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1
00:00:00,868 --> 00:00:02,298
(crack)
FEEL BETTER?
2
00:00:02,336 --> 00:00:04,206
(exhales deeply)
THAT FEELS BETTER THAN BETTER.
3
00:00:04,238 --> 00:00:05,538
FEELS LIKE I CAN DO THIS.
4
00:00:05,573 --> 00:00:09,483
(The B-52s' "Rock Lobster"
playing)
5
00:00:09,510 --> 00:00:12,510
(Tessa)
FRIDAY NIGHT IN CHATSWIN,
6
00:00:12,546 --> 00:00:15,816
AND A REALLY DUMB CHARITY EVENT
FOR A REALLY DUMB CHARITY
7
00:00:15,849 --> 00:00:18,349
MEANT INSTEAD OF SEEING
MY NEW BOYFRIEND,
8
00:00:18,386 --> 00:00:20,616
SCOTT STRAUSS, I WAS FORCED
TO WATCH PARENTS DANCE
9
00:00:20,654 --> 00:00:23,424
WITH THEIR CHILDREN
TO "ROCK LOBSTER."
10
00:00:23,457 --> 00:00:25,127
I JUST DON'T THINK
IT'S NORMAL
11
00:00:25,159 --> 00:00:27,159
FOR PARENTS TO HANG OUT
WITH THEIR KIDS THIS MUCH.
12
00:00:27,195 --> 00:00:30,095
WELL, MY MOM SAYS THAT
SHE'S MY ONLY TRUE FRIEND
13
00:00:30,131 --> 00:00:31,431
AND THAT I SHOULD TELL HER
EVERYTHING.
14
00:00:31,465 --> 00:00:32,595
AND DO YOU?
15
00:00:32,633 --> 00:00:35,173
I DO, AND SOMETIMES
SHE NODS OFF, BUT...
16
00:00:35,203 --> 00:00:36,043
WELL, I'M A PRIVATE PERSON.
17
00:00:36,070 --> 00:00:38,410
I DON'T LIKE PEOPLE
KNOWING MY BUSINESS.
18
00:00:38,439 --> 00:00:40,509
(glass clinks)
(amplified voice)
LADIES AND GENTLEMEN,
19
00:00:40,541 --> 00:00:42,341
I'VE JUST BEEN TOLD
BY THE DAVENPORTS
20
00:00:42,376 --> 00:00:45,076
THAT AMANDA GOT
HER FIRST PERIOD TODAY.
21
00:00:45,113 --> 00:00:48,283
(cheering)
22
00:00:48,316 --> 00:00:49,146
(Fred, amplified voice)
ATTAGIRL!
23
00:00:49,183 --> 00:00:50,553
JUST WANTED TO SHARE
THAT NEWS WITH YOU.
24
00:00:50,584 --> 00:00:53,654
AMANDA IS MENSTRUATING.
MAZEL TOV, MANDI.
25
00:00:53,687 --> 00:00:54,787
MAZEL TOV.
26
00:00:54,822 --> 00:00:58,262
THERE'S A REAL SENSE
OF COMMUNITY.
27
00:00:58,292 --> 00:00:59,832
Captioned by
Closed Captioning Services, Inc.
28
00:00:59,860 --> 00:01:04,870
(Alih Jay) * LAST NIGHT I HAD
A PLEASANT NIGHTMARE *
29
00:01:04,898 --> 00:01:07,738
* DA-DA-DA-DA,
DA, DA, DA, DA *
30
00:01:07,768 --> 00:01:10,568
* ROCK LOBSTER
31
00:01:10,604 --> 00:01:12,244
* MOTION IN THE OCEAN
32
00:01:12,273 --> 00:01:13,213
* OOH-AH
33
00:01:13,241 --> 00:01:14,711
* HIS AIR HOSE BROKE
* OOH-AH
34
00:01:14,742 --> 00:01:18,252
WOW. LOOKS LIKE THINGS
ARE REALLY HEATING UP
35
00:01:18,279 --> 00:01:20,479
BETWEEN THE TWO OF YOU.
36
00:01:20,514 --> 00:01:22,484
ACCORDING TO ALAN,
THERE'S NO SUCH THING
37
00:01:22,516 --> 00:01:24,816
AS BEING OPENLY GAY
IN CHATSWIN.
38
00:01:24,852 --> 00:01:26,452
ANYTIME WE GO OUT TOGETHER,
39
00:01:26,487 --> 00:01:28,687
HE'S CONVINCED
PEOPLE ARE WATCHING US.
40
00:01:28,722 --> 00:01:30,492
PEOPLE ARE WATCHING YOU.
THAT'S WHAT PEOPLE DO HERE.
41
00:01:30,524 --> 00:01:32,264
THEY WATCH EACH OTHER.
42
00:01:32,293 --> 00:01:35,263
* ROCK, ROCK
43
00:01:35,296 --> 00:01:37,726
**
44
00:01:37,765 --> 00:01:39,925
WHY DON'T YOU GUYS DO
SOMETHING OUTSIDE OF CHATSWIN?
45
00:01:39,967 --> 00:01:41,537
AT LEAST YOU HAVE
THE OPTION.
46
00:01:41,569 --> 00:01:43,269
THAT'S--THAT'S WHAT I WOULD DO
IF I WERE YOU.
47
00:01:43,304 --> 00:01:45,774
(clinks)
48
00:01:45,806 --> 00:01:46,666
(song ends)
49
00:01:46,707 --> 00:01:49,277
THANK YOU, CHATSWINIANS.
50
00:01:49,310 --> 00:01:51,610
LIVING IN A WAR-TORN COUNTRY
51
00:01:51,645 --> 00:01:55,945
CAN PUT AN ENORMOUS AMOUNT
OF STRAIN ON THE LUMBAR REGION.
52
00:01:55,983 --> 00:02:01,463
NOW WITH YOUR HELP, THE C.W.B.
CAN CORRECT SPINAL ALIGNMENT
53
00:02:01,489 --> 00:02:04,959
REGARDLESS
OF POLITICAL ALIGNMENT.
54
00:02:04,992 --> 00:02:06,792
TAKE A LOOK.
55
00:02:06,827 --> 00:02:08,857
BORING! RAFFLE!
56
00:02:08,896 --> 00:02:11,596
CAN WE GET THE RAFFLE
GOING?
57
00:02:11,632 --> 00:02:14,342
OKAY. I KNOW WE'RE ALL ANXIOUS
TO GET TO THIS,
58
00:02:14,368 --> 00:02:17,568
SO WITHOUT FURTHER ADO,
LET'S RAFFLE OFF
59
00:02:17,605 --> 00:02:20,965
THE ALL-EXPENSE-PAID TRIP
TO ATLANTIC CITY!
60
00:02:21,008 --> 00:02:23,638
JERSEY, BABY!
61
00:02:23,677 --> 00:02:24,677
WHEN I WIN,
YOU'RE COMING WITH ME.
62
00:02:24,712 --> 00:02:27,182
WE'RE FINALLY GONNA HAVE
A PROPER GUYS' NIGHT OUT.
63
00:02:27,215 --> 00:02:28,445
OH, WHAT ARE YOU--
WHAT ARE YOU TALKING ABOUT?
64
00:02:28,482 --> 00:02:30,282
WE JUST SAW "300" TOGETHER.
65
00:02:30,318 --> 00:02:31,618
"300" WAS LIKE
A MILLION YEARS AGO,
66
00:02:31,652 --> 00:02:32,652
AND IT WAS A MATINEE.
67
00:02:32,686 --> 00:02:34,716
AND I TREATED YOU
TO SNO-CAPS.
68
00:02:34,755 --> 00:02:38,355
OF WHICH I HAD THREE. YOU WERE
SAVING THE REST FOR TESSA.
