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These are the user uploaded subtitles that are being translated: 1 00:00:00,868 --> 00:00:02,298 (crack) FEEL BETTER? 2 00:00:02,336 --> 00:00:04,206 (exhales deeply) THAT FEELS BETTER THAN BETTER. 3 00:00:04,238 --> 00:00:05,538 FEELS LIKE I CAN DO THIS. 4 00:00:05,573 --> 00:00:09,483 (The B-52s' "Rock Lobster" playing) 5 00:00:09,510 --> 00:00:12,510 (Tessa) FRIDAY NIGHT IN CHATSWIN, 6 00:00:12,546 --> 00:00:15,816 AND A REALLY DUMB CHARITY EVENT FOR A REALLY DUMB CHARITY 7 00:00:15,849 --> 00:00:18,349 MEANT INSTEAD OF SEEING MY NEW BOYFRIEND, 8 00:00:18,386 --> 00:00:20,616 SCOTT STRAUSS, I WAS FORCED TO WATCH PARENTS DANCE 9 00:00:20,654 --> 00:00:23,424 WITH THEIR CHILDREN TO "ROCK LOBSTER." 10 00:00:23,457 --> 00:00:25,127 I JUST DON'T THINK IT'S NORMAL 11 00:00:25,159 --> 00:00:27,159 FOR PARENTS TO HANG OUT WITH THEIR KIDS THIS MUCH. 12 00:00:27,195 --> 00:00:30,095 WELL, MY MOM SAYS THAT SHE'S MY ONLY TRUE FRIEND 13 00:00:30,131 --> 00:00:31,431 AND THAT I SHOULD TELL HER EVERYTHING. 14 00:00:31,465 --> 00:00:32,595 AND DO YOU? 15 00:00:32,633 --> 00:00:35,173 I DO, AND SOMETIMES SHE NODS OFF, BUT... 16 00:00:35,203 --> 00:00:36,043 WELL, I'M A PRIVATE PERSON. 17 00:00:36,070 --> 00:00:38,410 I DON'T LIKE PEOPLE KNOWING MY BUSINESS. 18 00:00:38,439 --> 00:00:40,509 (glass clinks) (amplified voice) LADIES AND GENTLEMEN, 19 00:00:40,541 --> 00:00:42,341 I'VE JUST BEEN TOLD BY THE DAVENPORTS 20 00:00:42,376 --> 00:00:45,076 THAT AMANDA GOT HER FIRST PERIOD TODAY. 21 00:00:45,113 --> 00:00:48,283 (cheering) 22 00:00:48,316 --> 00:00:49,146 (Fred, amplified voice) ATTAGIRL! 23 00:00:49,183 --> 00:00:50,553 JUST WANTED TO SHARE THAT NEWS WITH YOU. 24 00:00:50,584 --> 00:00:53,654 AMANDA IS MENSTRUATING. MAZEL TOV, MANDI. 25 00:00:53,687 --> 00:00:54,787 MAZEL TOV. 26 00:00:54,822 --> 00:00:58,262 THERE'S A REAL SENSE OF COMMUNITY. 27 00:00:58,292 --> 00:00:59,832 Captioned by Closed Captioning Services, Inc. 28 00:00:59,860 --> 00:01:04,870 (Alih Jay) * LAST NIGHT I HAD A PLEASANT NIGHTMARE * 29 00:01:04,898 --> 00:01:07,738 * DA-DA-DA-DA, DA, DA, DA, DA * 30 00:01:07,768 --> 00:01:10,568 * ROCK LOBSTER 31 00:01:10,604 --> 00:01:12,244 * MOTION IN THE OCEAN 32 00:01:12,273 --> 00:01:13,213 * OOH-AH 33 00:01:13,241 --> 00:01:14,711 * HIS AIR HOSE BROKE * OOH-AH 34 00:01:14,742 --> 00:01:18,252 WOW. LOOKS LIKE THINGS ARE REALLY HEATING UP 35 00:01:18,279 --> 00:01:20,479 BETWEEN THE TWO OF YOU. 36 00:01:20,514 --> 00:01:22,484 ACCORDING TO ALAN, THERE'S NO SUCH THING 37 00:01:22,516 --> 00:01:24,816 AS BEING OPENLY GAY IN CHATSWIN. 38 00:01:24,852 --> 00:01:26,452 ANYTIME WE GO OUT TOGETHER, 39 00:01:26,487 --> 00:01:28,687 HE'S CONVINCED PEOPLE ARE WATCHING US. 40 00:01:28,722 --> 00:01:30,492 PEOPLE ARE WATCHING YOU. THAT'S WHAT PEOPLE DO HERE. 41 00:01:30,524 --> 00:01:32,264 THEY WATCH EACH OTHER. 42 00:01:32,293 --> 00:01:35,263 * ROCK, ROCK 43 00:01:35,296 --> 00:01:37,726 ** 44 00:01:37,765 --> 00:01:39,925 WHY DON'T YOU GUYS DO SOMETHING OUTSIDE OF CHATSWIN? 45 00:01:39,967 --> 00:01:41,537 AT LEAST YOU HAVE THE OPTION. 46 00:01:41,569 --> 00:01:43,269 THAT'S--THAT'S WHAT I WOULD DO IF I WERE YOU. 47 00:01:43,304 --> 00:01:45,774 (clinks) 48 00:01:45,806 --> 00:01:46,666 (song ends) 49 00:01:46,707 --> 00:01:49,277 THANK YOU, CHATSWINIANS. 50 00:01:49,310 --> 00:01:51,610 LIVING IN A WAR-TORN COUNTRY 51 00:01:51,645 --> 00:01:55,945 CAN PUT AN ENORMOUS AMOUNT OF STRAIN ON THE LUMBAR REGION. 52 00:01:55,983 --> 00:02:01,463 NOW WITH YOUR HELP, THE C.W.B. CAN CORRECT SPINAL ALIGNMENT 53 00:02:01,489 --> 00:02:04,959 REGARDLESS OF POLITICAL ALIGNMENT. 54 00:02:04,992 --> 00:02:06,792 TAKE A LOOK. 55 00:02:06,827 --> 00:02:08,857 BORING! RAFFLE! 56 00:02:08,896 --> 00:02:11,596 CAN WE GET THE RAFFLE GOING? 57 00:02:11,632 --> 00:02:14,342 OKAY. I KNOW WE'RE ALL ANXIOUS TO GET TO THIS, 58 00:02:14,368 --> 00:02:17,568 SO WITHOUT FURTHER ADO, LET'S RAFFLE OFF 59 00:02:17,605 --> 00:02:20,965 THE ALL-EXPENSE-PAID TRIP TO ATLANTIC CITY! 60 00:02:21,008 --> 00:02:23,638 JERSEY, BABY! 61 00:02:23,677 --> 00:02:24,677 WHEN I WIN, YOU'RE COMING WITH ME. 62 00:02:24,712 --> 00:02:27,182 WE'RE FINALLY GONNA HAVE A PROPER GUYS' NIGHT OUT. 63 00:02:27,215 --> 00:02:28,445 OH, WHAT ARE YOU-- WHAT ARE YOU TALKING ABOUT? 64 00:02:28,482 --> 00:02:30,282 WE JUST SAW "300" TOGETHER. 65 00:02:30,318 --> 00:02:31,618 "300" WAS LIKE A MILLION YEARS AGO, 66 00:02:31,652 --> 00:02:32,652 AND IT WAS A MATINEE. 67 00:02:32,686 --> 00:02:34,716 AND I TREATED YOU TO SNO-CAPS. 68 00:02:34,755 --> 00:02:38,355 OF WHICH I HAD THREE. YOU WERE SAVING THE REST FOR TESSA. 