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These are the user uploaded subtitles that are being translated: 1 00:00:01,633 --> 00:00:03,933 Narrator: THEY'RE WATCHING YOU, 2 00:00:03,933 --> 00:00:08,100 MORE THAN 4,000 SATELLITES CIRCLE THE EARTH. 3 00:00:08,100 --> 00:00:09,867 EVERY DAY, THEY UNCOVER 4 00:00:09,867 --> 00:00:11,667 NEW MYSTERIOUS PHENOMENA 5 00:00:11,667 --> 00:00:13,533 THAT DEFY EXPLANATION. 6 00:00:15,700 --> 00:00:19,467 NAZIS AND BLACK MAGIC IN THE FORESTS OF POLAND. 7 00:00:19,467 --> 00:00:23,233 Man: OH, MY GOD, LOOK AT THIS PLACE. 8 00:00:23,233 --> 00:00:26,467 IT'S LIKE SOME SORT OF CEREMONIAL ALTAR. 9 00:00:26,467 --> 00:00:29,833 Narrator: THE 7,000 SQUARE MILE DEAD ZONE, 10 00:00:29,833 --> 00:00:31,833 Woman: HUNDREDS OF DOLPHINS WASHING UP, 11 00:00:31,833 --> 00:00:33,867 DEAD BEACHES COVERED WITH FISH CORPSES, 12 00:00:33,867 --> 00:00:36,700 IT'S MASS CARNAGE. 13 00:00:36,700 --> 00:00:39,533 Narrator: AND THE SWAMP THINGS OF LOUISIANA, 14 00:00:39,533 --> 00:00:41,233 IT LOOKS LIKE A SPIDER WEB. 15 00:00:41,233 --> 00:00:45,233 SOMETHING HAS REALLY DEVASTATED THIS PLACE. 16 00:00:45,233 --> 00:00:48,967 Narrator: BAFFLING PHENOMENA, MYSTERIES FROM SPACE -- 17 00:00:48,967 --> 00:00:51,067 WHAT ON EARTH ARE THEY? 18 00:00:51,067 --> 00:00:54,067 -- Captions by VITAC -- www.vitac.com 19 00:00:54,067 --> 00:00:57,067 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 20 00:00:57,067 --> 00:01:09,900 ** 21 00:01:09,900 --> 00:01:11,500 MARTIN MORGAN IS TRAVELING 22 00:01:11,500 --> 00:01:15,833 THROUGH THE POLISH REGION OF SILESIA 23 00:01:15,833 --> 00:01:19,400 TO INVESTIGATE A FOREST BUILDING CAPTURED FROM SPACE 24 00:01:19,400 --> 00:01:21,800 ON OCTOBER 12, 2019. 25 00:01:23,967 --> 00:01:26,067 Man: THIS STRUCTURE IS SPECIAL 26 00:01:26,067 --> 00:01:29,800 AND IT'S PROVIDING NOTHING BUT MYSTERY. 27 00:01:29,800 --> 00:01:31,400 IT DOESN'T LOOK LIKE ANY OTHER BUILDING 28 00:01:31,400 --> 00:01:33,133 THAT I'VE EVER LAID EYES ON. 29 00:01:35,267 --> 00:01:37,333 Narrator: THE THING THAT INTRIGUES MORGAN 30 00:01:37,333 --> 00:01:40,333 IS THE LOCATION OF THE BUILDING AND ITS PROBABLE DATE. 31 00:01:42,200 --> 00:01:43,867 IT DOESN'T LOOK LIKE IT'S OLD ENOUGH 32 00:01:43,867 --> 00:01:45,467 TO BELONG TO THE 19th CENTURY, 33 00:01:45,467 --> 00:01:46,600 IT LOOKS LIKE IT BELONGS TO 34 00:01:46,600 --> 00:01:49,867 THE MIDDLE PART OF THE 20th CENTURY. 35 00:01:49,867 --> 00:01:53,100 I THINK IT MIGHT HAVE BEEN BUILT BY THE NAZIS. 36 00:01:55,500 --> 00:01:57,433 Man: YOU'VE GOT TO REMEMBER THAT SILESIA 37 00:01:57,433 --> 00:02:01,500 BEFORE AND DURING THE SECOND WORLD WAR WAS PART OF GERMANY. 38 00:02:01,500 --> 00:02:03,633 SO THIS IS EASILY SOMETHING 39 00:02:03,633 --> 00:02:06,500 THAT COULD HAVE BEEN BUILT BY THE GERMANS. 40 00:02:06,500 --> 00:02:12,067 [ SPEAKING GERMAN, CROWD SHOUTING REPLY IN GERMAN ] 41 00:02:12,067 --> 00:02:13,667 Narrator: DURING WORLD WAR II, 42 00:02:13,667 --> 00:02:16,633 HITLER CHOOSES SILESIA TO BE HIS HEADQUARTERS 43 00:02:16,633 --> 00:02:20,233 FOLLOWING WHAT HE WAS CONVINCED WOULD BE A GERMAN VICTORY. 44 00:02:20,233 --> 00:02:22,933 [ BAND PLAYING, SINGING IN GERMAN ] 45 00:02:24,733 --> 00:02:28,633 SOMEWHERE HERE, IT IS RUMORED LIE HIDDEN BILLIONS OF DOLLARS 46 00:02:28,633 --> 00:02:31,333 OF NAZI TREASURE STASHED BY THE FUHRER 47 00:02:31,333 --> 00:02:35,333 AND HIS CRONIES TO FUND THEIR POSTWAR LIFESTYLES. 48 00:02:39,067 --> 00:02:41,967 Morgan: THIS PART OF WHAT IS NOW POLAND 49 00:02:41,967 --> 00:02:44,967 WOULD HAVE BEEN GROUND ZERO 50 00:02:44,967 --> 00:02:49,300 FOR NAZI IDEOLOGY GOING BEYOND THE CONFLICT. 51 00:02:49,300 --> 00:02:52,633 I THINK THAT THIS STRUCTURE MIGHT BE EVIDENCE 52 00:02:52,633 --> 00:02:54,733 OF PART OF THAT LONG RANGE PLAN. 53 00:02:58,200 --> 00:03:00,300 Narrator: MORGAN'S JOURNEY TAKES HIM TO AN AREA 54 00:03:00,300 --> 00:03:02,533 NEAR THE TOWN OF VALBRICH. 55 00:03:06,300 --> 00:03:08,800 OKAY, WELL, THIS LOOKS LIKE THE END OF THE LINE. 56 00:03:08,800 --> 00:03:17,933 ** 57 00:03:17,933 --> 00:03:20,067 Narrator: GUIDED BY THE SATELLITE IMAGE, 58 00:03:20,067 --> 00:03:22,067 MORGAN STRIKES WEST. 59 00:03:22,067 --> 00:03:26,833 ** 60 00:03:26,833 --> 00:03:29,167 IT WAS IN THESE FORESTS THAT THE NAZIS 61 00:03:29,167 --> 00:03:30,600 BEGAN THEIR CAMPAIGN 62 00:03:30,600 --> 00:03:34,633 OF GENOCIDAL TERROR IN SEPTEMBER 1939. 63 00:03:34,633 --> 00:03:43,933 ** 64 00:03:43,933 --> 00:03:47,400 OH, MY GOSH, LOOK AT THIS THING. 65 00:03:47,400 --> 00:03:48,633 WOW! 66 00:03:48,633 --> 00:03:54,333 ** 67 00:03:54,333 --> 00:03:56,767 Narrator: THE STRUCTURE IS MADE FROM CONCRETE, 68 00:03:56,767 --> 00:03:59,633 YET COVERED IN A LAYER OF CARVED STONE... 69 00:04:02,433 --> 00:04:04,700 IN A VAIN ATTEMPT TO MAKE THE BUILDINGS 70 00:04:04,700 --> 00:04:06,967 SEEM GOTHIC AND MEDIEVAL. 71 00:04:10,367 --> 00:04:12,167 Morgan: THIS IS PURELY ABOUT APPEARANCES. 72 00:04:12,167 --> 00:04:14,933 IT'S NOT ABOUT FUNCTION. 73 00:04:14,933 --> 00:04:19,133 SO WHY WOULD THE NAZIS BUILD SOMETHING LIKE THIS 74 00:04:19,133 --> 00:04:22,067 IN THE MIDDLE OF NOWHERE AND WHAT IS NOW POLAND? 75 00:04:22,067 --> 00:04:29,067 ** 76 00:04:29,067 --> 00:04:30,833 Narrator: MORGAN CAN FIND ONLY 77 00:04:30,833 --> 00:04:33,233 ONE SMALL ENTRANCE INTO THE STRUCTURE. 78 00:04:33,233 --> 00:04:55,967 ** 79 00:04:55,967 --> 00:05:00,067 OH, MY GOD, LOOK AT THIS PLACE. 80 00:05:00,067 --> 00:05:04,533 ** 81 00:05:04,533 --> 00:05:06,900 THIS IS ABSOLUTELY INCREDIBLE. 82 00:05:11,167 --> 00:05:13,067 THERE'S A CENTRAL COURT 83 00:05:13,067 --> 00:05:15,167 WITH A CLOISTER THAT GOES ALL AROUND IT. 84 00:05:18,400 --> 00:05:23,167 Narrator: THE LAYOUT HAS RELIGIOUS OVERTONES, 85 00:05:23,167 --> 00:05:26,667 BUT THERE'S NOT ONE SINGLE CHRISTIAN SYMBOL HERE. 86 00:05:29,533 --> 00:05:33,733 IN SOME AREAS THERE IS GRAFFITI, 87 00:05:33,733 --> 00:05:37,467 PRESUMABLY FROM LOCAL YOUTHS WHO HAVE STUMBLED ON THIS PLACE. 88 00:05:37,467 --> 00:05:43,967 ** 89 00:05:43,967 --> 00:05:47,267 Morgan: THE WHOLE THING IS ASTONISHING. 90 00:05:47,267 --> 00:05:49,533 OH, LOOK AT THIS! 91 00:05:49,533 --> 00:05:52,800 MOSAIC TILING. 92 00:05:52,800 --> 00:05:56,933 OH, YEAH, THERE'S ONE IN EACH ONE OF THESE ALCOVES. 93 00:05:56,933 --> 00:05:58,600 OH, MY GOD, LOOK AT THAT. 94 00:05:58,600 --> 00:06:06,700 ** 95 00:06:06,700 --> 00:06:08,233 IT'S REAL. 96 00:06:08,233 --> 00:06:11,900 IT FEELS LIKE IT'S THE INTERIOR OF A TEMPLE. 