69
00:02:38,392 --> 00:02:41,202
SHE LIKES SNO-CAPS.
SO DO I, GEORGE. ALL RIGHT?
70
00:02:41,229 --> 00:02:42,929
ALL RIGHT, YOU'RE SO BUSY
BEING FATHER OF THE YEAR,
71
00:02:42,963 --> 00:02:44,633
YOU FORGET TO BE
FRIEND OF THE NOAH...
72
00:02:44,665 --> 00:02:45,695
OF THE YEAR.
73
00:02:45,733 --> 00:02:47,573
(Fred) GET YOUR TICKETS READY,
EVERYBODY. HERE WE GO.
74
00:02:56,644 --> 00:02:59,354
(microphone thuds)
(amplified voice) AHEM.
75
00:02:59,380 --> 00:03:00,910
4...
76
00:03:00,948 --> 00:03:02,718
7...
77
00:03:02,750 --> 00:03:04,520
3-TEEN.
78
00:03:04,552 --> 00:03:06,022
I BELIEVE IT'S PRONOUNCED
"THIRTEEN."
79
00:03:06,053 --> 00:03:08,493
YOU KNOW, I DIDN'T CRITICIZE
YOUR STUPID SPEECH.
80
00:03:08,522 --> 00:03:09,862
(George) HEY!
81
00:03:09,890 --> 00:03:11,590
HA HA! YEAH! I GOT IT!
(crowd murmuring)
82
00:03:11,625 --> 00:03:12,685
I WON!
WE HAVE A WINNER.
83
00:03:12,726 --> 00:03:14,526
(George laughs) YEAH.
(scattered applause)
84
00:03:14,562 --> 00:03:17,472
GREAT. PERFECT. I'M SURE YOU
AND TESSA WILL HAVE A BLAST.
85
00:03:17,498 --> 00:03:18,898
OH, COME ON.
DON'T BE A BABY.
86
00:03:18,932 --> 00:03:20,832
NO, NO. I'M SURE
THAT SHE'LL APPRECIATE
87
00:03:20,868 --> 00:03:23,238
THE ALL-YOU-CAN-EAT PRIME RIB
AND DON RICKLES.
88
00:03:23,271 --> 00:03:25,411
NOAH, WOULD YOU DO ME
THE HONOR OF ACCOMPANYING ME
89
00:03:25,439 --> 00:03:26,639
TO ATLANTIC CITY?
90
00:03:26,674 --> 00:03:28,784
WE CAN DO OUR--
OUR GUYS' NIGHT OUT.
91
00:03:28,809 --> 00:03:30,239
ALL THE SNO-CAPS
YOU CAN EAT.
92
00:03:30,278 --> 00:03:31,608
(thud)
DON'T TOY WITH ME.
93
00:03:31,645 --> 00:03:33,675
NOR ME. GENTLEMEN,
DID I HEAR SOMETHING
94
00:03:33,714 --> 00:03:37,294
ABOUT A GUYS' NIGHT OUT?
FOR I STAND BEFORE YOU, A GUY.
95
00:03:37,318 --> 00:03:38,348
PISS OFF, FRED.
96
00:03:38,386 --> 00:03:39,916
OH, COME ON.
THE ROOM SLEEPS SIX.
97
00:03:39,953 --> 00:03:40,993
IF WE'RE GONNA DO THIS,
98
00:03:41,021 --> 00:03:43,391
THE MORE, THE MERRIER, RIGHT?
THE MORE, THE MERRIER?
99
00:03:43,424 --> 00:03:45,334
ALEX AND I WOULD LOVE,
LOVE, LOVE THE CHANCE
100
00:03:45,359 --> 00:03:46,889
TO ESCAPE
OUR OLD BALLS AND CHAINS.
101
00:03:46,927 --> 00:03:49,757
SOMETIMES YOU JUST NEED TO GET
DOWN WITH YOUR HOMEBOYS.
102
00:03:49,797 --> 00:03:51,427
(imitates B-Real) WHO YOU
TRYING TO GET CRAZY WITH, ESE?
103
00:03:51,465 --> 00:03:54,065
DON'T YOU KNOW I'M LOCO?
104
00:03:54,101 --> 00:03:55,441
(normal voice)
THAT'S A CYPRESS HILL REFERENCE
105
00:03:55,469 --> 00:03:57,409
FOR THE UNINITIATED. (chuckles)
106
00:03:57,438 --> 00:03:59,938
FRED, DON'T YOU HAVE TO CHECK
WITH SHEILA FIRST?
107
00:03:59,973 --> 00:04:01,413
(sighs) YOU MAY NOT
REALIZE THIS, NOAH,
108
00:04:01,442 --> 00:04:04,042
BUT I HAVE SHEILA IN CHECK.
(chuckles)
109
00:04:04,077 --> 00:04:05,677
(voice breaking)
IT'S BAD, SHEILA.
110
00:04:05,713 --> 00:04:07,283
IT'S REAL BAD.
111
00:04:07,315 --> 00:04:08,945
IT'S--IT'S LOOKING LIKE
SHE MIGHT NOT MAKE IT.
112
00:04:08,982 --> 00:04:12,492
OH, POOR AUNT ELAINE.
BLESS HER HEART.
113
00:04:12,520 --> 00:04:14,790
(gasps) I KNOW HOW DEAR
SHE IS TO YOU.
114
00:04:14,822 --> 00:04:16,522
(whispers)
OH, SHE'S VERY DEAR.
115
00:04:16,557 --> 00:04:18,387
THE MOST DEAR.
116
00:04:18,426 --> 00:04:19,786
AND IF I DON'T RUSH
TO HER SIDE,
117
00:04:19,827 --> 00:04:21,997
SHE MAY NOT HAVE A SIDE
TO RUSH TO.
118
00:04:22,029 --> 00:04:25,299
OH, FRED.
YOUR FAVORITE AUNT.
119
00:04:25,333 --> 00:04:27,903
OH, COME HERE.
LET ME ROCK YOU.
120
00:04:27,935 --> 00:04:30,335
LET ME ROCK YOU.
121
00:04:30,371 --> 00:04:34,541
OHH.
122
00:04:34,575 --> 00:04:37,445
FRED, DID I JUST FEEL YOU
GIVE THE THUMBS UP?
123
00:04:37,478 --> 00:04:38,678
OKAY, THIS--THIS IS NOT ONE
124
00:04:38,712 --> 00:04:40,112
OF THOSE "RISKY BUSINESS"
TYPE SITUATIONS
125
00:04:40,147 --> 00:04:41,817
WHERE YOU DANCE AROUND
IN YOUR UNDERWEAR,
126
00:04:41,849 --> 00:04:42,879
AND THEN YOU HAVE
A FEW FRIENDS OVER,
127
00:04:42,916 --> 00:04:44,316
AND SUDDENLY
YOU START A BROTHEL
128
00:04:44,352 --> 00:04:45,722
AND WIND UP SINGING
ON A FLOAT IN A PARADE.
129
00:04:45,753 --> 00:04:47,693
DAD, YOU'RE--
YOU'RE MIXING TEEN MOVIES.
130
00:04:47,721 --> 00:04:50,591
THIS IS MORE LIKE AN EPISODE
OF "LITTLE HOUSE ON THE PRAIRIE"
131
00:04:50,624 --> 00:04:52,364
WHERE PA GOES OFF
TO THE MERCANTILE,
132
00:04:52,393 --> 00:04:54,433
AND I STAY HOME
TO LOOM YOU SOME PANTS.
133
00:04:54,462 --> 00:04:56,102
PERFECT. I'M A 32 LONG.
134
00:04:56,129 --> 00:04:57,899
BUT SERIOUSLY, NO PARTIES.
