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These are the user uploaded subtitles that are being translated: 1 00:00:01,080 --> 00:00:02,360 NARRATOR: Previously... 2 00:00:02,400 --> 00:00:03,440 The intimacy is lacking. 3 00:00:03,520 --> 00:00:05,600 I think maybe it's because I'm not attractive enough 4 00:00:05,680 --> 00:00:07,200 that he doesn't wanna do those things. 5 00:00:07,280 --> 00:00:11,520 ..Beth revealed her insecurities at the last commitment ceremony. 6 00:00:11,600 --> 00:00:13,760 Genuinely believe it's an emotional connection thing. 7 00:00:13,840 --> 00:00:16,520 I really wanna have, like, our souls intertwined 8 00:00:16,600 --> 00:00:18,440 before moving back into the intimate side of things. 9 00:00:18,480 --> 00:00:19,480 (IMPACT BOOMS) 10 00:00:19,560 --> 00:00:22,960 And Dave vowed to win back Jamie's trust. 11 00:00:23,040 --> 00:00:24,720 I'm still here, and I do care about her. 12 00:00:24,800 --> 00:00:27,760 I have to figure out how to get out of my own head at the moment 13 00:00:27,800 --> 00:00:29,040 and start thinking more about Jamie. 14 00:00:29,080 --> 00:00:30,240 Then... 15 00:00:30,280 --> 00:00:32,360 Welcome to my humble abode! 16 00:00:32,440 --> 00:00:36,800 ..homestays gave our couples a sample of married life 17 00:00:36,840 --> 00:00:38,720 after the experiment. 18 00:00:38,760 --> 00:00:40,040 Shoes are not allowed on my bed. 19 00:00:40,120 --> 00:00:43,880 Jacqui's hosting skills saw tensions rise. 20 00:00:45,600 --> 00:00:49,040 Jacqui is the most difficult person I have ever tried to date. 21 00:00:49,120 --> 00:00:51,120 And... It's a beard, Jacqui! 22 00:00:51,200 --> 00:00:53,360 If you don't know by now if you could fall in love with her, 23 00:00:53,400 --> 00:00:54,440 I don't think you ever know. 24 00:00:54,480 --> 00:00:56,080 I don't wanna just give up either. 25 00:00:56,160 --> 00:00:59,800 And Jamie's sister delivered unfiltered feedback. 26 00:00:59,880 --> 00:01:01,480 How can you see a future with someone 27 00:01:01,560 --> 00:01:02,680 you don't have a love connection with? 28 00:01:02,720 --> 00:01:04,000 That's grim! 29 00:01:04,040 --> 00:01:05,600 (DRAMATIC MUSIC SWELLS) 30 00:01:05,640 --> 00:01:06,920 Tonight... 31 00:01:07,000 --> 00:01:08,520 Welcome! Thank you! 32 00:01:08,600 --> 00:01:10,960 I'm home! (WOMEN SQUEAL) 33 00:01:11,000 --> 00:01:12,320 ..homestays continue... 34 00:01:15,880 --> 00:01:19,480 ..and some couples continue to deepen their connection. 35 00:01:19,520 --> 00:01:20,840 Here is a key to my apartment. 36 00:01:20,920 --> 00:01:22,920 Oh! (LAUGHS) That's so cute. Thank you! 37 00:01:23,000 --> 00:01:26,240 ..as Jeff unlocks his future with Rhi. 38 00:01:28,520 --> 00:01:29,680 Good to finally meet you. I know! 39 00:01:29,760 --> 00:01:34,160 Dave introduces Jamie to the most important person in his life... 40 00:01:34,240 --> 00:01:37,320 I was rapt to finally meet Jamie, and she's wonderful. 41 00:01:37,360 --> 00:01:39,880 He's very happy. You can tell. 42 00:01:39,920 --> 00:01:41,560 I care so much for Beth. 43 00:01:41,600 --> 00:01:43,160 I care about my dog. 44 00:01:43,200 --> 00:01:46,000 ..but it's not all smooth sailing, 45 00:01:46,080 --> 00:01:49,640 as Teejay comes face to face with Beth's family. 46 00:01:49,680 --> 00:01:51,920 If it all ended abruptly tomorrow, 47 00:01:52,000 --> 00:01:53,920 is my daughter gonna get her heart broken? 48 00:01:53,960 --> 00:01:55,400 Um... 49 00:01:55,480 --> 00:01:57,480 And... Alright, welcome. 50 00:01:57,520 --> 00:01:59,160 (OMINOUS MUSIC BUILDS) 51 00:01:59,200 --> 00:02:03,480 ..Ryan's house, Ryan's rules. 52 00:02:04,960 --> 00:02:05,960 (DRAMATIC MUSIC SWELLS) 53 00:02:06,000 --> 00:02:08,000 Jacqui's eye-opening experience... 54 00:02:08,080 --> 00:02:10,040 Something about me that... Your answer is not valid... 55 00:02:10,120 --> 00:02:11,680 You're not...you're talking over me! Stop being rude. 56 00:02:11,760 --> 00:02:13,840 Well, you done that to me last time, hon. How does it feel? 57 00:02:13,880 --> 00:02:16,720 ..sees emotions reach breaking point. 58 00:02:16,800 --> 00:02:19,880 Her behaviour, it's not OK! That's not true. 59 00:02:19,920 --> 00:02:21,480 I wanna tell you exactly how I feel! 60 00:02:21,560 --> 00:02:23,400 I think he's been absolutely gypped on this experiment 61 00:02:23,440 --> 00:02:24,680 by being put with you. 62 00:02:24,720 --> 00:02:26,040 (IMPACT BOOMS) 63 00:02:26,080 --> 00:02:29,080 (TENSE INSTRUMENTAL MUSIC) 64 00:02:30,280 --> 00:02:33,280 (MOMENTOUS MUSIC SWELLS) 65 00:02:35,800 --> 00:02:37,800 All around Australia, 66 00:02:37,840 --> 00:02:40,360 couples are immersing themselves 67 00:02:40,440 --> 00:02:44,200 in the final stages of the experiment with homestays. 68 00:02:44,280 --> 00:02:47,000 Now I'm gonna throw you in. No! (LAUGHS) 69 00:02:47,040 --> 00:02:50,440 (MOMENTOUS MUSIC CONTINUES) 70 00:02:50,520 --> 00:02:55,880 In Perth, Carina and Paul are soaking in the bliss of married life. 71 00:02:57,680 --> 00:03:01,240 Being out and about in Perth with Carina, it feels amazing. 72 00:03:01,280 --> 00:03:04,280 (UPLIFTING INSTRUMENTAL MUSIC) 73 00:03:06,280 --> 00:03:08,280 Our relationship is probably the best it's ever been. 74 00:03:08,320 --> 00:03:11,320 (SWEEPING ROMANTIC MUSIC) 75 00:03:15,000 --> 00:03:18,040 CARINA: The homestays has been beautiful. 76 00:03:18,120 --> 00:03:21,280 It's been a really great time, having Paul here with my family. 77 00:03:22,400 --> 00:03:23,880 Like, I just embraced it, 78 00:03:23,960 --> 00:03:27,760 and I...I just let everything come my way, 79 00:03:27,840 --> 00:03:31,880 and I can't wait for when we're outside of this experiment 80 00:03:31,960 --> 00:03:35,200 and when we're back in Perth, and doing things together. 81 00:03:36,480 --> 00:03:39,400 My heart's radiating really positive energy. 82 00:03:39,440 --> 00:03:40,800 I'm feeling really good. 83 00:03:40,840 --> 00:03:43,800 (ROMANTIC MUSIC FADES) 84 00:03:43,880 --> 00:03:47,080 The homestays have always been an essential part 85 00:03:47,160 --> 00:03:49,000 of the 'Married At First Sight' experiment. 86 00:03:49,040 --> 00:03:50,880 WOMAN: Here we are! Oh, my god. 87 00:03:50,960 --> 00:03:55,360 As our couples get a taste for their partner's natural environment, 88 00:03:55,400 --> 00:03:56,600 questions will arise. 89 00:03:56,640 --> 00:03:59,440 (LAUGHTER) 90 00:03:59,520 --> 00:04:01,360 This is their chance to get those answers 91 00:04:01,400 --> 00:04:03,080 before they head to Final Vows. 92 00:04:04,920 --> 00:04:06,720 (MOMENTOUS MUSIC BUILDS) 93 00:04:06,800 --> 00:04:09,560 While some homestays are well underway, 94 00:04:09,600 --> 00:04:12,000 others are just getting started. 95 00:04:12,040 --> 00:04:13,520 JEFF: It feels so weird, being home. 96 00:04:13,600 --> 00:04:16,680 Arriving in Melbourne, Rhi and Jeff are hoping 97 00:04:16,760 --> 00:04:19,800 to take their relationship to the next level... 98 00:04:19,880 --> 00:04:22,160 Any of this look familiar? (LAUGHS) You bet. 99 00:04:22,200 --> 00:04:23,680 ..again. 100 00:04:23,720 --> 00:04:25,360 Back to where it all began. 101 00:04:25,400 --> 00:04:27,400 (LAUGHS) How you going, muscles? 102 00:04:27,440 --> 00:04:29,160 (LAUGHS) They're heavy. 103 00:04:29,240 --> 00:04:31,240 This isn't the first time I've been here. 104 00:04:31,280 --> 00:04:32,680 Thank you. 105 00:04:32,760 --> 00:04:35,840 I stayed at Jeff's when we dated last year. 106 00:04:35,920 --> 00:04:40,160 On the wedding day, when I walked down the aisle and saw Jeff... 107 00:04:40,200 --> 00:04:42,120 (LAUGHS) Oh, my god. 108 00:04:42,200 --> 00:04:43,640 Hey, Rhi. (RHI LAUGHS) 109 00:04:43,680 --> 00:04:45,080 Hey, Jeff. 110 00:04:45,120 --> 00:04:46,800 Oh! (LAUGHS) 111 00:04:46,880 --> 00:04:50,520 ..I remember thinking to myself, "This isn't gonna work," 112 00:04:50,600 --> 00:04:53,560 because we've dated in the past and it did fizzle out. 113 00:04:53,600 --> 00:04:55,800 (HOPEFUL PIANO MUSIC) 114 00:04:55,880 --> 00:04:58,760 But the more we are together, the more potential I see in us. 115 00:04:59,800 --> 00:05:03,160 The experiment has progressed our relationship so much 116 00:05:03,200 --> 00:05:04,800 because we had to really open up. 117 00:05:04,880 --> 00:05:07,720 OK. Ahh! That's good. 118 00:05:07,800 --> 00:05:09,960 I came here to find my forever person, 119 00:05:10,040 --> 00:05:12,680 and I wholeheartedly hope that it's Jeff. 120 00:05:12,760 --> 00:05:16,120 Ahh! (LAUGHTER) 121 00:05:18,840 --> 00:05:20,200 Welcome! Thank you! 122 00:05:20,280 --> 00:05:21,240 Again. Again. 123 00:05:21,280 --> 00:05:22,280 (LAUGHTER) 124 00:05:22,320 --> 00:05:23,960 (JAUNTY INSTRUMENTAL MUSIC) 125 00:05:24,040 --> 00:05:26,280 Feels like I was here yesterday. (LAUGHS) 126 00:05:26,320 --> 00:05:28,240 (LAUGHS) 127 00:05:28,320 --> 00:05:30,560 I actually think I've never been in here in daylight... 128 00:05:30,640 --> 00:05:31,600 (LAUGHS) ..ever. 129 00:05:31,640 --> 00:05:33,240 (LAUGHTER) 130 00:05:33,280 --> 00:05:34,480 Oh, too funny. 131 00:05:34,560 --> 00:05:36,840 Homestays is an important week for us. 132 00:05:36,880 --> 00:05:38,640 It'll give us a real insight 133 00:05:38,720 --> 00:05:41,040 into what life is gonna be like post-experiment. 134 00:05:41,120 --> 00:05:42,680 Thank you. There we go. 135 00:05:43,960 --> 00:05:45,920 We're in a great spot in our relationship. 136 00:05:45,960 --> 00:05:47,960 So, I'm excited for it. 137 00:05:48,040 --> 00:05:50,560 Hopefully she has a good time and we have some fun. 138 00:05:51,640 --> 00:05:53,240 When you walked out that last time, 139 00:05:53,320 --> 00:05:55,040 imagine thinking that you were gonna be here, 140 00:05:55,080 --> 00:05:56,440 married to me, one year later. 141 00:05:56,520 --> 00:05:58,880 I would never have imagined it. I know. 142 00:05:58,960 --> 00:06:01,680 It is crazy. Yeah. Definitely. 143 00:06:02,720 --> 00:06:07,320 Being back at Jeff's house, it is very weird, very surreal... 144 00:06:07,360 --> 00:06:08,600 (UPLIFTING INSTRUMENTAL MUSIC) 145 00:06:08,680 --> 00:06:10,280 ..but, look, it feels really, really good. 146 00:06:10,360 --> 00:06:12,880 I feel very grateful to see, like, how far we've come. 147 00:06:14,080 --> 00:06:15,840 It was meant to be, Jeffy. Meant to be. 148 00:06:15,920 --> 00:06:17,520 Mm-hm. So nice, having you here. 149 00:06:17,560 --> 00:06:21,240 (MOMENTOUS MUSIC SWELLS) 150 00:06:25,760 --> 00:06:27,360 On the other side of Melbourne, 151 00:06:27,400 --> 00:06:29,480 Dave is alone in his apartment, 152 00:06:29,560 --> 00:06:32,920 getting ready for a serious talk with Jamie. 153 00:06:34,480 --> 00:06:37,520 Homestays has proved challenging for the couple 154 00:06:37,560 --> 00:06:39,760 after the last commitment ceremony 155 00:06:39,840 --> 00:06:42,680 left their relationship at a crossroads. 156 00:06:42,760 --> 00:06:46,360 DAVE: When Jamie told me she loved me, I freaked out a little bit. 157 00:06:46,440 --> 00:06:48,600 I'm not there yet, and it's scary for me. 158 00:06:49,800 --> 00:06:51,680 Since arriving in Melbourne, 159 00:06:51,760 --> 00:06:54,720 the pair have been living in separate apartments. 160 00:06:54,760 --> 00:06:58,360 (SOMBRE INSTRUMENTAL MUSIC) 161 00:06:58,440 --> 00:07:02,200 I wish, like, I could just go back to the start for, like, a minute. 162 00:07:02,240 --> 00:07:04,680 (CRIES) 163 00:07:04,760 --> 00:07:08,120 Like, it was just, like... we just had the best time. 164 00:07:08,160 --> 00:07:09,320 Like, we really did. 165 00:07:09,400 --> 00:07:12,640 And a testy lunch with Jamie's sister yesterday 166 00:07:12,680 --> 00:07:14,880 only fuelled Jamie's doubts 167 00:07:14,960 --> 00:07:18,400 about the strength of Dave's feelings towards her. 168 00:07:18,480 --> 00:07:21,600 Because he's literally showed up, like, 20%, and you're, like, love. 169 00:07:21,640 --> 00:07:23,160 (TENSE INSTRUMENTAL MUSIC) 170 00:07:23,240 --> 00:07:25,600 I don't think I can handle watching yet another relationship 171 00:07:25,680 --> 00:07:28,040 where you're struggling like that - I can't watch that again. 172 00:07:28,120 --> 00:07:30,720 As their relationship hangs in the balance... 173 00:07:30,760 --> 00:07:33,360 See you, buddy. I'll see you soon. 174 00:07:33,400 --> 00:07:34,960 On your bed. On your bed. 175 00:07:35,000 --> 00:07:36,200 (DRAMATIC MUSIC BUILDS) 176 00:07:36,280 --> 00:07:39,480 ..Jamie has asked Dave to meet her at a local pub 177 00:07:39,520 --> 00:07:41,920 to discuss where they stand. 178 00:07:43,360 --> 00:07:45,760 I do have real feelings for Dave, 179 00:07:45,840 --> 00:07:48,880 but my sister gave me some home truths, 180 00:07:48,960 --> 00:07:52,080 and now I'm just like, "Maybe this isn't gonna work." 181 00:07:52,160 --> 00:07:55,480 Do I, you know, remove myself before I get hurt more? 182 00:07:56,880 --> 00:07:59,160 So, today... (SIGHS) 183 00:07:59,240 --> 00:08:01,720 ..I'm looking for, like, any kind of reassurance from Dave. 184 00:08:01,800 --> 00:08:05,080 Like, I need him to, like, not put more doubts into my head. 185 00:08:05,120 --> 00:08:06,480 How's your day? 186 00:08:06,520 --> 00:08:07,840 (TENSE INSTRUMENTAL MUSIC) 187 00:08:07,880 --> 00:08:09,440 Oh, I feel like I'm just a bit... 188 00:08:10,440 --> 00:08:13,040 ..like, all over the place. 189 00:08:13,120 --> 00:08:15,880 I feel like this whole, like, experiment 190 00:08:15,920 --> 00:08:18,480 has thrown me for a bit of a loop. 191 00:08:18,520 --> 00:08:21,920 (TENSE INSTRUMENTAL MUSIC) 192 00:08:21,960 --> 00:08:26,320 You know, I don't really want 193 00:08:26,360 --> 00:08:30,760 to experience more hurt or sadness, 194 00:08:30,840 --> 00:08:34,400 and so I think it's a bit, like, almost unsafe 195 00:08:34,440 --> 00:08:37,520 to have feelings right now. 196 00:08:37,560 --> 00:08:40,000 (TENSE INSTRUMENTAL MUSIC) 197 00:08:40,040 --> 00:08:42,320 I definitely don't wanna hurt you... 198 00:08:43,400 --> 00:08:46,560 ..and I definitely want to work on these things. 199 00:08:46,640 --> 00:08:48,920 You've definitely tried to put effort in, 200 00:08:49,000 --> 00:08:55,360 but, like, that...that desire and that want to be with me, 201 00:08:55,440 --> 00:08:58,080 I just don't necessarily know if that's there. 202 00:08:58,120 --> 00:09:01,120 (TENSE INSTRUMENTAL MUSIC) 203 00:09:03,960 --> 00:09:06,480 You know, I do care about you, and you are an amazing person, 204 00:09:06,520 --> 00:09:09,480 and it does hurt...hurt my heart. 205 00:09:09,520 --> 00:09:11,480 So, like, what do you need me to do? 206 00:09:11,520 --> 00:09:13,760 (TENSE INSTRUMENTAL MUSIC) 207 00:09:13,840 --> 00:09:18,720 I just wanna see, like, some sort of fight. 208 00:09:18,760 --> 00:09:20,240 (TENSE INSTRUMENTAL MUSIC) 209 00:09:20,280 --> 00:09:21,600 You know? 210 00:09:24,480 --> 00:09:27,400 You are potentially losing me... 211 00:09:27,440 --> 00:09:29,280 (TENSE INSTRUMENTAL MUSIC) 212 00:09:29,360 --> 00:09:31,160 ..and I don't feel like you care too much. 213 00:09:31,200 --> 00:09:35,400 (TENSE INSTRUMENTAL MUSIC) 214 00:09:35,480 --> 00:09:38,520 The feelings are there, and I've dropped a ball, 215 00:09:38,560 --> 00:09:40,440 and I'm sorry for that. 216 00:09:40,480 --> 00:09:42,000 That won't happen again. 