97 00:06:11,900 --> 00:06:17,067 ** 98 00:06:17,067 --> 00:06:18,700 SOMETHING WAS OUT HERE. 99 00:06:21,100 --> 00:06:25,800 YOU CAN TELL BY THE PRESENCE OF THESE CARVED STONES. 100 00:06:25,800 --> 00:06:30,267 THERE ARE FOUR THREADED MOUNTING BRACKETS, 101 00:06:30,267 --> 00:06:33,967 SO THERE USED TO BE SOMETHING RIGHT HERE. 102 00:06:33,967 --> 00:06:35,767 IT'S ALMOST LIKE THIS WHOLE STRUCTURE 103 00:06:35,767 --> 00:06:38,300 IS SOME SORT OF CEREMONIAL ALTAR. 104 00:06:38,300 --> 00:06:44,367 ** 105 00:06:44,367 --> 00:06:46,367 Narrator: MORGAN CONTINUES TO EXPLORE 106 00:06:46,367 --> 00:06:48,467 THE CLOISTERS SURROUNDING THE COURTYARD. 107 00:06:48,467 --> 00:06:55,367 ** 108 00:06:55,367 --> 00:06:57,500 THE FLOOR HAS GIVEN WAY. 109 00:06:59,700 --> 00:07:01,333 I'M NOT GOING DOWN THERE. 110 00:07:01,333 --> 00:07:04,400 IT'S ABOUT AN EIGHT FOOT DROP STRAIGHT DOWN, 111 00:07:04,400 --> 00:07:07,767 BUT I CAN CLEARLY SEE THAT THERE IS A PASSAGEWAY BENEATH US. 112 00:07:10,200 --> 00:07:12,367 Narrator: YET THE TUNNEL OFFERS NO CLUES 113 00:07:12,367 --> 00:07:13,933 TO THE PURPOSE OF THE BUILDING 114 00:07:13,933 --> 00:07:16,967 OR THE ALTAR-LIKE STRUCTURE IN ITS CENTER. 115 00:07:19,233 --> 00:07:21,433 Morgan: I'M COMING AWAY WITH MORE QUESTION MARKS 116 00:07:21,433 --> 00:07:23,467 THAN ANYTHING, 117 00:07:23,467 --> 00:07:25,633 SO I NEED SOMETHING TO BRING SOME CLARITY 118 00:07:25,633 --> 00:07:28,067 TO THE PURPOSE OF THIS STRANGE PLACE. 119 00:07:28,067 --> 00:07:46,167 ** 120 00:07:46,167 --> 00:07:48,433 Narrator: AS THE NAZIS FLED THE RED ARMY 121 00:07:48,433 --> 00:07:49,767 AT THE END OF THE WAR, 122 00:07:49,767 --> 00:07:54,100 THEY DESTROYED ALL THE RECORDS THEY COULD... 123 00:07:54,100 --> 00:07:56,167 BUT MANY SURVIVE IN THE VAULTS 124 00:07:56,167 --> 00:08:01,067 OF LOCAL POLISH MUNICIPAL ARCHIVES. 125 00:08:01,067 --> 00:08:04,067 Morgan: OKAY, HERE WE GO. THIS IS IT. 126 00:08:04,067 --> 00:08:05,867 THIS IS ABOUT THE BUILDING. 127 00:08:05,867 --> 00:08:10,533 ** 128 00:08:10,533 --> 00:08:12,867 Narrator: OFFICIALLY, THE STRUCTURE IS A MEMORIAL 129 00:08:12,867 --> 00:08:15,167 TO THE FALLEN OF WORLD WAR I. 130 00:08:18,633 --> 00:08:21,433 BUT THEN MORGAN FINDS A SERIES OF PHOTOGRAPHS 131 00:08:21,433 --> 00:08:22,700 TAKEN AT THE SITE. 132 00:08:22,700 --> 00:08:27,233 ** 133 00:08:27,233 --> 00:08:31,067 Morgan: LOOK AT THIS BIG BONFIRE TORCH. 134 00:08:31,067 --> 00:08:32,767 IT'S IN THE CENTER COURTYARD. 135 00:08:32,767 --> 00:08:37,967 ** 136 00:08:37,967 --> 00:08:40,667 THERE IT IS WITH A FIRE BURNING AT NIGHT. 137 00:08:43,767 --> 00:08:45,500 AND IT LOOKS LIKE WE HAVE MEMBERS 138 00:08:45,500 --> 00:08:49,067 OF THE SCHUTZSTAFFEL, THE SS. 139 00:08:53,067 --> 00:08:55,300 Narrator: THE PRESENCE OF THE FEARED SS 140 00:08:55,300 --> 00:08:58,367 COULD EXPLAIN WHY THE NAZIS BUILT A TORCH-LIT, 141 00:08:58,367 --> 00:09:01,300 TEMPLE-LIKE STRUCTURE IN THE POLISH WOODS. 142 00:09:03,567 --> 00:09:05,800 HEINRICH HIMMLER, THE HEAD OF THE SS, 143 00:09:05,800 --> 00:09:09,233 IS FASCINATED BY THE OCCULT. 144 00:09:09,233 --> 00:09:10,367 Walters: SO WHEN YOU GET A FLAME 145 00:09:10,367 --> 00:09:11,833 IN THE MIDDLE OF A BUILDING LIKE THIS, 146 00:09:11,833 --> 00:09:15,967 IT SMACKS TO ME AS ABSOLUTELY BLUE CHIP NAZI 147 00:09:15,967 --> 00:09:18,300 OCCULTIC BEHAVIOR. 148 00:09:18,300 --> 00:09:21,067 THE PLOT THICKENS WITH THESE PHOTOS -- 149 00:09:21,067 --> 00:09:23,400 WHAT THE WORLD WAS THIS THING USED FOR? 150 00:09:23,400 --> 00:09:28,567 ** 151 00:09:28,567 --> 00:09:29,900 Narrator: COMING UP, 152 00:09:29,900 --> 00:09:33,633 MARTIN MORGAN JOURNEYS INTO THE HEART OF DARKNESS... 153 00:09:33,633 --> 00:09:35,433 BUT IT MAKES THIS ONE OF THE CREEPIEST, 154 00:09:35,433 --> 00:09:38,067 STRANGEST PLACES I'VE EVER BEEN. 155 00:09:38,067 --> 00:09:40,533 Narrator: AND THE PIRATES WHO TOOK ON AMERICA... 156 00:09:40,533 --> 00:09:45,067 Man: THEY CAME OVERBOARD, A DAGGER IN EACH HAND. 157 00:09:45,067 --> 00:09:49,133 THEY SHOWED ABSOLUTELY NO MERCY. 158 00:09:49,133 --> 00:09:50,900 ** 159 00:09:53,433 --> 00:09:57,067 ** 160 00:09:57,067 --> 00:09:59,600 Narrator: MARTIN MORGAN IS IN POLAND 161 00:09:59,600 --> 00:10:02,267 INVESTIGATING A STRANGE NAZI STRUCTURE 162 00:10:02,267 --> 00:10:03,700 CAPTURED FROM SPACE. 163 00:10:05,900 --> 00:10:10,900 OFFICIAL GERMAN DOCUMENTS CLAIM IT'S A WAR MEMORIAL, 164 00:10:10,900 --> 00:10:13,733 YET THE DISCOVERY OF THESE 80 YEAR OLD PHOTOS 165 00:10:13,733 --> 00:10:16,867 HINT AT ANOTHER, DARKER PURPOSE. 166 00:10:16,867 --> 00:10:20,467 Morgan: IT LOOKS LIKE A TEMPLE. 167 00:10:20,467 --> 00:10:23,000 BUT WHY ARE THESE MEMBERS OF THE SS HERE? 168 00:10:23,000 --> 00:10:28,133 ** 169 00:10:28,133 --> 00:10:31,767 Narrator: MORGAN'S INVESTIGATION LEADS HIM TO A LOCAL HISTORIAN, 170 00:10:31,767 --> 00:10:33,467 JOANNA LAMPARSKA. 171 00:10:33,467 --> 00:10:35,367 -YES? -HI, I'M MARTIN MORGAN. 172 00:10:35,367 --> 00:10:36,433 I THINK WE SPOKE ON THE PHONE... 173 00:10:36,433 --> 00:10:37,833 Narrator: WHO HAS BEEN RESEARCHING 174 00:10:37,833 --> 00:10:39,467 THE NAZI OCCUPATION HERE. 175 00:10:39,467 --> 00:10:42,867 ** 176 00:10:42,867 --> 00:10:44,467 DO YOU THINK THAT THIS BUILDING IS MORE THAN 177 00:10:44,467 --> 00:10:46,967 JUST A WORLD WAR I MEMORIAL? 178 00:10:46,967 --> 00:10:49,867 YEAH, FOR SURE -- DURING WORLD WAR II, 179 00:10:49,867 --> 00:10:53,500 THE GUARD OF HONOR STOOD CLOSE TO THE ENTRANCE OF THE BUILDING. 180 00:10:53,500 --> 00:10:56,200 THERE WERE SOME RUMORS THAT THEY GUARDED THIS 181 00:10:56,200 --> 00:11:01,767 BECAUSE THERE WAS SOMETHING MORE IMPORTANT TO THEM. 182 00:11:01,767 --> 00:11:04,300 Narrator: EYEWITNESS TESTIMONIES PROVIDE CLUES 183 00:11:04,300 --> 00:11:08,633 AS TO WHY THE STRUCTURE WAS SO HEAVILY DEFENDED. 184 00:11:08,633 --> 00:11:11,433 PEOPLE SAY THAT DURING WORLD WAR II, 185 00:11:11,433 --> 00:11:16,767 GERMAN OFFICERS PERFORMED SOME KIND OF VERY STRANGE RITUALS. 186 00:11:16,767 --> 00:11:18,567 SO YOU'RE SAYING THAT PEOPLE BELIEVE 187 00:11:18,567 --> 00:11:20,833 THAT SS RITUALS HAPPENED HERE? 188 00:11:20,833 --> 00:11:23,900 YEAH. 189 00:11:23,900 --> 00:11:26,233 Narrator: FORMED IN 1925, 190 00:11:26,233 --> 00:11:29,533 THE SS INITIALLY CONSISTED OF JUST EIGHT SOLDIERS 191 00:11:29,533 --> 00:11:32,533 WHO SERVED AS HITLER'S PERSONAL BODYGUARDS. 