Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,402 --> 00:00:02,842
AHH.
2
00:00:02,903 --> 00:00:04,443
THROAT LOOKS GOOD.
3
00:00:05,939 --> 00:00:07,709
PUPILS ARE DILATING
NORMALLY.
4
00:00:07,775 --> 00:00:09,635
(clicks)
DO YOU WANT TO SIT UP?
5
00:00:09,710 --> 00:00:10,510
ANY FEVER?
6
00:00:10,578 --> 00:00:12,248
SHE'S COOL TO THE TOUCH.
NO.
7
00:00:12,313 --> 00:00:13,353
ALTHOUGH I COULDN'T GET HER
TO SUBMIT
8
00:00:13,414 --> 00:00:14,954
TO A CORE READING.
(chuckles)
9
00:00:15,015 --> 00:00:16,015
UH, APPETITE?
10
00:00:16,084 --> 00:00:18,624
DIMINISHED.
GREATLY DIMINISHED.
11
00:00:18,686 --> 00:00:20,016
HOW'S THE MOOD? GOOD?
12
00:00:20,088 --> 00:00:21,418
OH, I WOULDN'T SAY THAT.
(chuckles)
13
00:00:21,489 --> 00:00:24,019
SHE'S MOODY,
BUT THEN SHE ALWAYS HAS BEEN.
14
00:00:24,092 --> 00:00:26,592
REGULAR BOWEL MOVEMENTS,
FROM WHAT I CAN HEAR,
15
00:00:26,660 --> 00:00:29,600
BUT A MOTHER'S INSTINCT,
DR. ROGER.
16
00:00:29,663 --> 00:00:31,903
SOMETHING'S DIFFERENT.
SHE'S OFF.
17
00:00:31,965 --> 00:00:34,065
MRS. SHAY,
MAY I ASK YOU TO STEP
18
00:00:34,135 --> 00:00:36,135
INTO THE WAITING ROOM
FOR A MOMENT?
19
00:00:36,204 --> 00:00:37,344
WHY DIDN'T YOU TELL ME?
20
00:00:37,405 --> 00:00:39,965
BECAUSE IT'S NONE
OF YOUR BUSINESS.
21
00:00:40,040 --> 00:00:44,110
BEING IN LOVE IS NOTHING
TO BE ASHAMED OF.
22
00:00:44,178 --> 00:00:45,378
UNLESS HE'S A DRIFTER.
23
00:00:45,446 --> 00:00:47,276
ARE YOU IN LOVE
WITH A DRIFTER?
24
00:00:47,348 --> 00:00:48,748
NO.
25
00:00:48,816 --> 00:00:51,186
IT'S NOT ARTHUR FONZARELLI,
IS IT? BECAUSE HE'S FICTIONAL.
26
00:00:51,252 --> 00:00:54,092
(sighs)
LOOK, LISA, I GET IT.
27
00:00:54,155 --> 00:00:55,555
YOU'RE A TWEENAGER,
28
00:00:55,623 --> 00:00:58,133
AND TWEENAGERS DON'T LIKE
TALKING TO THEIR PARENTS.
29
00:00:58,192 --> 00:00:59,332
I'M NOT A TWEENAGER.
30
00:00:59,393 --> 00:01:00,933
I'M PRACTICALLY OLD ENOUGH
TO VOTE.
31
00:01:00,994 --> 00:01:02,934
(brakes squeal)
32
00:01:02,996 --> 00:01:05,466
NOW YOU LISTEN TO ME,
LISA MARIE.
33
00:01:05,533 --> 00:01:07,373
FOR YEARS, I HAVE SAT HERE
WHILE YOU PRATTLED ON
34
00:01:07,435 --> 00:01:09,165
ABOUT YOUR SOCIAL LIFE,
WHEN NOTHING
35
00:01:09,237 --> 00:01:11,537
EVEN REMOTELY INTERESTING
WAS GOING ON!
36
00:01:11,605 --> 00:01:13,835
WELL, NOW THAT THINGS
ARE GETTING REAL,
37
00:01:13,907 --> 00:01:15,237
I WANT DETAILS.
38
00:01:15,309 --> 00:01:17,109
I WANT THE DISH.
39
00:01:17,178 --> 00:01:19,548
BRING IT ON, SISTAH.
40
00:01:19,613 --> 00:01:20,783
SHE BROKE YOUR BED?
41
00:01:20,848 --> 00:01:23,978
BUDDY, JILL WAS DOING THINGS
TO ME LAST NIGHT
42
00:01:24,051 --> 00:01:26,521
THAT WOULD HAVE BROKEN
A K.G.B. AGENT.
43
00:01:26,587 --> 00:01:29,117
SHE'S GOT ME OPEN, BUDDY,
WIDE OPEN.
44
00:01:29,190 --> 00:01:33,290
MY THEORY IS THAT
SHE HAD BEEN SO REPRESSED,
45
00:01:33,361 --> 00:01:35,501
SO FRIGID
FOR SO MANY YEARS THAT
46
00:01:35,563 --> 00:01:38,433
HER SEXUAL ENERGY PENT UP
INSIDE OF HER LIKE A TSUNAMI,
47
00:01:38,499 --> 00:01:41,939
AND ONCE I FIGURED OUT HOW
TO UNLEASH HER WAVES,
48
00:01:42,002 --> 00:01:45,412
THEY HAVE BEEN CRASHING DOWN
ON ME EVERY NIGHT, BUDDY!
49
00:01:45,473 --> 00:01:47,743
EVERY NIGHT
I HAVE BEEN SURFIN'
50
00:01:47,808 --> 00:01:49,138
MY LADY'S BRINE.
51
00:01:49,210 --> 00:01:50,410
OKAY, I'M JUST GONNA TAKE
THIS TO GO.
52
00:01:50,478 --> 00:01:51,978
OH, HELL, I'LL EAT IT.
53
00:01:52,045 --> 00:01:54,715
THANK YOU. I'M RAVENOUS
FROM ALL THE INTERCOURSE.
54
00:01:54,782 --> 00:01:57,652
(crunches, mouth full)
I CAN'T GET ENOUGH SUSTENANCE
55
00:01:57,718 --> 00:01:59,818
TO FUEL THE INTERCOURSE.
56
00:01:59,887 --> 00:02:01,417
MM. (sighs) DALLAS!
57
00:02:01,489 --> 00:02:03,819
OH! GEORGE, YOU STARTLED ME.
I WAS MID-TWEET.
58
00:02:03,891 --> 00:02:07,431
"#mid-tweet"... AND SEND.
I'M ALL YOURS.
59
00:02:07,495 --> 00:02:09,195
WELL, I-I HAVEN'T SEEN YOU
AROUND RECENTLY.
60
00:02:09,263 --> 00:02:10,503
EVERYTHING GOOD?
61
00:02:10,564 --> 00:02:12,204
SO, SO GOOD!
IF YOU READ MY LAST TWEET,
62
00:02:12,266 --> 00:02:13,526
THEN YOU WOULDN'T HAVE
TO ASK. (chuckles)
63
00:02:13,601 --> 00:02:15,341
(chuckles)
WELL, I'D RATHER ASK.
64
00:02:15,403 --> 00:02:18,173
WHEN I DON'T SEE YOU,
I WORRY ABOUT YOU, DALLAS.
65
00:02:18,239 --> 00:02:19,469
(slurping)
I MEAN, I THINK ABOUT YOU,
66
00:02:19,540 --> 00:02:21,740
AND I KNOW THIS MUST BE
KIND OF A ROUGH TIME.
67
00:02:21,809 --> 00:02:23,009
ROUGH TIME?
68
00:02:23,076 --> 00:02:25,846
YOU KNOW, WITH THE DIVORCE.
69
00:02:25,913 --> 00:02:27,183
I HEARD IT WAS FINALIZED.
70
00:02:27,248 --> 00:02:28,718
WHY, YES, IT WAS.
71
00:02:28,782 --> 00:02:31,392
I GOT THE PAPERS THIS MORNING,
AND I HAD 'EM LAMINATED.
