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Hey, what are they like, any road,
round here?
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Feisty! And fabulous.
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00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX
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00:00:04,960 --> 00:00:06,960
And that's true.
# My diamonds leave with you... #
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00:00:06,960 --> 00:00:08,960
NARRATOR, JOANNA LUMLEY:
'Coronation Street.
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00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX
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00:00:08,960 --> 00:00:11,480
'For six glorious decades,
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00:00:11,480 --> 00:00:12,960
'a small cobbled street
in Manchester
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'has been entertaining the world.'
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Mind your own business, fatty!
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Will you shut your face!
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00:00:18,960 --> 00:00:20,960
LAUGHTER
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00:00:20,960 --> 00:00:21,960
Oh, my God,
I wouldn't mess with her!
14
00:00:21,960 --> 00:00:24,960
'Tonight, we relive some
of Weatherfield's finest moments.'
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00:00:24,960 --> 00:00:26,960
SCREAMING
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00:00:26,960 --> 00:00:28,960
Oh, gosh, my heart's going now!
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'From the hard-hitting...'
Oof!
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00:00:30,960 --> 00:00:32,320
COMMOTION
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00:00:32,320 --> 00:00:33,960
There's some violence in the show!
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00:00:33,960 --> 00:00:35,960
You wouldn't want to live there,
would you?
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00:00:36,960 --> 00:00:39,960
That was back in the day, when
we were allowed to hit each other.
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00:00:39,960 --> 00:00:41,960
I love you!
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00:00:41,960 --> 00:00:42,960
'..to the heartbreaking.'
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I've got breast cancer.
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It's quite hard to watch, this!
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00:00:49,640 --> 00:00:50,960
SHOOTING,
GLASS SHATTERING
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'With a dash of dramatics...'
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The hairs on the back
of my neck are standing up.
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00:00:54,960 --> 00:00:55,960
THUMP
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WAVES CRASHING
Come on, sailor.
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00:00:58,480 --> 00:01:00,960
Oh, she's such a glamourpuss!
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'..and throw in some comedy gold.
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00:01:02,320 --> 00:01:04,960
'60 years of Coronation Street.'
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That's a classic scene!
GLASS DINGS
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00:01:07,960 --> 00:01:11,960
'So join us as we celebrate
the diamond jubilee...'
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00:01:11,960 --> 00:01:13,960
Good times!
Good times.
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'..of the world's
longest-running soap.'
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It does not get better than that!
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To Coronation Street!
CHEERING AND WHOOPING
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00:01:26,000 --> 00:01:28,960
'With a cast of 87 characters
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00:01:28,960 --> 00:01:30,960
'and six brand-new episodes
every week...'
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00:01:30,960 --> 00:01:33,160
They're knocking down
half of Coronation Street.
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'..Coronation Street's dramas
are watched by millions.'
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It's me.
DOOR SLAMS
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Yeah, listen.
Drop whatever you're doing,
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00:01:40,960 --> 00:01:42,960
grab the nearest suitcase
and start packing!
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I'm booking two tickets for Cyprus.
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Just tying up some loose ends.
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Yeah, unfinished business.
50
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'Its origins, however,
were a little more humble.
51
00:01:53,960 --> 00:01:55,960
'It all began in the 1960s,
52
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'as the Beatles were putting
Liverpool on the map...'
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00:01:58,480 --> 00:02:01,960
# He painted Salford's
Smokey tops...#
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00:02:02,960 --> 00:02:05,960
'..a young Lancashire lad was about
to do the same for Manchester.
55
00:02:05,960 --> 00:02:09,960
# And parts of Ancoats
Where I used to play... #
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00:02:09,960 --> 00:02:12,000
I'm Mrs Sharples.
I'm very pleased to meet you.
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00:02:13,960 --> 00:02:15,960
'Tony Warren's inspiration
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'for characters like Ena Sharples,
Annie Walker and Elsie Tanner
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00:02:19,160 --> 00:02:23,320
'came, he said, from growing up
surrounded by strong women.'
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00:02:23,320 --> 00:02:27,960
He loved working-class women,
and he just must have observed
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and decided to write about them.
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I remember hearing that
he used to sit under his mum's table
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00:02:32,960 --> 00:02:34,960
making notes,
listening to them gossip.
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I'm the caretaker
at the Glad Tidings Hall.
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Oh, that's
just across the street, in't it?
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What's your place of worship?
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I don't really do much about it.
Oh, I know.
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00:02:45,960 --> 00:02:49,960
He caught the rhythms of speech
of those women.
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00:02:49,960 --> 00:02:52,960
When we first meet Ena Sharples
in the corner shop,
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she talks very, very quickly, she
talks with a certain kind of rhythm.
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Within a week, they were received,
christened and confirmed,
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and within a fortnight,
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00:02:59,960 --> 00:03:01,640
she was up all night
sewing surplices.
74
00:03:01,640 --> 00:03:05,960
And changes subject on a...
on a flick.
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00:03:05,960 --> 00:03:07,960
I'll take a packet of baking powder.
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00:03:07,960 --> 00:03:11,000
He would always give her
a different view.
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00:03:11,000 --> 00:03:13,640
He had a sort of lateral way
of thinking
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00:03:13,640 --> 00:03:15,800
and in any situation
you put forward,
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00:03:15,800 --> 00:03:17,960
he would give you
a fresh approach to it.
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He had a very interesting mind.
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00:03:19,960 --> 00:03:23,960
'At just 24,
Tony created a cast of characters
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'inspired by the people
that he'd grown up with,
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'his first vision of them clear
in his original scripts.'
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And they are so amazingly
well-drawn.
85
00:03:33,320 --> 00:03:35,960
Are you lot ready?
We're all outside.
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READS: "Ena Sharples, 70s,
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"small, with a crabby walnut
of a face
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"and flashing eyes."
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"One minute,
she's a poor old woman,
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"the next, a screeching fiend."
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00:03:48,160 --> 00:03:49,960
Good description.
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00:03:49,960 --> 00:03:51,960
Bandy-legged? Me?
Who are you calling bandy-legged?!
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Oh, come along now, Ena,
you know you haven't had your pills.
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00:03:56,000 --> 00:03:58,960
"Elsie Tanner, late 40s..."
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You what?
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00:04:00,960 --> 00:04:01,960
"..with the very battered
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"and much-painted-over remains
of good looks."
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00:04:06,480 --> 00:04:08,960
'Ey, Elsie, you're just about ready
for the knacker yard.
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00:04:08,960 --> 00:04:11,640
What a magnificent woman.
100
00:04:11,640 --> 00:04:16,160
"Kenneth Barlow, 20,
a Cambridge undergraduate."
101
00:04:16,160 --> 00:04:19,960
And how's our local genius, then?
"Sometimes arrogant."
102
00:04:19,960 --> 00:04:21,960
"He's basically likeable."
103
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I think Bill's spot-on there.
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It's only acting.
SHE LAUGHS
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'Tony's clearly-drawn characters
leapt from the page
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'and came to life
on the studio floor...'
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TV PRESENTER: 'Today, our props
are for Coronation Street.'
108
00:04:36,960 --> 00:04:40,960
'..where what would become a very
familiar set was taking shape.
109
00:04:40,960 --> 00:04:43,960
'Not willing to commit fully
at this stage,
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'Granada TV bosses only green-lit
an initial 13 episodes
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'of Coronation Street.
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'It was a huge leap of faith.
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'And so, at 7pm on 9th December,
1960, TV history was made...'
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The sound is perfect now,
thanks a lot.
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00:05:00,960 --> 00:05:04,960
'..as Coronation Street broadcast
its first episode... live.'
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00:05:04,960 --> 00:05:06,960
CORONATION STREET THEME PLAYS
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Look!
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GIRLS CHANT WHILE PLAYING
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This was the first
working-class drama on television.
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Now, the next thing you've got to do
is to get a sign-writer in.
121
00:05:28,320 --> 00:05:30,160
That thing above the door'll
have to be changed.
122
00:05:30,160 --> 00:05:31,960
It's funny having me name
over me own shop.
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Florrie Lindley.
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00:05:33,960 --> 00:05:35,960
You know how it is
when you come to a new street,
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you don't know anyone,
or what to look out for.
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Oh, Coronation Street's all right.
127
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Mind, there's some
you'll have to watch.
128
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'And watch they did.
129
00:05:42,960 --> 00:05:43,960
'Within three months,
130
00:05:43,960 --> 00:05:46,960
'Coronation Street had made
the top ten in the TV ratings.
131
00:05:46,960 --> 00:05:48,960
'It was, officially, a hit.'
132
00:05:48,960 --> 00:05:50,960
Whoomph, it just took off.
133
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And Mr Walker and I think we should
celebrate with champagne on us. Ooh!
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CHEERING
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00:05:56,960 --> 00:05:58,960
Watching these old classic scenes,
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00:05:58,960 --> 00:06:00,960
it's like a little bit
of a Corrie history lesson,
137
00:06:00,960 --> 00:06:01,960
which is nice to see.
138
00:06:01,960 --> 00:06:05,960
The landscape in British television
in 1960 was quite bare.
139
00:06:05,960 --> 00:06:07,960
The stories
that were being told.
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00:06:07,960 --> 00:06:09,960
POSH ACCENT: Everything came
from Alexandra Palace,
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00:06:09,960 --> 00:06:12,960
and there was a sort of
decorum when one spoke.
142
00:06:12,960 --> 00:06:15,960
The shows were there to really
educate rather than entertain.
143
00:06:15,960 --> 00:06:19,960
For a lot of Northern,
working-class people,
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it was the first time that
they'd ever felt properly seen
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and represented.
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00:06:24,960 --> 00:06:26,960
For people to go,
"'Ey up, cock"...
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00:06:26,960 --> 00:06:28,960
HE GUFFAWS
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00:06:28,960 --> 00:06:31,960
..must've shook the earth,
back in the day.
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00:06:31,960 --> 00:06:34,960
'It seemed one type of voice
dominated the cobbles.'
150
00:06:36,960 --> 00:06:39,160
By gum, they make nowt
to fit these days.
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00:06:39,160 --> 00:06:45,960
Coronation Street is synonymous
with strong, fiery, hard-working,
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00:06:45,960 --> 00:06:47,960
gritty Northern women.
153
00:06:47,960 --> 00:06:50,960
The matriarchs of the street,
and there's been so many,
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and they just keep coming.
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00:06:52,640 --> 00:06:54,160
Ah, good morning, Mrs Tanner.
Good morning.
156
00:06:54,160 --> 00:06:55,960
Is it? I hadn't noticed!
157
00:06:55,960 --> 00:06:58,960
I think women are...
bloody brilliant!
158
00:06:58,960 --> 00:07:01,960
Wait till I get you in the house,
you'll not be laughing then! Go on!
159
00:07:01,960 --> 00:07:05,800
'The legacy of strong female
characters on Corrie lives on.'
160
00:07:05,800 --> 00:07:07,960
Will you shut your face?
161
00:07:07,960 --> 00:07:09,960
You see this smile, Betty?
162
00:07:10,960 --> 00:07:13,960
It's not really a smile.
It's the lid on a scream.
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00:07:13,960 --> 00:07:14,960
LAUGHTER
164
00:07:18,960 --> 00:07:20,160
Take your temper and leave.
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00:07:20,160 --> 00:07:23,960
Leave. There you are, out.
Thank you.
166
00:07:23,960 --> 00:07:25,960
I'm getting this...
167
00:07:25,960 --> 00:07:26,960
and I'm after THIS.
168
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Even when I came in, you know,
Tina, again,
169
00:07:29,960 --> 00:07:31,960
it followed suit
from 60 years ago
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00:07:31,960 --> 00:07:34,960
that that's what character
she was going to be,
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00:07:34,960 --> 00:07:36,960
taking no nonsense
and standing up for herself.
172
00:07:36,960 --> 00:07:38,960
And you, you stupid little cow!
YELPS OF SHOCK
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I think Coronation Street
do that so well.
174
00:07:41,640 --> 00:07:43,960
I can't stand
what I'm starting to think.
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00:07:43,960 --> 00:07:45,960
And if you put me
in the same category
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as all those wonderful characters
of strong Northern women,
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00:07:50,960 --> 00:07:55,000
then that's wonderful,
I feel I've done me job.
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00:07:55,000 --> 00:07:58,960
Well, if I'd my way, I'd just like
to go like me mother did.
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00:07:58,960 --> 00:08:00,960
Ee, that were a beautiful ending.
180
00:08:00,960 --> 00:08:03,960
Oh, lovely. She just sat up...
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00:08:03,960 --> 00:08:06,960
HE JOINS IN: ..broke wind and died.
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00:08:06,960 --> 00:08:08,960
LAUGHING
I think I'd like to go like that!
183
00:08:09,960 --> 00:08:11,960
That's a classic scene!
184
00:08:11,960 --> 00:08:14,960
I can't believe you're Shelley's
mother, you look far too young.
185
00:08:14,960 --> 00:08:16,960
Oh, thank you,
you can't be looking close enough!
186
00:08:16,960 --> 00:08:19,960
Oh, you're right, the neck,
I can see the neck now.
187
00:08:19,960 --> 00:08:22,960
That's the giveaway.
LAUGHTER
188
00:08:25,960 --> 00:08:27,960
# When you're smiling...#
189
00:08:27,960 --> 00:08:29,960
'Humour runs through
Coronation Street
190
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'like Blackpool in a stick of rock,
191
00:08:31,960 --> 00:08:35,960
'and it's attracted some of
the nation's finest comedy talent.'
192
00:08:35,960 --> 00:08:38,480
It's always had
a great sense of humour.
193
00:08:38,480 --> 00:08:39,960
TILL DINGS
Hello. What's these, then?
194
00:08:39,960 --> 00:08:43,960
I remember Mavis in the Kabin
and a copy of an adult magazine,
195
00:08:43,960 --> 00:08:48,960
right, and I was really shocked
that you had a porn mag on Corrie.
196
00:08:48,960 --> 00:08:51,960
I've already sold two copies!
197
00:08:51,960 --> 00:08:53,960
Oh, you haven't!
198
00:08:53,960 --> 00:08:55,960
That chap who just left
bought one of them.
199
00:08:55,960 --> 00:08:58,320
That Mr Tilsley?
Yeah.
200
00:08:58,320 --> 00:09:00,960
Well, he-he must've thought
it was...
201
00:09:00,960 --> 00:09:02,800
a do-it-yourself book, or something.
202
00:09:02,800 --> 00:09:03,960
LAUGHTER
203
00:09:03,960 --> 00:09:06,960
We need light relief. Look at what
we're going through at the moment.
204
00:09:06,960 --> 00:09:09,960
It's so important to have a sense
of humour in these things.
205
00:09:09,960 --> 00:09:13,480
£4.40, please, lads.
He's paying.
206
00:09:13,480 --> 00:09:15,960
Can I owe you it?
No pockets in my dress.
207
00:09:15,960 --> 00:09:17,960
People love it
because of its humour.
208
00:09:17,960 --> 00:09:21,640
'At the heart
of Coronation Street's comedy
209
00:09:21,640 --> 00:09:23,960
'are the writers and the performers,
210
00:09:23,960 --> 00:09:25,960
'including some of
Weatherfield's finest,
211
00:09:25,960 --> 00:09:28,960
'and funniest, double acts.'
