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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:58,580 --> 00:01:01,322 [CLOCK CHIMING] 2 00:01:09,199 --> 00:01:11,245 [BABY CRYING] 3 00:02:51,519 --> 00:02:53,651 [WOMAN] HEY, LOOK! IT'S THE PRESIDENT! 4 00:02:54,826 --> 00:02:56,785 AND THE POPE! 5 00:03:00,832 --> 00:03:03,835 YEE-AAH! YAH! 6 00:03:03,879 --> 00:03:05,837 OOH-LA-LA-LA-LA-LA! 7 00:03:05,881 --> 00:03:07,883 OW! 8 00:03:09,363 --> 00:03:11,278 WAAH! WAAH!WAAH! 9 00:03:11,321 --> 00:03:12,975 [MAN] OH, MY GOD! 10 00:03:13,018 --> 00:03:16,587 LOOK! IT'S DISGRUNTLED POSTAL WORKERS! 11 00:03:16,631 --> 00:03:18,807 [CLICK] 12 00:03:33,909 --> 00:03:35,432 WAIT A MINUTE! 13 00:03:35,476 --> 00:03:37,956 GIVE ME MY BABY BACK! 14 00:03:42,091 --> 00:03:43,048 AAH! AAH! 15 00:03:43,092 --> 00:03:44,049 FRANK! 16 00:03:44,093 --> 00:03:46,051 FRANK, ARE YOU ALL RIGHT? 17 00:03:46,095 --> 00:03:47,618 I'M SOAKING WET. 18 00:03:47,662 --> 00:03:48,967 I'LL GET THE TALCUM POWDER. 19 00:03:49,011 --> 00:03:51,535 IT'S NOT THAT. I HAD A NIGHTMARE. 20 00:03:51,579 --> 00:03:53,537 THERE WAS CRIME ALL AROUND ME. 21 00:03:53,581 --> 00:03:55,278 I COULDN'T STOP IT. 22 00:03:55,322 --> 00:03:56,975 IT WAS JUST A DREAM. 23 00:03:57,019 --> 00:03:59,500 ALL I NEED IS A GOOD NIGHT'S REST. 24 00:03:59,543 --> 00:04:03,025 IN THE MORNING, EVERYTHING WILL BE JUST FINE. 25 00:04:03,068 --> 00:04:04,461 AAH! AAH! 26 00:04:04,505 --> 00:04:07,377 AAH!AAH! 27 00:04:48,070 --> 00:04:49,027 WHOA! 28 00:04:49,071 --> 00:04:51,378 [WHISTLE BLOWS] 29 00:04:57,166 --> 00:04:59,647 SHOW ME WHAT YOU GOT! 30 00:05:01,605 --> 00:05:02,650 OW! 31 00:05:04,042 --> 00:05:06,044 [BELLS RING] 32 00:05:25,890 --> 00:05:28,328 OH! OH! 33 00:05:33,463 --> 00:05:35,813 AAH!AAH! 34 00:06:39,529 --> 00:06:42,750 AH-HA HA HA HA HA! 35 00:06:48,582 --> 00:06:50,758 [BEEP] 36 00:06:50,801 --> 00:06:52,803 [BUZZER] 37 00:07:21,092 --> 00:07:22,616 HOW'S MY LITTLE BOY? 38 00:07:22,659 --> 00:07:25,488 GETTING ALONG O.K., SWEETIE? 39 00:07:25,532 --> 00:07:27,882 ABOUT AS WELL AS A HETEROSEXUAL CAN IN PRISON. 40 00:07:27,925 --> 00:07:30,754 I DON'T KNOW HOW MUCH LONGER I CAN TAKE IT. 41 00:07:30,798 --> 00:07:31,755 MA, HOW'S TANYA? 42 00:07:31,799 --> 00:07:33,496 TANYA'S THE SAME. 43 00:07:33,540 --> 00:07:34,932 MILKY, CREAMY SKIN, 44 00:07:34,976 --> 00:07:37,239 POUTING RED LIPS, FIRM BUTTOCKS, 45 00:07:37,282 --> 00:07:38,719 AMPLE BREASTS, 46 00:07:38,762 --> 00:07:40,938 EARS YOU'D LOVE TO STICK YOUR TONGUE INTO. 47 00:07:40,982 --> 00:07:43,245 I'LL GET GUY CRAMPS IF YOU KEEP THIS UP. 48 00:07:43,288 --> 00:07:44,725 SORRY. 49 00:07:44,768 --> 00:07:46,988 ROCCO, THERE'S SOMEBODY HERE TO SEE YOU. 50 00:07:51,819 --> 00:07:53,560 PAPSHMIR. 51 00:07:53,603 --> 00:07:55,562 MY PEOPLE ARE VERY UPSET. 52 00:07:55,605 --> 00:07:56,954 THEY'RE ALWAYS UPSET. 53 00:07:56,998 --> 00:07:59,653 THEY'RE ARAB TERRORISTS. 54 00:07:59,696 --> 00:08:00,654 MA, PLEASE. 55 00:08:00,697 --> 00:08:02,525 YOU'RE SUPPOSED TO BE 56 00:08:02,569 --> 00:08:04,962 THE FOREMOST TERRORIST BOMBER IN THE WORLD-- 57 00:08:05,006 --> 00:08:07,574 TRAIN STATIONS, DEPARTMENT STORES, GOVERNMENT BUILDINGS. 58 00:08:07,617 --> 00:08:08,966 THE DEVASTATION IN SOUTH FLORIDA? 59 00:08:09,010 --> 00:08:10,533 THAT WAS HURRICANE ANDREW. 60 00:08:10,577 --> 00:08:12,274 THAT'S WHAT THEY TOLD THE PUBLIC. 61 00:08:12,317 --> 00:08:13,623 NO MATTER. 62 00:08:13,667 --> 00:08:15,973 WE WANTED TO EMBARRASS THE UNITED STATES, 63 00:08:16,017 --> 00:08:17,540 AND YOU'VE MADE THE POLICE 64 00:08:17,584 --> 00:08:18,976 LOOK LIKE INTERNATIONAL HEROES. 65 00:08:19,020 --> 00:08:22,066 A FIRST-CLASS JOB COSTS 5 MILLION. 66 00:08:22,110 --> 00:08:24,678 IF YOU WANT TO STEP UP TO THE PRICE, 67 00:08:24,721 --> 00:08:28,682 I GOT A TARGET THAT'LL MAKE CITY HALL LOOK LIKE CHICKEN FEED. 68 00:08:31,032 --> 00:08:32,990 THAT'S A PRETTY BIG TARGET, 69 00:08:33,034 --> 00:08:35,123 BUT WHY SHOULD I THINK ANYTHING 70 00:08:35,166 --> 00:08:36,690 WOULD BE DIFFERENT? 71 00:08:36,733 --> 00:08:38,866 'CAUSE $5 MILLION BUYS ME. 72 00:08:39,910 --> 00:08:41,564 I'M BREAKING OUT OF HERE. 73 00:08:41,608 --> 00:08:42,696 ALL RIGHT, 74 00:08:42,739 --> 00:08:44,567 BUT FAIL THIS TIME, MR. DILLON, 75 00:08:44,611 --> 00:08:47,570 AND MY PEOPLE WON'T BE SO FORGIVING. 76 00:08:47,614 --> 00:08:49,006 FAIL? 77 00:08:49,050 --> 00:08:52,793 SHOW ME ONE MAN WHO CAN STOP ME. 78 00:08:52,836 --> 00:08:55,970 [HIP TO BE SQUAREPLAYS] 79 00:09:06,894 --> 00:09:10,767 ♪ I USED TO BE A RENEGADE ♪ 80 00:09:10,811 --> 00:09:12,726 ♪ I USED TO FOOL AROUND 81 00:09:14,031 --> 00:09:15,598 ♪ BUT I COULDN'T TAKE 82 00:09:15,642 --> 00:09:16,686 ♪ THE PUNISHMENT 83 00:09:16,730 --> 00:09:20,298 ♪ AND HAD TO SETTLE DOWN 84 00:09:20,342 --> 00:09:23,824 ♪ NOW I'M PLAYING IT REAL STRAIGHT ♪ 85 00:09:23,867 --> 00:09:27,175 ♪ AND, YES, I CUT MY HAIR... ♪ 86 00:09:27,218 --> 00:09:28,742 ATTENTION, SHOPPERS. 87 00:09:28,785 --> 00:09:31,353 BE SURE TO CHECK OUT OUR PAPER TOWEL SPECIAL 88 00:09:31,396 --> 00:09:32,963 ON AISLE 7. 89 00:09:33,007 --> 00:09:35,357 ♪ IT'S HIP TO BE SQUARE 90 00:09:35,400 --> 00:09:36,793 THAT'S AISLE 7. 91 00:09:36,837 --> 00:09:38,926 ♪ IT'S HIP TO BE SQUARE... ♪♪ 92 00:09:40,275 --> 00:09:41,885 AAH! 93 00:09:41,929 --> 00:09:43,974 HEY! 94 00:09:44,018 --> 00:09:45,802 HELP! 95 00:09:45,846 --> 00:09:47,282 GIVE IT TO ME! 96 00:09:47,325 --> 00:09:49,284 MY PURSE! SOMEBODY HELP ME! 97 00:09:49,327 --> 00:09:50,285 MY PURSE! 98 00:09:50,328 --> 00:09:52,200 STOP FIGHTING ME! 99 00:09:52,243 --> 00:09:53,767 ♪ HE'S A JOLLY GOOD FELLOW ♪ 100 00:09:53,810 --> 00:09:56,204 ♪ FOR HE'S A JOLLY GOOD FELLOW ♪ 101 00:09:56,247 --> 00:10:00,077 ♪ FOR HE'S A JOLLY GOOD FELLOW ♪ 102 00:10:00,121 --> 00:10:03,733 ♪ WHICH NOBODY CAN DENY ♪ 103 00:10:03,777 --> 00:10:06,431 HEAR! HEAR! 104 00:10:06,475 --> 00:10:07,998 WELL... 105 00:10:08,042 --> 00:10:11,001 WE SHOT A LOT OF PEOPLE TOGETHER. 106 00:10:11,045 --> 00:10:12,437 IT'S BEEN GREAT. 107 00:10:12,481 --> 00:10:14,004 BUT TODAY I RETIRE, 108 00:10:14,048 --> 00:10:16,006 SO IF I DO ANY SHOOTING NOW, 109 00:10:16,050 --> 00:10:18,443 IT'LL HAVE TO BE WITHIN THE CONFINES OF MY OWN HOME. 110 00:10:18,487 --> 00:10:20,445 HOPEFULLY, IT WILL BE AN INTRUDER 111 00:10:20,489 --> 00:10:23,013 AND NOT AN IN-LAW LIKE AT MY BACHELOR PARTY. 112 00:10:23,057 --> 00:10:25,668 WELL, ED, 113 00:10:25,712 --> 00:10:27,452 I OFFICIALLY GIVE YOU MY GUN... 114 00:10:27,496 --> 00:10:30,020 OH... 115 00:10:30,064 --> 00:10:33,458 AND MY--MY BADGE... 116 00:10:33,502 --> 00:10:34,721 OH. 117 00:10:34,764 --> 00:10:36,461 OH, I... 118 00:10:36,505 --> 00:10:38,463 AND, UH... 119 00:10:38,507 --> 00:10:41,466 JANE AND I WOULD LIKE TO KEEP THE HANDCUFFS 120 00:10:41,510 --> 00:10:44,034 AS A SOUVENIR. 121 00:10:44,078 --> 00:10:45,688 OH... 122 00:10:45,732 --> 00:10:48,386 CHEER UP, ED. THIS IS NOT GOODBYE. 123 00:10:48,430 --> 00:10:51,389 IT'S JUST "I WON'T EVER SEE YOU AGAIN." 124 00:10:51,433 --> 00:10:53,174 OH, FRANK. 125 00:10:54,784 --> 00:10:55,742 MY PURSE! 126 00:10:55,785 --> 00:10:57,482 SOMEBODY HELP ME! 127 00:10:57,526 --> 00:10:59,006 LIEUTENANT DREBIN! 128 00:10:59,049 --> 00:11:00,442 FRANK! 129 00:11:00,485 --> 00:11:02,009 DIDN'T YOU SEE THAT? 130 00:11:02,052 --> 00:11:03,010 WHAT? 131 00:11:03,053 --> 00:11:04,446 OH, YES. KITTY LITTER. 132 00:11:04,489 --> 00:11:06,448 2 BAGS FOR $1.00. 133 00:11:06,491 --> 00:11:07,449 GREAT. 134 00:11:07,492 --> 00:11:09,016 ORDER IN THIS COURT. 135 00:11:09,059 --> 00:11:11,453 THE JURY WILL DISREGARD THAT LAST STATEMENT. 136 00:11:11,496 --> 00:11:13,455 YOU MAY CONTINUE, COUNSELOR. 137 00:11:13,498 --> 00:11:16,458 ALIMONY HAD BEEN SET BY THE COURT, RIGHT, MR. CLAYTON? 138 00:11:16,501 --> 00:11:18,068 YES, BUT... 139 00:11:18,112 --> 00:11:21,028 BUT NOT ONCE HAVE YOU PAID ALIMONY TO MY CLIENT, 140 00:11:21,071 --> 00:11:22,464 REPEATEDLY DEFYING A COURT ORDER. 141 00:11:22,507 --> 00:11:24,509 ISN'T THAT RIGHT, MR. CLAYTON? 142 00:11:24,553 --> 00:11:26,076 I LOST HER ADDRESS. 143 00:11:26,120 --> 00:11:28,818 SHE MOVED TWICE. I COULDN'T KEEP UP. 144 00:11:28,862 --> 00:11:30,472 DON'T LIE TO ME, MR. CLAYTON. 145 00:11:30,515 --> 00:11:32,039 YOU'RE UNDER OATH. 146 00:11:32,082 --> 00:11:34,737 DO YOU KNOW THE PENALTY FOR PERJURY? 147 00:11:34,781 --> 00:11:35,738 [BABIES CRYING] 148 00:11:35,782 --> 00:11:36,957 I'LL ASK THAT AGAIN. 149 00:11:37,000 --> 00:11:37,958 OBJECTION! 150 00:11:38,001 --> 00:11:39,350 YOUR HONOR, I-- 151 00:11:39,394 --> 00:11:40,438 OW, OW. 152 00:11:40,482 --> 00:11:41,831 JEEZ. 153 00:11:41,875 --> 00:11:43,833 COUNSEL IS LEADING THE WITNESS. 154 00:11:43,877 --> 00:11:45,182 SUSTAINED. 155 00:11:45,226 --> 00:11:46,923 [GAVEL POUNDS] 156 00:11:46,967 --> 00:11:49,056 SWEETIE, MOMMY SAID NO POUNDING WHEN SHE'S IN SESSION. 157 00:11:49,099 --> 00:11:52,233 PLEASE READ THE PROSECUTION'S LAST STATEMENT TO THE COURT. 158 00:11:52,276 --> 00:11:54,365 "DON'T LIE TO ME, MR. CLAYTON. YOU'RE UNDER OATH." 159 00:11:54,409 --> 00:11:56,063 [BURP] 160 00:11:56,106 --> 00:11:57,760 THERE. THAT A BOY. 161 00:11:57,804 --> 00:11:59,893 "DO YOU KNOW WHAT THE PENALTY FOR PERJURY IS?" 162 00:11:59,936 --> 00:12:01,024 [BURP] 163 00:12:03,113 --> 00:12:05,028 THAT'S ALL I HAVE, YOUR HONOR. 164 00:12:05,072 --> 00:12:08,031 YOU MAY CONTINUE, MS. SPENCER-DREBIN. 165 00:12:08,075 --> 00:12:10,773 UH... PROSECUTION RESTS. 166 00:12:10,817 --> 00:12:14,037 DEFENSE ATTORNEY MS. DAVIS-JACOBSTEINER-LASZLO? 167 00:12:14,081 --> 00:12:16,213 I HAVE NO FURTHER QUESTIONS, YOUR HONOR. 168 00:12:16,257 --> 00:12:19,216 COURT WILL RECESS UNTIL AFTER THE MORNING FEED. 169 00:12:19,260 --> 00:12:20,740 [SQUEAK] 170 00:12:22,480 --> 00:12:25,527 WE'RE GOING TO WIN THIS. I CAN FEEL IT. 171 00:12:25,570 --> 00:12:28,051 YES. OF COURSE. 172 00:12:28,095 --> 00:12:30,053 I MARRIED THE WRONG MAN. 173 00:12:30,097 --> 00:12:33,230 I NEVER THOUGHT THAT WAS POSSIBLE. 174 00:12:33,274 --> 00:12:34,841 I BEG YOUR PARDON? 175 00:12:34,884 --> 00:12:36,320 OH, NOTHING. 176 00:12:36,364 --> 00:12:39,802 LOUISE, THERE'S NO SUCH THING AS THE WRONG MAN. 177 00:12:39,846 --> 00:12:43,545 YOU JUST HAVE TO WORK AT IT. 178 00:12:43,588 --> 00:12:45,112 NOW, LET'S SEE, 179 00:12:45,155 --> 00:12:47,114 MR. AND MRS. DREBIN, RIGHT? 180 00:12:47,157 --> 00:12:49,551 NOW, YOU TWO HAVE BEEN MARRIED 181 00:12:49,594 --> 00:12:52,075 FOR SIX MONTHS? 182 00:12:52,119 --> 00:12:53,468 YES. 183 00:12:53,511 --> 00:12:56,558 WE REALLY APPRECIATE YOU SEEING US, DOCTOR. 184 00:12:56,601 --> 00:12:59,126 YOU CAME HIGHLY RECOMMENDED BY OUR LAST THERAPIST. 185 00:12:59,169 --> 00:13:02,303 YES, I WAS SORRY TO HEAR ABOUT HIS SUICIDE. 186 00:13:02,346 --> 00:13:04,914 YOU KNOW, I FEEL IT'S IMPORTANT 187 00:13:04,958 --> 00:13:07,438 FOR A COUPLE TO GET OFF ON THE RIGHT FOOT 188 00:13:07,482 --> 00:13:09,440 AND NOT GET CAUGHT UP IN BLAME. 189 00:13:09,484 --> 00:13:11,399 WHICH ONE OF YOU IS IMPOTENT? 190 00:13:11,442 --> 00:13:13,053 THAT WOULD BE HIM. 191 00:13:13,096 --> 00:13:14,445 YES, OF COURSE. 192 00:13:14,489 --> 00:13:16,970 WHY DON'T YOU ASK WHO'S FRIGID? 193 00:13:17,013 --> 00:13:18,275 THAT WOULD BE HIM, ALSO. 194 00:13:18,319 --> 00:13:20,451 HOW WOULD YOU KNOW? YOU'RE NEVER HOME. 195 00:13:20,495 --> 00:13:22,453 HE RESENTS THAT I'M A WORKING WOMAN. 196 00:13:22,497 --> 00:13:25,021 HE HAS NO IDEA WHAT A WOMAN WANTS OR NEEDS. 197 00:13:25,065 --> 00:13:26,849 YOU'RE SO INSENSITIVE. 198 00:13:26,893 --> 00:13:29,025 THIS ISN'T THAT TOILET SEAT THING AGAIN, IS IT? 199 00:13:29,069 --> 00:13:31,462 IT'S BABIES, FRANK. I WANT TO HAVE A BABY. 200 00:13:31,506 --> 00:13:34,291 EVERY TIME WE START TO MAKE LOVE, YOU HAVE A HEADACHE. 201 00:13:34,335 --> 00:13:35,945 I'M NOT A PIECE OF MEAT, JANE. 202 00:13:35,989 --> 00:13:37,294 I'M TRYING. 203 00:13:37,338 --> 00:13:39,470 I'VE GOT OINTMENTS, LOTIONS, CREAMS, BOOKS, 204 00:13:39,514 --> 00:13:41,037 THINGS THAT VIBRATE. 205 00:13:41,081 --> 00:13:42,256 FRANK! 206 00:13:42,299 --> 00:13:43,866 MAYBE IT'S YOUR FAULT. 207 00:13:43,910 --> 00:13:46,869 HAVE YOU TRIED SEXY LINGERIE? 208 00:13:46,913 --> 00:13:49,480 SOME LACY UNDERWEAR, A BLACK TEDDY? 