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1
00:00:04,759 --> 00:00:07,759
[♪♪♪]
2
00:01:52,258 --> 00:01:54,133
[WIND WHISTLING]
3
00:01:54,217 --> 00:01:56,217
[SAMWELL SHIVERING]
4
00:01:58,966 --> 00:02:00,050
NORTHMAN 1:
Oi!
5
00:02:01,883 --> 00:02:02,925
NORTHMAN 2:
Mind out.
6
00:02:05,217 --> 00:02:06,217
Move!
7
00:02:09,759 --> 00:02:12,759
[♪♪♪]
8
00:02:15,800 --> 00:02:17,841
[MEN CHATTERING
INDISTINCTLY]
9
00:02:21,217 --> 00:02:23,717
NORTHMAN:
Look, on the west wall!
10
00:02:23,800 --> 00:02:25,717
SOLDIER:
Get down to the crypt!
11
00:02:25,800 --> 00:02:27,425
[BABY CRYING]
12
00:02:28,759 --> 00:02:29,966
SOLDIER:
Just hold.
13
00:02:31,050 --> 00:02:32,258
MAN:
We'll take him.
14
00:02:36,717 --> 00:02:38,966
- Come on, help the lads!
SOLDIER 1: Yes, my lady.
15
00:02:39,050 --> 00:02:42,217
LYANNA:
Quickly, now! Quickly!
Get those in position.
16
00:02:42,300 --> 00:02:45,383
SOLDIER 1: Come on.
SOLDIER 2: Close the gate!
17
00:02:45,467 --> 00:02:47,091
SOLDIER 3:
That's it.
18
00:02:47,175 --> 00:02:50,133
[♪♪♪]
19
00:03:03,008 --> 00:03:04,300
[GRUNTS]
20
00:03:35,550 --> 00:03:37,509
[WIND WHISTLING]
21
00:03:47,008 --> 00:03:48,091
[EXHALES HEAVILY]
22
00:04:08,759 --> 00:04:09,966
[GASPS SOFTLY]
23
00:04:10,050 --> 00:04:12,050
[DRAGON ROARING]
24
00:04:16,008 --> 00:04:18,050
[SOLDIERS SHOUTING
INDISTINCTLY]
25
00:04:43,217 --> 00:04:45,217
[HORSES SNORTING]
26
00:05:23,634 --> 00:05:24,634
[CLEARS THROAT]
27
00:05:26,300 --> 00:05:29,841
Oh, for fuck's sake.
You took your time.
28
00:05:31,175 --> 00:05:32,800
[HORSE NEIGHS]
29
00:05:38,550 --> 00:05:40,467
[SNORTING]
30
00:06:01,467 --> 00:06:03,383
[WIND WHISTLING]
31
00:06:14,091 --> 00:06:16,050
[DRAGONS GROWLING]
32
00:06:53,550 --> 00:06:56,550
[♪♪♪]
33
00:07:33,467 --> 00:07:35,425
Do you speak their tongue?
34
00:07:39,008 --> 00:07:41,425
Tell them to lift their swords.
35
00:07:46,091 --> 00:07:48,050
[WIND WHISTLING]
36
00:07:54,383 --> 00:07:56,342
[SPEAKS IN DOTHRAKI]
37
00:07:57,841 --> 00:07:59,800
[WEAPONS CLINKING]
38
00:08:14,050 --> 00:08:17,008
[♪♪♪]
39
00:08:18,175 --> 00:08:20,175
[SPEAKING IN HIGH VALYRIAN]
40
00:08:35,800 --> 00:08:37,717
[SOLDIERS EXCLAIMING]
41
00:08:37,800 --> 00:08:40,800
[♪♪♪]
42
00:09:19,300 --> 00:09:21,717
[♪♪♪]
43
00:09:25,133 --> 00:09:26,759
Valar morghulis.
44
00:09:26,841 --> 00:09:28,759
Valar dohaeris.
45
00:09:43,550 --> 00:09:44,675
Open the gate!
46
00:09:44,759 --> 00:09:46,175
SOLDIER 1:
Open the gate!
47
00:09:46,258 --> 00:09:48,258
SOLDIER 2:
Open the gate!
48
00:10:03,258 --> 00:10:05,050
MAN 1:
Come. Come on.
49
00:10:06,425 --> 00:10:07,425
Easy.
50
00:10:10,966 --> 00:10:13,925
[♪♪♪]
51
00:10:34,008 --> 00:10:36,800
There's no need to execute me,
Ser Davos.
52
00:10:36,883 --> 00:10:39,467
I'll be dead before the dawn.
53
00:10:41,634 --> 00:10:44,634
[♪♪♪]
54
00:10:59,966 --> 00:11:02,133
[SOLDIER SHOUTING
INDISTINCTLY]
55
00:11:03,133 --> 00:11:05,133
[DOTHRAKI ULULATING]
56
00:12:39,217 --> 00:12:42,592
SOLDIER [IN DOTHRAKI]:
57
00:12:51,383 --> 00:12:53,300
[WIND WHISTLING]
58
00:13:39,133 --> 00:13:41,133
[HOOFBEATS POUNDING]
59
00:13:44,091 --> 00:13:45,300
[NEIGHS HOARSELY]
60
00:13:48,550 --> 00:13:51,509
[♪♪♪]
61
00:13:52,800 --> 00:13:54,800
[HORSES NEIGHING]
62
00:14:20,050 --> 00:14:21,342
[GASPS]
63
00:14:22,675 --> 00:14:24,550
The Night King is coming.
64
00:14:26,300 --> 00:14:28,300
The dead are already here.
65
00:14:31,717 --> 00:14:34,050
[DRAGON ROARS]
66
00:14:57,883 --> 00:15:00,883
[♪♪♪]
67
00:15:05,258 --> 00:15:07,217
[WIND WHISTLING]
68
00:15:24,592 --> 00:15:26,300
[GREY WORM SPEAKS
IN VALYRIAN]
69
00:15:26,383 --> 00:15:27,550
[UNSULLIED GRUNT]
70
00:15:32,925 --> 00:15:34,925
[SOLDIERS GRUNTING]
71
00:15:38,509 --> 00:15:40,467
[WIGHTS SNARLING]
72
00:15:48,467 --> 00:15:50,091
[YELLS]
73
00:15:52,966 --> 00:15:54,634
Stand your ground!
74
00:15:54,717 --> 00:15:56,717
[SOLDIERS CLAMORING]
75
00:16:08,509 --> 00:16:09,509
[SCREAMS]
76
00:16:09,592 --> 00:16:10,634
[GRUNTS]
77
00:16:12,217 --> 00:16:13,800
[SCREAMS]
78
00:16:14,800 --> 00:16:17,800
[♪♪♪]
79
00:17:14,175 --> 00:17:16,133
[WIND WHISTLING]
80
00:17:39,634 --> 00:17:42,383
[♪♪♪]
81
00:17:44,008 --> 00:17:45,759
ARYA:
Get down to the crypt.
82
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SANSA:
I'm not abandoning my people.
83
00:17:49,050 --> 00:17:50,550
ARYA:
Take this and go.
