Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,102 --> 00:00:03,302
(Tessa) ONCE UPON A TIME,
SOMEWHERE BETWEEN
2
00:00:03,337 --> 00:00:05,637
THE LOWER EAST SIDE
AND THE FIERY PITS OF HELL,
3
00:00:05,673 --> 00:00:07,413
THERE LIVED A LITTLE TOWN
CALLED CHATSWIN.
4
00:00:07,441 --> 00:00:10,081
(women) * CHATSWIN
5
00:00:10,111 --> 00:00:11,651
HISTORICALLY,
CHATSWIN WAS A TOWN
6
00:00:11,679 --> 00:00:14,749
THAT VALUED ITS MOTHERS
ABOVE ALL ELSE,
7
00:00:14,782 --> 00:00:18,452
AND SO, ON THE SECOND SUNDAY
OF EVERY MAY...
8
00:00:18,486 --> 00:00:19,846
(horse whinnies,
hooves clomping)
9
00:00:19,887 --> 00:00:21,387
THEY SET OUT TO PROVE IT.
10
00:00:21,422 --> 00:00:23,392
(Fred)
MAKE WAY FOR CINDERELLY!
11
00:00:23,424 --> 00:00:24,164
(whinnies)
12
00:00:24,192 --> 00:00:25,832
ALL HAIL CINDERELLY!
13
00:00:25,859 --> 00:00:27,229
(whinnies)
14
00:00:27,261 --> 00:00:30,331
(horse blusters)
15
00:00:30,364 --> 00:00:31,604
HAPPY MOTHER'S DAY, LUCILLE.
16
00:00:31,632 --> 00:00:33,332
HAPPY MOTHER'S DAY, SHEILA.
17
00:00:33,367 --> 00:00:34,637
I FEEL LIKE A PRINCESS.
18
00:00:34,668 --> 00:00:36,098
LITTLE MUCH, DON'T YOU THINK?
19
00:00:36,137 --> 00:00:38,337
CAN'T HELP IT
IF MY FAMILY LOVES ME MORE,
20
00:00:38,372 --> 00:00:39,712
BUT $10 WELL-SPENT
21
00:00:39,740 --> 00:00:42,840
ON THE SELF-INFLATED
BALLOONS, GLEN.
22
00:00:42,876 --> 00:00:43,776
GLEN?
23
00:00:43,811 --> 00:00:44,781
YAH!
(horse whinnies)
24
00:00:46,414 --> 00:00:48,854
IN THE PAST, THE TOWN RULE
SEEMED TO BE,
25
00:00:48,882 --> 00:00:50,652
IF YOU LOVED YOUR MOTHER,
26
00:00:50,684 --> 00:00:53,694
YOU'D BETTER BE WILLING TO GO
"FULL PAGE" TO PROVE IT,
27
00:00:53,721 --> 00:00:55,521
AND THIS YEAR WAS NO DIFFERENT.
28
00:00:55,556 --> 00:00:59,156
IT KINDA MADE ME GLAD
I WASN'T IN THE GAME.
29
00:00:59,193 --> 00:01:01,363
MOTHER'S DAY WEEKEND, HUH?
30
00:01:01,395 --> 00:01:03,225
YEP.
31
00:01:03,264 --> 00:01:04,734
ANY FEELINGS ABOUT
THE BIG DAY?
32
00:01:04,765 --> 00:01:07,595
I'M, UH, MORE OF
A COLUMBUS DAY GIRL MYSELF.
33
00:01:07,635 --> 00:01:10,135
THAT'S A GREAT JOKE, TESSA,
34
00:01:10,171 --> 00:01:12,571
BUT SOMETIMES... (sighs)
35
00:01:12,606 --> 00:01:16,136
IT'S HEALTHY
TO TALK THINGS THROUGH.
36
00:01:16,177 --> 00:01:18,477
I'M SURE, ON MOTHER'S DAY,
YOU MUST THINK ABOUT HER.
37
00:01:18,512 --> 00:01:21,152
I'M SORRY TO DISAPPOINT YOU,
BUT I DON'T.
38
00:01:21,182 --> 00:01:23,652
HOW ABOUT YOU,
MADAME SURROGATE?
39
00:01:23,684 --> 00:01:25,624
EVER THINK ABOUT
ALL THOSE BABIES YOU SOLD
40
00:01:25,653 --> 00:01:27,823
AND WHAT THEY'RE DOING
ON MOTHER'S DAY?
41
00:01:27,855 --> 00:01:31,625
OHH. THAT'S GONNA SIT
IN YOUR COLON FOR A DECADE.
42
00:01:31,659 --> 00:01:33,459
LUCKILY, THERE'S PLENTY
OF ROOM IN MY COLON
43
00:01:33,494 --> 00:01:36,564
AFTER THAT KELP NOODLE CASSEROLE
YOU MADE LAST NIGHT.
44
00:01:36,597 --> 00:01:39,767
REALLY FREED UP
SOME REAL ESTATE.
45
00:01:39,800 --> 00:01:41,270
(chuckles)
46
00:01:41,302 --> 00:01:44,842
AND BY THAT, I MEAN
IT GAVE ME LOOSE STOOL.
47
00:01:44,872 --> 00:01:46,712
Captioned by
Closed Captioning Services, Inc.
48
00:01:46,740 --> 00:01:51,650
(Alih Jay) * LAST NIGHT I HAD
A PLEASANT NIGHTMARE *
49
00:01:51,679 --> 00:01:57,319
* DA-DA-DA-DA,
DA, DA, DA, DA *
50
00:01:57,351 --> 00:01:59,821
I'M SO GLAD WE WENT WITH
AN "ENDANGERED ANIMALS" THEME
51
00:01:59,853 --> 00:02:01,393
FOR THE NURSERY.
WOW!
52
00:02:01,422 --> 00:02:03,462
AND THE PELTS FEEL GREAT
UNDERFOOT.
53
00:02:03,491 --> 00:02:04,961
THE PELTS?
FORGET ABOUT THE PELTS.
54
00:02:04,992 --> 00:02:08,162
(chuckles) I CANNOT BELIEVE
YOU FOUND AN IVORY TUSK CRIB!
55
00:02:08,196 --> 00:02:11,196
MM. THE INTERIOR DECORATOR HAD
SOME OF THE ANIMALS MURDERED
56
00:02:11,232 --> 00:02:12,572
JUST FOR THIS ROOM.
57
00:02:12,600 --> 00:02:14,470
SHE REALLY WENT
THE EXTRA MILE.
58
00:02:14,502 --> 00:02:18,612
THERE ARE 950 DEAD SNAKES
ON THIS WALL ALONE.
59
00:02:18,639 --> 00:02:19,769
AND THE GUNS...
60
00:02:19,807 --> 00:02:21,737
LIVE. ALL LIVE.
61
00:02:21,775 --> 00:02:24,705
YOU KNOW, YOU DON'T SEE THAT
ENOUGH IN A NURSERY,
62
00:02:24,745 --> 00:02:26,375
NOT FOR MY TASTE.
63
00:02:26,414 --> 00:02:29,584
OH, NOAH. I CAN'T WAIT
FOR THIS BABY TO GET HERE.
64
00:02:29,617 --> 00:02:32,317
I CAN'T WAIT
FOR OUR NIGHT NURSE TO GET HERE.
