25,430
PERFECT.
595
00:26:25,430 --> 00:26:26,970
LET'S DO IT.
ALRIGHT.
596
00:26:26,970 --> 00:26:28,840
{\an8}JASON AND I MOVE
ABOUT THE ISLAND,
597
00:26:28,840 --> 00:26:33,000
{\an8}SETTING UP A SERIES OF CAMERAS
IN THE KEY PARANORMAL HOTSPOTS.
598
00:26:33,000 --> 00:26:34,470
ONE NICE THING ABOUT
THESE CAMERAS, THOUGH,
599
00:26:34,470 --> 00:26:35,970
ARE YOU'RE ABLE
TO GET A WIDE SHOT.
600
00:26:35,970 --> 00:26:38,400
{\an8}I MEAN, WE'RE COVERING
FROM HERE,
601
00:26:38,400 --> 00:26:39,630
{\an8}WHERE YOU HAD
YOUR EXPERIENCE
602
00:26:39,630 --> 00:26:41,770
{\an8}ALL THE WAY TO THIS WALL
AND EVERYTHING.
603
00:26:41,770 --> 00:26:44,430
{\an8}WE HAVE A SHOT
OF THE ORIGINAL DOLL
604
00:26:44,430 --> 00:26:46,570
{\an8}THAT WAS FOUND NEXT
TO THE DROWNED GIRL.
605
00:26:46,570 --> 00:26:48,200
{\an8}AND ONE ON THE OUTSIDE
OF THE SHACK,
606
00:26:48,200 --> 00:26:50,600
{\an8}ONE WHERE THE LITTLE GIRL'S BODY
WAS FOUND
607
00:26:50,600 --> 00:26:52,470
{\an8}AND WHERE DON JULIAN
ALSO DIED.
608
00:26:52,470 --> 00:26:55,630
{\an8}EVEN IN LOW LIGHT, THESE CAN
PICK UP ALL KINDS OF MOVEMENTS
609
00:26:55,630 --> 00:26:59,000
{\an8}AND DISTURBANCES THAT HAVE
RECENTLY BEEN REPORTED HERE.
610
00:26:59,000 --> 00:27:00,840
{\an8}PERFECT.
SO NO TROLLS OR GHOST
611
00:27:00,840 --> 00:27:03,270
{\an8}WILL PASS THESE BRIDGES
WITHOUT US SEEING THEM.
612
00:27:03,270 --> 00:27:04,700
DON'T TROLLS GO
UNDER BRIDGES?
613
00:27:04,700 --> 00:27:06,300
THEY LIVE UNDER BRIDGES.
614
00:27:06,300 --> 00:27:07,670
TOUCHé, TOUCHé, SIR.
615
00:27:07,670 --> 00:27:12,630
{\an8}♪♪
616
00:27:12,630 --> 00:27:14,840
HEY.
HEY, WHAT'S GOING ON, MAN?
617
00:27:14,840 --> 00:27:16,030
GUYS, THIS LOOKS GREAT.
618
00:27:16,030 --> 00:27:17,740
Chobot:
WHILE WE GO DO A SWEEP,
619
00:27:17,740 --> 00:27:19,470
DO YOU MIND
MONITORING THESE?
620
00:27:19,470 --> 00:27:20,900
YEAH.
ALRIGHT, COOL.
621
00:27:20,900 --> 00:27:21,930
GOOD LUCK OUT THERE.
622
00:27:21,930 --> 00:27:23,370
Chobot: JASON GRABS
THE THERMAL IMAGER,
623
00:27:23,370 --> 00:27:26,430
WHICH RENDERS INFRARED RADIATION
AS VISIBLE LIGHT
624
00:27:26,430 --> 00:27:28,600
AND MAY BE ABLE TO DETECT
HEAT SIGNATURES
625
00:27:28,600 --> 00:27:30,870
ATTRIBUTED
TO THE ENERGY OF A SPIRIT...
626
00:27:30,870 --> 00:27:32,470
ALRIGHT, COOL.
627
00:27:32,470 --> 00:27:34,430
...WHILE I GO STRAIGHT
FOR A HIGH-TECH TOOL
628
00:27:34,430 --> 00:27:36,630
THAT JASON HAS BROUGHT WITH HIM
TO THE ISLAND.
629
00:27:36,630 --> 00:27:37,770
I.R. GOGGLES.
630
00:27:37,770 --> 00:27:39,700
NOW IT'S GONNA MAKE YOU FEEL
LIKE YOU'RE IN VR
631
00:27:39,700 --> 00:27:40,740
WHEN YOU'RE WEARING 'EM,
632
00:27:40,740 --> 00:27:42,530
BUT YOU'LL BE ABLE
TO GET USED TO IT.
