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1
00:00:04,761 --> 00:00:07,761
(MUSIC PLAYING)
2
00:01:52,260 --> 00:01:54,218
(WIND WHISTLING)
3
00:01:54,219 --> 00:01:56,219
(SAMWELL SHIVERING)
4
00:01:58,968 --> 00:02:00,052
NORTHMAN 1: Oi!
5
00:02:01,885 --> 00:02:02,927
NORTHMAN 2: Mind out.
6
00:02:05,219 --> 00:02:06,219
Move!
7
00:02:09,761 --> 00:02:12,761
(MUSIC PLAYING)
8
00:02:15,802 --> 00:02:17,843
(MEN CHATTERING
INDISTINCTLY)
9
00:02:21,219 --> 00:02:23,801
NORTHMAN: Look, on the west wall!
10
00:02:23,802 --> 00:02:25,801
SOLDIER: Get down to the crypt!
11
00:02:25,802 --> 00:02:27,427
(BABY CRYING)
12
00:02:28,761 --> 00:02:29,968
SOLDIER: Just hold.
13
00:02:31,052 --> 00:02:32,260
MAN: We'll take him.
14
00:02:36,719 --> 00:02:39,051
Come on, help the lads!
SOLDIER 1: Yes, my lady.
15
00:02:39,052 --> 00:02:42,301
LYANNA: Quickly, now! Quickly!
Get those in position.
16
00:02:42,302 --> 00:02:45,468
SOLDIER 1: Come on.
SOLDIER 2: Close the gate!
17
00:02:45,469 --> 00:02:47,176
SOLDIER 3: That's it.
18
00:02:47,177 --> 00:02:50,135
(MUSIC PLAYING)
19
00:03:03,010 --> 00:03:04,302
(GRUNTS)
20
00:03:35,552 --> 00:03:37,511
(WIND WHISTLING)
21
00:03:47,010 --> 00:03:48,093
(EXHALES HEAVILY)
22
00:04:08,761 --> 00:04:10,051
(GASPS SOFTLY)
23
00:04:10,052 --> 00:04:12,052
(DRAGON ROARING)
24
00:04:16,010 --> 00:04:18,052
(SOLDIERS SHOUTING
INDISTINCTLY)
25
00:04:43,219 --> 00:04:45,219
(HORSES SNORTING)
26
00:05:23,636 --> 00:05:24,636
(CLEARS THROAT)
27
00:05:26,302 --> 00:05:29,843
Oh, for fuck's sake.
You took your time.
28
00:05:31,177 --> 00:05:32,802
(HORSE NEIGHS)
29
00:05:38,552 --> 00:05:40,469
(SNORTING)
30
00:06:01,469 --> 00:06:03,385
(WIND WHISTLING)
31
00:06:14,093 --> 00:06:16,052
(DRAGONS GROWLING)
32
00:06:53,552 --> 00:06:56,552
(MUSIC PLAYING)
33
00:07:33,469 --> 00:07:35,427
Do you speak their tongue?
34
00:07:39,010 --> 00:07:41,427
Tell them to lift their swords.
35
00:07:46,093 --> 00:07:48,052
(WIND WHISTLING)
36
00:07:54,385 --> 00:07:56,344
(SPEAKS IN DOTHRAKI)
37
00:07:57,843 --> 00:07:59,802
(WEAPONS CLINKING)
38
00:08:14,052 --> 00:08:17,010
(MUSIC PLAYING)
39
00:08:18,177 --> 00:08:20,177
(SPEAKING IN HIGH VALYRIAN)
40
00:08:35,802 --> 00:08:37,801
(SOLDIERS EXCLAIMING)
41
00:08:37,802 --> 00:08:40,802
(MUSIC PLAYING)
42
00:09:19,302 --> 00:09:21,719
(MUSIC PLAYING)
43
00:09:25,135 --> 00:09:26,842
Valar morghulis.
44
00:09:26,843 --> 00:09:28,761
Valar dohaeris.
45
00:09:43,552 --> 00:09:44,760
Open the gate!
46
00:09:44,761 --> 00:09:46,259
SOLDIER 1: Open the gate!
47
00:09:46,260 --> 00:09:48,260
SOLDIER 2: Open the gate!
48
00:10:03,260 --> 00:10:05,052
MAN 1: Come. Come on.
49
00:10:06,427 --> 00:10:07,427
Easy.
50
00:10:10,968 --> 00:10:13,927
(MUSIC PLAYING)
51
00:10:34,010 --> 00:10:36,884
There's no need to execute me,
Ser Davos.
52
00:10:36,885 --> 00:10:39,469
I'll be dead before the dawn.
53
00:10:41,636 --> 00:10:44,636
(MUSIC PLAYING)
54
00:10:59,968 --> 00:11:02,135
(SOLDIER SHOUTING
INDISTINCTLY)
55
00:11:03,135 --> 00:11:05,135
(DOTHRAKI ULULATING)
56
00:12:39,219 --> 00:12:42,594
(SOLDIER IN DOTHRAKI)
57
00:12:51,385 --> 00:12:53,302
(WIND WHISTLING)
58
00:13:39,135 --> 00:13:41,135
(HOOFBEATS POUNDING)
59
00:13:44,093 --> 00:13:45,302
(NEIGHS HOARSELY)
60
00:13:48,552 --> 00:13:51,511
(MUSIC PLAYING)
61
00:13:52,802 --> 00:13:54,802
(HORSES NEIGHING)
62
00:14:20,052 --> 00:14:21,344
(GASPS)
63
00:14:22,677 --> 00:14:24,552
The Night King is coming.
64
00:14:26,302 --> 00:14:28,302
The dead are already here.
65
00:14:31,719 --> 00:14:34,052
(DRAGON ROARS)
66
00:14:57,885 --> 00:15:00,885
(MUSIC PLAYING)
67
00:15:05,260 --> 00:15:07,219
(WIND WHISTLING)
68
00:15:24,594 --> 00:15:26,384
(GREY WORM SPEAKS
IN VALYRIAN)
69
00:15:26,385 --> 00:15:27,552
(UNSULLIED GRUNT)
70
00:15:32,927 --> 00:15:34,927
(SOLDIERS GRUNTING)
71
00:15:38,511 --> 00:15:40,469
(WIGHTS SNARLING)
72
00:15:48,469 --> 00:15:50,093
(YELLS)
73
00:15:52,968 --> 00:15:54,718
Stand your ground!
74
00:15:54,719 --> 00:15:56,719
(SOLDIERS CLAMORING)
75
00:16:08,511 --> 00:16:09,593
(SCREAMS)
76
00:16:09,594 --> 00:16:10,636
(GRUNTS)
77
00:16:12,219 --> 00:16:13,802
(SCREAMS)
78
00:16:14,802 --> 00:16:17,802
(MUSIC PLAYING)
79
00:17:14,177 --> 00:17:16,135
(WIND WHISTLING)
80
00:17:39,636 --> 00:17:42,385
(MUSIC PLAYING)
81
00:17:44,010 --> 00:17:45,761
ARYA: Get down to the crypt.
82
00:17:47,052 --> 00:17:49,051
SANSA: I'm not abandoning my people.
83
00:17:49,052 --> 00:17:50,552
ARYA: Take this and go.
84
00:17:54,093 --> 00:17:55,719
I don't know how to use it.
85
00:17:56,927 --> 00:17:58,719
Stick them with the pointy end.
86
00:18:05,302 --> 00:18:08,301
(MUSIC PLAYING)
87
00:18:08,302 --> 00:18:10,260
(SOLDIERS GRUNTING)
88
00:19:16,427 --> 00:19:18,135
(SOLDIER SHOUTS INDISTINCTLY)
89
00:19:25,427 --> 00:19:26,802
SAMWELL: Edd!
90
00:19:27,968 --> 00:19:29,260
Edd!
91
00:19:30,427 --> 00:19:31,968
(WHIMPERING)
92
00:19:48,177 --> 00:19:49,469
EDD: Sam, get up!
93
00:19:53,093 --> 00:19:54,426
(GASPING)
94
00:19:54,427 --> 00:19:56,677
Oh, God. Sam.
95
00:19:58,344 --> 00:19:59,968
(SNARLS)
96
00:20:00,843 --> 00:20:02,219
WOMAN: (SCREAMS)
Edd!
97
00:20:04,843 --> 00:20:07,177
(DOOR CLOSES, THEN LOCKS)
98
00:20:12,177 --> 00:20:14,219
(PEOPLE WHISPERING
INDISTINCTLY)
99
00:20:53,385 --> 00:20:55,385
(WIND WHISTLING)
100
00:21:03,469 --> 00:21:04,594
(JON GRUNTS)
101
00:21:16,344 --> 00:21:17,593
(DAENERYS GRUNTS)
102
00:21:17,594 --> 00:21:19,761
(JON GRUNTS)
103
00:21:37,761 --> 00:21:40,761
(MUSIC PLAYING)
104
00:21:43,802 --> 00:21:46,469
Fall back! Fall back!
105
00:21:48,761 --> 00:21:50,926
Fall back!
106
00:21:50,927 --> 00:21:52,010
SOLDIER: Come on!
107
00:21:53,719 --> 00:21:54,760
Open the gate!
108
00:21:54,761 --> 00:21:56,760
SOLDIER 1: Open the gate!
109
00:21:56,761 --> 00:21:57,968
SOLDIER 2: Let us in!
110
00:22:00,177 --> 00:22:01,760
SOLDIER 1: Open the gate!
111
00:22:01,761 --> 00:22:03,135
SOLDIER 3: Open the gate!
112
00:22:05,968 --> 00:22:07,135
SOLDIER 4: Keep moving!
113
00:22:10,927 --> 00:22:12,260
SOLDIER 5: Come on!
114
00:22:15,469 --> 00:22:18,134
LYANNA: Keep moving, fast.
SOLDIER 5: To your posts.
115
00:22:18,135 --> 00:22:20,135
SOLDIER 6: Go!
SOLDIER 7: Keep moving!
116
00:22:21,968 --> 00:22:23,801
SOLDIER 1: Come on, run!
117
00:22:23,802 --> 00:22:24,968
Keep moving!
118
00:22:31,594 --> 00:22:33,636
(IN VALYRIAN)
119
00:22:39,677 --> 00:22:40,885
(UNSULLIED GRUNT)
120
00:22:56,010 --> 00:22:58,010
(SOLDIERS CLAMORING)
121
00:23:16,093 --> 00:23:18,052
(MUSIC PLAYING)
122
00:23:20,344 --> 00:23:21,719
Dany!
123
00:23:34,177 --> 00:23:36,093
(WIND WHISTLING)
124
00:23:48,511 --> 00:23:50,510
SOLDIER 1: Grab your weapon now!
125
00:23:50,511 --> 00:23:52,176
SOLDIER 2: Guard the barricades!
126
00:23:52,177 --> 00:23:54,510
SOLDIER 3: Through that pass!
127
00:23:54,511 --> 00:23:56,092
BRIENNE: Hey! Hey! Hey!
128
00:23:56,093 --> 00:23:57,593
SOLDIER 4: Close up the gaps!
129
00:23:57,594 --> 00:24:00,593
Go! Hey! Go! Go!
130
00:24:00,594 --> 00:24:02,593
Get in! Get in!
131
00:24:02,594 --> 00:24:04,260
Get in! Come on!
132
00:24:07,093 --> 00:24:08,760
(GREY WORM SHOUTING
INDISTINCTLY)
133
00:24:08,761 --> 00:24:09,968
(UNSULLIED GRUNTING)
134
00:24:25,219 --> 00:24:28,219
(MUSIC PLAYING)
135
00:24:39,052 --> 00:24:40,677
SOLDIER 1: Move!
136
00:24:54,135 --> 00:24:56,093
(SNARLING)
137
00:25:05,802 --> 00:25:07,135
(SOLDIER WHIMPERING)
138
00:25:10,469 --> 00:25:14,092
(SOLDIER 1 IN VALYRIAN)
139
00:25:14,093 --> 00:25:15,676
(SOLDIER 2 IN VALYRIAN)
140
00:25:15,677 --> 00:25:17,801
SOLDIER 1: (IN ENGLISH) Come on!
SOLDIER 2: (IN ENGLISH) Come on!
141
00:25:17,802 --> 00:25:19,344
SOLDIER 1: Come on!
SOLDIER 3: Come on!
142
00:25:20,802 --> 00:25:22,218
LYANNA: Protect the gate!
143
00:25:22,219 --> 00:25:24,343
SOLDIER 1: Protect the gate!
144
00:25:24,344 --> 00:25:26,926
They're coming! Come on!
145
00:25:26,927 --> 00:25:28,511
Fall back!
146
00:25:34,469 --> 00:25:36,344
(PANTING)
147
00:25:48,427 --> 00:25:49,469
Light the trench!
148
00:25:50,260 --> 00:25:51,677
Light the trench!
149
00:25:52,968 --> 00:25:55,385
SOLDIER 2: Wait!
SOLDIER 3: Light the trench!
150
00:26:08,552 --> 00:26:09,468
(GRUNTS)
151
00:26:09,469 --> 00:26:12,427
(MUSIC PLAYING)
152
00:26:24,719 --> 00:26:25,927
She can't see us.
153
00:26:27,677 --> 00:26:28,719
Light the trenches!
154
00:26:43,219 --> 00:26:45,426
SOLDIER 1: With a torch,
light the trenches!
155
00:26:45,427 --> 00:26:47,885
Right there.
SOLDIER 2: Torch it!
156
00:26:49,511 --> 00:26:50,594
Light the trenches!
157
00:27:10,843 --> 00:27:12,427
(GRUNTING)
158
00:27:15,552 --> 00:27:17,635
(SNARLING)
159
00:27:17,636 --> 00:27:19,427
(SHOUTS INDISTINCTLY)
160
00:27:21,636 --> 00:27:23,636
(SHOUTING INDISTINCTLY)
161
00:27:29,260 --> 00:27:31,468
(UNSULLIED GRUNT)
162
00:27:31,469 --> 00:27:33,677
(MAN SHOUTING INDISTINCTLY)
163
00:27:42,927 --> 00:27:44,343
(SPEAKS IN VALYRIAN)
164
00:27:44,344 --> 00:27:45,427
(UNSULLIED GRUNT)
165
00:27:55,302 --> 00:27:57,302
(SPEAKING IN HIGH VALYRIAN)
166
00:28:42,010 --> 00:28:44,010
(MUSIC PLAYING)
167
00:29:13,761 --> 00:29:16,051
(SCREECHING)
168
00:29:16,052 --> 00:29:18,594
(SOLDIERS SHOUTING
INDISTINCTLY)
169
00:29:35,469 --> 00:29:36,469
Clegane.
170
00:29:38,761 --> 00:29:40,719
(BABY CRYING)
171
00:29:42,594 --> 00:29:45,594
WOMAN: (SOFTLY)
You must try not to worry yourself.
172
00:29:57,594 --> 00:30:00,761
(SIGHS) At least we're
already in a crypt.
173
00:30:05,469 --> 00:30:07,510
If we were up there,
174
00:30:07,511 --> 00:30:11,010
we might see something
everyone else is missing.
175
00:30:12,469 --> 00:30:14,176
Something that makes
a difference.
176
00:30:14,177 --> 00:30:16,967
- (SCOFFS)
- What?
177
00:30:16,968 --> 00:30:18,676
Remember the Battle
of Blackwater?
178
00:30:18,677 --> 00:30:20,092
I brought us
through the Mud Gate.
179
00:30:20,093 --> 00:30:21,593
And got your face cut in half.
180
00:30:21,594 --> 00:30:23,302
And it made a difference.
181
00:30:25,802 --> 00:30:27,468
If I was out there right now...
182
00:30:27,469 --> 00:30:28,843
You'd die.
183
00:30:31,177 --> 00:30:33,177
There's nothing you can do.
184
00:30:36,761 --> 00:30:39,134
You might be surprised
at the lengths I'd go
185
00:30:39,135 --> 00:30:41,635
to avoid joining
the Army of the Dead.
186
00:30:41,636 --> 00:30:44,926
I could think of no organization
less suited to my talents.
187
00:30:44,927 --> 00:30:47,344
Witty remarks
won't make a difference.
188
00:30:49,719 --> 00:30:52,885
That's why we're down here,
none of us can do anything.
189
00:30:54,719 --> 00:30:55,802
It's the truth.
190
00:30:57,052 --> 00:30:59,843
It's the most heroic thing
we can do now...
191
00:31:01,302 --> 00:31:03,344
look the truth in the face.
192
00:31:08,177 --> 00:31:10,676
Maybe we should have
stayed married.
193
00:31:10,677 --> 00:31:12,511
You were the best of them.
194
00:31:13,719 --> 00:31:15,885
What a terrifying thought.
195
00:31:22,843 --> 00:31:24,344
It wouldn't work between us.
196
00:31:25,677 --> 00:31:27,426
Why not?
197
00:31:27,427 --> 00:31:28,843
The Dragon Queen.
198
00:31:30,843 --> 00:31:34,219
Your divided loyalties
would become a problem.
199
00:31:35,219 --> 00:31:37,051
MISSANDEI: Yes.
200
00:31:37,052 --> 00:31:39,885
Without the Dragon Queen,
there'd be no problem at all.
201
00:31:41,010 --> 00:31:42,594
We'd all be dead already.
202
00:31:51,761 --> 00:31:53,719
(WIND WHISTLING)
203
00:32:04,344 --> 00:32:06,219
They lit the trench.
204
00:32:19,927 --> 00:32:20,927
Bran...
205
00:32:26,344 --> 00:32:28,260
I just want you to know...
206
00:32:32,427 --> 00:32:33,427
I wish...
207
00:32:34,636 --> 00:32:36,051
The things I did...
208
00:32:36,052 --> 00:32:38,968
Everything you did
brought you where you are now.
209
00:32:41,260 --> 00:32:42,636
Where you belong.
210
00:32:44,761 --> 00:32:45,927
Home.
211
00:32:56,636 --> 00:32:58,802
I'm going to go now.
212
00:33:01,469 --> 00:33:02,469
Go where?
213
00:33:04,802 --> 00:33:07,802
(MUSIC PLAYING)
214
00:33:09,636 --> 00:33:11,636
(RAVENS CAWING)
215
00:33:33,427 --> 00:33:35,385
(MUSIC PLAYING)
216
00:34:33,719 --> 00:34:35,719
(MUSIC PLAYING)
217
00:34:51,219 --> 00:34:52,552
Man the walls!
218
00:34:53,594 --> 00:34:55,219
SOLDIER 1: Man the walls!
219
00:35:03,427 --> 00:35:05,676
SOLDIER 2: Man the wall!
220
00:35:05,677 --> 00:35:07,260
Man the walls!
221
00:35:09,093 --> 00:35:10,926
Come on!
222
00:35:10,927 --> 00:35:13,801
Get out there! Get moving!
223
00:35:13,802 --> 00:35:15,927
Come on. Come on! Come on!
224
00:35:19,385 --> 00:35:21,842
Go, go, go!
225
00:35:21,843 --> 00:35:23,302
BRIENNE: Come on!
226
00:35:50,802 --> 00:35:53,135
(ROARS)
227
00:36:02,802 --> 00:36:04,677
SOLDIER 1: They're against the wall!
228
00:36:08,802 --> 00:36:11,010
Get more men up here!
229
00:36:15,177 --> 00:36:17,343
- Fill the gaps, quickly!
- Get in there!
230
00:36:17,344 --> 00:36:18,967
SOLDIER 2: They're climbing the walls!
231
00:36:18,968 --> 00:36:21,511
Relieve the archers!
SOLDIER 2: Relieve the archers!
232
00:36:23,385 --> 00:36:24,842
Archers on top!
233
00:36:24,843 --> 00:36:27,676
SOLDIER 1: Move up!
SOLDIER 2: Go, go! Come here!
234
00:36:27,677 --> 00:36:29,301
Come on!
SOLDIER 3: Move back!
235
00:36:29,302 --> 00:36:31,301
SOLDIER 4: Stand away!
SOLDIER 2: Go on, go on. Go! Go.
236
00:36:31,302 --> 00:36:33,636
SOLDIER 3: Step back.
SOLDIER 4: All the way, archers!
237
00:36:37,010 --> 00:36:38,385
(SPEAKS IN VALYRIAN)
238
00:36:43,802 --> 00:36:45,385
(SNARLING)
239
00:36:49,344 --> 00:36:50,676
SOLDIER 1: Hold the wall!
240
00:36:50,677 --> 00:36:52,301
SOLDIER 2: The wall,
they're coming up!
241
00:36:52,302 --> 00:36:55,842
SOLDIER 3: Hold the wall!
SOLDIER 4: Hold the wall!
242
00:36:55,843 --> 00:36:57,010
Draw!
243
00:37:21,719 --> 00:37:22,885
Come on!
244
00:37:56,885 --> 00:37:59,885
(MUSIC PLAYING)
245
00:38:05,968 --> 00:38:07,052
(YELLS)
246
00:38:13,761 --> 00:38:15,093
SOLDIER: They're coming up!
247
00:38:27,302 --> 00:38:28,469
Look out!
248
00:38:32,761 --> 00:38:34,135
(WHIMPERING)
249
00:39:28,177 --> 00:39:30,135
(SHUDDERING)
250
00:39:43,552 --> 00:39:45,843
(MUSIC PLAYING)
251
00:39:54,385 --> 00:39:55,552
(YELLS)
252
00:39:56,885 --> 00:39:58,885
(GRUNTING)
253
00:40:07,469 --> 00:40:08,594
Clegane!
254
00:40:10,052 --> 00:40:11,177
Clegane!
255
00:40:42,927 --> 00:40:44,302
(SCREAMS)
256
00:40:49,177 --> 00:40:50,260
(GRUNTS)
257
00:41:21,677 --> 00:41:23,676
BERIC: Clegane!
258
00:41:23,677 --> 00:41:25,967
Clegane, we need you!
259
00:41:25,968 --> 00:41:27,301
You can't give up on us.
260
00:41:27,302 --> 00:41:29,593
Fuck off! We can't beat them.
261
00:41:29,594 --> 00:41:32,176
Don't you see that,
you stupid whore?
262
00:41:32,177 --> 00:41:33,967
We're fighting Death!
263
00:41:33,968 --> 00:41:35,302
They can't beat Death.
264
00:41:40,219 --> 00:41:41,469
Tell her that.
265
00:41:51,636 --> 00:41:53,301
(PANTING)
266
00:41:53,302 --> 00:41:54,843
(SCREAMING)
267
00:42:05,093 --> 00:42:07,010
(GASPING)
268
00:42:16,594 --> 00:42:17,885
(YELLS)
269
00:42:38,761 --> 00:42:40,927
(ROARS)
270
00:42:53,135 --> 00:42:56,093
(MUSIC PLAYING)
271
00:43:09,927 --> 00:43:12,885
(MUSIC PLAYING)
272
00:43:25,093 --> 00:43:27,260
(DAENERYS WHIMPERING)
273
00:43:40,761 --> 00:43:42,594
(GRUNTING)
274
00:43:44,469 --> 00:43:47,427
(MUSIC PLAYING)
275
00:44:44,260 --> 00:44:46,177
(PANTING)
276
00:44:47,177 --> 00:44:49,219
(FOOTSTEPS)
277
00:46:07,135 --> 00:46:10,093
(MUSIC PLAYING)
278
00:46:48,385 --> 00:46:50,344
(WIGHT CROAKS)
279
00:47:01,761 --> 00:47:03,344
(SNARLING)
280
00:47:19,511 --> 00:47:20,761
(GASPS SOFTLY)
281
00:47:32,385 --> 00:47:34,344
(WIND WHISTLING)
282
00:47:43,677 --> 00:47:45,677
(SNARLING IN DISTANCE)
283
00:47:47,260 --> 00:47:49,219
(BREATHING SHAKILY)
284
00:47:59,302 --> 00:48:01,219
(SNARLING)
285
00:48:04,010 --> 00:48:05,511
(PANTING)
286
00:48:33,636 --> 00:48:36,843
(WIGHTS SNARLING IN DISTANCE)
(MEN YELLING IN DISTANCE)
287
00:49:12,552 --> 00:49:14,092
(DOOR THUDS)
288
00:49:14,093 --> 00:49:15,967
(ALL GASPING)
289
00:49:15,968 --> 00:49:17,260
SOLDIER 1: Open the door!
290
00:49:19,885 --> 00:49:21,301
SOLDIER 2: Open the door!
291
00:49:21,302 --> 00:49:23,134
SOLDIER 3: Come on!
SOLDIER 4: Open the door!
292
00:49:23,135 --> 00:49:24,552
Open the door!
293
00:49:29,344 --> 00:49:31,259
Please!
294
00:49:31,260 --> 00:49:32,510
Open it!
295
00:49:32,511 --> 00:49:34,636
(SOLDIERS SCREAMING
INDISTINCTLY)
296
00:49:36,594 --> 00:49:38,594
(SCREAMING FADES)
297
00:49:47,344 --> 00:49:49,302
(WIND WHISTLING)
298
00:50:05,469 --> 00:50:07,427
(OBJECT CLATTERS
IN DISTANCE)
299
00:50:22,843 --> 00:50:24,511
- (OBJECT THUDS)
- (GASPS)
300
00:50:25,719 --> 00:50:27,802
(WIGHTS SNARLING
IN DISTANCE)
301
00:50:45,843 --> 00:50:47,802
(SCREAMING)
302
00:50:49,511 --> 00:50:51,177
Rah!
303
00:50:57,927 --> 00:50:59,010
Aah!
304
00:51:01,385 --> 00:51:03,344
(GRUNTING)
305
00:51:07,219 --> 00:51:09,884
Come on! Go!
306
00:51:09,885 --> 00:51:12,761
Come on!
BERIC: Run!
307
00:51:38,968 --> 00:51:40,260
We've got to go!
308
00:51:42,594 --> 00:51:45,594
(MUSIC PLAYING)
309
00:52:17,093 --> 00:52:19,093
(PANTING)
310
00:52:26,802 --> 00:52:28,302
(SPEAKS INDISTINCTLY)
311
00:52:41,677 --> 00:52:44,761
MELISANDRE: The Lord brought
him back for a purpose.
312
00:52:49,135 --> 00:52:51,344
Now that purpose
has been served.
313
00:52:53,761 --> 00:52:56,801
(MUSIC PLAYING)
314
00:52:56,802 --> 00:52:57,802
I know you.
315
00:53:03,511 --> 00:53:04,677
And I know you.
316
00:53:12,469 --> 00:53:14,842
You said we'd meet again.
317
00:53:14,843 --> 00:53:16,052
And here we are.
318
00:53:17,093 --> 00:53:18,385
At the end of the world.
319
00:53:20,511 --> 00:53:22,469
You said I'd shut
many eyes forever.
320
00:53:24,135 --> 00:53:25,677
You were right about that too.
321
00:53:26,761 --> 00:53:28,676
Brown eyes...
322
00:53:28,677 --> 00:53:29,885
green eyes...
323
00:53:32,219 --> 00:53:33,552
and blue eyes.
324
00:53:39,177 --> 00:53:41,219
(WIGHTS SNARLING
AND THUDDING ON DOOR)
325
00:53:53,010 --> 00:53:55,719
What do we say
to the God of Death?
326
00:53:59,968 --> 00:54:01,052
Not today.
327
00:54:02,677 --> 00:54:05,677
(MUSIC PLAYING)
328
00:54:15,927 --> 00:54:17,885
(WIND WHISTLING)
329
00:54:19,177 --> 00:54:20,801
(WIGHTS SNARLING)
330
00:54:20,802 --> 00:54:22,177
(GASPS SOFTLY)
331
00:54:26,552 --> 00:54:27,594
Here they come!
332
00:54:31,344 --> 00:54:32,427
Steady, lads.
333
00:54:33,802 --> 00:54:34,885
Steady now.
334
00:54:37,719 --> 00:54:39,093
Make every shot count.
335
00:54:40,135 --> 00:54:42,594
(MUSIC PLAYING)
336
00:54:48,511 --> 00:54:49,594
MAN 1: Over there!
337
00:54:52,843 --> 00:54:53,885
MAN 2: There!
338
00:54:55,761 --> 00:54:58,761
(MUSIC PLAYING)
339
00:55:34,344 --> 00:55:35,636
JON: Get off.
340
00:55:49,968 --> 00:55:51,552
(GRUNTING)
341
00:56:23,636 --> 00:56:24,719
(JON GRUNTS)
342
00:56:28,594 --> 00:56:30,051
(GROANS)
343
00:56:30,052 --> 00:56:32,052
(PANTING)
344
00:56:34,719 --> 00:56:36,427
(ROARS)
345
00:56:41,719 --> 00:56:44,052
(DRAGON ROARING)
346
00:56:57,010 --> 00:57:00,010
(MUSIC PLAYING)
347
00:57:12,843 --> 00:57:13,927
Dracarys.
348
00:57:18,385 --> 00:57:21,385
(MUSIC PLAYING)
349
00:58:05,052 --> 00:58:08,010
(MUSIC PLAYING)
350
00:58:15,177 --> 00:58:16,594
(DAENERYS GRUNTS)
351
00:59:09,761 --> 00:59:11,719
(MUSIC PLAYING)
352
00:59:13,135 --> 00:59:15,052
(PANTING)
353
00:59:44,385 --> 00:59:46,344
(WIND WHISTLING)
354
00:59:54,427 --> 00:59:57,052
(ALL GRUNTING)
355
01:00:40,344 --> 01:00:42,302
(MUSIC PLAYING)
356
01:00:56,177 --> 01:00:57,594
(JON YELLS)
357
01:01:22,469 --> 01:01:24,469
(WIGHTS RUSTLING)
358
01:01:28,052 --> 01:01:29,177
(GASPS)
359
01:01:30,802 --> 01:01:32,719
(SNARLING)
360
01:01:40,511 --> 01:01:42,511
(BABY CRYING)
361
01:01:50,636 --> 01:01:52,636
(PEOPLE SCREAMING)
362
01:01:57,802 --> 01:01:59,344
Come on! Come on!
363
01:02:01,511 --> 01:02:03,843
No! No, no, no!
364
01:02:22,469 --> 01:02:23,843
(GRUNTING)
365
01:02:39,968 --> 01:02:42,885
(MUSIC PLAYING)
366
01:02:53,719 --> 01:02:56,093
Bran!
DAENERYS: Go!
367
01:03:01,219 --> 01:03:03,260
(WIGHTS SNARLING)
(DROGON ROARING)
368
01:03:28,385 --> 01:03:30,344
(DROGON SCREECHES)
369
01:03:45,552 --> 01:03:46,636
(GRUNTS)
370
01:04:04,469 --> 01:04:05,469
(WHIMPERS)
371
01:04:18,552 --> 01:04:21,511
(MUSIC PLAYING)
372
01:04:38,511 --> 01:04:40,636
(YELLING INDISTINCTLY)
373
01:04:41,511 --> 01:04:42,511
(GRUNTS)
374
01:04:43,344 --> 01:04:45,177
(SAMWELL SCREAMING)
375
01:05:23,219 --> 01:05:25,219
(HISSING AND SNARLING)
376
01:05:53,927 --> 01:05:55,260
(YELLS)
377
01:06:20,469 --> 01:06:22,177
(SCREAMING)
378
01:06:38,802 --> 01:06:40,802
(PANTING)
379
01:07:03,010 --> 01:07:05,010
(MUSIC PLAYING)
380
01:07:29,385 --> 01:07:30,511
(EXHALES SHARPLY)
381
01:07:35,885 --> 01:07:37,344
(DRAGON ROARS)
382
01:07:47,885 --> 01:07:49,052
(GRUNTS)
383
01:08:14,052 --> 01:08:15,093
Jorah!
384
01:08:49,344 --> 01:08:51,260
(ROARING)
385
01:08:54,594 --> 01:08:55,761
(GRUNTS)
386
01:09:46,177 --> 01:09:47,510
(YELLS)
387
01:09:47,511 --> 01:09:49,469
(SNIFFLING)
388
01:10:14,260 --> 01:10:15,260
(GASPS)
389
01:11:00,677 --> 01:11:01,843
BRAN: Theon.
390
01:11:13,677 --> 01:11:15,219
You're a good man.
391
01:11:21,260 --> 01:11:22,260
Thank you.
392
01:11:57,302 --> 01:11:59,636
(YELLING)
393
01:12:15,968 --> 01:12:17,093
(GRUNTING)
394
01:13:35,469 --> 01:13:36,552
(GRUNTS)
395
01:14:13,594 --> 01:14:15,427
(VISERION ROARS)
396
01:15:26,010 --> 01:15:27,719
(YELLS)
397
01:15:39,719 --> 01:15:40,968
(YELLS)
398
01:15:47,761 --> 01:15:48,885
(GRUNTS)
399
01:15:54,511 --> 01:15:55,968
(GASPS)
400
01:16:10,093 --> 01:16:13,719
(MUSIC PLAYING)
401
01:16:46,093 --> 01:16:47,761
I'm hurt.
402
01:17:22,968 --> 01:17:25,968
(MUSIC PLAYING)
403
01:17:42,469 --> 01:17:43,802
(SOBBING)
404
01:18:14,177 --> 01:18:16,177
(GROWLING SOFTLY)
405
01:20:05,427 --> 01:20:08,469
(MUSIC PLAYING)
406
01:21:17,177 --> 01:21:19,469
(FIRE CRACKLING)
407
01:21:22,802 --> 01:21:25,010
(DRAMATIC MUSIC PLAYS)
408
01:21:26,135 --> 01:21:28,219
DAENERYS TARGARYEN:
We have won the Great War.
409
01:21:30,052 --> 01:21:31,718
Now, we will win the last war.
410
01:21:31,719 --> 01:21:32,718
(CHEERING)
411
01:21:32,719 --> 01:21:35,344
(MUSIC INTENSIFIES)
412
01:21:39,636 --> 01:21:41,719
DAENERYS: We'll rip her out
root and stem.
413
01:21:47,427 --> 01:21:50,052
- (WHIMPERS)
- MAN: Mind out!
414
01:21:52,385 --> 01:21:53,385
Move.
415
01:21:53,636 --> 01:21:55,967
We've been building
towards this for so long now.
416
01:21:55,968 --> 01:21:57,884
You think back
to the very beginning
417
01:21:57,885 --> 01:21:59,093
of the very first episode,
418
01:21:59,385 --> 01:22:02,718
and it's beyond the Wall where
the White Walkers are stalking.
419
01:22:02,719 --> 01:22:03,799
They're a group of rangers.
420
01:22:04,135 --> 01:22:06,426
So, this is the culmination of
one of the key storylines
421
01:22:06,427 --> 01:22:07,719
in... in the whole show.
422
01:22:08,636 --> 01:22:10,177
And this is for everything.
423
01:22:10,511 --> 01:22:12,259
We've been talking for
a long time,
424
01:22:12,260 --> 01:22:14,760
how Night King's forces
have been growing in power,
425
01:22:14,761 --> 01:22:16,218
and most of the living
have been kind of
426
01:22:16,219 --> 01:22:19,176
openly disdainful of the threat,
and now there's no choice
427
01:22:19,177 --> 01:22:20,051
but to fight it.
428
01:22:20,052 --> 01:22:22,802
(DRAMATIC MUSIC PLAYING)
429
01:22:25,677 --> 01:22:26,842
DAVID BENIOFF: I really love the way
430
01:22:26,843 --> 01:22:28,718
the first ten minutes or so
plays out,
431
01:22:28,719 --> 01:22:30,051
because there's so much tension
432
01:22:30,052 --> 01:22:32,593
before there's any encounter
with the enemy.
433
01:22:32,594 --> 01:22:33,760
BOY: Come on!
434
01:22:33,761 --> 01:22:35,010
(INDISTINCT SHOUTING)
435
01:22:35,219 --> 01:22:37,259
BENIOFF: You know, as much as
they try to conceal it,
436
01:22:37,260 --> 01:22:39,760
people are terrified,
because this is...
437
01:22:39,761 --> 01:22:41,468
this is death coming for them.
438
01:22:41,469 --> 01:22:43,718
You know, so much of it is just
kind of, on one hand,
439
01:22:43,719 --> 01:22:45,426
setting the mood
for the episode,
440
01:22:45,427 --> 01:22:47,760
and the other hand, showing us where
these characters are gonna be.
441
01:22:47,761 --> 01:22:50,051
The entire episode takes place
in Winterfell.
442
01:22:50,052 --> 01:22:53,259
And you have 19 or 20 characters
all involved
443
01:22:53,260 --> 01:22:55,218
in a very chaotic situation,
444
01:22:55,219 --> 01:22:58,802
that needs many, many locations
to service it.
445
01:23:02,469 --> 01:23:04,967
BENIOFF: Because it's such
a long battle in this episode,
446
01:23:04,968 --> 01:23:07,301
it's important that we feel
the ebb and flow.
447
01:23:07,302 --> 01:23:08,884
And so, there are moments
when you think things
448
01:23:08,885 --> 01:23:10,551
are going a little bit better
for the living.
449
01:23:10,552 --> 01:23:11,792
Tell them to lift their swords.
450
01:23:12,302 --> 01:23:16,676
We felt like it was important
to have that moment of hope,
451
01:23:16,677 --> 01:23:19,344
when Mel comes in and lights up
their arakh,
452
01:23:19,802 --> 01:23:21,760
and they all ride off
into battle.
453
01:23:21,761 --> 01:23:23,968
(SPEAKS VALYRIAN)
454
01:23:27,093 --> 01:23:28,260
(SOLDIERS GASP)
455
01:23:28,636 --> 01:23:30,468
(INDISTINCT SHOUTING)
456
01:23:30,469 --> 01:23:32,218
D.B. WEISS: We wanted
our characters to feel, like,
457
01:23:32,219 --> 01:23:34,051
that this... maybe this is
all gonna work out,
458
01:23:34,052 --> 01:23:35,412
maybe things are all gonna
be okay.
459
01:23:35,885 --> 01:23:39,967
We've seen how devastating a Dothraki charge
can be just with their regular swords,
460
01:23:39,968 --> 01:23:41,842
and now when they're galloping
into combat
461
01:23:41,843 --> 01:23:43,967
with, uh, flaming arakhs,
it's... it's...
462
01:23:43,968 --> 01:23:46,343
Uh... What could possibly
stand against that?
463
01:23:46,344 --> 01:23:48,177
(HORSE WHINNIES)
464
01:23:49,636 --> 01:23:51,051
BENIOFF: What they see is just
465
01:23:51,052 --> 01:23:53,052
the end of the Dothraki,
essentially.
466
01:23:53,927 --> 01:23:55,801
WEISS: They have a plan,
and it's important
467
01:23:55,802 --> 01:23:58,092
to wait for the Night King
to reveal himself,
468
01:23:58,093 --> 01:24:00,426
and then have two dragons
against one dragon,
469
01:24:00,427 --> 01:24:02,926
and a really good chance
of... of defeating him.
470
01:24:02,927 --> 01:24:04,468
One thing that
they couldn't have foreseen
471
01:24:04,469 --> 01:24:08,343
was Daeny's reaction to seeing
the Dothraki decimated.
472
01:24:08,344 --> 01:24:11,426
Jon is the person who
wants to stick to the plan,
473
01:24:11,427 --> 01:24:12,842
but the Dothraki are not Jon's;
474
01:24:12,843 --> 01:24:14,801
They're not loyal to Jon,
they're loyal to Daeny,
475
01:24:14,802 --> 01:24:19,009
and I think that Daeny can't bring
herself to just watch them die,
476
01:24:19,010 --> 01:24:21,926
and so the plan starts
to fall apart
477
01:24:21,927 --> 01:24:24,426
the second she gets
on her dragon,
478
01:24:24,427 --> 01:24:27,676
so he does too,
and then we take it from there.
479
01:24:27,677 --> 01:24:30,761
(TENSE MUSIC PLAYING)
480
01:24:39,135 --> 01:24:41,093
(SNARLING)
481
01:24:41,302 --> 01:24:44,384
BENIOFF: We knew this episode was
gonna be almost entirely battle,
482
01:24:44,385 --> 01:24:46,842
and that can get really boring
really quickly.
483
01:24:46,843 --> 01:24:49,926
You can watch it
for a certain number of minutes
484
01:24:49,927 --> 01:24:52,384
before the effect starts
to dampen.
485
01:24:52,385 --> 01:24:55,051
Part of it was making sure that we
really stayed focused on the characters,
486
01:24:55,052 --> 01:24:57,926
and so whether it's Arya's
storyline,
487
01:24:57,927 --> 01:25:00,426
or Sansa and Tyrion
down the crypt,
488
01:25:00,427 --> 01:25:03,760
or Jon Snow and Daeny
up on the dragons.
489
01:25:03,761 --> 01:25:06,384
Kinda like all these separate
little battles within the...
490
01:25:06,385 --> 01:25:07,636
within the greater battle.
491
01:25:08,260 --> 01:25:10,552
- (SWORDS CLANKING)
- (SNARLING)
492
01:25:11,511 --> 01:25:14,718
Lyanna Mormont was supposed
to be a one-scene character,
493
01:25:14,719 --> 01:25:16,301
and then we met
Bella Ramsay,
494
01:25:16,302 --> 01:25:20,009
and we realized that we would
not be doing our jobs
495
01:25:20,010 --> 01:25:22,260
if we kept her as
a one-scene character.
496
01:25:22,469 --> 01:25:25,511
My mother wasn't a great beauty
or any other kind of beauty.
497
01:25:25,761 --> 01:25:27,259
She was a great warrior, though.
498
01:25:27,260 --> 01:25:29,427
She died fighting
for your brother, Robb.
499
01:25:30,010 --> 01:25:31,926
WEISS: We knew that
you can't give a...
500
01:25:31,927 --> 01:25:35,009
a big death to everybody
who dies in this battle,
501
01:25:35,010 --> 01:25:37,760
'cause it would've...
It just would've been too much,
502
01:25:37,761 --> 01:25:39,343
but there...
Also, if she were to die,
503
01:25:39,344 --> 01:25:42,968
there was no way to...
to not make a moment of it, so...
504
01:25:43,219 --> 01:25:45,802
that's where the zombie giant
comes in.
505
01:25:47,219 --> 01:25:50,842
It just did add a whole level
of complexity
506
01:25:50,843 --> 01:25:53,468
to that moment,
that I'm sure a lot of people
507
01:25:53,469 --> 01:25:56,635
would've been okay with
not having there,
508
01:25:56,636 --> 01:25:58,510
if we had demanded to cut it,
509
01:25:58,511 --> 01:26:01,092
but I think they also
understood why we needed
510
01:26:01,093 --> 01:26:04,884
to give one of the strongest
smaller people in the show
511
01:26:04,885 --> 01:26:07,051
a chance to go out
taking down
512
01:26:07,052 --> 01:26:09,760
one of the strongest
larger things we've, uh,
513
01:26:09,761 --> 01:26:11,051
we've ever seen in the show.
514
01:26:11,052 --> 01:26:14,594
- (LYANNA SCREAMS)
- (ZOMBIE GIANT GROWLS)
515
01:26:21,636 --> 01:26:22,636
(ARYA SHRIEKS)
516
01:26:24,260 --> 01:26:27,009
WEISS: In any situation
where people are fighting,
517
01:26:27,010 --> 01:26:28,760
Arya needs to play
a central role,
518
01:26:28,761 --> 01:26:30,051
'cause she's one of
the best at it,
519
01:26:30,052 --> 01:26:32,384
and she's one of the most fun
to watch doing it.
520
01:26:32,385 --> 01:26:33,676
- (ARYA GRUNTS)
- BENIOFF: Even for Arya,
521
01:26:33,677 --> 01:26:36,551
she can't take on a horde
of wights by herself,
522
01:26:36,552 --> 01:26:38,676
and especially when her head
gets smacked,
523
01:26:38,677 --> 01:26:39,927
she's no longer at 100 percent.
524
01:26:40,135 --> 01:26:42,468
It's just about survival
at that point.
525
01:26:42,469 --> 01:26:45,176
WEISS: Otherwise,
she's completely unstoppable,
526
01:26:45,177 --> 01:26:46,468
and she never loses her cool,
527
01:26:46,469 --> 01:26:48,842
and it's amazing, and it's
a lot of fun to watch,
528
01:26:48,843 --> 01:26:50,718
but it's also... it's one note,
529
01:26:50,719 --> 01:26:55,551
so we decided that almost rewinding
the clock on who Arya Stark is
530
01:26:55,552 --> 01:26:59,926
to back before she became this sort
of magical figure that she's become
531
01:26:59,927 --> 01:27:01,468
would really be interesting,
532
01:27:01,469 --> 01:27:03,510
and would also give us a chance
to change up
533
01:27:03,511 --> 01:27:06,344
the nature of the story
we were telling.
534
01:27:08,385 --> 01:27:10,676
We talked about Winterfell as
kind of the home for the show,
535
01:27:10,677 --> 01:27:12,718
and, uh, one of the things
that always struck us
536
01:27:12,719 --> 01:27:15,343
as a horrific aspect of this
is that these hallways
537
01:27:15,344 --> 01:27:17,551
and rooms where we spent
a lot of good times
538
01:27:17,552 --> 01:27:20,176
and... and quiet times with
characters that we care about,
539
01:27:20,177 --> 01:27:21,884
has now become a horror set,
540
01:27:21,885 --> 01:27:24,677
because it's been invaded by
undead soldiers.
541
01:27:25,594 --> 01:27:26,926
(SNARLS)
542
01:27:26,927 --> 01:27:28,218
WEISS: Before that point,
543
01:27:28,219 --> 01:27:30,426
there's sort of an agoraphobia
to the whole thing
544
01:27:30,427 --> 01:27:33,176
where you have
this giant wide-open space
545
01:27:33,177 --> 01:27:37,009
and everywhere you look
you... there's something
546
01:27:37,010 --> 01:27:38,468
that could be coming
to kill you.
547
01:27:38,469 --> 01:27:40,884
Once you get inside Winterfell,
everything contracts,
548
01:27:40,885 --> 01:27:44,343
and the... the walls literally
start to close in around you,
549
01:27:44,344 --> 01:27:46,259
and something is there
in the dark with you,
550
01:27:46,260 --> 01:27:48,259
but you don't know exactly
where it is.
551
01:27:48,260 --> 01:27:50,092
And we thought that
the pace change
552
01:27:50,093 --> 01:27:51,968
and the tonal change
was really important
553
01:27:52,260 --> 01:27:55,009
to have that in this episode,
554
01:27:55,010 --> 01:27:57,093
otherwise the episode
would start to feel...
555
01:27:57,427 --> 01:27:59,260
would start to feel monotonous.
556
01:28:02,469 --> 01:28:03,719
Dracarys.
557
01:28:03,927 --> 01:28:05,259
WEISS: We thought it
was important that,
558
01:28:05,260 --> 01:28:08,384
whatever the plan was,
that it not just work out,
559
01:28:08,385 --> 01:28:10,259
'cause that would be
kind of dull.
560
01:28:10,260 --> 01:28:12,635
While there's no reason to know
for certain that
561
01:28:12,636 --> 01:28:15,884
the fire wouldn't kill
or destroy the Night King,
562
01:28:15,885 --> 01:28:18,719
there's also no particular
reason to believe that it would.
563
01:28:18,927 --> 01:28:21,260
And then, a few moments after
this happens,
564
01:28:21,427 --> 01:28:23,468
the Night King brings them
a whole new,
565
01:28:23,469 --> 01:28:27,134
larger undead problem
by taking all of their own
566
01:28:27,135 --> 01:28:29,967
who have been killed
in the course of this battle,
567
01:28:29,968 --> 01:28:31,594
and turning them into the enemy.
568
01:28:36,927 --> 01:28:39,301
BENIOFF: I mean, we talked about
various endings for Jorah
569
01:28:39,302 --> 01:28:41,551
for a long time, but, you know,
you think about Jorah,
570
01:28:41,552 --> 01:28:44,218
from the very first time
we met him, he was with Daeny,
571
01:28:44,219 --> 01:28:47,051
and from that time,
he's been mostly by her side.
572
01:28:47,052 --> 01:28:48,468
Part of Jorah's tragedy is
573
01:28:48,469 --> 01:28:51,176
that he was in love with a woman
who couldn't love him back,
574
01:28:51,177 --> 01:28:53,259
but he's accepted that
for quite a long time,
575
01:28:53,260 --> 01:28:55,343
at the same time he was
going to fight for her
576
01:28:55,344 --> 01:28:57,635
as long as he could
and as well as he could.
577
01:28:57,636 --> 01:29:01,510
There'd never been a moment
where she more needed someone
578
01:29:01,511 --> 01:29:03,635
to fight to protect her
than this moment.
579
01:29:03,636 --> 01:29:06,635
And if he could've chosen
a way to die,
580
01:29:06,636 --> 01:29:08,635
this is how he would've chosen
to die.
581
01:29:08,636 --> 01:29:13,552
So, it was something we thought
would be powerful to give him.
582
01:29:14,093 --> 01:29:17,677
- (DAENERYS SOBS)
- (DRAGON EXHALES)
583
01:29:20,594 --> 01:29:22,218
BENIOFF: The reason
the Godswood was chosen
584
01:29:22,219 --> 01:29:23,967
is because it's such
a source of power
585
01:29:23,968 --> 01:29:27,551
for those who believe in the old gods,
and for Bran in particular,
586
01:29:27,552 --> 01:29:29,842
so we know the weirwood tree
and the three-eyed raven
587
01:29:29,843 --> 01:29:31,343
have a very deep connection.
588
01:29:31,344 --> 01:29:33,842
That was always the location
where Bran was going
589
01:29:33,843 --> 01:29:35,594
to be waiting
for the Night King.
590
01:29:35,927 --> 01:29:37,177
I just want you to know...
591
01:29:39,010 --> 01:29:41,092
- the things I did...
- Everything you did
592
01:29:41,093 --> 01:29:42,552
brought you where you are now.
593
01:29:44,677 --> 01:29:45,719
Where you belong.
594
01:29:48,344 --> 01:29:49,344
Home.
595
01:29:49,511 --> 01:29:51,635
WEISS: It's not like the show
is entirely about
596
01:29:51,636 --> 01:29:54,718
people redeeming themselves
and then it's all over,
597
01:29:54,719 --> 01:29:56,884
but if you... if the canvas
is big enough,
598
01:29:56,885 --> 01:30:00,384
there are spaces for those
redemptive moments.
599
01:30:00,385 --> 01:30:02,384
I think what was
really important for Theon
600
01:30:02,385 --> 01:30:04,760
at the end was hearing
that thank you from Bran,
601
01:30:04,761 --> 01:30:06,551
because Bran knows
what's gonna happen.
602
01:30:06,552 --> 01:30:07,552
BRAN: Theon.
603
01:30:12,135 --> 01:30:13,511
You're a good man.
604
01:30:14,469 --> 01:30:15,469
Thank you.
605
01:30:15,719 --> 01:30:17,593
He knows he's dead,
he knows he's not gonna be able
606
01:30:17,594 --> 01:30:20,343
to kill the Night King,
but I think what's really heroic
607
01:30:20,344 --> 01:30:22,384
about his action is that
we're all gonna die,
608
01:30:22,385 --> 01:30:24,384
and we know we're not gonna be
able to defeat death at the end,
609
01:30:24,385 --> 01:30:26,967
but, you know, it's... it's how
you face those final moments,
610
01:30:26,968 --> 01:30:28,718
and he chooses to run
straight at it,
611
01:30:28,719 --> 01:30:32,384
and I think he dies in a way
that, um, makes us
612
01:30:32,385 --> 01:30:35,594
really proud of him and
the journey he's gone through.
613
01:30:40,093 --> 01:30:42,593
- (ARYA SCREAMS)
- BENIOFF: For...
614
01:30:42,594 --> 01:30:44,635
God, I think it's probably
three years now or something,
615
01:30:44,636 --> 01:30:47,092
we've known that it was
gonna be Arya
616
01:30:47,093 --> 01:30:49,259
who delivers that...
that fatal blow.
617
01:30:49,260 --> 01:30:50,926
WEISS: She seemed like
the best candidate,
618
01:30:50,927 --> 01:30:53,842
provided we weren't thinking
about her in that moment.
619
01:30:53,843 --> 01:30:55,593
One of the great things
about having this many people
620
01:30:55,594 --> 01:30:58,259
you care about
in a sequence together
621
01:30:58,260 --> 01:31:00,301
is that it can kind of
pull people's attention
622
01:31:00,302 --> 01:31:02,593
and focus to people that
they care about a lot,
623
01:31:02,594 --> 01:31:05,593
like Jon, like Daeny,
Theon, and Bran,
624
01:31:05,594 --> 01:31:07,635
not to mention Tyrion
and Sansa in the crypt,
625
01:31:07,636 --> 01:31:08,842
so you're going
all over the place
626
01:31:08,843 --> 01:31:10,760
with people who you're
desperately worried for,
627
01:31:10,761 --> 01:31:14,426
and, uh, hopefully
you forget about the fact that
628
01:31:14,427 --> 01:31:16,593
Arya Stark ran out of
that castle
629
01:31:16,594 --> 01:31:17,884
with the battle drums playing,
630
01:31:17,885 --> 01:31:19,676
going towards some purpose,
631
01:31:19,677 --> 01:31:21,718
and we don't know what
until it happens.
632
01:31:21,719 --> 01:31:23,635
BENIOFF: We hoped to kind of
avoid the expected,
633
01:31:23,636 --> 01:31:25,468
and Jon Snow has
always been the hero,
634
01:31:25,469 --> 01:31:26,967
the one who's been the savior,
635
01:31:26,968 --> 01:31:30,301
but it just didn't seem right
to us, for this...
636
01:31:30,302 --> 01:31:31,302
for this moment.
637
01:31:31,968 --> 01:31:34,301
We knew it had to be Valyrian steel,
to the exact spot where
638
01:31:34,302 --> 01:31:38,301
the child of the forest put the dragonglass
blade to create the Night King,
639
01:31:38,302 --> 01:31:41,967
and he is uncreated
by the Valyrian steel.
640
01:31:41,968 --> 01:31:43,635
At the end of it, it's still...
641
01:31:43,636 --> 01:31:46,718
It's a victory for the living,
but at great cost,
642
01:31:46,719 --> 01:31:49,843
because some of our favorite
characters fall along the way.
643
01:31:51,135 --> 01:31:52,468
WEISS: We knew from
the beginning,
644
01:31:52,469 --> 01:31:55,635
once we'd handed the outline in,
what we were in for.
645
01:31:55,636 --> 01:31:59,092
The director, Miguel Sapochnik,
took what we were doing
646
01:31:59,093 --> 01:32:01,092
and defined this episode.
647
01:32:01,093 --> 01:32:03,468
Miguel did
a tremendous amount of
648
01:32:03,469 --> 01:32:05,510
heroic heavy lifting
on this front.
649
01:32:05,511 --> 01:32:07,510
He knew that if the planning
wasn't there,
650
01:32:07,511 --> 01:32:11,009
we never would've ended up
with the consistent excellence
651
01:32:11,010 --> 01:32:12,134
that he delivered.
652
01:32:12,135 --> 01:32:14,051
It is to their immense credit
that...
653
01:32:14,052 --> 01:32:15,967
not only that they endured it,
um,
654
01:32:15,968 --> 01:32:19,468
but that they did such a great job
the whole time they were there.
655
01:32:19,469 --> 01:32:22,718
WEISS: It's a real testament
to the entire Belfast crew
656
01:32:22,719 --> 01:32:25,802
who gave us something that no
amount of money could ever buy.
54765
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