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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:01,960 Hey, what are they like, any road, round here? 2 00:00:01,960 --> 00:00:04,960 Feisty! And fabulous. 3 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 4 00:00:04,960 --> 00:00:06,960 And that's true. # My diamonds leave with you... # 5 00:00:06,960 --> 00:00:08,960 NARRATOR, JOANNA LUMLEY: 'Coronation Street. 6 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 7 00:00:08,960 --> 00:00:11,480 'For six glorious decades, 8 00:00:11,480 --> 00:00:12,960 'a small cobbled street in Manchester 9 00:00:12,960 --> 00:00:14,960 'has been entertaining the world.' 10 00:00:14,960 --> 00:00:16,960 Mind your own business, fatty! 11 00:00:16,960 --> 00:00:18,960 Will you shut your face! 12 00:00:18,960 --> 00:00:20,960 LAUGHTER 13 00:00:20,960 --> 00:00:21,960 Oh, my God, I wouldn't mess with her! 14 00:00:21,960 --> 00:00:24,960 'Tonight, we relive some of Weatherfield's finest moments.' 15 00:00:24,960 --> 00:00:26,960 SCREAMING 16 00:00:26,960 --> 00:00:28,960 Oh, gosh, my heart's going now! 17 00:00:28,960 --> 00:00:30,960 'From the hard-hitting...' Oof! 18 00:00:30,960 --> 00:00:32,320 COMMOTION 19 00:00:32,320 --> 00:00:33,960 There's some violence in the show! 20 00:00:33,960 --> 00:00:35,960 You wouldn't want to live there, would you? 21 00:00:36,960 --> 00:00:39,960 That was back in the day, when we were allowed to hit each other. 22 00:00:39,960 --> 00:00:41,960 I love you! 23 00:00:41,960 --> 00:00:42,960 '..to the heartbreaking.' 24 00:00:43,960 --> 00:00:46,960 I've got breast cancer. 25 00:00:47,960 --> 00:00:49,640 It's quite hard to watch, this! 26 00:00:49,640 --> 00:00:50,960 SHOOTING, GLASS SHATTERING 27 00:00:50,960 --> 00:00:52,960 'With a dash of dramatics...' 28 00:00:52,960 --> 00:00:54,960 The hairs on the back of my neck are standing up. 29 00:00:54,960 --> 00:00:55,960 THUMP 30 00:00:55,960 --> 00:00:58,480 WAVES CRASHING Come on, sailor. 31 00:00:58,480 --> 00:01:00,960 Oh, she's such a glamourpuss! 32 00:01:00,960 --> 00:01:02,320 '..and throw in some comedy gold. 33 00:01:02,320 --> 00:01:04,960 '60 years of Coronation Street.' 34 00:01:04,960 --> 00:01:07,960 That's a classic scene! GLASS DINGS 35 00:01:07,960 --> 00:01:11,960 'So join us as we celebrate the diamond jubilee...' 36 00:01:11,960 --> 00:01:13,960 Good times! Good times. 37 00:01:13,960 --> 00:01:15,960 '..of the world's longest-running soap.' 38 00:01:15,960 --> 00:01:17,960 It does not get better than that! 39 00:01:17,960 --> 00:01:20,960 To Coronation Street! CHEERING AND WHOOPING 40 00:01:26,000 --> 00:01:28,960 'With a cast of 87 characters 41 00:01:28,960 --> 00:01:30,960 'and six brand-new episodes every week...' 42 00:01:30,960 --> 00:01:33,160 They're knocking down half of Coronation Street. 43 00:01:33,160 --> 00:01:37,960 '..Coronation Street's dramas are watched by millions.' 44 00:01:37,960 --> 00:01:39,160 It's me. DOOR SLAMS 45 00:01:39,160 --> 00:01:40,960 Yeah, listen. Drop whatever you're doing, 46 00:01:40,960 --> 00:01:42,960 grab the nearest suitcase and start packing! 47 00:01:42,960 --> 00:01:45,960 I'm booking two tickets for Cyprus. 48 00:01:45,960 --> 00:01:48,960 Just tying up some loose ends. 49 00:01:48,960 --> 00:01:51,480 Yeah, unfinished business. 50 00:01:51,480 --> 00:01:53,960 'Its origins, however, were a little more humble. 51 00:01:53,960 --> 00:01:55,960 'It all began in the 1960s, 52 00:01:55,960 --> 00:01:58,480 'as the Beatles were putting Liverpool on the map...' 53 00:01:58,480 --> 00:02:01,960 # He painted Salford's Smokey tops...# 54 00:02:02,960 --> 00:02:05,960 '..a young Lancashire lad was about to do the same for Manchester. 55 00:02:05,960 --> 00:02:09,960 # And parts of Ancoats Where I used to play... # 56 00:02:09,960 --> 00:02:12,000 I'm Mrs Sharples. I'm very pleased to meet you. 57 00:02:13,960 --> 00:02:15,960 'Tony Warren's inspiration 58 00:02:15,960 --> 00:02:19,160 'for characters like Ena Sharples, Annie Walker and Elsie Tanner 59 00:02:19,160 --> 00:02:23,320 'came, he said, from growing up surrounded by strong women.' 60 00:02:23,320 --> 00:02:27,960 He loved working-class women, and he just must have observed 61 00:02:27,960 --> 00:02:29,960 and decided to write about them. 62 00:02:29,960 --> 00:02:32,960 I remember hearing that he used to sit under his mum's table 63 00:02:32,960 --> 00:02:34,960 making notes, listening to them gossip. 64 00:02:34,960 --> 00:02:36,960 I'm the caretaker at the Glad Tidings Hall. 65 00:02:36,960 --> 00:02:39,800 Oh, that's just across the street, in't it? 66 00:02:39,800 --> 00:02:40,960 What's your place of worship? 67 00:02:40,960 --> 00:02:43,480 I don't really do much about it. Oh, I know. 68 00:02:45,960 --> 00:02:49,960 He caught the rhythms of speech of those women. 69 00:02:49,960 --> 00:02:52,960 When we first meet Ena Sharples in the corner shop, 70 00:02:52,960 --> 00:02:55,960 she talks very, very quickly, she talks with a certain kind of rhythm. 71 00:02:55,960 --> 00:02:58,960 Within a week, they were received, christened and confirmed, 72 00:02:58,960 --> 00:02:59,960 and within a fortnight, 73 00:02:59,960 --> 00:03:01,640 she was up all night sewing surplices. 74 00:03:01,640 --> 00:03:05,960 And changes subject on a... on a flick. 75 00:03:05,960 --> 00:03:07,960 I'll take a packet of baking powder. 76 00:03:07,960 --> 00:03:11,000 He would always give her a different view. 77 00:03:11,000 --> 00:03:13,640 He had a sort of lateral way of thinking 78 00:03:13,640 --> 00:03:15,800 and in any situation you put forward, 79 00:03:15,800 --> 00:03:17,960 he would give you a fresh approach to it. 80 00:03:17,960 --> 00:03:19,960 He had a very interesting mind. 81 00:03:19,960 --> 00:03:23,960 'At just 24, Tony created a cast of characters 82 00:03:23,960 --> 00:03:25,960 'inspired by the people that he'd grown up with, 83 00:03:25,960 --> 00:03:30,960 'his first vision of them clear in his original scripts.' 84 00:03:30,960 --> 00:03:33,320 And they are so amazingly well-drawn. 85 00:03:33,320 --> 00:03:35,960 Are you lot ready? We're all outside. 86 00:03:35,960 --> 00:03:37,960 READS: "Ena Sharples, 70s, 87 00:03:37,960 --> 00:03:41,960 "small, with a crabby walnut of a face 88 00:03:41,960 --> 00:03:42,960 "and flashing eyes." 89 00:03:42,960 --> 00:03:45,960 "One minute, she's a poor old woman, 90 00:03:45,960 --> 00:03:48,160 "the next, a screeching fiend." 91 00:03:48,160 --> 00:03:49,960 Good description. 92 00:03:49,960 --> 00:03:51,960 Bandy-legged? Me? Who are you calling bandy-legged?! 93 00:03:51,960 --> 00:03:54,960 Oh, come along now, Ena, you know you haven't had your pills. 94 00:03:56,000 --> 00:03:58,960 "Elsie Tanner, late 40s..." 95 00:03:58,960 --> 00:04:00,960 You what? 96 00:04:00,960 --> 00:04:01,960 "..with the very battered 97 00:04:01,960 --> 00:04:05,160 "and much-painted-over remains of good looks." 98 00:04:06,480 --> 00:04:08,960 'Ey, Elsie, you're just about ready for the knacker yard. 99 00:04:08,960 --> 00:04:11,640 What a magnificent woman. 100 00:04:11,640 --> 00:04:16,160 "Kenneth Barlow, 20, a Cambridge undergraduate." 101 00:04:16,160 --> 00:04:19,960 And how's our local genius, then? "Sometimes arrogant." 102 00:04:19,960 --> 00:04:21,960 "He's basically likeable." 103 00:04:21,960 --> 00:04:23,960 I think Bill's spot-on there. 104 00:04:23,960 --> 00:04:25,960 It's only acting. SHE LAUGHS 105 00:04:28,960 --> 00:04:31,960 'Tony's clearly-drawn characters leapt from the page 106 00:04:31,960 --> 00:04:33,960 'and came to life on the studio floor...' 107 00:04:33,960 --> 00:04:36,960 TV PRESENTER: 'Today, our props are for Coronation Street.' 108 00:04:36,960 --> 00:04:40,960 '..where what would become a very familiar set was taking shape. 109 00:04:40,960 --> 00:04:43,960 'Not willing to commit fully at this stage, 110 00:04:43,960 --> 00:04:47,960 'Granada TV bosses only green-lit an initial 13 episodes 111 00:04:47,960 --> 00:04:49,480 'of Coronation Street. 112 00:04:49,480 --> 00:04:51,960 'It was a huge leap of faith. 113 00:04:51,960 --> 00:04:58,960 'And so, at 7pm on 9th December, 1960, TV history was made...' 114 00:04:58,960 --> 00:05:00,960 The sound is perfect now, thanks a lot. 115 00:05:00,960 --> 00:05:04,960 '..as Coronation Street broadcast its first episode... live.' 116 00:05:04,960 --> 00:05:06,960 CORONATION STREET THEME PLAYS 117 00:05:12,960 --> 00:05:15,160 Look! 118 00:05:18,960 --> 00:05:20,960 GIRLS CHANT WHILE PLAYING 119 00:05:20,960 --> 00:05:24,640 This was the first working-class drama on television. 120 00:05:25,960 --> 00:05:28,320 Now, the next thing you've got to do is to get a sign-writer in. 121 00:05:28,320 --> 00:05:30,160 That thing above the door'll have to be changed. 122 00:05:30,160 --> 00:05:31,960 It's funny having me name over me own shop. 123 00:05:31,960 --> 00:05:33,960 Florrie Lindley. 124 00:05:33,960 --> 00:05:35,960 You know how it is when you come to a new street, 125 00:05:35,960 --> 00:05:37,960 you don't know anyone, or what to look out for. 126 00:05:37,960 --> 00:05:38,960 Oh, Coronation Street's all right. 127 00:05:38,960 --> 00:05:40,960 Mind, there's some you'll have to watch. 128 00:05:40,960 --> 00:05:42,960 'And watch they did. 129 00:05:42,960 --> 00:05:43,960 'Within three months, 130 00:05:43,960 --> 00:05:46,960 'Coronation Street had made the top ten in the TV ratings. 131 00:05:46,960 --> 00:05:48,960 'It was, officially, a hit.' 132 00:05:48,960 --> 00:05:50,960 Whoomph, it just took off. 133 00:05:50,960 --> 00:05:54,640 And Mr Walker and I think we should celebrate with champagne on us. Ooh! 134 00:05:54,640 --> 00:05:56,960 CHEERING 135 00:05:56,960 --> 00:05:58,960 Watching these old classic scenes, 136 00:05:58,960 --> 00:06:00,960 it's like a little bit of a Corrie history lesson, 137 00:06:00,960 --> 00:06:01,960 which is nice to see. 138 00:06:01,960 --> 00:06:05,960 The landscape in British television in 1960 was quite bare. 139 00:06:05,960 --> 00:06:07,960 The stories that were being told. 140 00:06:07,960 --> 00:06:09,960 POSH ACCENT: Everything came from Alexandra Palace, 141 00:06:09,960 --> 00:06:12,960 and there was a sort of decorum when one spoke. 142 00:06:12,960 --> 00:06:15,960 The shows were there to really educate rather than entertain. 143 00:06:15,960 --> 00:06:19,960 For a lot of Northern, working-class people, 144 00:06:19,960 --> 00:06:23,960 it was the first time that they'd ever felt properly seen 145 00:06:23,960 --> 00:06:24,960 and represented. 146 00:06:24,960 --> 00:06:26,960 For people to go, "'Ey up, cock"... 147 00:06:26,960 --> 00:06:28,960 HE GUFFAWS 148 00:06:28,960 --> 00:06:31,960 ..must've shook the earth, back in the day. 149 00:06:31,960 --> 00:06:34,960 'It seemed one type of voice dominated the cobbles.' 150 00:06:36,960 --> 00:06:39,160 By gum, they make nowt to fit these days. 151 00:06:39,160 --> 00:06:45,960 Coronation Street is synonymous with strong, fiery, hard-working, 152 00:06:45,960 --> 00:06:47,960 gritty Northern women. 153 00:06:47,960 --> 00:06:50,960 The matriarchs of the street, and there's been so many, 154 00:06:50,960 --> 00:06:52,640 and they just keep coming. 155 00:06:52,640 --> 00:06:54,160 Ah, good morning, Mrs Tanner. Good morning. 156 00:06:54,160 --> 00:06:55,960 Is it? I hadn't noticed! 157 00:06:55,960 --> 00:06:58,960 I think women are... bloody brilliant! 158 00:06:58,960 --> 00:07:01,960 Wait till I get you in the house, you'll not be laughing then! Go on! 159 00:07:01,960 --> 00:07:05,800 'The legacy of strong female characters on Corrie lives on.' 160 00:07:05,800 --> 00:07:07,960 Will you shut your face? 161 00:07:07,960 --> 00:07:09,960 You see this smile, Betty? 162 00:07:10,960 --> 00:07:13,960 It's not really a smile. It's the lid on a scream. 163 00:07:13,960 --> 00:07:14,960 LAUGHTER 164 00:07:18,960 --> 00:07:20,160 Take your temper and leave. 165 00:07:20,160 --> 00:07:23,960 Leave. There you are, out. Thank you. 166 00:07:23,960 --> 00:07:25,960 I'm getting this... 167 00:07:25,960 --> 00:07:26,960 and I'm after THIS. 168 00:07:26,960 --> 00:07:29,960 Even when I came in, you know, Tina, again, 169 00:07:29,960 --> 00:07:31,960 it followed suit from 60 years ago 170 00:07:31,960 --> 00:07:34,960 that that's what character she was going to be, 171 00:07:34,960 --> 00:07:36,960 taking no nonsense and standing up for herself. 