65
00:02:32,353 --> 00:02:33,593
YOU KNOW
I FEEL UNCOMFORTABLE
66
00:02:33,621 --> 00:02:35,661
HAVING INTERCOURSE
DURING THE LAST TRIMESTER.
67
00:02:35,689 --> 00:02:37,629
(strained voice) I KNOW.
I JUST THOUGHT,
68
00:02:37,658 --> 00:02:40,258
SINCE YOU WEREN'T ACTUALLY
CARRYING THE BABY...
69
00:02:40,294 --> 00:02:42,904
OHH. I MAY NOT BE CARRYING
THE BABY HERE,
70
00:02:42,930 --> 00:02:45,800
BUT I MOST CERTAINLY AM
CARRYING IT HERE.
71
00:02:45,833 --> 00:02:47,873
(chuckles)
72
00:02:47,901 --> 00:02:49,801
(taps foot)
73
00:02:49,837 --> 00:02:51,637
(George) WHATCHA DOIN'?
74
00:02:51,672 --> 00:02:55,412
PLAYING THE BABY SOME AUDIO
FROM "OCCUPY WALL STREET."
75
00:02:55,443 --> 00:02:57,983
(chuckles)
AND--AND WHERE DOES HE LAND?
76
00:02:58,011 --> 00:03:00,381
WITH ANY LUCK,
LEFT OF CHATSWIN.
77
00:03:00,414 --> 00:03:01,924
(chuckles)
78
00:03:01,949 --> 00:03:03,919
ARE YOU--ARE YOU EXCITED ABOUT
THIS BABY SHOWER TOMORROW?
79
00:03:03,951 --> 00:03:05,491
IF, BY "EXCITED,"
80
00:03:05,519 --> 00:03:08,859
YOU MEAN "FILLED WITH
AN IMPENDING SENSE OF DREAD,"
81
00:03:08,889 --> 00:03:10,319
THEN YES, VERY.
82
00:03:10,358 --> 00:03:12,588
I AM FASCINATED
BY THIS SIDE OF YOU.
83
00:03:12,626 --> 00:03:13,956
YOU'VE GONE DARK ON ME.
84
00:03:13,994 --> 00:03:16,404
(whispers) I'M NOT MYSELF.
85
00:03:16,430 --> 00:03:17,430
(normal voice)
I'M IRRITABLE...
86
00:03:17,465 --> 00:03:18,325
MM.
87
00:03:18,366 --> 00:03:19,726
AND PENT UP.
SURE.
88
00:03:19,767 --> 00:03:21,867
OKAY.
YOU WANNA GO FOR A JOG?
89
00:03:21,902 --> 00:03:24,842
NO.
90
00:03:24,872 --> 00:03:26,372
(chuckles)
YOU WANNA GRAB SOME LUNCH?
91
00:03:26,407 --> 00:03:27,737
NOPE.
92
00:03:27,775 --> 00:03:30,235
I WANNA GRAB SOMETHING ELSE.
93
00:03:30,278 --> 00:03:31,038
(chuckles) REALLY?
94
00:03:31,078 --> 00:03:32,408
MM-HMM.
95
00:03:32,446 --> 00:03:34,816
I-I FEEL LIKE
WE'VE WAITED SO LONG.
96
00:03:34,848 --> 00:03:36,248
I MEAN,
IT'S YOUR LAST TRIMESTER.
97
00:03:36,284 --> 00:03:38,054
ARE YOU SURE
IT'S NOT DANGEROUS?
98
00:03:38,085 --> 00:03:41,015
(whispers) IT'S GONNA BE
DANGEROUS FOR YOU IF WE DON'T.
99
00:03:41,054 --> 00:03:44,024
IT MEANS A LOT TO YOUR MOM,
YOU COMING HOME FOR THE SHOWER.
100
00:03:44,057 --> 00:03:44,787
UH-HUH.
101
00:03:44,825 --> 00:03:45,985
HEY, DID SHE TELL YOU
WE'RE TRYING
102
00:03:46,026 --> 00:03:48,396
TO STEAL CARMEN BACK
FROM THE ROYCES?
103
00:03:48,429 --> 00:03:49,799
WOULDN'T THAT BE FUNNY?
104
00:03:49,830 --> 00:03:51,700
THE SAME NANNY
THAT RAISED YOU
105
00:03:51,732 --> 00:03:53,502
COULD RAISE
YOUR LITTLE HERMANO.
106
00:03:53,534 --> 00:03:54,844
YOU KNOW WHAT WOULD BE
EVEN FUNNIER?
107
00:03:54,868 --> 00:03:56,838
IF YOU AND MOM RAISED
YOUR OWN KID.
108
00:03:56,870 --> 00:03:59,010
THAT'D BE HILARIOUS.
109
00:03:59,039 --> 00:04:01,279
WHY DO YOU GUYS NEED
CARMEN?
110
00:04:01,309 --> 00:04:02,839
WHY DOES ANYONE NEED
CARMEN?
111
00:04:02,876 --> 00:04:05,076
(chuckles) BECAUSE SHE'S
AMAZINGLY HELPFUL.
112
00:04:05,112 --> 00:04:06,552
BECAUSE CARMEN CAN
EASILY DO THINGS
113
00:04:06,580 --> 00:04:08,680
THAT EXASPERATE
MOST WHITE PEOPLE.
114
00:04:08,716 --> 00:04:10,646
WELL, I HOPE I GROW UP
TO BE LIKE CARMEN.
115
00:04:10,684 --> 00:04:12,794
(chuckles) OH. YEAH.
YOU WON'T.
116
00:04:17,325 --> 00:04:18,455
(sighs)
117
00:04:21,662 --> 00:04:24,102
ARE YOU JUST
NOT ATTRACTED TO ME
118
00:04:24,131 --> 00:04:25,531
BECAUSE I'M PREGNANT?
119
00:04:25,566 --> 00:04:27,736
I'M VERY ATTRACTED TO YOU.
120
00:04:27,768 --> 00:04:29,338
BUT WHAT?
121
00:04:29,370 --> 00:04:31,000
JUST NOT WHEN I'M NAKED?
BECAUSE OF THE BIG BELLY?
122
00:04:31,038 --> 00:04:32,638
NO.
123
00:04:32,673 --> 00:04:34,343
IS IT BECAUSE OF THE VEINS?
WHAT?
124
00:04:34,375 --> 00:04:38,075
IS IT BECAUSE OF MY THROBBING,
BLUE SPIDER VEINS?
125
00:04:38,111 --> 00:04:39,981
THEY'RE FROM THE PREGNANCY.
126
00:04:40,013 --> 00:04:41,953
OH. OH.
127
00:04:41,982 --> 00:04:44,052
SO NORMALLY
YOU'RE LESS VEINY?
128
00:04:44,084 --> 00:04:48,124
NO. THAT'S NOT IT.
129
00:04:48,155 --> 00:04:51,055
(sighs)
THEN WHAT, GEORGE?
130
00:04:51,091 --> 00:04:53,661
(sighs) I COULDN'T STOP
THINKING ABOUT WHAT NOAH SAID,
131
00:04:53,694 --> 00:04:55,104
ABOUT HOW
I WAS GONNA GIVE THE KID
132
00:04:55,128 --> 00:04:56,898
AN ACCIDENTAL TRACHEOTOMY.
133
00:04:56,930 --> 00:04:58,470
YOU KNOW WHAT?