69 00:02:38,392 --> 00:02:41,202 SHE LIKES SNO-CAPS. SO DO I, GEORGE. ALL RIGHT? 70 00:02:41,229 --> 00:02:42,929 ALL RIGHT, YOU'RE SO BUSY BEING FATHER OF THE YEAR, 71 00:02:42,963 --> 00:02:44,633 YOU FORGET TO BE FRIEND OF THE NOAH... 72 00:02:44,665 --> 00:02:45,695 OF THE YEAR. 73 00:02:45,733 --> 00:02:47,573 (Fred) GET YOUR TICKETS READY, EVERYBODY. HERE WE GO. 74 00:02:56,644 --> 00:02:59,354 (microphone thuds) (amplified voice) AHEM. 75 00:02:59,380 --> 00:03:00,910 4... 76 00:03:00,948 --> 00:03:02,718 7... 77 00:03:02,750 --> 00:03:04,520 3-TEEN. 78 00:03:04,552 --> 00:03:06,022 I BELIEVE IT'S PRONOUNCED "THIRTEEN." 79 00:03:06,053 --> 00:03:08,493 YOU KNOW, I DIDN'T CRITICIZE YOUR STUPID SPEECH. 80 00:03:08,522 --> 00:03:09,862 (George) HEY! 81 00:03:09,890 --> 00:03:11,590 HA HA! YEAH! I GOT IT! (crowd murmuring) 82 00:03:11,625 --> 00:03:12,685 I WON! WE HAVE A WINNER. 83 00:03:12,726 --> 00:03:14,526 (George laughs) YEAH. (scattered applause) 84 00:03:14,562 --> 00:03:17,472 GREAT. PERFECT. I'M SURE YOU AND TESSA WILL HAVE A BLAST. 85 00:03:17,498 --> 00:03:18,898 OH, COME ON. DON'T BE A BABY. 86 00:03:18,932 --> 00:03:20,832 NO, NO. I'M SURE THAT SHE'LL APPRECIATE 87 00:03:20,868 --> 00:03:23,238 THE ALL-YOU-CAN-EAT PRIME RIB AND DON RICKLES. 88 00:03:23,271 --> 00:03:25,411 NOAH, WOULD YOU DO ME THE HONOR OF ACCOMPANYING ME 89 00:03:25,439 --> 00:03:26,639 TO ATLANTIC CITY? 90 00:03:26,674 --> 00:03:28,784 WE CAN DO OUR-- OUR GUYS' NIGHT OUT. 91 00:03:28,809 --> 00:03:30,239 ALL THE SNO-CAPS YOU CAN EAT. 92 00:03:30,278 --> 00:03:31,608 (thud) DON'T TOY WITH ME. 93 00:03:31,645 --> 00:03:33,675 NOR ME. GENTLEMEN, DID I HEAR SOMETHING 94 00:03:33,714 --> 00:03:37,294 ABOUT A GUYS' NIGHT OUT? FOR I STAND BEFORE YOU, A GUY. 95 00:03:37,318 --> 00:03:38,348 PISS OFF, FRED. 96 00:03:38,386 --> 00:03:39,916 OH, COME ON. THE ROOM SLEEPS SIX. 97 00:03:39,953 --> 00:03:40,993 IF WE'RE GONNA DO THIS, 98 00:03:41,021 --> 00:03:43,391 THE MORE, THE MERRIER, RIGHT? THE MORE, THE MERRIER? 99 00:03:43,424 --> 00:03:45,334 ALEX AND I WOULD LOVE, LOVE, LOVE THE CHANCE 100 00:03:45,359 --> 00:03:46,889 TO ESCAPE OUR OLD BALLS AND CHAINS. 101 00:03:46,927 --> 00:03:49,757 SOMETIMES YOU JUST NEED TO GET DOWN WITH YOUR HOMEBOYS. 102 00:03:49,797 --> 00:03:51,427 (imitates B-Real) WHO YOU TRYING TO GET CRAZY WITH, ESE? 103 00:03:51,465 --> 00:03:54,065 DON'T YOU KNOW I'M LOCO? 104 00:03:54,101 --> 00:03:55,441 (normal voice) THAT'S A CYPRESS HILL REFERENCE 105 00:03:55,469 --> 00:03:57,409 FOR THE UNINITIATED. (chuckles) 106 00:03:57,438 --> 00:03:59,938 FRED, DON'T YOU HAVE TO CHECK WITH SHEILA FIRST? 107 00:03:59,973 --> 00:04:01,413 (sighs) YOU MAY NOT REALIZE THIS, NOAH, 108 00:04:01,442 --> 00:04:04,042 BUT I HAVE SHEILA IN CHECK. (chuckles) 109 00:04:04,077 --> 00:04:05,677 (voice breaking) IT'S BAD, SHEILA. 110 00:04:05,713 --> 00:04:07,283 IT'S REAL BAD. 111 00:04:07,315 --> 00:04:08,945 IT'S--IT'S LOOKING LIKE SHE MIGHT NOT MAKE IT. 112 00:04:08,982 --> 00:04:12,492 OH, POOR AUNT ELAINE. BLESS HER HEART. 113 00:04:12,520 --> 00:04:14,790 (gasps) I KNOW HOW DEAR SHE IS TO YOU. 114 00:04:14,822 --> 00:04:16,522 (whispers) OH, SHE'S VERY DEAR. 115 00:04:16,557 --> 00:04:18,387 THE MOST DEAR. 116 00:04:18,426 --> 00:04:19,786 AND IF I DON'T RUSH TO HER SIDE, 117 00:04:19,827 --> 00:04:21,997 SHE MAY NOT HAVE A SIDE TO RUSH TO. 118 00:04:22,029 --> 00:04:25,299 OH, FRED. YOUR FAVORITE AUNT. 119 00:04:25,333 --> 00:04:27,903 OH, COME HERE. LET ME ROCK YOU. 120 00:04:27,935 --> 00:04:30,335 LET ME ROCK YOU. 121 00:04:30,371 --> 00:04:34,541 OHH. 122 00:04:34,575 --> 00:04:37,445 FRED, DID I JUST FEEL YOU GIVE THE THUMBS UP? 123 00:04:37,478 --> 00:04:38,678 OKAY, THIS--THIS IS NOT ONE 124 00:04:38,712 --> 00:04:40,112 OF THOSE "RISKY BUSINESS" TYPE SITUATIONS 125 00:04:40,147 --> 00:04:41,817 WHERE YOU DANCE AROUND IN YOUR UNDERWEAR, 126 00:04:41,849 --> 00:04:42,879 AND THEN YOU HAVE A FEW FRIENDS OVER, 127 00:04:42,916 --> 00:04:44,316 AND SUDDENLY YOU START A BROTHEL 128 00:04:44,352 --> 00:04:45,722 AND WIND UP SINGING ON A FLOAT IN A PARADE. 129 00:04:45,753 --> 00:04:47,693 DAD, YOU'RE-- YOU'RE MIXING TEEN MOVIES. 130 00:04:47,721 --> 00:04:50,591 THIS IS MORE LIKE AN EPISODE OF "LITTLE HOUSE ON THE PRAIRIE" 131 00:04:50,624 --> 00:04:52,364 WHERE PA GOES OFF TO THE MERCANTILE, 132 00:04:52,393 --> 00:04:54,433 AND I STAY HOME TO LOOM YOU SOME PANTS. 133 00:04:54,462 --> 00:04:56,102 PERFECT. I'M A 32 LONG. 134 00:04:56,129 --> 00:04:57,899 BUT SERIOUSLY, NO PARTIES. 