172 00:07:36,960 --> 00:07:38,960 And you, you stupid little cow! YELPS OF SHOCK 173 00:07:38,960 --> 00:07:41,640 I think Coronation Street do that so well. 174 00:07:41,640 --> 00:07:43,960 I can't stand what I'm starting to think. 175 00:07:43,960 --> 00:07:45,960 And if you put me in the same category 176 00:07:45,960 --> 00:07:50,960 as all those wonderful characters of strong Northern women, 177 00:07:50,960 --> 00:07:55,000 then that's wonderful, I feel I've done me job. 178 00:07:55,000 --> 00:07:58,960 Well, if I'd my way, I'd just like to go like me mother did. 179 00:07:58,960 --> 00:08:00,960 Ee, that were a beautiful ending. 180 00:08:00,960 --> 00:08:03,960 Oh, lovely. She just sat up... 181 00:08:03,960 --> 00:08:06,960 HE JOINS IN: ..broke wind and died. 182 00:08:06,960 --> 00:08:08,960 LAUGHING I think I'd like to go like that! 183 00:08:09,960 --> 00:08:11,960 That's a classic scene! 184 00:08:11,960 --> 00:08:14,960 I can't believe you're Shelley's mother, you look far too young. 185 00:08:14,960 --> 00:08:16,960 Oh, thank you, you can't be looking close enough! 186 00:08:16,960 --> 00:08:19,960 Oh, you're right, the neck, I can see the neck now. 187 00:08:19,960 --> 00:08:22,960 That's the giveaway. LAUGHTER 188 00:08:25,960 --> 00:08:27,960 # When you're smiling...# 189 00:08:27,960 --> 00:08:29,960 'Humour runs through Coronation Street 190 00:08:29,960 --> 00:08:31,960 'like Blackpool in a stick of rock, 191 00:08:31,960 --> 00:08:35,960 'and it's attracted some of the nation's finest comedy talent.' 192 00:08:35,960 --> 00:08:38,480 It's always had a great sense of humour. 193 00:08:38,480 --> 00:08:39,960 TILL DINGS Hello. What's these, then? 194 00:08:39,960 --> 00:08:43,960 I remember Mavis in the Kabin and a copy of an adult magazine, 195 00:08:43,960 --> 00:08:48,960 right, and I was really shocked that you had a porn mag on Corrie. 196 00:08:48,960 --> 00:08:51,960 I've already sold two copies! 197 00:08:51,960 --> 00:08:53,960 Oh, you haven't! 198 00:08:53,960 --> 00:08:55,960 That chap who just left bought one of them. 199 00:08:55,960 --> 00:08:58,320 That Mr Tilsley? Yeah. 200 00:08:58,320 --> 00:09:00,960 Well, he-he must've thought it was... 201 00:09:00,960 --> 00:09:02,800 a do-it-yourself book, or something. 202 00:09:02,800 --> 00:09:03,960 LAUGHTER 203 00:09:03,960 --> 00:09:06,960 We need light relief. Look at what we're going through at the moment. 204 00:09:06,960 --> 00:09:09,960 It's so important to have a sense of humour in these things. 205 00:09:09,960 --> 00:09:13,480 £4.40, please, lads. He's paying. 206 00:09:13,480 --> 00:09:15,960 Can I owe you it? No pockets in my dress. 207 00:09:15,960 --> 00:09:17,960 People love it because of its humour. 208 00:09:17,960 --> 00:09:21,640 'At the heart of Coronation Street's comedy 209 00:09:21,640 --> 00:09:23,960 'are the writers and the performers, 210 00:09:23,960 --> 00:09:25,960 'including some of Weatherfield's finest, 211 00:09:25,960 --> 00:09:28,960 'and funniest, double acts.' 212 00:09:28,960 --> 00:09:32,480 I have no problem with the gays. 213 00:09:32,480 --> 00:09:37,960 You know I'd walk on hot coals for Paul O'Grady. 214 00:09:37,960 --> 00:09:42,960 Deirdre and the Blanche scenes were just, I mean, so clever, 215 00:09:42,960 --> 00:09:45,960 so beautifully written, but beautifully acted. 216 00:09:45,960 --> 00:09:47,640 She was hysterical! 217 00:09:47,640 --> 00:09:49,640 Wow, that looks good! 218 00:09:49,640 --> 00:09:53,960 Help yourself, I put the rest in the freezer. You made even more?! 219 00:09:53,960 --> 00:09:58,320 No, I haven't made any. These are what were left from the funeral. 220 00:09:59,960 --> 00:10:02,960 I loved her dearly. She was such a sweet person. 221 00:10:02,960 --> 00:10:05,800 Always impeccable... 222 00:10:05,800 --> 00:10:08,960 you just wanted to laugh every time, her delivery was so perfect. 223 00:10:08,960 --> 00:10:13,480 If the corpse were here, he'd tuck in with us! 224 00:10:15,480 --> 00:10:17,960 Coronation Street has always done that amazing thing 225 00:10:17,960 --> 00:10:21,960 of drama and comedy mixed in, in the two, 226 00:10:21,960 --> 00:10:26,960 and it does that brilliant Manchester, Northern sense of humour 227 00:10:26,960 --> 00:10:29,960 where, you know, even in tragedy, there's comedy. 228 00:10:29,960 --> 00:10:33,640 One of the most amazing things about Coronation Street 229 00:10:33,640 --> 00:10:36,960 is that it does get the balance of that really right. 230 00:10:36,960 --> 00:10:40,480 "To Norris Cole, my gift to you is this... 231 00:10:41,960 --> 00:10:46,960 "The knowledge that, for once, you've heard the news first-hand 232 00:10:46,960 --> 00:10:49,160 "and won't have to go scurrying around for it." 233 00:10:50,960 --> 00:10:51,960 LAUGHTER 234 00:10:53,960 --> 00:10:55,960 'Still to come: The cast take a break from the cobbles.' 235 00:10:56,960 --> 00:10:59,000 Come on, sailor. 236 00:11:00,800 --> 00:11:02,800 Oh, she's such a glamourpuss! 237 00:11:08,960 --> 00:11:10,960 MUSIC: 'Hot Love' by T Rex. 238 00:11:13,480 --> 00:11:17,960 'Welcome back to Coronation Street: 60 Unforgettable Years, 239 00:11:17,960 --> 00:11:20,960 'the soap with arguably the most famous theme tune in history.' 240 00:11:20,960 --> 00:11:23,800 THEME TUNE PLAYS, HE MIMICS TUNE 241 00:11:23,800 --> 00:11:24,960 # Doo-doo-doo-doo dooo. # 242 00:11:24,960 --> 00:11:29,640 I would defy anybody not to know Coronation Street music. 243 00:11:29,640 --> 00:11:32,960 It was like a call to arms, "Come on, everybody gather". 244 00:11:32,960 --> 00:11:35,960 Dogs going... HE HOWLS 245 00:11:35,960 --> 00:11:39,640 We had a cat that used to climb the curtain and run around the walls. 246 00:11:39,640 --> 00:11:40,960 Cats and dogs, not right for them. 247 00:11:40,960 --> 00:11:42,960 Poor Mr Woo! 248 00:11:42,960 --> 00:11:44,960 'Whilst the famous signature tune 249 00:11:44,960 --> 00:11:46,960 'may not have been music to pets' ears, 250 00:11:46,960 --> 00:11:51,640 'rock legend Sir Paul McCartney was such a fan he made it his own.' 251 00:11:51,640 --> 00:11:57,960 TO THE CORRIE THEME TUNE: # Oh... Ena Sha-a-ar-ples 252 00:11:57,960 --> 00:12:02,640 # Oh, Albert Tatlock 253 00:12:02,640 --> 00:12:05,960 # Minnie Caldwe-e-e-ll 254 00:12:05,960 --> 00:12:09,960 # Coronation Stree-ee-eet. # 255 00:12:09,960 --> 00:12:11,640 Zhoom! 256 00:12:12,960 --> 00:12:15,960 'The 1970s also saw the Equal Pay Act, 257 00:12:15,960 --> 00:12:17,960 'which was welcomed by many, 258 00:12:17,960 --> 00:12:19,960 'but the early '70s also brought strikes, 259 00:12:19,960 --> 00:12:22,960 'which were reflected in Coronation Street storylines.' 260 00:12:22,960 --> 00:12:24,480 These daft old women! 261 00:12:24,480 --> 00:12:25,960 'ITV technicians also went on strike, 262 00:12:25,960 --> 00:12:28,960 'forcing Coronation Street off air. 263 00:12:28,960 --> 00:12:31,960 'Returning to work two months later, what a relief to learn 264 00:12:31,960 --> 00:12:36,960 'that Julie Goodyear had spent her unexpected sabbatical wisely.' 265 00:12:36,960 --> 00:12:38,960 I'm afraid, probably sounds rather boring, 266 00:12:38,960 --> 00:12:40,960 I've had decorators in and things like that, 267 00:12:40,960 --> 00:12:41,960 getting my home sort of together. 268 00:12:41,960 --> 00:12:45,960 'This was a decade we also saw the enigmatic Elaine Perkins 269 00:12:45,960 --> 00:12:49,000 'arrive in Weatherfield only to break Ken's heart.' 270 00:12:49,000 --> 00:12:50,800 Thank you... 271 00:12:50,800 --> 00:12:52,960 'Oh, Ken, is it too late? I've changed my mind!' 272 00:12:52,960 --> 00:12:54,960 ..but no, thank you. 273 00:12:56,320 --> 00:12:57,480 'Fond memories. 274 00:12:57,480 --> 00:12:59,960 'And for many, landing a role in Coronation Street 275 00:12:59,960 --> 00:13:02,480 'is an unforgettable moment. 276 00:13:02,480 --> 00:13:03,960 'Like Rita, 277 00:13:03,960 --> 00:13:05,960 'who only popped into the Rovers for a quick drink.' 278 00:13:05,960 --> 00:13:07,960 MUSIC: 'My Generation' by The Who 279 00:13:07,960 --> 00:13:11,960 I landed up in the Rovers, then, I think, Stan came in. 280 00:13:11,960 --> 00:13:13,960 Got your eyeful? 281 00:13:13,960 --> 00:13:15,960 Oh, sorry, love, I was just brooding, you know. 282 00:13:15,960 --> 00:13:17,960 And I think he bought me a drink. 283 00:13:17,960 --> 00:13:20,960 How about a pint? I'll have a vodka and lime. Thanks. 284 00:13:20,960 --> 00:13:24,960 It took me three goes, three interviews, to actually get here. 285 00:13:24,960 --> 00:13:29,960 Three different parts, and, um, the third one was Gail. 286 00:13:29,960 --> 00:13:31,960 And I'm glad I got that one. 287 00:13:31,960 --> 00:13:34,960 Well, in your age group... Hey, hang on a bit! 288 00:13:34,960 --> 00:13:36,320 I doubt if I'm much older than you are! 289 00:13:36,320 --> 00:13:37,960 What have I got on?! 290 00:13:37,960 --> 00:13:39,960 Hm... you look a lot older. 291 00:13:39,960 --> 00:13:41,960 LAUGHTER 292 00:13:41,960 --> 00:13:44,960 Surely I didn't say that! 293 00:13:44,960 --> 00:13:45,960 ALARM CLOCK RINGS 294 00:13:45,960 --> 00:13:48,960 My first day ever, and I only had one scene, 295 00:13:48,960 --> 00:13:50,960 and it was in Roy's Rolls 296 00:13:50,960 --> 00:13:52,960 and I had to just answer a phone, 297 00:13:52,960 --> 00:13:53,960 and say, "Hello, hello". 298 00:13:53,960 --> 00:13:56,960 Hello? Hello? Hey, who is it? 299 00:13:56,960 --> 00:13:59,160 "Some woman, can I have an Eccles cake, Mum?" 300 00:13:59,160 --> 00:14:00,640 Some woman. OK. 301 00:14:00,640 --> 00:14:03,960 Oh, Jack, look at you, little thing! 302 00:14:03,960 --> 00:14:05,960 Can I have an Eccles cake, Mum? Hello? 303 00:14:05,960 --> 00:14:11,000 I came in first in Coronation Street when I was 15, as a paper lad, 304 00:14:11,000 --> 00:14:12,960 playing Neil Grimshaw. 305 00:14:12,960 --> 00:14:14,960 Neil? Yeah? 306 00:14:14,960 --> 00:14:17,640 I had to swear at Mavis, I think... 307 00:14:17,640 --> 00:14:20,960 You can get someone else to do your bleeding papers! 308 00:14:20,960 --> 00:14:23,960 ..which was - ooh! - really, really naughty then. 309 00:14:23,960 --> 00:14:26,960 'And as for his on-screen daughter, hasn't she grown?' 310 00:14:26,960 --> 00:14:28,960 Sophie, what you doing here? 311 00:14:28,960 --> 00:14:31,960 I've got a spelling test in the morning, can you help me? 312 00:14:31,960 --> 00:14:33,960 My voice was so squeaky! 313 00:14:33,960 --> 00:14:35,960 I don't want HER to help me. 314 00:14:35,960 --> 00:14:38,800 It might be still as annoying, but it is NOT that high! 315 00:14:38,800 --> 00:14:40,960 I was 16, just left school... 316 00:14:40,960 --> 00:14:42,960 Who the hell are you?! 317 00:14:42,960 --> 00:14:44,960 ..in 1998. 318 00:14:44,960 --> 00:14:46,000 This is Tyrone. 319 00:14:46,000 --> 00:14:49,800 I joined the cast, and they was all Ken Barlows, 320 00:14:49,800 --> 00:14:51,960 your Ritas, your Jack and Veras, your Mike Baldwins, 321 00:14:51,960 --> 00:14:53,960 it was all the Corrie legends. 322 00:14:53,960 --> 00:14:56,640 And me at 16 years old, with this awesome fringe 323 00:14:56,640 --> 00:14:58,960 that I wish I had now, by the way... 324 00:14:58,960 --> 00:15:01,960 Walking into that green room to see all them legends was amazing. 325 00:15:01,960 --> 00:15:04,000 Hello. Hello, love. 326 00:15:04,000 --> 00:15:05,800 What's all this, then? 327 00:15:05,800 --> 00:15:09,480 When I got the job, I... you know, called me mum, 328 00:15:09,480 --> 00:15:11,960 and she says, "Oh, what are you doing?" 329 00:15:11,960 --> 00:15:14,960 I said, "Well, I'm going to be doing Coronation Street." 330 00:15:14,960 --> 00:15:18,160 And, er... there was a silence on the other end of the phone, 331 00:15:18,160 --> 00:15:20,960 then I could hear her, she starts crying. 332 00:15:20,960 --> 00:15:23,960 Still the rebel trying to overturn society, then? 333 00:15:23,960 --> 00:15:26,960 I thought you'd be at home in your carpet slippers. Peter! 334 00:15:26,960 --> 00:15:28,960 Hiya, Dad. Ha-ha! 335 00:15:28,960 --> 00:15:32,000 If you're a working-class kid and you get a job in Coronation Street, 336 00:15:32,000 --> 00:15:33,960 it's the highest achievement you can have. 337 00:15:33,960 --> 00:15:36,000 Look where you're going, halfwit! 