Original subtitles

( all cheering )

Hey. Hey, come on!

( rock 'n' roll music playing )

( cheering )

Hey, man.

( all arguing incoherently )

Please. Oh, no, get off me.

Come on, now.

I thought I told you you weren't invited.

Now, come on. Whoa, whoa,

hold it, big daddy. We got an invitation.

Let's go. You too. No, you too, come on outta here.

Hey, Phil, come on, buddy-boy.

Or what?

The police?

You gonna call the fuzz?

( all cheering loudly )

( loud crashing )

I gotta talk to you.

He's making noise about calling the cops.

Wouldn't you? He can't.

Why?

( slow, dramatic theme playing )

NARRATOR:

( dramatic theme playing )

A QM Production.

Starring David Janssen as Dr. Richard Kimble.

An innocent victim of blind justice,

falsely convicted for the murder of his wife,

reprieved by fate when a train wreck freed him

en route to the death house.

Freed him to hide in lonely desperation,

to change his identity, to toil at many jobs.

Freed him to search for a one-armed man

he saw leave the scene of the crime.

Freed him to run before the relentless pursuit

of the police lieutenant obsessed with his capture.

ANNOUNCER: The co-stars in tonight's story:

Katherine Crawford.

Mark Goddard.

Joan Tompkins.

Anthony Call.

NARRATOR:

( slow, dramatic theme playing )

Douglas.

I came out to see if my car had been cleaned.

I may want to use it.

Yes, ma'am, I did it first thing.

Thank you.

NARRATOR: Two years ago, this man was Richard Kimble,

Doctor of Medicine.

Today, he is Douglas Beckett,

employed in the hills above Los Angeles,

he is a trusted chauffeur and gateman.

He is also still a fugitive.

( light, dramatic theme playing )

( sighs )

Oh, Danny, where've you been?

Just working.

I telephoned everywhere.

( sighs )

Oh.

Wonderful things are happening.

You know my party tonight?

Mm-hm.

I want you to come.

It's okay with your folks?

It doesn't matter, they won't be home.

( murmurs quietly )

It's just perfect.

Senator Barnes flew into town yesterday

and tonight there's this dinner party at the Cooper's.

And Mother just couldn't let Daddy miss a--

A supper with Senator Barnes

and all those government contracts.

So you see, it's just perfect.

I know, I know.

A duchess and a stable boy.

Oh, Danny.

Look, I--

I never wanted a party without you there.

It was only that-- Well, I didn't ask you

because I wanted to save you being embarrassed by anything--

Yeah,

by anything your mother might say or do.

Aw, honey, I know, but--

(phone ringing )

But I don't know about this.

Yes?

Uh, Joanne?

Phil Andrews is here to see you, dear.

Oh, Mother, can't you tell him that I'm not in?

Uh, Warren, show Mr. Andrews into the study, please.

Uh, Joanne?

He wants you to go sailing with him, dear.

And really, it's been a month since you've seen him at all.

Now, uh,

he's waiting in the study for you.

Please come up.

I've gotta go get rid of Phil Andrews.

Jonesy?

I don't wanna come tonight behind their backs.

Can't we talk to your mother?

Do you want to tell her?

Well, I'd rather go through that again than, uh,

sneak around anymore.

( slow, dramatic theme playing )

All right.

I'll go get rid of Phil Andrews and we'll talk to her.

I won't be long.

Douglas.

Hi, Doug.

What's the good word?

Oh, chlorine.

I live in a whole little world of chemical smells.

Chlorine, formaldehyde.

You know, I may give up pre-med

and take up making stink bombs.

Yeah. Have you registered yet?

No, registration's Monday.

You know, I think I might take that course in embryology

I told you about.

I'd be the only senior in the class--

WOMAN: Douglas?

Oh, Douglas, I want you inside for a minute, please.

Good morning, Mrs. Glenn.

Well, Danny, isn't tomorrow your day?