209 00:13:49,524 --> 00:13:52,396 I'VE TRIED WEARING THEM ALL. THEY DON'T WORK. 210 00:13:52,440 --> 00:13:53,571 OH. 211 00:13:53,615 --> 00:13:56,052 WHY DON'T YOU WANT TO HAVE A CHILD? 212 00:13:56,096 --> 00:13:59,447 DIDN'T I TRY TO ADOPT THAT 18-YEAR-OLD KOREAN GIRL? 213 00:13:59,490 --> 00:14:01,449 JANE, FRANK, 214 00:14:01,492 --> 00:14:03,451 HERE'S WHAT I SUGGEST. 215 00:14:03,494 --> 00:14:07,237 MAKE TONIGHT A SPECIAL NIGHT. 216 00:14:07,281 --> 00:14:10,023 DINNER, WINE, ROMANTIC MUSIC. 217 00:14:10,066 --> 00:14:12,460 PUT ON THE 24-HOUR JOHNNY MATHIS STATION. 218 00:14:12,503 --> 00:14:15,028 JUST BE JANE AND FRANK, 219 00:14:15,071 --> 00:14:17,030 LOVERS. 220 00:14:17,073 --> 00:14:19,032 WE HAVEN'T HAD A NIGHT LIKE THAT 221 00:14:19,075 --> 00:14:21,034 IN A LONG TIME. 222 00:14:21,077 --> 00:14:23,036 NOT TOGETHER. 223 00:14:23,079 --> 00:14:25,038 FRANK! 224 00:14:25,081 --> 00:14:27,257 JANE... 225 00:14:27,301 --> 00:14:29,303 HAVING A BABY IS A BIG RESPONSIBILITY. 226 00:14:29,346 --> 00:14:33,263 IT'S LIKE BEING IN CHARGE OF SANITATION AT A HAITIAN JAIL. 227 00:14:33,307 --> 00:14:35,483 I'M JUST FRIGHTENED. 228 00:14:35,526 --> 00:14:38,051 FRANK, LET'S MAKE TONIGHT SOMETHING SPECIAL. 229 00:14:38,094 --> 00:14:41,054 OH, HONEY, IT'S JUST THAT I LOVE YOU SO MUCH. 230 00:14:41,097 --> 00:14:43,926 MY LITTLE LOVER SPARROW. 231 00:14:43,970 --> 00:14:45,536 MY... 232 00:14:45,580 --> 00:14:47,538 PUPPY-WUPPY WOVER. 233 00:14:47,582 --> 00:14:49,497 MY LITTLE LOVE BISCUIT. 234 00:14:49,540 --> 00:14:52,195 MY LITTLE SHNOOKY-WOOKUMS. 235 00:14:52,239 --> 00:14:54,545 MY LITTLE LADY CHEESY PUPPY. 236 00:14:54,589 --> 00:14:56,983 MR. AND MRS. DREBIN, 237 00:14:57,026 --> 00:14:59,028 PLEASE, I'M A DIABETIC. 238 00:14:59,072 --> 00:15:00,943 I THINK YOU TWO OUGHT TO GO NOW. 239 00:15:00,987 --> 00:15:03,641 I NEVER THOUGHT WE'D END THIS WAY. 240 00:15:03,685 --> 00:15:07,123 HOW DID YOU THINK WE'D END? 241 00:15:07,167 --> 00:15:10,387 I DON'T KNOW. 242 00:15:10,431 --> 00:15:12,389 SOME OTHER WAY. 243 00:15:12,433 --> 00:15:13,434 OH, JASON. 244 00:15:13,477 --> 00:15:16,045 [CRYING] 245 00:15:20,484 --> 00:15:21,964 [DOORBELL RINGS] 246 00:15:22,008 --> 00:15:25,141 WE HAVE TO FIGHT THIS THING...TOGETHER. 247 00:15:27,491 --> 00:15:29,145 ED! NORDBERG! 248 00:15:29,189 --> 00:15:30,625 IT'S BEEN A LONG TIME. 249 00:15:30,668 --> 00:15:32,453 HIYA, FRANK!GOOD TO SEE YA. 250 00:15:32,496 --> 00:15:33,758 YOU LOOK TERRIFIC! 251 00:15:33,802 --> 00:15:35,325 THANK YOU, ED. 252 00:15:35,369 --> 00:15:38,067 THE LITTLE WOMAN GOT ME A THIGHMASTER. 253 00:15:38,111 --> 00:15:39,503 WHERE ARE MY MANNERS? 254 00:15:39,547 --> 00:15:41,462 COME ON IN. COME IN. 255 00:15:41,505 --> 00:15:43,116 HOW CHARMING! 256 00:15:43,159 --> 00:15:44,465 SIT, SIT. 257 00:15:44,508 --> 00:15:47,076 EXCUSE THE MESS. IT'S MY IRONING DAY. 258 00:15:47,120 --> 00:15:49,557 I JUST FROSTED SOME CUPCAKES. 259 00:15:49,600 --> 00:15:51,559 WOULD YOU CARE FOR ONE? 260 00:15:51,602 --> 00:15:53,126 OH, NOT JUST NOW. 261 00:15:53,169 --> 00:15:55,563 FRANK, WE'RE HAVING A LITTLE PROBLEM 262 00:15:55,606 --> 00:15:57,478 WITH A TERRORIST THREAT. 263 00:15:57,521 --> 00:15:59,045 I'D LOVE A CUPCAKE. 264 00:15:59,088 --> 00:16:00,611 THAT COFFEE SMELLS GREAT. 265 00:16:00,655 --> 00:16:02,526 I GRIND MY OWN BEANS. 266 00:16:02,570 --> 00:16:04,528 FRANK, THE REASON WE'RE HERE 267 00:16:04,572 --> 00:16:06,661 IS WE NEED YOUR HELP WITH SOMETHING. 268 00:16:14,669 --> 00:16:16,323 THAT IS GREAT! 269 00:16:16,366 --> 00:16:19,456 I HOPED YOU'D LIKE THEM.. MADE THEM FROM SCRATCH. 270 00:16:19,500 --> 00:16:22,068 JUST GET OFF MY FEET FOR A SECOND. 271 00:16:22,111 --> 00:16:25,071 FRANK, WE MAY HAVE A LEAD ON A SUSPECT 272 00:16:25,114 --> 00:16:26,681 IN THE CITY HALL BOMBING ATTEMPT. 273 00:16:26,724 --> 00:16:29,075 THESE PICTURES WERE TAKEN BY A NEWS PHOTOGRAPHER. 274 00:16:29,118 --> 00:16:31,077 THIS GIRL WAS USED AS A DIVERSION. 275 00:16:31,120 --> 00:16:32,469 WE HAD THEM ENLARGED. 276 00:16:32,513 --> 00:16:34,428 THEY LOOK FAMILIAR. 277 00:16:34,471 --> 00:16:36,560 NO, FRANK, THE PIN. SHE'S A NURSE. 278 00:16:36,604 --> 00:16:38,562 CAN I KEEP THIS ONE? 279 00:16:38,606 --> 00:16:41,478 WE TRACED HER TO THE KARLSON CLINIC ON MYRTLEWOOD. 280 00:16:41,522 --> 00:16:42,827 HER NAME IS TANYA PETERS. 281 00:16:42,871 --> 00:16:43,828 TANYA PETERS? 282 00:16:43,872 --> 00:16:45,178 YOU KNOW HER? 283 00:16:45,221 --> 00:16:48,094 DON'T YOU REMEMBER BACK IN THE 1970s? 284 00:16:48,137 --> 00:16:51,053 THE BIG DISCO SHOOTOUT. 285 00:16:52,707 --> 00:16:55,666 ♪ WELL, YOU CAN TELL BY THE WAY I USE MY WALK ♪ 286 00:16:55,710 --> 00:16:56,667 ♪ I'M A WOMAN'S MAN 287 00:16:56,711 --> 00:16:58,191 ♪ NO TIME TO TALK 288 00:16:58,234 --> 00:17:00,323 ♪ THE MUSIC LOUD, THE WOMEN WARM ♪ 289 00:17:00,367 --> 00:17:02,499 ♪ I'VE BEEN KICKED AROUND SINCE I WAS BORN ♪ 290 00:17:02,543 --> 00:17:05,111 ♪ BUT NOW IT'S ALL RIGHT, AND THAT'S O.K. ♪ 291 00:17:05,154 --> 00:17:07,330 ♪ AND YOU MAY LOOK THE OTHER WAY ♪ 292 00:17:07,374 --> 00:17:09,289 ♪ WE CAN TRY TO UNDERSTAND... ♪ 293 00:17:09,332 --> 00:17:12,074 ED, WHAT'S HAPPENIN', MY MAN? 294 00:17:12,118 --> 00:17:15,077 FRANK, WE MISSED YOU LAST NIGHT AT THE FONDUE PARTY. 295 00:17:15,121 --> 00:17:16,122 COULDN'T MAKE IT. 296 00:17:16,165 --> 00:17:18,080 WENT TO SEE THE VILLAGE PEOPLE. 297 00:17:18,124 --> 00:17:19,690 THEY ARE A STONE GAS, MAN. 298 00:17:19,734 --> 00:17:21,301 I CAN DIG IT. 299 00:17:21,344 --> 00:17:23,303 WHAT HAVE WE GOT HERE? 300 00:17:23,346 --> 00:17:25,174 ONE DEAD DISCO DANCER. 301 00:17:25,218 --> 00:17:27,176 BUMMER. WHAT A MINDBENDER, HUH? 302 00:17:27,220 --> 00:17:29,483 WE THINK IT WAS A LOVE TRIANGLE. 303 00:17:29,526 --> 00:17:31,615 THIS IS THE SUSPECT'S GIRLFRIEND TANYA PETERS. 304 00:17:31,659 --> 00:17:33,182 I'LL BE RIGHT BACK. 305 00:17:33,226 --> 00:17:34,401 CIGARETTE? 306 00:17:34,444 --> 00:17:36,359 YES, I KNOW. 307 00:17:36,403 --> 00:17:38,100 WELL... 308 00:17:38,144 --> 00:17:41,103 WE'LL NEED A STATEMENT FROM YOU DOWN AT THE STATION. 309 00:17:41,147 --> 00:17:42,670 NORDBERG! 310 00:17:42,713 --> 00:17:44,715 COMING, LIEUTENANT! 311 00:17:44,759 --> 00:17:48,458 ♪ SOMEBODY HELP ME 312 00:17:48,502 --> 00:17:53,550 ♪ I'M STAYIN' ALIVE... ♪ 313 00:17:53,594 --> 00:17:55,117 I DOREMEMBER. 314 00:17:55,161 --> 00:17:57,511 YOU WERE ONE OF THE FIRST TEST CASES 315 00:17:57,554 --> 00:17:58,860 FOR MONOXODYL, WEREN'T YOU? 316 00:17:58,903 --> 00:18:00,209 WHAT? 317 00:18:00,253 --> 00:18:02,733 WELL, I'M GLAD I COULD BE OF HELP. 318 00:18:02,777 --> 00:18:05,171 IF YOU DON'T MIND, I'VE GOT A RUMP OF LAMB 319 00:18:05,214 --> 00:18:06,433 TO PUT IN THE OVEN. 320 00:18:06,476 --> 00:18:07,869 WE NEED A FAVOR. 321 00:18:07,912 --> 00:18:09,871 NOT THAT BIG A RUMP ROAST, NORDBERG. 322 00:18:09,914 --> 00:18:11,438 NO, NOT THAT, FRANK. 323 00:18:11,481 --> 00:18:14,180 WE NEED YOU TO GO UNDERCOVER AT THE CLINIC. 324 00:18:14,223 --> 00:18:16,573 I'VE GIVEN UP POLICE WORK, ED. 325 00:18:16,617 --> 00:18:19,446 YOU'RE WHISTLING UP THE WRONG NECK OF THE WOODS. 326 00:18:19,489 --> 00:18:21,361 WE'RE IN A BIND, FRANK. 327 00:18:21,404 --> 00:18:23,580 WHAT ABOUT THOSE TWO NEW GUYS HEDGES AND O'MALLEY? 328 00:18:23,624 --> 00:18:27,410 THEY'RE IN HAWAII... TOGETHER. 329 00:18:27,454 --> 00:18:28,890 WELL, I--I CAN'T? 330 00:18:28,933 --> 00:18:30,892 JANE AND I HAVE A SPECIAL EVENING PLANNED. 331 00:18:30,935 --> 00:18:33,460 IT WILL ONLY TAKE A COUPLE OF HOURS. 332 00:18:33,503 --> 00:18:35,897 YOU'LL BE HOME IN TIME TO MAKE DINNER. 333 00:18:35,940 --> 00:18:37,899 I'D HAVE TO MAKE PORK CHOPS. 334 00:18:37,942 --> 00:18:40,467 FRANK, THINK OF ALL THE CRIME OUT THERE. 335 00:18:40,510 --> 00:18:42,947 NOBODY IS SAFE. YOU'D BE PROTECTING JANE. 336 00:18:42,991 --> 00:18:45,820 YOU'D BE PROTECTING ALL THE JANES OF THE WORLD. 337 00:18:45,863 --> 00:18:48,257 BESIDES, YOU HAVEN'T SHOT ANYBODY IN SIX MONTHS. 338 00:18:48,301 --> 00:18:49,389 THAT'S TRUE. 339 00:18:49,432 --> 00:18:51,913 FUNNY HOW YOU MISS THE LITTLE THINGS. 340 00:18:51,956 --> 00:18:54,916 IT MIGHT BE GOOD TO FEEL THAT COLD, HARD STEEL 341 00:18:54,959 --> 00:18:56,918 PRESSED AGAINST MY THIGH ONCE AGAIN. 342 00:18:56,961 --> 00:19:00,356 THE THRILL OF THE CHASE, TO BE A MAN. 343 00:19:00,400 --> 00:19:01,749 AFTER FOLDING THE LAUNDRY, 344 00:19:01,792 --> 00:19:04,186 I SET OUT FOR THE KARLSON CLINIC. 345 00:19:04,230 --> 00:19:06,928 IN ANY POLICE OPERATION, IT'S IMPORTANT TO HAVE A FOOLPROOF DISGUISE. 346 00:19:06,971 --> 00:19:09,626 THIS OPERATION WAS NO DIFFERENT. 347 00:19:11,933 --> 00:19:14,805 I HAD NO IDEA IF TANYA WOULD RECOGNIZE ME, 348 00:19:14,849 --> 00:19:17,286 SO I SLIPPED ON A FAKE PAIR OF GLASSES 349 00:19:17,330 --> 00:19:19,419 AND COMBED MY HAIR DIFFERENTLY, JUST IN CASE. 350 00:19:19,462 --> 00:19:21,421 THE PLAN WAS TO GET IN, 351 00:19:21,464 --> 00:19:23,814 GET INFORMATION ON TANYA'S CONNECTION WITH THE BOMBING, 352 00:19:23,858 --> 00:19:26,817 AND GET OUT AS QUICKLY AS POSSIBLE. 353 00:19:26,861 --> 00:19:29,429 I FIGURED FAKING AN OLD FOOTBALL INJURY 354 00:19:29,472 --> 00:19:30,908 WOULD DO THE TRICK. 355 00:19:30,952 --> 00:19:31,909 [COUGH] 356 00:19:31,953 --> 00:19:33,824 CAN I HELP YOU? 357 00:19:33,868 --> 00:19:36,827 I'D LIKE TO SEE A DOCTOR, PLEASE. 358 00:19:36,871 --> 00:19:38,220 SIGN IN HERE, PLEASE. 359 00:19:38,264 --> 00:19:40,222 DO YOU HAVE AN APPOINTMENT, MISTER... 360 00:19:40,266 --> 00:19:41,484 UH, SMITH. 361 00:19:41,528 --> 00:19:43,443 UH, NO, I DON'T. 362 00:19:43,486 --> 00:19:45,009 THEN TAKE A NUMBER. 363 00:19:45,053 --> 00:19:46,620 SIX. 364 00:19:46,663 --> 00:19:47,795 WHAT? 365 00:19:47,838 --> 00:19:49,362 IS SIX TAKEN? 366 00:19:49,405 --> 00:19:53,366 DOES IT HAVE TO BE BETWEEN 1 AND 10? 367 00:19:54,976 --> 00:19:58,022 YOU'LL BE CALLED. 368 00:19:58,066 --> 00:19:59,676 THANK YOU. 369 00:20:05,334 --> 00:20:06,988 UH, MR. SMITH? 370 00:20:07,031 --> 00:20:10,296 SIR, WE'VE JUST HAD A CANCELLATION. 371 00:20:10,339 --> 00:20:12,472 WE CAN TAKE YOU NOW. DR. KARLSON? 372 00:20:12,515 --> 00:20:13,864 GOOD MORNING, MR. SMITH. 373 00:20:13,908 --> 00:20:15,344 RIGHT THIS WAY. 374 00:20:15,388 --> 00:20:18,347 I REALLY APPRECIATE YOUR SEEING ME LIKE THIS. 375 00:20:18,391 --> 00:20:21,220 I'M SURE IT WON'T TAKE TOO LONG. 376 00:20:27,356 --> 00:20:29,619 WHEN DID YOU FIRST NOTICE THE PROBLEM? 377 00:20:29,663 --> 00:20:31,621 UH, IN THE BACKYARD 378 00:20:31,665 --> 00:20:33,057 WITH MY UNCLE. 379 00:20:33,101 --> 00:20:35,538 IN THE BACKYARD WITH YOUR UNCLE? 380 00:20:35,582 --> 00:20:37,975 YES. WHEN HE COMES OVER TO VISIT, 381 00:20:38,019 --> 00:20:40,543 WE LIKE TO GO OUT IN THE BACKYARD, 382 00:20:40,587 --> 00:20:42,980 THROW IT AROUND FOR A WHILE. 383 00:20:43,024 --> 00:20:45,679 WHAT DID YOU AND YOUR UNCLE FIND OUT? 384 00:20:45,722 --> 00:20:47,550 I CAN'T KEEP UP WITH HIM. 385 00:20:47,594 --> 00:20:49,552 MINE HURT, ESPECIALLY ON THE LONG ONES. 386 00:20:49,596 --> 00:20:51,554 I CAN'T SEEM TO STRAIGHTEN IT OUT. 387 00:20:51,598 --> 00:20:53,556 IT HAS NO FEELING. 388 00:20:53,600 --> 00:20:54,992 IT'S KIND OF NUMB. 389 00:20:55,036 --> 00:20:58,866 I MAY HAVE YANKED IT TOO MUCH, MAYBE. 390 00:21:01,782 --> 00:21:03,740 IF YOU WOULD. 391 00:21:03,784 --> 00:21:06,439 FOR WHAT? 392 00:21:06,482 --> 00:21:08,092 A SPERM COUNT. 393 00:21:08,136 --> 00:21:09,529 IN HERE? 394 00:21:09,572 --> 00:21:11,531 IT'S NOT EXACTLY THE BACKYARD, 395 00:21:11,574 --> 00:21:13,359 BUT IT'LL DO. 396 00:21:13,402 --> 00:21:14,925 WELL. 397 00:21:18,538 --> 00:21:19,930 [ZIPPER] 398 00:21:19,974 --> 00:21:21,541 [SLAP] 399 00:21:21,584 --> 00:21:22,933 OH! 400 00:21:22,977 --> 00:21:24,544 [CLANG] 401 00:21:24,587 --> 00:21:25,936 [GLASS BREAKING] 402 00:21:25,980 --> 00:21:27,416 [ZIPPER] 403 00:21:31,551 --> 00:21:32,943 FOLLOW ME, 404 00:21:32,987 --> 00:21:36,033 AND WE'LL DO THE NECESSARY PAPERWORK. 405 00:21:38,732 --> 00:21:40,124 SIGN THESE AT THE BOTTOM 406 00:21:40,168 --> 00:21:41,952 AND LEAVE THEM WITH THE NURSE 407 00:21:41,996 --> 00:21:44,564 ON YOUR WAY OUT. 408 00:21:44,607 --> 00:21:45,956 THIS WAY, PLEASE. 409 00:21:46,000 --> 00:21:47,349 UH, WHAT? 410 00:21:47,393 --> 00:21:48,350 NUMBER 17. 411 00:21:48,394 --> 00:21:49,438 OH, NO. 412 00:21:49,482 --> 00:21:50,439 A PROBLEM? 