217 00:09:42,040 --> 00:09:43,920 (TENSE INSTRUMENTAL MUSIC) 218 00:09:44,000 --> 00:09:47,400 I seen you on the couch last week and I seen how hurt you were. 219 00:09:47,440 --> 00:09:49,440 (TENSE INSTRUMENTAL MUSIC) 220 00:09:49,480 --> 00:09:51,920 That's not how I want...this to go. 221 00:09:51,960 --> 00:09:53,920 I don't wanna hurt you at all, 222 00:09:53,960 --> 00:09:56,400 because I care about you. 223 00:09:57,880 --> 00:10:00,200 It took me a while to realise those emotions, 224 00:10:00,280 --> 00:10:02,640 and I know that I'm gonna have to put the effort in. 225 00:10:02,720 --> 00:10:05,960 I wanna work on expressing the emotional, romantic side. 226 00:10:06,000 --> 00:10:07,120 (TENSE MUSIC CONTINUES) 227 00:10:07,200 --> 00:10:11,760 When I do have concerns and when I do think there's no way forward, 228 00:10:11,800 --> 00:10:13,360 like, I wish, in those moments, 229 00:10:13,440 --> 00:10:16,160 you know, you'd be MY rock in that situation. 230 00:10:16,240 --> 00:10:20,000 I am willing to do all that, and I'm willing to try. 231 00:10:20,040 --> 00:10:24,080 I think I need to be more...open 232 00:10:24,160 --> 00:10:28,280 and get back to showing you that I do care. 233 00:10:28,320 --> 00:10:29,560 Like, that's why I'm here. 234 00:10:29,640 --> 00:10:31,560 I wanna be a better person. I wanna be a better partner. 235 00:10:32,720 --> 00:10:34,280 Do you reckon you can do that, then? 236 00:10:36,720 --> 00:10:38,200 You're worth doing that for. 237 00:10:38,240 --> 00:10:41,240 (GENTLE MUSIC BUILDS) 238 00:10:41,320 --> 00:10:43,480 Are you still gonna romance me? Mmm. 239 00:10:45,160 --> 00:10:47,360 Do nice surprises? Yeah. 240 00:10:47,400 --> 00:10:50,400 (GENTLE INSTRUMENTAL MUSIC) 241 00:10:53,160 --> 00:10:56,720 The conversation Dave and I had has reassured me. 242 00:10:56,800 --> 00:11:00,480 Like, he's really trying to show that he's here to stay. 243 00:11:00,560 --> 00:11:02,960 And you gotta be honest about how you're feeling. 244 00:11:04,440 --> 00:11:05,440 Yeah. 245 00:11:05,520 --> 00:11:08,120 I don't wanna have to ask or harass you. You need to tell me. 246 00:11:08,160 --> 00:11:11,680 We're looking a lot brighter again. 247 00:11:11,760 --> 00:11:13,520 OK? Yeah. 248 00:11:13,600 --> 00:11:15,560 I feel better after that conversation. 249 00:11:15,600 --> 00:11:17,160 Same. 250 00:11:17,240 --> 00:11:20,880 I know I have let Jamie down, but I have feelings for her, 251 00:11:20,960 --> 00:11:23,360 and then, you know, this is not the spot to give up. 252 00:11:24,400 --> 00:11:26,680 The hardest decision is to fight, and that's what we wanna do, 253 00:11:26,720 --> 00:11:28,120 and I wanna move forward. 254 00:11:28,160 --> 00:11:31,160 (MOMENTOUS MUSIC BUILDS) 255 00:11:33,560 --> 00:11:35,040 You always go for the arse. 256 00:11:36,160 --> 00:11:37,720 You have a great arse, that's why. 257 00:11:37,760 --> 00:11:39,520 (JAMIE LAUGHS) 258 00:11:41,520 --> 00:11:44,920 (DRAMATIC INSTRUMENTAL MUSIC) 259 00:11:45,000 --> 00:11:50,560 In Sydney, Jacqui and Ryan are embarking on the 1.5-hour drive 260 00:11:50,640 --> 00:11:54,600 from Jacqui's place in the seaside sanctuary of Manly 261 00:11:54,680 --> 00:11:58,960 to Ryan's house in the suburbs of South-West Sydney. 262 00:11:59,040 --> 00:12:02,440 Turn right here? Um...yes. 263 00:12:02,520 --> 00:12:07,240 I'm a little bit concerned about the whole juxtaposition 264 00:12:07,280 --> 00:12:09,080 of Manly versus South-West. 265 00:12:09,120 --> 00:12:10,760 See you later, Manly. 266 00:12:10,800 --> 00:12:12,720 Being at Jacqui's place 267 00:12:12,800 --> 00:12:15,880 only seemed to intensify the couple's differences. 268 00:12:20,040 --> 00:12:21,640 My beard? It's not very Manly. 269 00:12:21,680 --> 00:12:23,560 (LAUGHS) See...see, I can laugh... 270 00:12:23,600 --> 00:12:26,080 And tonight I'm gonna shave it off. 271 00:12:26,160 --> 00:12:30,520 If you do, then just be prepared for an immediate divorce. 272 00:12:30,560 --> 00:12:32,640 What's wrong with clean-shaven? 273 00:12:32,720 --> 00:12:34,560 There's nothing wrong with it... Why won't... 274 00:12:34,640 --> 00:12:38,000 ..but you threatening to shave a man's beard is dangerous ground. 275 00:12:38,040 --> 00:12:39,360 Something as simple as a beard... 276 00:12:39,440 --> 00:12:41,120 I can't have a conversation with you about anything 277 00:12:41,160 --> 00:12:42,400 because your brain is so small! 278 00:12:42,480 --> 00:12:44,440 My brain is small? Yeah. 279 00:12:44,520 --> 00:12:46,280 Oh, my Lord. I can't conversate with you... 280 00:12:46,360 --> 00:12:49,360 You're so condescending and pretentious and judgmental. 281 00:12:49,400 --> 00:12:51,200 (TENSE INSTRUMENTAL MUSIC) 282 00:12:51,280 --> 00:12:55,400 And now it's time for Ryan to take charge of the homestay 283 00:12:55,440 --> 00:12:58,280 in his suburban slice of paradise. 284 00:12:59,320 --> 00:13:02,720 I wanna make sure that Jacqui sees me in my most natural environment. 285 00:13:03,760 --> 00:13:07,320 I'm gonna show her the best of what I've made for myself. 286 00:13:07,400 --> 00:13:08,680 Go A4... You have to go straight, it says. 287 00:13:08,720 --> 00:13:11,120 Yeah, it says A4. 288 00:13:11,200 --> 00:13:13,200 I did work very hard to get this place, 289 00:13:13,240 --> 00:13:14,640 and it's not absolutely massive, 290 00:13:14,720 --> 00:13:18,320 but as a solo home owner in Sydney, like, I'm really proud of it. 291 00:13:18,400 --> 00:13:20,200 Jacqui can be a little bit judgmental. 292 00:13:20,240 --> 00:13:22,640 She's got very high standards. 293 00:13:22,720 --> 00:13:26,760 If she's not accepting of it, this relationship can't progress. 294 00:13:27,760 --> 00:13:29,400 This is the ultimate test for me. 295 00:13:29,480 --> 00:13:31,240 Like... Whoa! 296 00:13:31,280 --> 00:13:32,440 Oh, man! 297 00:13:32,520 --> 00:13:34,920 I'm expecting to get to know Ryan a bit more - 298 00:13:35,000 --> 00:13:37,360 like, the real Ryan in his home environment. 299 00:13:37,440 --> 00:13:39,720 I'm definitely excited to see some of Ryan's stuff. 300 00:13:39,800 --> 00:13:41,880 Like, I wanna appreciate him more as a person. 301 00:13:41,960 --> 00:13:44,240 This is your place? This is mine here. 302 00:13:46,160 --> 00:13:47,640 (BARKS) 303 00:13:47,680 --> 00:13:49,600 Someone is greeting us. 304 00:13:49,640 --> 00:13:53,040 Freya? (GASPS) Oh, my god! 305 00:13:53,120 --> 00:13:54,560 (CHUCKLES) Ohh! 306 00:13:54,600 --> 00:13:56,880 I brought someone new. 307 00:13:56,960 --> 00:13:59,520 I've never had anyone live at this place with me, 308 00:13:59,560 --> 00:14:01,000 and now I'm bringing a wife here. 309 00:14:01,080 --> 00:14:04,160 It's a massive deal, inviting Jacqui into my world. 310 00:14:04,200 --> 00:14:05,840 I wanna see what she really thinks 311 00:14:05,920 --> 00:14:08,280 about this little place that I've built for myself 312 00:14:08,320 --> 00:14:10,360 'cause I absolutely love it. 313 00:14:10,440 --> 00:14:12,360 Alright, 'welcome'... Welcome. 314 00:14:12,440 --> 00:14:13,800 ..and 'home'. Home. 315 00:14:13,880 --> 00:14:15,640 "Welcome home"! I like it! Yeah. 316 00:14:15,720 --> 00:14:18,400 (LAUGHTER) That's funny. (LAUGHS) 317 00:14:18,440 --> 00:14:19,520 I think she's gonna be great here. 318 00:14:19,600 --> 00:14:22,000 OK, come in, come in! Yeah? 319 00:14:22,040 --> 00:14:23,560 Flick these lights on. 320 00:14:23,600 --> 00:14:25,560 (DRAMATIC MUSIC BUILDS) 321 00:14:25,600 --> 00:14:26,600 Wow. 322 00:14:26,640 --> 00:14:29,200 So, this is the loungeroom. 323 00:14:29,240 --> 00:14:31,720 No flowers yet. 324 00:14:31,760 --> 00:14:35,080 (DRAMATIC MUSIC BUILDS) 325 00:14:35,160 --> 00:14:37,880 Come on through. This is the main area. 326 00:14:37,920 --> 00:14:41,280 (DRAMATIC MUSIC BUILDS) 327 00:14:41,360 --> 00:14:46,000 That's a 250-year-old Edo Period katana. 328 00:14:46,080 --> 00:14:48,880 As you can tell, I'm pretty passionate about this type of stuff. 329 00:14:48,920 --> 00:14:50,040 (DRAMATIC MUSIC BUILDS) 330 00:14:50,080 --> 00:14:51,880 Got the vision board over there. 331 00:14:51,920 --> 00:14:57,000 (DRAMATIC MUSIC CONTINUES) 332 00:14:57,080 --> 00:14:59,920 So, yeah, so, this room... this is, basically, Ryan's room. 333 00:14:59,960 --> 00:15:02,960 (DRAMATIC MUSIC CONTINUES) 334 00:15:10,120 --> 00:15:11,920 So, for example, if you look over here, 335 00:15:11,960 --> 00:15:13,600 that's when I did the massive tour. 336 00:15:13,680 --> 00:15:15,880 It's got a symbol from every country. 337 00:15:15,920 --> 00:15:17,920 So, that stein is from Germany. 338 00:15:17,960 --> 00:15:19,960 (TENSE INSTRUMENTAL MUSIC) 339 00:15:20,000 --> 00:15:22,320 It was eye-opening to see his home. 340 00:15:22,400 --> 00:15:25,760 There's an Eiffel Tower, a sword from the Tower of London. 341 00:15:25,840 --> 00:15:28,920 (CRIES) I just think he's been alone here for seven years... 342 00:15:28,960 --> 00:15:30,640 (SOMBRE INSTRUMENTAL MUSIC) 343 00:15:30,720 --> 00:15:33,920 ..and maybe he isn't even aware of how lonely he is. 344 00:15:34,000 --> 00:15:35,720 It really reminds me of the elderly... 345 00:15:35,760 --> 00:15:37,000 (SOMBRE INSTRUMENTAL MUSIC) 346 00:15:37,080 --> 00:15:39,480 ..'cause a lot of elderly live in homes 347 00:15:39,560 --> 00:15:42,880 where they're alone for seven, ten, 15 years. 348 00:15:42,920 --> 00:15:45,880 This is a 70-year-old kimono. 349 00:15:45,920 --> 00:15:46,960 (SOMBRE INSTRUMENTAL MUSIC) 350 00:15:47,040 --> 00:15:49,600 It was so sweet of him to be so confident 351 00:15:49,640 --> 00:15:52,200 and so happy to bring me in. 352 00:15:52,280 --> 00:15:55,880 It's not quite hoarding. It's just, like, memories. 353 00:15:57,320 --> 00:15:58,920 (DRAMATIC MUSIC BUILDS) 354 00:15:58,960 --> 00:16:00,280 I just feel bad for Ryan. 355 00:16:00,320 --> 00:16:03,680 (DRAMATIC MUSIC BUILDS) 356 00:16:09,080 --> 00:16:11,000 (GENTLE PIANO MUSIC) 357 00:16:11,040 --> 00:16:12,280 BETH: Oh, Mum and Dad! Oh! 358 00:16:12,360 --> 00:16:13,800 We're just gonna have to carry it by the handle. 359 00:16:13,880 --> 00:16:14,920 Yeah. (CHUCKLES) 360 00:16:15,000 --> 00:16:16,320 Not the easiest thing. You got it..? 361 00:16:16,400 --> 00:16:20,520 Beth and Teejay are returning to their home city of Brisbane 362 00:16:20,600 --> 00:16:23,960 and the weather hasn't dampened Beth's buoyant mood 363 00:16:24,040 --> 00:16:28,080 as she brings her first ever partner to her family home. 364 00:16:28,160 --> 00:16:30,720 Muscle Maggie! (CHUCKLES) There you go. 365 00:16:30,800 --> 00:16:34,080 It feels so weird, being back in Brisbane. 366 00:16:34,120 --> 00:16:35,720 Bloody hell! 367 00:16:35,760 --> 00:16:37,600 This is a really big deal for me, 368 00:16:37,680 --> 00:16:40,920 to be taking a guy to my home, meeting my family, 369 00:16:40,960 --> 00:16:42,280 'cause, like, my family, my friends, 370 00:16:42,360 --> 00:16:43,600 have never seen me in a relationship. 371 00:16:43,640 --> 00:16:44,880 (THUNDER CRACKS) 372 00:16:44,920 --> 00:16:48,000 Is that a sign? (LAUGHS) 373 00:16:48,040 --> 00:16:50,080 I'm home! 374 00:16:50,120 --> 00:16:52,280 Oh, my god, who's that?! 375 00:16:52,320 --> 00:16:53,520 Hi, guys! 376 00:16:53,560 --> 00:16:55,160 (WOMEN SQUEAL) 377 00:16:55,240 --> 00:16:58,280 Hey, hey! Hello! How are you? 378 00:16:58,360 --> 00:16:59,360 Hello! How you going? 379 00:16:59,440 --> 00:17:00,960 (INDISTINCT CHATTER) For you. 380 00:17:01,040 --> 00:17:03,960 Thank you. Oh, my gosh. They're beautiful! 381 00:17:04,000 --> 00:17:05,000 It's weird! 382 00:17:05,040 --> 00:17:06,360 I feel like it's been so long, 383 00:17:06,440 --> 00:17:07,520 but then I feel like it was yesterday 384 00:17:07,560 --> 00:17:08,600 that I saw you at the wedding. 385 00:17:08,680 --> 00:17:11,040 I know. How has that been, though, living, like, so closely? 386 00:17:11,120 --> 00:17:12,560 Yeah, I mean, we met at the wedding and then... 387 00:17:12,600 --> 00:17:13,960 Beth's first time out of home. 388 00:17:14,040 --> 00:17:15,320 Yeah. Well? 389 00:17:15,360 --> 00:17:17,040 Yeah, it's been very light and easy. 390 00:17:18,680 --> 00:17:20,440 Shall we get settled? Yeah, show me around. 391 00:17:20,520 --> 00:17:21,960 Show you around. What's going on? 392 00:17:22,040 --> 00:17:25,560 NARRATOR: As Beth and Teejay settle into Beth's room... 393 00:17:25,600 --> 00:17:26,640 This?! 394 00:17:26,680 --> 00:17:27,840 Little room. 395 00:17:27,920 --> 00:17:31,800 ..their comfort levels together are at an all-time high. 396 00:17:31,880 --> 00:17:34,160 You put your stuff away first and then I'll see what's left. 397 00:17:34,200 --> 00:17:35,240 OK. 398 00:17:35,320 --> 00:17:38,240 A stark contrast to the last commitment ceremony... 399 00:17:39,360 --> 00:17:42,520 ..where the couple's lack of intimacy came into focus. 400 00:17:42,600 --> 00:17:44,120 ALESSANDRA: Why would you say, Teejay, 401 00:17:44,200 --> 00:17:47,120 that sexual intimacy and, like, physical intimacy 402 00:17:47,160 --> 00:17:48,800 hasn't progressed for you two? 403 00:17:48,880 --> 00:17:50,760 I genuinely believe it's an emotional connection thing. 404 00:17:50,840 --> 00:17:54,040 I wanna focus on building that connection. 405 00:17:54,120 --> 00:17:57,000 I really wanna have, like, our souls intertwining 406 00:17:57,080 --> 00:17:59,360 before moving back into the intimate side of things. 407 00:18:00,960 --> 00:18:05,760 But since then, the pair have made a significant step forward 408 00:18:05,800 --> 00:18:07,360 in their relationship. 409 00:18:07,400 --> 00:18:08,800 We went on a date, 410 00:18:08,880 --> 00:18:11,520 and then, that night, we were intimate again, which was awesome. 411 00:18:11,600 --> 00:18:13,640 I don't really quite know why I've got so much stuff, to be honest. 412 00:18:13,680 --> 00:18:14,680 Mmm. 413 00:18:14,720 --> 00:18:15,760 He initiated it. 414 00:18:15,800 --> 00:18:17,000 He's said this whole time 415 00:18:17,080 --> 00:18:18,800 he needs more of a connection to sleep with me. 416 00:18:18,880 --> 00:18:22,440 So, I hope that means that he does have an emotional connection to me, 417 00:18:22,520 --> 00:18:24,200 'cause, otherwise, I guess it wouldn't make sense 418 00:18:24,240 --> 00:18:25,360 for him to initiate that. 419 00:18:26,360 --> 00:18:27,640 Yeah, it felt good. 420 00:18:27,720 --> 00:18:30,040 TEEJAY: The commitment ceremony made me realise 421 00:18:30,120 --> 00:18:32,360 that I was disregarding Beth's requirements, 422 00:18:32,440 --> 00:18:34,920 or what she wants from an intimate relationship. 