135 00:04:57,931 --> 00:04:59,701 IT'S BEEN SAID, AND YOU HEARD IT. OKAY. 136 00:04:59,733 --> 00:05:00,973 OKAY, YOU HAVE MY CELL PHONE NUMBER. 137 00:05:01,001 --> 00:05:02,141 UH, I LEFT THE NUMBER OF THE HOTEL 138 00:05:02,169 --> 00:05:05,039 IN CASE ANYTHING GOES WRONG. WHAT IF SOMETHING GOES WRONG? 139 00:05:05,072 --> 00:05:06,712 DAD. 140 00:05:06,740 --> 00:05:08,110 THIS IS CHATSWIN. 141 00:05:08,141 --> 00:05:09,781 NOTHING GOES WRONG IN CHATSWIN. 142 00:05:09,810 --> 00:05:11,580 ISN'T THAT THE WHOLE REASON PEOPLE LIVE HERE? 143 00:05:17,518 --> 00:05:19,118 (door opens) 144 00:05:19,152 --> 00:05:20,722 BUT WITH ANY LUCK, 145 00:05:20,754 --> 00:05:22,424 SCOTT AND I WERE GOING TO GO WRONG 146 00:05:22,456 --> 00:05:23,986 IN EVERY ROOM OF THIS HOUSE. 147 00:05:27,395 --> 00:05:31,625 (Cypress Hill's "Insane in the Brain" playing) 148 00:05:31,665 --> 00:05:33,925 * TO THE ONE ON THE FLAMBOYANT TEMPER * 149 00:05:33,967 --> 00:05:36,067 * I JUST TOSS THAT HAM IN THE FRYING PAN * 150 00:05:36,103 --> 00:05:38,813 * LIKE SPAM, IT'S DONE WHEN I COME IN, SLAM * 151 00:05:38,839 --> 00:05:40,809 * DAMN, I FEEL LIKE THE SON OF SAM * 152 00:05:40,841 --> 00:05:41,741 (record needle scratches, music stops) 153 00:05:41,775 --> 00:05:42,775 OH. 154 00:05:47,047 --> 00:05:48,847 (laughs) HEY, ALL RIGHT. 155 00:05:48,882 --> 00:05:52,552 YOU GUYS, WE ARE GOING TO PARTY LIKE IT'S OUR BIRTHDAYS. WHOO! 156 00:05:52,586 --> 00:05:55,586 (clink) ADD A RASPBERRY, GEORGE. YOU'LL THANK ME. 157 00:05:55,623 --> 00:05:57,793 DON'T MIND IF I DO. THANKS FOR GUILTING ME INTO THIS, MAN. 158 00:05:57,825 --> 00:05:59,055 I DON'T DO THIS KIND OF THING ENOUGH. 159 00:05:59,092 --> 00:06:01,562 THIS IS GONNA BE FUN. ARE YOU KIDDING ME? 160 00:06:01,595 --> 00:06:03,925 THIS IS GONNA BE... (mouth full) A LOT OF FUN, HMM? (laughs) (clink) 161 00:06:09,002 --> 00:06:10,702 FRED? 162 00:06:10,738 --> 00:06:13,138 OH, UH, GAMBLING IS HAPPENING. 163 00:06:13,173 --> 00:06:15,513 GAMBLING IS HAPPENING IN THIS BUILDING. 164 00:06:15,543 --> 00:06:17,753 I'M SO CLOSE TO THE GAMBLING. 165 00:06:17,778 --> 00:06:20,078 WH-WHAT'S GOING ON? OH! NOW I REMEMBER. 166 00:06:20,113 --> 00:06:22,753 FRED HAS A REALLY SERIOUS GAMBLING PROBLEM. 167 00:06:22,783 --> 00:06:24,753 THIS IS BAD. I'M SWEATY AND NERVOUS 168 00:06:24,785 --> 00:06:26,145 AND A LITTLE BIT HORNY. 169 00:06:26,186 --> 00:06:27,686 ALL RIGHT, BUDDY. 170 00:06:27,721 --> 00:06:29,921 HEY, RELAX. OKAY. 171 00:06:29,957 --> 00:06:32,857 IT'S GONNA BE FINE. HAVE SOME CHAMPAGNE. OKAY. 172 00:06:32,893 --> 00:06:34,703 THANK YOU. HERE YOU GO. 173 00:06:34,728 --> 00:06:36,498 (chuckles) I'M TREMBLING. 174 00:06:36,530 --> 00:06:38,130 I'M GONNA GAMBLE ALL MY MONEY. 175 00:06:38,165 --> 00:06:39,765 YOU KNOW, I'M GONNA GAMBLE AND TREMBLE 176 00:06:39,800 --> 00:06:41,770 UNTIL I LOSE ALL MY MONEY. THAT'S WHAT... (gulps) 177 00:06:41,802 --> 00:06:43,672 MAYBE I SHOULD TAKE THAT, ACTUALLY. 178 00:06:43,704 --> 00:06:45,744 FRED, YOU CAN HAVE FUN WITHOUT GAMBLING. 179 00:06:45,773 --> 00:06:48,243 JUST DON'T GAMBLE. WE WON'T LET YOU GAMBLE. 180 00:06:48,275 --> 00:06:51,645 OKAY. (inhales deeply) 181 00:06:51,679 --> 00:06:52,909 UH... NOW, UH, 182 00:06:52,946 --> 00:06:55,946 THIS PILE IS FOR BLACK. THIS PILE IS FOR RED. 183 00:06:55,983 --> 00:06:58,523 CAN'T LOSE THAT WAY. (chuckles) NOW SLOTS ARE FOR FOOLS, 184 00:06:58,552 --> 00:07:00,022 BUT I'LL TAKE A STAB AT 'EM. 185 00:07:00,053 --> 00:07:02,263 (clinking) 186 00:07:02,289 --> 00:07:03,859 FRED, LET US HELP YOU-- 187 00:07:03,891 --> 00:07:05,491 DON'T TOUCH MY MONEY, BITCH! 188 00:07:05,526 --> 00:07:09,756 OKAY. REMAIN CALM. EVERYTHING'S GONNA BE ALL RIGHT. 189 00:07:09,797 --> 00:07:11,257 FRED, TAKE A DEEP BREATH. 190 00:07:11,298 --> 00:07:12,568 YEAH. 191 00:07:12,600 --> 00:07:15,970 (inhales and exhales deeply) 192 00:07:16,003 --> 00:07:18,673 OKAY. OKAY. 193 00:07:18,706 --> 00:07:20,136 IT'S FRED. (chuckles) 194 00:07:20,173 --> 00:07:22,143 FRED'S BACK. (chuckles) SORRY. 195 00:07:22,175 --> 00:07:24,205 I WENT A LITTLE NUTS THERE. THANK YOU. 196 00:07:24,244 --> 00:07:26,154 WHY DON'T YOU, UH, WHY DON'T YOU GET FRESHENED UP? 197 00:07:26,179 --> 00:07:28,219 SPLASH SOME WATER ON YOUR FACE. PUT ON A DIFFERENT SHIRT. 198 00:07:28,248 --> 00:07:30,718 YOU LOOK A LITTLE CLAMMY. CHANGE THOSE SHORTS. 199 00:07:30,751 --> 00:07:32,191 (whispers) SHORTS. OKAY. 200 00:07:32,219 --> 00:07:33,649 (normal voice) THANK YOU. 201 00:07:33,687 --> 00:07:34,817 THANK YOU, YOU GUYS. 202 00:07:34,855 --> 00:07:37,215 I REALLY... 