413 00:21:50,483 --> 00:21:51,440 NO, NO. 414 00:21:51,484 --> 00:21:53,007 THIS IS 17. 415 00:21:53,050 --> 00:21:54,008 YOU'RE NEXT. 416 00:21:54,051 --> 00:21:55,618 HAVE WE MET BEFORE? 417 00:21:55,662 --> 00:21:57,011 IF YOU'LL EXCUSE ME, 418 00:21:57,054 --> 00:21:58,055 I'M NEXT. 419 00:21:58,099 --> 00:21:58,969 OOH! AAH! 420 00:21:59,013 --> 00:21:59,970 [GLASS BREAKING] 421 00:22:00,014 --> 00:22:01,537 AAH! 422 00:22:01,581 --> 00:22:02,538 [CLANG] 423 00:22:02,582 --> 00:22:03,539 [KNOCK KNOCK] 424 00:22:03,583 --> 00:22:04,540 SIR? 425 00:22:04,584 --> 00:22:05,541 AAH! 426 00:22:05,585 --> 00:22:06,542 MR. SMITH, 427 00:22:06,586 --> 00:22:07,978 HOW ARE WE DOING? 428 00:22:08,022 --> 00:22:09,458 [SHEEP BLEATS] 429 00:22:09,502 --> 00:22:11,895 I'VE BEEN BUSY, IF THAT'S WHAT YOU MEAN. 430 00:22:11,939 --> 00:22:14,811 WOULD YOU LIKE A VIDEOTAPE TO ASSIST YOU? 431 00:22:14,855 --> 00:22:16,813 DO YOU HAVE DANCES WITH WOLVES? 432 00:22:16,857 --> 00:22:18,989 ROCKETEER? LADY AND THE TRAMP? 433 00:22:19,033 --> 00:22:22,645 AN ADULT MOVIE. 434 00:22:22,689 --> 00:22:24,952 WELL... 435 00:22:24,995 --> 00:22:25,996 OOH! AAH! 436 00:22:26,040 --> 00:22:27,476 YEOW! 437 00:22:27,520 --> 00:22:29,086 OH! YES! 438 00:22:33,700 --> 00:22:35,963 THE TAPE WAS VERY ENTERTAINING. 439 00:22:36,006 --> 00:22:38,444 FOLLOW ME. 440 00:22:38,487 --> 00:22:40,881 DO YOU HAVE SPARTACUS? 441 00:23:02,076 --> 00:23:04,861 MAINTENANCE, CLEANUP ROOM SEVEN. 442 00:23:04,905 --> 00:23:07,821 MAINTENANCE, CLEANUP ROOM SEVEN, 443 00:23:07,864 --> 00:23:08,996 STAT. 444 00:23:13,783 --> 00:23:15,742 WHAT ARE YOU DOING? 445 00:23:15,785 --> 00:23:17,700 JUST FRESHENING UP. 446 00:23:17,744 --> 00:23:19,223 YOU SHOULD ALWAYS LOOK YOUR BEST 447 00:23:19,267 --> 00:23:21,225 EVEN THOUGH YOU'RE BY YOURSELF. 448 00:23:21,269 --> 00:23:23,010 YOU KNOW WHAT I MEAN? 449 00:23:23,053 --> 00:23:24,881 ARE YOU SURE WE'VE NEVER MET? 450 00:23:24,925 --> 00:23:29,146 OH, HERE'S MY CUP. BACK TO WORK. 451 00:23:29,190 --> 00:23:30,147 [KNOCK KNOCK] 452 00:23:30,191 --> 00:23:31,932 UH, MR. SMITH? 453 00:23:31,975 --> 00:23:33,542 ARE YOU O.K. IN THERE? 454 00:23:33,586 --> 00:23:35,718 I COULD USE A LITTLE HELP. 455 00:23:35,762 --> 00:23:37,459 DR. ROSENBLATT, 456 00:23:37,503 --> 00:23:39,505 FOREPLAY IN ROOM SEVEN, PLEASE. 457 00:23:39,548 --> 00:23:41,115 DR. ROSENBLATT. 458 00:23:43,204 --> 00:23:46,076 [SCRAPING] 459 00:23:50,559 --> 00:23:53,693 [JOHNNY MATHIS SINGS MISTY] 460 00:23:58,959 --> 00:24:00,961 HONEY... 461 00:24:01,004 --> 00:24:02,702 I'VE BEEN WAITING ALL DAY. 462 00:24:02,745 --> 00:24:05,531 I'M WEARING THE NIGHTGOWN YOU BOUGHT ME 463 00:24:05,574 --> 00:24:07,054 FOR OUR HONEYMOON. 464 00:24:08,795 --> 00:24:11,885 TONIGHT'S GOING TO BE A SPECIAL NIGHT. 465 00:24:11,928 --> 00:24:14,540 I'M GOING TO MAKE LOVE TO YOU 466 00:24:14,583 --> 00:24:15,932 FOR HOURS AND HOURS. 467 00:24:15,976 --> 00:24:18,152 WOULDN'T MR. HAPPY LIKE THAT? 468 00:24:18,195 --> 00:24:20,284 HOURS? 469 00:24:20,328 --> 00:24:23,549 JUST LIKE THE FIRST TIME WE WERE TOGETHER. 470 00:24:23,592 --> 00:24:26,682 JANE, WHY DON'T I SOAK IN THE TUB FOR A COUPLE OF DAYS? 471 00:24:26,726 --> 00:24:28,989 POSSIBLY A WEEK. 472 00:24:29,032 --> 00:24:30,730 OH, YOU'RE SO CUTE. 473 00:24:30,773 --> 00:24:33,559 LET ME GO GET THE OYSTERS AND CLAMS. 474 00:24:33,602 --> 00:24:37,867 ♪ WALK MY WAY 475 00:24:37,911 --> 00:24:41,175 ♪ AND 1,000 VIOLINS 476 00:24:41,218 --> 00:24:44,308 ♪ BEGIN TO PLAY 477 00:24:44,352 --> 00:24:46,310 ♪ OR IT MIGHT BE THE SOUND ♪ 478 00:24:46,354 --> 00:24:49,705 ♪ OF YOUR HELLO 479 00:24:49,749 --> 00:24:52,926 ♪ THAT MUSIC I HEAR 480 00:24:52,969 --> 00:24:55,276 ♪ I GET MISTY 481 00:24:55,319 --> 00:25:01,587 ♪ THE MOMENT YOU'RE NEAR 482 00:25:01,630 --> 00:25:03,937 ♪ YOU CAN SAY 483 00:25:03,980 --> 00:25:08,811 ♪ THAT YOU'RE LEADING ME ON... ♪ 484 00:25:08,855 --> 00:25:09,986 HERE. 485 00:25:10,030 --> 00:25:12,815 I'LL SHAVE YOUR BACK LIKE LAST TIME. 486 00:25:12,859 --> 00:25:16,166 JANE, I REALLY DON'T THINK WE SHOULD. 487 00:25:16,210 --> 00:25:17,559 FRANK! 488 00:25:17,603 --> 00:25:18,560 WHAT'S THIS? 489 00:25:18,604 --> 00:25:20,562 I...FELL ON A RAKE. 490 00:25:20,606 --> 00:25:22,564 YOU'RE LYING. 491 00:25:22,608 --> 00:25:25,567 NOW I KNOW WHY ED'S BEEN CALLING EVERY HALF HOUR. 492 00:25:25,611 --> 00:25:27,177 YOU'VE BEEN BACK ON A CASE, HAVEN'T YOU? 493 00:25:27,221 --> 00:25:29,876 NO, NO. I SWEAR. IT'S ANOTHER WOMAN! 494 00:25:29,919 --> 00:25:31,573 IN YOUR WILDEST DREAMS! 495 00:25:31,617 --> 00:25:33,836 IT'S BAD ENOUGH YOU WON'T HAVE A BABY, 496 00:25:33,880 --> 00:25:36,317 BUT I WARNED YOU ABOUT GOING BACK TO POLICE SQUAD, 497 00:25:36,360 --> 00:25:38,972 YOU WHITE ANGLO MALE! 498 00:25:39,015 --> 00:25:39,973 JANE! 499 00:25:40,016 --> 00:25:41,365 OH! JANE! 500 00:25:41,409 --> 00:25:42,932 IT WAS NOTHING, JANE! 501 00:25:42,976 --> 00:25:45,021 I WAS DOING ED A SMALL FAVOR! 502 00:25:45,065 --> 00:25:47,023 SOME RETIREMENT. I'M LEAVING, FRANK. 503 00:25:47,067 --> 00:25:49,591 I NEVER THOUGHT YOU'D GO BACK ON YOUR WORD. 504 00:25:49,635 --> 00:25:51,593 AREN'T YOU BEING A LITTLE HASTY? 505 00:25:51,637 --> 00:25:52,855 I DON'T THINK SO. 506 00:25:52,899 --> 00:25:53,856 [DOORBELL RINGS] 507 00:25:53,900 --> 00:25:55,379 THAT SHOULD BE THE CAB. 508 00:25:55,423 --> 00:25:57,294 YOU CAN REACH ME AT LOUISE'S. 509 00:25:57,338 --> 00:25:59,601 OH, FRANK, HOW COULD YOU? 510 00:25:59,645 --> 00:26:02,604 WE NEED TIME APART TO THINK ABOUT US. 511 00:26:02,648 --> 00:26:03,953 I'M NOT GOING TO THINK. 512 00:26:03,997 --> 00:26:05,738 WHY START NOW? I LOVE YOU. 513 00:26:05,781 --> 00:26:06,869 LOOK, BABY, 514 00:26:06,913 --> 00:26:09,393 I AM WHAT I AM, AND I DO WHAT I DO. 515 00:26:09,437 --> 00:26:11,352 A FEW GUYS MAKE SHOELACES, SOME LAY SOD, 516 00:26:11,395 --> 00:26:13,789 OTHERS MAKE A GOOD LIVING NEUTERING ANIMALS. 517 00:26:13,833 --> 00:26:15,225 I'M A COP. 518 00:26:15,269 --> 00:26:17,401 PRETTY SPEECH, BUT MY MIND IS MADE UP. 519 00:26:17,445 --> 00:26:18,620 I'M LEAVING. 520 00:26:18,664 --> 00:26:19,621 ALL RIGHT. 521 00:26:19,665 --> 00:26:21,667 THEN TAKE THIS WITH YOU. 522 00:26:24,670 --> 00:26:26,628 ♪ I GET MISTY... ♪ 523 00:26:26,672 --> 00:26:29,805 YOU KNOW HOW MY LIPS FEEL ABOUT THINGS. 524 00:26:29,849 --> 00:26:31,590 [DOORBELL RINGS] 525 00:26:36,420 --> 00:26:37,421 GOODBYE, FRANK. 526 00:26:37,465 --> 00:26:39,380 YOU'RE LISTENING TO KSAD, 527 00:26:39,423 --> 00:26:41,251 ALL-DEPRESSING, 528 00:26:41,295 --> 00:26:42,905 ALL THE TIME. 529 00:26:42,949 --> 00:26:44,907 HERE'S A DEDICATION TO FRANK FROM JANE 530 00:26:44,951 --> 00:26:46,909 WHO JUST CALLED FROM A TAXI. 531 00:26:46,953 --> 00:26:48,389 "FRANK, YOU LYING WEASEL-WEENIE. 532 00:26:48,432 --> 00:26:50,304 "IT'S BAD ENOUGH YOU'RE SHOOTING BLANKS. 533 00:26:50,347 --> 00:26:52,306 "NOW YOU'RE LETTING ALL THE HEAT OUT. 534 00:26:52,349 --> 00:26:55,701 WERE YOU BORN IN A BARN, YOU STUPID..." 535 00:26:55,744 --> 00:26:58,442 HE PROMISED HE'D NEVER GO BACK TO POLICE WORK. 536 00:26:58,486 --> 00:27:00,967 ONCE A COP, ALWAYS A COP. 537 00:27:01,010 --> 00:27:03,970 HE'S MARRIED TO HIS WORK, NOT ME. 538 00:27:04,013 --> 00:27:06,015 YOU'LL ALWAYS COME IN SECOND. 539 00:27:06,059 --> 00:27:08,278 THERE WAS THIS GREAT ARTICLE IN COSMO-- 540 00:27:08,322 --> 00:27:10,411 WHY ALL MEN ARE PIGS. 541 00:27:10,454 --> 00:27:12,413 FRANK'S JUST ANOTHER WORD FOR LOSER. 542 00:27:12,456 --> 00:27:14,981 I NEVER WANT TO SEE HIM AGAIN. 543 00:27:15,024 --> 00:27:18,114 I WANT TO GET AS FAR AWAY AS POSSIBLE. 544 00:27:18,158 --> 00:27:21,030 WE'LL HEAD TO MY FRIEND'S CABIN BY THE SMELTING PLANT. 545 00:27:21,074 --> 00:27:23,990 THE FRESH AIR WILL DO YOU GOOD. 546 00:27:24,033 --> 00:27:27,123 GO EASY. THAT'S YOUR SECOND BOTTLE OF CHANEL. 547 00:27:27,167 --> 00:27:28,429 YOU'RE WITNESSING THE BEGINNING 548 00:27:28,472 --> 00:27:30,431 OF A NEW JANE SPENCER-DREBIN. 549 00:27:30,474 --> 00:27:33,434 NO MORE LITTLE MISS PERKY DEVOTING HER LIFE TO ONE MAN. 550 00:27:33,477 --> 00:27:35,218 I'M OUT FOR THE NEW ME. 551 00:27:35,262 --> 00:27:37,394 LET'S BURN RUBBER. 552 00:27:39,309 --> 00:27:41,442 YOU DIDN'T FORGET ANYTHING, DID YOU? 553 00:27:41,485 --> 00:27:43,139 [LOUISE] I HOPE NOT. 554 00:27:47,491 --> 00:27:49,015 JUST CALM DOWN, MA'AM. 555 00:27:49,058 --> 00:27:51,017 HOW MANY BODIES DID YOU FIND 556 00:27:51,060 --> 00:27:52,453 IN YOUR SWIMMING POOL? 557 00:27:52,496 --> 00:27:55,021 KILLING A GANG MEMBER'S ONLY AN $18 FINE. 558 00:27:55,064 --> 00:27:56,370 JUST MAIL IT IN. 559 00:27:56,413 --> 00:27:59,155 FRANK! GLAD YOU COULD MAKE IT! 560 00:27:59,199 --> 00:28:00,156 WELCOME, BUDDY. 561 00:28:00,200 --> 00:28:01,375 NORDBERG. 562 00:28:01,418 --> 00:28:02,985 DID YOU FIND TANYA'S ADDRESS, FRANK? 563 00:28:03,029 --> 00:28:04,987 I WROTE IT ON A HANKY, 564 00:28:05,031 --> 00:28:07,729 AND I CAN'T REMEMBER WHAT I DID WITH IT. 565 00:28:07,773 --> 00:28:08,991 I'M GETTING A BIT RUSTY. 566 00:28:09,035 --> 00:28:10,384 OH, THAT'S ALL RIGHT. 567 00:28:10,427 --> 00:28:12,734 IT COULD HAPPEN TO ANYBODY. 568 00:28:12,778 --> 00:28:15,737 I BROUGHT YOU FRANK'S NEVER-FAIL FUDGE. 569 00:28:15,781 --> 00:28:18,131 YOU GO ON ABOUT YOUR BUSINESS. 570 00:28:18,174 --> 00:28:19,175 SMELLS GREAT. 571 00:28:19,219 --> 00:28:20,873 I'LL STAY OUT OF YOUR HAIR. 572 00:28:20,916 --> 00:28:23,266 [VACUUM] 573 00:28:23,310 --> 00:28:25,399 UH, FRANK, LET ME TAKE THAT. 574 00:28:25,442 --> 00:28:27,401 WE'VE GOT A SURPRISE FOR YOU. 575 00:28:27,444 --> 00:28:30,404 IT'S IN HONOR OF YOUR 30 YEARS ON THE FORCE. 576 00:28:30,447 --> 00:28:31,884 NORDBERG. 577 00:28:31,927 --> 00:28:32,885 YAY! YAY! YAY! 578 00:28:32,928 --> 00:28:33,886 CONGRATULATIONS, BUDDY! 579 00:28:33,929 --> 00:28:35,409 OH, BOY. 580 00:28:35,452 --> 00:28:38,064 THIS IS REALLY GREAT. 581 00:28:40,893 --> 00:28:43,765 THANK YOU, GUYS. 582 00:28:43,809 --> 00:28:45,506 WE THOUGHT IT MIGHT CHEER YOU UP. 583 00:28:45,549 --> 00:28:47,334 WE HEARD ABOUT YOU AND JANE. 584 00:28:47,377 --> 00:28:48,552 JANE, JANE. 585 00:28:48,596 --> 00:28:51,860 THAT NAME WILL ALWAYS REMIND ME OF HER. 586 00:28:51,904 --> 00:28:54,863 I FEEL REALLY BAD ABOUT ALL OF THIS. 587 00:28:54,907 --> 00:28:57,039 IF THERE'S ANYTHING THAT YOU NEED-- 588 00:28:57,083 --> 00:28:58,954 DR. KEVORKIAN'S HOME PHONE NUMBER? 589 00:28:58,998 --> 00:29:00,956 NORDBERG, PUT IT TOGETHER. 590 00:29:01,000 --> 00:29:03,959 FRANK, I WANT YOU TO KNOW WE'RE HERE FOR YOU. 591 00:29:04,003 --> 00:29:04,960 THANKS, ED. 592 00:29:05,004 --> 00:29:06,135 WELL, LOOK WHO'S HERE. 593 00:29:06,179 --> 00:29:08,572 HI, FRANK. NICE TO SEE YOU. 594 00:29:08,616 --> 00:29:11,967 ED, I'VE GOT THAT DATA FOR YOU ON THE BOMB. 595 00:29:12,011 --> 00:29:13,403 WHAT DID YOU FIND OUT? 596 00:29:13,447 --> 00:29:15,971 THE EXPLOSIVE IS A VERY FINE POWDER. 597 00:29:16,015 --> 00:29:17,407 IT TASTES LIKE-- 598 00:29:17,451 --> 00:29:19,975 THAT WOULD BE FERTILIZER, FRANK, FOR ANOTHER CASE. 599 00:29:20,019 --> 00:29:22,195 THIS IS WHAT I'M TALKING ABOUT. 600 00:29:22,238 --> 00:29:25,154 WE DETECTED A HIGH QUANTITY OF NITROGLYCERIN. 601 00:29:25,198 --> 00:29:27,417 CAN YOU TELL US WHERE IT CAME FROM? 602 00:29:27,461 --> 00:29:28,984 I'D BE GLAD TO. 603 00:29:29,028 --> 00:29:30,420 BILLIONS OF YEARS AGO, 604 00:29:30,464 --> 00:29:32,422 THE EARTH WAS A MOLTEN MASS. 605 00:29:32,466 --> 00:29:34,424 TED, I'M TALKING ABOUT THE POWDER. 606 00:29:34,468 --> 00:29:36,992 WE HAVEN'T GOT A CLUE ABOUT THAT. 607 00:29:37,036 --> 00:29:38,994 LET ME TAKE THAT URINE SPECIMEN. 608 00:29:39,038 --> 00:29:42,998 WE FOUND A DETAILED LIST OF THE BOMBER'S PLANS AT THE SCENES. 609 00:29:43,042 --> 00:29:44,347 ON A HUNCH WE ANALYZED THE PAPER. 610 00:29:44,391 --> 00:29:45,914 AND YOU GOT SOMETHING? 611 00:29:45,958 --> 00:29:49,091 YES. THE PAPER CAME FROM STATESVILLE PRISON. 612 00:29:49,135 --> 00:29:50,832 ARE YOU SURE? 613 00:29:50,876 --> 00:29:53,226 POSITIVE. WE ANALYZED THE WOOD FIBERS 614 00:29:53,269 --> 00:29:56,446 AND FOUND THEM TO BE FROM THE RARE CANARY ISLAND PINE 615 00:29:56,490 --> 00:29:58,144 WHICH GROWS ONLY IN OREGON. 616 00:29:58,187 --> 00:30:00,450 CONTACTING SEVERAL PAPER MILLS IN THAT AREA 617 00:30:00,494 --> 00:30:03,279 LED US TO A DISTRIBUTION CENTER IN TACOMA. 