423 00:18:35,000 --> 00:18:37,560 So, we went out, had a beautiful day, had a few drinks, 424 00:18:37,640 --> 00:18:39,320 and came back, and it felt like the right time to do it. 425 00:18:39,360 --> 00:18:42,600 (MOMENTOUS MUSIC BUILDS) 426 00:18:42,680 --> 00:18:45,160 But that's not something that will be happening 427 00:18:45,240 --> 00:18:47,400 in the family household right now, no. 428 00:18:48,560 --> 00:18:50,720 We are gonna be like sardines tonight in that bed. 429 00:18:50,800 --> 00:18:52,640 Mmm. It's not very big, is it? 430 00:18:52,720 --> 00:18:53,920 Mmm. Mmm. 431 00:18:53,960 --> 00:18:57,560 (UPLIFTING INSTRUMENTAL MUSIC) 432 00:18:57,640 --> 00:19:03,440 In Melbourne, after promising to show more effort in their relationship, 433 00:19:03,520 --> 00:19:06,520 Dave is seeking to connect with his wife 434 00:19:06,600 --> 00:19:11,360 and is joining Jamie in the familiar surrounds of her own home. 435 00:19:11,440 --> 00:19:14,040 DAVE: I feel like homestays has been a bit of an eye-opener. 436 00:19:14,120 --> 00:19:16,160 You know, the hard conversations, we're good at having them. 437 00:19:16,240 --> 00:19:19,560 I just wanna sort of step up and show exactly how I feel 438 00:19:19,640 --> 00:19:21,600 and just be a partner who can express 439 00:19:21,680 --> 00:19:24,560 and build your partner up in the areas that they need. 440 00:19:24,640 --> 00:19:27,800 (DOORBELL CHIMES) Hey! I'm here. Let me in. 441 00:19:27,880 --> 00:19:30,840 Jamie always talks about her apartment and where she lives. 442 00:19:30,880 --> 00:19:32,360 It makes her super happy. 443 00:19:32,440 --> 00:19:34,200 So, I thought it would make her a bit more comfortable 444 00:19:34,240 --> 00:19:35,760 if I was to move in here, 445 00:19:35,840 --> 00:19:37,840 but I just wanna be able to get back to where we were. 446 00:19:40,320 --> 00:19:43,080 We've had such a good run for such a long time. 447 00:19:43,160 --> 00:19:48,080 Ohh! Yes! Sorry, Dad. (LAUGHTER) 448 00:19:48,160 --> 00:19:50,920 It's important that we get back on track. 449 00:19:51,000 --> 00:19:53,160 And they say we're, like, the strong couple. 450 00:19:53,200 --> 00:19:54,760 Come on. Let's go. 451 00:19:54,840 --> 00:19:57,480 I know how much I care about her and I don't wanna lose her. 452 00:19:57,520 --> 00:20:00,120 And with the help of his wingman... 453 00:20:00,160 --> 00:20:01,640 It's gonna be OK, Woofy. 454 00:20:02,640 --> 00:20:04,200 It's gonna be OK. 455 00:20:04,240 --> 00:20:07,080 ..Dave is hoping his stay at Jamie's 456 00:20:07,160 --> 00:20:11,080 will take them back to the glory days of their relationship. 457 00:20:11,120 --> 00:20:13,520 (KNOCKING AT DOOR) 458 00:20:15,000 --> 00:20:16,680 Hey! Hello! 459 00:20:16,760 --> 00:20:19,200 Hey, ya sexy minx! I bought you a present. 460 00:20:20,640 --> 00:20:23,000 His name's Woofy, and he can be Rara's brother. 461 00:20:23,080 --> 00:20:26,040 And this is an emotional support puppy for me while I'm here. 462 00:20:26,120 --> 00:20:28,480 I bought you dogs too. (LAUGHTER) 463 00:20:28,560 --> 00:20:30,200 You got the dogs out? I got... (LAUGHS) 464 00:20:30,240 --> 00:20:31,840 How you going? 465 00:20:31,880 --> 00:20:33,720 Oh, that was sweet! 466 00:20:33,760 --> 00:20:34,880 This is nice! 467 00:20:34,920 --> 00:20:36,680 (UPLIFTING INSTRUMENTAL MUSIC) 468 00:20:36,760 --> 00:20:38,000 Come. This is gonna be your favourite part. 469 00:20:39,080 --> 00:20:41,680 It's just a cold wind... Whoa! How good's that view? 470 00:20:41,720 --> 00:20:43,040 (UPLIFTING INSTRUMENTAL MUSIC) 471 00:20:43,080 --> 00:20:44,360 Very nice! 472 00:20:44,400 --> 00:20:45,600 You got it made. 473 00:20:45,640 --> 00:20:47,800 I need to show Jamie that I care 474 00:20:47,840 --> 00:20:50,000 and show Jamie that she does matter, 475 00:20:50,080 --> 00:20:52,440 and I want to make her feel wanted and needed. 476 00:20:52,520 --> 00:20:55,160 So, yeah, it's clear as day. I know what I need to do. 477 00:20:55,240 --> 00:20:58,280 Knuckle down and make her feel the way she deserves. 478 00:20:59,960 --> 00:21:02,640 I'm gonna see the size of this bed. Am I gonna fit on it? 479 00:21:02,680 --> 00:21:03,760 (GRUNTS) 480 00:21:03,800 --> 00:21:05,120 (JAUNTY INSTRUMENTAL MUSIC) 481 00:21:05,160 --> 00:21:07,480 Yeah, you're fine! 482 00:21:07,560 --> 00:21:09,800 You've got about this much room. That's where my pillow goes. 483 00:21:09,880 --> 00:21:12,280 You're exceptionally large. We'll be right. 484 00:21:12,320 --> 00:21:14,960 (LAUGHTER) 485 00:21:15,000 --> 00:21:16,400 (KISSES) 486 00:21:16,440 --> 00:21:21,440 (GENTLE INSTRUMENTAL MUSIC) 487 00:21:21,520 --> 00:21:24,400 JAMIE: I feel like Dave's really trying to give it a fair go, 488 00:21:24,480 --> 00:21:26,600 and he's, like, really trying to show up. 489 00:21:26,680 --> 00:21:29,760 You know, there was a lot of cuddling and embraces, 490 00:21:29,840 --> 00:21:32,840 and I think, yeah, he does really care for me, 491 00:21:32,920 --> 00:21:35,480 and we just like being in each other's space like that. 492 00:21:35,520 --> 00:21:37,320 (GENTLE INSTRUMENTAL MUSIC) 493 00:21:37,400 --> 00:21:39,600 I know. It's weird. All my worlds are colliding right now. 494 00:21:39,680 --> 00:21:42,880 Dogs, me, in the bed at once. Yep. 495 00:21:42,960 --> 00:21:44,200 That's cute. I like these pants. 496 00:21:44,240 --> 00:21:46,200 Thank you. 497 00:21:49,880 --> 00:21:51,760 In South-West Sydney, 498 00:21:51,840 --> 00:21:56,760 Jacqui is getting acquainted with her surrounds at Ryan's place, 499 00:21:56,800 --> 00:21:58,960 and while Ryan is out shopping, 500 00:21:59,000 --> 00:22:01,520 she has taken it upon herself 501 00:22:01,600 --> 00:22:05,600 to correct his organisation strategy with fresh energy. 502 00:22:05,680 --> 00:22:10,800 I thought that Ryan could do with some things done around the house. 503 00:22:10,840 --> 00:22:12,520 (JAUNTY INSTRUMENTAL MUSIC) 504 00:22:12,560 --> 00:22:13,640 From my standard of living, 505 00:22:13,720 --> 00:22:16,440 like, I just like the place to be a little bit cleaner and tidier. 506 00:22:17,480 --> 00:22:19,600 Ryan hasn't even done his laundry for 2.5 months, 507 00:22:19,680 --> 00:22:22,040 and I'm just thinking this is, like, not good. 508 00:22:22,080 --> 00:22:23,560 (JAUNTY INSTRUMENTAL MUSIC) 509 00:22:23,640 --> 00:22:26,600 I think Ryan could do with moving his flatscreen back into the office 510 00:22:26,640 --> 00:22:28,120 so that he can work in the office. 511 00:22:28,160 --> 00:22:29,640 (JAUNTY INSTRUMENTAL MUSIC) 512 00:22:29,680 --> 00:22:32,000 And he could also move his sword. 513 00:22:33,000 --> 00:22:34,480 He should have it on display, 514 00:22:34,560 --> 00:22:36,320 but it doesn't need to be on the dining room table. 515 00:22:36,400 --> 00:22:39,120 (LAUGHS) It's like 'The Lion, The Witch, And The Wardrobe'. 516 00:22:39,200 --> 00:22:41,920 The sword table - it's literally a sword table. 517 00:22:41,960 --> 00:22:44,880 (JAUNTY INSTRUMENTAL MUSIC) 518 00:22:44,920 --> 00:22:46,400 Daddy's home. 519 00:22:47,440 --> 00:22:48,960 I knew that wouldn't stay blank for long. 520 00:22:49,000 --> 00:22:50,400 (LAUGHS) 521 00:22:50,440 --> 00:22:52,120 Can we open the window thing? 522 00:22:52,200 --> 00:22:54,560 Alright, yep, let's open the blinds, for sure. 523 00:22:54,640 --> 00:22:57,040 (SNAPPING) (BOTH EXCLAIM) 524 00:22:57,120 --> 00:22:59,040 That's another thing I'm gonna have to replace. 525 00:22:59,120 --> 00:23:01,560 Oh, no. Add it to the list! (LAUGHS) 526 00:23:01,600 --> 00:23:03,800 (REFINED INSTRUMENTAL MUSIC) 527 00:23:03,880 --> 00:23:06,080 By the way, Ryan, you should probably have the blinds 528 00:23:06,160 --> 00:23:07,680 open in this place while you're away. 529 00:23:07,720 --> 00:23:09,720 (JAUNTY INSTRUMENTAL MUSIC) 530 00:23:09,760 --> 00:23:10,960 I usually keep them closed, 531 00:23:11,040 --> 00:23:13,160 just in case anyone pokes around in the backyard 532 00:23:13,200 --> 00:23:14,840 and sees, like, the sword, the TV. 533 00:23:14,880 --> 00:23:16,920 (JAUNTY INSTRUMENTAL MUSIC) 534 00:23:17,000 --> 00:23:21,280 Maybe that's a good reason to put the sword away in the...the office. 535 00:23:21,320 --> 00:23:22,520 (JAUNTY INSTRUMENTAL MUSIC) 536 00:23:22,600 --> 00:23:24,280 There's no room in there at the moment. 537 00:23:24,320 --> 00:23:27,200 (JAUNTY INSTRUMENTAL MUSIC) 538 00:23:27,240 --> 00:23:28,400 (DRAMATIC MUSIC BUILDS) 539 00:23:28,440 --> 00:23:30,160 Alright, to-do list. 540 00:23:30,200 --> 00:23:31,960 Clean, wash fabrics and sheets. 541 00:23:32,040 --> 00:23:33,800 Yep, standard. (JACQUI CHUCKLES) 542 00:23:33,880 --> 00:23:37,280 Move office back into office. (LAUGHS) 543 00:23:37,360 --> 00:23:40,080 I don't think you understand what's involved with that, hey? 544 00:23:40,120 --> 00:23:41,360 (LAUGHS) 545 00:23:41,400 --> 00:23:43,040 No, read the next one. I do. 546 00:23:43,080 --> 00:23:46,160 Pack stuff away into box. 547 00:23:46,200 --> 00:23:47,360 Genius! 548 00:23:47,400 --> 00:23:49,240 Genius stuff there! 549 00:23:49,320 --> 00:23:52,320 Pat Freya and let her inside during day. 550 00:23:52,360 --> 00:23:53,960 She's sad out there! 551 00:23:54,040 --> 00:23:56,080 You're basically isolating someone for the whole day. 552 00:23:56,120 --> 00:23:57,480 Like, she's just... 553 00:23:57,560 --> 00:23:59,840 Jacqui. Jacqui, she knows the routine. 554 00:23:59,920 --> 00:24:02,320 She gets walked. She gets to cuddle at night. 555 00:24:02,400 --> 00:24:05,480 She gets bones from the butcher. Don't...don't feel bad for her. 556 00:24:05,520 --> 00:24:07,520 (DRAMATIC MUSIC BUILDS) 557 00:24:07,560 --> 00:24:09,120 And mow lawns. 558 00:24:09,200 --> 00:24:11,000 Obviously haven't been around to do that, 559 00:24:11,080 --> 00:24:14,240 so, uh...yeah, might even show you how to start the old mower. 560 00:24:14,280 --> 00:24:15,720 (LAUGHS) 561 00:24:19,080 --> 00:24:21,440 Hey, if you wanted me to consider moving to Manly, 562 00:24:21,520 --> 00:24:23,080 you gotta consider this lifestyle as well. 563 00:24:23,120 --> 00:24:25,480 Have an open mind, you know? 564 00:24:26,560 --> 00:24:28,640 I have a very open mind, clearly! 565 00:24:28,720 --> 00:24:31,560 No, that's an instructional mind. (LAUGHS) 566 00:24:31,640 --> 00:24:35,200 No, it's open to how to improve - how to make it work. 567 00:24:35,240 --> 00:24:36,240 Mmm... 568 00:24:36,280 --> 00:24:37,360 (DRAMATIC MUSIC BUILDS) 569 00:24:37,400 --> 00:24:39,960 You know what, at this point, 570 00:24:40,040 --> 00:24:44,400 I don't feel like Jacqui's 100% accepting of me, my lifestyle, 571 00:24:44,480 --> 00:24:47,840 and the home I've decided to build in my own way. 572 00:24:47,920 --> 00:24:50,840 I would never walk into your house and try and change anything, hey? 573 00:24:52,120 --> 00:24:54,640 We've been butting heads back and forth, and that does drain you. 574 00:24:55,680 --> 00:24:58,800 I'm still here, and I'm still keeping open and optimistic, 575 00:24:58,880 --> 00:25:02,120 but if she's gonna keep trying to change who I am, 576 00:25:02,160 --> 00:25:03,760 it's really hard to see that future. 577 00:25:03,800 --> 00:25:05,440 (DRAMATIC MUSIC SWELLS) 578 00:25:05,480 --> 00:25:06,560 Coming up... 579 00:25:06,640 --> 00:25:07,760 Where's the big man? WOMAN: How you been? 580 00:25:07,840 --> 00:25:10,800 ..a heartwarming visit for Jamie and Dave... 581 00:25:10,880 --> 00:25:13,080 Good to finally meet you. Good to finally meet you too! 582 00:25:13,120 --> 00:25:15,240 ..brings life-changing news. 583 00:25:15,320 --> 00:25:17,560 I didn't even expect to hear anything like that. 584 00:25:17,640 --> 00:25:19,520 WOMAN: No. No, me either. 585 00:25:19,600 --> 00:25:23,920 But for Beth, homestays may spell heartbreak. 586 00:25:24,000 --> 00:25:26,760 If you were to tell me I have to decide yes or no right now, 587 00:25:26,840 --> 00:25:29,280 then it has to be a nice because I'm not completely comfortable yet. 588 00:25:35,080 --> 00:25:37,800 NARRATOR: As homestays continue... 589 00:25:37,880 --> 00:25:39,720 You're basically part of the family now. 590 00:25:39,760 --> 00:25:41,080 I know. 591 00:25:41,160 --> 00:25:44,120 ..our couples are becoming more intimate with each other... 592 00:25:44,160 --> 00:25:45,480 This is a good view from here. 593 00:25:45,560 --> 00:25:47,480 You're welcome. (LAUGHTER) 594 00:25:47,520 --> 00:25:48,520 (UPLIFTING INSTRUMENTAL MUSIC) 595 00:25:48,560 --> 00:25:50,280 ..and each other's loved ones. 596 00:25:50,360 --> 00:25:53,240 JAMIE: Is he gonna, like, sniff me? Yeah, he'll sniff you. 597 00:25:53,320 --> 00:25:56,680 But, like...can we have it more controlled than that? 598 00:25:56,760 --> 00:25:58,800 (LAUGHS NERVOUSLY) (JAUNTY INSTRUMENTAL MUSIC) 599 00:25:58,840 --> 00:26:00,760 (LAUGHS) 600 00:26:02,520 --> 00:26:04,600 (HAUNTING INSTRUMENTAL MUSIC) 601 00:26:04,640 --> 00:26:06,200 In Perth, 602 00:26:06,280 --> 00:26:11,040 Awhina and Adrian are setting up for a beachside picnic. 603 00:26:11,080 --> 00:26:13,880 (HAUNTING INSTRUMENTAL MUSIC) 604 00:26:14,920 --> 00:26:16,600 ADRIAN: Which one... is it double-sided, or what? 605 00:26:16,680 --> 00:26:17,960 AWHINA: No! It's this side. Oh. 606 00:26:18,000 --> 00:26:19,000 What are you doing?! 607 00:26:19,040 --> 00:26:21,040 What are you... (LAUGHS) Slow down! 608 00:26:21,080 --> 00:26:22,600 Earlier in the week, 609 00:26:22,680 --> 00:26:26,680 Adrian clashed with Awhina's twin sister, Cleo. 610 00:26:28,120 --> 00:26:31,160 CLEO: Me and Whi look at life as a book we both read, 611 00:26:31,240 --> 00:26:33,960 and I'm looking at you as a chapter in her life. 612 00:26:34,000 --> 00:26:35,480 I just don't see you as the ending. 613 00:26:35,520 --> 00:26:38,680 (TENSE INSTRUMENTAL MUSIC) 614 00:26:38,760 --> 00:26:41,440 Yeah, I mean, it's obviously frustrating. 615 00:26:41,520 --> 00:26:44,600 Still think she should give me an apology, but at the same time, 616 00:26:44,680 --> 00:26:48,160 I'm a twin as well, so can't blame Cleo for protecting her. 617 00:26:49,600 --> 00:26:51,160 (GENTLE INSTRUMENTAL MUSIC) 618 00:26:51,200 --> 00:26:53,440 But whatever - we can move on. 619 00:27:01,160 --> 00:27:03,360 The beach is amazing. The sun has been shining the whole time. 620 00:27:03,400 --> 00:27:04,760 You know, I've had a great time. 621 00:27:04,800 --> 00:27:06,800 (GENTLE INSTRUMENTAL MUSIC) 622 00:27:06,840 --> 00:27:09,240 We got to spend time with your mum. 623 00:27:09,280 --> 00:27:11,080 Not so much your sister. Nah. 624 00:27:14,400 --> 00:27:15,400 Before the end, anyway. 625 00:27:16,560 --> 00:27:18,280 My mum really likes you. 626 00:27:18,360 --> 00:27:20,200 Of course she does. No, she does. (LAUGHS) She does. 627 00:27:20,240 --> 00:27:21,240 It's... (SIGHS) 628 00:27:21,280 --> 00:27:24,280 (GENTLE INSTRUMENTAL MUSIC) 629 00:27:24,320 --> 00:27:26,320 It does feel somewhat sad, 630 00:27:26,400 --> 00:27:28,240 like, knowing that we're coming up to the end of this experiment. 631 00:27:33,320 --> 00:27:35,480 (GENTLE INSTRUMENTAL MUSIC) 632 00:27:35,560 --> 00:27:38,360 Like, let's see how we are outside of this and go from there. 633 00:27:38,400 --> 00:27:40,240 (GENTLE INSTRUMENTAL MUSIC) 634 00:27:40,280 --> 00:27:41,920 And do long-distance for a time. 635 00:27:42,000 --> 00:27:44,520 You just keep going from here, you know what I'm saying? 