212
00:09:28,960 --> 00:09:32,480
I have no problem with the gays.
213
00:09:32,480 --> 00:09:37,960
You know I'd walk on hot coals
for Paul O'Grady.
214
00:09:37,960 --> 00:09:42,960
Deirdre and the Blanche scenes
were just, I mean, so clever,
215
00:09:42,960 --> 00:09:45,960
so beautifully written,
but beautifully acted.
216
00:09:45,960 --> 00:09:47,640
She was hysterical!
217
00:09:47,640 --> 00:09:49,640
Wow, that looks good!
218
00:09:49,640 --> 00:09:53,960
Help yourself, I put the rest
in the freezer. You made even more?!
219
00:09:53,960 --> 00:09:58,320
No, I haven't made any. These are
what were left from the funeral.
220
00:09:59,960 --> 00:10:02,960
I loved her dearly.
She was such a sweet person.
221
00:10:02,960 --> 00:10:05,800
Always impeccable...
222
00:10:05,800 --> 00:10:08,960
you just wanted to laugh every time,
her delivery was so perfect.
223
00:10:08,960 --> 00:10:13,480
If the corpse were here,
he'd tuck in with us!
224
00:10:15,480 --> 00:10:17,960
Coronation Street has always
done that amazing thing
225
00:10:17,960 --> 00:10:21,960
of drama and comedy mixed in,
in the two,
226
00:10:21,960 --> 00:10:26,960
and it does that brilliant
Manchester, Northern sense of humour
227
00:10:26,960 --> 00:10:29,960
where, you know, even in tragedy,
there's comedy.
228
00:10:29,960 --> 00:10:33,640
One of the most amazing things
about Coronation Street
229
00:10:33,640 --> 00:10:36,960
is that it does get the balance
of that really right.
230
00:10:36,960 --> 00:10:40,480
"To Norris Cole,
my gift to you is this...
231
00:10:41,960 --> 00:10:46,960
"The knowledge that, for once,
you've heard the news first-hand
232
00:10:46,960 --> 00:10:49,160
"and won't have to go
scurrying around for it."
233
00:10:50,960 --> 00:10:51,960
LAUGHTER
234
00:10:53,960 --> 00:10:55,960
'Still to come: The cast take
a break from the cobbles.'
235
00:10:56,960 --> 00:10:59,000
Come on, sailor.
236
00:11:00,800 --> 00:11:02,800
Oh, she's such a glamourpuss!
237
00:11:08,960 --> 00:11:10,960
MUSIC: 'Hot Love' by T Rex.
238
00:11:13,480 --> 00:11:17,960
'Welcome back to Coronation Street:
60 Unforgettable Years,
239
00:11:17,960 --> 00:11:20,960
'the soap with arguably the most
famous theme tune in history.'
240
00:11:20,960 --> 00:11:23,800
THEME TUNE PLAYS,
HE MIMICS TUNE
241
00:11:23,800 --> 00:11:24,960
# Doo-doo-doo-doo dooo. #
242
00:11:24,960 --> 00:11:29,640
I would defy anybody not to know
Coronation Street music.
243
00:11:29,640 --> 00:11:32,960
It was like a call to arms,
"Come on, everybody gather".
244
00:11:32,960 --> 00:11:35,960
Dogs going...
HE HOWLS
245
00:11:35,960 --> 00:11:39,640
We had a cat that used to climb the
curtain and run around the walls.
246
00:11:39,640 --> 00:11:40,960
Cats and dogs, not right for them.
247
00:11:40,960 --> 00:11:42,960
Poor Mr Woo!
248
00:11:42,960 --> 00:11:44,960
'Whilst the famous signature tune
249
00:11:44,960 --> 00:11:46,960
'may not have been music
to pets' ears,
250
00:11:46,960 --> 00:11:51,640
'rock legend Sir Paul McCartney
was such a fan he made it his own.'
251
00:11:51,640 --> 00:11:57,960
TO THE CORRIE THEME TUNE:
# Oh... Ena Sha-a-ar-ples
252
00:11:57,960 --> 00:12:02,640
# Oh, Albert Tatlock
253
00:12:02,640 --> 00:12:05,960
# Minnie Caldwe-e-e-ll
254
00:12:05,960 --> 00:12:09,960
# Coronation Stree-ee-eet. #
255
00:12:09,960 --> 00:12:11,640
Zhoom!
256
00:12:12,960 --> 00:12:15,960
'The 1970s also saw
the Equal Pay Act,
257
00:12:15,960 --> 00:12:17,960
'which was welcomed by many,
258
00:12:17,960 --> 00:12:19,960
'but the early '70s
also brought strikes,
259
00:12:19,960 --> 00:12:22,960
'which were reflected
in Coronation Street storylines.'
260
00:12:22,960 --> 00:12:24,480
These daft old women!
261
00:12:24,480 --> 00:12:25,960
'ITV technicians
also went on strike,
262
00:12:25,960 --> 00:12:28,960
'forcing Coronation Street off air.
263
00:12:28,960 --> 00:12:31,960
'Returning to work two months later,
what a relief to learn
264
00:12:31,960 --> 00:12:36,960
'that Julie Goodyear had spent
her unexpected sabbatical wisely.'
265
00:12:36,960 --> 00:12:38,960
I'm afraid,
probably sounds rather boring,
266
00:12:38,960 --> 00:12:40,960
I've had decorators in
and things like that,
267
00:12:40,960 --> 00:12:41,960
getting my home sort of together.
268
00:12:41,960 --> 00:12:45,960
'This was a decade we also saw
the enigmatic Elaine Perkins
269
00:12:45,960 --> 00:12:49,000
'arrive in Weatherfield
only to break Ken's heart.'
270
00:12:49,000 --> 00:12:50,800
Thank you...
271
00:12:50,800 --> 00:12:52,960
'Oh, Ken, is it too late?
I've changed my mind!'
272
00:12:52,960 --> 00:12:54,960
..but no, thank you.
273
00:12:56,320 --> 00:12:57,480
'Fond memories.
274
00:12:57,480 --> 00:12:59,960
'And for many, landing a role
in Coronation Street
275
00:12:59,960 --> 00:13:02,480
'is an unforgettable moment.
276
00:13:02,480 --> 00:13:03,960
'Like Rita,
277
00:13:03,960 --> 00:13:05,960
'who only popped into the Rovers
for a quick drink.'
278
00:13:05,960 --> 00:13:07,960
MUSIC: 'My Generation'
by The Who
279
00:13:07,960 --> 00:13:11,960
I landed up in the Rovers,
then, I think, Stan came in.
280
00:13:11,960 --> 00:13:13,960
Got your eyeful?
281
00:13:13,960 --> 00:13:15,960
Oh, sorry, love,
I was just brooding, you know.
282
00:13:15,960 --> 00:13:17,960
And I think he bought me a drink.
283
00:13:17,960 --> 00:13:20,960
How about a pint?
I'll have a vodka and lime. Thanks.
284
00:13:20,960 --> 00:13:24,960
It took me three goes, three
interviews, to actually get here.
285
00:13:24,960 --> 00:13:29,960
Three different parts,
and, um, the third one was Gail.
286
00:13:29,960 --> 00:13:31,960
And I'm glad I got that one.
287
00:13:31,960 --> 00:13:34,960
Well, in your age group...
Hey, hang on a bit!
288
00:13:34,960 --> 00:13:36,320
I doubt if I'm much older
than you are!
289
00:13:36,320 --> 00:13:37,960
What have I got on?!
290
00:13:37,960 --> 00:13:39,960
Hm... you look a lot older.
291
00:13:39,960 --> 00:13:41,960
LAUGHTER
292
00:13:41,960 --> 00:13:44,960
Surely I didn't say that!
293
00:13:44,960 --> 00:13:45,960
ALARM CLOCK RINGS
294
00:13:45,960 --> 00:13:48,960
My first day ever,
and I only had one scene,
295
00:13:48,960 --> 00:13:50,960
and it was in Roy's Rolls
296
00:13:50,960 --> 00:13:52,960
and I had to just answer a phone,
297
00:13:52,960 --> 00:13:53,960
and say, "Hello, hello".
298
00:13:53,960 --> 00:13:56,960
Hello? Hello?
Hey, who is it?
299
00:13:56,960 --> 00:13:59,160
"Some woman, can I have
an Eccles cake, Mum?"
300
00:13:59,160 --> 00:14:00,640
Some woman.
OK.
301
00:14:00,640 --> 00:14:03,960
Oh, Jack, look at you,
little thing!
302
00:14:03,960 --> 00:14:05,960
Can I have an Eccles cake, Mum?
Hello?
303
00:14:05,960 --> 00:14:11,000
I came in first in Coronation Street
when I was 15, as a paper lad,
304
00:14:11,000 --> 00:14:12,960
playing Neil Grimshaw.
305
00:14:12,960 --> 00:14:14,960
Neil?
Yeah?
306
00:14:14,960 --> 00:14:17,640
I had to swear at Mavis, I think...
307
00:14:17,640 --> 00:14:20,960
You can get someone else
to do your bleeding papers!
308
00:14:20,960 --> 00:14:23,960
..which was - ooh! -
really, really naughty then.
309
00:14:23,960 --> 00:14:26,960
'And as for his on-screen
daughter, hasn't she grown?'
310
00:14:26,960 --> 00:14:28,960
Sophie, what you doing here?
311
00:14:28,960 --> 00:14:31,960
I've got a spelling test
in the morning, can you help me?
312
00:14:31,960 --> 00:14:33,960
My voice was so squeaky!
313
00:14:33,960 --> 00:14:35,960
I don't want HER to help me.
314
00:14:35,960 --> 00:14:38,800
It might be still as annoying,
but it is NOT that high!
315
00:14:38,800 --> 00:14:40,960
I was 16, just left school...
316
00:14:40,960 --> 00:14:42,960
Who the hell are you?!
317
00:14:42,960 --> 00:14:44,960
..in 1998.
318
00:14:44,960 --> 00:14:46,000
This is Tyrone.
319
00:14:46,000 --> 00:14:49,800
I joined the cast,
and they was all Ken Barlows,
320
00:14:49,800 --> 00:14:51,960
your Ritas, your Jack and Veras,
your Mike Baldwins,
321
00:14:51,960 --> 00:14:53,960
it was all the Corrie legends.
322
00:14:53,960 --> 00:14:56,640
And me at 16 years old,
with this awesome fringe
323
00:14:56,640 --> 00:14:58,960
that I wish I had now, by the way...
324
00:14:58,960 --> 00:15:01,960
Walking into that green room
to see all them legends was amazing.
325
00:15:01,960 --> 00:15:04,000
Hello.
Hello, love.
326
00:15:04,000 --> 00:15:05,800
What's all this, then?
327
00:15:05,800 --> 00:15:09,480
When I got the job, I... you know,
called me mum,
328
00:15:09,480 --> 00:15:11,960
and she says,
"Oh, what are you doing?"
329
00:15:11,960 --> 00:15:14,960
I said, "Well, I'm going to be doing
Coronation Street."
330
00:15:14,960 --> 00:15:18,160
And, er... there was a silence
on the other end of the phone,
331
00:15:18,160 --> 00:15:20,960
then I could hear her,
she starts crying.
332
00:15:20,960 --> 00:15:23,960
Still the rebel
trying to overturn society, then?
333
00:15:23,960 --> 00:15:26,960
I thought you'd be at home
in your carpet slippers. Peter!
334
00:15:26,960 --> 00:15:28,960
Hiya, Dad.
Ha-ha!
335
00:15:28,960 --> 00:15:32,000
If you're a working-class kid and
you get a job in Coronation Street,
336
00:15:32,000 --> 00:15:33,960
it's the highest achievement
you can have.
337
00:15:33,960 --> 00:15:36,000
Look where you're going, halfwit!
338
00:15:36,000 --> 00:15:38,960
Well, I didn't tell my parents
that I was going for the role.
339
00:15:38,960 --> 00:15:41,960
I didn't tell them that I was going
for the final audition,
340
00:15:41,960 --> 00:15:43,960
I thought, I don't want to tell them
that I didn't get the job.
341
00:15:43,960 --> 00:15:45,960
That latte cost me two quid!
342
00:15:45,960 --> 00:15:47,960
Could you just do me a favour
and call the burns unit?!
343
00:15:47,960 --> 00:15:50,320
It had milk in it, you wuss!
344
00:15:50,320 --> 00:15:52,960
I picked my dad up from work,
345
00:15:52,960 --> 00:15:53,960
and I put the scripts
in the back seat.
346
00:15:53,960 --> 00:15:56,960
He got in the car and I said, "Dad,
will you pass me those scripts?"
347
00:15:56,960 --> 00:15:58,960
One of us wasn't looking
where we're going!
348
00:15:58,960 --> 00:16:01,960
I tell you what, a simple "Sorry"
would go a long way.
349
00:16:01,960 --> 00:16:04,800
And I remember him looking down,
350
00:16:04,800 --> 00:16:06,960
looking at me,
and then he started crying.
351
00:16:06,960 --> 00:16:09,960
It was one of those moments
that will stay with me forever.
352
00:16:09,960 --> 00:16:12,960
MUSIC: 'Heart Of Glass' by Blondie.
353
00:16:12,960 --> 00:16:15,960
'In 1974, like millions of Brits,
354
00:16:15,960 --> 00:16:18,640
'Corrie went on
its first trip abroad.'
355
00:16:19,960 --> 00:16:22,960
Can do everybody a holiday
in Majorca.
356
00:16:22,960 --> 00:16:24,960
ALL: Oh, fantastic!
Ooh, that's all right, isn't it?
357
00:16:24,960 --> 00:16:28,640
Hang on, hang on, he can do it,
only it's got to be a package,
358
00:16:28,640 --> 00:16:30,960
the lot, everybody all together.
359
00:16:33,960 --> 00:16:36,480
Oh, I'm beginning to get
me butterflies.
360
00:16:36,480 --> 00:16:38,960
See, this is the time
I was watching it,
361
00:16:38,960 --> 00:16:40,960
was the 1970s.
362
00:16:40,960 --> 00:16:42,960
# Y viva Espana! #
363
00:16:42,960 --> 00:16:45,480
LAUGHTER,
HILDA GIGGLING
364
00:16:45,480 --> 00:16:47,960
It does not get better than that,
it does not get better than that!
365
00:16:47,960 --> 00:16:51,960
Hilda Ogden and some maracas
on a balcony,
366
00:16:51,960 --> 00:16:55,960
singing, "We're off to sunny Spain".
Just brilliant!
367
00:16:55,960 --> 00:16:57,960
# Y viva Espana. #
368
00:16:57,960 --> 00:16:58,960
Am I going brown?
369
00:16:58,960 --> 00:17:01,320
BET AND RITA IN UNISON:
Yes, you're going brown.
370
00:17:01,320 --> 00:17:03,960
I'll tell you a story out of school.