192 00:11:35,367 --> 00:11:37,100 DURING THE 1930s, 193 00:11:37,100 --> 00:11:39,300 UNDER THE LEADERSHIP OF HEINRICH HIMMLER, 194 00:11:39,300 --> 00:11:42,533 IT GROWS TO NUMBER 250,000 195 00:11:42,533 --> 00:11:45,533 AND BECOMES THE MOST FEARED AND POWERFUL DIVISION 196 00:11:45,533 --> 00:11:47,433 OF THE NAZI WAR MACHINE. 197 00:11:49,533 --> 00:11:53,067 THE SS WERE THE ELITE OF THE GERMAN MILITARY. 198 00:11:53,067 --> 00:11:55,433 Man: THEY WERE ESSENTIALLY RESPONSIBLE 199 00:11:55,433 --> 00:12:01,067 FOR UPHOLDING NAZI IDEOLOGY, BOTH IN GERMANY AND WITHOUT. 200 00:12:02,600 --> 00:12:04,933 Narrator: AS THE NAZIS PREPARE FOR WAR, 201 00:12:04,933 --> 00:12:06,933 HIMMLER FORMULATES A NEW RELIGION 202 00:12:06,933 --> 00:12:11,367 TO REINFORCE THIS MURDEROUS IDEOLOGY -- 203 00:12:11,367 --> 00:12:13,533 ONE THAT REJECTS CHRISTIAN MERCY 204 00:12:13,533 --> 00:12:17,967 AND EMBRACES ANCIENT PAGAN BELIEFS. 205 00:12:17,967 --> 00:12:20,533 NAZISM WASN'T JUST A POLITICAL MOVEMENT, 206 00:12:20,533 --> 00:12:22,967 IT WAS A RELIGIOUS MOVEMENT, AND AT THE HEART 207 00:12:22,967 --> 00:12:27,767 OF THAT KIND OF RELIGIOUS ELEMENT TO IT WAS THE SS. 208 00:12:29,867 --> 00:12:32,100 Narrator: HIMMLER'S NAZI RELIGION 209 00:12:32,100 --> 00:12:34,600 REVIVES THE OLD NORDIC AND GERMAN GODS 210 00:12:34,600 --> 00:12:39,100 AND OCCULT SYMBOLS AND OBJECTS. 211 00:12:39,100 --> 00:12:40,967 FOR HIS ELITE SOLDIERS, 212 00:12:40,967 --> 00:12:45,700 HE FORGES TOTENKOPFRINGS, OR DEATH'S HEAD RINGS, 213 00:12:45,700 --> 00:12:49,333 INSCRIBED WITH RUNES OR MAGICAL SYMBOLS 214 00:12:49,333 --> 00:12:54,400 REPRESENTING DEATH AND CONTROL OVER THE UNIVERSE. 215 00:12:54,400 --> 00:12:56,967 WHAT HE BELIEVES, GENUINELY BELIEVES, 216 00:12:56,967 --> 00:13:01,067 IS THAT IF ONE OF HIS SUPER SOLDIERS IS KILLED IN ACTION, 217 00:13:01,067 --> 00:13:05,967 THEN HE CAN DRAW ON THE POWER EXUDING FROM THESE RINGS 218 00:13:05,967 --> 00:13:09,933 AND EFFECTIVELY WILL THE POWER OF ALL THESE SS MEN 219 00:13:09,933 --> 00:13:12,067 THAT HAVE DIED WEARING THEM. 220 00:13:14,533 --> 00:13:18,400 LIKE J.R.R. TOLKIEN'S "LORD OF THE RINGS," 221 00:13:18,400 --> 00:13:21,433 HIMMLER IS INSPIRED BY A GERMAN EPIC POEM 222 00:13:21,433 --> 00:13:23,867 KNOWN AS THE NIBELUNGENLIED. 223 00:13:23,867 --> 00:13:25,833 [ CLATTERING ] 224 00:13:25,833 --> 00:13:29,367 IT IS THE LEGEND DEPICTED IN WAGNER'S MOST FAMOUS WORK, 225 00:13:29,367 --> 00:13:31,200 THE RING. 226 00:13:31,200 --> 00:13:36,333 [ "RIDE OF THE VALKYRIES" BY WAGNER PLAYING ] 227 00:13:36,333 --> 00:13:41,133 THE NAZIS ARE OBSESSED WITH WAGNER'S RING. 228 00:13:41,133 --> 00:13:45,967 TO THEM, THIS RING OF POWER FORGED BY THE DWARF ALBERICH 229 00:13:45,967 --> 00:13:47,933 REPRESENTS THE DESTINY 230 00:13:47,933 --> 00:13:51,700 OF THE NORDIC ARYAN RACE TO RULE THE WORLD. 231 00:13:51,700 --> 00:13:54,467 ** 232 00:13:54,467 --> 00:13:57,067 Narrator: DURING SS INITIATION CEREMONIES, 233 00:13:57,067 --> 00:14:01,433 HIMMLER PRESENTS HIS RECRUITS WITH THEIR DEATH'S HEAD RINGS 234 00:14:01,433 --> 00:14:03,533 AND INDOCTRINATES THEM WITH THE BELIEF 235 00:14:03,533 --> 00:14:08,233 THAT THEY ARE PART OF AN ANCIENT GODLIKE RACE. 236 00:14:08,233 --> 00:14:11,533 IF YOU CAN OBTAIN THE OBJECTS THAT HOLD GREAT SYMBOLIC 237 00:14:11,533 --> 00:14:13,700 MEANING TO ANY GROUP OF PEOPLE, 238 00:14:13,700 --> 00:14:16,467 THAT GIVES YOU PSYCHOLOGICAL POWER OVER THEM. 239 00:14:19,367 --> 00:14:23,400 Man: THE NAZIS DESIRE TO INVOKE THAT SYMBOLISM, 240 00:14:23,400 --> 00:14:26,433 I THINK BRINGS US BACK AROUND TO THE STRUCTURE 241 00:14:26,433 --> 00:14:30,400 THAT WE SEE IN WESTERN POLAND. 242 00:14:30,400 --> 00:14:33,933 SO IT'S LIKE IT STAGED AN INITIATION CEREMONY. 243 00:14:33,933 --> 00:14:36,433 THERE WAS A LOT OF RUMORS ABOUT IT. 244 00:14:36,433 --> 00:14:39,300 SOME PEOPLE SAY THAT DURING WORLD WAR II, 245 00:14:39,300 --> 00:14:43,967 GERMAN OFFICERS PERFORMED SOME KIND OF BLACK MASSES THERE. 246 00:14:47,133 --> 00:14:50,067 Narrator: THE CHILLING CEREMONIES DESCRIBED BY THE LOCALS 247 00:14:50,067 --> 00:14:52,667 COULD SHED LIGHT ON THE PURPOSE OF THE TUNNELS 248 00:14:52,667 --> 00:14:55,267 HIDDEN UNDER THE STRUCTURE. 249 00:14:55,267 --> 00:14:59,133 SOME PEOPLE REMEMBER PEOPLE COMING THERE WITH TORCHES. 250 00:14:59,133 --> 00:15:02,500 THEY WERE PUT IN COFFINS -- COFFINS WERE CLOSED. 251 00:15:02,500 --> 00:15:05,200 AND AFTER A FEW HOURS, IF THEY SURVIVE, 252 00:15:05,200 --> 00:15:08,633 THEY WILL BE WORTHY OF JOINING SS ORDER. 253 00:15:10,767 --> 00:15:14,233 Narrator: BETWEEN 1939 AND 1945, 254 00:15:14,233 --> 00:15:16,567 BRAINWASHED SS RECRUITS, 255 00:15:16,567 --> 00:15:19,267 MANY WEARING THEIR DEATH'S HEAD RINGS, 256 00:15:19,267 --> 00:15:22,933 UNLEASH A WAVE OF RAPE, MURDER AND TERROR 257 00:15:22,933 --> 00:15:27,133 UNPARALLELED IN HUMAN HISTORY. 258 00:15:27,133 --> 00:15:30,767 IF YOU'VE BEEN TOLD OVER AND OVER AND OVER 259 00:15:30,767 --> 00:15:33,733 THAT YOU'RE FROM A RACE OF POWERFUL WARRIORS, 260 00:15:33,733 --> 00:15:38,700 YOU BEGIN TO BELIEVE IT AND THEN YOU ACT ON IT. 261 00:15:38,700 --> 00:15:43,467 THE SS WAS RESPONSIBLE FOR RUNNING THE CONCENTRATION CAMPS 262 00:15:43,467 --> 00:15:44,767 MORE THAN ANY OTHER GROUP, 263 00:15:44,767 --> 00:15:48,067 THE SS WERE THE ONES WHO CARRIED OUT THE HOLOCAUST. 264 00:15:50,533 --> 00:15:52,267 Narrator: HIMMLER'S SS DEATH SQUADS, 265 00:15:52,267 --> 00:15:55,200 INSPIRED BY HIS OCCULT IDEOLOGY, 266 00:15:55,200 --> 00:15:57,567 GO ON TO KILL UPWARDS OF SIX MILLION 267 00:15:57,567 --> 00:16:00,767 CONCENTRATION CAMP INMATES AND INNOCENT CIVILIANS. 268 00:16:02,800 --> 00:16:06,133 UNLIKE THE STRANGE BUILDING REVEALED FROM SPACE, 269 00:16:06,133 --> 00:16:08,067 MORGAN HOPES THEIR HEINOUS ACTS 270 00:16:08,067 --> 00:16:12,433 WILL NOT FADE FROM HISTORY SO EASILY. 271 00:16:12,433 --> 00:16:14,300 Morgan: THE MORE I THINK ABOUT IT, 272 00:16:14,300 --> 00:16:17,100 THE MORE I AM CONVINCED THAT THIS WAS SOMEHOW ASSOCIATED 273 00:16:17,100 --> 00:16:21,167 WITH WAFFEN-SS INITIATION RITUALS. 274 00:16:22,600 --> 00:16:25,100 WE STILL DON'T KNOW A LOT ABOUT IT, 275 00:16:25,100 --> 00:16:28,467 BUT WHAT WE DO KNOW MAKES THIS ONE OF THE CREEPIEST, 276 00:16:28,467 --> 00:16:30,367 STRANGEST PLACES I'VE EVER BEEN. 277 00:16:30,367 --> 00:16:35,967 ** 278 00:16:35,967 --> 00:16:40,400 Narrator: COMING UP -- BEAUTIFUL, BUT UTTERLY DEADLY. 