72
00:02:31,452 --> 00:02:33,352
MY DIVORCE IS SO FINAL,
YOU COULD EAT OFF IT,
73
00:02:33,421 --> 00:02:35,261
WHICH I DID,
AND IT TASTED GOOD.
74
00:02:35,323 --> 00:02:36,363
GLAD TO HEAR
YOU'RE EATING WELL
75
00:02:36,424 --> 00:02:37,364
AND KEEPING YOURSELF--
76
00:02:37,425 --> 00:02:39,155
REAL, REAL BUSY.
77
00:02:39,227 --> 00:02:40,587
I'VE BEEN FILLING
EVERY SECOND OF EVERY DAY
78
00:02:40,661 --> 00:02:43,861
WITH LOTS OF REAL FUN,
SUPER FUN, REAL FUN STUFF.
79
00:02:43,931 --> 00:02:44,901
(chuckles) OKAY.
80
00:02:44,965 --> 00:02:46,325
AND THEN, COME MIDNIGHT,
81
00:02:46,400 --> 00:02:48,970
I STONE-COLD MEDICATE MYSELF,
AND I SLEEP LIKE A ROCK.
82
00:02:49,036 --> 00:02:50,836
OH. WELL, OKAY.
83
00:02:50,904 --> 00:02:52,644
IT SOUNDS LIKE YOU HAVE
A SYSTEM, I GUESS,
84
00:02:52,706 --> 00:02:54,066
BUT, YOU KNOW,
THINGS DO HAVE A WAY
85
00:02:54,141 --> 00:02:55,781
OF CATCHING UP WITH YOU.
I KNOW,
86
00:02:55,843 --> 00:02:58,613
WHICH IS WHY I HAVE DALIA
IN THERAPY FIVE DAYS A WEEK.
87
00:02:58,679 --> 00:02:59,749
WELL, GOTTA RUN.
88
00:02:59,813 --> 00:03:01,723
I HAVE A PAP SMEAR,
AND THEN I'M TAKING YAKULT
89
00:03:01,782 --> 00:03:04,622
TO GET BLINGED-OUT GRILLZ
LIKE NELLY.
90
00:03:04,685 --> 00:03:06,685
Captioned by
Closed Captioning Services, Inc.
91
00:03:06,754 --> 00:03:11,494
(Alih Jay) * LAST NIGHT I HAD
A PLEASANT NIGHTMARE *
92
00:03:11,559 --> 00:03:14,859
* DA-DA-DA-DA,
DA, DA, DA, DA *
93
00:03:14,928 --> 00:03:16,158
(knock on door)
WHO IS IT?
94
00:03:16,230 --> 00:03:17,200
LISA SHAY.
95
00:03:17,265 --> 00:03:18,295
COME IN.
96
00:03:18,366 --> 00:03:19,966
(toilet flushes)
97
00:03:20,033 --> 00:03:20,973
HEY.
98
00:03:21,034 --> 00:03:22,504
HEY.
99
00:03:22,570 --> 00:03:24,070
TESSA, LET ME JUST CUT
TO THE CHASE.
100
00:03:24,137 --> 00:03:25,267
THE STORY IS ABOUT
TO BREAK,
101
00:03:25,339 --> 00:03:27,379
AND I WANT YOU TO HEAR IT
FROM ME FIRST.
102
00:03:27,441 --> 00:03:30,111
I HAVE TAKEN MALIK...
103
00:03:30,177 --> 00:03:31,677
AS A LOVER.
104
00:03:31,745 --> 00:03:32,945
I KNEW THAT.
105
00:03:33,013 --> 00:03:35,253
DID MY MOTHER TELL YOU?
I KNEW I COULDN'T TRUST HER.
106
00:03:35,316 --> 00:03:38,886
WHAT? NO. LISA...
(chuckles) I COULD TELL.
107
00:03:38,952 --> 00:03:43,162
I SAW YOU TWO THE OTHER DAY
AT THE WATER FOUNTAIN.
108
00:03:43,223 --> 00:03:45,133
(woman) * YEAH
109
00:03:45,192 --> 00:03:47,702
* YEAH
110
00:03:49,129 --> 00:03:50,899
* YEAH
111
00:03:50,964 --> 00:03:54,134
WHERE DID YOU LEARN HOW TO DRINK
FROM A FOUNTAIN, GIRL?
112
00:03:54,201 --> 00:03:55,171
PRETTY OBVIOUS.
113
00:03:55,235 --> 00:03:56,565
I JUST--I WANT YOU TO KNOW
114
00:03:56,637 --> 00:03:58,937
THAT ALTHOUGH HE AND I WILL
MOST LIKELY BE EXPLORING
115
00:03:59,006 --> 00:04:01,736
PARTS OF EACH OTHER'S BODIES
THAT ARE DIFFICULT TO CLEAN,
116
00:04:01,809 --> 00:04:04,749
MY RELATIONSHIP WITH YOU
WILL REMAIN STET.
117
00:04:04,812 --> 00:04:07,012
"STET"?
UNCHANGED.
118
00:04:07,080 --> 00:04:08,920
I WON'T ABANDON YOU, TESSA.
119
00:04:08,982 --> 00:04:10,152
I DIDN'T THINK YOU WOULD.
120
00:04:10,217 --> 00:04:11,517
'CAUSE I'M NOT
THE KIND OF GIRL
121
00:04:11,585 --> 00:04:13,045
THAT DITCHES HER G.F.
THE MINUTE SHE GETS A B.F.,
122
00:04:13,120 --> 00:04:15,390
YOU KNOW, 'CAUSE ME AND YOU--
WE'RE FOR REAL.
123
00:04:15,456 --> 00:04:17,186
WE'RE LIKE
THELMA AND THAT OTHER HO.
124
00:04:17,257 --> 00:04:18,327
LISA, RELAX.
125
00:04:18,392 --> 00:04:20,462
I'M HAPPY
FOR YOU AND MALIK,
126
00:04:20,528 --> 00:04:23,058
AND THE THOUGHT
THAT YOU MIGHT DITCH ME,
127
00:04:23,130 --> 00:04:25,900
HONESTLY,
NEVER EVEN CROSSED MY MIND.
128
00:04:25,966 --> 00:04:29,896
(clicks tongue)
I'D TAKE A BULLET FOR YOU.
129
00:04:29,970 --> 00:04:31,910
THANKS.
130
00:04:31,972 --> 00:04:33,572
(Tessa)
I WAS HAPPY FOR LISA AND MALIK.
131
00:04:33,641 --> 00:04:36,381
REALLY, I WAS,
BUT IF I RECALLED CORRECTLY,
132
00:04:36,444 --> 00:04:37,714
THELMA AND LOUISE'S
RELATIONSHIP
133
00:04:37,778 --> 00:04:39,308
ENDED ON KIND OF A DOWN NOTE.
134
00:04:39,380 --> 00:04:41,350
HOW ABOUT "LISIK"?
135
00:04:41,415 --> 00:04:43,715
MM... IT'S OKAY.
136
00:04:43,784 --> 00:04:45,594
I DON'T THINK
IT BEATS "MALISA."
137
00:04:45,653 --> 00:04:47,093
TESSA, WHAT DO YOU THINK?
138
00:04:47,154 --> 00:04:49,294
I THINK YOU TWO SHOULD MAINTAIN
YOUR INDIVIDUAL IDENTITIES
139
00:04:49,357 --> 00:04:51,257
AND NOT FEEL COMPELLED TO FUSE
INTO ONE PERSON
140
00:04:51,325 --> 00:04:52,525
JUST BECAUSE YOU'RE DATING.
141
00:04:52,593 --> 00:04:55,403
TESSA, EVERY COUPLE HAS
A COUPLE NAME.
142
00:04:55,463 --> 00:04:57,263
I WASN'T GOING TO ARGUE
WITH HER.