Yes, for the pool, uh--

But I, uh, wanted to see Joanne so...

Why, I'm sorry,

Joanne has a visitor just now.

May I give her a message?

No, thanks. I was--

Well, uh, Douglas, as soon as you're finished

then I'll see you inside.

Thank you. Yes, ma'am.

Hm. I really blew that.

What do you mean?

I wanted to ask her something about the party tonight.

There still gonna be a party?

Yeah, why wouldn't there be?

I got the, uh, feeling that Joney

was going away for the weekend.

No, maybe tomorrow.

She, uh,

she wants me to come tonight.

Seems, uh, her folks won't be home to com--

Object.

Since you volunteered your confidence,

I'll volunteer a little, uh,

advice for what it's worth.

If you're really serious about Jonesy,

I think she needs a guy

that'll stand up to her mother and father.

For what it's worth.

We wouldn't have to go sailing, Joanne.

We could do anything you like.

Just, uh, bum around,

uh, fly someplace.

I don't know.

Well, I have several things planned,

but it's very lovely seeing you again, Phil.

Bye, now.

( chuckles ): Okay, bye.

Goodbye, Mrs. Glenn.

Goodbye, Phil.

Joanne.

Hey, there, good buddy.

Phil.

New car?

Yeah, I traded with my cousin.

Real nice.

Uh, you coming to the party tonight?

What party?

Oh, uh,

I heard Joanne was having some kind of a blast,

but I'm probably wrong.

Ah, maybe she'll call me later.

You, uh, doing our pool today?

Yeah, in a little while.

Holler for me, I've got a cold beer.

Okay, you've got yourself a customer.

( starts engine )

Darling, Phil Andrews is right for you

and you've had a-a nice friendship

and you'll both mature together.

I'm asking you, Mother,

stop pushing him at me.

Pushing him at you?

He irritates me. Hasn't anyone ever irritated you?

Isn't that a little petty?

I hope you won't be as rude to him tonight

as you were just now.

He isn't coming tonight.

I didn't invite him, Mother.

Remember, I don't want him.

But they're all your mutual friends,

I mean, people who know both of you.

What of it?

Joanne, I'm afraid I'm going to have to instruct you.

Call Phil and invite him.

Is that quite clear?

Douglas, I've already told Warren

where I want the furniture.

Uh, but I think you'll have to help him move it.

My suggestion is we start with the sofa.

( light, somber theme playing )

JOANNE: Danny?

Danny?

Can we talk to her now?

No, forget it. Just come tonight.

What happened?

Same thing that always happens.

Mother arranges things.

But this isn't her party, it's mine.

It's ours.

Danny, I told you that it was important

for you to come tonight.

This is going to be our wedding party.

We're going to elope.

Aw, Jonesy, come on, now.

We've been over this and over it.

Look, I'm sick and tired

of talking about getting married someday.

I want it to be now.

I love you. I mean it.

And I love you. And I don't want your folks being sore at you

for the rest of your life.

They'll accept it after it's done.

No, Jonesy.

Look, it's not far to Mexico,

and-and this is the perfect night.

The kids will keep the party alive to cover for us.

We'll use my car.

Danny.

Please?

No, Jonesy, I-- I don't think I'd even better come tonight.

Danny,

please.

Now, Douglas, I'm sure you understand

that it will by impossible

for Mr. Glenn and me to stay in tonight.

I understand.

And the youngsters seem to respect you,

so, um,

I'm putting you in charge.

You're to chaperon my daughter's party.

Uh, these are the guests.

The, uh, only guests.

( slow, dramatic theme playing )

Anyway, uh,

I, uh-- I didn't mean to mention a party, Phil.

Forget it. What the hey?

I just don't score with Joanne, you know?

She just probably forgot. Forget it.

That's a kooky hobby you've got.

( slow, mysterious theme playing )

Some guys collect stamps...

...some guys collect dames.