338 00:15:36,000 --> 00:15:38,960 Well, I didn't tell my parents that I was going for the role. 339 00:15:38,960 --> 00:15:41,960 I didn't tell them that I was going for the final audition, 340 00:15:41,960 --> 00:15:43,960 I thought, I don't want to tell them that I didn't get the job. 341 00:15:43,960 --> 00:15:45,960 That latte cost me two quid! 342 00:15:45,960 --> 00:15:47,960 Could you just do me a favour and call the burns unit?! 343 00:15:47,960 --> 00:15:50,320 It had milk in it, you wuss! 344 00:15:50,320 --> 00:15:52,960 I picked my dad up from work, 345 00:15:52,960 --> 00:15:53,960 and I put the scripts in the back seat. 346 00:15:53,960 --> 00:15:56,960 He got in the car and I said, "Dad, will you pass me those scripts?" 347 00:15:56,960 --> 00:15:58,960 One of us wasn't looking where we're going! 348 00:15:58,960 --> 00:16:01,960 I tell you what, a simple "Sorry" would go a long way. 349 00:16:01,960 --> 00:16:04,800 And I remember him looking down, 350 00:16:04,800 --> 00:16:06,960 looking at me, and then he started crying. 351 00:16:06,960 --> 00:16:09,960 It was one of those moments that will stay with me forever. 352 00:16:09,960 --> 00:16:12,960 MUSIC: 'Heart Of Glass' by Blondie. 353 00:16:12,960 --> 00:16:15,960 'In 1974, like millions of Brits, 354 00:16:15,960 --> 00:16:18,640 'Corrie went on its first trip abroad.' 355 00:16:19,960 --> 00:16:22,960 Can do everybody a holiday in Majorca. 356 00:16:22,960 --> 00:16:24,960 ALL: Oh, fantastic! Ooh, that's all right, isn't it? 357 00:16:24,960 --> 00:16:28,640 Hang on, hang on, he can do it, only it's got to be a package, 358 00:16:28,640 --> 00:16:30,960 the lot, everybody all together. 359 00:16:33,960 --> 00:16:36,480 Oh, I'm beginning to get me butterflies. 360 00:16:36,480 --> 00:16:38,960 See, this is the time I was watching it, 361 00:16:38,960 --> 00:16:40,960 was the 1970s. 362 00:16:40,960 --> 00:16:42,960 # Y viva Espana! # 363 00:16:42,960 --> 00:16:45,480 LAUGHTER, HILDA GIGGLING 364 00:16:45,480 --> 00:16:47,960 It does not get better than that, it does not get better than that! 365 00:16:47,960 --> 00:16:51,960 Hilda Ogden and some maracas on a balcony, 366 00:16:51,960 --> 00:16:55,960 singing, "We're off to sunny Spain". Just brilliant! 367 00:16:55,960 --> 00:16:57,960 # Y viva Espana. # 368 00:16:57,960 --> 00:16:58,960 Am I going brown? 369 00:16:58,960 --> 00:17:01,320 BET AND RITA IN UNISON: Yes, you're going brown. 370 00:17:01,320 --> 00:17:03,960 I'll tell you a story out of school. 371 00:17:03,960 --> 00:17:07,960 We got word that the ladies were going to work in Majorca 372 00:17:07,960 --> 00:17:09,960 for a week, 373 00:17:09,960 --> 00:17:14,160 and the men in the cast, the silly beggars, 374 00:17:14,160 --> 00:17:15,960 they wouldn't speak to us. 375 00:17:15,960 --> 00:17:16,960 I'm saying that's not fair. 376 00:17:16,960 --> 00:17:18,960 So off we went to Majorca, 377 00:17:18,960 --> 00:17:21,960 and everyone thought, oh, they're having a fabulous time, 378 00:17:21,960 --> 00:17:23,960 and it was dreadful. 379 00:17:23,960 --> 00:17:25,960 It wasn't like Majorca is now. 380 00:17:25,960 --> 00:17:29,960 Where we landed, not a big airport, 381 00:17:29,960 --> 00:17:32,960 and we waited in the glass building, and waited. 382 00:17:32,960 --> 00:17:35,960 Somebody came and said we can't get on the coach 383 00:17:35,960 --> 00:17:38,480 to go to the hotel because somebody's not paid a bill. 384 00:17:42,960 --> 00:17:46,960 'The novelty of filming on location in the sun quickly lost its shine.' 385 00:17:46,960 --> 00:17:49,960 We got to the hotel, they would do nothing, 386 00:17:49,960 --> 00:17:52,960 they wouldn't even give us a wake-up call. 387 00:17:52,960 --> 00:17:54,000 You what?! 388 00:17:54,000 --> 00:17:56,960 We got ourselves up and we made coffee in the morning 389 00:17:56,960 --> 00:17:57,960 and that started it. 390 00:17:57,960 --> 00:18:00,960 Well, it'll be a giggle, love, even if it is a bit grotty. 391 00:18:00,960 --> 00:18:03,640 Right until that coach came 392 00:18:03,640 --> 00:18:07,000 to take us back for that teatime plane, we were working. 393 00:18:07,000 --> 00:18:09,160 MUSIC: 'Hot Stuff' by Donna Summer 394 00:18:11,960 --> 00:18:13,960 You enjoy pedalo, si? 395 00:18:14,960 --> 00:18:16,960 'Oh, yes, Barbara, it looks terribly taxing(!) 396 00:18:16,960 --> 00:18:18,960 'Buenos dias, Pablo.' 397 00:18:18,960 --> 00:18:21,960 Well, adios, amigas. 398 00:18:21,960 --> 00:18:24,960 Hey, keep your eye on them bags! Come on, sailor. 399 00:18:24,960 --> 00:18:26,960 'And adios, Mavis. Hm.' 400 00:18:26,960 --> 00:18:28,960 Oh, she's such a glamourpuss! 401 00:18:28,960 --> 00:18:32,000 Oh, dear! I don't remember that! 402 00:18:32,000 --> 00:18:34,960 # Hot love! # 403 00:18:34,960 --> 00:18:37,960 'Still to come, more behind-the-scenes secrets.' 404 00:18:37,960 --> 00:18:40,960 In those days, you did your own stunts. 405 00:18:40,960 --> 00:18:44,640 Barbara did all her own stunts, she actually wore that jacket for real. 406 00:18:44,640 --> 00:18:45,800 LAUGHTER 407 00:18:51,640 --> 00:18:53,960 THEME TUNE PLAYS 408 00:18:58,640 --> 00:18:59,960 'Welcome back. 409 00:18:59,960 --> 00:19:03,960 'Wedding fever was at an all-time high in July 1981 410 00:19:03,960 --> 00:19:07,960 'with the fairytale nuptials of Charles and Diana. 411 00:19:07,960 --> 00:19:08,960 'A few days earlier, however, 412 00:19:08,960 --> 00:19:11,640 'Weatherfield royalty had pipped them to the altar. 413 00:19:11,640 --> 00:19:14,640 'Over 20 million viewers could not believe their eyes 414 00:19:14,640 --> 00:19:16,960 'as Deirdre took off her glasses!' 415 00:19:16,960 --> 00:19:19,320 Walter, lead me to the altar! 416 00:19:19,320 --> 00:19:23,960 Deirdre's glasses were gone and she looked, she looked gorgeous! 417 00:19:23,960 --> 00:19:25,960 CROWD: Aww! 418 00:19:25,960 --> 00:19:29,960 # It's a... nice day For a... white wedding. # 419 00:19:34,960 --> 00:19:37,960 She really was very beautiful, wasn't she? 420 00:19:37,960 --> 00:19:39,960 MINISTER: By the joining of hands... 421 00:19:41,000 --> 00:19:43,960 ..I pronounce them to be 422 00:19:43,960 --> 00:19:44,960 man... 423 00:19:44,960 --> 00:19:47,000 and wife together. 424 00:19:48,960 --> 00:19:52,160 Could they just get married, then, and, like, be happy for a while?' 425 00:19:52,160 --> 00:19:53,960 'Unfortunately not. 426 00:19:53,960 --> 00:19:57,960 'Less than two years later, their love was on the rocks.' 427 00:19:57,960 --> 00:19:59,960 # It started with a kiss. # 428 00:19:59,960 --> 00:20:01,960 'So what went wrong for Ken and Deirdre?' 429 00:20:04,800 --> 00:20:06,960 Ken had been written down, down, as a bit nerdy 430 00:20:06,960 --> 00:20:10,960 and I was getting very frustrated, very unhappy. 431 00:20:10,960 --> 00:20:11,960 I'm boring! 432 00:20:12,960 --> 00:20:14,960 And there's nothing I can do about it, 433 00:20:14,960 --> 00:20:16,960 because the great tragedy is I'm not aware of it. 434 00:20:16,960 --> 00:20:18,960 I happen to think that I'm a great guy! 435 00:20:19,960 --> 00:20:22,960 What about me? What about my life? 436 00:20:22,960 --> 00:20:23,960 It really hurt me. 437 00:20:23,960 --> 00:20:27,000 I regard myself as Ken's caretaker 438 00:20:27,000 --> 00:20:28,960 and he's part of me. 439 00:20:28,960 --> 00:20:29,960 Well, what else do you want? 440 00:20:29,960 --> 00:20:32,960 What I've found. What's that? 441 00:20:32,960 --> 00:20:34,960 Somebody else. 442 00:20:34,960 --> 00:20:37,960 MUSIC: 'Ever Fallen In Love' by Buzzcocks 443 00:20:37,960 --> 00:20:41,960 So when this scene came along, with Mike coming in and all that, 444 00:20:41,960 --> 00:20:43,960 I was really very upset. 445 00:20:43,960 --> 00:20:46,960 I want this thing out in the open, once and for all. 446 00:20:46,960 --> 00:20:51,800 Now, tell me, just when did this nasty little affair get underway? 447 00:20:51,800 --> 00:20:52,960 Oh, it has to be nasty? 448 00:20:52,960 --> 00:20:54,320 Of course! Don't try to pretend it isn't. 449 00:20:54,320 --> 00:20:57,960 If I had to choose between scenes, you know, 450 00:20:57,960 --> 00:21:00,960 that I would take to a desert island, 451 00:21:00,960 --> 00:21:03,960 I'll take that row between Ken and Deirdre. 452 00:21:03,960 --> 00:21:06,960 Shall I tell you what it feels like to me? 453 00:21:06,960 --> 00:21:09,960 It's like I'm part of the wallpaper 454 00:21:09,960 --> 00:21:12,960 or a piece of furniture that's been around forever. 455 00:21:12,960 --> 00:21:14,960 I mean, you hardly ever look at me, Ken. 456 00:21:16,960 --> 00:21:19,960 'Her affair with ladies' man Mike Baldwin 457 00:21:19,960 --> 00:21:21,960 'caused so much outrage across the country 458 00:21:21,960 --> 00:21:26,960 'it became front-page news. 17 million viewers were gripped.' 459 00:21:26,960 --> 00:21:28,960 I didn't go looking for an affair, I didn't want an affair! 460 00:21:28,960 --> 00:21:30,960 Oh, I see, it was an irresistible impulse? 461 00:21:30,960 --> 00:21:32,960 Written in the stars, and bigger than both of you(?) 462 00:21:32,960 --> 00:21:35,800 I hate you when you talk like that. What you hate is the truth! 463 00:21:35,800 --> 00:21:37,960 So we had this final culminating scene 464 00:21:37,960 --> 00:21:41,960 where Ken and Deirdre are having an argument about this, 465 00:21:41,960 --> 00:21:44,800 and there's a knock at the door. KNOCKING 466 00:21:45,960 --> 00:21:47,960 Ignore it. 467 00:21:49,960 --> 00:21:51,480 No. 468 00:21:52,640 --> 00:21:53,960 Why did you put the phone down on me? 469 00:21:53,960 --> 00:21:55,480 Close the door, Deirdre, quick! 470 00:21:55,480 --> 00:21:56,960 I'm warning you, go! THEY ALL SHOUT AT ONCE 471 00:21:56,960 --> 00:21:59,960 It's better if you go! 472 00:21:59,960 --> 00:22:02,960 Ahh! Ken, stop! 473 00:22:02,960 --> 00:22:04,160 Wow. 474 00:22:05,960 --> 00:22:09,960 Sort of leaves you afterwards kind of gasping for breath. 475 00:22:13,480 --> 00:22:16,960 Even that silence, you're just drawn in. 476 00:22:18,960 --> 00:22:21,960 This is where Anne was brilliant, she was actually, genuinely crying, 477 00:22:21,960 --> 00:22:25,960 and that scene, we got an award for that scene. 478 00:22:25,960 --> 00:22:27,960 I think this was just the first time 479 00:22:27,960 --> 00:22:31,960 it was kind of all played out in front of you, 480 00:22:31,960 --> 00:22:33,320 and also done in such a way 481 00:22:33,320 --> 00:22:35,320 that you weren't taking a moral stance about it. 482 00:22:35,320 --> 00:22:37,960 You really felt for Ken, you know, you felt for Deirdre, 483 00:22:37,960 --> 00:22:43,960 torn between the two men, and in a way, you felt for Mike as well. 484 00:22:43,960 --> 00:22:48,000 She's got a home and a family, and that is where she's staying. 485 00:22:48,000 --> 00:22:50,960 It was that home and that family she was so anxious to get away from. 486 00:22:50,960 --> 00:22:52,960 That's why she came to me in the first place. 487 00:22:52,960 --> 00:22:54,960 That was the difference, 488 00:22:54,960 --> 00:22:57,000 it was an affair where you cared about all three people. 489 00:22:57,000 --> 00:22:59,000 I've had enough of your poison in my family. 490 00:22:59,000 --> 00:23:00,960 More than enough. 491 00:23:00,960 --> 00:23:03,960 Look... ONLOOKERS GASP 492 00:23:05,960 --> 00:23:07,960 Just stay away. 493 00:23:07,960 --> 00:23:09,960 DOOR SLAMS 494 00:23:10,960 --> 00:23:12,960 I really loved her. I mean, I really did love her 495 00:23:12,960 --> 00:23:14,960 in a true and good sense. 496 00:23:14,960 --> 00:23:17,960 She was a beautiful person, 497 00:23:17,960 --> 00:23:20,960 a beautiful character and a brilliant actress. 498 00:23:21,960 --> 00:23:23,960 'The Ken, Deirdre and Mike love triangle 499 00:23:23,960 --> 00:23:26,320 'had truly captured the imagination of viewers 500 00:23:26,320 --> 00:23:29,960 'and, it seemed, for the first time, the press too.' 501 00:23:29,960 --> 00:23:32,960 There was no big deal about soaps, but after that, 502 00:23:32,960 --> 00:23:34,960 we were on, literally, the photograph from the screen 503 00:23:34,960 --> 00:23:36,960 was on the front page of all the papers. 504 00:23:36,960 --> 00:23:39,480 # Guilty as a girl can be... # 505 00:23:39,480 --> 00:23:41,960 'Deirdre would famously make more headlines 15 years later.' 