203 00:07:37,257 --> 00:07:39,787 I JUST WANT YOU TO KNOW... 204 00:07:39,827 --> 00:07:44,297 I FEEL INCREDIBLY CLOSE TO YOU ALL RIGHT NOW. 205 00:07:44,331 --> 00:07:47,031 BUT I WILL SLASH YOUR FACE... 206 00:07:47,067 --> 00:07:49,567 IN ORDER TO GAMBLE. 207 00:07:49,603 --> 00:07:52,013 (chuckles) 208 00:07:52,039 --> 00:07:53,139 (door closes) 209 00:07:53,173 --> 00:07:55,943 YOU CAN'T SEDUCE SCOTT IN THAT. IT HAS TOO MANY BUTTONS. 210 00:07:55,976 --> 00:07:58,946 DON'T WEAR ANYTHING TOO COMPLICATED. 211 00:07:58,979 --> 00:08:01,519 YEAH. IF SCOTT AND I DON'T MAKE IT 212 00:08:01,549 --> 00:08:03,049 PAST THE HAND-HOLDING STAGE-- 213 00:08:03,083 --> 00:08:06,653 YOU WILL LOSE HIM. CORRECT. 214 00:08:06,687 --> 00:08:08,257 AND THAT'S WHY WE'RE GONNA BE DOING A LOT MORE TONIGHT 215 00:08:08,288 --> 00:08:09,858 THAN WE'RE COMFORTABLE WITH. 216 00:08:09,890 --> 00:08:10,760 "WE"? 217 00:08:10,791 --> 00:08:13,961 WE'RE GONNA GIVE SCOTT EVERYTHING WE HAVE, 218 00:08:13,994 --> 00:08:15,834 EVEN THE THINGS THAT HURT. 219 00:08:19,933 --> 00:08:22,173 WHAT IS THAT? 220 00:08:22,202 --> 00:08:23,742 IT'S MY LOVE BOX, 221 00:08:23,771 --> 00:08:25,671 AND I AM LENDING IT TO YOU FOR TONIGHT. 222 00:08:28,976 --> 00:08:31,006 OH. (chuckles) OKAY. 223 00:08:31,044 --> 00:08:32,884 (blows raspberry) 224 00:08:32,913 --> 00:08:36,283 LISA, I THINK YOU HAVE THE WRONG IDEA ABOUT TONIGHT. 225 00:08:36,316 --> 00:08:38,686 I WAS PLANNING ON KEEPING IT SYRUP-FREE. 226 00:08:38,719 --> 00:08:40,919 JUST AN OLD SCHOOL MAKE-OUT SESH. 227 00:08:40,954 --> 00:08:43,164 TESSA, YOU SOUND LIKE A FOOL. 228 00:08:43,190 --> 00:08:45,760 SCOTT'S AN OLDER GUY WITH OLDER GUY NEEDS. 229 00:08:45,793 --> 00:08:48,333 HE'S BEEN TO AFRICA. 230 00:08:48,361 --> 00:08:50,131 AFRICA. 231 00:08:50,163 --> 00:08:53,303 HE'S GONNA WANNA GO TRIBAL ON YOU. 232 00:08:53,333 --> 00:08:55,173 ARE YOU SURE THAT'S NOT OFFENSIVE? 233 00:08:55,202 --> 00:08:59,942 (bells dinging) 234 00:08:59,973 --> 00:09:02,843 (strained voice) LOOK HOW SHE'S LOOKING AT ME, GEORGE. 235 00:09:02,876 --> 00:09:04,776 DIRTY GIRL. 236 00:09:04,812 --> 00:09:07,152 HEY, HAVE YOU EATEN? CAN I BUY YOU A BURGER? 237 00:09:07,180 --> 00:09:09,380 HERE. 238 00:09:09,416 --> 00:09:13,616 (sighs) 239 00:09:13,654 --> 00:09:15,294 HAVEN'T HEARD FROM THE LITTLE ONE, HUH? 240 00:09:15,322 --> 00:09:17,322 YEAH, SHE'LL CHECK IN WITH ME. I'M NOT GONNA HOUND HER. 241 00:09:19,927 --> 00:09:21,927 SHE'S PROBABLY HIGH AS A KITE RIGHT NOW 242 00:09:21,962 --> 00:09:24,102 AND MAKING LOVE TO A TRINIDADIAN MAN. 243 00:09:24,131 --> 00:09:26,401 IT'S NOT GONNA WORK, FRED. YOU'RE NOT GONNA SCARE ME OFF. 244 00:09:26,433 --> 00:09:28,873 WHY WOULD I SCARE YOU OFF? THERE'S NOTHING TO BE SCARED OF. 245 00:09:28,902 --> 00:09:30,902 TESSA'S PERFECTLY TRUSTWORTHY. 246 00:09:30,938 --> 00:09:32,368 (coins clinking) 247 00:09:32,405 --> 00:09:34,975 I'M SURE YOU WERE, TOO, AT THAT AGE. 248 00:09:35,008 --> 00:09:37,678 (bell ringing, indistinct conversations) 249 00:09:37,711 --> 00:09:38,951 YOU THINK IT'D BE WEIRD IF I HAD DALLAS STOP IN, 250 00:09:38,979 --> 00:09:40,209 CHECK IN ON HER? 251 00:09:40,247 --> 00:09:41,977 NO, NOT AT ALL. 252 00:09:42,015 --> 00:09:44,375 WHEW! NICE WORKOUT THERE, SHEILA. 253 00:09:44,417 --> 00:09:45,947 BETWEEN YOUR UNSTOPPABLE BACKHAND 254 00:09:45,986 --> 00:09:47,346 AND MY DILIGENCE AT THE NET, 255 00:09:47,387 --> 00:09:50,157 WE ARE GONNA DOMINATE THE MID-MORNING WINTER LEAGUE. 256 00:09:50,190 --> 00:09:52,790 (cell phone rings) OH. HEY, GEORGE! 257 00:09:52,826 --> 00:09:54,256 HEY. YOU GOT A SECOND? 258 00:09:54,294 --> 00:09:56,064 YEAH. WHAT'S CRACK-A-LACKIN'? 259 00:09:56,096 --> 00:09:59,066 OH, NOTHIN'. UH, IT'S JUST THAT TESSA IS HOME ALONE 260 00:09:59,099 --> 00:10:02,269 FOR THE WEEKEND, AND I'M... A LITTLE NERVOUS 261 00:10:02,302 --> 00:10:05,072 SHE MIGHT CAVE AND THROW A PARTY OR SOMETHING. 262 00:10:05,105 --> 00:10:06,165 Oh, my gosh. 263 00:10:06,206 --> 00:10:08,006 I HOPE SHE INVITES ME IF SHE DOES. 264 00:10:08,041 --> 00:10:10,811 NO, NO, WE DON'T WANT AN UNCHAPERONED PARTY. 265 00:10:10,844 --> 00:10:12,754 IT'S NOT THAT I DON'T TRUST HER. I DO. 266 00:10:12,780 --> 00:10:16,880 I JUST--WELL, I-I-I'D LIKE YOU TO CHECK ON HER FOR ME. 267 00:10:16,917 --> 00:10:19,147 WELL, IT DOESN'T SOUND LIKE YOU TRUST HER. 268 00:10:19,186 --> 00:10:21,086 WHO IS THAT? IS THAT FRED? 269 00:10:21,121 --> 00:10:23,091 W-WELL, I'LL TRUST HER A LOT MORE 270 00:10:23,123 --> 00:10:24,833 ONCE I KNOW FOR SURE NOTHING'S GOING ON. 271 00:10:24,858 --> 00:10:27,898 LISTEN, GEORGE, I CONSIDER TESSA TO BE ONE OF MY BEST FRIENDS, 272 00:10:27,928 --> 00:10:30,658 AND YOU ARE PUTTING ME IN A DIFFICULT SPOT. 273 00:10:30,698 --> 00:10:32,298 COME ON, DALLAS. Well... 274 00:10:32,332 --> 00:10:34,102 STEVEN IS IN SINGAPORE THIS WEEKEND, 275 00:10:34,134 --> 00:10:36,844 AND DALIA'S AT BRAID CAMP, SO I GUESS I COULD. 