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1
00:00:01,633 --> 00:00:03,933
Narrator:
THEY'RE WATCHING YOU,
2
00:00:03,933 --> 00:00:08,100
MORE THAN 4,000 SATELLITES
CIRCLE THE EARTH.
3
00:00:08,100 --> 00:00:09,867
EVERY DAY, THEY UNCOVER
4
00:00:09,867 --> 00:00:11,667
NEW MYSTERIOUS PHENOMENA
5
00:00:11,667 --> 00:00:13,533
THAT DEFY EXPLANATION.
6
00:00:15,700 --> 00:00:19,467
NAZIS AND BLACK MAGIC
IN THE FORESTS OF POLAND.
7
00:00:19,467 --> 00:00:23,233
Man: OH, MY GOD,
LOOK AT THIS PLACE.
8
00:00:23,233 --> 00:00:26,467
IT'S LIKE SOME SORT
OF CEREMONIAL ALTAR.
9
00:00:26,467 --> 00:00:29,833
Narrator: THE 7,000 SQUARE MILE
DEAD ZONE,
10
00:00:29,833 --> 00:00:31,833
Woman: HUNDREDS OF DOLPHINS
WASHING UP,
11
00:00:31,833 --> 00:00:33,867
DEAD BEACHES
COVERED WITH FISH CORPSES,
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00:00:33,867 --> 00:00:36,700
IT'S MASS CARNAGE.
13
00:00:36,700 --> 00:00:39,533
Narrator: AND THE SWAMP THINGS
OF LOUISIANA,
14
00:00:39,533 --> 00:00:41,233
IT LOOKS LIKE A SPIDER WEB.
15
00:00:41,233 --> 00:00:45,233
SOMETHING HAS REALLY DEVASTATED
THIS PLACE.
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00:00:45,233 --> 00:00:48,967
Narrator: BAFFLING PHENOMENA,
MYSTERIES FROM SPACE --
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00:00:48,967 --> 00:00:51,067
WHAT ON EARTH ARE THEY?
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00:00:51,067 --> 00:00:54,067
-- Captions by VITAC --
www.vitac.com
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00:00:54,067 --> 00:00:57,067
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
20
00:00:57,067 --> 00:01:09,900
**
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00:01:09,900 --> 00:01:11,500
MARTIN MORGAN IS TRAVELING
22
00:01:11,500 --> 00:01:15,833
THROUGH THE POLISH REGION
OF SILESIA
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00:01:15,833 --> 00:01:19,400
TO INVESTIGATE A FOREST BUILDING
CAPTURED FROM SPACE
24
00:01:19,400 --> 00:01:21,800
ON OCTOBER 12, 2019.
25
00:01:23,967 --> 00:01:26,067
Man: THIS STRUCTURE IS SPECIAL
26
00:01:26,067 --> 00:01:29,800
AND IT'S PROVIDING
NOTHING BUT MYSTERY.
27
00:01:29,800 --> 00:01:31,400
IT DOESN'T LOOK LIKE
ANY OTHER BUILDING
28
00:01:31,400 --> 00:01:33,133
THAT I'VE EVER LAID EYES ON.
29
00:01:35,267 --> 00:01:37,333
Narrator: THE THING THAT
INTRIGUES MORGAN
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00:01:37,333 --> 00:01:40,333
IS THE LOCATION OF THE BUILDING
AND ITS PROBABLE DATE.
31
00:01:42,200 --> 00:01:43,867
IT DOESN'T LOOK LIKE
IT'S OLD ENOUGH
32
00:01:43,867 --> 00:01:45,467
TO BELONG TO THE 19th CENTURY,
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00:01:45,467 --> 00:01:46,600
IT LOOKS LIKE IT BELONGS TO
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00:01:46,600 --> 00:01:49,867
THE MIDDLE PART
OF THE 20th CENTURY.
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00:01:49,867 --> 00:01:53,100
I THINK IT MIGHT HAVE BEEN
BUILT BY THE NAZIS.
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00:01:55,500 --> 00:01:57,433
Man: YOU'VE GOT TO REMEMBER
THAT SILESIA
37
00:01:57,433 --> 00:02:01,500
BEFORE AND DURING THE SECOND
WORLD WAR WAS PART OF GERMANY.
38
00:02:01,500 --> 00:02:03,633
SO THIS IS EASILY SOMETHING
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00:02:03,633 --> 00:02:06,500
THAT COULD HAVE BEEN
BUILT BY THE GERMANS.
40
00:02:06,500 --> 00:02:12,067
[ SPEAKING GERMAN,
CROWD SHOUTING REPLY IN GERMAN ]
41
00:02:12,067 --> 00:02:13,667
Narrator: DURING WORLD WAR II,
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00:02:13,667 --> 00:02:16,633
HITLER CHOOSES SILESIA TO BE
HIS HEADQUARTERS
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FOLLOWING WHAT HE WAS CONVINCED
WOULD BE A GERMAN VICTORY.
44
00:02:20,233 --> 00:02:22,933
[ BAND PLAYING,
SINGING IN GERMAN ]
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00:02:24,733 --> 00:02:28,633
SOMEWHERE HERE, IT IS RUMORED
LIE HIDDEN BILLIONS OF DOLLARS
46
00:02:28,633 --> 00:02:31,333
OF NAZI TREASURE STASHED
BY THE FUHRER
47
00:02:31,333 --> 00:02:35,333
AND HIS CRONIES TO FUND
THEIR POSTWAR LIFESTYLES.
48
00:02:39,067 --> 00:02:41,967
Morgan: THIS PART OF
WHAT IS NOW POLAND
49
00:02:41,967 --> 00:02:44,967
WOULD HAVE BEEN GROUND ZERO
50
00:02:44,967 --> 00:02:49,300
FOR NAZI IDEOLOGY
GOING BEYOND THE CONFLICT.
51
00:02:49,300 --> 00:02:52,633
I THINK THAT THIS STRUCTURE
MIGHT BE EVIDENCE
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00:02:52,633 --> 00:02:54,733
OF PART OF THAT LONG RANGE PLAN.
53
00:02:58,200 --> 00:03:00,300
Narrator: MORGAN'S JOURNEY TAKES
HIM TO AN AREA
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00:03:00,300 --> 00:03:02,533
NEAR THE TOWN OF VALBRICH.
55
00:03:06,300 --> 00:03:08,800
OKAY, WELL, THIS LOOKS LIKE
THE END OF THE LINE.
56
00:03:08,800 --> 00:03:17,933
**
57
00:03:17,933 --> 00:03:20,067
Narrator:
GUIDED BY THE SATELLITE IMAGE,
58
00:03:20,067 --> 00:03:22,067
MORGAN STRIKES WEST.
59
00:03:22,067 --> 00:03:26,833
**
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00:03:26,833 --> 00:03:29,167
IT WAS IN THESE FORESTS
THAT THE NAZIS
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00:03:29,167 --> 00:03:30,600
BEGAN THEIR CAMPAIGN
62
00:03:30,600 --> 00:03:34,633
OF GENOCIDAL TERROR
IN SEPTEMBER 1939.
63
00:03:34,633 --> 00:03:43,933
**
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00:03:43,933 --> 00:03:47,400
OH, MY GOSH,
LOOK AT THIS THING.
65
00:03:47,400 --> 00:03:48,633
WOW!
66
00:03:48,633 --> 00:03:54,333
**
67
00:03:54,333 --> 00:03:56,767
Narrator: THE STRUCTURE IS MADE
FROM CONCRETE,
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00:03:56,767 --> 00:03:59,633
YET COVERED
IN A LAYER OF CARVED STONE...
69
00:04:02,433 --> 00:04:04,700
IN A VAIN ATTEMPT
TO MAKE THE BUILDINGS
70
00:04:04,700 --> 00:04:06,967
SEEM GOTHIC AND MEDIEVAL.
71
00:04:10,367 --> 00:04:12,167
Morgan: THIS IS PURELY
ABOUT APPEARANCES.
72
00:04:12,167 --> 00:04:14,933
IT'S NOT ABOUT FUNCTION.
73
00:04:14,933 --> 00:04:19,133
SO WHY WOULD THE NAZIS
BUILD SOMETHING LIKE THIS
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00:04:19,133 --> 00:04:22,067
IN THE MIDDLE OF NOWHERE
AND WHAT IS NOW POLAND?
75
00:04:22,067 --> 00:04:29,067
**
76
00:04:29,067 --> 00:04:30,833
Narrator: MORGAN CAN FIND ONLY
77
00:04:30,833 --> 00:04:33,233
ONE SMALL
ENTRANCE INTO THE STRUCTURE.
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00:04:33,233 --> 00:04:55,967
**
79
00:04:55,967 --> 00:05:00,067
OH, MY GOD, LOOK AT THIS PLACE.
80
00:05:00,067 --> 00:05:04,533
**
81
00:05:04,533 --> 00:05:06,900
THIS IS ABSOLUTELY INCREDIBLE.
82
00:05:11,167 --> 00:05:13,067
THERE'S A CENTRAL COURT
83
00:05:13,067 --> 00:05:15,167
WITH A CLOISTER
THAT GOES ALL AROUND IT.
84
00:05:18,400 --> 00:05:23,167
Narrator: THE LAYOUT HAS
RELIGIOUS OVERTONES,
85
00:05:23,167 --> 00:05:26,667
BUT THERE'S NOT ONE SINGLE
CHRISTIAN SYMBOL HERE.
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00:05:29,533 --> 00:05:33,733
IN SOME AREAS THERE IS GRAFFITI,
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00:05:33,733 --> 00:05:37,467
PRESUMABLY FROM LOCAL YOUTHS
WHO HAVE STUMBLED ON THIS PLACE.
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00:05:37,467 --> 00:05:43,967
**
89
00:05:43,967 --> 00:05:47,267
Morgan: THE WHOLE THING
IS ASTONISHING.
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00:05:47,267 --> 00:05:49,533
OH, LOOK AT THIS!
91
00:05:49,533 --> 00:05:52,800
MOSAIC TILING.
92
00:05:52,800 --> 00:05:56,933
OH, YEAH, THERE'S ONE
IN EACH ONE OF THESE ALCOVES.
93
00:05:56,933 --> 00:05:58,600
OH, MY GOD, LOOK AT THAT.
94
00:05:58,600 --> 00:06:06,700
**
95
00:06:06,700 --> 00:06:08,233
IT'S REAL.
96
00:06:08,233 --> 00:06:11,900
IT FEELS LIKE
IT'S THE INTERIOR OF A TEMPLE.
97
00:06:11,900 --> 00:06:17,067
**
98
00:06:17,067 --> 00:06:18,700
SOMETHING WAS OUT HERE.
99
00:06:21,100 --> 00:06:25,800
YOU CAN TELL BY THE PRESENCE
OF THESE CARVED STONES.
100
00:06:25,800 --> 00:06:30,267
THERE ARE FOUR THREADED
MOUNTING BRACKETS,
101
00:06:30,267 --> 00:06:33,967
SO THERE USED TO BE SOMETHING
RIGHT HERE.
102
00:06:33,967 --> 00:06:35,767
IT'S ALMOST LIKE
THIS WHOLE STRUCTURE
103
00:06:35,767 --> 00:06:38,300
IS SOME
SORT OF CEREMONIAL ALTAR.
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00:06:38,300 --> 00:06:44,367
**
105
00:06:44,367 --> 00:06:46,367
Narrator:
MORGAN CONTINUES TO EXPLORE
106
00:06:46,367 --> 00:06:48,467
THE CLOISTERS
SURROUNDING THE COURTYARD.
107
00:06:48,467 --> 00:06:55,367
**
108
00:06:55,367 --> 00:06:57,500
THE FLOOR HAS GIVEN WAY.
109
00:06:59,700 --> 00:07:01,333
I'M NOT GOING DOWN THERE.
110
00:07:01,333 --> 00:07:04,400
IT'S ABOUT AN EIGHT FOOT
DROP STRAIGHT DOWN,
111
00:07:04,400 --> 00:07:07,767
BUT I CAN CLEARLY SEE THAT THERE
IS A PASSAGEWAY BENEATH US.
112
00:07:10,200 --> 00:07:12,367
Narrator: YET THE TUNNEL OFFERS
NO CLUES
113
00:07:12,367 --> 00:07:13,933
TO THE PURPOSE OF THE BUILDING
114
00:07:13,933 --> 00:07:16,967
OR THE ALTAR-LIKE STRUCTURE IN
ITS CENTER.
115
00:07:19,233 --> 00:07:21,433
Morgan: I'M COMING AWAY WITH
MORE QUESTION MARKS
116
00:07:21,433 --> 00:07:23,467
THAN ANYTHING,
117
00:07:23,467 --> 00:07:25,633
SO I NEED SOMETHING
TO BRING SOME CLARITY
118
00:07:25,633 --> 00:07:28,067
TO THE PURPOSE
OF THIS STRANGE PLACE.
119
00:07:28,067 --> 00:07:46,167
**
120
00:07:46,167 --> 00:07:48,433
Narrator: AS THE NAZIS FLED
THE RED ARMY
121
00:07:48,433 --> 00:07:49,767
AT THE END OF THE WAR,
122
00:07:49,767 --> 00:07:54,100
THEY DESTROYED
ALL THE RECORDS THEY COULD...
123
00:07:54,100 --> 00:07:56,167
BUT MANY SURVIVE IN THE VAULTS
124
00:07:56,167 --> 00:08:01,067
OF LOCAL
POLISH MUNICIPAL ARCHIVES.
125
00:08:01,067 --> 00:08:04,067
Morgan: OKAY, HERE WE GO.
THIS IS IT.
126
00:08:04,067 --> 00:08:05,867
THIS IS ABOUT THE BUILDING.
127
00:08:05,867 --> 00:08:10,533
**
128
00:08:10,533 --> 00:08:12,867
Narrator: OFFICIALLY,
THE STRUCTURE IS A MEMORIAL
129
00:08:12,867 --> 00:08:15,167
TO THE FALLEN OF WORLD WAR I.
130
00:08:18,633 --> 00:08:21,433
BUT THEN MORGAN FINDS
A SERIES OF PHOTOGRAPHS
131
00:08:21,433 --> 00:08:22,700
TAKEN AT THE SITE.
132
00:08:22,700 --> 00:08:27,233
**
133
00:08:27,233 --> 00:08:31,067
Morgan:
LOOK AT THIS BIG BONFIRE TORCH.
134
00:08:31,067 --> 00:08:32,767
IT'S IN THE CENTER COURTYARD.
135
00:08:32,767 --> 00:08:37,967
**
136
00:08:37,967 --> 00:08:40,667
THERE IT IS WITH A FIRE
BURNING AT NIGHT.
137
00:08:43,767 --> 00:08:45,500
AND IT LOOKS LIKE
WE HAVE MEMBERS
138
00:08:45,500 --> 00:08:49,067
OF THE SCHUTZSTAFFEL, THE SS.
139
00:08:53,067 --> 00:08:55,300
Narrator:
THE PRESENCE OF THE FEARED SS
140
00:08:55,300 --> 00:08:58,367
COULD EXPLAIN WHY THE NAZIS
BUILT A TORCH-LIT,
141
00:08:58,367 --> 00:09:01,300
TEMPLE-LIKE STRUCTURE
IN THE POLISH WOODS.
142
00:09:03,567 --> 00:09:05,800
HEINRICH HIMMLER,
THE HEAD OF THE SS,
143
00:09:05,800 --> 00:09:09,233
IS FASCINATED BY THE OCCULT.
144
00:09:09,233 --> 00:09:10,367
Walters: SO WHEN YOU GET A FLAME
145
00:09:10,367 --> 00:09:11,833
IN THE
MIDDLE OF A BUILDING LIKE THIS,
146
00:09:11,833 --> 00:09:15,967
IT SMACKS TO ME
AS ABSOLUTELY BLUE CHIP NAZI
147
00:09:15,967 --> 00:09:18,300
OCCULTIC BEHAVIOR.
148
00:09:18,300 --> 00:09:21,067
THE PLOT THICKENS
WITH THESE PHOTOS --
149
00:09:21,067 --> 00:09:23,400
WHAT THE WORLD WAS THIS THING
USED FOR?
150
00:09:23,400 --> 00:09:28,567
**
151
00:09:28,567 --> 00:09:29,900
Narrator: COMING UP,
152
00:09:29,900 --> 00:09:33,633
MARTIN MORGAN JOURNEYS
INTO THE HEART OF DARKNESS...
153
00:09:33,633 --> 00:09:35,433
BUT IT MAKES THIS
ONE OF THE CREEPIEST,
154
00:09:35,433 --> 00:09:38,067
STRANGEST PLACES I'VE EVER BEEN.
155
00:09:38,067 --> 00:09:40,533
Narrator: AND THE PIRATES
WHO TOOK ON AMERICA...
156
00:09:40,533 --> 00:09:45,067
Man: THEY CAME OVERBOARD,
A DAGGER IN EACH HAND.
157
00:09:45,067 --> 00:09:49,133
THEY SHOWED ABSOLUTELY NO MERCY.
158
00:09:49,133 --> 00:09:50,900
**
159
00:09:53,433 --> 00:09:57,067
**
160
00:09:57,067 --> 00:09:59,600
Narrator:
MARTIN MORGAN IS IN POLAND
161
00:09:59,600 --> 00:10:02,267
INVESTIGATING A STRANGE
NAZI STRUCTURE
162
00:10:02,267 --> 00:10:03,700
CAPTURED FROM SPACE.
163
00:10:05,900 --> 00:10:10,900
OFFICIAL GERMAN DOCUMENTS
CLAIM IT'S A WAR MEMORIAL,
164
00:10:10,900 --> 00:10:13,733
YET THE DISCOVERY OF THESE
80 YEAR OLD PHOTOS
165
00:10:13,733 --> 00:10:16,867
HINT AT ANOTHER, DARKER PURPOSE.
166
00:10:16,867 --> 00:10:20,467
Morgan: IT LOOKS LIKE A TEMPLE.
167
00:10:20,467 --> 00:10:23,000
BUT WHY ARE THESE MEMBERS
OF THE SS HERE?
168
00:10:23,000 --> 00:10:28,133
**
169
00:10:28,133 --> 00:10:31,767
Narrator: MORGAN'S INVESTIGATION
LEADS HIM TO A LOCAL HISTORIAN,
170
00:10:31,767 --> 00:10:33,467
JOANNA LAMPARSKA.
171
00:10:33,467 --> 00:10:35,367
-YES?
-HI, I'M MARTIN MORGAN.
172
00:10:35,367 --> 00:10:36,433
I THINK WE SPOKE ON THE PHONE...
173
00:10:36,433 --> 00:10:37,833
Narrator:
WHO HAS BEEN RESEARCHING
174
00:10:37,833 --> 00:10:39,467
THE NAZI OCCUPATION HERE.
175
00:10:39,467 --> 00:10:42,867
**
176
00:10:42,867 --> 00:10:44,467
DO YOU THINK THAT THIS BUILDING
IS MORE THAN
177
00:10:44,467 --> 00:10:46,967
JUST A WORLD WAR I MEMORIAL?
178
00:10:46,967 --> 00:10:49,867
YEAH, FOR SURE --
DURING WORLD WAR II,
179
00:10:49,867 --> 00:10:53,500
THE GUARD OF HONOR STOOD CLOSE
TO THE ENTRANCE OF THE BUILDING.
180
00:10:53,500 --> 00:10:56,200
THERE WERE SOME RUMORS
THAT THEY GUARDED THIS
181
00:10:56,200 --> 00:11:01,767
BECAUSE THERE WAS SOMETHING
MORE IMPORTANT TO THEM.
182
00:11:01,767 --> 00:11:04,300
Narrator: EYEWITNESS TESTIMONIES
PROVIDE CLUES
183
00:11:04,300 --> 00:11:08,633
AS TO WHY THE STRUCTURE
WAS SO HEAVILY DEFENDED.
184
00:11:08,633 --> 00:11:11,433
PEOPLE SAY THAT DURING
WORLD WAR II,
185
00:11:11,433 --> 00:11:16,767
GERMAN OFFICERS PERFORMED SOME
KIND OF VERY STRANGE RITUALS.
186
00:11:16,767 --> 00:11:18,567
SO YOU'RE SAYING
THAT PEOPLE BELIEVE
187
00:11:18,567 --> 00:11:20,833
THAT SS RITUALS HAPPENED HERE?
188
00:11:20,833 --> 00:11:23,900
YEAH.
189
00:11:23,900 --> 00:11:26,233
Narrator:
FORMED IN 1925,
190
00:11:26,233 --> 00:11:29,533
THE SS INITIALLY CONSISTED
OF JUST EIGHT SOLDIERS
191
00:11:29,533 --> 00:11:32,533
WHO SERVED
AS HITLER'S PERSONAL BODYGUARDS.
192
00:11:35,367 --> 00:11:37,100
DURING THE 1930s,
193
00:11:37,100 --> 00:11:39,300
UNDER THE LEADERSHIP OF
HEINRICH HIMMLER,
194
00:11:39,300 --> 00:11:42,533
IT GROWS TO NUMBER 250,000
195
00:11:42,533 --> 00:11:45,533
AND BECOMES THE MOST FEARED
AND POWERFUL DIVISION
196
00:11:45,533 --> 00:11:47,433
OF THE NAZI WAR MACHINE.
197
00:11:49,533 --> 00:11:53,067
THE SS WERE THE ELITE
OF THE GERMAN MILITARY.
198
00:11:53,067 --> 00:11:55,433
Man: THEY WERE ESSENTIALLY
RESPONSIBLE
199
00:11:55,433 --> 00:12:01,067
FOR UPHOLDING NAZI IDEOLOGY,
BOTH IN GERMANY AND WITHOUT.
200
00:12:02,600 --> 00:12:04,933
Narrator:
AS THE NAZIS PREPARE FOR WAR,
201
00:12:04,933 --> 00:12:06,933
HIMMLER FORMULATES
A NEW RELIGION
202
00:12:06,933 --> 00:12:11,367
TO REINFORCE
THIS MURDEROUS IDEOLOGY --
203
00:12:11,367 --> 00:12:13,533
ONE THAT REJECTS
CHRISTIAN MERCY
204
00:12:13,533 --> 00:12:17,967
AND EMBRACES ANCIENT
PAGAN BELIEFS.
205
00:12:17,967 --> 00:12:20,533
NAZISM WASN'T JUST
A POLITICAL MOVEMENT,
206
00:12:20,533 --> 00:12:22,967
IT WAS A RELIGIOUS MOVEMENT,
AND AT THE HEART
207
00:12:22,967 --> 00:12:27,767
OF THAT KIND OF RELIGIOUS
ELEMENT TO IT WAS THE SS.
208
00:12:29,867 --> 00:12:32,100
Narrator:
HIMMLER'S NAZI RELIGION
209
00:12:32,100 --> 00:12:34,600
REVIVES THE OLD NORDIC
AND GERMAN GODS
210
00:12:34,600 --> 00:12:39,100
AND OCCULT SYMBOLS AND OBJECTS.
211
00:12:39,100 --> 00:12:40,967
FOR HIS ELITE SOLDIERS,
212
00:12:40,967 --> 00:12:45,700
HE FORGES TOTENKOPFRINGS,
OR DEATH'S HEAD RINGS,
213
00:12:45,700 --> 00:12:49,333
INSCRIBED WITH RUNES
OR MAGICAL SYMBOLS
214
00:12:49,333 --> 00:12:54,400
REPRESENTING DEATH AND CONTROL
OVER THE UNIVERSE.
215
00:12:54,400 --> 00:12:56,967
WHAT HE BELIEVES,
GENUINELY BELIEVES,
216
00:12:56,967 --> 00:13:01,067
IS THAT IF ONE OF HIS SUPER
SOLDIERS IS KILLED IN ACTION,
217
00:13:01,067 --> 00:13:05,967
THEN HE CAN DRAW ON THE POWER
EXUDING FROM THESE RINGS
218
00:13:05,967 --> 00:13:09,933
AND EFFECTIVELY WILL THE POWER
OF ALL THESE SS MEN
219
00:13:09,933 --> 00:13:12,067
THAT HAVE DIED WEARING THEM.
220
00:13:14,533 --> 00:13:18,400
LIKE J.R.R. TOLKIEN'S
"LORD OF THE RINGS,"
221
00:13:18,400 --> 00:13:21,433
HIMMLER IS INSPIRED
BY A GERMAN EPIC POEM
222
00:13:21,433 --> 00:13:23,867
KNOWN AS THE NIBELUNGENLIED.
223
00:13:23,867 --> 00:13:25,833
[ CLATTERING ]
224
00:13:25,833 --> 00:13:29,367
IT IS THE LEGEND DEPICTED
IN WAGNER'S MOST FAMOUS WORK,
225
00:13:29,367 --> 00:13:31,200
THE RING.
226
00:13:31,200 --> 00:13:36,333
[ "RIDE OF THE VALKYRIES"
BY WAGNER PLAYING ]
227
00:13:36,333 --> 00:13:41,133
THE NAZIS ARE OBSESSED
WITH WAGNER'S RING.
228
00:13:41,133 --> 00:13:45,967
TO THEM, THIS RING OF POWER
FORGED BY THE DWARF ALBERICH
229
00:13:45,967 --> 00:13:47,933
REPRESENTS THE DESTINY
230
00:13:47,933 --> 00:13:51,700
OF THE NORDIC ARYAN RACE
TO RULE THE WORLD.
231
00:13:51,700 --> 00:13:54,467
**
232
00:13:54,467 --> 00:13:57,067
Narrator:
DURING SS INITIATION CEREMONIES,
233
00:13:57,067 --> 00:14:01,433
HIMMLER PRESENTS HIS RECRUITS
WITH THEIR DEATH'S HEAD RINGS
234
00:14:01,433 --> 00:14:03,533
AND INDOCTRINATES THEM
WITH THE BELIEF
235
00:14:03,533 --> 00:14:08,233
THAT THEY ARE PART
OF AN ANCIENT GODLIKE RACE.
236
00:14:08,233 --> 00:14:11,533
IF YOU CAN OBTAIN THE OBJECTS
THAT HOLD GREAT SYMBOLIC
237
00:14:11,533 --> 00:14:13,700
MEANING TO ANY GROUP OF PEOPLE,
238
00:14:13,700 --> 00:14:16,467
THAT GIVES YOU
PSYCHOLOGICAL POWER OVER THEM.
239
00:14:19,367 --> 00:14:23,400
Man: THE NAZIS DESIRE TO INVOKE
THAT SYMBOLISM,
240
00:14:23,400 --> 00:14:26,433
I THINK BRINGS US BACK AROUND
TO THE STRUCTURE
241
00:14:26,433 --> 00:14:30,400
THAT WE SEE IN WESTERN POLAND.
242
00:14:30,400 --> 00:14:33,933
SO IT'S LIKE IT STAGED
AN INITIATION CEREMONY.
243
00:14:33,933 --> 00:14:36,433
THERE WAS A LOT OF RUMORS
ABOUT IT.
244
00:14:36,433 --> 00:14:39,300
SOME PEOPLE SAY THAT
DURING WORLD WAR II,
245
00:14:39,300 --> 00:14:43,967
GERMAN OFFICERS PERFORMED
SOME KIND OF BLACK MASSES THERE.
246
00:14:47,133 --> 00:14:50,067
Narrator:
THE CHILLING CEREMONIES
DESCRIBED BY THE LOCALS
247
00:14:50,067 --> 00:14:52,667
COULD SHED LIGHT
ON THE PURPOSE OF THE TUNNELS
248
00:14:52,667 --> 00:14:55,267
HIDDEN UNDER THE STRUCTURE.
249
00:14:55,267 --> 00:14:59,133
SOME PEOPLE REMEMBER PEOPLE
COMING THERE WITH TORCHES.
250
00:14:59,133 --> 00:15:02,500
THEY WERE PUT IN COFFINS --
COFFINS WERE CLOSED.
251
00:15:02,500 --> 00:15:05,200
AND AFTER A FEW HOURS,
IF THEY SURVIVE,
252
00:15:05,200 --> 00:15:08,633
THEY WILL BE WORTHY OF
JOINING SS ORDER.
253
00:15:10,767 --> 00:15:14,233
Narrator:
BETWEEN 1939 AND 1945,
254
00:15:14,233 --> 00:15:16,567
BRAINWASHED SS RECRUITS,
255
00:15:16,567 --> 00:15:19,267
MANY WEARING THEIR
DEATH'S HEAD RINGS,
256
00:15:19,267 --> 00:15:22,933
UNLEASH A WAVE OF RAPE, MURDER
AND TERROR
257
00:15:22,933 --> 00:15:27,133
UNPARALLELED IN HUMAN HISTORY.
258
00:15:27,133 --> 00:15:30,767
IF YOU'VE BEEN TOLD OVER
AND OVER AND OVER
259
00:15:30,767 --> 00:15:33,733
THAT YOU'RE FROM A RACE
OF POWERFUL WARRIORS,
260
00:15:33,733 --> 00:15:38,700
YOU BEGIN TO BELIEVE IT
AND THEN YOU ACT ON IT.
261
00:15:38,700 --> 00:15:43,467
THE SS WAS RESPONSIBLE FOR
RUNNING THE CONCENTRATION CAMPS
262
00:15:43,467 --> 00:15:44,767
MORE THAN ANY OTHER GROUP,
263
00:15:44,767 --> 00:15:48,067
THE SS WERE THE ONES
WHO CARRIED OUT THE HOLOCAUST.
264
00:15:50,533 --> 00:15:52,267
Narrator:
HIMMLER'S SS DEATH SQUADS,
265
00:15:52,267 --> 00:15:55,200
INSPIRED BY HIS OCCULT IDEOLOGY,
266
00:15:55,200 --> 00:15:57,567
GO ON TO KILL UPWARDS OF
SIX MILLION
267
00:15:57,567 --> 00:16:00,767
CONCENTRATION CAMP INMATES
AND INNOCENT CIVILIANS.
268
00:16:02,800 --> 00:16:06,133
UNLIKE THE STRANGE BUILDING
REVEALED FROM SPACE,
269
00:16:06,133 --> 00:16:08,067
MORGAN HOPES THEIR HEINOUS ACTS
270
00:16:08,067 --> 00:16:12,433
WILL NOT FADE
FROM HISTORY SO EASILY.
271
00:16:12,433 --> 00:16:14,300
Morgan:
THE MORE I THINK ABOUT IT,
272
00:16:14,300 --> 00:16:17,100
THE MORE I AM CONVINCED
THAT THIS WAS SOMEHOW ASSOCIATED
273
00:16:17,100 --> 00:16:21,167
WITH WAFFEN-SS
INITIATION RITUALS.
274
00:16:22,600 --> 00:16:25,100
WE STILL DON'T KNOW
A LOT ABOUT IT,
275
00:16:25,100 --> 00:16:28,467
BUT WHAT WE DO KNOW
MAKES THIS ONE OF THE CREEPIEST,
276
00:16:28,467 --> 00:16:30,367
STRANGEST PLACES I'VE EVER BEEN.
277
00:16:30,367 --> 00:16:35,967
**
278
00:16:35,967 --> 00:16:40,400
Narrator: COMING UP --
BEAUTIFUL, BUT UTTERLY DEADLY.
279
00:16:40,400 --> 00:16:45,067
WHOA, THAT DOES NOT LOOK LIKE
ANY OCEAN I'VE EVER SEEN BEFORE.
280
00:16:45,067 --> 00:16:48,133
Narrator: AND THE ABANDONED
ISLAND OF DOOM.
281
00:16:48,133 --> 00:16:50,300
Woman:
IT HAS A REALLY DARK PAST.
282
00:16:50,300 --> 00:16:54,533
COULD THIS STRUCTURE
BE RELATED TO THAT?
283
00:16:54,533 --> 00:16:56,633
**
284
00:16:59,067 --> 00:17:02,433
**
285
00:17:02,433 --> 00:17:06,833
Narrator:
OCTOBER 13, 2018 --
286
00:17:06,833 --> 00:17:09,267
A SATELLITE SCANNING
THE SOUTHERN UNITED STATES
287
00:17:09,267 --> 00:17:13,300
COASTLINE FINDS THE SEA
IS CHANGING COLOR.
288
00:17:13,300 --> 00:17:16,300
WHOA. IT'S LIKE A VAST AMOUNT
OF TURQUOISE INK
289
00:17:16,300 --> 00:17:20,067
HAS BEEN SQUIRTED
INTO THE GULF OF MEXICO.
290
00:17:20,067 --> 00:17:21,700
THIS IS JUST AMAZING.
291
00:17:21,700 --> 00:17:24,067
THERE'S THIS GORGEOUS CLOUD
OF THIS STUFF
292
00:17:24,067 --> 00:17:28,200
GOING ALL THE WAY ALONG
THE COAST.
293
00:17:28,200 --> 00:17:30,833
Narrator: YET ACCOUNTS FROM GULF
FISHERMEN REVEALED THAT
294
00:17:30,833 --> 00:17:35,067
THIS BEAUTY CONCEALS DANGER.
295
00:17:35,067 --> 00:17:37,267
THERE ARE REPORTS OF MASS
DIE-OFFS
296
00:17:37,267 --> 00:17:39,233
OF MARINE LIFE ALONG THIS COAST.
297
00:17:41,767 --> 00:17:43,767
Woman: HUNDREDS OF DOLPHINS
WASHING UP DEAD,
298
00:17:43,767 --> 00:17:48,200
BEACHES COVERED WITH FISH
CORPSES, IT'S MASS CARNAGE.
299
00:17:50,767 --> 00:17:52,467
Narrator:
SOMETHING IN THE WATER HERE
300
00:17:52,467 --> 00:17:56,133
IS KILLING TENS OF THOUSANDS
OF TONS OF MARINE LIFE
301
00:17:56,133 --> 00:18:00,800
AND TURNING THE OCEAN INTO
A 7,000 SQUARE MILE DEAD ZONE.
302
00:18:03,600 --> 00:18:07,667
LINDSAY MORAN STUDIES
THE IMAGE FOR CLUES.
303
00:18:07,667 --> 00:18:11,067
WHAT REALLY JUMPS OUT IS
THIS MASSIVE AMOUNT OF
304
00:18:11,067 --> 00:18:12,800
SINISTER-LOOKING DISCHARGE
305
00:18:12,800 --> 00:18:15,500
THAT'S COMING
FROM THE MISSISSIPPI DELTA.
306
00:18:15,500 --> 00:18:18,067
IF YOU TRAVEL UP THE RIVER
JUST BEYOND NEW ORLEANS,
307
00:18:18,067 --> 00:18:21,767
YOU SEE THIS ENORMOUS
BELT OF FACTORIES.
308
00:18:21,767 --> 00:18:24,133
THIS COULD BE WHAT'S FUELING
THE DEAD ZONE
309
00:18:24,133 --> 00:18:26,267
IF THEY'RE DISCHARGING
TOXIC MATERIAL
310
00:18:26,267 --> 00:18:27,800
INTO THE MISSISSIPPI RIVER.
311
00:18:29,967 --> 00:18:34,200
Narrator: THE SNAKING BELT OF
150 GIANT PLANTS AND FACTORIES
312
00:18:34,200 --> 00:18:38,600
EXTENDS FOR OVER 85 MILES ALONG
THE BANKS OF THE MISSISSIPPI.
313
00:18:40,633 --> 00:18:43,967
LOCALS CALL IT "CANCER ALLEY."
314
00:18:43,967 --> 00:18:46,067
CANCER ALLEY IS WHERE ABOUT
315
00:18:46,067 --> 00:18:50,533
A FIFTH OF AMERICA'S
PETROCHEMICALS ARE PRODUCED.
316
00:18:50,533 --> 00:18:56,700
CANCER ALLEY IS BASICALLY
ONE BIG TOXIC BELCHING HELLHOLE.
317
00:18:59,267 --> 00:19:02,067
Narrator: EACH YEAR,
THE PETROCHEMICAL PLANTS
318
00:19:02,067 --> 00:19:05,500
OF CANCER ALLEY PUMP TENS OF
MILLIONS OF TONS OF POLLUTANTS
319
00:19:05,500 --> 00:19:07,067
INTO THE ATMOSPHERE.
320
00:19:09,467 --> 00:19:13,867
AT NIGHT, THESE EMISSIONS FORM
OF YELLOW, NOXIOUS MIST
321
00:19:13,867 --> 00:19:17,867
THAT RAINS DOWN ONTO
SURROUNDING AREAS.
322
00:19:17,867 --> 00:19:20,167
EMISSIONS FROM
THE PETROCHEMICAL INDUSTRY
323
00:19:20,167 --> 00:19:23,867
ARE LINKED TO EVERYTHING
FROM CANCER TO CARDIOVASCULAR
324
00:19:23,867 --> 00:19:25,867
AND RESPIRATORY DISEASES,
325
00:19:25,867 --> 00:19:29,367
EVEN REPRODUCTIVE DISORDERS.
326
00:19:29,367 --> 00:19:32,800
Narrator: IN 2015, GOVERNMENT
AGENCIES FIND THAT
327
00:19:32,800 --> 00:19:34,500
THE RISK OF CONTRACTING CANCER
328
00:19:34,500 --> 00:19:37,067
IN THE WORST-HIT PARTS
OF CANCER ALLEY
329
00:19:37,067 --> 00:19:40,300
ARE 50 TIMES HIGHER
THAN THE NATIONAL AVERAGE.
330
00:19:43,267 --> 00:19:45,900
Moran: YOU'VE GOT TO WONDER
IF PETROCHEMICAL WASTE
331
00:19:45,900 --> 00:19:48,067
IS WASHING OUT OF
THE MISSISSIPPI DELTA
332
00:19:48,067 --> 00:19:53,133
AND KILLING ALL OF THE MARINE
LIFE IN THE DEAD ZONE.
333
00:19:53,133 --> 00:19:55,533
Narrator: YET WHEN SCIENTISTS
STUDY SAMPLES
334
00:19:55,533 --> 00:19:57,733
FROM THE MISSISSIPPI'S
MURKY WATERS,
335
00:19:57,733 --> 00:20:00,500
THE MYSTERY DEEPENS.
336
00:20:00,500 --> 00:20:03,433
WHATEVER THE CONSEQUENCES
OF ALL OF THIS INDUSTRIAL WASTE
337
00:20:03,433 --> 00:20:06,600
BEING DUMPED HERE,
THERE'S MORE GOING ON.
338
00:20:06,600 --> 00:20:08,367
WHEN THE WATER IS TESTED,
339
00:20:08,367 --> 00:20:13,167
WE FIND OUT THAT IT'S FULL
OF NITROGEN AND PHOSPHORUS.
340
00:20:13,167 --> 00:20:16,033
Narrator: DEVIN DENNIE THINKS
THE ORIGIN OF THESE POLLUTANTS
341
00:20:16,033 --> 00:20:18,567
LIES UPRIVER FROM CANCER ALLEY
342
00:20:18,567 --> 00:20:23,067
IN THE 30 OR SO STATES THAT FEED
THE MIGHTY MISSISSIPPI.
343
00:20:23,067 --> 00:20:24,833
THE CENTRAL PART OF
THE UNITED STATES
344
00:20:24,833 --> 00:20:27,000
IS KNOWN AS THE BREADBASKET
OF THE WORLD.
345
00:20:27,000 --> 00:20:29,900
IT'S AN INTENSELY
AGRICULTURAL AREA,
346
00:20:29,900 --> 00:20:31,767
AND A PART OF AGRICULTURE
IS THE USE OF
347
00:20:31,767 --> 00:20:34,367
THINGS LIKE NITRATES
AND PHOSPHATES.
348
00:20:36,767 --> 00:20:39,067
Narrator: THE MIDWEST
BREADBASKET IS THE HEART
349
00:20:39,067 --> 00:20:43,233
OF AMERICA'S COLOSSAL
AGRICULTURAL INDUSTRY,
350
00:20:43,233 --> 00:20:45,000
AN INDUSTRY WHOSE FARMS COVER
351
00:20:45,000 --> 00:20:49,067
MORE THAN 900 MILLION
ACRES OF LAND,
352
00:20:49,067 --> 00:20:52,967
AN AREA LARGER THAN INDIA.
353
00:20:52,967 --> 00:20:57,000
EACH YEAR, IT PRODUCES OVER
90 MILLION TONS OF SOYBEANS
354
00:20:57,000 --> 00:21:01,133
AND HUGE AMOUNTS OF OTHER CROPS,
FROM ALFALFA TO ZUCCHINI.
355
00:21:02,300 --> 00:21:03,867
Dennie:
YOU NAME IT, WE GROW IT.
356
00:21:03,867 --> 00:21:06,133
FOUR OUT OF EVERY 10 EARS
OF CORN
357
00:21:06,133 --> 00:21:08,433
THAT ARE GROWN
IN THE ENTIRE WORLD
358
00:21:08,433 --> 00:21:13,233
ARE GROWN RIGHT HERE
IN THE MISSISSIPPI RIVER BASIN.
359
00:21:13,233 --> 00:21:15,400
Narrator: WHEN FARMING SPREADS
ACROSS THE MIDWEST
360
00:21:15,400 --> 00:21:18,067
IN THE EARLY 19TH CENTURY,
361
00:21:18,067 --> 00:21:20,667
AGRICULTURE EMPLOYS
OVER 80 PERCENT
362
00:21:20,667 --> 00:21:24,800
OF THE ENTIRE
AMERICAN WORKFORCE.
363
00:21:24,800 --> 00:21:27,633
BETWEEN 1850
AND NINETEEN HUNDRED,
364
00:21:27,633 --> 00:21:31,067
THE U.S. POPULATION
TRIPLES IN SIZE,
365
00:21:31,067 --> 00:21:33,300
RATCHETING UP THE PRESSURE
ON ITS FARMLANDS
366
00:21:33,300 --> 00:21:36,667
TO PRODUCE MORE AND MORE FOOD.
367
00:21:36,667 --> 00:21:39,900
Dennie: THERE'S A CONSTANT
BATTLE WITH NATURE.
368
00:21:39,900 --> 00:21:42,533
WE NEED TO CREATE AS MUCH FOOD
AS WE CAN
369
00:21:42,533 --> 00:21:46,067
FOR EVERY ACRE OF GROUND
THAT WE PLANT AND GROW.
370
00:21:48,267 --> 00:21:50,667
Narrator:
TO INCREASE PRODUCTIVITY.
371
00:21:50,667 --> 00:21:53,133
FARMERS TURNED
TO CHEMICAL FERTILIZERS
372
00:21:53,133 --> 00:21:56,800
RICH IN NITRATES
AND PHOSPHATES --
373
00:21:56,800 --> 00:22:01,333
20 MILLION TONS OF THEM
EVERY YEAR.
374
00:22:01,333 --> 00:22:04,533
Dennie: OVER TIME,
THOSE NITRATES AND PHOSPHATES
375
00:22:04,533 --> 00:22:07,733
FLOW INTO CREEKS
AND STREAMS AND RIVERS,
376
00:22:07,733 --> 00:22:12,333
AND ULTIMATELY THOSE RIVERS DUMP
INTO THE MISSISSIPPI.
377
00:22:12,333 --> 00:22:15,867
Narrator: THE MISSISSIPPI'S
CATCHMENT AREA IS SO VAST
378
00:22:15,867 --> 00:22:20,067
THAT FERTILIZER FROM 40% OF THE
ENTIRE CONTINENTAL UNITED STATES
379
00:22:20,067 --> 00:22:23,067
ENDS UP BEING DUMPED
IN THE GULF OF MEXICO.
380
00:22:25,133 --> 00:22:28,133
BIOLOGIST GREG SZULGIT THINKS
THIS EXPLAINS
381
00:22:28,133 --> 00:22:32,300
THE SWIRLING LETHAL VORTEX
REVEALED FROM SPACE.
382
00:22:32,300 --> 00:22:34,933
Szulgit: I THINK THIS IS
PROBABLY ALGAE --
383
00:22:34,933 --> 00:22:36,533
THEY'RE FEEDING ON NUTRIENTS
384
00:22:36,533 --> 00:22:38,400
THAT ARE BEING WASHED
OUT OF THE RIVER,
385
00:22:38,400 --> 00:22:42,700
AND THAT'S CAUSING
THIS IMMENSE BLOOM.
386
00:22:42,700 --> 00:22:44,967
Narrator: ALGAE ARE
SINGLE-CELLED ORGANISMS
387
00:22:44,967 --> 00:22:49,433
THAT THRIVE ON THE CHEMICALS
FOUND IN FERTILIZERS.
388
00:22:49,433 --> 00:22:51,400
AND WHILE THEY ARE TINY,
389
00:22:51,400 --> 00:22:55,067
IN LARGE NUMBERS,
THEY ARE MASS KILLERS.
390
00:22:55,067 --> 00:22:58,067
Szulgit:
HOW THAT WORKS IS THAT ALGAE
HAVE A VERY SHORT LIFE SPAN.
391
00:22:58,067 --> 00:23:00,700
SO AS THEY DIE,
THEY SINK LIKE SNOWFLAKES
392
00:23:00,700 --> 00:23:03,067
DOWN TO THE BOTTOM OF THE OCEAN
393
00:23:03,067 --> 00:23:07,800
AND THERE, THEY'RE DEVOURED
BY BACTERIA.
394
00:23:07,800 --> 00:23:11,367
Narrator: ONE POPULATION
EXPLOSION HAS LED TO A SECOND,
395
00:23:11,367 --> 00:23:16,167
THIS TIME OF BACTERIA
IN TRULY GIGANTIC QUANTITIES,
396
00:23:16,167 --> 00:23:20,967
AND THEY'RE SUCKING EVERY LAST
BIT OF OXYGEN FROM THE WATER.
397
00:23:20,967 --> 00:23:24,233
THAT OXYGEN IS WHAT'S SUPPORTING
THE WHOLE SYSTEM,
398
00:23:24,233 --> 00:23:29,433
SO WHEN THAT GOES,
EVERYTHING SUFFERS AND DIES.
399
00:23:29,433 --> 00:23:32,167
SO WHILE FERTILIZERS ARE
VERY MUCH NEEDED,
400
00:23:32,167 --> 00:23:34,200
THAT CAN CAUSE
THE OCEAN ENVIRONMENT
401
00:23:34,200 --> 00:23:35,633
TO BE COMPLETELY WIPED OUT.
402
00:23:35,633 --> 00:23:41,667
**
403
00:23:41,667 --> 00:23:44,867
Narrator: COMING UP,
THE ISLAND THAT TIME FORGOT...
404
00:23:44,867 --> 00:23:48,433
YOU CAN ONLY IMAGINE
HOW TERRIFYING
405
00:23:48,433 --> 00:23:51,567
A PLACE LIKE THIS WOULD BE.
406
00:23:51,567 --> 00:23:55,267
Narrator: AND SOMETHING BIG
IS STIRRING IN THE SWAMP,
407
00:23:55,267 --> 00:23:58,600
THEY ALL RADIATE OUTWARDS
LIKE A SPIDER WEB.
408
00:24:05,367 --> 00:24:09,400
**
409
00:24:09,400 --> 00:24:13,400
Narrator:
APRIL 30, 2016 --
410
00:24:13,400 --> 00:24:16,067
MOVING AT ALMOST FIVE MILES
PER SECOND
411
00:24:16,067 --> 00:24:18,100
ABOVE THE ATLANTIC OCEAN,
412
00:24:18,100 --> 00:24:21,633
A SATELLITE CAPTURES THIS IMAGE.
413
00:24:21,633 --> 00:24:26,700
THIS CLEARLY DEPICTS
SOME SORT OF DESOLATE ISLAND,
414
00:24:26,700 --> 00:24:29,867
AND THERE'S THIS THING WHICH
LOOKS LIKE SOME KIND OF BEETLE
415
00:24:29,867 --> 00:24:33,767
OR TRILOBITE FOSSIL
POINTING TOWARDS THE SHORE.
416
00:24:35,900 --> 00:24:38,767
Narrator: THE WEIRD PATTERN
SITS ON A DESERTED ISLAND
417
00:24:38,767 --> 00:24:41,833
ON THE REMOTE ARCHIPELAGO
OF CAPE VERDE.
418
00:24:44,767 --> 00:24:49,700
ANALYSTS TURN TO THE ISLAND
NATION'S HISTORY FOR CLUES.
419
00:24:49,700 --> 00:24:53,567
Woman: SO CAPE VERDE IS THIS
SPECK IN THE MIDDLE OF NOWHERE.
420
00:24:53,567 --> 00:24:55,733
IT HAS A REALLY DARK PAST,
THOUGH,
421
00:24:55,733 --> 00:24:59,100
AND IT'S TIED INTO
THE TRANSATLANTIC SLAVE TRADE.
422
00:24:59,100 --> 00:25:04,733
COULD THIS STRUCTURE
BE RELATED TO THAT?
423
00:25:04,733 --> 00:25:08,200
Narrator: CAPE VERDE'S ROLE IN
THE HORRORS OF HUMAN TRAFFICKING
424
00:25:08,200 --> 00:25:12,467
BEGINS WITH ITS DISCOVERY
BY THE PORTUGUESE IN 1456.
425
00:25:14,500 --> 00:25:17,533
THE ISLANDS' STRATEGIC POSITION
ON THE TRADE WINDS
426
00:25:17,533 --> 00:25:21,300
SOON MAKES THEM INVALUABLE
TO SLAVERS.
427
00:25:21,300 --> 00:25:24,133
THE CAPE VERDES BECAME
PARTICULARLY IMPORTANT
428
00:25:24,133 --> 00:25:25,667
BECAUSE THEY WERE PLACES
429
00:25:25,667 --> 00:25:28,467
WHERE SHIPS
COULD GET FRESH FOOD,
430
00:25:28,467 --> 00:25:31,967
THEY COULD GET FRESH WATER.
431
00:25:31,967 --> 00:25:33,933
Narrator:
OVER THE NEXT 400 YEARS,
432
00:25:33,933 --> 00:25:38,100
ALMOST SIX MILLION CAPTIVES PASS
THROUGH CAPE VERDE'S PORTS
433
00:25:38,100 --> 00:25:41,967
ON THEIR WAY
TO A LIFE OF BONDAGE.
434
00:25:41,967 --> 00:25:46,900
Bellinger: THEY BEGAN TO FUNNEL
38 TO 45 PERCENT
435
00:25:46,900 --> 00:25:49,200
OF ALL AFRICAN SLAVES
436
00:25:49,200 --> 00:25:53,567
THROUGH THESE TINY ISLANDS.
437
00:25:53,567 --> 00:25:56,100
Narrator: THE MYSTERY
STRUCTURE'S FORTIFIED WALLS
438
00:25:56,100 --> 00:26:00,067
YIELD CLUES TO ITS POSSIBLE ROLE
IN THIS SICKENING TRADE.
439
00:26:02,067 --> 00:26:05,133
THE PORTUGUESE HAD TO BUILD
A LARGE NUMBER OF SLAVE FORTS
440
00:26:05,133 --> 00:26:08,067
TO ENSURE THAT SLAVES
DID NOT ESCAPE.
441
00:26:08,067 --> 00:26:12,967
SO PERHAPS THAT'S SOMETHING
THAT WE'RE LOOKING AT HERE.
442
00:26:12,967 --> 00:26:15,300
YET WHEN NEW AERIAL
IMAGES EMERGE,
443
00:26:15,300 --> 00:26:18,900
THEY REVEAL THE STRUCTURE
SERVED A DIFFERENT PURPOSE.
444
00:26:20,933 --> 00:26:25,567
Man: THIS LOOKS LIKE
A 19TH CENTURY FORT TO ME.
445
00:26:25,567 --> 00:26:29,067
Man: BY THAT TIME, THE DWINDLING
SLAVE TRADE
446
00:26:29,067 --> 00:26:32,067
IS ALREADY BEING ABOLISHED.
447
00:26:32,067 --> 00:26:37,833
SO THIS STRUCTURE
CAN'T BE A SLAVE FORT.
448
00:26:37,833 --> 00:26:40,067
Narrator: PATRICK HUNT THINKS
THE FORT'S CANNONS
449
00:26:40,067 --> 00:26:43,067
ARE DEFENDING AGAINST
AN OCEAN-BORNE THREAT.
450
00:26:45,167 --> 00:26:48,100
WHY WOULD YOU NEED A FORT
IN THIS PART OF THE WORLD?
451
00:26:48,100 --> 00:26:54,067
SOMETHING ELSE IMMEDIATELY
COMES TO MIND: PIRATES.
452
00:26:54,067 --> 00:26:56,333
Narrator: MARITIME RECORDS
CONFIRM THAT,
453
00:26:56,333 --> 00:26:57,733
DURING THE 19TH CENTURY,
454
00:26:57,733 --> 00:26:59,900
THE ISLANDS IN THE IMAGE
BECOME A TARGET
455
00:26:59,900 --> 00:27:03,933
FOR THE MOST FEARED PIRATES
IN HISTORY.
456
00:27:03,933 --> 00:27:08,567
Hunt: ONE KNOWN SCOURGE OF
THE REGION,
457
00:27:08,567 --> 00:27:12,867
WRITTEN ABOUT
WITH FEARSOME DETAIL,
458
00:27:12,867 --> 00:27:17,100
ARE THE NOTORIOUS
BARBARY PIRATES.
459
00:27:17,100 --> 00:27:22,500
Narrator: THE BARBARY PIRATES
OPERATE OUT OF NORTH AFRICA.
460
00:27:22,500 --> 00:27:26,067
THEY PREY ON SHIPS THROUGHOUT
THE MEDITERRANEAN AND ATLANTIC,
461
00:27:26,067 --> 00:27:30,133
CAPTURING CHRISTIAN SLAVES
TO SELL IN THE OTTOMAN EMPIRE.
462
00:27:32,800 --> 00:27:36,333
WHILE AFRICA HAD BEEN ENSLAVED
BY EUROPEANS
463
00:27:36,333 --> 00:27:37,867
FOR HUNDREDS OF YEARS,
464
00:27:37,867 --> 00:27:40,867
NOW THE TIDE HAS TURNED.
465
00:27:40,867 --> 00:27:46,200
THESE ARE AFRICANS WHO ARE
OVERWHELMING EUROPEANS
466
00:27:46,200 --> 00:27:49,800
AND ENSLAVING THEM.
467
00:27:49,800 --> 00:27:53,367
Narrator: SOME GIRLS ARE PRESSED
INTO SEXUAL SLAVERY;
468
00:27:53,367 --> 00:27:55,567
THE MEN FORCED
TO WORK IN QUARRIES
469
00:27:55,567 --> 00:27:59,867
OR TO ROW PIRATE GALLEYS
IN PURSUIT OF YET MORE CAPTIVES.
470
00:28:02,067 --> 00:28:04,333
WEALTHY FAMILIES
MUST PAY A RANSOM
471
00:28:04,333 --> 00:28:08,067
TO GET THEIR CHILDREN BACK.
472
00:28:08,067 --> 00:28:12,167
THEY WERE ESSENTIALLY
STATE-SPONSORED PIRATES,
473
00:28:12,167 --> 00:28:15,200
AND IT WAS A WAY OF THESE
NORTH AFRICAN LOCALES
474
00:28:15,200 --> 00:28:20,233
TO RAISE MONEY
FOR THEIR RESPECTIVE STATES.
475
00:28:20,233 --> 00:28:21,467
Narrator: HISTORIANS ESTIMATE
476
00:28:21,467 --> 00:28:24,300
THAT BETWEEN THE 16th
AND 18th CENTURIES,
477
00:28:24,300 --> 00:28:28,433
THE PIRATES TAKE UP TO ONE AND
A HALF MILLION PEOPLE HOSTAGE.
478
00:28:31,133 --> 00:28:33,767
IN THE 1780s,
THEY BEGIN TARGETING
479
00:28:33,767 --> 00:28:37,433
AMERICAN MERCHANT SHIPS.
480
00:28:37,433 --> 00:28:40,567
BY 1800, RANSOMS
AND EXTORTION PAYMENTS
481
00:28:40,567 --> 00:28:42,133
TO THE PIRATES ACCOUNT FOR
482
00:28:42,133 --> 00:28:44,700
A FIFTH OF THE ENTIRE
U.S. GOVERNMENT'S
483
00:28:44,700 --> 00:28:47,200
ANNUAL EXPENDITURE.
484
00:28:47,200 --> 00:28:50,500
Hunt: THOMAS JEFFERSON DESCRIBES
485
00:28:50,500 --> 00:28:53,900
HOW THEY SURROUNDED YOUR SHIP
486
00:28:53,900 --> 00:28:57,633
AND CAME OVERBOARD,
487
00:28:57,633 --> 00:28:59,600
A DAGGER IN EACH HAND,
488
00:28:59,600 --> 00:29:02,100
AND A DAGGER IN THE MOUTH.
489
00:29:02,100 --> 00:29:06,667
THEY SHOWED ABSOLUTELY NO MERCY.
490
00:29:08,900 --> 00:29:11,200
Narrator: THE NEWLY INDEPENDENT
UNITED STATES
491
00:29:11,200 --> 00:29:16,533
BUILDS A NAVY AND WAGES WAR
ON THE PIRATES IN 1801 AND 1815.
492
00:29:18,400 --> 00:29:21,267
DURING THESE CONFLICTS,
A GROUP OF PIRATES HEADS
493
00:29:21,267 --> 00:29:24,233
TO CAPE VERDE
SEEKING PLUNDER IN A TOWN
494
00:29:24,233 --> 00:29:27,933
TO THE EAST OF THE ISLAND
IN THE IMAGE.
495
00:29:27,933 --> 00:29:31,867
Hunt: THE TOWN OF SAL REI WAS
A SALT PRODUCTION CENTER
496
00:29:31,867 --> 00:29:35,500
AND MADE A GREAT DEAL OF WEALTH,
AND IN 1815,
497
00:29:35,500 --> 00:29:38,167
THE CITY WAS ATTACKED
BY PIRATES,
498
00:29:38,167 --> 00:29:40,600
SO THE LOCALS DECIDED
TO BUILD A FORTIFICATION
499
00:29:40,600 --> 00:29:45,767
TO DEFEND AGAINST SUCH ATTACKS
IN THE FUTURE.
500
00:29:45,767 --> 00:29:49,900
Narrator: THE FORT BECOMES
OPERATIONAL IN 1820,
501
00:29:49,900 --> 00:29:51,600
BUT IT NEVER SEES ACTION --
502
00:29:51,600 --> 00:29:54,200
FOR THE ONCE-FEARED
BARBARY PIRATE FLEET
503
00:29:54,200 --> 00:29:57,267
IS SOON DEFEATED
BY EUROPEAN NAVIES.
504
00:30:00,067 --> 00:30:01,900
OVER THE FOLLOWING
TWO CENTURIES,
505
00:30:01,900 --> 00:30:05,867
THE STRUCTURE SLOWLY FADES
TO RUIN AND BECOMES A MONUMENT
506
00:30:05,867 --> 00:30:09,733
TO A TIME WHEN TERROR
THREATENED THESE DISTANT SHORES.
507
00:30:09,733 --> 00:30:15,500
**
508
00:30:15,500 --> 00:30:18,833
COMING UP,
ATTACK OF THE SWAMPERS.
509
00:30:18,833 --> 00:30:22,400
THIS IS PLUNDER
ON A TRULY HORRIFIC SCALE.
510
00:30:22,400 --> 00:30:25,100
Narrator:
AND THE SECRET NUCLEAR CITY.
511
00:30:25,100 --> 00:30:27,400
IF THERE IS A WORLD WAR III,
512
00:30:27,400 --> 00:30:30,133
MORE THAN LIKELY
IT'LL START RIGHT THERE.
513
00:30:34,833 --> 00:30:38,900
**
514
00:30:38,900 --> 00:30:43,100
Narrator:
SEPTEMBER 12, 2017 --
515
00:30:43,100 --> 00:30:47,933
EYES IN THE SKY SCAN
SOUTHERN LOUISIANA.
516
00:30:47,933 --> 00:30:53,067
THERE IS SOMETHING
UNUSUAL GOING ON HERE.
517
00:30:53,067 --> 00:30:56,200
IT'S A VERY ODD SET OF PATTERNS.
518
00:30:56,200 --> 00:30:58,633
Man: THEY ALL COME FROM
A CENTRAL POINT
519
00:30:58,633 --> 00:31:02,167
AND RADIATE OUTWARDS,
SORT OF LIKE A SPIDERWEB.
520
00:31:04,233 --> 00:31:07,533
Narrator: MILITARY ANALYSTS
HAVE A THEORY...
521
00:31:07,533 --> 00:31:12,400
THIS IS SOMETHING THAT CAN ONLY
REALLY BE SPOTTED FROM ABOVE.
522
00:31:12,400 --> 00:31:14,500
SO IT LEADS ME TO WONDER,
523
00:31:14,500 --> 00:31:17,533
COULD THIS BE
SOME KIND OF TARGET?
524
00:31:17,533 --> 00:31:19,233
Woman: IF THESE ARE TARGETS,
525
00:31:19,233 --> 00:31:22,100
WHY ARE THEY IN THE MIDDLE
OF A LOUISIANA SWAMP?
526
00:31:22,100 --> 00:31:24,733
THERE'S ONLY ONE
POSSIBLE EXPLANATION,
527
00:31:24,733 --> 00:31:28,533
WHICH IS
THE LOUISIANA MANEUVERS.
528
00:31:28,533 --> 00:31:30,300
Narrator:
THE LOUISIANA MANEUVERS
529
00:31:30,300 --> 00:31:32,100
WERE A SERIES OF MASSIVE
WAR GAMES
530
00:31:32,100 --> 00:31:33,533
IN THESE SWAMPS
531
00:31:33,533 --> 00:31:35,833
DESIGNED TO READY
AMERICAN SOLDIERS
532
00:31:35,833 --> 00:31:40,400
FOR THE INVASION
OF NAZI OCCUPIED EUROPE.
533
00:31:40,400 --> 00:31:42,933
Moran: IN THE BUILD UP TO
WORLD WAR II,
534
00:31:42,933 --> 00:31:45,733
THE U.S. ARMY REALLY
WASN'T QUITE UP TO SPEED.
535
00:31:45,733 --> 00:31:49,600
I MEAN, THEY WERE STILL USING
TECHNOLOGY AND WEAPONRY
536
00:31:49,600 --> 00:31:53,833
THAT WERE HOLDOVERS
FROM WORLD WAR I.
537
00:31:53,833 --> 00:31:59,067
Narrator: IN 1939, THE U.S. HAS
FEWER THAN 200,000 SOLDIERS,
538
00:31:59,067 --> 00:32:01,500
A SMALLER ARMY THAN PORTUGAL'S,
539
00:32:01,500 --> 00:32:04,533
AND USES CAVALRY
TO PULL ITS ARTILLERY.
540
00:32:06,867 --> 00:32:11,233
HAS GLOBAL CONFLICT LOOMS,
19 DIVISIONS OF FRESH RECRUITS
541
00:32:11,233 --> 00:32:14,633
WAGE A FAKE WAR
IN THE LOUISIANA SWAMPS
542
00:32:14,633 --> 00:32:20,133
TO WORK OUT HOW TO DEFEAT
THE NAZIS' BLITZKRIEG TACTICS.
543
00:32:20,133 --> 00:32:24,967
THE THINKING WAS, IF YOU CAN
SURVIVE IN LOUISIANA SWAMPLAND,
544
00:32:24,967 --> 00:32:27,700
YOU CAN CERTAINLY MAKE IT
IN EUROPE.
545
00:32:30,467 --> 00:32:34,900
Narrator: THE WAR GAMES COVER
3,400 SQUARE MILES
546
00:32:34,900 --> 00:32:40,133
AND INVOLVE 470,000 SOLDIERS,
50,000 VEHICLES
547
00:32:40,133 --> 00:32:43,267
AND 1,000 PLANES.
548
00:32:43,267 --> 00:32:45,933
WHEN YOU SEE FROM ABOVE
THESE CIRCULAR PATTERNS
549
00:32:45,933 --> 00:32:48,167
WITH ALMOST A TARGET
IN THE MIDDLE,
550
00:32:48,167 --> 00:32:50,100
IT MAKES YOU WONDER.
551
00:32:50,100 --> 00:32:54,467
IS THIS PART OF
THE LOUISIANA MANEUVERS?
552
00:32:54,467 --> 00:32:56,833
Narrator: LOUISIANA NATIVE
MARTIN MORGAN
553
00:32:56,833 --> 00:32:59,533
RECOGNIZES THE PATTERNS.
554
00:32:59,533 --> 00:33:03,500
HE REVEALS THAT RATHER THAN
BEING A LEGACY OF WORLD WAR II,
555
00:33:03,500 --> 00:33:09,133
THEY'RE AN EXTRAORDINARY RELIC
OF THE STATE'S INDUSTRIAL PAST.
556
00:33:09,133 --> 00:33:10,900
SOMETHING THAT'S BEEN
VERY IMPORTANT
557
00:33:10,900 --> 00:33:15,367
TO THE ECONOMY OF SOUTHERN
LOUISIANA HAS BEEN LOGGING.
558
00:33:15,367 --> 00:33:18,433
I THINK WHAT WE'RE SEEING TODAY
ARE THE SCARS THAT WERE CREATED
559
00:33:18,433 --> 00:33:22,200
WHEN THE LOGGERS DRAG
CYPRESS LOGS ACROSS THE SWAMP.
560
00:33:24,467 --> 00:33:28,733
Narrator:
LOUISIANA'S SWAMPS WERE ONCE
FILLED WITH CYPRESS TREES,
561
00:33:28,733 --> 00:33:34,567
A VAST FOREST THAT COVERED
ONE AND A HALF MILLION ACRES.
562
00:33:34,567 --> 00:33:37,300
BETWEEN THE EARLY 18TH
AND 20TH CENTURIES,
563
00:33:37,300 --> 00:33:39,900
THEY ATTRACT GROUPS
OF PIONEERING LOGGERS
564
00:33:39,900 --> 00:33:43,400
KNOWN AS SWAMPERS.
565
00:33:43,400 --> 00:33:47,933
Morgan: SWAMPERS WERE A TOUGH
FRONTIER TYPE PERSON.
566
00:33:47,933 --> 00:33:50,467
THESE ARE PEOPLE
THAT LIVED IN THE SWAMP,
567
00:33:50,467 --> 00:33:54,100
BRINGING DOWN CYPRESS TREES,
BEING ON THE LOOKOUT CONSTANTLY
568
00:33:54,100 --> 00:33:59,367
FOR LOUISIANA BLACK BEAR
AND FOR SNAKES AND ALLIGATORS.
569
00:33:59,367 --> 00:34:03,200
THIS IS HARD,
PHYSICALLY TRYING WORK,
570
00:34:03,200 --> 00:34:04,567
Narrator: GROWING IN A SWAMP,
571
00:34:04,567 --> 00:34:07,600
CYPRESS WOOD IS EXCELLENT
AT WITHSTANDING WATER,
572
00:34:07,600 --> 00:34:11,967
SO IT IS HIGHLY PRIZED
BY SHIP AND HOUSE BUILDERS.
573
00:34:11,967 --> 00:34:13,833
BUT THE TREES ARE HUGE,
574
00:34:13,833 --> 00:34:17,667
MORE THAN 100 FEET TALL
WITH TRUNKS EIGHT FEET WIDE.
575
00:34:17,667 --> 00:34:22,067
AND GETTING THEM
TO THE LUMBER MILLS WAS TOUGH.
576
00:34:22,067 --> 00:34:23,433
Morgan:
THEY WERE PAID BY THE LOG,
577
00:34:23,433 --> 00:34:25,300
AND THAT WAS AN ENORMOUS
AMOUNT OF WORK
578
00:34:25,300 --> 00:34:31,267
UNDER VERY HARSH CONDITIONS
FOR A VERY SMALL PAYCHECK.
579
00:34:31,267 --> 00:34:35,400
Narrator: IN 1891, THE INVENTION
OF A NEW MACHINE
580
00:34:35,400 --> 00:34:37,400
CHANGES ALL THAT.
581
00:34:37,400 --> 00:34:38,967
Morgan: THE INVENTION
OF THE PULL BOAT
582
00:34:38,967 --> 00:34:42,800
REVOLUTIONIZED THE PROCESS
OF SWAMP LOGGING.
583
00:34:42,800 --> 00:34:45,800
THESE PROVIDE A SOLUTION
TO HOW DO YOU HARVEST
584
00:34:45,800 --> 00:34:49,633
THE CYPRESS LOGS
OUT OF A CYPRESS SWAMP?
585
00:34:49,633 --> 00:34:52,300
Narrator: PULL BOATS USE
STEAM-DRIVEN WINCHES
586
00:34:52,300 --> 00:34:53,600
TO DRAG CYPRESS TREES
587
00:34:53,600 --> 00:34:57,067
THOUSANDS OF FEET FROM
INACCESSIBLE PARTS OF THE SWAMP.
588
00:34:59,200 --> 00:35:01,600
IN SOME PLACES, THE PULL BOATS
DON'T EVEN MOVE,
589
00:35:01,600 --> 00:35:04,733
THEY JUST DRAG LOGS
FROM ALL DIRECTIONS
590
00:35:04,733 --> 00:35:07,100
THAT CREATES THESE DISTINCTIVE
STAR SHAPES
591
00:35:07,100 --> 00:35:12,067
THAT WE SEE SO CLEARLY
IN THE SATELLITE PHOTOS.
592
00:35:12,067 --> 00:35:13,567
Narrator: USING PULL BOATS,
593
00:35:13,567 --> 00:35:16,967
SWAMPERS CAN ASSEMBLE RAFTS OF
500 GIANT LOGS
594
00:35:16,967 --> 00:35:21,067
FOR LOUISIANA'S LUMBER MILLS.
595
00:35:21,067 --> 00:35:24,433
BY THE EARLY 1900s,
THESE MILLS ARE PRODUCING
596
00:35:24,433 --> 00:35:27,867
A BILLION BOARD FEET
OF WOOD A YEAR,
597
00:35:27,867 --> 00:35:30,267
ENOUGH TO CREATE
A CYPRESS BOARDWALK
598
00:35:30,267 --> 00:35:33,400
FROM THE EARTH TO THE MOON.
599
00:35:33,400 --> 00:35:34,967
Morgan: IT BRINGS MONEY,
IT BRINGS PEOPLE,
600
00:35:34,967 --> 00:35:38,467
IT BRINGS ECONOMIC VITALITY --
601
00:35:38,467 --> 00:35:42,333
AND IT ALSO BRINGS DESTRUCTION
OF THE NATURAL ENVIRONMENT.
602
00:35:44,533 --> 00:35:47,067
Narrator: THE PULL BOATS
RAVAGE LOUISIANA,
603
00:35:47,067 --> 00:35:50,367
FELLING TREES THAT WERE ALREADY
500 YEARS OLD
604
00:35:50,367 --> 00:35:52,967
WHEN COLUMBUS
VISITED THE AMERICAS.
605
00:35:55,500 --> 00:35:57,067
WITHIN 35 YEARS,
606
00:35:57,067 --> 00:35:59,467
THE STATE'S MAGNIFICENT
CYPRESS FORESTS
607
00:35:59,467 --> 00:36:02,400
HAVE BEEN TURNED INTO
A FETID WASTELAND --
608
00:36:02,400 --> 00:36:04,533
SUITABLE FOR ARMY WAR GAMES,
609
00:36:04,533 --> 00:36:06,867
BUT LITTLE ELSE.
610
00:36:06,867 --> 00:36:09,733
BY THE 1920s, JUST ABOUT
EVERY CYPRESS IN LOUISIANA
611
00:36:09,733 --> 00:36:11,700
HAS BEEN CUT DOWN.
612
00:36:11,700 --> 00:36:14,533
THIS IS THE PLUNDER
OF A PRICELESS ANCIENT FOREST
613
00:36:14,533 --> 00:36:16,633
ON A TRULY HORRIFIC SCALE.
614
00:36:19,867 --> 00:36:22,233
Narrator: TODAY, ALL THAT
REMAINS OF
615
00:36:22,233 --> 00:36:24,067
LOUISIANA'S CYPRESS GOLD RUSH
616
00:36:24,067 --> 00:36:27,400
ARE THE STRANGE SCARS
REVEALED FROM THE SKIES.
617
00:36:27,400 --> 00:36:33,967
**
618
00:36:33,967 --> 00:36:38,333
COMING UP, THE MEGASTRUCTURE
THAT DISAPPEARED.
619
00:36:38,333 --> 00:36:40,833
Woman: SOMEBODY DOESN'T WANT
THIS FACILITY
620
00:36:40,833 --> 00:36:42,933
SHOWING UP ON THE PUBLIC RECORD.
621
00:36:47,567 --> 00:36:51,467
**
622
00:36:51,467 --> 00:36:55,400
Narrator:
APRIL 30, 2016 --
623
00:36:55,400 --> 00:36:57,367
AS THE WORLDVIEW-3 SATELLITE
624
00:36:57,367 --> 00:37:01,067
PASSES OVER THE HISTORIC STATE
OF KARNATAKA, INDIA,
625
00:37:01,067 --> 00:37:04,400
IT CAPTURES THIS IMAGE.
626
00:37:04,400 --> 00:37:07,167
IT LOOKS LIKE THERE'S
A GIANT PARCEL OF LAND
627
00:37:07,167 --> 00:37:12,300
THAT'S BEEN CASED
IN SOME SORT OF A BARRIER.
628
00:37:12,300 --> 00:37:17,600
Narrator: THE WALL ENCIRCLES
A 15 SQUARE MILE PROPERTY.
629
00:37:17,600 --> 00:37:21,733
IT SEEMS IT'S ERODED AWAY,
SO THERE'S REALLY NO TELLING
630
00:37:21,733 --> 00:37:25,800
HOW LONG THIS THING
HAS BEEN OUT THERE FOR.
631
00:37:25,800 --> 00:37:28,567
Narrator: IF THE GIANT WALL
IS ERODING AWAY,
632
00:37:28,567 --> 00:37:32,700
IT COULD BE A RELIC
OF INDIA'S ARISTOCRATIC PAST.
633
00:37:32,700 --> 00:37:38,333
SUCH A MASSIVE PROJECT LIKE THIS
REMINDS US
634
00:37:38,333 --> 00:37:45,333
OF THE OVER-THE-TOP
CONSTRUCTIONS OF THE MAHARAJ.
635
00:37:45,333 --> 00:37:47,900
Narrator: THE MAHARAJAH'S ARE
THE HISTORIC KINGS
636
00:37:47,900 --> 00:37:49,800
AND RULERS OF INDIA.
637
00:37:51,800 --> 00:37:55,067
BEFORE THE COUNTRY'S
INDEPENDENCE IN 1947,
638
00:37:55,067 --> 00:37:59,267
THEY COMMAND
AN ALMOST GODLIKE STATUS...
639
00:37:59,267 --> 00:38:05,100
AND ACCUMULATE VAST FORTUNES
THROUGH TRADE AND TAXATION.
640
00:38:05,100 --> 00:38:06,767
Hunt:
IT STAGGERS THE IMAGINATION
641
00:38:06,767 --> 00:38:10,933
TO THINK OF HOW WEALTHY
A MAHARAJAHS WERE
642
00:38:10,933 --> 00:38:13,800
AND HOW THEY SPENT
643
00:38:13,800 --> 00:38:18,500
TO MAINTAIN THEIR STATUS.
644
00:38:18,500 --> 00:38:21,500
Narrator: SUCH WAS THEIR WEALTH
THAT SOME MAHARAJAHS ARE KNOWN
645
00:38:21,500 --> 00:38:24,867
TO HAVE USED ROLLS-ROYCES
FOR GARBAGE COLLECTION
646
00:38:24,867 --> 00:38:28,733
AND DIAMONDS FOR PAPERWEIGHTS.
647
00:38:28,733 --> 00:38:33,467
THEY CONSTRUCT VAST PALACES,
SOME WITH UPWARDS OF 300 ROOMS,
648
00:38:33,467 --> 00:38:38,400
MANY OF WHICH STILL PEPPER
THE INDIAN COUNTRYSIDE.
649
00:38:38,400 --> 00:38:43,600
Hunt: THE LANDSCAPE OF INDIA
IS FILLED WITH BEAUTIFUL FOLLIES
650
00:38:43,600 --> 00:38:49,400
BUILT AT ENORMOUS EXPENSE
BY THE MAHARAJAHS.
651
00:38:49,400 --> 00:38:52,200
Narrator: BRONWYN AGRIOS
USES SATELLITE IMAGERY
652
00:38:52,200 --> 00:38:55,067
TO TRACK BACK THROUGH TIME.
653
00:38:55,067 --> 00:39:00,067
Agrios: WHAT GETS REVEALED
ACTUALLY IS THIS HAS ONLY BEEN
654
00:39:00,067 --> 00:39:02,500
AROUND FOR THE PAST 10 YEARS.
655
00:39:02,500 --> 00:39:05,333
SO THIS HAS TO BE
A NEW FACILITY.
656
00:39:05,333 --> 00:39:09,300
Narrator: AGRIOS'S INVESTIGATION
UNCOVERS SOMETHING STRANGE
657
00:39:09,300 --> 00:39:12,467
ABOUT THE MYSTERY FACILITY.
658
00:39:12,467 --> 00:39:14,833
Agrios: WHAT'S INTERESTING IS,
659
00:39:14,833 --> 00:39:17,733
WHEN I GO
TO THE MAP OF THIS AREA,
660
00:39:17,733 --> 00:39:20,433
IT'S JUST BLANK --
SOMEBODY DOESN'T WANT
661
00:39:20,433 --> 00:39:25,167
THIS FACILITY SHOWING UP
ON THE PUBLIC RECORD.
662
00:39:25,167 --> 00:39:27,567
Narrator: THE SATELLITE IMAGES
REVEAL CONSTRUCTION
663
00:39:27,567 --> 00:39:31,600
ON THE SITE BEGINS IN 2009.
664
00:39:31,600 --> 00:39:34,233
LOCAL VILLAGERS WHO ACTUALLY
LOST THEIR OWN LAND
665
00:39:34,233 --> 00:39:36,267
TO HELP BUILD THIS FACILITY
666
00:39:36,267 --> 00:39:37,933
ACTUALLY SUED
THE INDIAN GOVERNMENT
667
00:39:37,933 --> 00:39:40,900
TO FIND OUT
EXACTLY WHAT WAS GOING ON.
668
00:39:40,900 --> 00:39:43,667
Woman: WHAT THEY DISCOVERED WAS
THAT HALF OF THE FACILITY
669
00:39:43,667 --> 00:39:47,167
WAS ACTUALLY GOING TO BE USED
TO STUDY ATOMIC ENERGY
670
00:39:47,167 --> 00:39:50,433
AND NUCLEAR REACTORS.
671
00:39:50,433 --> 00:39:52,067
Narrator: THE GOVERNMENT CLAIMS
672
00:39:52,067 --> 00:39:54,067
THE SITE WILL BE USED
TO ENRICH URANIUM
673
00:39:54,067 --> 00:39:58,567
TO FUEL NUCLEAR POWER PLANTS
AND SUBMARINES,
674
00:39:58,567 --> 00:40:00,900
YET HAD STRUCTURES
TO THE NORTH SUGGEST
675
00:40:00,900 --> 00:40:04,067
THIS IS LIKELY NOT THE CASE.
676
00:40:04,067 --> 00:40:09,200
Moran: THIS FACILITY HAS WHAT'S
CALLED A RARE MATERIALS PLANT
677
00:40:09,200 --> 00:40:13,433
AND THAT IS USED TO PRODUCE
HIGHLY ENRICHED URANIUM,
678
00:40:13,433 --> 00:40:14,767
WHICH, AS WE ALL KNOW,
679
00:40:14,767 --> 00:40:19,567
IS A KEY COMPONENT
TO MAKING NUCLEAR BOMBS.
680
00:40:19,567 --> 00:40:23,867
Narrator: INTELLIGENCE ANALYSTS
BELIEVE INDIA CURRENTLY
681
00:40:23,867 --> 00:40:27,333
POSSESSES AROUND 140
THERMONUCLEAR WEAPONS,
682
00:40:27,333 --> 00:40:31,400
FEWER THAN ITS NEIGHBORS AND
ADVERSARIES, CHINA AND PAKISTAN.
683
00:40:33,767 --> 00:40:37,500
THE SCALE OF THE NUCLEAR CITY
REVEALED FROM SPACE SUGGESTS
684
00:40:37,500 --> 00:40:39,200
IT COULD ADD
HUNDREDS OF WARHEADS
685
00:40:39,200 --> 00:40:42,767
TO ITS STOCKPILE
OVER THE NEXT DECADE.
686
00:40:42,767 --> 00:40:45,167
Moran:
THE FACILITY HAS BEEN UPGRADED
687
00:40:45,167 --> 00:40:47,933
WITH CUTTING EDGE EQUIPMENT
AND CENTRIFUGES,
688
00:40:47,933 --> 00:40:51,733
WHICH MAKE IT CAPABLE
OF PRODUCING HUNDREDS OF POUNDS
689
00:40:51,733 --> 00:40:55,367
OF WEAPONS-GRADE URANIUM
EVERY YEAR.
690
00:40:55,367 --> 00:40:57,967
Munoz: WHAT WE'RE SEEING HERE
COULD BE INDIA'S EFFORT
691
00:40:57,967 --> 00:41:02,867
TO BRING BALANCE BACK
TO THE REGION IN INDIA'S FAVOR
692
00:41:02,867 --> 00:41:05,200
TO MAKE ITS WARHEAD
ARSENAL COMPETE
693
00:41:05,200 --> 00:41:08,533
WITH THESE OTHER COUNTRIES.
694
00:41:08,533 --> 00:41:10,967
Narrator: INDIA'S SPENDING
ON ITS NUCLEAR PROGRAM
695
00:41:10,967 --> 00:41:15,067
IS NOW MORE THAN DOUBLE
THAT OF PAKISTAN'S.
696
00:41:15,067 --> 00:41:17,867
INDIA'S INTENTIONS HERE
ARE REALLY
697
00:41:17,867 --> 00:41:21,567
TO ESSENTIALLY
STRONG ARM ITS NEIGHBORS
698
00:41:21,567 --> 00:41:26,933
AND TO SOLIDIFY ITS POSITION
AS A POWERHOUSE IN THE REGION.
699
00:41:29,067 --> 00:41:31,400
Narrator: TENSIONS BETWEEN INDIA
AND ITS NEIGHBORS,
700
00:41:31,400 --> 00:41:32,567
PAKISTAN AND CHINA,
701
00:41:32,567 --> 00:41:36,633
HAVE DRAMATICALLY ESCALATED
IN RECENT YEARS,
702
00:41:36,633 --> 00:41:39,800
WITH BORDER SKIRMISHES
CLAIMING HUNDREDS OF LIVES.
703
00:41:42,467 --> 00:41:47,333
SATELLITES CONTINUE TO MONITOR
THE SITUATION AS IT UNFOLDS.
704
00:41:47,333 --> 00:41:51,100
YOU THINK OF GEOPOLITICAL
TENSIONS BEING STRONGEST
705
00:41:51,100 --> 00:41:52,867
BETWEEN THE WORLD'S SUPERPOWERS,
706
00:41:52,867 --> 00:41:56,167
BETWEEN RUSSIA
AND THE UNITED STATES AND CHINA,
707
00:41:56,167 --> 00:42:00,067
BUT THIS IS A POWDER KEG
WAITING TO BLOW.
708
00:42:00,067 --> 00:42:04,067
**
55764
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