618 00:30:03,323 --> 00:30:05,455 UNFORTUNATELY, THAT'S WHERE THE TRAIL ENDED. 619 00:30:05,499 --> 00:30:07,849 HOW'D YOU TRACE IT TO STATESVILLE PRISON? 620 00:30:07,893 --> 00:30:10,025 RIGHT HERE ON THE LETTERHEAD, FRANK. 621 00:30:10,069 --> 00:30:11,548 AFTER COMPARING HANDWRITING SAMPLES 622 00:30:11,592 --> 00:30:13,072 WITH EVERY KNOWN BOMBER 623 00:30:13,115 --> 00:30:15,030 CURRENTLY SERVING A STRETCH IN STATESVILLE, 624 00:30:15,074 --> 00:30:17,032 WE CAME UP WITH A SUSPECT-- 625 00:30:17,076 --> 00:30:18,164 ROCCO DILLON. 626 00:30:18,207 --> 00:30:19,513 HE'S MASTERMINDING THE BOMBINGS 627 00:30:19,556 --> 00:30:21,123 FROM INSIDE THE PRISON. 628 00:30:21,167 --> 00:30:23,038 THEN THERE'S ONLY ONE WAY TO FIND OUT 629 00:30:23,082 --> 00:30:25,127 WHERE ROCCO'S GOING TO STRIKE NEXT. 630 00:30:25,171 --> 00:30:27,434 WE'LL HAVE TO SEND SOMEONE INTO STATESVILLE PRISON. 631 00:30:27,477 --> 00:30:29,001 I'LL DO IT. 632 00:30:29,044 --> 00:30:31,046 I WOULDN'T FEEL RIGHT ABOUT THAT. 633 00:30:31,090 --> 00:30:34,223 IF ROCCO FINDS OUT YOU'RE A COP, YOU MIGHT END UP DEAD. 634 00:30:34,267 --> 00:30:36,486 "YOU MIGHT END UP DEAD" IS MY MIDDLE NAME. 635 00:30:36,530 --> 00:30:38,053 WHAT ABOUT JANE? 636 00:30:38,097 --> 00:30:40,490 I DON'T KNOW HER MIDDLE NAME. 637 00:30:40,534 --> 00:30:41,883 I NEED THE ACTION. 638 00:30:41,927 --> 00:30:43,580 I'M GOING INSIDE THE BIG HOUSE. 639 00:30:43,624 --> 00:30:46,061 I THINK YOU MIGHT WANT TO SEE THIS. 640 00:30:46,105 --> 00:30:48,063 WE'RE TESTING OUT A PROTOTYPE 641 00:30:48,107 --> 00:30:50,065 FOR A NEW ANTICARJACKING DEVICE. 642 00:30:50,109 --> 00:30:51,980 WE'LL SEE HOW IT WORKS. 643 00:30:52,024 --> 00:30:52,981 GET OUT! 644 00:30:53,025 --> 00:30:54,200 NO! 645 00:30:54,243 --> 00:30:56,071 DON'T MAKE ME-- 646 00:30:56,115 --> 00:30:58,073 AAH! 647 00:30:59,988 --> 00:31:01,337 AAH! 648 00:31:01,381 --> 00:31:05,037 WE CALL IT THE DENVER JOCKSTRAP. 649 00:31:11,478 --> 00:31:13,349 AFTER BEING RETIRED FOR SIX MONTHS, 650 00:31:13,393 --> 00:31:15,351 I WAS FINALLY BACK IN ACTION. 651 00:31:15,395 --> 00:31:17,353 FASTER THAN YOU CAN SAY SPREAD 'EM, 652 00:31:17,397 --> 00:31:19,399 I WAS INSIDE THE COLD, GRAY WALLS 653 00:31:19,442 --> 00:31:21,096 OF STATESVILLE PRISON. 654 00:31:21,140 --> 00:31:23,359 I WAS SURROUNDED BY PIMPS, RAPISTS, AND MURDERERS. 655 00:31:23,403 --> 00:31:25,971 IT WAS LIKE BEING IN THE STANDS 656 00:31:26,014 --> 00:31:27,973 AT A LOS ANGELES RAIDERS GAME. 657 00:31:28,016 --> 00:31:30,410 IT WAS GOING TO TAKE ALL MY POLICE EXPERIENCE 658 00:31:30,453 --> 00:31:32,586 JUST TO STAY ALIVE IN HERE. 659 00:31:38,722 --> 00:31:40,942 [BELL RINGS] 660 00:31:43,031 --> 00:31:45,555 AFTER A LONG AND GENEROUS CAVITY SEARCH, 661 00:31:45,599 --> 00:31:48,036 I FINALLY REACHED MY DESTINATION-- 662 00:31:48,080 --> 00:31:49,603 MAXIMUM SECURITY, 663 00:31:49,646 --> 00:31:52,040 HOME OF SOME OF THE MOST VIOLENT SOCIOPATHS 664 00:31:52,084 --> 00:31:53,476 IN THE COUNTRY, 665 00:31:53,520 --> 00:31:56,131 AND THE WORST OF THEM ALL, 666 00:31:56,175 --> 00:31:57,350 ROCCO DILLON. 667 00:31:59,395 --> 00:32:00,962 ALL RIGHT, IN HERE. 668 00:32:01,006 --> 00:32:03,573 AIN'T NO PRISON YET COULD HOLD ME. 669 00:32:03,617 --> 00:32:04,574 ATTICA! 670 00:32:04,618 --> 00:32:06,054 ATTICA! 671 00:32:06,098 --> 00:32:08,056 POWER TO THE BROTHERS! 672 00:32:08,100 --> 00:32:09,275 KILL WHITEY! 673 00:32:09,318 --> 00:32:11,146 KILL WHITEY! 674 00:32:11,190 --> 00:32:12,582 KNOCK IT OFF! 675 00:32:15,107 --> 00:32:16,456 YOU'RE CHIRPING AWFULLY LOUD 676 00:32:16,499 --> 00:32:18,066 FOR A NEW CANARY. 677 00:32:18,110 --> 00:32:20,242 KEEP FLASHING THE BIG EYES, 678 00:32:20,286 --> 00:32:22,723 AND I'LL PERSONALLY BALANCE AND ROTATE YOUR JAW. 679 00:32:22,766 --> 00:32:26,422 HEY! YOU KNOW WHO YOU TALKING TO? 680 00:32:26,466 --> 00:32:28,598 THE MAN IS ROCCO DILLON. 681 00:32:28,642 --> 00:32:30,078 WHERE'S YOUR PRISON NUMBER? 682 00:32:30,122 --> 00:32:32,254 IT'S UNLISTED. 683 00:32:32,298 --> 00:32:35,997 JUST CALL ME NICK "THE SLASHER" McGIRK. 684 00:32:36,041 --> 00:32:38,434 LOOK, HAMHEAD, I'M THE MUSCLE IN THIS PEN. 685 00:32:38,478 --> 00:32:40,306 YOU JUST STAY OUT OF MY WAY. 686 00:32:40,349 --> 00:32:41,655 YOU JUST WATCH YOUR STEP, McGIRK. 687 00:32:41,698 --> 00:32:43,265 TAKE IT FROM ME, 688 00:32:43,309 --> 00:32:45,485 THIS PLACE HERE CHANGES A MAN. 689 00:32:45,528 --> 00:32:47,095 OH, YEAH? IN WHAT WAY? 690 00:32:47,139 --> 00:32:49,010 I USED TO BE WHITE. 691 00:32:50,185 --> 00:32:53,101 I WAS THE DRUMMER FOR THE OSMONDS. 692 00:32:53,145 --> 00:32:54,494 SCREW WITH ME, 693 00:32:54,537 --> 00:32:56,496 HE'LL MAKE YOU FEEL PAIN 694 00:32:56,539 --> 00:32:58,063 LIKE YOU NEVER FELT BEFORE. 695 00:32:58,106 --> 00:33:00,456 I KNOW. I REMEMBER THE OSMONDS. 696 00:33:00,500 --> 00:33:02,110 [BELL RINGS] 697 00:33:02,154 --> 00:33:03,459 BETTER HIT THE RACK, McGIRK. 698 00:33:03,503 --> 00:33:05,070 YEAH, IN A MINUTE. 699 00:33:05,113 --> 00:33:07,072 FIRST I WANT TO MAKE UP A LIST 700 00:33:07,115 --> 00:33:09,074 OF THE PEOPLE I'M GOING TO KILL 701 00:33:09,117 --> 00:33:11,076 IN THE NEXT COUPLE OF DAYS. 702 00:33:11,119 --> 00:33:13,165 LIGHTS OUT! LOCK DOWN IN TWO MINUTES! 703 00:33:16,385 --> 00:33:20,041 MY DEAREST SNOOKY WOOKUMS DUMPLING BUNS, 704 00:33:20,085 --> 00:33:22,043 I MISS YOU SO MUCH. 705 00:33:22,087 --> 00:33:23,784 I HAVEN'T HURT THIS BAD 706 00:33:23,827 --> 00:33:27,048 SINCE THE LAST TIME I WAS DUMPED. 707 00:33:27,092 --> 00:33:28,441 I REMEMBER IT WELL. 708 00:33:28,484 --> 00:33:30,356 HER NAME WAS GABRIELLA. 709 00:33:30,399 --> 00:33:32,358 WE WERE SUPPOSED TO BE MARRIED, 710 00:33:32,401 --> 00:33:34,708 BUT ON THE DAY OF OUR WEDDING, 711 00:33:34,751 --> 00:33:37,189 SHE NEVER SHOWED UP. 712 00:33:37,232 --> 00:33:40,453 AAH! 713 00:33:40,496 --> 00:33:42,063 I WAS HEARTBROKEN, DESTROYED. 714 00:33:42,107 --> 00:33:45,110 I FIGURED SHE HAD FALLEN FOR ANOTHER MAN, 715 00:33:45,153 --> 00:33:47,068 SOMEONE WHO COULD DO TO HER 716 00:33:47,112 --> 00:33:48,461 WHAT I NEVER COULD. 717 00:33:48,504 --> 00:33:50,376 I THOUGHT MY LIFE WAS OVER 718 00:33:50,419 --> 00:33:52,813 UNTIL THAT ONE GLORIOUS DAY. 719 00:33:52,856 --> 00:33:55,816 THAT WAS THE DAY YOU BECAME MY WIFE. 720 00:33:55,859 --> 00:33:59,341 ALL OUR FRIENDS GATHERED TO CELEBRATE OUR LOVE. 721 00:33:59,385 --> 00:34:00,821 IT SEEMS LIKE ONLY YESTERDAY. 722 00:34:00,864 --> 00:34:02,736 WE WERE ALL SO OVERJOYED. 723 00:34:02,779 --> 00:34:04,520 I REMEMBER HOW WE WISHED 724 00:34:04,564 --> 00:34:06,522 WE COULD TAKE EVERYONE WITH US. 725 00:34:06,566 --> 00:34:08,524 THAT WAS THE HAPPIEST DAY OF MY LIFE. 726 00:34:08,568 --> 00:34:11,527 I'LL NEVER FORGET THE PLANS WE MADE FOR OUR FUTURE. 727 00:34:11,571 --> 00:34:13,529 THINGS WERE GOING TO BE SO PERFECT. 728 00:34:13,573 --> 00:34:16,706 WE WERE GOING TO GET THAT HOUSEKEEPER YOU ALWAYS WANTED. 729 00:34:16,750 --> 00:34:18,708 HI, MR. D. HI, MRS. D. 730 00:34:18,752 --> 00:34:20,188 AND I KNEW THAT EVENTUALLY 731 00:34:20,232 --> 00:34:21,798 OUR DREAM WOULD COME TRUE. 732 00:34:21,842 --> 00:34:25,367 ONE DAY WE'D HAVE OUR OWN LITTLE FRANK DREBIN, JR. 733 00:34:25,411 --> 00:34:27,369 SHUT UP. I'M TRYING TO GET SOME SLEEP. 734 00:34:27,413 --> 00:34:30,807 NAH, IT'S NO USE. SHE'LL NEVER COME BACK. 735 00:34:36,770 --> 00:34:39,816 ♪ YOU SHAKE MY NERVES AND YOU RATTLE MY BRAIN ♪ 736 00:34:39,860 --> 00:34:42,819 ♪ TOO MUCH LOVE DRIVES A MAN INSANE ♪ 737 00:34:42,863 --> 00:34:44,386 ♪ YOU BROKE MY WILL 738 00:34:44,430 --> 00:34:45,822 ♪ BUT WHAT A THRILL 739 00:34:45,866 --> 00:34:48,825 ♪ GOODNESS GRACIOUS, GREAT BALLS OF FIRE ♪ 740 00:34:48,869 --> 00:34:51,828 ♪ I LAUGHED AT LOVE 'CAUSE I THOUGHT IT WAS FUNNY ♪ 741 00:34:51,872 --> 00:34:54,875 ♪ YOU CAME ALONG AND MOVED ME, HONEY ♪ 742 00:34:54,918 --> 00:34:56,398 ♪ I CHANGED MY MIND 743 00:34:56,442 --> 00:34:57,834 ♪ THIS LOVE IS FINE 744 00:34:57,878 --> 00:35:01,577 ♪ GOODNESS GRACIOUS, GREAT BALLS OF FIRE ♪♪ 745 00:35:04,450 --> 00:35:06,626 [SINGING] 746 00:35:35,568 --> 00:35:38,788 BEND OVER AND PICK IT UP FOR ME, 747 00:35:38,832 --> 00:35:41,661 WOULD YOU, LOVER? 748 00:35:41,704 --> 00:35:42,792 NO PROBLEM. 749 00:35:53,847 --> 00:35:56,806 ROCCO COULD TELL FROM MY LITTLE ESCAPADE IN THE SHOWER 750 00:35:56,850 --> 00:35:59,374 THAT I WAS WELL-ENDOWED WITH COURAGE. 751 00:35:59,418 --> 00:36:01,376 NOW I HAD TO GET ON THE INSIDE. 752 00:36:01,420 --> 00:36:03,378 LIKE A BLIND MAN AT AN ORGY, 753 00:36:03,422 --> 00:36:06,207 I WAS GOING TO HAVE TO FEEL THINGS OUT. 754 00:36:06,251 --> 00:36:08,992 TYRONE, GOT THE ESCAPE PLANS RIGHT HERE. 755 00:36:09,036 --> 00:36:12,213 JUST YOU AND ME. 756 00:36:12,257 --> 00:36:13,519 BURNETT WANTS IN, TOO. 757 00:36:13,562 --> 00:36:15,347 BURNETT'S ONE OF THE GUARDS. 758 00:36:15,390 --> 00:36:17,740 I KNOW, BUT HE'S UNHAPPY HERE. 759 00:36:17,784 --> 00:36:19,916 ALL RIGHT, ALL RIGHT. WHATEVER. 760 00:36:19,960 --> 00:36:22,658 GOT IT ALL WORKED OUT RIGHT HERE. 761 00:36:25,531 --> 00:36:27,489 WHAT'S THIS? 762 00:36:27,533 --> 00:36:29,752 ANOTHER LETTER FROM YOUR MOMMY? 763 00:36:29,796 --> 00:36:31,276 HEY, THAT'S PRIVATE, SCREW. 764 00:36:31,319 --> 00:36:32,581 LET'S SEE WHAT WE HAVE. 765 00:36:32,625 --> 00:36:34,670 GIVE THE MAN BACK HIS LETTER. 766 00:36:34,714 --> 00:36:36,498 BUZZ OFF, BUTTER CHEEKS. 767 00:36:36,542 --> 00:36:40,937 WHAT'S SO SPECIAL ABOUT A LITTLE LETTER? 768 00:36:40,981 --> 00:36:44,027 WAIT A MINUTE. AN ESCAPE PLAN. 769 00:36:44,071 --> 00:36:47,727 THIS IS YOUR TICKET TO ANOTHER 20 YEARS, DILLON. 770 00:36:47,770 --> 00:36:50,251 IF THE WARDEN GETS ONE LOOK AT THIS-- 771 00:36:50,295 --> 00:36:53,863 HEY! YOU CALL THIS SLOP? 772 00:36:53,907 --> 00:36:56,431 REAL SLOP HAS GOT CHUNKS OF THINGS IN IT! 773 00:36:56,475 --> 00:36:58,868 THIS IS MORE LIKE GRUEL! 774 00:36:58,912 --> 00:37:01,871 AND THIS CHATEAU LE BLANC '68, 775 00:37:01,915 --> 00:37:04,961 IT'S SUPPOSED TO BE SERVED SLIGHTLY CHILLED! 776 00:37:05,005 --> 00:37:06,615 THIS IS ROOM TEMPERATURE! 777 00:37:06,659 --> 00:37:10,271 WHAT DO YOU THINK WE ARE, ANIMALS? 778 00:37:10,315 --> 00:37:11,968 NO!NO! 779 00:37:12,012 --> 00:37:13,535 WHAT ARE WE? 780 00:37:13,579 --> 00:37:16,495 HOMO SAPIENS? 781 00:37:16,538 --> 00:37:18,497 YOU'RE RIGHT! 782 00:37:18,540 --> 00:37:20,499 WE ARE MEN! 783 00:37:20,542 --> 00:37:22,022 WE ARE MEN! 784 00:37:22,065 --> 00:37:24,285 WE ARE MEN! 785 00:37:24,329 --> 00:37:25,895 WE ARE MEN! 786 00:37:25,939 --> 00:37:28,550 WE ARE MEN! 787 00:37:28,594 --> 00:37:29,551 WE ARE MEN! 788 00:37:29,595 --> 00:37:31,423 AAH! 789 00:37:37,429 --> 00:37:39,518 COME ON, KNOCK IT OFF! 790 00:37:39,561 --> 00:37:41,041 EVERYBODY STOP! 791 00:37:41,084 --> 00:37:42,608 WHOA! 792 00:37:53,793 --> 00:37:55,621 DON'T! NO! STOP! 793 00:37:57,971 --> 00:37:59,712 AAH! 794 00:37:59,755 --> 00:38:01,322 YOUR LEFT HAND BLUE. 795 00:38:01,366 --> 00:38:04,325 WHO'S GOT THEIR HAND IN MY POCKET? 796 00:38:12,551 --> 00:38:13,508 EAT THEM! 797 00:38:13,552 --> 00:38:15,510 COME ON, SON. YOU CAN DO IT. 798 00:38:15,554 --> 00:38:17,425 EAT SOME BEANS. 799 00:38:38,577 --> 00:38:39,969 YOU SAVED MY BACON, McGIRK. 800 00:38:40,013 --> 00:38:41,971 I'D BE IN SOLITARY RIGHT NOW 801 00:38:42,015 --> 00:38:43,408 IF YOU HADN'T DONE THAT. 802 00:38:43,451 --> 00:38:44,974 LISTEN, I'VE BEEN WATCHING YOU. 803 00:38:45,018 --> 00:38:46,541 YOU HANDLE YOURSELF REALLY GOOD. 804 00:38:46,585 --> 00:38:47,629 REALLY WELL. 805 00:38:47,673 --> 00:38:49,544 I GOT SOMETHING BIG COMING UP 806 00:38:49,588 --> 00:38:51,111 ON THE OUTSIDE. 807 00:38:51,154 --> 00:38:52,982 I COULD USE YOU IN MY GANG. 808 00:38:53,026 --> 00:38:54,984 YOU GOT A DENTAL PLAN? 809 00:38:55,028 --> 00:38:56,116 FULL COVERAGE. 810 00:38:56,159 --> 00:38:58,423 WE GOT TO BUST OUT OF THIS PLAYPEN. 811 00:38:58,466 --> 00:39:00,903 WE STILL HAVE OUR ESCAPE PLAN. LET'S HAVE IT. 812 00:39:00,947 --> 00:39:02,470 IT'S A GOOD PLAN. 813 00:39:02,514 --> 00:39:03,906 I'VE HAD BETTER. 814 00:39:03,950 --> 00:39:07,475 LISTEN, I'VE GOT A FOOLPROOF PLAN. 815 00:39:07,519 --> 00:39:09,999 OH, MY GOD. THEY GOT TYRONE. 816 00:39:10,043 --> 00:39:14,613 CAN'T--CAN'T WE ALL JUST GET ALONG? 