276 00:10:36,870 --> 00:10:40,670 BUT I'M NOT GONNA CHECK IN AS SOME BUSYBODY NEIGHBOR. 277 00:10:40,708 --> 00:10:44,708 I'LL JUST SEE IF SHE WANTS TO HANG... AS A FRIEND. 278 00:10:44,745 --> 00:10:46,145 THANK YOU. 279 00:10:46,179 --> 00:10:47,949 WHAT IS IT? 280 00:10:47,981 --> 00:10:50,751 I THOUGHT FOR SURE THAT WAS FRED. 281 00:10:50,784 --> 00:10:52,094 I SENSED FRED ON THAT CALL. 282 00:10:52,119 --> 00:10:53,989 WHAT ARE YOU TALKING ABOUT? 283 00:10:54,021 --> 00:10:55,121 WE HAVE A PSYCHIC CONNECTION. 284 00:10:55,155 --> 00:10:57,185 IF FRED EVEN EATS SOMETHING THAT DOESN'T AGREE WITH HIM, 285 00:10:57,224 --> 00:10:58,864 I CAN SENSE IT. 286 00:10:58,892 --> 00:11:00,092 (gags) 287 00:11:00,127 --> 00:11:02,757 I THINK HE JUST ATE SOMETHING THAT DIDN'T AGREE WITH HIM. UGH. 288 00:11:02,796 --> 00:11:06,726 OOCHIES. THIS JUST IN-- THOUSAND ISLAND BITES BACK. 289 00:11:06,767 --> 00:11:09,067 (chuckles) 290 00:11:09,102 --> 00:11:12,372 HEY, IS THAT STEVEN ROYCE? WHAT A COINCIDENCE. 291 00:11:12,405 --> 00:11:14,105 (George) I THOUGHT HE WAS IN SINGAPORE. 292 00:11:14,141 --> 00:11:15,711 DO ME A FAVOR. DON'T CALL HIM OVER HERE. 293 00:11:15,743 --> 00:11:18,953 STEVE-O! 294 00:11:18,979 --> 00:11:21,309 FINALLY, SOME TIME ALONE WITH SCOTT. 295 00:11:21,348 --> 00:11:23,848 NOW IF I COULD JUST GET HIM TO FOCUS ON ME INSTEAD OF... 296 00:11:23,884 --> 00:11:25,494 AND THAT'S BASICALLY HOW YOU MAKE 297 00:11:25,518 --> 00:11:27,218 A TRADITIONAL ZAMBIAN EATING MAT, 298 00:11:27,254 --> 00:11:29,394 OR MPHASA. 299 00:11:29,422 --> 00:11:32,192 BUT BIGGER AND LESS PLASTIC. 300 00:11:32,225 --> 00:11:35,195 SCOTT, I'M SURE YOU GET THIS A LOT, BUT YOU'RE FASCINATING. 301 00:11:35,228 --> 00:11:36,998 I WOULD LOVE TO TRAVEL LIKE YOU DID. 302 00:11:37,030 --> 00:11:41,870 WELL, IT'LL CHANGE YOU, FROM THE INSIDE OUT. 303 00:11:41,902 --> 00:11:45,242 BUT BE PREPARED. AFRICA'S ALSO FILLED WITH POVERTY AND DISEASE. 304 00:11:45,272 --> 00:11:48,782 YOU HAVE... REALLY BROWN EYES. 305 00:11:48,809 --> 00:11:50,209 THANKS. 306 00:11:50,243 --> 00:11:53,513 I MET A MAN IN AFRICA WHO DIDN'T EVEN HAVE EYES. 307 00:11:53,546 --> 00:11:55,016 (sighs) SCOTT... 308 00:11:55,048 --> 00:11:56,778 I KNOW YOU'RE REALLY POLITICAL 309 00:11:56,817 --> 00:11:59,187 AND YOU HAVE ALL THIS GLOBAL AWARENESS. 310 00:11:59,219 --> 00:12:02,559 I THINK THAT'S GREAT, BUT... 311 00:12:02,589 --> 00:12:07,059 DON'T YOU WANNA... GET TRIBAL ON ME? 312 00:12:07,094 --> 00:12:08,364 THAT'S OFFENSIVE. 313 00:12:10,263 --> 00:12:12,103 I THINK. 314 00:12:12,132 --> 00:12:14,432 (doorbell rings) 315 00:12:14,467 --> 00:12:16,767 HEY. (chuckles) GEORGE, WHAT ARE YOU, UH, 316 00:12:16,804 --> 00:12:18,314 WHAT ARE YOU DOING IN THE A.C.? 317 00:12:18,338 --> 00:12:21,008 YEAH, STEVEN, WHAT A SURPRISE. I HEARD YOU WERE IN SINGAPORE. 318 00:12:21,041 --> 00:12:22,981 WHO SAID THAT? DALLAS. 319 00:12:23,010 --> 00:12:24,980 WELL, YOU SURE LIKE TALKING TO MY WIFE A LOT. 320 00:12:25,012 --> 00:12:27,552 AND WHO COULD BLAME YOU? SHE'S A VERY BEAUTIFUL WOMAN. 321 00:12:27,580 --> 00:12:30,050 YEAH, SO IS SHE. HUH? 322 00:12:30,083 --> 00:12:31,853 I DON'T LIKE TO EAT ALONE, YOU KNOW? 323 00:12:31,885 --> 00:12:34,015 IT, UH, MAKES ME DEPRESSED, AND IT LOWERS MY METABOLISM. 324 00:12:34,054 --> 00:12:36,564 AND BY ANY CHANCE YOU DO TALK TO MY WIFE AGAIN, 325 00:12:36,589 --> 00:12:38,459 I WAS IN SINGAPORE. 326 00:12:38,491 --> 00:12:41,031 I HAVE VERY IMPORTANT BUSINESS IN SINGAPORE. 327 00:12:41,061 --> 00:12:42,161 THEY WANT ME TO MOVE THERE. 328 00:12:42,195 --> 00:12:44,325 REALLY? WOW. THAT SOUNDS GREAT. 329 00:12:44,364 --> 00:12:45,904 YOU THINK? EVEN THOUGH I'D HAVE TO LEAVE 330 00:12:45,933 --> 00:12:47,843 DALLAS AND DALIA BEHIND FOR A BETTER PART OF A YEAR? 331 00:12:47,868 --> 00:12:49,468 WELL, THAT'S WHAT SKYPE'S FOR, RIGHT? 332 00:12:49,502 --> 00:12:52,072 THAT IS WHAT SKYPE IS FOR. YOU KNOW WHAT, GEORGE? 333 00:12:52,105 --> 00:12:53,565 DAMN IT. YOU'RE A SMART GUY. 334 00:12:53,606 --> 00:12:55,876 I THINK I MIGHT HAVE UNDERESTIMATED YOU. YEAH, WELL... 335 00:12:55,909 --> 00:12:58,809 AND PLUS YOU'LL BE THERE IN CASE ANYTHING GOES WRONG, RIGHT? HUH? 336 00:12:58,846 --> 00:13:00,906 IT'S CHATSWIN. NOTHING GOES WRONG IN CHATSWIN. 