134
00:04:58,499 --> 00:05:00,499
WHY DON'T YOU STOP WORRYING
ABOUT NOAH'S KID
135
00:05:00,534 --> 00:05:02,444
AND START WORRYING
ABOUT YOUR OWN?
136
00:05:02,470 --> 00:05:03,900
WHAT--WHAT'S THAT SUPPOSED
TO MEAN?
137
00:05:03,937 --> 00:05:06,807
THIS MORNING, I BROACHED
THE WHOLE MOM ISSUE WITH TESSA.
138
00:05:06,840 --> 00:05:08,780
WHAT WHOLE "MOM ISSUE"?
139
00:05:08,809 --> 00:05:11,009
I THINK SHE'S IN DENIAL.
I THINK YOU BOTH ARE.
140
00:05:11,044 --> 00:05:13,654
O-OKAY. EDEN, PLEASE.
141
00:05:13,681 --> 00:05:15,151
I'VE--I'VE TALKED
TO TESSA ABOUT THIS,
142
00:05:15,182 --> 00:05:17,082
AND SHE'S FINE, OKAY?
143
00:05:17,117 --> 00:05:19,517
SHE--SHE TOLD ME OUTRIGHT
THAT SHE CAN'T MISS
144
00:05:19,553 --> 00:05:20,953
WHAT SHE NEVER KNEW.
145
00:05:20,988 --> 00:05:25,028
SHE'S GOTTA FEEL SOMETHING--
ANGRY, HURT--
146
00:05:25,058 --> 00:05:26,688
UNLESS YOU PEOPLE ARE
SOME KIND
147
00:05:26,727 --> 00:05:28,827
OF DIFFERENT SPECIES
OUT HERE.
148
00:05:28,862 --> 00:05:30,862
I MEAN, YOU CAN'T HAVE
YOUR MOM CHECK OUT
149
00:05:30,898 --> 00:05:33,698
AND FEEL ABSOLUTELY NOTHING!
150
00:05:33,734 --> 00:05:38,544
EDEN, YOU ARE SMART
AND INTUITIVE AND WONDERFUL,
151
00:05:38,572 --> 00:05:40,542
BUT YOU'RE WRONG.
152
00:05:40,574 --> 00:05:41,684
IN THIS CASE, YOU'RE WRONG.
153
00:05:41,709 --> 00:05:44,039
I KNOW MY KID,
154
00:05:44,077 --> 00:05:46,547
AND I'M NOT GONNA FORCE HER
155
00:05:46,580 --> 00:05:50,420
TO PICK AT A SCAB THAT
ISN'T THERE.
156
00:05:50,451 --> 00:05:52,051
SHE'S OKAY.
157
00:05:52,085 --> 00:05:53,445
OKAY?
158
00:05:53,487 --> 00:05:56,987
(sighs) OKAY.
159
00:05:57,024 --> 00:05:59,464
OKAY. COME HERE.
160
00:05:59,493 --> 00:06:00,533
(inhales deeply) MM.
161
00:06:02,796 --> 00:06:03,856
WHY AREN'T YOU
HUGGING ME BACK?
162
00:06:06,434 --> 00:06:08,404
(sighs)
163
00:06:11,772 --> 00:06:13,912
IN THIS BOX,
MY SECRET WEAPON
164
00:06:13,941 --> 00:06:16,141
FOR THE MOTHER'S DAY 5K
TOMORROW.
165
00:06:16,176 --> 00:06:17,446
WHOA!
166
00:06:17,478 --> 00:06:18,578
THEY'D BETTER WATCH
THEIR BACKS,
167
00:06:18,612 --> 00:06:20,852
'CAUSE I RAN TRACK
IN COLLEGE.
168
00:06:20,881 --> 00:06:24,421
YOU MUST WIN THE 5K
EVERY YEAR IN THESE BABIES.
169
00:06:24,452 --> 00:06:27,522
ACTUALLY, THIS IS THE FIRST TIME
I'LL BE IN TOWN TO COMPETE.
170
00:06:27,555 --> 00:06:30,055
STEVEN USED TO ALWAYS
TAKE US AWAY FOR MOTHER'S DAY...
171
00:06:30,090 --> 00:06:32,060
TO ISRAEL.
172
00:06:32,092 --> 00:06:32,892
ISRAEL?
173
00:06:32,926 --> 00:06:34,226
OH, MY GOSH, YES.
174
00:06:34,261 --> 00:06:37,031
EVERY PERSON SHOULD MAKE
THE PILGRIMAGE TO ISRAEL,
175
00:06:37,064 --> 00:06:38,974
AND NOT JUST
FOR THE DEAD SEA WRAPS,
176
00:06:38,999 --> 00:06:40,669
BUT ALSO
FOR THE FUSION CUISINE.
177
00:06:40,701 --> 00:06:41,971
(bells jingle)
178
00:06:42,002 --> 00:06:43,072
MOMMY, WHERE'S MY PASSPORT?
179
00:06:43,103 --> 00:06:44,103
YOUR PASSPORT?
180
00:06:44,137 --> 00:06:46,007
FOR ISRAEL. DUH.
181
00:06:46,039 --> 00:06:47,779
DADDY DIDN'T WANT TO RUIN
MY MOTHER'S DAY
182
00:06:47,808 --> 00:06:49,208
BY SPOILING THE TRADITION.
183
00:06:49,242 --> 00:06:51,952
(chuckles) BUT, DALIA,
IT'S MOTHER'S DAY.
184
00:06:51,979 --> 00:06:54,479
I RENTED A POOLSIDE CABANA
FOR US AT THE CLUB.
185
00:06:54,515 --> 00:06:57,485
I WAS GONNA RUN THE 5K,
AND YOU WERE GONNA CHEER FOR ME.
186
00:06:57,518 --> 00:06:59,148
SO YOU WANT ME TO CANCEL?
187
00:06:59,186 --> 00:07:00,916
NO.
188
00:07:00,954 --> 00:07:03,124
NEVER MIND.
189
00:07:03,156 --> 00:07:06,056
I'M SURE THE TWO OF YOU WILL
HAVE A GREAT TIME.
190
00:07:11,665 --> 00:07:13,465
HAPPY MOTHER'S DAY.
191
00:07:13,501 --> 00:07:14,541
THANKS.
I'LL EAT A KEBAB FOR YOU.
192
00:07:20,741 --> 00:07:23,541
(bells jingle)
193
00:07:23,577 --> 00:07:25,047
I'M SORRY, DALLAS.
(door closes)
194
00:07:25,078 --> 00:07:27,208
OH, DON'T BE SILLY.
IT'S FINE.
195
00:07:27,247 --> 00:07:29,817
YOU KNOW, THAT'S ONE THING
I ADMIRE IN DALIA.
196
00:07:29,850 --> 00:07:32,620
SHE PUTS HER OWN HAPPINESS
BEFORE EVERYONE ELSE'S.
197
00:07:32,653 --> 00:07:35,493
YEAH, THAT'S...
REAL ADMIRABLE.
198
00:07:35,523 --> 00:07:36,893
YOU KNOW WHAT?
199
00:07:36,924 --> 00:07:39,634
I'M GONNA RUN THAT 5K,
AND WHEN I WIN,
200
00:07:39,660 --> 00:07:41,930
I'LL BE CELEBRATING
IN MY POOLSIDE CABANA
201
00:07:41,962 --> 00:07:44,902
WITH A BIG OL' DENVER OMELET
TO KEEP ME COMPANY.