( sighs )

Look, Phil, uh, thanks for the beer.

I better go down and do your pool.

Okay, so what if I just showed up over there?

Just went?

( chuckles nervously )

It's not my party.

It's none of my business.

Well, who'd be there to stop us?

I mean, like, say, Buzzy and Joe and I went over?

The chauffeur and the houseman, I guess.

Warren?

( scoffs )

What about the chauffeur? He give us any trouble?

Oh, you'd have to ask him.

Wanna go with us?

No, thanks.

Okay.

But, uh,

maybe I'll try it.

( dramatic theme playing )

Uh, Buzz?

Phil.

Yeah, yeah. Uh,

how'd you and, uh, Joe like to go to a party tonight?

( suspenseful theme playing )

( rock 'n' roll music playing inside )

Charles, we're gonna be very late.

What are you doing, dear?

CHARLES: Hm?

Well, actually, I'm kind of regretting

that we made this engagement for tonight.

( giggles ): Oh, Charles,

you and your insecurity.

Oh, I don't mean Senator Barnes.

Well, of course not.

He doesn't impress you,

you impress him.

Senators are not superior beings, you know,

they just have superior influence where it counts.

Well, I could see him during business hours, you know.

Darling, you're a brilliant organizer.

I want the Senator to know

that you are a charming, brilliant organizer.

Well, it still bothers me leaving Joanne

with this party. A house full of kids.

They're young adults, my dear,

and they're all from the very best families.

You know,

I think we can look forward to a very nice match

for our daughter.

Young Phil Andrews is coming

and he is seriously interested.

( rock 'n' roll music playing )

( doorbell rings )

Hello, Warren. Good evening, Warren.

I know all these kids, they're on the list.

( all chatting )

Well, Douglas,

try to maintain reasonable order, won't you?

They're good kids. They won't be any trouble.

And I think you should give Douglas

the Cooper's phone number, dear.

Oh, it's Brighton something or oth--

It's, uh, in the book by the phone in the study.

Yes, sir. I want you to call us,

uh, say about 10:00? All right.

Mm-hm, in case your evening gets dull.

Oh, Charles, we're terribly late.

Where's, uh--? Oh, there.

Excuse me.

Have a lovely evening, dear.

We'll try not to be late.

Thank you. What do I wish you?

Success?

Thank you.

Is, uh--?

Phil's not here.

I didn't ask him.

"Etiology of Delinquent and Criminal Behavior."

You know, you gotta be a brain just to read the titles.

What's etiology?

Causes and reasons.

Oh.

You know, you could start your own FBI.

Just a hobby.

Keeps me out of trouble.

You know, man, if you ever grabbed somebody like that,

can you imagine?

Pow.

Pictures in the paper, TV, flashbulbs.

A long shot. ( car horn honking )

Joe's here, come on. Party time.

Oh, wait.

Just the chauffeur. You're sure?

I'm sure.

Okay.

Charge.

( rock 'n' roll music playing)

How's it goin'?

Welcome to the party.

Excuse us, I've gotta steal him away.

We'll be right back.

You came, you came,

I knew you'd come.

Mm.

Okay, I-- I came to the party.

That doesn't mean we're eloping.

But, Danny, it does.

Honey, people just don't elope without making plans.

Oh, but I have. I have a suitcase all packed

for us in my car.

Seriously? Mm-hm.

I did it this morning before I saw you at the pool.

And yesterday I went shopping for you

and bought everything.

Size 10 and a half socks. And 15 and a half 33 shirt.

And a razor and your favorite shaving things.

Mm.

And the Country Squire in Laguna

has the bridal suite reserved

for Mr. and Mrs. Daniel Harvey Holt.

Why didn't you tell me?

Well, I thought it would be a pleasant surprise.

Maybe I'm wrong, hm?

Honey, uh, you know I love you, but...

Well, I know you say you do.