337 00:13:00,948 --> 00:13:03,178 ISN'T THAT THE WHOLE REASON PEOPLE LIVE THERE? 338 00:13:03,216 --> 00:13:05,386 (bell ringing) 339 00:13:05,418 --> 00:13:08,058 HOLY CRAP. YOU'LL HAVE TO EXCUSE ME. WHAT'S WRONG? 340 00:13:08,088 --> 00:13:09,888 I JUST REALIZED MY DAUGHTER WAS A BIT TOO ANXIOUS 341 00:13:09,923 --> 00:13:12,493 TO GET RID OF ME THIS MORNING. 342 00:13:12,525 --> 00:13:13,485 WHERE'S--WHERE'S FRED? 343 00:13:13,526 --> 00:13:15,326 FRED? OH, HE CRAWLED OUT, LIKE, TEN MINUTES AGO. 344 00:13:15,362 --> 00:13:16,832 UGH! 345 00:13:20,233 --> 00:13:22,273 DALLAS, WHAT ARE YOU DOING HERE? 346 00:13:22,302 --> 00:13:25,172 WELL, I'M ON THE DOLO TONIGHT, AND SINCE YOU ARE, TOO, 347 00:13:25,205 --> 00:13:28,875 I THOUGHT WE COULD CHILLAX OR... GET JIGGY. YOUR CHOICE. 348 00:13:28,909 --> 00:13:30,979 OH. 349 00:13:31,011 --> 00:13:32,411 OH, I SEE WHAT THIS IS. 350 00:13:32,445 --> 00:13:34,245 GEORGE SENT YOU HERE TO SPY ON ME. 351 00:13:34,281 --> 00:13:35,981 (laughs) WHAT? 352 00:13:36,016 --> 00:13:38,386 I DON'T KNOW. I AM ON THE DOLO. 353 00:13:38,418 --> 00:13:40,218 YOU CAN'T HIDE BEHIND URBAN STREET SLANG, DALLAS. 354 00:13:40,253 --> 00:13:42,293 I SEE RIGHT THROUGH YOU. 355 00:13:42,322 --> 00:13:44,292 AND THIS IS AN INVASION OF MY PRIVACY. 356 00:13:44,324 --> 00:13:46,234 YOU CAN TELL THAT TO GEORGE. 357 00:13:46,259 --> 00:13:47,559 (whispers) HE'S A FOX. 358 00:13:47,594 --> 00:13:49,064 DON'T TELL THAT TO GEORGE. 359 00:13:49,096 --> 00:13:51,356 SO EVERYTHING SEEMED QUIET THERE? REAL COZY. 360 00:13:51,398 --> 00:13:53,868 C-COZY? WHAT-- WHAT--WHAT'S THAT MEAN--COZY? 361 00:13:53,901 --> 00:13:56,001 WELL, COMFY-COZY. NO ONE WAS DRUNK, 362 00:13:56,036 --> 00:13:58,936 NOT TOO KRUNK. THE JOINT WAS ON POINT, PRETTY MUCH. 363 00:13:58,972 --> 00:14:00,072 WHAT ARE YOU TALKING ABOUT? 364 00:14:00,107 --> 00:14:01,437 STOP CONFUSING ME WITH STREET SLANG. 365 00:14:01,474 --> 00:14:03,984 OH, GEORGE, YOU HAVE NOTHING TO WORRY ABOUT. 366 00:14:04,011 --> 00:14:05,211 TESSA'S A GREAT GIRL, 367 00:14:05,245 --> 00:14:07,645 AND THAT BOY SHE HAD OVER WAS SUPER NICE. 368 00:14:07,680 --> 00:14:09,080 FULLY CLOTHED. 369 00:14:09,116 --> 00:14:11,576 SHE--SHE HAD A-A BOY... OVER? 370 00:14:11,618 --> 00:14:13,448 WELL, I DON'T KNOW IF HE WAS A BOY. 371 00:14:13,486 --> 00:14:15,556 HE HAD A KIND OF A YOUNG, WHITE WESLEY SNIPES 372 00:14:15,588 --> 00:14:17,088 KIND OF THING GOIN'. 373 00:14:17,124 --> 00:14:21,264 (line disconnects, dial tone) GEORGE? 374 00:14:21,294 --> 00:14:23,404 SO SHE'S GOT A GUY OVER. 375 00:14:23,430 --> 00:14:25,130 WHAT IS THE MATTER? WE'RE GUYS. 376 00:14:25,165 --> 00:14:26,695 I WANT TO TRUST HER, BUT I DON'T. 377 00:14:26,733 --> 00:14:28,543 GEORGE, AS THE FATHER OF TWINS, 378 00:14:28,568 --> 00:14:31,068 I CAN TELL YOU, THEY'RE GOING TO DO EXACTLY WHAT THEY WANNA DO. 379 00:14:31,104 --> 00:14:34,344 TIMES LIKE THESE, I'M THANKFUL MY WIFE'S BARREN. 380 00:14:34,374 --> 00:14:36,084 (panting) 381 00:14:36,109 --> 00:14:38,249 (Noah) FRED! WHERE THE HELL HAVE YOU BEEN? I DID A BAD THING. 382 00:14:38,278 --> 00:14:39,378 (George) WHERE ARE YOUR PANTS? 383 00:14:39,412 --> 00:14:41,922 I BET THEM! WHAT ARE YOU GONNA DO? 384 00:14:41,949 --> 00:14:44,019 YOU'RE GONNA BURST IN ON YOUR 16-YEAR-OLD DAUGHTER 385 00:14:44,051 --> 00:14:46,021 AND TELL HER THAT YOU DON'T TRUST HER TO BE ALONE 386 00:14:46,053 --> 00:14:49,493 FOR 24 HOURS? DON'T BE THAT GUY. I'M SORRY, NOAH. 387 00:14:49,522 --> 00:14:51,662 I'M NOT PROUD OF IT, BUT I AM THAT GUY. 388 00:14:51,691 --> 00:14:55,231 SHH! I BET EVERYTHING ON A DOG NAMED "LOSE ALL YOUR MONEY." 389 00:14:55,262 --> 00:14:58,172 I MEAN, I FIGURED A NAME LIKE THAT'S GOTTA BE IRONIC, RIGHT? 390 00:14:58,198 --> 00:14:59,398 (man on TV) HE GETS RIGHT ACROSS THE RAIL... (knock on door) 391 00:14:59,432 --> 00:15:00,402 WHO'S THAT? 392 00:15:00,433 --> 00:15:02,743 TOM-TOM CALLED SOME FREAKS. 393 00:15:02,769 --> 00:15:03,969 WHO'S READY TO PARTY? 394 00:15:04,004 --> 00:15:07,644 I AM! WHOO-HOO! REALLY? 395 00:15:07,674 --> 00:15:10,514 YEAH! (laughs) 396 00:15:10,543 --> 00:15:12,753 I HAVE SOMETHING THAT I WANT YOU TO DOCK 397 00:15:12,779 --> 00:15:14,549 IN MY DOCKING STATION. 398 00:15:14,581 --> 00:15:17,121 YEAH. I'LL DOCK IT, ALL RIGHT. 399 00:15:17,150 --> 00:15:19,250 I'LL DOCK IT ALL NIGHT. 400 00:15:19,286 --> 00:15:21,016 JUST STICK IT IN GENTLY 401 00:15:21,054 --> 00:15:23,664 'CAUSE THE BOTTOM'S A LITTLE CRACKED. 402 00:15:23,690 --> 00:15:24,620 OOH. 403 00:15:24,657 --> 00:15:26,487 COME ON! OKAY, OKAY, COME ON. 404 00:15:26,526 --> 00:15:27,956 ** 405 00:15:27,995 --> 00:15:30,295 COME ON, "LOSE ALL YOUR MONEY"! 