279 00:16:40,400 --> 00:16:45,067 WHOA, THAT DOES NOT LOOK LIKE ANY OCEAN I'VE EVER SEEN BEFORE. 280 00:16:45,067 --> 00:16:48,133 Narrator: AND THE ABANDONED ISLAND OF DOOM. 281 00:16:48,133 --> 00:16:50,300 Woman: IT HAS A REALLY DARK PAST. 282 00:16:50,300 --> 00:16:54,533 COULD THIS STRUCTURE BE RELATED TO THAT? 283 00:16:54,533 --> 00:16:56,633 ** 284 00:16:59,067 --> 00:17:02,433 ** 285 00:17:02,433 --> 00:17:06,833 Narrator: OCTOBER 13, 2018 -- 286 00:17:06,833 --> 00:17:09,267 A SATELLITE SCANNING THE SOUTHERN UNITED STATES 287 00:17:09,267 --> 00:17:13,300 COASTLINE FINDS THE SEA IS CHANGING COLOR. 288 00:17:13,300 --> 00:17:16,300 WHOA. IT'S LIKE A VAST AMOUNT OF TURQUOISE INK 289 00:17:16,300 --> 00:17:20,067 HAS BEEN SQUIRTED INTO THE GULF OF MEXICO. 290 00:17:20,067 --> 00:17:21,700 THIS IS JUST AMAZING. 291 00:17:21,700 --> 00:17:24,067 THERE'S THIS GORGEOUS CLOUD OF THIS STUFF 292 00:17:24,067 --> 00:17:28,200 GOING ALL THE WAY ALONG THE COAST. 293 00:17:28,200 --> 00:17:30,833 Narrator: YET ACCOUNTS FROM GULF FISHERMEN REVEALED THAT 294 00:17:30,833 --> 00:17:35,067 THIS BEAUTY CONCEALS DANGER. 295 00:17:35,067 --> 00:17:37,267 THERE ARE REPORTS OF MASS DIE-OFFS 296 00:17:37,267 --> 00:17:39,233 OF MARINE LIFE ALONG THIS COAST. 297 00:17:41,767 --> 00:17:43,767 Woman: HUNDREDS OF DOLPHINS WASHING UP DEAD, 298 00:17:43,767 --> 00:17:48,200 BEACHES COVERED WITH FISH CORPSES, IT'S MASS CARNAGE. 299 00:17:50,767 --> 00:17:52,467 Narrator: SOMETHING IN THE WATER HERE 300 00:17:52,467 --> 00:17:56,133 IS KILLING TENS OF THOUSANDS OF TONS OF MARINE LIFE 301 00:17:56,133 --> 00:18:00,800 AND TURNING THE OCEAN INTO A 7,000 SQUARE MILE DEAD ZONE. 302 00:18:03,600 --> 00:18:07,667 LINDSAY MORAN STUDIES THE IMAGE FOR CLUES. 303 00:18:07,667 --> 00:18:11,067 WHAT REALLY JUMPS OUT IS THIS MASSIVE AMOUNT OF 304 00:18:11,067 --> 00:18:12,800 SINISTER-LOOKING DISCHARGE 305 00:18:12,800 --> 00:18:15,500 THAT'S COMING FROM THE MISSISSIPPI DELTA. 306 00:18:15,500 --> 00:18:18,067 IF YOU TRAVEL UP THE RIVER JUST BEYOND NEW ORLEANS, 307 00:18:18,067 --> 00:18:21,767 YOU SEE THIS ENORMOUS BELT OF FACTORIES. 308 00:18:21,767 --> 00:18:24,133 THIS COULD BE WHAT'S FUELING THE DEAD ZONE 309 00:18:24,133 --> 00:18:26,267 IF THEY'RE DISCHARGING TOXIC MATERIAL 310 00:18:26,267 --> 00:18:27,800 INTO THE MISSISSIPPI RIVER. 311 00:18:29,967 --> 00:18:34,200 Narrator: THE SNAKING BELT OF 150 GIANT PLANTS AND FACTORIES 312 00:18:34,200 --> 00:18:38,600 EXTENDS FOR OVER 85 MILES ALONG THE BANKS OF THE MISSISSIPPI. 313 00:18:40,633 --> 00:18:43,967 LOCALS CALL IT "CANCER ALLEY." 314 00:18:43,967 --> 00:18:46,067 CANCER ALLEY IS WHERE ABOUT 315 00:18:46,067 --> 00:18:50,533 A FIFTH OF AMERICA'S PETROCHEMICALS ARE PRODUCED. 316 00:18:50,533 --> 00:18:56,700 CANCER ALLEY IS BASICALLY ONE BIG TOXIC BELCHING HELLHOLE. 317 00:18:59,267 --> 00:19:02,067 Narrator: EACH YEAR, THE PETROCHEMICAL PLANTS 318 00:19:02,067 --> 00:19:05,500 OF CANCER ALLEY PUMP TENS OF MILLIONS OF TONS OF POLLUTANTS 319 00:19:05,500 --> 00:19:07,067 INTO THE ATMOSPHERE. 320 00:19:09,467 --> 00:19:13,867 AT NIGHT, THESE EMISSIONS FORM OF YELLOW, NOXIOUS MIST 321 00:19:13,867 --> 00:19:17,867 THAT RAINS DOWN ONTO SURROUNDING AREAS. 322 00:19:17,867 --> 00:19:20,167 EMISSIONS FROM THE PETROCHEMICAL INDUSTRY 323 00:19:20,167 --> 00:19:23,867 ARE LINKED TO EVERYTHING FROM CANCER TO CARDIOVASCULAR 324 00:19:23,867 --> 00:19:25,867 AND RESPIRATORY DISEASES, 325 00:19:25,867 --> 00:19:29,367 EVEN REPRODUCTIVE DISORDERS. 326 00:19:29,367 --> 00:19:32,800 Narrator: IN 2015, GOVERNMENT AGENCIES FIND THAT 327 00:19:32,800 --> 00:19:34,500 THE RISK OF CONTRACTING CANCER 328 00:19:34,500 --> 00:19:37,067 IN THE WORST-HIT PARTS OF CANCER ALLEY 329 00:19:37,067 --> 00:19:40,300 ARE 50 TIMES HIGHER THAN THE NATIONAL AVERAGE. 330 00:19:43,267 --> 00:19:45,900 Moran: YOU'VE GOT TO WONDER IF PETROCHEMICAL WASTE 331 00:19:45,900 --> 00:19:48,067 IS WASHING OUT OF THE MISSISSIPPI DELTA 332 00:19:48,067 --> 00:19:53,133 AND KILLING ALL OF THE MARINE LIFE IN THE DEAD ZONE. 333 00:19:53,133 --> 00:19:55,533 Narrator: YET WHEN SCIENTISTS STUDY SAMPLES 334 00:19:55,533 --> 00:19:57,733 FROM THE MISSISSIPPI'S MURKY WATERS, 335 00:19:57,733 --> 00:20:00,500 THE MYSTERY DEEPENS. 336 00:20:00,500 --> 00:20:03,433 WHATEVER THE CONSEQUENCES OF ALL OF THIS INDUSTRIAL WASTE 337 00:20:03,433 --> 00:20:06,600 BEING DUMPED HERE, THERE'S MORE GOING ON. 338 00:20:06,600 --> 00:20:08,367 WHEN THE WATER IS TESTED, 339 00:20:08,367 --> 00:20:13,167 WE FIND OUT THAT IT'S FULL OF NITROGEN AND PHOSPHORUS. 340 00:20:13,167 --> 00:20:16,033 Narrator: DEVIN DENNIE THINKS THE ORIGIN OF THESE POLLUTANTS 341 00:20:16,033 --> 00:20:18,567 LIES UPRIVER FROM CANCER ALLEY 342 00:20:18,567 --> 00:20:23,067 IN THE 30 OR SO STATES THAT FEED THE MIGHTY MISSISSIPPI. 343 00:20:23,067 --> 00:20:24,833 THE CENTRAL PART OF THE UNITED STATES 344 00:20:24,833 --> 00:20:27,000 IS KNOWN AS THE BREADBASKET OF THE WORLD. 345 00:20:27,000 --> 00:20:29,900 IT'S AN INTENSELY AGRICULTURAL AREA, 346 00:20:29,900 --> 00:20:31,767 AND A PART OF AGRICULTURE IS THE USE OF 347 00:20:31,767 --> 00:20:34,367 THINGS LIKE NITRATES AND PHOSPHATES. 348 00:20:36,767 --> 00:20:39,067 Narrator: THE MIDWEST BREADBASKET IS THE HEART 349 00:20:39,067 --> 00:20:43,233 OF AMERICA'S COLOSSAL AGRICULTURAL INDUSTRY, 350 00:20:43,233 --> 00:20:45,000 AN INDUSTRY WHOSE FARMS COVER 351 00:20:45,000 --> 00:20:49,067 MORE THAN 900 MILLION ACRES OF LAND, 352 00:20:49,067 --> 00:20:52,967 AN AREA LARGER THAN INDIA. 353 00:20:52,967 --> 00:20:57,000 EACH YEAR, IT PRODUCES OVER 90 MILLION TONS OF SOYBEANS 354 00:20:57,000 --> 00:21:01,133 AND HUGE AMOUNTS OF OTHER CROPS, FROM ALFALFA TO ZUCCHINI. 355 00:21:02,300 --> 00:21:03,867 Dennie: YOU NAME IT, WE GROW IT. 356 00:21:03,867 --> 00:21:06,133 FOUR OUT OF EVERY 10 EARS OF CORN 357 00:21:06,133 --> 00:21:08,433 THAT ARE GROWN IN THE ENTIRE WORLD 358 00:21:08,433 --> 00:21:13,233 ARE GROWN RIGHT HERE IN THE MISSISSIPPI RIVER BASIN. 359 00:21:13,233 --> 00:21:15,400 Narrator: WHEN FARMING SPREADS ACROSS THE MIDWEST 360 00:21:15,400 --> 00:21:18,067 IN THE EARLY 19TH CENTURY, 361 00:21:18,067 --> 00:21:20,667 AGRICULTURE EMPLOYS OVER 80 PERCENT 362 00:21:20,667 --> 00:21:24,800 OF THE ENTIRE AMERICAN WORKFORCE. 363 00:21:24,800 --> 00:21:27,633 BETWEEN 1850 AND NINETEEN HUNDRED, 364 00:21:27,633 --> 00:21:31,067 THE U.S. POPULATION TRIPLES IN SIZE, 365 00:21:31,067 --> 00:21:33,300 RATCHETING UP THE PRESSURE ON ITS FARMLANDS 366 00:21:33,300 --> 00:21:36,667 TO PRODUCE MORE AND MORE FOOD. 367 00:21:36,667 --> 00:21:39,900 Dennie: THERE'S A CONSTANT BATTLE WITH NATURE. 