202
00:07:44,932 --> 00:07:48,242
A DENVER OMELET MIGHT
ACTUALLY BE BETTER COMPANY.
203
00:07:48,268 --> 00:07:50,568
ESPECIALLY IF IT HAS
FRESH MOZZARELLA.
204
00:07:50,604 --> 00:07:51,914
MMM. LOVE THAT.
205
00:07:51,939 --> 00:07:53,609
(chuckles)
206
00:07:53,641 --> 00:07:55,211
THEN AFTER I BUFF AWAY
HER CALLOUSES,
207
00:07:55,242 --> 00:07:56,642
I WILL DUMP THE WATER,
208
00:07:56,677 --> 00:07:58,077
DISPOSE
OF THE HARDENED SKIN SHAVINGS,
209
00:07:58,111 --> 00:07:59,951
AND PRESENT HER WITH MY GIFT.
210
00:07:59,980 --> 00:08:02,020
VISCOSE MOISTURIZING SOCKS.
211
00:08:02,049 --> 00:08:03,079
BOOM!
212
00:08:03,116 --> 00:08:05,646
CAN'T BE BEAT.
(chuckles) LISA.
213
00:08:05,686 --> 00:08:07,246
LISA WAS STILL AWAITING
TEST RESULTS
214
00:08:07,287 --> 00:08:09,787
THAT WOULD PROVE
HER MOTHER WAS NOT HER MOTHER.
215
00:08:09,823 --> 00:08:13,033
UNTIL THEN, CELEBRATING THE DAY
SEEMED POINTLESS.
216
00:08:13,060 --> 00:08:14,290
I'M GONNA HOLD OFF
THIS YEAR.
217
00:08:14,327 --> 00:08:16,027
WHAT DOES THAT MEAN?
218
00:08:16,063 --> 00:08:19,133
DOES YOUR MOTHER "HOLD OFF" WHEN
YOUR CLOTHES NEED LAUNDERING?
219
00:08:19,166 --> 00:08:22,666
DID SHE "HOLD OFF" DURING
YOUR LATEST BOUT OF PINWORM?
220
00:08:22,703 --> 00:08:24,713
I'M WAITING FOR SOME
VERY IMPORTANT PAPERWORK.
221
00:08:24,738 --> 00:08:26,068
(sighs)
WHAT KIND OF PAPERWORK?
222
00:08:26,106 --> 00:08:27,706
YOU DIDN'T NAME A STAR
AFTER HER, DID YOU?
223
00:08:27,741 --> 00:08:28,611
'CAUSE PEOPLE HATE THAT.
224
00:08:28,642 --> 00:08:29,912
NOT ALL PEOPLE HATE THAT.
225
00:08:29,943 --> 00:08:31,183
LISA, I HAVE A PRESENT PLAN
THAT IS BIG ENOUGH
226
00:08:31,211 --> 00:08:34,151
TO BE FROM BOTH OF US,
SO IT WILL BE FROM BOTH OF US.
227
00:08:34,181 --> 00:08:35,851
YOU CAN REIMBURSE ME LATER.
228
00:08:35,883 --> 00:08:37,553
YOU KNOW HOW YOUR MOTHER'S
FAVORITE RECORDING ARTIST IS--
229
00:08:37,585 --> 00:08:38,685
JAMES INGRAM.
230
00:08:38,719 --> 00:08:40,819
YES, SO I HAVE PLANNED
AN ENTIRE DAY
231
00:08:40,854 --> 00:08:43,324
TO HIS SONG "ONE HUNDRED WAYS,"
AND BELIEVE ME,
232
00:08:43,356 --> 00:08:45,086
I HAVE FOUND
EACH AND EVERY ONE OF THEM.
233
00:08:45,125 --> 00:08:46,555
WHEN WE GET TO 98,
234
00:08:46,594 --> 00:08:48,064
I WOULD APPRECIATE YOU KIDS
CLOSING YOUR DOORS.
235
00:08:48,095 --> 00:08:51,095
OKAY, GANG. JUST WANT
TO MAKE SURE MY PIT CREW
236
00:08:51,131 --> 00:08:52,901
IS PREPARED
FOR THE RACE TOMORROW.
237
00:08:52,933 --> 00:08:54,803
FRED, DIXIE CUPS--
YOU ON IT?
238
00:08:54,835 --> 00:08:55,895
I'M ON IT.
239
00:08:55,936 --> 00:08:56,996
AND DON'T OVERFILL 'EM, FRED.
I JUST NEED A MOUTHFUL.
240
00:08:57,037 --> 00:08:59,167
PROBABLY GONNA BE
A SWISH AND SPIT.
SWISH AND SPIT.
241
00:08:59,206 --> 00:09:00,966
PROBABLY WON'T SWALLOW.
WHATEVER YOU'RE
COMFORTABLE WITH.
242
00:09:01,008 --> 00:09:02,238
IT'S NOT ABOUT ME.
243
00:09:02,275 --> 00:09:03,805
RYAN, POTASSIUM--
I'M GONNA NEED IT
244
00:09:03,844 --> 00:09:05,314
AS SOON AS I COME ACROSS
THAT FINISH LINE.
245
00:09:05,345 --> 00:09:06,645
POTASSIUM--CHECK.
246
00:09:06,680 --> 00:09:09,580
LISA, MEDIC--
THAT MEANS ACE BANDAGES,
247
00:09:09,617 --> 00:09:11,177
ANTISEPTIC WASH,
AND A PINT OF MY BLOOD
248
00:09:11,218 --> 00:09:13,348
FROM THE DOWNSTAIRS FREEZER
JUST IN CASE.
249
00:09:13,386 --> 00:09:15,716
YOU BANK BLOOD
IN THE DOWNSTAIRS FREEZER?
250
00:09:17,691 --> 00:09:20,791
EVERY DAY
AT APPROXIMATELY 3:45,
251
00:09:20,828 --> 00:09:22,358
THE MAIL CAME,
252
00:09:22,395 --> 00:09:24,195
AND WITH IT CAME THE HOPE
THAT I'D GET GOOD NEWS
253
00:09:24,231 --> 00:09:26,671
ABOUT THE INTERNSHIP
I APPLIED FOR.
254
00:09:26,700 --> 00:09:28,800
AN ACCEPTANCE LETTER
FROM "THE VILLAGE VOICE"
255
00:09:28,836 --> 00:09:30,666
WOULD MEAN A WAY OUT
OF CHATSWIN
256
00:09:30,704 --> 00:09:33,644
AND A BREAK FROM THE MISERY
OF LIVING WITH GEORGE AND EDEN.
257
00:09:40,447 --> 00:09:43,117
(bag thuds)
258
00:09:43,150 --> 00:09:44,890
WHEN I WAS LITTLE,
I USED TO TELL PEOPLE
259
00:09:44,918 --> 00:09:46,988
I WAS GONNA BE
IN DESTINY'S CHILD.
260
00:09:48,455 --> 00:09:50,255
WHEN YOU'RE LITTLE,
261
00:09:50,290 --> 00:09:54,060
YOU DON'T HAVE A SENSE
OF WHAT'S REALISTIC.
262
00:09:54,094 --> 00:09:55,704
IS THAT THE MAIL?