135
00:04:57,931 --> 00:04:59,701
IT'S BEEN SAID,
AND YOU HEARD IT.
OKAY.
136
00:04:59,733 --> 00:05:00,973
OKAY, YOU HAVE
MY CELL PHONE NUMBER.
137
00:05:01,001 --> 00:05:02,141
UH, I LEFT THE NUMBER
OF THE HOTEL
138
00:05:02,169 --> 00:05:05,039
IN CASE ANYTHING GOES WRONG.
WHAT IF SOMETHING GOES WRONG?
139
00:05:05,072 --> 00:05:06,712
DAD.
140
00:05:06,740 --> 00:05:08,110
THIS IS CHATSWIN.
141
00:05:08,141 --> 00:05:09,781
NOTHING GOES WRONG
IN CHATSWIN.
142
00:05:09,810 --> 00:05:11,580
ISN'T THAT THE WHOLE REASON
PEOPLE LIVE HERE?
143
00:05:17,518 --> 00:05:19,118
(door opens)
144
00:05:19,152 --> 00:05:20,722
BUT WITH ANY LUCK,
145
00:05:20,754 --> 00:05:22,424
SCOTT AND I
WERE GOING TO GO WRONG
146
00:05:22,456 --> 00:05:23,986
IN EVERY ROOM OF THIS HOUSE.
147
00:05:27,395 --> 00:05:31,625
(Cypress Hill's
"Insane in the Brain" playing)
148
00:05:31,665 --> 00:05:33,925
* TO THE ONE
ON THE FLAMBOYANT TEMPER *
149
00:05:33,967 --> 00:05:36,067
* I JUST TOSS THAT HAM
IN THE FRYING PAN *
150
00:05:36,103 --> 00:05:38,813
* LIKE SPAM, IT'S DONE
WHEN I COME IN, SLAM *
151
00:05:38,839 --> 00:05:40,809
* DAMN, I FEEL LIKE
THE SON OF SAM *
152
00:05:40,841 --> 00:05:41,741
(record needle scratches,
music stops)
153
00:05:41,775 --> 00:05:42,775
OH.
154
00:05:47,047 --> 00:05:48,847
(laughs)
HEY, ALL RIGHT.
155
00:05:48,882 --> 00:05:52,552
YOU GUYS, WE ARE GOING TO
PARTY LIKE IT'S OUR BIRTHDAYS.
WHOO!
156
00:05:52,586 --> 00:05:55,586
(clink)
ADD A RASPBERRY, GEORGE.
YOU'LL THANK ME.
157
00:05:55,623 --> 00:05:57,793
DON'T MIND IF I DO. THANKS FOR
GUILTING ME INTO THIS, MAN.
158
00:05:57,825 --> 00:05:59,055
I DON'T DO THIS KIND
OF THING ENOUGH.
159
00:05:59,092 --> 00:06:01,562
THIS IS GONNA BE FUN.
ARE YOU KIDDING ME?
160
00:06:01,595 --> 00:06:03,925
THIS IS GONNA BE... (mouth full)
A LOT OF FUN, HMM? (laughs)
(clink)
161
00:06:09,002 --> 00:06:10,702
FRED?
162
00:06:10,738 --> 00:06:13,138
OH, UH, GAMBLING IS HAPPENING.
163
00:06:13,173 --> 00:06:15,513
GAMBLING IS HAPPENING
IN THIS BUILDING.
164
00:06:15,543 --> 00:06:17,753
I'M SO CLOSE TO THE GAMBLING.
165
00:06:17,778 --> 00:06:20,078
WH-WHAT'S GOING ON?
OH! NOW I REMEMBER.
166
00:06:20,113 --> 00:06:22,753
FRED HAS A REALLY SERIOUS
GAMBLING PROBLEM.
167
00:06:22,783 --> 00:06:24,753
THIS IS BAD.
I'M SWEATY AND NERVOUS
168
00:06:24,785 --> 00:06:26,145
AND A LITTLE BIT HORNY.
169
00:06:26,186 --> 00:06:27,686
ALL RIGHT, BUDDY.
170
00:06:27,721 --> 00:06:29,921
HEY, RELAX.
OKAY.
171
00:06:29,957 --> 00:06:32,857
IT'S GONNA BE FINE.
HAVE SOME CHAMPAGNE.
OKAY.
172
00:06:32,893 --> 00:06:34,703
THANK YOU.
HERE YOU GO.
173
00:06:34,728 --> 00:06:36,498
(chuckles) I'M TREMBLING.
174
00:06:36,530 --> 00:06:38,130
I'M GONNA GAMBLE
ALL MY MONEY.
175
00:06:38,165 --> 00:06:39,765
YOU KNOW, I'M GONNA
GAMBLE AND TREMBLE
176
00:06:39,800 --> 00:06:41,770
UNTIL I LOSE ALL MY MONEY.
THAT'S WHAT... (gulps)
177
00:06:41,802 --> 00:06:43,672
MAYBE I SHOULD TAKE THAT,
ACTUALLY.
178
00:06:43,704 --> 00:06:45,744
FRED, YOU CAN HAVE FUN
WITHOUT GAMBLING.
179
00:06:45,773 --> 00:06:48,243
JUST DON'T GAMBLE.
WE WON'T LET YOU GAMBLE.
180
00:06:48,275 --> 00:06:51,645
OKAY. (inhales deeply)
181
00:06:51,679 --> 00:06:52,909
UH... NOW, UH,
182
00:06:52,946 --> 00:06:55,946
THIS PILE IS FOR BLACK.
THIS PILE IS FOR RED.
183
00:06:55,983 --> 00:06:58,523
CAN'T LOSE THAT WAY. (chuckles)
NOW SLOTS ARE FOR FOOLS,
184
00:06:58,552 --> 00:07:00,022
BUT I'LL TAKE A STAB AT 'EM.
185
00:07:00,053 --> 00:07:02,263
(clinking)
186
00:07:02,289 --> 00:07:03,859
FRED, LET US HELP YOU--
187
00:07:03,891 --> 00:07:05,491
DON'T TOUCH MY MONEY, BITCH!
188
00:07:05,526 --> 00:07:09,756
OKAY. REMAIN CALM.
EVERYTHING'S GONNA BE ALL RIGHT.
189
00:07:09,797 --> 00:07:11,257
FRED, TAKE A DEEP BREATH.
190
00:07:11,298 --> 00:07:12,568
YEAH.
191
00:07:12,600 --> 00:07:15,970
(inhales and exhales deeply)
192
00:07:16,003 --> 00:07:18,673
OKAY. OKAY.
193
00:07:18,706 --> 00:07:20,136
IT'S FRED. (chuckles)
194
00:07:20,173 --> 00:07:22,143
FRED'S BACK. (chuckles)
SORRY.
195
00:07:22,175 --> 00:07:24,205
I WENT A LITTLE NUTS THERE.
THANK YOU.
196
00:07:24,244 --> 00:07:26,154
WHY DON'T YOU, UH,
WHY DON'T YOU GET FRESHENED UP?
197
00:07:26,179 --> 00:07:28,219
SPLASH SOME WATER ON YOUR FACE.
PUT ON A DIFFERENT SHIRT.
198
00:07:28,248 --> 00:07:30,718
YOU LOOK A LITTLE CLAMMY.
CHANGE THOSE SHORTS.
199
00:07:30,751 --> 00:07:32,191
(whispers) SHORTS. OKAY.
200
00:07:32,219 --> 00:07:33,649
(normal voice) THANK YOU.
201
00:07:33,687 --> 00:07:34,817
THANK YOU, YOU GUYS.
202
00:07:34,855 --> 00:07:37,215
I REALLY...