368 00:21:39,900 --> 00:21:42,533 WE NEED TO CREATE AS MUCH FOOD AS WE CAN 369 00:21:42,533 --> 00:21:46,067 FOR EVERY ACRE OF GROUND THAT WE PLANT AND GROW. 370 00:21:48,267 --> 00:21:50,667 Narrator: TO INCREASE PRODUCTIVITY. 371 00:21:50,667 --> 00:21:53,133 FARMERS TURNED TO CHEMICAL FERTILIZERS 372 00:21:53,133 --> 00:21:56,800 RICH IN NITRATES AND PHOSPHATES -- 373 00:21:56,800 --> 00:22:01,333 20 MILLION TONS OF THEM EVERY YEAR. 374 00:22:01,333 --> 00:22:04,533 Dennie: OVER TIME, THOSE NITRATES AND PHOSPHATES 375 00:22:04,533 --> 00:22:07,733 FLOW INTO CREEKS AND STREAMS AND RIVERS, 376 00:22:07,733 --> 00:22:12,333 AND ULTIMATELY THOSE RIVERS DUMP INTO THE MISSISSIPPI. 377 00:22:12,333 --> 00:22:15,867 Narrator: THE MISSISSIPPI'S CATCHMENT AREA IS SO VAST 378 00:22:15,867 --> 00:22:20,067 THAT FERTILIZER FROM 40% OF THE ENTIRE CONTINENTAL UNITED STATES 379 00:22:20,067 --> 00:22:23,067 ENDS UP BEING DUMPED IN THE GULF OF MEXICO. 380 00:22:25,133 --> 00:22:28,133 BIOLOGIST GREG SZULGIT THINKS THIS EXPLAINS 381 00:22:28,133 --> 00:22:32,300 THE SWIRLING LETHAL VORTEX REVEALED FROM SPACE. 382 00:22:32,300 --> 00:22:34,933 Szulgit: I THINK THIS IS PROBABLY ALGAE -- 383 00:22:34,933 --> 00:22:36,533 THEY'RE FEEDING ON NUTRIENTS 384 00:22:36,533 --> 00:22:38,400 THAT ARE BEING WASHED OUT OF THE RIVER, 385 00:22:38,400 --> 00:22:42,700 AND THAT'S CAUSING THIS IMMENSE BLOOM. 386 00:22:42,700 --> 00:22:44,967 Narrator: ALGAE ARE SINGLE-CELLED ORGANISMS 387 00:22:44,967 --> 00:22:49,433 THAT THRIVE ON THE CHEMICALS FOUND IN FERTILIZERS. 388 00:22:49,433 --> 00:22:51,400 AND WHILE THEY ARE TINY, 389 00:22:51,400 --> 00:22:55,067 IN LARGE NUMBERS, THEY ARE MASS KILLERS. 390 00:22:55,067 --> 00:22:58,067 Szulgit: HOW THAT WORKS IS THAT ALGAE HAVE A VERY SHORT LIFE SPAN. 391 00:22:58,067 --> 00:23:00,700 SO AS THEY DIE, THEY SINK LIKE SNOWFLAKES 392 00:23:00,700 --> 00:23:03,067 DOWN TO THE BOTTOM OF THE OCEAN 393 00:23:03,067 --> 00:23:07,800 AND THERE, THEY'RE DEVOURED BY BACTERIA. 394 00:23:07,800 --> 00:23:11,367 Narrator: ONE POPULATION EXPLOSION HAS LED TO A SECOND, 395 00:23:11,367 --> 00:23:16,167 THIS TIME OF BACTERIA IN TRULY GIGANTIC QUANTITIES, 396 00:23:16,167 --> 00:23:20,967 AND THEY'RE SUCKING EVERY LAST BIT OF OXYGEN FROM THE WATER. 397 00:23:20,967 --> 00:23:24,233 THAT OXYGEN IS WHAT'S SUPPORTING THE WHOLE SYSTEM, 398 00:23:24,233 --> 00:23:29,433 SO WHEN THAT GOES, EVERYTHING SUFFERS AND DIES. 399 00:23:29,433 --> 00:23:32,167 SO WHILE FERTILIZERS ARE VERY MUCH NEEDED, 400 00:23:32,167 --> 00:23:34,200 THAT CAN CAUSE THE OCEAN ENVIRONMENT 401 00:23:34,200 --> 00:23:35,633 TO BE COMPLETELY WIPED OUT. 402 00:23:35,633 --> 00:23:41,667 ** 403 00:23:41,667 --> 00:23:44,867 Narrator: COMING UP, THE ISLAND THAT TIME FORGOT... 404 00:23:44,867 --> 00:23:48,433 YOU CAN ONLY IMAGINE HOW TERRIFYING 405 00:23:48,433 --> 00:23:51,567 A PLACE LIKE THIS WOULD BE. 406 00:23:51,567 --> 00:23:55,267 Narrator: AND SOMETHING BIG IS STIRRING IN THE SWAMP, 407 00:23:55,267 --> 00:23:58,600 THEY ALL RADIATE OUTWARDS LIKE A SPIDER WEB. 408 00:24:05,367 --> 00:24:09,400 ** 409 00:24:09,400 --> 00:24:13,400 Narrator: APRIL 30, 2016 -- 410 00:24:13,400 --> 00:24:16,067 MOVING AT ALMOST FIVE MILES PER SECOND 411 00:24:16,067 --> 00:24:18,100 ABOVE THE ATLANTIC OCEAN, 412 00:24:18,100 --> 00:24:21,633 A SATELLITE CAPTURES THIS IMAGE. 413 00:24:21,633 --> 00:24:26,700 THIS CLEARLY DEPICTS SOME SORT OF DESOLATE ISLAND, 414 00:24:26,700 --> 00:24:29,867 AND THERE'S THIS THING WHICH LOOKS LIKE SOME KIND OF BEETLE 415 00:24:29,867 --> 00:24:33,767 OR TRILOBITE FOSSIL POINTING TOWARDS THE SHORE. 416 00:24:35,900 --> 00:24:38,767 Narrator: THE WEIRD PATTERN SITS ON A DESERTED ISLAND 417 00:24:38,767 --> 00:24:41,833 ON THE REMOTE ARCHIPELAGO OF CAPE VERDE. 418 00:24:44,767 --> 00:24:49,700 ANALYSTS TURN TO THE ISLAND NATION'S HISTORY FOR CLUES. 419 00:24:49,700 --> 00:24:53,567 Woman: SO CAPE VERDE IS THIS SPECK IN THE MIDDLE OF NOWHERE. 420 00:24:53,567 --> 00:24:55,733 IT HAS A REALLY DARK PAST, THOUGH, 421 00:24:55,733 --> 00:24:59,100 AND IT'S TIED INTO THE TRANSATLANTIC SLAVE TRADE. 422 00:24:59,100 --> 00:25:04,733 COULD THIS STRUCTURE BE RELATED TO THAT? 423 00:25:04,733 --> 00:25:08,200 Narrator: CAPE VERDE'S ROLE IN THE HORRORS OF HUMAN TRAFFICKING 424 00:25:08,200 --> 00:25:12,467 BEGINS WITH ITS DISCOVERY BY THE PORTUGUESE IN 1456. 425 00:25:14,500 --> 00:25:17,533 THE ISLANDS' STRATEGIC POSITION ON THE TRADE WINDS 426 00:25:17,533 --> 00:25:21,300 SOON MAKES THEM INVALUABLE TO SLAVERS. 427 00:25:21,300 --> 00:25:24,133 THE CAPE VERDES BECAME PARTICULARLY IMPORTANT 428 00:25:24,133 --> 00:25:25,667 BECAUSE THEY WERE PLACES 429 00:25:25,667 --> 00:25:28,467 WHERE SHIPS COULD GET FRESH FOOD, 430 00:25:28,467 --> 00:25:31,967 THEY COULD GET FRESH WATER. 431 00:25:31,967 --> 00:25:33,933 Narrator: OVER THE NEXT 400 YEARS, 432 00:25:33,933 --> 00:25:38,100 ALMOST SIX MILLION CAPTIVES PASS THROUGH CAPE VERDE'S PORTS 433 00:25:38,100 --> 00:25:41,967 ON THEIR WAY TO A LIFE OF BONDAGE. 434 00:25:41,967 --> 00:25:46,900 Bellinger: THEY BEGAN TO FUNNEL 38 TO 45 PERCENT 435 00:25:46,900 --> 00:25:49,200 OF ALL AFRICAN SLAVES 436 00:25:49,200 --> 00:25:53,567 THROUGH THESE TINY ISLANDS. 437 00:25:53,567 --> 00:25:56,100 Narrator: THE MYSTERY STRUCTURE'S FORTIFIED WALLS 438 00:25:56,100 --> 00:26:00,067 YIELD CLUES TO ITS POSSIBLE ROLE IN THIS SICKENING TRADE. 439 00:26:02,067 --> 00:26:05,133 THE PORTUGUESE HAD TO BUILD A LARGE NUMBER OF SLAVE FORTS 440 00:26:05,133 --> 00:26:08,067 TO ENSURE THAT SLAVES DID NOT ESCAPE. 441 00:26:08,067 --> 00:26:12,967 SO PERHAPS THAT'S SOMETHING THAT WE'RE LOOKING AT HERE. 442 00:26:12,967 --> 00:26:15,300 YET WHEN NEW AERIAL IMAGES EMERGE, 443 00:26:15,300 --> 00:26:18,900 THEY REVEAL THE STRUCTURE SERVED A DIFFERENT PURPOSE. 444 00:26:20,933 --> 00:26:25,567 Man: THIS LOOKS LIKE A 19TH CENTURY FORT TO ME. 445 00:26:25,567 --> 00:26:29,067 Man: BY THAT TIME, THE DWINDLING SLAVE TRADE 446 00:26:29,067 --> 00:26:32,067 IS ALREADY BEING ABOLISHED. 447 00:26:32,067 --> 00:26:37,833 SO THIS STRUCTURE CAN'T BE A SLAVE FORT. 448 00:26:37,833 --> 00:26:40,067 Narrator: PATRICK HUNT THINKS THE FORT'S CANNONS 449 00:26:40,067 --> 00:26:43,067 ARE DEFENDING AGAINST AN OCEAN-BORNE THREAT. 