263
00:09:55,729 --> 00:09:57,869
NO, IT'S, UH,
15 DANCING ELEPHANTS.
264
00:09:57,898 --> 00:09:59,768
(laughs)
OF COURSE IT'S THE MAIL.
(laughs)
265
00:10:01,368 --> 00:10:05,338
(gasps)
THIS IS IT! THIS IS FOR ME!
266
00:10:05,372 --> 00:10:07,342
LISA WAS HOPING THIS LETTER
WOULD PROVE
267
00:10:07,374 --> 00:10:10,014
THAT SHE WASN'T
WHO THEY SAID SHE WAS.
268
00:10:13,446 --> 00:10:15,646
I JUST DON'T UNDERSTAND IT.
I FELT IT IN MY BONES.
269
00:10:15,683 --> 00:10:17,023
WELL, YOUR BONES
WERE WRONG.
270
00:10:17,050 --> 00:10:19,190
HOW DO YOU EXPLAIN
THE ADOPTION VIDEO THAT I FOUND?
271
00:10:19,219 --> 00:10:20,989
MAYBE THEY WERE GONNA ADOPT
AND THEN THEY GOT PREGNANT.
272
00:10:21,021 --> 00:10:22,421
(whispers)
I KNOW THAT I'M ADOPTED.
273
00:10:22,455 --> 00:10:25,855
ACCORDING TO THE D.N.A. RESULTS,
LISA, YOU'RE NOT,
274
00:10:25,893 --> 00:10:28,803
BUT YOU CAN STILL GROW UP
TO BE WHOEVER YOU WANT TO BE.
275
00:10:28,829 --> 00:10:30,229
EXACTLY,
AND FOR THE RECORD,
276
00:10:30,263 --> 00:10:31,363
IT'S NOT THE WORST THING
IN THE WORLD
277
00:10:31,398 --> 00:10:33,068
THAT YOUR PARENTS ARE
YOUR PARENTS.
278
00:10:33,100 --> 00:10:36,300
I MEAN, THEY MAY NOT BE PERFECT,
BUT THEY REALLY LOVE YOU.
279
00:10:38,238 --> 00:10:41,108
DO YOU HAVE ANY IDEA HOW
IGNORANT YOU SOUND RIGHT NOW?
280
00:10:46,313 --> 00:10:49,383
IN SPAIN, THEY HAVE THE RUNNING
OF THE BULLS. HERE...
281
00:10:49,416 --> 00:10:55,816
**
282
00:10:55,856 --> 00:10:58,786
GET READY TO RUN,
YOU MOTHERS!
283
00:10:58,826 --> 00:11:04,996
**
284
00:11:05,032 --> 00:11:07,432
WHILE THE MOTHERS OF CHATSWIN
RAN FOR THEIR LIVES,
285
00:11:07,467 --> 00:11:10,467
WE HAD TICKETS
TO A THREE-RING CIRCUS...
286
00:11:10,503 --> 00:11:12,173
WATCH YOUR STEP, EVERYONE.
287
00:11:12,205 --> 00:11:14,505
THE CHEETAH DROPPINGS ARE
PHENOMENAL.
288
00:11:14,541 --> 00:11:16,111
THE WERNERS' BABY SHOWER.
289
00:11:16,143 --> 00:11:17,243
HEY, THERE SHE IS. JILL!
290
00:11:17,277 --> 00:11:18,047
OH.
291
00:11:18,078 --> 00:11:20,448
HEY. CONGRATULATIONS.
292
00:11:20,480 --> 00:11:21,820
HELLO IN THERE.
293
00:11:21,849 --> 00:11:24,249
HELLO, MY LOVE.
CAN YOU SAY "MOMMY"?
294
00:11:24,284 --> 00:11:26,154
CAN YOU SAY
"MOMMY JILL WERNER"?
295
00:11:26,186 --> 00:11:27,246
HE CAN'T.
296
00:11:27,287 --> 00:11:29,917
(gasps) OH.
WHO'S GOT YOUR NOSE?
297
00:11:29,957 --> 00:11:33,287
MOMMY'S GOT YOUR NOSE.
298
00:11:33,326 --> 00:11:34,926
I THINK
HE LOVES WHEN I DO THAT.
299
00:11:34,962 --> 00:11:35,962
YOU THINK?
300
00:11:35,996 --> 00:11:37,496
GEORGE,
SHE LOOKS MAGNIFICENT.
301
00:11:37,530 --> 00:11:39,800
YOU HAVE BEEN TAKING
EXCELLENT CARE OF HER.
302
00:11:39,833 --> 00:11:41,303
WELL, BEEN TRYING.
303
00:11:41,334 --> 00:11:42,504
ALTHOUGH I CAN'T IMAGINE
WHAT'S GOING TO HAPPEN
304
00:11:42,535 --> 00:11:44,165
AFTER THE BABY IS BORN.
305
00:11:44,204 --> 00:11:47,144
SHE'S JUST GONNA SHRIVEL UP
INTO A BIG PILE OF ASH.
306
00:11:47,174 --> 00:11:49,244
I'M GONNA GO GET SOME FOOD.
I'M GONNA JOIN YOU.
307
00:11:49,276 --> 00:11:50,776
(chuckles)
EDEN, WAIT.
308
00:11:50,811 --> 00:11:52,281
DARLING, I WANT TO SHOW YOU
THE NURSERY,
309
00:11:52,312 --> 00:11:54,882
AND I WANT TO INTRODUCE YOU
TO THE COEN BROTHERS.
310
00:11:54,915 --> 00:11:56,275
THEY'RE GOING TO BE FILMING
THE BIRTH.
311
00:11:56,316 --> 00:11:57,346
THE COEN BROTHERS?
312
00:11:57,384 --> 00:11:59,424
HEY, GEORGE. EDEN.
313
00:11:59,452 --> 00:12:01,022
HI, NOAH.
314
00:12:01,054 --> 00:12:02,894
OH, DARLING, WOULD YOU PLEASE
PUT THE ANIMALS IN THE CAGE
315
00:12:02,923 --> 00:12:05,063
SO PEOPLE CAN EAT WITHOUT THEM
JUMPING UP ON THE FOOD?
316
00:12:05,092 --> 00:12:08,062
ON IT. COME ON NOW! YAH!
317
00:12:08,095 --> 00:12:09,995
YAH! YAH!
318
00:12:10,030 --> 00:12:12,870
YAH! WHEE! WHEE!
319
00:12:12,900 --> 00:12:14,300
YAH!
320
00:12:18,438 --> 00:12:21,208
(cheering)
321
00:12:21,241 --> 00:12:23,441
COME ON, SHEILA. OH, NO.
322
00:12:23,476 --> 00:12:26,346
NO, NO. NO, NO, NO, NO.
NO, NOT YOU!
323
00:12:26,379 --> 00:12:28,219
(grunts) NOT YOU.
(panting) OHH. OHH.
324
00:12:28,248 --> 00:12:29,848
YOU'VE GOTTA BE
KIDDING ME, FRED!
325
00:12:29,883 --> 00:12:33,253
OHH! SH-SHEILA.
OH, GOD. OHH. OHH.
(water dripping)
326
00:12:33,286 --> 00:12:36,456
OHH. SHEILA. SHEILA. SHEILA.
327
00:12:36,489 --> 00:12:39,159
SHEILA. SHEILA. SHEILA.
SHEILA.