203
00:07:37,257 --> 00:07:39,787
I JUST WANT YOU TO KNOW...
204
00:07:39,827 --> 00:07:44,297
I FEEL INCREDIBLY CLOSE
TO YOU ALL RIGHT NOW.
205
00:07:44,331 --> 00:07:47,031
BUT I WILL SLASH YOUR FACE...
206
00:07:47,067 --> 00:07:49,567
IN ORDER TO GAMBLE.
207
00:07:49,603 --> 00:07:52,013
(chuckles)
208
00:07:52,039 --> 00:07:53,139
(door closes)
209
00:07:53,173 --> 00:07:55,943
YOU CAN'T SEDUCE SCOTT IN THAT.
IT HAS TOO MANY BUTTONS.
210
00:07:55,976 --> 00:07:58,946
DON'T WEAR ANYTHING
TOO COMPLICATED.
211
00:07:58,979 --> 00:08:01,519
YEAH. IF SCOTT AND I
DON'T MAKE IT
212
00:08:01,549 --> 00:08:03,049
PAST THE HAND-HOLDING STAGE--
213
00:08:03,083 --> 00:08:06,653
YOU WILL LOSE HIM.
CORRECT.
214
00:08:06,687 --> 00:08:08,257
AND THAT'S WHY WE'RE GONNA BE
DOING A LOT MORE TONIGHT
215
00:08:08,288 --> 00:08:09,858
THAN WE'RE COMFORTABLE WITH.
216
00:08:09,890 --> 00:08:10,760
"WE"?
217
00:08:10,791 --> 00:08:13,961
WE'RE GONNA GIVE SCOTT
EVERYTHING WE HAVE,
218
00:08:13,994 --> 00:08:15,834
EVEN THE THINGS
THAT HURT.
219
00:08:19,933 --> 00:08:22,173
WHAT IS THAT?
220
00:08:22,202 --> 00:08:23,742
IT'S MY LOVE BOX,
221
00:08:23,771 --> 00:08:25,671
AND I AM LENDING IT TO YOU
FOR TONIGHT.
222
00:08:28,976 --> 00:08:31,006
OH. (chuckles) OKAY.
223
00:08:31,044 --> 00:08:32,884
(blows raspberry)
224
00:08:32,913 --> 00:08:36,283
LISA, I THINK YOU HAVE
THE WRONG IDEA ABOUT TONIGHT.
225
00:08:36,316 --> 00:08:38,686
I WAS PLANNING ON
KEEPING IT SYRUP-FREE.
226
00:08:38,719 --> 00:08:40,919
JUST AN OLD SCHOOL
MAKE-OUT SESH.
227
00:08:40,954 --> 00:08:43,164
TESSA,
YOU SOUND LIKE A FOOL.
228
00:08:43,190 --> 00:08:45,760
SCOTT'S AN OLDER GUY
WITH OLDER GUY NEEDS.
229
00:08:45,793 --> 00:08:48,333
HE'S BEEN TO AFRICA.
230
00:08:48,361 --> 00:08:50,131
AFRICA.
231
00:08:50,163 --> 00:08:53,303
HE'S GONNA WANNA GO TRIBAL
ON YOU.
232
00:08:53,333 --> 00:08:55,173
ARE YOU SURE
THAT'S NOT OFFENSIVE?
233
00:08:55,202 --> 00:08:59,942
(bells dinging)
234
00:08:59,973 --> 00:09:02,843
(strained voice) LOOK HOW
SHE'S LOOKING AT ME, GEORGE.
235
00:09:02,876 --> 00:09:04,776
DIRTY GIRL.
236
00:09:04,812 --> 00:09:07,152
HEY, HAVE YOU EATEN?
CAN I BUY YOU A BURGER?
237
00:09:07,180 --> 00:09:09,380
HERE.
238
00:09:09,416 --> 00:09:13,616
(sighs)
239
00:09:13,654 --> 00:09:15,294
HAVEN'T HEARD
FROM THE LITTLE ONE, HUH?
240
00:09:15,322 --> 00:09:17,322
YEAH, SHE'LL CHECK IN WITH ME.
I'M NOT GONNA HOUND HER.
241
00:09:19,927 --> 00:09:21,927
SHE'S PROBABLY
HIGH AS A KITE RIGHT NOW
242
00:09:21,962 --> 00:09:24,102
AND MAKING LOVE
TO A TRINIDADIAN MAN.
243
00:09:24,131 --> 00:09:26,401
IT'S NOT GONNA WORK, FRED.
YOU'RE NOT GONNA SCARE ME OFF.
244
00:09:26,433 --> 00:09:28,873
WHY WOULD I SCARE YOU OFF?
THERE'S NOTHING TO BE SCARED OF.
245
00:09:28,902 --> 00:09:30,902
TESSA'S PERFECTLY TRUSTWORTHY.
246
00:09:30,938 --> 00:09:32,368
(coins clinking)
247
00:09:32,405 --> 00:09:34,975
I'M SURE YOU WERE, TOO,
AT THAT AGE.
248
00:09:35,008 --> 00:09:37,678
(bell ringing,
indistinct conversations)
249
00:09:37,711 --> 00:09:38,951
YOU THINK IT'D BE WEIRD
IF I HAD DALLAS STOP IN,
250
00:09:38,979 --> 00:09:40,209
CHECK IN ON HER?
251
00:09:40,247 --> 00:09:41,977
NO, NOT AT ALL.
252
00:09:42,015 --> 00:09:44,375
WHEW! NICE WORKOUT THERE,
SHEILA.
253
00:09:44,417 --> 00:09:45,947
BETWEEN
YOUR UNSTOPPABLE BACKHAND
254
00:09:45,986 --> 00:09:47,346
AND MY DILIGENCE
AT THE NET,
255
00:09:47,387 --> 00:09:50,157
WE ARE GONNA DOMINATE
THE MID-MORNING WINTER LEAGUE.
256
00:09:50,190 --> 00:09:52,790
(cell phone rings)
OH. HEY, GEORGE!
257
00:09:52,826 --> 00:09:54,256
HEY. YOU GOT A SECOND?
258
00:09:54,294 --> 00:09:56,064
YEAH. WHAT'S CRACK-A-LACKIN'?
259
00:09:56,096 --> 00:09:59,066
OH, NOTHIN'. UH, IT'S JUST
THAT TESSA IS HOME ALONE
260
00:09:59,099 --> 00:10:02,269
FOR THE WEEKEND,
AND I'M... A LITTLE NERVOUS
261
00:10:02,302 --> 00:10:05,072
SHE MIGHT CAVE
AND THROW A PARTY OR SOMETHING.
262
00:10:05,105 --> 00:10:06,165
Oh, my gosh.
263
00:10:06,206 --> 00:10:08,006
I HOPE SHE INVITES ME
IF SHE DOES.
264
00:10:08,041 --> 00:10:10,811
NO, NO, WE DON'T WANT
AN UNCHAPERONED PARTY.
265
00:10:10,844 --> 00:10:12,754
IT'S NOT THAT
I DON'T TRUST HER. I DO.
266
00:10:12,780 --> 00:10:16,880
I JUST--WELL, I-I-I'D LIKE YOU
TO CHECK ON HER FOR ME.
267
00:10:16,917 --> 00:10:19,147
WELL, IT DOESN'T SOUND
LIKE YOU TRUST HER.
268
00:10:19,186 --> 00:10:21,086
WHO IS THAT? IS THAT FRED?
269
00:10:21,121 --> 00:10:23,091
W-WELL, I'LL TRUST HER
A LOT MORE
270
00:10:23,123 --> 00:10:24,833
ONCE I KNOW FOR SURE
NOTHING'S GOING ON.