633
00:27:42,530 --> 00:27:45,170
OKAY.
ALRIGHT.
634
00:27:45,170 --> 00:27:46,500
LET'S HEAD UP THE AREA
WHERE...
635
00:27:46,500 --> 00:27:47,670
THE WATER.
636
00:27:47,670 --> 00:27:50,130
YEAH, TO THE WATER
WHERE THE GIRL WAS DROWNED.
637
00:27:50,130 --> 00:27:51,500
THE WHOLE IDEA
ABOUT USING THE I.R.
638
00:27:51,500 --> 00:27:52,970
IS YOU'RE ABLE TO CATCH
THE THINGS
639
00:27:52,970 --> 00:27:54,430
THAT PEOPLE CLAIM
TO SEE MOST --
640
00:27:54,430 --> 00:27:55,970
THINGS THAT EMIT
THEIR OWN LIGHT
641
00:27:55,970 --> 00:27:57,970
OR SHADOW-TYPE ENTITIES.
642
00:28:00,770 --> 00:28:02,430
TWO PEOPLE DIED HERE.
643
00:28:02,430 --> 00:28:04,740
IS THERE A WAY TO MEASURE
OR WHAT WOULD YOU LOOK FOR
644
00:28:04,740 --> 00:28:06,930
FOR THE EMOTIONAL TRAUMA
AND BUILD-UP OF SOMETHING
645
00:28:06,930 --> 00:28:09,600
THAT WAS VERY SCARY
AND TRAUMATIC
646
00:28:09,600 --> 00:28:11,000
FOR THOSE PEOPLE?
647
00:28:11,000 --> 00:28:13,330
PEOPLE LOSING THEIR LIVES
DRAMATICALLY ARE WHAT
648
00:28:13,330 --> 00:28:15,400
USUALLY LEADS
TO RESIDUAL-TYPE HAUNTS.
649
00:28:15,400 --> 00:28:17,670
NOW, THE DIFFERENCE
BETWEEN TYPES OF HAUNTS,
650
00:28:17,670 --> 00:28:18,970
YOU HAVE AN INTELLIGENT.
651
00:28:18,970 --> 00:28:21,400
LIKE YOU AND I, AFTER WE PASS,
WE'RE TRYING TO COMMUNICATE,
652
00:28:21,400 --> 00:28:22,300
SO TUGGING ON THE CLOTHES,
653
00:28:22,300 --> 00:28:23,530
LETTING PEOPLE KNOW
WE'RE THERE.
654
00:28:23,530 --> 00:28:25,330
A RESIDUAL IS LIKE
A TAPE PLAYER.
655
00:28:25,330 --> 00:28:26,740
IT'S ALWAYS
THE SAME THING.
656
00:28:26,740 --> 00:28:28,900
IT'S THE SAME TYPE OF ACTIVITY
AT THE SAME TIME,
657
00:28:28,900 --> 00:28:30,900
WHETHER IT'S REWINDING
AND PLAYING ITSELF
658
00:28:30,900 --> 00:28:32,530
OVER AND OVER AGAIN,
HAPPENS --
659
00:28:32,530 --> 00:28:33,470
DID YOU HEAR THAT?
660
00:28:33,470 --> 00:28:34,900
WHAT THE HECK?
661
00:28:34,900 --> 00:28:36,900
[ WATER TRICKLING ]
662
00:28:41,330 --> 00:28:42,770
I THOUGHT
I HEARD SPLASHING,
663
00:28:42,770 --> 00:28:44,600
BUT I DON'T SEE ANYTHING.
DO YOU?
664
00:28:47,600 --> 00:28:49,500
I'M NOT GETTING ANY HEAT
SIGNATURES OVER HERE.
665
00:28:49,500 --> 00:28:51,130
I'M NOT SEEING ANYTHING.
666
00:28:54,130 --> 00:28:56,330
DO YOU WANT TO MAYBE
HEAD TO THAT AREA
667
00:28:56,330 --> 00:28:58,300
WHERE YOU HAD
YOUR EXPERIENCE AND SEE
668
00:28:58,300 --> 00:29:00,770
MAYBE YOU'RE ABLE TO PICK
UP ANYTHING WITH THAT?
669
00:29:00,770 --> 00:29:02,400
Chobot: WE HEAD TO WHERE I FELT
670
00:29:02,400 --> 00:29:04,770
A VERY STRONG ENERGY
PRESENCE BEFORE...
671
00:29:04,770 --> 00:29:05,840
BE CAREFUL.