506 00:23:44,160 --> 00:23:47,480 I didn't do any of it! 507 00:23:48,960 --> 00:23:51,960 'A classic soap injustice, Deirdre had been the victim 508 00:23:51,960 --> 00:23:54,800 'to the fraudulent behaviour of her partner, 509 00:23:54,800 --> 00:23:55,960 'career criminal John Lindsay. 510 00:23:57,000 --> 00:24:01,160 'Taking Deirdre down with him, she got 18 months in prison. 511 00:24:03,960 --> 00:24:07,000 'The nation was in shock and so, it seemed, 512 00:24:07,000 --> 00:24:08,960 'was the resident of Number 10.' 513 00:24:08,960 --> 00:24:10,960 Even the Prime Minister had something to say 514 00:24:10,960 --> 00:24:12,960 when Deirdre Rachid was wrongly jailed 515 00:24:12,960 --> 00:24:14,960 for a crime she didn't commit. 516 00:24:14,960 --> 00:24:15,960 I was sat at my desk, 517 00:24:15,960 --> 00:24:18,960 we were in the middle of the Free Deirdre campaign, 518 00:24:18,960 --> 00:24:20,960 which was huge, and I picked up my phone 519 00:24:20,960 --> 00:24:23,960 and this gentleman said that he was calling from 10 Downing Street 520 00:24:23,960 --> 00:24:28,960 so I was absolutely gobsmacked, to use a Corrie word, 521 00:24:28,960 --> 00:24:29,960 because, erm... 522 00:24:29,960 --> 00:24:33,960 to know that the Prime Minister wanted to know about a storyline, 523 00:24:33,960 --> 00:24:34,960 so it was really nice. 524 00:24:34,960 --> 00:24:37,480 I briefed them and we laughed about it, cos, obviously, 525 00:24:37,480 --> 00:24:39,960 it was probably a very strange conversation for him as well. 526 00:24:39,960 --> 00:24:41,960 # Freedom... # 527 00:24:43,960 --> 00:24:45,960 'The huge success of the show 528 00:24:45,960 --> 00:24:48,960 'has meant its stars are instantly recognisable.' 529 00:24:48,960 --> 00:24:51,640 I've walked into a petrol station in a full black tower helmet 530 00:24:51,640 --> 00:24:52,960 and been recognised. 531 00:24:52,960 --> 00:24:54,960 As soon as I said, "Pump number four, please", 532 00:24:54,960 --> 00:24:57,640 the guy went, "No!" I was like, "How?!" 533 00:24:57,640 --> 00:25:02,800 'And where there's public interest, naturally, the press will follow.' 534 00:25:02,800 --> 00:25:05,320 How our lives changed, literally overnight, 535 00:25:05,320 --> 00:25:06,960 was a huge shock. 536 00:25:06,960 --> 00:25:08,960 Oh, hell! 537 00:25:08,960 --> 00:25:11,000 The papers would go round to neighbours 538 00:25:11,000 --> 00:25:12,960 that you used to grow up round, 539 00:25:12,960 --> 00:25:15,000 offering them money for any background stories, 540 00:25:15,000 --> 00:25:16,960 they'd be following you everywhere, 541 00:25:16,960 --> 00:25:18,960 turns out they were tapping our phones, 542 00:25:18,960 --> 00:25:21,960 I mean, I had to run across me mum's back garden 543 00:25:21,960 --> 00:25:23,960 into another guy's back garden. 544 00:25:23,960 --> 00:25:24,960 I'd have to hide in the back of his car, 545 00:25:24,960 --> 00:25:26,960 that's how I got around without being followed. 546 00:25:26,960 --> 00:25:29,000 What Simon fails to mention there is, 547 00:25:29,000 --> 00:25:31,960 that all that was probably down to Simon. 548 00:25:31,960 --> 00:25:33,960 The press intrusion was, y'know... SIMON LAUGHS 549 00:25:33,960 --> 00:25:37,480 He wasn't the best behaved. 550 00:25:37,480 --> 00:25:39,320 So basically, 551 00:25:39,320 --> 00:25:41,960 Simon spoiled it for everybody else that came after him. 552 00:25:41,960 --> 00:25:43,480 Surprise, surprise. 553 00:25:43,480 --> 00:25:45,640 I think everyone's told by other cast members, 554 00:25:45,640 --> 00:25:46,960 "Have you had the talk yet?" 555 00:25:46,960 --> 00:25:49,960 So we tend to try and let them settle for about a month. 556 00:25:49,960 --> 00:25:52,320 We don't want to freak them out straight away, 557 00:25:52,320 --> 00:25:53,960 because it can be quite scary. 558 00:25:53,960 --> 00:25:56,000 I do remember sitting down with the Battersbys 559 00:25:56,000 --> 00:25:59,640 when they first started and they sat there and they sort of nodded 560 00:25:59,640 --> 00:26:01,960 and Jane said, "I wasn't listening to a thing you were saying." 561 00:26:01,960 --> 00:26:04,960 # Trouble troublemaker, yeah That's your middle name... # 562 00:26:04,960 --> 00:26:07,800 So often, people will come back later and say, 563 00:26:07,800 --> 00:26:08,960 you know you did that talk, 564 00:26:08,960 --> 00:26:11,960 I didn't think any of that was going to happen to me. 565 00:26:11,960 --> 00:26:13,640 But it did. 566 00:26:14,960 --> 00:26:17,960 'From cast having to be on their best behaviour 567 00:26:17,960 --> 00:26:21,960 'to characters who get to be very, very naughty.' 568 00:26:21,960 --> 00:26:23,960 He's dead. SCREAMING 569 00:26:23,960 --> 00:26:25,960 Baddies work so, so well in Coronation Street 570 00:26:25,960 --> 00:26:28,960 because you've grown up and you love the other characters, the victims. 571 00:26:28,960 --> 00:26:31,960 If I go down, you're going down with me. 572 00:26:31,960 --> 00:26:34,960 He was a serial killer and he did kill a lot of people. He did, but... 573 00:26:34,960 --> 00:26:37,960 But he didn't mean to, really! 574 00:26:37,960 --> 00:26:41,960 There we go, we should have been his barristers. 575 00:26:41,960 --> 00:26:46,320 He couldn't get on the Tube, people were chasing him with umbrellas... 576 00:26:46,320 --> 00:26:48,960 it was just wonderful, really. 577 00:26:48,960 --> 00:26:50,640 # Danger, danger! # 578 00:26:50,640 --> 00:26:53,960 In those days, you did your own stunts. 579 00:26:53,960 --> 00:26:55,160 Barbara did all her own stunts, 580 00:26:55,160 --> 00:26:56,960 she actually did wear that jacket for real(!) 581 00:26:56,960 --> 00:26:59,160 LAUGHING 582 00:26:59,160 --> 00:27:01,960 HE YELLS, TYRES SCREECH 583 00:27:01,960 --> 00:27:03,960 Pat Phelan killed my boyfriend. 584 00:27:03,960 --> 00:27:05,320 GUNSHOT, WINDOW SHATTERS 585 00:27:06,960 --> 00:27:08,960 Hairs on the back of my neck are standing up. 586 00:27:08,960 --> 00:27:10,160 I've just thought of a new ending. 587 00:27:10,160 --> 00:27:11,960 THUMP 588 00:27:11,960 --> 00:27:12,960 There's some violence in this show, 589 00:27:12,960 --> 00:27:15,160 I mean, you wouldn't want to live there, would you? 590 00:27:15,160 --> 00:27:19,160 'To this day, one man remains top of the list of those baddies 591 00:27:19,160 --> 00:27:21,960 'viewers love to hate.' 592 00:27:21,960 --> 00:27:24,480 Don't scream. OK? 593 00:27:24,480 --> 00:27:27,960 'Step out of the shadows, Richard Hillman.' 594 00:27:28,960 --> 00:27:29,960 CRASH 595 00:27:31,960 --> 00:27:32,960 He was the best. 596 00:27:32,960 --> 00:27:34,960 Yeah, he was like panto baddie. 597 00:27:34,960 --> 00:27:37,960 He was brilliant, everyone loved him! 598 00:27:37,960 --> 00:27:39,960 SHE SCREAMS 599 00:27:43,000 --> 00:27:44,960 GAIL SCREAMS 600 00:27:44,960 --> 00:27:47,960 'Arriving as a mild-mannered businessman...' 601 00:27:47,960 --> 00:27:49,960 Pleased to meet you. 602 00:27:49,960 --> 00:27:51,960 '..Richard originally swept Gail off her feet, 603 00:27:51,960 --> 00:27:54,960 'but had murder on his mind.' 604 00:27:54,960 --> 00:27:59,320 It didn't just tell a story of me and Richard Hillman. 605 00:27:59,320 --> 00:28:01,640 It was the story of all the family. 606 00:28:01,640 --> 00:28:03,960 Bye. Bye! Toodles. 607 00:28:03,960 --> 00:28:08,960 This was back in a time when we didn't have Netflix. It was so huge! 608 00:28:08,960 --> 00:28:11,640 What are you going to do, Richard? 609 00:28:11,640 --> 00:28:14,960 'The Platt family were plunged into chaos and terror.' 610 00:28:14,960 --> 00:28:15,960 I'm so sorry! 611 00:28:15,960 --> 00:28:17,960 He tried to kill us off, you know? 612 00:28:17,960 --> 00:28:19,320 Why can't they leave us alone? 613 00:28:29,960 --> 00:28:31,960 No! I love you! 614 00:28:31,960 --> 00:28:34,960 SCREAMING 615 00:28:38,960 --> 00:28:41,000 GURGLING 616 00:28:41,000 --> 00:28:42,960 I don't think they'd be able to do it now. 617 00:28:42,960 --> 00:28:45,800 No, it was so cold, Jack. I was like 13. 618 00:28:45,800 --> 00:28:47,960 We were like, "OK! This is fun, isn't it?" 619 00:28:47,960 --> 00:28:48,960 THEY LAUGH 620 00:28:48,960 --> 00:28:52,320 My lips are blue! Freezing! 621 00:28:54,960 --> 00:28:59,960 'I had to learn to swim because I couldn't ask the viewers 622 00:28:59,960 --> 00:29:01,960 'to have gone through all that with us' 623 00:29:01,960 --> 00:29:05,480 and then for them to see the back view of somebody with a wig on, 624 00:29:05,480 --> 00:29:08,960 you know, coming up out of the water. 625 00:29:11,960 --> 00:29:14,960 You talk about, before you die, your life passes in front of you. 626 00:29:14,960 --> 00:29:17,320 I think Gail's life will pass in front of me, 627 00:29:17,320 --> 00:29:20,960 I mean, mine's nothing compared to Gail's! 628 00:29:20,960 --> 00:29:22,960 'Still to come: A new producer wreaks havoc.' 629 00:29:22,960 --> 00:29:26,160 I did kill off, I think, nine characters 630 00:29:26,160 --> 00:29:27,960 in probably 2-3 months. 631 00:29:27,960 --> 00:29:31,960 'And one of the Street's hardest-hitting storylines.' 632 00:29:31,960 --> 00:29:33,960 Oof! LAUGHTER 633 00:29:46,960 --> 00:29:48,160 What the hell's that? 634 00:29:48,160 --> 00:29:49,960 Somebody's watching us! Eh? 635 00:29:49,960 --> 00:29:51,960 Can you hear me? 636 00:29:51,960 --> 00:29:52,960 Just get dressed! 637 00:29:52,960 --> 00:29:54,960 Oh! Oh! 638 00:29:54,960 --> 00:29:57,800 MUSIC: 'Wannabe' by Spice Girls 639 00:29:57,800 --> 00:29:58,960 # So tell me what you want... # 640 00:29:58,960 --> 00:30:00,960 'Welcome back to the rather smashing 641 00:30:00,960 --> 00:30:02,960 'Coronation Street: 60 unforgettable years.' 642 00:30:02,960 --> 00:30:04,960 Jack, come and see! 643 00:30:04,960 --> 00:30:06,960 'It's the '90s, and the producers were demolishing 644 00:30:06,960 --> 00:30:10,960 'some of the old sets to make way for bigger, brand-new ones.' 645 00:30:10,960 --> 00:30:15,800 Everyone agreed that the show needed to renew itself. 646 00:30:15,800 --> 00:30:17,960 'New sets and new characters including Raquel Wolstenhulme - 647 00:30:17,960 --> 00:30:21,960 'part-time model, full-time barmaid, and Ken's protege.' 648 00:30:21,960 --> 00:30:24,320 Oh, it'll all end in tears, I know it will. 649 00:30:24,320 --> 00:30:27,960 So, how much French do you know? 650 00:30:27,960 --> 00:30:29,640 Nothing. Oh, I bet you do. 651 00:30:29,640 --> 00:30:32,160 You think. Well, I know what baguettes are. 652 00:30:32,160 --> 00:30:33,960 HE CHUCKLES 653 00:30:33,960 --> 00:30:35,640 Red wine's vin rouge. 654 00:30:35,640 --> 00:30:37,960 What was so lovely about it, 655 00:30:37,960 --> 00:30:40,960 you had Raquel genuinely wanting to better herself... 656 00:30:40,960 --> 00:30:43,960 Bonjour, Ken. Je m'appelle Raquel. 657 00:30:43,960 --> 00:30:45,960 Well done. 658 00:30:45,960 --> 00:30:48,000 "Hello, Ken. My name is Raquel. 659 00:30:48,000 --> 00:30:49,960 "Isn't it a lovely day today?" 660 00:30:49,960 --> 00:30:51,960 OK? 661 00:30:51,960 --> 00:30:53,960 Oh... Clever. HE CHUCKLES 662 00:30:53,960 --> 00:30:54,960 'Well, here goes.' 663 00:30:54,960 --> 00:30:56,800 Bonjour, Ken. Mm. 664 00:30:56,800 --> 00:30:57,960 Je m'appelle Raquel. 665 00:30:57,960 --> 00:31:00,960 Voulez-vous coucher avec moi ce soir? 666 00:31:00,960 --> 00:31:03,960 BOTH LAUGH MUSIC: 'Lady Marmalade' by Labelle 667 00:31:03,960 --> 00:31:06,960 What's Ken gonna say to that? 668 00:31:06,960 --> 00:31:09,960 # Voulez-vous coucher avec moi Ce soir... # 669 00:31:09,960 --> 00:31:11,960 Fantastic. 670 00:31:11,960 --> 00:31:12,960 Thank you for that. 671 00:31:12,960 --> 00:31:15,960 Brilliant. So lovely. 672 00:31:15,960 --> 00:31:17,000 Oh, Ken... 673 00:31:17,000 --> 00:31:20,960 Isn't it important, communication? 674 00:31:20,960 --> 00:31:23,000 Oh, I feel dead sympathique, me. 675 00:31:23,000 --> 00:31:27,000 This is literally Corrie at its finest, this scene, isn't it? 676 00:31:27,000 --> 00:31:28,960 'From an iconic character of the '90s, 677 00:31:28,960 --> 00:31:33,640 'to a couple of Corrie legends who arrived in 1964. 678 00:31:33,640 --> 00:31:35,960 I love this little house. Don't let's lose it. 679 00:31:35,960 --> 00:31:39,960 'When Stan and Hilda Ogden moved into 13 Coronation Street, 680 00:31:39,960 --> 00:31:42,320 'it soon became clear that their on-screen spats...' 681 00:31:42,320 --> 00:31:44,320 Mind your own business, fatty! 682 00:31:44,320 --> 00:31:46,960 '..would keep us entertained for decades.' 