271
00:10:24,858 --> 00:10:27,898
LISTEN, GEORGE, I CONSIDER TESSA
TO BE ONE OF MY BEST FRIENDS,
272
00:10:27,928 --> 00:10:30,658
AND YOU ARE PUTTING ME
IN A DIFFICULT SPOT.
273
00:10:30,698 --> 00:10:32,298
COME ON, DALLAS.
Well...
274
00:10:32,332 --> 00:10:34,102
STEVEN IS IN SINGAPORE
THIS WEEKEND,
275
00:10:34,134 --> 00:10:36,844
AND DALIA'S AT BRAID CAMP,
SO I GUESS I COULD.
276
00:10:36,870 --> 00:10:40,670
BUT I'M NOT GONNA CHECK IN
AS SOME BUSYBODY NEIGHBOR.
277
00:10:40,708 --> 00:10:44,708
I'LL JUST SEE IF SHE WANTS
TO HANG... AS A FRIEND.
278
00:10:44,745 --> 00:10:46,145
THANK YOU.
279
00:10:46,179 --> 00:10:47,949
WHAT IS IT?
280
00:10:47,981 --> 00:10:50,751
I THOUGHT FOR SURE
THAT WAS FRED.
281
00:10:50,784 --> 00:10:52,094
I SENSED FRED ON THAT CALL.
282
00:10:52,119 --> 00:10:53,989
WHAT ARE YOU TALKING ABOUT?
283
00:10:54,021 --> 00:10:55,121
WE HAVE
A PSYCHIC CONNECTION.
284
00:10:55,155 --> 00:10:57,185
IF FRED EVEN EATS SOMETHING
THAT DOESN'T AGREE WITH HIM,
285
00:10:57,224 --> 00:10:58,864
I CAN SENSE IT.
286
00:10:58,892 --> 00:11:00,092
(gags)
287
00:11:00,127 --> 00:11:02,757
I THINK HE JUST ATE SOMETHING
THAT DIDN'T AGREE WITH HIM. UGH.
288
00:11:02,796 --> 00:11:06,726
OOCHIES. THIS JUST IN--
THOUSAND ISLAND BITES BACK.
289
00:11:06,767 --> 00:11:09,067
(chuckles)
290
00:11:09,102 --> 00:11:12,372
HEY, IS THAT STEVEN ROYCE?
WHAT A COINCIDENCE.
291
00:11:12,405 --> 00:11:14,105
(George) I THOUGHT
HE WAS IN SINGAPORE.
292
00:11:14,141 --> 00:11:15,711
DO ME A FAVOR.
DON'T CALL HIM OVER HERE.
293
00:11:15,743 --> 00:11:18,953
STEVE-O!
294
00:11:18,979 --> 00:11:21,309
FINALLY, SOME TIME ALONE
WITH SCOTT.
295
00:11:21,348 --> 00:11:23,848
NOW IF I COULD JUST GET HIM
TO FOCUS ON ME INSTEAD OF...
296
00:11:23,884 --> 00:11:25,494
AND THAT'S BASICALLY
HOW YOU MAKE
297
00:11:25,518 --> 00:11:27,218
A TRADITIONAL
ZAMBIAN EATING MAT,
298
00:11:27,254 --> 00:11:29,394
OR MPHASA.
299
00:11:29,422 --> 00:11:32,192
BUT BIGGER AND LESS PLASTIC.
300
00:11:32,225 --> 00:11:35,195
SCOTT, I'M SURE YOU GET THIS
A LOT, BUT YOU'RE FASCINATING.
301
00:11:35,228 --> 00:11:36,998
I WOULD LOVE TO TRAVEL
LIKE YOU DID.
302
00:11:37,030 --> 00:11:41,870
WELL, IT'LL CHANGE YOU,
FROM THE INSIDE OUT.
303
00:11:41,902 --> 00:11:45,242
BUT BE PREPARED. AFRICA'S ALSO
FILLED WITH POVERTY AND DISEASE.
304
00:11:45,272 --> 00:11:48,782
YOU HAVE...
REALLY BROWN EYES.
305
00:11:48,809 --> 00:11:50,209
THANKS.
306
00:11:50,243 --> 00:11:53,513
I MET A MAN IN AFRICA
WHO DIDN'T EVEN HAVE EYES.
307
00:11:53,546 --> 00:11:55,016
(sighs) SCOTT...
308
00:11:55,048 --> 00:11:56,778
I KNOW
YOU'RE REALLY POLITICAL
309
00:11:56,817 --> 00:11:59,187
AND YOU HAVE ALL
THIS GLOBAL AWARENESS.
310
00:11:59,219 --> 00:12:02,559
I THINK THAT'S GREAT, BUT...
311
00:12:02,589 --> 00:12:07,059
DON'T YOU WANNA...
GET TRIBAL ON ME?
312
00:12:07,094 --> 00:12:08,364
THAT'S OFFENSIVE.
313
00:12:10,263 --> 00:12:12,103
I THINK.
314
00:12:12,132 --> 00:12:14,432
(doorbell rings)
315
00:12:14,467 --> 00:12:16,767
HEY. (chuckles)
GEORGE, WHAT ARE YOU, UH,
316
00:12:16,804 --> 00:12:18,314
WHAT ARE YOU DOING IN THE A.C.?
317
00:12:18,338 --> 00:12:21,008
YEAH, STEVEN, WHAT A SURPRISE.
I HEARD YOU WERE IN SINGAPORE.
318
00:12:21,041 --> 00:12:22,981
WHO SAID THAT?
DALLAS.
319
00:12:23,010 --> 00:12:24,980
WELL, YOU SURE LIKE TALKING
TO MY WIFE A LOT.
320
00:12:25,012 --> 00:12:27,552
AND WHO COULD BLAME YOU?
SHE'S A VERY BEAUTIFUL WOMAN.
321
00:12:27,580 --> 00:12:30,050
YEAH, SO IS SHE.
HUH?
322
00:12:30,083 --> 00:12:31,853
I DON'T LIKE TO EAT ALONE,
YOU KNOW?
323
00:12:31,885 --> 00:12:34,015
IT, UH, MAKES ME DEPRESSED,
AND IT LOWERS MY METABOLISM.
324
00:12:34,054 --> 00:12:36,564
AND BY ANY CHANCE
YOU DO TALK TO MY WIFE AGAIN,
325
00:12:36,589 --> 00:12:38,459
I WAS IN SINGAPORE.
326
00:12:38,491 --> 00:12:41,031
I HAVE VERY IMPORTANT BUSINESS
IN SINGAPORE.
327
00:12:41,061 --> 00:12:42,161
THEY WANT ME TO MOVE THERE.
328
00:12:42,195 --> 00:12:44,325
REALLY? WOW.
THAT SOUNDS GREAT.
329
00:12:44,364 --> 00:12:45,904
YOU THINK? EVEN THOUGH
I'D HAVE TO LEAVE
330
00:12:45,933 --> 00:12:47,843
DALLAS AND DALIA BEHIND
FOR A BETTER PART OF A YEAR?
331
00:12:47,868 --> 00:12:49,468
WELL, THAT'S WHAT SKYPE'S FOR,
RIGHT?
332
00:12:49,502 --> 00:12:52,072
THAT IS WHAT SKYPE IS FOR.
YOU KNOW WHAT, GEORGE?
333
00:12:52,105 --> 00:12:53,565
DAMN IT.
YOU'RE A SMART GUY.
334
00:12:53,606 --> 00:12:55,876
I THINK I MIGHT HAVE
UNDERESTIMATED YOU.
YEAH, WELL...
335
00:12:55,909 --> 00:12:58,809
AND PLUS YOU'LL BE THERE IN CASE
ANYTHING GOES WRONG, RIGHT? HUH?
336
00:12:58,846 --> 00:13:00,906
IT'S CHATSWIN.