672
00:29:05,840 --> 00:29:07,800
...THE SHACK
WHERE THE DOLL BELONGING
673
00:29:07,800 --> 00:29:09,970
TO THE DROWNED
LITTLE GIRL HANGS.
674
00:29:09,970 --> 00:29:11,840
LIKE RIGHT NOW,
675
00:29:11,840 --> 00:29:14,700
I'M ACTUALLY STARTING
TO FEEL FREAKED OUT.
676
00:29:14,700 --> 00:29:16,570
YOU'RE STARTING
TO FEEL FREAKED OUT?
677
00:29:16,570 --> 00:29:17,800
A LITTLE BIT, YEAH.
678
00:29:17,800 --> 00:29:19,930
AND IT'S THE SAME THING
THAT HAPPENED THE OTHER DAY.
679
00:29:19,930 --> 00:29:21,170
GOT THE GOOSE BUMPS.
680
00:29:21,170 --> 00:29:23,630
OH, MY GOD,
I'M GONNA START CRYING.
681
00:29:23,630 --> 00:29:29,200
{\an8}♪♪
682
00:29:29,200 --> 00:29:30,700
DID YOU
JUST HEAR SOMETHING?
683
00:29:32,700 --> 00:29:34,270
DID YOU HEAR THAT?
684
00:29:34,270 --> 00:29:36,430
YEAH, I HEARD THAT.
685
00:29:36,430 --> 00:29:38,740
I HEARD IT, LIKE,
RIGHT OVER HERE.
686
00:29:38,740 --> 00:29:41,530
GEEZ. NO.
OH, MY GOD, NO.
687
00:29:42,400 --> 00:29:43,600
DID YOU HEAR THAT?
688
00:29:43,600 --> 00:29:44,900
SOUNDED LIKE A VOICE?
689
00:29:44,900 --> 00:29:46,100
YEAH. WHISPERING.
690
00:29:46,100 --> 00:29:49,230
WE THINK WE MIGHT HAVE HEARD
A DISEMBODIED VOICE.
691
00:29:49,230 --> 00:29:50,740
I CAN'T TELL.
IT'S TOO FAINT.
692
00:29:50,740 --> 00:29:52,740
BUT TO COMMUNICATE WITH IT
IN SPANISH,
693
00:29:52,740 --> 00:29:53,970
WE'LL NEED SOME HELP.
694
00:29:53,970 --> 00:29:55,400
Hawes:
I DON'T SPEAK SPANISH.
695
00:29:55,400 --> 00:29:56,370
I DON'T SPEAK ENOUGH
696
00:29:56,370 --> 00:29:58,170
TO ACTUALLY HAVE
A CONVERSATION.
697
00:29:58,170 --> 00:30:00,070
PHIL SPEAKS SPANISH.
GET PHIL?
698
00:30:00,070 --> 00:30:02,630
I THINK PHIL WOULD BE THE IDEAL
PERSON TO HAVE OUT HERE.
699
00:30:02,630 --> 00:30:03,770
OKAY.
700
00:30:07,600 --> 00:30:08,970
ALRIGHT.
701
00:30:08,970 --> 00:30:12,300
JASON AND I HEAD BACK OUT
TOWARDS THE SHACK TO THE SPOT
702
00:30:12,300 --> 00:30:15,530
WHERE HE AND JESSICA HEARD
THE DISEMBODIED VOICE.
703
00:30:15,530 --> 00:30:20,970
{\an8}♪♪
704
00:30:20,970 --> 00:30:22,570
ALRIGHT.
WE'RE RECORDING, SO...
705
00:30:22,570 --> 00:30:25,330
{\an8}[ SPEAKING SPANISH ]
706
00:30:33,400 --> 00:30:35,170
PART OF THE BIG MYSTERY
FROM BACK THEN
707
00:30:35,170 --> 00:30:37,900
IS THAT THERE IS JUST
THIS GIRL THAT DROWNED.
708
00:30:37,900 --> 00:30:40,600
IT MUST HAVE BEEN REALLY TRAGIC
FOR DON JULIAN
709
00:30:40,600 --> 00:30:42,300
WHO WAS THE CARETAKER HERE
TO JUST HAVE
710
00:30:42,300 --> 00:30:45,070
THIS KIND OF PLACED UPON HIM
ON THIS ISLAND.
711
00:30:45,070 --> 00:30:46,230
YEAH, ABSOLUTELY.
712
00:30:46,230 --> 00:30:47,840
YOU THINK OF IT
LIKE A LANTERN IN THE WOODS.
713
00:30:47,840 --> 00:30:50,970
IF THERE'S SOMETHING HERE,
IT'S GONNA TRY TO BE AROUND
714
00:30:50,970 --> 00:30:53,300
WHERE THE ENERGY IS
AND THAT'S PRETTY MUCH US.