817 00:39:19,444 --> 00:39:21,446 NOW THAT TYRONE WAS IN SOLITARY, 818 00:39:21,489 --> 00:39:23,404 IT WAS JUST ME AND ROCCO. 819 00:39:23,448 --> 00:39:25,841 HE HAD NO CHOICE BUT TO TRUST ME-- 820 00:39:25,885 --> 00:39:27,582 SHH! HOLD ON. 821 00:39:27,626 --> 00:39:29,410 [WHISPERING] O.K. ANYWAY. 822 00:39:29,454 --> 00:39:31,847 I CONVINCED ROCCO TO DIG A TUNNEL. 823 00:39:31,891 --> 00:39:34,415 IT WAS THAT OR ESCAPE IN A LAUNDRY TRUCK. 824 00:39:34,459 --> 00:39:36,852 THE THOUGHT OF LYING IN A PILE OF UNDERWEAR 825 00:39:36,896 --> 00:39:38,419 NOSE-DOWN IN SKID MARKS 826 00:39:38,463 --> 00:39:41,553 DIDN'T LEAVE A GOOD TASTE IN MY MOUTH. 827 00:39:44,730 --> 00:39:47,167 DISPOSING OF THE DIRT WAS A PROBLEM I SOLVED 828 00:39:47,210 --> 00:39:48,690 EARLY IN THE CONSTRUCTION. 829 00:39:48,734 --> 00:39:50,083 OUTSIDE OF SOME MAJOR CHAFING, 830 00:39:50,126 --> 00:39:52,651 WE WERE MAKING GOOD PROGRESS. 831 00:39:52,694 --> 00:39:54,130 WE KEPT DIGGING. 832 00:39:54,174 --> 00:39:56,089 AT NIGHT, DUMMIES GAVE THE GUARDS THE IMPRESSION 833 00:39:56,132 --> 00:39:57,873 WE WERE STILL IN OUR CELL. 834 00:39:57,917 --> 00:39:59,440 LIGHTS OUT. 835 00:39:59,484 --> 00:40:01,442 THERE WAS MORE DIRT THAN I ANTICIPATED. 836 00:40:01,486 --> 00:40:04,402 DISPOSING OF IT WAS BECOMING TRICKY BUSINESS. 837 00:40:21,593 --> 00:40:24,160 AAH! 838 00:40:26,554 --> 00:40:28,513 SAFE! 839 00:40:28,556 --> 00:40:31,124 ♪ 99 BOTTLES OF BEER ON THE WALL ♪ 840 00:40:31,167 --> 00:40:32,865 ♪ 99 BOTTLES OF BEER 841 00:40:32,908 --> 00:40:35,476 ♪ IF ONE OF THOSE BOTTLES SHOULD HAPPEN TO FALL ♪ 842 00:40:35,520 --> 00:40:37,086 ♪ 98 BOTTLES OF BEER ON THE WALL ♪ 843 00:40:37,130 --> 00:40:39,219 ♪ 98 BOTTLES OF BEER ON THE WALL ♪ 844 00:40:39,262 --> 00:40:41,134 ♪ 98 BOTTLES OF BEER 845 00:40:41,177 --> 00:40:42,744 WHERE ARE YOU GOING? 846 00:40:42,788 --> 00:40:45,573 YOU'RE NOT THINKING OF FRANK AGAIN, ARE YOU? 847 00:40:45,617 --> 00:40:47,488 THEY'RE PLAYING OUR SONG. 848 00:40:47,532 --> 00:40:50,056 I UNDERSTAND. TAKE YOUR TIME. 849 00:40:50,099 --> 00:40:51,492 ♪ IF ONE OF THOSE BOTTLES SHOULD HAPPEN TO FALL ♪ 850 00:40:51,536 --> 00:40:53,712 ♪ 96 BOTTLES OF BEER ON THE WALL ♪♪ 851 00:41:06,289 --> 00:41:08,074 WELL, HELLO, THERE. 852 00:41:08,117 --> 00:41:10,816 I'M HAULING A LOAD OF RICE CAKES. 853 00:41:10,859 --> 00:41:12,818 WHAT DO YOU SAY TO COMING WITH ME? 854 00:41:12,861 --> 00:41:13,949 NO, THANK YOU. 855 00:41:13,993 --> 00:41:15,777 THEN HOW ABOUT A KISS? 856 00:41:15,821 --> 00:41:16,909 NO. 857 00:41:16,952 --> 00:41:18,824 WHEN A WOMAN SAYS NO, SHE MEANS YES. 858 00:41:18,867 --> 00:41:20,260 HOW ABOUT THAT KISS? 859 00:41:20,303 --> 00:41:21,609 YES. 860 00:41:21,653 --> 00:41:24,830 WHAT DO YOU MEAN NO? I KNOW YOUR TYPE. 861 00:41:24,873 --> 00:41:27,789 COME ON, BABY. WE'RE TWO OF A KIND. 862 00:41:27,833 --> 00:41:28,790 OW! 863 00:41:28,834 --> 00:41:30,749 AAH! 864 00:41:30,792 --> 00:41:32,054 AAH! 865 00:41:35,580 --> 00:41:38,844 AAH! 866 00:41:38,887 --> 00:41:40,280 OH, MY GOD! 867 00:41:40,323 --> 00:41:42,195 YOU KILLED HIM! 868 00:41:42,238 --> 00:41:44,153 IT WAS AN ACCIDENT. LET'S CALL THE POLICE. 869 00:41:44,197 --> 00:41:46,155 COME TO YOUR SENSES. YOU KILLED A MAN. 870 00:41:46,199 --> 00:41:48,984 YOU'RE A HERO TO EVERY WOMAN IN THIS COUNTRY. 871 00:41:49,028 --> 00:41:52,074 WE HAVE TO CALL FRANK. HE'LL PROTECT US. 872 00:41:52,118 --> 00:41:53,249 FRANK IS A MAN. 873 00:41:53,293 --> 00:41:55,208 HE'LL SEE YOU LOCKED AWAY FOREVER. 874 00:41:56,775 --> 00:41:58,603 JANE, I WANT TO JOIN YOU 875 00:41:58,646 --> 00:42:02,171 TO HELP YOU KILL AS MANY MEN AS POSSIBLE. 876 00:42:02,215 --> 00:42:04,217 YIPES! 877 00:42:04,260 --> 00:42:06,132 LOUISE, DO WHAT YOU HAVE TO. 878 00:42:06,175 --> 00:42:08,221 I'M CALLING FRANK. 879 00:42:10,266 --> 00:42:12,573 OH, BOY, DID THAT HURT. 880 00:42:12,617 --> 00:42:14,183 BE HOME FRANK, PLEASE. 881 00:42:14,227 --> 00:42:15,750 ANSWER THE PHONE, SNUGGY PANTS. 882 00:42:15,794 --> 00:42:17,186 [TELEPHONE PICKS UP] 883 00:42:17,230 --> 00:42:18,187 FRANK! 884 00:42:18,231 --> 00:42:19,362 HI, THIS IS FRANK. 885 00:42:19,406 --> 00:42:21,103 AND JANE. 886 00:42:21,147 --> 00:42:23,366 WE'RE THE DREBINS. WE'RE NOT HOME RIGHT NOW, 887 00:42:23,410 --> 00:42:24,803 SO LEAVE A MESSAGE. 888 00:42:24,846 --> 00:42:26,021 [LAUGHTER] 889 00:42:26,065 --> 00:42:27,370 WHICH BUTTON DO I PRESS? 890 00:42:27,414 --> 00:42:29,590 NO, NOT THAT ONE. 891 00:42:29,634 --> 00:42:30,722 [DIAL TONE] 892 00:42:40,079 --> 00:42:42,647 TANYA? IT WAS ANOTHER WOMAN. 893 00:42:42,690 --> 00:42:44,126 FRANK WAS TELLING THE TRUTH. 894 00:42:44,170 --> 00:42:45,606 HONEYMOON BAY ROAD. 895 00:42:45,650 --> 00:42:47,956 I BET THEY'RE ALL ALONE THERE RIGHT NOW. 896 00:42:48,000 --> 00:42:49,218 OH, FRANK! 897 00:42:49,262 --> 00:42:50,219 CELL INSPECTION. 898 00:42:50,263 --> 00:42:51,743 [BELL RINGS] 899 00:42:53,135 --> 00:42:56,051 THERE'S BEEN A RUMOR OF A POSSIBLE BREAKOUT. 900 00:42:56,095 --> 00:42:58,053 IF WE SUSPECT ANYONE 901 00:42:58,097 --> 00:43:00,403 OF ATTEMPTING TO ESCAPE, 902 00:43:00,447 --> 00:43:03,711 THEY WILL BE PUNISHED SEVERELY. 903 00:43:03,755 --> 00:43:06,366 ONCE WORD OF THE ESCAPE WAS OUT, 904 00:43:06,409 --> 00:43:07,889 WE HAD TO MOVE QUICKLY 905 00:43:07,933 --> 00:43:09,369 SO WE HEADED FOR THE TUNNEL. 906 00:43:09,412 --> 00:43:12,764 THE LAST FEW FEET HAD TO BE DUG ON THE RUN. 907 00:43:12,807 --> 00:43:15,636 47 YARDS WOULD TAKE US BEYOND THE PRISON WALLS. 908 00:43:15,680 --> 00:43:17,029 MAY HE REST IN PEACE 909 00:43:17,072 --> 00:43:20,075 IN THE ARMS OF OUR LOVING... JESUS CHRIST! 910 00:43:20,119 --> 00:43:21,773 AMEN. 911 00:43:21,816 --> 00:43:23,905 ROCCO HAD ARRANGED FOR A GETAWAY CAR 912 00:43:23,949 --> 00:43:26,038 TO MEET US AT OUR DESTINATION. 913 00:43:26,081 --> 00:43:28,257 AFTER MAKING A SLIGHT ADJUSTMENT IN OUR DIRECTION, 914 00:43:28,301 --> 00:43:31,391 WE FINALLY ARRIVED AT THE RENDEZVOUS POINT-- 915 00:43:31,434 --> 00:43:34,350 A LOS ANGELES CITY HIGH SCHOOL. 916 00:43:48,060 --> 00:43:49,452 HEY, THAT WAS CLOSE. 917 00:43:49,496 --> 00:43:52,412 HEY, ROCCO, WHO'S THE OLD HAG? 918 00:43:52,455 --> 00:43:55,023 SHE TAKE ONE IN THE FACE? 919 00:43:55,067 --> 00:43:57,069 SHE'S MY MOTHER. 920 00:43:57,112 --> 00:43:58,897 MRS. DILLON, YOUR SON IS A RUTHLESS, 921 00:43:58,940 --> 00:44:00,115 SADISTIC, COLD-BLOODED ANIMAL. 922 00:44:00,159 --> 00:44:02,422 YOU MUST BE VERY PROUD OF HIM. 923 00:44:02,465 --> 00:44:03,815 I AM. 924 00:44:03,858 --> 00:44:06,992 MA, I WANT YOU TO MEET A REAL SQUARE EGG-- 925 00:44:07,035 --> 00:44:08,384 NICK "THE SLASHER" McGIRK. 926 00:44:08,428 --> 00:44:10,778 THERE'S FRESH CLOTHES IN THE BACK. 927 00:44:10,822 --> 00:44:12,171 ROCCO'S MOM WAS QUIET. 928 00:44:12,214 --> 00:44:13,738 I HAD A FEELING 929 00:44:13,781 --> 00:44:16,741 SHE DIDN'T CARE FOR ME COMING ALONG. 930 00:44:16,784 --> 00:44:19,134 LIKE A MIDGET AT A URINAL, 931 00:44:19,178 --> 00:44:23,138 I WAS GOING TO HAVE TO STAY ON MY TOES. 932 00:44:32,887 --> 00:44:35,150 HEY! STOP! 933 00:44:39,502 --> 00:44:41,374 OH, FRANK. 934 00:44:56,998 --> 00:44:58,478 WELL, IT WASN'T MY FAULT. 935 00:44:58,521 --> 00:45:01,002 THAT COW SHOULDN'T HAVE BEEN STANDING IN THE ROAD. 936 00:45:01,046 --> 00:45:03,396 HURRY UP. YOU'RE LETTING THE FLIES IN. 937 00:45:03,439 --> 00:45:05,006 WHAT DO YOU THINK, KID? 938 00:45:05,050 --> 00:45:06,399 IT'S A GREAT SETUP. 939 00:45:06,442 --> 00:45:09,010 NO PHONE, MILES FROM THE NEAREST TOWN, 940 00:45:09,054 --> 00:45:10,403 PLAYBOY CHANNEL, PERFECT. 941 00:45:10,446 --> 00:45:11,491 HIGH STAKES, 942 00:45:11,534 --> 00:45:13,406 BUT I'M HERE FOR THE ACTION. 943 00:45:13,449 --> 00:45:15,016 WHAT ARE WE GOING AFTER, 944 00:45:15,060 --> 00:45:16,409 BANK, ARMORED CAR, DODGERS' PAYROLL? 945 00:45:16,452 --> 00:45:20,021 YOU'RE GETTING A LITTLE BIT TOO NOSY, McGIRK. 946 00:45:20,065 --> 00:45:21,762 RELAX, MA. 947 00:45:21,806 --> 00:45:25,200 SHE'S BEEN ITCHING TO TRY OUT HER NEW GUN. 948 00:45:25,244 --> 00:45:27,202 I KNOW THE FEELING. 949 00:45:45,438 --> 00:45:47,527 IT WAS TANYA. 950 00:45:47,570 --> 00:45:49,529 THAT BATHING SUIT WAS NEVER HAPPIER. 951 00:45:49,572 --> 00:45:53,185 I HAD ONLY A SECOND TO ADMIRE THE VIEW. 952 00:45:53,228 --> 00:45:54,795 I HAD TO WATCH OUT. 953 00:45:54,839 --> 00:45:56,971 IF SHE MADE ME AS A COP, 954 00:45:57,015 --> 00:45:58,451 I'D BE TONIGHT'S MEAT LOAF. 955 00:45:58,494 --> 00:45:59,931 COME HERE, SEXY. 956 00:45:59,974 --> 00:46:01,367 YOU'RE ALL WOMAN. 957 00:46:01,410 --> 00:46:03,978 I COULD TELL JUST BY LOOKING AT YOU. 958 00:46:04,022 --> 00:46:05,414 HEY, SHE'S REFERRING TO ME. 959 00:46:05,458 --> 00:46:08,504 UH...I WAS TALKING ABOUT YOUR MOTHER. 960 00:46:10,028 --> 00:46:12,421 THAT'S NO WAY TO BE WALKING AROUND. 961 00:46:12,465 --> 00:46:14,075 GET SOME CLOTHES ON. 962 00:46:14,119 --> 00:46:16,251 WHAT ARE YOU DOING IN MY BATHING SUIT? 963 00:46:17,600 --> 00:46:19,124 HEY, WHO'S THE STUD? 964 00:46:19,167 --> 00:46:21,996 I'D LIKE YOU TO MEET THE NEWEST MEMBER 965 00:46:22,040 --> 00:46:23,432 OF OUR GANG. 966 00:46:23,476 --> 00:46:26,609 SLASHER McGIRK, MEET TANYA PETERS. 967 00:46:26,653 --> 00:46:28,002 WAIT A MINUTE. 968 00:46:28,046 --> 00:46:29,917 DON'T I KNOW YOU FROM SOMEWHERE? 969 00:46:29,961 --> 00:46:31,440 I SMELLED COP ON HIM 970 00:46:31,484 --> 00:46:33,007 THE MINUTE I SAW HIM. 971 00:46:33,051 --> 00:46:35,009 I GET THAT ALL THE TIME. 972 00:46:35,053 --> 00:46:36,837 THE UNDERWEAR ADS, PLAYED EVERYWHERE. 973 00:46:36,881 --> 00:46:40,014 ARE YOU SAYING YOU'RE NOT A COP? 974 00:46:40,058 --> 00:46:42,147 WELL, YEAH. 975 00:46:42,190 --> 00:46:43,452 THAT'S GOOD ENOUGH FOR ME. 976 00:46:43,496 --> 00:46:44,889 ME, TOO. I'M FINE. 977 00:46:44,932 --> 00:46:47,065 ALL RIGHT. GLAD THAT'S ALL CLEARED UP. 978 00:46:47,108 --> 00:46:50,068 MA, WHY DON'T YOU TWO KISS AND MAKE UP? 979 00:46:50,111 --> 00:46:51,069 HUH? 980 00:46:51,112 --> 00:46:53,375 WELL, ALL RIGHT. 981 00:46:57,902 --> 00:46:58,859 [SPITS] 982 00:47:03,516 --> 00:47:05,997 NOW THAT'S MORE LIKE IT. 983 00:47:22,927 --> 00:47:24,015 OW. 984 00:47:27,192 --> 00:47:29,585 I HAD TO GET A MESSAGE TO POLICE SQUAD. 985 00:47:29,629 --> 00:47:32,458 THIS WAS TURNING INTO MORE THAN I COULD HANDLE. 986 00:47:32,501 --> 00:47:34,460 NO PHONE AND MILES FROM CIVILIZATION, 987 00:47:34,503 --> 00:47:36,505 MY PROSPECTS LOOKED BLEAKER THAN A GERBIL'S 988 00:47:36,549 --> 00:47:38,159 IN A BATHHOUSE. 989 00:47:38,203 --> 00:47:39,857 WHO'S DOWN THERE? 990 00:47:40,988 --> 00:47:42,947 SLASHER... 991 00:47:42,990 --> 00:47:45,471 HAVE YOU SEEN MY PIGEON? 992 00:47:45,514 --> 00:47:47,908 PIGEON? WHAT PIGEON? 993 00:47:47,952 --> 00:47:50,258 WHAT ARE YOU DOING? 994 00:47:50,302 --> 00:47:54,567 I'M... JUST CONTEMPLATING MY NEXT MOVE. 995 00:47:54,610 --> 00:47:57,048 YOUR BISHOP IS EXPOSED. 996 00:47:57,091 --> 00:47:58,919 IT'S THESE PANTS. 997 00:47:58,963 --> 00:48:01,008 I USUALLY WEAR A FULLER CUT. 998 00:48:01,052 --> 00:48:02,444 YOU'RE ALL MAN. 999 00:48:02,488 --> 00:48:04,229 I LIKE THAT IN MY MEN. 1000 00:48:04,272 --> 00:48:06,231 YOU'RE COMING ON TO ME BIG-TIME, SISTER. 1001 00:48:06,274 --> 00:48:08,537 YOU'RE PURRING LIKE A KITTEN WITH A FRESH MOUSE, 1002 00:48:08,581 --> 00:48:10,496 BUT WE GOT A PROBLEM. 1003 00:48:10,539 --> 00:48:11,540 YOU'RE JEWISH? 1004 00:48:11,584 --> 00:48:13,412 NO. YOU'RE ROCCO'S GIRL. 1005 00:48:13,455 --> 00:48:15,240 IN MY BOOK, THAT CHAPTER'S CALLED 1006 00:48:15,283 --> 00:48:17,111 "LOOK, BUT DON'T TOUCH." 1007 00:48:19,461 --> 00:48:21,724 I COULD HAVE TWO LOVERS. 1008 00:48:21,768 --> 00:48:24,205 KINKY. I LIKE MY SEX 1009 00:48:24,249 --> 00:48:26,164 THE WAY I PLAY BASKETBALL-- 1010 00:48:26,207 --> 00:48:29,907 ONE-ON-ONE AND WITH AS LITTLE DRIBBLING AS POSSIBLE. 1011 00:48:37,653 --> 00:48:40,439 OH, YOU'RE TENSE, SLASHER. 1012 00:48:40,482 --> 00:48:43,050 WELL, I COULD RELAX A LITTLE MORE 1013 00:48:43,094 --> 00:48:45,357 IF I KNEW WHAT WAS GOING ON TOMORROW. 1014 00:48:45,400 --> 00:48:48,447 YOU WOULDN'T KNOW ANYTHING ABOUT THAT, WOULD YOU? 1015 00:48:48,490 --> 00:48:52,059 ALL I KNOW IS IT'S DOWNTOWN AND... 1016 00:48:52,103 --> 00:48:53,452 BIG. 1017 00:48:53,495 --> 00:48:56,455 THAT'S THE WAY I LIKE IT. 1018 00:48:56,498 --> 00:48:58,457 WHAT ELSE? 1019 00:48:58,500 --> 00:49:00,676 JUST THIS. 1020 00:49:03,636 --> 00:49:05,159 WHAT ARE YOU DOING? 