84
00:17:54,091 --> 00:17:55,717
I don't know how to use it.
85
00:17:56,925 --> 00:17:58,717
Stick them with the pointy end.
86
00:18:05,300 --> 00:18:08,217
[♪♪♪]
87
00:18:08,300 --> 00:18:10,258
[SOLDIERS GRUNTING]
88
00:19:16,425 --> 00:19:18,133
[SOLDIER SHOUTS INDISTINCTLY]
89
00:19:25,425 --> 00:19:26,800
SAMWELL:
Edd!
90
00:19:27,966 --> 00:19:29,258
Edd!
91
00:19:30,425 --> 00:19:31,966
[WHIMPERING]
92
00:19:48,175 --> 00:19:49,467
EDD:
Sam, get up!
93
00:19:53,091 --> 00:19:54,342
[GASPING]
94
00:19:54,425 --> 00:19:56,675
Oh, God. Sam.
95
00:19:58,342 --> 00:19:59,966
[SNARLS]
96
00:20:00,841 --> 00:20:02,217
WOMAN [SCREAMS]:
Edd!
97
00:20:04,841 --> 00:20:07,175
[DOOR CLOSES: THEN LOCKS]
98
00:20:12,175 --> 00:20:14,217
[PEOPLE WHISPERING
INDISTINCTLY]
99
00:20:53,383 --> 00:20:55,383
[WIND WHISTLING]
100
00:21:03,467 --> 00:21:04,592
[JON GRUNTS]
101
00:21:16,342 --> 00:21:17,509
[DAENERYS GRUNTS]
102
00:21:17,592 --> 00:21:19,759
[JON GRUNTS]
103
00:21:37,759 --> 00:21:40,759
[♪♪♪]
104
00:21:43,800 --> 00:21:46,467
Fall back! Fall back!
105
00:21:48,759 --> 00:21:50,841
Fall back!
106
00:21:50,925 --> 00:21:52,008
SOLDIER:
Come on!
107
00:21:53,717 --> 00:21:54,675
Open the gate!
108
00:21:54,759 --> 00:21:56,675
SOLDIER 1:
Open the gate!
109
00:21:56,759 --> 00:21:57,966
SOLDIER 2:
Let us in!
110
00:22:00,175 --> 00:22:01,675
SOLDIER 1:
Open the gate!
111
00:22:01,759 --> 00:22:03,133
SOLDIER 3:
Open the gate!
112
00:22:05,966 --> 00:22:07,133
SOLDIER 4:
Keep moving!
113
00:22:10,925 --> 00:22:12,258
SOLDIER 5:
Come on!
114
00:22:15,467 --> 00:22:18,050
LYANNA: Keep moving, fast.
SOLDIER 5: To your posts.
115
00:22:18,133 --> 00:22:20,133
SOLDIER 6: Go!
SOLDIER 7: Keep moving!
116
00:22:21,966 --> 00:22:23,717
SOLDIER 1:
Come on, run!
117
00:22:23,800 --> 00:22:24,966
Keep moving!
118
00:22:31,592 --> 00:22:33,634
[IN VALYRIAN]
119
00:22:39,675 --> 00:22:40,883
[UNSULLIED GRUNT]
120
00:22:56,008 --> 00:22:58,008
[SOLDIERS CLAMORING]
121
00:23:16,091 --> 00:23:18,050
[♪♪♪]
122
00:23:20,342 --> 00:23:21,717
Dany!
123
00:23:34,175 --> 00:23:36,091
[WIND WHISTLING]
124
00:23:48,509 --> 00:23:50,425
SOLDIER 1:
Grab your weapon now!
125
00:23:50,509 --> 00:23:52,091
SOLDIER 2:
Guard the barricades!
126
00:23:52,175 --> 00:23:54,425
SOLDIER 3:
Through that pass!
127
00:23:54,509 --> 00:23:56,008
BRIENNE:
Hey! Hey! Hey!
128
00:23:56,091 --> 00:23:57,509
SOLDIER 4:
Close up the gaps!
129
00:23:57,592 --> 00:24:00,509
Go! Hey! Go! Go!
130
00:24:00,592 --> 00:24:02,509
Get in! Get in!
131
00:24:02,592 --> 00:24:04,258
Get in! Come on!
132
00:24:07,091 --> 00:24:08,675
[GREY WORM SHOUTING
INDISTINCTLY]
133
00:24:08,759 --> 00:24:09,966
[UNSULLIED GRUNTING]
134
00:24:25,217 --> 00:24:28,217
[♪♪♪]
135
00:24:39,050 --> 00:24:40,675
SOLDIER 1:
Move!
136
00:24:54,133 --> 00:24:56,091
[SNARLING]
137
00:25:05,800 --> 00:25:07,133
[SOLDIER WHIMPERING]
138
00:25:10,467 --> 00:25:14,008
SOLDIER 1 [IN VALYRIAN]:
139
00:25:14,091 --> 00:25:15,592
SOLDIER 2 [IN VALYRIAN]:
140
00:25:15,675 --> 00:25:17,717
SOLDIER 1 [IN ENGLISH]: Come on!
SOLDIER 2 [IN ENGLISH]: Come on!
141
00:25:17,800 --> 00:25:19,342
SOLDIER 1: Come on!
SOLDIER 3: Come on!
142
00:25:20,800 --> 00:25:22,133
LYANNA:
Protect the gate!
143
00:25:22,217 --> 00:25:24,258
SOLDIER 1:
Protect the gate!
144
00:25:24,342 --> 00:25:26,841
They're coming! Come on!
145
00:25:26,925 --> 00:25:28,509
Fall back!
146
00:25:34,467 --> 00:25:36,342
[PANTING]
147
00:25:48,425 --> 00:25:49,467
Light the trench!
148
00:25:50,258 --> 00:25:51,675
Light the trench!
149
00:25:52,966 --> 00:25:55,383
SOLDIER 2: Wait!
SOLDIER 3: Light the trench!
150
00:26:08,550 --> 00:26:09,383
[GRUNTS]
151
00:26:09,467 --> 00:26:12,425
[♪♪♪]
152
00:26:24,717 --> 00:26:25,925
She can't see us.
153
00:26:27,675 --> 00:26:28,717
Light the trenches!
154
00:26:43,217 --> 00:26:45,342
SOLDIER 1:
With a torch,
light the trenches!
155
00:26:45,425 --> 00:26:47,883
- Right there.
SOLDIER 2: Torch it!
156
00:26:49,509 --> 00:26:50,592
Light the trenches!
157
00:27:10,841 --> 00:27:12,425
[GRUNTING]
158
00:27:15,550 --> 00:27:17,550
[SNARLING]
159
00:27:17,634 --> 00:27:19,425
[SHOUTS INDISTINCTLY]
160
00:27:21,634 --> 00:27:23,634
[SHOUTING INDISTINCTLY]
161
00:27:29,258 --> 00:27:31,383
[UNSULLIED GRUNT]
162
00:27:31,467 --> 00:27:33,675
[MAN SHOUTING INDISTINCTLY]
163
00:27:42,925 --> 00:27:44,258
[SPEAKS IN VALYRIAN]
164
00:27:44,342 --> 00:27:45,425
[UNSULLIED GRUNT]
165
00:27:55,300 --> 00:27:57,300
[SPEAKING IN HIGH VALYRIAN]
166
00:28:42,008 --> 00:28:44,008
[♪♪♪]
167
00:29:13,759 --> 00:29:15,966
[SCREECHING]
168
00:29:16,050 --> 00:29:18,592
[SOLDIERS SHOUTING
INDISTINCTLY]
169
00:29:35,467 --> 00:29:36,425
Clegane.