683 00:31:46,960 --> 00:31:49,960 Hilda and Stan were a beautiful couple. 684 00:31:49,960 --> 00:31:51,960 I've noticed recently that you haven't been, 685 00:31:51,960 --> 00:31:54,480 well, showing the interest what you should have been showing. 686 00:31:54,480 --> 00:31:56,000 They're just so Northern, aren't they? 687 00:31:56,000 --> 00:31:58,160 Er, Chuck... What? 688 00:31:58,160 --> 00:31:59,960 What about a week last Wednesday? 689 00:31:59,960 --> 00:32:01,800 SHE CHUCKLES I love it. 690 00:32:01,800 --> 00:32:03,960 Oh, yeah, I'd forgotten about that. Well... 691 00:32:03,960 --> 00:32:04,960 A brilliant actress. 692 00:32:04,960 --> 00:32:07,640 Yeah, we're very lucky, aren't we? Yes, we are. 693 00:32:07,640 --> 00:32:09,960 They played off each other so well. 694 00:32:09,960 --> 00:32:10,960 Oh, beans again? 695 00:32:10,960 --> 00:32:14,480 Well, not quite again, Chuck. We've had beans every day this week. 696 00:32:14,480 --> 00:32:16,800 Yeah, but they're on a different plate today. 697 00:32:16,800 --> 00:32:18,640 Hilda with her rollers, 698 00:32:18,640 --> 00:32:22,960 it's very, very specific to that character, and it just works. 699 00:32:22,960 --> 00:32:24,960 Kevin? In here, Mrs O. 700 00:32:24,960 --> 00:32:26,960 Who's that? Mrs Ogden, my landlady. 701 00:32:26,960 --> 00:32:28,960 You should've said you was coming home, 702 00:32:28,960 --> 00:32:30,960 I could have got you a... 703 00:32:30,960 --> 00:32:35,960 To end up living with Hilda Ogden in the show, it was just surreal. 704 00:32:35,960 --> 00:32:37,480 I'm sorry, I didn't realise you had company. 705 00:32:37,480 --> 00:32:39,960 It's OK, Mrs O, we're just going. I didn't come home for my dinner, 706 00:32:39,960 --> 00:32:41,960 Came home to get Sally cleaned up. 707 00:32:41,960 --> 00:32:43,000 Oh, yes? 708 00:32:43,000 --> 00:32:47,960 To establish a relationship with Hilda Ogden as Kevin, 709 00:32:47,960 --> 00:32:49,800 it was just... 710 00:32:49,800 --> 00:32:50,960 I loved every moment of it. 711 00:32:50,960 --> 00:32:51,960 I don't suppose we'll see you again? 712 00:32:51,960 --> 00:32:54,960 I wouldn't bet on it. 713 00:32:54,960 --> 00:32:58,960 Jean made Hilda Ogden into such an incredible character. 714 00:32:58,960 --> 00:32:59,960 Everything she did, 715 00:32:59,960 --> 00:33:03,960 all the little things that Jean did were just incredible. 716 00:33:03,960 --> 00:33:06,640 Tough, Stanley, tough. 717 00:33:06,640 --> 00:33:08,960 She bossed him about, and he was lazy 718 00:33:08,960 --> 00:33:12,960 and the audience knew how much Hilda love Stan. 719 00:33:12,960 --> 00:33:15,960 Champagne, dinner for two, 720 00:33:15,960 --> 00:33:18,960 probably be prawn cocktails and all that. 721 00:33:18,960 --> 00:33:21,960 Oh, it's like a dream come true. 722 00:33:21,960 --> 00:33:23,960 I wonder who's in T'Rovers now. 723 00:33:23,960 --> 00:33:25,960 They're just Corrie, aren't they? Yeah. 724 00:33:25,960 --> 00:33:28,960 You can't not know about them if you've heard of Coronation Street. 725 00:33:28,960 --> 00:33:31,000 Do you really think I look smashing? 726 00:33:31,000 --> 00:33:32,960 I said so, didn't I? 727 00:33:32,960 --> 00:33:35,640 Well, I feel smashing. 728 00:33:35,640 --> 00:33:37,960 What a great couple these was on the screen. 729 00:33:38,960 --> 00:33:41,000 Aw... Oh, I love this as well. 730 00:33:41,000 --> 00:33:42,960 This was so nice. 731 00:33:42,960 --> 00:33:44,960 MUSIC: 'It Had To Be You' by Frank Sinatra 732 00:33:44,960 --> 00:33:45,960 We all remember this. 733 00:33:45,960 --> 00:33:47,960 What's that lipstick taste of? 734 00:33:47,960 --> 00:33:48,960 "Woman, Stanley." 735 00:33:48,960 --> 00:33:51,480 Woman, Stanley. 736 00:33:51,480 --> 00:33:52,960 Woman! 737 00:33:52,960 --> 00:33:57,000 'One of British TV's favourite partnerships ended in 1984 738 00:33:57,000 --> 00:33:59,800 'when actor Bernard Youens passed away. 739 00:33:59,800 --> 00:34:03,960 'Stan's death followed, leaving Hilda devastated.' 740 00:34:03,960 --> 00:34:05,960 He's gone, Alf. 741 00:34:05,960 --> 00:34:08,960 When something really tragic like that happens, 742 00:34:08,960 --> 00:34:12,960 you feel it with them, because you love them so much. 743 00:34:13,960 --> 00:34:15,960 My Stan's gone. 744 00:34:16,960 --> 00:34:18,960 That was very, very powerful. 745 00:34:18,960 --> 00:34:24,960 MUSIC: 'Lost Without You' by Freya Ridings 746 00:34:24,960 --> 00:34:28,160 The nation's heart broke when they watched this scene. 747 00:34:29,960 --> 00:34:35,960 # I just feel crushed without you... 748 00:34:35,960 --> 00:34:36,960 SHE SOBS 749 00:34:40,160 --> 00:34:46,640 # I think I'm lost without you... # 750 00:34:49,640 --> 00:34:52,160 It was just all perfectly done, wasn't it? 751 00:34:52,160 --> 00:34:55,160 'Three years later, on Christmas Day 1987...' 752 00:34:55,160 --> 00:34:58,960 I know I'll be moving to a posh house and that, but... 753 00:34:58,960 --> 00:35:01,960 Well, I'll be leaving my heart behind in this street. 754 00:35:01,960 --> 00:35:06,320 'And 27 million viewers tuned in for Hilda's swan song.' 755 00:35:07,960 --> 00:35:11,640 # Wish me luck As you wave me goodbye... # 756 00:35:11,640 --> 00:35:14,480 Oh, Hilda's voice, amazing! 757 00:35:14,480 --> 00:35:15,960 Oh, bless her cotton socks. 758 00:35:15,960 --> 00:35:19,960 ALL: # Give me a smile I can keep all the while... # 759 00:35:19,960 --> 00:35:22,960 I was just pleased to be in that scene and say ta-ta to her. 760 00:35:22,960 --> 00:35:26,960 # Wish me luck As you wave me goodbye 761 00:35:26,960 --> 00:35:31,480 # Wish me luck As you wave me goodbye. # 762 00:35:31,480 --> 00:35:32,960 CHEERING AND APPLAUSE 763 00:35:32,960 --> 00:35:36,800 You think, oh, the street can't possibly carry on 764 00:35:36,800 --> 00:35:40,960 without Hilda Ogden, but somehow it does. 765 00:35:40,960 --> 00:35:43,800 'Hilda got a very fond farewell, 766 00:35:43,800 --> 00:35:44,960 'but ten years later, 767 00:35:44,960 --> 00:35:46,000 'when new producer Brian Park arrived, 768 00:35:46,000 --> 00:35:48,960 'other characters weren't quite so lucky.' 769 00:35:48,960 --> 00:35:51,960 When I took over Coronation Street, there was feeling 770 00:35:51,960 --> 00:35:54,960 that, you know, it was slightly floundering. 771 00:35:54,960 --> 00:35:59,960 I've earned rather the ungracious title of the mad axeman. 772 00:35:59,960 --> 00:36:04,960 Yes, I did kill off nine characters in probably 2-3 months. 773 00:36:04,960 --> 00:36:06,960 They'll be coming for me next! 774 00:36:06,960 --> 00:36:08,960 Don Brennan. 775 00:36:08,960 --> 00:36:09,960 # Another one bites the dust... # 776 00:36:09,960 --> 00:36:11,160 Andy McDonald. 777 00:36:11,160 --> 00:36:12,960 Andy, where are you? 778 00:36:12,960 --> 00:36:14,800 PHONE RINGS 779 00:36:14,800 --> 00:36:15,960 Bill Webster. 780 00:36:15,960 --> 00:36:18,960 Might be back sooner than you think. 781 00:36:18,960 --> 00:36:20,960 Maureen Holdsworth. 782 00:36:20,960 --> 00:36:22,960 I've got my passport, do you still want me to come? 783 00:36:22,960 --> 00:36:23,960 Derek Wilton. 784 00:36:23,960 --> 00:36:25,480 Look what you've done! 785 00:36:25,480 --> 00:36:27,960 # Another one bites the dust... # 786 00:36:27,960 --> 00:36:28,960 Des Barnes. 787 00:36:28,960 --> 00:36:31,480 I love you, Mrs Barnes. 788 00:36:31,480 --> 00:36:32,960 MONITOR BEEPS 789 00:36:32,960 --> 00:36:33,960 Percy Sugden. 790 00:36:33,960 --> 00:36:35,320 Well, I'll say goodbye. 791 00:36:35,320 --> 00:36:36,960 It's a grim legacy. 792 00:36:36,960 --> 00:36:39,800 'When he wasn't busy escorting characters off the cobbles, 793 00:36:39,800 --> 00:36:41,960 'he dabbled in a little home-wrecking too.' 794 00:36:41,960 --> 00:36:43,960 Oh, that's terrible! 795 00:36:43,960 --> 00:36:47,960 I'd asked who's got the longest-lasting marriage? 796 00:36:47,960 --> 00:36:50,960 Alas, it was Kevin and Sally. And I said, right, 797 00:36:50,960 --> 00:36:51,960 we'll break them up. 798 00:36:51,960 --> 00:36:54,960 # I came in like a wrecking ball 799 00:36:54,960 --> 00:36:58,960 We brought in this femme fatale called Natalie Horrocks. 800 00:36:58,960 --> 00:37:01,160 You're a very good mechanic, Kevin. 801 00:37:01,160 --> 00:37:04,960 I always remember Sally saying she was so pleased 802 00:37:04,960 --> 00:37:06,640 she got that storyline. 803 00:37:07,960 --> 00:37:10,960 She said, "If I had to ask Kevin one more time 804 00:37:10,960 --> 00:37:12,960 "what he wanted for his bleeding tea..." 805 00:37:12,960 --> 00:37:14,800 "I was gonna throw up." 806 00:37:16,960 --> 00:37:17,960 Natalie. Yeah? 807 00:37:18,960 --> 00:37:21,960 Ooh! 'Ho-ho-ho-ho-ho!' 808 00:37:21,960 --> 00:37:24,640 Ah... I felt so bad. 809 00:37:24,640 --> 00:37:26,960 I think I really whacked her one. 810 00:37:26,960 --> 00:37:28,960 Well, at least they only split us up, 811 00:37:28,960 --> 00:37:30,960 and they didn't kill one of us. 812 00:37:30,960 --> 00:37:32,960 HE CHUCKLES 813 00:37:32,960 --> 00:37:34,160 'It wasn't all death and divorce. 814 00:37:34,160 --> 00:37:36,960 'In 1998, Brian introduced Hayley Patterson, 815 00:37:36,960 --> 00:37:39,960 'a pioneering character who would become one half 816 00:37:39,960 --> 00:37:41,960 'of another much-loved couple.' 817 00:37:41,960 --> 00:37:43,800 I'd love to think that Roy and Hayley 818 00:37:43,800 --> 00:37:46,960 are part of that tradition of great couples on the street. 819 00:37:46,960 --> 00:37:48,960 But it was always a bit edgy and a bit difficult. 820 00:37:48,960 --> 00:37:50,960 MUSIC: 'Hold On' by Wilson Phillips 821 00:37:50,960 --> 00:37:53,960 # Somebody's gonna make you Wanna turn around and say goodbye 822 00:37:54,960 --> 00:37:56,960 # Until then, baby 823 00:37:56,960 --> 00:37:58,960 # Gonna let 'em Hold you down, make you cry? 824 00:37:58,960 --> 00:38:00,160 # Don't you know? Don't you know 825 00:38:00,160 --> 00:38:03,960 # If you change Things will go your way... # 826 00:38:05,000 --> 00:38:09,960 Hayley was the first transgender character in a soap in Britain. 827 00:38:09,960 --> 00:38:11,960 I'm Hayley Cropper. 828 00:38:11,960 --> 00:38:12,960 From the cafe. 829 00:38:12,960 --> 00:38:13,960 Yes. Oh, right. 830 00:38:13,960 --> 00:38:16,960 I remember half the writers team looking very shocked. 831 00:38:16,960 --> 00:38:18,960 We did it quite cynically 832 00:38:18,960 --> 00:38:21,960 in terms of, you know, proper shock value. 833 00:38:21,960 --> 00:38:23,960 This is Hayley. 834 00:38:23,960 --> 00:38:26,800 Nice to meet you, Roy. Oh, and you. 835 00:38:26,800 --> 00:38:29,960 And it's testament to Julie's great acting skills 836 00:38:29,960 --> 00:38:32,960 that she brought that character alive. 837 00:38:32,960 --> 00:38:36,960 It was because they cast it so well, and we worked so well together, 838 00:38:36,960 --> 00:38:38,960 so it wasn't a disastrous relationship. 839 00:38:39,960 --> 00:38:41,960 HE YELLS, GROANS 840 00:38:41,960 --> 00:38:42,960 How does that feel? 841 00:38:42,960 --> 00:38:45,960 Lovely. Pardon? 842 00:38:46,960 --> 00:38:48,000 Take it a step at a time. 843 00:38:49,960 --> 00:38:50,960 I'd like that. 844 00:38:51,960 --> 00:38:52,960 Would you, really? 845 00:38:52,960 --> 00:38:55,960 Yeah. More than anything. 846 00:38:57,000 --> 00:38:59,960 'All couples have secrets... 847 00:38:59,960 --> 00:39:02,960 'but Hayley had quite the revelation for Roy.' 848 00:39:02,960 --> 00:39:04,960 Do you understand what I said? 849 00:39:04,960 --> 00:39:08,960 I-I-I don't think I do, no. 850 00:39:08,960 --> 00:39:10,960 Hmm. Well, at least you're not laughing. 851 00:39:10,960 --> 00:39:12,960 My voice is so high. 852 00:39:12,960 --> 00:39:14,480 I was so young. 853 00:39:14,480 --> 00:39:17,960 Is this some kind of joke? I mean, are you making fun of me? 854 00:39:17,960 --> 00:39:18,960 No. 855 00:39:18,960 --> 00:39:21,640 The language around this, it's so dated now. 856 00:39:21,640 --> 00:39:23,960 I was born a boy. 857 00:39:23,960 --> 00:39:30,960 What soaps do really successfully is to present a person to you 858 00:39:30,960 --> 00:39:32,960 that you might not know anything about, 859 00:39:32,960 --> 00:39:36,480 and the issue that sort of surrounds them, if you like, 860 00:39:36,480 --> 00:39:38,640 is something that you might be quite afraid of. 861 00:39:38,640 --> 00:39:40,160 And that's how you break down prejudices. 