1021 00:49:05,203 --> 00:49:07,466 THANK YOU FOR THE ADVICE. 1022 00:49:07,509 --> 00:49:10,034 I'LL TRY THAT RECIPE OUT, MISS PETERS. 1023 00:49:10,077 --> 00:49:11,383 HOW COULD YOU? 1024 00:49:11,426 --> 00:49:13,037 JUST SHOVE YOUR TONGUE 1025 00:49:13,080 --> 00:49:14,777 AS FAR DOWN HIS THROAT AS YOU CAN. 1026 00:49:14,821 --> 00:49:16,257 OH-- 1027 00:49:16,301 --> 00:49:19,043 QUIET. YOU'RE NOT SUPPOSED TO KNOW ME HERE. 1028 00:49:19,086 --> 00:49:21,262 THAT'S A GOODBYE KISS, SISTER. 1029 00:49:21,306 --> 00:49:23,482 WHAT'S ALL THIS? WHO'S THE SKIRT? 1030 00:49:23,525 --> 00:49:25,092 JUST SOME DIZZY DAME. 1031 00:49:25,136 --> 00:49:27,051 PROBABLY HER CAR BROKE DOWN. 1032 00:49:27,094 --> 00:49:29,053 I'LL TAKE HER TO THE BUS DEPOT. 1033 00:49:29,096 --> 00:49:30,141 SHE'S MARRIED. 1034 00:49:30,184 --> 00:49:32,273 WHAT IF HER HUSBAND COMES LOOKING? 1035 00:49:32,317 --> 00:49:34,058 HE MUST BE A GREAT GUY. 1036 00:49:34,101 --> 00:49:35,450 HE BREAKS PROMISES. 1037 00:49:35,494 --> 00:49:38,497 LOOK AT YOU, TRAIPSING ALL OVER, JUST TO SPITE HIM. 1038 00:49:38,540 --> 00:49:39,628 HE LEFT ME. 1039 00:49:39,672 --> 00:49:40,629 YOU LEFT HIM. 1040 00:49:40,673 --> 00:49:41,761 YOU SHOULD TALK. 1041 00:49:41,804 --> 00:49:44,068 LISTEN TO YOU.LISTEN TO YOU. 1042 00:49:44,111 --> 00:49:45,373 LISTEN TO YOU.LISTEN TO YOU. 1043 00:49:45,417 --> 00:49:47,027 LISTEN TO YOU!LISTEN TO YOU! 1044 00:49:47,071 --> 00:49:49,247 JEEZ, YOU TWO, KNOCK IT OFF! 1045 00:49:49,290 --> 00:49:50,335 YOU'D THINK YOU'RE MARRIED. 1046 00:49:50,378 --> 00:49:52,337 WHAT DO YOU WANT TO DO WITH HER? 1047 00:49:52,380 --> 00:49:53,686 WELL, ONE THING'S FOR SURE. 1048 00:49:53,729 --> 00:49:56,036 THERE'S NO ROOM FOR HER HERE. 1049 00:49:56,080 --> 00:49:58,082 I SAY WE BUMP HER OFF. 1050 00:49:58,125 --> 00:49:59,474 LET'S PLUG HER RIGHT HERE. 1051 00:49:59,518 --> 00:50:01,476 I'VE BEEN ON JOBS WHERE THINGS WENT HOOEY. 1052 00:50:01,520 --> 00:50:03,435 I WOULD HAVE GIVEN ANYTHING FOR A HOSTAGE. 1053 00:50:03,478 --> 00:50:06,220 WE ALL KNOW WOMEN MAKE THE BEST HOSTAGES. 1054 00:50:06,264 --> 00:50:08,135 THEY'RE SMALLER, EASY TO TAKE ALONG, 1055 00:50:08,179 --> 00:50:09,354 EAT LESS, SMELL NICE. 1056 00:50:09,397 --> 00:50:12,835 YEAH, WE GOT US AN INSURANCE POLICY. 1057 00:50:12,879 --> 00:50:15,055 GOOD THINKING, KID. 1058 00:50:15,099 --> 00:50:16,491 NOW LET'S GET SOME SHUTEYE. 1059 00:50:16,535 --> 00:50:19,190 WE GOT A BIG DAY AHEAD OF US. 1060 00:50:24,195 --> 00:50:25,544 ALL RIGHT, IT'S RIGGED. 1061 00:50:25,587 --> 00:50:28,112 KEEP YOUR EYE ON THE TOWER, SLASHER. 1062 00:50:28,155 --> 00:50:30,114 IT'S WHAT'S GOING TO HAPPEN TONIGHT. 1063 00:50:30,157 --> 00:50:32,333 HEY, AREN'T WE AWFULLY FAR AWAY? 1064 00:50:32,377 --> 00:50:34,205 OH! 1065 00:50:34,248 --> 00:50:35,510 ALL RIGHT, NOW, PAY ATTENTION. 1066 00:50:35,554 --> 00:50:38,513 ON THE TOP OF THAT TOWER'S A DEVICE 1067 00:50:38,557 --> 00:50:40,733 THAT'S GOING TO NET US 5 MILLION BUCKS. 1068 00:50:40,776 --> 00:50:43,083 IT'S A LITTLE THING I'VE BEEN WORKING ON. 1069 00:50:43,127 --> 00:50:44,519 WE'RE GOING TO DETONATE IT 1070 00:50:44,563 --> 00:50:46,521 AT AN EVENT THE WORLD WILL BE WATCHING. 1071 00:50:46,565 --> 00:50:48,132 YOUR CROWNING ACHIEVEMENT. 1072 00:50:48,175 --> 00:50:49,872 IT'S FOR BOTH OF US, MA. 1073 00:50:49,916 --> 00:50:50,873 ALL SET! 1074 00:50:50,917 --> 00:50:52,179 SET! 1075 00:51:15,159 --> 00:51:16,508 VERY IMPRESSIVE. 1076 00:51:16,551 --> 00:51:18,510 HEH-HEH-HEH-HEH. 1077 00:51:18,553 --> 00:51:19,511 COOL. 1078 00:51:19,554 --> 00:51:21,513 HEH-HEH-HEH-HEH. 1079 00:51:21,556 --> 00:51:22,601 COOL. 1080 00:51:27,562 --> 00:51:29,738 YES, AMERICA WILL BE BROUGHT TO ITS KNEES 1081 00:51:29,782 --> 00:51:31,392 BY THIS ULTIMATE TERRORIST ACT. 1082 00:51:31,436 --> 00:51:34,134 THIS WILL BE MORE EMBARRASSING TO THE UNITED STATES 1083 00:51:34,178 --> 00:51:35,570 THAN TONYA HARDING. 1084 00:51:35,614 --> 00:51:38,138 WE'RE ALMOST THERE. I DON'T WANT TO MISS THIS. 1085 00:51:38,182 --> 00:51:40,140 GIVE MY REGARDS TO MRS. KHADAFI. 1086 00:51:40,184 --> 00:51:42,447 TELL HER THANKS FOR THE COOKIES. 1087 00:51:44,188 --> 00:51:45,841 IT'S ANOTHER BEAUTIFUL NIGHT IN LOS ANGELES, 1088 00:51:45,885 --> 00:51:47,843 AND THE STARS ARE SHINING BRIGHT 1089 00:51:47,887 --> 00:51:50,455 FOR THE 66th ANNUAL ACADEMY AWARDS. 1090 00:51:50,498 --> 00:51:52,587 THOUSANDS OF FANS ARE CLAMORING 1091 00:51:52,631 --> 00:51:55,808 TO GET A GLIMPSE OF THEIR FAVORITE CELEBRITIES. 1092 00:51:55,851 --> 00:51:57,418 HERE ARE TWO OF THEM. 1093 00:51:57,462 --> 00:52:00,247 IT'S WEIRD AL YANKOVIC AND VANNA WHITE. 1094 00:52:09,517 --> 00:52:12,216 SLASHER, PUT THE DAME IN THE TRUNK. 1095 00:52:12,259 --> 00:52:15,915 I'LL MEET YOU AND MA AROUND BACK IN 10 MINUTES. 1096 00:52:15,958 --> 00:52:17,699 GOT THE PASSES? 1097 00:52:19,353 --> 00:52:21,486 WE PULL THIS OFF, IT'S 5 MILLION BIG ONES. 1098 00:52:21,529 --> 00:52:22,617 NOT BAD. 1099 00:52:22,661 --> 00:52:24,489 WHAT'S GOING TO HAPPEN TO ME? 1100 00:52:24,532 --> 00:52:25,925 SHH! I HAVE AN IDEA. 1101 00:52:25,968 --> 00:52:28,580 ALL RIGHT, SLASHER. YOU KNOW WHAT TO DO. 1102 00:52:28,623 --> 00:52:30,712 RIGHT. CHECK ALL THE FLUID LEVELS. 1103 00:52:30,756 --> 00:52:32,627 NO, YOU MUFFINHEAD, THE DAME. 1104 00:52:32,671 --> 00:52:33,933 KEEP AN EYE ON HER. 1105 00:52:33,976 --> 00:52:36,718 WE HIT TROUBLE, SHE'S A BULLET SHIELD. 1106 00:52:39,591 --> 00:52:41,636 LADIES AND GENTLEMEN, 1107 00:52:41,680 --> 00:52:44,248 HERE NOW TO PRESENT THE ACADEMY'S LIFETIME ACHIEVEMENT AWARD 1108 00:52:44,291 --> 00:52:46,337 IS JAMES SIMMONS. 1109 00:52:46,380 --> 00:52:47,773 GO TO CLIP. ASPIRIN, PLEASE. 1110 00:52:47,816 --> 00:52:49,905 GO TO 3. READY 4. 1111 00:52:49,949 --> 00:52:53,953 THIS YEAR'S LIFETIME ACHIEVEMENT AWARD WINNER'S CREDITS INCLUDE 1112 00:52:53,996 --> 00:52:55,955 SOME OF THE GREATEST MOMENTS 1113 00:52:55,998 --> 00:52:57,826 EVER CAPTURED ON CELLULOID. 1114 00:52:57,870 --> 00:53:01,482 FILMS SUCH AS SANDALS AND LOINCLOTH,1958, 1115 00:53:01,526 --> 00:53:03,832 SWEATY BOAT MEN,1959, 1116 00:53:03,876 --> 00:53:07,314 THE LEATHER-CLAD CENTURION,1960, 1117 00:53:07,358 --> 00:53:10,839 AND HIS FIRST COLOR FEATURE IN 1966, 1118 00:53:10,883 --> 00:53:13,233 BIG SHINY SPEARS. 1119 00:53:18,543 --> 00:53:22,242 O.K., THERE'S THE MAN FROM BRYCE/PORTERHOUSE. 1120 00:53:22,286 --> 00:53:24,244 HE'S THE GUY THAT GUARDS THE ENVELOPES 1121 00:53:24,288 --> 00:53:25,506 UNTIL THEY'RE HANDED OUT. 1122 00:53:25,550 --> 00:53:27,465 HE'S NOT GOING TO BUDGE FROM THAT TABLE. 1123 00:53:27,508 --> 00:53:28,944 YOU KNOW WHAT TO DO. 1124 00:53:28,988 --> 00:53:30,859 DISTRACT HIM SO I CAN PLANT THE BOMB. 1125 00:53:30,903 --> 00:53:33,471 ACCEPTING THE AWARD FOR MR. BRONCOWITZ 1126 00:53:33,514 --> 00:53:35,516 IS MARGARET REDFEATHER. 1127 00:53:52,577 --> 00:53:54,448 THAT OUGHT TO DO IT. 1128 00:53:54,492 --> 00:53:56,537 YOU'LL NEVER GET AWAY WITH THIS. 1129 00:53:56,581 --> 00:53:59,366 ROCCO'S GOING TO KILL YOU, WHOEVER YOU ARE. 1130 00:53:59,410 --> 00:54:00,889 FRANK DREBIN, POLICE SQUAD. 1131 00:54:00,933 --> 00:54:02,500 ISN'T IT A LITTLE UNUSUAL? 1132 00:54:02,543 --> 00:54:04,502 IT'S HAPPENED TO ME A COUPLE OF TIMES. 1133 00:54:04,545 --> 00:54:05,894 NOW HERE'S THE PLAN. 1134 00:54:05,938 --> 00:54:08,593 YOUR CHANCES ARE ONE IN A MILLION. 1135 00:54:08,636 --> 00:54:10,551 THAT'S STILL BETTER THAN ANY STATE LOTTERY. 1136 00:54:10,595 --> 00:54:12,074 LOOK, I'M THE GOOD GUY. 1137 00:54:12,118 --> 00:54:14,773 I CAN'T LET THE BAD GUYS WIN. 1138 00:54:14,816 --> 00:54:16,775 OUR CHILDREN CAN'T BE RAISED IN FEAR. 1139 00:54:16,818 --> 00:54:18,907 THEY'RE GOING TO BLOW THAT PLACE SKY HIGH. 1140 00:54:18,951 --> 00:54:20,561 IT'LL BE A TRAGEDY, 1141 00:54:20,605 --> 00:54:23,782 UNLESS, OF COURSE, IT HAPPENS DURING A DANCE NUMBER. 1142 00:54:40,102 --> 00:54:41,669 DOES THAT RADIO WORK? 1143 00:54:41,713 --> 00:54:43,454 [SPEAKING ARABIC] 1144 00:54:47,458 --> 00:54:48,850 CALL POLICE SQUAD. 1145 00:54:48,894 --> 00:54:50,722 TELL THEM FRANK DREBIN SAYS-- 1146 00:54:50,765 --> 00:54:51,984 [SPEAKING JAMAICAN] 1147 00:54:57,468 --> 00:54:58,773 FORGET IT. 1148 00:55:00,384 --> 00:55:03,604 I WONDER WHAT THE DEVIL HE WANTED. 1149 00:55:07,695 --> 00:55:09,393 HOLD ON. 1150 00:55:09,436 --> 00:55:11,830 SERGEANT FRANK DREBIN, DETECTIVE LIEUTENANT POLICE SQUAD. 1151 00:55:11,873 --> 00:55:13,571 YEAH, AND I'M ROBERT De NIRO. 1152 00:55:13,614 --> 00:55:16,356 MR. De NIRO, WE'VE GOT TO GET INSIDE. 1153 00:55:16,400 --> 00:55:18,793 YOU AND 10,000 OTHER PEOPLE. NOW, MOVE ALONG. 1154 00:55:18,837 --> 00:55:20,404 MOVIE STARS ONLY. 1155 00:55:20,447 --> 00:55:21,579 COME ON. 1156 00:55:21,622 --> 00:55:23,711 I'VE GOT A BETTER IDEA. 1157 00:55:23,755 --> 00:55:25,670 AND CUE TALENT. 1158 00:55:25,713 --> 00:55:28,499 AND NOW, TO PRESENT THE AWARD FOR BEST SUPPORTING ACTRESS 1159 00:55:28,542 --> 00:55:30,152 ARE MARIEL HEMINGWAY 1160 00:55:30,196 --> 00:55:32,024 AND ELLIOTT GOULD. 1161 00:55:41,599 --> 00:55:43,122 THANK YOU. 1162 00:55:43,165 --> 00:55:46,168 THE NOMINEES FOR BEST SUPPORTING ACTRESS ARE... 1163 00:55:46,212 --> 00:55:48,823 MARY LOU RETTON... FATAL AFFAIR, 1164 00:55:48,867 --> 00:55:52,087 ONE WOMAN'S ORDEAL TO OVERCOME THE DEATH OF HER CAT, 1165 00:55:52,131 --> 00:55:55,090 SET AGAINST THE BACKGROUND OF THE HINDENBURGDISASTER. 1166 00:55:57,615 --> 00:55:59,965 [POP POP POP] 1167 00:56:01,488 --> 00:56:03,795 MORGAN FAIRCHILD... FINAL PROPOSAL, 1168 00:56:03,838 --> 00:56:05,884 ONE COURAGEOUS PIONEER WOMAN'S 1169 00:56:05,927 --> 00:56:08,103 TRIUMPHANT VICTORY OVER BULIMIA, 1170 00:56:08,147 --> 00:56:10,976 SET AGAINST THE BACKGROUND OF THE DONNER PARTY CROSSING. 1171 00:56:14,545 --> 00:56:16,068 AHEM. AHEM. 1172 00:56:18,984 --> 00:56:20,420 [POP POP] 1173 00:56:28,559 --> 00:56:31,736 VERY SORRY ABOUT THIS, BUT IT'S OFFICIAL POLICE BUSINESS. 1174 00:56:34,739 --> 00:56:37,089 SHANNEN DOHERTY... BASIC ANALYSIS, 1175 00:56:37,132 --> 00:56:39,744 ONE WOMAN'S TRIUMPH OVER A YEAST INFECTION, 1176 00:56:39,787 --> 00:56:44,009 SET AGAINST THE TRAGIC BUFFALO BILLS' SEASON OF 1991. 1177 00:56:54,236 --> 00:56:55,629 THANK YOU, SHERIFF. 1178 00:56:55,673 --> 00:56:58,545 STILL NO WORD OF FRANK OR ROCCO OR HIS GANG. 1179 00:56:58,589 --> 00:56:59,720 FRANKLY, I'M GETTING WORRIED. 1180 00:56:59,764 --> 00:57:02,941 FRANK SHOULD HAVE PHONED IN BY NOW. 1181 00:57:02,984 --> 00:57:04,638 [BEEP BEEP] 1182 00:57:13,995 --> 00:57:16,563 LET ME JUST CHECK YOUR TICKETS, FOLKS. 1183 00:57:16,607 --> 00:57:18,957 LOVELY GOWN. IS THAT COOL WHIP? 1184 00:57:19,000 --> 00:57:20,088 UH-HUH. 1185 00:57:20,132 --> 00:57:22,700 TIM AND ERICA BROWN. ENJOY THE SHOW. 1186 00:57:22,743 --> 00:57:26,530 LET'S SEE, VANNA WHITE AND WEIRD AL YANKOVIC. 1187 00:57:26,573 --> 00:57:29,271 O.K., ENJOY THE AWARDS. 1188 00:57:29,315 --> 00:57:30,969 READY 3... AND 3! 1189 00:57:31,012 --> 00:57:34,538 AND FLORENCE HENDERSON... ANALYSIS OF A PROPOSAL-- 1190 00:57:34,581 --> 00:57:35,930 ROCCO COULD BE ANYWHERE. 1191 00:57:35,974 --> 00:57:38,672 HE HAD TIME TO PLANT THE BOMB. WHERE COULD IT BE? 1192 00:57:38,716 --> 00:57:39,978 THE WINNER IS... 1193 00:57:40,021 --> 00:57:41,936 THIS IS GOING TO BE DYNAMITE. 1194 00:57:41,980 --> 00:57:43,938 ARE YOU THINKING WHAT I'M THINKING? 1195 00:57:43,982 --> 00:57:46,550 FLORENCE HENDERSON IS GOING TO WIN, 1196 00:57:46,593 --> 00:57:47,899 AND IT'S ABOUT TIME. 1197 00:57:47,942 --> 00:57:50,902 NO! THE BOMB IS IN ONE OF THOSE ENVELOPES. 1198 00:57:50,945 --> 00:57:51,903 YOU'RE RIGHT! 1199 00:57:51,946 --> 00:57:54,209 AND THE WINNER IS... 1200 00:57:54,253 --> 00:57:55,689 AAH!AAH! 1201 00:57:55,733 --> 00:57:57,865 MARY LOU RETTON FOR FATAL AFFAIR. 1202 00:57:57,909 --> 00:57:59,737 YES! YES! 1203 00:58:01,129 --> 00:58:03,131 SORRY. WE WERE ROOTING FOR FLORENCE HENDERSON. 1204 00:58:03,175 --> 00:58:05,133 WE'VE GOT TO GET TO THOSE ENVELOPES 1205 00:58:05,177 --> 00:58:07,222 BEFORE THEY OPEN ANY MORE. 1206 00:58:11,009 --> 00:58:12,532 YES! 1207 00:58:15,579 --> 00:58:17,972 I NEVER REALIZED THERE'D BE THIS MANY. 1208 00:58:18,016 --> 00:58:19,974 THEY ADDED 75 NEW CATEGORIES. 