NOTHING GOES WRONG IN CHATSWIN.
337
00:13:00,948 --> 00:13:03,178
ISN'T THAT THE WHOLE REASON
PEOPLE LIVE THERE?
338
00:13:03,216 --> 00:13:05,386
(bell ringing)
339
00:13:05,418 --> 00:13:08,058
HOLY CRAP.
YOU'LL HAVE TO EXCUSE ME.
WHAT'S WRONG?
340
00:13:08,088 --> 00:13:09,888
I JUST REALIZED MY DAUGHTER
WAS A BIT TOO ANXIOUS
341
00:13:09,923 --> 00:13:12,493
TO GET RID OF ME THIS MORNING.
342
00:13:12,525 --> 00:13:13,485
WHERE'S--WHERE'S FRED?
343
00:13:13,526 --> 00:13:15,326
FRED? OH, HE CRAWLED OUT,
LIKE, TEN MINUTES AGO.
344
00:13:15,362 --> 00:13:16,832
UGH!
345
00:13:20,233 --> 00:13:22,273
DALLAS, WHAT ARE YOU
DOING HERE?
346
00:13:22,302 --> 00:13:25,172
WELL, I'M ON THE DOLO TONIGHT,
AND SINCE YOU ARE, TOO,
347
00:13:25,205 --> 00:13:28,875
I THOUGHT WE COULD CHILLAX
OR... GET JIGGY. YOUR CHOICE.
348
00:13:28,909 --> 00:13:30,979
OH.
349
00:13:31,011 --> 00:13:32,411
OH, I SEE WHAT THIS IS.
350
00:13:32,445 --> 00:13:34,245
GEORGE SENT YOU HERE
TO SPY ON ME.
351
00:13:34,281 --> 00:13:35,981
(laughs) WHAT?
352
00:13:36,016 --> 00:13:38,386
I DON'T KNOW.
I AM ON THE DOLO.
353
00:13:38,418 --> 00:13:40,218
YOU CAN'T HIDE BEHIND
URBAN STREET SLANG, DALLAS.
354
00:13:40,253 --> 00:13:42,293
I SEE RIGHT THROUGH YOU.
355
00:13:42,322 --> 00:13:44,292
AND THIS IS
AN INVASION OF MY PRIVACY.
356
00:13:44,324 --> 00:13:46,234
YOU CAN TELL THAT
TO GEORGE.
357
00:13:46,259 --> 00:13:47,559
(whispers) HE'S A FOX.
358
00:13:47,594 --> 00:13:49,064
DON'T TELL THAT TO GEORGE.
359
00:13:49,096 --> 00:13:51,356
SO EVERYTHING
SEEMED QUIET THERE?
REAL COZY.
360
00:13:51,398 --> 00:13:53,868
C-COZY? WHAT--
WHAT--WHAT'S THAT MEAN--COZY?
361
00:13:53,901 --> 00:13:56,001
WELL, COMFY-COZY.
NO ONE WAS DRUNK,
362
00:13:56,036 --> 00:13:58,936
NOT TOO KRUNK. THE JOINT
WAS ON POINT, PRETTY MUCH.
363
00:13:58,972 --> 00:14:00,072
WHAT ARE YOU TALKING ABOUT?
364
00:14:00,107 --> 00:14:01,437
STOP CONFUSING ME
WITH STREET SLANG.
365
00:14:01,474 --> 00:14:03,984
OH, GEORGE, YOU HAVE
NOTHING TO WORRY ABOUT.
366
00:14:04,011 --> 00:14:05,211
TESSA'S A GREAT GIRL,
367
00:14:05,245 --> 00:14:07,645
AND THAT BOY SHE HAD OVER
WAS SUPER NICE.
368
00:14:07,680 --> 00:14:09,080
FULLY CLOTHED.
369
00:14:09,116 --> 00:14:11,576
SHE--SHE HAD A-A BOY... OVER?
370
00:14:11,618 --> 00:14:13,448
WELL, I DON'T KNOW
IF HE WAS A BOY.
371
00:14:13,486 --> 00:14:15,556
HE HAD A KIND OF
A YOUNG, WHITE WESLEY SNIPES
372
00:14:15,588 --> 00:14:17,088
KIND OF THING GOIN'.
373
00:14:17,124 --> 00:14:21,264
(line disconnects, dial tone)
GEORGE?
374
00:14:21,294 --> 00:14:23,404
SO SHE'S GOT A GUY OVER.
375
00:14:23,430 --> 00:14:25,130
WHAT IS THE MATTER?
WE'RE GUYS.
376
00:14:25,165 --> 00:14:26,695
I WANT TO TRUST HER,
BUT I DON'T.
377
00:14:26,733 --> 00:14:28,543
GEORGE, AS THE FATHER
OF TWINS,
378
00:14:28,568 --> 00:14:31,068
I CAN TELL YOU, THEY'RE GOING TO
DO EXACTLY WHAT THEY WANNA DO.
379
00:14:31,104 --> 00:14:34,344
TIMES LIKE THESE,
I'M THANKFUL MY WIFE'S BARREN.
380
00:14:34,374 --> 00:14:36,084
(panting)
381
00:14:36,109 --> 00:14:38,249
(Noah) FRED!
WHERE THE HELL HAVE YOU BEEN?
I DID A BAD THING.
382
00:14:38,278 --> 00:14:39,378
(George)
WHERE ARE YOUR PANTS?
383
00:14:39,412 --> 00:14:41,922
I BET THEM!
WHAT ARE YOU GONNA DO?
384
00:14:41,949 --> 00:14:44,019
YOU'RE GONNA BURST IN
ON YOUR 16-YEAR-OLD DAUGHTER
385
00:14:44,051 --> 00:14:46,021
AND TELL HER THAT YOU
DON'T TRUST HER TO BE ALONE
386
00:14:46,053 --> 00:14:49,493
FOR 24 HOURS?
DON'T BE THAT GUY.
I'M SORRY, NOAH.
387
00:14:49,522 --> 00:14:51,662
I'M NOT PROUD OF IT,
BUT I AM THAT GUY.
388
00:14:51,691 --> 00:14:55,231
SHH! I BET EVERYTHING ON A DOG
NAMED "LOSE ALL YOUR MONEY."
389
00:14:55,262 --> 00:14:58,172
I MEAN, I FIGURED A NAME LIKE
THAT'S GOTTA BE IRONIC, RIGHT?
390
00:14:58,198 --> 00:14:59,398
(man on TV) HE GETS
RIGHT ACROSS THE RAIL...
(knock on door)
391
00:14:59,432 --> 00:15:00,402
WHO'S THAT?
392
00:15:00,433 --> 00:15:02,743
TOM-TOM CALLED SOME FREAKS.
393
00:15:02,769 --> 00:15:03,969
WHO'S READY TO PARTY?
394
00:15:04,004 --> 00:15:07,644
I AM! WHOO-HOO!
REALLY?
395
00:15:07,674 --> 00:15:10,514
YEAH! (laughs)
396
00:15:10,543 --> 00:15:12,753
I HAVE SOMETHING
THAT I WANT YOU TO DOCK
397
00:15:12,779 --> 00:15:14,549
IN MY DOCKING STATION.
398
00:15:14,581 --> 00:15:17,121
YEAH. I'LL DOCK IT,
ALL RIGHT.
399
00:15:17,150 --> 00:15:19,250
I'LL DOCK IT ALL NIGHT.
400
00:15:19,286 --> 00:15:21,016
JUST STICK IT IN GENTLY
401
00:15:21,054 --> 00:15:23,664
'CAUSE THE BOTTOM'S
A LITTLE CRACKED.
402
00:15:23,690 --> 00:15:24,620
OOH.