862 00:39:40,160 --> 00:39:45,320 'After revealing her secret, Roy and Hayley's love only grew.' 863 00:39:45,320 --> 00:39:47,960 To us. Yes. 864 00:39:47,960 --> 00:39:49,960 To us. 865 00:39:49,960 --> 00:39:52,640 'And as they fell in love, so did we.' 866 00:39:52,640 --> 00:39:54,960 I was shopping in my local supermarket, 867 00:39:54,960 --> 00:39:56,960 and, like, elderly ladies were saying to me 868 00:39:56,960 --> 00:39:58,960 "When are you and Roy gonna get married?" 869 00:39:58,960 --> 00:40:00,960 And I'd sort of say to them, well, you know, 870 00:40:00,960 --> 00:40:03,480 were not allowed at the moment, because at that point, 871 00:40:03,480 --> 00:40:05,960 it was against the law for transgender people 872 00:40:05,960 --> 00:40:07,960 to marry their partners. And they were just, 873 00:40:07,960 --> 00:40:08,960 "Never mind that!" 874 00:40:08,960 --> 00:40:10,960 'That was just a wonderful thing for me.' 875 00:40:10,960 --> 00:40:12,320 Will you marry me? 876 00:40:13,640 --> 00:40:14,960 Oh, Roy... 877 00:40:14,960 --> 00:40:19,960 MUSIC: 'It Must Have Been' by Roxette 878 00:40:19,960 --> 00:40:23,960 My message to you, Hayley, is this: 879 00:40:23,960 --> 00:40:25,640 the world can change its rules, 880 00:40:25,640 --> 00:40:27,960 its laws... 881 00:40:27,960 --> 00:40:29,960 and its opinions... 882 00:40:29,960 --> 00:40:32,960 as frequently as it chooses. 883 00:40:32,960 --> 00:40:36,960 But I will remain standing beside you. 884 00:40:36,960 --> 00:40:40,960 APPLAUSE # But it's all over now 885 00:40:40,960 --> 00:40:42,960 # From the moment we touched 886 00:40:42,960 --> 00:40:45,960 # Till the time had run out... # 887 00:40:45,960 --> 00:40:47,160 'Still to come: 888 00:40:47,160 --> 00:40:48,640 'the Queen of the Rovers.' 889 00:40:48,640 --> 00:40:52,160 The massive hair and the huge earrings, leopard-print. 890 00:40:52,160 --> 00:40:53,960 Julie did it amazingly. 891 00:40:53,960 --> 00:40:56,960 I'm sorry I'm late, Mrs Walker. 892 00:41:07,960 --> 00:41:10,960 BIG BEN BONGS 893 00:41:10,960 --> 00:41:14,960 'As fireworks lit up the skies of the new millennium... 894 00:41:14,960 --> 00:41:16,960 MUSIC: 'Year 2000' by Pulp 895 00:41:16,960 --> 00:41:19,960 'One of Coronation Street's most-loved characters returned 896 00:41:19,960 --> 00:41:20,960 'for one night only.' 897 00:41:23,960 --> 00:41:25,960 Hello, Curly. 898 00:41:25,960 --> 00:41:26,960 '18 million viewers tuned in 899 00:41:26,960 --> 00:41:29,960 'to see actress Sarah Lancashire's cameo return.' 900 00:41:29,960 --> 00:41:31,960 Surprised to see me? You could say that. 901 00:41:31,960 --> 00:41:33,800 Yeah, gobsmacked. 902 00:41:37,960 --> 00:41:40,960 'And Raquel had some shocking news for Curly.' 903 00:41:42,640 --> 00:41:43,960 Who is it? 904 00:41:44,960 --> 00:41:46,480 This is our daughter. 905 00:41:47,960 --> 00:41:49,960 There's somebody else. 906 00:41:49,960 --> 00:41:51,960 Whatever you want on this... 907 00:41:53,800 --> 00:41:54,960 ..divorce bit... 908 00:41:55,960 --> 00:41:57,000 ..you've got. 909 00:42:02,800 --> 00:42:04,320 Happy New Year. 910 00:42:04,320 --> 00:42:06,640 Happy new life. 911 00:42:07,960 --> 00:42:10,960 'And so it was goodbye to Raquel, who like so many 912 00:42:10,960 --> 00:42:12,960 'before her and since, 913 00:42:12,960 --> 00:42:16,800 'left her indelible mark behind the bar of the Rovers.' 914 00:42:17,960 --> 00:42:19,960 A snowball, please. I don't think we've got any of them. 915 00:42:19,960 --> 00:42:22,160 That's all right, love, you make one. How? 916 00:42:22,160 --> 00:42:24,640 Nay, love, you're the barmaid. 917 00:42:27,960 --> 00:42:31,480 'When the residents of Coronation Street are in need of a smile 918 00:42:31,480 --> 00:42:33,960 'and a drink, there's one place they can go 919 00:42:33,960 --> 00:42:35,960 'where everybody knows your name.' 920 00:42:35,960 --> 00:42:37,960 Yes, Robbie. Pint of bitter, please. 921 00:42:37,960 --> 00:42:39,960 MUSIC: 'Happy Hour' by The Housemartins 922 00:42:39,960 --> 00:42:40,960 Ha! 923 00:42:40,960 --> 00:42:42,960 Go on, have a brandy, I'm having one. 924 00:42:43,960 --> 00:42:45,960 Everything's overheard in the Rovers. 925 00:42:45,960 --> 00:42:48,640 It's the base of the street, really. 926 00:42:48,640 --> 00:42:50,320 As soon as one person has gone in the Rovers, 927 00:42:50,320 --> 00:42:52,960 everyone in the street knows what's going on, then. 928 00:42:52,960 --> 00:42:57,320 Is, er... that who I think it is? Very probably, yeah. 929 00:42:57,320 --> 00:42:58,960 Are they together now? 930 00:42:58,960 --> 00:43:00,960 Search me. I just stand here and serve drinks. 931 00:43:00,960 --> 00:43:05,960 The Rovers is where everyone will always end up 932 00:43:05,960 --> 00:43:07,960 at the end of any celebration... 933 00:43:07,960 --> 00:43:09,960 Well, cheers. Cheers. 934 00:43:09,960 --> 00:43:11,960 You can have babies born there... SHE STRAINS 935 00:43:11,960 --> 00:43:14,960 You can have wedding parties. 936 00:43:14,960 --> 00:43:17,160 You can have trams coming through it. 937 00:43:17,160 --> 00:43:20,960 You always end up in the Rovers, so that is the heart of the street. 938 00:43:21,960 --> 00:43:24,960 'And the lifeblood of this iconic pub are the barmaids. 939 00:43:24,960 --> 00:43:27,960 '62 over 60 years, 940 00:43:27,960 --> 00:43:30,960 'the very first of which was Concepta Riley who pulled pints 941 00:43:30,960 --> 00:43:34,480 'under the watchful eye of steely Annie Walker.' 942 00:43:34,480 --> 00:43:36,960 He should see her through tonight. 943 00:43:36,960 --> 00:43:38,960 I'm not deaf, I heard you the first time. 944 00:43:38,960 --> 00:43:40,960 MUSIC: 'Here Come The Girls' by Ernie K-Doe 945 00:43:40,960 --> 00:43:42,160 # Girls 946 00:43:42,160 --> 00:43:43,320 # Girls, girls 947 00:43:43,320 --> 00:43:45,960 # Here come the girls Girls 948 00:43:45,960 --> 00:43:48,320 # Girls Girls, girls. # 949 00:43:48,320 --> 00:43:49,960 When I found out I got the job in the Rovers, 950 00:43:49,960 --> 00:43:51,960 I was over the moon. 951 00:43:51,960 --> 00:43:53,960 The Rovers is like the heart of the street, 952 00:43:53,960 --> 00:43:56,960 so to be given the role as the barmaid 953 00:43:56,960 --> 00:43:58,960 is like a massive honour. 954 00:43:58,960 --> 00:43:59,960 What can I get you? 955 00:43:59,960 --> 00:44:01,960 Oh, I think I'll just have the usual, please. 956 00:44:01,960 --> 00:44:04,960 Sorry, I can't seem to remember what that is. 957 00:44:04,960 --> 00:44:06,960 Because you're too busy trying to remember 958 00:44:06,960 --> 00:44:08,960 what shade of orange to paint yourself. 959 00:44:08,960 --> 00:44:11,960 I was thrilled when I got to go behind the bar in the Rovers. 960 00:44:11,960 --> 00:44:13,160 Surprise! 961 00:44:13,160 --> 00:44:17,960 Kate Kelly, she played Becky so brilliantly. 962 00:44:17,960 --> 00:44:19,960 We have a wide selection of wines and spirits, 963 00:44:19,960 --> 00:44:21,960 and some of the finest ales in England. 964 00:44:21,960 --> 00:44:24,960 Can you stack them mixers for us, Raquel, love? 965 00:44:24,960 --> 00:44:26,960 # Here come the girls. # 966 00:44:28,960 --> 00:44:31,960 HE CHUCKLES It's so cruel, that, isn't it? 967 00:44:35,640 --> 00:44:40,320 SHE CHUCKLES Just an absolute top class comedian. 968 00:44:40,320 --> 00:44:41,960 Right, I want a pint of bitter, lager and lime 969 00:44:41,960 --> 00:44:43,960 and a large Scottish wine, please. 970 00:44:43,960 --> 00:44:44,960 Red or white? 971 00:44:44,960 --> 00:44:46,960 Eh? What? Come again, what? 972 00:44:46,960 --> 00:44:48,960 Scottish wine? Red or white? 973 00:44:48,960 --> 00:44:51,960 Whiskey. Scotch whiskey. 974 00:44:51,960 --> 00:44:53,960 She just has lived on in people's memories 975 00:44:53,960 --> 00:44:56,800 as a completely iconic character. 976 00:44:56,800 --> 00:45:00,000 'But without doubt, the Queen of Newton & Ridley 977 00:45:00,000 --> 00:45:03,960 'and a vision in bright blue eye shadow - one Bet Lynch.' 978 00:45:03,960 --> 00:45:05,960 MUSIC: 'I'm Coming Out' by Diana Ross 979 00:45:05,960 --> 00:45:08,960 # I want the world to know... # 980 00:45:08,960 --> 00:45:12,800 The massive hair and the huge earrings, leopard-print. 981 00:45:12,800 --> 00:45:14,960 'Julie did it amazingly.' 982 00:45:14,960 --> 00:45:16,960 Bet Lynch's place is stood behind a bar, 983 00:45:16,960 --> 00:45:18,960 wearing pair of daft earrings and very little else. 984 00:45:19,960 --> 00:45:21,960 I'm sorry I'm late, Mrs Walker. 985 00:45:21,960 --> 00:45:23,960 Good heavens! 986 00:45:23,960 --> 00:45:27,960 Give us a large Scotch. Say please, you can have in a glass. 987 00:45:27,960 --> 00:45:28,960 I'll give you a tip, love, 988 00:45:28,960 --> 00:45:30,800 cos it don't look like you'll give me one... 989 00:45:30,800 --> 00:45:32,960 'Bet rose through the ranks.' 990 00:45:32,960 --> 00:45:35,960 I still can't believe it, me, my own pub. 991 00:45:35,960 --> 00:45:37,960 I just know it's gonna change my life somehow. 992 00:45:37,960 --> 00:45:39,960 You'll be a very good landlady. 993 00:45:39,960 --> 00:45:41,960 'Once Bet was in charge, 994 00:45:41,960 --> 00:45:44,960 'there was no mistaking whose name was over the door...' 995 00:45:44,960 --> 00:45:48,960 There are three things off-limit in this pub. 996 00:45:48,960 --> 00:45:50,800 Religion... 997 00:45:50,800 --> 00:45:51,960 politics... 998 00:45:51,960 --> 00:45:54,960 and pinching somebody else's wife... 999 00:45:54,960 --> 00:45:55,960 ..or husband. 1000 00:45:55,960 --> 00:45:57,480 Get it? Get it? 1001 00:45:57,480 --> 00:45:58,960 Got it? Got it? 1002 00:45:58,960 --> 00:46:00,960 Good! Good. 1003 00:46:00,960 --> 00:46:02,960 Carry on supping. 1004 00:46:02,960 --> 00:46:03,960 ..'ably assisted by Betty...' 1005 00:46:03,960 --> 00:46:06,960 I mean, if you're not being talked about in this pub, love, 1006 00:46:06,960 --> 00:46:07,960 you're not worth serving. 1007 00:46:07,960 --> 00:46:09,320 '..and her famous hotpot.' 1008 00:46:09,320 --> 00:46:11,960 Betty, love, you give everybody what they want? I will. 1009 00:46:11,960 --> 00:46:12,960 Right, who's for hotpot? 1010 00:46:12,960 --> 00:46:13,960 There you go, my love. 1011 00:46:13,960 --> 00:46:15,480 One hotpot. 1012 00:46:15,480 --> 00:46:16,640 Cheers, Betty. 1013 00:46:20,800 --> 00:46:23,960 'Bet said goodbye to the Rovers in 1995.' 1014 00:46:23,960 --> 00:46:27,000 'In this pub, Vera, I'm cock of the walk.' 1015 00:46:27,000 --> 00:46:30,000 'She eventually left the show for good in 2003, 1016 00:46:30,000 --> 00:46:32,320 'but her legacy lives on. 1017 00:46:33,960 --> 00:46:36,960 'Over the decades, Coronation Street has built a reputation 1018 00:46:36,960 --> 00:46:39,000 'for tackling important and difficult issues.' 1019 00:46:39,000 --> 00:46:42,960 MUSIC: 'You Don't Own Me' by Lesley Gore 1020 00:46:42,960 --> 00:46:45,960 Oh, look, what do we have here? 1021 00:46:45,960 --> 00:46:48,960 Full of Yasmeen's stuff. 1022 00:46:48,960 --> 00:46:50,960 Planning on going somewhere, dear? 1023 00:46:50,960 --> 00:46:53,960 It's really hard to watch the scenes with Jeff sometimes. 1024 00:46:53,960 --> 00:46:57,960 You bitch! You stupid... SHE SCREAMS 1025 00:46:57,960 --> 00:46:59,960 # Don't tell me what to do... # 1026 00:46:59,960 --> 00:47:03,960 I had bin liners full of letters... 1027 00:47:03,960 --> 00:47:07,960 from ladies going through exactly the same thing. 1028 00:47:07,960 --> 00:47:09,960 Heartbreaking letters. 1029 00:47:09,960 --> 00:47:15,960 I have told you time and time again to have nothing more to do with her! 1030 00:47:15,960 --> 00:47:17,960 And I keep her out of... I've had enough! 1031 00:47:17,960 --> 00:47:20,960 I think domestic violence had been shown on telly, 1032 00:47:20,960 --> 00:47:24,160 but not the way round of the male being the victim. 1033 00:47:24,160 --> 00:47:26,160 You don't think I like being like this, do you? 1034 00:47:27,960 --> 00:47:29,960 The response was huge to that story 1035 00:47:29,960 --> 00:47:32,640 cos, you know, it was such a taboo subject. 1036 00:47:32,640 --> 00:47:36,320 MUSIC: 'Smalltown Boy' by Bronski Beat 1037 00:47:37,960 --> 00:47:41,640 The reason why Sarah Louise has put on some weight... 1038 00:47:42,960 --> 00:47:45,160 ..is because she's pregnant. 