Well, now if there's any doubt in your mind about that, uh,

you sure don't want me for a husband.

Danny,

all I want is you.

If you don't take me away I'll be--

I'll be sent to the proper schools,

and married to the proper man,

and join all the proper clubs,

and live a lovely, proper,

nothing life.

And the thought of it tears me apart.

Look, I-I love my mother

but I can't stand up to her any longer

so it's got to be now,

tonight for us, or...

I don't know what I'll do.

All right, Jonesy.

Okay.

Now our only hurdle is Douglas.

Once we get passed him, I'm free.

( doorbell rings )

Hi, there. Name please.

Joe. Just a moment--

( arguing indistinctly )

Only invited guests are--

( all talking indistinctly )

( talking continues )

Now is the time for all good crashers

to come to the aid of the party.

Am I right? Huh?

Uh, you're wrong.

Oh, if you're the Glenn's chauffeur,

I'm Phil Andrews, uh,

we're friends of Joanne's.

KIMBLE: Are your names on the list?

No, he isn't.

Joanne, it's three more guys.

Maybe it's my fault, Jonesy.

No, I'm sorry, my mother set a limit.

( chuckles unsurely )

That's it, fellows. Sorry.

Only the names on the list,

let's go.

Come on.

It's all right.

They just got a little mixed up.

Now, everybody happy?

( all responding positively )

Crash, he said.

Big operator.

Yeah, I wonder if he's got any other big ideas.

( laughs ) So what do we care?

Let's go to the castle. I'll buy, okay?

Oh, heh, I'm not hungry.

Hey, why don't we drop Phil off at his place?

We've had it.

( starts engine )

Gee, honey, I'm awfully sorry about Phil,

I-I made a bigmouth goof,

I mentioned the party to him.

Well, at least we got rid of him.

He's the type that would try to make trouble for us.

You didn't tell him about the elopement, did you?

No. No.

I've got a feeling Douglas is wise.

Why?

Well, this afternoon,

he said something about, uh, you going away.

He must have seen me put my things in the car.

He's pretty sharp.

( slow, dramatic theme playing )

Hey. ( whistles )

Hey, baby, over here, chop, chop.

Right here. Coming.

Here, honey,

for your hope chest.

Hey, there, good buddies.

All of a sudden I got so hungry.

Still wanna go to the party?

Do you like getting kicked out on your tail?

Not tonight. Not anymore.

It just so happens I got a pass.

Oh, a pass, huh?

Maybe your, uh, chauffeur-type can't read.

He can read this.

I'll have him down on his knees, begging.

"Yes, sir, please sir.

Walk right in, sir".

What do you say?

What do you say?

He means it.

Let's get it on.

Twist my arm.

( laughs )

( grunts )

Hey, Dave? Party, come on.

Hey, party time. ( everyone talking excitedly )

Hey, hey, come on, guys.

Not the whole gang.

You guys know where it is?

Joanne Glenn's place. ( all arguing )

Listen, they can't, not all of them.

( everyone cheering excitedly )

( suspenseful theme playing )

( rock 'n' roll music playing )

All right, you'll have to move some cars to get mine out.

The keys are in it. Hurry.

No, no trouble, Mr. Glenn.

I had to turn away a couple of boys

who came without invitations.

But they left peacefully.

Well, Douglas, I'm sorry this has happened.

I'm sorry you got saddled with it.

Now, you're sure that nobody's feelings were hurt?

All right. Now, uh,

we'll be here at the Cooper's for perhaps another hour

and then we're coming home.

Charles.

Yes, now, call if you need us.

Yes, sir.

Thank you.

What happened?

Well, Douglas had to turn away a few uninvited friends.

Oh, is that all?

Well, it's enough.

Well, it isn't a crisis.

Oh, I didn't call it that.

But you said we'd be home in an hour. We can't.

We should be home now.

Oh, Charles, why don't you have some confidence in Joanne?

I do. I do.