715
00:30:53,300 --> 00:30:56,930
COULD BE HER, COULD BE
HIM, COULD BE SOME --
716
00:30:56,930 --> 00:30:59,000
WHAT IS THAT?
717
00:30:59,000 --> 00:31:00,840
WHAT'S THAT SOUND?
718
00:31:04,400 --> 00:31:06,200
THERE'S A LOT OF NOISE.
YEAH, THERE IS.
719
00:31:06,200 --> 00:31:07,530
BUT YOU DON'T KNOW
IF IT'S SOMETHING ELSE,
720
00:31:07,530 --> 00:31:09,400
IF SOMEBODY,
YOU KNOW, CAME HERE
721
00:31:09,400 --> 00:31:10,670
AND BROUGHT TO THE ISLAND,
722
00:31:10,670 --> 00:31:12,570
DO TO RITUALS
OR CONTAMINATION.
723
00:31:12,570 --> 00:31:14,030
YEAH.
724
00:31:23,130 --> 00:31:31,170
{\an8}♪♪
725
00:31:31,170 --> 00:31:32,970
WELL, I THINK WE'VE
GIVEN IT ENOUGH TIME.
726
00:31:32,970 --> 00:31:35,030
SO LET'S GO BACK TO BASE CAMP.
I'LL CHECK BACK LATER
727
00:31:35,030 --> 00:31:36,900
AND SEE WE PICKED UP
ANYTHING ON THE RECORDER.
728
00:31:36,900 --> 00:31:39,170
ALRIGHT.
GOOD JOB, MAN.
729
00:31:39,170 --> 00:31:43,630
{\an8}♪♪
730
00:31:43,630 --> 00:31:46,230
HAVE YOU THOUGHT ABOUT MAYBE
GOING BACK TO THAT LOCATION
731
00:31:46,230 --> 00:31:47,900
WHERE YOU HAD
THE EXPERIENCE
732
00:31:47,900 --> 00:31:49,770
AND JUST TRYING TO SPEND
SOME TIME THERE?
733
00:31:49,770 --> 00:31:53,740
SEE IF YOU'RE ABLE TO HAVE
A SIMILAR EXPERIENCE?
734
00:31:53,740 --> 00:31:55,230
UH...
SEE IF YOU GET IT AGAIN.
735
00:31:55,230 --> 00:31:57,470
YEAH. YEAH.
I'M HAPPY TO DO THAT.
736
00:31:57,470 --> 00:31:59,740
Chobot: JASON AND I DEFINITELY
HEARD SOMETHING OVER
737
00:31:59,740 --> 00:32:03,230
BY THE SHACK WHERE DON JULIAN
HUNG THE DROWNED GIRL'S DOLL.
738
00:32:03,230 --> 00:32:05,670
IT'S THE SAME SPOT
WHERE I FELT UNDER ATTACK
739
00:32:05,670 --> 00:32:09,870
BY A POWERFUL SPIRITUAL ENTITY,
SO I'M GOING TO CONDUCT
740
00:32:09,870 --> 00:32:13,030
WHAT PARANORMAL INVESTIGATORS
CALL A SOLO SESSION.
741
00:32:13,030 --> 00:32:16,070
THIS MEANS I'LL BE SITTING
INSIDE THE SHACK ALONE
742
00:32:16,070 --> 00:32:18,330
FOR 30 MINUTES
AND WE'LL SEE IF MY PRESENCE
743
00:32:18,330 --> 00:32:20,740
TRIGGERS
ANY PARANORMAL ACTIVITY.
744
00:32:22,670 --> 00:32:24,330
Torres: OKAY.
I'M GONNA PUT A LIGHT HERE
745
00:32:24,330 --> 00:32:27,670
SO WE CAN SEE WHAT'S
HAPPENING AROUND YOU.
746
00:32:27,670 --> 00:32:29,100
OKAY.
747
00:32:29,100 --> 00:32:32,070
ONCE PHIL LEAVES, I'LL BE
COMPLETELY ALONE IN THE SHACK.
748
00:32:32,070 --> 00:32:35,030
NO CREW, NO EXTRA GEAR.
749
00:32:35,030 --> 00:32:38,130
IT'S JUST ME AND WHATEVER
SPIRITS HAUNT THIS ROOM.
750
00:32:40,000 --> 00:32:44,630
WE ARE GONNA SET A TIMER
FOR 30 MINUTES.
751
00:32:44,630 --> 00:32:46,870
OKAY.