403
00:15:24,657 --> 00:15:26,487
COME ON! OKAY, OKAY, COME ON.
404
00:15:26,526 --> 00:15:27,956
**
405
00:15:27,995 --> 00:15:30,295
COME ON, "LOSE ALL YOUR MONEY"!
406
00:15:30,330 --> 00:15:32,430
NOT LITERALLY.
YOU KNOW WHAT I MEAN.
407
00:15:32,465 --> 00:15:34,225
COME ON!
408
00:15:34,267 --> 00:15:36,667
OHH, NO, NO! (cries)
409
00:15:36,703 --> 00:15:38,743
...VIRTUALLY FROM START
TO FINISH AT...
410
00:15:38,771 --> 00:15:41,171
ALL RIGHT, FRED. HOW MUCH?
411
00:15:41,208 --> 00:15:44,578
UH... 14. $14,000.
412
00:15:44,611 --> 00:15:47,351
YOU LOST $14,000?
413
00:15:47,380 --> 00:15:52,320
NO, I WON $14,000,
AND SHEILA IS GONNA SENSE IT.
414
00:15:52,352 --> 00:15:54,152
WINDFALL!
415
00:15:54,187 --> 00:15:55,757
WHAT?
416
00:15:55,788 --> 00:15:57,488
SCOTT.
417
00:15:57,524 --> 00:16:02,204
RIGHT NOW THIS IS THE ONLY PLACE
IN ALL OF CHATSWIN
418
00:16:02,229 --> 00:16:03,999
WHERE WE CAN ACTUALLY
BE ALONE.
419
00:16:04,031 --> 00:16:07,001
LOOK, TESSA, I LIKE YOU.
I DO.
420
00:16:07,034 --> 00:16:09,604
AND PRE-AFRICA, I WOULD HAVE
EXPRESSED THAT TO YOU
421
00:16:09,636 --> 00:16:11,736
IN A VERY PHYSICAL WAY,
422
00:16:11,771 --> 00:16:16,111
BUT POST-AFRICA,
I NEED TO TAKE THINGS SLOW.
423
00:16:16,143 --> 00:16:18,383
WHY?
424
00:16:18,411 --> 00:16:20,311
(sighs) I SAW THINGS, TESSA--
425
00:16:20,347 --> 00:16:22,747
THINGS I WASN'T READY TO SEE.
426
00:16:22,782 --> 00:16:25,622
(whispers) VAGINAL BIRTH.
427
00:16:25,652 --> 00:16:27,422
AND THERE THEY WERE--
428
00:16:27,454 --> 00:16:30,664
THE TWO WORDS THAT CAN PUT
AN END TO ANY ROMANTIC EVENING.
429
00:16:34,161 --> 00:16:35,631
(kisses)
430
00:16:35,662 --> 00:16:38,372
SO MUCH FOR ALONE TIME
WITH SCOTT.
431
00:16:38,398 --> 00:16:40,568
TONIGHT WAS NOW ABOUT...
(exhales deeply)
432
00:16:40,600 --> 00:16:42,070
BEING ALONE.
433
00:16:45,872 --> 00:16:47,112
COME ON, MAN!
434
00:16:47,140 --> 00:16:48,310
LET'S GO, BUDDY.
OPEN THE DOOR.
435
00:16:48,341 --> 00:16:51,381
GO AWAY! LEAVE ME ALONE!
436
00:16:51,411 --> 00:16:53,551
SHEILA IS GOING TO KILL ME!
437
00:16:53,580 --> 00:16:54,850
IT'S GONNA BE WORSE
THAN THE TIME
438
00:16:54,881 --> 00:16:57,381
SHE CAUGHT ME WATCHING
"WILD THINGS" ON CABLE.
439
00:16:57,417 --> 00:17:00,717
(Noah) OKAY, MAYBE SHE'S GONNA
BE HAPPY WITH THE EXTRA CASH
440
00:17:00,753 --> 00:17:02,393
AND WILL FORGIVE YOU.
441
00:17:02,422 --> 00:17:04,492
HAVE YOU MET MY WIFE?!
442
00:17:04,524 --> 00:17:08,164
SHE IS THE LEAST FORGIVING WOMAN
IN THE WORLD,
443
00:17:08,195 --> 00:17:11,155
AND I WILL NEVER FIND ANYONE
AS WONDERFUL.
444
00:17:11,198 --> 00:17:12,768
HEY, SHE NEVER EVEN
HAS TO KNOW.
445
00:17:12,799 --> 00:17:15,839
YOU CAN DONATE ALL THE MONEY
TO CHARITY.
446
00:17:15,868 --> 00:17:19,338
(panting) I'M ENDING IT!
447
00:17:19,372 --> 00:17:21,072
I'M ENDING IT ALL!
448
00:17:23,610 --> 00:17:25,110
UHH!
449
00:17:25,145 --> 00:17:27,545
I'M CALLING THE HOTEL MANAGER.
YEAH.
450
00:17:27,580 --> 00:17:28,550
(grunts)
451
00:17:28,581 --> 00:17:30,421
I GOT THIS. RELAX.
452
00:17:30,450 --> 00:17:32,850
(chuckles) HEY. FRED, BUDDY.
STEVEN ROYCE.
453
00:17:32,885 --> 00:17:34,745
IS THERE ANY MIRRORS
IN THERE?
454
00:17:34,787 --> 00:17:36,457
YEAH, THERE'S ONE OVER THE SINK,
455
00:17:36,489 --> 00:17:38,589
AND THERE'S ANOTHER ONE
ON THE BACK OF THE DOOR.
456
00:17:38,625 --> 00:17:40,085
OKAY. DO ME A FAVOR.
457
00:17:40,127 --> 00:17:41,587
TAKE A GOOD, HARD LOOK
AT YOURSELF
458
00:17:41,628 --> 00:17:44,698
IN ONE OF THOSE MIRRORS,
OKAY?
OH, THERE'S ALSO A SMALL ONE
IN THE SHOWER--
459
00:17:44,731 --> 00:17:46,431
ONE OF THOSE
NON-FOGGING SHAVE ONES.
460
00:17:46,466 --> 00:17:48,296
JUST ANY MIRROR. DOESN'T MATTER
WHAT KIND OF MIRROR.
461
00:17:48,335 --> 00:17:49,435
JUST PICK A MIRROR, OKAY?
462
00:17:49,469 --> 00:17:51,169
OKAY.
463
00:17:51,204 --> 00:17:53,474
(grunts)
464
00:17:53,506 --> 00:17:55,136
(sighs)
465
00:17:55,175 --> 00:17:56,705
OKAY. I'M LOOKING.
466
00:17:56,743 --> 00:17:59,553
YOU'RE IN A SPIRAL, FRED.
YOU'RE IN A DOWNWARD SPIRAL.
467
00:17:59,579 --> 00:18:01,479
OKAY? THIS IS
AN UGLY SIDE OF YOU,
468
00:18:01,514 --> 00:18:03,924
BUT YOU DON'T HAVE
TO BE UGLY. YOU DON'T.
469
00:18:03,950 --> 00:18:07,250
YOU COULD TAKE STOCK.
MAKE YOURSELF BETTER.
470
00:18:07,287 --> 00:18:08,387
(exhales deeply)
YEAH.
471
00:18:08,421 --> 00:18:10,361
OKAY? THIS IS
AN OPPORTUNITY FOR YOU
472
00:18:10,390 --> 00:18:11,660
TO MAKE YOURSELF BETTER,
473
00:18:11,691 --> 00:18:13,261
TO CHANGE AND BECOME
BETTER THAN WHAT YOU WERE.
474
00:18:13,293 --> 00:18:16,903
NOT YOU TWO. YOU GUYS STAY
EXACTLY THE SAME, OKAY?