143
00:04:57,331 --> 00:04:58,671
EVERYTHING WOULD BE FINE
AS LONG
144
00:04:58,732 --> 00:05:00,402
AS SHE DIDN'T ASK MALIK TO--
OH, MALIK.
145
00:05:00,468 --> 00:05:02,098
YOU'VE GOTTA TASTE MY VANILLA.
146
00:05:02,169 --> 00:05:03,669
(woman) * YEAH
147
00:05:05,138 --> 00:05:06,268
* YEAH
148
00:05:06,340 --> 00:05:07,940
(Tessa) YEAH.
149
00:05:08,008 --> 00:05:09,308
(woman) * YEAH
150
00:05:10,678 --> 00:05:13,248
NOW I WANT YOU
TO TASTE MINE.
151
00:05:13,313 --> 00:05:15,253
TASTE IT.
* YEAH
152
00:05:15,315 --> 00:05:16,675
(whispers) TASTE IT ALL.
153
00:05:16,750 --> 00:05:18,790
* YEAH
154
00:05:20,087 --> 00:05:22,087
* YEAH
155
00:05:22,155 --> 00:05:25,685
I SHOULD PROBABLY JUST GO.
156
00:05:25,759 --> 00:05:28,129
WELL, I SAID IT WAS FOR A DOG
WHEN I BOOKED THE APPOINTMENT.
157
00:05:28,195 --> 00:05:30,425
WHOSE FAULT IS THAT? (laughs)
THAT'S NOT MY FAULT.
158
00:05:30,498 --> 00:05:31,998
WELL, I--
NO, YOU CAN'T CANCEL ON ME NOW,
159
00:05:32,065 --> 00:05:34,665
'CAUSE I'VE CLEARED
MY WHOLE EVENING.
BYE, MOMMY.
160
00:05:34,735 --> 00:05:36,095
(telephone beeps)
CARMEN'S TAKING ME
TO THERAPY.
161
00:05:36,169 --> 00:05:37,769
OH. HEY!
162
00:05:37,838 --> 00:05:40,338
WAIT. CARMEN, WHAT ARE YOU
UP TO AFTERWARDS?
(door opens)
163
00:05:40,408 --> 00:05:41,638
I GO TO SEE MY UNCLE.
164
00:05:41,709 --> 00:05:43,839
OH, SUPER FUN!
MIND IF I COME WITH?
165
00:05:43,911 --> 00:05:44,851
HE'S IN HOSPICE.
166
00:05:44,912 --> 00:05:47,282
(Dalia) CARMEN!
SEE YOU LATER, MOMMY.
167
00:05:47,347 --> 00:05:49,277
OKAY THEN. OKAY.
(door closes)
168
00:05:49,349 --> 00:05:51,149
I'LL SEE YOU LATER,
DALIA AND CARMEN.
169
00:05:51,218 --> 00:05:53,348
I'LL SEE YOU BOTH
LATER THEN.
170
00:05:58,592 --> 00:06:00,432
THANKS SO MUCH FOR HAVING ME
OVER FOR BREAKFAST.
171
00:06:00,494 --> 00:06:02,604
OH. (chuckles) I THINK
HE HAS AN OBAMA QUALITY.
172
00:06:02,663 --> 00:06:04,933
I SEE A YOUNG OBAMA...
MEETS DENZEL... (chuckles)
173
00:06:04,998 --> 00:06:06,328
MEETS SAMMY DAVIS JR...
174
00:06:06,400 --> 00:06:07,470
YOU'RE JUST NAMING
BLACK PEOPLE.
175
00:06:07,535 --> 00:06:09,135
MEETS MONTELL JORDAN.
(chuckles)
176
00:06:09,202 --> 00:06:10,302
I ACTUALLY GET THAT A LOT.
177
00:06:10,370 --> 00:06:11,440
(laughs)
YOU'RE JIVING ME. REALLY?
178
00:06:11,505 --> 00:06:12,435
MOM.
(cell phone alert chimes)
179
00:06:12,506 --> 00:06:14,236
(chuckles)
180
00:06:14,307 --> 00:06:17,307
TESSA. SHE WANTS TO KNOW
WHAT'S UP FOR THE WEEKEND.
181
00:06:17,377 --> 00:06:19,007
WELL, TELL HER
YOU'RE HANGING OUT WITH ME.
I'M AFRAID THAT
182
00:06:19,079 --> 00:06:20,809
IF I DO THAT, SHE'LL SPEND
THE WHOLE WEEKEND HIDING OUT
183
00:06:20,881 --> 00:06:22,651
IN THE HANDICAPPED STALL
OF THE GIRLS' ROOM.
184
00:06:22,716 --> 00:06:24,216
MM.
WE NEED TO FIND SOMEONE
185
00:06:24,284 --> 00:06:25,494
TO HOOK TESSA UP WITH,
186
00:06:25,553 --> 00:06:26,893
SO SHE DOESN'T FEEL LIKE
A THIRD WHEEL.
187
00:06:26,954 --> 00:06:29,424
WOULD YOU LIKE
TO SLEEP OVER TONIGHT?
188
00:06:29,490 --> 00:06:31,430
I-I DON'T THINK
MY MOM WOULD ALLOW THAT.
189
00:06:31,492 --> 00:06:33,162
OF COURSE NOT. (chuckles)
190
00:06:33,226 --> 00:06:36,756
I JUST DON'T WANT HIM
TO LOSE INTEREST. (chuckles)
191
00:06:36,830 --> 00:06:38,330
I WON'T.
192
00:06:38,398 --> 00:06:40,668
WHAT ABOUT EVAN?
WE ALREADY KNOW THAT
193
00:06:40,734 --> 00:06:42,074
HE LIKES TESSA,
AND HE WON'T HAVE
194
00:06:42,135 --> 00:06:44,865
ANY CONFLICTING PLANS
BECAUSE HE'S FRIENDLESS.
195
00:06:44,938 --> 00:06:45,808
IT'S A WIN-WIN.
196
00:06:45,873 --> 00:06:47,813
OKAY, YOU LOVEBIRDS.
TIME FOR SCHOOL.
197
00:06:47,875 --> 00:06:51,805
HIP-HOP OR YOU'RE GONNA
BE LATE. (laughing)
198
00:06:51,879 --> 00:06:52,749
(chuckles)
199
00:06:52,813 --> 00:06:56,183
(laughs)
YOU TWO HAVE A GREAT DAY.
200
00:06:56,249 --> 00:06:57,919
(sighs)
201
00:06:57,985 --> 00:07:00,745
HAM AND CHEESE, BROTHER.
IF YOU KEEP DATING LISA,
202
00:07:00,821 --> 00:07:03,661
PLENTY MORE
WHERE THAT CAME FROM.
203
00:07:05,459 --> 00:07:07,659
WHY IS SHE COMING
BED SHOPPING WITH US?
204
00:07:07,728 --> 00:07:09,398
WHY AM I COMING
BED SHOPPING WITH YOU?
205
00:07:09,463 --> 00:07:11,433
BECAUSE I WANT YOUR OPINION.
206
00:07:11,499 --> 00:07:13,599
WELL, I WANT DALLAS TO THINK
WE WANT HER OPINION.
207
00:07:13,667 --> 00:07:15,097
I'M WORRIED ABOUT HER.
208
00:07:15,168 --> 00:07:17,538
SHE SEEMED A LITTLE MANIC
THE LAST TIME I TALKED TO HER.
209
00:07:17,605 --> 00:07:18,535
HI, Y'ALL!
OH.
210
00:07:18,606 --> 00:07:19,636
(chuckles) HEY.
HEY.
211
00:07:19,707 --> 00:07:21,677
OHH.
I HOPE I'M DRESSED OKAY.
212
00:07:21,742 --> 00:07:23,042
SINCE I DIDN'T KNOW WHAT
WE WERE DOING,
213
00:07:23,110 --> 00:07:24,810
I BROUGHT A RAINCOAT,
A WALKING COAT, A CAR COAT,
214
00:07:24,878 --> 00:07:26,808
AND A CAPE,
IN CASE WE SEE OPERA.