But I just don't like leaving her welfare

to a chauffeur and a butler.

Well, really, you--

It isn't the time or the place to argue.

Madge?

Look, can't we--? Can't we just politely say

our thank you's and leave?

No, we cannot.

The senator wants to go to that new little club on Pico.

Well, get us out of it.

No, Charles, it was my suggestion.

Then get me out of it.

I'm not going on any round of night clubs,

I'm going home.

Alone?

Wouldn't that be sweet?

Madge...

Madge, does this nonsense--?

Is it really so important to you?

Your position is important to your wife and to your daughter,

even if you don't think so.

Now, Charles, I've worked hard

for whatever we've achieved tonight.

Don't throw it away, hm?

( slow, dramatic theme playing )

Shut it off.

Where are you going?

Out.

Come on, Danny.

I need some fresh air.

Where's your car?

I like this one better.

Because it comes complete with Joney's suitcase in the trunk?

All right, what are you, uh,

the Gestapo or just a nosey guy?

You sound like, uh, about 10 years old.

You're not gonna stop us, Douglas.

You and Joney think you're going to elope, is that it?

You're a real smart guy.

No, actually, I'm pretty stupid.

I thought you and Joney were a couple of kids

who might really be in love.

We are.

Yeah, sure.

You act like it.

You face the problems like real adults, don't you?

What other chance have we got?

Her folks treat me like dirt.

My-my aunt and uncle, they just laugh.

They call it puppy love.

What are you making it look like?

Douglas, Joanne and I have been in love

for almost three years.

Do you know what that's like?

One girl, nobody else.

And loving her

and wanting all the time to touch her

and at the same time hating yourself for wanting to.

Yeah.

You got, uh, a year of college left, right?

Then what about med school?

JOANNE: He's going to med school.

I don't suggest you interfere with this, Douglas,

stick to your cars

or you may be fired tomorrow.

Tomorrow.

Tonight, your parents left me in charge.

Oh, and does my mother pay you an extra bonus for spying?

Look, Douglas, we love each other.

Well, then why do this behind peoples' backs?

We're not hurting anyone, we're--

We're going to get married and he'll go to medical school.

With a wife to support?

I've got money of my own.

And if it's not enough, I'll get a job.

Where are you gonna leave the baby?

There won't be any baby.

At least not for a while.

Oh, I don't think you're mature enough to handle that either.

So go ahead, run away. She can afford it.

But you can't buy an M.D. degree.

Med school is tough. It's very tough.

You won't see much of each other but you won't be bored.

No, you'll be studying night and day.

Saturdays and Sundays.

And you'll be running things.

Your own life your own way, that's all you want, isn't it?

Douglas, it's tough to wait.

People wait. Animals don't.

All right, so he'll call my parents

but it'll be too late. Let's go.

Joanne.

What're you doing?

We're not going.

Danny.

Danny, look, you can't let him talk us out of this.

Just because he said--

A couple of pretty important things.

He can't tell us what to do. Nobody can.

I am not going to let another person ever

arrange one more day of my life.

But you're arranging mine.

Danny...

Danny, look, it's us.

Jonesy, honey,

it makes me sick to my stomach to argue with you.

Maybe that's why your father never argues with your mother.

That's why she rules him. Well, now she's ruling us.

She's making us do something that isn't right

just because she disapproves of me.

Well, that's not reason enough.

Danny, I'm warning you, don't--

Jonesy, don't put it like that.

Let's try to stand up to people.

Jonesy--

( car tires screeching )

( all cheering )

( cheering loudly )

( people gasping and cheering )

Hey-- Please.

You can't just--

Please. Stop it.

( all talking indistinctly )

I thought I told you you weren't invited.

Now, come on. Whoa, hold it, big daddy.

We got an invitation.

Let's go, you too. No, you too, come on, out of here.

Hey, Phil, come on, buddy-boy.

Or what?

The police?