475
00:18:16,929 --> 00:18:18,369
I'M GONNA GO SEE MY MOTHER.
476
00:18:18,398 --> 00:18:21,898
I'M GONNA GO CONFRONT
MY STEPFATHER.
477
00:18:21,934 --> 00:18:23,274
NO.
478
00:18:26,439 --> 00:18:27,269
(door opens)
479
00:18:27,307 --> 00:18:28,407
SO SORRY, MAN.
480
00:18:28,441 --> 00:18:31,311
I KNOW--I KNOW THIS WASN'T
EXACTLY WHAT YOU HAD IN MIND.
481
00:18:31,344 --> 00:18:35,754
ARE YOU KIDDING ME, ESE?
FRED ACTUALLY DID THE LOCO.
482
00:18:35,782 --> 00:18:38,892
AND I DOCKED SOMETHING IN
A STRIPPER'S DOCKING STATION.
483
00:18:38,918 --> 00:18:41,348
YEAH.
A-A BROKEN MP3 PLAYER.
484
00:18:41,388 --> 00:18:43,588
STILL.
IT'S PRETTY AWESOME.
485
00:18:43,623 --> 00:18:44,563
(chuckles)
486
00:18:44,591 --> 00:18:46,591
IN FACT, I'M BEAT.
I'M GONNA GO GET SOME REST.
487
00:18:46,626 --> 00:18:49,296
ALL RIGHT, MAN. I'M GONNA...
WAIT A FEW MORE HOURS
488
00:18:49,329 --> 00:18:51,459
TILL THE SUN COMES UP
BEFORE I HIT THE ROAD,
489
00:18:51,498 --> 00:18:53,668
EVEN IF IT KILLS ME.
490
00:18:53,700 --> 00:18:55,700
I DON'T WANT TESSA TO THINK
I DON'T TRUST HER.
491
00:18:55,735 --> 00:18:58,465
SHE'S A GOOD KID.
YOU CAN TRUST HER.
492
00:18:58,505 --> 00:19:01,635
I TRUST HER.
OF COURSE, I'M LESS INVESTED.
493
00:19:01,674 --> 00:19:03,584
(chuckles)
494
00:19:03,610 --> 00:19:04,240
GOOD NIGHT.
495
00:19:04,277 --> 00:19:05,607
GOOD NIGHT.
496
00:19:10,917 --> 00:19:11,847
(door closes)
497
00:19:11,884 --> 00:19:13,424
DAD!
498
00:19:13,453 --> 00:19:15,723
"DAD," HUH? NO "GEORGE"?
499
00:19:15,755 --> 00:19:16,755
ARE YOU ALONE?
500
00:19:16,789 --> 00:19:18,629
YES, OF COURSE I'M ALONE.
I WAS WORRIED ABOUT YOU.
501
00:19:18,658 --> 00:19:20,688
I EVEN SLEPT ON THE COUCH.
I'M SO GLAD YOU'RE HOME.
502
00:19:22,595 --> 00:19:25,925
I SHOULD GO AWAY MORE OFTEN.
503
00:19:25,965 --> 00:19:28,465
(chuckles) THAT WAS A TEST.
YOU PASSED.
504
00:19:28,501 --> 00:19:31,271
YOU PASSED, SENDING YOUR
LITTLE SPY OVER HERE.
505
00:19:31,304 --> 00:19:33,344
YEAH,
I KNEW YOU HAD A BOY HERE.
506
00:19:33,373 --> 00:19:35,483
AND YOU STILL DIDN'T
COME HOME.
507
00:19:36,809 --> 00:19:38,249
YOU TRUSTED ME.
508
00:19:38,278 --> 00:19:41,248
OF COURSE I TRUSTED YOU.
CAN I TRUST YOU?
509
00:19:41,281 --> 00:19:43,781
YES. WHAT?
YOU CAN TRUST ME.
510
00:19:43,816 --> 00:19:45,386
I'M PRACTICALLY AN ADULT.
511
00:19:45,418 --> 00:19:46,918
AN ADULT. REALLY?
512
00:19:46,953 --> 00:19:48,363
SO I GUESS YOU DON'T WANT
THE SALT WATER TAFFY
513
00:19:48,388 --> 00:19:49,418
I BROUGHT HOME FOR YOU,
THEN.
514
00:19:49,456 --> 00:19:51,956
DON'T BE STUPID, GEORGE.
515
00:19:51,991 --> 00:19:53,831
GIVE ME THE TAFFY.
516
00:19:53,860 --> 00:19:56,930
GIVE ME THE BLUE ONE.
517
00:19:56,963 --> 00:19:58,303
I LIKE PINK ANYWAY.
(wrappers rustle)
518
00:20:02,302 --> 00:20:04,242
(door closes quietly)
519
00:20:07,340 --> 00:20:07,970
FRED.
520
00:20:08,007 --> 00:20:09,637
OHH! (exhales deeply)
521
00:20:09,676 --> 00:20:13,546
GOOD LORD, SHEILA.
YOU, UH, YOU STARTLED ME.
522
00:20:13,580 --> 00:20:14,880
IT'S NATURAL TO BE
A LITTLE ON EDGE
523
00:20:14,914 --> 00:20:17,024
AFTER WHAT JUST HAPPENED.
524
00:20:17,049 --> 00:20:18,789
I, UH,
I KNOW YOU ALREADY KNOW,
525
00:20:18,818 --> 00:20:20,748
BUT I-I PLANNED ON
TELLING YOU EVERYTHING.
526
00:20:20,787 --> 00:20:23,787
YOU DON'T HAVE TO RELIVE IT,
FRED.
527
00:20:23,823 --> 00:20:25,263
IT MUST HAVE BEEN
PAINFUL ENOUGH
528
00:20:25,292 --> 00:20:28,532
JUST HAVING BEEN THERE
WHEN ELAINE... PASSED.
529
00:20:28,561 --> 00:20:31,301
WH-WHEN SHE WHAT NOW?
530
00:20:31,331 --> 00:20:33,401
WHEN YOUR AUNT ELAINE DIED.
531
00:20:33,433 --> 00:20:34,503
I TRIED CALLING HER,
BUT THE PHONE
532
00:20:34,534 --> 00:20:36,474
JUST RANG AND RANG AND...
533
00:20:36,503 --> 00:20:38,043
(voice breaks)
THAT'S WHEN I KNEW.
534
00:20:38,070 --> 00:20:40,470
I KNEW YOU KNEW.
535
00:20:40,507 --> 00:20:43,777
AND SO YOU MUST ALSO KNOW
ABOUT THE MONEY.
536
00:20:43,810 --> 00:20:45,350
IS THAT THE WINDFALL?
537
00:20:45,378 --> 00:20:47,078
THE INHERITANCE, YES.
538
00:20:47,113 --> 00:20:49,683
SHE LEFT US $14,000.
539
00:20:49,716 --> 00:20:51,376
MINUS A FEW INCIDENTALS.
540
00:20:51,418 --> 00:20:52,888
(gasps)
541
00:20:52,919 --> 00:20:54,749
I'M BUYING A NEW HOSE.
(laughs)
542
00:20:54,787 --> 00:20:56,757
OH.
543
00:20:56,789 --> 00:20:58,929
OH.
544
00:20:58,958 --> 00:21:00,958
(Tessa) I'M MAKING GRILLED
EGG AND CHEESE! WANT ONE?
545
00:21:00,993 --> 00:21:02,703
YES, I WANT ONE!
546
00:21:02,729 --> 00:21:06,429
**
547
00:21:10,703 --> 00:21:11,773
(music stops)
548
00:21:26,085 --> 00:21:27,315
(under breath)
YOU GOTTA BE KIDDING.
37676
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