450 00:26:45,167 --> 00:26:48,100 WHY WOULD YOU NEED A FORT IN THIS PART OF THE WORLD? 451 00:26:48,100 --> 00:26:54,067 SOMETHING ELSE IMMEDIATELY COMES TO MIND: PIRATES. 452 00:26:54,067 --> 00:26:56,333 Narrator: MARITIME RECORDS CONFIRM THAT, 453 00:26:56,333 --> 00:26:57,733 DURING THE 19TH CENTURY, 454 00:26:57,733 --> 00:26:59,900 THE ISLANDS IN THE IMAGE BECOME A TARGET 455 00:26:59,900 --> 00:27:03,933 FOR THE MOST FEARED PIRATES IN HISTORY. 456 00:27:03,933 --> 00:27:08,567 Hunt: ONE KNOWN SCOURGE OF THE REGION, 457 00:27:08,567 --> 00:27:12,867 WRITTEN ABOUT WITH FEARSOME DETAIL, 458 00:27:12,867 --> 00:27:17,100 ARE THE NOTORIOUS BARBARY PIRATES. 459 00:27:17,100 --> 00:27:22,500 Narrator: THE BARBARY PIRATES OPERATE OUT OF NORTH AFRICA. 460 00:27:22,500 --> 00:27:26,067 THEY PREY ON SHIPS THROUGHOUT THE MEDITERRANEAN AND ATLANTIC, 461 00:27:26,067 --> 00:27:30,133 CAPTURING CHRISTIAN SLAVES TO SELL IN THE OTTOMAN EMPIRE. 462 00:27:32,800 --> 00:27:36,333 WHILE AFRICA HAD BEEN ENSLAVED BY EUROPEANS 463 00:27:36,333 --> 00:27:37,867 FOR HUNDREDS OF YEARS, 464 00:27:37,867 --> 00:27:40,867 NOW THE TIDE HAS TURNED. 465 00:27:40,867 --> 00:27:46,200 THESE ARE AFRICANS WHO ARE OVERWHELMING EUROPEANS 466 00:27:46,200 --> 00:27:49,800 AND ENSLAVING THEM. 467 00:27:49,800 --> 00:27:53,367 Narrator: SOME GIRLS ARE PRESSED INTO SEXUAL SLAVERY; 468 00:27:53,367 --> 00:27:55,567 THE MEN FORCED TO WORK IN QUARRIES 469 00:27:55,567 --> 00:27:59,867 OR TO ROW PIRATE GALLEYS IN PURSUIT OF YET MORE CAPTIVES. 470 00:28:02,067 --> 00:28:04,333 WEALTHY FAMILIES MUST PAY A RANSOM 471 00:28:04,333 --> 00:28:08,067 TO GET THEIR CHILDREN BACK. 472 00:28:08,067 --> 00:28:12,167 THEY WERE ESSENTIALLY STATE-SPONSORED PIRATES, 473 00:28:12,167 --> 00:28:15,200 AND IT WAS A WAY OF THESE NORTH AFRICAN LOCALES 474 00:28:15,200 --> 00:28:20,233 TO RAISE MONEY FOR THEIR RESPECTIVE STATES. 475 00:28:20,233 --> 00:28:21,467 Narrator: HISTORIANS ESTIMATE 476 00:28:21,467 --> 00:28:24,300 THAT BETWEEN THE 16th AND 18th CENTURIES, 477 00:28:24,300 --> 00:28:28,433 THE PIRATES TAKE UP TO ONE AND A HALF MILLION PEOPLE HOSTAGE. 478 00:28:31,133 --> 00:28:33,767 IN THE 1780s, THEY BEGIN TARGETING 479 00:28:33,767 --> 00:28:37,433 AMERICAN MERCHANT SHIPS. 480 00:28:37,433 --> 00:28:40,567 BY 1800, RANSOMS AND EXTORTION PAYMENTS 481 00:28:40,567 --> 00:28:42,133 TO THE PIRATES ACCOUNT FOR 482 00:28:42,133 --> 00:28:44,700 A FIFTH OF THE ENTIRE U.S. GOVERNMENT'S 483 00:28:44,700 --> 00:28:47,200 ANNUAL EXPENDITURE. 484 00:28:47,200 --> 00:28:50,500 Hunt: THOMAS JEFFERSON DESCRIBES 485 00:28:50,500 --> 00:28:53,900 HOW THEY SURROUNDED YOUR SHIP 486 00:28:53,900 --> 00:28:57,633 AND CAME OVERBOARD, 487 00:28:57,633 --> 00:28:59,600 A DAGGER IN EACH HAND, 488 00:28:59,600 --> 00:29:02,100 AND A DAGGER IN THE MOUTH. 489 00:29:02,100 --> 00:29:06,667 THEY SHOWED ABSOLUTELY NO MERCY. 490 00:29:08,900 --> 00:29:11,200 Narrator: THE NEWLY INDEPENDENT UNITED STATES 491 00:29:11,200 --> 00:29:16,533 BUILDS A NAVY AND WAGES WAR ON THE PIRATES IN 1801 AND 1815. 492 00:29:18,400 --> 00:29:21,267 DURING THESE CONFLICTS, A GROUP OF PIRATES HEADS 493 00:29:21,267 --> 00:29:24,233 TO CAPE VERDE SEEKING PLUNDER IN A TOWN 494 00:29:24,233 --> 00:29:27,933 TO THE EAST OF THE ISLAND IN THE IMAGE. 495 00:29:27,933 --> 00:29:31,867 Hunt: THE TOWN OF SAL REI WAS A SALT PRODUCTION CENTER 496 00:29:31,867 --> 00:29:35,500 AND MADE A GREAT DEAL OF WEALTH, AND IN 1815, 497 00:29:35,500 --> 00:29:38,167 THE CITY WAS ATTACKED BY PIRATES, 498 00:29:38,167 --> 00:29:40,600 SO THE LOCALS DECIDED TO BUILD A FORTIFICATION 499 00:29:40,600 --> 00:29:45,767 TO DEFEND AGAINST SUCH ATTACKS IN THE FUTURE. 500 00:29:45,767 --> 00:29:49,900 Narrator: THE FORT BECOMES OPERATIONAL IN 1820, 501 00:29:49,900 --> 00:29:51,600 BUT IT NEVER SEES ACTION -- 502 00:29:51,600 --> 00:29:54,200 FOR THE ONCE-FEARED BARBARY PIRATE FLEET 503 00:29:54,200 --> 00:29:57,267 IS SOON DEFEATED BY EUROPEAN NAVIES. 504 00:30:00,067 --> 00:30:01,900 OVER THE FOLLOWING TWO CENTURIES, 505 00:30:01,900 --> 00:30:05,867 THE STRUCTURE SLOWLY FADES TO RUIN AND BECOMES A MONUMENT 506 00:30:05,867 --> 00:30:09,733 TO A TIME WHEN TERROR THREATENED THESE DISTANT SHORES. 507 00:30:09,733 --> 00:30:15,500 ** 508 00:30:15,500 --> 00:30:18,833 COMING UP, ATTACK OF THE SWAMPERS. 509 00:30:18,833 --> 00:30:22,400 THIS IS PLUNDER ON A TRULY HORRIFIC SCALE. 510 00:30:22,400 --> 00:30:25,100 Narrator: AND THE SECRET NUCLEAR CITY. 511 00:30:25,100 --> 00:30:27,400 IF THERE IS A WORLD WAR III, 512 00:30:27,400 --> 00:30:30,133 MORE THAN LIKELY IT'LL START RIGHT THERE. 513 00:30:34,833 --> 00:30:38,900 ** 514 00:30:38,900 --> 00:30:43,100 Narrator: SEPTEMBER 12, 2017 -- 515 00:30:43,100 --> 00:30:47,933 EYES IN THE SKY SCAN SOUTHERN LOUISIANA. 516 00:30:47,933 --> 00:30:53,067 THERE IS SOMETHING UNUSUAL GOING ON HERE. 517 00:30:53,067 --> 00:30:56,200 IT'S A VERY ODD SET OF PATTERNS. 518 00:30:56,200 --> 00:30:58,633 Man: THEY ALL COME FROM A CENTRAL POINT 519 00:30:58,633 --> 00:31:02,167 AND RADIATE OUTWARDS, SORT OF LIKE A SPIDERWEB. 520 00:31:04,233 --> 00:31:07,533 Narrator: MILITARY ANALYSTS HAVE A THEORY... 521 00:31:07,533 --> 00:31:12,400 THIS IS SOMETHING THAT CAN ONLY REALLY BE SPOTTED FROM ABOVE. 522 00:31:12,400 --> 00:31:14,500 SO IT LEADS ME TO WONDER, 523 00:31:14,500 --> 00:31:17,533 COULD THIS BE SOME KIND OF TARGET? 524 00:31:17,533 --> 00:31:19,233 Woman: IF THESE ARE TARGETS, 525 00:31:19,233 --> 00:31:22,100 WHY ARE THEY IN THE MIDDLE OF A LOUISIANA SWAMP? 526 00:31:22,100 --> 00:31:24,733 THERE'S ONLY ONE POSSIBLE EXPLANATION, 527 00:31:24,733 --> 00:31:28,533 WHICH IS THE LOUISIANA MANEUVERS. 528 00:31:28,533 --> 00:31:30,300 Narrator: THE LOUISIANA MANEUVERS 529 00:31:30,300 --> 00:31:32,100 WERE A SERIES OF MASSIVE WAR GAMES 530 00:31:32,100 --> 00:31:33,533 IN THESE SWAMPS 531 00:31:33,533 --> 00:31:35,833 DESIGNED TO READY AMERICAN SOLDIERS 532 00:31:35,833 --> 00:31:40,400 FOR THE INVASION OF NAZI OCCUPIED EUROPE. 533 00:31:40,400 --> 00:31:42,933 Moran: IN THE BUILD UP TO WORLD WAR II, 534 00:31:42,933 --> 00:31:45,733 THE U.S. ARMY REALLY WASN'T QUITE UP TO SPEED. 535 00:31:45,733 --> 00:31:49,600 I MEAN, THEY WERE STILL USING TECHNOLOGY AND WEAPONRY 536 00:31:49,600 --> 00:31:53,833 THAT WERE HOLDOVERS FROM WORLD WAR I. 537 00:31:53,833 --> 00:31:59,067 Narrator: IN 1939, THE U.S. HAS FEWER THAN 200,000 SOLDIERS, 538 00:31:59,067 --> 00:32:01,500 A SMALLER ARMY THAN PORTUGAL'S, 539 00:32:01,500 --> 00:32:04,533 AND USES CAVALRY TO PULL ITS ARTILLERY. 