328
00:12:39,192 --> 00:12:40,532
(pants) OHH. (squeaks)
329
00:12:40,560 --> 00:12:41,800
OHH. I LOVE YOU!
330
00:12:41,829 --> 00:12:43,829
AAH! MY ANKLE!
(crowd gasps)
331
00:12:46,867 --> 00:12:47,897
(woman) DALLAS!
332
00:12:47,935 --> 00:12:50,935
NICE HUSTLE OUT THERE, FELLAS.
333
00:12:50,971 --> 00:12:52,511
(siren wailing in distance)
(groaning)
334
00:12:55,342 --> 00:12:56,942
ANY FAMILY WE SHOULD CALL?
335
00:12:56,977 --> 00:12:58,177
NO. (sighs)
336
00:12:58,211 --> 00:13:00,251
A CLOSE FRIEND, MAYBE, WHO COULD
PICK YOU UP FROM THE HOSPITAL?
337
00:13:00,280 --> 00:13:01,550
HOW'S MY HAIR?
338
00:13:01,581 --> 00:13:03,981
FANTASTIC.
339
00:13:04,017 --> 00:13:06,047
THEN CALL GEORGE ALTMAN.
340
00:13:06,086 --> 00:13:07,886
WHAT WAS THAT?
341
00:13:07,921 --> 00:13:10,421
I SAID... CARMEN.
342
00:13:10,457 --> 00:13:13,327
CALL CARMEN.
343
00:13:13,360 --> 00:13:15,060
(Ryan) LET'S GO, MOM! WIN!
344
00:13:15,095 --> 00:13:16,295
(Mr. Wolfe)
RUN, LADIES! RUN!
345
00:13:16,329 --> 00:13:20,069
COME ON!
LET'S GO, MOM! WIN!
346
00:13:20,100 --> 00:13:24,140
YEAH! COME ON, MOM!
347
00:13:24,171 --> 00:13:26,171
(exhales deeply) AAH!
(laughing)
348
00:13:26,206 --> 00:13:27,436
OHH! OH! (laughs)
349
00:13:27,474 --> 00:13:28,584
YEAH! YEAH.
350
00:13:28,608 --> 00:13:30,208
OH. MMM. MMM.
OH. OHH.
351
00:13:30,243 --> 00:13:31,583
(mouth full)
YOUR FATHER SCREWED THE POOCH...
MM.
352
00:13:31,611 --> 00:13:32,581
YES!
BUT I WON ANYWAY!
353
00:13:32,612 --> 00:13:33,652
YOU SURE DID, MOM!
(laughing)
354
00:13:33,680 --> 00:13:35,020
HAPPY MOTHER'S DAY!
MM. MMM.
355
00:13:35,048 --> 00:13:39,148
OHH.
MM. MM.
356
00:13:39,186 --> 00:13:41,046
(indistinct conversations)
357
00:13:41,088 --> 00:13:43,018
(lowered voice) I JUST THINK
IT'S A SAD STATEMENT
358
00:13:43,056 --> 00:13:44,956
WHEN A KID DECIDES
TO SPEND MOTHER'S DAY
359
00:13:44,992 --> 00:13:46,532
WITH HER FATHER.
(lowered voice) MM.
360
00:13:46,559 --> 00:13:48,159
WHAT'S THAT ABOUT?
(chuckles)
361
00:13:48,195 --> 00:13:50,425
(mouth full) YOU DON'T KNOW
OUR SITUATION.
362
00:13:50,463 --> 00:13:53,973
RELAX, HON. WE'RE TALKING
ABOUT DALLAS ROYCE.
363
00:13:57,938 --> 00:13:59,568
(spits)
364
00:13:59,606 --> 00:14:01,036
HEY, TESS. YOU ALL RIGHT?
365
00:14:01,074 --> 00:14:04,954
IT'S JUST
CUCUMBER AND CREAM CHEESE?
366
00:14:04,978 --> 00:14:05,948
I MEAN, WHY?
367
00:14:05,979 --> 00:14:07,279
NOT A BIG FAN, HUH?
NO.
368
00:14:07,314 --> 00:14:10,124
(Jill)
GEORGE, COME QUICK. IT'S EDEN.
369
00:14:10,150 --> 00:14:11,480
OKAY, UH--
DO YOU WANT--
370
00:14:11,518 --> 00:14:13,048
NO, YOU STAY HERE.
371
00:14:13,086 --> 00:14:15,056
AAH! GEORGE!
372
00:14:15,088 --> 00:14:16,188
(Jill sighs)
373
00:14:16,223 --> 00:14:17,293
EDEN, YOU OKAY?
374
00:14:17,324 --> 00:14:19,894
(voice breaks)
LOOK AT THIS PLACE.
375
00:14:19,927 --> 00:14:21,487
(sighs) THEY'RE MONSTERS!
376
00:14:21,528 --> 00:14:25,198
WHAT KIND OF A CHILD
ARE THEY GONNA RAISE IN HERE?
377
00:14:25,232 --> 00:14:28,172
THERE'S A CLUB
OVER BY THAT STUFFED SEAL.
378
00:14:28,201 --> 00:14:32,511
THIS? THIS IS A PERSONALIZED
MAHOGANY LOUISVILLE SLUGGER...
379
00:14:32,539 --> 00:14:35,139
BUT I SUPPOSE YOU COULD.
380
00:14:35,175 --> 00:14:38,145
(strained voice)
OH, NO. NO!
381
00:14:38,178 --> 00:14:41,408
THIS FEELS LIKE LABOR.
I SHOULDN'T BE IN LABOR.
382
00:14:41,448 --> 00:14:43,348
I'M NOT DUE FOR WEEKS.
383
00:14:43,383 --> 00:14:45,123
OKAY, WE--WE SHOULD GET YOU
TO THE HOSPITAL
384
00:14:45,152 --> 00:14:47,292
AND GET YOU CHECKED OUT.
I'M A PROFESSIONAL!
385
00:14:47,320 --> 00:14:49,160
I HAVEN'T HAD
A SINGLE COMPLICATION
386
00:14:49,189 --> 00:14:52,029
IN ANY OF MY PREGNANCIES
UNTIL...
387
00:14:52,059 --> 00:14:54,329
(inhales deeply and whispers)
UNTIL...
388
00:14:54,361 --> 00:14:56,061
UNTIL WHAT?
389
00:14:56,096 --> 00:14:59,596
UNTIL CHATSWIN!
390
00:14:59,632 --> 00:15:00,602
(sighs)
391
00:15:06,239 --> 00:15:08,209
WE'RE--WE'RE GONNA GO
TO THE HOSPITAL TO CHECK IT OUT.
(grunts and inhales deeply)
392
00:15:08,241 --> 00:15:09,611
(keys jangle)
MEET US THERE?
393
00:15:09,642 --> 00:15:11,642
(exhales deeply and grunts)
(George and Tessa) OKAY.
394
00:15:11,678 --> 00:15:13,448
(grunts)
OH. THANK YOU, TESS.
395
00:15:13,480 --> 00:15:14,710
(panting)
IT'S GONNA BE OKAY, DAD.
396
00:15:14,747 --> 00:15:16,377
I'LL SEE YOU GUYS THERE.
OKAY.
397
00:15:16,416 --> 00:15:17,716
OKAY, I'M GONNA MEET YOU
AT THE AMBULANCE, ALL RIGHT?