1039 00:47:46,960 --> 00:47:48,960 I tried to push him off, but I couldn't. 1040 00:47:48,960 --> 00:47:52,960 When I woke up, I knew what he'd done. 1041 00:47:52,960 --> 00:47:55,960 I've had a lifetime fighting... 1042 00:47:55,960 --> 00:47:57,960 Fighting people calling me names, 1043 00:47:57,960 --> 00:48:00,960 and I have heard every name 1044 00:48:00,960 --> 00:48:05,960 and every stupid comment you can think of. 1045 00:48:05,960 --> 00:48:08,160 It's really emotional. It's really emotional. 1046 00:48:08,160 --> 00:48:12,960 'It seems highly likely that Aidan's death was suicide.' 1047 00:48:12,960 --> 00:48:16,960 Coronation Street has to run a very sort of, like, 1048 00:48:16,960 --> 00:48:20,960 fine line between talking about things that are relevant... 1049 00:48:20,960 --> 00:48:21,960 No! 1050 00:48:21,960 --> 00:48:24,960 ..and still being entertainment, but do it really, really well.' 1051 00:48:24,960 --> 00:48:28,960 'In 2009, one storyline was to prove devastating 1052 00:48:28,960 --> 00:48:31,960 'on and off-screen for actress Sally Dynevor.' 1053 00:48:32,960 --> 00:48:34,960 Sal? 1054 00:48:35,960 --> 00:48:37,960 I can't... 1055 00:48:37,960 --> 00:48:39,160 MUSIC: 'All Of Me' by John Legend 1056 00:48:41,160 --> 00:48:42,960 SHE EXHALES DEEPLY 1057 00:48:42,960 --> 00:48:46,000 I've got cancer. 1058 00:48:47,960 --> 00:48:50,960 Oh, it's quite hard to watch, this. 1059 00:48:50,960 --> 00:48:53,000 I hated that storyline. 1060 00:48:53,000 --> 00:48:55,960 I really, really didn't like it. 1061 00:48:55,960 --> 00:48:58,960 'In a shocking case of life imitating art, 1062 00:48:58,960 --> 00:49:02,960 'Sally Dynevor was herself diagnosed with breast cancer. 1063 00:49:02,960 --> 00:49:06,960 She pulled me to one side after doing all these... 1064 00:49:06,960 --> 00:49:09,960 emotional scenes and then says she's... 1065 00:49:09,960 --> 00:49:12,640 she's got cancer in real life. 1066 00:49:12,640 --> 00:49:15,960 Sal was, and is, like I say, a massive part of my life. 1067 00:49:15,960 --> 00:49:18,640 She's a real mother figure to me. 1068 00:49:18,640 --> 00:49:20,960 And to sit and watch her have to play something 1069 00:49:20,960 --> 00:49:23,960 that you know deep down she's going through... 1070 00:49:23,960 --> 00:49:25,960 it was awful. 1071 00:49:25,960 --> 00:49:28,000 I was shaking, I... 1072 00:49:28,000 --> 00:49:32,960 I just couldn't believe that this had happened. 1073 00:49:32,960 --> 00:49:36,320 Surely that's Sally Webster, not Sally Dynevor. 1074 00:49:36,320 --> 00:49:40,480 'Sally went on to make a full recovery on and off-screen.' 1075 00:49:40,480 --> 00:49:41,960 Another year cancer-free. 1076 00:49:41,960 --> 00:49:44,960 Oh, Sally, that's fantastic. 1077 00:49:44,960 --> 00:49:47,960 'Now, I'm getting women who are saying, "I'm going through 1078 00:49:47,960 --> 00:49:51,320 "what you went through but just knowing that you're here 1079 00:49:51,320 --> 00:49:54,960 "and it's 11 years later, just gives me so much hope." 1080 00:49:54,960 --> 00:49:56,960 Oh, gosh, I'm gonna get really emotional. 1081 00:49:58,960 --> 00:50:02,960 'In 2010, a sensational tram crash and a special live episode 1082 00:50:02,960 --> 00:50:05,960 'marked Coronation Street's 50th anniversary.' 1083 00:50:05,960 --> 00:50:07,960 Ah! 1084 00:50:08,960 --> 00:50:11,000 This was so nerve-wracking 1085 00:50:11,000 --> 00:50:14,800 and yet so exciting at the same time. 1086 00:50:14,800 --> 00:50:15,960 SHE SCREAMS 1087 00:50:15,960 --> 00:50:16,960 Fiz, wait! John! 1088 00:50:17,960 --> 00:50:20,480 'Cast and crew pulled out all the stops 1089 00:50:20,480 --> 00:50:22,960 'for the scenes that created carnage on the street.' 1090 00:50:22,960 --> 00:50:24,960 OK, we're all right. 1091 00:50:26,160 --> 00:50:27,960 Wait! TRAM HORN BLARES 1092 00:50:27,960 --> 00:50:28,960 Get back! 1093 00:50:28,960 --> 00:50:31,960 There was a feeling that this is a great moment. 1094 00:50:32,960 --> 00:50:34,960 Oh, gives you chills. I remember watching this. 1095 00:50:38,960 --> 00:50:40,960 The tram was spectacular... 1096 00:50:40,960 --> 00:50:43,960 That really took some topping. 1097 00:50:46,960 --> 00:50:51,960 Doing these things live adds a kind of degree of horror 1098 00:50:51,960 --> 00:50:53,960 for producers, but also excitement. 1099 00:50:58,960 --> 00:51:02,960 It's been the biggest thing Coronation Street's ever done, 1100 00:51:02,960 --> 00:51:06,800 and that was a great team effort, and it was an exciting time. 1101 00:51:06,800 --> 00:51:07,960 Look! 1102 00:51:07,960 --> 00:51:11,320 'The crash was the end for Corrie's Molly Dobbs...' 1103 00:51:11,320 --> 00:51:12,960 SHE SIGHS 1104 00:51:12,960 --> 00:51:13,960 '..and Ashley Peacock.' 1105 00:51:13,960 --> 00:51:15,960 There's been an explosion! 1106 00:51:15,960 --> 00:51:17,960 Coronation Street! 1107 00:51:17,960 --> 00:51:19,960 I knew that there was going to be a tram crash, 1108 00:51:19,960 --> 00:51:22,960 but I didn't know that it was an homage 1109 00:51:22,960 --> 00:51:24,960 to the original train crash. 1110 00:51:24,960 --> 00:51:28,960 'In 1967, the team had created a similarly spectacular crash.' 1111 00:51:28,960 --> 00:51:30,960 There's a train through the fire door! 1112 00:51:30,960 --> 00:51:33,960 'In a chilling homage to its predecessor...' 1113 00:51:33,960 --> 00:51:34,960 Somebody! 999! 1114 00:51:34,960 --> 00:51:39,160 '..this tram crash brought the decade to a close.' 1115 00:51:39,160 --> 00:51:41,960 SCREAMING 1116 00:51:46,960 --> 00:51:48,960 Those were very exciting times, 1117 00:51:48,960 --> 00:51:53,960 and beautifully written, and I think acted by everybody. 1118 00:51:53,960 --> 00:51:56,960 What is it with me and trams? 1119 00:52:00,960 --> 00:52:01,960 'Still to come... 1120 00:52:01,960 --> 00:52:03,960 'indecent proposals...' 1121 00:52:03,960 --> 00:52:05,960 RAPS: So won't the real Slim Shady... 1122 00:52:05,960 --> 00:52:07,960 Please stand up, please stand up. 1123 00:52:07,960 --> 00:52:09,320 I'd like to offer you... Whoa! 1124 00:52:09,320 --> 00:52:10,960 SIMON GIGGLES 1125 00:52:10,960 --> 00:52:13,960 Oh! Didn't know you could ride horses. 1126 00:52:13,960 --> 00:52:15,960 I couldn't! That was the point! 1127 00:52:28,960 --> 00:52:34,000 'Welcome back to Coronation Street: 60 Unforgettable Years.' 1128 00:52:34,000 --> 00:52:35,960 It's not good news, Hayley. 1129 00:52:35,960 --> 00:52:40,960 It appears you're suffering from a particularly aggressive cancer. 1130 00:52:40,960 --> 00:52:44,800 I'm going to end my life when I choose. 1131 00:52:44,800 --> 00:52:45,960 Oh, I can't... 1132 00:52:45,960 --> 00:52:48,480 I can't watch it. 1133 00:52:48,480 --> 00:52:50,960 I'm so sorry I have to go. 1134 00:52:50,960 --> 00:52:52,960 No, I... I just wish... 1135 00:52:52,960 --> 00:52:54,960 I know, I know you do. 1136 00:52:54,960 --> 00:52:57,960 I always feel really embarrassed, because I feel I'm like going, 1137 00:52:57,960 --> 00:52:59,960 "Oh, I'm crying because it's such good acting," 1138 00:52:59,960 --> 00:53:02,160 but it's not that! It's just everything that it represents. 1139 00:53:02,160 --> 00:53:03,800 I love you! 1140 00:53:03,800 --> 00:53:05,960 MUSIC: 'Let Her Go' by Passenger 1141 00:53:05,960 --> 00:53:07,960 Oh, David. 1142 00:53:07,960 --> 00:53:10,480 # Only hate the road When you're missing home... # 1143 00:53:10,480 --> 00:53:14,960 Saying goodbye to, you know, probably the most important 1144 00:53:14,960 --> 00:53:16,960 and wonderful working relationship of my life. 1145 00:53:16,960 --> 00:53:19,480 # When it's burning low 1146 00:53:19,480 --> 00:53:22,960 # Only miss the sun When it starts to snow 1147 00:53:22,960 --> 00:53:26,000 # Only know your lover when you let her go... # 1148 00:53:27,960 --> 00:53:32,960 'During its 60 years, there have been 57 births, 196 deaths...' 1149 00:53:32,960 --> 00:53:35,960 SHE SCREAMS '..and 132 weddings.. 1150 00:53:37,960 --> 00:53:41,320 'There's nothing quite like a Weatherfield wedding.' 1151 00:53:41,320 --> 00:53:42,960 You can't beat a nice church wedding. 1152 00:53:42,960 --> 00:53:44,960 'The first was in 1961, 1153 00:53:44,960 --> 00:53:48,960 'when Jack and Annie Walker's daughter married Gordon Davies.' 1154 00:53:48,960 --> 00:53:51,960 WOMEN: Oh, isn't she lovely? 1155 00:53:51,960 --> 00:53:54,960 'Since then, there have been more than 100 couples from the cobbles 1156 00:53:54,960 --> 00:53:57,960 'who stepped up to the altar to say...' 1157 00:53:57,960 --> 00:53:59,960 I do. 1158 00:53:59,960 --> 00:54:00,960 '..and then very soon after...' 1159 00:54:00,960 --> 00:54:02,960 You don't have to go through with this. 1160 00:54:02,960 --> 00:54:04,480 SCREAMING 1161 00:54:04,480 --> 00:54:06,960 ' "I most definitely don't." ' 1162 00:54:06,960 --> 00:54:10,000 I don't want to get married and stay married happily, 1163 00:54:10,000 --> 00:54:12,800 there's no fun in that. SHE CHUCKLES 1164 00:54:12,800 --> 00:54:15,960 If you're in a soap, you're gonna end up marrying at least two people. 1165 00:54:15,960 --> 00:54:20,960 My mate, Chris Gascoigne, Peter, I mean, he's had... 1166 00:54:20,960 --> 00:54:23,480 he has had the absolute bevy of maidens on... 1167 00:54:23,480 --> 00:54:25,960 'The best of the crop. Like that, and I'm like...' 1168 00:54:25,960 --> 00:54:27,960 I said, "No wonder you don't leave." 1169 00:54:27,960 --> 00:54:30,480 HE CACKLES 1170 00:54:30,480 --> 00:54:33,960 I said I know what you're onto, your motive is on this show. 1171 00:54:33,960 --> 00:54:35,960 HE CHUCKLES 'I've had five...' 1172 00:54:35,960 --> 00:54:38,960 Is it five? It is five. 1173 00:54:38,960 --> 00:54:42,960 'And I married one of them twice. Wonderful husbands!' 1174 00:54:42,960 --> 00:54:44,960 Who could wish for more? Erm... 1175 00:54:44,960 --> 00:54:46,160 'I've loved them all.' 1176 00:54:46,160 --> 00:54:48,960 'But the undisputed marriage maestro - 1177 00:54:48,960 --> 00:54:50,960 'step forward, one Steve McDonald. 1178 00:54:50,960 --> 00:54:54,960 'With a record-breaking seven marriages under his belt, 1179 00:54:54,960 --> 00:54:58,480 'more than any other character in soap history, 1180 00:54:58,480 --> 00:54:59,960 'he must be thrilled.' 1181 00:54:59,960 --> 00:55:02,960 MUSIC: 'Smooth Operator' by Sade 1182 00:55:02,960 --> 00:55:05,960 Filming a wedding is the most awful thing in the world. 1183 00:55:05,960 --> 00:55:10,960 Erm... It's long, it's boring, mainly it's cold 1184 00:55:10,960 --> 00:55:14,960 cos they love to get married in winter in a sandstone church 1185 00:55:14,960 --> 00:55:16,960 that's basically a giant fridge. 1186 00:55:16,960 --> 00:55:19,960 HE BLOWS HIS NOSE Just cos I look like Henry VIII, 1187 00:55:19,960 --> 00:55:21,960 doesn't mean I need the same amount of wives. 1188 00:55:21,960 --> 00:55:25,960 'He always had a lovely suit, didn't he, Steve?' 1189 00:55:25,960 --> 00:55:26,960 For the wedding. 1190 00:55:26,960 --> 00:55:30,960 I mean, what bin did they find them suits? 1191 00:55:30,960 --> 00:55:31,960 What's that about? 1192 00:55:31,960 --> 00:55:34,480 Oh, it's only Si, just, you know, we don't even need the budget, 1193 00:55:34,480 --> 00:55:35,800 just grab that. 1194 00:55:35,800 --> 00:55:36,960 HE CHUCKLES 1195 00:55:36,960 --> 00:55:38,960 SING-SONG: We're getting married! 1196 00:55:38,960 --> 00:55:41,960 'Steve McDonald has tied the knot with Vicky Arden...' 1197 00:55:41,960 --> 00:55:43,160 SQUEALS '..Karen Phillips...' 1198 00:55:43,160 --> 00:55:44,960 Mrs McDonald... 1199 00:55:44,960 --> 00:55:46,000 welcome home. 1200 00:55:46,000 --> 00:55:48,320 '..Becky Granger...' Are you hammered? 1201 00:55:48,320 --> 00:55:50,160 Celebrating! 1202 00:55:50,160 --> 00:55:52,960 '..Michelle Connor...' CHEERING AND APPLAUSE 1203 00:55:52,960 --> 00:55:56,640 '..and of course the girl of his dreams and nightmares - 1204 00:55:56,640 --> 00:55:57,960 'Tracy Barlow - 1205 00:55:57,960 --> 00:56:00,960 'who was so good, he married her twice.' 1206 00:56:00,960 --> 00:56:03,960 After everything that's happened and everything he's been through, 1207 00:56:03,960 --> 00:56:06,960 you know, strangely enough, it turns out that Tracy's the right one. 1208 00:56:06,960 --> 00:56:09,960 She'd already lost the baby, Steve, check the dates. 1209 00:56:09,960 --> 00:56:12,640 Your shiny new wife's a filthy liar. 1210 00:56:12,640 --> 00:56:14,960 She's evil, she's horrible... 