636 00:27:44,560 --> 00:27:46,760 (LAUGHTER) 637 00:27:46,800 --> 00:27:48,600 (GENTLE INSTRUMENTAL MUSIC) 638 00:27:48,680 --> 00:27:52,040 The longer Adrian and I spend together, we do get closer. 639 00:27:52,080 --> 00:27:53,560 Tell me... 640 00:27:53,600 --> 00:27:55,840 We do have massive hurdles. 641 00:27:55,920 --> 00:27:57,720 It's 'cause Perth is my home. It's my soil. 642 00:27:57,760 --> 00:27:59,160 (GENTLE INSTRUMENTAL MUSIC) 643 00:27:59,200 --> 00:28:01,880 My and my son's life is here. 644 00:28:01,960 --> 00:28:04,600 And then Adrian, you know, Sydney is his home. 645 00:28:04,640 --> 00:28:06,720 (GENTLE INSTRUMENTAL MUSIC) 646 00:28:06,760 --> 00:28:08,480 But within this experiment, 647 00:28:08,560 --> 00:28:11,080 we're definitely in the strongest place we've been. 648 00:28:11,120 --> 00:28:13,080 So, I'm hopeful. 649 00:28:14,160 --> 00:28:15,760 I mean, yeah, of course, I enjoyed my time here. 650 00:28:15,840 --> 00:28:17,400 I've had a great experience. I wouldn't take it back. 651 00:28:17,480 --> 00:28:19,000 I wouldn't have done it with anyone else. 652 00:28:22,960 --> 00:28:25,320 (UPLIFTING INSTRUMENTAL MUSIC) 653 00:28:25,360 --> 00:28:27,120 I do see her in my future. 654 00:28:27,160 --> 00:28:29,280 (UPLIFTING INSTRUMENTAL MUSIC) 655 00:28:29,360 --> 00:28:31,560 There's no point of worrying about all the negatives 656 00:28:31,640 --> 00:28:34,160 and all the things that could go wrong, and even different states. 657 00:28:34,240 --> 00:28:35,680 You know, if it's meant to be, it will truly be, 658 00:28:35,720 --> 00:28:36,760 and that's just how I see it. 659 00:28:38,040 --> 00:28:39,240 Should have brought your swimmers. 660 00:28:39,320 --> 00:28:41,000 Wouldn't have minded seeing you naked again. 661 00:28:42,040 --> 00:28:44,440 Skinny-dip. (LAUGHS) 662 00:28:49,680 --> 00:28:52,680 (MOMENTOUS MUSIC BUILDS) 663 00:28:54,360 --> 00:28:57,520 In Brisbane, Beth's best friend, Darcey... 664 00:28:57,600 --> 00:28:59,800 Hello! Hello! Hello! 665 00:28:59,840 --> 00:29:01,800 ..is joining Beth and Teejay 666 00:29:01,880 --> 00:29:04,280 for an English roast dinner with her family. 667 00:29:04,360 --> 00:29:06,800 This is the longest we've been apart in, like, 11 years. 668 00:29:06,880 --> 00:29:07,960 Yeah. Oh, really? Yes! 669 00:29:08,040 --> 00:29:09,960 I just really wanna see her, like, super happy. 670 00:29:11,200 --> 00:29:14,560 Speaking to her and stuff, Teejay does make her really happy, 671 00:29:14,640 --> 00:29:16,840 and she can be herself around him - super goofy. 672 00:29:16,920 --> 00:29:19,600 It all sounds like they're such a good match. 673 00:29:21,120 --> 00:29:23,800 Cheers, guys. Thanks for having us over. 674 00:29:23,880 --> 00:29:24,840 Cheers! (ALL TOAST) 675 00:29:24,920 --> 00:29:27,200 Good to see you all again, post-wedding. 676 00:29:27,240 --> 00:29:28,400 We love it. 677 00:29:28,480 --> 00:29:32,560 Bringing Teejay into my space, he's just meshed so well with my family. 678 00:29:32,640 --> 00:29:33,800 It's beautiful, guys, yeah. Good job! 679 00:29:33,840 --> 00:29:34,880 You guys have nailed this. 680 00:29:34,960 --> 00:29:37,720 It just feels so normal and so relaxed. 681 00:29:37,760 --> 00:29:40,320 (LAUGHTER) 682 00:29:40,400 --> 00:29:42,640 It's like he's been around us all for years. 683 00:29:42,720 --> 00:29:44,680 Because we came into the experiment so late, 684 00:29:44,760 --> 00:29:47,880 we were kind of put through, like, this fast-track environment, 685 00:29:47,960 --> 00:29:51,240 and obviously the challenges that we did were so deep and so heavy 686 00:29:51,280 --> 00:29:52,320 that, I think... 687 00:29:52,360 --> 00:29:53,480 Hardly know him. 688 00:29:53,560 --> 00:29:56,080 ..once we finished them, we kind of did just wanna switch it off, 689 00:29:56,160 --> 00:29:58,120 because it was so emotional and triggering. 690 00:29:58,200 --> 00:30:00,440 Do you feel pressure from other couples 691 00:30:00,520 --> 00:30:02,480 to be at the level where they are now? 692 00:30:02,560 --> 00:30:04,200 I've definitely felt it. Yep, 100%. 693 00:30:04,240 --> 00:30:06,600 It's emotionally overwhelming... 694 00:30:07,760 --> 00:30:09,560 ..but we do have such a great time together. 695 00:30:09,600 --> 00:30:11,080 Like, we're just always laughing, 696 00:30:11,160 --> 00:30:13,040 we're always taking the piss out of each other. 697 00:30:13,080 --> 00:30:14,200 Yep. 698 00:30:14,280 --> 00:30:16,360 Can I ask what you like about Beth? Yeah. 699 00:30:16,400 --> 00:30:20,440 Um...I like how she makes me feel. 700 00:30:21,480 --> 00:30:24,000 When I'm around Beth, I feel like smiling, I feel like laughing, 701 00:30:24,040 --> 00:30:25,400 I feel like I'm having a good time. 702 00:30:26,440 --> 00:30:28,880 All the moments that we are spending together are so light-hearted. 703 00:30:29,880 --> 00:30:31,160 Can I just ask? 704 00:30:31,240 --> 00:30:34,000 Obviously, we know Beth's in it for the right reasons. 705 00:30:34,080 --> 00:30:36,800 I just want to find out whether you're in it for the right reasons. 706 00:30:36,840 --> 00:30:38,640 (QUIET INSTRUMENTAL MUSIC) 707 00:30:38,680 --> 00:30:40,960 I think I've been pretty transparent 708 00:30:41,040 --> 00:30:43,000 with how I feel about Beth throughout this entire experiment. 709 00:30:43,040 --> 00:30:45,800 (QUIET INSTRUMENTAL MUSIC) 710 00:30:45,880 --> 00:30:47,640 Um... BETH: We did share with each other. 711 00:30:47,720 --> 00:30:50,080 Like, I've always felt very used by men before. 712 00:30:50,160 --> 00:30:51,920 Like, once they've got what they wanted, 713 00:30:51,960 --> 00:30:53,600 they just kind of up and leave. 714 00:30:53,680 --> 00:30:56,000 But from the start, I wanted to make a point that 715 00:30:56,080 --> 00:30:58,600 I really want something deeper than just that for us, 716 00:30:58,680 --> 00:31:00,040 and I just really wanted to make sure 717 00:31:00,120 --> 00:31:02,520 that we can try and build something outside of that before... 718 00:31:02,560 --> 00:31:04,200 Yeah. 719 00:31:04,240 --> 00:31:05,520 I don't know Teejay, 720 00:31:05,600 --> 00:31:09,000 but listening to some of the stuff that he said... 721 00:31:10,160 --> 00:31:12,680 ..I'm like, "Wow, this seems really rehearsed." 722 00:31:13,680 --> 00:31:15,160 And, like, very scripted. 723 00:31:15,200 --> 00:31:16,760 I love how she interacts with you. 724 00:31:16,800 --> 00:31:18,160 The fact that you guys, like, 725 00:31:18,240 --> 00:31:19,800 end every phone call saying, "I love you." 726 00:31:19,840 --> 00:31:21,560 (TENSE INSTRUMENTAL MUSIC) 727 00:31:21,640 --> 00:31:23,240 Like, it's hard to say whether or not 728 00:31:23,280 --> 00:31:24,920 he's just saying the right things. 729 00:31:24,960 --> 00:31:27,440 (TENSE INSTRUMENTAL MUSIC) 730 00:31:27,520 --> 00:31:29,280 The friendship side of things between Beth and I 731 00:31:29,360 --> 00:31:31,320 is the friendship that we've built too. 732 00:31:31,400 --> 00:31:33,400 Like, I see Beth's friendship and the connection that we have 733 00:31:33,440 --> 00:31:35,760 as super, super strong, um... 734 00:31:35,800 --> 00:31:37,000 Friendship? 735 00:31:37,040 --> 00:31:38,040 (DRAMATIC MUSIC BUILDS) 736 00:31:38,120 --> 00:31:39,800 Using the word 'friendship' quite a lot. 737 00:31:39,840 --> 00:31:41,640 (TENSE INSTRUMENTAL MUSIC) 738 00:31:41,720 --> 00:31:44,960 Like, I would say 'relationship', like, not, like, 'friendship'. 739 00:31:45,000 --> 00:31:46,760 (DRAMATIC MUSIC BUILDS) 740 00:31:46,840 --> 00:31:49,680 I'm not gonna lie, that word's been used a lot to describe your marriage. 741 00:31:49,720 --> 00:31:50,840 Yeah! 742 00:31:50,880 --> 00:31:52,040 (DRAMATIC MUSIC BUILDS) 743 00:31:52,120 --> 00:31:53,680 But at what point do you stop being friends? 744 00:31:53,720 --> 00:31:54,800 Yeah, correct. 745 00:31:54,840 --> 00:31:57,800 (DRAMATIC MUSIC BUILDS) 746 00:31:57,880 --> 00:32:00,000 It's hard, because we do get along so well, 747 00:32:00,080 --> 00:32:02,120 but I also want that to transition and translate 748 00:32:02,200 --> 00:32:04,240 to, like, a romantic relationship as well too. 749 00:32:04,280 --> 00:32:05,480 (IMPACT BOOMS) 750 00:32:05,560 --> 00:32:06,840 MOTHER: You're running out of time now. 751 00:32:06,920 --> 00:32:08,880 So, are you both committed to focusing on that 752 00:32:08,920 --> 00:32:11,040 in the time you have left? 753 00:32:12,040 --> 00:32:14,080 Yeah. Of course. I am. 754 00:32:14,120 --> 00:32:17,080 (DRAMATIC MUSIC BUILDS) 755 00:32:17,160 --> 00:32:21,520 Can I ask, if it all ended abruptly tomorrow, 756 00:32:21,600 --> 00:32:23,520 is my daughter gonna get her heart broken? 757 00:32:23,560 --> 00:32:24,600 Um... 758 00:32:24,640 --> 00:32:27,640 (DRAMATIC MUSIC BUILDS) 759 00:32:27,720 --> 00:32:29,680 It's just...we don't know what's on the horizon. 760 00:32:29,720 --> 00:32:31,440 Like, I care so much for Beth. 761 00:32:31,480 --> 00:32:32,720 (DRAMATIC MUSIC BUILDS) 762 00:32:32,800 --> 00:32:34,560 Um, so... I care about my dog. 763 00:32:34,600 --> 00:32:37,600 (DRAMATIC MUSIC BUILDS) 764 00:32:46,160 --> 00:32:49,600 Can I ask, if it all ended abruptly tomorrow, 765 00:32:49,680 --> 00:32:52,120 is my daughter gonna get her heart broken? 766 00:32:52,160 --> 00:32:54,360 (TENSE INSTRUMENTAL MUSIC) 767 00:32:54,400 --> 00:32:56,160 Um... 768 00:32:56,200 --> 00:32:57,760 (DRAMATIC MUSIC BUILDS) 769 00:32:57,840 --> 00:32:59,560 It's just...we don't know what's on the horizon. 770 00:32:59,600 --> 00:33:01,320 Like, I care so much for Beth. 771 00:33:01,360 --> 00:33:03,960 (DRAMATIC MUSIC BUILDS) 772 00:33:04,040 --> 00:33:05,760 Um, so... I care about my dog. 773 00:33:05,800 --> 00:33:07,840 (TENSE INSTRUMENTAL MUSIC) 774 00:33:07,920 --> 00:33:10,080 Like, I can say, like, yeah, I care about this person or I care... 775 00:33:10,160 --> 00:33:12,880 ..but, like, I know straight away whether or not, like, 776 00:33:12,960 --> 00:33:15,400 I want to initiate something a little bit further. 777 00:33:15,440 --> 00:33:17,040 Absolutely. 778 00:33:17,080 --> 00:33:18,800 I think I've been pretty transparent 779 00:33:18,880 --> 00:33:21,640 with how I feel about Beth throughout this entire experiment, 780 00:33:21,680 --> 00:33:22,800 and I don't think it's anything 781 00:33:22,880 --> 00:33:24,080 that either one of us could say right now - 782 00:33:24,160 --> 00:33:26,720 that it'd be a blindside to how we're both feeling. 783 00:33:26,760 --> 00:33:28,760 (TENSE INSTRUMENTAL MUSIC) 784 00:33:28,840 --> 00:33:30,800 I see Beth in my life for a long time. 785 00:33:30,880 --> 00:33:32,720 In what aspect that is, is... Friendship? 786 00:33:32,800 --> 00:33:34,800 ..what aspect that is, is what we're navigating through, I guess, 787 00:33:34,840 --> 00:33:35,960 at the moment as well too. 788 00:33:36,000 --> 00:33:38,000 (TENSE INSTRUMENTAL MUSIC) 789 00:33:38,080 --> 00:33:39,840 Yeah, I guess, from that perspective, yeah. 790 00:33:39,920 --> 00:33:42,880 I don't know, it's just... it's hard to sort of say right now. 791 00:33:42,920 --> 00:33:43,920 Yeah. 792 00:33:43,960 --> 00:33:45,520 (TENSE INSTRUMENTAL MUSIC) 793 00:33:45,600 --> 00:33:48,080 On that note, ange, do you wanna go for a little chat? 794 00:33:48,120 --> 00:33:49,760 (TENSE INSTRUMENTAL MUSIC) 795 00:33:49,800 --> 00:33:50,800 Sure, love! 796 00:33:50,840 --> 00:33:54,920 (TENSE INSTRUMENTAL MUSIC) 797 00:33:55,000 --> 00:33:56,600 I'm not gonna lie. Mm-hm? 798 00:33:56,640 --> 00:33:58,120 Listening to his responses, 799 00:33:58,160 --> 00:34:00,560 it just feels very rehearsed. 800 00:34:00,640 --> 00:34:04,640 Like, put on a brave face, say what they think...they wanna hear? 801 00:34:04,680 --> 00:34:05,920 (TENSE INSTRUMENTAL MUSIC) 802 00:34:06,000 --> 00:34:08,560 To be honest, that's the vibe that I'm getting. 803 00:34:08,600 --> 00:34:10,600 (TENSE INSTRUMENTAL MUSIC) 804 00:34:10,680 --> 00:34:13,280 It is worrying me that we're not on the same page. 805 00:34:13,320 --> 00:34:14,520 (TENSE INSTRUMENTAL MUSIC) 806 00:34:14,600 --> 00:34:16,960 So, I think it's just something that I've just let slide 807 00:34:17,000 --> 00:34:18,640 because I don't wanna believe it. 808 00:34:19,640 --> 00:34:20,840 But, yeah, I don't know. 809 00:34:20,920 --> 00:34:23,640 It's starting to all really sink in now, I think, so... 810 00:34:23,680 --> 00:34:24,680 (TENSE INSTRUMENTAL MUSIC) 811 00:34:24,760 --> 00:34:26,760 NARRATOR: At the last commitment ceremony, 812 00:34:26,840 --> 00:34:30,920 Beth revealed painful doubts about the relationship. 813 00:34:32,120 --> 00:34:34,720 I think I told myself, from the get-go... 814 00:34:35,800 --> 00:34:38,960 ..that maybe I wouldn't be good enough for Teejay. 815 00:34:39,000 --> 00:34:41,720 (STIRRING INSTRUMENTAL MUSIC) 816 00:34:41,800 --> 00:34:43,920 And then, because intimacy is lacking, 817 00:34:43,960 --> 00:34:45,760 I instantly blame myself 818 00:34:45,840 --> 00:34:48,800 and think maybe it's because I'm not attractive enough 819 00:34:48,880 --> 00:34:50,000 that he doesn't wanna do those things. 820 00:34:50,040 --> 00:34:53,800 (STIRRING INSTRUMENTAL MUSIC) 821 00:34:53,880 --> 00:34:57,040 It's hard, because it's, like, he says one thing, 822 00:34:57,120 --> 00:35:00,080 but then he makes me feel a different way, like... 823 00:35:00,120 --> 00:35:01,160 Yep. 824 00:35:01,240 --> 00:35:03,640 Before we left, Teejay initiated sex with me again, 825 00:35:03,720 --> 00:35:06,080 and that hadn't happened since the honeymoon. 826 00:35:06,160 --> 00:35:07,960 He says, you know, "I wouldn't be touching you, 827 00:35:08,040 --> 00:35:09,840 "I wouldn't wanna be kissing you and cuddling you 828 00:35:09,920 --> 00:35:11,720 "if I wasn't attracted to you," but it's like... 829 00:35:11,760 --> 00:35:14,000 (STIRRING INSTRUMENTAL MUSIC) 830 00:35:14,040 --> 00:35:15,160 .."Oh, you're attracted to me now?" 831 00:35:15,200 --> 00:35:17,360 (MUSIC FADES) 832 00:35:22,640 --> 00:35:25,640 (UPLIFTING INSTRUMENTAL MUSIC) 833 00:35:27,000 --> 00:35:28,760 In South-West Sydney, 834 00:35:28,840 --> 00:35:32,400 Jacqui and Ryan are out walking Ryan's dog Freya. 835 00:35:32,480 --> 00:35:35,080 RYAN: This is a new spot for her. (PANTS) 836 00:35:35,120 --> 00:35:36,920 One of the things I said in my vows 837 00:35:36,960 --> 00:35:38,960 was I cannot wait to take my wife 838 00:35:39,040 --> 00:35:41,120 on a walk in the sun with Freya, my dog, 839 00:35:41,200 --> 00:35:43,560 and just bask in the simplicity of it. 840 00:35:43,640 --> 00:35:46,480 I love these forest spots, and so does she. 841 00:35:46,560 --> 00:35:49,920 I rescued, adopted, and, like, sheltered Freya 842 00:35:49,960 --> 00:35:52,040 and brought her personality out 843 00:35:52,120 --> 00:35:54,280 into the loving dog that you see here. 844 00:35:55,320 --> 00:35:58,240 At one point she was scared - didn't trust the outside world and whatnot. 845 00:35:59,480 --> 00:36:00,560 JACQUI: Can I take her? 846 00:36:00,640 --> 00:36:03,080 She's gonna pull pretty hard because there's so many smells here... 847 00:36:03,120 --> 00:36:04,240 That's OK. 848 00:36:04,280 --> 00:36:05,920 Sit. Sit. 849 00:36:05,960 --> 00:36:08,280 Good girl! Good girl. 850 00:36:08,360 --> 00:36:12,120 Alright, so, go through that loop with your hand. 851 00:36:12,160 --> 00:36:13,560 I'll be fine like that. I wanna... 852 00:36:13,640 --> 00:36:15,240 No, it's too much lead. Why? 853 00:36:15,280 --> 00:36:17,200 Because she might wander off into... 854 00:36:17,240 --> 00:36:19,080 We'll be OK! 855 00:36:19,120 --> 00:36:20,360 (DRAMATIC MUSIC BUILDS) 856 00:36:20,440 --> 00:36:22,440 Make sure she's not walking you! It's OK. 857 00:36:22,480 --> 00:36:24,800 Don't pull! Don't pull. 858 00:36:24,880 --> 00:36:27,000 She's gotta know that you're the boss. 859 00:36:27,080 --> 00:36:28,840 She knows I'm the boss. No, she doesn't! 860 00:36:28,920 --> 00:36:31,320 But this is her walk time. She's allowed to enjoy it. 861 00:36:31,360 --> 00:36:32,560 (DRAMATIC MUSIC BUILDS) 862 00:36:32,640 --> 00:36:35,560 She's the other girl in my life, and she's in control right now. 863 00:36:35,600 --> 00:36:37,640 (RYAN LAUGHS) 864 00:36:37,720 --> 00:36:39,680 See? She's happy! Look - her tail's wagging now. 865 00:36:39,720 --> 00:36:41,120 (DRAMATIC MUSIC BUILDS) 866 00:36:41,200 --> 00:36:43,320 There's nothing wrong with letting the dog take the lead for.. 867 00:36:43,360 --> 00:36:45,240 No. 868 00:36:45,320 --> 00:36:48,000 This...Jacqui, this is my dog, alright? 869 00:36:48,080 --> 00:36:50,960 And you're gonna listen to me, because I know her back to front, 870 00:36:51,000 --> 00:36:52,240 and I know her nature, 871 00:36:52,320 --> 00:36:54,080 and I know what she tries to get away with, alright? 872 00:36:54,160 --> 00:36:57,160 So, if you could just respect that, that'd be great. 873 00:36:58,200 --> 00:36:59,800 This is not what I wanted for our first walk. 874 00:36:59,840 --> 00:37:01,480 (DRAMATIC MUSIC BUILDS) 875 00:37:01,560 --> 00:37:04,480 Telling me how to manage my pet is just...it's a no-no! 876 00:37:04,520 --> 00:37:07,320 (DRAMATIC MUSIC BUILDS) 877 00:37:07,360 --> 00:37:09,120 Again, it's just an example of her 878 00:37:09,200 --> 00:37:12,240 not accepting something about me or something about my life, 879 00:37:12,320 --> 00:37:14,680 and you know, I'm just fed up with it. 880 00:37:14,720 --> 00:37:16,440 (DRAMATIC MUSIC BUILDS) 881 00:37:16,480 --> 00:37:17,640 I'm serious as well! 882 00:37:17,680 --> 00:37:19,320 Like, when you came into my house, 883 00:37:19,400 --> 00:37:21,520 I knew you appreciated certain aspects of it, 884 00:37:21,600 --> 00:37:24,960 but it always feels like the critical side of you comes out 885 00:37:25,040 --> 00:37:26,600 when you're addressing me, talking about me... 886 00:37:26,640 --> 00:37:28,960 Constructive. The constructive side. 887 00:37:29,040 --> 00:37:32,640 I thought that, because you've been alone for seven years, 888 00:37:32,680 --> 00:37:35,000 you might appreciate some tips. 889 00:37:35,040 --> 00:37:37,520 Alright, I'll take my baby back now. 890 00:37:37,560 --> 00:37:39,240 Whoa! 891 00:37:39,280 --> 00:37:40,400 (TENSE INSTRUMENTAL MUSIC) 892 00:37:40,440 --> 00:37:41,760 She can't help herself. 893 00:37:41,800 --> 00:37:44,000 (DRAMATIC MUSIC BUILDS) 894 00:37:44,040 --> 00:37:45,520 Like, this is my life! 895 00:37:45,560 --> 00:37:46,960 (DRAMATIC MUSIC BUILDS) 896 00:37:47,040 --> 00:37:49,160 I wanna see if you're here to fit into it, 897 00:37:49,240 --> 00:37:53,040 not here to change it to suit your ideas. 898 00:37:53,080 --> 00:37:56,080 (DRAMATIC MUSIC FADES) 899 00:37:59,120 --> 00:38:02,120 (MOMENTOUS MUSIC BUILDS) 900 00:38:03,960 --> 00:38:06,800 In Brisbane, Beth and Teejay are meeting 901 00:38:06,880 --> 00:38:09,960 two of Teejay's closest friends for lunch. 902 00:38:11,320 --> 00:38:12,880 Stunning! Isn't it? 903 00:38:12,920 --> 00:38:13,960 Yeah! 904 00:38:14,040 --> 00:38:17,400 But after dinner with family and friends last night, 905 00:38:17,440 --> 00:38:19,680 Beth is left questioning 906 00:38:19,760 --> 00:38:23,320 how truthful her husband is being in their relationship. 907 00:38:23,400 --> 00:38:25,480 How you feeling? Yeah, good. 908 00:38:25,560 --> 00:38:27,480 I'm feeling lots of different things right now. 909 00:38:27,560 --> 00:38:30,680 Last night I've got my best friend telling me that he thinks 910 00:38:30,760 --> 00:38:34,360 what everything that Teejay's saying is bullshit, basically. 911 00:38:36,960 --> 00:38:38,280 (JAUNTY INSTRUMENTAL MUSIC) 912 00:38:38,360 --> 00:38:39,840 (LAUGHTER) Hi! 913 00:38:39,920 --> 00:38:42,080 Big dog! How are you? Good to see you. How are you? 914 00:38:42,160 --> 00:38:43,840 Hello! How are you? How you going? 915 00:38:43,920 --> 00:38:46,000 I'm good. How are you? Always good. Good to see you. 916 00:38:46,080 --> 00:38:48,720 I do wanna get to the bottom of it. I'm all ears today. 917 00:38:48,800 --> 00:38:50,560 So, obviously we heard it from my family yesterday. 918 00:38:50,640 --> 00:38:54,320 Today it's Teejay's friends' turn to, yeah, give me a bit of insight. 919 00:38:54,360 --> 00:38:55,560 (TENSE INSTRUMENTAL MUSIC) 920 00:38:55,640 --> 00:38:56,720 He saw your parents... Last night. 921 00:38:56,800 --> 00:38:58,720 Yeah, we've been with Beth's parents for the past couple of nights. 922 00:38:58,800 --> 00:38:59,800 You've been staying there? Yep. 923 00:38:59,880 --> 00:39:00,840 Yeah. And how's that? 924 00:39:00,920 --> 00:39:03,040 It was nice, it was nice. My parents are amazing. 925 00:39:03,120 --> 00:39:05,480 They made you feel really comfortable so, it was fun. 926 00:39:05,560 --> 00:39:07,760 He did get a bit of a roasting. Oh, yeah? What happened? 927 00:39:07,840 --> 00:39:09,800 Just from my best friend - he had some questions, 928 00:39:09,840 --> 00:39:11,320 but other than that, he was good. 929 00:39:11,360 --> 00:39:12,400 Just from your best friend? 930 00:39:12,480 --> 00:39:14,520 Did you think everybody else did? Yeah, I was getting... 931 00:39:14,600 --> 00:39:15,920 Really?! It was firing questions... 932 00:39:16,000 --> 00:39:17,440 I thought they were just asking. (LAUGHTER) 933 00:39:18,440 --> 00:39:20,200 They all had questions, I guess, 934 00:39:20,280 --> 00:39:22,240 about what our relationship looks like 935 00:39:22,320 --> 00:39:25,040 and what we've done to strengthen it, 936 00:39:25,120 --> 00:39:26,840 or what we haven't done to strengthen it as well too. 937 00:39:28,440 --> 00:39:30,240 Thank you, mate. 938 00:39:30,320 --> 00:39:32,040 So, when you say you're strengthening, 939 00:39:32,120 --> 00:39:34,320 where were, like, the weaknesses that affected you guys? 940 00:39:34,400 --> 00:39:36,240 Give me an example. What's an example? 941 00:39:36,280 --> 00:39:37,760 The points within our relationship - 942 00:39:37,840 --> 00:39:39,880 we definitely have that connection, that emotional connection, 943 00:39:39,960 --> 00:39:42,000 that romantic stimulation, but for me, it's inconsistent. 944 00:39:42,080 --> 00:39:44,240 Right. Yeah. 945 00:39:44,280 --> 00:39:45,760 I feel like, sometimes, 946 00:39:45,840 --> 00:39:47,600 there's this weird, like, distance between us, 947 00:39:47,640 --> 00:39:49,800 and then, some days, it's great. 948 00:39:49,840 --> 00:39:50,840 (TENSE INSTRUMENTAL MUSIC) 949 00:39:50,880 --> 00:39:52,280 For me, like, I wouldn't be sat here 950 00:39:52,360 --> 00:39:54,280 if I didn't want to try and make it work. 951 00:39:54,320 --> 00:39:55,560 (GENTLE INSTRUMENTAL MUSIC) 952 00:39:55,640 --> 00:39:57,600 And 'cause we are kind of running out of time in the experiment, 953 00:39:57,680 --> 00:39:59,520 it is a bit of a worry that we might not get there. 954 00:39:59,560 --> 00:40:00,600 Right. 955 00:40:01,640 --> 00:40:04,400 I think what we're trying to work out, at the moment, is that, 956 00:40:04,480 --> 00:40:07,120 is our connection going to flourish into a relationship? 957 00:40:07,200 --> 00:40:08,280 Right. Right. 958 00:40:08,360 --> 00:40:10,840 So, there's obviously something that's lacking between us 959 00:40:10,920 --> 00:40:13,680 for me to say, "Yes, I wanna have a relationship with this person." 960 00:40:13,720 --> 00:40:15,040 (IMPACT BOOMS) 961 00:40:18,560 --> 00:40:20,200 That was really hard to hear. 962 00:40:21,920 --> 00:40:24,040 I'm in the situation that I dreaded the most. 963 00:40:24,080 --> 00:40:26,280 (SOMBRE INSTRUMENTAL MUSIC) 964 00:40:26,320 --> 00:40:28,240 That I have feelings for my partner, 965 00:40:28,320 --> 00:40:30,120 and he possibly doesn't have them for me. 966 00:40:30,160 --> 00:40:32,120 I'll be back soon. 967 00:40:32,160 --> 00:40:33,880 OK. No problemo. 968 00:40:36,000 --> 00:40:37,000 (EXHALES) 969 00:40:37,040 --> 00:40:38,280 (SOMBRE INSTRUMENTAL MUSIC) 970 00:40:38,320 --> 00:40:39,840 So, what would she have to do 971 00:40:39,920 --> 00:40:42,280 between now and the end of the experiment for you to be... 972 00:40:42,360 --> 00:40:44,240 Feel different... for you to feel different. 973 00:40:44,320 --> 00:40:45,440 Yeah. Change your mind about her? 974 00:40:45,520 --> 00:40:47,320 It's hard - you can't write down on a list, 975 00:40:47,400 --> 00:40:49,760 "If you do these things right now, we're gonna be perfect." 976 00:40:49,840 --> 00:40:54,320 I can't see how it would just snap in two weeks and change completely. 977 00:40:54,360 --> 00:40:55,360 Mm-hm. 978 00:40:55,440 --> 00:40:58,240 And you know, her parents wanted an answer last night, 979 00:40:58,280 --> 00:40:59,560 "If the experiment ends tomorrow, 980 00:40:59,640 --> 00:41:01,200 "is my daughter gonna have her heart broken?" 981 00:41:01,240 --> 00:41:03,320 (TENSE INSTRUMENTAL MUSIC) 982 00:41:03,360 --> 00:41:05,360 So, as it stands, how do you feel? 983 00:41:05,400 --> 00:41:08,400 (TENSE INSTRUMENTAL MUSIC) 984 00:41:10,000 --> 00:41:12,480 If you were to tell me I had to decide yes or no right now, 985 00:41:12,560 --> 00:41:14,920 then it has to be a no, because I'm not completely comfortable here. 986 00:41:14,960 --> 00:41:16,200 (IMPACT BOOMS) 987 00:41:16,240 --> 00:41:17,560 Yeah. 988 00:41:24,360 --> 00:41:26,240 NARRATOR: In Melbourne, 989 00:41:26,320 --> 00:41:30,160 Rhi and Jeff are enjoying their final day of homestays together, 990 00:41:30,200 --> 00:41:32,800 but before they leave, 991 00:41:32,840 --> 00:41:35,840 Jeff has one last surprise for Rhi - 992 00:41:35,920 --> 00:41:40,120 one that might just unlock a new door for both of them. 993 00:41:40,200 --> 00:41:42,160 Homestays, for me, has given me more reassurance 994 00:41:42,200 --> 00:41:43,640 about our relationship. 995 00:41:44,880 --> 00:41:46,680 And I think we've got a great future together. 996 00:41:46,760 --> 00:41:49,120 I love every minute of every day with Rhi, 997 00:41:49,200 --> 00:41:51,320 and once we come out of the experiment, 998 00:41:51,360 --> 00:41:52,760 I don't want that to stop. 999 00:41:52,840 --> 00:41:54,720 I wanna spend as much time with Rhi as possible. 1000 00:41:54,760 --> 00:41:56,240 (GENTLE INSTRUMENTAL MUSIC) 1001 00:41:56,280 --> 00:41:57,560 I feel like, with homestays, 1002 00:41:57,640 --> 00:41:59,760 I've gotten everything out of it that I wanted to get out of it. 1003 00:41:59,800 --> 00:42:00,800 Yeah. 1004 00:42:00,880 --> 00:42:02,480 For me, it feels like life outside of the experiment 1005 00:42:02,520 --> 00:42:03,680 is just gonna get better. 1006 00:42:03,720 --> 00:42:05,320 Yeah, I totally agree. 1007 00:42:05,400 --> 00:42:08,040 And I'm proud of us, that we got this far... 1008 00:42:08,080 --> 00:42:09,080 Yep. 1009 00:42:09,160 --> 00:42:12,120 ..and considering our circumstances, like, what the hell? 1010 00:42:12,200 --> 00:42:15,280 It's a pretty cool story. Oh, it's an amazing story. 1011 00:42:15,360 --> 00:42:17,480 I'm looking forward to coming back here 1012 00:42:17,560 --> 00:42:20,120 and, like, starting the next chapter of our life. 1013 00:42:20,160 --> 00:42:21,640 Me too. 1014 00:42:21,680 --> 00:42:23,880 (GENTLE INSTRUMENTAL MUSIC) 1015 00:42:23,960 --> 00:42:25,800 In saying that... Oooh? 1016 00:42:28,080 --> 00:42:30,160 ..here is a key to my apartment. 1017 00:42:30,240 --> 00:42:32,400 (LAUGHS) Oh, that's so cute! Thank you. 1018 00:42:32,480 --> 00:42:34,920 So, come over whenever. (LAUGHTER) 1019 00:42:34,960 --> 00:42:36,760 Thank you. That's so cute. 1020 00:42:36,840 --> 00:42:39,760 The fact that Jeff gave me a key does make me feel really good. 1021 00:42:39,800 --> 00:42:41,600 (LAUGHTER) 1022 00:42:41,640 --> 00:42:42,800 After our wedding day, 1023 00:42:42,880 --> 00:42:44,880 I really wasn't sure what was going to happen, 1024 00:42:44,920 --> 00:42:47,480 but look where we are. 1025 00:42:47,560 --> 00:42:49,440 I'm very happy with how it's all turned out. 1026 00:42:49,480 --> 00:42:51,760 I'm happy too. (LAUGHS) 1027 00:42:51,840 --> 00:42:54,040 If things keep going how they're going, 1028 00:42:54,080 --> 00:42:55,280 I'm definitely falling for Rhi. 1029 00:42:55,320 --> 00:42:57,280 (LAUGHTER) 1030 00:42:57,360 --> 00:42:59,720 Yeah, I feel really good about her and our relationship, 1031 00:42:59,760 --> 00:43:02,040 and I do hope she is the one for me. 1032 00:43:02,080 --> 00:43:04,320 (LAUGHTER) 1033 00:43:04,360 --> 00:43:07,360 (UPLIFTING INSTRUMENTAL MUSIC) 1034 00:43:09,080 --> 00:43:11,880 In the outer suburbs of Melbourne, 1035 00:43:11,960 --> 00:43:15,480 Jamie and Dave are at Dave's stepsister's house. 1036 00:43:15,560 --> 00:43:17,360 Oh, this is your sister's house? Yeah. 1037 00:43:17,400 --> 00:43:18,800 Oh, stop! 1038 00:43:18,880 --> 00:43:23,160 Dave finally understands the need to demonstrate his commitment to Jamie, 1039 00:43:23,200 --> 00:43:26,040 and now he is about to introduce her 1040 00:43:26,120 --> 00:43:29,000 to the most important person in his life. 1041 00:43:29,040 --> 00:43:30,040 DAVE: Yeah, I'm excited. 1042 00:43:30,120 --> 00:43:33,240 About to see my dad for the first time in a while. 1043 00:43:33,280 --> 00:43:35,760 Um...yeah, I... 1044 00:43:35,800 --> 00:43:38,200 (STIRRING INSTRUMENTAL MUSIC) 1045 00:43:38,280 --> 00:43:40,920 ..this is weeks in the making of coming to this point 1046 00:43:41,000 --> 00:43:44,360 where I can introduce Jamie to, you know, someone special to me. 1047 00:43:44,440 --> 00:43:47,760 Like, I wished my dad was well enough to come to the wedding. 1048 00:43:47,800 --> 00:43:49,600 (RINGING TONE) 1049 00:43:49,680 --> 00:43:52,440 He just started chemo for the fourth time. 1050 00:43:52,480 --> 00:43:53,840 How you going? 1051 00:43:53,880 --> 00:43:55,080 Yeah? 1052 00:43:55,120 --> 00:43:56,440 WOMAN: He's got no voice. 1053 00:43:56,480 --> 00:43:59,400 (STIRRING INSTRUMENTAL MUSIC) 1054 00:43:59,480 --> 00:44:02,280 Well, I wish you could be here, 'cause I love you both very much. 1055 00:44:02,320 --> 00:44:03,480 Love you. 1056 00:44:03,520 --> 00:44:06,520 (STIRRING INSTRUMENTAL MUSIC) 1057 00:44:07,560 --> 00:44:10,240 It's hard when you see your parents like that. 1058 00:44:10,280 --> 00:44:13,280 (STIRRING INSTRUMENTAL MUSIC) 1059 00:44:15,040 --> 00:44:16,160 (SNIFFS) 1060 00:44:16,200 --> 00:44:19,360 Seeing Dad over the last four years, 1061 00:44:19,440 --> 00:44:20,880 it sort of does take a lot out of me. 1062 00:44:20,920 --> 00:44:23,200 (STIRRING INSTRUMENTAL MUSIC) 1063 00:44:23,240 --> 00:44:24,640 'Cause you take it all on board. 1064 00:44:24,720 --> 00:44:27,760 So, this visit, hopefully, is a bit different. 1065 00:44:27,800 --> 00:44:29,640 (STIRRING INSTRUMENTAL MUSIC) 1066 00:44:29,720 --> 00:44:31,680 Yeah, I got some news about him yesterday, 1067 00:44:31,720 --> 00:44:33,440 but I haven't spoken to him yet. 1068 00:44:33,480 --> 00:44:35,320 So, it'll be good to see him. 1069 00:44:35,400 --> 00:44:38,440 And introducing him to Jamie, that's a massive thing for me. 1070 00:44:39,480 --> 00:44:42,280 It's really nice that we have this opportunity. 1071 00:44:42,320 --> 00:44:43,800 I'm grateful for it. 1072 00:44:43,840 --> 00:44:46,880 (STIRRING INSTRUMENTAL MUSIC) 1073 00:44:46,960 --> 00:44:49,320 Hello! (LAUGHS) Hello! 1074 00:44:49,400 --> 00:44:50,840 How you going? Hi! 1075 00:44:50,920 --> 00:44:53,280 You remember Jamie? So good to see you again! 1076 00:44:53,360 --> 00:44:57,120 Greeting them is Dave's stepsister, Cara... 1077 00:44:57,200 --> 00:44:58,640 Where's the big man? How you been? 1078 00:44:58,680 --> 00:45:00,760 ..followed by stepmum Karen... 1079 00:45:00,840 --> 00:45:02,200 Hi! WOMAN: Hi! 1080 00:45:02,280 --> 00:45:04,240 She's a little one too, like you. Little one. 1081 00:45:04,280 --> 00:45:05,680 (LAUGHTER) 1082 00:45:05,720 --> 00:45:07,120 ..and dad, Howard. 1083 00:45:07,200 --> 00:45:08,960 Good! How are you? Good to finally meet you. 1084 00:45:09,040 --> 00:45:11,040 I know. Good to meet you too! You can call him Howie or Howard. 1085 00:45:11,120 --> 00:45:12,640 Hey, mate. Hey, brother. Hey. 1086 00:45:12,720 --> 00:45:14,320 How you going? I'm going well, mate. 1087 00:45:17,080 --> 00:45:18,920 Oh, I was very excited this morning. 1088 00:45:20,280 --> 00:45:23,320 Yeah, I've missed him, yeah. 1089 00:45:23,360 --> 00:45:24,760 What have you been up to? 1090 00:45:24,800 --> 00:45:27,360 (LAUGHTER) 1091 00:45:27,440 --> 00:45:29,240 Just being married. Getting married? 1092 00:45:29,280 --> 00:45:30,440 (LAUGHTER) 1093 00:45:30,520 --> 00:45:34,280 And I know he's been a bit upset, being so far away from home. 1094 00:45:34,320 --> 00:45:36,320 (GENTLE INSTRUMENTAL MUSIC) 1095 00:45:36,400 --> 00:45:38,480 But that's why you really don't say a lot, 1096 00:45:38,560 --> 00:45:41,400 because you know it's gonna affect other people, 1097 00:45:41,480 --> 00:45:43,880 so...you sort of just keep it to yourself, 1098 00:45:43,920 --> 00:45:45,560 but...yeah. 1099 00:45:45,600 --> 00:45:48,240 (STIRRING INSTRUMENTAL MUSIC) 1100 00:45:48,280 --> 00:45:49,280 So, tell me. 1101 00:45:49,360 --> 00:45:51,320 Obviously, like, I've been saying to Jamie 1102 00:45:51,400 --> 00:45:53,080 it's been so negative over four years... 1103 00:45:53,120 --> 00:45:54,160 Yeah. 1104 00:45:54,200 --> 00:45:55,840 ..and then now we get this news. 1105 00:45:55,880 --> 00:45:56,880 Yeah. 1106 00:45:56,960 --> 00:45:58,280 Like, what does that mean, though, like...? 1107 00:45:58,320 --> 00:45:59,320 There was three tumours. 1108 00:46:02,520 --> 00:46:05,400 Two tumours have shrunk... KAREN: Significantly shrunk. 1109 00:46:05,440 --> 00:46:06,880 ..and the third tumour is gone. 1110 00:46:06,920 --> 00:46:08,360 (BLEEP)! 1111 00:46:08,400 --> 00:46:11,000 (STIRRING INSTRUMENTAL MUSIC) 1112 00:46:14,400 --> 00:46:15,440 Yep. 1113 00:46:16,520 --> 00:46:18,640 Something's finally... Working. 1114 00:46:18,680 --> 00:46:20,240 ..happened, yeah. 1115 00:46:20,320 --> 00:46:22,720 I didn't even expect to hear anything like that. 1116 00:46:22,800 --> 00:46:24,400 No. No, me either. 1117 00:46:24,440 --> 00:46:26,080 (STIRRING INSTRUMENTAL MUSIC) 1118 00:46:26,160 --> 00:46:27,960 Finally, good news after all this time. 1119 00:46:28,000 --> 00:46:29,600 (LAUGHS) 1120 00:46:29,680 --> 00:46:31,840 I'm so glad that my dad's turned the corner. 1121 00:46:31,920 --> 00:46:35,120 You know, he's been on my mind since day one. 1122 00:46:35,200 --> 00:46:37,600 Like, I have been in two places at once. 1123 00:46:37,680 --> 00:46:39,120 Yeah. It's been difficult. 1124 00:46:40,360 --> 00:46:43,520 Seeing him with a bit more pep in his step, I guess, 1125 00:46:43,560 --> 00:46:45,880 yeah, I'm super, super happy. 1126 00:46:46,880 --> 00:46:48,840 Bit emotional, but I'm happy. 1127 00:46:48,880 --> 00:46:50,080 (UPLIFTING INSTRUMENTAL MUSIC) 1128 00:46:50,120 --> 00:46:51,720 But Jamie's made it easy as well. 1129 00:46:51,760 --> 00:46:53,360 Like, she understands, 1130 00:46:53,440 --> 00:46:55,600 and she doesn't put pressure on those areas at all. 1131 00:46:55,680 --> 00:46:59,600 It was super important for her to meet you, for me. 1132 00:46:59,680 --> 00:47:01,440 We've shared such a unique experience, 1133 00:47:01,480 --> 00:47:03,040 and it's been a really good one too. 1134 00:47:03,120 --> 00:47:04,680 Yeah. Yeah. Good! 1135 00:47:05,680 --> 00:47:06,840 You know, she's absolutely... 1136 00:47:06,920 --> 00:47:08,960 I'd strangle someone for your son. Is she... 1137 00:47:09,040 --> 00:47:11,520 That's how I'm thinking. I've been like a bulldog. 1138 00:47:11,560 --> 00:47:12,680 (WOMEN LAUGH) 1139 00:47:12,720 --> 00:47:14,360 And you're so little. 1140 00:47:14,440 --> 00:47:17,160 I'm the youngest, and I think I'm the shortest, but I'm the scariest. 1141 00:47:17,200 --> 00:47:18,200 (LAUGHTER) 1142 00:47:18,280 --> 00:47:21,840 I was rapt to finally meet Jamie, and she's wonderful. 1143 00:47:21,880 --> 00:47:25,120 He's very happy. You can tell. 1144 00:47:26,600 --> 00:47:28,040 Yeah, makes you feel good. 1145 00:47:28,080 --> 00:47:29,640 (LAUGHTER) 1146 00:47:29,720 --> 00:47:31,520 You've got a very nice lady there. Yes. I know. 1147 00:47:31,560 --> 00:47:32,560 Very nice. 1148 00:47:32,600 --> 00:47:34,880 (GENTLE INSTRUMENTAL MUSIC) 1149 00:47:34,960 --> 00:47:38,560 It was really good to meet the rest of Dave's family. 1150 00:47:39,840 --> 00:47:42,320 The fact that Dave introduced me to his dad, 1151 00:47:42,400 --> 00:47:45,920 it just really showed he is trying to turn it around. 1152 00:47:45,960 --> 00:47:47,040 (GENTLE INSTRUMENTAL MUSIC) 1153 00:47:47,080 --> 00:47:49,080 She looks after me. 1154 00:47:49,160 --> 00:47:51,280 I'm actually ready to go back to Sydney now. 1155 00:47:51,360 --> 00:47:56,320 I feel optimistic and hopeful about the future with Dave. 1156 00:47:56,360 --> 00:47:58,360 (UPLIFTING INSTRUMENTAL MUSIC) 1157 00:47:58,440 --> 00:48:00,000 Thanks for taking the time, as well, to do this, 1158 00:48:00,040 --> 00:48:01,240 'cause I know it's not easy. 1159 00:48:02,800 --> 00:48:04,080 Is it? 1160 00:48:05,600 --> 00:48:07,360 Don't make him cry. (CHUCKLES) 1161 00:48:07,440 --> 00:48:09,160 He misses you. Yeah, I miss him too. 1162 00:48:09,200 --> 00:48:11,080 (STIRRING INSTRUMENTAL MUSIC) 1163 00:48:11,160 --> 00:48:13,680 They really, really liked Jamie, yeah, 1164 00:48:13,760 --> 00:48:17,480 and it's nice to reflect on the bond that we have built, 1165 00:48:17,560 --> 00:48:21,000 and to share that with my parents and my sister, it was really sweet. 1166 00:48:21,080 --> 00:48:23,440 Bye-bye, gorgeous. Thank you so much. 1167 00:48:23,480 --> 00:48:24,560 Bye-bye. 1168 00:48:24,600 --> 00:48:26,000 They could see I'm happy. 1169 00:48:26,040 --> 00:48:28,240 So, I think, yeah, plays a big part. 1170 00:48:28,280 --> 00:48:30,240 See you, mate. I love you. 1171 00:48:30,280 --> 00:48:32,280 Love you too. Take it easy. 1172 00:48:32,360 --> 00:48:34,320 Lovely to meet you, Jamie. So nice meeting you. 1173 00:48:37,880 --> 00:48:39,000 Coming up... 1174 00:48:39,040 --> 00:48:40,440 Two sets of paperwork saying he's... 1175 00:48:40,520 --> 00:48:41,960 If you...no, calm down. No! 1176 00:48:42,040 --> 00:48:44,000 You're trying to talk over me and trying to shut me up! 1177 00:48:44,080 --> 00:48:45,560 No, I'm gonna tell you exactly how I feel! 1178 00:48:45,600 --> 00:48:48,440 ..with support in Ryan's corner... 1179 00:48:48,520 --> 00:48:50,480 I think he's been absolutely gypped of this experiment 1180 00:48:50,520 --> 00:48:51,840 by being put with you! 1181 00:48:51,920 --> 00:48:54,840 ..will his marriage finally reach breaking point? 1182 00:48:54,880 --> 00:48:57,880 (DRAMATIC MUSIC SWELLS) 1183 00:49:04,080 --> 00:49:06,080 (HAUNTING INSTRUMENTAL MUSIC) 1184 00:49:06,160 --> 00:49:08,400 NARRATOR: Having now moved into Teejay's house 1185 00:49:08,440 --> 00:49:10,160 on the other side of Brisbane, 1186 00:49:10,240 --> 00:49:13,560 Beth has been left questioning his true feelings. 1187 00:49:13,600 --> 00:49:16,120 With the week coming to an end 1188 00:49:16,200 --> 00:49:19,800 and uncertainty surrounding their relationship, 1189 00:49:19,880 --> 00:49:22,840 Beth wants some direct answers from Teejay. 1190 00:49:22,920 --> 00:49:26,040 At the end of the day, I don't wanna walk away from this experiment 1191 00:49:26,080 --> 00:49:28,240 not putting my heart on the line. 1192 00:49:28,320 --> 00:49:30,080 Morning. Hello. 1193 00:49:30,120 --> 00:49:34,200 (TENSE INSTRUMENTAL MUSIC) 1194 00:49:35,520 --> 00:49:37,000 How you feeling? 1195 00:49:38,160 --> 00:49:40,800 Um...not great. 1196 00:49:40,840 --> 00:49:42,840 (TENSE INSTRUMENTAL MUSIC) 1197 00:49:42,920 --> 00:49:45,160 How did you, um... how did you think lunch went? 1198 00:49:45,200 --> 00:49:46,400 (TENSE INSTRUMENTAL MUSIC) 1199 00:49:46,440 --> 00:49:48,240 The guys, they said, 1200 00:49:48,320 --> 00:49:50,480 "Do you see this progressing on the outside? 1201 00:49:50,560 --> 00:49:52,080 "Is that something that you'd be interested in?" 1202 00:49:52,120 --> 00:49:53,360 Something along them lines. 1203 00:49:53,440 --> 00:49:57,160 But I just feel like you couldn't really say yes or no. 1204 00:49:57,240 --> 00:49:58,600 So, I think that's taken me back a little bit. 1205 00:49:58,640 --> 00:49:59,640 Mmm. 1206 00:49:59,680 --> 00:50:01,280 Yeah. 1207 00:50:02,720 --> 00:50:05,280 Yeah, I mean, I think I've been pretty transparent 1208 00:50:05,320 --> 00:50:06,720 with how I'm feeling. 1209 00:50:06,760 --> 00:50:09,760 (TENSE INSTRUMENTAL MUSIC) 1210 00:50:11,320 --> 00:50:13,080 I'm liking the emotional, romantic thing, 1211 00:50:13,160 --> 00:50:15,200 and in order for me to have a relationship, that's what I want. 1212 00:50:15,280 --> 00:50:16,960 Even when we were having connection issues, 1213 00:50:17,040 --> 00:50:19,000 I was the first one to say that we're having... 1214 00:50:19,080 --> 00:50:21,080 ..I'm not getting that connection that I want. 1215 00:50:21,120 --> 00:50:23,720 (TENSE INSTRUMENTAL MUSIC) 1216 00:50:23,800 --> 00:50:26,280 To be honest, another thing that's confused me 1217 00:50:26,360 --> 00:50:28,800 is you said that you needed a more emotional connection 1218 00:50:28,840 --> 00:50:30,480 to be intimate. 1219 00:50:30,560 --> 00:50:34,160 We wrote 'stay' at the last commitment ceremony. 1220 00:50:34,240 --> 00:50:36,920 A few days later, you then sleep with me again, 1221 00:50:37,000 --> 00:50:39,760 which then makes me think, "Maybe he's connecting more." 1222 00:50:40,800 --> 00:50:42,920 And then a few days after that, we're now here, 1223 00:50:43,000 --> 00:50:45,960 and you're telling me that you don't see this progressing outside, 1224 00:50:46,040 --> 00:50:48,640 and that's really, really confused me. 1225 00:50:50,240 --> 00:50:52,040 But you wanted to sleep together. 1226 00:50:52,120 --> 00:50:53,640 So, I'm trying to look out for your needs too. 1227 00:50:53,680 --> 00:50:54,920 Then, if we don't sleep together... 1228 00:50:55,000 --> 00:50:56,800 Of course I do, but can you understand where that comes from, 1229 00:50:56,840 --> 00:50:57,920 from my point of view? 1230 00:50:57,960 --> 00:50:59,160 It's, like, we both said 'stay'. 1231 00:50:59,200 --> 00:51:00,720 You've been saying this whole time 1232 00:51:00,800 --> 00:51:02,760 you needed more of a connection to sleep with me, 1233 00:51:02,800 --> 00:51:03,960 and then you sleep with me. 1234 00:51:04,040 --> 00:51:05,320 I'm gonna... of course I'm gonna think, 1235 00:51:05,400 --> 00:51:07,680 "OK, great, he feels more connected to me." 1236 00:51:07,760 --> 00:51:10,920 And then we come to homestays and this is now where we're at. 1237 00:51:11,000 --> 00:51:12,280 Of course I'm feeling confused and hurt. 1238 00:51:14,880 --> 00:51:18,160 Yeah, well, I mean, I thought... you know, let's just give it a go. 1239 00:51:18,200 --> 00:51:20,600 Let's try and just get past that 1240 00:51:20,680 --> 00:51:23,040 and hopefully that we can develop something from there, 1241 00:51:23,120 --> 00:51:25,800 but I'm just not feeling that connection, like we mentioned. 1242 00:51:25,880 --> 00:51:27,400 I'm just not feeling that connection. 1243 00:51:27,440 --> 00:51:30,440 (TENSE INSTRUMENTAL MUSIC) 1244 00:51:30,520 --> 00:51:33,600 If I had known he didn't see a future with me, 1245 00:51:33,680 --> 00:51:36,720 I would never have brought him to my home. 1246 00:51:36,760 --> 00:51:38,080 (TENSE INSTRUMENTAL MUSIC) 1247 00:51:38,160 --> 00:51:42,880 And I think what's sad is, we've got almost two months in. 1248 00:51:42,960 --> 00:51:45,560 We've done the homestays, we've got this far, 1249 00:51:45,640 --> 00:51:49,040 and there's not enough of you that thinks, 1250 00:51:49,080 --> 00:51:52,040 "I don't wanna cut ties with Beth." 1251 00:51:52,080 --> 00:51:53,240 I think that's what hurts. 1252 00:51:53,280 --> 00:51:54,440 I don't wanna cut ties with you! 1253 00:51:54,520 --> 00:51:56,880 I've never once said that I want to cut ties with you! 1254 00:51:56,960 --> 00:51:59,920 Yeah, but...as in, like, you don't see this progressing. 1255 00:51:59,960 --> 00:52:01,760 Like, after this, it's, like... 1256 00:52:01,840 --> 00:52:03,640 Well, I'm unsure. I've been honest with that. 1257 00:52:03,680 --> 00:52:07,000 (SOMBRE INSTRUMENTAL MUSIC) 1258 00:52:07,080 --> 00:52:09,640 It's like he's just flipped a switch and it's game over. 1259 00:52:09,680 --> 00:52:11,520 It's such a shit feeling. 1260 00:52:11,600 --> 00:52:14,240 It's...yeah, it surprised me a little bit. (SNIFFS) 1261 00:52:14,280 --> 00:52:17,280 (SOMBRE INSTRUMENTAL MUSIC) 1262 00:52:17,360 --> 00:52:19,920 You know, it always hurts to hear that... (CRIES) 1263 00:52:20,000 --> 00:52:25,040 ..the person you like doesn't feel the same. 1264 00:52:25,080 --> 00:52:28,440 (SOMBRE INSTRUMENTAL MUSIC) 1265 00:52:28,480 --> 00:52:30,880 I just genuinely didn't think 1266 00:52:30,920 --> 00:52:34,880 we'd be...yeah, this far in... 1267 00:52:35,880 --> 00:52:38,280 ..doing homestays, 1268 00:52:38,320 --> 00:52:40,320 yeah, for him to not feel anything. 1269 00:52:42,880 --> 00:52:46,160 (SOMBRE INSTRUMENTAL MUSIC) 1270 00:52:52,840 --> 00:52:54,040 In South-West Sydney, 1271 00:52:54,120 --> 00:52:59,120 Jacqui and Ryan are arriving at a local pub to meet some friends. 1272 00:53:00,120 --> 00:53:01,640 (EXHALES) 1273 00:53:01,720 --> 00:53:05,400 After a tense exchange walking Ryan's dog, 1274 00:53:05,440 --> 00:53:08,240 Jacqui is ready for a reset. 1275 00:53:09,520 --> 00:53:13,240 I mean, for me, I'd like today to be as, like, enjoyable as possible. 1276 00:53:13,320 --> 00:53:15,320 Yeah. Mm-hm. Yeah. 1277 00:53:16,360 --> 00:53:18,320 WOMAN: Hello! (LAUGHS) Hi. 1278 00:53:18,400 --> 00:53:20,520 Hi, guys. Hi! (LAUGHS) 1279 00:53:20,600 --> 00:53:24,080 First to arrive is Jacqui's friend, Jet. 1280 00:53:24,160 --> 00:53:26,200 I think we had, like, ten seconds at the wedding, I think. 1281 00:53:26,240 --> 00:53:27,960 Yeah, I can barely remember it. 1282 00:53:28,040 --> 00:53:29,720 It was a bit chaotic. Fleeting. 1283 00:53:29,800 --> 00:53:32,080 (LAUGHS) How have you been? 1284 00:53:32,120 --> 00:53:33,680 Thanks for coming all the way! 1285 00:53:33,720 --> 00:53:35,520 Yeah, where'd you come from today? 1286 00:53:35,600 --> 00:53:37,160 Oh, Manly. (LAUGHS) 1287 00:53:37,200 --> 00:53:38,280 Manly? 1288 00:53:38,360 --> 00:53:40,320 I have to say - I have no idea where I am. 1289 00:53:40,400 --> 00:53:42,080 (LAUGHTER) Neither do I. 1290 00:53:42,120 --> 00:53:43,520 (LAUGHTER) 1291 00:53:43,560 --> 00:53:44,560 Is this your local? 1292 00:53:44,600 --> 00:53:46,680 Oh, it's one of them, um, yeah. 1293 00:53:46,720 --> 00:53:48,200 Oh, it's a great spot. 1294 00:53:49,280 --> 00:53:51,560 Hey! Hello! 1295 00:53:51,640 --> 00:53:55,680 Next to arrive are Ryan's friends, Adam and Karla. 1296 00:53:55,760 --> 00:53:57,960 KARLA: Alright, where's everybody sitting? 1297 00:53:58,040 --> 00:53:59,200 I'm here. I don't bite, so... 1298 00:53:59,280 --> 00:54:03,840 ..who Jacqui met previously during Family and Friends Week. 1299 00:54:03,880 --> 00:54:05,480 (TENSE INSTRUMENTAL MUSIC) 1300 00:54:05,560 --> 00:54:08,440 RYAN: Speaking of, though, how was your concussion after the wedding? 1301 00:54:08,480 --> 00:54:09,960 (LAUGHTER) 1302 00:54:10,040 --> 00:54:12,520 It would have been bad if you kind of left it at that... 1303 00:54:12,600 --> 00:54:14,560 No, the reason why I was... Don't interrupt her! 1304 00:54:14,600 --> 00:54:16,040 Don't interrupt her. 1305 00:54:16,120 --> 00:54:17,720 MAN: Agree to disagree. Agree to disagree. 1306 00:54:17,760 --> 00:54:19,360 No, this is gaslighting. 1307 00:54:19,400 --> 00:54:22,520 (TENSE INSTRUMENTAL MUSIC) 1308 00:54:22,560 --> 00:54:23,960 They just want the best for me, 1309 00:54:24,040 --> 00:54:25,800 and, yeah, they're not afraid to say what's on their mind. 1310 00:54:25,840 --> 00:54:27,240 (TENSE INSTRUMENTAL MUSIC) 1311 00:54:27,280 --> 00:54:28,840 Today I'm looking for clarity. 1312 00:54:28,920 --> 00:54:31,960 I'm hoping for something to come out of this which either, you know, 1313 00:54:32,040 --> 00:54:34,400 relieves my fears or even, like, confirms them. 1314 00:54:34,480 --> 00:54:36,680 I don't know - like, I'm staying open at this point. 1315 00:54:36,720 --> 00:54:38,280 ADAM: How is everyone? 1316 00:54:38,360 --> 00:54:39,760 Yeah, we're good. Yeah? 1317 00:54:39,840 --> 00:54:41,400 Youse look happy today, which is good. 1318 00:54:42,920 --> 00:54:45,280 So, did you go to your place? Yeah. 1319 00:54:45,360 --> 00:54:46,920 So, I went and stayed at Manly. Yeah, how was that? 1320 00:54:47,000 --> 00:54:49,120 I had oysters and whatnot and... (LAUGHTER) 1321 00:54:49,200 --> 00:54:50,880 ..like, I tried to keep my face straight! 1322 00:54:50,920 --> 00:54:51,920 Yeah. 1323 00:54:52,000 --> 00:54:54,360 But, like, there was conversations had of, like, in terms of, 1324 00:54:54,440 --> 00:54:56,440 "Could I see myself living in Manly?" 1325 00:54:56,520 --> 00:54:58,160 She asked me that repeatedly, and I still... 1326 00:54:58,240 --> 00:55:00,280 ..like, I don't have the ultimate answer for it, you know? 1327 00:55:00,360 --> 00:55:04,120 What was your perspective on seeing Ryan's lifestyle? 1328 00:55:05,160 --> 00:55:07,960 Just even, like, where he lives, the location? 1329 00:55:08,040 --> 00:55:09,440 Well, she had to Google Maps where the... 1330 00:55:09,480 --> 00:55:10,680 (LAUGHTER) 1331 00:55:10,720 --> 00:55:11,720 (TENSE INSTRUMENTAL MUSIC) 1332 00:55:11,800 --> 00:55:13,560 I looked at it to see how long it would take 1333 00:55:13,640 --> 00:55:15,320 to get from my house to Ryan's house. 1334 00:55:15,360 --> 00:55:16,800 Two hours! 1335 00:55:16,880 --> 00:55:19,840 If I was to go there on the weekend, that would be four hours. 1336 00:55:19,880 --> 00:55:22,280 What did you find, being in his home 1337 00:55:22,360 --> 00:55:24,960 and seeing how, you know, his lifestyle was? 1338 00:55:25,040 --> 00:55:27,160 You think that's something that you could see for your future? 1339 00:55:27,240 --> 00:55:31,480 I think, for me, it's hard, 'cause I really like the ocean. 1340 00:55:31,520 --> 00:55:32,680 (TENSE INSTRUMENTAL MUSIC) 1341 00:55:32,760 --> 00:55:37,560 I think, honestly, if his house was located in Manly, 1342 00:55:37,640 --> 00:55:40,560 I could totally see myself moving in and, like, living together... 1343 00:55:40,640 --> 00:55:43,400 Well, what stops you from where his house is? 1344 00:55:43,480 --> 00:55:46,360 It reminds me of, like... New Zealand, 1345 00:55:46,440 --> 00:55:48,080 which is kind of what I moved away from. 1346 00:55:48,160 --> 00:55:51,760 It's, like, too many sacrifices to give up, in my mind. 1347 00:55:51,840 --> 00:55:55,160 The things that make me happy are, like, the ocean and running 1348 00:55:55,200 --> 00:55:57,520 and, like, getting the ferry to work 1349 00:55:57,560 --> 00:55:59,360 and my friends and going out. 1350 00:55:59,440 --> 00:56:01,040 And so there's just so many things I'd have to give up... 1351 00:56:01,120 --> 00:56:02,800 Logistically, it's tough - that's the one concession... 1352 00:56:02,880 --> 00:56:04,160 ..and I'm, like, what would I replace... 1353 00:56:04,240 --> 00:56:05,600 ..but the question's gotta go two ways, I feel. 1354 00:56:05,640 --> 00:56:06,880 Yeah, of course it does. 1355 00:56:07,880 --> 00:56:09,360 From what I've gathered from Jacqui, 1356 00:56:09,440 --> 00:56:12,920 she's not willing to compromise about anything in the relationship. 1357 00:56:13,920 --> 00:56:15,800 Honestly, I didn't really hear 1358 00:56:15,880 --> 00:56:17,920 anything positive from her about Ryan. 1359 00:56:18,960 --> 00:56:21,880 So, Ryan told us that youse had - correct me if I'm wrong - 1360 00:56:21,960 --> 00:56:23,920 like, a Reflections Week, with some letter 1361 00:56:24,000 --> 00:56:25,600 what had to be written between the both of you. 1362 00:56:25,640 --> 00:56:26,720 How did that go? 1363 00:56:27,880 --> 00:56:29,440 Um... 1364 00:56:29,520 --> 00:56:31,640 Don't get stressed. He hasn't told us details. 1365 00:56:31,680 --> 00:56:32,840 He just told us little things... 1366 00:56:32,920 --> 00:56:34,920 Obviously we need to be filled in here, 1367 00:56:35,000 --> 00:56:37,200 but there were some things that were quite appalling to me that I heard, 1368 00:56:37,280 --> 00:56:40,280 so I'd like some kind of context in terms of how that came across. 1369 00:56:40,320 --> 00:56:41,680 (TENSE INSTRUMENTAL MUSIC) 1370 00:56:41,760 --> 00:56:43,200 Yeah, I think it was quite a long time ago, 1371 00:56:43,280 --> 00:56:45,040 so I can't remember exactly what I said, 1372 00:56:45,120 --> 00:56:48,240 but I'd love to hear what you were appalled about 1373 00:56:48,280 --> 00:56:49,760 and then I can try and address it. 1374 00:56:49,800 --> 00:56:52,440 (TENSE INSTRUMENTAL MUSIC) 1375 00:56:57,080 --> 00:57:00,360 (TENSE INSTRUMENTAL MUSIC) 1376 00:57:00,440 --> 00:57:02,880 KARLA: So, Ryan told us that youse had, 1377 00:57:02,960 --> 00:57:04,480 like, a Reflections Week, with some letter 1378 00:57:04,560 --> 00:57:06,640 what had to be written between the both of you. 1379 00:57:06,680 --> 00:57:07,840 How did that go? 1380 00:57:09,360 --> 00:57:10,960 Um... 1381 00:57:11,040 --> 00:57:13,320 ADAM: Don't get stressed. He hasn't told us details. 1382 00:57:13,360 --> 00:57:14,440 He just told us little things... 1383 00:57:14,520 --> 00:57:16,440 Obviously we need to be filled in here, 1384 00:57:16,520 --> 00:57:18,960 but there were some things that were quite appalling to me that I heard, 1385 00:57:19,040 --> 00:57:21,800 so I'd like some kind of context in terms of how that came across. 1386 00:57:21,840 --> 00:57:23,200 (TENSE INSTRUMENTAL MUSIC) 1387 00:57:23,280 --> 00:57:24,680 Yeah, I think it was quite a long time ago, 1388 00:57:24,760 --> 00:57:26,160 so I can't remember exactly what I said. 1389 00:57:26,240 --> 00:57:28,960 "I'm concerned you've built your sense of self 1390 00:57:29,040 --> 00:57:32,320 "on top of outdated beliefs about power and masculinity. 1391 00:57:32,400 --> 00:57:35,800 "Your extreme sense of masculine pride and fragile ego 1392 00:57:35,880 --> 00:57:38,560 "are difficult to deal with, and come at my expense. 1393 00:57:38,640 --> 00:57:42,000 "I'm concerned that financially contribute less than I will, 1394 00:57:42,080 --> 00:57:45,480 "because I'm not convinced that you have enough financial skills." 1395 00:57:45,560 --> 00:57:49,280 But I'd love to hear what you were appalled about 1396 00:57:49,320 --> 00:57:50,640 and then I can try and address it... 1397 00:57:50,720 --> 00:57:53,600 Just, like, subtle attacks to his character 1398 00:57:53,680 --> 00:57:56,080 and his financial capabilities and stuff like that. 1399 00:57:56,120 --> 00:57:57,920 (TENSE INSTRUMENTAL MUSIC) 1400 00:57:58,000 --> 00:58:00,520 What was the point of youse writing the letter? 1401 00:58:00,560 --> 00:58:01,760 How did you interpret that? 1402 00:58:01,840 --> 00:58:06,040 Yeah, so, the letter task was to write a letter to your partner 1403 00:58:06,080 --> 00:58:07,640 about the concerns you have 1404 00:58:07,720 --> 00:58:09,760 about building a long-lasting future with them 1405 00:58:09,840 --> 00:58:12,760 and, like, how you'd go about basically living together forever. 1406 00:58:12,800 --> 00:58:14,080 OK. 1407 00:58:14,120 --> 00:58:16,480 And one of the concerns I had 1408 00:58:16,560 --> 00:58:20,320 was Ryan's career path is unstable financially, 1409 00:58:20,400 --> 00:58:25,960 and I was like, well, is this kind of, like, I would be lent on 1410 00:58:26,040 --> 00:58:29,680 as the primary, like, you know, consistent financial source 1411 00:58:29,760 --> 00:58:31,800 if Ryan's potentially going in and out...? 1412 00:58:31,840 --> 00:58:33,840 (TENSE INSTRUMENTAL MUSIC) 1413 00:58:34,880 --> 00:58:36,240 The whole point of being in a relationship 1414 00:58:36,280 --> 00:58:37,360 is that you need to compromise 1415 00:58:37,440 --> 00:58:38,960 and you need to bring out the best in each other, 1416 00:58:39,040 --> 00:58:40,480 and there are gonna be points in your... 1417 00:58:40,560 --> 00:58:43,120 Don't look away from me when I'm talking to you, alright? 1418 00:58:43,200 --> 00:58:44,800 There are points in your relationship 1419 00:58:44,840 --> 00:58:46,320 where one needs to lean on the other 1420 00:58:46,400 --> 00:58:49,080 in order for you both to bring out the best in each other. 1421 00:58:49,120 --> 00:58:50,320 So, for that to be a concern 1422 00:58:50,400 --> 00:58:53,280 is also, like, a red flag here on my end, because... 1423 00:58:53,360 --> 00:58:56,360 JET: I just think it's great that Jacqui was open about it. 1424 00:58:56,400 --> 00:58:57,400 Yeah, no, 100%. 1425 00:58:57,480 --> 00:58:58,840 You're talking about open communication... 1426 00:58:58,880 --> 00:58:59,880 I'm not dismissing that... 1427 00:58:59,960 --> 00:59:03,520 Like, it raised concerns for me because I work extremely hard. 1428 00:59:03,560 --> 00:59:04,760 RYAN: No-one's questioning that. 1429 00:59:04,800 --> 00:59:06,200 What I want to reflect on here 1430 00:59:06,280 --> 00:59:09,280 is that I did work my absolute arse off here to get that property 1431 00:59:09,360 --> 00:59:11,680 and that was through having a stable and predictable career. 1432 00:59:11,760 --> 00:59:14,000 So, I think you took that, like, a little bit too far. 1433 00:59:15,480 --> 00:59:18,920 I felt like the letter was mostly focusing on what he lacks. 1434 00:59:19,000 --> 00:59:22,160 I think the way I felt you responded to that 1435 00:59:22,240 --> 00:59:25,600 was just in a very sensitive way, as if, like, a nerve was hit, 1436 00:59:25,640 --> 00:59:27,040 and it triggered you to... 1437 00:59:27,120 --> 00:59:28,880 I think anyone who's... ..kind of overreact a little bit. 1438 00:59:28,920 --> 00:59:30,280 (TENSE INSTRUMENTAL MUSIC) 1439 00:59:30,360 --> 00:59:32,400 Pointing the finger at Ryan, Ryan, Ryan, Ryan 1440 00:59:32,480 --> 00:59:35,040 more than dealing with what is really important 1441 00:59:35,120 --> 00:59:37,320 for a relationship to actually work... 1442 00:59:37,360 --> 00:59:39,000 I did feel like it was uncalled for 1443 00:59:39,080 --> 00:59:40,760 to say that I don't work as hard as you. 1444 00:59:40,800 --> 00:59:42,200 (TENSE INSTRUMENTAL MUSIC) 1445 00:59:42,240 --> 00:59:43,960 It sounds very much like 1446 00:59:44,040 --> 00:59:46,800 not really acknowledging the hard work that he has put in, 1447 00:59:46,880 --> 00:59:49,400 because you can't buy a house without being stable... 1448 00:59:49,480 --> 00:59:51,000 I understand that. ..and he works for himself. 1449 00:59:51,080 --> 00:59:52,240 I'm just talking about what I want... 1450 00:59:52,280 --> 00:59:53,600 No, no, I'm not dismissing that. 1451 00:59:53,680 --> 00:59:55,680 You're absolutely allowed to have whatever you want. 1452 00:59:55,760 --> 00:59:58,960 It feels like you're trying to diminish him as sort of, like... 1453 00:59:59,000 --> 01:00:00,640 I think that's your projection. 1454 01:00:00,720 --> 01:00:02,080 No, that's what I'm receiving from you. 1455 01:00:02,160 --> 01:00:03,880 But I didn't say that. That's what I'm receiving from you. 1456 01:00:03,960 --> 01:00:05,920 Well, I don't know where you're getting that from. 1457 01:00:06,000 --> 01:00:08,800 No, 'cause I did tell them that that point about the career 1458 01:00:08,880 --> 01:00:10,720 was I did feel quite demeaned by that. 1459 01:00:10,760 --> 01:00:12,160 (TENSE INSTRUMENTAL MUSIC) 1460 01:00:12,240 --> 01:00:14,920 I wanted just for her to give something back to the conversation 1461 01:00:15,000 --> 01:00:17,120 that would help my friends understand 1462 01:00:17,200 --> 01:00:19,960 why that she would write, like, a scathing letter. 1463 01:00:20,040 --> 01:00:22,800 Why she would view my character in all these terrible ways. 1464 01:00:22,840 --> 01:00:24,640 (TENSE INSTRUMENTAL MUSIC) 1465 01:00:24,720 --> 01:00:26,680 Let's talk about some good stuff for a little bit, yeah? 1466 01:00:26,760 --> 01:00:28,360 Everyone's getting a little bit heated. 1467 01:00:28,440 --> 01:00:29,400 Yeah. Let's go upstairs. 1468 01:00:29,480 --> 01:00:30,720 Let's get a drink, yep. Alright. 1469 01:00:30,800 --> 01:00:31,840 Alright. See you soon. OK. 1470 01:00:38,600 --> 01:00:39,600 (SERIOUS INSTRUMENTAL MUSIC) 1471 01:00:39,680 --> 01:00:41,440 The biggest question on the table - are you happy? 1472 01:00:41,480 --> 01:00:42,480 Are you OK? 1473 01:00:43,840 --> 01:00:45,400 Happiness is why I came to this, right? 1474 01:00:45,480 --> 01:00:47,040 'Cause I'm not gonna lie - being here, I'm not happy. 1475 01:00:47,120 --> 01:00:49,720 Bro, like, I've put so much (BLEEP) work into this, 1476 01:00:49,800 --> 01:00:52,160 and taken accountability, taken ownership and whatnot, 1477 01:00:52,240 --> 01:00:54,360 and, like, the letter was just, like, a stark example 1478 01:00:54,440 --> 01:00:56,040 of, like, she's got a distorted view of me. 1479 01:00:57,080 --> 01:00:59,880 It's, like, the criticisms of me, as a person. 1480 01:00:59,960 --> 01:01:02,920 It's the judgment, it's, the, you know, trying to change who I am, 1481 01:01:03,000 --> 01:01:04,880 and, like, how I raise my dog and all that kind of stuff. 1482 01:01:04,920 --> 01:01:05,920 You know, like... 1483 01:01:06,000 --> 01:01:07,800 Hey, it's not even a distorted view of you. 1484 01:01:07,880 --> 01:01:10,200 It's just a distorted view, full stop. 1485 01:01:10,280 --> 01:01:13,520 Any man she's gonna be with, she's gonna treat exactly the same. 1486 01:01:13,600 --> 01:01:16,480 Like, I'm trying to be nice and respectful and that, 1487 01:01:16,560 --> 01:01:19,520 but she's rolling her eyes, she's, like, dismissing you. 1488 01:01:19,600 --> 01:01:20,560 I know. Trying to dismiss her. 1489 01:01:20,640 --> 01:01:23,480 She's not being super nice. I don't like it. 1490 01:01:23,520 --> 01:01:25,680 (DRAMATIC MUSIC BUILDS) 1491 01:01:25,720 --> 01:01:27,080 Here you go. 1492 01:01:27,160 --> 01:01:28,600 Oh, thank you so much. There you go. 1493 01:01:28,640 --> 01:01:30,600 (DRAMATIC MUSIC BUILDS) 1494 01:01:30,680 --> 01:01:33,240 Cheers, big ears, the saying goes, big nose. 1495 01:01:33,320 --> 01:01:34,480 Yep. Tchin-tchin, darling! 1496 01:01:34,520 --> 01:01:36,000 (MEN LAUGH) 1497 01:01:36,040 --> 01:01:37,040 (TENSE INSTRUMENTAL MUSIC) 1498 01:01:37,120 --> 01:01:38,800 And thanks, Jet, for coming all this way too. 1499 01:01:38,880 --> 01:01:40,960 The silent assassin over there, eh? (LAUGHS) 1500 01:01:41,040 --> 01:01:43,840 How well do you know Jacqui, from the past? 1501 01:01:43,880 --> 01:01:45,240 (TENSE INSTRUMENTAL MUSIC) 1502 01:01:45,320 --> 01:01:48,440 Um, how have you seen her last relationship play out? 1503 01:01:48,480 --> 01:01:50,760 Because I do hear a lot about 1504 01:01:50,840 --> 01:01:53,720 how they used to never have a disagreement... 1505 01:01:53,800 --> 01:01:56,640 So, I've had really healthy relationships 1506 01:01:56,680 --> 01:01:58,080 where we don't disagree and fight, 1507 01:01:58,120 --> 01:01:59,640 and honestly, this drama, 1508 01:01:59,720 --> 01:02:01,880 and the fighting and the arguing is not what I like. 1509 01:02:01,960 --> 01:02:03,720 Like, I wanna be in a peaceful environment... 1510 01:02:03,800 --> 01:02:05,360 A level of disagreement is healthy. No-one likes it! 1511 01:02:05,440 --> 01:02:07,200 If you're not arguing, you don't have a healthy relationship. 1512 01:02:07,240 --> 01:02:08,560 That's not true. 1513 01:02:08,640 --> 01:02:11,000 See, me and her argue sometimes. We're in the best relationship. 1514 01:02:11,080 --> 01:02:12,520 I don't think you need to have arguments. 1515 01:02:12,600 --> 01:02:14,440 You can communicate your preferences... 1516 01:02:14,520 --> 01:02:16,040 So, why do you and Ryan have that issue, then? 1517 01:02:16,120 --> 01:02:18,120 Well, it's Ryan getting defensive all the time. 1518 01:02:18,200 --> 01:02:20,600 Ahh! (LAUGHS) You can't just blame him, Jacqui. 1519 01:02:20,640 --> 01:02:21,840 I saw you do it! 1520 01:02:21,920 --> 01:02:23,760 You're quick to point the finger at him, 1521 01:02:23,840 --> 01:02:25,400 but you're not willing to take accountability... 1522 01:02:25,480 --> 01:02:27,920 Hey, last time you were having a great time ripping on him. 1523 01:02:27,960 --> 01:02:29,560 (DRAMATIC MUSIC BUILDS) 1524 01:02:29,600 --> 01:02:31,640 I didn't come here to be lectured 1525 01:02:31,720 --> 01:02:34,000 and to have my character, like, and my identity 1526 01:02:34,040 --> 01:02:35,840 torn apart in a letter and whatnot, 1527 01:02:35,920 --> 01:02:38,680 and it still does stick with me, Jacqui, honestly, it does, 1528 01:02:38,720 --> 01:02:40,640 because I've never had anyone see me 1529 01:02:40,720 --> 01:02:42,880 in that way before in my entire life, so... 1530 01:02:42,960 --> 01:02:44,720 Maybe no-one's communicated it to you. 1531 01:02:44,760 --> 01:02:46,080 That's not true, Jacqui, 1532 01:02:46,160 --> 01:02:47,920 'cause we've been in his life for a very long time. 1533 01:02:47,960 --> 01:02:49,440 (TENSE INSTRUMENTAL MUSIC) 1534 01:02:49,480 --> 01:02:50,840 And everything that you tell us 1535 01:02:50,920 --> 01:02:52,960 goes completely against the character we know as Ryan. 1536 01:02:53,000 --> 01:02:54,400 (DRAMATIC MUSIC BUILDS) 1537 01:02:54,440 --> 01:02:56,000 I think you're overreacting, 1538 01:02:56,080 --> 01:02:57,840 'cause you can't say everything I tell you 1539 01:02:57,880 --> 01:02:59,440 is against the character... 1540 01:02:59,520 --> 01:03:01,200 Because you're talking... ..you say everything! 1541 01:03:01,240 --> 01:03:02,840 Jacqui, you're talking in circles! 1542 01:03:02,920 --> 01:03:05,200 But today, today, when I asked... Your answer... 1543 01:03:05,280 --> 01:03:07,640 You're not...you're talking over me, Karla. Stop being rude. 1544 01:03:07,720 --> 01:03:09,680 Well, you done that to me last time, hon. How does it feel? 1545 01:03:16,080 --> 01:03:17,640 (DRAMATIC MUSIC BUILDS) 1546 01:03:17,720 --> 01:03:20,480 KARLA: We've been in his life for a very long time. 1547 01:03:20,520 --> 01:03:21,920 (DRAMATIC MUSIC BUILDS) 1548 01:03:21,960 --> 01:03:23,360 And everything that you tell us 1549 01:03:23,440 --> 01:03:25,520 goes completely against the character we know as Ryan. 1550 01:03:25,560 --> 01:03:26,720 (DRAMATIC MUSIC BUILDS) 1551 01:03:26,760 --> 01:03:27,760 I think you're overreacting, 1552 01:03:27,840 --> 01:03:30,120 'cause you can't say everything I tell you 1553 01:03:30,160 --> 01:03:31,240 is against the character... 1554 01:03:31,320 --> 01:03:33,240 Because you're talking... ..you say everything! 1555 01:03:33,280 --> 01:03:35,160 Jacqui, you're talking in circles! 1556 01:03:35,240 --> 01:03:36,960 But today, today, when I asked... Your answer... 1557 01:03:37,040 --> 01:03:39,600 You're not...you're talking over me, Karla. Stop being rude. 1558 01:03:39,680 --> 01:03:41,640 Well, you done that to me last time, hon. How does it feel? 1559 01:03:41,680 --> 01:03:43,480 (TENSE INSTRUMENTAL MUSIC) 1560 01:03:43,560 --> 01:03:45,600 What do you want from me? I guess...I guess... 1561 01:03:45,680 --> 01:03:49,280 A solution! A conversation to help youse get better. 1562 01:03:49,360 --> 01:03:51,560 I need to feel like, in a relationship... 1563 01:03:51,600 --> 01:03:52,760 You want me to be silent, I know! 1564 01:03:52,840 --> 01:03:54,360 No, no, no, I need to feel like... Yeah, you do, you do! 1565 01:03:54,440 --> 01:03:56,720 You don't want me to voice my concerns. That's what you want. 1566 01:03:56,760 --> 01:03:57,800 No, no, no, because... 1567 01:03:57,880 --> 01:04:00,160 You take issue in my voicing my concerns. 1568 01:04:00,200 --> 01:04:02,520 Do you not do that to him? 1569 01:04:02,560 --> 01:04:04,480 (TENSE INSTRUMENTAL MUSIC) 1570 01:04:04,560 --> 01:04:07,000 You do express yourself in very, very strong ways 1571 01:04:07,080 --> 01:04:10,040 and if I don't agree with you almost immediately, 1572 01:04:10,120 --> 01:04:11,920 I am defensive, I am deflecting, I'm... 1573 01:04:11,960 --> 01:04:13,800 I can't win in the conversation. 1574 01:04:13,880 --> 01:04:16,480 'Cause I saw it last time we were sitting with youse at the table. 1575 01:04:16,520 --> 01:04:17,760 It's because he's telling lies. 1576 01:04:17,840 --> 01:04:19,120 And then you called him a gaslighter. 1577 01:04:20,120 --> 01:04:21,320 'Cause he's lying! 1578 01:04:21,400 --> 01:04:23,760 (DRAMATIC MUSIC BUILDS) He is not a liar! 1579 01:04:23,840 --> 01:04:25,840 No, the one that's looking around for help from friends and that 1580 01:04:25,880 --> 01:04:27,040 seems to be the liar. 1581 01:04:27,120 --> 01:04:29,120 And rolling your eyes at the table. Who's looking around for friends? 1582 01:04:29,200 --> 01:04:30,360 You, with your friend in the blue shirt. 1583 01:04:30,440 --> 01:04:32,440 Last time, at the lunch, it was pretty horrible, 1584 01:04:32,520 --> 01:04:34,080 and I've addressed this with you before... 1585 01:04:34,160 --> 01:04:36,560 You were rolling your eyes and laughing every time he spoke. 1586 01:04:36,640 --> 01:04:38,000 To me... Because he's lying! 1587 01:04:38,080 --> 01:04:40,600 No, I (BLEEP) don't lie! That doesn't... (INDISTINCT) 1588 01:04:41,640 --> 01:04:43,400 Honestly, that, to me, is gaslighting! 1589 01:04:43,480 --> 01:04:45,080 That is a 15-year-old's behaviour. You're 29! 1590 01:04:45,160 --> 01:04:46,760 You should not be rolling your eyes and laughing... 1591 01:04:46,840 --> 01:04:48,600 Yeah, well, this man should not be yelling at me. 1592 01:04:48,680 --> 01:04:51,040 Sorry, Jacqui, but regardless of the issues you have, 1593 01:04:51,120 --> 01:04:53,000 you still respect your partner in front of... 1594 01:04:53,080 --> 01:04:55,440 No, actually, yelling, it only takes one person to yell at the other. 1595 01:04:55,520 --> 01:04:58,000 But talking to someone like shit and pulling them down 1596 01:04:58,040 --> 01:04:59,440 takes one person too! 1597 01:04:59,480 --> 01:05:00,520 (DRAMATIC MUSIC BUILDS) 1598 01:05:00,600 --> 01:05:02,080 So, you're just, like, throwing dirt on me, 1599 01:05:02,160 --> 01:05:04,120 but you're not even listening to anything I'm saying. 1600 01:05:04,200 --> 01:05:05,480 Like, if you wanted to communicate... 1601 01:05:05,520 --> 01:05:07,320 All you've done is throw dirt on him! 1602 01:05:07,400 --> 01:05:09,760 Two sets of paperwork saying he's... If you...OK, calm down. 1603 01:05:09,840 --> 01:05:12,360 No! You're trying to talk over me and trying to shut me up! 1604 01:05:12,440 --> 01:05:14,200 I don't appreciate your tone. I'm gonna tell you how I feel! 1605 01:05:14,240 --> 01:05:16,040 You're being really rude. 1606 01:05:16,120 --> 01:05:19,040 ..how much of a dud he is, which is an absolute joke of a human being! 1607 01:05:19,080 --> 01:05:21,040 (DRAMATIC MUSIC BUILDS) 1608 01:05:21,120 --> 01:05:22,560 You've been rude to him the whole time! 1609 01:05:22,640 --> 01:05:25,800 Jacqui, we sat there and watched your behaviour last time! 1610 01:05:25,880 --> 01:05:27,400 He's been gypped of this experiment because of you! 1611 01:05:27,480 --> 01:05:30,480 You were so rude and so dismissive! Absolutely gypped! 1612 01:05:30,560 --> 01:05:32,680 Well, then, why did you come and visit us? 1613 01:05:32,760 --> 01:05:36,280 Because somebody needs to stand up for him and your behaviour! 1614 01:05:36,320 --> 01:05:37,440 It's not OK! 1615 01:05:37,480 --> 01:05:38,960 (DRAMATIC MUSIC SWELLS) 1616 01:05:39,040 --> 01:05:41,640 We spoke about how the...the... some test that you... 1617 01:05:41,720 --> 01:05:44,680 I really didn't come here to homestays to be yelled at. 1618 01:05:44,720 --> 01:05:48,600 (TENSE INSTRUMENTAL MUSIC) 1619 01:05:48,680 --> 01:05:52,400 You've been absolutely gypped of this experiment, bro. 1620 01:05:53,400 --> 01:05:54,760 That's really rude to say. 1621 01:05:54,800 --> 01:05:56,800 (SOMBRE INSTRUMENTAL MUSIC) 1622 01:05:56,840 --> 01:05:57,840 I'll say it again! 1623 01:05:57,920 --> 01:05:59,680 I think he's been absolutely gypped of this experiment 1624 01:05:59,720 --> 01:06:00,920 by being put with you. 1625 01:06:00,960 --> 01:06:02,640 (IMPACT BOOMS) 1626 01:06:02,680 --> 01:06:05,680 (TENSE INSTRUMENTAL MUSIC) 1627 01:06:06,920 --> 01:06:09,920 (DRAMATIC MUSIC BUILDS) 1628 01:06:16,040 --> 01:06:19,080 I didn't sign up to this experiment to be yelled at 1629 01:06:19,160 --> 01:06:22,200 when I'm, like, visiting my partner's hometown. 1630 01:06:22,240 --> 01:06:24,840 (CRIES) 1631 01:06:24,880 --> 01:06:27,640 JET: 1632 01:06:27,680 --> 01:06:29,040 (CRIES) 1633 01:06:32,120 --> 01:06:34,360 (DRAMATIC MUSIC BUILDS) 1634 01:06:34,400 --> 01:06:36,400 (CRIES) 1635 01:06:36,480 --> 01:06:40,960 It's not the kind of behaviour that should be tolerated at all. 1636 01:06:41,000 --> 01:06:44,000 (DRAMATIC MUSIC BUILDS) 1637 01:06:49,480 --> 01:06:51,200 (BELL TOLLS) 1638 01:06:53,640 --> 01:06:54,840 NARRATOR: Tomorrow night... 1639 01:06:54,880 --> 01:06:57,000 MEL: It's a storm outside, 1640 01:06:57,080 --> 01:06:59,200 and there's about to be a storm inside. 1641 01:06:59,240 --> 01:07:00,520 (THUNDER CRACKS) 1642 01:07:00,600 --> 01:07:04,360 ..it's the second-last dinner party of the experiment... 1643 01:07:04,440 --> 01:07:06,960 Teejay, what on earth do you have to say to that, then? 1644 01:07:07,000 --> 01:07:08,200 (SIGHS) 1645 01:07:08,280 --> 01:07:10,960 ..and Teejay is at the centre of the storm. 1646 01:07:11,000 --> 01:07:12,400 I feel like you've really switched. 1647 01:07:12,440 --> 01:07:13,640 I can't answer that right now. 1648 01:07:13,720 --> 01:07:17,120 Has he been entirely honest with Beth? 1649 01:07:17,160 --> 01:07:18,320 Listen... 1650 01:07:18,360 --> 01:07:19,560 You should be able to say, 1651 01:07:19,640 --> 01:07:21,440 "Yes, I wanna continue on the outside and get to know you," 1652 01:07:21,480 --> 01:07:23,040 and you couldn't answer it! 1653 01:07:23,080 --> 01:07:24,160 (DRAMATIC MUSIC SWELLS) 1654 01:07:24,240 --> 01:07:26,080 RHI: He gave me a house key, which is a bit cute. 1655 01:07:26,120 --> 01:07:27,120 That's awesome! 1656 01:07:27,200 --> 01:07:29,760 Some will celebrate their deeper bonds. 1657 01:07:29,840 --> 01:07:31,480 It's actually quite lovely to watch, isn't it? 1658 01:07:31,560 --> 01:07:34,080 All reflecting on how well things are going. 1659 01:07:34,120 --> 01:07:35,120 It's beautiful. 1660 01:07:36,240 --> 01:07:38,400 But for Ryan... I'm sick of it, Jacqui! 1661 01:07:38,480 --> 01:07:39,880 I'm just sick of it! I've had a gutful, mate! 1662 01:07:39,960 --> 01:07:41,720 Wow. OK. Wow. 1663 01:07:41,760 --> 01:07:44,440 ..he's reached his breaking point... 1664 01:07:44,520 --> 01:07:46,280 This is my house... No, that's not what happened! 1665 01:07:46,360 --> 01:07:48,320 I got yelled at! Oh, my god! 1666 01:07:48,400 --> 01:07:51,120 I'm not gonna sugar-coat things. I'm not gonna tolerate it anymore. 1667 01:07:51,160 --> 01:07:53,560 ..as he declares he wants out... 1668 01:07:53,600 --> 01:07:55,400 I can't...I can't do this, Jacqui. 1669 01:07:55,480 --> 01:07:57,920 Why don't you wanna be someone great? 1670 01:07:57,960 --> 01:07:59,160 (IMPACT BOOMS) 1671 01:07:59,240 --> 01:08:00,640 Oooh! Ohh! 1672 01:08:00,720 --> 01:08:03,960 ..but Jacqui's not taking no for an answer. 1673 01:08:04,000 --> 01:08:07,440 I don't lose people. People lose me. 1674 01:08:07,520 --> 01:08:10,480 Captioned by AI-Media ai-media.tv 130585

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