398
00:15:17,750 --> 00:15:18,620
GEORGE,
I'M COMING WITH YOU.
399
00:15:18,651 --> 00:15:19,721
DUDE, I KNOW YOU WANT TO,
400
00:15:19,752 --> 00:15:21,292
BUT YOU AND JILL STRESS
EDEN OUT.
401
00:15:21,321 --> 00:15:24,461
EDEN? MY BABY IS IN THERE.
402
00:15:24,491 --> 00:15:25,961
YOU ARE HIGH AS A KITE
IF YOU THINK THAT
403
00:15:25,993 --> 00:15:27,493
I'M JUST GONNA SIT HOME
AND CROSS MY FINGERS
404
00:15:27,527 --> 00:15:29,627
AND HOPE THAT
EVERYTHING TURNS OUT OKAY.
405
00:15:29,662 --> 00:15:30,502
COULD YOU DO THAT?
406
00:15:30,530 --> 00:15:32,030
OKAY, FOLLOW, DUDE.
407
00:15:32,065 --> 00:15:33,565
FOLLOW IN YOUR CAR,
BUT KEEP A SAFE DISTANCE.
408
00:15:33,600 --> 00:15:36,470
I'VE BEEN KEEPING
A SAFE DISTANCE, DUDE.
409
00:15:36,503 --> 00:15:37,573
LOOK WHERE IT GOT US.
410
00:15:37,604 --> 00:15:40,374
(violins playing
"One Hundred Ways")
411
00:15:43,676 --> 00:15:47,176
WHAT'S ALL THIS, FRED?
412
00:15:47,214 --> 00:15:52,194
(gasps)
* IF IT'S VIOLINS
SHE LOVES *
413
00:15:52,219 --> 00:15:54,049
* LET THEM PLAY
414
00:15:54,087 --> 00:15:55,557
* HEY, HEY
415
00:15:55,588 --> 00:15:58,228
I'M GONNA GO PUT YOUR BLOOD
IN THE DOWNSTAIRS FREEZER.
416
00:15:58,258 --> 00:16:00,028
* DEDICATE
417
00:16:00,060 --> 00:16:02,300
* HER FAVORITE SONG
418
00:16:02,329 --> 00:16:03,429
I'LL BE IN MY ROOM.
419
00:16:03,463 --> 00:16:06,333
* AND HOLD HER CLOSER
420
00:16:06,366 --> 00:16:09,296
* ALL NIGHT LONG
421
00:16:09,336 --> 00:16:11,696
* LOVE HER TODAY
422
00:16:11,738 --> 00:16:15,538
* FIND ONE HUNDRED WAYS
423
00:16:15,575 --> 00:16:18,005
JAMES?
SHEILA?
424
00:16:18,045 --> 00:16:19,645
(music stops)
WHAT ARE YOU DOING HERE?
425
00:16:19,679 --> 00:16:20,649
YOUR HUSBAND HIRED ME.
426
00:16:20,680 --> 00:16:22,180
WHAT A COINCIDENCE.
427
00:16:22,215 --> 00:16:24,175
I JUST DIDN'T THINK
I'D EVER SEE YOU AGAIN.
428
00:16:24,217 --> 00:16:25,517
(gulps)
429
00:16:25,552 --> 00:16:26,822
SO HOW YOU BEEN?
430
00:16:26,853 --> 00:16:29,363
UH...
431
00:16:29,389 --> 00:16:32,329
I-I-I'VE BEEN GREAT.
(stammers)
432
00:16:32,359 --> 00:16:34,029
YOU LOOK GOOD...
433
00:16:34,061 --> 00:16:35,731
(whispers) WITH YOUR FINE ASS.
434
00:16:35,762 --> 00:16:37,402
THANKS, JIMMY. (chuckles)
435
00:16:37,430 --> 00:16:39,470
UH, O-OKAY. I'M CONFUSED.
I-I THOUGHT JAMES INGRAM WAS
436
00:16:39,499 --> 00:16:41,529
YOUR FAVORITE
SOUL RECORDING ARTIST.
437
00:16:41,568 --> 00:16:44,168
HE IS...
438
00:16:44,204 --> 00:16:48,144
AND WE DATED BRIEFLY,
BEFORE YOU AND I MET.
439
00:16:48,175 --> 00:16:52,205
OKAY. YOU DATED JAMES INGRAM?
HOW DID I NOT KNOW THIS?!
440
00:16:52,245 --> 00:16:54,205
I THINK WE SHOULD GO.
441
00:16:54,247 --> 00:16:58,347
(Milo Greene's "1957" playing)
442
00:16:58,385 --> 00:17:00,715
JAMES INGRAM WASN'T
THE ONLY SECRET
443
00:17:00,753 --> 00:17:03,623
SHEILA HAD BEEN KEEPING.
444
00:17:03,656 --> 00:17:06,456
* OH-OH, OH-OH
445
00:17:06,493 --> 00:17:10,463
* OH-OH, OH-OH, OH, OH
446
00:17:15,135 --> 00:17:15,665
* OH-OH, OH-OH
447
00:17:15,702 --> 00:17:17,802
O-POSITIVE?
448
00:17:17,837 --> 00:17:19,807
THAT'S TECHNICALLY IMPOSSIBLE.
449
00:17:19,839 --> 00:17:22,239
* OH, OH
450
00:17:24,444 --> 00:17:25,714
IT'S NOT ME. IT'S HIM.
451
00:17:25,745 --> 00:17:28,115
* TAKES ME AWAY
452
00:17:28,148 --> 00:17:30,648
* TAKES ME AWAY
453
00:17:30,683 --> 00:17:32,893
HEY. EVERYTHING OKAY?
454
00:17:32,919 --> 00:17:33,889
YEAH. FALSE LABOR.
455
00:17:33,920 --> 00:17:35,160
AND THE BABY?
456
00:17:35,188 --> 00:17:36,618
WILL BE FINE.
457
00:17:36,656 --> 00:17:37,656
(sighs)
458
00:17:37,690 --> 00:17:41,390
HEY, WHY DIDN'T YOU TELL ME
ABOUT THE INTERNSHIP?
459
00:17:41,428 --> 00:17:42,858
WHAT?
460
00:17:42,895 --> 00:17:45,665
YOU DIDN'T GET THE INTERNSHIP
AT "THE VILLAGE VOICE."
461
00:17:45,698 --> 00:17:48,338
THE REJECTION LETTER FELL OUT
OF YOUR COAT POCKET.
462
00:17:48,368 --> 00:17:50,368
THAT'S HOW I KNOW.
463
00:17:50,403 --> 00:17:52,843
OH. WELL, I GUESS I FORGOT.
464
00:17:52,872 --> 00:17:54,742
* ARE OLD AND CHIPPING
465
00:17:54,774 --> 00:17:56,584
YOU MUST BE PRETTY BUMMED.
466
00:17:56,609 --> 00:17:58,679
NO.
467
00:17:58,711 --> 00:18:00,551
NO? DISAPPOINTED?
468
00:18:00,580 --> 00:18:02,450
(chuckles) NOT REALLY.
469
00:18:02,482 --> 00:18:05,192
I'LL FIND SOMETHING ELSE.
YOU KNOW ME.
470
00:18:05,218 --> 00:18:06,548
* TAKES ME AWAY
471
00:18:06,586 --> 00:18:07,886
DO I?
472
00:18:07,920 --> 00:18:09,820
OJO DEL PIES!