406 00:15:30,330 --> 00:15:32,430 NOT LITERALLY. YOU KNOW WHAT I MEAN. 407 00:15:32,465 --> 00:15:34,225 COME ON! 408 00:15:34,267 --> 00:15:36,667 OHH, NO, NO! (cries) 409 00:15:36,703 --> 00:15:38,743 ...VIRTUALLY FROM START TO FINISH AT... 410 00:15:38,771 --> 00:15:41,171 ALL RIGHT, FRED. HOW MUCH? 411 00:15:41,208 --> 00:15:44,578 UH... 14. $14,000. 412 00:15:44,611 --> 00:15:47,351 YOU LOST $14,000? 413 00:15:47,380 --> 00:15:52,320 NO, I WON $14,000, AND SHEILA IS GONNA SENSE IT. 414 00:15:52,352 --> 00:15:54,152 WINDFALL! 415 00:15:54,187 --> 00:15:55,757 WHAT? 416 00:15:55,788 --> 00:15:57,488 SCOTT. 417 00:15:57,524 --> 00:16:02,204 RIGHT NOW THIS IS THE ONLY PLACE IN ALL OF CHATSWIN 418 00:16:02,229 --> 00:16:03,999 WHERE WE CAN ACTUALLY BE ALONE. 419 00:16:04,031 --> 00:16:07,001 LOOK, TESSA, I LIKE YOU. I DO. 420 00:16:07,034 --> 00:16:09,604 AND PRE-AFRICA, I WOULD HAVE EXPRESSED THAT TO YOU 421 00:16:09,636 --> 00:16:11,736 IN A VERY PHYSICAL WAY, 422 00:16:11,771 --> 00:16:16,111 BUT POST-AFRICA, I NEED TO TAKE THINGS SLOW. 423 00:16:16,143 --> 00:16:18,383 WHY? 424 00:16:18,411 --> 00:16:20,311 (sighs) I SAW THINGS, TESSA-- 425 00:16:20,347 --> 00:16:22,747 THINGS I WASN'T READY TO SEE. 426 00:16:22,782 --> 00:16:25,622 (whispers) VAGINAL BIRTH. 427 00:16:25,652 --> 00:16:27,422 AND THERE THEY WERE-- 428 00:16:27,454 --> 00:16:30,664 THE TWO WORDS THAT CAN PUT AN END TO ANY ROMANTIC EVENING. 429 00:16:34,161 --> 00:16:35,631 (kisses) 430 00:16:35,662 --> 00:16:38,372 SO MUCH FOR ALONE TIME WITH SCOTT. 431 00:16:38,398 --> 00:16:40,568 TONIGHT WAS NOW ABOUT... (exhales deeply) 432 00:16:40,600 --> 00:16:42,070 BEING ALONE. 433 00:16:45,872 --> 00:16:47,112 COME ON, MAN! 434 00:16:47,140 --> 00:16:48,310 LET'S GO, BUDDY. OPEN THE DOOR. 435 00:16:48,341 --> 00:16:51,381 GO AWAY! LEAVE ME ALONE! 436 00:16:51,411 --> 00:16:53,551 SHEILA IS GOING TO KILL ME! 437 00:16:53,580 --> 00:16:54,850 IT'S GONNA BE WORSE THAN THE TIME 438 00:16:54,881 --> 00:16:57,381 SHE CAUGHT ME WATCHING "WILD THINGS" ON CABLE. 439 00:16:57,417 --> 00:17:00,717 (Noah) OKAY, MAYBE SHE'S GONNA BE HAPPY WITH THE EXTRA CASH 440 00:17:00,753 --> 00:17:02,393 AND WILL FORGIVE YOU. 441 00:17:02,422 --> 00:17:04,492 HAVE YOU MET MY WIFE?! 442 00:17:04,524 --> 00:17:08,164 SHE IS THE LEAST FORGIVING WOMAN IN THE WORLD, 443 00:17:08,195 --> 00:17:11,155 AND I WILL NEVER FIND ANYONE AS WONDERFUL. 444 00:17:11,198 --> 00:17:12,768 HEY, SHE NEVER EVEN HAS TO KNOW. 445 00:17:12,799 --> 00:17:15,839 YOU CAN DONATE ALL THE MONEY TO CHARITY. 446 00:17:15,868 --> 00:17:19,338 (panting) I'M ENDING IT! 447 00:17:19,372 --> 00:17:21,072 I'M ENDING IT ALL! 448 00:17:23,610 --> 00:17:25,110 UHH! 449 00:17:25,145 --> 00:17:27,545 I'M CALLING THE HOTEL MANAGER. YEAH. 450 00:17:27,580 --> 00:17:28,550 (grunts) 451 00:17:28,581 --> 00:17:30,421 I GOT THIS. RELAX. 452 00:17:30,450 --> 00:17:32,850 (chuckles) HEY. FRED, BUDDY. STEVEN ROYCE. 453 00:17:32,885 --> 00:17:34,745 IS THERE ANY MIRRORS IN THERE? 454 00:17:34,787 --> 00:17:36,457 YEAH, THERE'S ONE OVER THE SINK, 455 00:17:36,489 --> 00:17:38,589 AND THERE'S ANOTHER ONE ON THE BACK OF THE DOOR. 456 00:17:38,625 --> 00:17:40,085 OKAY. DO ME A FAVOR. 457 00:17:40,127 --> 00:17:41,587 TAKE A GOOD, HARD LOOK AT YOURSELF 458 00:17:41,628 --> 00:17:44,698 IN ONE OF THOSE MIRRORS, OKAY? OH, THERE'S ALSO A SMALL ONE IN THE SHOWER-- 459 00:17:44,731 --> 00:17:46,431 ONE OF THOSE NON-FOGGING SHAVE ONES. 460 00:17:46,466 --> 00:17:48,296 JUST ANY MIRROR. DOESN'T MATTER WHAT KIND OF MIRROR. 461 00:17:48,335 --> 00:17:49,435 JUST PICK A MIRROR, OKAY? 462 00:17:49,469 --> 00:17:51,169 OKAY. 463 00:17:51,204 --> 00:17:53,474 (grunts) 464 00:17:53,506 --> 00:17:55,136 (sighs) 465 00:17:55,175 --> 00:17:56,705 OKAY. I'M LOOKING. 466 00:17:56,743 --> 00:17:59,553 YOU'RE IN A SPIRAL, FRED. YOU'RE IN A DOWNWARD SPIRAL. 467 00:17:59,579 --> 00:18:01,479 OKAY? THIS IS AN UGLY SIDE OF YOU, 468 00:18:01,514 --> 00:18:03,924 BUT YOU DON'T HAVE TO BE UGLY. YOU DON'T. 469 00:18:03,950 --> 00:18:07,250 YOU COULD TAKE STOCK. MAKE YOURSELF BETTER. 470 00:18:07,287 --> 00:18:08,387 (exhales deeply) YEAH. 471 00:18:08,421 --> 00:18:10,361 OKAY? THIS IS AN OPPORTUNITY FOR YOU 472 00:18:10,390 --> 00:18:11,660 TO MAKE YOURSELF BETTER, 473 00:18:11,691 --> 00:18:13,261 TO CHANGE AND BECOME BETTER THAN WHAT YOU WERE. 474 00:18:13,293 --> 00:18:16,903 NOT YOU TWO. YOU GUYS STAY EXACTLY THE SAME, OKAY? 475 00:18:16,929 --> 00:18:18,369 I'M GONNA GO SEE MY MOTHER. 