1209 00:58:20,018 --> 00:58:22,281 "BEST ACTOR IN A COLUMBUS MOVIE"? 1210 00:58:22,324 --> 00:58:24,805 TO PRESENT THE AWARD FOR BEST DIRECTOR, 1211 00:58:24,849 --> 00:58:27,199 IS STAR OF STAGE AND SCREEN... RAQUEL WELCH 1212 00:58:27,242 --> 00:58:31,551 AND THE HOST OF HIS OWN AWARD-WINNING TALK SHOW... PHIL DONAHUE. 1213 00:58:31,595 --> 00:58:33,988 THAT MIGHT BE THE ENVELOPE WITH THE BOMB. 1214 00:58:34,032 --> 00:58:34,989 KEEP LOOKING HERE. 1215 00:58:35,033 --> 00:58:36,991 ONE MORE SECOND, MR. DONAHUE. 1216 00:58:37,035 --> 00:58:38,863 UHH! 1217 00:58:53,225 --> 00:58:55,880 OH, MY GOD! LOOK AT DONAHUE! 1218 00:59:03,365 --> 00:59:06,325 [DIRECTOR] STOP THE STAIRS, JOEY. JOEY! 1219 00:59:06,368 --> 00:59:07,761 WHOA! 1220 00:59:07,805 --> 00:59:09,197 THANK YOU. 1221 00:59:09,241 --> 00:59:10,634 LADIES AND GENTLEMEN, 1222 00:59:10,677 --> 00:59:13,680 IT'S MY PLEASURE TO PRESENT THE AWARD-- 1223 00:59:18,685 --> 00:59:19,904 WHAT THE HELL? 1224 00:59:22,689 --> 00:59:23,864 JESUS! 1225 00:59:23,908 --> 00:59:25,083 GO TO COMMERCIAL. 1226 00:59:25,126 --> 00:59:26,693 EASY, NOW, EASY. 1227 00:59:26,737 --> 00:59:29,087 TALK TO ME. WHAT HAPPENED, MA? 1228 00:59:29,130 --> 00:59:32,656 SLASHER IS FRANK DREBIN OF POLICE SQUAD. 1229 00:59:32,699 --> 00:59:34,962 THAT LOUSY, TWO-BIT, COPPER PUNK! 1230 00:59:35,006 --> 00:59:36,964 I TREAT HIM LIKE MY BROTHER, 1231 00:59:37,008 --> 00:59:38,618 THE ONE I DIDN'T KILL. 1232 00:59:38,662 --> 00:59:40,011 HE MIGHT FIND THE BOMB. 1233 00:59:40,054 --> 00:59:42,622 NOT IF I FIND HIM FIRST. 1234 00:59:43,971 --> 00:59:45,669 BACK FROM COMMERCIAL IN FIVE SECONDS. 1235 00:59:45,712 --> 00:59:48,846 HURRY WITH THE MIKE AND CUE DONAHUE, IN 3, 2... 1236 00:59:48,889 --> 00:59:50,021 AHEM. 1237 00:59:51,413 --> 00:59:53,633 READ IT. READ THE CARD, MORON. 1238 00:59:56,331 --> 00:59:59,639 "WELL, RAQUEL, THIS CERTAINLY IS A SPECIAL EVENING. 1239 00:59:59,683 --> 01:00:01,162 "WHEW! 1240 01:00:01,206 --> 01:00:03,164 "I CAN BARELY CATCH MY BREATH. 1241 01:00:03,208 --> 01:00:05,166 "TURN IT OVER TO RAQUEL. 1242 01:00:05,210 --> 01:00:07,734 RAQUEL--I'M USED TO BEING OUT OF BREATH, WORKING OUT--" 1243 01:00:07,778 --> 01:00:09,170 WHAT'S HE DOING? 1244 01:00:09,214 --> 01:00:11,172 "HOLD FOR LAUGHTER AND APPLAUSE. 1245 01:00:11,216 --> 01:00:14,088 "TO PHIL--GETS ME OUT OF BREATH JUST WATCHING YOU. 1246 01:00:14,132 --> 01:00:15,960 TO RAQUEL--OH, PHIL--" 1247 01:00:16,003 --> 01:00:17,701 I'M SUPPOSED TO READ THAT. 1248 01:00:17,744 --> 01:00:20,094 "BUT LET'S GET TO THE SUBJECT AT HAND. 1249 01:00:20,138 --> 01:00:21,705 PICK UP THE ENVELOPE--" 1250 01:00:21,748 --> 01:00:24,838 THE NOMINEES FOR BEST DIRECTOR ARE... 1251 01:00:24,882 --> 01:00:26,666 SIR RICHARD ATTENBOROUGH 1252 01:00:26,710 --> 01:00:29,930 FOR HIS MUSICAL BASED ON THE LIFE OF MOTHER THERESA-- 1253 01:00:29,974 --> 01:00:30,931 MOTHER. 1254 01:00:30,975 --> 01:00:32,280 ♪ FOOD! I LOVE FOOD 1255 01:00:32,324 --> 01:00:33,847 ♪ AND I'M REALLY IN THE MOOD ♪ 1256 01:00:33,891 --> 01:00:35,675 ♪ FOR A BIG CORN DOG OR PUPU PLATTER ♪ 1257 01:00:35,719 --> 01:00:36,937 ♪ TWO DING-DONGS, IT DOESN'T MATTER ♪ 1258 01:00:36,981 --> 01:00:38,286 ♪ HAVE SOME TUNA HELPER 1259 01:00:38,330 --> 01:00:39,897 ♪ I'LL BE RACING BACK FOR MORE ♪ 1260 01:00:39,940 --> 01:00:41,681 ♪ BUT DON'T ADD ANY SALSA ♪ 1261 01:00:41,725 --> 01:00:44,249 'CAUSE I'LL BLOW CHUNKS ON THE FLOOR, HEY ♪ 1262 01:00:44,292 --> 01:00:46,338 ♪ OOH 1263 01:00:46,381 --> 01:00:48,209 ♪ OOH 1264 01:00:48,253 --> 01:00:49,123 ♪ OOH 1265 01:00:49,167 --> 01:00:51,691 ♪ YA-HOO ♪ 1266 01:00:53,127 --> 01:00:56,478 SPIKE LEE... X TWO, THE MERCHANDISING. 1267 01:00:56,522 --> 01:00:58,132 NORDBERG, LOOK! 1268 01:00:58,176 --> 01:01:01,092 THAT'S FRANK AT THE ACADEMY AWARDS. 1269 01:01:01,135 --> 01:01:02,354 HOW'D HE GET TICKETS? 1270 01:01:02,397 --> 01:01:03,964 NORDBERG! 1271 01:01:04,008 --> 01:01:06,706 THAT'S WHERE ROCCO DILLON IS GOING TO STRIKE NEXT. 1272 01:01:06,750 --> 01:01:09,100 HE'S PLANNING ON BLOWING UP THE ACADEMY AWARDS. 1273 01:01:09,143 --> 01:01:10,710 WE'VE GOT TO GET THERE. 1274 01:01:10,754 --> 01:01:13,017 CAPTAIN, WE'RE NOT INVITED. WE'RE COPS. 1275 01:01:14,148 --> 01:01:16,194 IT'S FOR YOU. 1276 01:01:16,237 --> 01:01:17,804 NORDBERG, 1277 01:01:17,848 --> 01:01:19,197 POLICE SQUAD. 1278 01:01:19,240 --> 01:01:20,285 HELLO? HELLO? 1279 01:01:20,328 --> 01:01:22,200 ALL RIGHT, LET'S GO! HUSTLE! 1280 01:01:22,243 --> 01:01:25,377 HENDERSON, SEE ABOUT THIS PHONE. I THINK IT'S BROKE. 1281 01:01:27,422 --> 01:01:30,382 AND NOW, HERE ARE TODAY'S LUCKY LOTTO NUMBERS. 1282 01:01:30,425 --> 01:01:33,037 GET YOUR TICKETS READY, 'CAUSE HERE THEY COME-- 1283 01:01:33,080 --> 01:01:36,388 12, 22, 18, AND 9. 1284 01:01:36,431 --> 01:01:37,824 AHH! AHH!AHH! 1285 01:01:37,868 --> 01:01:40,740 AND FOR HIS TALE OF GENETICS GONE HAYWIRE 1286 01:01:40,784 --> 01:01:42,263 IN A RETIREMENT COMMUNITY, 1287 01:01:42,307 --> 01:01:45,963 STEVEN SPIELBERG... GERIATRIC PARK. 1288 01:01:46,006 --> 01:01:48,748 [RUMBLING] 1289 01:01:50,794 --> 01:01:52,360 AAH! AAH! 1290 01:01:52,404 --> 01:01:53,971 [COUGHING] 1291 01:01:54,014 --> 01:01:56,321 AAH! AAH! 1292 01:01:56,364 --> 01:01:57,322 AH-- 1293 01:01:57,365 --> 01:01:58,323 AH-- 1294 01:01:58,366 --> 01:01:59,367 AH--AH-- 1295 01:01:59,411 --> 01:02:02,414 AH-CHOO! 1296 01:02:05,547 --> 01:02:09,160 AND THE WINNER IS... 1297 01:02:09,203 --> 01:02:10,857 UH, 1298 01:02:10,901 --> 01:02:14,078 RAQUEL, JUST A SECOND. I JUST HAD A THOUGHT. 1299 01:02:14,121 --> 01:02:15,383 OH, CHRIST! 1300 01:02:15,427 --> 01:02:18,082 THIS SHOW IS BEING SEEN ALL OVER THE WORLD. 1301 01:02:18,125 --> 01:02:21,085 I WAS THINKING, IF WE COULD SEND GOOD THOUGHTS, 1302 01:02:21,128 --> 01:02:22,521 TRANSMIT THROUGH THESE CAMERAS, 1303 01:02:22,564 --> 01:02:24,305 TO THE LEADER OF CHINA-- 1304 01:02:24,349 --> 01:02:27,134 WING WOW WOO TONG-- 1305 01:02:27,178 --> 01:02:30,834 SO THAT THEY MIGHT FINALLY BE NICE. 1306 01:02:30,877 --> 01:02:32,139 THANK YOU. 1307 01:02:34,359 --> 01:02:36,883 AND THE WINNER IS... 1308 01:02:36,927 --> 01:02:41,018 UH, RAQUEL, SO MANY GO TO BED HUNGRY IN THIS NATION. 1309 01:02:41,061 --> 01:02:42,933 YET, CAT FOOD'S FULL OF TUNA. 1310 01:02:42,976 --> 01:02:46,327 I CAN'T HELP THINK EACH TIME I GO TO THE ZOO 1311 01:02:46,371 --> 01:02:48,895 AND SEE THOSE PORPOISES CRAMMED INTO TINY TANKS 1312 01:02:48,939 --> 01:02:50,897 WHAT A WASTE THAT IS. 1313 01:02:50,941 --> 01:02:52,986 BUTCHER HALF OF THEM NOW. 1314 01:02:53,030 --> 01:02:55,423 THAT'S HUNDREDS OF POUNDS OF DOLPHIN MEAT 1315 01:02:55,467 --> 01:02:57,991 THAT COULD BE FED TO OUR CATS, 1316 01:02:58,035 --> 01:03:00,472 FREEING UP THAT TUNA FOR OUR NATION'S HUNGRY. 1317 01:03:06,043 --> 01:03:07,566 AND...THE WINNER IS-- 1318 01:03:07,609 --> 01:03:10,177 SO MANY ARE, UH, COLD, 1319 01:03:10,221 --> 01:03:12,571 SHIVERING IN THE NIGHT. SO I SAY, 1320 01:03:12,614 --> 01:03:15,052 TAKE THOSE CATS, SKIN THEM, 1321 01:03:15,095 --> 01:03:18,446 USE THEIR FUR TO KEEP HUNDREDS WARM. 1322 01:03:18,490 --> 01:03:21,101 JESUS, PHIL! 1323 01:03:21,145 --> 01:03:23,060 AND THE WINNER IS... 1324 01:03:32,417 --> 01:03:35,333 YOU!GIVE ME THAT! 1325 01:03:35,376 --> 01:03:36,856 OHH! 1326 01:03:36,900 --> 01:03:38,336 HYAH! 1327 01:03:42,340 --> 01:03:43,863 NOT ONE MOVE. 1328 01:03:43,907 --> 01:03:45,082 THAT BARREL'S COLD. 1329 01:03:45,125 --> 01:03:46,387 IT'S ROOM TEMPERATURE. LET'S GO. 1330 01:03:47,649 --> 01:03:51,175 IT'S O.K. IT'S NOT THE BOMB. 1331 01:03:56,049 --> 01:03:57,007 OHH! 1332 01:03:57,050 --> 01:03:58,486 OH, NO! 1333 01:03:58,530 --> 01:04:00,053 JANE? 1334 01:04:00,097 --> 01:04:01,402 JANE? 1335 01:04:01,446 --> 01:04:04,928 BIG TROUBLE--AAH! 1336 01:04:04,971 --> 01:04:05,929 [POP POP POP] 1337 01:04:05,972 --> 01:04:06,930 JANE? 1338 01:04:06,973 --> 01:04:08,322 [POP POP POP] 1339 01:04:08,366 --> 01:04:10,281 JANE? 1340 01:04:10,324 --> 01:04:11,282 SILVER HAIR-- 1341 01:04:11,325 --> 01:04:12,500 ABOUT 6' 2"-- 1342 01:04:12,544 --> 01:04:14,415 LOOKED LIKE PHIL DONAHUE. 1343 01:04:14,459 --> 01:04:15,416 JANE-- 1344 01:04:15,460 --> 01:04:16,896 THAT'S THE GUY! 1345 01:04:16,940 --> 01:04:18,245 GET HIM! 1346 01:04:19,290 --> 01:04:21,335 LADIES AND GENTLEMEN, 1347 01:04:21,379 --> 01:04:24,948 PLEASE WELCOME INTERNATIONALLY RENOWNED ACTRESS AND SINGING STAR... 1348 01:04:24,991 --> 01:04:26,340 PIA ZADORA. 1349 01:04:26,384 --> 01:04:28,429 ♪ YOU'RE WALKIN' ALONG THE STREET ♪ 1350 01:04:28,473 --> 01:04:30,301 ♪ OR YOU'RE AT A PARTY... ♪ 1351 01:04:30,344 --> 01:04:31,432 THERE HE IS! 1352 01:04:31,476 --> 01:04:33,130 ♪ OR ELSE YOU'RE ALONE... ♪ 1353 01:04:33,173 --> 01:04:34,261 EXCUSE ME? 1354 01:04:34,305 --> 01:04:36,698 ISN'T THAT SNOT ON YOUR SHOE? 1355 01:04:36,742 --> 01:04:38,265 WE'VE LOST HIM! 1356 01:04:38,309 --> 01:04:40,920 I'LL STAY HERE. YOU CHECK THE WINGS. 1357 01:04:40,964 --> 01:04:44,663 ♪ THAT THIS COULD BE THE START OF SOMETHIN' BIG ♪ 1358 01:04:44,706 --> 01:04:45,925 ♪ THERE'S NO... 1359 01:04:45,969 --> 01:04:47,927 OH, NO! NOT HIM AGAIN? 1360 01:04:47,971 --> 01:04:49,363 PLEASE, GOD. 1361 01:04:49,407 --> 01:04:51,061 HE GOT AWAY. 1362 01:04:51,104 --> 01:04:53,628 ♪ WHO KNOWS WHAT'S WRITTEN IN THAT MAGIC BOOK? ♪ 1363 01:04:53,672 --> 01:04:57,023 ♪ BUT WHEN A LOVER YOU DISCOVER ♪ 1364 01:04:57,067 --> 01:04:58,938 ♪ AT THE GATE, MY FRIEND 1365 01:04:58,982 --> 01:05:03,203 ♪ INVITE HIM IN WITHOUT A SECOND LOOK ♪ 1366 01:05:03,247 --> 01:05:05,945 ♪ YOU'RE WATCHIN' THE SUN COME UP ♪ 1367 01:05:05,989 --> 01:05:07,425 ♪ OR COUNTIN' YOUR MON... 1368 01:05:48,248 --> 01:05:49,989 GET OFF THE STAGE!GRAB HIM! 1369 01:05:52,513 --> 01:05:54,385 AAH! 1370 01:05:59,564 --> 01:06:03,089 I'M ED HOCKEN. THIS IS OFFICER NORDBERG, FROM POLICE SQUAD. 1371 01:06:03,133 --> 01:06:05,091 WE'RE HERE TO PREVENT A DISASTER. 1372 01:06:05,135 --> 01:06:06,658 YOU'RE TOO LATE FOR THAT. 1373 01:06:10,749 --> 01:06:13,273 ♪ YOU'RE WATCHIN' THE SUN COME UP ♪ 1374 01:06:13,317 --> 01:06:14,622 HEY, IT'S FRANK. 1375 01:06:14,666 --> 01:06:17,582 ♪ OR COUNTIN' YOUR MONEY ♪ 1376 01:06:17,625 --> 01:06:21,281 ♪ OR ELSE IN A DIM CAFE 1377 01:06:21,325 --> 01:06:25,024 ♪ YOU'RE ORDERIN' WINE 1378 01:06:25,068 --> 01:06:27,679 ♪ THEN SUDDENLY THERE HE IS ♪ 1379 01:06:27,722 --> 01:06:30,116 ♪ YOU WANT TO BE WHERE HE IS ♪ 1380 01:06:30,160 --> 01:06:32,379 COME ON, NORDBERG. WE'VE GOT TO GET FRANK. 1381 01:06:32,423 --> 01:06:33,815 ♪ ...THE START OF SOMETHIN' ♪ 1382 01:06:33,859 --> 01:06:36,688 ♪ THIS COULD BE THE HEART OF SOMETHIN' ♪ 1383 01:06:36,731 --> 01:06:39,647 ♪ THIS COULD BE THE START OF SOMETHIN' ♪ 1384 01:06:39,691 --> 01:06:50,093 ♪ BIG ♪ 1385 01:06:50,136 --> 01:06:52,269 AAH! 1386 01:06:53,748 --> 01:06:55,011 OHH! 1387 01:07:03,236 --> 01:07:05,282 JANE! 1388 01:07:10,287 --> 01:07:11,505 JANE! 1389 01:07:12,724 --> 01:07:14,073 AHA! 1390 01:07:14,117 --> 01:07:16,467 I KNEW I'D BUMP INTO YOU SOMEWHERE. 1391 01:07:16,510 --> 01:07:18,077 I WANT ANSWERS, CHERRY CAKES. 1392 01:07:18,121 --> 01:07:19,731 I LOVE YOU.WRONG ANSWER. 1393 01:07:19,774 --> 01:07:22,473 I'VE DROPPED OUT OF THE SAP OF THE MONTH CLUB. 1394 01:07:22,516 --> 01:07:25,389 LISTEN, ANGEL DRAWERS, YOU'VE GOT ONE LAST CHANCE. 1395 01:07:25,432 --> 01:07:27,826 AND I DON'T MEAN A MAJOR LEAGUE BASEBALL, 1396 01:07:27,869 --> 01:07:29,523 STEVE HOWE KIND OF LAST CHANCE. 1397 01:07:29,567 --> 01:07:31,134 NOW, WHERE IS JANE? 1398 01:07:31,177 --> 01:07:32,439 I DON'T KNOW. 1399 01:07:32,483 --> 01:07:33,875 O.K., WHERE'S THE BOMB? 1400 01:07:33,919 --> 01:07:35,486 IN THE BEST PICTURE ENVELOPE. 1401 01:07:35,529 --> 01:07:38,489 OH, MR. DREBIN, I WANT TO GO STRAIGHT. 1402 01:07:38,532 --> 01:07:41,144 I'M TIRED OF THE LIES. 1403 01:07:41,187 --> 01:07:43,146 OH, KISS ME. 1404 01:07:43,189 --> 01:07:45,104 PLEASE KISS ME. 1405 01:07:45,148 --> 01:07:47,498 I'VE NEVER KISSED LIPS SO INNOCENT, 1406 01:07:47,541 --> 01:07:49,108 SO PURE. 1407 01:08:10,173 --> 01:08:12,566 HE LOOKED LIKE PHIL DONAHUE, WHITE HAIR-- 1408 01:08:12,610 --> 01:08:14,133 THAT'S THE GUY! 1409 01:08:14,177 --> 01:08:15,134 FRANK? 1410 01:08:15,178 --> 01:08:16,222 I'LL GET HIM, CAPTAIN. 