215
00:07:26,880 --> 00:07:28,020
WE PROBABLY WON'T SEE OPERA.
216
00:07:28,081 --> 00:07:29,921
YEAH, PROBABLY NO OPERA.
217
00:07:29,983 --> 00:07:31,423
WE'RE GOING SHOPPING
FOR A BED.
218
00:07:31,485 --> 00:07:34,345
OH! SUPER FUN.
219
00:07:34,421 --> 00:07:35,861
HEY, CAN YOUR CAR
FIND US...
220
00:07:35,923 --> 00:07:36,663
(clicks)
221
00:07:36,724 --> 00:07:38,694
A EUROPEAN MATTRESS STORE?
222
00:07:38,759 --> 00:07:39,989
(electronic bloop)
PRIUS!
223
00:07:40,060 --> 00:07:41,860
MATTRESS STORE!
224
00:07:41,929 --> 00:07:43,659
(bloop)
225
00:07:43,731 --> 00:07:44,671
OH, YEAH.
YEAH, WHAT ABOUT THAT PLACE
226
00:07:44,732 --> 00:07:45,872
ON POST ROAD?
(bloop)
227
00:07:45,933 --> 00:07:47,433
LET'S DO IT.
228
00:07:47,501 --> 00:07:48,601
EVAN.
229
00:07:48,669 --> 00:07:49,939
LOOK, IF YOU'RE HERE
TO PANTS ME,
230
00:07:50,003 --> 00:07:51,303
DON'T WASTE YOUR TIME.
I'M WEARING A BELT
231
00:07:51,371 --> 00:07:53,211
MADE OF STAPLES
THAT GO INTO MY SKIN.
232
00:07:53,273 --> 00:07:54,413
I'M NOT HERE TO PANTS YOU.
233
00:07:54,474 --> 00:07:55,784
I'M HERE TO TALK TO YOU
ABOUT TESSA.
234
00:07:55,843 --> 00:07:57,613
WHAT ABOUT TESSA?
LOOK, I KNOW YOU LIKE HER,
235
00:07:57,678 --> 00:07:59,148
AND I WANT TO HELP YOU
SO THAT SHE LIKES YOU BACK.
236
00:07:59,212 --> 00:08:01,482
(laughs and snorts)
ARE YOU THE GREAT HOUDINI?
237
00:08:01,549 --> 00:08:02,549
BECAUSE IF NOT, MALIK,
238
00:08:02,616 --> 00:08:03,646
I SERIOUSLY DOUBT
THAT SHE WOULD--
239
00:08:03,717 --> 00:08:05,787
LOOK, EVAN, I'M BLACK,
240
00:08:05,853 --> 00:08:07,763
AND BLACK PEOPLE KNOW A LOT
ABOUT ROMANCE.
241
00:08:07,821 --> 00:08:08,761
IS THAT TRUE?
(slow R&B music playing)
242
00:08:08,822 --> 00:08:10,422
AL GREEN, AL B. SURE!
243
00:08:10,490 --> 00:08:11,630
HUH?
244
00:08:11,692 --> 00:08:13,932
JODECI, ORAN "JUICE" JONES,
TEDDY RILEY,
245
00:08:13,994 --> 00:08:15,704
TEDDY PENDERGRASS,
MARVIN GAYE?
246
00:08:15,763 --> 00:08:16,963
YEAH, BUT WASN'T HE--
NO.
247
00:08:17,030 --> 00:08:18,430
(music warps and stops)
EVAN, HE WASN'T.
248
00:08:18,498 --> 00:08:22,468
OKAY. MAYBE BLACK PEOPLE
ARESMOOVE.
249
00:08:22,536 --> 00:08:24,906
SO WHAT DO I HAVE
TO DO TO MAKE TESSA LIKE ME?
250
00:08:24,972 --> 00:08:27,782
(sighs) A LOT OF THINGS, EVAN,
AND NONE OF THOSE THINGS INCLUDE
251
00:08:27,841 --> 00:08:30,541
WEARING A BELT MADE OF STAPLES
THAT GO INTO YOUR SKIN.
252
00:08:33,080 --> 00:08:36,920
IT'S LIKE SHE EXPECTS PEOPLE
TO FEEL SORRY FOR HER,
253
00:08:36,984 --> 00:08:39,294
BUT, LIKE, I DON'T FEEL
SORRY FOR HER.
254
00:08:39,352 --> 00:08:41,662
WHAT DO YOU FEEL?
255
00:08:41,722 --> 00:08:45,562
ANGERMENT.
BITTERNESS. RESENT.
256
00:08:45,626 --> 00:08:48,996
YOU BLAME HER
FOR THE DIVORCE.
257
00:08:49,062 --> 00:08:50,902
I DO.
258
00:08:50,964 --> 00:08:53,134
I TOTALLY DO.
259
00:08:53,200 --> 00:08:56,700
YOU KNOW, UNTIL YOU PUT
THOSE WORDS INTO MY MOUTH,
260
00:08:56,770 --> 00:08:58,910
I DIDN'T EVEN REALIZE
I FELT THEM.
261
00:08:58,972 --> 00:09:01,782
DALIA, I THINK IT'S IMPORTANT
THAT YOU CONFRONT HER
262
00:09:01,842 --> 00:09:03,882
WITH THESE FEELINGS.
263
00:09:03,944 --> 00:09:05,284
(clatters)
264
00:09:05,345 --> 00:09:07,275
NOW IF IT'S OKAY WITH YOU,
265
00:09:07,347 --> 00:09:09,017
I'D LIKE TO BRING HER IN.
266
00:09:13,186 --> 00:09:15,116
(door creaks)
267
00:09:15,188 --> 00:09:17,058
(barks and growls)
268
00:09:17,124 --> 00:09:19,294
YOU HAVE A LOT OF NERVE
SHOWING YOUR FACE HERE!
269
00:09:19,359 --> 00:09:20,689
(barks)
YAKULT!
270
00:09:20,761 --> 00:09:24,431
THIS SESSION IS NOT ABOUT YOU.
IT'S ABOUT DALIA.
271
00:09:24,497 --> 00:09:26,667
NOW YOU SIT...
272
00:09:26,734 --> 00:09:28,344
(deep voice)
AND YOU LISTEN.
273
00:09:28,401 --> 00:09:29,771
(whines)
274
00:09:29,837 --> 00:09:32,207
(indistinct conversations)
275
00:09:32,272 --> 00:09:34,542
(lowered voice) I DON'T WANT
TO SEE NO PANTIES TONIGHT.
276
00:09:34,608 --> 00:09:35,578
WHAT?
277
00:09:35,643 --> 00:09:36,843
(normal voice) WHAT?
278
00:09:41,649 --> 00:09:43,849
(deep voice) TAKE OFF
THAT BRASSIERE, MY DEAR.
279
00:09:43,917 --> 00:09:46,447
EVAN, DID YOU JUST TELL ME
TO TAKE OFF MY BRASSIERE?
280
00:09:46,519 --> 00:09:48,259
WHAT? N-NO!
281
00:09:48,321 --> 00:09:50,591
WAIT. DID YOU WANT ME
TO TELL YOU TO DO THAT?
282
00:09:50,658 --> 00:09:52,888
(creaks and clangs)
WAIT! BUT, GIRL, I BE TRYIN'
TO GET WITCHU!
283
00:09:52,960 --> 00:09:57,330
EVAN, GROSS.
YOU JUST SPIT IN MY EAR.
284
00:09:59,867 --> 00:10:02,567
REALLY, YOU GUYS? YOU'RE TRYING
TO UNLOAD ME ON EVAN?
285
00:10:02,636 --> 00:10:05,136
TESSA, WE JUST DIDN'T WANT YOU
TO FEEL LIKE A THIRD WHEEL.
286
00:10:05,205 --> 00:10:06,265
I DIDN'T!
287
00:10:06,339 --> 00:10:07,609
UH, NO, BUT THE OTHER DAY
AT THE YOGURT SHOP--
288
00:10:07,675 --> 00:10:09,075
YOU WERE BEING GROSS.