476 00:18:18,398 --> 00:18:21,898 I'M GONNA GO CONFRONT MY STEPFATHER. 477 00:18:21,934 --> 00:18:23,274 NO. 478 00:18:26,439 --> 00:18:27,269 (door opens) 479 00:18:27,307 --> 00:18:28,407 SO SORRY, MAN. 480 00:18:28,441 --> 00:18:31,311 I KNOW--I KNOW THIS WASN'T EXACTLY WHAT YOU HAD IN MIND. 481 00:18:31,344 --> 00:18:35,754 ARE YOU KIDDING ME, ESE? FRED ACTUALLY DID THE LOCO. 482 00:18:35,782 --> 00:18:38,892 AND I DOCKED SOMETHING IN A STRIPPER'S DOCKING STATION. 483 00:18:38,918 --> 00:18:41,348 YEAH. A-A BROKEN MP3 PLAYER. 484 00:18:41,388 --> 00:18:43,588 STILL. IT'S PRETTY AWESOME. 485 00:18:43,623 --> 00:18:44,563 (chuckles) 486 00:18:44,591 --> 00:18:46,591 IN FACT, I'M BEAT. I'M GONNA GO GET SOME REST. 487 00:18:46,626 --> 00:18:49,296 ALL RIGHT, MAN. I'M GONNA... WAIT A FEW MORE HOURS 488 00:18:49,329 --> 00:18:51,459 TILL THE SUN COMES UP BEFORE I HIT THE ROAD, 489 00:18:51,498 --> 00:18:53,668 EVEN IF IT KILLS ME. 490 00:18:53,700 --> 00:18:55,700 I DON'T WANT TESSA TO THINK I DON'T TRUST HER. 491 00:18:55,735 --> 00:18:58,465 SHE'S A GOOD KID. YOU CAN TRUST HER. 492 00:18:58,505 --> 00:19:01,635 I TRUST HER. OF COURSE, I'M LESS INVESTED. 493 00:19:01,674 --> 00:19:03,584 (chuckles) 494 00:19:03,610 --> 00:19:04,240 GOOD NIGHT. 495 00:19:04,277 --> 00:19:05,607 GOOD NIGHT. 496 00:19:10,917 --> 00:19:11,847 (door closes) 497 00:19:11,884 --> 00:19:13,424 DAD! 498 00:19:13,453 --> 00:19:15,723 "DAD," HUH? NO "GEORGE"? 499 00:19:15,755 --> 00:19:16,755 ARE YOU ALONE? 500 00:19:16,789 --> 00:19:18,629 YES, OF COURSE I'M ALONE. I WAS WORRIED ABOUT YOU. 501 00:19:18,658 --> 00:19:20,688 I EVEN SLEPT ON THE COUCH. I'M SO GLAD YOU'RE HOME. 502 00:19:22,595 --> 00:19:25,925 I SHOULD GO AWAY MORE OFTEN. 503 00:19:25,965 --> 00:19:28,465 (chuckles) THAT WAS A TEST. YOU PASSED. 504 00:19:28,501 --> 00:19:31,271 YOU PASSED, SENDING YOUR LITTLE SPY OVER HERE. 505 00:19:31,304 --> 00:19:33,344 YEAH, I KNEW YOU HAD A BOY HERE. 506 00:19:33,373 --> 00:19:35,483 AND YOU STILL DIDN'T COME HOME. 507 00:19:36,809 --> 00:19:38,249 YOU TRUSTED ME. 508 00:19:38,278 --> 00:19:41,248 OF COURSE I TRUSTED YOU. CAN I TRUST YOU? 509 00:19:41,281 --> 00:19:43,781 YES. WHAT? YOU CAN TRUST ME. 510 00:19:43,816 --> 00:19:45,386 I'M PRACTICALLY AN ADULT. 511 00:19:45,418 --> 00:19:46,918 AN ADULT. REALLY? 512 00:19:46,953 --> 00:19:48,363 SO I GUESS YOU DON'T WANT THE SALT WATER TAFFY 513 00:19:48,388 --> 00:19:49,418 I BROUGHT HOME FOR YOU, THEN. 514 00:19:49,456 --> 00:19:51,956 DON'T BE STUPID, GEORGE. 515 00:19:51,991 --> 00:19:53,831 GIVE ME THE TAFFY. 516 00:19:53,860 --> 00:19:56,930 GIVE ME THE BLUE ONE. 517 00:19:56,963 --> 00:19:58,303 I LIKE PINK ANYWAY. (wrappers rustle) 518 00:20:02,302 --> 00:20:04,242 (door closes quietly) 519 00:20:07,340 --> 00:20:07,970 FRED. 520 00:20:08,007 --> 00:20:09,637 OHH! (exhales deeply) 521 00:20:09,676 --> 00:20:13,546 GOOD LORD, SHEILA. YOU, UH, YOU STARTLED ME. 522 00:20:13,580 --> 00:20:14,880 IT'S NATURAL TO BE A LITTLE ON EDGE 523 00:20:14,914 --> 00:20:17,024 AFTER WHAT JUST HAPPENED. 524 00:20:17,049 --> 00:20:18,789 I, UH, I KNOW YOU ALREADY KNOW, 525 00:20:18,818 --> 00:20:20,748 BUT I-I PLANNED ON TELLING YOU EVERYTHING. 526 00:20:20,787 --> 00:20:23,787 YOU DON'T HAVE TO RELIVE IT, FRED. 527 00:20:23,823 --> 00:20:25,263 IT MUST HAVE BEEN PAINFUL ENOUGH 528 00:20:25,292 --> 00:20:28,532 JUST HAVING BEEN THERE WHEN ELAINE... PASSED. 529 00:20:28,561 --> 00:20:31,301 WH-WHEN SHE WHAT NOW? 530 00:20:31,331 --> 00:20:33,401 WHEN YOUR AUNT ELAINE DIED. 531 00:20:33,433 --> 00:20:34,503 I TRIED CALLING HER, BUT THE PHONE 532 00:20:34,534 --> 00:20:36,474 JUST RANG AND RANG AND... 533 00:20:36,503 --> 00:20:38,043 (voice breaks) THAT'S WHEN I KNEW. 534 00:20:38,070 --> 00:20:40,470 I KNEW YOU KNEW. 535 00:20:40,507 --> 00:20:43,777 AND SO YOU MUST ALSO KNOW ABOUT THE MONEY. 536 00:20:43,810 --> 00:20:45,350 IS THAT THE WINDFALL? 537 00:20:45,378 --> 00:20:47,078 THE INHERITANCE, YES. 538 00:20:47,113 --> 00:20:49,683 SHE LEFT US $14,000. 539 00:20:49,716 --> 00:20:51,376 MINUS A FEW INCIDENTALS. 540 00:20:51,418 --> 00:20:52,888 (gasps) 541 00:20:52,919 --> 00:20:54,749 I'M BUYING A NEW HOSE. (laughs) 542 00:20:54,787 --> 00:20:56,757 OH. 543 00:20:56,789 --> 00:20:58,929 OH. 544 00:20:58,958 --> 00:21:00,958 (Tessa) I'M MAKING GRILLED EGG AND CHEESE! WANT ONE? 545 00:21:00,993 --> 00:21:02,703 YES, I WANT ONE! 546 00:21:02,729 --> 00:21:06,429 ** 547 00:21:10,703 --> 00:21:11,773 (music stops) 548 00:21:26,085 --> 00:21:27,315 (under breath) YOU GOTTA BE KIDDING. 37676

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