752
00:32:46,870 --> 00:32:48,370
30 MINUTES STARTS NOW.
753
00:32:48,370 --> 00:33:05,740
{\an8}♪♪
754
00:33:05,740 --> 00:33:07,370
OKAY,
SO ALL I'M HEARING RIGHT NOW
755
00:33:07,370 --> 00:33:12,570
IS, LIKE, LITTLE SKITTERING
KIND OF AROUND THE AREA.
756
00:33:12,570 --> 00:33:17,400
{\an8}♪♪
757
00:33:17,400 --> 00:33:20,970
[ SHIVERING ]
758
00:33:23,770 --> 00:33:25,670
{\an8}HOLA.
759
00:33:25,670 --> 00:33:31,070
{\an8}♪♪
760
00:33:31,070 --> 00:33:32,630
AAH!
761
00:33:32,630 --> 00:33:35,300
OH.
WHAT THE HECK?
762
00:33:39,330 --> 00:33:41,800
PHIL'S THEORY THAT NATURALLY
OCCURRING GASES
763
00:33:41,800 --> 00:33:44,170
MIGHT PLAY A ROLE
IN THE STRANGE EXPERIENCES
764
00:33:44,170 --> 00:33:47,740
ON THE ISLAND OF THE DOLLS
DOES HAVE HISTORIC PRECEDENT.
765
00:33:47,740 --> 00:33:51,170
MORE THAN 3,000 YEARS AGO,
THERE WAS A PLACE IN GREECE
766
00:33:51,170 --> 00:33:52,400
THAT WAS ALSO BELIEVED
767
00:33:52,400 --> 00:33:54,530
TO TRIGGER
SUPERNATURAL PHENOMENA --
768
00:33:54,530 --> 00:33:56,840
THE ORACLE OF DELPHI.
769
00:33:56,840 --> 00:33:59,170
THAT'S WHERE A PRIESTESS
AT A HILLTOP TEMPLE
770
00:33:59,170 --> 00:34:03,300
SUPPOSEDLY RECEIVED MESSAGES
FROM THE GOD APOLLO.
771
00:34:03,300 --> 00:34:05,040
THE BUILDING SAT ATOP A CAVERN
772
00:34:05,040 --> 00:34:07,770
THAT HAD A SACRED SPRING
RUNNING THROUGH IT.
773
00:34:07,770 --> 00:34:10,100
THE PRIESTESS WOULD TAKE
A DEEP BREATH
774
00:34:10,100 --> 00:34:13,230
AND ENTER A KIND OF
MYSTICAL TRANCE-LIKE STATE.
775
00:34:13,230 --> 00:34:15,570
AND NOW WE MIGHT KNOW WHY.
776
00:34:15,570 --> 00:34:17,800
IN 2001, RESEARCHERS REVEALED
777
00:34:17,800 --> 00:34:21,840
THAT THE CAVERN CONTAINS HIGH
AMOUNTS OF METHANE AND ETHYLENE.
778
00:34:21,840 --> 00:34:24,070
BREATHING THIS COMBINATION
OF NATURAL GASES,
779
00:34:24,070 --> 00:34:26,970
WHICH BUBBLED UP FROM FISSURES
BENEATH THE SPRING,
780
00:34:26,970 --> 00:34:30,000
MAY HAVE TRIGGERED
EXTREME HALLUCINATIONS.
781
00:34:30,000 --> 00:34:32,140
AND DEPENDING ON THE RESULTS
OF PHIL'S TESTING,
782
00:34:32,140 --> 00:34:34,800
A SIMILAR PHENOMENON
MIGHT EXPLAIN AT LEAST
783
00:34:34,800 --> 00:34:38,400
SOME OF PEOPLE'S EXPERIENCES
AT THE ISLAND OF THE DOLLS.
784
00:34:38,400 --> 00:34:41,100
BUT IT CAN'T EXPLAIN EVERYTHING.
785
00:34:46,370 --> 00:34:48,570
Chobot: AFTER A DISTURBING
ENCOUNTER IN THE ISLAND SHACK
786
00:34:48,570 --> 00:34:50,770
EARLIER IN THE WEEK,
787
00:34:50,770 --> 00:34:55,600
I VOLUNTEERED TO CONDUCT
A SOLO SESSION IN THE SAME SPOT.
788
00:34:55,600 --> 00:34:59,840
ALMOST IMMEDIATELY, I CONTINUE
TO HAVE STRANGE EXPERIENCES.
789
00:34:59,840 --> 00:35:01,740
{\an8}HOLA.
790
00:35:01,740 --> 00:35:07,700
{\an8}♪♪
791
00:35:07,700 --> 00:35:09,100
AAH!