289
00:10:09,142 --> 00:10:11,382
AND WE'RE GONNA CONTINUE
TO BE GROSS, REALLY GROSS.
290
00:10:11,444 --> 00:10:13,614
WE JUST DON'T WANT THIS
TO AFFECT OUR FRIENDSHIP.
291
00:10:13,681 --> 00:10:16,821
THIS AFFECTS
OUR FRIENDSHIP, OKAY?
292
00:10:16,884 --> 00:10:19,294
IF I WANTED A MAN,
I COULD HAVE ONE.
293
00:10:19,352 --> 00:10:20,752
I COULD HAVE MORE THAN ONE.
294
00:10:20,821 --> 00:10:22,291
HEY, I'M OPEN TO THAT,
YOU LITTLE FREAK.
295
00:10:22,355 --> 00:10:27,625
I DON'T NEED YOU TRYING
TO PAWN ME OFF ON SOME PERV.
296
00:10:29,096 --> 00:10:31,596
(chuckles)
THAT'S THE FURTHEST
297
00:10:31,665 --> 00:10:33,395
I EVER WENT WITH A GIRL,
YOU GUYS.
298
00:10:34,668 --> 00:10:37,268
(grunting) OH, YEAH!
299
00:10:37,337 --> 00:10:38,867
YEAH. MM-HMM.
300
00:10:38,939 --> 00:10:40,869
THAT SEEMS... GOOD.
301
00:10:40,941 --> 00:10:42,441
IT'S ALSO COMFORTABLE
FOR SLEEPING.
302
00:10:42,509 --> 00:10:44,849
(chuckles) YEAH, I'M NOT GONNA
BE DOING A WHOLE LOT
303
00:10:44,912 --> 00:10:46,782
OF SLEEPING ON THIS BABY.
AM I RIGHT?
304
00:10:46,847 --> 00:10:49,277
IT'S THE ROLLS-ROYCE
OF MATTRESSES, SIR.
305
00:10:49,349 --> 00:10:51,549
UH, THE--IT'S THE LAST ONE
WE HAVE IN STOCK.
306
00:10:51,618 --> 00:10:53,518
HAND-TAILORED
ICELANDIC EIDERDOWN,
307
00:10:53,586 --> 00:10:55,616
CASHMERE-ENCASED COILS,
308
00:10:55,689 --> 00:10:57,019
HYPOALLERGENIC
HORSEHAIR BATTING.
309
00:10:57,090 --> 00:10:58,760
THE BONING, OF COURSE,
IS UNBLEACHED PINE.
310
00:10:58,826 --> 00:10:59,886
(laughing) "THE BONING."
311
00:10:59,960 --> 00:11:01,130
I LIKE THE SOUND OF THAT.
(chuckles)
312
00:11:01,194 --> 00:11:03,904
YOU SEEM VERY COMFORTABLE
IN IT, SIR,
313
00:11:03,964 --> 00:11:05,034
A-AND I CAN ASSURE YOU,
314
00:11:05,098 --> 00:11:07,568
THERE IS NOT
A FINER MATTRESS TO BE HAD.
315
00:11:07,634 --> 00:11:08,874
I'LL TAKE IT.
EXCELLENT.
316
00:11:08,936 --> 00:11:11,036
(laughs) ALL RIGHT.
(laughs) ALL RIGHT.
317
00:11:11,104 --> 00:11:12,244
OHH.
318
00:11:12,305 --> 00:11:14,605
I KNOW WHAT YOU'RE THINKING,
AND I TOTALLY AGREE.
319
00:11:14,674 --> 00:11:16,014
IT IS OBSCENE...
(lowered voice) TO SPEND
320
00:11:16,076 --> 00:11:18,006
THAT AMOUNT OF MONEY
ON A MATTRESS.
321
00:11:18,078 --> 00:11:20,008
"THE HONEYMOON NEVER
HAS TO END
322
00:11:20,080 --> 00:11:22,720
WITH THE ETERNAL HONEYMOON
SLEEP SYSTEM."
323
00:11:22,783 --> 00:11:25,293
DALLAS, ARE YOU OKAY?
324
00:11:25,352 --> 00:11:28,292
(voice breaking)
MAYBE STEVEN AND I JUST HAD
325
00:11:28,355 --> 00:11:29,685
THE WRONG MATTRESS.
326
00:11:29,757 --> 00:11:33,527
OH, HONEY.
NO. IT WASN'T THAT.
327
00:11:33,593 --> 00:11:36,333
OHH. (sobbing)
328
00:11:36,396 --> 00:11:37,766
OHH.
(footsteps approach)
329
00:11:37,831 --> 00:11:39,531
HI. SHOULD I PUT DOWN
A WATERPROOF PAD?
330
00:11:39,599 --> 00:11:42,139
BECAUSE I AM JUST ABOUT
TO RUN YOUR FRIEND'S CARD.
331
00:11:42,202 --> 00:11:43,342
I REALLY DON'T THINK
THAT'S NECESSARY.
332
00:11:43,403 --> 00:11:45,513
(Dallas wailing)
333
00:11:45,572 --> 00:11:47,572
OKAY. YOU KNOW WHAT?
GET THE PAD.
334
00:11:47,640 --> 00:11:49,140
(crying)
335
00:11:52,345 --> 00:11:54,875
END OF A LONG SCHOOL WEEK,
AND YOU KNOW WHAT?
336
00:11:54,948 --> 00:11:57,748
I WAS GLAD TO HAVE THE NIGHT
TO MYSELF.
337
00:11:57,818 --> 00:12:00,648
I WAS NO THIRD WHEEL.
I WAS A UNICYCLE.
338
00:12:00,720 --> 00:12:04,320
YOU ARE A UNICYCLE.
339
00:12:04,391 --> 00:12:05,891
YOU'RE A UNICYCLE.
340
00:12:05,959 --> 00:12:08,829
I'D START
WITH A LIGHT DINNER,
341
00:12:08,896 --> 00:12:11,126
WATCH A THOUGHT-PROVOKING
DOCUMENTARY...
342
00:12:11,198 --> 00:12:12,328
MOVE...
(crowd yelling on TV)
343
00:12:12,399 --> 00:12:13,629
THAT...
344
00:12:13,700 --> 00:12:14,870
BUS!
345
00:12:14,935 --> 00:12:18,265
OH, MY GOSH!
346
00:12:18,338 --> 00:12:19,468
(sobs)
347
00:12:19,539 --> 00:12:23,379
(Tessa) RECONNECT
WITH SOME OLD FRIENDS...
348
00:12:23,443 --> 00:12:25,783
COOL AND CUTE.
349
00:12:28,015 --> 00:12:30,415
AND HELP MYSELF
TO A LITTLE BEDTIME SNACK.
350
00:12:30,483 --> 00:12:32,523
(knock on door)
351
00:12:32,585 --> 00:12:33,485
(splat)
352
00:12:33,553 --> 00:12:35,823
RYAN?
353
00:12:35,889 --> 00:12:38,429
WHAT ARE YOU DOING
OUT THERE, WATCHING ME?
354
00:12:38,491 --> 00:12:40,161
YES.
355
00:12:41,394 --> 00:12:42,504
WHY?
356
00:12:42,562 --> 00:12:44,362
TESSA, LOOK AT YOU.
357
00:12:44,431 --> 00:12:46,031
YOU FELL OFF.
358
00:12:46,099 --> 00:12:48,169
YOU'RE WEARING PAJAMAS
THAT ARE COVERED IN FOOD.
359
00:12:48,235 --> 00:12:50,595
THESE ARE FRESH OUT
OF THE WASH.
360
00:12:50,670 --> 00:12:52,040
LOOK AT ALL THAT BUTTER.
361
00:12:52,105 --> 00:12:54,605
WHO WOULD EAT
THAT MUCH BUTTER?
362
00:12:54,674 --> 00:12:56,814
I CAN'T...