371
00:17:03,960 --> 00:17:07,960
We got word that the ladies
were going to work in Majorca
372
00:17:07,960 --> 00:17:09,960
for a week,
373
00:17:09,960 --> 00:17:14,160
and the men in the cast,
the silly beggars,
374
00:17:14,160 --> 00:17:15,960
they wouldn't speak to us.
375
00:17:15,960 --> 00:17:16,960
I'm saying that's not fair.
376
00:17:16,960 --> 00:17:18,960
So off we went to Majorca,
377
00:17:18,960 --> 00:17:21,960
and everyone thought,
oh, they're having a fabulous time,
378
00:17:21,960 --> 00:17:23,960
and it was dreadful.
379
00:17:23,960 --> 00:17:25,960
It wasn't like Majorca is now.
380
00:17:25,960 --> 00:17:29,960
Where we landed, not a big airport,
381
00:17:29,960 --> 00:17:32,960
and we waited in the glass building,
and waited.
382
00:17:32,960 --> 00:17:35,960
Somebody came and said
we can't get on the coach
383
00:17:35,960 --> 00:17:38,480
to go to the hotel because
somebody's not paid a bill.
384
00:17:42,960 --> 00:17:46,960
'The novelty of filming on location
in the sun quickly lost its shine.'
385
00:17:46,960 --> 00:17:49,960
We got to the hotel,
they would do nothing,
386
00:17:49,960 --> 00:17:52,960
they wouldn't even give us
a wake-up call.
387
00:17:52,960 --> 00:17:54,000
You what?!
388
00:17:54,000 --> 00:17:56,960
We got ourselves up
and we made coffee in the morning
389
00:17:56,960 --> 00:17:57,960
and that started it.
390
00:17:57,960 --> 00:18:00,960
Well, it'll be a giggle, love,
even if it is a bit grotty.
391
00:18:00,960 --> 00:18:03,640
Right until that coach came
392
00:18:03,640 --> 00:18:07,000
to take us back for that
teatime plane, we were working.
393
00:18:07,000 --> 00:18:09,160
MUSIC: 'Hot Stuff' by Donna Summer
394
00:18:11,960 --> 00:18:13,960
You enjoy pedalo, si?
395
00:18:14,960 --> 00:18:16,960
'Oh, yes, Barbara,
it looks terribly taxing(!)
396
00:18:16,960 --> 00:18:18,960
'Buenos dias, Pablo.'
397
00:18:18,960 --> 00:18:21,960
Well, adios, amigas.
398
00:18:21,960 --> 00:18:24,960
Hey, keep your eye on them bags!
Come on, sailor.
399
00:18:24,960 --> 00:18:26,960
'And adios, Mavis. Hm.'
400
00:18:26,960 --> 00:18:28,960
Oh, she's such a glamourpuss!
401
00:18:28,960 --> 00:18:32,000
Oh, dear! I don't remember that!
402
00:18:32,000 --> 00:18:34,960
# Hot love! #
403
00:18:34,960 --> 00:18:37,960
'Still to come,
more behind-the-scenes secrets.'
404
00:18:37,960 --> 00:18:40,960
In those days,
you did your own stunts.
405
00:18:40,960 --> 00:18:44,640
Barbara did all her own stunts, she
actually wore that jacket for real.
406
00:18:44,640 --> 00:18:45,800
LAUGHTER
407
00:18:51,640 --> 00:18:53,960
THEME TUNE PLAYS
408
00:18:58,640 --> 00:18:59,960
'Welcome back.
409
00:18:59,960 --> 00:19:03,960
'Wedding fever
was at an all-time high in July 1981
410
00:19:03,960 --> 00:19:07,960
'with the fairytale nuptials
of Charles and Diana.
411
00:19:07,960 --> 00:19:08,960
'A few days earlier, however,
412
00:19:08,960 --> 00:19:11,640
'Weatherfield royalty
had pipped them to the altar.
413
00:19:11,640 --> 00:19:14,640
'Over 20 million viewers
could not believe their eyes
414
00:19:14,640 --> 00:19:16,960
'as Deirdre took off her glasses!'
415
00:19:16,960 --> 00:19:19,320
Walter, lead me to the altar!
416
00:19:19,320 --> 00:19:23,960
Deirdre's glasses were gone
and she looked, she looked gorgeous!
417
00:19:23,960 --> 00:19:25,960
CROWD: Aww!
418
00:19:25,960 --> 00:19:29,960
# It's a... nice day
For a... white wedding. #
419
00:19:34,960 --> 00:19:37,960
She really was
very beautiful, wasn't she?
420
00:19:37,960 --> 00:19:39,960
MINISTER: By the joining of hands...
421
00:19:41,000 --> 00:19:43,960
..I pronounce them to be
422
00:19:43,960 --> 00:19:44,960
man...
423
00:19:44,960 --> 00:19:47,000
and wife together.
424
00:19:48,960 --> 00:19:52,160
Could they just get married, then,
and, like, be happy for a while?'
425
00:19:52,160 --> 00:19:53,960
'Unfortunately not.
426
00:19:53,960 --> 00:19:57,960
'Less than two years later,
their love was on the rocks.'
427
00:19:57,960 --> 00:19:59,960
# It started with a kiss. #
428
00:19:59,960 --> 00:20:01,960
'So what went wrong
for Ken and Deirdre?'
429
00:20:04,800 --> 00:20:06,960
Ken had been written down, down,
as a bit nerdy
430
00:20:06,960 --> 00:20:10,960
and I was getting very frustrated,
very unhappy.
431
00:20:10,960 --> 00:20:11,960
I'm boring!
432
00:20:12,960 --> 00:20:14,960
And there's nothing
I can do about it,
433
00:20:14,960 --> 00:20:16,960
because the great tragedy is
I'm not aware of it.
434
00:20:16,960 --> 00:20:18,960
I happen to think
that I'm a great guy!
435
00:20:19,960 --> 00:20:22,960
What about me? What about my life?
436
00:20:22,960 --> 00:20:23,960
It really hurt me.
437
00:20:23,960 --> 00:20:27,000
I regard myself as Ken's caretaker
438
00:20:27,000 --> 00:20:28,960
and he's part of me.
439
00:20:28,960 --> 00:20:29,960
Well, what else do you want?
440
00:20:29,960 --> 00:20:32,960
What I've found.
What's that?
441
00:20:32,960 --> 00:20:34,960
Somebody else.
442
00:20:34,960 --> 00:20:37,960
MUSIC: 'Ever Fallen In Love'
by Buzzcocks
443
00:20:37,960 --> 00:20:41,960
So when this scene came along,
with Mike coming in and all that,
444
00:20:41,960 --> 00:20:43,960
I was really very upset.
445
00:20:43,960 --> 00:20:46,960
I want this thing out in the open,
once and for all.
446
00:20:46,960 --> 00:20:51,800
Now, tell me, just when did this
nasty little affair get underway?
447
00:20:51,800 --> 00:20:52,960
Oh, it has to be nasty?
448
00:20:52,960 --> 00:20:54,320
Of course!
Don't try to pretend it isn't.
449
00:20:54,320 --> 00:20:57,960
If I had to choose between scenes,
you know,
450
00:20:57,960 --> 00:21:00,960
that I would take
to a desert island,
451
00:21:00,960 --> 00:21:03,960
I'll take that row
between Ken and Deirdre.
452
00:21:03,960 --> 00:21:06,960
Shall I tell you
what it feels like to me?
453
00:21:06,960 --> 00:21:09,960
It's like I'm part of the wallpaper
454
00:21:09,960 --> 00:21:12,960
or a piece of furniture
that's been around forever.
455
00:21:12,960 --> 00:21:14,960
I mean, you hardly ever look at me,
Ken.
456
00:21:16,960 --> 00:21:19,960
'Her affair with ladies' man
Mike Baldwin
457
00:21:19,960 --> 00:21:21,960
'caused so much outrage
across the country
458
00:21:21,960 --> 00:21:26,960
'it became front-page news.
17 million viewers were gripped.'
459
00:21:26,960 --> 00:21:28,960
I didn't go looking for an affair,
I didn't want an affair!
460
00:21:28,960 --> 00:21:30,960
Oh, I see, it was an
irresistible impulse?
461
00:21:30,960 --> 00:21:32,960
Written in the stars,
and bigger than both of you(?)
462
00:21:32,960 --> 00:21:35,800
I hate you when you talk like that.
What you hate is the truth!
463
00:21:35,800 --> 00:21:37,960
So we had this final
culminating scene
464
00:21:37,960 --> 00:21:41,960
where Ken and Deirdre
are having an argument about this,
465
00:21:41,960 --> 00:21:44,800
and there's a knock at the door.
KNOCKING
466
00:21:45,960 --> 00:21:47,960
Ignore it.
467
00:21:49,960 --> 00:21:51,480
No.
468
00:21:52,640 --> 00:21:53,960
Why did you put the phone down
on me?
469
00:21:53,960 --> 00:21:55,480
Close the door, Deirdre, quick!
470
00:21:55,480 --> 00:21:56,960
I'm warning you, go!
THEY ALL SHOUT AT ONCE
471
00:21:56,960 --> 00:21:59,960
It's better if you go!
472
00:21:59,960 --> 00:22:02,960
Ahh! Ken, stop!
473
00:22:02,960 --> 00:22:04,160
Wow.
474
00:22:05,960 --> 00:22:09,960
Sort of leaves you afterwards
kind of gasping for breath.
475
00:22:13,480 --> 00:22:16,960
Even that silence,
you're just drawn in.
476
00:22:18,960 --> 00:22:21,960
This is where Anne was brilliant,
she was actually, genuinely crying,
477
00:22:21,960 --> 00:22:25,960
and that scene,
we got an award for that scene.
478
00:22:25,960 --> 00:22:27,960
I think this was just the first time
479
00:22:27,960 --> 00:22:31,960
it was kind of all played out
in front of you,
480
00:22:31,960 --> 00:22:33,320
and also done in such a way
481
00:22:33,320 --> 00:22:35,320
that you weren't
taking a moral stance about it.
482
00:22:35,320 --> 00:22:37,960
You really felt for Ken, you know,
you felt for Deirdre,
483
00:22:37,960 --> 00:22:43,960
torn between the two men, and in
a way, you felt for Mike as well.
484
00:22:43,960 --> 00:22:48,000
She's got a home and a family,
and that is where she's staying.
485
00:22:48,000 --> 00:22:50,960
It was that home and that family
she was so anxious to get away from.
486
00:22:50,960 --> 00:22:52,960
That's why she came to me
in the first place.
487
00:22:52,960 --> 00:22:54,960
That was the difference,
488
00:22:54,960 --> 00:22:57,000
it was an affair where
you cared about all three people.
489
00:22:57,000 --> 00:22:59,000
I've had enough of your poison
in my family.
490
00:22:59,000 --> 00:23:00,960
More than enough.
491
00:23:00,960 --> 00:23:03,960
Look...
ONLOOKERS GASP
492
00:23:05,960 --> 00:23:07,960
Just stay away.
493
00:23:07,960 --> 00:23:09,960
DOOR SLAMS
494
00:23:10,960 --> 00:23:12,960
I really loved her.
I mean, I really did love her
495
00:23:12,960 --> 00:23:14,960
in a true and good sense.
496
00:23:14,960 --> 00:23:17,960
She was a beautiful person,
497
00:23:17,960 --> 00:23:20,960
a beautiful character
and a brilliant actress.
498
00:23:21,960 --> 00:23:23,960
'The Ken, Deirdre and Mike
love triangle
499
00:23:23,960 --> 00:23:26,320
'had truly captured the imagination
of viewers
500
00:23:26,320 --> 00:23:29,960
'and, it seemed,
for the first time, the press too.'
501
00:23:29,960 --> 00:23:32,960
There was no big deal about soaps,
but after that,
502
00:23:32,960 --> 00:23:34,960
we were on, literally,
the photograph from the screen
503
00:23:34,960 --> 00:23:36,960
was on the front page
of all the papers.
504
00:23:36,960 --> 00:23:39,480
# Guilty as a girl can be... #
505
00:23:39,480 --> 00:23:41,960
'Deirdre would famously make
more headlines 15 years later.'
506
00:23:44,160 --> 00:23:47,480
I didn't do any of it!
507
00:23:48,960 --> 00:23:51,960
'A classic soap injustice,
Deirdre had been the victim
508
00:23:51,960 --> 00:23:54,800
'to the fraudulent behaviour
of her partner,
509
00:23:54,800 --> 00:23:55,960
'career criminal John Lindsay.
510
00:23:57,000 --> 00:24:01,160
'Taking Deirdre down with him,
she got 18 months in prison.
511
00:24:03,960 --> 00:24:07,000
'The nation was in shock
and so, it seemed,
512
00:24:07,000 --> 00:24:08,960
'was the resident of Number 10.'
513
00:24:08,960 --> 00:24:10,960
Even the Prime Minister
had something to say
514
00:24:10,960 --> 00:24:12,960
when Deirdre Rachid
was wrongly jailed
515
00:24:12,960 --> 00:24:14,960
for a crime she didn't commit.
516
00:24:14,960 --> 00:24:15,960
I was sat at my desk,
517
00:24:15,960 --> 00:24:18,960
we were in the middle
of the Free Deirdre campaign,
518
00:24:18,960 --> 00:24:20,960
which was huge,
and I picked up my phone
519
00:24:20,960 --> 00:24:23,960
and this gentleman said that he was
calling from 10 Downing Street
520
00:24:23,960 --> 00:24:28,960
so I was absolutely gobsmacked,
to use a Corrie word,
521
00:24:28,960 --> 00:24:29,960
because, erm...
522
00:24:29,960 --> 00:24:33,960
to know that the Prime Minister
wanted to know about a storyline,
523
00:24:33,960 --> 00:24:34,960
so it was really nice.
524
00:24:34,960 --> 00:24:37,480
I briefed them and we laughed
about it, cos, obviously,
525
00:24:37,480 --> 00:24:39,960
it was probably a very strange
conversation for him as well.
526
00:24:39,960 --> 00:24:41,960
# Freedom... #
527
00:24:43,960 --> 00:24:45,960
'The huge success of the show
528
00:24:45,960 --> 00:24:48,960
'has meant its stars
are instantly recognisable.'
529
00:24:48,960 --> 00:24:51,640
I've walked into a petrol station
in a full black tower helmet
530
00:24:51,640 --> 00:24:52,960
and been recognised.
531
00:24:52,960 --> 00:24:54,960
As soon as I said,
"Pump number four, please",
532
00:24:54,960 --> 00:24:57,640
the guy went, "No!"
I was like, "How?!"
533
00:24:57,640 --> 00:25:02,800
'And where there's public interest,
naturally, the press will follow.'
534
00:25:02,800 --> 00:25:05,320
How our lives changed,
literally overnight,
535
00:25:05,320 --> 00:25:06,960
was a huge shock.
536
00:25:06,960 --> 00:25:08,960
Oh, hell!
537
00:25:08,960 --> 00:25:11,000
The papers would go round
to neighbours
538
00:25:11,000 --> 00:25:12,960
that you used to grow up round,
539
00:25:12,960 --> 00:25:15,000
offering them money
for any background stories,
540
00:25:15,000 --> 00:25:16,960
they'd be following you everywhere,
541
00:25:16,960 --> 00:25:18,960
turns out
they were tapping our phones,
542
00:25:18,960 --> 00:25:21,960
I mean, I had to run across
me mum's back garden
543
00:25:21,960 --> 00:25:23,960
into another guy's back garden.