540 00:32:06,867 --> 00:32:11,233 HAS GLOBAL CONFLICT LOOMS, 19 DIVISIONS OF FRESH RECRUITS 541 00:32:11,233 --> 00:32:14,633 WAGE A FAKE WAR IN THE LOUISIANA SWAMPS 542 00:32:14,633 --> 00:32:20,133 TO WORK OUT HOW TO DEFEAT THE NAZIS' BLITZKRIEG TACTICS. 543 00:32:20,133 --> 00:32:24,967 THE THINKING WAS, IF YOU CAN SURVIVE IN LOUISIANA SWAMPLAND, 544 00:32:24,967 --> 00:32:27,700 YOU CAN CERTAINLY MAKE IT IN EUROPE. 545 00:32:30,467 --> 00:32:34,900 Narrator: THE WAR GAMES COVER 3,400 SQUARE MILES 546 00:32:34,900 --> 00:32:40,133 AND INVOLVE 470,000 SOLDIERS, 50,000 VEHICLES 547 00:32:40,133 --> 00:32:43,267 AND 1,000 PLANES. 548 00:32:43,267 --> 00:32:45,933 WHEN YOU SEE FROM ABOVE THESE CIRCULAR PATTERNS 549 00:32:45,933 --> 00:32:48,167 WITH ALMOST A TARGET IN THE MIDDLE, 550 00:32:48,167 --> 00:32:50,100 IT MAKES YOU WONDER. 551 00:32:50,100 --> 00:32:54,467 IS THIS PART OF THE LOUISIANA MANEUVERS? 552 00:32:54,467 --> 00:32:56,833 Narrator: LOUISIANA NATIVE MARTIN MORGAN 553 00:32:56,833 --> 00:32:59,533 RECOGNIZES THE PATTERNS. 554 00:32:59,533 --> 00:33:03,500 HE REVEALS THAT RATHER THAN BEING A LEGACY OF WORLD WAR II, 555 00:33:03,500 --> 00:33:09,133 THEY'RE AN EXTRAORDINARY RELIC OF THE STATE'S INDUSTRIAL PAST. 556 00:33:09,133 --> 00:33:10,900 SOMETHING THAT'S BEEN VERY IMPORTANT 557 00:33:10,900 --> 00:33:15,367 TO THE ECONOMY OF SOUTHERN LOUISIANA HAS BEEN LOGGING. 558 00:33:15,367 --> 00:33:18,433 I THINK WHAT WE'RE SEEING TODAY ARE THE SCARS THAT WERE CREATED 559 00:33:18,433 --> 00:33:22,200 WHEN THE LOGGERS DRAG CYPRESS LOGS ACROSS THE SWAMP. 560 00:33:24,467 --> 00:33:28,733 Narrator: LOUISIANA'S SWAMPS WERE ONCE FILLED WITH CYPRESS TREES, 561 00:33:28,733 --> 00:33:34,567 A VAST FOREST THAT COVERED ONE AND A HALF MILLION ACRES. 562 00:33:34,567 --> 00:33:37,300 BETWEEN THE EARLY 18TH AND 20TH CENTURIES, 563 00:33:37,300 --> 00:33:39,900 THEY ATTRACT GROUPS OF PIONEERING LOGGERS 564 00:33:39,900 --> 00:33:43,400 KNOWN AS SWAMPERS. 565 00:33:43,400 --> 00:33:47,933 Morgan: SWAMPERS WERE A TOUGH FRONTIER TYPE PERSON. 566 00:33:47,933 --> 00:33:50,467 THESE ARE PEOPLE THAT LIVED IN THE SWAMP, 567 00:33:50,467 --> 00:33:54,100 BRINGING DOWN CYPRESS TREES, BEING ON THE LOOKOUT CONSTANTLY 568 00:33:54,100 --> 00:33:59,367 FOR LOUISIANA BLACK BEAR AND FOR SNAKES AND ALLIGATORS. 569 00:33:59,367 --> 00:34:03,200 THIS IS HARD, PHYSICALLY TRYING WORK, 570 00:34:03,200 --> 00:34:04,567 Narrator: GROWING IN A SWAMP, 571 00:34:04,567 --> 00:34:07,600 CYPRESS WOOD IS EXCELLENT AT WITHSTANDING WATER, 572 00:34:07,600 --> 00:34:11,967 SO IT IS HIGHLY PRIZED BY SHIP AND HOUSE BUILDERS. 573 00:34:11,967 --> 00:34:13,833 BUT THE TREES ARE HUGE, 574 00:34:13,833 --> 00:34:17,667 MORE THAN 100 FEET TALL WITH TRUNKS EIGHT FEET WIDE. 575 00:34:17,667 --> 00:34:22,067 AND GETTING THEM TO THE LUMBER MILLS WAS TOUGH. 576 00:34:22,067 --> 00:34:23,433 Morgan: THEY WERE PAID BY THE LOG, 577 00:34:23,433 --> 00:34:25,300 AND THAT WAS AN ENORMOUS AMOUNT OF WORK 578 00:34:25,300 --> 00:34:31,267 UNDER VERY HARSH CONDITIONS FOR A VERY SMALL PAYCHECK. 579 00:34:31,267 --> 00:34:35,400 Narrator: IN 1891, THE INVENTION OF A NEW MACHINE 580 00:34:35,400 --> 00:34:37,400 CHANGES ALL THAT. 581 00:34:37,400 --> 00:34:38,967 Morgan: THE INVENTION OF THE PULL BOAT 582 00:34:38,967 --> 00:34:42,800 REVOLUTIONIZED THE PROCESS OF SWAMP LOGGING. 583 00:34:42,800 --> 00:34:45,800 THESE PROVIDE A SOLUTION TO HOW DO YOU HARVEST 584 00:34:45,800 --> 00:34:49,633 THE CYPRESS LOGS OUT OF A CYPRESS SWAMP? 585 00:34:49,633 --> 00:34:52,300 Narrator: PULL BOATS USE STEAM-DRIVEN WINCHES 586 00:34:52,300 --> 00:34:53,600 TO DRAG CYPRESS TREES 587 00:34:53,600 --> 00:34:57,067 THOUSANDS OF FEET FROM INACCESSIBLE PARTS OF THE SWAMP. 588 00:34:59,200 --> 00:35:01,600 IN SOME PLACES, THE PULL BOATS DON'T EVEN MOVE, 589 00:35:01,600 --> 00:35:04,733 THEY JUST DRAG LOGS FROM ALL DIRECTIONS 590 00:35:04,733 --> 00:35:07,100 THAT CREATES THESE DISTINCTIVE STAR SHAPES 591 00:35:07,100 --> 00:35:12,067 THAT WE SEE SO CLEARLY IN THE SATELLITE PHOTOS. 592 00:35:12,067 --> 00:35:13,567 Narrator: USING PULL BOATS, 593 00:35:13,567 --> 00:35:16,967 SWAMPERS CAN ASSEMBLE RAFTS OF 500 GIANT LOGS 594 00:35:16,967 --> 00:35:21,067 FOR LOUISIANA'S LUMBER MILLS. 595 00:35:21,067 --> 00:35:24,433 BY THE EARLY 1900s, THESE MILLS ARE PRODUCING 596 00:35:24,433 --> 00:35:27,867 A BILLION BOARD FEET OF WOOD A YEAR, 597 00:35:27,867 --> 00:35:30,267 ENOUGH TO CREATE A CYPRESS BOARDWALK 598 00:35:30,267 --> 00:35:33,400 FROM THE EARTH TO THE MOON. 599 00:35:33,400 --> 00:35:34,967 Morgan: IT BRINGS MONEY, IT BRINGS PEOPLE, 600 00:35:34,967 --> 00:35:38,467 IT BRINGS ECONOMIC VITALITY -- 601 00:35:38,467 --> 00:35:42,333 AND IT ALSO BRINGS DESTRUCTION OF THE NATURAL ENVIRONMENT. 602 00:35:44,533 --> 00:35:47,067 Narrator: THE PULL BOATS RAVAGE LOUISIANA, 603 00:35:47,067 --> 00:35:50,367 FELLING TREES THAT WERE ALREADY 500 YEARS OLD 604 00:35:50,367 --> 00:35:52,967 WHEN COLUMBUS VISITED THE AMERICAS. 605 00:35:55,500 --> 00:35:57,067 WITHIN 35 YEARS, 606 00:35:57,067 --> 00:35:59,467 THE STATE'S MAGNIFICENT CYPRESS FORESTS 607 00:35:59,467 --> 00:36:02,400 HAVE BEEN TURNED INTO A FETID WASTELAND -- 608 00:36:02,400 --> 00:36:04,533 SUITABLE FOR ARMY WAR GAMES, 609 00:36:04,533 --> 00:36:06,867 BUT LITTLE ELSE. 610 00:36:06,867 --> 00:36:09,733 BY THE 1920s, JUST ABOUT EVERY CYPRESS IN LOUISIANA 611 00:36:09,733 --> 00:36:11,700 HAS BEEN CUT DOWN. 612 00:36:11,700 --> 00:36:14,533 THIS IS THE PLUNDER OF A PRICELESS ANCIENT FOREST 613 00:36:14,533 --> 00:36:16,633 ON A TRULY HORRIFIC SCALE. 614 00:36:19,867 --> 00:36:22,233 Narrator: TODAY, ALL THAT REMAINS OF 615 00:36:22,233 --> 00:36:24,067 LOUISIANA'S CYPRESS GOLD RUSH 616 00:36:24,067 --> 00:36:27,400 ARE THE STRANGE SCARS REVEALED FROM THE SKIES. 617 00:36:27,400 --> 00:36:33,967 ** 618 00:36:33,967 --> 00:36:38,333 COMING UP, THE MEGASTRUCTURE THAT DISAPPEARED. 619 00:36:38,333 --> 00:36:40,833 Woman: SOMEBODY DOESN'T WANT THIS FACILITY 620 00:36:40,833 --> 00:36:42,933 SHOWING UP ON THE PUBLIC RECORD. 621 00:36:47,567 --> 00:36:51,467 ** 622 00:36:51,467 --> 00:36:55,400 Narrator: APRIL 30, 2016 -- 623 00:36:55,400 --> 00:36:57,367 AS THE WORLDVIEW-3 SATELLITE 624 00:36:57,367 --> 00:37:01,067 PASSES OVER THE HISTORIC STATE OF KARNATAKA, INDIA, 625 00:37:01,067 --> 00:37:04,400 IT CAPTURES THIS IMAGE. 