792
00:35:09,100 --> 00:35:11,300
OH.
WHAT THE HECK?
793
00:35:11,300 --> 00:35:12,600
HEY, GUYS. YOU THERE?
794
00:35:12,600 --> 00:35:13,740
YEAH, WE JUST SAW IT.
795
00:35:13,740 --> 00:35:16,040
RIGHT WHEN I ASKED
IF ANYBODY WAS HERE,
796
00:35:16,040 --> 00:35:18,740
THE LIGHTS JUST SUDDENLY
SURGED TO FULL POWER.
797
00:35:18,740 --> 00:35:20,040
WELL, ASK IF
SOMETHING'S THERE,
798
00:35:20,040 --> 00:35:22,370
IF IT CAN TURN OFF THE LIGHT,
SEE WHAT HAPPENS.
799
00:35:22,370 --> 00:35:24,470
PHIL, HOW WOULD I SAY
THAT IN SPANISH?
800
00:35:24,470 --> 00:35:29,170
[ SPEAKING SPANISH
SLOWLY ]
801
00:35:29,170 --> 00:35:31,440
{\an8}[ SPEAKING SPANISH ]
802
00:35:36,630 --> 00:35:37,800
THAT IS --
803
00:35:37,800 --> 00:35:40,100
AAH, IT DID IT AGAIN.
OKAY.
804
00:35:48,670 --> 00:35:51,700
HEY.
HEY.
805
00:35:51,700 --> 00:35:54,740
JUST IN CASE THERE'S LIKE
A FAULTY WIRE, BAD BATTERY.
806
00:35:54,740 --> 00:35:56,940
I THINK WE SHOULD TAKE THIS
OUT OF THE EQUATION.
807
00:35:56,940 --> 00:35:58,300
WE COULD GET
A DIFFERENT LIGHT IN HERE
808
00:35:58,300 --> 00:35:59,670
AND THEN SEE
WHAT HAPPENS.
809
00:35:59,670 --> 00:36:00,600
OKAY.
810
00:36:00,600 --> 00:36:02,140
I'LL GET THIS
OUT OF HERE, THEN.
811
00:36:03,400 --> 00:36:05,240
I'M GONNA LEAVE YOU
WITH THIS.
812
00:36:05,240 --> 00:36:06,440
OKAY. THANK YOU.
813
00:36:06,440 --> 00:36:19,470
{\an8}♪♪
814
00:36:19,470 --> 00:36:22,670
[ TAPPING ]
815
00:36:22,670 --> 00:36:25,370
WHAT'S SHE HEARING?
816
00:36:25,370 --> 00:36:30,530
I'M HEARING SOME KIND OF TAPS
AGAINST THE BACK WALL BEHIND ME.
817
00:36:30,530 --> 00:36:34,500
DO YOU GUYS SEE ANYTHING
ON THE MONITORS?
818
00:36:34,500 --> 00:36:35,840
SOME SHADOWS
OR SOMETHING.
819
00:36:35,840 --> 00:36:39,340
YEAH, I CAN'T TELL
IF IT'S YOUR SHADOW, THOUGH.
820
00:36:39,340 --> 00:36:52,100
{\an8}♪♪
821
00:36:52,100 --> 00:36:53,770
JESS, BEHIND YOU,
THERE'S A DOLL.
822
00:36:53,770 --> 00:36:55,000
IT'S MOVING.
823
00:36:55,000 --> 00:36:56,270
YOU SHOULD TURN AROUND
AND LOOK AT IT.
824
00:36:56,270 --> 00:36:57,800
WHAT?
825
00:36:57,800 --> 00:37:02,570
{\an8}♪♪
826
00:37:02,570 --> 00:37:04,500
HOLY [BLEEP]
827
00:37:07,770 --> 00:37:10,600
YEAH, IT'S TOTALLY MOVING.
I SEE IT NOW.
828
00:37:10,600 --> 00:37:11,630
YEAH. WHAT'S REALLY WEIRD
829
00:37:11,630 --> 00:37:13,400
IS NONE
OF THE OTHER ONES ARE MOVING.
830
00:37:13,400 --> 00:37:15,670
IT'S JUST THAT ONE.
831
00:37:15,670 --> 00:37:18,040
AND THERE'S NOT A BREEZE
IN HERE OR ANYTHING.
832
00:37:20,770 --> 00:37:22,500
{\an8}HOLA.
833
00:37:24,700 --> 00:37:27,530
{\an8}HOLA. CóMO ESTáS?
834
00:37:27,530 --> 00:37:37,530
{\an8}♪♪
835
00:37:37,530 --> 00:37:40,940
[BLEEP]
OH, MY GOD, PHIL.