363
00:12:56,877 --> 00:12:58,907
ANSWER THAT QUESTION.
364
00:12:58,979 --> 00:13:00,249
WHEN I OVERHEARD MY SISTER
AND MALIK TALKING ABOUT
365
00:13:00,313 --> 00:13:02,883
TRYING TO FIX YOU UP
WITH SOMEONE, I THOUGHT,
366
00:13:02,950 --> 00:13:05,050
TESSA ALTMAN MADE OUT
WITH RYAN SHAY.
367
00:13:05,118 --> 00:13:07,048
SHE COULD HAVE ANYONE,
368
00:13:07,120 --> 00:13:08,760
BUT AFTER WATCHING YOU
FROM THE BUSHES TONIGHT,
369
00:13:08,822 --> 00:13:11,592
I'M NOT SO SURE.
370
00:13:11,658 --> 00:13:13,628
RYAN, WAIT.
371
00:13:13,693 --> 00:13:15,403
I'M JUST...
372
00:13:15,462 --> 00:13:17,102
NOT MYSELF RIGHT NOW,
373
00:13:17,164 --> 00:13:19,874
AND, YES, MAYBE I AM
LEANING ON BUTTER
374
00:13:19,933 --> 00:13:21,673
A LITTLE MORE
THAN I NORMALLY WOULD,
375
00:13:21,734 --> 00:13:23,704
BUT... (sighs)
376
00:13:23,770 --> 00:13:25,640
I'M A RECOVERING TRICYCLE,
377
00:13:25,705 --> 00:13:27,405
TRYING TO GET BY
ON ONE WHEEL.
378
00:13:27,474 --> 00:13:29,084
BEEN THERE.
379
00:13:29,142 --> 00:13:32,152
SO YOU WANNA GET SOMETHING
TO EAT?
380
00:13:32,212 --> 00:13:36,122
YOUR PAJAMAS ARE MAKING ME
HUNGRY. (sighs)
381
00:13:36,783 --> 00:13:38,223
SO WE CLOSE SOON.
382
00:13:38,285 --> 00:13:40,945
GEORGE, GET HER OFF MY BED.
SHE'S FUNKIN' IT UP.
383
00:13:41,021 --> 00:13:42,791
WHAT DO YOU WANT ME TO DO?
FIX IT!
384
00:13:42,856 --> 00:13:44,616
YOU'RE THE ONE
WHO BROUGHT HER WITH US.
(cell phone rings)
385
00:13:44,691 --> 00:13:45,631
UH...
(ring)
386
00:13:45,692 --> 00:13:47,592
OH, LOOK. IT'S DALIA.
387
00:13:47,660 --> 00:13:49,660
(ring)
DALLAS,
IT'S YOUR DAUGHTER DALIA.
388
00:13:49,729 --> 00:13:50,759
(ring, beep)
NO?
389
00:13:50,830 --> 00:13:51,760
HELLO?
390
00:13:51,831 --> 00:13:53,201
HEY, DALIA.
391
00:13:53,266 --> 00:13:55,766
OKAY. OKAY. YOU'RE--YOU'RE
READY TO BE PICKED UP?
392
00:13:55,835 --> 00:13:56,935
OKAY, GREAT.
WE'RE JUST RUNNING
393
00:13:57,004 --> 00:13:59,514
A FEW MINUTES LATE,
SO SIT TIGHT.
394
00:13:59,572 --> 00:14:01,912
DALLAS, DALIA'S READY
TO BE PICKED UP.
395
00:14:01,975 --> 00:14:03,275
ARE YOU GONNA GO GET HER?
396
00:14:03,343 --> 00:14:05,053
I HAVE A DINNER ENGAGEMENT.
OKAY.
397
00:14:05,112 --> 00:14:06,152
NOAH, TAKE MY CAR KEYS.
(keys jangling)
398
00:14:06,213 --> 00:14:07,813
GO PICK UP DALIA
FROM HER SHRINK.
399
00:14:07,881 --> 00:14:09,251
KILL SOME TIME
BEFORE YOU BRING HER HOME.
400
00:14:09,316 --> 00:14:11,116
I WILL FIGURE OUT A WAY TO GET
DALLAS OUT OF THIS BED.
401
00:14:11,184 --> 00:14:12,794
THAT'S A PROMISE, OKAY?
402
00:14:12,852 --> 00:14:14,552
IF JILL SMELLS SORROW
ON THIS MATTRESS--
403
00:14:14,621 --> 00:14:16,091
WE HAVE A NO-RETURN POLICY.
404
00:14:16,156 --> 00:14:17,816
THEN YOU'RE BUYING IT OFF
OF ME.
405
00:14:17,891 --> 00:14:19,961
(keys jangling)
406
00:14:20,027 --> 00:14:22,827
LOCK UP WHEN YOU LEAVE.
IF ANYTHING GOES MISSING,
407
00:14:22,896 --> 00:14:24,226
IT'S GOING
ON YOUR FRIEND'S CARD.
408
00:14:24,297 --> 00:14:25,967
UH, OKAY. THANK YOU
FOR YOUR UNDERSTANDING.
409
00:14:26,033 --> 00:14:28,803
HEY, OKAY, BIG SALE TODAY,
THOUGH, RIGHT?
410
00:14:28,868 --> 00:14:31,468
RIGHT.
411
00:14:31,538 --> 00:14:33,868
(sighs)
(door closes)
412
00:14:33,941 --> 00:14:37,341
WHY DIDN'T MOMMY COME
GET ME HERSELF?
413
00:14:37,410 --> 00:14:39,050
MOMMY...
414
00:14:39,112 --> 00:14:41,182
MOMMY IS HAVING A HARD TIME
RIGHT NOW.
415
00:14:41,248 --> 00:14:43,378
SHE'S GOING THROUGH
SOME THINGS.
416
00:14:43,450 --> 00:14:46,890
OH, PLEASE.
WHAT'S HER PROBLEM?
417
00:14:46,954 --> 00:14:48,524
SHE DIDN'T WANT TO LIVE
WITH DADDY ANYMORE,
418
00:14:48,588 --> 00:14:49,918
BUT I DID.
419
00:14:49,990 --> 00:14:51,560
I GUESS THAT'S TRUE,
ISN'T IT?
420
00:14:51,624 --> 00:14:54,064
(barks)
421
00:14:54,127 --> 00:14:56,627
HERE, YAKULT. YOU CAN HAVE
HALF OF MY SPRING ROLL.
422
00:14:56,696 --> 00:14:57,626
(barks)
423
00:14:57,697 --> 00:14:59,727
OH, MY GOD.
DID YOU SEE THAT, UNCLE NOAH?
(Yakult growls)
424
00:14:59,799 --> 00:15:01,169
SHE ALMOST BIT ME!
425
00:15:01,234 --> 00:15:03,744
SHE ALMOST BIT ME BECAUSE I SAID
SOMETHING BAD ABOUT MOMMY.
426
00:15:03,803 --> 00:15:06,673
THE TWO OF THEM ARE
TOTAL COHORTS, IF THAT'S A WORD.
427
00:15:06,739 --> 00:15:08,479
(growls)
OH, AND NOW LOOK.
428
00:15:08,541 --> 00:15:09,841
SHE'S EATING
THE WHOLE SPRING ROLL,
429
00:15:09,909 --> 00:15:12,109
WHEN I ONLY SAID
SHE COULD HAVE HALF.
430
00:15:12,179 --> 00:15:13,479
HERE. YOU CAN HAVE MINE.
431
00:15:18,518 --> 00:15:20,948
(voice breaking)
THIS IS WHY I WANTED MY OWN PET.
432
00:15:21,021 --> 00:15:22,991
THIS IS WHY I ASKED MOMMY
TO PLEASE GET ME
433
00:15:23,056 --> 00:15:24,116
"THE HANGOVER" MONKEY,
434
00:15:24,191 --> 00:15:26,191
LIKE FROM
THAT MOVIE "THE HANGOVER."