626 00:37:04,400 --> 00:37:07,167 IT LOOKS LIKE THERE'S A GIANT PARCEL OF LAND 627 00:37:07,167 --> 00:37:12,300 THAT'S BEEN CASED IN SOME SORT OF A BARRIER. 628 00:37:12,300 --> 00:37:17,600 Narrator: THE WALL ENCIRCLES A 15 SQUARE MILE PROPERTY. 629 00:37:17,600 --> 00:37:21,733 IT SEEMS IT'S ERODED AWAY, SO THERE'S REALLY NO TELLING 630 00:37:21,733 --> 00:37:25,800 HOW LONG THIS THING HAS BEEN OUT THERE FOR. 631 00:37:25,800 --> 00:37:28,567 Narrator: IF THE GIANT WALL IS ERODING AWAY, 632 00:37:28,567 --> 00:37:32,700 IT COULD BE A RELIC OF INDIA'S ARISTOCRATIC PAST. 633 00:37:32,700 --> 00:37:38,333 SUCH A MASSIVE PROJECT LIKE THIS REMINDS US 634 00:37:38,333 --> 00:37:45,333 OF THE OVER-THE-TOP CONSTRUCTIONS OF THE MAHARAJ. 635 00:37:45,333 --> 00:37:47,900 Narrator: THE MAHARAJAH'S ARE THE HISTORIC KINGS 636 00:37:47,900 --> 00:37:49,800 AND RULERS OF INDIA. 637 00:37:51,800 --> 00:37:55,067 BEFORE THE COUNTRY'S INDEPENDENCE IN 1947, 638 00:37:55,067 --> 00:37:59,267 THEY COMMAND AN ALMOST GODLIKE STATUS... 639 00:37:59,267 --> 00:38:05,100 AND ACCUMULATE VAST FORTUNES THROUGH TRADE AND TAXATION. 640 00:38:05,100 --> 00:38:06,767 Hunt: IT STAGGERS THE IMAGINATION 641 00:38:06,767 --> 00:38:10,933 TO THINK OF HOW WEALTHY A MAHARAJAHS WERE 642 00:38:10,933 --> 00:38:13,800 AND HOW THEY SPENT 643 00:38:13,800 --> 00:38:18,500 TO MAINTAIN THEIR STATUS. 644 00:38:18,500 --> 00:38:21,500 Narrator: SUCH WAS THEIR WEALTH THAT SOME MAHARAJAHS ARE KNOWN 645 00:38:21,500 --> 00:38:24,867 TO HAVE USED ROLLS-ROYCES FOR GARBAGE COLLECTION 646 00:38:24,867 --> 00:38:28,733 AND DIAMONDS FOR PAPERWEIGHTS. 647 00:38:28,733 --> 00:38:33,467 THEY CONSTRUCT VAST PALACES, SOME WITH UPWARDS OF 300 ROOMS, 648 00:38:33,467 --> 00:38:38,400 MANY OF WHICH STILL PEPPER THE INDIAN COUNTRYSIDE. 649 00:38:38,400 --> 00:38:43,600 Hunt: THE LANDSCAPE OF INDIA IS FILLED WITH BEAUTIFUL FOLLIES 650 00:38:43,600 --> 00:38:49,400 BUILT AT ENORMOUS EXPENSE BY THE MAHARAJAHS. 651 00:38:49,400 --> 00:38:52,200 Narrator: BRONWYN AGRIOS USES SATELLITE IMAGERY 652 00:38:52,200 --> 00:38:55,067 TO TRACK BACK THROUGH TIME. 653 00:38:55,067 --> 00:39:00,067 Agrios: WHAT GETS REVEALED ACTUALLY IS THIS HAS ONLY BEEN 654 00:39:00,067 --> 00:39:02,500 AROUND FOR THE PAST 10 YEARS. 655 00:39:02,500 --> 00:39:05,333 SO THIS HAS TO BE A NEW FACILITY. 656 00:39:05,333 --> 00:39:09,300 Narrator: AGRIOS'S INVESTIGATION UNCOVERS SOMETHING STRANGE 657 00:39:09,300 --> 00:39:12,467 ABOUT THE MYSTERY FACILITY. 658 00:39:12,467 --> 00:39:14,833 Agrios: WHAT'S INTERESTING IS, 659 00:39:14,833 --> 00:39:17,733 WHEN I GO TO THE MAP OF THIS AREA, 660 00:39:17,733 --> 00:39:20,433 IT'S JUST BLANK -- SOMEBODY DOESN'T WANT 661 00:39:20,433 --> 00:39:25,167 THIS FACILITY SHOWING UP ON THE PUBLIC RECORD. 662 00:39:25,167 --> 00:39:27,567 Narrator: THE SATELLITE IMAGES REVEAL CONSTRUCTION 663 00:39:27,567 --> 00:39:31,600 ON THE SITE BEGINS IN 2009. 664 00:39:31,600 --> 00:39:34,233 LOCAL VILLAGERS WHO ACTUALLY LOST THEIR OWN LAND 665 00:39:34,233 --> 00:39:36,267 TO HELP BUILD THIS FACILITY 666 00:39:36,267 --> 00:39:37,933 ACTUALLY SUED THE INDIAN GOVERNMENT 667 00:39:37,933 --> 00:39:40,900 TO FIND OUT EXACTLY WHAT WAS GOING ON. 668 00:39:40,900 --> 00:39:43,667 Woman: WHAT THEY DISCOVERED WAS THAT HALF OF THE FACILITY 669 00:39:43,667 --> 00:39:47,167 WAS ACTUALLY GOING TO BE USED TO STUDY ATOMIC ENERGY 670 00:39:47,167 --> 00:39:50,433 AND NUCLEAR REACTORS. 671 00:39:50,433 --> 00:39:52,067 Narrator: THE GOVERNMENT CLAIMS 672 00:39:52,067 --> 00:39:54,067 THE SITE WILL BE USED TO ENRICH URANIUM 673 00:39:54,067 --> 00:39:58,567 TO FUEL NUCLEAR POWER PLANTS AND SUBMARINES, 674 00:39:58,567 --> 00:40:00,900 YET HAD STRUCTURES TO THE NORTH SUGGEST 675 00:40:00,900 --> 00:40:04,067 THIS IS LIKELY NOT THE CASE. 676 00:40:04,067 --> 00:40:09,200 Moran: THIS FACILITY HAS WHAT'S CALLED A RARE MATERIALS PLANT 677 00:40:09,200 --> 00:40:13,433 AND THAT IS USED TO PRODUCE HIGHLY ENRICHED URANIUM, 678 00:40:13,433 --> 00:40:14,767 WHICH, AS WE ALL KNOW, 679 00:40:14,767 --> 00:40:19,567 IS A KEY COMPONENT TO MAKING NUCLEAR BOMBS. 680 00:40:19,567 --> 00:40:23,867 Narrator: INTELLIGENCE ANALYSTS BELIEVE INDIA CURRENTLY 681 00:40:23,867 --> 00:40:27,333 POSSESSES AROUND 140 THERMONUCLEAR WEAPONS, 682 00:40:27,333 --> 00:40:31,400 FEWER THAN ITS NEIGHBORS AND ADVERSARIES, CHINA AND PAKISTAN. 683 00:40:33,767 --> 00:40:37,500 THE SCALE OF THE NUCLEAR CITY REVEALED FROM SPACE SUGGESTS 684 00:40:37,500 --> 00:40:39,200 IT COULD ADD HUNDREDS OF WARHEADS 685 00:40:39,200 --> 00:40:42,767 TO ITS STOCKPILE OVER THE NEXT DECADE. 686 00:40:42,767 --> 00:40:45,167 Moran: THE FACILITY HAS BEEN UPGRADED 687 00:40:45,167 --> 00:40:47,933 WITH CUTTING EDGE EQUIPMENT AND CENTRIFUGES, 688 00:40:47,933 --> 00:40:51,733 WHICH MAKE IT CAPABLE OF PRODUCING HUNDREDS OF POUNDS 689 00:40:51,733 --> 00:40:55,367 OF WEAPONS-GRADE URANIUM EVERY YEAR. 690 00:40:55,367 --> 00:40:57,967 Munoz: WHAT WE'RE SEEING HERE COULD BE INDIA'S EFFORT 691 00:40:57,967 --> 00:41:02,867 TO BRING BALANCE BACK TO THE REGION IN INDIA'S FAVOR 692 00:41:02,867 --> 00:41:05,200 TO MAKE ITS WARHEAD ARSENAL COMPETE 693 00:41:05,200 --> 00:41:08,533 WITH THESE OTHER COUNTRIES. 694 00:41:08,533 --> 00:41:10,967 Narrator: INDIA'S SPENDING ON ITS NUCLEAR PROGRAM 695 00:41:10,967 --> 00:41:15,067 IS NOW MORE THAN DOUBLE THAT OF PAKISTAN'S. 696 00:41:15,067 --> 00:41:17,867 INDIA'S INTENTIONS HERE ARE REALLY 697 00:41:17,867 --> 00:41:21,567 TO ESSENTIALLY STRONG ARM ITS NEIGHBORS 698 00:41:21,567 --> 00:41:26,933 AND TO SOLIDIFY ITS POSITION AS A POWERHOUSE IN THE REGION. 699 00:41:29,067 --> 00:41:31,400 Narrator: TENSIONS BETWEEN INDIA AND ITS NEIGHBORS, 700 00:41:31,400 --> 00:41:32,567 PAKISTAN AND CHINA, 701 00:41:32,567 --> 00:41:36,633 HAVE DRAMATICALLY ESCALATED IN RECENT YEARS, 702 00:41:36,633 --> 00:41:39,800 WITH BORDER SKIRMISHES CLAIMING HUNDREDS OF LIVES. 703 00:41:42,467 --> 00:41:47,333 SATELLITES CONTINUE TO MONITOR THE SITUATION AS IT UNFOLDS. 704 00:41:47,333 --> 00:41:51,100 YOU THINK OF GEOPOLITICAL TENSIONS BEING STRONGEST 705 00:41:51,100 --> 00:41:52,867 BETWEEN THE WORLD'S SUPERPOWERS, 706 00:41:52,867 --> 00:41:56,167 BETWEEN RUSSIA AND THE UNITED STATES AND CHINA, 707 00:41:56,167 --> 00:42:00,067 BUT THIS IS A POWDER KEG WAITING TO BLOW. 708 00:42:00,067 --> 00:42:04,067 ** 55764

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