836
00:37:40,940 --> 00:37:44,470
SOMETHING JUST STARTED TALKING
FROM ONE OF THE DOLLS IN HERE.
837
00:37:44,470 --> 00:37:47,770
I CAME OVER TO A LITTLE SHRINE
AREA THAT'S BUILT HERE
838
00:37:47,770 --> 00:37:52,470
AND HEARD A VOICE SAY,
"MAMA."
839
00:37:52,470 --> 00:37:55,300
OKAY, THAT IS SO WEIRD.
840
00:37:55,300 --> 00:37:56,570
ALRIGHT. I'M COMING OUT.
841
00:38:01,100 --> 00:38:03,000
Phil: THAT'S CRAZY.
842
00:38:03,000 --> 00:38:04,500
YEAH, YEAH, YEAH.
843
00:38:04,500 --> 00:38:06,370
YOU DID NOT HEAR "MAMA."
844
00:38:06,370 --> 00:38:08,000
I MOST CERTAINLY DID.
845
00:38:08,000 --> 00:38:11,840
ONE OF THE DOLLS
ABSOLUTELY STARTED TALKING.
846
00:38:11,840 --> 00:38:13,570
WE HEAD BACK INTO
THE SHACK WITH JESS,
847
00:38:13,570 --> 00:38:15,570
BUT WE DON'T HEAR ANYTHING ELSE.
848
00:38:15,570 --> 00:38:17,400
WE ALSO CAN'T FIND ANY REASON
849
00:38:17,400 --> 00:38:20,240
WHY THE DOLL ABOVE HER
WAS SWAYING.
850
00:38:22,000 --> 00:38:24,840
THE AMOUNT OF ACTIVITY
THAT ONLY YOU HAVE HAD
851
00:38:24,840 --> 00:38:27,170
AND WE'VE BEEN ABLE
TO DOCUMENT, I THINK,
852
00:38:27,170 --> 00:38:29,900
IS INTRIGUING ENOUGH
THAT IT'S REALLY INTERESTING.
853
00:38:29,900 --> 00:38:31,300
WE GET A LONG BOAT RIDE BACK.
854
00:38:31,300 --> 00:38:34,040
SO I THINK WE SHOULD PACK UP
OUR GEAR AND GET OUT OF HERE.
855
00:38:34,040 --> 00:38:36,270
I'M DOWN FOR THAT.
LET'S DO IT.
856
00:38:40,530 --> 00:38:41,970
ALTHOUGH WE'RE LEAVING,
857
00:38:41,970 --> 00:38:45,200
OUR INVESTIGATION OF THE ISLAND
OF THE DOLLS IS FAR FROM OVER.
858
00:38:45,200 --> 00:38:54,170
{\an8}♪♪
859
00:38:54,170 --> 00:38:57,200
Chobot: AFTER SPENDING SEVERAL
HOURS ANALYZING THE RECORDINGS,
860
00:38:57,200 --> 00:39:00,370
WE WERE ABLE TO ISOLATE
SOME REALLY STRANGE SOUNDS.
861
00:39:00,370 --> 00:39:02,900
JASON AND I THOUGHT WE HEARD
A VOICE CALLING OUT TO US
862
00:39:02,900 --> 00:39:04,370
THAT HE AND PHIL RECORDED.
863
00:39:04,370 --> 00:39:07,400
{\an8}COULD BE HIM,
COULD BE SOME --
864
00:39:07,400 --> 00:39:09,270
WHAT IS THAT?
865
00:39:09,270 --> 00:39:10,530
YEAH, RIGHT THERE.
866
00:39:10,530 --> 00:39:12,240
WE LISTEN BACK TO THE AUDIO
867
00:39:12,240 --> 00:39:16,370
AND AFTER AMPLIFYING
THE RECORDING, WE HEARD THIS.
868
00:39:19,340 --> 00:39:20,370
I HEAR SOMETHING.
869
00:39:20,370 --> 00:39:22,440
LET ME REWIND IT
A LITTLE BIT.
870
00:39:26,040 --> 00:39:29,670
I MEAN, TO ME, THAT ALMOST
SOUNDS LIKE "AYúDAME,"
871
00:39:29,670 --> 00:39:31,970
WHICH MEANS
"HELP ME" IN SPANISH.
872
00:39:34,440 --> 00:39:37,140
Phil: THEN CAME JESSICA'S
30-MINUTE SOLO SESSION.
873
00:39:37,140 --> 00:39:39,940
JASON AND I BOTH SAW
A SHADOW FIGURE
874
00:39:39,940 --> 00:39:41,200
AGAINST THE BACK WALL.