544
00:25:23,960 --> 00:25:24,960
I'd have to hide
in the back of his car,
545
00:25:24,960 --> 00:25:26,960
that's how I got around
without being followed.
546
00:25:26,960 --> 00:25:29,000
What Simon fails to mention
there is,
547
00:25:29,000 --> 00:25:31,960
that all that
was probably down to Simon.
548
00:25:31,960 --> 00:25:33,960
The press intrusion was, y'know...
SIMON LAUGHS
549
00:25:33,960 --> 00:25:37,480
He wasn't the best behaved.
550
00:25:37,480 --> 00:25:39,320
So basically,
551
00:25:39,320 --> 00:25:41,960
Simon spoiled it for
everybody else that came after him.
552
00:25:41,960 --> 00:25:43,480
Surprise, surprise.
553
00:25:43,480 --> 00:25:45,640
I think everyone's told
by other cast members,
554
00:25:45,640 --> 00:25:46,960
"Have you had the talk yet?"
555
00:25:46,960 --> 00:25:49,960
So we tend to try and let them
settle for about a month.
556
00:25:49,960 --> 00:25:52,320
We don't want to freak them out
straight away,
557
00:25:52,320 --> 00:25:53,960
because it can be quite scary.
558
00:25:53,960 --> 00:25:56,000
I do remember sitting down
with the Battersbys
559
00:25:56,000 --> 00:25:59,640
when they first started and they
sat there and they sort of nodded
560
00:25:59,640 --> 00:26:01,960
and Jane said, "I wasn't listening
to a thing you were saying."
561
00:26:01,960 --> 00:26:04,960
# Trouble troublemaker, yeah
That's your middle name... #
562
00:26:04,960 --> 00:26:07,800
So often, people will come back
later and say,
563
00:26:07,800 --> 00:26:08,960
you know you did that talk,
564
00:26:08,960 --> 00:26:11,960
I didn't think any of that
was going to happen to me.
565
00:26:11,960 --> 00:26:13,640
But it did.
566
00:26:14,960 --> 00:26:17,960
'From cast having to be
on their best behaviour
567
00:26:17,960 --> 00:26:21,960
'to characters who get to be
very, very naughty.'
568
00:26:21,960 --> 00:26:23,960
He's dead.
SCREAMING
569
00:26:23,960 --> 00:26:25,960
Baddies work so, so well
in Coronation Street
570
00:26:25,960 --> 00:26:28,960
because you've grown up and you love
the other characters, the victims.
571
00:26:28,960 --> 00:26:31,960
If I go down,
you're going down with me.
572
00:26:31,960 --> 00:26:34,960
He was a serial killer and he did
kill a lot of people. He did, but...
573
00:26:34,960 --> 00:26:37,960
But he didn't mean to, really!
574
00:26:37,960 --> 00:26:41,960
There we go, we should have
been his barristers.
575
00:26:41,960 --> 00:26:46,320
He couldn't get on the Tube, people
were chasing him with umbrellas...
576
00:26:46,320 --> 00:26:48,960
it was just wonderful, really.
577
00:26:48,960 --> 00:26:50,640
# Danger, danger! #
578
00:26:50,640 --> 00:26:53,960
In those days,
you did your own stunts.
579
00:26:53,960 --> 00:26:55,160
Barbara did all her own stunts,
580
00:26:55,160 --> 00:26:56,960
she actually did wear that jacket
for real(!)
581
00:26:56,960 --> 00:26:59,160
LAUGHING
582
00:26:59,160 --> 00:27:01,960
HE YELLS,
TYRES SCREECH
583
00:27:01,960 --> 00:27:03,960
Pat Phelan killed my boyfriend.
584
00:27:03,960 --> 00:27:05,320
GUNSHOT,
WINDOW SHATTERS
585
00:27:06,960 --> 00:27:08,960
Hairs on the back of my neck
are standing up.
586
00:27:08,960 --> 00:27:10,160
I've just thought of a new ending.
587
00:27:10,160 --> 00:27:11,960
THUMP
588
00:27:11,960 --> 00:27:12,960
There's some violence in this show,
589
00:27:12,960 --> 00:27:15,160
I mean, you wouldn't want to live
there, would you?
590
00:27:15,160 --> 00:27:19,160
'To this day, one man remains
top of the list of those baddies
591
00:27:19,160 --> 00:27:21,960
'viewers love to hate.'
592
00:27:21,960 --> 00:27:24,480
Don't scream. OK?
593
00:27:24,480 --> 00:27:27,960
'Step out of the shadows,
Richard Hillman.'
594
00:27:28,960 --> 00:27:29,960
CRASH
595
00:27:31,960 --> 00:27:32,960
He was the best.
596
00:27:32,960 --> 00:27:34,960
Yeah, he was like panto baddie.
597
00:27:34,960 --> 00:27:37,960
He was brilliant,
everyone loved him!
598
00:27:37,960 --> 00:27:39,960
SHE SCREAMS
599
00:27:43,000 --> 00:27:44,960
GAIL SCREAMS
600
00:27:44,960 --> 00:27:47,960
'Arriving as a mild-mannered
businessman...'
601
00:27:47,960 --> 00:27:49,960
Pleased to meet you.
602
00:27:49,960 --> 00:27:51,960
'..Richard originally
swept Gail off her feet,
603
00:27:51,960 --> 00:27:54,960
'but had murder on his mind.'
604
00:27:54,960 --> 00:27:59,320
It didn't just tell a story
of me and Richard Hillman.
605
00:27:59,320 --> 00:28:01,640
It was the story of all the family.
606
00:28:01,640 --> 00:28:03,960
Bye. Bye!
Toodles.
607
00:28:03,960 --> 00:28:08,960
This was back in a time when we
didn't have Netflix. It was so huge!
608
00:28:08,960 --> 00:28:11,640
What are you going to do, Richard?
609
00:28:11,640 --> 00:28:14,960
'The Platt family were plunged
into chaos and terror.'
610
00:28:14,960 --> 00:28:15,960
I'm so sorry!
611
00:28:15,960 --> 00:28:17,960
He tried to kill us off, you know?
612
00:28:17,960 --> 00:28:19,320
Why can't they leave us alone?
613
00:28:29,960 --> 00:28:31,960
No!
I love you!
614
00:28:31,960 --> 00:28:34,960
SCREAMING
615
00:28:38,960 --> 00:28:41,000
GURGLING
616
00:28:41,000 --> 00:28:42,960
I don't think
they'd be able to do it now.
617
00:28:42,960 --> 00:28:45,800
No, it was so cold, Jack.
I was like 13.
618
00:28:45,800 --> 00:28:47,960
We were like, "OK! This is fun,
isn't it?"
619
00:28:47,960 --> 00:28:48,960
THEY LAUGH
620
00:28:48,960 --> 00:28:52,320
My lips are blue! Freezing!
621
00:28:54,960 --> 00:28:59,960
'I had to learn to swim
because I couldn't ask the viewers
622
00:28:59,960 --> 00:29:01,960
'to have gone through
all that with us'
623
00:29:01,960 --> 00:29:05,480
and then for them to see the back
view of somebody with a wig on,
624
00:29:05,480 --> 00:29:08,960
you know,
coming up out of the water.
625
00:29:11,960 --> 00:29:14,960
You talk about, before you die,
your life passes in front of you.
626
00:29:14,960 --> 00:29:17,320
I think Gail's life
will pass in front of me,
627
00:29:17,320 --> 00:29:20,960
I mean, mine's nothing
compared to Gail's!
628
00:29:20,960 --> 00:29:22,960
'Still to come:
A new producer wreaks havoc.'
629
00:29:22,960 --> 00:29:26,160
I did kill off, I think,
nine characters
630
00:29:26,160 --> 00:29:27,960
in probably 2-3 months.
631
00:29:27,960 --> 00:29:31,960
'And one of the Street's
hardest-hitting storylines.'
632
00:29:31,960 --> 00:29:33,960
Oof!
LAUGHTER
633
00:29:46,960 --> 00:29:48,160
What the hell's that?
634
00:29:48,160 --> 00:29:49,960
Somebody's watching us!
Eh?
635
00:29:49,960 --> 00:29:51,960
Can you hear me?
636
00:29:51,960 --> 00:29:52,960
Just get dressed!
637
00:29:52,960 --> 00:29:54,960
Oh! Oh!
638
00:29:54,960 --> 00:29:57,800
MUSIC: 'Wannabe' by Spice Girls
639
00:29:57,800 --> 00:29:58,960
# So tell me what you want... #
640
00:29:58,960 --> 00:30:00,960
'Welcome back to the rather smashing
641
00:30:00,960 --> 00:30:02,960
'Coronation Street:
60 unforgettable years.'
642
00:30:02,960 --> 00:30:04,960
Jack, come and see!
643
00:30:04,960 --> 00:30:06,960
'It's the '90s, and the producers
were demolishing
644
00:30:06,960 --> 00:30:10,960
'some of the old sets to make way
for bigger, brand-new ones.'
645
00:30:10,960 --> 00:30:15,800
Everyone agreed that the show
needed to renew itself.
646
00:30:15,800 --> 00:30:17,960
'New sets and new characters
including Raquel Wolstenhulme -
647
00:30:17,960 --> 00:30:21,960
'part-time model, full-time barmaid,
and Ken's protege.'
648
00:30:21,960 --> 00:30:24,320
Oh, it'll all end in tears,
I know it will.
649
00:30:24,320 --> 00:30:27,960
So, how much French do you know?
650
00:30:27,960 --> 00:30:29,640
Nothing.
Oh, I bet you do.
651
00:30:29,640 --> 00:30:32,160
You think.
Well, I know what baguettes are.
652
00:30:32,160 --> 00:30:33,960
HE CHUCKLES
653
00:30:33,960 --> 00:30:35,640
Red wine's vin rouge.
654
00:30:35,640 --> 00:30:37,960
What was so lovely about it,
655
00:30:37,960 --> 00:30:40,960
you had Raquel genuinely
wanting to better herself...
656
00:30:40,960 --> 00:30:43,960
Bonjour, Ken. Je m'appelle Raquel.
657
00:30:43,960 --> 00:30:45,960
Well done.
658
00:30:45,960 --> 00:30:48,000
"Hello, Ken. My name is Raquel.
659
00:30:48,000 --> 00:30:49,960
"Isn't it a lovely day today?"
660
00:30:49,960 --> 00:30:51,960
OK?
661
00:30:51,960 --> 00:30:53,960
Oh... Clever.
HE CHUCKLES
662
00:30:53,960 --> 00:30:54,960
'Well, here goes.'
663
00:30:54,960 --> 00:30:56,800
Bonjour, Ken.
Mm.
664
00:30:56,800 --> 00:30:57,960
Je m'appelle Raquel.
665
00:30:57,960 --> 00:31:00,960
Voulez-vous coucher
avec moi ce soir?
666
00:31:00,960 --> 00:31:03,960
BOTH LAUGH
MUSIC: 'Lady Marmalade' by Labelle
667
00:31:03,960 --> 00:31:06,960
What's Ken gonna say to that?
668
00:31:06,960 --> 00:31:09,960
# Voulez-vous coucher avec moi
Ce soir... #
669
00:31:09,960 --> 00:31:11,960
Fantastic.
670
00:31:11,960 --> 00:31:12,960
Thank you for that.
671
00:31:12,960 --> 00:31:15,960
Brilliant. So lovely.
672
00:31:15,960 --> 00:31:17,000
Oh, Ken...
673
00:31:17,000 --> 00:31:20,960
Isn't it important, communication?
674
00:31:20,960 --> 00:31:23,000
Oh, I feel dead sympathique, me.
675
00:31:23,000 --> 00:31:27,000
This is literally Corrie
at its finest, this scene, isn't it?
676
00:31:27,000 --> 00:31:28,960
'From an iconic character
of the '90s,
677
00:31:28,960 --> 00:31:33,640
'to a couple of Corrie legends
who arrived in 1964.
678
00:31:33,640 --> 00:31:35,960
I love this little house.
Don't let's lose it.
679
00:31:35,960 --> 00:31:39,960
'When Stan and Hilda Ogden
moved into 13 Coronation Street,
680
00:31:39,960 --> 00:31:42,320
'it soon became clear
that their on-screen spats...'
681
00:31:42,320 --> 00:31:44,320
Mind your own business, fatty!
682
00:31:44,320 --> 00:31:46,960
'..would keep us entertained
for decades.'
683
00:31:46,960 --> 00:31:49,960
Hilda and Stan
were a beautiful couple.
684
00:31:49,960 --> 00:31:51,960
I've noticed recently
that you haven't been,
685
00:31:51,960 --> 00:31:54,480
well, showing the interest
what you should have been showing.
686
00:31:54,480 --> 00:31:56,000
They're just so Northern,
aren't they?
687
00:31:56,000 --> 00:31:58,160
Er, Chuck...
What?
688
00:31:58,160 --> 00:31:59,960
What about a week last Wednesday?
689
00:31:59,960 --> 00:32:01,800
SHE CHUCKLES
I love it.
690
00:32:01,800 --> 00:32:03,960
Oh, yeah, I'd forgotten about that.
Well...
691
00:32:03,960 --> 00:32:04,960
A brilliant actress.
692
00:32:04,960 --> 00:32:07,640
Yeah, we're very lucky, aren't we?
Yes, we are.
693
00:32:07,640 --> 00:32:09,960
They played off each other so well.
694
00:32:09,960 --> 00:32:10,960
Oh, beans again?
695
00:32:10,960 --> 00:32:14,480
Well, not quite again, Chuck.
We've had beans every day this week.
696
00:32:14,480 --> 00:32:16,800
Yeah, but they're on
a different plate today.
697
00:32:16,800 --> 00:32:18,640
Hilda with her rollers,
698
00:32:18,640 --> 00:32:22,960
it's very, very specific to
that character, and it just works.
699
00:32:22,960 --> 00:32:24,960
Kevin?
In here, Mrs O.
700
00:32:24,960 --> 00:32:26,960
Who's that?
Mrs Ogden, my landlady.
701
00:32:26,960 --> 00:32:28,960
You should've said
you was coming home,
702
00:32:28,960 --> 00:32:30,960
I could have got you a...
703
00:32:30,960 --> 00:32:35,960
To end up living with Hilda Ogden
in the show, it was just surreal.
704
00:32:35,960 --> 00:32:37,480
I'm sorry,
I didn't realise you had company.
705
00:32:37,480 --> 00:32:39,960
It's OK, Mrs O, we're just going.
I didn't come home for my dinner,
706
00:32:39,960 --> 00:32:41,960
Came home to get Sally cleaned up.
707
00:32:41,960 --> 00:32:43,000
Oh, yes?
708
00:32:43,000 --> 00:32:47,960
To establish a relationship
with Hilda Ogden as Kevin,
709
00:32:47,960 --> 00:32:49,800
it was just...