You gonna call the fuzz?

I'd rather not do that.

PHIL: Why not?

You need help. Go ahead, call 'em.

Look, I don't wanna get you kids into trouble.

I just want you out of here.

Hey, Joanne?

Douglas.

My, you're persistent, aren't you?

I'm sorry, Joanne, I didn't think there'd be so many.

Let them stay.

I want them here.

Douglas, pick up the vase.

Oh, they're all friends of hers, Douglas,

uh, they're pretty good kids.

Hm.

( dark, suspenseful theme playing )

I'm going upstairs to change my clothes.

Be down in a little while.

Have fun.

( chuckling )

( rock 'n' roll music playing )

( laughter )

Yes.

Well, no, I was trying to reach a Mr. Charles Glenn.

(loud crash)

Forget it.

( music slows to a stop )

Hey, guys, look. Spaghetti.

( laughing and cheering )

( whistles )

( all shouting loudly )

( loud cheering )

( guests groaning )

( cheering )

MAN: Hey, here we go!

I betcha there's some upstairs, huh?

No. Listen--

Do you wanna go get some booze?

Dave--?

Hello, sergeant, there's a party going on

at the Charles Glenn residence,

uh, that's on Little Fox Road above Sunset.

(crashing)

L-look, it's getting a little out of hand, uh,

maybe you better send one of your patrol cars over here.

Yes, it's, uh, 7-1-3...

Now, I went along with this because somebody said

that you were friends of the Glenns,

and that you were nice kids.

Now, if there's any more damage,

I'm gonna do everything I have to

to get you out of here.

Thank you.

PHIL: Danny.

I gotta talk to you.

He's making noise about calling the cops.

Wouldn't you? He can't.

Why?

( slow, dramatic theme playing )

I, uh, read the background stuff on him.

Supposed to have killed his wife.

He confess?

You don't confess when you got a chance.

Circumstantial evidence like that.

That's all and nothing else?

He was tried and convicted.

Danny, we could call the cops-- Shut up.

Danny, you don't get many chances like this.

Headlines, pictures in the papers, TV.

We split it down the middle, you and me--

Would you lay off?

I'm gonna handle this, Phil.

I want you to keep your mouth shut,

and I mean it.

( all talking excitedly )

( shouting )

( crashing ) ( shouting )

( grunts )

My ankle.

It's twisted, Doug.

Clean this place up.

I'm gonna take him to his room.

The party's over.

Understand? The party is over.

Come on.

Don't break your back.

( chuckles dryly )

No, you just don't walk away.

( gasps sarcastically )

( laughs )

( people shouting )

Hey, liquor cabinet's locked.

We couldn't get it open.

Maybe we better forget it.

Wonder where Joanne's room is.

She probably knows where the key is.

Hey, Joanne? JOANNE: Who called?

Hey, Joanne-- Hey...

Uh, Joanne, where's the key to the liquor cabinet?

What's the matter? The party getting dull?

No, we just thought that maybe we'd spike the punch, you know?

Oh, well, I'll be down after a while

and we'll see what we can do.

Hm.

Uh, Buzzy, listen, don't--

Need any help, Joanne?

( screaming and shouting )

Come on, now,

all I want is one lousy little kiss.

Me, too, baby.

Come on.

( screaming )

Now, you get 'em out of here.

All of them, right now. Come on.

( Joanne screams )

( dramatic theme playing )

All right, come on, let's get out of here.

KIMBLE: Come on.

Danny, I'm sorry.

KIMBLE: That goes for you too, kid.

( sobbing ): Savages. Savages. Savages.

Are you all right?

Didn't you see?

I didn't like what I saw.

I saw you ask for that.

Now are--? Are you all right

or are you just feeling sorry for yourself?

Danny--

( gasping )

You better take a cold shower.

Danny--

Danny.

( crying )

Danny, I'm sorry.

I'm sorry. I'm sorry.

DANNY: Douglas?

Doug, I, uh...

...I just called the cops a few minutes ago.

( dramatic theme playing )

Thanks, Danny.

Make sure they get the right kids.

( yawning ): In my opinion,

it was just a thoroughly successful evening.

That's what Joanne wished us when we left.

Remember?

( giggles ): Did she?

Success?

I'm wondering if she was avoiding things like, uh,

have a good time,

have fun, be happy...

Oh, Charles, you're not still peeved, are you?

Everything's going so well.

According to plan?

You know, we built everything according to your plan

and specifications, Madge,

and I'm not real sure we haven't built something ugly.

OFFICER: Who's in charge here?

I, uh, I-- I made the call, officer.

Party-crashers, huh?

You think we got 'em all?

I don't know. I'd have to check.

You the chaperon?

Mrs. Glenn left me in charge, yes.

Okay, Danny, now?

You open your mouth, Phil,

and I'll tell them exactly who started this little circus.

Wait.

Wait.

Well, it looks like we got here none too soon.

You wanna prefer charges?

That'll be up to Mr. and Mrs. Glenn.

Where are they?

Out.

( loud gasping )

What does this mean? What does this mean?

Now, easy, Madge. Mrs. Glenn,

if you'll just try to calm-- You shut up.

I left you in charge. Where were you?

Where were you?

Officer, I want the responsibility for this fixed.

Maybe Douglas just did that, Mrs. Glenn.

( slow, dramatic theme playing )

You. He's the one.

No, he's not.

He was the one that called us.

KIMBLE: I tried to reach you at the Cooper's residence.

Then I called two or three night clubs.

You folks wanna prefer charges?

Well, I don't know-- Th--

MRS. GLENN: But that's Phil Andrews,

and Buzzy Phelps?

Mary--

Uh, Charles?

Well, I-- I guess you better move the car.

OFFICER: I'm afraid we'll have to know

if you intend to press charges, Mrs. Glenn.

They're all from good families,

people we know socially.

People my husband does business with.

We'll press charges.

All right, whose nice,

bright little idea was this?

The brain.

Big time Charlie.

( chuckles ): Look, I just wanted--

He's gone.

Grab him. That's Kimble.

That's Richard Kimble.

Look, you'll lose him. He's an interstate fugitive,

a murderer. That's Kimble!

Danny, show them. Show them the picture.

There's, uh, been a little bit of drinking going on--

I bet there was. Danny--

What did you say your name was?

I asked for your name. Please!

PHIL: Andrews. Phil Andrews.

Where's Joanne?

So we finally get around to your daughter.

Is she all right?

Well, that all depends

how you mean the questions, Mr. Glenn.

Uh, some of her friends gave her a pretty bad time.

They might have even treated her worse than they did

your house or your reputation.

She's upstairs.

( gasps softly )

( intense theme playing )

( dramatic theme playing )

Danny, we're, uh,

not unwilling to discuss these matters with you,

it's just that...

I'm still so terribly upset.

Mother, so am I.

And, uh, I have business people here.

Mrs. Glenn,

Joanne and I are going to be married.

Now or later. We don't have to wait.

I have the permission of my guardians

and Joanne's old enough.

She doesn't need yours.

Well, now, you are planning to go back to school.

How do you expect to support my daughter?

Not your daughter.

My wife.

Charles?

Go on, Danny.

I've worked very hard for my education, Mrs. Glenn.

I want the rest of it. All of it.

We also want your blessings.

We'll work for that.

Right now we wanna talk

about how, and when, and where.

( tender theme playing )

I think we ought to talk about it now.

All right, dear.

Go tell the insurance man to call me later tonight.

NARRATOR: The world in which young people get married,

and share love and build dreams,

is a thousand miles from the world

in which Richard Kimble walks.

The world of pursuit and fear.

The world of a fugitive.

( dramatic theme playing )

( dramatic theme playing )