875
00:39:41,200 --> 00:39:43,170
THERE.
OH, YEAH, I SEE IT.
876
00:39:43,170 --> 00:39:44,470
BUT AFTER LOOKING AT IT CLOSELY,
877
00:39:44,470 --> 00:39:46,870
WE CAN'T RULE OUT THAT IT COULD
HAVE BEEN A SHADOW CAST
878
00:39:46,870 --> 00:39:50,470
BY AN ANIMAL
OR SOMETHING OUTSIDE THE SHACK.
879
00:39:50,470 --> 00:39:54,070
I WILL GIVE YOU
THE LIGHT THING.
880
00:39:54,070 --> 00:39:55,340
THAT IS...
881
00:39:55,340 --> 00:39:57,500
AAH! IT DID IT AGAIN.
OKAY.
882
00:39:57,500 --> 00:39:58,940
AND FINALLY,
THERE WAS THE MOMENT
883
00:39:58,940 --> 00:40:01,870
WHEN THE DOLL ABOVE ME MOVED
AND I DISTINCTLY HEARD
884
00:40:01,870 --> 00:40:05,530
WHAT SOUNDED LIKE
ONE OF THE DOLLS SAYING "MAMA."
885
00:40:07,470 --> 00:40:09,740
I REALLY DO THINK
SOMETHING REALLY WEIRD'S
886
00:40:09,740 --> 00:40:11,530
GOING ON OVER THERE,
LIKE 100%.
887
00:40:11,530 --> 00:40:17,070
{\an8}♪♪
888
00:40:17,070 --> 00:40:19,440
Gates: WE CAN ALL AGREE
THAT THE ISLAND OF THE DOLLS
889
00:40:19,440 --> 00:40:21,600
IS A DEEPLY DISTURBING PLACE.
890
00:40:21,600 --> 00:40:23,800
IT IS A FACT THAT A YOUNG GIRL
891
00:40:23,800 --> 00:40:26,140
AND THE ISLAND'S
ORIGINAL CARETAKER
892
00:40:26,140 --> 00:40:29,340
BOTH DROWNED HERE
FOR REASONS UNKNOWN.
893
00:40:29,340 --> 00:40:31,500
BUT AS TO WHETHER
THE YOUNG GIRL'S GHOST
894
00:40:31,500 --> 00:40:35,630
OR THE VICTIMS OF NEARBY AZTEC
RITUALS HAUNT THE ISLAND
895
00:40:35,630 --> 00:40:38,040
IS A MATTER OF SPIRITED DEBATE.
896
00:40:38,040 --> 00:40:41,670
AAH! IT DID IT AGAIN.
OKAY.
897
00:40:41,670 --> 00:40:43,070
Gates:
PHIL'S TESTS REVEAL THAT
898
00:40:43,070 --> 00:40:46,530
ALTHOUGH THERE ARE ELEVATED
GAS LEVELS AROUND THE ISLAND,
899
00:40:46,530 --> 00:40:50,200
THEY'RE NOT HIGH ENOUGH
TO CAUSE HALLUCINATIONS.
900
00:40:50,200 --> 00:40:52,570
IT IS ALSO WORTH NOTING
THAT MEXICO CITY
901
00:40:52,570 --> 00:40:55,630
IS A PLACE OF DEEPLY
HELD RELIGIOUS BELIEFS
902
00:40:55,630 --> 00:40:58,340
THAT MAY SHAPE
PEOPLE'S EXPERIENCES.
903
00:40:58,340 --> 00:41:01,600
CATHOLICISM BROUGHT
BY THE SPANISH CONQUISTADORS
904
00:41:01,600 --> 00:41:03,700
MIXED WITH ANCIENT RITUALS
905
00:41:03,700 --> 00:41:07,670
THAT ARE STILL CONDUCTED
TO HONOR AZTEC HERITAGE.
906
00:41:07,670 --> 00:41:10,940
BUT JESS' ENCOUNTERS
IN THE SHACK BOTH BY DAY...
907
00:41:10,940 --> 00:41:13,630
{\an8}OH, MY GOD.
I'M GONNA START CRYING.
908
00:41:13,630 --> 00:41:17,000
{\an8}Gates: ...AND AT NIGHT
ARE HARD TO EXPLAIN AWAY,
909
00:41:17,000 --> 00:41:20,700
{\an8}AS ARE THE NOISES
CAPTURED ON THE ISLAND.
910
00:41:20,700 --> 00:41:25,000
{\an8}VOICES THAT SEEM TO CRY OUT
FROM THE BEYOND.
911
00:41:25,000 --> 00:41:31,240
{\an8}♪♪
69587
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