1411 01:08:16,266 --> 01:08:17,571 LADIES AND GENTLEMEN, 1412 01:08:17,615 --> 01:08:19,573 TO PRESENT THE BEST PICTURE AWARD 1413 01:08:19,617 --> 01:08:22,141 ARE TWO OF AMERICA'S MOST DISTINGUISHED ACTORS-- 1414 01:08:22,185 --> 01:08:24,622 OLYMPIA DUKAKIS AND JAMES EARL JONES. 1415 01:08:32,630 --> 01:08:34,501 LORD, WHAT'S THAT? 1416 01:08:34,545 --> 01:08:37,548 LOOKS LIKE PHIL DONAHUE THROWING UP IN A TUBA. 1417 01:08:37,591 --> 01:08:39,245 SOMEONE MAKE A NOTE. 1418 01:08:39,289 --> 01:08:41,682 WE SHOULDN'T HAVE PHIL DONAHUE BACK NEXT YEAR. 1419 01:08:41,726 --> 01:08:44,163 THANK YOU. THANK YOU. GOOD EVENING. 1420 01:08:44,207 --> 01:08:47,166 IT'S A PRIVILEGE FOR US TO PRESENT THE FINAL AWARD 1421 01:08:47,210 --> 01:08:48,385 OF TONIGHT'S CEREMONY. 1422 01:08:48,428 --> 01:08:50,387 WE'VE BEEN WORRIED ABOUT YOU. 1423 01:08:50,430 --> 01:08:52,563 WHERE'S ROCCO? WHERE'S TANYA? 1424 01:08:52,606 --> 01:08:54,565 SIT DOWN. TAKE IT EASY. 1425 01:08:54,608 --> 01:08:56,306 THANK GOD YOU'RE O.K. 1426 01:08:56,349 --> 01:09:00,266 ...INDECENT INSTINCTS, AND SAWDUST AND MILDEW. 1427 01:09:00,310 --> 01:09:03,269 EVERYONE OF THESE MOVIES WAS A BOX OFFICE HIT, 1428 01:09:03,313 --> 01:09:05,184 EXCEPT FOR ONE. 1429 01:09:05,228 --> 01:09:06,185 WHAT'S THAT? 1430 01:09:06,229 --> 01:09:07,447 THE BEST PICTURE AWARD. 1431 01:09:07,491 --> 01:09:09,449 MY MONEY'S ON SAWDUST AND MILDEW. 1432 01:09:09,493 --> 01:09:11,582 OLYMPIA, WOULD YOU DO THE HONORS, PLEASE? 1433 01:09:11,625 --> 01:09:13,192 OH, MY GOD! 1434 01:09:13,236 --> 01:09:14,541 THAT'S THE ONE! 1435 01:09:14,585 --> 01:09:17,457 THE AWARD FOR THIS YEAR'S BEST PICTURE 1436 01:09:17,501 --> 01:09:18,458 GOES TO-- 1437 01:09:18,502 --> 01:09:19,720 WAIT! 1438 01:09:19,764 --> 01:09:20,808 OH, GREAT. 1439 01:09:20,852 --> 01:09:22,462 SORRY ABOUT THIS. 1440 01:09:22,506 --> 01:09:24,421 LOVED YOU IN CONEHEADS. YOU, TOO. 1441 01:09:24,464 --> 01:09:26,292 LET ME OPEN THIS. 1442 01:09:27,902 --> 01:09:29,469 [BEEP BEEP] 1443 01:09:29,513 --> 01:09:31,341 IT'S THE BOMB! 1444 01:09:39,610 --> 01:09:41,612 AAH! AAH!AAH! 1445 01:09:41,655 --> 01:09:43,614 FREEZE AND NOBODY GETS HURT! 1446 01:09:43,657 --> 01:09:45,224 AAH! 1447 01:09:45,268 --> 01:09:47,226 WELL, 1448 01:09:47,270 --> 01:09:49,010 FROM NOW ON. 1449 01:09:49,054 --> 01:09:52,231 BACK IN YOUR SEATS, YOU LITTLE WEASELS! 1450 01:09:52,275 --> 01:09:53,972 THIS PROGRAM'S BEEN PERMANENTLY INTERRUPTED. 1451 01:09:54,015 --> 01:09:55,974 DON'T PANIC. STAY WITH IT. 1452 01:09:56,017 --> 01:09:58,716 CAMERA 2, MOVE IN ON THE OLD LADY. 1453 01:09:58,759 --> 01:09:59,891 BETTER MOVE BACK, 2. 1454 01:09:59,934 --> 01:10:01,327 NO ONE MOVE! 1455 01:10:01,371 --> 01:10:03,329 SIT DOWN! NOW, PAY ATTENTION! 1456 01:10:03,373 --> 01:10:06,854 I DON'T WANT TO KILL NOBODY UNLESS I HAVE TO. 1457 01:10:06,898 --> 01:10:09,814 ALL RIGHT, DROP YOUR GUNS AND KICK THEM OVER HERE. 1458 01:10:13,644 --> 01:10:15,907 I BELIEVE THAT BOMB BELONGS TO ME. 1459 01:10:15,950 --> 01:10:17,517 HAND IT OVER, DREBIN. 1460 01:10:17,561 --> 01:10:19,911 YOU WANT TO KILL HIM, MA? 1461 01:10:21,086 --> 01:10:23,262 BLINK AND I START SHOOTING. 1462 01:10:29,964 --> 01:10:32,793 [FRANK] GIVE ME THAT GUN! 1463 01:10:32,837 --> 01:10:34,360 OH, MY GOD! 1464 01:10:34,404 --> 01:10:37,494 I'M NOT FALLING FOR THAT ONE, SISTER. 1465 01:10:37,537 --> 01:10:40,410 AAH! 1466 01:10:41,585 --> 01:10:43,543 I'M NOT WELL! 1467 01:10:43,587 --> 01:10:46,372 GET THIS STUPID THING OFF ME! 1468 01:10:46,416 --> 01:10:50,028 OHH! OHH! OHH! 1469 01:10:51,595 --> 01:10:52,944 MA! 1470 01:10:52,987 --> 01:10:54,293 SHE'S A GONER, ROCCO. 1471 01:10:54,337 --> 01:10:56,295 DEAD. THEN THAT'S IT. 1472 01:10:56,339 --> 01:10:58,950 I'M COMING WITH YOU, MA! 1473 01:10:58,993 --> 01:11:02,562 PULL OUT THE BOMB. YOU DON'T, I'LL SHOOT THE DAME. 1474 01:11:02,606 --> 01:11:04,564 ALL RIGHT, ROCCO. ALL RIGHT. 1475 01:11:04,608 --> 01:11:06,305 I'LL DO WHAT YOU SAY. 1476 01:11:06,349 --> 01:11:07,306 FRANK-- 1477 01:11:07,350 --> 01:11:08,873 JUST DON'T HARM HER. 1478 01:11:08,916 --> 01:11:11,919 YOU PULL OUT THE BOMB, YOU'LL KILL ME AND EVERYONE ELSE. 1479 01:11:11,963 --> 01:11:13,399 YEAH. NO DICE, ROCCO. 1480 01:11:13,443 --> 01:11:14,705 THEN I'LL PLUG HER. 1481 01:11:14,748 --> 01:11:16,707 YOU SHOOT HER, I'LL EMPTY THIS ENVELOPE. 1482 01:11:16,750 --> 01:11:18,361 FRANK, THINK ABOUT IT. 1483 01:11:18,404 --> 01:11:19,710 IT'S O.K. YOU'LL BE DEAD. 1484 01:11:19,753 --> 01:11:22,756 THEN YOU'LL KILL YOURSELF AND EVERYONE HERE. 1485 01:11:22,800 --> 01:11:24,367 YEAH. 1486 01:11:24,410 --> 01:11:26,934 I'LL SHOOT YOU IF YOU DON'T DO AS I SAY. 1487 01:11:26,978 --> 01:11:28,109 JANE? 1488 01:11:28,153 --> 01:11:30,024 I'D BE SAFE WITH EVERYONE ELSE, 1489 01:11:30,068 --> 01:11:31,722 BUT YOU'D BE DEAD. 1490 01:11:31,765 --> 01:11:33,593 THIS IS GETTING COMPLICATED, ROCCO. 1491 01:11:33,637 --> 01:11:35,595 LET'S LOOK AT THIS LOGICALLY. 1492 01:11:35,639 --> 01:11:38,598 YOU'RE THE PSYCHOTIC. YOU SHOULD HAVE THE ENVELOPE. 1493 01:11:38,642 --> 01:11:40,426 I SHOULD HAVE THE GUN. 1494 01:11:40,470 --> 01:11:43,299 I KNOW WHAT I'M DOING. 1495 01:11:48,826 --> 01:11:50,567 ALL RIGHT! 1496 01:11:52,699 --> 01:11:54,005 HERE'S YOUR BEST PICTURE! 1497 01:11:54,048 --> 01:11:55,615 IN FRONT OF THE WORLD, 1498 01:11:55,659 --> 01:11:57,356 THIS PLACE IS GOING UP. 1499 01:11:57,400 --> 01:12:01,360 WELL, IF I'M GOING OUT, I'M GOING OUT HAPPY. 1500 01:12:01,404 --> 01:12:02,883 WAIT A MINUTE, ROCCO. 1501 01:12:02,927 --> 01:12:04,885 BEFORE WE'RE ALL BLOWN TO BITS, 1502 01:12:04,929 --> 01:12:07,888 MIND IF I PULL THE UNDERWEAR OUT OF MY CRACK? 1503 01:12:07,932 --> 01:12:09,890 A MAN'S GOT TO GO COMFORTABLE. 1504 01:12:09,934 --> 01:12:12,589 ALL RIGHT, BUT THAT'S IT. 1505 01:12:13,851 --> 01:12:15,766 GIVE IT UP, ROCCO. YOU'RE HISTORY. 1506 01:12:15,809 --> 01:12:17,768 LOOK, GEORGE HAMILTON! 1507 01:12:17,811 --> 01:12:21,032 AH HA HA HA! 1508 01:12:21,075 --> 01:12:22,599 COME AND GET ME, DREBIN. 1509 01:12:24,862 --> 01:12:26,733 THROW ME A GUN! 1510 01:12:26,777 --> 01:12:28,648 GET RID OF THE BOMB! 1511 01:12:28,692 --> 01:12:30,041 HOLD ON, SWEETHEART. 1512 01:12:32,086 --> 01:12:34,480 OH! FRANK, HELP ME! 1513 01:12:34,524 --> 01:12:35,481 FRANK-- 1514 01:12:35,525 --> 01:12:37,918 I KNOW WHAT I'M DOING. 1515 01:12:37,962 --> 01:12:39,920 AAH! 1516 01:12:39,964 --> 01:12:42,488 I HATE HEIGHTS! 1517 01:12:42,532 --> 01:12:44,490 OHH! OH, NO! 1518 01:12:44,534 --> 01:12:47,014 MOVE IT, SISTER! 1519 01:12:47,058 --> 01:12:49,016 AAH! 1520 01:12:49,060 --> 01:12:51,018 SCREW THE COMMERCIALS! WE'RE STICKING WITH THIS. 1521 01:12:51,062 --> 01:12:54,021 ALL RIGHT, COPPER, YOU KILLED MY MA! 1522 01:12:54,065 --> 01:12:56,633 I'M TAKING THE DAME AWAY FROM YOU. 1523 01:12:56,676 --> 01:12:58,025 YOU HEAR ME, COPPER? 1524 01:12:58,069 --> 01:13:00,811 ONCE PUSH AND MRS. DREBIN BECOMES LINOLEUM. 1525 01:13:00,854 --> 01:13:03,944 GET A CAMERA UP THERE. THIS COULD BE MY BEST WORK. 1526 01:13:03,988 --> 01:13:06,512 ANY LAST WORDS BEFORE I THROW YOU OFF? 1527 01:13:06,556 --> 01:13:08,601 YES. DON'T DO IT. 1528 01:13:08,645 --> 01:13:09,950 ANYTHING ELSE? 1529 01:13:09,994 --> 01:13:11,691 FRANK, I LOVE YOU. 1530 01:13:11,735 --> 01:13:15,826 YES, I WANT THE WORLD TO KNOW YOU'RE THE PERFECT MAN. 1531 01:13:15,869 --> 01:13:18,045 FRANK, I HOPE YOU CAN HEAR ME. 1532 01:13:18,089 --> 01:13:19,830 THEY SAID I COULDN'T DO DRAMA. 1533 01:13:19,873 --> 01:13:21,440 I WAS WRONG. 1534 01:13:21,484 --> 01:13:23,790 TAKING YOU AWAY FROM POLICE SQUAD WAS A MISTAKE. 1535 01:13:23,834 --> 01:13:28,752 I KNOW NOW THAT'S WHY YOU COULDN'T PERFORM DECENT SEX. 1536 01:13:28,795 --> 01:13:30,536 I REALIZE THAT NOW, 1537 01:13:30,580 --> 01:13:31,798 AND OTHER THINGS. 1538 01:13:31,842 --> 01:13:34,061 EVERYTHING'S UNDER CONTROL. 1539 01:13:34,105 --> 01:13:35,454 NOBODY MOVE! 1540 01:13:35,498 --> 01:13:37,935 ANY VIBRATION MAY SET THIS THING OFF. 1541 01:13:39,589 --> 01:13:41,547 FRANK, I'VE LEARNED MY LESSON. 1542 01:13:41,591 --> 01:13:43,767 AND THOUGH IT MAY BE TOO LATE FOR ME, 1543 01:13:43,810 --> 01:13:47,553 I WANT ALL YOU LADIES TO REMEMBER SOMETHING-- 1544 01:13:47,597 --> 01:13:49,990 DON'T EVER TAKE YOUR MEN FOR GRANTED, 1545 01:13:50,034 --> 01:13:53,472 BECAUSE GOOD MEN DON'T JUST FALL OUT OF THE SKY. 1546 01:13:53,516 --> 01:13:55,039 AAH! 1547 01:13:56,519 --> 01:13:57,998 AAH! 1548 01:13:58,042 --> 01:14:00,479 HE'S CAUGHT UP IN THE CABLE. 1549 01:14:00,523 --> 01:14:02,263 FRANK, DO SOMETHING! 1550 01:14:02,307 --> 01:14:04,004 HURRY! 1551 01:14:09,619 --> 01:14:10,881 OHH! 1552 01:14:12,578 --> 01:14:15,451 I'M COMING, MA! 1553 01:14:17,061 --> 01:14:19,280 ROCCO? 1554 01:14:19,324 --> 01:14:21,979 PAPSHMIR? 1555 01:14:34,252 --> 01:14:35,775 JANE, 1556 01:14:35,819 --> 01:14:38,169 I NEVER WANT US TO BE APART AGAIN. 1557 01:14:38,212 --> 01:14:39,562 OH, FRANK. 1558 01:14:39,605 --> 01:14:43,653 YOU LIKE ME. YOU REALLY LIKE ME! 1559 01:15:02,672 --> 01:15:04,064 FRANK, SLOW DOWN. 1560 01:15:04,108 --> 01:15:05,631 HURRY UP! WE'RE LATE! 1561 01:15:05,675 --> 01:15:07,633 RELAX. WE'VE GOT PLENTY OF TIME. 1562 01:15:07,677 --> 01:15:09,069 YOU BRING THE CAMCORDER? 1563 01:15:09,113 --> 01:15:11,071 RIGHT HERE. WHAT ROOM'S SHE IN? 1564 01:15:11,115 --> 01:15:13,639 DELIVERY ROOM. THIS MUST BE IT. 1565 01:15:13,683 --> 01:15:16,642 JANE, I'M HERE. FRANK IS HERE. 1566 01:15:16,686 --> 01:15:17,643 AAH!PUSH! 1567 01:15:17,687 --> 01:15:18,818 HERE IT COMES NOW. 1568 01:15:18,862 --> 01:15:20,211 BREATHE, HONEY. BREATHE, JANE. 1569 01:15:20,254 --> 01:15:22,648 ONE MORE PUSH. THAT'S IT. 1570 01:15:22,692 --> 01:15:25,912 CONGRATULATIONS, DAD, IT'S A BOY. 1571 01:15:25,956 --> 01:15:27,087 [BABY CRIES] 1572 01:15:29,089 --> 01:15:30,656 NORDBERG! 1573 01:15:30,700 --> 01:15:32,179 YOU COME BACK HERE! 1574 01:15:32,223 --> 01:15:34,051 FRANK, IT'S A BOY. 1575 01:15:34,094 --> 01:15:36,053 I KNOW. 1576 01:15:42,712 --> 01:15:45,584 CAPTIONING MADE POSSIBLE BY PARAMOUNT PICTURES CORPORATION 1577 01:15:45,628 --> 01:15:48,587 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1578 01:15:48,631 --> 01:15:51,721 CAPTIONS COPYRIGHT 1994 PARAMOUNT PICTURES CORPORATION 1579 01:20:03,450 --> 01:20:05,975 ♪ YOU'RE WALKIN' ALONG THE STREET ♪ 1580 01:20:06,018 --> 01:20:08,107 ♪ OR YOU'RE AT A PARTY ♪ 1581 01:20:08,151 --> 01:20:09,979 ♪ OR ELSE YOU'RE ALONE 1582 01:20:10,022 --> 01:20:12,982 ♪ AND THEN YOU SUDDENLY DIG ♪ 1583 01:20:13,025 --> 01:20:15,288 ♪ YOU'RE LOOKIN' IN SOMEONE'S EYES ♪ 1584 01:20:15,332 --> 01:20:17,987 ♪ YOU SUDDENLY REALIZE 1585 01:20:18,030 --> 01:20:22,426 ♪ THAT THIS COULD BE THE START OF SOMETHIN' BIG ♪ 1586 01:20:22,469 --> 01:20:24,994 ♪ THERE'S NO CONTROLLIN' THE UNROLLIN' ♪ 1587 01:20:25,037 --> 01:20:26,996 ♪ OF YOUR FATE, MY FRIEND ♪ 1588 01:20:27,039 --> 01:20:31,870 ♪ WHO KNOWS WHAT'S WRITTEN IN THAT MAGIC BOOK? ♪ 1589 01:20:31,914 --> 01:20:34,307 ♪ AND WHEN A LOVER YOU DISCOVER ♪ 1590 01:20:34,351 --> 01:20:36,309 ♪ AT THE GATE, MY FRIEND ♪ 1591 01:20:36,353 --> 01:20:41,140 ♪ INVITE HIM IN WITHOUT A SECOND LOOK ♪ 1592 01:20:41,184 --> 01:20:43,316 ♪ YOU'RE WATCHIN' THE SUN COME UP ♪ 1593 01:20:43,360 --> 01:20:45,405 ♪ OR COUNTIN' YOUR MONEY ♪ 1594 01:20:45,449 --> 01:20:48,147 ♪ OR ELSE IN A DIM CAFE 1595 01:20:48,191 --> 01:20:50,410 ♪ YOU'RE ORDERIN' WINE 1596 01:20:50,454 --> 01:20:52,891 ♪ AND SUDDENLY THERE HE IS ♪ 1597 01:20:52,935 --> 01:20:55,546 ♪ YOU WANT TO BE WHERE HE IS ♪ 1598 01:20:55,589 --> 01:20:58,331 ♪ AND THIS MUST BE THE START OF SOMETHIN' ♪ 1599 01:20:58,375 --> 01:21:00,986 ♪ THIS COULD BE THE HEART OF SOMETHIN' ♪ 1600 01:21:01,030 --> 01:21:04,294 ♪ THIS COULD BE THE START OF SOMETHIN' BIG ♪ 1601 01:21:23,966 --> 01:21:27,186 ♪ YOU'RE WATCHIN' THE SUN COME UP ♪ 1602 01:21:27,230 --> 01:21:30,929 ♪ OR COUNTIN' YOUR MONEY ♪ 1603 01:21:30,973 --> 01:21:34,933 ♪ OR ELSE IN A DIM CAFE 1604 01:21:34,977 --> 01:21:38,458 ♪ YOU'RE ORDERIN' WINE 1605 01:21:38,502 --> 01:21:41,026 ♪ THEN SUDDENLY THERE HE IS ♪ 1606 01:21:41,070 --> 01:21:43,986 ♪ YOU WANT TO BE WHERE HE IS ♪ 1607 01:21:44,029 --> 01:21:47,119 ♪ AND THIS COULD BE THE START OF SOMETHIN' ♪ 1608 01:21:47,163 --> 01:21:49,992 ♪ THIS COULD BE THE HEART OF SOMETHIN' ♪ 1609 01:21:50,035 --> 01:21:52,951 ♪ THIS COULD BE THE START OF SOMETHIN' ♪ 1610 01:21:52,995 --> 01:22:03,440 ♪ BIG ♪ 104347