473
00:18:09,856 --> 00:18:12,386
WHAT? CARMEN?
(panting)
474
00:18:12,425 --> 00:18:14,755
MISS DALLAS
IN THE GOLDEN SNEAKERS...
475
00:18:14,794 --> 00:18:16,864
(voice breaks) SHE BROKE
THE EYE OF HER FOOT!
476
00:18:16,896 --> 00:18:19,796
OKAY. IT'S GONNA BE OKAY.
EVERYTHING IS GONNA BE OKAY.
(sighs)
477
00:18:19,832 --> 00:18:21,402
AY, MENTIROSA!
478
00:18:21,434 --> 00:18:22,874
I-I'M--I'M COMING WITH YOU.
479
00:18:22,902 --> 00:18:24,642
I'M JUST...
480
00:18:24,671 --> 00:18:26,271
TESSA... (sighs)
MR. ALTMAN?
481
00:18:26,306 --> 00:18:27,766
YEAH.
EDEN'S ASKING FOR YOU.
482
00:18:27,807 --> 00:18:30,407
SHE'S NOT BEING HONEST
WITH ME, IS SHE?
483
00:18:30,443 --> 00:18:32,513
I HAVE NO IDEA.
484
00:18:32,545 --> 00:18:35,815
I'VE NEVER MET
EITHER ONE OF YOU.
485
00:18:35,848 --> 00:18:40,288
(whispers) RIGHT.
486
00:18:40,320 --> 00:18:40,850
(sighs)
487
00:18:40,887 --> 00:18:42,487
HEY. DALLAS.
488
00:18:42,522 --> 00:18:44,922
WAKE UP.
489
00:18:44,957 --> 00:18:47,657
YAKULT? IS THAT YOU?
490
00:18:47,694 --> 00:18:49,164
OH, IT'S ME, ALL RIGHT.
491
00:18:49,196 --> 00:18:51,156
THE QUESTION IS,
DALLAS, IS THAT YOU?
492
00:18:51,198 --> 00:18:54,168
YAKULT, SO CRYPTIC.
493
00:18:54,201 --> 00:18:56,601
WHAT THE HELL WERE YOU TRYING
TO PROVE OUT THERE TODAY, GIRL?
494
00:18:56,636 --> 00:18:58,806
THAT I'M FAST
AND THAT I'M STRONG
495
00:18:58,838 --> 00:19:01,568
AND THAT I DON'T NEED
ANYBODY BUT MYSELF.
496
00:19:01,608 --> 00:19:04,908
YOU CRAZY? YOU NEED THAT CHILD
AS MUCH AS SHE NEEDS YOU.
497
00:19:04,944 --> 00:19:06,684
WHO? TESSA?
498
00:19:06,713 --> 00:19:08,783
BITCH, AIN'T NOBODY TALKIN'
'BOUT TESSA.
499
00:19:08,815 --> 00:19:10,345
(door opens)
(gasps and whispers) TESSA.
500
00:19:10,383 --> 00:19:12,723
(normal voice)
I'M SO GLAD YOU'RE HERE.
501
00:19:12,752 --> 00:19:14,192
CAN YOU DO ME A FAVOR?
502
00:19:14,221 --> 00:19:14,921
MM-HMM.
503
00:19:14,954 --> 00:19:17,294
WILL YOU CALL DALIA FOR ME
504
00:19:17,324 --> 00:19:18,864
AND TELL HER
TO COME BACK HOME?
505
00:19:18,891 --> 00:19:21,861
OKAY.
506
00:19:21,894 --> 00:19:24,004
DO YOU WANT ME TO SIT
WITH YOU FOR A WHILE?
507
00:19:24,030 --> 00:19:26,630
I SHOULD'VE MADE HER STAY.
508
00:19:29,302 --> 00:19:31,542
(sighs)
509
00:19:31,571 --> 00:19:33,411
(lowered voice)
EL PERCOCET.
510
00:19:35,708 --> 00:19:38,508
DALLAS WANTED TO SEE
HER DAUGHTER,
511
00:19:38,545 --> 00:19:41,405
AND I DON'T KNOW WHY
THAT HURT MY FEELINGS,
512
00:19:41,448 --> 00:19:44,348
BUT IT DID.
513
00:19:44,384 --> 00:19:46,724
THEY SAY A TREE IS KNOWN
BY ITS FRUIT.
514
00:19:46,753 --> 00:19:49,223
(Lykke Li's "Possibility"
playing)
515
00:19:49,256 --> 00:19:52,686
BEFORE WE MOVED HERE, I SWEAR,
I NEVER THOUGHT ABOUT HER...
516
00:19:52,725 --> 00:19:54,555
(speaks inaudibly)
517
00:19:54,594 --> 00:19:57,834
* THERE'S A POSSIBILITY
518
00:19:57,864 --> 00:19:59,274
BUT MOTHER'S DAY IN CHATSWIN
519
00:19:59,299 --> 00:20:02,439
MADE ONE THING
PAINFULLY CLEAR...
520
00:20:02,469 --> 00:20:04,499
* THERE'S A POSSIBILITY
521
00:20:04,537 --> 00:20:06,637
THE FEELING WAS MUTUAL.
522
00:20:06,673 --> 00:20:08,943
**
523
00:20:08,975 --> 00:20:10,835
MY MOM NEVER THOUGHT
ABOUT ME, EITHER.
524
00:20:10,877 --> 00:20:14,007
* ALL THAT I HAD
525
00:20:14,046 --> 00:20:18,616
* WAS ALL I'M GONNA GET
526
00:20:18,651 --> 00:20:26,731
* MM-MM-MM-MM
527
00:20:26,759 --> 00:20:34,829
* THERE'S A POSSIBILITY
528
00:20:34,867 --> 00:20:37,797
* THERE'S A POSSIBILITY
529
00:20:37,837 --> 00:20:39,637
(woman) TESSA?
530
00:20:39,672 --> 00:20:42,712
**
531
00:20:42,742 --> 00:20:46,652
I RECOGNIZED HER FACE
FROM THE PHOTOS--
532
00:20:46,679 --> 00:20:48,349
MY MOTHER'S MOTHER.
533
00:20:48,381 --> 00:20:51,421
* IS GONNA BE YOURS THEN
534
00:20:51,451 --> 00:20:55,021
* ALL I'M GONNA GET
535
00:20:55,054 --> 00:20:58,934
* IS GONNA BE YOURS STILL
536
00:21:01,594 --> 00:21:08,004
* SO TELL ME WHEN YOU HEAR
MY HEART STOP *
537
00:21:08,034 --> 00:21:09,444
SHE WAS LOOKING
AT THE GRANDCHILD
538
00:21:09,469 --> 00:21:10,699
SHE NEVER KNEW...
539
00:21:10,737 --> 00:21:12,837
* YOU'RE THE ONLY ONE
540
00:21:12,872 --> 00:21:14,512
BUT ME?
541
00:21:14,541 --> 00:21:16,041
I WAS LOOKING AT A WAY OUT.
542
00:21:18,511 --> 00:21:24,721
* TELL ME WHEN YOU HEAR
MY SILENCE *
543
00:21:24,751 --> 00:21:26,991
* MM-MM-MM
544
00:21:27,019 --> 00:21:29,489
* MM-MM-MM-MM
35894
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Finnish
French
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Northern Sotho
Norwegian
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof