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NARRATOR: Previously...
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The intimacy is lacking.
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I think maybe it's because
I'm not attractive enough
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that he doesn't wanna
do those things.
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..Beth revealed her insecurities
at the last commitment ceremony.
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Genuinely believe
it's an emotional connection thing.
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I really wanna have, like,
our souls intertwined
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before moving back into
the intimate side of things.
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(IMPACT BOOMS)
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And Dave vowed
to win back Jamie's trust.
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I'm still here,
and I do care about her.
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I have to figure out how to get out
of my own head at the moment
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and start thinking more about Jamie.
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Then...
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Welcome to my humble abode!
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..homestays gave our couples
a sample of married life
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after the experiment.
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Shoes are not allowed on my bed.
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Jacqui's hosting skills
saw tensions rise.
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Jacqui is the most difficult person
I have ever tried to date.
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And...
It's a beard, Jacqui!
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If you don't know by now
if you could fall in love with her,
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I don't think you ever know.
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I don't wanna just give up either.
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And Jamie's sister delivered
unfiltered feedback.
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How can you see a future
with someone
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you don't have
a love connection with?
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That's grim!
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(DRAMATIC MUSIC SWELLS)
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Tonight...
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Welcome!
Thank you!
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I'm home!
(WOMEN SQUEAL)
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..homestays continue...
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..and some couples continue
to deepen their connection.
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Here is a key to my apartment.
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Oh! (LAUGHS) That's so cute.
Thank you!
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..as Jeff unlocks
his future with Rhi.
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Good to finally meet you.
I know!
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Dave introduces Jamie to the most
important person in his life...
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I was rapt to finally meet Jamie,
and she's wonderful.
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He's very happy. You can tell.
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I care so much for Beth.
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I care about my dog.
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..but it's not all smooth sailing,
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as Teejay comes face to face
with Beth's family.
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If it all ended abruptly tomorrow,
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is my daughter gonna
get her heart broken?
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Um...
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And...
Alright, welcome.
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(OMINOUS MUSIC BUILDS)
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..Ryan's house, Ryan's rules.
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(DRAMATIC MUSIC SWELLS)
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Jacqui's eye-opening experience...
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Something about me that...
Your answer is not valid...
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You're not...you're talking over me!
Stop being rude.
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Well, you done that to me last time,
hon. How does it feel?
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..sees emotions reach breaking point.
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Her behaviour, it's not OK!
That's not true.
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I wanna tell you exactly how I feel!
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I think he's been absolutely gypped
on this experiment
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by being put with you.
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(IMPACT BOOMS)
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(TENSE INSTRUMENTAL MUSIC)
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(MOMENTOUS MUSIC SWELLS)
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All around Australia,
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couples are immersing themselves
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in the final stages of the experiment
with homestays.
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Now I'm gonna throw you in.
No! (LAUGHS)
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(MOMENTOUS MUSIC CONTINUES)
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In Perth, Carina and Paul are soaking
in the bliss of married life.
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Being out and about in Perth
with Carina, it feels amazing.
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(UPLIFTING INSTRUMENTAL MUSIC)
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Our relationship is probably
the best it's ever been.
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(SWEEPING ROMANTIC MUSIC)
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CARINA: The homestays
has been beautiful.
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It's been a really great time,
having Paul here with my family.
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Like, I just embraced it,
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and I...I just let everything
come my way,
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and I can't wait for when
we're outside of this experiment
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and when we're back in Perth,
and doing things together.
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My heart's radiating
really positive energy.
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I'm feeling really good.
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(ROMANTIC MUSIC FADES)
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The homestays have always been
an essential part
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of the 'Married At First Sight'
experiment.
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WOMAN: Here we are! Oh, my god.
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As our couples get a taste for their
partner's natural environment,
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questions will arise.
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(LAUGHTER)
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This is their chance
to get those answers
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00:04:01,400 --> 00:04:03,080
before they head to Final Vows.
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(MOMENTOUS MUSIC BUILDS)
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While some homestays
are well underway,
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others are just getting started.
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JEFF: It feels so weird, being home.
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Arriving in Melbourne,
Rhi and Jeff are hoping
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00:04:16,760 --> 00:04:19,800
to take their relationship
to the next level...
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Any of this look familiar?
(LAUGHS) You bet.
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..again.
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Back to where it all began.
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(LAUGHS) How you going, muscles?
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(LAUGHS) They're heavy.
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This isn't the first time
I've been here.
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Thank you.
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I stayed at Jeff's
when we dated last year.
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On the wedding day, when I walked
down the aisle and saw Jeff...
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(LAUGHS) Oh, my god.
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Hey, Rhi.
(RHI LAUGHS)
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Hey, Jeff.
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Oh! (LAUGHS)
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..I remember thinking to myself,
"This isn't gonna work,"
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because we've dated in the past
and it did fizzle out.
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(HOPEFUL PIANO MUSIC)
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But the more we are together,
the more potential I see in us.
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The experiment has progressed
our relationship so much
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because we had to really open up.
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OK.
Ahh! That's good.
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I came here to find
my forever person,
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and I wholeheartedly hope
that it's Jeff.
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00:05:12,760 --> 00:05:16,120
Ahh!
(LAUGHTER)
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Welcome!
Thank you!
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Again.
Again.
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(LAUGHTER)
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00:05:22,320 --> 00:05:23,960
(JAUNTY INSTRUMENTAL MUSIC)
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Feels like I was here yesterday.
(LAUGHS)
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(LAUGHS)
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I actually think I've never been
in here in daylight...
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(LAUGHS)
..ever.
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(LAUGHTER)
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00:05:33,280 --> 00:05:34,480
Oh, too funny.
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Homestays is an important week
for us.
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It'll give us a real insight
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into what life is gonna be like
post-experiment.
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00:05:41,120 --> 00:05:42,680
Thank you.
There we go.
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00:05:43,960 --> 00:05:45,920
We're in a great spot
in our relationship.
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So, I'm excited for it.
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Hopefully she has a good time
and we have some fun.
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00:05:51,640 --> 00:05:53,240
When you walked out that last time,
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imagine thinking that
you were gonna be here,
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married to me, one year later.
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I would never have imagined it.
I know.
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It is crazy.
Yeah. Definitely.
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Being back at Jeff's house,
it is very weird, very surreal...
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(UPLIFTING INSTRUMENTAL MUSIC)
145
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..but, look,
it feels really, really good.
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I feel very grateful to see,
like, how far we've come.
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It was meant to be, Jeffy.
Meant to be.
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Mm-hm.
So nice, having you here.
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(MOMENTOUS MUSIC SWELLS)
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On the other side of Melbourne,
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Dave is alone in his apartment,
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getting ready
for a serious talk with Jamie.
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Homestays has proved challenging
for the couple
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after the last commitment ceremony
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left their relationship
at a crossroads.
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DAVE: When Jamie told me she loved
me, I freaked out a little bit.
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I'm not there yet,
and it's scary for me.
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Since arriving in Melbourne,
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the pair have been living
in separate apartments.
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(SOMBRE INSTRUMENTAL MUSIC)
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I wish, like, I could just go back
to the start for, like, a minute.
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(CRIES)
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Like, it was just, like...
we just had the best time.
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Like, we really did.
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And a testy lunch with Jamie's sister
yesterday
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only fuelled Jamie's doubts
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about the strength
of Dave's feelings towards her.
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Because he's literally showed up,
like, 20%, and you're, like, love.
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(TENSE INSTRUMENTAL MUSIC)
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I don't think I can handle watching
yet another relationship
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where you're struggling like that -
I can't watch that again.
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As their relationship
hangs in the balance...
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See you, buddy. I'll see you soon.
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On your bed. On your bed.
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(DRAMATIC MUSIC BUILDS)
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..Jamie has asked Dave
to meet her at a local pub
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to discuss where they stand.
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I do have real feelings for Dave,
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but my sister gave me
some home truths,
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and now I'm just like,
"Maybe this isn't gonna work."
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Do I, you know, remove myself
before I get hurt more?
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So, today... (SIGHS)
183
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..I'm looking for, like,
any kind of reassurance from Dave.
184
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Like, I need him to, like,
not put more doubts into my head.
185
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How's your day?
186
00:08:06,520 --> 00:08:07,840
(TENSE INSTRUMENTAL MUSIC)
187
00:08:07,880 --> 00:08:09,440
Oh, I feel like I'm just a bit...
188
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..like, all over the place.
189
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I feel like this whole,
like, experiment
190
00:08:15,920 --> 00:08:18,480
has thrown me for a bit of a loop.
191
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(TENSE INSTRUMENTAL MUSIC)
192
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You know, I don't really want
193
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to experience more hurt or sadness,
194
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and so I think it's a bit,
like, almost unsafe
195
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to have feelings right now.
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(TENSE INSTRUMENTAL MUSIC)
197
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I definitely don't wanna hurt you...
198
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..and I definitely want
to work on these things.
199
00:08:46,640 --> 00:08:48,920
You've definitely tried
to put effort in,
200
00:08:49,000 --> 00:08:55,360
but, like, that...that desire
and that want to be with me,
201
00:08:55,440 --> 00:08:58,080
I just don't necessarily
know if that's there.
202
00:08:58,120 --> 00:09:01,120
(TENSE INSTRUMENTAL MUSIC)
203
00:09:03,960 --> 00:09:06,480
You know, I do care about you,
and you are an amazing person,
204
00:09:06,520 --> 00:09:09,480
and it does hurt...hurt my heart.
205
00:09:09,520 --> 00:09:11,480
So, like, what do you need me to do?
206
00:09:11,520 --> 00:09:13,760
(TENSE INSTRUMENTAL MUSIC)
207
00:09:13,840 --> 00:09:18,720
I just wanna see, like,
some sort of fight.
208
00:09:18,760 --> 00:09:20,240
(TENSE INSTRUMENTAL MUSIC)
209
00:09:20,280 --> 00:09:21,600
You know?
210
00:09:24,480 --> 00:09:27,400
You are potentially losing me...
211
00:09:27,440 --> 00:09:29,280
(TENSE INSTRUMENTAL MUSIC)
212
00:09:29,360 --> 00:09:31,160
..and I don't feel like
you care too much.
213
00:09:31,200 --> 00:09:35,400
(TENSE INSTRUMENTAL MUSIC)
214
00:09:35,480 --> 00:09:38,520
The feelings are there,
and I've dropped a ball,
215
00:09:38,560 --> 00:09:40,440
and I'm sorry for that.
216
00:09:40,480 --> 00:09:42,000
That won't happen again.
217
00:09:42,040 --> 00:09:43,920
(TENSE INSTRUMENTAL MUSIC)
218
00:09:44,000 --> 00:09:47,400
I seen you on the couch last week
and I seen how hurt you were.
219
00:09:47,440 --> 00:09:49,440
(TENSE INSTRUMENTAL MUSIC)
220
00:09:49,480 --> 00:09:51,920
That's not how I want...this to go.
221
00:09:51,960 --> 00:09:53,920
I don't wanna hurt you at all,
222
00:09:53,960 --> 00:09:56,400
because I care about you.
223
00:09:57,880 --> 00:10:00,200
It took me a while to realise
those emotions,
224
00:10:00,280 --> 00:10:02,640
and I know that I'm gonna
have to put the effort in.
225
00:10:02,720 --> 00:10:05,960
I wanna work on expressing
the emotional, romantic side.
226
00:10:06,000 --> 00:10:07,120
(TENSE MUSIC CONTINUES)
227
00:10:07,200 --> 00:10:11,760
When I do have concerns and when
I do think there's no way forward,
228
00:10:11,800 --> 00:10:13,360
like, I wish, in those moments,
229
00:10:13,440 --> 00:10:16,160
you know, you'd be MY rock
in that situation.
230
00:10:16,240 --> 00:10:20,000
I am willing to do all that,
and I'm willing to try.
231
00:10:20,040 --> 00:10:24,080
I think I need to be more...open
232
00:10:24,160 --> 00:10:28,280
and get back to showing you
that I do care.
233
00:10:28,320 --> 00:10:29,560
Like, that's why I'm here.
234
00:10:29,640 --> 00:10:31,560
I wanna be a better person.
I wanna be a better partner.
235
00:10:32,720 --> 00:10:34,280
Do you reckon you can do that, then?
236
00:10:36,720 --> 00:10:38,200
You're worth doing that for.
237
00:10:38,240 --> 00:10:41,240
(GENTLE MUSIC BUILDS)
238
00:10:41,320 --> 00:10:43,480
Are you still gonna romance me?
Mmm.
239
00:10:45,160 --> 00:10:47,360
Do nice surprises?
Yeah.
240
00:10:47,400 --> 00:10:50,400
(GENTLE INSTRUMENTAL MUSIC)
241
00:10:53,160 --> 00:10:56,720
The conversation Dave and I had
has reassured me.
242
00:10:56,800 --> 00:11:00,480
Like, he's really trying to show
that he's here to stay.
243
00:11:00,560 --> 00:11:02,960
And you gotta be honest
about how you're feeling.
244
00:11:04,440 --> 00:11:05,440
Yeah.
245
00:11:05,520 --> 00:11:08,120
I don't wanna have to ask or
harass you. You need to tell me.
246
00:11:08,160 --> 00:11:11,680
We're looking a lot brighter again.
247
00:11:11,760 --> 00:11:13,520
OK?
Yeah.
248
00:11:13,600 --> 00:11:15,560
I feel better
after that conversation.
249
00:11:15,600 --> 00:11:17,160
Same.
250
00:11:17,240 --> 00:11:20,880
I know I have let Jamie down,
but I have feelings for her,
251
00:11:20,960 --> 00:11:23,360
and then, you know,
this is not the spot to give up.
252
00:11:24,400 --> 00:11:26,680
The hardest decision is to fight,
and that's what we wanna do,
253
00:11:26,720 --> 00:11:28,120
and I wanna move forward.
254
00:11:28,160 --> 00:11:31,160
(MOMENTOUS MUSIC BUILDS)
255
00:11:33,560 --> 00:11:35,040
You always go for the arse.
256
00:11:36,160 --> 00:11:37,720
You have a great arse, that's why.
257
00:11:37,760 --> 00:11:39,520
(JAMIE LAUGHS)
258
00:11:41,520 --> 00:11:44,920
(DRAMATIC INSTRUMENTAL MUSIC)
259
00:11:45,000 --> 00:11:50,560
In Sydney, Jacqui and Ryan are
embarking on the 1.5-hour drive
260
00:11:50,640 --> 00:11:54,600
from Jacqui's place
in the seaside sanctuary of Manly
261
00:11:54,680 --> 00:11:58,960
to Ryan's house in the suburbs
of South-West Sydney.
262
00:11:59,040 --> 00:12:02,440
Turn right here?
Um...yes.
263
00:12:02,520 --> 00:12:07,240
I'm a little bit concerned
about the whole juxtaposition
264
00:12:07,280 --> 00:12:09,080
of Manly versus South-West.
265
00:12:09,120 --> 00:12:10,760
See you later, Manly.
266
00:12:10,800 --> 00:12:12,720
Being at Jacqui's place
267
00:12:12,800 --> 00:12:15,880
only seemed to intensify
the couple's differences.
268
00:12:20,040 --> 00:12:21,640
My beard?
It's not very Manly.
269
00:12:21,680 --> 00:12:23,560
(LAUGHS) See...see, I can laugh...
270
00:12:23,600 --> 00:12:26,080
And tonight I'm gonna shave it off.
271
00:12:26,160 --> 00:12:30,520
If you do, then just be prepared
for an immediate divorce.
272
00:12:30,560 --> 00:12:32,640
What's wrong with clean-shaven?
273
00:12:32,720 --> 00:12:34,560
There's nothing wrong with it...
Why won't...
274
00:12:34,640 --> 00:12:38,000
..but you threatening to shave
a man's beard is dangerous ground.
275
00:12:38,040 --> 00:12:39,360
Something as simple as a beard...
276
00:12:39,440 --> 00:12:41,120
I can't have a conversation with you
about anything
277
00:12:41,160 --> 00:12:42,400
because your brain is so small!
278
00:12:42,480 --> 00:12:44,440
My brain is small?
Yeah.
279
00:12:44,520 --> 00:12:46,280
Oh, my Lord.
I can't conversate with you...
280
00:12:46,360 --> 00:12:49,360
You're so condescending
and pretentious and judgmental.
281
00:12:49,400 --> 00:12:51,200
(TENSE INSTRUMENTAL MUSIC)
282
00:12:51,280 --> 00:12:55,400
And now it's time for Ryan
to take charge of the homestay
283
00:12:55,440 --> 00:12:58,280
in his suburban slice of paradise.
284
00:12:59,320 --> 00:13:02,720
I wanna make sure that Jacqui sees
me in my most natural environment.
285
00:13:03,760 --> 00:13:07,320
I'm gonna show her the best
of what I've made for myself.
286
00:13:07,400 --> 00:13:08,680
Go A4...
You have to go straight, it says.
287
00:13:08,720 --> 00:13:11,120
Yeah, it says A4.
288
00:13:11,200 --> 00:13:13,200
I did work very hard
to get this place,
289
00:13:13,240 --> 00:13:14,640
and it's not absolutely massive,
290
00:13:14,720 --> 00:13:18,320
but as a solo home owner in Sydney,
like, I'm really proud of it.
291
00:13:18,400 --> 00:13:20,200
Jacqui can be
a little bit judgmental.
292
00:13:20,240 --> 00:13:22,640
She's got very high standards.
293
00:13:22,720 --> 00:13:26,760
If she's not accepting of it,
this relationship can't progress.
294
00:13:27,760 --> 00:13:29,400
This is the ultimate test for me.
295
00:13:29,480 --> 00:13:31,240
Like...
Whoa!
296
00:13:31,280 --> 00:13:32,440
Oh, man!
297
00:13:32,520 --> 00:13:34,920
I'm expecting to get to know Ryan
a bit more -
298
00:13:35,000 --> 00:13:37,360
like, the real Ryan
in his home environment.
299
00:13:37,440 --> 00:13:39,720
I'm definitely excited
to see some of Ryan's stuff.
300
00:13:39,800 --> 00:13:41,880
Like, I wanna appreciate him more
as a person.
301
00:13:41,960 --> 00:13:44,240
This is your place?
This is mine here.
302
00:13:46,160 --> 00:13:47,640
(BARKS)
303
00:13:47,680 --> 00:13:49,600
Someone is greeting us.
304
00:13:49,640 --> 00:13:53,040
Freya? (GASPS) Oh, my god!
305
00:13:53,120 --> 00:13:54,560
(CHUCKLES)
Ohh!
306
00:13:54,600 --> 00:13:56,880
I brought someone new.
307
00:13:56,960 --> 00:13:59,520
I've never had anyone
live at this place with me,
308
00:13:59,560 --> 00:14:01,000
and now I'm bringing a wife here.
309
00:14:01,080 --> 00:14:04,160
It's a massive deal,
inviting Jacqui into my world.
310
00:14:04,200 --> 00:14:05,840
I wanna see what she really thinks
311
00:14:05,920 --> 00:14:08,280
about this little place
that I've built for myself
312
00:14:08,320 --> 00:14:10,360
'cause I absolutely love it.
313
00:14:10,440 --> 00:14:12,360
Alright, 'welcome'...
Welcome.
314
00:14:12,440 --> 00:14:13,800
..and 'home'.
Home.
315
00:14:13,880 --> 00:14:15,640
"Welcome home"! I like it!
Yeah.
316
00:14:15,720 --> 00:14:18,400
(LAUGHTER)
That's funny. (LAUGHS)
317
00:14:18,440 --> 00:14:19,520
I think she's gonna be great here.
318
00:14:19,600 --> 00:14:22,000
OK, come in, come in!
Yeah?
319
00:14:22,040 --> 00:14:23,560
Flick these lights on.
320
00:14:23,600 --> 00:14:25,560
(DRAMATIC MUSIC BUILDS)
321
00:14:25,600 --> 00:14:26,600
Wow.
322
00:14:26,640 --> 00:14:29,200
So, this is the loungeroom.
323
00:14:29,240 --> 00:14:31,720
No flowers yet.
324
00:14:31,760 --> 00:14:35,080
(DRAMATIC MUSIC BUILDS)
325
00:14:35,160 --> 00:14:37,880
Come on through.
This is the main area.
326
00:14:37,920 --> 00:14:41,280
(DRAMATIC MUSIC BUILDS)
327
00:14:41,360 --> 00:14:46,000
That's a 250-year-old
Edo Period katana.
328
00:14:46,080 --> 00:14:48,880
As you can tell, I'm pretty
passionate about this type of stuff.
329
00:14:48,920 --> 00:14:50,040
(DRAMATIC MUSIC BUILDS)
330
00:14:50,080 --> 00:14:51,880
Got the vision board over there.
331
00:14:51,920 --> 00:14:57,000
(DRAMATIC MUSIC CONTINUES)
332
00:14:57,080 --> 00:14:59,920
So, yeah, so, this room...
this is, basically, Ryan's room.
333
00:14:59,960 --> 00:15:02,960
(DRAMATIC MUSIC CONTINUES)
334
00:15:10,120 --> 00:15:11,920
So, for example,
if you look over here,
335
00:15:11,960 --> 00:15:13,600
that's when I did the massive tour.
336
00:15:13,680 --> 00:15:15,880
It's got a symbol
from every country.
337
00:15:15,920 --> 00:15:17,920
So, that stein is from Germany.
338
00:15:17,960 --> 00:15:19,960
(TENSE INSTRUMENTAL MUSIC)
339
00:15:20,000 --> 00:15:22,320
It was eye-opening to see his home.
340
00:15:22,400 --> 00:15:25,760
There's an Eiffel Tower,
a sword from the Tower of London.
341
00:15:25,840 --> 00:15:28,920
(CRIES) I just think he's been
alone here for seven years...
342
00:15:28,960 --> 00:15:30,640
(SOMBRE INSTRUMENTAL MUSIC)
343
00:15:30,720 --> 00:15:33,920
..and maybe he isn't even aware
of how lonely he is.
344
00:15:34,000 --> 00:15:35,720
It really reminds me
of the elderly...
345
00:15:35,760 --> 00:15:37,000
(SOMBRE INSTRUMENTAL MUSIC)
346
00:15:37,080 --> 00:15:39,480
..'cause a lot of elderly
live in homes
347
00:15:39,560 --> 00:15:42,880
where they're alone
for seven, ten, 15 years.
348
00:15:42,920 --> 00:15:45,880
This is a 70-year-old kimono.
349
00:15:45,920 --> 00:15:46,960
(SOMBRE INSTRUMENTAL MUSIC)
350
00:15:47,040 --> 00:15:49,600
It was so sweet of him
to be so confident
351
00:15:49,640 --> 00:15:52,200
and so happy to bring me in.
352
00:15:52,280 --> 00:15:55,880
It's not quite hoarding.
It's just, like, memories.
353
00:15:57,320 --> 00:15:58,920
(DRAMATIC MUSIC BUILDS)
354
00:15:58,960 --> 00:16:00,280
I just feel bad for Ryan.
355
00:16:00,320 --> 00:16:03,680
(DRAMATIC MUSIC BUILDS)
356
00:16:09,080 --> 00:16:11,000
(GENTLE PIANO MUSIC)
357
00:16:11,040 --> 00:16:12,280
BETH: Oh, Mum and Dad! Oh!
358
00:16:12,360 --> 00:16:13,800
We're just gonna have
to carry it by the handle.
359
00:16:13,880 --> 00:16:14,920
Yeah.
(CHUCKLES)
360
00:16:15,000 --> 00:16:16,320
Not the easiest thing.
You got it..?
361
00:16:16,400 --> 00:16:20,520
Beth and Teejay are returning
to their home city of Brisbane
362
00:16:20,600 --> 00:16:23,960
and the weather hasn't dampened
Beth's buoyant mood
363
00:16:24,040 --> 00:16:28,080
as she brings her first ever partner
to her family home.
364
00:16:28,160 --> 00:16:30,720
Muscle Maggie!
(CHUCKLES) There you go.
365
00:16:30,800 --> 00:16:34,080
It feels so weird,
being back in Brisbane.
366
00:16:34,120 --> 00:16:35,720
Bloody hell!
367
00:16:35,760 --> 00:16:37,600
This is a really big deal for me,
368
00:16:37,680 --> 00:16:40,920
to be taking a guy to my home,
meeting my family,
369
00:16:40,960 --> 00:16:42,280
'cause, like, my family, my friends,
370
00:16:42,360 --> 00:16:43,600
have never seen me
in a relationship.
371
00:16:43,640 --> 00:16:44,880
(THUNDER CRACKS)
372
00:16:44,920 --> 00:16:48,000
Is that a sign? (LAUGHS)
373
00:16:48,040 --> 00:16:50,080
I'm home!
374
00:16:50,120 --> 00:16:52,280
Oh, my god, who's that?!
375
00:16:52,320 --> 00:16:53,520
Hi, guys!
376
00:16:53,560 --> 00:16:55,160
(WOMEN SQUEAL)
377
00:16:55,240 --> 00:16:58,280
Hey, hey!
Hello! How are you?
378
00:16:58,360 --> 00:16:59,360
Hello!
How you going?
379
00:16:59,440 --> 00:17:00,960
(INDISTINCT CHATTER)
For you.
380
00:17:01,040 --> 00:17:03,960
Thank you. Oh, my gosh.
They're beautiful!
381
00:17:04,000 --> 00:17:05,000
It's weird!
382
00:17:05,040 --> 00:17:06,360
I feel like it's been so long,
383
00:17:06,440 --> 00:17:07,520
but then I feel
like it was yesterday
384
00:17:07,560 --> 00:17:08,600
that I saw you at the wedding.
385
00:17:08,680 --> 00:17:11,040
I know. How has that been, though,
living, like, so closely?
386
00:17:11,120 --> 00:17:12,560
Yeah, I mean, we met at the wedding
and then...
387
00:17:12,600 --> 00:17:13,960
Beth's first time out of home.
388
00:17:14,040 --> 00:17:15,320
Yeah.
Well?
389
00:17:15,360 --> 00:17:17,040
Yeah, it's been very light and easy.
390
00:17:18,680 --> 00:17:20,440
Shall we get settled?
Yeah, show me around.
391
00:17:20,520 --> 00:17:21,960
Show you around.
What's going on?
392
00:17:22,040 --> 00:17:25,560
NARRATOR: As Beth and Teejay
settle into Beth's room...
393
00:17:25,600 --> 00:17:26,640
This?!
394
00:17:26,680 --> 00:17:27,840
Little room.
395
00:17:27,920 --> 00:17:31,800
..their comfort levels together
are at an all-time high.
396
00:17:31,880 --> 00:17:34,160
You put your stuff away first
and then I'll see what's left.
397
00:17:34,200 --> 00:17:35,240
OK.
398
00:17:35,320 --> 00:17:38,240
A stark contrast to
the last commitment ceremony...
399
00:17:39,360 --> 00:17:42,520
..where the couple's lack of intimacy
came into focus.
400
00:17:42,600 --> 00:17:44,120
ALESSANDRA: Why would you say,
Teejay,
401
00:17:44,200 --> 00:17:47,120
that sexual intimacy
and, like, physical intimacy
402
00:17:47,160 --> 00:17:48,800
hasn't progressed for you two?
403
00:17:48,880 --> 00:17:50,760
I genuinely believe
it's an emotional connection thing.
404
00:17:50,840 --> 00:17:54,040
I wanna focus on
building that connection.
405
00:17:54,120 --> 00:17:57,000
I really wanna have, like,
our souls intertwining
406
00:17:57,080 --> 00:17:59,360
before moving back into
the intimate side of things.
407
00:18:00,960 --> 00:18:05,760
But since then, the pair have made
a significant step forward
408
00:18:05,800 --> 00:18:07,360
in their relationship.
409
00:18:07,400 --> 00:18:08,800
We went on a date,
410
00:18:08,880 --> 00:18:11,520
and then, that night, we were
intimate again, which was awesome.
411
00:18:11,600 --> 00:18:13,640
I don't really quite know why I've
got so much stuff, to be honest.
412
00:18:13,680 --> 00:18:14,680
Mmm.
413
00:18:14,720 --> 00:18:15,760
He initiated it.
414
00:18:15,800 --> 00:18:17,000
He's said this whole time
415
00:18:17,080 --> 00:18:18,800
he needs more of a connection
to sleep with me.
416
00:18:18,880 --> 00:18:22,440
So, I hope that means that he does
have an emotional connection to me,
417
00:18:22,520 --> 00:18:24,200
'cause, otherwise,
I guess it wouldn't make sense
418
00:18:24,240 --> 00:18:25,360
for him to initiate that.
419
00:18:26,360 --> 00:18:27,640
Yeah, it felt good.
420
00:18:27,720 --> 00:18:30,040
TEEJAY: The commitment ceremony
made me realise
421
00:18:30,120 --> 00:18:32,360
that I was disregarding
Beth's requirements,
422
00:18:32,440 --> 00:18:34,920
or what she wants
from an intimate relationship.
423
00:18:35,000 --> 00:18:37,560
So, we went out, had a beautiful
day, had a few drinks,
424
00:18:37,640 --> 00:18:39,320
and came back, and it felt
like the right time to do it.
425
00:18:39,360 --> 00:18:42,600
(MOMENTOUS MUSIC BUILDS)
426
00:18:42,680 --> 00:18:45,160
But that's not something
that will be happening
427
00:18:45,240 --> 00:18:47,400
in the family household
right now, no.
428
00:18:48,560 --> 00:18:50,720
We are gonna be like sardines
tonight in that bed.
429
00:18:50,800 --> 00:18:52,640
Mmm.
It's not very big, is it?
430
00:18:52,720 --> 00:18:53,920
Mmm.
Mmm.
431
00:18:53,960 --> 00:18:57,560
(UPLIFTING INSTRUMENTAL MUSIC)
432
00:18:57,640 --> 00:19:03,440
In Melbourne, after promising to show
more effort in their relationship,
433
00:19:03,520 --> 00:19:06,520
Dave is seeking
to connect with his wife
434
00:19:06,600 --> 00:19:11,360
and is joining Jamie in the familiar
surrounds of her own home.
435
00:19:11,440 --> 00:19:14,040
DAVE: I feel like homestays
has been a bit of an eye-opener.
436
00:19:14,120 --> 00:19:16,160
You know, the hard conversations,
we're good at having them.
437
00:19:16,240 --> 00:19:19,560
I just wanna sort of step up
and show exactly how I feel
438
00:19:19,640 --> 00:19:21,600
and just be a partner
who can express
439
00:19:21,680 --> 00:19:24,560
and build your partner up
in the areas that they need.
440
00:19:24,640 --> 00:19:27,800
(DOORBELL CHIMES)
Hey! I'm here. Let me in.
441
00:19:27,880 --> 00:19:30,840
Jamie always talks about her
apartment and where she lives.
442
00:19:30,880 --> 00:19:32,360
It makes her super happy.
443
00:19:32,440 --> 00:19:34,200
So, I thought it would make her
a bit more comfortable
444
00:19:34,240 --> 00:19:35,760
if I was to move in here,
445
00:19:35,840 --> 00:19:37,840
but I just wanna be able
to get back to where we were.
446
00:19:40,320 --> 00:19:43,080
We've had such a good run
for such a long time.
447
00:19:43,160 --> 00:19:48,080
Ohh! Yes! Sorry, Dad.
(LAUGHTER)
448
00:19:48,160 --> 00:19:50,920
It's important
that we get back on track.
449
00:19:51,000 --> 00:19:53,160
And they say we're,
like, the strong couple.
450
00:19:53,200 --> 00:19:54,760
Come on. Let's go.
451
00:19:54,840 --> 00:19:57,480
I know how much I care about her
and I don't wanna lose her.
452
00:19:57,520 --> 00:20:00,120
And with the help of his wingman...
453
00:20:00,160 --> 00:20:01,640
It's gonna be OK, Woofy.
454
00:20:02,640 --> 00:20:04,200
It's gonna be OK.
455
00:20:04,240 --> 00:20:07,080
..Dave is hoping his stay at Jamie's
456
00:20:07,160 --> 00:20:11,080
will take them back to the glory days
of their relationship.
457
00:20:11,120 --> 00:20:13,520
(KNOCKING AT DOOR)
458
00:20:15,000 --> 00:20:16,680
Hey!
Hello!
459
00:20:16,760 --> 00:20:19,200
Hey, ya sexy minx!
I bought you a present.
460
00:20:20,640 --> 00:20:23,000
His name's Woofy,
and he can be Rara's brother.
461
00:20:23,080 --> 00:20:26,040
And this is an emotional support
puppy for me while I'm here.
462
00:20:26,120 --> 00:20:28,480
I bought you dogs too.
(LAUGHTER)
463
00:20:28,560 --> 00:20:30,200
You got the dogs out?
I got... (LAUGHS)
464
00:20:30,240 --> 00:20:31,840
How you going?
465
00:20:31,880 --> 00:20:33,720
Oh, that was sweet!
466
00:20:33,760 --> 00:20:34,880
This is nice!
467
00:20:34,920 --> 00:20:36,680
(UPLIFTING INSTRUMENTAL MUSIC)
468
00:20:36,760 --> 00:20:38,000
Come. This is gonna be
your favourite part.
469
00:20:39,080 --> 00:20:41,680
It's just a cold wind...
Whoa! How good's that view?
470
00:20:41,720 --> 00:20:43,040
(UPLIFTING INSTRUMENTAL MUSIC)
471
00:20:43,080 --> 00:20:44,360
Very nice!
472
00:20:44,400 --> 00:20:45,600
You got it made.
473
00:20:45,640 --> 00:20:47,800
I need to show Jamie that I care
474
00:20:47,840 --> 00:20:50,000
and show Jamie that she does matter,
475
00:20:50,080 --> 00:20:52,440
and I want to make her feel
wanted and needed.
476
00:20:52,520 --> 00:20:55,160
So, yeah, it's clear as day.
I know what I need to do.
477
00:20:55,240 --> 00:20:58,280
Knuckle down and make her feel
the way she deserves.
478
00:20:59,960 --> 00:21:02,640
I'm gonna see the size of this bed.
Am I gonna fit on it?
479
00:21:02,680 --> 00:21:03,760
(GRUNTS)
480
00:21:03,800 --> 00:21:05,120
(JAUNTY INSTRUMENTAL MUSIC)
481
00:21:05,160 --> 00:21:07,480
Yeah, you're fine!
482
00:21:07,560 --> 00:21:09,800
You've got about this much room.
That's where my pillow goes.
483
00:21:09,880 --> 00:21:12,280
You're exceptionally large.
We'll be right.
484
00:21:12,320 --> 00:21:14,960
(LAUGHTER)
485
00:21:15,000 --> 00:21:16,400
(KISSES)
486
00:21:16,440 --> 00:21:21,440
(GENTLE INSTRUMENTAL MUSIC)
487
00:21:21,520 --> 00:21:24,400
JAMIE: I feel like Dave's really
trying to give it a fair go,
488
00:21:24,480 --> 00:21:26,600
and he's, like, really trying
to show up.
489
00:21:26,680 --> 00:21:29,760
You know, there was a lot
of cuddling and embraces,
490
00:21:29,840 --> 00:21:32,840
and I think, yeah,
he does really care for me,
491
00:21:32,920 --> 00:21:35,480
and we just like being
in each other's space like that.
492
00:21:35,520 --> 00:21:37,320
(GENTLE INSTRUMENTAL MUSIC)
493
00:21:37,400 --> 00:21:39,600
I know. It's weird. All my worlds
are colliding right now.
494
00:21:39,680 --> 00:21:42,880
Dogs, me, in the bed at once.
Yep.
495
00:21:42,960 --> 00:21:44,200
That's cute.
I like these pants.
496
00:21:44,240 --> 00:21:46,200
Thank you.
497
00:21:49,880 --> 00:21:51,760
In South-West Sydney,
498
00:21:51,840 --> 00:21:56,760
Jacqui is getting acquainted
with her surrounds at Ryan's place,
499
00:21:56,800 --> 00:21:58,960
and while Ryan is out shopping,
500
00:21:59,000 --> 00:22:01,520
she has taken it upon herself
501
00:22:01,600 --> 00:22:05,600
to correct his organisation strategy
with fresh energy.
502
00:22:05,680 --> 00:22:10,800
I thought that Ryan could do with
some things done around the house.
503
00:22:10,840 --> 00:22:12,520
(JAUNTY INSTRUMENTAL MUSIC)
504
00:22:12,560 --> 00:22:13,640
From my standard of living,
505
00:22:13,720 --> 00:22:16,440
like, I just like the place to be
a little bit cleaner and tidier.
506
00:22:17,480 --> 00:22:19,600
Ryan hasn't even done his laundry
for 2.5 months,
507
00:22:19,680 --> 00:22:22,040
and I'm just thinking
this is, like, not good.
508
00:22:22,080 --> 00:22:23,560
(JAUNTY INSTRUMENTAL MUSIC)
509
00:22:23,640 --> 00:22:26,600
I think Ryan could do with moving
his flatscreen back into the office
510
00:22:26,640 --> 00:22:28,120
so that he can work in the office.
511
00:22:28,160 --> 00:22:29,640
(JAUNTY INSTRUMENTAL MUSIC)
512
00:22:29,680 --> 00:22:32,000
And he could also move his sword.
513
00:22:33,000 --> 00:22:34,480
He should have it on display,
514
00:22:34,560 --> 00:22:36,320
but it doesn't need to be
on the dining room table.
515
00:22:36,400 --> 00:22:39,120
(LAUGHS) It's like 'The Lion,
The Witch, And The Wardrobe'.
516
00:22:39,200 --> 00:22:41,920
The sword table -
it's literally a sword table.
517
00:22:41,960 --> 00:22:44,880
(JAUNTY INSTRUMENTAL MUSIC)
518
00:22:44,920 --> 00:22:46,400
Daddy's home.
519
00:22:47,440 --> 00:22:48,960
I knew that wouldn't
stay blank for long.
520
00:22:49,000 --> 00:22:50,400
(LAUGHS)
521
00:22:50,440 --> 00:22:52,120
Can we open the window thing?
522
00:22:52,200 --> 00:22:54,560
Alright, yep,
let's open the blinds, for sure.
523
00:22:54,640 --> 00:22:57,040
(SNAPPING)
(BOTH EXCLAIM)
524
00:22:57,120 --> 00:22:59,040
That's another thing
I'm gonna have to replace.
525
00:22:59,120 --> 00:23:01,560
Oh, no.
Add it to the list! (LAUGHS)
526
00:23:01,600 --> 00:23:03,800
(REFINED INSTRUMENTAL MUSIC)
527
00:23:03,880 --> 00:23:06,080
By the way, Ryan, you should
probably have the blinds
528
00:23:06,160 --> 00:23:07,680
open in this place
while you're away.
529
00:23:07,720 --> 00:23:09,720
(JAUNTY INSTRUMENTAL MUSIC)
530
00:23:09,760 --> 00:23:10,960
I usually keep them closed,
531
00:23:11,040 --> 00:23:13,160
just in case anyone
pokes around in the backyard
532
00:23:13,200 --> 00:23:14,840
and sees, like, the sword, the TV.
533
00:23:14,880 --> 00:23:16,920
(JAUNTY INSTRUMENTAL MUSIC)
534
00:23:17,000 --> 00:23:21,280
Maybe that's a good reason to put
the sword away in the...the office.
535
00:23:21,320 --> 00:23:22,520
(JAUNTY INSTRUMENTAL MUSIC)
536
00:23:22,600 --> 00:23:24,280
There's no room in there
at the moment.
537
00:23:24,320 --> 00:23:27,200
(JAUNTY INSTRUMENTAL MUSIC)
538
00:23:27,240 --> 00:23:28,400
(DRAMATIC MUSIC BUILDS)
539
00:23:28,440 --> 00:23:30,160
Alright, to-do list.
540
00:23:30,200 --> 00:23:31,960
Clean, wash fabrics and sheets.
541
00:23:32,040 --> 00:23:33,800
Yep, standard.
(JACQUI CHUCKLES)
542
00:23:33,880 --> 00:23:37,280
Move office back into office.
(LAUGHS)
543
00:23:37,360 --> 00:23:40,080
I don't think you understand
what's involved with that, hey?
544
00:23:40,120 --> 00:23:41,360
(LAUGHS)
545
00:23:41,400 --> 00:23:43,040
No, read the next one. I do.
546
00:23:43,080 --> 00:23:46,160
Pack stuff away into box.
547
00:23:46,200 --> 00:23:47,360
Genius!
548
00:23:47,400 --> 00:23:49,240
Genius stuff there!
549
00:23:49,320 --> 00:23:52,320
Pat Freya
and let her inside during day.
550
00:23:52,360 --> 00:23:53,960
She's sad out there!
551
00:23:54,040 --> 00:23:56,080
You're basically isolating someone
for the whole day.
552
00:23:56,120 --> 00:23:57,480
Like, she's just...
553
00:23:57,560 --> 00:23:59,840
Jacqui.
Jacqui, she knows the routine.
554
00:23:59,920 --> 00:24:02,320
She gets walked.
She gets to cuddle at night.
555
00:24:02,400 --> 00:24:05,480
She gets bones from the butcher.
Don't...don't feel bad for her.
556
00:24:05,520 --> 00:24:07,520
(DRAMATIC MUSIC BUILDS)
557
00:24:07,560 --> 00:24:09,120
And mow lawns.
558
00:24:09,200 --> 00:24:11,000
Obviously haven't been around
to do that,
559
00:24:11,080 --> 00:24:14,240
so, uh...yeah, might even show you
how to start the old mower.
560
00:24:14,280 --> 00:24:15,720
(LAUGHS)
561
00:24:19,080 --> 00:24:21,440
Hey, if you wanted me to consider
moving to Manly,
562
00:24:21,520 --> 00:24:23,080
you gotta consider
this lifestyle as well.
563
00:24:23,120 --> 00:24:25,480
Have an open mind, you know?
564
00:24:26,560 --> 00:24:28,640
I have a very open mind, clearly!
565
00:24:28,720 --> 00:24:31,560
No, that's an instructional mind.
(LAUGHS)
566
00:24:31,640 --> 00:24:35,200
No, it's open to how to improve -
how to make it work.
567
00:24:35,240 --> 00:24:36,240
Mmm...
568
00:24:36,280 --> 00:24:37,360
(DRAMATIC MUSIC BUILDS)
569
00:24:37,400 --> 00:24:39,960
You know what, at this point,
570
00:24:40,040 --> 00:24:44,400
I don't feel like Jacqui's 100%
accepting of me, my lifestyle,
571
00:24:44,480 --> 00:24:47,840
and the home I've decided to build
in my own way.
572
00:24:47,920 --> 00:24:50,840
I would never walk into your house
and try and change anything, hey?
573
00:24:52,120 --> 00:24:54,640
We've been butting heads back
and forth, and that does drain you.
574
00:24:55,680 --> 00:24:58,800
I'm still here, and I'm still
keeping open and optimistic,
575
00:24:58,880 --> 00:25:02,120
but if she's gonna keep trying
to change who I am,
576
00:25:02,160 --> 00:25:03,760
it's really hard to see that future.
577
00:25:03,800 --> 00:25:05,440
(DRAMATIC MUSIC SWELLS)
578
00:25:05,480 --> 00:25:06,560
Coming up...
579
00:25:06,640 --> 00:25:07,760
Where's the big man?
WOMAN: How you been?
580
00:25:07,840 --> 00:25:10,800
..a heartwarming visit
for Jamie and Dave...
581
00:25:10,880 --> 00:25:13,080
Good to finally meet you.
Good to finally meet you too!
582
00:25:13,120 --> 00:25:15,240
..brings life-changing news.
583
00:25:15,320 --> 00:25:17,560
I didn't even expect to hear
anything like that.
584
00:25:17,640 --> 00:25:19,520
WOMAN: No.
No, me either.
585
00:25:19,600 --> 00:25:23,920
But for Beth,
homestays may spell heartbreak.
586
00:25:24,000 --> 00:25:26,760
If you were to tell me I have
to decide yes or no right now,
587
00:25:26,840 --> 00:25:29,280
then it has to be a nice because
I'm not completely comfortable yet.
588
00:25:35,080 --> 00:25:37,800
NARRATOR: As homestays continue...
589
00:25:37,880 --> 00:25:39,720
You're basically part
of the family now.
590
00:25:39,760 --> 00:25:41,080
I know.
591
00:25:41,160 --> 00:25:44,120
..our couples are becoming
more intimate with each other...
592
00:25:44,160 --> 00:25:45,480
This is a good view from here.
593
00:25:45,560 --> 00:25:47,480
You're welcome.
(LAUGHTER)
594
00:25:47,520 --> 00:25:48,520
(UPLIFTING INSTRUMENTAL MUSIC)
595
00:25:48,560 --> 00:25:50,280
..and each other's loved ones.
596
00:25:50,360 --> 00:25:53,240
JAMIE: Is he gonna, like, sniff me?
Yeah, he'll sniff you.
597
00:25:53,320 --> 00:25:56,680
But, like...can we have it
more controlled than that?
598
00:25:56,760 --> 00:25:58,800
(LAUGHS NERVOUSLY)
(JAUNTY INSTRUMENTAL MUSIC)
599
00:25:58,840 --> 00:26:00,760
(LAUGHS)
600
00:26:02,520 --> 00:26:04,600
(HAUNTING INSTRUMENTAL MUSIC)
601
00:26:04,640 --> 00:26:06,200
In Perth,
602
00:26:06,280 --> 00:26:11,040
Awhina and Adrian are setting up
for a beachside picnic.
603
00:26:11,080 --> 00:26:13,880
(HAUNTING INSTRUMENTAL MUSIC)
604
00:26:14,920 --> 00:26:16,600
ADRIAN: Which one...
is it double-sided, or what?
605
00:26:16,680 --> 00:26:17,960
AWHINA: No! It's this side.
Oh.
606
00:26:18,000 --> 00:26:19,000
What are you doing?!
607
00:26:19,040 --> 00:26:21,040
What are you... (LAUGHS) Slow down!
608
00:26:21,080 --> 00:26:22,600
Earlier in the week,
609
00:26:22,680 --> 00:26:26,680
Adrian clashed with Awhina's
twin sister, Cleo.
610
00:26:28,120 --> 00:26:31,160
CLEO: Me and Whi look at life
as a book we both read,
611
00:26:31,240 --> 00:26:33,960
and I'm looking at you
as a chapter in her life.
612
00:26:34,000 --> 00:26:35,480
I just don't see you as the ending.
613
00:26:35,520 --> 00:26:38,680
(TENSE INSTRUMENTAL MUSIC)
614
00:26:38,760 --> 00:26:41,440
Yeah, I mean,
it's obviously frustrating.
615
00:26:41,520 --> 00:26:44,600
Still think she should give me
an apology, but at the same time,
616
00:26:44,680 --> 00:26:48,160
I'm a twin as well, so can't
blame Cleo for protecting her.
617
00:26:49,600 --> 00:26:51,160
(GENTLE INSTRUMENTAL MUSIC)
618
00:26:51,200 --> 00:26:53,440
But whatever - we can move on.
619
00:27:01,160 --> 00:27:03,360
The beach is amazing. The sun has
been shining the whole time.
620
00:27:03,400 --> 00:27:04,760
You know, I've had a great time.
621
00:27:04,800 --> 00:27:06,800
(GENTLE INSTRUMENTAL MUSIC)
622
00:27:06,840 --> 00:27:09,240
We got to spend time with your mum.
623
00:27:09,280 --> 00:27:11,080
Not so much your sister. Nah.
624
00:27:14,400 --> 00:27:15,400
Before the end, anyway.
625
00:27:16,560 --> 00:27:18,280
My mum really likes you.
626
00:27:18,360 --> 00:27:20,200
Of course she does.
No, she does. (LAUGHS) She does.
627
00:27:20,240 --> 00:27:21,240
It's... (SIGHS)
628
00:27:21,280 --> 00:27:24,280
(GENTLE INSTRUMENTAL MUSIC)
629
00:27:24,320 --> 00:27:26,320
It does feel somewhat sad,
630
00:27:26,400 --> 00:27:28,240
like, knowing that we're coming up
to the end of this experiment.
631
00:27:33,320 --> 00:27:35,480
(GENTLE INSTRUMENTAL MUSIC)
632
00:27:35,560 --> 00:27:38,360
Like, let's see how we are outside
of this and go from there.
633
00:27:38,400 --> 00:27:40,240
(GENTLE INSTRUMENTAL MUSIC)
634
00:27:40,280 --> 00:27:41,920
And do long-distance for a time.
635
00:27:42,000 --> 00:27:44,520
You just keep going from here,
you know what I'm saying?
636
00:27:44,560 --> 00:27:46,760
(LAUGHTER)
637
00:27:46,800 --> 00:27:48,600
(GENTLE INSTRUMENTAL MUSIC)
638
00:27:48,680 --> 00:27:52,040
The longer Adrian and I spend
together, we do get closer.
639
00:27:52,080 --> 00:27:53,560
Tell me...
640
00:27:53,600 --> 00:27:55,840
We do have massive hurdles.
641
00:27:55,920 --> 00:27:57,720
It's 'cause Perth is my home.
It's my soil.
642
00:27:57,760 --> 00:27:59,160
(GENTLE INSTRUMENTAL MUSIC)
643
00:27:59,200 --> 00:28:01,880
My and my son's life is here.
644
00:28:01,960 --> 00:28:04,600
And then Adrian, you know,
Sydney is his home.
645
00:28:04,640 --> 00:28:06,720
(GENTLE INSTRUMENTAL MUSIC)
646
00:28:06,760 --> 00:28:08,480
But within this experiment,
647
00:28:08,560 --> 00:28:11,080
we're definitely
in the strongest place we've been.
648
00:28:11,120 --> 00:28:13,080
So, I'm hopeful.
649
00:28:14,160 --> 00:28:15,760
I mean, yeah, of course,
I enjoyed my time here.
650
00:28:15,840 --> 00:28:17,400
I've had a great experience.
I wouldn't take it back.
651
00:28:17,480 --> 00:28:19,000
I wouldn't have done it
with anyone else.
652
00:28:22,960 --> 00:28:25,320
(UPLIFTING INSTRUMENTAL MUSIC)
653
00:28:25,360 --> 00:28:27,120
I do see her in my future.
654
00:28:27,160 --> 00:28:29,280
(UPLIFTING INSTRUMENTAL MUSIC)
655
00:28:29,360 --> 00:28:31,560
There's no point of worrying
about all the negatives
656
00:28:31,640 --> 00:28:34,160
and all the things that could go
wrong, and even different states.
657
00:28:34,240 --> 00:28:35,680
You know, if it's meant to be,
it will truly be,
658
00:28:35,720 --> 00:28:36,760
and that's just how I see it.
659
00:28:38,040 --> 00:28:39,240
Should have brought your swimmers.
660
00:28:39,320 --> 00:28:41,000
Wouldn't have minded
seeing you naked again.
661
00:28:42,040 --> 00:28:44,440
Skinny-dip.
(LAUGHS)
662
00:28:49,680 --> 00:28:52,680
(MOMENTOUS MUSIC BUILDS)
663
00:28:54,360 --> 00:28:57,520
In Brisbane,
Beth's best friend, Darcey...
664
00:28:57,600 --> 00:28:59,800
Hello! Hello!
Hello!
665
00:28:59,840 --> 00:29:01,800
..is joining Beth and Teejay
666
00:29:01,880 --> 00:29:04,280
for an English roast dinner
with her family.
667
00:29:04,360 --> 00:29:06,800
This is the longest we've been apart
in, like, 11 years.
668
00:29:06,880 --> 00:29:07,960
Yeah. Oh, really?
Yes!
669
00:29:08,040 --> 00:29:09,960
I just really wanna see her,
like, super happy.
670
00:29:11,200 --> 00:29:14,560
Speaking to her and stuff, Teejay
does make her really happy,
671
00:29:14,640 --> 00:29:16,840
and she can be herself around him -
super goofy.
672
00:29:16,920 --> 00:29:19,600
It all sounds like
they're such a good match.
673
00:29:21,120 --> 00:29:23,800
Cheers, guys.
Thanks for having us over.
674
00:29:23,880 --> 00:29:24,840
Cheers!
(ALL TOAST)
675
00:29:24,920 --> 00:29:27,200
Good to see you all again,
post-wedding.
676
00:29:27,240 --> 00:29:28,400
We love it.
677
00:29:28,480 --> 00:29:32,560
Bringing Teejay into my space, he's
just meshed so well with my family.
678
00:29:32,640 --> 00:29:33,800
It's beautiful, guys, yeah.
Good job!
679
00:29:33,840 --> 00:29:34,880
You guys have nailed this.
680
00:29:34,960 --> 00:29:37,720
It just feels so normal
and so relaxed.
681
00:29:37,760 --> 00:29:40,320
(LAUGHTER)
682
00:29:40,400 --> 00:29:42,640
It's like he's been around us all
for years.
683
00:29:42,720 --> 00:29:44,680
Because we came into
the experiment so late,
684
00:29:44,760 --> 00:29:47,880
we were kind of put through, like,
this fast-track environment,
685
00:29:47,960 --> 00:29:51,240
and obviously the challenges that
we did were so deep and so heavy
686
00:29:51,280 --> 00:29:52,320
that, I think...
687
00:29:52,360 --> 00:29:53,480
Hardly know him.
688
00:29:53,560 --> 00:29:56,080
..once we finished them, we kind of
did just wanna switch it off,
689
00:29:56,160 --> 00:29:58,120
because it was so emotional
and triggering.
690
00:29:58,200 --> 00:30:00,440
Do you feel pressure
from other couples
691
00:30:00,520 --> 00:30:02,480
to be at the level
where they are now?
692
00:30:02,560 --> 00:30:04,200
I've definitely felt it.
Yep, 100%.
693
00:30:04,240 --> 00:30:06,600
It's emotionally overwhelming...
694
00:30:07,760 --> 00:30:09,560
..but we do have
such a great time together.
695
00:30:09,600 --> 00:30:11,080
Like, we're just always laughing,
696
00:30:11,160 --> 00:30:13,040
we're always taking the piss
out of each other.
697
00:30:13,080 --> 00:30:14,200
Yep.
698
00:30:14,280 --> 00:30:16,360
Can I ask what you like about Beth?
Yeah.
699
00:30:16,400 --> 00:30:20,440
Um...I like how she makes me feel.
700
00:30:21,480 --> 00:30:24,000
When I'm around Beth, I feel like
smiling, I feel like laughing,
701
00:30:24,040 --> 00:30:25,400
I feel like I'm having a good time.
702
00:30:26,440 --> 00:30:28,880
All the moments that we are spending
together are so light-hearted.
703
00:30:29,880 --> 00:30:31,160
Can I just ask?
704
00:30:31,240 --> 00:30:34,000
Obviously, we know Beth's in it
for the right reasons.
705
00:30:34,080 --> 00:30:36,800
I just want to find out whether
you're in it for the right reasons.
706
00:30:36,840 --> 00:30:38,640
(QUIET INSTRUMENTAL MUSIC)
707
00:30:38,680 --> 00:30:40,960
I think I've been pretty transparent
708
00:30:41,040 --> 00:30:43,000
with how I feel about Beth
throughout this entire experiment.
709
00:30:43,040 --> 00:30:45,800
(QUIET INSTRUMENTAL MUSIC)
710
00:30:45,880 --> 00:30:47,640
Um...
BETH: We did share with each other.
711
00:30:47,720 --> 00:30:50,080
Like, I've always felt very used
by men before.
712
00:30:50,160 --> 00:30:51,920
Like, once they've got
what they wanted,
713
00:30:51,960 --> 00:30:53,600
they just kind of up and leave.
714
00:30:53,680 --> 00:30:56,000
But from the start,
I wanted to make a point that
715
00:30:56,080 --> 00:30:58,600
I really want something deeper
than just that for us,
716
00:30:58,680 --> 00:31:00,040
and I just really wanted
to make sure
717
00:31:00,120 --> 00:31:02,520
that we can try and build something
outside of that before...
718
00:31:02,560 --> 00:31:04,200
Yeah.
719
00:31:04,240 --> 00:31:05,520
I don't know Teejay,
720
00:31:05,600 --> 00:31:09,000
but listening to some of the stuff
that he said...
721
00:31:10,160 --> 00:31:12,680
..I'm like, "Wow, this seems
really rehearsed."
722
00:31:13,680 --> 00:31:15,160
And, like, very scripted.
723
00:31:15,200 --> 00:31:16,760
I love how she interacts with you.
724
00:31:16,800 --> 00:31:18,160
The fact that you guys, like,
725
00:31:18,240 --> 00:31:19,800
end every phone call saying,
"I love you."
726
00:31:19,840 --> 00:31:21,560
(TENSE INSTRUMENTAL MUSIC)
727
00:31:21,640 --> 00:31:23,240
Like, it's hard to say
whether or not
728
00:31:23,280 --> 00:31:24,920
he's just saying the right things.
729
00:31:24,960 --> 00:31:27,440
(TENSE INSTRUMENTAL MUSIC)
730
00:31:27,520 --> 00:31:29,280
The friendship side of things
between Beth and I
731
00:31:29,360 --> 00:31:31,320
is the friendship
that we've built too.
732
00:31:31,400 --> 00:31:33,400
Like, I see Beth's friendship
and the connection that we have
733
00:31:33,440 --> 00:31:35,760
as super, super strong, um...
734
00:31:35,800 --> 00:31:37,000
Friendship?
735
00:31:37,040 --> 00:31:38,040
(DRAMATIC MUSIC BUILDS)
736
00:31:38,120 --> 00:31:39,800
Using the word 'friendship'
quite a lot.
737
00:31:39,840 --> 00:31:41,640
(TENSE INSTRUMENTAL MUSIC)
738
00:31:41,720 --> 00:31:44,960
Like, I would say 'relationship',
like, not, like, 'friendship'.
739
00:31:45,000 --> 00:31:46,760
(DRAMATIC MUSIC BUILDS)
740
00:31:46,840 --> 00:31:49,680
I'm not gonna lie, that word's been
used a lot to describe your marriage.
741
00:31:49,720 --> 00:31:50,840
Yeah!
742
00:31:50,880 --> 00:31:52,040
(DRAMATIC MUSIC BUILDS)
743
00:31:52,120 --> 00:31:53,680
But at what point
do you stop being friends?
744
00:31:53,720 --> 00:31:54,800
Yeah, correct.
745
00:31:54,840 --> 00:31:57,800
(DRAMATIC MUSIC BUILDS)
746
00:31:57,880 --> 00:32:00,000
It's hard,
because we do get along so well,
747
00:32:00,080 --> 00:32:02,120
but I also want that
to transition and translate
748
00:32:02,200 --> 00:32:04,240
to, like, a romantic relationship
as well too.
749
00:32:04,280 --> 00:32:05,480
(IMPACT BOOMS)
750
00:32:05,560 --> 00:32:06,840
MOTHER: You're running
out of time now.
751
00:32:06,920 --> 00:32:08,880
So, are you both committed
to focusing on that
752
00:32:08,920 --> 00:32:11,040
in the time you have left?
753
00:32:12,040 --> 00:32:14,080
Yeah. Of course. I am.
754
00:32:14,120 --> 00:32:17,080
(DRAMATIC MUSIC BUILDS)
755
00:32:17,160 --> 00:32:21,520
Can I ask, if it all ended
abruptly tomorrow,
756
00:32:21,600 --> 00:32:23,520
is my daughter gonna get
her heart broken?
757
00:32:23,560 --> 00:32:24,600
Um...
758
00:32:24,640 --> 00:32:27,640
(DRAMATIC MUSIC BUILDS)
759
00:32:27,720 --> 00:32:29,680
It's just...we don't know
what's on the horizon.
760
00:32:29,720 --> 00:32:31,440
Like, I care so much for Beth.
761
00:32:31,480 --> 00:32:32,720
(DRAMATIC MUSIC BUILDS)
762
00:32:32,800 --> 00:32:34,560
Um, so...
I care about my dog.
763
00:32:34,600 --> 00:32:37,600
(DRAMATIC MUSIC BUILDS)
764
00:32:46,160 --> 00:32:49,600
Can I ask, if it all ended
abruptly tomorrow,
765
00:32:49,680 --> 00:32:52,120
is my daughter gonna get
her heart broken?
766
00:32:52,160 --> 00:32:54,360
(TENSE INSTRUMENTAL MUSIC)
767
00:32:54,400 --> 00:32:56,160
Um...
768
00:32:56,200 --> 00:32:57,760
(DRAMATIC MUSIC BUILDS)
769
00:32:57,840 --> 00:32:59,560
It's just...we don't know
what's on the horizon.
770
00:32:59,600 --> 00:33:01,320
Like, I care so much for Beth.
771
00:33:01,360 --> 00:33:03,960
(DRAMATIC MUSIC BUILDS)
772
00:33:04,040 --> 00:33:05,760
Um, so...
I care about my dog.
773
00:33:05,800 --> 00:33:07,840
(TENSE INSTRUMENTAL MUSIC)
774
00:33:07,920 --> 00:33:10,080
Like, I can say, like, yeah, I care
about this person or I care...
775
00:33:10,160 --> 00:33:12,880
..but, like, I know straight away
whether or not, like,
776
00:33:12,960 --> 00:33:15,400
I want to initiate something
a little bit further.
777
00:33:15,440 --> 00:33:17,040
Absolutely.
778
00:33:17,080 --> 00:33:18,800
I think I've been pretty transparent
779
00:33:18,880 --> 00:33:21,640
with how I feel about Beth
throughout this entire experiment,
780
00:33:21,680 --> 00:33:22,800
and I don't think it's anything
781
00:33:22,880 --> 00:33:24,080
that either one of us
could say right now -
782
00:33:24,160 --> 00:33:26,720
that it'd be a blindside
to how we're both feeling.
783
00:33:26,760 --> 00:33:28,760
(TENSE INSTRUMENTAL MUSIC)
784
00:33:28,840 --> 00:33:30,800
I see Beth in my life
for a long time.
785
00:33:30,880 --> 00:33:32,720
In what aspect that is, is...
Friendship?
786
00:33:32,800 --> 00:33:34,800
..what aspect that is, is what
we're navigating through, I guess,
787
00:33:34,840 --> 00:33:35,960
at the moment as well too.
788
00:33:36,000 --> 00:33:38,000
(TENSE INSTRUMENTAL MUSIC)
789
00:33:38,080 --> 00:33:39,840
Yeah, I guess, from that
perspective, yeah.
790
00:33:39,920 --> 00:33:42,880
I don't know, it's just...
it's hard to sort of say right now.
791
00:33:42,920 --> 00:33:43,920
Yeah.
792
00:33:43,960 --> 00:33:45,520
(TENSE INSTRUMENTAL MUSIC)
793
00:33:45,600 --> 00:33:48,080
On that note, ange,
do you wanna go for a little chat?
794
00:33:48,120 --> 00:33:49,760
(TENSE INSTRUMENTAL MUSIC)
795
00:33:49,800 --> 00:33:50,800
Sure, love!
796
00:33:50,840 --> 00:33:54,920
(TENSE INSTRUMENTAL MUSIC)
797
00:33:55,000 --> 00:33:56,600
I'm not gonna lie.
Mm-hm?
798
00:33:56,640 --> 00:33:58,120
Listening to his responses,
799
00:33:58,160 --> 00:34:00,560
it just feels very rehearsed.
800
00:34:00,640 --> 00:34:04,640
Like, put on a brave face, say what
they think...they wanna hear?
801
00:34:04,680 --> 00:34:05,920
(TENSE INSTRUMENTAL MUSIC)
802
00:34:06,000 --> 00:34:08,560
To be honest,
that's the vibe that I'm getting.
803
00:34:08,600 --> 00:34:10,600
(TENSE INSTRUMENTAL MUSIC)
804
00:34:10,680 --> 00:34:13,280
It is worrying me
that we're not on the same page.
805
00:34:13,320 --> 00:34:14,520
(TENSE INSTRUMENTAL MUSIC)
806
00:34:14,600 --> 00:34:16,960
So, I think it's just something
that I've just let slide
807
00:34:17,000 --> 00:34:18,640
because I don't wanna believe it.
808
00:34:19,640 --> 00:34:20,840
But, yeah, I don't know.
809
00:34:20,920 --> 00:34:23,640
It's starting to all really sink in
now, I think, so...
810
00:34:23,680 --> 00:34:24,680
(TENSE INSTRUMENTAL MUSIC)
811
00:34:24,760 --> 00:34:26,760
NARRATOR: At the last
commitment ceremony,
812
00:34:26,840 --> 00:34:30,920
Beth revealed painful doubts
about the relationship.
813
00:34:32,120 --> 00:34:34,720
I think I told myself,
from the get-go...
814
00:34:35,800 --> 00:34:38,960
..that maybe I wouldn't
be good enough for Teejay.
815
00:34:39,000 --> 00:34:41,720
(STIRRING INSTRUMENTAL MUSIC)
816
00:34:41,800 --> 00:34:43,920
And then, because intimacy
is lacking,
817
00:34:43,960 --> 00:34:45,760
I instantly blame myself
818
00:34:45,840 --> 00:34:48,800
and think maybe it's because
I'm not attractive enough
819
00:34:48,880 --> 00:34:50,000
that he doesn't wanna
do those things.
820
00:34:50,040 --> 00:34:53,800
(STIRRING INSTRUMENTAL MUSIC)
821
00:34:53,880 --> 00:34:57,040
It's hard, because
it's, like, he says one thing,
822
00:34:57,120 --> 00:35:00,080
but then he makes me feel
a different way, like...
823
00:35:00,120 --> 00:35:01,160
Yep.
824
00:35:01,240 --> 00:35:03,640
Before we left,
Teejay initiated sex with me again,
825
00:35:03,720 --> 00:35:06,080
and that hadn't happened
since the honeymoon.
826
00:35:06,160 --> 00:35:07,960
He says, you know,
"I wouldn't be touching you,
827
00:35:08,040 --> 00:35:09,840
"I wouldn't wanna be kissing you
and cuddling you
828
00:35:09,920 --> 00:35:11,720
"if I wasn't attracted to you,"
but it's like...
829
00:35:11,760 --> 00:35:14,000
(STIRRING INSTRUMENTAL MUSIC)
830
00:35:14,040 --> 00:35:15,160
.."Oh, you're attracted to me now?"
831
00:35:15,200 --> 00:35:17,360
(MUSIC FADES)
832
00:35:22,640 --> 00:35:25,640
(UPLIFTING INSTRUMENTAL MUSIC)
833
00:35:27,000 --> 00:35:28,760
In South-West Sydney,
834
00:35:28,840 --> 00:35:32,400
Jacqui and Ryan are out
walking Ryan's dog Freya.
835
00:35:32,480 --> 00:35:35,080
RYAN: This is a new spot for her.
(PANTS)
836
00:35:35,120 --> 00:35:36,920
One of the things I said in my vows
837
00:35:36,960 --> 00:35:38,960
was I cannot wait to take my wife
838
00:35:39,040 --> 00:35:41,120
on a walk in the sun with Freya,
my dog,
839
00:35:41,200 --> 00:35:43,560
and just bask
in the simplicity of it.
840
00:35:43,640 --> 00:35:46,480
I love these forest spots,
and so does she.
841
00:35:46,560 --> 00:35:49,920
I rescued, adopted,
and, like, sheltered Freya
842
00:35:49,960 --> 00:35:52,040
and brought her personality out
843
00:35:52,120 --> 00:35:54,280
into the loving dog
that you see here.
844
00:35:55,320 --> 00:35:58,240
At one point she was scared - didn't
trust the outside world and whatnot.
845
00:35:59,480 --> 00:36:00,560
JACQUI: Can I take her?
846
00:36:00,640 --> 00:36:03,080
She's gonna pull pretty hard because
there's so many smells here...
847
00:36:03,120 --> 00:36:04,240
That's OK.
848
00:36:04,280 --> 00:36:05,920
Sit. Sit.
849
00:36:05,960 --> 00:36:08,280
Good girl! Good girl.
850
00:36:08,360 --> 00:36:12,120
Alright, so, go through that loop
with your hand.
851
00:36:12,160 --> 00:36:13,560
I'll be fine like that. I wanna...
852
00:36:13,640 --> 00:36:15,240
No, it's too much lead.
Why?
853
00:36:15,280 --> 00:36:17,200
Because she might wander off into...
854
00:36:17,240 --> 00:36:19,080
We'll be OK!
855
00:36:19,120 --> 00:36:20,360
(DRAMATIC MUSIC BUILDS)
856
00:36:20,440 --> 00:36:22,440
Make sure she's not walking you!
It's OK.
857
00:36:22,480 --> 00:36:24,800
Don't pull! Don't pull.
858
00:36:24,880 --> 00:36:27,000
She's gotta know
that you're the boss.
859
00:36:27,080 --> 00:36:28,840
She knows I'm the boss.
No, she doesn't!
860
00:36:28,920 --> 00:36:31,320
But this is her walk time.
She's allowed to enjoy it.
861
00:36:31,360 --> 00:36:32,560
(DRAMATIC MUSIC BUILDS)
862
00:36:32,640 --> 00:36:35,560
She's the other girl in my life,
and she's in control right now.
863
00:36:35,600 --> 00:36:37,640
(RYAN LAUGHS)
864
00:36:37,720 --> 00:36:39,680
See? She's happy!
Look - her tail's wagging now.
865
00:36:39,720 --> 00:36:41,120
(DRAMATIC MUSIC BUILDS)
866
00:36:41,200 --> 00:36:43,320
There's nothing wrong with letting
the dog take the lead for..
867
00:36:43,360 --> 00:36:45,240
No.
868
00:36:45,320 --> 00:36:48,000
This...Jacqui, this is my dog,
alright?
869
00:36:48,080 --> 00:36:50,960
And you're gonna listen to me,
because I know her back to front,
870
00:36:51,000 --> 00:36:52,240
and I know her nature,
871
00:36:52,320 --> 00:36:54,080
and I know what she tries
to get away with, alright?
872
00:36:54,160 --> 00:36:57,160
So, if you could just respect that,
that'd be great.
873
00:36:58,200 --> 00:36:59,800
This is not what I wanted
for our first walk.
874
00:36:59,840 --> 00:37:01,480
(DRAMATIC MUSIC BUILDS)
875
00:37:01,560 --> 00:37:04,480
Telling me how to manage my pet
is just...it's a no-no!
876
00:37:04,520 --> 00:37:07,320
(DRAMATIC MUSIC BUILDS)
877
00:37:07,360 --> 00:37:09,120
Again, it's just an example of her
878
00:37:09,200 --> 00:37:12,240
not accepting something about me
or something about my life,
879
00:37:12,320 --> 00:37:14,680
and you know,
I'm just fed up with it.
880
00:37:14,720 --> 00:37:16,440
(DRAMATIC MUSIC BUILDS)
881
00:37:16,480 --> 00:37:17,640
I'm serious as well!
882
00:37:17,680 --> 00:37:19,320
Like, when you came into my house,
883
00:37:19,400 --> 00:37:21,520
I knew you appreciated
certain aspects of it,
884
00:37:21,600 --> 00:37:24,960
but it always feels like the
critical side of you comes out
885
00:37:25,040 --> 00:37:26,600
when you're addressing me,
talking about me...
886
00:37:26,640 --> 00:37:28,960
Constructive. The constructive side.
887
00:37:29,040 --> 00:37:32,640
I thought that, because you've been
alone for seven years,
888
00:37:32,680 --> 00:37:35,000
you might appreciate some tips.
889
00:37:35,040 --> 00:37:37,520
Alright, I'll take my baby back now.
890
00:37:37,560 --> 00:37:39,240
Whoa!
891
00:37:39,280 --> 00:37:40,400
(TENSE INSTRUMENTAL MUSIC)
892
00:37:40,440 --> 00:37:41,760
She can't help herself.
893
00:37:41,800 --> 00:37:44,000
(DRAMATIC MUSIC BUILDS)
894
00:37:44,040 --> 00:37:45,520
Like, this is my life!
895
00:37:45,560 --> 00:37:46,960
(DRAMATIC MUSIC BUILDS)
896
00:37:47,040 --> 00:37:49,160
I wanna see if you're here
to fit into it,
897
00:37:49,240 --> 00:37:53,040
not here to change it
to suit your ideas.
898
00:37:53,080 --> 00:37:56,080
(DRAMATIC MUSIC FADES)
899
00:37:59,120 --> 00:38:02,120
(MOMENTOUS MUSIC BUILDS)
900
00:38:03,960 --> 00:38:06,800
In Brisbane, Beth and Teejay
are meeting
901
00:38:06,880 --> 00:38:09,960
two of Teejay's closest friends
for lunch.
902
00:38:11,320 --> 00:38:12,880
Stunning!
Isn't it?
903
00:38:12,920 --> 00:38:13,960
Yeah!
904
00:38:14,040 --> 00:38:17,400
But after dinner with family
and friends last night,
905
00:38:17,440 --> 00:38:19,680
Beth is left questioning
906
00:38:19,760 --> 00:38:23,320
how truthful her husband is being
in their relationship.
907
00:38:23,400 --> 00:38:25,480
How you feeling?
Yeah, good.
908
00:38:25,560 --> 00:38:27,480
I'm feeling lots
of different things right now.
909
00:38:27,560 --> 00:38:30,680
Last night I've got my best friend
telling me that he thinks
910
00:38:30,760 --> 00:38:34,360
what everything that Teejay's
saying is bullshit, basically.
911
00:38:36,960 --> 00:38:38,280
(JAUNTY INSTRUMENTAL MUSIC)
912
00:38:38,360 --> 00:38:39,840
(LAUGHTER)
Hi!
913
00:38:39,920 --> 00:38:42,080
Big dog! How are you?
Good to see you. How are you?
914
00:38:42,160 --> 00:38:43,840
Hello!
How are you? How you going?
915
00:38:43,920 --> 00:38:46,000
I'm good. How are you?
Always good. Good to see you.
916
00:38:46,080 --> 00:38:48,720
I do wanna get to the bottom of it.
I'm all ears today.
917
00:38:48,800 --> 00:38:50,560
So, obviously we heard it
from my family yesterday.
918
00:38:50,640 --> 00:38:54,320
Today it's Teejay's friends' turn
to, yeah, give me a bit of insight.
919
00:38:54,360 --> 00:38:55,560
(TENSE INSTRUMENTAL MUSIC)
920
00:38:55,640 --> 00:38:56,720
He saw your parents...
Last night.
921
00:38:56,800 --> 00:38:58,720
Yeah, we've been with Beth's parents
for the past couple of nights.
922
00:38:58,800 --> 00:38:59,800
You've been staying there?
Yep.
923
00:38:59,880 --> 00:39:00,840
Yeah.
And how's that?
924
00:39:00,920 --> 00:39:03,040
It was nice, it was nice.
My parents are amazing.
925
00:39:03,120 --> 00:39:05,480
They made you feel really
comfortable so, it was fun.
926
00:39:05,560 --> 00:39:07,760
He did get a bit of a roasting.
Oh, yeah? What happened?
927
00:39:07,840 --> 00:39:09,800
Just from my best friend -
he had some questions,
928
00:39:09,840 --> 00:39:11,320
but other than that, he was good.
929
00:39:11,360 --> 00:39:12,400
Just from your best friend?
930
00:39:12,480 --> 00:39:14,520
Did you think everybody else did?
Yeah, I was getting...
931
00:39:14,600 --> 00:39:15,920
Really?!
It was firing questions...
932
00:39:16,000 --> 00:39:17,440
I thought they were just asking.
(LAUGHTER)
933
00:39:18,440 --> 00:39:20,200
They all had questions, I guess,
934
00:39:20,280 --> 00:39:22,240
about what our relationship
looks like
935
00:39:22,320 --> 00:39:25,040
and what we've done
to strengthen it,
936
00:39:25,120 --> 00:39:26,840
or what we haven't done to
strengthen it as well too.
937
00:39:28,440 --> 00:39:30,240
Thank you, mate.
938
00:39:30,320 --> 00:39:32,040
So, when you say
you're strengthening,
939
00:39:32,120 --> 00:39:34,320
where were, like, the weaknesses
that affected you guys?
940
00:39:34,400 --> 00:39:36,240
Give me an example.
What's an example?
941
00:39:36,280 --> 00:39:37,760
The points within our relationship -
942
00:39:37,840 --> 00:39:39,880
we definitely have that connection,
that emotional connection,
943
00:39:39,960 --> 00:39:42,000
that romantic stimulation,
but for me, it's inconsistent.
944
00:39:42,080 --> 00:39:44,240
Right.
Yeah.
945
00:39:44,280 --> 00:39:45,760
I feel like, sometimes,
946
00:39:45,840 --> 00:39:47,600
there's this weird, like,
distance between us,
947
00:39:47,640 --> 00:39:49,800
and then, some days, it's great.
948
00:39:49,840 --> 00:39:50,840
(TENSE INSTRUMENTAL MUSIC)
949
00:39:50,880 --> 00:39:52,280
For me, like, I wouldn't be sat here
950
00:39:52,360 --> 00:39:54,280
if I didn't want
to try and make it work.
951
00:39:54,320 --> 00:39:55,560
(GENTLE INSTRUMENTAL MUSIC)
952
00:39:55,640 --> 00:39:57,600
And 'cause we are kind of running
out of time in the experiment,
953
00:39:57,680 --> 00:39:59,520
it is a bit of a worry
that we might not get there.
954
00:39:59,560 --> 00:40:00,600
Right.
955
00:40:01,640 --> 00:40:04,400
I think what we're trying to work
out, at the moment, is that,
956
00:40:04,480 --> 00:40:07,120
is our connection going
to flourish into a relationship?
957
00:40:07,200 --> 00:40:08,280
Right.
Right.
958
00:40:08,360 --> 00:40:10,840
So, there's obviously something
that's lacking between us
959
00:40:10,920 --> 00:40:13,680
for me to say, "Yes, I wanna have
a relationship with this person."
960
00:40:13,720 --> 00:40:15,040
(IMPACT BOOMS)
961
00:40:18,560 --> 00:40:20,200
That was really hard to hear.
962
00:40:21,920 --> 00:40:24,040
I'm in the situation
that I dreaded the most.
963
00:40:24,080 --> 00:40:26,280
(SOMBRE INSTRUMENTAL MUSIC)
964
00:40:26,320 --> 00:40:28,240
That I have feelings for my partner,
965
00:40:28,320 --> 00:40:30,120
and he possibly
doesn't have them for me.
966
00:40:30,160 --> 00:40:32,120
I'll be back soon.
967
00:40:32,160 --> 00:40:33,880
OK. No problemo.
968
00:40:36,000 --> 00:40:37,000
(EXHALES)
969
00:40:37,040 --> 00:40:38,280
(SOMBRE INSTRUMENTAL MUSIC)
970
00:40:38,320 --> 00:40:39,840
So, what would she have to do
971
00:40:39,920 --> 00:40:42,280
between now and the end of
the experiment for you to be...
972
00:40:42,360 --> 00:40:44,240
Feel different...
for you to feel different.
973
00:40:44,320 --> 00:40:45,440
Yeah.
Change your mind about her?
974
00:40:45,520 --> 00:40:47,320
It's hard - you can't write down
on a list,
975
00:40:47,400 --> 00:40:49,760
"If you do these things right now,
we're gonna be perfect."
976
00:40:49,840 --> 00:40:54,320
I can't see how it would just snap
in two weeks and change completely.
977
00:40:54,360 --> 00:40:55,360
Mm-hm.
978
00:40:55,440 --> 00:40:58,240
And you know, her parents
wanted an answer last night,
979
00:40:58,280 --> 00:40:59,560
"If the experiment ends tomorrow,
980
00:40:59,640 --> 00:41:01,200
"is my daughter gonna
have her heart broken?"
981
00:41:01,240 --> 00:41:03,320
(TENSE INSTRUMENTAL MUSIC)
982
00:41:03,360 --> 00:41:05,360
So, as it stands, how do you feel?
983
00:41:05,400 --> 00:41:08,400
(TENSE INSTRUMENTAL MUSIC)
984
00:41:10,000 --> 00:41:12,480
If you were to tell me I had
to decide yes or no right now,
985
00:41:12,560 --> 00:41:14,920
then it has to be a no, because I'm
not completely comfortable here.
986
00:41:14,960 --> 00:41:16,200
(IMPACT BOOMS)
987
00:41:16,240 --> 00:41:17,560
Yeah.
988
00:41:24,360 --> 00:41:26,240
NARRATOR: In Melbourne,
989
00:41:26,320 --> 00:41:30,160
Rhi and Jeff are enjoying their
final day of homestays together,
990
00:41:30,200 --> 00:41:32,800
but before they leave,
991
00:41:32,840 --> 00:41:35,840
Jeff has one last surprise for Rhi -
992
00:41:35,920 --> 00:41:40,120
one that might just unlock
a new door for both of them.
993
00:41:40,200 --> 00:41:42,160
Homestays, for me,
has given me more reassurance
994
00:41:42,200 --> 00:41:43,640
about our relationship.
995
00:41:44,880 --> 00:41:46,680
And I think we've got
a great future together.
996
00:41:46,760 --> 00:41:49,120
I love every minute of every day
with Rhi,
997
00:41:49,200 --> 00:41:51,320
and once we come out
of the experiment,
998
00:41:51,360 --> 00:41:52,760
I don't want that to stop.
999
00:41:52,840 --> 00:41:54,720
I wanna spend as much time
with Rhi as possible.
1000
00:41:54,760 --> 00:41:56,240
(GENTLE INSTRUMENTAL MUSIC)
1001
00:41:56,280 --> 00:41:57,560
I feel like, with homestays,
1002
00:41:57,640 --> 00:41:59,760
I've gotten everything out of it
that I wanted to get out of it.
1003
00:41:59,800 --> 00:42:00,800
Yeah.
1004
00:42:00,880 --> 00:42:02,480
For me, it feels like life
outside of the experiment
1005
00:42:02,520 --> 00:42:03,680
is just gonna get better.
1006
00:42:03,720 --> 00:42:05,320
Yeah, I totally agree.
1007
00:42:05,400 --> 00:42:08,040
And I'm proud of us,
that we got this far...
1008
00:42:08,080 --> 00:42:09,080
Yep.
1009
00:42:09,160 --> 00:42:12,120
..and considering our circumstances,
like, what the hell?
1010
00:42:12,200 --> 00:42:15,280
It's a pretty cool story.
Oh, it's an amazing story.
1011
00:42:15,360 --> 00:42:17,480
I'm looking forward
to coming back here
1012
00:42:17,560 --> 00:42:20,120
and, like, starting
the next chapter of our life.
1013
00:42:20,160 --> 00:42:21,640
Me too.
1014
00:42:21,680 --> 00:42:23,880
(GENTLE INSTRUMENTAL MUSIC)
1015
00:42:23,960 --> 00:42:25,800
In saying that...
Oooh?
1016
00:42:28,080 --> 00:42:30,160
..here is a key to my apartment.
1017
00:42:30,240 --> 00:42:32,400
(LAUGHS) Oh, that's so cute!
Thank you.
1018
00:42:32,480 --> 00:42:34,920
So, come over whenever.
(LAUGHTER)
1019
00:42:34,960 --> 00:42:36,760
Thank you. That's so cute.
1020
00:42:36,840 --> 00:42:39,760
The fact that Jeff gave me a key
does make me feel really good.
1021
00:42:39,800 --> 00:42:41,600
(LAUGHTER)
1022
00:42:41,640 --> 00:42:42,800
After our wedding day,
1023
00:42:42,880 --> 00:42:44,880
I really wasn't sure
what was going to happen,
1024
00:42:44,920 --> 00:42:47,480
but look where we are.
1025
00:42:47,560 --> 00:42:49,440
I'm very happy
with how it's all turned out.
1026
00:42:49,480 --> 00:42:51,760
I'm happy too. (LAUGHS)
1027
00:42:51,840 --> 00:42:54,040
If things keep going
how they're going,
1028
00:42:54,080 --> 00:42:55,280
I'm definitely falling for Rhi.
1029
00:42:55,320 --> 00:42:57,280
(LAUGHTER)
1030
00:42:57,360 --> 00:42:59,720
Yeah, I feel really good about her
and our relationship,
1031
00:42:59,760 --> 00:43:02,040
and I do hope she is the one for me.
1032
00:43:02,080 --> 00:43:04,320
(LAUGHTER)
1033
00:43:04,360 --> 00:43:07,360
(UPLIFTING INSTRUMENTAL MUSIC)
1034
00:43:09,080 --> 00:43:11,880
In the outer suburbs of Melbourne,
1035
00:43:11,960 --> 00:43:15,480
Jamie and Dave are
at Dave's stepsister's house.
1036
00:43:15,560 --> 00:43:17,360
Oh, this is your sister's house?
Yeah.
1037
00:43:17,400 --> 00:43:18,800
Oh, stop!
1038
00:43:18,880 --> 00:43:23,160
Dave finally understands the need to
demonstrate his commitment to Jamie,
1039
00:43:23,200 --> 00:43:26,040
and now he is about to introduce her
1040
00:43:26,120 --> 00:43:29,000
to the most important person
in his life.
1041
00:43:29,040 --> 00:43:30,040
DAVE: Yeah, I'm excited.
1042
00:43:30,120 --> 00:43:33,240
About to see my dad
for the first time in a while.
1043
00:43:33,280 --> 00:43:35,760
Um...yeah, I...
1044
00:43:35,800 --> 00:43:38,200
(STIRRING INSTRUMENTAL MUSIC)
1045
00:43:38,280 --> 00:43:40,920
..this is weeks in the making
of coming to this point
1046
00:43:41,000 --> 00:43:44,360
where I can introduce Jamie to,
you know, someone special to me.
1047
00:43:44,440 --> 00:43:47,760
Like, I wished my dad was well
enough to come to the wedding.
1048
00:43:47,800 --> 00:43:49,600
(RINGING TONE)
1049
00:43:49,680 --> 00:43:52,440
He just started chemo
for the fourth time.
1050
00:43:52,480 --> 00:43:53,840
How you going?
1051
00:43:53,880 --> 00:43:55,080
Yeah?
1052
00:43:55,120 --> 00:43:56,440
WOMAN: He's got no voice.
1053
00:43:56,480 --> 00:43:59,400
(STIRRING INSTRUMENTAL MUSIC)
1054
00:43:59,480 --> 00:44:02,280
Well, I wish you could be here,
'cause I love you both very much.
1055
00:44:02,320 --> 00:44:03,480
Love you.
1056
00:44:03,520 --> 00:44:06,520
(STIRRING INSTRUMENTAL MUSIC)
1057
00:44:07,560 --> 00:44:10,240
It's hard when you see
your parents like that.
1058
00:44:10,280 --> 00:44:13,280
(STIRRING INSTRUMENTAL MUSIC)
1059
00:44:15,040 --> 00:44:16,160
(SNIFFS)
1060
00:44:16,200 --> 00:44:19,360
Seeing Dad over the last four years,
1061
00:44:19,440 --> 00:44:20,880
it sort of does
take a lot out of me.
1062
00:44:20,920 --> 00:44:23,200
(STIRRING INSTRUMENTAL MUSIC)
1063
00:44:23,240 --> 00:44:24,640
'Cause you take it all on board.
1064
00:44:24,720 --> 00:44:27,760
So, this visit, hopefully,
is a bit different.
1065
00:44:27,800 --> 00:44:29,640
(STIRRING INSTRUMENTAL MUSIC)
1066
00:44:29,720 --> 00:44:31,680
Yeah, I got some news about him
yesterday,
1067
00:44:31,720 --> 00:44:33,440
but I haven't spoken to him yet.
1068
00:44:33,480 --> 00:44:35,320
So, it'll be good to see him.
1069
00:44:35,400 --> 00:44:38,440
And introducing him to Jamie,
that's a massive thing for me.
1070
00:44:39,480 --> 00:44:42,280
It's really nice that
we have this opportunity.
1071
00:44:42,320 --> 00:44:43,800
I'm grateful for it.
1072
00:44:43,840 --> 00:44:46,880
(STIRRING INSTRUMENTAL MUSIC)
1073
00:44:46,960 --> 00:44:49,320
Hello! (LAUGHS)
Hello!
1074
00:44:49,400 --> 00:44:50,840
How you going?
Hi!
1075
00:44:50,920 --> 00:44:53,280
You remember Jamie?
So good to see you again!
1076
00:44:53,360 --> 00:44:57,120
Greeting them is Dave's stepsister,
Cara...
1077
00:44:57,200 --> 00:44:58,640
Where's the big man?
How you been?
1078
00:44:58,680 --> 00:45:00,760
..followed by stepmum Karen...
1079
00:45:00,840 --> 00:45:02,200
Hi!
WOMAN: Hi!
1080
00:45:02,280 --> 00:45:04,240
She's a little one too, like you.
Little one.
1081
00:45:04,280 --> 00:45:05,680
(LAUGHTER)
1082
00:45:05,720 --> 00:45:07,120
..and dad, Howard.
1083
00:45:07,200 --> 00:45:08,960
Good! How are you?
Good to finally meet you.
1084
00:45:09,040 --> 00:45:11,040
I know. Good to meet you too!
You can call him Howie or Howard.
1085
00:45:11,120 --> 00:45:12,640
Hey, mate. Hey, brother.
Hey.
1086
00:45:12,720 --> 00:45:14,320
How you going?
I'm going well, mate.
1087
00:45:17,080 --> 00:45:18,920
Oh, I was very excited this morning.
1088
00:45:20,280 --> 00:45:23,320
Yeah, I've missed him, yeah.
1089
00:45:23,360 --> 00:45:24,760
What have you been up to?
1090
00:45:24,800 --> 00:45:27,360
(LAUGHTER)
1091
00:45:27,440 --> 00:45:29,240
Just being married.
Getting married?
1092
00:45:29,280 --> 00:45:30,440
(LAUGHTER)
1093
00:45:30,520 --> 00:45:34,280
And I know he's been a bit upset,
being so far away from home.
1094
00:45:34,320 --> 00:45:36,320
(GENTLE INSTRUMENTAL MUSIC)
1095
00:45:36,400 --> 00:45:38,480
But that's why
you really don't say a lot,
1096
00:45:38,560 --> 00:45:41,400
because you know
it's gonna affect other people,
1097
00:45:41,480 --> 00:45:43,880
so...you sort of just keep it
to yourself,
1098
00:45:43,920 --> 00:45:45,560
but...yeah.
1099
00:45:45,600 --> 00:45:48,240
(STIRRING INSTRUMENTAL MUSIC)
1100
00:45:48,280 --> 00:45:49,280
So, tell me.
1101
00:45:49,360 --> 00:45:51,320
Obviously, like,
I've been saying to Jamie
1102
00:45:51,400 --> 00:45:53,080
it's been so negative
over four years...
1103
00:45:53,120 --> 00:45:54,160
Yeah.
1104
00:45:54,200 --> 00:45:55,840
..and then now we get this news.
1105
00:45:55,880 --> 00:45:56,880
Yeah.
1106
00:45:56,960 --> 00:45:58,280
Like, what does that mean, though,
like...?
1107
00:45:58,320 --> 00:45:59,320
There was three tumours.
1108
00:46:02,520 --> 00:46:05,400
Two tumours have shrunk...
KAREN: Significantly shrunk.
1109
00:46:05,440 --> 00:46:06,880
..and the third tumour is gone.
1110
00:46:06,920 --> 00:46:08,360
(BLEEP)!
1111
00:46:08,400 --> 00:46:11,000
(STIRRING INSTRUMENTAL MUSIC)
1112
00:46:14,400 --> 00:46:15,440
Yep.
1113
00:46:16,520 --> 00:46:18,640
Something's finally...
Working.
1114
00:46:18,680 --> 00:46:20,240
..happened, yeah.
1115
00:46:20,320 --> 00:46:22,720
I didn't even expect
to hear anything like that.
1116
00:46:22,800 --> 00:46:24,400
No.
No, me either.
1117
00:46:24,440 --> 00:46:26,080
(STIRRING INSTRUMENTAL MUSIC)
1118
00:46:26,160 --> 00:46:27,960
Finally, good news
after all this time.
1119
00:46:28,000 --> 00:46:29,600
(LAUGHS)
1120
00:46:29,680 --> 00:46:31,840
I'm so glad that
my dad's turned the corner.
1121
00:46:31,920 --> 00:46:35,120
You know, he's been on my mind
since day one.
1122
00:46:35,200 --> 00:46:37,600
Like, I have been
in two places at once.
1123
00:46:37,680 --> 00:46:39,120
Yeah.
It's been difficult.
1124
00:46:40,360 --> 00:46:43,520
Seeing him with a bit more
pep in his step, I guess,
1125
00:46:43,560 --> 00:46:45,880
yeah, I'm super, super happy.
1126
00:46:46,880 --> 00:46:48,840
Bit emotional, but I'm happy.
1127
00:46:48,880 --> 00:46:50,080
(UPLIFTING INSTRUMENTAL MUSIC)
1128
00:46:50,120 --> 00:46:51,720
But Jamie's made it easy as well.
1129
00:46:51,760 --> 00:46:53,360
Like, she understands,
1130
00:46:53,440 --> 00:46:55,600
and she doesn't put pressure
on those areas at all.
1131
00:46:55,680 --> 00:46:59,600
It was super important for her
to meet you, for me.
1132
00:46:59,680 --> 00:47:01,440
We've shared
such a unique experience,
1133
00:47:01,480 --> 00:47:03,040
and it's been a really good one too.
1134
00:47:03,120 --> 00:47:04,680
Yeah. Yeah.
Good!
1135
00:47:05,680 --> 00:47:06,840
You know, she's absolutely...
1136
00:47:06,920 --> 00:47:08,960
I'd strangle someone for your son.
Is she...
1137
00:47:09,040 --> 00:47:11,520
That's how I'm thinking.
I've been like a bulldog.
1138
00:47:11,560 --> 00:47:12,680
(WOMEN LAUGH)
1139
00:47:12,720 --> 00:47:14,360
And you're so little.
1140
00:47:14,440 --> 00:47:17,160
I'm the youngest, and I think I'm
the shortest, but I'm the scariest.
1141
00:47:17,200 --> 00:47:18,200
(LAUGHTER)
1142
00:47:18,280 --> 00:47:21,840
I was rapt to finally meet Jamie,
and she's wonderful.
1143
00:47:21,880 --> 00:47:25,120
He's very happy. You can tell.
1144
00:47:26,600 --> 00:47:28,040
Yeah, makes you feel good.
1145
00:47:28,080 --> 00:47:29,640
(LAUGHTER)
1146
00:47:29,720 --> 00:47:31,520
You've got a very nice lady there.
Yes. I know.
1147
00:47:31,560 --> 00:47:32,560
Very nice.
1148
00:47:32,600 --> 00:47:34,880
(GENTLE INSTRUMENTAL MUSIC)
1149
00:47:34,960 --> 00:47:38,560
It was really good to meet
the rest of Dave's family.
1150
00:47:39,840 --> 00:47:42,320
The fact that Dave
introduced me to his dad,
1151
00:47:42,400 --> 00:47:45,920
it just really showed
he is trying to turn it around.
1152
00:47:45,960 --> 00:47:47,040
(GENTLE INSTRUMENTAL MUSIC)
1153
00:47:47,080 --> 00:47:49,080
She looks after me.
1154
00:47:49,160 --> 00:47:51,280
I'm actually ready
to go back to Sydney now.
1155
00:47:51,360 --> 00:47:56,320
I feel optimistic and hopeful
about the future with Dave.
1156
00:47:56,360 --> 00:47:58,360
(UPLIFTING INSTRUMENTAL MUSIC)
1157
00:47:58,440 --> 00:48:00,000
Thanks for taking the time,
as well, to do this,
1158
00:48:00,040 --> 00:48:01,240
'cause I know it's not easy.
1159
00:48:02,800 --> 00:48:04,080
Is it?
1160
00:48:05,600 --> 00:48:07,360
Don't make him cry.
(CHUCKLES)
1161
00:48:07,440 --> 00:48:09,160
He misses you.
Yeah, I miss him too.
1162
00:48:09,200 --> 00:48:11,080
(STIRRING INSTRUMENTAL MUSIC)
1163
00:48:11,160 --> 00:48:13,680
They really, really liked Jamie,
yeah,
1164
00:48:13,760 --> 00:48:17,480
and it's nice to reflect
on the bond that we have built,
1165
00:48:17,560 --> 00:48:21,000
and to share that with my parents
and my sister, it was really sweet.
1166
00:48:21,080 --> 00:48:23,440
Bye-bye, gorgeous.
Thank you so much.
1167
00:48:23,480 --> 00:48:24,560
Bye-bye.
1168
00:48:24,600 --> 00:48:26,000
They could see I'm happy.
1169
00:48:26,040 --> 00:48:28,240
So, I think, yeah, plays a big part.
1170
00:48:28,280 --> 00:48:30,240
See you, mate. I love you.
1171
00:48:30,280 --> 00:48:32,280
Love you too. Take it easy.
1172
00:48:32,360 --> 00:48:34,320
Lovely to meet you, Jamie.
So nice meeting you.
1173
00:48:37,880 --> 00:48:39,000
Coming up...
1174
00:48:39,040 --> 00:48:40,440
Two sets of paperwork saying he's...
1175
00:48:40,520 --> 00:48:41,960
If you...no, calm down.
No!
1176
00:48:42,040 --> 00:48:44,000
You're trying to talk over me
and trying to shut me up!
1177
00:48:44,080 --> 00:48:45,560
No, I'm gonna tell you
exactly how I feel!
1178
00:48:45,600 --> 00:48:48,440
..with support in Ryan's corner...
1179
00:48:48,520 --> 00:48:50,480
I think he's been absolutely gypped
of this experiment
1180
00:48:50,520 --> 00:48:51,840
by being put with you!
1181
00:48:51,920 --> 00:48:54,840
..will his marriage finally
reach breaking point?
1182
00:48:54,880 --> 00:48:57,880
(DRAMATIC MUSIC SWELLS)
1183
00:49:04,080 --> 00:49:06,080
(HAUNTING INSTRUMENTAL MUSIC)
1184
00:49:06,160 --> 00:49:08,400
NARRATOR: Having now moved
into Teejay's house
1185
00:49:08,440 --> 00:49:10,160
on the other side of Brisbane,
1186
00:49:10,240 --> 00:49:13,560
Beth has been left questioning
his true feelings.
1187
00:49:13,600 --> 00:49:16,120
With the week coming to an end
1188
00:49:16,200 --> 00:49:19,800
and uncertainty surrounding
their relationship,
1189
00:49:19,880 --> 00:49:22,840
Beth wants some direct answers
from Teejay.
1190
00:49:22,920 --> 00:49:26,040
At the end of the day, I don't wanna
walk away from this experiment
1191
00:49:26,080 --> 00:49:28,240
not putting my heart on the line.
1192
00:49:28,320 --> 00:49:30,080
Morning.
Hello.
1193
00:49:30,120 --> 00:49:34,200
(TENSE INSTRUMENTAL MUSIC)
1194
00:49:35,520 --> 00:49:37,000
How you feeling?
1195
00:49:38,160 --> 00:49:40,800
Um...not great.
1196
00:49:40,840 --> 00:49:42,840
(TENSE INSTRUMENTAL MUSIC)
1197
00:49:42,920 --> 00:49:45,160
How did you, um...
how did you think lunch went?
1198
00:49:45,200 --> 00:49:46,400
(TENSE INSTRUMENTAL MUSIC)
1199
00:49:46,440 --> 00:49:48,240
The guys, they said,
1200
00:49:48,320 --> 00:49:50,480
"Do you see this
progressing on the outside?
1201
00:49:50,560 --> 00:49:52,080
"Is that something that
you'd be interested in?"
1202
00:49:52,120 --> 00:49:53,360
Something along them lines.
1203
00:49:53,440 --> 00:49:57,160
But I just feel like you
couldn't really say yes or no.
1204
00:49:57,240 --> 00:49:58,600
So, I think that's taken me back
a little bit.
1205
00:49:58,640 --> 00:49:59,640
Mmm.
1206
00:49:59,680 --> 00:50:01,280
Yeah.
1207
00:50:02,720 --> 00:50:05,280
Yeah, I mean, I think
I've been pretty transparent
1208
00:50:05,320 --> 00:50:06,720
with how I'm feeling.
1209
00:50:06,760 --> 00:50:09,760
(TENSE INSTRUMENTAL MUSIC)
1210
00:50:11,320 --> 00:50:13,080
I'm liking
the emotional, romantic thing,
1211
00:50:13,160 --> 00:50:15,200
and in order for me to have
a relationship, that's what I want.
1212
00:50:15,280 --> 00:50:16,960
Even when we were
having connection issues,
1213
00:50:17,040 --> 00:50:19,000
I was the first one to say
that we're having...
1214
00:50:19,080 --> 00:50:21,080
..I'm not getting
that connection that I want.
1215
00:50:21,120 --> 00:50:23,720
(TENSE INSTRUMENTAL MUSIC)
1216
00:50:23,800 --> 00:50:26,280
To be honest, another thing
that's confused me
1217
00:50:26,360 --> 00:50:28,800
is you said that you needed
a more emotional connection
1218
00:50:28,840 --> 00:50:30,480
to be intimate.
1219
00:50:30,560 --> 00:50:34,160
We wrote 'stay' at the last
commitment ceremony.
1220
00:50:34,240 --> 00:50:36,920
A few days later,
you then sleep with me again,
1221
00:50:37,000 --> 00:50:39,760
which then makes me think,
"Maybe he's connecting more."
1222
00:50:40,800 --> 00:50:42,920
And then a few days after that,
we're now here,
1223
00:50:43,000 --> 00:50:45,960
and you're telling me that you don't
see this progressing outside,
1224
00:50:46,040 --> 00:50:48,640
and that's really, really
confused me.
1225
00:50:50,240 --> 00:50:52,040
But you wanted to sleep together.
1226
00:50:52,120 --> 00:50:53,640
So, I'm trying to look out
for your needs too.
1227
00:50:53,680 --> 00:50:54,920
Then, if we don't sleep together...
1228
00:50:55,000 --> 00:50:56,800
Of course I do, but can you
understand where that comes from,
1229
00:50:56,840 --> 00:50:57,920
from my point of view?
1230
00:50:57,960 --> 00:50:59,160
It's, like, we both said 'stay'.
1231
00:50:59,200 --> 00:51:00,720
You've been saying this whole time
1232
00:51:00,800 --> 00:51:02,760
you needed more of a connection
to sleep with me,
1233
00:51:02,800 --> 00:51:03,960
and then you sleep with me.
1234
00:51:04,040 --> 00:51:05,320
I'm gonna...
of course I'm gonna think,
1235
00:51:05,400 --> 00:51:07,680
"OK, great, he feels
more connected to me."
1236
00:51:07,760 --> 00:51:10,920
And then we come to homestays
and this is now where we're at.
1237
00:51:11,000 --> 00:51:12,280
Of course
I'm feeling confused and hurt.
1238
00:51:14,880 --> 00:51:18,160
Yeah, well, I mean, I thought...
you know, let's just give it a go.
1239
00:51:18,200 --> 00:51:20,600
Let's try and just get past that
1240
00:51:20,680 --> 00:51:23,040
and hopefully that we can develop
something from there,
1241
00:51:23,120 --> 00:51:25,800
but I'm just not feeling that
connection, like we mentioned.
1242
00:51:25,880 --> 00:51:27,400
I'm just not feeling
that connection.
1243
00:51:27,440 --> 00:51:30,440
(TENSE INSTRUMENTAL MUSIC)
1244
00:51:30,520 --> 00:51:33,600
If I had known he didn't see
a future with me,
1245
00:51:33,680 --> 00:51:36,720
I would never have brought him
to my home.
1246
00:51:36,760 --> 00:51:38,080
(TENSE INSTRUMENTAL MUSIC)
1247
00:51:38,160 --> 00:51:42,880
And I think what's sad is,
we've got almost two months in.
1248
00:51:42,960 --> 00:51:45,560
We've done the homestays,
we've got this far,
1249
00:51:45,640 --> 00:51:49,040
and there's not enough of you
that thinks,
1250
00:51:49,080 --> 00:51:52,040
"I don't wanna cut ties with Beth."
1251
00:51:52,080 --> 00:51:53,240
I think that's what hurts.
1252
00:51:53,280 --> 00:51:54,440
I don't wanna cut ties with you!
1253
00:51:54,520 --> 00:51:56,880
I've never once said
that I want to cut ties with you!
1254
00:51:56,960 --> 00:51:59,920
Yeah, but...as in, like,
you don't see this progressing.
1255
00:51:59,960 --> 00:52:01,760
Like, after this, it's, like...
1256
00:52:01,840 --> 00:52:03,640
Well, I'm unsure.
I've been honest with that.
1257
00:52:03,680 --> 00:52:07,000
(SOMBRE INSTRUMENTAL MUSIC)
1258
00:52:07,080 --> 00:52:09,640
It's like he's just flipped a switch
and it's game over.
1259
00:52:09,680 --> 00:52:11,520
It's such a shit feeling.
1260
00:52:11,600 --> 00:52:14,240
It's...yeah, it surprised me
a little bit. (SNIFFS)
1261
00:52:14,280 --> 00:52:17,280
(SOMBRE INSTRUMENTAL MUSIC)
1262
00:52:17,360 --> 00:52:19,920
You know, it always hurts
to hear that... (CRIES)
1263
00:52:20,000 --> 00:52:25,040
..the person you like
doesn't feel the same.
1264
00:52:25,080 --> 00:52:28,440
(SOMBRE INSTRUMENTAL MUSIC)
1265
00:52:28,480 --> 00:52:30,880
I just genuinely didn't think
1266
00:52:30,920 --> 00:52:34,880
we'd be...yeah, this far in...
1267
00:52:35,880 --> 00:52:38,280
..doing homestays,
1268
00:52:38,320 --> 00:52:40,320
yeah, for him to not feel anything.
1269
00:52:42,880 --> 00:52:46,160
(SOMBRE INSTRUMENTAL MUSIC)
1270
00:52:52,840 --> 00:52:54,040
In South-West Sydney,
1271
00:52:54,120 --> 00:52:59,120
Jacqui and Ryan are arriving at
a local pub to meet some friends.
1272
00:53:00,120 --> 00:53:01,640
(EXHALES)
1273
00:53:01,720 --> 00:53:05,400
After a tense exchange
walking Ryan's dog,
1274
00:53:05,440 --> 00:53:08,240
Jacqui is ready for a reset.
1275
00:53:09,520 --> 00:53:13,240
I mean, for me, I'd like today to be
as, like, enjoyable as possible.
1276
00:53:13,320 --> 00:53:15,320
Yeah. Mm-hm.
Yeah.
1277
00:53:16,360 --> 00:53:18,320
WOMAN: Hello! (LAUGHS)
Hi.
1278
00:53:18,400 --> 00:53:20,520
Hi, guys.
Hi! (LAUGHS)
1279
00:53:20,600 --> 00:53:24,080
First to arrive is Jacqui's friend,
Jet.
1280
00:53:24,160 --> 00:53:26,200
I think we had, like, ten seconds
at the wedding, I think.
1281
00:53:26,240 --> 00:53:27,960
Yeah, I can barely remember it.
1282
00:53:28,040 --> 00:53:29,720
It was a bit chaotic.
Fleeting.
1283
00:53:29,800 --> 00:53:32,080
(LAUGHS)
How have you been?
1284
00:53:32,120 --> 00:53:33,680
Thanks for coming all the way!
1285
00:53:33,720 --> 00:53:35,520
Yeah, where'd you come from today?
1286
00:53:35,600 --> 00:53:37,160
Oh, Manly.
(LAUGHS)
1287
00:53:37,200 --> 00:53:38,280
Manly?
1288
00:53:38,360 --> 00:53:40,320
I have to say -
I have no idea where I am.
1289
00:53:40,400 --> 00:53:42,080
(LAUGHTER)
Neither do I.
1290
00:53:42,120 --> 00:53:43,520
(LAUGHTER)
1291
00:53:43,560 --> 00:53:44,560
Is this your local?
1292
00:53:44,600 --> 00:53:46,680
Oh, it's one of them, um, yeah.
1293
00:53:46,720 --> 00:53:48,200
Oh, it's a great spot.
1294
00:53:49,280 --> 00:53:51,560
Hey!
Hello!
1295
00:53:51,640 --> 00:53:55,680
Next to arrive are Ryan's friends,
Adam and Karla.
1296
00:53:55,760 --> 00:53:57,960
KARLA: Alright,
where's everybody sitting?
1297
00:53:58,040 --> 00:53:59,200
I'm here.
I don't bite, so...
1298
00:53:59,280 --> 00:54:03,840
..who Jacqui met previously
during Family and Friends Week.
1299
00:54:03,880 --> 00:54:05,480
(TENSE INSTRUMENTAL MUSIC)
1300
00:54:05,560 --> 00:54:08,440
RYAN: Speaking of, though, how was
your concussion after the wedding?
1301
00:54:08,480 --> 00:54:09,960
(LAUGHTER)
1302
00:54:10,040 --> 00:54:12,520
It would have been bad
if you kind of left it at that...
1303
00:54:12,600 --> 00:54:14,560
No, the reason why I was...
Don't interrupt her!
1304
00:54:14,600 --> 00:54:16,040
Don't interrupt her.
1305
00:54:16,120 --> 00:54:17,720
MAN: Agree to disagree.
Agree to disagree.
1306
00:54:17,760 --> 00:54:19,360
No, this is gaslighting.
1307
00:54:19,400 --> 00:54:22,520
(TENSE INSTRUMENTAL MUSIC)
1308
00:54:22,560 --> 00:54:23,960
They just want the best for me,
1309
00:54:24,040 --> 00:54:25,800
and, yeah, they're not afraid
to say what's on their mind.
1310
00:54:25,840 --> 00:54:27,240
(TENSE INSTRUMENTAL MUSIC)
1311
00:54:27,280 --> 00:54:28,840
Today I'm looking for clarity.
1312
00:54:28,920 --> 00:54:31,960
I'm hoping for something to come out
of this which either, you know,
1313
00:54:32,040 --> 00:54:34,400
relieves my fears
or even, like, confirms them.
1314
00:54:34,480 --> 00:54:36,680
I don't know - like,
I'm staying open at this point.
1315
00:54:36,720 --> 00:54:38,280
ADAM: How is everyone?
1316
00:54:38,360 --> 00:54:39,760
Yeah, we're good.
Yeah?
1317
00:54:39,840 --> 00:54:41,400
Youse look happy today,
which is good.
1318
00:54:42,920 --> 00:54:45,280
So, did you go to your place?
Yeah.
1319
00:54:45,360 --> 00:54:46,920
So, I went and stayed at Manly.
Yeah, how was that?
1320
00:54:47,000 --> 00:54:49,120
I had oysters and whatnot and...
(LAUGHTER)
1321
00:54:49,200 --> 00:54:50,880
..like, I tried
to keep my face straight!
1322
00:54:50,920 --> 00:54:51,920
Yeah.
1323
00:54:52,000 --> 00:54:54,360
But, like, there was conversations
had of, like, in terms of,
1324
00:54:54,440 --> 00:54:56,440
"Could I see myself
living in Manly?"
1325
00:54:56,520 --> 00:54:58,160
She asked me that repeatedly,
and I still...
1326
00:54:58,240 --> 00:55:00,280
..like, I don't have the ultimate
answer for it, you know?
1327
00:55:00,360 --> 00:55:04,120
What was your perspective
on seeing Ryan's lifestyle?
1328
00:55:05,160 --> 00:55:07,960
Just even, like, where he lives,
the location?
1329
00:55:08,040 --> 00:55:09,440
Well, she had to Google Maps
where the...
1330
00:55:09,480 --> 00:55:10,680
(LAUGHTER)
1331
00:55:10,720 --> 00:55:11,720
(TENSE INSTRUMENTAL MUSIC)
1332
00:55:11,800 --> 00:55:13,560
I looked at it
to see how long it would take
1333
00:55:13,640 --> 00:55:15,320
to get from my house
to Ryan's house.
1334
00:55:15,360 --> 00:55:16,800
Two hours!
1335
00:55:16,880 --> 00:55:19,840
If I was to go there on the weekend,
that would be four hours.
1336
00:55:19,880 --> 00:55:22,280
What did you find, being in his home
1337
00:55:22,360 --> 00:55:24,960
and seeing how, you know,
his lifestyle was?
1338
00:55:25,040 --> 00:55:27,160
You think that's something that
you could see for your future?
1339
00:55:27,240 --> 00:55:31,480
I think, for me, it's hard,
'cause I really like the ocean.
1340
00:55:31,520 --> 00:55:32,680
(TENSE INSTRUMENTAL MUSIC)
1341
00:55:32,760 --> 00:55:37,560
I think, honestly, if his house
was located in Manly,
1342
00:55:37,640 --> 00:55:40,560
I could totally see myself moving in
and, like, living together...
1343
00:55:40,640 --> 00:55:43,400
Well, what stops you
from where his house is?
1344
00:55:43,480 --> 00:55:46,360
It reminds me of, like...
New Zealand,
1345
00:55:46,440 --> 00:55:48,080
which is kind of what
I moved away from.
1346
00:55:48,160 --> 00:55:51,760
It's, like, too many sacrifices
to give up, in my mind.
1347
00:55:51,840 --> 00:55:55,160
The things that make me happy
are, like, the ocean and running
1348
00:55:55,200 --> 00:55:57,520
and, like, getting the ferry to work
1349
00:55:57,560 --> 00:55:59,360
and my friends and going out.
1350
00:55:59,440 --> 00:56:01,040
And so there's just so many things
I'd have to give up...
1351
00:56:01,120 --> 00:56:02,800
Logistically, it's tough -
that's the one concession...
1352
00:56:02,880 --> 00:56:04,160
..and I'm, like,
what would I replace...
1353
00:56:04,240 --> 00:56:05,600
..but the question's
gotta go two ways, I feel.
1354
00:56:05,640 --> 00:56:06,880
Yeah, of course it does.
1355
00:56:07,880 --> 00:56:09,360
From what I've gathered from Jacqui,
1356
00:56:09,440 --> 00:56:12,920
she's not willing to compromise
about anything in the relationship.
1357
00:56:13,920 --> 00:56:15,800
Honestly, I didn't really hear
1358
00:56:15,880 --> 00:56:17,920
anything positive from her
about Ryan.
1359
00:56:18,960 --> 00:56:21,880
So, Ryan told us that youse had -
correct me if I'm wrong -
1360
00:56:21,960 --> 00:56:23,920
like, a Reflections Week,
with some letter
1361
00:56:24,000 --> 00:56:25,600
what had to be written
between the both of you.
1362
00:56:25,640 --> 00:56:26,720
How did that go?
1363
00:56:27,880 --> 00:56:29,440
Um...
1364
00:56:29,520 --> 00:56:31,640
Don't get stressed.
He hasn't told us details.
1365
00:56:31,680 --> 00:56:32,840
He just told us little things...
1366
00:56:32,920 --> 00:56:34,920
Obviously we need
to be filled in here,
1367
00:56:35,000 --> 00:56:37,200
but there were some things that were
quite appalling to me that I heard,
1368
00:56:37,280 --> 00:56:40,280
so I'd like some kind of context
in terms of how that came across.
1369
00:56:40,320 --> 00:56:41,680
(TENSE INSTRUMENTAL MUSIC)
1370
00:56:41,760 --> 00:56:43,200
Yeah, I think
it was quite a long time ago,
1371
00:56:43,280 --> 00:56:45,040
so I can't remember
exactly what I said,
1372
00:56:45,120 --> 00:56:48,240
but I'd love to hear
what you were appalled about
1373
00:56:48,280 --> 00:56:49,760
and then I can try and address it.
1374
00:56:49,800 --> 00:56:52,440
(TENSE INSTRUMENTAL MUSIC)
1375
00:56:57,080 --> 00:57:00,360
(TENSE INSTRUMENTAL MUSIC)
1376
00:57:00,440 --> 00:57:02,880
KARLA: So, Ryan told us
that youse had,
1377
00:57:02,960 --> 00:57:04,480
like, a Reflections Week,
with some letter
1378
00:57:04,560 --> 00:57:06,640
what had to be written
between the both of you.
1379
00:57:06,680 --> 00:57:07,840
How did that go?
1380
00:57:09,360 --> 00:57:10,960
Um...
1381
00:57:11,040 --> 00:57:13,320
ADAM: Don't get stressed.
He hasn't told us details.
1382
00:57:13,360 --> 00:57:14,440
He just told us little things...
1383
00:57:14,520 --> 00:57:16,440
Obviously we need
to be filled in here,
1384
00:57:16,520 --> 00:57:18,960
but there were some things that were
quite appalling to me that I heard,
1385
00:57:19,040 --> 00:57:21,800
so I'd like some kind of context
in terms of how that came across.
1386
00:57:21,840 --> 00:57:23,200
(TENSE INSTRUMENTAL MUSIC)
1387
00:57:23,280 --> 00:57:24,680
Yeah, I think
it was quite a long time ago,
1388
00:57:24,760 --> 00:57:26,160
so I can't remember
exactly what I said.
1389
00:57:26,240 --> 00:57:28,960
"I'm concerned you've built
your sense of self
1390
00:57:29,040 --> 00:57:32,320
"on top of outdated beliefs
about power and masculinity.
1391
00:57:32,400 --> 00:57:35,800
"Your extreme sense of masculine
pride and fragile ego
1392
00:57:35,880 --> 00:57:38,560
"are difficult to deal with,
and come at my expense.
1393
00:57:38,640 --> 00:57:42,000
"I'm concerned that financially
contribute less than I will,
1394
00:57:42,080 --> 00:57:45,480
"because I'm not convinced that
you have enough financial skills."
1395
00:57:45,560 --> 00:57:49,280
But I'd love to hear
what you were appalled about
1396
00:57:49,320 --> 00:57:50,640
and then I can try and address it...
1397
00:57:50,720 --> 00:57:53,600
Just, like, subtle attacks
to his character
1398
00:57:53,680 --> 00:57:56,080
and his financial capabilities
and stuff like that.
1399
00:57:56,120 --> 00:57:57,920
(TENSE INSTRUMENTAL MUSIC)
1400
00:57:58,000 --> 00:58:00,520
What was the point
of youse writing the letter?
1401
00:58:00,560 --> 00:58:01,760
How did you interpret that?
1402
00:58:01,840 --> 00:58:06,040
Yeah, so, the letter task was
to write a letter to your partner
1403
00:58:06,080 --> 00:58:07,640
about the concerns you have
1404
00:58:07,720 --> 00:58:09,760
about building
a long-lasting future with them
1405
00:58:09,840 --> 00:58:12,760
and, like, how you'd go about
basically living together forever.
1406
00:58:12,800 --> 00:58:14,080
OK.
1407
00:58:14,120 --> 00:58:16,480
And one of the concerns I had
1408
00:58:16,560 --> 00:58:20,320
was Ryan's career path
is unstable financially,
1409
00:58:20,400 --> 00:58:25,960
and I was like, well, is this kind
of, like, I would be lent on
1410
00:58:26,040 --> 00:58:29,680
as the primary, like, you know,
consistent financial source
1411
00:58:29,760 --> 00:58:31,800
if Ryan's potentially
going in and out...?
1412
00:58:31,840 --> 00:58:33,840
(TENSE INSTRUMENTAL MUSIC)
1413
00:58:34,880 --> 00:58:36,240
The whole point of
being in a relationship
1414
00:58:36,280 --> 00:58:37,360
is that you need to compromise
1415
00:58:37,440 --> 00:58:38,960
and you need to bring out
the best in each other,
1416
00:58:39,040 --> 00:58:40,480
and there are gonna
be points in your...
1417
00:58:40,560 --> 00:58:43,120
Don't look away from me
when I'm talking to you, alright?
1418
00:58:43,200 --> 00:58:44,800
There are points in your
relationship
1419
00:58:44,840 --> 00:58:46,320
where one needs to lean on the other
1420
00:58:46,400 --> 00:58:49,080
in order for you both to bring out
the best in each other.
1421
00:58:49,120 --> 00:58:50,320
So, for that to be a concern
1422
00:58:50,400 --> 00:58:53,280
is also, like, a red flag
here on my end, because...
1423
00:58:53,360 --> 00:58:56,360
JET: I just think it's great
that Jacqui was open about it.
1424
00:58:56,400 --> 00:58:57,400
Yeah, no, 100%.
1425
00:58:57,480 --> 00:58:58,840
You're talking about open
communication...
1426
00:58:58,880 --> 00:58:59,880
I'm not dismissing that...
1427
00:58:59,960 --> 00:59:03,520
Like, it raised concerns for me
because I work extremely hard.
1428
00:59:03,560 --> 00:59:04,760
RYAN: No-one's questioning that.
1429
00:59:04,800 --> 00:59:06,200
What I want to reflect on here
1430
00:59:06,280 --> 00:59:09,280
is that I did work my absolute arse
off here to get that property
1431
00:59:09,360 --> 00:59:11,680
and that was through having a stable
and predictable career.
1432
00:59:11,760 --> 00:59:14,000
So, I think you took that,
like, a little bit too far.
1433
00:59:15,480 --> 00:59:18,920
I felt like the letter was mostly
focusing on what he lacks.
1434
00:59:19,000 --> 00:59:22,160
I think the way
I felt you responded to that
1435
00:59:22,240 --> 00:59:25,600
was just in a very sensitive way,
as if, like, a nerve was hit,
1436
00:59:25,640 --> 00:59:27,040
and it triggered you to...
1437
00:59:27,120 --> 00:59:28,880
I think anyone who's...
..kind of overreact a little bit.
1438
00:59:28,920 --> 00:59:30,280
(TENSE INSTRUMENTAL MUSIC)
1439
00:59:30,360 --> 00:59:32,400
Pointing the finger
at Ryan, Ryan, Ryan, Ryan
1440
00:59:32,480 --> 00:59:35,040
more than dealing with what is
really important
1441
00:59:35,120 --> 00:59:37,320
for a relationship
to actually work...
1442
00:59:37,360 --> 00:59:39,000
I did feel like it was uncalled for
1443
00:59:39,080 --> 00:59:40,760
to say that
I don't work as hard as you.
1444
00:59:40,800 --> 00:59:42,200
(TENSE INSTRUMENTAL MUSIC)
1445
00:59:42,240 --> 00:59:43,960
It sounds very much like
1446
00:59:44,040 --> 00:59:46,800
not really acknowledging
the hard work that he has put in,
1447
00:59:46,880 --> 00:59:49,400
because you can't buy a house
without being stable...
1448
00:59:49,480 --> 00:59:51,000
I understand that.
..and he works for himself.
1449
00:59:51,080 --> 00:59:52,240
I'm just talking about
what I want...
1450
00:59:52,280 --> 00:59:53,600
No, no, I'm not dismissing that.
1451
00:59:53,680 --> 00:59:55,680
You're absolutely allowed
to have whatever you want.
1452
00:59:55,760 --> 00:59:58,960
It feels like you're trying to
diminish him as sort of, like...
1453
00:59:59,000 --> 01:00:00,640
I think that's your projection.
1454
01:00:00,720 --> 01:00:02,080
No, that's what
I'm receiving from you.
1455
01:00:02,160 --> 01:00:03,880
But I didn't say that.
That's what I'm receiving from you.
1456
01:00:03,960 --> 01:00:05,920
Well, I don't know where
you're getting that from.
1457
01:00:06,000 --> 01:00:08,800
No, 'cause I did tell them
that that point about the career
1458
01:00:08,880 --> 01:00:10,720
was I did feel
quite demeaned by that.
1459
01:00:10,760 --> 01:00:12,160
(TENSE INSTRUMENTAL MUSIC)
1460
01:00:12,240 --> 01:00:14,920
I wanted just for her to give
something back to the conversation
1461
01:00:15,000 --> 01:00:17,120
that would help
my friends understand
1462
01:00:17,200 --> 01:00:19,960
why that she would write,
like, a scathing letter.
1463
01:00:20,040 --> 01:00:22,800
Why she would view my character
in all these terrible ways.
1464
01:00:22,840 --> 01:00:24,640
(TENSE INSTRUMENTAL MUSIC)
1465
01:00:24,720 --> 01:00:26,680
Let's talk about some good stuff
for a little bit, yeah?
1466
01:00:26,760 --> 01:00:28,360
Everyone's getting
a little bit heated.
1467
01:00:28,440 --> 01:00:29,400
Yeah.
Let's go upstairs.
1468
01:00:29,480 --> 01:00:30,720
Let's get a drink, yep.
Alright.
1469
01:00:30,800 --> 01:00:31,840
Alright. See you soon.
OK.
1470
01:00:38,600 --> 01:00:39,600
(SERIOUS INSTRUMENTAL MUSIC)
1471
01:00:39,680 --> 01:00:41,440
The biggest question on the table -
are you happy?
1472
01:00:41,480 --> 01:00:42,480
Are you OK?
1473
01:00:43,840 --> 01:00:45,400
Happiness is why I came to this,
right?
1474
01:00:45,480 --> 01:00:47,040
'Cause I'm not gonna lie -
being here, I'm not happy.
1475
01:00:47,120 --> 01:00:49,720
Bro, like, I've put so much (BLEEP)
work into this,
1476
01:00:49,800 --> 01:00:52,160
and taken accountability,
taken ownership and whatnot,
1477
01:00:52,240 --> 01:00:54,360
and, like, the letter
was just, like, a stark example
1478
01:00:54,440 --> 01:00:56,040
of, like,
she's got a distorted view of me.
1479
01:00:57,080 --> 01:00:59,880
It's, like, the criticisms of me,
as a person.
1480
01:00:59,960 --> 01:01:02,920
It's the judgment, it's, the, you
know, trying to change who I am,
1481
01:01:03,000 --> 01:01:04,880
and, like, how I raise my dog
and all that kind of stuff.
1482
01:01:04,920 --> 01:01:05,920
You know, like...
1483
01:01:06,000 --> 01:01:07,800
Hey, it's not even
a distorted view of you.
1484
01:01:07,880 --> 01:01:10,200
It's just a distorted view,
full stop.
1485
01:01:10,280 --> 01:01:13,520
Any man she's gonna be with,
she's gonna treat exactly the same.
1486
01:01:13,600 --> 01:01:16,480
Like, I'm trying to be
nice and respectful and that,
1487
01:01:16,560 --> 01:01:19,520
but she's rolling her eyes,
she's, like, dismissing you.
1488
01:01:19,600 --> 01:01:20,560
I know.
Trying to dismiss her.
1489
01:01:20,640 --> 01:01:23,480
She's not being super nice.
I don't like it.
1490
01:01:23,520 --> 01:01:25,680
(DRAMATIC MUSIC BUILDS)
1491
01:01:25,720 --> 01:01:27,080
Here you go.
1492
01:01:27,160 --> 01:01:28,600
Oh, thank you so much.
There you go.
1493
01:01:28,640 --> 01:01:30,600
(DRAMATIC MUSIC BUILDS)
1494
01:01:30,680 --> 01:01:33,240
Cheers, big ears,
the saying goes, big nose.
1495
01:01:33,320 --> 01:01:34,480
Yep.
Tchin-tchin, darling!
1496
01:01:34,520 --> 01:01:36,000
(MEN LAUGH)
1497
01:01:36,040 --> 01:01:37,040
(TENSE INSTRUMENTAL MUSIC)
1498
01:01:37,120 --> 01:01:38,800
And thanks, Jet,
for coming all this way too.
1499
01:01:38,880 --> 01:01:40,960
The silent assassin over there, eh?
(LAUGHS)
1500
01:01:41,040 --> 01:01:43,840
How well do you know Jacqui,
from the past?
1501
01:01:43,880 --> 01:01:45,240
(TENSE INSTRUMENTAL MUSIC)
1502
01:01:45,320 --> 01:01:48,440
Um, how have you seen
her last relationship play out?
1503
01:01:48,480 --> 01:01:50,760
Because I do hear a lot about
1504
01:01:50,840 --> 01:01:53,720
how they used to
never have a disagreement...
1505
01:01:53,800 --> 01:01:56,640
So, I've had really healthy
relationships
1506
01:01:56,680 --> 01:01:58,080
where we don't disagree and fight,
1507
01:01:58,120 --> 01:01:59,640
and honestly, this drama,
1508
01:01:59,720 --> 01:02:01,880
and the fighting and the arguing
is not what I like.
1509
01:02:01,960 --> 01:02:03,720
Like, I wanna be
in a peaceful environment...
1510
01:02:03,800 --> 01:02:05,360
A level of disagreement is healthy.
No-one likes it!
1511
01:02:05,440 --> 01:02:07,200
If you're not arguing, you don't
have a healthy relationship.
1512
01:02:07,240 --> 01:02:08,560
That's not true.
1513
01:02:08,640 --> 01:02:11,000
See, me and her argue sometimes.
We're in the best relationship.
1514
01:02:11,080 --> 01:02:12,520
I don't think you need
to have arguments.
1515
01:02:12,600 --> 01:02:14,440
You can communicate
your preferences...
1516
01:02:14,520 --> 01:02:16,040
So, why do you and Ryan
have that issue, then?
1517
01:02:16,120 --> 01:02:18,120
Well, it's Ryan getting defensive
all the time.
1518
01:02:18,200 --> 01:02:20,600
Ahh! (LAUGHS)
You can't just blame him, Jacqui.
1519
01:02:20,640 --> 01:02:21,840
I saw you do it!
1520
01:02:21,920 --> 01:02:23,760
You're quick to
point the finger at him,
1521
01:02:23,840 --> 01:02:25,400
but you're not willing to take
accountability...
1522
01:02:25,480 --> 01:02:27,920
Hey, last time you were having
a great time ripping on him.
1523
01:02:27,960 --> 01:02:29,560
(DRAMATIC MUSIC BUILDS)
1524
01:02:29,600 --> 01:02:31,640
I didn't come here to be lectured
1525
01:02:31,720 --> 01:02:34,000
and to have my character, like,
and my identity
1526
01:02:34,040 --> 01:02:35,840
torn apart in a letter and whatnot,
1527
01:02:35,920 --> 01:02:38,680
and it still does stick with me,
Jacqui, honestly, it does,
1528
01:02:38,720 --> 01:02:40,640
because I've never had anyone see me
1529
01:02:40,720 --> 01:02:42,880
in that way before
in my entire life, so...
1530
01:02:42,960 --> 01:02:44,720
Maybe no-one's
communicated it to you.
1531
01:02:44,760 --> 01:02:46,080
That's not true, Jacqui,
1532
01:02:46,160 --> 01:02:47,920
'cause we've been in his life
for a very long time.
1533
01:02:47,960 --> 01:02:49,440
(TENSE INSTRUMENTAL MUSIC)
1534
01:02:49,480 --> 01:02:50,840
And everything that you tell us
1535
01:02:50,920 --> 01:02:52,960
goes completely against
the character we know as Ryan.
1536
01:02:53,000 --> 01:02:54,400
(DRAMATIC MUSIC BUILDS)
1537
01:02:54,440 --> 01:02:56,000
I think you're overreacting,
1538
01:02:56,080 --> 01:02:57,840
'cause you can't say everything
I tell you
1539
01:02:57,880 --> 01:02:59,440
is against the character...
1540
01:02:59,520 --> 01:03:01,200
Because you're talking...
..you say everything!
1541
01:03:01,240 --> 01:03:02,840
Jacqui, you're talking in circles!
1542
01:03:02,920 --> 01:03:05,200
But today, today, when I asked...
Your answer...
1543
01:03:05,280 --> 01:03:07,640
You're not...you're talking over me,
Karla. Stop being rude.
1544
01:03:07,720 --> 01:03:09,680
Well, you done that to me last time,
hon. How does it feel?
1545
01:03:16,080 --> 01:03:17,640
(DRAMATIC MUSIC BUILDS)
1546
01:03:17,720 --> 01:03:20,480
KARLA: We've been in his life
for a very long time.
1547
01:03:20,520 --> 01:03:21,920
(DRAMATIC MUSIC BUILDS)
1548
01:03:21,960 --> 01:03:23,360
And everything that you tell us
1549
01:03:23,440 --> 01:03:25,520
goes completely against
the character we know as Ryan.
1550
01:03:25,560 --> 01:03:26,720
(DRAMATIC MUSIC BUILDS)
1551
01:03:26,760 --> 01:03:27,760
I think you're overreacting,
1552
01:03:27,840 --> 01:03:30,120
'cause you can't say everything
I tell you
1553
01:03:30,160 --> 01:03:31,240
is against the character...
1554
01:03:31,320 --> 01:03:33,240
Because you're talking...
..you say everything!
1555
01:03:33,280 --> 01:03:35,160
Jacqui, you're talking in circles!
1556
01:03:35,240 --> 01:03:36,960
But today, today, when I asked...
Your answer...
1557
01:03:37,040 --> 01:03:39,600
You're not...you're talking over me,
Karla. Stop being rude.
1558
01:03:39,680 --> 01:03:41,640
Well, you done that to me last time,
hon. How does it feel?
1559
01:03:41,680 --> 01:03:43,480
(TENSE INSTRUMENTAL MUSIC)
1560
01:03:43,560 --> 01:03:45,600
What do you want from me?
I guess...I guess...
1561
01:03:45,680 --> 01:03:49,280
A solution! A conversation
to help youse get better.
1562
01:03:49,360 --> 01:03:51,560
I need to feel like,
in a relationship...
1563
01:03:51,600 --> 01:03:52,760
You want me to be silent, I know!
1564
01:03:52,840 --> 01:03:54,360
No, no, no, I need to feel like...
Yeah, you do, you do!
1565
01:03:54,440 --> 01:03:56,720
You don't want me to voice
my concerns. That's what you want.
1566
01:03:56,760 --> 01:03:57,800
No, no, no, because...
1567
01:03:57,880 --> 01:04:00,160
You take issue in my voicing
my concerns.
1568
01:04:00,200 --> 01:04:02,520
Do you not do that to him?
1569
01:04:02,560 --> 01:04:04,480
(TENSE INSTRUMENTAL MUSIC)
1570
01:04:04,560 --> 01:04:07,000
You do express yourself
in very, very strong ways
1571
01:04:07,080 --> 01:04:10,040
and if I don't agree with you
almost immediately,
1572
01:04:10,120 --> 01:04:11,920
I am defensive, I am deflecting,
I'm...
1573
01:04:11,960 --> 01:04:13,800
I can't win in the conversation.
1574
01:04:13,880 --> 01:04:16,480
'Cause I saw it last time we were
sitting with youse at the table.
1575
01:04:16,520 --> 01:04:17,760
It's because he's telling lies.
1576
01:04:17,840 --> 01:04:19,120
And then you called him
a gaslighter.
1577
01:04:20,120 --> 01:04:21,320
'Cause he's lying!
1578
01:04:21,400 --> 01:04:23,760
(DRAMATIC MUSIC BUILDS)
He is not a liar!
1579
01:04:23,840 --> 01:04:25,840
No, the one that's looking around
for help from friends and that
1580
01:04:25,880 --> 01:04:27,040
seems to be the liar.
1581
01:04:27,120 --> 01:04:29,120
And rolling your eyes at the table.
Who's looking around for friends?
1582
01:04:29,200 --> 01:04:30,360
You, with your friend
in the blue shirt.
1583
01:04:30,440 --> 01:04:32,440
Last time, at the lunch,
it was pretty horrible,
1584
01:04:32,520 --> 01:04:34,080
and I've addressed this
with you before...
1585
01:04:34,160 --> 01:04:36,560
You were rolling your eyes
and laughing every time he spoke.
1586
01:04:36,640 --> 01:04:38,000
To me...
Because he's lying!
1587
01:04:38,080 --> 01:04:40,600
No, I (BLEEP) don't lie!
That doesn't... (INDISTINCT)
1588
01:04:41,640 --> 01:04:43,400
Honestly, that, to me,
is gaslighting!
1589
01:04:43,480 --> 01:04:45,080
That is a 15-year-old's behaviour.
You're 29!
1590
01:04:45,160 --> 01:04:46,760
You should not be rolling your eyes
and laughing...
1591
01:04:46,840 --> 01:04:48,600
Yeah, well, this man
should not be yelling at me.
1592
01:04:48,680 --> 01:04:51,040
Sorry, Jacqui, but regardless
of the issues you have,
1593
01:04:51,120 --> 01:04:53,000
you still respect your partner
in front of...
1594
01:04:53,080 --> 01:04:55,440
No, actually, yelling, it only takes
one person to yell at the other.
1595
01:04:55,520 --> 01:04:58,000
But talking to someone like shit
and pulling them down
1596
01:04:58,040 --> 01:04:59,440
takes one person too!
1597
01:04:59,480 --> 01:05:00,520
(DRAMATIC MUSIC BUILDS)
1598
01:05:00,600 --> 01:05:02,080
So, you're just, like,
throwing dirt on me,
1599
01:05:02,160 --> 01:05:04,120
but you're not even listening
to anything I'm saying.
1600
01:05:04,200 --> 01:05:05,480
Like, if you wanted
to communicate...
1601
01:05:05,520 --> 01:05:07,320
All you've done is throw dirt on him!
1602
01:05:07,400 --> 01:05:09,760
Two sets of paperwork saying he's...
If you...OK, calm down.
1603
01:05:09,840 --> 01:05:12,360
No! You're trying to talk over me
and trying to shut me up!
1604
01:05:12,440 --> 01:05:14,200
I don't appreciate your tone.
I'm gonna tell you how I feel!
1605
01:05:14,240 --> 01:05:16,040
You're being really rude.
1606
01:05:16,120 --> 01:05:19,040
..how much of a dud he is, which is
an absolute joke of a human being!
1607
01:05:19,080 --> 01:05:21,040
(DRAMATIC MUSIC BUILDS)
1608
01:05:21,120 --> 01:05:22,560
You've been rude to him
the whole time!
1609
01:05:22,640 --> 01:05:25,800
Jacqui, we sat there and watched
your behaviour last time!
1610
01:05:25,880 --> 01:05:27,400
He's been gypped of this experiment
because of you!
1611
01:05:27,480 --> 01:05:30,480
You were so rude and so dismissive!
Absolutely gypped!
1612
01:05:30,560 --> 01:05:32,680
Well, then, why did you come
and visit us?
1613
01:05:32,760 --> 01:05:36,280
Because somebody needs to stand up
for him and your behaviour!
1614
01:05:36,320 --> 01:05:37,440
It's not OK!
1615
01:05:37,480 --> 01:05:38,960
(DRAMATIC MUSIC SWELLS)
1616
01:05:39,040 --> 01:05:41,640
We spoke about how the...the...
some test that you...
1617
01:05:41,720 --> 01:05:44,680
I really didn't come here
to homestays to be yelled at.
1618
01:05:44,720 --> 01:05:48,600
(TENSE INSTRUMENTAL MUSIC)
1619
01:05:48,680 --> 01:05:52,400
You've been absolutely gypped of
this experiment, bro.
1620
01:05:53,400 --> 01:05:54,760
That's really rude to say.
1621
01:05:54,800 --> 01:05:56,800
(SOMBRE INSTRUMENTAL MUSIC)
1622
01:05:56,840 --> 01:05:57,840
I'll say it again!
1623
01:05:57,920 --> 01:05:59,680
I think he's been absolutely gypped
of this experiment
1624
01:05:59,720 --> 01:06:00,920
by being put with you.
1625
01:06:00,960 --> 01:06:02,640
(IMPACT BOOMS)
1626
01:06:02,680 --> 01:06:05,680
(TENSE INSTRUMENTAL MUSIC)
1627
01:06:06,920 --> 01:06:09,920
(DRAMATIC MUSIC BUILDS)
1628
01:06:16,040 --> 01:06:19,080
I didn't sign up to this experiment
to be yelled at
1629
01:06:19,160 --> 01:06:22,200
when I'm, like, visiting
my partner's hometown.
1630
01:06:22,240 --> 01:06:24,840
(CRIES)
1631
01:06:24,880 --> 01:06:27,640
JET:
1632
01:06:27,680 --> 01:06:29,040
(CRIES)
1633
01:06:32,120 --> 01:06:34,360
(DRAMATIC MUSIC BUILDS)
1634
01:06:34,400 --> 01:06:36,400
(CRIES)
1635
01:06:36,480 --> 01:06:40,960
It's not the kind of behaviour
that should be tolerated at all.
1636
01:06:41,000 --> 01:06:44,000
(DRAMATIC MUSIC BUILDS)
1637
01:06:49,480 --> 01:06:51,200
(BELL TOLLS)
1638
01:06:53,640 --> 01:06:54,840
NARRATOR: Tomorrow night...
1639
01:06:54,880 --> 01:06:57,000
MEL: It's a storm outside,
1640
01:06:57,080 --> 01:06:59,200
and there's about to be
a storm inside.
1641
01:06:59,240 --> 01:07:00,520
(THUNDER CRACKS)
1642
01:07:00,600 --> 01:07:04,360
..it's the second-last dinner party
of the experiment...
1643
01:07:04,440 --> 01:07:06,960
Teejay, what on earth do you have
to say to that, then?
1644
01:07:07,000 --> 01:07:08,200
(SIGHS)
1645
01:07:08,280 --> 01:07:10,960
..and Teejay is at the centre
of the storm.
1646
01:07:11,000 --> 01:07:12,400
I feel like you've really switched.
1647
01:07:12,440 --> 01:07:13,640
I can't answer that right now.
1648
01:07:13,720 --> 01:07:17,120
Has he been entirely honest
with Beth?
1649
01:07:17,160 --> 01:07:18,320
Listen...
1650
01:07:18,360 --> 01:07:19,560
You should be able to say,
1651
01:07:19,640 --> 01:07:21,440
"Yes, I wanna continue on
the outside and get to know you,"
1652
01:07:21,480 --> 01:07:23,040
and you couldn't answer it!
1653
01:07:23,080 --> 01:07:24,160
(DRAMATIC MUSIC SWELLS)
1654
01:07:24,240 --> 01:07:26,080
RHI: He gave me a house key,
which is a bit cute.
1655
01:07:26,120 --> 01:07:27,120
That's awesome!
1656
01:07:27,200 --> 01:07:29,760
Some will celebrate
their deeper bonds.
1657
01:07:29,840 --> 01:07:31,480
It's actually quite lovely to watch,
isn't it?
1658
01:07:31,560 --> 01:07:34,080
All reflecting
on how well things are going.
1659
01:07:34,120 --> 01:07:35,120
It's beautiful.
1660
01:07:36,240 --> 01:07:38,400
But for Ryan...
I'm sick of it, Jacqui!
1661
01:07:38,480 --> 01:07:39,880
I'm just sick of it!
I've had a gutful, mate!
1662
01:07:39,960 --> 01:07:41,720
Wow.
OK. Wow.
1663
01:07:41,760 --> 01:07:44,440
..he's reached his breaking point...
1664
01:07:44,520 --> 01:07:46,280
This is my house...
No, that's not what happened!
1665
01:07:46,360 --> 01:07:48,320
I got yelled at!
Oh, my god!
1666
01:07:48,400 --> 01:07:51,120
I'm not gonna sugar-coat things.
I'm not gonna tolerate it anymore.
1667
01:07:51,160 --> 01:07:53,560
..as he declares he wants out...
1668
01:07:53,600 --> 01:07:55,400
I can't...I can't do this, Jacqui.
1669
01:07:55,480 --> 01:07:57,920
Why don't you wanna be
someone great?
1670
01:07:57,960 --> 01:07:59,160
(IMPACT BOOMS)
1671
01:07:59,240 --> 01:08:00,640
Oooh!
Ohh!
1672
01:08:00,720 --> 01:08:03,960
..but Jacqui's not taking no
for an answer.
1673
01:08:04,000 --> 01:08:07,440
I don't lose people. People lose me.
1674
01:08:07,520 --> 01:08:10,480
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