170
00:29:38,759 --> 00:29:40,717
[BABY CRYING]
171
00:29:42,592 --> 00:29:45,592
WOMAN [SOFTLY]:
You must try
not to worry yourself.
172
00:29:57,592 --> 00:30:00,759
[SIGHS]
At least we're already
in a crypt.
173
00:30:05,467 --> 00:30:07,425
If we were up there,
174
00:30:07,509 --> 00:30:11,008
we might see something
everyone else is missing.
175
00:30:12,467 --> 00:30:14,091
Something that makes
a difference.
176
00:30:14,175 --> 00:30:16,883
- [SCOFFS]
- What?
177
00:30:16,966 --> 00:30:18,592
Remember the Battle
of Blackwater?
178
00:30:18,675 --> 00:30:20,008
I brought us
through the Mud Gate.
179
00:30:20,091 --> 00:30:21,509
And got your face cut in half.
180
00:30:21,592 --> 00:30:23,300
And it made a difference.
181
00:30:25,800 --> 00:30:27,383
If I was out there right now...
182
00:30:27,467 --> 00:30:28,841
You'd die.
183
00:30:31,175 --> 00:30:33,175
There's nothing you can do.
184
00:30:36,759 --> 00:30:39,050
You might be surprised
at the lengths I'd go
185
00:30:39,133 --> 00:30:41,550
to avoid joining
the Army of the Dead.
186
00:30:41,634 --> 00:30:44,841
I could think of no organization
less suited to my talents.
187
00:30:44,925 --> 00:30:47,342
Witty remarks
won't make a difference.
188
00:30:49,717 --> 00:30:52,883
That's why we're down here,
none of us can do anything.
189
00:30:54,717 --> 00:30:55,800
It's the truth.
190
00:30:57,050 --> 00:30:59,841
It's the most heroic thing
we can do now...
191
00:31:01,300 --> 00:31:03,342
look the truth in the face.
192
00:31:08,175 --> 00:31:10,592
Maybe we should have
stayed married.
193
00:31:10,675 --> 00:31:12,509
You were the best of them.
194
00:31:13,717 --> 00:31:15,883
What a terrifying thought.
195
00:31:22,841 --> 00:31:24,342
It wouldn't work between us.
196
00:31:25,675 --> 00:31:27,342
Why not?
197
00:31:27,425 --> 00:31:28,841
The Dragon Queen.
198
00:31:30,841 --> 00:31:34,217
Your divided loyalties
would become a problem.
199
00:31:35,217 --> 00:31:36,966
MISSANDEI:
Yes.
200
00:31:37,050 --> 00:31:39,883
Without the Dragon Queen,
there'd be no problem at all.
201
00:31:41,008 --> 00:31:42,592
We'd all be dead already.
202
00:31:51,759 --> 00:31:53,717
[WIND WHISTLING]
203
00:32:04,342 --> 00:32:06,217
They lit the trench.
204
00:32:19,925 --> 00:32:20,925
Bran...
205
00:32:26,342 --> 00:32:28,258
I just want you to know...
206
00:32:32,425 --> 00:32:33,383
I wish—
207
00:32:34,634 --> 00:32:35,966
The things I did—
208
00:32:36,050 --> 00:32:38,966
Everything you did
brought you where you are now.
209
00:32:41,258 --> 00:32:42,634
Where you belong.
210
00:32:44,759 --> 00:32:45,925
Home.
211
00:32:56,634 --> 00:32:58,800
I'm going to go now.
212
00:33:01,467 --> 00:33:02,467
Go where?
213
00:33:04,800 --> 00:33:07,800
[♪♪♪]
214
00:33:09,634 --> 00:33:11,634
[RAVENS CAWING]
215
00:33:33,425 --> 00:33:35,383
[♪♪♪]
216
00:34:33,717 --> 00:34:35,717
[♪♪♪]
217
00:34:51,217 --> 00:34:52,550
Man the walls!
218
00:34:53,592 --> 00:34:55,217
SOLDIER 1:
Man the walls!
219
00:35:03,425 --> 00:35:05,592
SOLDIER 2:
Man the wall!
220
00:35:05,675 --> 00:35:07,258
Man the walls!
221
00:35:09,091 --> 00:35:10,841
Come on!
222
00:35:10,925 --> 00:35:13,717
Get out there! Get moving!
223
00:35:13,800 --> 00:35:15,925
Come on. Come on! Come on!
224
00:35:19,383 --> 00:35:21,759
Go, go, go!
225
00:35:21,841 --> 00:35:23,300
BRIENNE:
Come on!
226
00:35:50,800 --> 00:35:53,133
[ROARS]
227
00:36:02,800 --> 00:36:04,675
SOLDIER 1:
They're against the wall!
228
00:36:08,800 --> 00:36:11,008
Get more men up here!
229
00:36:15,175 --> 00:36:17,258
- Fill the gaps, quickly!
- Get in there!
230
00:36:17,342 --> 00:36:18,883
SOLDIER 2:
They're climbing the walls!
231
00:36:18,966 --> 00:36:21,509
- Relieve the archers!
SOLDIER 2: Relieve the archers!
232
00:36:23,383 --> 00:36:24,759
Archers on top!
233
00:36:24,841 --> 00:36:27,592
SOLDIER 1: Move up!
SOLDIER 2: Go, go! Come here!
234
00:36:27,675 --> 00:36:29,217
- Come on!
SOLDIER 3: Move back!
235
00:36:29,300 --> 00:36:31,217
SOLDIER 4: Stand away!
SOLDIER 2: Go on, go on. Go! Go.
236
00:36:31,300 --> 00:36:33,634
SOLDIER 3: Step back.
SOLDIER 4: All the way, archers!
237
00:36:37,008 --> 00:36:38,383
[SPEAKS IN VALYRIAN]
238
00:36:43,800 --> 00:36:45,383
[SNARLING]
239
00:36:49,342 --> 00:36:50,592
SOLDIER 1:
Hold the wall!
240
00:36:50,675 --> 00:36:52,217
SOLDIER 2:
The wall, they're coming up!
241
00:36:52,300 --> 00:36:55,759
SOLDIER 3: Hold the wall!
SOLDIER 4: Hold the wall!
242
00:36:55,841 --> 00:36:57,008
Draw!
243
00:37:21,717 --> 00:37:22,883
Come on!
244
00:37:56,883 --> 00:37:59,883
[♪♪♪]
245
00:38:05,966 --> 00:38:07,050
[YELLS]
246
00:38:13,759 --> 00:38:15,091
SOLDIER:
They're coming up!
247
00:38:27,300 --> 00:38:28,467
Look out!
248
00:38:32,759 --> 00:38:34,133
[WHIMPERING]
249
00:39:28,175 --> 00:39:30,133
[SHUDDERING]
250
00:39:43,550 --> 00:39:45,841
[♪♪♪]
251
00:39:54,383 --> 00:39:55,550
[YELLS]
252
00:39:56,883 --> 00:39:58,883
[GRUNTING]
253
00:40:07,467 --> 00:40:08,592
Clegane!
254
00:40:10,050 --> 00:40:11,175
Clegane!
255
00:40:42,925 --> 00:40:44,300
[SCREAMS]
256
00:40:49,175 --> 00:40:50,258
[GRUNTS]
257
00:41:21,675 --> 00:41:23,592
BERIC:
Clegane!
258
00:41:23,675 --> 00:41:25,883
Clegane, we need you!
259
00:41:25,966 --> 00:41:27,217
You can't give up on us.
260
00:41:27,300 --> 00:41:29,509
Fuck off! We can't beat them.
261
00:41:29,592 --> 00:41:32,091
Don't you see that,
you stupid whore?
262
00:41:32,175 --> 00:41:33,883
We're fighting Death!
263
00:41:33,966 --> 00:41:35,300
They can't beat Death.
264
00:41:40,217 --> 00:41:41,467
Tell her that.
265
00:41:51,634 --> 00:41:53,217
[PANTING]
266
00:41:53,300 --> 00:41:54,841
[SCREAMING]
267
00:42:05,091 --> 00:42:07,008
[GASPING]
268
00:42:16,592 --> 00:42:17,883
[YELLS]
269
00:42:38,759 --> 00:42:40,925
[ROARS]
270
00:42:53,133 --> 00:42:56,091
[♪♪♪]
271
00:43:09,925 --> 00:43:12,883
[♪♪♪]
272
00:43:25,091 --> 00:43:27,258
[DAENERYS WHIMPERING]
273
00:43:40,759 --> 00:43:42,592
[GRUNTING]
274
00:43:44,467 --> 00:43:47,425
[♪♪♪]
275
00:44:44,258 --> 00:44:46,175
[PANTING]
276
00:44:47,175 --> 00:44:49,217
[FOOTSTEPS]
277
00:46:07,133 --> 00:46:10,091
[♪♪♪]
278
00:46:48,383 --> 00:46:50,342
[WIGHT CROAKS]
279
00:47:01,759 --> 00:47:03,342
[SNARLING]
280
00:47:19,509 --> 00:47:20,759
[GASPS SOFTLY]
281
00:47:32,383 --> 00:47:34,342
[WIND WHISTLING]
282
00:47:43,675 --> 00:47:45,675
[SNARLING IN DISTANCE]
283
00:47:47,258 --> 00:47:49,217
[BREATHING SHAKILY]
284
00:47:59,300 --> 00:48:01,217
[SNARLING]
285
00:48:04,008 --> 00:48:05,509
[PANTING]
286
00:48:33,634 --> 00:48:36,841
[WIGHTS SNARLING IN DISTANCE]
[MEN YELLING IN DISTANCE]
287
00:49:12,550 --> 00:49:14,008
[DOOR THUDS]
288
00:49:14,091 --> 00:49:15,883
[ALL GASPING]
289
00:49:15,966 --> 00:49:17,258
SOLDIER 1:
Open the door!
290
00:49:19,883 --> 00:49:21,217
SOLDIER 2:
Open the door!
291
00:49:21,300 --> 00:49:23,050
SOLDIER 3: Come on!
SOLDIER 4: Open the door!
292
00:49:23,133 --> 00:49:24,550
Open the door!
293
00:49:29,342 --> 00:49:31,175
Please!
294
00:49:31,258 --> 00:49:32,425
Open it!
295
00:49:32,509 --> 00:49:34,634
[SOLDIERS SCREAMING
INDISTINCTLY]
296
00:49:36,592 --> 00:49:38,592
[SCREAMING FADES]
297
00:49:47,342 --> 00:49:49,300
[WIND WHISTLING]
298
00:50:05,467 --> 00:50:07,425
[OBJECT CLATTERS
IN DISTANCE]
299
00:50:22,841 --> 00:50:24,509
- [OBJECT THUDS]
- [GASPS]
300
00:50:25,717 --> 00:50:27,800
[WIGHTS SNARLING
IN DISTANCE]
301
00:50:45,841 --> 00:50:47,800
[SCREAMING]
302
00:50:49,509 --> 00:50:51,175
Rah!
303
00:50:57,925 --> 00:50:59,008
Aah!
304
00:51:01,383 --> 00:51:03,342
[GRUNTING]
305
00:51:07,217 --> 00:51:09,800
Come on! Go!
306
00:51:09,883 --> 00:51:12,759
- Come on!
BERIC: Run!
307
00:51:38,966 --> 00:51:40,258
We've gotta go!
308
00:51:42,592 --> 00:51:45,592
[♪♪♪]
309
00:52:17,091 --> 00:52:19,091
[PANTING]
310
00:52:26,800 --> 00:52:28,300
[SPEAKS INDISTINCTLY]
311
00:52:41,675 --> 00:52:44,759
MELISANDRE:
The Lord brought him back
for a purpose.
312
00:52:49,133 --> 00:52:51,342
Now that purpose
has been served.
313
00:52:53,759 --> 00:52:56,717
[♪♪♪]
314
00:52:56,800 --> 00:52:57,800
I know you.
315
00:53:03,509 --> 00:53:04,675
And I know you.
316
00:53:12,467 --> 00:53:14,759
You said we'd meet again.
317
00:53:14,841 --> 00:53:16,050
And here we are.
318
00:53:17,091 --> 00:53:18,383
At the end of the world.
319
00:53:20,509 --> 00:53:22,467
You said I'd shut
many eyes forever.
320
00:53:24,133 --> 00:53:25,675
You were right about that too.
321
00:53:26,759 --> 00:53:28,592
Brown eyes...
322
00:53:28,675 --> 00:53:29,883
green eyes...
323
00:53:32,217 --> 00:53:33,550
and blue eyes.
324
00:53:39,175 --> 00:53:41,217
[WIGHTS SNARLING
AND THUDDING ON DOOR]
325
00:53:53,008 --> 00:53:55,717
What do we say
to the God of Death?
326
00:53:59,966 --> 00:54:01,050
Not today.
327
00:54:02,675 --> 00:54:05,675
[♪♪♪]
328
00:54:15,925 --> 00:54:17,883
[WIND WHISTLING]
329
00:54:19,175 --> 00:54:20,717
[WIGHTS SNARLING]
330
00:54:20,800 --> 00:54:22,175
[GASPS SOFTLY]
331
00:54:26,550 --> 00:54:27,592
Here they come!
332
00:54:31,342 --> 00:54:32,425
Steady, lads.
333
00:54:33,800 --> 00:54:34,883
Steady now.
334
00:54:37,717 --> 00:54:39,091
Make every shot count.
335
00:54:40,133 --> 00:54:42,592
[♪♪♪]
336
00:54:48,509 --> 00:54:49,592
MAN 1:
Over there!
337
00:54:52,841 --> 00:54:53,883
MAN 2:
There!
338
00:54:55,759 --> 00:54:58,759
[♪♪♪]
339
00:55:34,342 --> 00:55:35,634
JON:
Get off.
340
00:55:49,966 --> 00:55:51,550
[GRUNTING]
341
00:56:23,634 --> 00:56:24,717
[JON GRUNTS]
342
00:56:28,592 --> 00:56:29,966
[GROANS]
343
00:56:30,050 --> 00:56:32,050
[PANTING]
344
00:56:34,717 --> 00:56:36,425
[ROARS]
345
00:56:41,717 --> 00:56:44,050
[DRAGON ROARING]
346
00:56:57,008 --> 00:57:00,008
[♪♪♪]
347
00:57:12,841 --> 00:57:13,925
Dracarys.
348
00:57:18,383 --> 00:57:21,383
[♪♪♪]
349
00:58:05,050 --> 00:58:08,008
[♪♪♪]
350
00:58:15,175 --> 00:58:16,592
[DAENERYS GRUNTS]
351
00:59:09,759 --> 00:59:11,717
[♪♪♪]
352
00:59:13,133 --> 00:59:15,050
[PANTING]
353
00:59:44,383 --> 00:59:46,342
[WIND WHISTLING]
354
00:59:54,425 --> 00:59:57,050
[ALL GRUNTING]
355
01:00:40,342 --> 01:00:42,300
[♪♪♪]
356
01:00:56,175 --> 01:00:57,592
[JON YELLS]
357
01:01:22,467 --> 01:01:24,467
[WIGHTS RUSTLING]
358
01:01:28,050 --> 01:01:29,175
[GASPS]
359
01:01:30,800 --> 01:01:32,717
[SNARLING]
360
01:01:40,509 --> 01:01:42,509
[BABY CRYING]
361
01:01:50,634 --> 01:01:52,634
[PEOPLE SCREAMING]
362
01:01:57,800 --> 01:01:59,342
Come on! Come on!
363
01:02:01,509 --> 01:02:03,841
No! No, no, no!
364
01:02:22,467 --> 01:02:23,841
[GRUNTING]
365
01:02:39,966 --> 01:02:42,883
[♪♪♪]
366
01:02:53,717 --> 01:02:56,091
- Bran!
DAENERYS: Go!
367
01:03:01,217 --> 01:03:03,258
[WIGHTS SNARLING]
[DROGON ROARING]
368
01:03:28,383 --> 01:03:30,342
[DROGON SCREECHES]
369
01:03:45,550 --> 01:03:46,634
[GRUNTS]
370
01:04:04,467 --> 01:04:05,425
[WHIMPERS]
371
01:04:18,550 --> 01:04:21,509
[♪♪♪]
372
01:04:38,509 --> 01:04:40,634
[YELLING INDISTINCTLY]
373
01:04:41,509 --> 01:04:42,509
[GRUNTS]
374
01:04:43,342 --> 01:04:45,175
[SAMWELL SCREAMING]
375
01:05:23,217 --> 01:05:25,217
[HISSING AND SNARLING]
376
01:05:53,925 --> 01:05:55,258
[YELLS]
377
01:06:20,467 --> 01:06:22,175
[SCREAMING]
378
01:06:38,800 --> 01:06:40,800
[PANTING]
379
01:07:03,008 --> 01:07:05,008
[♪♪♪]
380
01:07:29,383 --> 01:07:30,509
[EXHALES SHARPLY]
381
01:07:35,883 --> 01:07:37,342
[DRAGON ROARS]
382
01:07:47,883 --> 01:07:49,050
[GRUNTS]
383
01:08:14,050 --> 01:08:15,091
Jorah!
384
01:08:49,342 --> 01:08:51,258
[ROARING]
385
01:08:54,592 --> 01:08:55,759
[GRUNTS]
386
01:09:46,175 --> 01:09:47,425
[YELLS]
387
01:09:47,509 --> 01:09:49,467
[SNIFFLING]
388
01:10:14,258 --> 01:10:15,175
[GASPS]
389
01:11:00,675 --> 01:11:01,841
BRAN:
Theon.
390
01:11:13,675 --> 01:11:15,217
You're a good man.
391
01:11:21,258 --> 01:11:22,258
Thank you.
392
01:11:57,300 --> 01:11:59,634
[YELLING]
393
01:12:15,966 --> 01:12:17,091
[GRUNTING]
394
01:13:35,467 --> 01:13:36,550
[GRUNTS]
395
01:14:13,592 --> 01:14:15,425
[VISERION ROARS]
396
01:15:26,008 --> 01:15:27,717
[YELLS]
397
01:15:39,717 --> 01:15:40,966
[YELLS]
398
01:15:47,759 --> 01:15:48,883
[GRUNTS]
399
01:15:54,509 --> 01:15:55,966
[GASPS]
400
01:16:10,091 --> 01:16:13,717
[♪♪♪]
401
01:16:46,091 --> 01:16:47,759
I'm hurt.
402
01:17:22,966 --> 01:17:25,966
[♪♪♪]
403
01:17:42,467 --> 01:17:43,800
[SOBBING]
404
01:18:14,175 --> 01:18:16,175
[GROWLING SOFTLY]
405
01:20:05,425 --> 01:20:08,467
[♪♪♪]
406
01:21:17,175 --> 01:21:19,467
(FIRE CRACKLING)
407
01:21:22,800 --> 01:21:25,008
♪ (DRAMATIC MUSIC PLAYS) ♪
408
01:21:26,133 --> 01:21:28,217
DAENERYS TARGARYEN:
We have won the Great War.
409
01:21:30,050 --> 01:21:31,634
Now, we will win the last war.
410
01:21:31,717 --> 01:21:32,634
(CHEERING)
411
01:21:32,717 --> 01:21:35,342
♪ (MUSIC INTENSIFIES) ♪
412
01:21:39,634 --> 01:21:41,717
DAENERYS: We'll rip her out
root and stem.
413
01:21:47,425 --> 01:21:50,050
- (WHIMPERS)
- MAN: Mind out!
414
01:21:52,383 --> 01:21:53,300
Move.
415
01:21:53,634 --> 01:21:55,883
We've been building
towards this for so long now.
416
01:21:55,966 --> 01:21:57,800
You think back
to the very beginning
417
01:21:57,883 --> 01:21:59,091
of the very first episode,
418
01:21:59,383 --> 01:22:02,634
and it's beyond the Wall where
the White Walkers are stalking.
419
01:22:02,717 --> 01:22:03,717
They're a group of rangers.
420
01:22:04,133 --> 01:22:06,342
So, this is the culmination of
one of the key storylines
421
01:22:06,425 --> 01:22:07,717
in— in the whole show.
422
01:22:08,634 --> 01:22:10,175
And this is for everything.
423
01:22:10,509 --> 01:22:12,175
We've been talking for
a long time,
424
01:22:12,258 --> 01:22:14,675
how Night King's forces
have been growing in power,
425
01:22:14,759 --> 01:22:16,133
and most of the living
have been kind of
426
01:22:16,217 --> 01:22:19,091
openly disdainful of the threat,
and now there's no choice
427
01:22:19,175 --> 01:22:19,966
but to fight it.
428
01:22:20,050 --> 01:22:22,800
♪ (DRAMATIC MUSIC PLAYING) ♪
429
01:22:25,675 --> 01:22:26,759
DAVID BENIOFF:
I really love the way
430
01:22:26,841 --> 01:22:28,634
the first ten minutes or so
plays out,
431
01:22:28,717 --> 01:22:29,966
because there's so much tension
432
01:22:30,050 --> 01:22:32,509
before there's any encounter
with the enemy.
433
01:22:32,592 --> 01:22:33,675
BOY: Come on!
434
01:22:33,759 --> 01:22:35,008
(INDISTINCT SHOUTING)
435
01:22:35,217 --> 01:22:37,175
BENIOFF: You know, as much as
they try to conceal it,
436
01:22:37,258 --> 01:22:39,675
people are terrified,
because this is...
437
01:22:39,759 --> 01:22:41,383
this is death coming for them.
438
01:22:41,467 --> 01:22:43,634
You know, so much of it is just
kind of, on one hand,
439
01:22:43,717 --> 01:22:45,342
setting the mood
for the episode,
440
01:22:45,425 --> 01:22:47,675
and the other hand, showing us
where these characters
are gonna be.
441
01:22:47,759 --> 01:22:49,966
The entire episode takes place
in Winterfell.
442
01:22:50,050 --> 01:22:53,175
And you have 19 or 20 characters
all involved
443
01:22:53,258 --> 01:22:55,133
in a very chaotic situation,
444
01:22:55,217 --> 01:22:58,800
that needs many, many locations
to service it.
445
01:23:02,467 --> 01:23:04,883
BENIOFF: Because it's such
a long battle in this episode,
446
01:23:04,966 --> 01:23:07,217
it's important that we feel
the ebb and flow.
447
01:23:07,300 --> 01:23:08,800
And so, there are moments
when you think things
448
01:23:08,883 --> 01:23:10,467
are going a little bit better
for the living.
449
01:23:10,550 --> 01:23:11,759
Tell them to lift their swords.
450
01:23:12,300 --> 01:23:16,592
We felt like it was important
to have that moment of hope,
451
01:23:16,675 --> 01:23:19,342
when Mel comes in and lights up
their arakh,
452
01:23:19,800 --> 01:23:21,675
and they all ride off
into battle.
453
01:23:21,759 --> 01:23:23,966
(SPEAKS VALYRIAN)
454
01:23:27,091 --> 01:23:28,258
(SOLDIERS GASP)
455
01:23:28,634 --> 01:23:30,383
(INDISTINCT SHOUTING)
456
01:23:30,467 --> 01:23:32,133
D.B. WEISS: We wanted
our characters to feel, like,
457
01:23:32,217 --> 01:23:33,966
that this— maybe this is
all gonna work out,
458
01:23:34,050 --> 01:23:35,342
maybe things are all gonna
be okay.
459
01:23:35,883 --> 01:23:39,883
We've seen how devastating
a Dothraki charge can be
just with their regular swords,
460
01:23:39,966 --> 01:23:41,759
and now when they're galloping
into combat
461
01:23:41,841 --> 01:23:43,883
with, uh, flaming arakhs,
it's— it's—
462
01:23:43,966 --> 01:23:46,258
Uh... What could possibly
stand against that?
463
01:23:46,342 --> 01:23:48,175
(HORSE WHINNIES)
464
01:23:49,634 --> 01:23:50,966
BENIOFF:
What they see is just
465
01:23:51,050 --> 01:23:53,050
the end of the Dothraki,
essentially.
466
01:23:53,925 --> 01:23:55,717
WEISS: They have a plan,
and it's important
467
01:23:55,800 --> 01:23:58,008
to wait for the Night King
to reveal himself,
468
01:23:58,091 --> 01:24:00,342
and then have two dragons
against one dragon,
469
01:24:00,425 --> 01:24:02,841
and a really good chance
of— of defeating him.
470
01:24:02,925 --> 01:24:04,383
One thing that
they couldn't have foreseen
471
01:24:04,467 --> 01:24:08,258
was Daeny's reaction to seeing
the Dothraki decimated.
472
01:24:08,342 --> 01:24:11,342
Jon is the person who
wants to stick to the plan,
473
01:24:11,425 --> 01:24:12,759
but the Dothraki are not Jon's;
474
01:24:12,841 --> 01:24:14,717
they're not loyal to Jon,
they're loyal to Daeny,
475
01:24:14,800 --> 01:24:18,925
and I think that Daeny
can't bring herself
to just watch them die,
476
01:24:19,008 --> 01:24:21,841
and so the plan starts
to fall apart
477
01:24:21,925 --> 01:24:24,342
the second she gets
on her dragon,
478
01:24:24,425 --> 01:24:27,592
so he does too,
and then we take it from there.
479
01:24:27,675 --> 01:24:30,759
♪ (TENSE MUSIC PLAYING) ♪
480
01:24:39,133 --> 01:24:41,091
(SNARLING)
481
01:24:41,300 --> 01:24:44,300
BENIOFF: We knew
this episode was gonna be
almost entirely battle,
482
01:24:44,383 --> 01:24:46,759
and that can get really boring
really quickly.
483
01:24:46,841 --> 01:24:49,841
You can watch it
for a certain number of minutes
484
01:24:49,925 --> 01:24:52,300
before the effect starts
to dampen.
485
01:24:52,383 --> 01:24:54,966
Part of it was making sure
that we really stayed focused
on the characters,
486
01:24:55,050 --> 01:24:57,841
and so whether it's Arya's
storyline,
487
01:24:57,925 --> 01:25:00,342
or Sansa and Tyrion
down the crypt,
488
01:25:00,425 --> 01:25:03,675
or Jon Snow and Daeny
up on the dragons.
489
01:25:03,759 --> 01:25:06,300
Kinda like all these separate
little battles within the...
490
01:25:06,383 --> 01:25:07,634
within the greater battle.
491
01:25:08,258 --> 01:25:10,550
- (SWORDS CLANKING)
- (SNARLING)
492
01:25:11,509 --> 01:25:14,634
Lyanna Mormont was supposed
to be a one-scene character,
493
01:25:14,717 --> 01:25:16,217
and then we met
Bella Ramsay,
494
01:25:16,300 --> 01:25:19,925
and we realized that we would
not be doing our jobs
495
01:25:20,008 --> 01:25:22,258
if we kept her as
a one-scene character.
496
01:25:22,467 --> 01:25:25,509
My mother wasn't a great beauty
or any other kind of beauty.
497
01:25:25,759 --> 01:25:27,175
She was a great warrior, though.
498
01:25:27,258 --> 01:25:29,425
She died fighting
for your brother, Robb.
499
01:25:30,008 --> 01:25:31,841
WEISS: We knew that
you can't give a—
500
01:25:31,925 --> 01:25:34,925
a big death to everybody
who dies in this battle,
501
01:25:35,008 --> 01:25:37,675
'cause it would've—
It just would've been too much,
502
01:25:37,759 --> 01:25:39,258
but there—
Also, if she were to die,
503
01:25:39,342 --> 01:25:42,966
there was no way to—
to not make a moment of it,
so...
504
01:25:43,217 --> 01:25:45,800
that's where the zombie giant
comes in.
505
01:25:47,217 --> 01:25:50,759
It just did add a whole level
of complexity
506
01:25:50,841 --> 01:25:53,383
to that moment,
that I'm sure a lot of people
507
01:25:53,467 --> 01:25:56,550
would've been okay with
not having there,
508
01:25:56,634 --> 01:25:58,425
if we had demanded to cut it,
509
01:25:58,509 --> 01:26:01,008
but I think they also
understood why we needed
510
01:26:01,091 --> 01:26:04,800
to give one of the strongest
smaller people in the show
511
01:26:04,883 --> 01:26:06,966
a chance to go out
taking down
512
01:26:07,050 --> 01:26:09,675
one of the strongest
larger things we've, uh,
513
01:26:09,759 --> 01:26:10,966
we've ever seen in the show.
514
01:26:11,050 --> 01:26:14,592
- (LYANNA SCREAMS)
- (ZOMBIE GIANT GROWLS)
515
01:26:21,634 --> 01:26:22,550
(ARYA SHRIEKS)
516
01:26:24,258 --> 01:26:26,925
WEISS: In any situation
where people are fighting,
517
01:26:27,008 --> 01:26:28,675
Arya needs to play
a central role,
518
01:26:28,759 --> 01:26:29,966
'cause she's one of
the best at it,
519
01:26:30,050 --> 01:26:32,300
and she's one of the most fun
to watch doing it.
520
01:26:32,383 --> 01:26:33,592
- (ARYA GRUNTS)
- BENIOFF: Even for Arya,
521
01:26:33,675 --> 01:26:36,467
she can't take on a horde
of wights by herself,
522
01:26:36,550 --> 01:26:38,592
and especially when her head
gets smacked,
523
01:26:38,675 --> 01:26:39,925
she's no longer at 100 percent.
524
01:26:40,133 --> 01:26:42,383
It's just about survival
at that point.
525
01:26:42,467 --> 01:26:45,091
WEISS: Otherwise,
she's completely unstoppable,
526
01:26:45,175 --> 01:26:46,383
and she never loses her cool,
527
01:26:46,467 --> 01:26:48,759
and it's amazing, and it's
a lot of fun to watch,
528
01:26:48,841 --> 01:26:50,634
but it's also— it's one note,
529
01:26:50,717 --> 01:26:55,467
so we decided that almost
rewinding the clock
on who Arya Stark is
530
01:26:55,550 --> 01:26:59,841
to back before she became
this sort of magical figure
that she's become
531
01:26:59,925 --> 01:27:01,383
would really be interesting,
532
01:27:01,467 --> 01:27:03,425
and would also give us a chance
to change up
533
01:27:03,509 --> 01:27:06,342
the nature of the story
we were telling.
534
01:27:08,383 --> 01:27:10,592
We talked about
Winterfell as kind of
the home for the show,
535
01:27:10,675 --> 01:27:12,634
and, uh, one of the things
that always struck us
536
01:27:12,717 --> 01:27:15,258
as a horrific aspect of this
is that these hallways
537
01:27:15,342 --> 01:27:17,467
and rooms where we spent
a lot of good times
538
01:27:17,550 --> 01:27:20,091
and— and quiet times
with characters
that we care about,
539
01:27:20,175 --> 01:27:21,800
has now become a horror set,
540
01:27:21,883 --> 01:27:24,675
because it's been invaded by
undead soldiers.
541
01:27:25,592 --> 01:27:26,841
(SNARLS)
542
01:27:26,925 --> 01:27:28,133
WEISS: Before that point,
543
01:27:28,217 --> 01:27:30,342
there's sort of an agoraphobia
to the whole thing
544
01:27:30,425 --> 01:27:33,091
where you have
this giant wide-open space
545
01:27:33,175 --> 01:27:36,925
and everywhere you look
you— there's something
546
01:27:37,008 --> 01:27:38,383
that could be coming
to kill you.
547
01:27:38,467 --> 01:27:40,800
Once you get inside Winterfell,
everything contracts,
548
01:27:40,883 --> 01:27:44,258
and the— the walls literally
start to close in around you,
549
01:27:44,342 --> 01:27:46,175
and something is there
in the dark with you,
550
01:27:46,258 --> 01:27:48,175
but you don't know exactly
where it is.
551
01:27:48,258 --> 01:27:50,008
And we thought that
the pace change
552
01:27:50,091 --> 01:27:51,966
and the tonal change
was really important
553
01:27:52,258 --> 01:27:54,925
to have that in this episode,
554
01:27:55,008 --> 01:27:57,091
otherwise the episode
would start to feel...
555
01:27:57,425 --> 01:27:59,258
would start to feel monotonous.
556
01:28:02,467 --> 01:28:03,717
Dracarys.
557
01:28:03,925 --> 01:28:05,175
WEISS: We thought it was
important that,
558
01:28:05,258 --> 01:28:08,300
whatever the plan was,
that it not just work out,
559
01:28:08,383 --> 01:28:10,175
'cause that would be
kind of dull.
560
01:28:10,258 --> 01:28:12,550
While there's no reason to know
for certain that
561
01:28:12,634 --> 01:28:15,800
the fire wouldn't kill
or destroy the Night King,
562
01:28:15,883 --> 01:28:18,717
there's also no particular
reason to believe
that it would.
563
01:28:18,925 --> 01:28:21,258
And then, a few moments after
this happens,
564
01:28:21,425 --> 01:28:23,383
the Night King brings them
a whole new,
565
01:28:23,467 --> 01:28:27,050
larger undead problem
by taking all of their own
566
01:28:27,133 --> 01:28:29,883
who have been killed
in the course of this battle,
567
01:28:29,966 --> 01:28:31,592
and turning them into the enemy.
568
01:28:36,925 --> 01:28:39,217
BENIOFF: I mean, we talked about
various endings for Jorah
569
01:28:39,300 --> 01:28:41,467
for a long time, but, you know,
you think about Jorah,
570
01:28:41,550 --> 01:28:44,133
from the very first time
we met him, he was with Daeny,
571
01:28:44,217 --> 01:28:46,966
and from that time,
he's been mostly by her side.
572
01:28:47,050 --> 01:28:48,383
Part of Jorah's tragedy is
573
01:28:48,467 --> 01:28:51,091
that he was in love with a woman
who couldn't love him back,
574
01:28:51,175 --> 01:28:53,175
but he's accepted that
for quite a long time,
575
01:28:53,258 --> 01:28:55,258
at the same time he was
going to fight for her
576
01:28:55,342 --> 01:28:57,550
as long as he could
and as well as he could.
577
01:28:57,634 --> 01:29:01,425
There'd never been a moment
where she more needed someone
578
01:29:01,509 --> 01:29:03,550
to fight to protect her
than this moment.
579
01:29:03,634 --> 01:29:06,550
And if he could've chosen
a way to die,
580
01:29:06,634 --> 01:29:08,550
this is how he would've chosen
to die.
581
01:29:08,634 --> 01:29:13,550
So, it was something
we thought would be
powerful to give him.
582
01:29:14,091 --> 01:29:17,675
- (DAENERYS SOBS)
- (DRAGON EXHALES)
583
01:29:20,592 --> 01:29:22,133
BENIOFF: The reason
the Godswood was chosen
584
01:29:22,217 --> 01:29:23,883
is because it's such
a source of power
585
01:29:23,966 --> 01:29:27,467
for those who believe
in the old gods,
and for Bran in particular,
586
01:29:27,550 --> 01:29:29,759
so we know the weirwood tree
and the three-eyed raven
587
01:29:29,841 --> 01:29:31,258
have a very deep connection.
588
01:29:31,342 --> 01:29:33,759
That was always the location
where Bran was going
589
01:29:33,841 --> 01:29:35,592
to be waiting
for the Night King.
590
01:29:35,925 --> 01:29:37,175
I just want you to know...
591
01:29:39,008 --> 01:29:41,008
- the things I did—
- Everything you did
592
01:29:41,091 --> 01:29:42,550
brought you where you are now.
593
01:29:44,675 --> 01:29:45,717
Where you belong.
594
01:29:48,342 --> 01:29:49,175
Home.
595
01:29:49,509 --> 01:29:51,550
WEISS: It's not like the show
is entirely about
596
01:29:51,634 --> 01:29:54,634
people redeeming themselves
and then it's all over,
597
01:29:54,717 --> 01:29:56,800
but if you— if the canvas
is big enough,
598
01:29:56,883 --> 01:30:00,300
there are spaces for those
redemptive moments.
599
01:30:00,383 --> 01:30:02,300
I think what was
really important for Theon
600
01:30:02,383 --> 01:30:04,675
at the end was hearing
that thank you from Bran,
601
01:30:04,759 --> 01:30:06,467
because Bran knows
what's gonna happen.
602
01:30:06,550 --> 01:30:07,383
BRAN: Theon.
603
01:30:12,133 --> 01:30:13,509
You're a good man.
604
01:30:14,467 --> 01:30:15,258
Thank you.
605
01:30:15,717 --> 01:30:17,509
He knows he's dead,
he knows he's not gonna be able
606
01:30:17,592 --> 01:30:20,258
to kill the Night King,
but I think what's really heroic
607
01:30:20,342 --> 01:30:22,300
about his action is that
we're all gonna die,
608
01:30:22,383 --> 01:30:24,300
and we know we're not gonna
be able to defeat death
at the end,
609
01:30:24,383 --> 01:30:26,883
but, you know, it's— it's how
you face those final moments,
610
01:30:26,966 --> 01:30:28,634
and he chooses to run
straight at it,
611
01:30:28,717 --> 01:30:32,300
and I think he dies in a way
that, um, makes us
612
01:30:32,383 --> 01:30:35,592
really proud of him and
the journey he's gone through.
613
01:30:40,091 --> 01:30:42,509
- (ARYA SCREAMS)
- BENIOFF: For—
614
01:30:42,592 --> 01:30:44,550
God, I think it's probably
three years now or something,
615
01:30:44,634 --> 01:30:47,008
we've known that it was
gonna be Arya
616
01:30:47,091 --> 01:30:49,175
who delivers that—
that fatal blow.
617
01:30:49,258 --> 01:30:50,841
WEISS: She seemed like
the best candidate,
618
01:30:50,925 --> 01:30:53,759
provided we weren't
thinking about her
in that moment.
619
01:30:53,841 --> 01:30:55,509
One of the great things
about having this many people
620
01:30:55,592 --> 01:30:58,175
you care about
in a sequence together
621
01:30:58,258 --> 01:31:00,217
is that it can kind of
pull people's attention
622
01:31:00,300 --> 01:31:02,509
and focus to people that
they care about a lot,
623
01:31:02,592 --> 01:31:05,509
like Jon, like Daeny,
Theon, and Bran,
624
01:31:05,592 --> 01:31:07,550
not to mention Tyrion
and Sansa in the crypt,
625
01:31:07,634 --> 01:31:08,759
so you're going
all over the place
626
01:31:08,841 --> 01:31:10,675
with people who you're
desperately worried for,
627
01:31:10,759 --> 01:31:14,342
and, uh, hopefully
you forget about the fact that
628
01:31:14,425 --> 01:31:16,509
Arya Stark ran out of
that castle
629
01:31:16,592 --> 01:31:17,800
with the battle drums playing,
630
01:31:17,883 --> 01:31:19,592
going towards some purpose,
631
01:31:19,675 --> 01:31:21,634
and we don't know what
until it happens.
632
01:31:21,717 --> 01:31:23,550
BENIOFF: We hoped to kind of
avoid the expected,
633
01:31:23,634 --> 01:31:25,383
and Jon Snow has
always been the hero,
634
01:31:25,467 --> 01:31:26,883
the one who's been the savior,
635
01:31:26,966 --> 01:31:30,217
but it just didn't seem right
to us, for this—
636
01:31:30,300 --> 01:31:31,258
for this moment.
637
01:31:31,966 --> 01:31:34,217
We knew it had to be
Valyrian steel,
to the exact spot where
638
01:31:34,300 --> 01:31:38,217
the child of the forest
put the dragonglass blade
to create the Night King,
639
01:31:38,300 --> 01:31:41,883
and he is uncreated
by the Valyrian steel.
640
01:31:41,966 --> 01:31:43,550
At the end of it, it's still—
641
01:31:43,634 --> 01:31:46,634
It's a victory for the living,
but at great cost,
642
01:31:46,717 --> 01:31:49,841
because some of our
favorite characters fall
along the way.
643
01:31:51,133 --> 01:31:52,383
WEISS: We knew from
the beginning,
644
01:31:52,467 --> 01:31:55,550
once we'd handed the outline in,
what we were in for.
645
01:31:55,634 --> 01:31:59,008
The director, Miguel Sapochnik,
took what we were doing
646
01:31:59,091 --> 01:32:01,008
and defined this episode.
647
01:32:01,091 --> 01:32:03,383
Miguel did
a tremendous amount of
648
01:32:03,467 --> 01:32:05,425
heroic heavy lifting
on this front.
649
01:32:05,509 --> 01:32:07,425
He knew that if the planning
wasn't there,
650
01:32:07,509 --> 01:32:10,925
we never would've ended up
with the consistent excellence
651
01:32:11,008 --> 01:32:12,050
that he delivered.
652
01:32:12,133 --> 01:32:13,966
It is to their immense credit
that—
653
01:32:14,050 --> 01:32:15,883
not only that they endured it,
um,
654
01:32:15,966 --> 01:32:19,383
but that they did
such a great job
the whole time they were there.
655
01:32:19,467 --> 01:32:22,634
WEISS: It's a real testament
to the entire Belfast crew
656
01:32:22,717 --> 01:32:25,800
who gave us something that
no amount of money
could ever buy.
41609
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