435
00:15:26,259 --> 00:15:27,759
I MEAN, SHE HAS YAKULT
ON HER SIDE,
436
00:15:27,827 --> 00:15:30,957
AND I HAVE NO ONE.
437
00:15:31,031 --> 00:15:32,531
I'M ALL ALONE.
438
00:15:35,568 --> 00:15:39,268
HEY, HAVE YOU SEEN
THAT MOVIE "KANGAROO JACK"?
439
00:15:39,339 --> 00:15:42,939
(sniffles) NO. IS IT GOOD?
440
00:15:43,010 --> 00:15:44,610
I LAID AROUND A LOT.
441
00:15:44,677 --> 00:15:46,407
I WATCHED A LOT
OF "PEOPLE'S COURT,"
442
00:15:46,479 --> 00:15:49,979
A COURT IN WHICH JUSTICE
WAS ALMOST NEVER SERVED,
443
00:15:50,050 --> 00:15:52,120
BUT THEN I REALIZED,
444
00:15:52,185 --> 00:15:53,585
WHEN YOU'RE
A SINGLE PARENT,
445
00:15:53,653 --> 00:15:56,663
BEING DEPRESSED IS A LUXURY
YOU JUST CAN'T AFFORD.
446
00:15:56,723 --> 00:15:58,693
YOU HAVE TO GET UP
AND TAKE CARE OF YOUR KID,
447
00:15:58,758 --> 00:16:01,158
'CAUSE NO ONE ELSE
IS GONNA DO IT FOR YOU.
448
00:16:02,095 --> 00:16:03,995
I HAVE CARMEN.
449
00:16:05,465 --> 00:16:07,965
YES, YOU HAVE CARMEN
TO COOK AND TO CLEAN
450
00:16:08,035 --> 00:16:10,965
AND TO DRIVE DALIA
THE PLACES SHE NEEDS TO GO,
451
00:16:11,038 --> 00:16:13,838
BUT CARMEN CAN'T
INSPIRE DALIA.
452
00:16:13,906 --> 00:16:15,736
SHE CAN'T TEACH HER
WHAT IT MEANS
453
00:16:15,808 --> 00:16:18,908
TO GET UP
WHEN YOU FEEL DOWN.
454
00:16:18,978 --> 00:16:22,978
CARMEN ISN'T
DALIA'S MOTHER.
455
00:16:23,050 --> 00:16:24,380
YOU ARE,
456
00:16:24,451 --> 00:16:28,021
AND THAT RIGHT THERE IS
REASON ENOUGH TO CLIMB OFF
457
00:16:28,088 --> 00:16:31,058
THIS OUTRAGEOUSLY
COMFORTABLE MATTRESS,
458
00:16:31,124 --> 00:16:33,594
THIS MATTRESS THAT
IS CLEARLY FROM HEAVEN.
459
00:16:35,728 --> 00:16:39,298
(inhales deeply and sighs)
460
00:16:41,534 --> 00:16:44,974
(voice breaks)
GEORGE, AM I OKAY?
461
00:16:45,038 --> 00:16:46,768
OF COURSE YOU'RE OKAY.
462
00:16:48,175 --> 00:16:49,675
I'VE NEVER BEEN--
463
00:16:49,742 --> 00:16:51,842
DEPRESSED. (chuckles)
464
00:16:51,911 --> 00:16:53,081
IT'S STANDARD ISSUE.
465
00:16:53,146 --> 00:16:55,616
COMES FREE
WITH THE DIVORCE.
466
00:16:55,682 --> 00:16:58,892
I DON'T EVEN KNOW WHAT
A DEPRESSED PERSON DRESSES LIKE.
467
00:16:58,951 --> 00:17:00,321
(chuckles)
468
00:17:00,387 --> 00:17:01,917
SEPARATES?
469
00:17:01,988 --> 00:17:05,588
I'M PROBABLY GONNA NEED
A WHOLE NEW DEPRESSION WARDROBE.
470
00:17:05,658 --> 00:17:07,258
(gasps)
471
00:17:07,327 --> 00:17:10,227
I'LL PROBABLY NEED
A WHOLE NEW WARDROBE.
472
00:17:13,900 --> 00:17:16,540
(woman) * YEAH
473
00:17:16,603 --> 00:17:18,213
* YEAH
474
00:17:19,406 --> 00:17:21,966
* YEAH
475
00:17:22,041 --> 00:17:24,741
* AND I JUST CAN'T GET ENOUGH *
476
00:17:24,811 --> 00:17:26,381
DAMN, GIRL.
477
00:17:26,446 --> 00:17:28,416
WHERE DID YOU LEARN HOW
TO EAT FONDUE?
478
00:17:28,481 --> 00:17:30,451
* YEAH
479
00:17:30,517 --> 00:17:32,017
**
480
00:17:32,085 --> 00:17:35,555
(laughter,
indistinct conversations)
481
00:17:35,622 --> 00:17:36,992
UH, LET'S JUST GO
SOMEWHERE ELSE.
482
00:17:37,056 --> 00:17:38,126
WHY? I THOUGHT YOU SAID
483
00:17:38,191 --> 00:17:39,831
YOU WANTED A BOWL
OF WET, HOT CHEESE.
484
00:17:39,892 --> 00:17:40,862
I DON'T REMEMBER SAYING
I W--
485
00:17:40,927 --> 00:17:42,357
OKAY, IT WAS ME.
I WANT A BOWL
486
00:17:42,429 --> 00:17:44,059
OF WET, HOT CHEESE,
AND THIS PLACE HAS IT.
487
00:17:44,131 --> 00:17:46,901
PLUS WAIT TILL YOU SEE
HOW LONG THEIR FORKS ARE.
488
00:17:46,966 --> 00:17:48,336
OKAY.
YEAH!
489
00:17:48,401 --> 00:17:51,341
WELL, LET'S JUST GET IN THERE
BEFORE THEY SEE US.
490
00:17:54,574 --> 00:17:56,044
(utensils clink)
491
00:17:56,109 --> 00:17:57,709
(chair scrapes floor)
492
00:17:57,777 --> 00:17:59,307
ARE YOU SURE YOU'RE OKAY
WITH THIS?
493
00:17:59,379 --> 00:18:00,549
'CAUSE I KNOW
THEY DON'T SERVE ANY
494
00:18:00,613 --> 00:18:02,283
OF THE FOOD THAT WAS LISTED
ON YOUR PAJAMAS.
495
00:18:02,349 --> 00:18:03,679
YEAH. (chuckles) YEAH.
496
00:18:03,750 --> 00:18:06,990
I DON'T ONLY EAT... FOOD
THAT'S ON MY PAJAMAS.
497
00:18:07,053 --> 00:18:09,963
OKAY. WHEW.
'CAUSE I FEEL LIKE
498
00:18:10,022 --> 00:18:12,292
I MAY HAVE OVERSOLD
THE FORKS A LITTLE.
499
00:18:12,359 --> 00:18:14,059
NO, THEY'RE BIG.
500
00:18:14,127 --> 00:18:15,497
(sighs) YEAH.
(whispers) AAH.
501
00:18:15,562 --> 00:18:16,302
(laughs)
502
00:18:16,363 --> 00:18:17,533
OH, MY GOD, MALIK.
AAH!
503
00:18:17,597 --> 00:18:18,997
OW! DAMN, GIRL!
504
00:18:19,065 --> 00:18:21,525
WHERE DID YOU LEARN HOW
TO FEED SOMEONE FONDUE?
DO YOU SEE THIS?
505
00:18:21,601 --> 00:18:23,801
MY HEART IS BREAKING.
TESSA'S BOTTOMED OUT.
506
00:18:23,870 --> 00:18:25,870
I'M BLEEDING.
YOU STABBED ME IN THE GUMS.
507
00:18:25,938 --> 00:18:27,268
TESSA, WAIT. DON'T RUN.
508
00:18:27,340 --> 00:18:28,780
I'M NOT RUNNING.
I'M SEATED.