1211 00:56:14,960 --> 00:56:16,960 She keeps him on his toes, and, you know, 1212 00:56:16,960 --> 00:56:19,960 he's slightly frightened of her, so that whole thing... 1213 00:56:19,960 --> 00:56:22,960 It sounds like my real marriage! BOTH LAUGH 1214 00:56:22,960 --> 00:56:24,960 CAMERA SHUTTER SNAPS 1215 00:56:24,960 --> 00:56:26,960 CHEERING AND APPLAUSE 1216 00:56:26,960 --> 00:56:27,960 And I thought I'd had the most. 1217 00:56:27,960 --> 00:56:30,160 Well, in that case, I've room for two more. 1218 00:56:30,160 --> 00:56:31,960 SHE CHUCKLES 1219 00:56:33,160 --> 00:56:36,160 'However, one hopelessly romantic resident 1220 00:56:36,160 --> 00:56:40,160 'loved falling in love so much, he made a habit of proposing.' 1221 00:56:40,160 --> 00:56:42,960 I know folk joke about me processing. 1222 00:56:42,960 --> 00:56:47,320 They say I'd propose to a mop if you'd put it in a nice frock. 1223 00:56:47,320 --> 00:56:49,320 Will you... 1224 00:56:49,320 --> 00:56:50,960 marry... 1225 00:56:50,960 --> 00:56:51,960 me? 1226 00:56:52,960 --> 00:56:56,960 But it's-it's not that I propose a lot... 1227 00:56:56,960 --> 00:56:57,960 I want to marry you. 1228 00:56:57,960 --> 00:57:00,320 Oh, Fred, you don't! 1229 00:57:00,320 --> 00:57:02,480 SHE SCOFFS Fred... 1230 00:57:02,480 --> 00:57:04,800 I'd make you so happy, I swear I would. 1231 00:57:04,800 --> 00:57:06,480 I just get turned down a lot. 1232 00:57:06,480 --> 00:57:07,960 I'll not give up. 1233 00:57:07,960 --> 00:57:09,960 Not in my nature. 1234 00:57:09,960 --> 00:57:12,960 'And when I fall, I fall hard and fast.' 1235 00:57:12,960 --> 00:57:13,960 I love you! 1236 00:57:13,960 --> 00:57:16,960 I want to spend the rest of me life with you. 1237 00:57:16,960 --> 00:57:18,960 I fall in love too easily. 1238 00:57:18,960 --> 00:57:20,960 Marry you? 1239 00:57:20,960 --> 00:57:22,640 MUSIC: 'Ain't No Mountain High Enough' 1240 00:57:22,640 --> 00:57:24,000 by Marvin Gaye & Tammi Terrell 1241 00:57:24,000 --> 00:57:26,960 Oh, my goodness! 1242 00:57:26,960 --> 00:57:30,960 # Ain't no valley low enough... # 1243 00:57:30,960 --> 00:57:33,960 When I ask a woman to marry me, I mean it. 1244 00:57:33,960 --> 00:57:37,800 Of course I will. Now come on, Fred, get up. Ah! 1245 00:57:37,800 --> 00:57:38,960 I mean it with all my heart. 1246 00:57:38,960 --> 00:57:41,960 'Fred wasn't the only one on the street 1247 00:57:41,960 --> 00:57:44,960 'who knew how to make a grand, romantic gesture.' 1248 00:57:44,960 --> 00:57:46,960 RAPS: # I'm Slim Shady, Yes, I'm the real Shady, 1249 00:57:46,960 --> 00:57:48,960 # All you other Slim Shadies Are just imitating 1250 00:57:48,960 --> 00:57:50,960 # So won't the real Slim Shady... 1251 00:57:50,960 --> 00:57:53,960 # Please stand up, please stand up Please stand up. # 1252 00:57:53,960 --> 00:57:56,480 Is Fiz on her way? Fiz! 1253 00:57:56,480 --> 00:57:57,960 There's someone to see you... Fiz! 1254 00:57:57,960 --> 00:57:59,960 I'd like to offer you... Whoa! 1255 00:57:59,960 --> 00:58:01,960 HE GIGGLES Will you marry me? 1256 00:58:01,960 --> 00:58:04,960 I didn't know you could ride horses. I couldn't! 1257 00:58:04,960 --> 00:58:06,960 BOTH LAUGH That was the point! 1258 00:58:06,960 --> 00:58:08,000 'No celebration is complete 1259 00:58:08,000 --> 00:58:11,960 without another of the street's most-loved couples... 1260 00:58:11,960 --> 00:58:14,640 'on and off-screen.' 1261 00:58:14,640 --> 00:58:16,960 For me, Jack and Vera were everything 1262 00:58:16,960 --> 00:58:18,960 that the street was about. 1263 00:58:21,960 --> 00:58:26,160 'Jack and Vera Duckworth, true soap royalty.' 1264 00:58:26,160 --> 00:58:29,000 Give over! Vera, folk might be watching. 1265 00:58:29,000 --> 00:58:32,960 'They first appeared together back in 1979.' 1266 00:58:32,960 --> 00:58:34,960 Hey, you haven't met my husband, have you? Jack. 1267 00:58:34,960 --> 00:58:36,960 'And their unique brand of romance...' 1268 00:58:36,960 --> 00:58:37,960 A breadboard? 1269 00:58:37,960 --> 00:58:40,800 A flaming breadboard for me Christmas present? 1270 00:58:40,800 --> 00:58:41,960 Yeah, the old one looked knackered. 1271 00:58:41,960 --> 00:58:44,480 It's not the only thing that looks knackered around here. 1272 00:58:44,480 --> 00:58:47,960 '..soon made them the nation's favourite couple.' 1273 00:58:47,960 --> 00:58:49,960 Will you stop it?! 1274 00:58:49,960 --> 00:58:51,960 They're just trying to be thoughtful, that's all. 1275 00:58:51,960 --> 00:58:53,960 Must've a couple of months to live. 1276 00:58:53,960 --> 00:58:55,960 God forgive you. 1277 00:58:55,960 --> 00:58:58,000 When I was growing up, before I was on Coronation Street, 1278 00:58:58,000 --> 00:59:00,000 Bill and Liz who played Jack and Vera, was... 1279 00:59:00,000 --> 00:59:02,480 they was Mr and Mrs Coronation Street to me. 1280 00:59:02,480 --> 00:59:05,960 Yeah, well, you want to be careful, cos you've only got me left. 1281 00:59:05,960 --> 00:59:07,960 Don't I know I've only got you left. 1282 00:59:07,960 --> 00:59:12,960 You totally, utterly believed those characters existed in real life. 1283 00:59:12,960 --> 00:59:13,960 You believed them. 1284 00:59:13,960 --> 00:59:16,960 You believed they were somebody's next-door neighbour. 1285 00:59:16,960 --> 00:59:18,800 It's only a joke, innit? 1286 00:59:18,800 --> 00:59:20,960 You'll laugh out of the side of your face next time you come out 1287 00:59:20,960 --> 00:59:22,960 with summat like that, I'm warning you. 1288 00:59:22,960 --> 00:59:24,960 I always loved the Jack and Vera dynamic. 1289 00:59:24,960 --> 00:59:26,960 Jack! Oh! 1290 00:59:26,960 --> 00:59:28,960 That love-hate thing. 1291 00:59:28,960 --> 00:59:30,960 Constantly cracking him round the head. 1292 00:59:30,960 --> 00:59:33,960 Get out! Jack! 1293 00:59:33,960 --> 00:59:35,960 You have done it again, haven't you? 1294 00:59:35,960 --> 00:59:38,480 She'd always have him back. There was never... 1295 00:59:38,480 --> 00:59:39,960 Divorce was never an option. 1296 00:59:39,960 --> 00:59:41,640 Oi, you! 1297 00:59:41,640 --> 00:59:43,960 The name's not "Oi, you", it's Tyrone. 1298 00:59:43,960 --> 00:59:45,480 I was a young 16-year-old kid, 1299 00:59:45,480 --> 00:59:47,960 and I'd just joined the biggest show on UK television. 1300 00:59:47,960 --> 00:59:50,800 And I kind of needed somebody like Bill and Liz, 1301 00:59:50,800 --> 00:59:53,640 and the advice that they gave me in very different ways, you know, 1302 00:59:53,640 --> 00:59:56,960 Liz would often sit with me and have a chat, and he did that. 1303 00:59:56,960 --> 00:59:58,960 I don't want to be like my mum and dad. 1304 00:59:58,960 --> 01:00:01,960 I'd prefer to be like you and Jack. 1305 01:00:01,960 --> 01:00:03,960 Oh, Tyrone. 1306 01:00:03,960 --> 01:00:06,960 Vera was a strong woman, and Jack... 1307 01:00:06,960 --> 01:00:11,000 was this henpecked husband, but he desperately loved Vera. 1308 01:00:11,000 --> 01:00:12,960 I love you, Jack. 1309 01:00:12,960 --> 01:00:14,960 I know. 1310 01:00:16,800 --> 01:00:17,960 And you know too, don't you? 1311 01:00:17,960 --> 01:00:19,960 I do. 1312 01:00:19,960 --> 01:00:21,960 'After 50 years of marriage, 1313 01:00:21,960 --> 01:00:24,960 'Jack said a heartbreaking farewell to his darling Vera.' 1314 01:00:26,960 --> 01:00:29,000 No, you haven't, you haven't left. You haven't. 1315 01:00:29,000 --> 01:00:31,960 Jack wouldn't be without his soulmate for too long. 1316 01:00:34,960 --> 01:00:37,960 One of my favourite episodes ever 1317 01:00:37,960 --> 01:00:39,960 was when Vera's ghost came back for him. 1318 01:00:41,160 --> 01:00:44,960 'Two years later, Vera returned as a ghost 1319 01:00:44,960 --> 01:00:48,480 'to be reunited with Jack in a scene that broke the nation's heart.' 1320 01:00:48,480 --> 01:00:49,960 While the music's playing. 1321 01:00:49,960 --> 01:00:51,960 What are you one about? Come here. 1322 01:00:51,960 --> 01:00:52,960 Oh... 1323 01:00:52,960 --> 01:00:56,000 MUSIC PLAYING: 'Softly As I Leave You' by Matt Monro 1324 01:00:56,000 --> 01:00:57,960 Oh... 1325 01:00:57,960 --> 01:00:59,960 When did you go soft? 1326 01:00:59,960 --> 01:01:02,800 I'll give you three guesses. 1327 01:01:02,800 --> 01:01:04,960 Oh... 1328 01:01:05,960 --> 01:01:06,960 SHE SNIFFS 1329 01:01:06,960 --> 01:01:09,000 # So softly... 1330 01:01:09,000 --> 01:01:11,960 Personally, knowing that Bill's health wasn't great, 1331 01:01:11,960 --> 01:01:13,960 that was one of the hardest days I've ever had to film. 1332 01:01:17,960 --> 01:01:19,960 # As I leave you there... 1333 01:01:19,960 --> 01:01:22,160 It was like part of your family dying, you know? 1334 01:01:23,960 --> 01:01:28,960 What more could you wish for in two characters than... 1335 01:01:28,960 --> 01:01:29,960 Jack and Vera? 1336 01:01:34,640 --> 01:01:37,960 MUSIC: 'Hometown Glory' by Adele 1337 01:01:39,640 --> 01:01:42,960 'It's been a truly unforgettable 60 years of Coronation Street.' 1338 01:01:42,960 --> 01:01:49,960 # Round my hometown Ooh, the people I've met 1339 01:01:49,960 --> 01:01:57,960 # Are the wonders of my world 1340 01:01:57,960 --> 01:02:01,960 # Are the wonders of this world 1341 01:02:01,960 --> 01:02:04,960 # Are the wonders now... # 1342 01:02:04,960 --> 01:02:06,960 'For those who've walk the cobbles, 1343 01:02:06,960 --> 01:02:10,960 'it will always hold a place in their hearts.' 1344 01:02:10,960 --> 01:02:14,640 Somebody said to Tony Warren once, "Where is Coronation Street?" 1345 01:02:14,640 --> 01:02:17,960 And he said, "Wherever you want it to be in your heart." 1346 01:02:17,960 --> 01:02:21,960 This show has my heart. I love it so much. 1347 01:02:21,960 --> 01:02:23,800 A privilege to be a part of it. 1348 01:02:23,800 --> 01:02:24,960 I love it. 1349 01:02:24,960 --> 01:02:27,960 I'm never going to forget Coronation Street. 1350 01:02:27,960 --> 01:02:28,960 It's been my life. 1351 01:02:28,960 --> 01:02:30,960 I'll miss you. And I miss you too. 1352 01:02:30,960 --> 01:02:35,960 It's been everything that an actress could ask for. 1353 01:02:35,960 --> 01:02:39,960 In a word, Coronation Street is like home. 1354 01:02:39,960 --> 01:02:41,960 So long as the public are getting what they want, 1355 01:02:41,960 --> 01:02:43,960 Coronation Street will outlast us all. 1356 01:02:43,960 --> 01:02:46,960 I miss everything about Coronation Street. 1357 01:02:46,960 --> 01:02:48,960 I'd say mainly the people. 1358 01:02:48,960 --> 01:02:53,960 I think Coronation Street will continue for another 60 years. 1359 01:02:53,960 --> 01:02:57,960 'And after six decades, is it time for Ken to put away the crossword?' 1360 01:02:57,960 --> 01:02:59,960 Don't even think about it. 1361 01:02:59,960 --> 01:03:03,960 I'd like to be the first centenarian to be working in a soap. 1362 01:03:03,960 --> 01:03:06,160 So why not? HE LAUGHS 1363 01:03:08,480 --> 01:03:10,960 Wow. Coronation Street means everything to me. 1364 01:03:10,960 --> 01:03:11,960 Everything. 1365 01:03:11,960 --> 01:03:14,960 Erm, it's... You know, I love it. 1366 01:03:14,960 --> 01:03:16,640 It saved my life. 1367 01:03:16,640 --> 01:03:18,960 Sorry, I'm going to start... 1368 01:03:22,960 --> 01:03:24,960 'Happy birthday, Corrie. 1369 01:03:24,960 --> 01:03:27,000 'Here's to the next 60.' 1370 01:03:27,000 --> 01:03:28,960 Happy birthday... 1371 01:03:28,960 --> 01:03:29,960 # To you. # 1372 01:03:29,960 --> 01:03:31,960 APPLAUSE 1373 01:03:31,960 --> 01:03:33,960 Was that all right? 1374 01:03:33,960 --> 01:03:35,960 That was amazing. All right. 1375 01:03:36,960 --> 01:03:38,960 Oh... Thank you. 1376 01:03:38,960 --> 01:03:40,960 Oh, that was so good. 1377 01:03:40,960 --> 01:03:42,960 I'm glad I'm in it. Thanks for having me on it. 1378 01:03:42,960 --> 01:03:45,960 I hope I wasn't gushing. I do gush. 1379 01:03:45,960 --> 01:03:48,960 And I'll see you on the 70th. 1380 01:03:48,960 --> 01:03:49,960 SHE CACKLES 1381 01:03:49,960 --> 01:03:50,960 Thank you, Simon. 1382 01:03:50,960 --> 01:03:52,160 Cool. 1383 01:03:52,160 --> 01:03:53,960 SHE LAUGHS 1384 01:03:53,960 --> 01:03:55,960 Thank you very much. Thanks, everyone. 1385 01:03:55,960 --> 01:03:57,960 APPLAUSE Thank you very much. 1386 01:03:57,960 --> 01:03:58,960 I... Thank you. 1387 01:03:58,960 --> 01:04:01,640 Yeah, well done, everybody. Well done. 1388 01:04:01,640 --> 01:04:03,960 Subtitles by accessibility@itv.com 100919

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