710
00:32:49,800 --> 00:32:50,960
I loved every moment of it.
711
00:32:50,960 --> 00:32:51,960
I don't suppose
we'll see you again?
712
00:32:51,960 --> 00:32:54,960
I wouldn't bet on it.
713
00:32:54,960 --> 00:32:58,960
Jean made Hilda Ogden
into such an incredible character.
714
00:32:58,960 --> 00:32:59,960
Everything she did,
715
00:32:59,960 --> 00:33:03,960
all the little things that Jean
did were just incredible.
716
00:33:03,960 --> 00:33:06,640
Tough, Stanley, tough.
717
00:33:06,640 --> 00:33:08,960
She bossed him about,
and he was lazy
718
00:33:08,960 --> 00:33:12,960
and the audience knew how
much Hilda love Stan.
719
00:33:12,960 --> 00:33:15,960
Champagne, dinner for two,
720
00:33:15,960 --> 00:33:18,960
probably be prawn cocktails
and all that.
721
00:33:18,960 --> 00:33:21,960
Oh, it's like a dream come true.
722
00:33:21,960 --> 00:33:23,960
I wonder who's in T'Rovers now.
723
00:33:23,960 --> 00:33:25,960
They're just Corrie, aren't they?
Yeah.
724
00:33:25,960 --> 00:33:28,960
You can't not know about them if
you've heard of Coronation Street.
725
00:33:28,960 --> 00:33:31,000
Do you really think
I look smashing?
726
00:33:31,000 --> 00:33:32,960
I said so, didn't I?
727
00:33:32,960 --> 00:33:35,640
Well, I feel smashing.
728
00:33:35,640 --> 00:33:37,960
What a great couple
these was on the screen.
729
00:33:38,960 --> 00:33:41,000
Aw... Oh, I love this as well.
730
00:33:41,000 --> 00:33:42,960
This was so nice.
731
00:33:42,960 --> 00:33:44,960
MUSIC: 'It Had To Be You'
by Frank Sinatra
732
00:33:44,960 --> 00:33:45,960
We all remember this.
733
00:33:45,960 --> 00:33:47,960
What's that lipstick taste of?
734
00:33:47,960 --> 00:33:48,960
"Woman, Stanley."
735
00:33:48,960 --> 00:33:51,480
Woman, Stanley.
736
00:33:51,480 --> 00:33:52,960
Woman!
737
00:33:52,960 --> 00:33:57,000
'One of British TV's favourite
partnerships ended in 1984
738
00:33:57,000 --> 00:33:59,800
'when actor Bernard Youens
passed away.
739
00:33:59,800 --> 00:34:03,960
'Stan's death followed,
leaving Hilda devastated.'
740
00:34:03,960 --> 00:34:05,960
He's gone, Alf.
741
00:34:05,960 --> 00:34:08,960
When something really tragic
like that happens,
742
00:34:08,960 --> 00:34:12,960
you feel it with them,
because you love them so much.
743
00:34:13,960 --> 00:34:15,960
My Stan's gone.
744
00:34:16,960 --> 00:34:18,960
That was very, very powerful.
745
00:34:18,960 --> 00:34:24,960
MUSIC: 'Lost Without You'
by Freya Ridings
746
00:34:24,960 --> 00:34:28,160
The nation's heart broke
when they watched this scene.
747
00:34:29,960 --> 00:34:35,960
# I just feel crushed without you...
748
00:34:35,960 --> 00:34:36,960
SHE SOBS
749
00:34:40,160 --> 00:34:46,640
# I think I'm lost without you... #
750
00:34:49,640 --> 00:34:52,160
It was just all perfectly done,
wasn't it?
751
00:34:52,160 --> 00:34:55,160
'Three years later,
on Christmas Day 1987...'
752
00:34:55,160 --> 00:34:58,960
I know I'll be moving
to a posh house and that, but...
753
00:34:58,960 --> 00:35:01,960
Well, I'll be leaving my heart
behind in this street.
754
00:35:01,960 --> 00:35:06,320
'And 27 million viewers
tuned in for Hilda's swan song.'
755
00:35:07,960 --> 00:35:11,640
# Wish me luck
As you wave me goodbye... #
756
00:35:11,640 --> 00:35:14,480
Oh, Hilda's voice, amazing!
757
00:35:14,480 --> 00:35:15,960
Oh, bless her cotton socks.
758
00:35:15,960 --> 00:35:19,960
ALL: # Give me a smile
I can keep all the while... #
759
00:35:19,960 --> 00:35:22,960
I was just pleased to be in that
scene and say ta-ta to her.
760
00:35:22,960 --> 00:35:26,960
# Wish me luck
As you wave me goodbye
761
00:35:26,960 --> 00:35:31,480
# Wish me luck
As you wave me goodbye. #
762
00:35:31,480 --> 00:35:32,960
CHEERING AND APPLAUSE
763
00:35:32,960 --> 00:35:36,800
You think, oh,
the street can't possibly carry on
764
00:35:36,800 --> 00:35:40,960
without Hilda Ogden,
but somehow it does.
765
00:35:40,960 --> 00:35:43,800
'Hilda got a very fond farewell,
766
00:35:43,800 --> 00:35:44,960
'but ten years later,
767
00:35:44,960 --> 00:35:46,000
'when new producer Brian Park
arrived,
768
00:35:46,000 --> 00:35:48,960
'other characters
weren't quite so lucky.'
769
00:35:48,960 --> 00:35:51,960
When I took over Coronation Street,
there was feeling
770
00:35:51,960 --> 00:35:54,960
that, you know,
it was slightly floundering.
771
00:35:54,960 --> 00:35:59,960
I've earned rather the ungracious
title of the mad axeman.
772
00:35:59,960 --> 00:36:04,960
Yes, I did kill off nine characters
in probably 2-3 months.
773
00:36:04,960 --> 00:36:06,960
They'll be coming for me next!
774
00:36:06,960 --> 00:36:08,960
Don Brennan.
775
00:36:08,960 --> 00:36:09,960
# Another one bites the dust... #
776
00:36:09,960 --> 00:36:11,160
Andy McDonald.
777
00:36:11,160 --> 00:36:12,960
Andy, where are you?
778
00:36:12,960 --> 00:36:14,800
PHONE RINGS
779
00:36:14,800 --> 00:36:15,960
Bill Webster.
780
00:36:15,960 --> 00:36:18,960
Might be back sooner than you think.
781
00:36:18,960 --> 00:36:20,960
Maureen Holdsworth.
782
00:36:20,960 --> 00:36:22,960
I've got my passport,
do you still want me to come?
783
00:36:22,960 --> 00:36:23,960
Derek Wilton.
784
00:36:23,960 --> 00:36:25,480
Look what you've done!
785
00:36:25,480 --> 00:36:27,960
# Another one bites the dust... #
786
00:36:27,960 --> 00:36:28,960
Des Barnes.
787
00:36:28,960 --> 00:36:31,480
I love you, Mrs Barnes.
788
00:36:31,480 --> 00:36:32,960
MONITOR BEEPS
789
00:36:32,960 --> 00:36:33,960
Percy Sugden.
790
00:36:33,960 --> 00:36:35,320
Well, I'll say goodbye.
791
00:36:35,320 --> 00:36:36,960
It's a grim legacy.
792
00:36:36,960 --> 00:36:39,800
'When he wasn't busy escorting
characters off the cobbles,
793
00:36:39,800 --> 00:36:41,960
'he dabbled
in a little home-wrecking too.'
794
00:36:41,960 --> 00:36:43,960
Oh, that's terrible!
795
00:36:43,960 --> 00:36:47,960
I'd asked who's got
the longest-lasting marriage?
796
00:36:47,960 --> 00:36:50,960
Alas, it was Kevin and Sally.
And I said, right,
797
00:36:50,960 --> 00:36:51,960
we'll break them up.
798
00:36:51,960 --> 00:36:54,960
# I came in like a wrecking ball
799
00:36:54,960 --> 00:36:58,960
We brought in this femme fatale
called Natalie Horrocks.
800
00:36:58,960 --> 00:37:01,160
You're a very good mechanic, Kevin.
801
00:37:01,160 --> 00:37:04,960
I always remember Sally saying
she was so pleased
802
00:37:04,960 --> 00:37:06,640
she got that storyline.
803
00:37:07,960 --> 00:37:10,960
She said, "If I had
to ask Kevin one more time
804
00:37:10,960 --> 00:37:12,960
"what he wanted
for his bleeding tea..."
805
00:37:12,960 --> 00:37:14,800
"I was gonna throw up."
806
00:37:16,960 --> 00:37:17,960
Natalie.
Yeah?
807
00:37:18,960 --> 00:37:21,960
Ooh! 'Ho-ho-ho-ho-ho!'
808
00:37:21,960 --> 00:37:24,640
Ah... I felt so bad.
809
00:37:24,640 --> 00:37:26,960
I think I really whacked her one.
810
00:37:26,960 --> 00:37:28,960
Well, at least
they only split us up,
811
00:37:28,960 --> 00:37:30,960
and they didn't kill one of us.
812
00:37:30,960 --> 00:37:32,960
HE CHUCKLES
813
00:37:32,960 --> 00:37:34,160
'It wasn't all death and divorce.
814
00:37:34,160 --> 00:37:36,960
'In 1998, Brian introduced
Hayley Patterson,
815
00:37:36,960 --> 00:37:39,960
'a pioneering character
who would become one half
816
00:37:39,960 --> 00:37:41,960
'of another much-loved couple.'
817
00:37:41,960 --> 00:37:43,800
I'd love to think
that Roy and Hayley
818
00:37:43,800 --> 00:37:46,960
are part of that tradition
of great couples on the street.
819
00:37:46,960 --> 00:37:48,960
But it was always a bit edgy
and a bit difficult.
820
00:37:48,960 --> 00:37:50,960
MUSIC: 'Hold On'
by Wilson Phillips
821
00:37:50,960 --> 00:37:53,960
# Somebody's gonna make you
Wanna turn around and say goodbye
822
00:37:54,960 --> 00:37:56,960
# Until then, baby
823
00:37:56,960 --> 00:37:58,960
# Gonna let 'em
Hold you down, make you cry?
824
00:37:58,960 --> 00:38:00,160
# Don't you know?
Don't you know
825
00:38:00,160 --> 00:38:03,960
# If you change
Things will go your way... #
826
00:38:05,000 --> 00:38:09,960
Hayley was the first transgender
character in a soap in Britain.
827
00:38:09,960 --> 00:38:11,960
I'm Hayley Cropper.
828
00:38:11,960 --> 00:38:12,960
From the cafe.
829
00:38:12,960 --> 00:38:13,960
Yes.
Oh, right.
830
00:38:13,960 --> 00:38:16,960
I remember half the writers team
looking very shocked.
831
00:38:16,960 --> 00:38:18,960
We did it quite cynically
832
00:38:18,960 --> 00:38:21,960
in terms of, you know,
proper shock value.
833
00:38:21,960 --> 00:38:23,960
This is Hayley.
834
00:38:23,960 --> 00:38:26,800
Nice to meet you, Roy.
Oh, and you.
835
00:38:26,800 --> 00:38:29,960
And it's testament
to Julie's great acting skills
836
00:38:29,960 --> 00:38:32,960
that she brought
that character alive.
837
00:38:32,960 --> 00:38:36,960
It was because they cast it so well,
and we worked so well together,
838
00:38:36,960 --> 00:38:38,960
so it wasn't
a disastrous relationship.
839
00:38:39,960 --> 00:38:41,960
HE YELLS,
GROANS
840
00:38:41,960 --> 00:38:42,960
How does that feel?
841
00:38:42,960 --> 00:38:45,960
Lovely.
Pardon?
842
00:38:46,960 --> 00:38:48,000
Take it a step at a time.
843
00:38:49,960 --> 00:38:50,960
I'd like that.
844
00:38:51,960 --> 00:38:52,960
Would you, really?
845
00:38:52,960 --> 00:38:55,960
Yeah. More than anything.
846
00:38:57,000 --> 00:38:59,960
'All couples have secrets...
847
00:38:59,960 --> 00:39:02,960
'but Hayley had quite
the revelation for Roy.'
848
00:39:02,960 --> 00:39:04,960
Do you understand what I said?
849
00:39:04,960 --> 00:39:08,960
I-I-I don't think I do, no.
850
00:39:08,960 --> 00:39:10,960
Hmm.
Well, at least you're not laughing.
851
00:39:10,960 --> 00:39:12,960
My voice is so high.
852
00:39:12,960 --> 00:39:14,480
I was so young.
853
00:39:14,480 --> 00:39:17,960
Is this some kind of joke?
I mean, are you making fun of me?
854
00:39:17,960 --> 00:39:18,960
No.
855
00:39:18,960 --> 00:39:21,640
The language around this,
it's so dated now.
856
00:39:21,640 --> 00:39:23,960
I was born a boy.
857
00:39:23,960 --> 00:39:30,960
What soaps do really successfully
is to present a person to you
858
00:39:30,960 --> 00:39:32,960
that you might not know
anything about,
859
00:39:32,960 --> 00:39:36,480
and the issue that sort
of surrounds them, if you like,
860
00:39:36,480 --> 00:39:38,640
is something
that you might be quite afraid of.
861
00:39:38,640 --> 00:39:40,160
And that's how you
break down prejudices.
862
00:39:40,160 --> 00:39:45,320
'After revealing her secret,
Roy and Hayley's love only grew.'
863
00:39:45,320 --> 00:39:47,960
To us.
Yes.
864
00:39:47,960 --> 00:39:49,960
To us.
865
00:39:49,960 --> 00:39:52,640
'And as they fell in love,
so did we.'
866
00:39:52,640 --> 00:39:54,960
I was shopping
in my local supermarket,
867
00:39:54,960 --> 00:39:56,960
and, like, elderly ladies
were saying to me
868
00:39:56,960 --> 00:39:58,960
"When are you and Roy
gonna get married?"
869
00:39:58,960 --> 00:40:00,960
And I'd sort of say to them,
well, you know,
870
00:40:00,960 --> 00:40:03,480
were not allowed at the moment,
because at that point,
871
00:40:03,480 --> 00:40:05,960
it was against the law
for transgender people
872
00:40:05,960 --> 00:40:07,960
to marry their partners.
And they were just,
873
00:40:07,960 --> 00:40:08,960
"Never mind that!"
874
00:40:08,960 --> 00:40:10,960
'That was just a wonderful
thing for me.'
875
00:40:10,960 --> 00:40:12,320
Will you marry me?
876
00:40:13,640 --> 00:40:14,960
Oh, Roy...
877
00:40:14,960 --> 00:40:19,960
MUSIC: 'It Must Have Been'
by Roxette
878
00:40:19,960 --> 00:40:23,960
My message to you, Hayley, is this:
879
00:40:23,960 --> 00:40:25,640
the world can change its rules,
880
00:40:25,640 --> 00:40:27,960
its laws...
881
00:40:27,960 --> 00:40:29,960
and its opinions...
882
00:40:29,960 --> 00:40:32,960
as frequently as it chooses.
883
00:40:32,960 --> 00:40:36,960
But I will remain
standing beside you.
884
00:40:36,960 --> 00:40:40,960
APPLAUSE
# But it's all over now
885
00:40:40,960 --> 00:40:42,960
# From the moment we touched
886
00:40:42,960 --> 00:40:45,960
# Till the time had run out... #
887
00:40:45,960 --> 00:40:47,160
'Still to come:
888
00:40:47,160 --> 00:40:48,640
'the Queen of the Rovers.'
889
00:40:48,640 --> 00:40:52,160
The massive hair and the huge
earrings, leopard-print.
890
00:40:52,160 --> 00:40:53,960
Julie did it amazingly.
891
00:40:53,960 --> 00:40:56,960
I'm sorry I'm late, Mrs Walker.
892
00:41:07,960 --> 00:41:10,960
BIG BEN BONGS
893
00:41:10,960 --> 00:41:14,960
'As fireworks lit up the skies
of the new millennium...
894
00:41:14,960 --> 00:41:16,960
MUSIC: 'Year 2000'
by Pulp
895
00:41:16,960 --> 00:41:19,960
'One of Coronation Street's
most-loved characters returned
896
00:41:19,960 --> 00:41:20,960
'for one night only.'
897
00:41:23,960 --> 00:41:25,960
Hello, Curly.
898
00:41:25,960 --> 00:41:26,960
'18 million viewers tuned in
899
00:41:26,960 --> 00:41:29,960
'to see actress Sarah Lancashire's
cameo return.'
900
00:41:29,960 --> 00:41:31,960
Surprised to see me?
You could say that.
901
00:41:31,960 --> 00:41:33,800
Yeah, gobsmacked.
902
00:41:37,960 --> 00:41:40,960
'And Raquel had
some shocking news for Curly.'
903
00:41:42,640 --> 00:41:43,960
Who is it?
904
00:41:44,960 --> 00:41:46,480
This is our daughter.
905
00:41:47,960 --> 00:41:49,960
There's somebody else.
906
00:41:49,960 --> 00:41:51,960
Whatever you want on this...
907
00:41:53,800 --> 00:41:54,960
..divorce bit...
908
00:41:55,960 --> 00:41:57,000
..you've got.
909
00:42:02,800 --> 00:42:04,320
Happy New Year.
910
00:42:04,320 --> 00:42:06,640
Happy new life.
911
00:42:07,960 --> 00:42:10,960
'And so it was goodbye to Raquel,
who like so many
912
00:42:10,960 --> 00:42:12,960
'before her and since,
913
00:42:12,960 --> 00:42:16,800
'left her indelible mark
behind the bar of the Rovers.'
914
00:42:17,960 --> 00:42:19,960
A snowball, please.
I don't think we've got any of them.
915
00:42:19,960 --> 00:42:22,160
That's all right, love,
you make one. How?
916
00:42:22,160 --> 00:42:24,640
Nay, love, you're the barmaid.
917
00:42:27,960 --> 00:42:31,480
'When the residents of Coronation
Street are in need of a smile
918
00:42:31,480 --> 00:42:33,960
'and a drink, there's one place
they can go
919
00:42:33,960 --> 00:42:35,960
'where everybody knows your name.'
920
00:42:35,960 --> 00:42:37,960
Yes, Robbie.
Pint of bitter, please.
921
00:42:37,960 --> 00:42:39,960
MUSIC: 'Happy Hour'
by The Housemartins
922
00:42:39,960 --> 00:42:40,960
Ha!
923
00:42:40,960 --> 00:42:42,960
Go on, have a brandy,
I'm having one.
924
00:42:43,960 --> 00:42:45,960
Everything's overheard
in the Rovers.
925
00:42:45,960 --> 00:42:48,640
It's the base of the street,
really.
926
00:42:48,640 --> 00:42:50,320
As soon as one person
has gone in the Rovers,
927
00:42:50,320 --> 00:42:52,960
everyone in the street
knows what's going on, then.
928
00:42:52,960 --> 00:42:57,320
Is, er... that who I think it is?
Very probably, yeah.
929
00:42:57,320 --> 00:42:58,960
Are they together now?
930
00:42:58,960 --> 00:43:00,960
Search me.
I just stand here and serve drinks.
931
00:43:00,960 --> 00:43:05,960
The Rovers is where everyone
will always end up
932
00:43:05,960 --> 00:43:07,960
at the end of any celebration...
933
00:43:07,960 --> 00:43:09,960
Well, cheers.
Cheers.
934
00:43:09,960 --> 00:43:11,960
You can have babies born there...
SHE STRAINS
935
00:43:11,960 --> 00:43:14,960
You can have wedding parties.
936
00:43:14,960 --> 00:43:17,160
You can have trams
coming through it.
937
00:43:17,160 --> 00:43:20,960
You always end up in the Rovers,
so that is the heart of the street.
938
00:43:21,960 --> 00:43:24,960
'And the lifeblood of this
iconic pub are the barmaids.
939
00:43:24,960 --> 00:43:27,960
'62 over 60 years,
940
00:43:27,960 --> 00:43:30,960
'the very first of which
was Concepta Riley who pulled pints
941
00:43:30,960 --> 00:43:34,480
'under the watchful eye
of steely Annie Walker.'
942
00:43:34,480 --> 00:43:36,960
He should see her through tonight.
943
00:43:36,960 --> 00:43:38,960
I'm not deaf,
I heard you the first time.
944
00:43:38,960 --> 00:43:40,960
MUSIC: 'Here Come The Girls'
by Ernie K-Doe
945
00:43:40,960 --> 00:43:42,160
# Girls
946
00:43:42,160 --> 00:43:43,320
# Girls, girls
947
00:43:43,320 --> 00:43:45,960
# Here come the girls
Girls
948
00:43:45,960 --> 00:43:48,320
# Girls
Girls, girls. #
949
00:43:48,320 --> 00:43:49,960
When I found out I got the job
in the Rovers,
950
00:43:49,960 --> 00:43:51,960
I was over the moon.
951
00:43:51,960 --> 00:43:53,960
The Rovers
is like the heart of the street,
952
00:43:53,960 --> 00:43:56,960
so to be given the role
as the barmaid
953
00:43:56,960 --> 00:43:58,960
is like a massive honour.
954
00:43:58,960 --> 00:43:59,960
What can I get you?
955
00:43:59,960 --> 00:44:01,960
Oh, I think I'll just have
the usual, please.
956
00:44:01,960 --> 00:44:04,960
Sorry, I can't seem
to remember what that is.
957
00:44:04,960 --> 00:44:06,960
Because you're too busy
trying to remember
958
00:44:06,960 --> 00:44:08,960
what shade of orange
to paint yourself.
959
00:44:08,960 --> 00:44:11,960
I was thrilled when I got
to go behind the bar in the Rovers.
960
00:44:11,960 --> 00:44:13,160
Surprise!
961
00:44:13,160 --> 00:44:17,960
Kate Kelly,
she played Becky so brilliantly.
962
00:44:17,960 --> 00:44:19,960
We have a wide selection
of wines and spirits,
963
00:44:19,960 --> 00:44:21,960
and some of the finest
ales in England.
964
00:44:21,960 --> 00:44:24,960
Can you stack them mixers
for us, Raquel, love?
965
00:44:24,960 --> 00:44:26,960
# Here come the girls. #
966
00:44:28,960 --> 00:44:31,960
HE CHUCKLES
It's so cruel, that, isn't it?
967
00:44:35,640 --> 00:44:40,320
SHE CHUCKLES
Just an absolute top class comedian.
968
00:44:40,320 --> 00:44:41,960
Right, I want a pint of bitter,
lager and lime
969
00:44:41,960 --> 00:44:43,960
and a large Scottish wine, please.
970
00:44:43,960 --> 00:44:44,960
Red or white?
971
00:44:44,960 --> 00:44:46,960
Eh? What? Come again, what?
972
00:44:46,960 --> 00:44:48,960
Scottish wine? Red or white?
973
00:44:48,960 --> 00:44:51,960
Whiskey. Scotch whiskey.
974
00:44:51,960 --> 00:44:53,960
She just has lived on
in people's memories
975
00:44:53,960 --> 00:44:56,800
as a completely iconic character.
976
00:44:56,800 --> 00:45:00,000
'But without doubt,
the Queen of Newton & Ridley
977
00:45:00,000 --> 00:45:03,960
'and a vision in bright blue
eye shadow - one Bet Lynch.'
978
00:45:03,960 --> 00:45:05,960
MUSIC: 'I'm Coming Out'
by Diana Ross
979
00:45:05,960 --> 00:45:08,960
# I want the world to know... #
980
00:45:08,960 --> 00:45:12,800
The massive hair and
the huge earrings, leopard-print.
981
00:45:12,800 --> 00:45:14,960
'Julie did it amazingly.'
982
00:45:14,960 --> 00:45:16,960
Bet Lynch's place
is stood behind a bar,
983
00:45:16,960 --> 00:45:18,960
wearing pair of daft earrings
and very little else.
984
00:45:19,960 --> 00:45:21,960
I'm sorry I'm late, Mrs Walker.
985
00:45:21,960 --> 00:45:23,960
Good heavens!
986
00:45:23,960 --> 00:45:27,960
Give us a large Scotch.
Say please, you can have in a glass.
987
00:45:27,960 --> 00:45:28,960
I'll give you a tip, love,
988
00:45:28,960 --> 00:45:30,800
cos it don't look like
you'll give me one...
989
00:45:30,800 --> 00:45:32,960
'Bet rose through the ranks.'
990
00:45:32,960 --> 00:45:35,960
I still can't believe it,
me, my own pub.
991
00:45:35,960 --> 00:45:37,960
I just know
it's gonna change my life somehow.
992
00:45:37,960 --> 00:45:39,960
You'll be a very good landlady.
993
00:45:39,960 --> 00:45:41,960
'Once Bet was in charge,
994
00:45:41,960 --> 00:45:44,960
'there was no mistaking
whose name was over the door...'
995
00:45:44,960 --> 00:45:48,960
There are three things
off-limit in this pub.
996
00:45:48,960 --> 00:45:50,800
Religion...
997
00:45:50,800 --> 00:45:51,960
politics...
998
00:45:51,960 --> 00:45:54,960
and pinching somebody else's wife...
999
00:45:54,960 --> 00:45:55,960
..or husband.
1000
00:45:55,960 --> 00:45:57,480
Get it? Get it?
1001
00:45:57,480 --> 00:45:58,960
Got it? Got it?
1002
00:45:58,960 --> 00:46:00,960
Good! Good.
1003
00:46:00,960 --> 00:46:02,960
Carry on supping.
1004
00:46:02,960 --> 00:46:03,960
..'ably assisted by Betty...'
1005
00:46:03,960 --> 00:46:06,960
I mean, if you're not being
talked about in this pub, love,
1006
00:46:06,960 --> 00:46:07,960
you're not worth serving.
1007
00:46:07,960 --> 00:46:09,320
'..and her famous hotpot.'
1008
00:46:09,320 --> 00:46:11,960
Betty, love, you give everybody
what they want? I will.
1009
00:46:11,960 --> 00:46:12,960
Right, who's for hotpot?
1010
00:46:12,960 --> 00:46:13,960
There you go, my love.
1011
00:46:13,960 --> 00:46:15,480
One hotpot.
1012
00:46:15,480 --> 00:46:16,640
Cheers, Betty.
1013
00:46:20,800 --> 00:46:23,960
'Bet said goodbye
to the Rovers in 1995.'
1014
00:46:23,960 --> 00:46:27,000
'In this pub, Vera,
I'm cock of the walk.'
1015
00:46:27,000 --> 00:46:30,000
'She eventually left the show
for good in 2003,
1016
00:46:30,000 --> 00:46:32,320
'but her legacy lives on.
1017
00:46:33,960 --> 00:46:36,960
'Over the decades, Coronation Street
has built a reputation
1018
00:46:36,960 --> 00:46:39,000
'for tackling important
and difficult issues.'
1019
00:46:39,000 --> 00:46:42,960
MUSIC: 'You Don't Own Me'
by Lesley Gore
1020
00:46:42,960 --> 00:46:45,960
Oh, look, what do we have here?
1021
00:46:45,960 --> 00:46:48,960
Full of Yasmeen's stuff.
1022
00:46:48,960 --> 00:46:50,960
Planning on going somewhere, dear?
1023
00:46:50,960 --> 00:46:53,960
It's really hard to watch
the scenes with Jeff sometimes.
1024
00:46:53,960 --> 00:46:57,960
You bitch! You stupid...
SHE SCREAMS
1025
00:46:57,960 --> 00:46:59,960
# Don't tell me what to do... #
1026
00:46:59,960 --> 00:47:03,960
I had bin liners full of letters...
1027
00:47:03,960 --> 00:47:07,960
from ladies going through
exactly the same thing.
1028
00:47:07,960 --> 00:47:09,960
Heartbreaking letters.
1029
00:47:09,960 --> 00:47:15,960
I have told you time and time again
to have nothing more to do with her!
1030
00:47:15,960 --> 00:47:17,960
And I keep her out of...
I've had enough!
1031
00:47:17,960 --> 00:47:20,960
I think domestic violence
had been shown on telly,
1032
00:47:20,960 --> 00:47:24,160
but not the way round
of the male being the victim.
1033
00:47:24,160 --> 00:47:26,160
You don't think I like
being like this, do you?
1034
00:47:27,960 --> 00:47:29,960
The response was huge
to that story
1035
00:47:29,960 --> 00:47:32,640
cos, you know,
it was such a taboo subject.
1036
00:47:32,640 --> 00:47:36,320
MUSIC: 'Smalltown Boy'
by Bronski Beat
1037
00:47:37,960 --> 00:47:41,640
The reason why Sarah Louise
has put on some weight...
1038
00:47:42,960 --> 00:47:45,160
..is because she's pregnant.
1039
00:47:46,960 --> 00:47:48,960
I tried to push him off,
but I couldn't.
1040
00:47:48,960 --> 00:47:52,960
When I woke up,
I knew what he'd done.
1041
00:47:52,960 --> 00:47:55,960
I've had a lifetime fighting...
1042
00:47:55,960 --> 00:47:57,960
Fighting people calling me names,
1043
00:47:57,960 --> 00:48:00,960
and I have heard every name
1044
00:48:00,960 --> 00:48:05,960
and every stupid comment
you can think of.
1045
00:48:05,960 --> 00:48:08,160
It's really emotional.
It's really emotional.
1046
00:48:08,160 --> 00:48:12,960
'It seems highly likely
that Aidan's death was suicide.'
1047
00:48:12,960 --> 00:48:16,960
Coronation Street has
to run a very sort of, like,
1048
00:48:16,960 --> 00:48:20,960
fine line between talking
about things that are relevant...
1049
00:48:20,960 --> 00:48:21,960
No!
1050
00:48:21,960 --> 00:48:24,960
..and still being entertainment,
but do it really, really well.'
1051
00:48:24,960 --> 00:48:28,960
'In 2009, one storyline
was to prove devastating
1052
00:48:28,960 --> 00:48:31,960
'on and off-screen
for actress Sally Dynevor.'
1053
00:48:32,960 --> 00:48:34,960
Sal?
1054
00:48:35,960 --> 00:48:37,960
I can't...
1055
00:48:37,960 --> 00:48:39,160
MUSIC: 'All Of Me'
by John Legend
1056
00:48:41,160 --> 00:48:42,960
SHE EXHALES DEEPLY
1057
00:48:42,960 --> 00:48:46,000
I've got cancer.
1058
00:48:47,960 --> 00:48:50,960
Oh, it's quite hard to watch, this.
1059
00:48:50,960 --> 00:48:53,000
I hated that storyline.
1060
00:48:53,000 --> 00:48:55,960
I really, really didn't like it.
1061
00:48:55,960 --> 00:48:58,960
'In a shocking case
of life imitating art,
1062
00:48:58,960 --> 00:49:02,960
'Sally Dynevor was herself
diagnosed with breast cancer.
1063
00:49:02,960 --> 00:49:06,960
She pulled me to one side
after doing all these...
1064
00:49:06,960 --> 00:49:09,960
emotional scenes
and then says she's...
1065
00:49:09,960 --> 00:49:12,640
she's got cancer in real life.
1066
00:49:12,640 --> 00:49:15,960
Sal was, and is, like I say,
a massive part of my life.
1067
00:49:15,960 --> 00:49:18,640
She's a real mother figure to me.
1068
00:49:18,640 --> 00:49:20,960
And to sit and watch her
have to play something
1069
00:49:20,960 --> 00:49:23,960
that you know deep down
she's going through...
1070
00:49:23,960 --> 00:49:25,960
it was awful.
1071
00:49:25,960 --> 00:49:28,000
I was shaking, I...
1072
00:49:28,000 --> 00:49:32,960
I just couldn't believe
that this had happened.
1073
00:49:32,960 --> 00:49:36,320
Surely that's Sally Webster,
not Sally Dynevor.
1074
00:49:36,320 --> 00:49:40,480
'Sally went on to make
a full recovery on and off-screen.'
1075
00:49:40,480 --> 00:49:41,960
Another year cancer-free.
1076
00:49:41,960 --> 00:49:44,960
Oh, Sally, that's fantastic.
1077
00:49:44,960 --> 00:49:47,960
'Now, I'm getting women
who are saying, "I'm going through
1078
00:49:47,960 --> 00:49:51,320
"what you went through
but just knowing that you're here
1079
00:49:51,320 --> 00:49:54,960
"and it's 11 years later,
just gives me so much hope."
1080
00:49:54,960 --> 00:49:56,960
Oh, gosh,
I'm gonna get really emotional.
1081
00:49:58,960 --> 00:50:02,960
'In 2010, a sensational tram crash
and a special live episode
1082
00:50:02,960 --> 00:50:05,960
'marked Coronation Street's
50th anniversary.'
1083
00:50:05,960 --> 00:50:07,960
Ah!
1084
00:50:08,960 --> 00:50:11,000
This was so nerve-wracking
1085
00:50:11,000 --> 00:50:14,800
and yet so exciting
at the same time.
1086
00:50:14,800 --> 00:50:15,960
SHE SCREAMS
1087
00:50:15,960 --> 00:50:16,960
Fiz, wait!
John!
1088
00:50:17,960 --> 00:50:20,480
'Cast and crew pulled out
all the stops
1089
00:50:20,480 --> 00:50:22,960
'for the scenes that created
carnage on the street.'
1090
00:50:22,960 --> 00:50:24,960
OK, we're all right.
1091
00:50:26,160 --> 00:50:27,960
Wait!
TRAM HORN BLARES
1092
00:50:27,960 --> 00:50:28,960
Get back!
1093
00:50:28,960 --> 00:50:31,960
There was a feeling
that this is a great moment.
1094
00:50:32,960 --> 00:50:34,960
Oh, gives you chills.
I remember watching this.
1095
00:50:38,960 --> 00:50:40,960
The tram was spectacular...
1096
00:50:40,960 --> 00:50:43,960
That really took some topping.
1097
00:50:46,960 --> 00:50:51,960
Doing these things live adds
a kind of degree of horror
1098
00:50:51,960 --> 00:50:53,960
for producers, but also excitement.
1099
00:50:58,960 --> 00:51:02,960
It's been the biggest thing
Coronation Street's ever done,
1100
00:51:02,960 --> 00:51:06,800
and that was a great team effort,
and it was an exciting time.
1101
00:51:06,800 --> 00:51:07,960
Look!
1102
00:51:07,960 --> 00:51:11,320
'The crash was the end
for Corrie's Molly Dobbs...'
1103
00:51:11,320 --> 00:51:12,960
SHE SIGHS
1104
00:51:12,960 --> 00:51:13,960
'..and Ashley Peacock.'
1105
00:51:13,960 --> 00:51:15,960
There's been an explosion!
1106
00:51:15,960 --> 00:51:17,960
Coronation Street!
1107
00:51:17,960 --> 00:51:19,960
I knew that there was going
to be a tram crash,
1108
00:51:19,960 --> 00:51:22,960
but I didn't know
that it was an homage
1109
00:51:22,960 --> 00:51:24,960
to the original train crash.
1110
00:51:24,960 --> 00:51:28,960
'In 1967, the team had created
a similarly spectacular crash.'
1111
00:51:28,960 --> 00:51:30,960
There's a train through
the fire door!
1112
00:51:30,960 --> 00:51:33,960
'In a chilling homage
to its predecessor...'
1113
00:51:33,960 --> 00:51:34,960
Somebody! 999!
1114
00:51:34,960 --> 00:51:39,160
'..this tram crash brought
the decade to a close.'
1115
00:51:39,160 --> 00:51:41,960
SCREAMING
1116
00:51:46,960 --> 00:51:48,960
Those were very exciting times,
1117
00:51:48,960 --> 00:51:53,960
and beautifully written,
and I think acted by everybody.
1118
00:51:53,960 --> 00:51:56,960
What is it with me and trams?
1119
00:52:00,960 --> 00:52:01,960
'Still to come...
1120
00:52:01,960 --> 00:52:03,960
'indecent proposals...'
1121
00:52:03,960 --> 00:52:05,960
RAPS: So won't the real
Slim Shady...
1122
00:52:05,960 --> 00:52:07,960
Please stand up, please stand up.
1123
00:52:07,960 --> 00:52:09,320
I'd like to offer you... Whoa!
1124
00:52:09,320 --> 00:52:10,960
SIMON GIGGLES
1125
00:52:10,960 --> 00:52:13,960
Oh!
Didn't know you could ride horses.
1126
00:52:13,960 --> 00:52:15,960
I couldn't! That was the point!
1127
00:52:28,960 --> 00:52:34,000
'Welcome back to Coronation Street:
60 Unforgettable Years.'
1128
00:52:34,000 --> 00:52:35,960
It's not good news, Hayley.
1129
00:52:35,960 --> 00:52:40,960
It appears you're suffering from
a particularly aggressive cancer.
1130
00:52:40,960 --> 00:52:44,800
I'm going to end my life
when I choose.
1131
00:52:44,800 --> 00:52:45,960
Oh, I can't...
1132
00:52:45,960 --> 00:52:48,480
I can't watch it.
1133
00:52:48,480 --> 00:52:50,960
I'm so sorry I have to go.
1134
00:52:50,960 --> 00:52:52,960
No, I... I just wish...
1135
00:52:52,960 --> 00:52:54,960
I know, I know you do.
1136
00:52:54,960 --> 00:52:57,960
I always feel really embarrassed,
because I feel I'm like going,
1137
00:52:57,960 --> 00:52:59,960
"Oh, I'm crying because
it's such good acting,"
1138
00:52:59,960 --> 00:53:02,160
but it's not that! It's just
everything that it represents.
1139
00:53:02,160 --> 00:53:03,800
I love you!
1140
00:53:03,800 --> 00:53:05,960
MUSIC: 'Let Her Go'
by Passenger
1141
00:53:05,960 --> 00:53:07,960
Oh, David.
1142
00:53:07,960 --> 00:53:10,480
# Only hate the road
When you're missing home... #
1143
00:53:10,480 --> 00:53:14,960
Saying goodbye to, you know,
probably the most important
1144
00:53:14,960 --> 00:53:16,960
and wonderful working relationship
of my life.
1145
00:53:16,960 --> 00:53:19,480
# When it's burning low
1146
00:53:19,480 --> 00:53:22,960
# Only miss the sun
When it starts to snow
1147
00:53:22,960 --> 00:53:26,000
# Only know your lover
when you let her go... #
1148
00:53:27,960 --> 00:53:32,960
'During its 60 years, there have
been 57 births, 196 deaths...'
1149
00:53:32,960 --> 00:53:35,960
SHE SCREAMS
'..and 132 weddings..
1150
00:53:37,960 --> 00:53:41,320
'There's nothing quite like
a Weatherfield wedding.'
1151
00:53:41,320 --> 00:53:42,960
You can't beat
a nice church wedding.
1152
00:53:42,960 --> 00:53:44,960
'The first was in 1961,
1153
00:53:44,960 --> 00:53:48,960
'when Jack and Annie Walker's
daughter married Gordon Davies.'
1154
00:53:48,960 --> 00:53:51,960
WOMEN: Oh, isn't she lovely?
1155
00:53:51,960 --> 00:53:54,960
'Since then, there have been more
than 100 couples from the cobbles
1156
00:53:54,960 --> 00:53:57,960
'who stepped up
to the altar to say...'
1157
00:53:57,960 --> 00:53:59,960
I do.
1158
00:53:59,960 --> 00:54:00,960
'..and then very soon after...'
1159
00:54:00,960 --> 00:54:02,960
You don't have to go through
with this.
1160
00:54:02,960 --> 00:54:04,480
SCREAMING
1161
00:54:04,480 --> 00:54:06,960
' "I most definitely don't." '
1162
00:54:06,960 --> 00:54:10,000
I don't want to get married
and stay married happily,
1163
00:54:10,000 --> 00:54:12,800
there's no fun in that.
SHE CHUCKLES
1164
00:54:12,800 --> 00:54:15,960
If you're in a soap, you're gonna
end up marrying at least two people.
1165
00:54:15,960 --> 00:54:20,960
My mate, Chris Gascoigne, Peter,
I mean, he's had...
1166
00:54:20,960 --> 00:54:23,480
he has had the absolute bevy
of maidens on...
1167
00:54:23,480 --> 00:54:25,960
'The best of the crop.
Like that, and I'm like...'
1168
00:54:25,960 --> 00:54:27,960
I said, "No wonder you don't leave."
1169
00:54:27,960 --> 00:54:30,480
HE CACKLES
1170
00:54:30,480 --> 00:54:33,960
I said I know what you're onto,
your motive is on this show.
1171
00:54:33,960 --> 00:54:35,960
HE CHUCKLES
'I've had five...'
1172
00:54:35,960 --> 00:54:38,960
Is it five? It is five.
1173
00:54:38,960 --> 00:54:42,960
'And I married one of them twice.
Wonderful husbands!'
1174
00:54:42,960 --> 00:54:44,960
Who could wish for more? Erm...
1175
00:54:44,960 --> 00:54:46,160
'I've loved them all.'
1176
00:54:46,160 --> 00:54:48,960
'But the undisputed
marriage maestro -
1177
00:54:48,960 --> 00:54:50,960
'step forward, one Steve McDonald.
1178
00:54:50,960 --> 00:54:54,960
'With a record-breaking
seven marriages under his belt,
1179
00:54:54,960 --> 00:54:58,480
'more than any other character
in soap history,
1180
00:54:58,480 --> 00:54:59,960
'he must be thrilled.'
1181
00:54:59,960 --> 00:55:02,960
MUSIC: 'Smooth Operator'
by Sade
1182
00:55:02,960 --> 00:55:05,960
Filming a wedding is the most
awful thing in the world.
1183
00:55:05,960 --> 00:55:10,960
Erm... It's long, it's boring,
mainly it's cold
1184
00:55:10,960 --> 00:55:14,960
cos they love to get married
in winter in a sandstone church
1185
00:55:14,960 --> 00:55:16,960
that's basically a giant fridge.
1186
00:55:16,960 --> 00:55:19,960
HE BLOWS HIS NOSE
Just cos I look like Henry VIII,
1187
00:55:19,960 --> 00:55:21,960
doesn't mean I need
the same amount of wives.
1188
00:55:21,960 --> 00:55:25,960
'He always had a lovely suit,
didn't he, Steve?'
1189
00:55:25,960 --> 00:55:26,960
For the wedding.
1190
00:55:26,960 --> 00:55:30,960
I mean, what bin
did they find them suits?
1191
00:55:30,960 --> 00:55:31,960
What's that about?
1192
00:55:31,960 --> 00:55:34,480
Oh, it's only Si, just, you know,
we don't even need the budget,
1193
00:55:34,480 --> 00:55:35,800
just grab that.
1194
00:55:35,800 --> 00:55:36,960
HE CHUCKLES
1195
00:55:36,960 --> 00:55:38,960
SING-SONG: We're getting married!
1196
00:55:38,960 --> 00:55:41,960
'Steve McDonald has tied the knot
with Vicky Arden...'
1197
00:55:41,960 --> 00:55:43,160
SQUEALS
'..Karen Phillips...'
1198
00:55:43,160 --> 00:55:44,960
Mrs McDonald...
1199
00:55:44,960 --> 00:55:46,000
welcome home.
1200
00:55:46,000 --> 00:55:48,320
'..Becky Granger...'
Are you hammered?
1201
00:55:48,320 --> 00:55:50,160
Celebrating!
1202
00:55:50,160 --> 00:55:52,960
'..Michelle Connor...'
CHEERING AND APPLAUSE
1203
00:55:52,960 --> 00:55:56,640
'..and of course the girl
of his dreams and nightmares -
1204
00:55:56,640 --> 00:55:57,960
'Tracy Barlow -
1205
00:55:57,960 --> 00:56:00,960
'who was so good,
he married her twice.'
1206
00:56:00,960 --> 00:56:03,960
After everything that's happened
and everything he's been through,
1207
00:56:03,960 --> 00:56:06,960
you know, strangely enough, it turns
out that Tracy's the right one.
1208
00:56:06,960 --> 00:56:09,960
She'd already lost the baby,
Steve, check the dates.
1209
00:56:09,960 --> 00:56:12,640
Your shiny new wife's a filthy liar.
1210
00:56:12,640 --> 00:56:14,960
She's evil, she's horrible...
1211
00:56:14,960 --> 00:56:16,960
She keeps him on his toes,
and, you know,
1212
00:56:16,960 --> 00:56:19,960
he's slightly frightened of her,
so that whole thing...
1213
00:56:19,960 --> 00:56:22,960
It sounds like my real marriage!
BOTH LAUGH
1214
00:56:22,960 --> 00:56:24,960
CAMERA SHUTTER SNAPS
1215
00:56:24,960 --> 00:56:26,960
CHEERING AND APPLAUSE
1216
00:56:26,960 --> 00:56:27,960
And I thought I'd had the most.
1217
00:56:27,960 --> 00:56:30,160
Well, in that case,
I've room for two more.
1218
00:56:30,160 --> 00:56:31,960
SHE CHUCKLES
1219
00:56:33,160 --> 00:56:36,160
'However,
one hopelessly romantic resident
1220
00:56:36,160 --> 00:56:40,160
'loved falling in love so much,
he made a habit of proposing.'
1221
00:56:40,160 --> 00:56:42,960
I know folk joke
about me processing.
1222
00:56:42,960 --> 00:56:47,320
They say I'd propose to a mop
if you'd put it in a nice frock.
1223
00:56:47,320 --> 00:56:49,320
Will you...
1224
00:56:49,320 --> 00:56:50,960
marry...
1225
00:56:50,960 --> 00:56:51,960
me?
1226
00:56:52,960 --> 00:56:56,960
But it's-it's not
that I propose a lot...
1227
00:56:56,960 --> 00:56:57,960
I want to marry you.
1228
00:56:57,960 --> 00:57:00,320
Oh, Fred, you don't!
1229
00:57:00,320 --> 00:57:02,480
SHE SCOFFS
Fred...
1230
00:57:02,480 --> 00:57:04,800
I'd make you so happy,
I swear I would.
1231
00:57:04,800 --> 00:57:06,480
I just get turned down a lot.
1232
00:57:06,480 --> 00:57:07,960
I'll not give up.
1233
00:57:07,960 --> 00:57:09,960
Not in my nature.
1234
00:57:09,960 --> 00:57:12,960
'And when I fall,
I fall hard and fast.'
1235
00:57:12,960 --> 00:57:13,960
I love you!
1236
00:57:13,960 --> 00:57:16,960
I want to spend
the rest of me life with you.
1237
00:57:16,960 --> 00:57:18,960
I fall in love too easily.
1238
00:57:18,960 --> 00:57:20,960
Marry you?
1239
00:57:20,960 --> 00:57:22,640
MUSIC:
'Ain't No Mountain High Enough'
1240
00:57:22,640 --> 00:57:24,000
by Marvin Gaye & Tammi Terrell
1241
00:57:24,000 --> 00:57:26,960
Oh, my goodness!
1242
00:57:26,960 --> 00:57:30,960
# Ain't no valley low enough... #
1243
00:57:30,960 --> 00:57:33,960
When I ask a woman to marry me,
I mean it.
1244
00:57:33,960 --> 00:57:37,800
Of course I will.
Now come on, Fred, get up. Ah!
1245
00:57:37,800 --> 00:57:38,960
I mean it with all my heart.
1246
00:57:38,960 --> 00:57:41,960
'Fred wasn't the only one
on the street
1247
00:57:41,960 --> 00:57:44,960
'who knew how to make
a grand, romantic gesture.'
1248
00:57:44,960 --> 00:57:46,960
RAPS: # I'm Slim Shady,
Yes, I'm the real Shady,
1249
00:57:46,960 --> 00:57:48,960
# All you other Slim Shadies
Are just imitating
1250
00:57:48,960 --> 00:57:50,960
# So won't the real Slim Shady...
1251
00:57:50,960 --> 00:57:53,960
# Please stand up, please stand up
Please stand up. #
1252
00:57:53,960 --> 00:57:56,480
Is Fiz on her way?
Fiz!
1253
00:57:56,480 --> 00:57:57,960
There's someone to see you...
Fiz!
1254
00:57:57,960 --> 00:57:59,960
I'd like to offer you... Whoa!
1255
00:57:59,960 --> 00:58:01,960
HE GIGGLES
Will you marry me?
1256
00:58:01,960 --> 00:58:04,960
I didn't know you could ride horses.
I couldn't!
1257
00:58:04,960 --> 00:58:06,960
BOTH LAUGH
That was the point!
1258
00:58:06,960 --> 00:58:08,000
'No celebration is complete
1259
00:58:08,000 --> 00:58:11,960
without another of the street's
most-loved couples...
1260
00:58:11,960 --> 00:58:14,640
'on and off-screen.'
1261
00:58:14,640 --> 00:58:16,960
For me, Jack and Vera
were everything
1262
00:58:16,960 --> 00:58:18,960
that the street was about.
1263
00:58:21,960 --> 00:58:26,160
'Jack and Vera Duckworth,
true soap royalty.'
1264
00:58:26,160 --> 00:58:29,000
Give over!
Vera, folk might be watching.
1265
00:58:29,000 --> 00:58:32,960
'They first appeared together
back in 1979.'
1266
00:58:32,960 --> 00:58:34,960
Hey, you haven't met my husband,
have you? Jack.
1267
00:58:34,960 --> 00:58:36,960
'And their unique brand
of romance...'
1268
00:58:36,960 --> 00:58:37,960
A breadboard?
1269
00:58:37,960 --> 00:58:40,800
A flaming breadboard
for me Christmas present?
1270
00:58:40,800 --> 00:58:41,960
Yeah, the old one looked knackered.
1271
00:58:41,960 --> 00:58:44,480
It's not the only thing
that looks knackered around here.
1272
00:58:44,480 --> 00:58:47,960
'..soon made them
the nation's favourite couple.'
1273
00:58:47,960 --> 00:58:49,960
Will you stop it?!
1274
00:58:49,960 --> 00:58:51,960
They're just trying
to be thoughtful, that's all.
1275
00:58:51,960 --> 00:58:53,960
Must've a couple of months to live.
1276
00:58:53,960 --> 00:58:55,960
God forgive you.
1277
00:58:55,960 --> 00:58:58,000
When I was growing up, before
I was on Coronation Street,
1278
00:58:58,000 --> 00:59:00,000
Bill and Liz
who played Jack and Vera, was...
1279
00:59:00,000 --> 00:59:02,480
they was Mr and Mrs
Coronation Street to me.
1280
00:59:02,480 --> 00:59:05,960
Yeah, well, you want to be careful,
cos you've only got me left.
1281
00:59:05,960 --> 00:59:07,960
Don't I know I've only got you left.
1282
00:59:07,960 --> 00:59:12,960
You totally, utterly believed those
characters existed in real life.
1283
00:59:12,960 --> 00:59:13,960
You believed them.
1284
00:59:13,960 --> 00:59:16,960
You believed they were somebody's
next-door neighbour.
1285
00:59:16,960 --> 00:59:18,800
It's only a joke, innit?
1286
00:59:18,800 --> 00:59:20,960
You'll laugh out of the side of your
face next time you come out
1287
00:59:20,960 --> 00:59:22,960
with summat like that,
I'm warning you.
1288
00:59:22,960 --> 00:59:24,960
I always loved
the Jack and Vera dynamic.
1289
00:59:24,960 --> 00:59:26,960
Jack! Oh!
1290
00:59:26,960 --> 00:59:28,960
That love-hate thing.
1291
00:59:28,960 --> 00:59:30,960
Constantly
cracking him round the head.
1292
00:59:30,960 --> 00:59:33,960
Get out! Jack!
1293
00:59:33,960 --> 00:59:35,960
You have done it again, haven't you?
1294
00:59:35,960 --> 00:59:38,480
She'd always have him back.
There was never...
1295
00:59:38,480 --> 00:59:39,960
Divorce was never an option.
1296
00:59:39,960 --> 00:59:41,640
Oi, you!
1297
00:59:41,640 --> 00:59:43,960
The name's not "Oi, you",
it's Tyrone.
1298
00:59:43,960 --> 00:59:45,480
I was a young 16-year-old kid,
1299
00:59:45,480 --> 00:59:47,960
and I'd just joined the biggest show
on UK television.
1300
00:59:47,960 --> 00:59:50,800
And I kind of needed
somebody like Bill and Liz,
1301
00:59:50,800 --> 00:59:53,640
and the advice that they gave me
in very different ways, you know,
1302
00:59:53,640 --> 00:59:56,960
Liz would often sit with me
and have a chat, and he did that.
1303
00:59:56,960 --> 00:59:58,960
I don't want to be like
my mum and dad.
1304
00:59:58,960 --> 01:00:01,960
I'd prefer to be like you and Jack.
1305
01:00:01,960 --> 01:00:03,960
Oh, Tyrone.
1306
01:00:03,960 --> 01:00:06,960
Vera was a strong woman,
and Jack...
1307
01:00:06,960 --> 01:00:11,000
was this henpecked husband,
but he desperately loved Vera.
1308
01:00:11,000 --> 01:00:12,960
I love you, Jack.
1309
01:00:12,960 --> 01:00:14,960
I know.
1310
01:00:16,800 --> 01:00:17,960
And you know too, don't you?
1311
01:00:17,960 --> 01:00:19,960
I do.
1312
01:00:19,960 --> 01:00:21,960
'After 50 years of marriage,
1313
01:00:21,960 --> 01:00:24,960
'Jack said a heartbreaking
farewell to his darling Vera.'
1314
01:00:26,960 --> 01:00:29,000
No, you haven't, you haven't left.
You haven't.
1315
01:00:29,000 --> 01:00:31,960
Jack wouldn't be
without his soulmate for too long.
1316
01:00:34,960 --> 01:00:37,960
One of my favourite
episodes ever
1317
01:00:37,960 --> 01:00:39,960
was when Vera's ghost
came back for him.
1318
01:00:41,160 --> 01:00:44,960
'Two years later,
Vera returned as a ghost
1319
01:00:44,960 --> 01:00:48,480
'to be reunited with Jack in a scene
that broke the nation's heart.'
1320
01:00:48,480 --> 01:00:49,960
While the music's playing.
1321
01:00:49,960 --> 01:00:51,960
What are you one about?
Come here.
1322
01:00:51,960 --> 01:00:52,960
Oh...
1323
01:00:52,960 --> 01:00:56,000
MUSIC PLAYING: 'Softly
As I Leave You' by Matt Monro
1324
01:00:56,000 --> 01:00:57,960
Oh...
1325
01:00:57,960 --> 01:00:59,960
When did you go soft?
1326
01:00:59,960 --> 01:01:02,800
I'll give you three guesses.
1327
01:01:02,800 --> 01:01:04,960
Oh...
1328
01:01:05,960 --> 01:01:06,960
SHE SNIFFS
1329
01:01:06,960 --> 01:01:09,000
# So softly...
1330
01:01:09,000 --> 01:01:11,960
Personally, knowing
that Bill's health wasn't great,
1331
01:01:11,960 --> 01:01:13,960
that was one of the hardest days
I've ever had to film.
1332
01:01:17,960 --> 01:01:19,960
# As I leave you there...
1333
01:01:19,960 --> 01:01:22,160
It was like part of your family
dying, you know?
1334
01:01:23,960 --> 01:01:28,960
What more could you wish for
in two characters than...
1335
01:01:28,960 --> 01:01:29,960
Jack and Vera?
1336
01:01:34,640 --> 01:01:37,960
MUSIC: 'Hometown Glory'
by Adele
1337
01:01:39,640 --> 01:01:42,960
'It's been a truly unforgettable
60 years of Coronation Street.'
1338
01:01:42,960 --> 01:01:49,960
# Round my hometown
Ooh, the people I've met
1339
01:01:49,960 --> 01:01:57,960
# Are the wonders of my world
1340
01:01:57,960 --> 01:02:01,960
# Are the wonders of this world
1341
01:02:01,960 --> 01:02:04,960
# Are the wonders now... #
1342
01:02:04,960 --> 01:02:06,960
'For those who've walk the cobbles,
1343
01:02:06,960 --> 01:02:10,960
'it will always hold
a place in their hearts.'
1344
01:02:10,960 --> 01:02:14,640
Somebody said to Tony Warren once,
"Where is Coronation Street?"
1345
01:02:14,640 --> 01:02:17,960
And he said, "Wherever you want it
to be in your heart."
1346
01:02:17,960 --> 01:02:21,960
This show has my heart.
I love it so much.
1347
01:02:21,960 --> 01:02:23,800
A privilege to be a part of it.
1348
01:02:23,800 --> 01:02:24,960
I love it.
1349
01:02:24,960 --> 01:02:27,960
I'm never going to forget
Coronation Street.
1350
01:02:27,960 --> 01:02:28,960
It's been my life.
1351
01:02:28,960 --> 01:02:30,960
I'll miss you.
And I miss you too.
1352
01:02:30,960 --> 01:02:35,960
It's been everything
that an actress could ask for.
1353
01:02:35,960 --> 01:02:39,960
In a word,
Coronation Street is like home.
1354
01:02:39,960 --> 01:02:41,960
So long as the public
are getting what they want,
1355
01:02:41,960 --> 01:02:43,960
Coronation Street
will outlast us all.
1356
01:02:43,960 --> 01:02:46,960
I miss everything
about Coronation Street.
1357
01:02:46,960 --> 01:02:48,960
I'd say mainly the people.
1358
01:02:48,960 --> 01:02:53,960
I think Coronation Street will
continue for another 60 years.
1359
01:02:53,960 --> 01:02:57,960
'And after six decades, is it time
for Ken to put away the crossword?'
1360
01:02:57,960 --> 01:02:59,960
Don't even think about it.
1361
01:02:59,960 --> 01:03:03,960
I'd like to be the first
centenarian to be working in a soap.
1362
01:03:03,960 --> 01:03:06,160
So why not?
HE LAUGHS
1363
01:03:08,480 --> 01:03:10,960
Wow. Coronation Street
means everything to me.
1364
01:03:10,960 --> 01:03:11,960
Everything.
1365
01:03:11,960 --> 01:03:14,960
Erm, it's... You know, I love it.
1366
01:03:14,960 --> 01:03:16,640
It saved my life.
1367
01:03:16,640 --> 01:03:18,960
Sorry, I'm going to start...
1368
01:03:22,960 --> 01:03:24,960
'Happy birthday, Corrie.
1369
01:03:24,960 --> 01:03:27,000
'Here's to the next 60.'
1370
01:03:27,000 --> 01:03:28,960
Happy birthday...
1371
01:03:28,960 --> 01:03:29,960
# To you. #
1372
01:03:29,960 --> 01:03:31,960
APPLAUSE
1373
01:03:31,960 --> 01:03:33,960
Was that all right?
1374
01:03:33,960 --> 01:03:35,960
That was amazing.
All right.
1375
01:03:36,960 --> 01:03:38,960
Oh...
Thank you.
1376
01:03:38,960 --> 01:03:40,960
Oh, that was so good.
1377
01:03:40,960 --> 01:03:42,960
I'm glad I'm in it.
Thanks for having me on it.
1378
01:03:42,960 --> 01:03:45,960
I hope I wasn't gushing.
I do gush.
1379
01:03:45,960 --> 01:03:48,960
And I'll see you on the 70th.
1380
01:03:48,960 --> 01:03:49,960
SHE CACKLES
1381
01:03:49,960 --> 01:03:50,960
Thank you, Simon.
1382
01:03:50,960 --> 01:03:52,160
Cool.
1383
01:03:52,160 --> 01:03:53,960
SHE LAUGHS
1384
01:03:53,960 --> 01:03:55,960
Thank you very much.
Thanks, everyone.
1385
01:03:55,960 --> 01:03:57,960
APPLAUSE
Thank you very much.
1386
01:03:57,960 --> 01:03:58,960
I... Thank you.
1387
01:03:58,960 --> 01:04:01,640
Yeah, well done, everybody.
Well done.
1388
01:04:01,640 --> 01:04:03,960
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