509
00:18:28,841 --> 00:18:31,681
I CAN'T EVEN IMAGINE
HOW LOST YOU MUST FEEL
510
00:18:31,744 --> 00:18:33,514
TO RESORT TO RYAN. I...
511
00:18:33,580 --> 00:18:36,650
LISA, I'M FINE.
YOU HAVE TO STOP PITYING ME.
512
00:18:36,716 --> 00:18:39,516
FOR A MINUTE THERE,
YOU HAD ME PITYING MYSELF.
513
00:18:39,586 --> 00:18:44,316
IT'S TRUE.
I CAUGHT HER EATING BUTTER.
514
00:18:44,391 --> 00:18:46,461
NOW THAT I THINK ABOUT IT,
IT'S KINDA MESSED UP
515
00:18:46,526 --> 00:18:47,686
THAT I BROUGHT YOU OUT
FOR CHEESE.
516
00:18:47,760 --> 00:18:50,000
YOU'RE GONNA HAVE
WICKED GAS TONIGHT.
517
00:18:50,062 --> 00:18:51,332
PROBABLY.
518
00:18:51,398 --> 00:18:53,368
LISTEN, LISA, YOU DON'T
HAVE TO FEEL GUILTY
519
00:18:53,433 --> 00:18:54,733
ABOUT DOING THINGS
WITHOUT ME.
520
00:18:54,801 --> 00:18:58,441
I'M A BIG GIRL, OKAY,
SO GO FINISH YOUR FONDUE,
521
00:18:58,505 --> 00:18:59,965
AND WE'LL TALK TOMORROW.
522
00:19:00,039 --> 00:19:01,669
OKAY. WELL, YOU HEARD THAT.
523
00:19:01,741 --> 00:19:04,241
SHE'S FINE,
SO YOU CAN HEAD ON HOME.
524
00:19:04,311 --> 00:19:06,181
ACTUALLY...
525
00:19:06,246 --> 00:19:08,376
WE'RE KINDA HAVING
A NICE TIME.
526
00:19:08,448 --> 00:19:09,878
REALLY?
REALLY?
527
00:19:12,685 --> 00:19:14,185
YEAH.
528
00:19:17,324 --> 00:19:19,534
I DIDN'T EVEN OWN
ONE PAIR OF SHOES
529
00:19:19,592 --> 00:19:22,162
WHEN I WALKED BAREFOOT
INTO THIS COUNTRY.
530
00:19:22,229 --> 00:19:23,599
EW.
WITHIN A YEAR,
531
00:19:23,663 --> 00:19:25,473
I TAUGHT MYSELF
TO SPEAK ENGLISH--
532
00:19:25,532 --> 00:19:26,732
CARMEN, HONEY,
PUT A PIN IN IT.
533
00:19:26,799 --> 00:19:28,899
DALIA'S MAMA'S HERE
TO INSPIRE HER.
534
00:19:28,968 --> 00:19:30,068
TO SPEAK ENGLISH
BY LISTENING
535
00:19:30,136 --> 00:19:32,906
TO NPR's
"ALL THINGS CONSIDERED."
536
00:19:34,207 --> 00:19:37,637
(sighs) DALIA, I KNOW
YOU'RE MAD AT ME.
537
00:19:37,710 --> 00:19:39,810
I'M MAD AT ME, TOO,
AND I'M MAD AT STEVEN,
538
00:19:39,879 --> 00:19:41,279
AND I'M MAD AT CARMEN.
539
00:19:41,348 --> 00:19:44,418
YOU'RE MAD AT ME?
IT ISN'T ALWAYS RATIONAL.
540
00:19:44,484 --> 00:19:45,754
NOW I KNOW
IT'S HARD FOR YOU
541
00:19:45,818 --> 00:19:47,588
TO UNDERSTAND THE CHOICES
I'VE MADE,
542
00:19:47,654 --> 00:19:50,394
BUT I'M TRYING TO SHOW YOU
THAT IF YOU'RE UNHAPPY IN LIFE,
543
00:19:50,457 --> 00:19:53,557
IT'S YOUR RESPONSIBILITY
TO FIX IT.
544
00:19:53,626 --> 00:19:55,326
NO ONE ELSE IS GONNA
FIX IT FOR YOU.
545
00:19:55,395 --> 00:19:57,625
I KNOW, AND THAT'S WHY
I MADE UNCLE NOAH BUY ME
546
00:19:57,697 --> 00:19:59,797
A "KANGAROO JACK."
547
00:20:03,470 --> 00:20:08,780
DALIA! I'M PRETTY SURE
I WAS CLEAR ABOUT NO MOVIE PETS.
548
00:20:08,841 --> 00:20:12,251
THAT SAID,
HE IS A CUTE CARMEL COLOR.
549
00:20:12,312 --> 00:20:14,112
THAT I WAS NOT EXPECTING.
550
00:20:14,180 --> 00:20:16,320
AND HE MAKES ME
REALLY HAPPY, MOMMY.
551
00:20:16,383 --> 00:20:18,923
HE DOES, AND I CAN KEEP
MY CELL PHONE IN HIS POCKET.
552
00:20:18,985 --> 00:20:22,045
THEN, CARMEN, WE HAVE
A NEW MEMBER OF THE FAMILY.
553
00:20:22,121 --> 00:20:23,661
THANK YOU SO MUCH, MOMMY.
554
00:20:23,723 --> 00:20:27,263
HE IS WAY COOLER
THAN "THE HANGOVER" MONKEY.
555
00:20:27,327 --> 00:20:28,697
(crash, glass shatters)
556
00:20:28,761 --> 00:20:29,861
(Carmen) AAH!
557
00:20:29,929 --> 00:20:32,569
SO... THIS WAS FUN.
558
00:20:32,632 --> 00:20:35,802
THANK YOU FOR GETTING ME
OUT OF THE HOUSE TONIGHT.
559
00:20:35,868 --> 00:20:38,238
MY MOM SAYS WHEN YOU WANT
TO THANK SOMEONE,
560
00:20:38,305 --> 00:20:40,265
YOU SHOULD SEND
A THANK-YOU CARD,
561
00:20:40,340 --> 00:20:44,210
BUT... I DON'T WANT
A THANK-YOU CARD.
562
00:20:44,277 --> 00:20:46,947
I WANT YOU TO LET ME TOUCH
YOUR BOOB INSTEAD.
563
00:20:47,013 --> 00:20:49,053
MY BOOB?
564
00:20:49,115 --> 00:20:50,215
EITHER BOOB,
565
00:20:50,283 --> 00:20:52,993
JUST SO I CAN SAY
I DID, MOSTLY.
566
00:20:53,052 --> 00:20:54,522
(Brandi Carlile's
"Have You Ever" playing)
567
00:20:54,587 --> 00:20:56,717
YOU HAVE THREE SECONDS.
568
00:20:56,789 --> 00:20:58,019
GO FOR IT.
569
00:20:58,090 --> 00:21:00,930
**
570
00:21:00,993 --> 00:21:05,873
* IF YOU'VE EVER WANDERED
LONELY THROUGH THE WOODS *
571
00:21:05,932 --> 00:21:09,042
* AH-AH-OH-OH-AH-OH
572
00:21:09,101 --> 00:21:10,201
(clears throat)
573
00:21:10,269 --> 00:21:12,539
* OH
574
00:21:12,605 --> 00:21:13,505
* OH
575
00:21:13,573 --> 00:21:15,273
SO WHAT'S YOUR ADDRESS?
576
00:21:15,342 --> 00:21:17,582
* AH-AH-AH-OH-OH
577
00:21:17,644 --> 00:21:20,514
YOU DON'T HAVE TO SEND
A THANK-YOU CARD.
578
00:21:20,580 --> 00:21:23,580
* OH
579
00:21:23,650 --> 00:21:25,050
BYE.
580
00:21:25,117 --> 00:21:29,987
(door opens)
* IF YOU'D EVER BEEN
OUT WALKING YOU WOULD KNOW *
581
00:21:30,056 --> 00:21:31,016
(door closes)
38995
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof