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1
00:00:04,761 --> 00:00:07,761
[♪♪♪]
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00:00:09,000 --> 00:00:15,074
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3
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[WIND WHISTLING]
4
00:01:54,219 --> 00:01:56,219
[SAMWELL SHIVERING]
5
00:01:58,968 --> 00:02:00,052
NORTHMAN 1: Oi!
6
00:02:01,885 --> 00:02:02,927
NORTHMAN 2: Mind out.
7
00:02:05,219 --> 00:02:06,219
Move!
8
00:02:09,761 --> 00:02:12,761
[♪♪♪]
9
00:02:15,802 --> 00:02:17,843
[MEN CHATTERING
INDISTINCTLY]
10
00:02:21,219 --> 00:02:23,719
NORTHMAN:
Look, on the west wall!
11
00:02:23,802 --> 00:02:25,719
SOLDIER:
Get down to the crypt!
12
00:02:25,802 --> 00:02:27,427
[BABY CRYING]
13
00:02:28,761 --> 00:02:29,968
SOLDIER:
Just hold.
14
00:02:31,052 --> 00:02:32,260
MAN:
We'll take him.
15
00:02:36,719 --> 00:02:38,968
- Come on, help the lads!
SOLDIER 1: Yes, my lady.
16
00:02:39,052 --> 00:02:42,219
LYANNA: Quickly, now! Quickly!
Get those in position.
17
00:02:42,302 --> 00:02:45,385
SOLDIER 1: Come on.
SOLDIER 2: Close the gate!
18
00:02:45,469 --> 00:02:47,093
SOLDIER 3:
That's it.
19
00:02:47,177 --> 00:02:50,135
[♪♪♪]
20
00:03:03,010 --> 00:03:04,302
[GRUNTS]
21
00:03:35,552 --> 00:03:37,511
[WIND WHISTLING]
22
00:03:47,010 --> 00:03:48,093
[EXHALES HEAVILY]
23
00:04:08,761 --> 00:04:09,968
[GASPS SOFTLY]
24
00:04:10,052 --> 00:04:12,052
[DRAGON ROARING]
25
00:04:16,010 --> 00:04:18,052
[SOLDIERS SHOUTING
INDISTINCTLY]
26
00:04:43,219 --> 00:04:45,219
[HORSES SNORTING]
27
00:05:23,636 --> 00:05:24,636
[CLEARS THROAT]
28
00:05:26,302 --> 00:05:29,843
Oh, for fuck's sake.
You took your time.
29
00:05:31,177 --> 00:05:32,802
[HORSE NEIGHS]
30
00:05:38,552 --> 00:05:40,469
[SNORTING]
31
00:06:01,469 --> 00:06:03,385
[WIND WHISTLING]
32
00:06:14,093 --> 00:06:16,052
[DRAGONS GROWLING]
33
00:06:53,552 --> 00:06:56,552
[♪♪♪]
34
00:07:33,469 --> 00:07:35,427
Do you speak their tongue?
35
00:07:39,010 --> 00:07:41,427
Tell them to lift their swords.
36
00:07:46,093 --> 00:07:48,052
[WIND WHISTLING]
37
00:07:54,385 --> 00:07:56,344
[SPEAKS IN DOTHRAKI]
38
00:07:57,843 --> 00:07:59,802
[WEAPONS CLINKING]
39
00:08:14,052 --> 00:08:17,010
[♪♪♪]
40
00:08:18,177 --> 00:08:20,177
[SPEAKING IN HIGH VALYRIAN]
41
00:08:35,802 --> 00:08:37,719
[SOLDIERS EXCLAIMING]
42
00:08:37,802 --> 00:08:40,802
[♪♪♪]
43
00:09:19,302 --> 00:09:21,719
[♪♪♪]
44
00:09:25,135 --> 00:09:26,761
Valar morghulis.
45
00:09:26,843 --> 00:09:28,761
Valar dohaeris.
46
00:09:43,552 --> 00:09:44,677
Open the gate!
47
00:09:44,761 --> 00:09:46,177
SOLDIER 1:
Open the gate!
48
00:09:46,260 --> 00:09:48,260
SOLDIER 2:
Open the gate!
49
00:10:03,260 --> 00:10:05,052
MAN 1:
Come. Come on.
50
00:10:06,427 --> 00:10:07,427
Easy.
51
00:10:10,968 --> 00:10:13,927
[♪♪♪]
52
00:10:34,010 --> 00:10:36,802
There's no need to execute me,
Ser Davos.
53
00:10:36,885 --> 00:10:39,469
I'll be dead before the dawn.
54
00:10:41,636 --> 00:10:44,636
[♪♪♪]
55
00:10:59,968 --> 00:11:02,135
[SOLDIER SHOUTING
INDISTINCTLY]
56
00:11:03,135 --> 00:11:05,135
[DOTHRAKI ULULATING]
57
00:12:39,219 --> 00:12:42,594
SOLDIER [IN DOTHRAKI]:
58
00:12:51,385 --> 00:12:53,302
[WIND WHISTLING]
59
00:13:39,135 --> 00:13:41,135
[HOOFBEATS POUNDING]
60
00:13:44,093 --> 00:13:45,302
[NEIGHS HOARSELY]
61
00:13:48,552 --> 00:13:51,511
[♪♪♪]
62
00:13:52,802 --> 00:13:54,802
[HORSES NEIGHING]
63
00:14:20,052 --> 00:14:21,344
[GASPS]
64
00:14:22,677 --> 00:14:24,552
The Night King is coming.
65
00:14:26,302 --> 00:14:28,302
The dead are already here.
66
00:14:31,719 --> 00:14:34,052
[DRAGON ROARS]
67
00:14:57,885 --> 00:15:00,885
[♪♪♪]
68
00:15:05,260 --> 00:15:07,219
[WIND WHISTLING]
69
00:15:24,594 --> 00:15:26,302
[GREY WORM SPEAKS
IN VALYRIAN]
70
00:15:26,385 --> 00:15:27,552
[UNSULLIED GRUNT]
71
00:15:32,927 --> 00:15:34,927
[SOLDIERS GRUNTING]
72
00:15:38,511 --> 00:15:40,469
[WIGHTS SNARLING]
73
00:15:48,469 --> 00:15:50,093
[YELLS]
74
00:15:52,968 --> 00:15:54,636
Stand your ground!
75
00:15:54,719 --> 00:15:56,719
[SOLDIERS CLAMORING]
76
00:16:08,511 --> 00:16:09,511
[SCREAMS]
77
00:16:09,594 --> 00:16:10,636
[GRUNTS]
78
00:16:12,219 --> 00:16:13,802
[SCREAMS]
79
00:16:14,802 --> 00:16:17,802
[♪♪♪]
80
00:17:14,177 --> 00:17:16,135
[WIND WHISTLING]
81
00:17:39,636 --> 00:17:42,385
[♪♪♪]
82
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ARYA:
Get down to the crypt.
83
00:17:47,052 --> 00:17:48,968
SANSA:
I'm not abandoning my people.
84
00:17:49,052 --> 00:17:50,552
ARYA:
Take this and go.
85
00:17:54,093 --> 00:17:55,719
I don't know how to use it.
86
00:17:56,927 --> 00:17:58,719
Stick them with the pointy end.
87
00:18:05,302 --> 00:18:08,219
[♪♪♪]
88
00:18:08,302 --> 00:18:10,260
[SOLDIERS GRUNTING]
89
00:19:16,427 --> 00:19:18,135
[SOLDIER SHOUTS INDISTINCTLY]
90
00:19:25,427 --> 00:19:26,802
SAMWELL:
Edd!
91
00:19:27,968 --> 00:19:29,260
Edd!
92
00:19:30,427 --> 00:19:31,968
[WHIMPERING]
93
00:19:48,177 --> 00:19:49,469
EDD:
Sam, get up!
94
00:19:53,093 --> 00:19:54,344
[GASPING]
95
00:19:54,427 --> 00:19:56,677
Oh, God. Sam.
96
00:19:58,344 --> 00:19:59,968
[SNARLS]
97
00:20:00,843 --> 00:20:02,219
WOMAN [SCREAMS]:
Edd!
98
00:20:04,843 --> 00:20:07,177
[DOOR CLOSES, THEN LOCKS]
99
00:20:12,177 --> 00:20:14,219
[PEOPLE WHISPERING
INDISTINCTLY]
100
00:20:53,385 --> 00:20:55,385
[WIND WHISTLING]
101
00:21:03,469 --> 00:21:04,594
[JON GRUNTS]
102
00:21:16,344 --> 00:21:17,511
[DAENERYS GRUNTS]
103
00:21:17,594 --> 00:21:19,761
[JON GRUNTS]
104
00:21:37,761 --> 00:21:40,761
[♪♪♪]
105
00:21:43,802 --> 00:21:46,469
Fall back! Fall back!
106
00:21:48,761 --> 00:21:50,843
Fall back!
107
00:21:50,927 --> 00:21:52,010
SOLDIER:
Come on!
108
00:21:53,719 --> 00:21:54,719
Open the gate!
109
00:21:54,761 --> 00:21:56,677
SOLDIER 1:
Open the gate!
110
00:21:56,761 --> 00:21:57,968
SOLDIER 2:
Let us in!
111
00:22:00,177 --> 00:22:01,677
SOLDIER 1:
Open the gate!
112
00:22:01,761 --> 00:22:03,135
SOLDIER 3:
Open the gate!
113
00:22:05,968 --> 00:22:07,135
SOLDIER 4:
Keep moving!
114
00:22:10,927 --> 00:22:12,260
SOLDIER 5:
Come on!
115
00:22:15,469 --> 00:22:18,052
LYANNA: Keep moving, fast.
SOLDIER 5: To your posts.
116
00:22:18,135 --> 00:22:20,135
SOLDIER 6: Go!
SOLDIER 7: Keep moving!
117
00:22:21,968 --> 00:22:23,719
SOLDIER 1:
Come on, run!
118
00:22:23,802 --> 00:22:24,968
Keep moving!
119
00:22:31,594 --> 00:22:33,636
[IN VALYRIAN]
120
00:22:39,677 --> 00:22:40,885
[UNSULLIED GRUNT]
121
00:22:56,010 --> 00:22:58,010
[SOLDIERS CLAMORING]
122
00:23:16,093 --> 00:23:18,052
[♪♪♪]
123
00:23:20,344 --> 00:23:21,719
Dany!
124
00:23:34,177 --> 00:23:36,093
[WIND WHISTLING]
125
00:23:48,511 --> 00:23:50,427
SOLDIER 1:
Grab your weapon now!
126
00:23:50,511 --> 00:23:52,093
SOLDIER 2:
Guard the barricades!
127
00:23:52,177 --> 00:23:54,427
SOLDIER 3:
Through that pass!
128
00:23:54,511 --> 00:23:56,010
BRIENNE:
Hey! Hey! Hey!
129
00:23:56,093 --> 00:23:57,511
SOLDIER 4:
Close up the gaps!
130
00:23:57,594 --> 00:24:00,511
Go! Hey! Go! Go!
131
00:24:00,594 --> 00:24:02,511
Get in! Get in!
132
00:24:02,594 --> 00:24:04,260
Get in! Come on!
133
00:24:07,093 --> 00:24:08,677
[GREY WORM SHOUTING
INDISTINCTLY]
134
00:24:08,761 --> 00:24:09,968
[UNSULLIED GRUNTING]
135
00:24:25,219 --> 00:24:28,219
[♪♪♪]
136
00:24:39,052 --> 00:24:40,677
SOLDIER 1:
Move!
137
00:24:54,135 --> 00:24:56,093
[SNARLING]
138
00:25:05,802 --> 00:25:07,135
[SOLDIER WHIMPERING]
139
00:25:10,469 --> 00:25:14,010
SOLDIER 1 [IN VALYRIAN]:
140
00:25:14,093 --> 00:25:15,594
SOLDIER 2 [IN VALYRIAN]:
141
00:25:15,677 --> 00:25:17,778
SOLDIER 1 [IN ENGLISH]: Come on!
SOLDIER 2 [IN ENGLISH]: Come on!
142
00:25:17,802 --> 00:25:19,344
SOLDIER 1: Come on!
SOLDIER 3: Come on!
143
00:25:20,802 --> 00:25:22,135
LYANNA:
Protect the gate!
144
00:25:22,219 --> 00:25:24,260
SOLDIER 1:
Protect the gate!
145
00:25:24,344 --> 00:25:26,843
They're coming! Come on!
146
00:25:26,927 --> 00:25:28,511
Fall back!
147
00:25:34,469 --> 00:25:36,344
[PANTING]
148
00:25:48,427 --> 00:25:49,469
Light the trench!
149
00:25:50,260 --> 00:25:51,677
Light the trench!
150
00:25:52,968 --> 00:25:55,385
SOLDIER 2: Wait!
SOLDIER 3: Light the trench!
151
00:26:08,552 --> 00:26:09,385
[GRUNTS]
152
00:26:09,469 --> 00:26:12,427
[♪♪♪]
153
00:26:24,719 --> 00:26:25,927
She can't see us.
154
00:26:27,677 --> 00:26:28,719
Light the trenches!
155
00:26:43,219 --> 00:26:45,344
SOLDIER 1: With a torch,
light the trenches!
156
00:26:45,427 --> 00:26:47,885
- Right there.
SOLDIER 2: Torch it!
157
00:26:49,511 --> 00:26:50,594
Light the trenches!
158
00:27:10,843 --> 00:27:12,427
[GRUNTING]
159
00:27:15,552 --> 00:27:17,552
[SNARLING]
160
00:27:17,636 --> 00:27:19,427
[SHOUTS INDISTINCTLY]
161
00:27:21,636 --> 00:27:23,636
[SHOUTING INDISTINCTLY]
162
00:27:29,260 --> 00:27:31,385
[UNSULLIED GRUNT]
163
00:27:31,469 --> 00:27:33,677
[MAN SHOUTING INDISTINCTLY]
164
00:27:42,927 --> 00:27:44,260
[SPEAKS IN VALYRIAN]
165
00:27:44,344 --> 00:27:45,427
[UNSULLIED GRUNT]
166
00:27:55,302 --> 00:27:57,302
[SPEAKING IN HIGH VALYRIAN]
167
00:28:42,010 --> 00:28:44,010
[♪♪♪]
168
00:29:13,761 --> 00:29:15,968
[SCREECHING]
169
00:29:16,052 --> 00:29:18,594
[SOLDIERS SHOUTING
INDISTINCTLY]
170
00:29:35,469 --> 00:29:36,469
Clegane.
171
00:29:38,761 --> 00:29:40,719
[BABY CRYING]
172
00:29:42,594 --> 00:29:45,594
WOMAN [SOFTLY]: You must try
not to worry yourself.
173
00:29:57,594 --> 00:30:00,761
[SIGHS] At least we're already
in a crypt.
174
00:30:05,469 --> 00:30:07,427
If we were up there,
175
00:30:07,511 --> 00:30:11,010
we might see something
everyone else is missing.
176
00:30:12,469 --> 00:30:14,093
Something that makes
a difference.
177
00:30:14,177 --> 00:30:16,885
- [SCOFFS]
- What?
178
00:30:16,968 --> 00:30:18,594
Remember the Battle
of Blackwater?
179
00:30:18,677 --> 00:30:20,010
I brought us
through the Mud Gate.
180
00:30:20,093 --> 00:30:21,511
And got your face cut in half.
181
00:30:21,594 --> 00:30:23,302
And it made a difference.
182
00:30:25,802 --> 00:30:27,385
If I was out there right now...
183
00:30:27,469 --> 00:30:28,843
You'd die.
184
00:30:31,177 --> 00:30:33,177
There's nothing you can do.
185
00:30:36,761 --> 00:30:39,052
You might be surprised
at the lengths I'd go
186
00:30:39,135 --> 00:30:41,552
to avoid joining
the Army of the Dead.
187
00:30:41,636 --> 00:30:44,843
I could think of no organization
less suited to my talents.
188
00:30:44,927 --> 00:30:47,344
Witty remarks
won't make a difference.
189
00:30:49,719 --> 00:30:52,885
That's why we're down here,
none of us can do anything.
190
00:30:54,719 --> 00:30:55,802
It's the truth.
191
00:30:57,052 --> 00:30:59,843
It's the most heroic thing
we can do now...
192
00:31:01,302 --> 00:31:03,344
look the truth in the face.
193
00:31:08,177 --> 00:31:10,594
Maybe we should have
stayed married.
194
00:31:10,677 --> 00:31:12,511
You were the best of them.
195
00:31:13,719 --> 00:31:15,885
What a terrifying thought.
196
00:31:22,843 --> 00:31:24,344
It wouldn't work between us.
197
00:31:25,677 --> 00:31:27,344
Why not?
198
00:31:27,427 --> 00:31:28,843
The Dragon Queen.
199
00:31:30,843 --> 00:31:34,219
Your divided loyalties
would become a problem.
200
00:31:35,219 --> 00:31:36,968
MISSANDEI:
Yes.
201
00:31:37,052 --> 00:31:39,885
Without the Dragon Queen,
there'd be no problem at all.
202
00:31:41,010 --> 00:31:42,594
We'd all be dead already.
203
00:31:51,761 --> 00:31:53,719
[WIND WHISTLING]
204
00:32:04,344 --> 00:32:06,219
They lit the trench.
205
00:32:19,927 --> 00:32:20,927
Bran...
206
00:32:26,344 --> 00:32:28,260
I just want you to know...
207
00:32:32,427 --> 00:32:33,427
I wish...
208
00:32:34,636 --> 00:32:35,968
The things I did...
209
00:32:36,052 --> 00:32:38,968
Everything you did
brought you where you are now.
210
00:32:41,260 --> 00:32:42,636
Where you belong.
211
00:32:44,761 --> 00:32:45,927
Home.
212
00:32:56,636 --> 00:32:58,802
I'm going to go now.
213
00:33:01,469 --> 00:33:02,469
Go where?
214
00:33:04,802 --> 00:33:07,802
[♪♪♪]
215
00:33:09,636 --> 00:33:11,636
[RAVENS CAWING]
216
00:33:33,427 --> 00:33:35,385
[♪♪♪]
217
00:34:33,719 --> 00:34:35,719
[♪♪♪]
218
00:34:51,219 --> 00:34:52,552
Man the walls!
219
00:34:53,594 --> 00:34:55,219
SOLDIER 1:
Man the walls!
220
00:35:03,427 --> 00:35:05,594
SOLDIER 2:
Man the wall!
221
00:35:05,677 --> 00:35:07,260
Man the walls!
222
00:35:09,093 --> 00:35:10,843
Come on!
223
00:35:10,927 --> 00:35:13,719
Get out there! Get moving!
224
00:35:13,802 --> 00:35:15,927
Come on. Come on! Come on!
225
00:35:19,385 --> 00:35:21,761
Go, go, go!
226
00:35:21,843 --> 00:35:23,302
BRIENNE:
Come on!
227
00:35:50,802 --> 00:35:53,135
[ROARS]
228
00:36:02,802 --> 00:36:04,677
SOLDIER 1:
They're against the wall!
229
00:36:08,802 --> 00:36:11,010
Get more men up here!
230
00:36:15,177 --> 00:36:17,260
- Fill the gaps, quickly!
- Get in there!
231
00:36:17,344 --> 00:36:18,885
SOLDIER 2:
They're climbing the walls!
232
00:36:18,968 --> 00:36:21,511
- Relieve the archers!
SOLDIER 2: Relieve the archers!
233
00:36:23,385 --> 00:36:24,761
Archers on top!
234
00:36:24,843 --> 00:36:27,594
SOLDIER 1: Move up!
SOLDIER 2: Go, go! Come here!
235
00:36:27,677 --> 00:36:29,219
- Come on!
SOLDIER 3: Move back!
236
00:36:29,302 --> 00:36:31,278
SOLDIER 4: Stand away!
SOLDIER 2: Go on, go on. Go! Go.
237
00:36:31,302 --> 00:36:33,636
SOLDIER 3: Step back.
SOLDIER 4: All the way, archers!
238
00:36:37,010 --> 00:36:38,385
[SPEAKS IN VALYRIAN]
239
00:36:43,802 --> 00:36:45,385
[SNARLING]
240
00:36:49,344 --> 00:36:50,594
SOLDIER 1:
Hold the wall!
241
00:36:50,677 --> 00:36:52,219
SOLDIER 2:
The wall, they're coming up!
242
00:36:52,302 --> 00:36:55,761
SOLDIER 3: Hold the wall!
SOLDIER 4: Hold the wall!
243
00:36:55,843 --> 00:36:57,010
Draw!
244
00:37:21,719 --> 00:37:22,885
Come on!
245
00:37:56,885 --> 00:37:59,885
[♪♪♪]
246
00:38:05,968 --> 00:38:07,052
[YELLS]
247
00:38:13,761 --> 00:38:15,093
SOLDIER:
They're coming up!
248
00:38:27,302 --> 00:38:28,469
Look out!
249
00:38:32,761 --> 00:38:34,135
[WHIMPERING]
250
00:39:28,177 --> 00:39:30,135
[SHUDDERING]
251
00:39:43,552 --> 00:39:45,843
[♪♪♪]
252
00:39:54,385 --> 00:39:55,552
[YELLS]
253
00:39:56,885 --> 00:39:58,885
[GRUNTING]
254
00:40:07,469 --> 00:40:08,594
Clegane!
255
00:40:10,052 --> 00:40:11,177
Clegane!
256
00:40:42,927 --> 00:40:44,302
[SCREAMS]
257
00:40:49,177 --> 00:40:50,260
[GRUNTS]
258
00:41:21,677 --> 00:41:23,594
BERIC:
Clegane!
259
00:41:23,677 --> 00:41:25,885
Clegane, we need you!
260
00:41:25,968 --> 00:41:27,219
You can't give up on us.
261
00:41:27,302 --> 00:41:29,511
Fuck off! We can't beat them.
262
00:41:29,594 --> 00:41:32,093
Don't you see that,
you stupid whore?
263
00:41:32,177 --> 00:41:33,885
We're fighting Death!
264
00:41:33,968 --> 00:41:35,302
They can't beat Death.
265
00:41:40,219 --> 00:41:41,469
Tell her that.
266
00:41:51,636 --> 00:41:53,219
[PANTING]
267
00:41:53,302 --> 00:41:54,843
[SCREAMING]
268
00:42:05,093 --> 00:42:07,010
[GASPING]
269
00:42:16,594 --> 00:42:17,885
[YELLS]
270
00:42:38,761 --> 00:42:40,927
[ROARS]
271
00:42:53,135 --> 00:42:56,093
[♪♪♪]
272
00:43:09,927 --> 00:43:12,885
[♪♪♪]
273
00:43:25,093 --> 00:43:27,260
[DAENERYS WHIMPERING]
274
00:43:40,761 --> 00:43:42,594
[GRUNTING]
275
00:43:44,469 --> 00:43:47,427
[♪♪♪]
276
00:44:44,260 --> 00:44:46,177
[PANTING]
277
00:44:47,177 --> 00:44:49,219
[FOOTSTEPS]
278
00:46:07,135 --> 00:46:10,093
[♪♪♪]
279
00:46:48,385 --> 00:46:50,344
[WIGHT CROAKS]
280
00:47:01,761 --> 00:47:03,344
[SNARLING]
281
00:47:19,511 --> 00:47:20,761
[GASPS SOFTLY]
282
00:47:32,385 --> 00:47:34,344
[WIND WHISTLING]
283
00:47:43,677 --> 00:47:45,677
[SNARLING IN DISTANCE]
284
00:47:47,260 --> 00:47:49,219
[BREATHING SHAKILY]
285
00:47:59,302 --> 00:48:01,219
[SNARLING]
286
00:48:04,010 --> 00:48:05,511
[PANTING]
287
00:48:33,636 --> 00:48:36,843
[WIGHTS SNARLING IN DISTANCE]
[MEN YELLING IN DISTANCE]
288
00:49:12,552 --> 00:49:14,010
[DOOR THUDS]
289
00:49:14,093 --> 00:49:15,885
[ALL GASPING]
290
00:49:15,968 --> 00:49:17,260
SOLDIER 1:
Open the door!
291
00:49:19,885 --> 00:49:21,219
SOLDIER 2:
Open the door!
292
00:49:21,302 --> 00:49:23,062
SOLDIER 3: Come on!
SOLDIER 4: Open the door!
293
00:49:23,135 --> 00:49:24,552
Open the door!
294
00:49:29,344 --> 00:49:31,177
Please!
295
00:49:31,260 --> 00:49:32,427
Open it!
296
00:49:32,511 --> 00:49:34,636
[SOLDIERS SCREAMING
INDISTINCTLY]
297
00:49:36,594 --> 00:49:38,594
[SCREAMING FADES]
298
00:49:47,344 --> 00:49:49,302
[WIND WHISTLING]
299
00:50:05,469 --> 00:50:07,427
[OBJECT CLATTERS
IN DISTANCE]
300
00:50:22,843 --> 00:50:24,511
- [OBJECT THUDS]
- [GASPS]
301
00:50:25,719 --> 00:50:27,802
[WIGHTS SNARLING
IN DISTANCE]
302
00:50:45,843 --> 00:50:47,802
[SCREAMING]
303
00:50:49,511 --> 00:50:51,177
Rah!
304
00:50:57,927 --> 00:50:59,010
Aah!
305
00:51:01,385 --> 00:51:03,344
[GRUNTING]
306
00:51:07,219 --> 00:51:09,802
Come on! Go!
307
00:51:09,885 --> 00:51:12,761
- Come on!
BERIC: Run!
308
00:51:38,968 --> 00:51:40,260
We've gotta go!
309
00:51:42,594 --> 00:51:45,594
[♪♪♪]
310
00:52:17,093 --> 00:52:19,093
[PANTING]
311
00:52:26,802 --> 00:52:28,302
[SPEAKS INDISTINCTLY]
312
00:52:41,677 --> 00:52:44,761
MELISANDRE: The Lord brought him back
for a purpose.
313
00:52:49,135 --> 00:52:51,344
Now that purpose
has been served.
314
00:52:53,761 --> 00:52:56,719
[♪♪♪]
315
00:52:56,802 --> 00:52:57,802
I know you.
316
00:53:03,511 --> 00:53:04,677
And I know you.
317
00:53:12,469 --> 00:53:14,761
You said we'd meet again.
318
00:53:14,843 --> 00:53:16,052
And here we are.
319
00:53:17,093 --> 00:53:18,385
At the end of the world.
320
00:53:20,511 --> 00:53:22,469
You said I'd shut
many eyes forever.
321
00:53:24,135 --> 00:53:25,677
You were right about that too.
322
00:53:26,761 --> 00:53:28,594
Brown eyes...
323
00:53:28,677 --> 00:53:29,885
green eyes...
324
00:53:32,219 --> 00:53:33,552
and blue eyes.
325
00:53:39,177 --> 00:53:41,219
[WIGHTS SNARLING
AND THUDDING ON DOOR]
326
00:53:53,010 --> 00:53:55,719
What do we say
to the God of Death?
327
00:53:59,968 --> 00:54:01,052
Not today.
328
00:54:02,677 --> 00:54:05,677
[♪♪♪]
329
00:54:15,927 --> 00:54:17,885
[WIND WHISTLING]
330
00:54:19,177 --> 00:54:20,719
[WIGHTS SNARLING]
331
00:54:20,802 --> 00:54:22,177
[GASPS SOFTLY]
332
00:54:26,552 --> 00:54:27,594
Here they come!
333
00:54:31,344 --> 00:54:32,427
Steady, lads.
334
00:54:33,802 --> 00:54:34,885
Steady now.
335
00:54:37,719 --> 00:54:39,093
Make every shot count.
336
00:54:40,135 --> 00:54:42,594
[♪♪♪]
337
00:54:48,511 --> 00:54:49,594
MAN 1:
Over there!
338
00:54:52,843 --> 00:54:53,885
MAN 2:
There!
339
00:54:55,761 --> 00:54:58,761
[♪♪♪]
340
00:55:34,344 --> 00:55:35,636
JON:
Get off.
341
00:55:49,968 --> 00:55:51,552
[GRUNTING]
342
00:56:23,636 --> 00:56:24,719
[JON GRUNTS]
343
00:56:28,594 --> 00:56:29,968
[GROANS]
344
00:56:30,052 --> 00:56:32,052
[PANTING]
345
00:56:34,719 --> 00:56:36,427
[ROARS]
346
00:56:41,719 --> 00:56:44,052
[DRAGON ROARING]
347
00:56:57,010 --> 00:57:00,010
[♪♪♪]
348
00:57:12,843 --> 00:57:13,927
Dracarys.
349
00:57:18,385 --> 00:57:21,385
[♪♪♪]
350
00:58:05,052 --> 00:58:08,010
[♪♪♪]
351
00:58:15,177 --> 00:58:16,594
[DAENERYS GRUNTS]
352
00:59:09,761 --> 00:59:11,719
[♪♪♪]
353
00:59:13,135 --> 00:59:15,052
[PANTING]
354
00:59:44,385 --> 00:59:46,344
[WIND WHISTLING]
355
00:59:54,427 --> 00:59:57,052
[ALL GRUNTING]
356
01:00:40,344 --> 01:00:42,302
[♪♪♪]
357
01:00:56,177 --> 01:00:57,594
[JON YELLS]
358
01:01:22,469 --> 01:01:24,469
[WIGHTS RUSTLING]
359
01:01:28,052 --> 01:01:29,177
[GASPS]
360
01:01:30,802 --> 01:01:32,719
[SNARLING]
361
01:01:40,511 --> 01:01:42,511
[BABY CRYING]
362
01:01:50,636 --> 01:01:52,636
[PEOPLE SCREAMING]
363
01:01:57,802 --> 01:01:59,344
Come on! Come on!
364
01:02:01,511 --> 01:02:03,843
No! No, no, no!
365
01:02:22,469 --> 01:02:23,843
[GRUNTING]
366
01:02:39,968 --> 01:02:42,885
[♪♪♪]
367
01:02:53,719 --> 01:02:56,093
- Bran!
DAENERYS: Go!
368
01:03:01,219 --> 01:03:03,260
[WIGHTS SNARLING]
[DROGON ROARING]
369
01:03:28,385 --> 01:03:30,344
[DROGON SCREECHES]
370
01:03:45,552 --> 01:03:46,636
[GRUNTS]
371
01:04:04,469 --> 01:04:05,469
[WHIMPERS]
372
01:04:18,552 --> 01:04:21,511
[♪♪♪]
373
01:04:38,511 --> 01:04:40,636
[YELLING INDISTINCTLY]
374
01:04:41,511 --> 01:04:42,511
[GRUNTS]
375
01:04:43,344 --> 01:04:45,177
[SAMWELL SCREAMING]
376
01:05:23,219 --> 01:05:25,219
[HISSING AND SNARLING]
377
01:05:53,927 --> 01:05:55,260
[YELLS]
378
01:06:20,469 --> 01:06:22,177
[SCREAMING]
379
01:06:38,802 --> 01:06:40,802
[PANTING]
380
01:07:03,010 --> 01:07:05,010
[♪♪♪]
381
01:07:29,385 --> 01:07:30,511
[EXHALES SHARPLY]
382
01:07:35,885 --> 01:07:37,344
[DRAGON ROARS]
383
01:07:47,885 --> 01:07:49,052
[GRUNTS]
384
01:08:14,052 --> 01:08:15,093
Jorah!
385
01:08:49,344 --> 01:08:51,260
[ROARING]
386
01:08:54,594 --> 01:08:55,761
[GRUNTS]
387
01:09:46,177 --> 01:09:47,427
[YELLS]
388
01:09:47,511 --> 01:09:49,469
[SNIFFLING]
389
01:10:14,260 --> 01:10:15,260
[GASPS]
390
01:11:00,677 --> 01:11:01,843
BRAN:
Theon.
391
01:11:13,677 --> 01:11:15,219
You're a good man.
392
01:11:21,260 --> 01:11:22,260
Thank you.
393
01:11:57,302 --> 01:11:59,636
[YELLING]
394
01:12:15,968 --> 01:12:17,093
[GRUNTING]
395
01:13:35,469 --> 01:13:36,552
[GRUNTS]
396
01:14:13,594 --> 01:14:15,427
[VISERION ROARS]
397
01:15:26,010 --> 01:15:27,719
[YELLS]
398
01:15:39,719 --> 01:15:40,968
[YELLS]
399
01:15:47,761 --> 01:15:48,885
[GRUNTS]
400
01:15:54,511 --> 01:15:55,968
[GASPS]
401
01:16:10,093 --> 01:16:13,719
[♪♪♪]
402
01:16:46,093 --> 01:16:47,761
I'm hurt.
403
01:17:22,968 --> 01:17:25,968
[♪♪♪]
404
01:17:42,469 --> 01:17:43,802
[SOBBING]
405
01:18:14,177 --> 01:18:16,177
[GROWLING SOFTLY]
406
01:20:05,427 --> 01:20:08,469
[♪♪♪]
407
01:21:17,177 --> 01:21:19,469
(FIRE CRACKLING)
408
01:21:22,802 --> 01:21:25,010
♪ (DRAMATIC MUSIC PLAYS) ♪
409
01:21:26,135 --> 01:21:28,219
DAENERYS TARGARYEN:
We have won the Great War.
410
01:21:30,052 --> 01:21:31,636
Now, we will win the last war.
411
01:21:31,719 --> 01:21:32,636
(CHEERING)
412
01:21:32,719 --> 01:21:35,344
♪ (MUSIC INTENSIFIES) ♪
413
01:21:39,636 --> 01:21:41,719
DAENERYS: We'll rip her out
root and stem.
414
01:21:47,427 --> 01:21:50,052
- (WHIMPERS)
- MAN: Mind out!
415
01:21:52,385 --> 01:21:53,385
Move.
416
01:21:53,636 --> 01:21:55,885
We've been building
towards this for so long now.
417
01:21:55,968 --> 01:21:57,802
You think back
to the very beginning
418
01:21:57,885 --> 01:21:59,093
of the very first episode,
419
01:21:59,385 --> 01:22:02,636
and it's beyond the Wall where
the White Walkers are stalking.
420
01:22:02,719 --> 01:22:03,799
They're a group of rangers.
421
01:22:04,135 --> 01:22:06,344
So, this is the culmination of
one of the key storylines
422
01:22:06,427 --> 01:22:07,719
in... in the whole show.
423
01:22:08,636 --> 01:22:10,177
And this is for everything.
424
01:22:10,511 --> 01:22:12,177
We've been talking for
a long time,
425
01:22:12,260 --> 01:22:14,677
how Night King's forces
have been growing in power,
426
01:22:14,761 --> 01:22:16,195
and most of the living
have been kind of
427
01:22:16,219 --> 01:22:19,093
openly disdainful of the threat,
and now there's no choice
428
01:22:19,177 --> 01:22:19,968
but to fight it.
429
01:22:20,052 --> 01:22:22,802
♪ (DRAMATIC MUSIC PLAYING) ♪
430
01:22:25,677 --> 01:22:26,819
DAVID BENIOFF:
I really love the way
431
01:22:26,843 --> 01:22:28,636
the first ten minutes or so
plays out,
432
01:22:28,719 --> 01:22:29,968
because there's so much tension
433
01:22:30,052 --> 01:22:32,511
before there's any encounter
with the enemy.
434
01:22:32,594 --> 01:22:33,677
BOY: Come on!
435
01:22:33,761 --> 01:22:35,010
(INDISTINCT SHOUTING)
436
01:22:35,219 --> 01:22:37,236
BENIOFF: You know, as much as
they try to conceal it,
437
01:22:37,260 --> 01:22:39,677
people are terrified,
because this is...
438
01:22:39,761 --> 01:22:41,385
this is death coming for them.
439
01:22:41,469 --> 01:22:43,636
You know, so much of it is just
kind of, on one hand,
440
01:22:43,719 --> 01:22:45,344
setting the mood
for the episode,
441
01:22:45,427 --> 01:22:47,737
and the other hand, showing us where
these characters are gonna be.
442
01:22:47,761 --> 01:22:49,968
The entire episode takes place
in Winterfell.
443
01:22:50,052 --> 01:22:53,177
And you have 19 or 20 characters
all involved
444
01:22:53,260 --> 01:22:55,135
in a very chaotic situation,
445
01:22:55,219 --> 01:22:58,802
that needs many, many locations
to service it.
446
01:23:02,469 --> 01:23:04,885
BENIOFF: Because it's such
a long battle in this episode,
447
01:23:04,968 --> 01:23:07,219
it's important that we feel
the ebb and flow.
448
01:23:07,302 --> 01:23:08,861
And so, there are moments
when you think things
449
01:23:08,885 --> 01:23:10,528
are going a little bit better
for the living.
450
01:23:10,552 --> 01:23:11,792
Tell them to lift their swords.
451
01:23:12,302 --> 01:23:16,594
We felt like it was important
to have that moment of hope,
452
01:23:16,677 --> 01:23:19,344
when Mel comes in and lights up
their arakh,
453
01:23:19,802 --> 01:23:21,677
and they all ride off
into battle.
454
01:23:21,761 --> 01:23:23,968
(SPEAKS VALYRIAN)
455
01:23:27,093 --> 01:23:28,260
(SOLDIERS GASP)
456
01:23:28,636 --> 01:23:30,385
(INDISTINCT SHOUTING)
457
01:23:30,469 --> 01:23:32,195
D.B. WEISS: We wanted
our characters to feel, like,
458
01:23:32,219 --> 01:23:34,019
that this... maybe this is
all gonna work out,
459
01:23:34,052 --> 01:23:35,412
maybe things are all gonna
be okay.
460
01:23:35,885 --> 01:23:39,885
We've seen how devastating a Dothraki charge
can be just with their regular swords,
461
01:23:39,968 --> 01:23:41,761
and now when they're galloping
into combat
462
01:23:41,843 --> 01:23:43,885
with, uh, flaming arakhs,
it's... it's...
463
01:23:43,968 --> 01:23:46,260
Uh... What could possibly
stand against that?
464
01:23:46,344 --> 01:23:48,177
(HORSE WHINNIES)
465
01:23:49,636 --> 01:23:50,968
BENIOFF:
What they see is just
466
01:23:51,052 --> 01:23:53,052
the end of the Dothraki,
essentially.
467
01:23:53,927 --> 01:23:55,719
WEISS: They have a plan,
and it's important
468
01:23:55,802 --> 01:23:58,010
to wait for the Night King
to reveal himself,
469
01:23:58,093 --> 01:24:00,344
and then have two dragons
against one dragon,
470
01:24:00,427 --> 01:24:02,843
and a really good chance
of... of defeating him.
471
01:24:02,927 --> 01:24:04,445
One thing that
they couldn't have foreseen
472
01:24:04,469 --> 01:24:08,260
was Daeny's reaction to seeing
the Dothraki decimated.
473
01:24:08,344 --> 01:24:11,344
Jon is the person who
wants to stick to the plan,
474
01:24:11,427 --> 01:24:12,761
but the Dothraki are not Jon's;
475
01:24:12,843 --> 01:24:14,763
they're not loyal to Jon,
they're loyal to Daeny,
476
01:24:14,802 --> 01:24:18,927
and I think that Daeny can't bring
herself to just watch them die,
477
01:24:19,010 --> 01:24:21,843
and so the plan starts
to fall apart
478
01:24:21,927 --> 01:24:24,344
the second she gets
on her dragon,
479
01:24:24,427 --> 01:24:27,594
so he does too,
and then we take it from there.
480
01:24:27,677 --> 01:24:30,761
♪ (TENSE MUSIC PLAYING) ♪
481
01:24:39,135 --> 01:24:41,093
(SNARLING)
482
01:24:41,302 --> 01:24:44,302
BENIOFF: We knew this episode was
gonna be almost entirely battle,
483
01:24:44,385 --> 01:24:46,761
and that can get really boring
really quickly.
484
01:24:46,843 --> 01:24:49,843
You can watch it
for a certain number of minutes
485
01:24:49,927 --> 01:24:52,302
before the effect starts
to dampen.
486
01:24:52,385 --> 01:24:55,028
Part of it was making sure that we
really stayed focused on the characters,
487
01:24:55,052 --> 01:24:57,843
and so whether it's Arya's
storyline,
488
01:24:57,927 --> 01:25:00,344
or Sansa and Tyrion
down the crypt,
489
01:25:00,427 --> 01:25:03,677
or Jon Snow and Daeny
up on the dragons.
490
01:25:03,761 --> 01:25:06,302
Kinda like all these separate
little battles within the...
491
01:25:06,385 --> 01:25:07,636
within the greater battle.
492
01:25:08,260 --> 01:25:10,552
- (SWORDS CLANKING)
- (SNARLING)
493
01:25:11,511 --> 01:25:14,636
Lyanna Mormont was supposed
to be a one-scene character,
494
01:25:14,719 --> 01:25:16,219
and then we met
Bella Ramsay,
495
01:25:16,302 --> 01:25:19,927
and we realized that we would
not be doing our jobs
496
01:25:20,010 --> 01:25:22,260
if we kept her as
a one-scene character.
497
01:25:22,469 --> 01:25:25,511
My mother wasn't a great beauty
or any other kind of beauty.
498
01:25:25,761 --> 01:25:27,177
She was a great warrior, though.
499
01:25:27,260 --> 01:25:29,427
She died fighting
for your brother, Robb.
500
01:25:30,010 --> 01:25:31,843
WEISS: We knew that
you can't give a...
501
01:25:31,927 --> 01:25:34,927
a big death to everybody
who dies in this battle,
502
01:25:35,010 --> 01:25:37,677
'cause it would've...
It just would've been too much,
503
01:25:37,761 --> 01:25:39,260
but there...
Also, if she were to die,
504
01:25:39,344 --> 01:25:42,968
there was no way to... to not
make a moment of it, so...
505
01:25:43,219 --> 01:25:45,802
that's where the zombie giant
comes in.
506
01:25:47,219 --> 01:25:50,761
It just did add a whole level
of complexity
507
01:25:50,843 --> 01:25:53,385
to that moment,
that I'm sure a lot of people
508
01:25:53,469 --> 01:25:56,552
would've been okay with
not having there,
509
01:25:56,636 --> 01:25:58,427
if we had demanded to cut it,
510
01:25:58,511 --> 01:26:01,010
but I think they also
understood why we needed
511
01:26:01,093 --> 01:26:04,802
to give one of the strongest
smaller people in the show
512
01:26:04,885 --> 01:26:06,968
a chance to go out
taking down
513
01:26:07,052 --> 01:26:09,677
one of the strongest
larger things we've, uh,
514
01:26:09,761 --> 01:26:10,968
we've ever seen in the show.
515
01:26:11,052 --> 01:26:14,594
- (LYANNA SCREAMS)
- (ZOMBIE GIANT GROWLS)
516
01:26:21,636 --> 01:26:22,636
(ARYA SHRIEKS)
517
01:26:24,260 --> 01:26:26,927
WEISS: In any situation
where people are fighting,
518
01:26:27,010 --> 01:26:28,677
Arya needs to play
a central role,
519
01:26:28,761 --> 01:26:30,028
'cause she's one of
the best at it,
520
01:26:30,052 --> 01:26:32,302
and she's one of the most fun
to watch doing it.
521
01:26:32,385 --> 01:26:33,653
- (ARYA GRUNTS)
- BENIOFF: Even for Arya,
522
01:26:33,677 --> 01:26:36,469
she can't take on a horde
of wights by herself,
523
01:26:36,552 --> 01:26:38,594
and especially when her head
gets smacked,
524
01:26:38,677 --> 01:26:39,927
she's no longer at 100 percent.
525
01:26:40,135 --> 01:26:42,385
It's just about survival
at that point.
526
01:26:42,469 --> 01:26:45,093
WEISS: Otherwise,
she's completely unstoppable,
527
01:26:45,177 --> 01:26:46,385
and she never loses her cool,
528
01:26:46,469 --> 01:26:48,761
and it's amazing, and it's
a lot of fun to watch,
529
01:26:48,843 --> 01:26:50,636
but it's also... it's one note,
530
01:26:50,719 --> 01:26:55,469
so we decided that almost rewinding
the clock on who Arya Stark is
531
01:26:55,552 --> 01:26:59,843
to back before she became this sort
of magical figure that she's become
532
01:26:59,927 --> 01:27:01,385
would really be interesting,
533
01:27:01,469 --> 01:27:03,427
and would also give us a chance
to change up
534
01:27:03,511 --> 01:27:06,344
the nature of the story
we were telling.
535
01:27:08,385 --> 01:27:10,653
We talked about Winterfell as
kind of the home for the show,
536
01:27:10,677 --> 01:27:12,636
and, uh, one of the things
that always struck us
537
01:27:12,719 --> 01:27:15,260
as a horrific aspect of this
is that these hallways
538
01:27:15,344 --> 01:27:17,469
and rooms where we spent
a lot of good times
539
01:27:17,552 --> 01:27:20,093
and... and quiet times with
characters that we care about,
540
01:27:20,177 --> 01:27:21,802
has now become a horror set,
541
01:27:21,885 --> 01:27:24,677
because it's been invaded by
undead soldiers.
542
01:27:25,594 --> 01:27:26,843
(SNARLS)
543
01:27:26,927 --> 01:27:28,135
WEISS: Before that point,
544
01:27:28,219 --> 01:27:30,344
there's sort of an agoraphobia
to the whole thing
545
01:27:30,427 --> 01:27:33,093
where you have
this giant wide-open space
546
01:27:33,177 --> 01:27:36,927
and everywhere you look
you... there's something
547
01:27:37,010 --> 01:27:38,385
that could be coming
to kill you.
548
01:27:38,469 --> 01:27:40,802
Once you get inside Winterfell,
everything contracts,
549
01:27:40,885 --> 01:27:44,260
and the... the walls literally
start to close in around you,
550
01:27:44,344 --> 01:27:46,177
and something is there
in the dark with you,
551
01:27:46,260 --> 01:27:48,177
but you don't know exactly
where it is.
552
01:27:48,260 --> 01:27:50,010
And we thought that
the pace change
553
01:27:50,093 --> 01:27:51,968
and the tonal change
was really important
554
01:27:52,260 --> 01:27:54,927
to have that in this episode,
555
01:27:55,010 --> 01:27:57,093
otherwise the episode
would start to feel...
556
01:27:57,427 --> 01:27:59,260
would start to feel monotonous.
557
01:28:02,469 --> 01:28:03,719
Dracarys.
558
01:28:03,927 --> 01:28:05,236
WEISS: We thought it was
important that,
559
01:28:05,260 --> 01:28:08,302
whatever the plan was,
that it not just work out,
560
01:28:08,385 --> 01:28:10,177
'cause that would be
kind of dull.
561
01:28:10,260 --> 01:28:12,552
While there's no reason to know
for certain that
562
01:28:12,636 --> 01:28:15,802
the fire wouldn't kill
or destroy the Night King,
563
01:28:15,885 --> 01:28:18,719
there's also no particular
reason to believe that it would.
564
01:28:18,927 --> 01:28:21,260
And then, a few moments after
this happens,
565
01:28:21,427 --> 01:28:23,385
the Night King brings them
a whole new,
566
01:28:23,469 --> 01:28:27,052
larger undead problem
by taking all of their own
567
01:28:27,135 --> 01:28:29,885
who have been killed
in the course of this battle,
568
01:28:29,968 --> 01:28:31,594
and turning them into the enemy.
569
01:28:36,927 --> 01:28:39,219
BENIOFF: I mean, we talked about
various endings for Jorah
570
01:28:39,302 --> 01:28:41,469
for a long time, but, you know,
you think about Jorah,
571
01:28:41,552 --> 01:28:44,135
from the very first time
we met him, he was with Daeny,
572
01:28:44,219 --> 01:28:46,968
and from that time,
he's been mostly by her side.
573
01:28:47,052 --> 01:28:48,385
Part of Jorah's tragedy is
574
01:28:48,469 --> 01:28:51,093
that he was in love with a woman
who couldn't love him back,
575
01:28:51,177 --> 01:28:53,177
but he's accepted that
for quite a long time,
576
01:28:53,260 --> 01:28:55,260
at the same time he was
going to fight for her
577
01:28:55,344 --> 01:28:57,552
as long as he could
and as well as he could.
578
01:28:57,636 --> 01:29:01,427
There'd never been a moment
where she more needed someone
579
01:29:01,511 --> 01:29:03,552
to fight to protect her
than this moment.
580
01:29:03,636 --> 01:29:06,552
And if he could've chosen
a way to die,
581
01:29:06,636 --> 01:29:08,552
this is how he would've chosen
to die.
582
01:29:08,636 --> 01:29:13,552
So, it was something we thought
would be powerful to give him.
583
01:29:14,093 --> 01:29:17,677
- (DAENERYS SOBS)
- (DRAGON EXHALES)
584
01:29:20,594 --> 01:29:22,195
BENIOFF: The reason
the Godswood was chosen
585
01:29:22,219 --> 01:29:23,885
is because it's such
a source of power
586
01:29:23,968 --> 01:29:27,469
for those who believe in the old
gods, and for Bran in particular,
587
01:29:27,552 --> 01:29:29,761
so we know the weirwood tree
and the three-eyed raven
588
01:29:29,843 --> 01:29:31,260
have a very deep connection.
589
01:29:31,344 --> 01:29:33,761
That was always the location
where Bran was going
590
01:29:33,843 --> 01:29:35,594
to be waiting
for the Night King.
591
01:29:35,927 --> 01:29:37,177
I just want you to know...
592
01:29:39,010 --> 01:29:41,010
- the things I did...
- Everything you did
593
01:29:41,093 --> 01:29:42,552
brought you where you are now.
594
01:29:44,677 --> 01:29:45,719
Where you belong.
595
01:29:48,344 --> 01:29:49,344
Home.
596
01:29:49,511 --> 01:29:51,552
WEISS: It's not like the show
is entirely about
597
01:29:51,636 --> 01:29:54,636
people redeeming themselves
and then it's all over,
598
01:29:54,719 --> 01:29:56,802
but if you... if the canvas
is big enough,
599
01:29:56,885 --> 01:30:00,302
there are spaces for those
redemptive moments.
600
01:30:00,385 --> 01:30:02,302
I think what was
really important for Theon
601
01:30:02,385 --> 01:30:04,677
at the end was hearing
that thank you from Bran,
602
01:30:04,761 --> 01:30:06,469
because Bran knows
what's gonna happen.
603
01:30:06,552 --> 01:30:07,552
BRAN: Theon.
604
01:30:12,135 --> 01:30:13,511
You're a good man.
605
01:30:14,469 --> 01:30:15,469
Thank you.
606
01:30:15,719 --> 01:30:17,570
He knows he's dead,
he knows he's not gonna be able
607
01:30:17,594 --> 01:30:20,260
to kill the Night King,
but I think what's really heroic
608
01:30:20,344 --> 01:30:22,302
about his action is that
we're all gonna die,
609
01:30:22,385 --> 01:30:24,361
and we know we're not gonna be
able to defeat death at the end,
610
01:30:24,385 --> 01:30:26,885
but, you know, it's... it's how
you face those final moments,
611
01:30:26,968 --> 01:30:28,636
and he chooses to run
straight at it,
612
01:30:28,719 --> 01:30:32,302
and I think he dies in a way
that, um, makes us
613
01:30:32,385 --> 01:30:35,594
really proud of him and
the journey he's gone through.
614
01:30:40,093 --> 01:30:42,511
- (ARYA SCREAMS)
- BENIOFF: For...
615
01:30:42,594 --> 01:30:44,612
God, I think it's probably
three years now or something,
616
01:30:44,636 --> 01:30:47,010
we've known that it was
gonna be Arya
617
01:30:47,093 --> 01:30:49,177
who delivers that...
that fatal blow.
618
01:30:49,260 --> 01:30:50,900
WEISS: She seemed like
the best candidate,
619
01:30:50,927 --> 01:30:53,761
provided we weren't thinking
about her in that moment.
620
01:30:53,843 --> 01:30:55,570
One of the great things
about having this many people
621
01:30:55,594 --> 01:30:58,177
you care about
in a sequence together
622
01:30:58,260 --> 01:31:00,219
is that it can kind of
pull people's attention
623
01:31:00,302 --> 01:31:02,511
and focus to people that
they care about a lot,
624
01:31:02,594 --> 01:31:05,511
like Jon, like Daeny,
Theon, and Bran,
625
01:31:05,594 --> 01:31:07,552
not to mention Tyrion
and Sansa in the crypt,
626
01:31:07,636 --> 01:31:08,819
so you're going
all over the place
627
01:31:08,843 --> 01:31:10,683
with people who you're
desperately worried for,
628
01:31:10,761 --> 01:31:14,344
and, uh, hopefully
you forget about the fact that
629
01:31:14,427 --> 01:31:16,511
Arya Stark ran out of
that castle
630
01:31:16,594 --> 01:31:17,802
with the battle drums playing,
631
01:31:17,885 --> 01:31:19,594
going towards some purpose,
632
01:31:19,677 --> 01:31:21,636
and we don't know what
until it happens.
633
01:31:21,719 --> 01:31:23,599
BENIOFF: We hoped to kind of
avoid the expected,
634
01:31:23,636 --> 01:31:25,385
and Jon Snow has
always been the hero,
635
01:31:25,469 --> 01:31:26,885
the one who's been the savior,
636
01:31:26,968 --> 01:31:30,219
but it just didn't seem right
to us, for this...
637
01:31:30,302 --> 01:31:31,302
for this moment.
638
01:31:31,968 --> 01:31:34,278
We knew it had to be Valyrian
steel, to the exact spot where
639
01:31:34,302 --> 01:31:38,219
the child of the forest put the dragonglass
blade to create the Night King,
640
01:31:38,302 --> 01:31:41,885
and he is uncreated
by the Valyrian steel.
641
01:31:41,968 --> 01:31:43,552
At the end of it, it's still...
642
01:31:43,636 --> 01:31:46,636
It's a victory for the living,
but at great cost,
643
01:31:46,719 --> 01:31:49,843
because some of our favorite
characters fall along the way.
644
01:31:51,135 --> 01:31:52,445
WEISS: We knew from
the beginning,
645
01:31:52,469 --> 01:31:55,552
once we'd handed the outline in,
what we were in for.
646
01:31:55,636 --> 01:31:59,010
The director, Miguel Sapochnik,
took what we were doing
647
01:31:59,093 --> 01:32:01,010
and defined this episode.
648
01:32:01,093 --> 01:32:03,385
Miguel did
a tremendous amount of
649
01:32:03,469 --> 01:32:05,427
heroic heavy lifting
on this front.
650
01:32:05,511 --> 01:32:07,427
He knew that if the planning
wasn't there,
651
01:32:07,511 --> 01:32:10,927
we never would've ended up
with the consistent excellence
652
01:32:11,010 --> 01:32:12,052
that he delivered.
653
01:32:12,135 --> 01:32:13,968
It is to their immense credit
that...
654
01:32:14,052 --> 01:32:15,885
not only that they endured it,
um,
655
01:32:15,968 --> 01:32:19,385
but that they did such a great job
the whole time they were there.
656
01:32:19,469 --> 01:32:22,636
WEISS: It's a real testament
to the entire Belfast crew
657
01:32:22,719 --> 01:32:25,802
who gave us something that no
amount of money could ever buy.
657
01:32:26,305 --> 01:32:32,941
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